page_title: Michael Harlow
section_title: Literary work
hierarchical_section_title: Michael Harlow / Literary work
caption_attribution_description: English: Poet Michael Harlow, poet David Howard, and novelist Liam McIlvanney in Dunedin, New Zealand, April 2014.
context_page_description: Michael Harlow is a poet, publisher, editor and librettist. A recipient of the Katherine Mansfield Menton Fellowship and the University of Otago Robert Burns Fellowship, he has twice been a poetry finalist in the New Zealand Book Awards. In 2018 he was awarded the Prime Minister's Award for Literary Achievement, alongside playwright Renée and critic and curator Wystan Curnow Harlow has published 12 books of poetry and one book on writing poetry.
context_section_description: Michael Harlow's first collection, Poems, appeared in 1965. A second collection, Edges, followed in 1974. In an author's note at the collection's start, Harlow writes, "A poem writes me as much as I it. A simple enough but political idea, too. I'm fairly certain there are poems around us all the time." Printed in a variety of typefaces, the poems in Edges overtly reference a number of important twentieth-century artists, including Kurt Schwitters, Paul Klee, and Constantine P. Cavafy. Several poems are dedicated to fellow writers, including Christopher Middleton, Robert Lax, William Packard, and Margarita Karapanou.
  Harlow's next collection, Nothing but Switzerland and Lemonade (1980), was his first to be published in New Zealand; it was designed and printed by Alan Loney. Nothing but Switzerland and Lemonade is also the first book of prose poems published in New Zealand. In 1981, Harlow published Today is the Piano's Birthday with Auckland University Press. With the exception of the title work – a prose poem previously published in Nothing but Switzerland – the poems in Today are written in more traditional stanzaic forms or in free verse. 
  Vlaminck's Tie followed in 1985. The collection is divided into four parts: a group of love poems; an assembly of prose and poetry exploring Jungian and Freudian concepts, dedicated to Elizabeth Smither; the title work, which takes as its starting point a colorful, wooden necktie that artist Maurice de Vlaminck wore; and finally a section of poems and illustrations that playfully reimagine elocution exercises. Writing in Landfall in March 1986, the poet Murray Edmond  commented, "The writing in Vlaminck's Tie can be shown to raise problems about itself which it doesn't solve, but at the same time it is necessary to admit that in Harlow we have a very active writing intelligence, which is working at the problems of writing itself." Edmond recommended the volume "as an active reading experience from an inventive performer." 
  Harlow's 1986 volume Take a Risk, Trust Your Language, Make a Poem received the PEN/NZ Best First Book of Prose. His 1991 poetry collection Giotto's Elephant was a Poetry finalist in the 1991 New Zealand Book Awards.
  By this point in his career, Harlow had established himself as an important if unconventional poet. In The Oxford History of New Zealand Literature in English (1991), Elizabeth Caffin grouped Harlow with Brian Turner as “poets writing outside the prevailing fashion.” Harlow, she continued, “was burdened by neither English nor New Zealand tradition; working, from a background of Jungian psychology, with dreams and fantasy, he produced calculated performances in a range of forms from prose poem to lyric.” Writing in The Oxford Companion to New Zealand Literature (1998), Janet Wilson identified a “Eurocentrism” in Harlow’s works, as well as a “whimsical, questioning persona, and a persistent engagement with the workings of the unconscious.” 
  Harlow's next collection, Cassandra's Daughter, appeared in 2005.
  Harlow's eighth poetry volume, The Tram Conductor's Blue Cap was published in 2009. The volume opens with an epigraph from German-French Abstract artist Jean Arp: "Things that are familiar depend on this magical, almost impossible subworld." This epigraph introduces the playful tone of the collection. The Tram Conductor’s Blue Cap makes frequent allusions to Ancient Greece, with references to Asclepios, Plato and Troy, as well as poems titled "Translating Narcissus" and "Anecdotal Aesthetics in Athens." There are also Biblical overtones, in poems like "Canticle" and "The Parson's Sermon." The title poem is dedicated to Christopher Middleton, to whom Harlow also dedicated poetry in his 1974 collection, Edges. The collection's second poem, "In a Field of Snow," written in a sonnet form, won first prize in the 5th Bravado International Poetry Competition in 2008. In her review of the collection, Janet Hughes wrote that Harlow "dances between and elides narrative and fable, metaphor and symbol, emotion and observation, the world and the inner life, putting 
caption: Writers Michael Harlow, David Howard, and Liam McIlvanney in Dunedin, New Zealand, April 2014.
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