page_title: Pointillism
section_title: Technique
hierarchical_section_title: Pointillism / Technique
caption_attribution_description: Français&#160;: D'après Paul Signac Femmes au puits 1892.jpg, fichier retravaillé pour distinguer les détails
context_page_description: Pointillism is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.
  Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term "Pointillism" was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier mocking connotation. The movement Seurat began with this technique is known as Neo-impressionism. The Divisionists used a similar technique of patterns to form images, though with larger cube-like brushstrokes.
context_section_description: The technique relies on the ability of the eye and mind of the viewer to blend the color spots into a fuller range of tones. It is related to Divisionism, a more technical variant of the method. Divisionism is concerned with color theory, whereas pointillism is more focused on the specific style of brushwork used to apply the paint. It is a technique with few serious practitioners today and is notably seen in the works of Seurat, Signac and Cross. However, see also Andy Warhol's early works and Pop Art.
  From 1905 to 1907, Robert Delaunay and Jean Metzinger painted in a Divisionist style with large squares or 'cubes' of color: the size and direction of each gave a sense of rhythm to the painting, yet color varied independently of size and placement. This form of Divisionism was a significant step beyond the preoccupations of Signac and Cross. In 1906, the art critic Louis Chassevent recognized the difference and, as art historian Daniel Robbins pointed out, used the word "cube" which would later be taken up by Louis Vauxcelles to baptize Cubism. Chassevent writes: 
  "M. Metzinger is a mosaicist like M. Signac but he brings more precision to the cutting of his cubes of color which appear to have been made mechanically [...]".
caption: Paul Signac, Femmes au Puits, 1892, showing a detail with constituent colors. Musée d'Orsay, Paris
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