page_title: Francisco Gómez de Sandoval y Rojas, 1st Duke of Lerma
section_title: In fiction
hierarchical_section_title: Francisco Gómez de Sandoval y Rojas, 1st Duke of Lerma / In fiction
caption_attribution_description: English: Gerzog_Lerma Русский: Герцог Лерма (холст, масло; 1832—33). Картина была написана для А. А. Лопухина. Назв. дано не Л. и восходит к семейному преданию о происхождении рода Лермонтова от исп. герцога Лермы (1552—1623), что не соответствует действительности (см. Род Лермонтовых). Картина является повторением случайно поврежденного рис., выполненного Лермонтовым в 1830—31 углем на оштукатуренной стене в доме Лопухиных. На стене и на полотне запечатлен образ человека, к-рого, по словам А. А. Лопухина [см. Пахомов (3), с. 84—85], Лермонтов увидел во сне. В живописной манере заметно влияние творчества Рембрандта: темные сгущенные тона, попытка применить рембрандтовские приемы светотени. Портрет хранился в семье Лопухина и в 1886 был передан его сыном в Лермонт. музей при Николаевском кавалерийском уч-ще. С 1917 — в ИРЛИ.
context_page_description: Francisco Gómez de Sandoval y Rojas, 1st Duke of Lerma, 5th Marquess of Denia, 1st Count of Ampudia, was a favourite of Philip III of Spain, the first of the validos through whom the later Habsburg monarchs ruled. He was succeeded by the Count-Duke of Olivares.
context_section_description: In the picaresque novel Gil Blas (chapter iv), the hero ingratiates himself with the count Olivarez, his new patron:
  "Well! Santillane, said he, are you satisfied with your rooms, and with my orders to Don Raymond? Your excellency's liberality, answered I, seems out of all proportion with its object; so that I receive it with fear and trembling. Why so? replied he. Can I be too lavish of distinction to a man whom the king has committed to my care, and for whose interests he especially commanded me to provide? No, that is impossible; and I do no more than my duty in placing you on a footing of respectability and consequence. No longer, therefore, let what I do for you he a subject of surprise; but rely on it that splendour in the eye of the world, and the solid advantages of accumulating wealth, are equally with in your grasp, if you do but attach yourself as faithfully to me as you did to the Duke of Lerma.
  But now that we are on the subject of that nobleman, continued he, it is said that you lived on terms of personal intimacy with him. I have a strong curiosity to lean the circumstances which led to your first acquaintance, as well as in what department you acted under him. Do not disguise or gloss over the slightest particular, for I shall not be satisfied without a full, true, and circumstantial recital. Then it was that I recollected in what an embarrassing predicament I stood with the Duke of Lerma on a similar occasion, and by what line of conduct I extricated myself; that same course I adopted once again with the happiest success; whereby the reader is to understand that throughout my narrative I softened down the passages likely to give umbrage to my patron, and glanced with a superficial delicacy over transactions which would have reflected but little lustre on my own character. I likewise manifested a considerate tenderness for the Duke of Lerma; though by giving that fallen favourite no quarter, I should better have consulted the taste of him whom I wished to please."
  Gil Blas ruminates upon the cardinal's hat that Paul V gave the Duke of Lerma: "This pope, wishing to establish the inquisition in the kingdom of Naples, invested the minister with the purple, and by that means hoped to bring King Philip over to so pious and praiseworthy a design. Those who were best acquainted with this new member of the sacred college, thought much like myself, that the church was in a fair way for apostolical purity, after so spiritual an acquisition."
  Young Mikhail Lermontov associated his surname with Lerma's title, which is an obvious fiction; even the family legend traced back the name to Thomas Learmonth the Rhymer from Scotland, but not to Lerma. The poet painted an imaginary portrait of the "Duke of Lerma" and created some other works featuring Spaniards.
  Anachronistically, a "Duke of Lerma" features as one of the minor characters in the opera Don Carlos by Giuseppe Verdi.
caption: Fictional "Duke of Lerma", painting by Mikhail Lermontov
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