page_title: Mexican pop music
section_title: 1970s and 1980s
hierarchical_section_title: Mexican pop music / 1970s and 1980s
caption_attribution_description: Español: Estatua de José José en la colonia Claveria, Ciudad de México.
context_page_description: Mexican pop is a music genre produced in Mexico, particularly intended for teenagers and young adults.
  Mexico is the country that exports the most entertainment in Spanish language. Mexican pop was limited to Latin America until the mid-1990s, when an interest towards this type of music increased after Selena's, Luis Miguel's, Paulina Rubio's, Thalía's and Angélica María's debuts before the mainstream USA audience.
  In the southwestern United States, Spanish guitar rhythms and Mexican musical influences may have inspired some of the music of American musicians Ritchie Valens, Danny Flores, Sam the Sham, Roy Orbison and later, Herb Alpert. Initially, the public exhibited only moderate interest in them, because the media attention was focused on La Ola Inglesa.
  In 1954 Andy Russell, relocated to Mexico where he became a star of radio, television, motion pictures, records and nightclubs. During the 1960s and 1970s, most of the pop music produced in Mexico consisted on Spanish-language versions of English-language rock-and-roll hits.
context_section_description: On September 13, 1969, Televisa, a Mexican company and the world's largest Spanish-language television network launched the variety show Siempre en Domingo (Always on Sundays) hosted by Raúl Velasco. Siempre en Domingo became one of the most popular TV shows in Latin America with about 420 million television viewers around the world (according to Televisa and their partners). Siempre en Domingo was a TV show where many artists performed and debuted. At the time, an appearance was a hallmark of success and performers considered an appearance on the program as a guarantee of stardom similar to The Ed Sullivan Show in the United States. Velasco encouraged many Mexican singers such as Lucía Méndez, Lucero, Emmanuel, Mijares, Gloria Trevi, Timbiriche, and Lorenzo Antonio, and helped many of these to become full-fledged stars within the county. Moreover, Velasco presented foreign artists such as Julio Iglesias, Raphael, Miguel Bosé, Chayanne and Ricky Martin. Artists that would bring pop music to Latin America, were, in part by Siempre en Domingo, helped in that effort thanks for their appearances in the program.
  In 1970 Jose Jose jumped to fame when he sang "El Triste" at the Festival de la Canción Latina. He didn't win the prestigious singing contest but his performance was so memorable that fans across Latin America considered him the actual winner.
  The romantic balada, which gained popularity in the 1970s, continued to dominate the Latin music charts in the 1980s. Veteran balladeers who continued to be popular in this decade include Julio Iglesias, José José, Roberto Carlos, and Juan Gabriel.  The Latin balada is characterized by its bolero origin by fusing music from the United States with pop, R&B, and rock.
  Female balada singers that became topped the Latin music charts includes Ana Gabriel, Daniela Romo, Rocío Dúrcal, Gloria Estefan, and Marisela. Notably, several baladas were Spanish-language covers of songs originally performed in Italian. Notable Spanish-language covers of Italian songs include "Maldita Primavera" by Yuri, "Toda la Vida" by Emmanuel, "Yo No Te Pido la Luna" by Daniela Romo, and "Tan Enamorados" by Ricardo Montaner.
  The 1980s gave rise to the teenage groups Menudo, Timbiriche, and Los Chicos, as well as emerging teenage stars such as Luis Miguel and Alejandra Ávalos. By 1988, however, the aforementioned Luis Miguel would transform into an adult superstar at age 18 with the hit La Incondicional (1989). Not too far behind was former Los Chicos' member Chayanne as he became a leading pop star by the end of the decade, with his 1987 hit Fiesta en America. As young stars begin to rise in Latin music, veterans such as Julio Iglesias, José José, Juan Gabriel, and José Luis Rodríguez El Puma continue their dominance in Latin music. Tejano Music starts to give little rise after Mazz crosses over to Mexico after their albums Una Noche Juntos and No Te Olvidare win Grammys.
  Aside from the baladas, several Latin pop artists and bands performed variety of Spanish-language pop and dance music targeted to the younger audience. These include Yuri, Marisela, Mecano, Miguel Bosé, Timbiriche, Menudo, and Flans. "Que Te Pasa" became the longest-running chart of the 1980s, spending 16 weeks on top of the Billboard Hot Latin Tracks chart. Juan Gabriel and Rocío Dúrcal collaborated with Chuck Anderson to incorporate mariachi arrangements on their ballads. Child pop singers such as Luis Miguel, Pedrito Fernández, and Lucerito had a prepubescent following.
  During the 1980s songwriters like Guillermo Méndez Guiú, Rafael Pérez Botija or Aureo Baqueiro wrote songs for singers like Yuri, Lucía Méndez and musical groups like Timbiriche, Flans and Fandango. These groups headed the radio charts in Mexico and launched international career by promoting their music in Latin America. Other pop music icons in Mexico during the 1980s include José María Napoleón, Magneto, Dulce, Franco de Vita, Juan Luis Guerra, Isabel Pantoja, Ana Torroja and Rocío Dúrcal. Although not all of these singers are from Mexico.
  The most well-known Mexican sin
caption: Statue of crooner José José El Príncipe de la Canción (The Prince of Song) in Mexico City.
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