page_title: Stanisław Masłowski
section_title: Art studies
hierarchical_section_title: Stanisław Masłowski / Biography / Art studies
context_page_description: Stanisław Stefan Zygmunt Masłowski, born Stanislaw Stefan Zygmunt Ludgard Masłowski was a Polish painter of realistic style, the author of watercolor landscapes.
context_section_description: Since 1871 Stanisław Masłowski lived in Warsaw, where his father was transferred by court administration. His studies at the Warsaw School of Drawing (i.e. Wojciech Gerson's drawing school) lasted perhaps permanently in 1871–1875. "In this school I received – finds the artist in an autobiographical note – the advice of Mr. Gerson and Mr. A.Kaminski."
  In 1875 Masłowski received the silver medal of the Academy of Fine Arts in St. Petersburg, as an award for his school drawings. During this period he took an active part in the life of the famous atelier rented by a group of artists-painters: J. Chełmoński, S. Witkiewicz, A.Piotrowski and others in the "Hotel Europejski" in Warsaw. Sincere affection for his colleagues from "Europe" (as he called it) remained him for the rest of his life.
  However it was Ukraine, which gave to young Masłowski many painting emotions. For the first time he went there accompanied by writer Edward Chłopicki (1875). The second trip took place in 1876 (with this Ukrainian visit a number of Masłowski's letters to the artist-painter Władysław Leszczyński are involved). The next trips took place at least in 1878, and 1886.
  In 1884–1887 Stanisław Masłowski entered a new phase of creativity and a new environment. At that time, he developed close relations with the group of friendly painters and writers associated with "Wędrowiec" weekly magazine, including Aleksander Gierymski and Antoni Sygietyński, and young painters: Józef Pankiewicz and Władysław Podkowiński. In 1886 Maslowski spent half a year in Munich, where – as he writes – "worked at home."
  In Masłowski's creativity, years 1890–1907, was called a period of "the storm and ferment". Its initial phase is characterized by transition through impressionism and get away from it to find his own form. In 1897 Stanisław Masłowski became a member of the Society of Polish Artists "Sztuka" in Kraków, created at the initiative of Jan Stanisławski. A number of artists came from Warsaw e.g.: Józef Pankiewicz and Konstanty Laszczka. In 1899 Masłowski issued a number of watercolours in Aleksander Krywult Salon; this year and in 1902 he took part in the exhibitions of the Vienna Secession. In 1900 he traveled to Italy and Paris. In 1900 at the Universal Exhibition in Paris, he gained a medal award for picture "The market in the Kazimierz". In 1901 he demonstrated a small watercolours in the "Chimera" monthly editorial. Collective exhibition in 1902 in the Zachęta ends the second phase of Masłowski's creative explorations.
  The restless period of 1902–1907 points out the artist's first trip in 1903 to Wola Rafałowska between Mińsk Mazowiecki and Siedlce, where he soon found his synthesis of his Polish landscape. In the following year he began a series of trips to Italy. In 1904 – to Rome, Florence, Fiesole, but also to Troki near Wilno. The special exhibition on "Zachęta" (1904) demonstrated Masłowski's 58 water-colours.
  In 1905–1907 Masłowski worked in his atelier in Warsaw (at Mokotowska street) and experimented. Period of 1907–1926 was a phase of prosperity and decline of Masłowski's creativity. Plein air in Nowosiółka in Volhynia in 1908 brought 18 watercolours, which then was exhibited in the Society for the Encouragement of Fine Arts (Polish abbr.: TZSP). In 1909 and 1910 Masłowski had a solo exhibition there, and then exhibited there annually until 1914 the landscapes from Italy, Tunisia and from Polish village Wola Rafałowska. In 1913 Masłowski arranged a small exhibition of watercolours in the Galerie Léon Marseille in Paris.
  In June 1914 Masłowski received an invitation to taking a position as professor at the Warsaw School of Fine Arts. However he not accepted the proposition. The outbreak of the World War I found him in the country. In April 1916 the Society for the Encouragement of Fine Arts arranged Masłowski's big collective exhibition. In December of that year he received the jubilee award of Society for the Encouragement of Fine Arts. The end of the war in 1918, brought great moral relaxation. Maslowski then painted a picture "Beliniacy" (related to
caption: Wiosna roku 1905 (Spring of 1905 – the Cossacks party at Ujazdowskie Avenue in Warsaw), oil/canvas, 1906 (National Museum in Warsaw)
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