page_title: Culture of Australia
section_title: Theatre
hierarchical_section_title: Culture of Australia / Arts / Theatre
caption_attribution_description: Princess Theatre, Melbourne, Australia
context_page_description: The culture of Australia is primarily a Western culture, to some extent derived from Britain but also influenced by the unique geography of Australia, the cultural input of Aboriginal, Torres Strait Islander and other Australian people. The British colonization of Australia began in 1788, and waves of multi-ethnic migration followed. Evidence of a significant Anglo-Celtic heritage includes the predominance of the English language, the existence of a democratic system of government drawing upon the British traditions of Westminster Government, Parliamentarianism and constitutional monarchy, American constitutionalist and federalist traditions, Christianity as the dominant religion, and the popularity of sports originating in the British Isles. Australian culture has diverged significantly since British settlement.
  Aboriginal people are believed to have arrived as early as 60,000 years ago, and evidence of Aboriginal art in Australia dates back at least 30,000 years. Several states and territories had their origins as penal colonies, with the first British convicts arriving at Sydney Cove in 1788.
context_section_description: European traditions came to Australia with the First Fleet in 1788, with the first production being performed in 1789 by convicts. In 1988, the year of Australia's bicentenary, the circumstances of the foundations of Australian theatre were recounted in Timberlake Wertenbaker's play Our Country's Good.
  Hobart's Theatre Royal opened in 1837 and is Australia's oldest continuously operating theatre. Inaugurated in 1839, the Melbourne Athenaeum is one of Melbourne's oldest cultural institutions, and Adelaide's Queen's Theatre, established in 1841, is today the oldest purpose-built theatre on the mainland. The mid-19th-century gold rushes provided funds for the construction of grand theatres in the Victorian style, such as the Princess Theatre in Melbourne, established in 1854.
  After Federation in 1901, theatre productions evidenced the new sense of national identity. On Our Selection (1912), based on the stories of Steele Rudd, portrays a pioneer farming family and became immensely popular. Sydney's grand Capitol Theatre opened in 1928 and after restoration remains one of the nation's finest auditoriums.
  In 1955, Summer of the Seventeenth Doll by Ray Lawler portrayed resolutely Australian characters and went on to international acclaim. That same year, young Melbourne artist Barry Humphries performed as Edna Everage for the first time at Melbourne University's Union Theatre. His satirical stage creations, notably Dame Edna and Les Patterson, became Australian cultural icons. Humphries also achieved success in the US with tours on Broadway and has been honored in Australia and Britain.
  Founded in Sydney 1958, the National Institute of Dramatic Art boasts famous alumni including Cate Blanchett, Mel Gibson and Hugo Weaving. Construction of the Adelaide Festival Center began in 1970 and South Australia's Sir Robert Helpmann became director of the Adelaide Festival of Arts. The new wave of Australian theatre debuted in the 1970s. The Belvoir St Theatre presented works by Nick Enright and David Williamson. The Sydney Opera House, inaugurated in 1973, is the home of Opera Australia and the Sydney Theatre Company.
  The Bell Shakespeare Company was created in 1990. A period of success for Australian musical theatre came in the 1990s with the debut of musical biographies of Australian music singers Peter Allen (The Boy From Oz in 1998) and Johnny O'Keefe (Shout! The Legend of The Wild One).
  In The One Day of the Year, Alan Seymour studied the paradoxical nature of the ANZAC Day commemoration by Australians of the defeat of the Battle of Gallipoli. Ngapartji Ngapartji, by Scott Rankin and Trevor Jamieson, recounts the story of the effects on the Pitjantjatjara people of nuclear testing in the Western Desert during the Cold War. It is an example of the contemporary fusion of traditions of drama in Australia with Pitjantjatjara actors being supported by a multicultural cast of Greek, Afghan, Japanese and New Zealand heritage.
caption: The Princess Theatre in Melbourne
exif: {"Image Make": "Canon", "Image Model": "Canon EOS 350D DIGITAL", "Image Orientation": "Horizontal (normal)", "Image XResolution": "72", "Image YResolution": "72", "Image ResolutionUnit": "Pixels/Inch", "Image DateTime": "2006:08:20 12:05:18", "Image YCbCrPositioning": "Co-sited", "Image ExifOffset": "196", "Thumbnail Compression": "JPEG (old-style)", "Thumbnail XResolution": "72", "Thumbnail YResolution": "72", "Thumbnail ResolutionUnit": "Pixels/Inch", "Thumbnail JPEGInterchangeFormat": "9716", "Thumbnail JPEGInterchangeFormatLength": "8988", "EXIF ExposureTime": "1/320", "EXIF FNumber": "28/5", "EXIF ExposureProgram": "Aperture Priority", "EXIF ISOSpeedRatings": "400", "EXIF ExifVersion": "0221", "EXIF DateTimeOriginal": "2006:08:20 12:05:18", "EXIF DateTimeDigitized": "2006:08:20 12:05:18", "EXIF ComponentsConfiguration": "YCbCr", "EXIF ShutterSpeedValue": "272693/32768", "EXIF ApertureValue": "162885/32768", "EXIF ExposureBiasValue": "0", "EXIF MeteringMode": "Pattern", "EXIF Flash": "Flash did not fire, compulsory flash mode", "EXIF FocalLength": "18", "EXIF FlashPixVersion": "0100", "EXIF ColorSpace": "sRGB", "EXIF ExifImageWidth": "3456", "EXIF ExifImageLength": "2304", "Interoperability InteroperabilityIndex": "R98", "Interoperability InteroperabilityVersion": "[48, 49, 48, 48]", "EXIF InteroperabilityOffset": "9230", "EXIF FocalPlaneXResolution": "1728000/437", "EXIF FocalPlaneYResolution": "384000/97", "EXIF FocalPlaneResolutionUnit": "2", "EXIF CustomRendered": "Normal", "EXIF ExposureMode": "Auto Exposure", "EXIF WhiteBalance": "Auto", "EXIF SceneCaptureType": "Standard"}