page_title: Nadezhda Sapozhnikova
section_title: Biography
hierarchical_section_title: Nadezhda Sapozhnikova / Biography
caption_attribution_description: Русский: Н. Фешин. «Портрет Н. М. С. в шали». 1908
context_page_description: Nadezhda Sapozhnikova was a Russian painter and a maecenas. Sapozhnikova was born in a merchant family and received her education in Kazan. At the age of 27, Nadezhda started to practice painting. Together with her supervisor Nicolai Fechin Sapozhnikova travelled to Paris, where from 1910 to 1912 she studied in the studios of Antonio DeVity and Kees van Dongen. After returning to Kazan, Sapozhnikova opened her own studio and provided Fechin with financial support – she owned 11 of his works, including five portraits of her. Until 1925 Nadezhda taught painting and drawing in Kazan, then moved to Moscow. In the 1930s, she eventually finished her career as an artist. Up to now, only a few works of Sapozhnikova have been preserved; some of her paintings are exhibited at the National Gallery of Art "Hazine".
context_section_description: Nadezhda Mikhailovna Sapozhnikova was born in Kazan on March 26, 1877, and was a seventh child in the merchant family of Mikhail and Serafima Sapozhnikova. Her father owned a manufactory shop. Despite having 11 children, Serafima Sapozhnikova educated them by herself without hiring a governess. In 1888, Nadezhda was enrolled to the Marrinski Women’s Gymnasium where she showed drawing abilities. After graduating in 1895, Nadezhda Sapozhnikova received a home teacher degree, and taught in the local sunday school. Besides, she also graduated from the music school of Rudolf Gummert. At that time, Sapozhnikova expressed her aesthetic aspirations through wood-crafting and porcelain painting; her teacher advised Nadezhda to do art professionally. Before that, Sapozhnikova received medical education and became a Sister of Mercy, but was too sensitive to work in a hospital. In 1904, at the age of 27, Nadezhda Sapozhnikova got enrolled in the Kazan Art School. She demonstrated notable success, but her talents were fully realized only when in 1908 painter Nicolai Fechin moved to Kazan. Fechin was Sapozhnikova's professor, but because she was older than him for four years and had a higher level of cultural and common education than other students, they soon started to communicate on equal terms. For many years of friendship with Nadezhda, Fechin painted five portraits of hers, the first of which appeared in 1908. This work was famous under different names: "Portrait of N. M. S. in shawls" (Russian: Портрет Н. М. С. в шали) and "Portrait of M-lle Sapozhnikova" (Russian: Портрет М-lle Сапожниковой). The second name was mainly used in international exhibitions. Fechin debuted with this portrait at the international exhibition «Carnegie Institute» in Pittsburgh.
  In 1910 Nadezhda Sapozhnikova graduated from the Kazan Art School and together with Fechin went on a trip, visiting Berlin, Munich, Verona, Venice, Milan, Padua, Florence, Rome, Naples, and Vienna. The journey ended in Paris. Soon Fechin decided that he had nothing left to learn in Europe, and came back to Kazan. Sapozhnikova stayed in Paris until 1912, working in van Dongen’s open studio. There were rumors about her close relationship with Fechin since Sapozhnikova never got married and did not have any family or children.
  After coming back to Kazan, Sapozhnikova founded her own studio. Her brother Konstantin attached to the main building of his firm in Petrapavlovsky Lane (now – Ulica Rahmatullina) a special building. Sapozhnikova's studio quickly became the art center of Kazan where painters – both teachers and students – gathered together. In their memoirs, visitors often mentioned pelmeni and coffee, with which Sapozhnikova treated those who came to her studio. In 1914–1916, according to the Konstantin Chebotaryov's unpublished manuscript "Sledy", Sapozhnikova organized nude drawing sessions, during which only female painters were allowed to present (including Vera Vil'koviskaia ). For “boys” such sessions were organized at different time. Nadezhda Sapozhnikova was also a maecenas, helping Fechin by ordering portraits of her relatives and friends. She also paid tuition fees for low-income students so they can study at the Kazan Art School. There was a piano in her studio, on which her relative Konstantin Samarski usually played. The instrument appeared at the insistence of Fechin, who was extremely musical.
  In the Sapozhnikova's studio, Fechin made carved furniture in a Neo-Russian style (most of the objects have not been preserved). Painter spent his time there every day; he wrote in this studio many of his famous works, such as "Portrait of Varya Adoratskaya" who was a niece of Sapozhnikova. As a painter, Nadezhda, in general, specialized on portraits, together with Fechin participating in the Kazan exhibitions. In 1913, Sapozhnikova initiated the establishment of the handicraft industry museum industry dedicated to the Kazan provincial zemstvo. For this purpose, two students of the Tatar gymnasium of Aitova were sent to her studio.
  After the revolution of 1917, Sapozhnik
caption: Nicolai Fechin, Portrait of Nadezhda Sapozhnikova, 1908
exif: {}