page_title: Opera
section_title: Television, cinema and the Internet
hierarchical_section_title: Opera / Television, cinema and the Internet
caption_attribution_description: English: A exposure blended photo of the Sydney Opera House, as viewed from the Sydney Harbour Bridge. Taken by myself with a Canon 5D and 100mm f/2.8 macro lens. Français&#160;: L’Opéra de Sydney, vu depuis le Harbour Bridge. Suomi: Sydneyn oopperatalo kuvattuna Sydney Harbour Bridge:ltä. Gaeilge: An tÁras Ceoldrámaíochta i Sydney san Astráil.
context_page_description: Opera is a form of theatre in which music has a leading role and the parts are taken by singers, but is distinct from musical theatre. Such a "work" is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor.
  Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as musical theatre, Singspiel and Opéra comique. In traditional number opera, singers employ two styles of singing: recitative, a speech-inflected style, and self-contained arias. The 19th century saw the rise of the continuous music drama.
context_section_description: A milestone for opera broadcasting in the U.S. was achieved on 24 December 1951, with the live broadcast of Amahl and the Night Visitors, an opera in one act by Gian Carlo Menotti. It was the first opera specifically composed for television in America. Another milestone occurred in Italy in 1992 when Tosca was broadcast live from its original Roman settings and times of the day:  The first act came from the 16th-century Church of Sant'Andrea della Valle at noon on Saturday; the 16th-century Palazzo Farnese was the setting for the second at 8:15 P.M.; and on Sunday at 6 A.M., the third act was broadcast from Castel Sant'Angelo. The production was transmitted via satellite to 105 countries.
  Major opera companies have begun presenting their performances in local cinemas throughout the United States and many other countries. The Metropolitan Opera began a series of live high-definition video transmissions to cinemas around the world in 2006. In 2007, Met performances were shown in over 424 theaters in 350 U.S. cities. La bohème went out to 671 screens worldwide. San Francisco Opera began prerecorded video transmissions in March 2008. As of June 2008, approximately 125 theaters in 117 U.S. cities carry the showings. The HD video opera transmissions are presented via the same HD digital cinema projectors used for major Hollywood films. European opera houses and festivals including the Royal Opera in London, La Scala in Milan, the Salzburg Festival, La Fenice in Venice, and the Maggio Musicale in Florence have also transmitted their productions to theaters in cities around the world since 2006, including 90 cities in the U.S.
  The emergence of the Internet has also affected the way in which audiences consume opera. In 2009 the British Glyndebourne Festival Opera offered for the first time an online digital video download of its complete 2007 production of Tristan und Isolde. In 2013 season the festival streamed all six of its productions online. In July 2012 the first online community opera was premiered at the Savonlinna Opera Festival. Titled Free Will, it was created by members of the Internet group Opera By You. Its 400 members from 43 countries wrote the libretto, composed the music, and designed the sets and costumes using the Wreckamovie web platform. Savonlinna Opera Festival provided professional soloists, an 80-member choir, a symphony orchestra, and the stage machinery. It was performed live at the festival and streamed live on the internet.
caption: Sydney Opera House
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