page_title: Textiles of Oaxaca
hierarchical_section_title: Textiles of Oaxaca
caption_attribution_description: Coverlet in making process in Teotitlán del Valle town. SPANSIH: Tapete en proceso de fabricación. Located in: Teotitlán del Valle, Oaxaca. Mexico.
context_page_description: The state of Oaxaca in southern Mexico has a noteworthy tradition of finely crafted textiles, particularly handmade embroidery and woven goods that frequently use a backstrap loom. Oaxaca is home to several different groups of indigenous peoples, each of which has a distinctive textile tradition.
  Most notably present in the Oaxaca state are the Zapotec, Nahua and Mixtec tribes. Each of these groups of indigenous people contributed their own influences on the modern atuendos or “attires” in Oaxaca today. Textiles and particular clothing garments and accessories can tell a lot about the culture in which they were produced. By analyzing the textiles, the technology used to create the garment can be deciphered. Many of the tools used were similar throughout Mexico, however, some tools were more common in specific regions or villages, resulting in many of the similarities in embroidery and patterns. The different garments created in Oaxaca also differ based on the indigenous peoples’ view of the world and their own social structures. For example, a cape-like garment called a tilma or las capa, made of cotton was strictly reserved for members of the upper-class.
context_section_description: The state of Oaxaca in southern Mexico has a noteworthy tradition of finely crafted textiles, particularly handmade embroidery and woven goods that frequently use a backstrap loom. Oaxaca is home to several different groups of indigenous peoples, each of which has a distinctive textile tradition.
  Most notably present in the Oaxaca state are the Zapotec,  Nahua and Mixtec tribes. Each of these groups of indigenous people contributed their own influences on the modern atuendos or “attires” in Oaxaca today. Textiles and particular clothing garments and accessories can tell a lot about the culture in which they were produced. By analyzing the textiles, the technology used to create the garment can be deciphered. Many of the tools used were similar throughout Mexico, however, some tools were more common in specific regions or villages, resulting in many of the similarities in embroidery and patterns. The different garments created in Oaxaca also differ based on the indigenous peoples’ view of the world and their own social structures. For example, a cape-like garment called a tilma or las capa, made of cotton was strictly reserved for members of the upper-class. Most textiles made from cotton were used by the upper class because it was a material that was much easier to work with than the usual leaves of plants, thus making the crop a luxury.
  Many of the ancient textile and attire traditions from Mexico have disappeared over time with climate change being one of the reasons why. Because many of these antique, traditional styles of dress have become obsolete, they can often be recreated or analyzed only from murals and sculptures that depict the textiles and attire as well as how both were worn. Consequently, as these older textiles and traditional styles became less popular over time, it gave rise to the contemporary  indigenous dress that is often seen today; this contemporary dress is known as the Traje de Tehuana. The attires of ancient Mexico still influence the contemporary dress; some of the garments have actually been passed on over time which slight adjustments of textile, materials used, embroidery, patterns etc. The effect of the ancient attire on the contemporary dress is evident through the similarities and purposes of the contemporary styles. In ancient dress, a Tilma, was a part of a man’s dress, usually made of cotton and worn by the upper-class. However, it is evident that in contemporary dress, a Rebozo (also called Sarape or Gabán) is a shawl worn by women and heavily influenced by the Tilma. Many of the key aspects and characteristics of older attire serve as a template for the patterns and embroidery seen in contemporary textiles and garments.
caption: A work in progress on a stationary loom
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