page_title: Milan
section_title: Architecture
hierarchical_section_title: Milan / Cityscape / Architecture
caption_attribution_description: Deutsch: Friedensbogen, Mailand, Provinz Mailand, Region Lombardei, Italien English: Peace Arch, Milan, Province of Milan, Region of Lombardy, Italy
context_page_description: Milan is a city in northern Italy, capital of Lombardy, and the second-most populous city in Italy after Rome. Milan served as the capital of the Western Roman Empire, the Duchy of Milan and the Kingdom of Lombardy–Venetia.
  The city proper has a population of about 1.4 million while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area, that stretches well beyond the boundaries of the administrative metropolitan city, is the fourth largest in the EU with 5.27 million inhabitants. The population within the wider Milan metropolitan area, also known as Greater Milan, is estimated at 8.2 million, making it by far the largest metropolitan area in Italy and the 3rd largest in the EU.
  Milan is considered a leading alpha global city, with strengths in the fields of art, commerce, design, education, entertainment, fashion, finance, healthcare, media, services, research and tourism. Its business district hosts Italy's stock exchange, and the headquarters of national and international banks and companies. In terms of GDP, it has the second-largest economy among EU cities after Paris, and is the wealthiest among EU non-capital cities.
context_section_description: There are only few remains of the ancient Roman colony, notably the well-preserved Colonne di San Lorenzo. During the second half of the 4th century, Saint Ambrose, as bishop of Milan, had a strong influence on the layout of the city, reshaping the centre (although the cathedral and baptistery built in Roman times are now lost) and building the great basilicas at the city gates: Sant'Ambrogio, San Nazaro in Brolo, San Simpliciano and Sant'Eustorgio, which still stand, refurbished over the centuries, as some of the finest and most important churches in Milan. Milan's Cathedral, built between 1386 and 1877, is the fifth-largest cathedral in the world and the most important example of Gothic architecture in Italy. The gilt bronze statue of the Virgin Mary, placed in 1774 on the highest pinnacle of the Duomo, soon became one of the most enduring symbols of Milan.
  In the 15th century, when the Sforza ruled the city, an old Viscontean fortress was enlarged and embellished to become the Castello Sforzesco, the seat of an elegant Renaissance court surrounded by a walled hunting park. Notable architects involved in the project included the Florentine Filarete, who was commissioned to build the high central entrance tower, and the military specialist Bartolomeo Gadio. The alliance between Francesco Sforza and Florence's Cosimo de' Medici bore to Milan Tuscan models of Renaissance architecture, apparent in the Ospedale Maggiore and Bramante's work in the city, which includes Santa Maria presso San Satiro (a reconstruction of a small 9th-century church), the tribune of Santa Maria delle Grazie and three cloisters for Sant'Ambrogio. The Counter-Reformation in the 16th to 17th centuries was also the period of Spanish domination and was marked by two powerful figures: Saint Charles Borromeo and his cousin, Cardinal Federico Borromeo. Not only did they impose themselves as moral guides to the people of Milan, but they also gave a great impulse to culture, with the creation of the Biblioteca Ambrosiana, in a building designed by Francesco Maria Ricchino, and the nearby Pinacoteca Ambrosiana. Many notable churches and Baroque mansions were built in the city during this period by the architects, Pellegrino Tibaldi, Galeazzo Alessi and Ricchino himself.
  Empress Maria Theresa of Austria was responsible for the significant renovations carried out in Milan during the 18th century. This urban and artistic renewal included the establishment of Teatro alla Scala, inaugurated in 1778, and the renovation of the Royal Palace. The late 1700s Palazzo Belgioioso by Giuseppe Piermarini and Royal Villa of Milan by Leopoldo Pollack, later the official residence of Austrian viceroys, are often regarded among the best examples of Neoclassical architecture in Lombardy. The Napoleonic rule of the city in 1805–1814, having established Milan as the capital of a satellite Kingdom of Italy, took steps in order to reshape it accordingly to its new status, with the construction of large boulevards, new squares (Porta Ticinese by Luigi Cagnola and Foro Bonaparte by Giovanni Antonio Antolini) and cultural institutions (Art Gallery and the Academy of Fine Arts). The massive Arch of Peace, situated at the bottom of Corso Sempione, is often compared to the Arc de Triomphe in Paris. In the second half of the 19th century, Milan quickly became the main industrial centre of the new Italian nation, drawing inspiration from the great European capitals that were hubs of the Second Industrial Revolution. The great Galleria Vittorio Emanuele II, realised by Giuseppe Mengoni between 1865 and 1877 to celebrate Vittorio Emanuele II, is a covered passage with a glass and cast iron roof, inspired by the Burlington Arcade in London. Another late-19th-century eclectic monument in the city is the Cimitero Monumentale graveyard, built in a Neo-Romanesque style between 1863 and 1866.
  The tumultuous period of early 20th century brought several, radical innovations in Milanese architecture. Art Nouveau, also known as Liberty in Italy, is recognisable in Palazzo Castiglioni, built by archit
caption: The Arch of the Peace, 1807.
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