page_title: Mansion
section_title: 19th-century development
hierarchical_section_title: Mansion / 19th-century development
caption_attribution_description: This is an image of rijksmonument number 510560 English: Zonnebeek Mansion/Estate was built in 1907 by the Dutch textile family Van Heek and is situated near Enschede in the eastern part of the Netherlands (Province Overijssel). Nederlands: Buitenplaats Zonnebeek op het gelijknamige landgoed aan de Zonnebeekweg, gemeente Enschede (Provincie Overijssel, Nederland). Het werd gebouwd in 1907 door de textielfamilie Van Heek.
context_page_description: A mansion is a large dwelling house. The word itself derives through Old French from the Latin word mansio "dwelling", an abstract noun derived from the verb manere "to dwell". The English word manse originally defined a property large enough for the parish priest to maintain himself, but a mansion is no longer self-sustaining in this way. Manor comes from the same root—territorial holdings granted to a lord who would "remain" there.
context_section_description: The 19th century saw the continuation of the building of mansions in the United States and Europe. Built by self-made men, these were often smaller than those built by the old European aristocracy. These new builders of mansions did not confine themselves to just the then-fashionable Gothic tastes in architecture, but also experimented with 19th-century versions of older Renaissance and Tudoresque styles; The Breakers in Rhode Island is a fine example of American Renaissance revivalism.
  During the 19th century, like the major thoroughfares of all important cities, Fifth Avenue in New York City, was lined with mansions. Many of these were designed by the leading architects of the day, often in European Gothic Revival style, and were built by families who were making their fortunes, and thus achieving their social aspirations. However, nearly all of these have now been demolished, thus depriving New York of a boulevard to rival, in the architectural sense, those in Paris, London or Rome—where the many large mansions and palazzi built or remodeled during this era still survive. Mansions built in the countryside were not spared either. One of the most spectacular estates of the U.S., Whitemarsh Hall, was demolished in 1980, along with its extensive gardens, to make way for suburban developments.
  Grand Federal style mansions designed by Samuel McIntire inhabit an area that, in 2012, is the largest collection of 17th- and 18th-century structures in the United States of America. This district in Salem, Massachusetts, is called the McIntire Historic District with the center being Chestnut Street. McIntire's training came from his father and from books. He and his brothers, Joseph and Angler, began their careers as housewrights and carpenters while in their teens but, early on, Samuel's work caught the eye of Salem's pre-eminent merchant, Elias Hasket Derby. Over the next quarter century, McIntire built or remodelled a number of homes for Derby and members of his extended family. McIntire also worked occasionally on Derby's vessels, and wasn't averse to fixing a wagon or building a birdhouse if his patron so desired. Hamilton Hall is a National Historic Landmark at 9 Chestnut Street in Salem, Massachusetts. Hamilton Hall was built in 1805 by Samuel McIntire and added to the National Register of Historic Places in 1970. "King" Derby's stamp of approval opened many other doors for McIntire, who went on to design and build mansions for John Gardner, Jerethmiel Peirce, Simon Forrester, and other wealthy Salem shipowners. He also built, on elegant Chestnut Street, a function hall (named for Alexander Hamilton) and church for the town's merchant class. McIntire also designed the former Salem Court House and Registry of Deeds.
  After 1793, Samuel McIntire worked exclusively in the architectural style developed by Robert Adam in Great Britain and brought to America by the great Boston architect, Charles Bulfinch. The delicate Adam style, which emphasized decorative elements and ornamentation, was tailor-made for McIntire, whose unerring sense of design and proportion was exceeded only by his skill as a woodcarver. Carved swags, rosettes, garlands, and his signature sheaths of wheat dominate wood surfaces in McIntire homes built between 1793 and his death in 1811.
  Even in Europe, some 19th-century mansions were often built as replicas of older houses, the Château de Ferrières in France was inspired by Mentmore Towers, which in turn is a copy of Wollaton Hall. Other mansions were built in the new and innovative styles of the new era such as the arts and crafts style: The Breakers is a pastiche of an Italian Renaissance palazzo; Waddesdon Manor in Buckinghamshire is a faithful mixture of various French châteaux. One of the most enduring and most frequently copied styles for a mansion is the Palladian – particularly so in the 18th century. However, the Gothic style was probably the most popular choice of design in the 19th century. The most bizarre example of this was probably Fonthill Abbey which actually set out to imitate the mansions whic
caption: The Palladian inspired Zonnebeek (1907), Enschede, Netherlands
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