page_title: Teodulo Mabellini
section_title: Dated Compositions
hierarchical_section_title: Teodulo Mabellini / List of sacred music / Dated Compositions
caption_attribution_description: Italiano: Prima pagina della versione per banda del finale del dramma sacro «Baldassarre» di Mabellini conservato nel Fondo Biagini dell'Archivio Diocesano di Pescia
context_page_description: Teodulo Mabellini was an Italian composer.
context_section_description: Messa Solenne in 4 voices. It is the first sacred composition of Mabellini, written under the supervision of Mercadante, who had it performed in the Cathedral of Novara in 1838;
  Messa in 4 voices. This one was performed in Novara too, in 1840, perhaps with the support of Mercadante;
  Messa Solenne in 1843;
  Eudossia e Paolo, also called I martiri, sacred drama to the text of Luigi Venturi, performed for the San Giovanni feast at the Palazzo Vecchio in Florence on 22 June 1845. It was printed by the Florentine, Lorenzi, in 1847. The autograph is in Fano, and the Conservatorio di Firenze has signaled to have an autographed copy of a reduced draft;
  Messa n. 2, 1847;
  L'ultimo giorno di Gerusalemme, sacred drama by Geremia Barsottini written for the church Chiesa di San Giovannino degli Scolopi (at that time called the Chiesa di San Giovanni Evangelista) in 1847. It was printed by Calasanziana Publishers in Florence in 1848. A manuscript copy, perhaps autographed, with indications for the scene, is still in the church which is located in Via Martelli in Florence;
  Domine ad adjuvandum, for choir and orchestra, 1847;
  Responsori o Responsi per la Settimana Santa, for two choirs (8 voices) and a string orchestra, 1847, printed by Guidi (Florentine) around 1860;
  Kyrie [Chirie] for 3 voices, for the celebration of Santa Cecilia celebrated in the Chiesa di Novoli in 1849;
  Messa a cappella for 3 voices, 1849;
  Te Deum «written in May 1849 for the return to Florence of Leopoldo II and by the same author donated to Masseangeli on 4 March 1850». It is preserved at the Philharmonic Academy, Accademia Filarmonica, in Bologna;
  Gloria for 3 voices, composed for the celebration of Santa Cecilia celebrated in the Chiesa di Novoli in 1850;
  Messa a cappella for 3 voices, 1851;
  Messa di Requiem, is the mass that made him famous throughout Europe and one of his most well-known and most performed compositions during his life. The first performance was in Chiesa dei Santi Michele e Gaetano on 15 May 1851. The autograph is in the Capitolary Archive in Pistoia. It was printed by the parisian Richault in 1853. A modern edition of Mabellini’s Messa di Requiem has been edited recently by german musicologist Guido Johannes Joerg and released at publishing house Christoph Dohr in Cologne, Germany;
  Messa da vivo o Messa n. 3, written for the marriage of Ferdinando IV di Toscana to Anna Maria di Sassonia. The marriage was celebrated in 1856, but the autograph of the mass is dated 1852. It had already been printed by Richault in Paris in 1853 (copies are found in the Palatina Library in Parma and at the Conservatorio di Firenze);
  Elima il mago, sacred-drammatic scene to the text of Stefano Fioretti, 1853;
  Tantum ergo, for tenor, bass and orchestra, 1853;
  Libera me, Domine, for two tenors, two basses, choir and orchestra, 1856. The autograph is in Fano. It was printed by Richault in Paris in an undated edition, two of which are found in Fano and in Naples (see above, Messa di Requiem);
  Mottetto «Spes impii», 1856;
  Ecce Sacerdos magnus, for the arrival of Pope Pio IX in Florence on 18 August 1857 (a piece often erroneously attributed to Gioacchino Maglioni), preserved both in Florence and in Fano;
  Tantum ergo for alto, two tenors and orchestra, also for the arrival of Pope Pio IX to  Florence, 18 August 1857;
  Unguentum in capite for mixed choir and orchestra, also for the arrival of Pope Pio IX to Florence in August 1857. The autograph is both in Florence and Fano.
  Inno degi Apostoli «Exultet orbis gaudiis», 1858;
  Laudate pueri, for tenor, choir and orchestra, 1858;
  Cum Sancto Spirito, 1859;
  Messa funebre for the fallen from the Curtatone and Montanara Battle, Battaglia di Curtatone e Montanara, performed in the Basilica di Santa Croce in Florence on 29 May 1859;
  Messa for choir and orchestra, 1862;
  Messa n. 4, 1862, incomplete (composed of a Gloria, a Laudamus, a Credo, Sanctus, Agnus Dei, and another Agnus Dei);
  Messa n. 5, 1863;
  Mottetto «Ave Maria», was performed by the tenor Pollione Ronzi in Pietrasanta in May 1867 in honor of Princess Margherita di Savoia.
caption: First page of the version for band of the finale of the sacred drama Baldassarre of Mabellini conserved in the Biagini Collection in the Diocese Archive in Pescia[55]
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