page_title: United States Capitol
section_title: Art
hierarchical_section_title: United States Capitol / Interior / Art
context_page_description: The United States Capitol, often called the Capitol Building, is the meeting place of the United States Congress and the seat of the legislative branch of the U.S. federal government. It is located on Capitol Hill at the eastern end of the National Mall in Washington, D.C.. Though no longer at the geographic center of the federal district, the Capitol forms the origin point for the district's street-numbering system and the district's four quadrants.
  The original building was completed in 1800. Although the Capitol was temporarily rendered unusable as a consequence of the 1814 burning of Washington, the building was fully restored within five years. The building was later enlarged, with the addition of a massive dome, and extended wings with expanded chambers for the bicameral legislature, the House of Representatives in the south wing and the Senate in the north wing. Like the principal buildings of the executive and judicial branches, the Capitol is built in a distinctive neoclassical style and has a white exterior. Both its east and west elevations are formally referred to as fronts, though only the east front was intended for the reception of visitors and dignitaries.
context_section_description: The Capitol has a long history in art of the United States, beginning in 1856 with Italian/Greek American artist Constantino Brumidi and his murals in the hallways of the first floor of the Senate side of the Capitol. The murals, known as the Brumidi Corridors, reflect great moments and people in United States history. Among the original works are those depicting Benjamin Franklin, John Fitch, Robert Fulton, and events such as the Cession of Louisiana. Also decorating the walls are animals, insects and natural flora indigenous to the United States. Brumidi's design left many spaces open so that future events in United States history could be added. Among those added are the Spirit of St. Louis, the Moon landing, and the Space Shuttle Challenger crew.
  Brumidi also worked within the Rotunda. He is responsible for the painting of The Apotheosis of Washington beneath the top of the dome, and also the famous Frieze of American History. The Apotheosis of Washington was completed in 11 months and painted by Brumidi while suspended nearly 180 feet (55 m) in the air. It is said to be the first attempt by the United States to deify a founding father. Washington is depicted surrounded by 13 maidens in an inner ring with many Greek and Roman gods and goddesses below him in a second ring. The frieze is located around the inside of the base of the dome and is a chronological, pictorial history of the United States from the landing of Christopher Columbus to the Wright Brothers's flight in Kitty Hawk, North Carolina. The frieze was started in 1878 and was not completed until 1953. The frieze was therefore painted by four different artists: Brumidi, Filippo Costaggini, Charles Ayer Whipple, and Allyn Cox. The final scenes depicted in the fresco had not yet occurred when Brumidi began his Frieze of the United States History.
  Within the Rotunda there are eight large paintings about the development of the United States as a nation. On the east side are four paintings depicting major events in the discovery of America. On the west are four paintings depicting the founding of the United States. The east side paintings include The Baptism of Pocahontas by John Gadsby Chapman, The Embarkation of the Pilgrims by Robert Walter Weir, The Discovery of the Mississippi by William Henry Powell, and The Landing of Columbus by John Vanderlyn. The paintings on the west side are by John Trumbull: Declaration of Independence, Surrender of General Burgoyne, Surrender of Lord Cornwallis, and General George Washington Resigning His Commission. Trumbull was a contemporary of the United States' founding fathers and a participant in the American Revolutionary War; he painted a self-portrait into Surrender of Lord Cornwallis.
  First Reading of the Emancipation Proclamation of President Lincoln, an 1864 painting by Francis Bicknell Carpenter, hangs over the west staircase in the Senate wing.
  The Capitol also houses the National Statuary Hall Collection, comprising two statues donated by each of the fifty states to honor persons notable in their histories. One of the most notable statues in the National Statuary Hall is a bronze statue of King Kamehameha donated by the state of Hawaii upon its accession to the union in 1959. The statue's extraordinary weight of 15,000 pounds (6,800 kg) raised concerns that it might come crashing through the floor, so it was moved to Emancipation Hall of the new Capitol Visitor Center. The 100th, and last statue for the collection, that of Po'pay from the state of New Mexico, was added on September 22, 2005. It was the first statue moved into the Emancipation Hall.
caption: Carlo Franzoni's 1819 sculptural chariot clock, the Car of History, depicting Clio, the Greek muse of history. National Statuary Hall (2006 view).
exif: {}