page_title: The Rolling Stones
section_title: 1965–1967: Height of fame
hierarchical_section_title: The Rolling Stones / History / 1965–1967: Height of fame
caption_attribution_description: English: Trade ad for 1965 Rolling Stones' North American tour.
context_page_description: The Rolling Stones are an English rock band formed in London in 1962. As a diverging act to the popular pop rock of the early 1960s, the Rolling Stones pioneered the gritty, heavier-driven sound that came to define hard rock. The band's first stable line-up consisted of bandleader Brian Jones, Mick Jagger, Keith Richards, Bill Wyman, Charlie Watts, and Ian Stewart, the last of whom was removed from the official line-up in 1963, but continued to work with the band as a contracted musician until his death in 1985. The band's primary songwriters, the partnership of Jagger and Richards, assumed leadership after Andrew Loog Oldham became the group's manager. Jones left the band less than a month before his death in 1969, having already been replaced by Mick Taylor, who in turn left in 1974 and was replaced in 1975 by Ronnie Wood, who has since remained. Since Wyman's departure in 1993, Darryl Jones has served as bassist. The Stones have not had an official keyboardist since Stewart's departure in 1963, but have employed several musicians in that role, including Jack Nitzsche, Nicky Hopkins, Billy Preston, Ian McLagan, and Chuck Leavell.
context_section_description: The band's second UK LP, The Rolling Stones No. 2, was released in January 1965 and reached No. 1 on the charts. The US version, released in February as The Rolling Stones, Now!, reached No. 5. The album was recorded at Chess Studios in Chicago and RCA Studios in Los Angeles. In January and February that year the band played 34 shows for around 100,000 people in Australia and New Zealand. The single "The Last Time", released in February, was the first Jagger/Richards composition to reach No. 1 on the UK charts; it reached No. 9 in the US. It was later identified by Richards as "the bridge into thinking about writing for the Stones. It gave us a level of confidence; a pathway of how to do it."
  Their first international No. 1 hit was "(I Can't Get No) Satisfaction", recorded in May 1965 during the band's third North American tour. Richards recorded the guitar riff that drives the song with a fuzzbox as a scratch track to guide a horn section. Nevertheless, the final cut was without the planned horn overdubs. Issued in the summer of 1965, it was their fourth UK No. 1 and their first in the US where it spent four weeks at the top of the Billboard Hot 100. It was a worldwide commercial success for the band. The US version of the LP Out of Our Heads, released in July 1965, also went to No 1; it included seven original songs, three Jagger/Richards numbers and four credited to Nanker Phelge. Their second international No. 1 single "Get Off of My Cloud" was released in the autumn of 1965, followed by another US-only LP, December's Children.
  The album Aftermath, released in the late spring of 1966, was the first LP to be composed entirely of Jagger/Richards songs; it reached No. 1 in the UK and No. 2 in the US. On this album Jones' contributions expanded beyond guitar and harmonica. To the Middle Eastern-influenced "Paint It, Black" he added sitar; to the ballad "Lady Jane" he added dulcimer and to "Under My Thumb" he added marimbas. Aftermath also contained "Goin' Home", a nearly 12-minute-long song that included elements of jamming and improvisation.
  The Stones' success on the British and American singles charts peaked during the 1960s.  "19th Nervous Breakdown" was released in February 1966, and reached No. 2 in the UK and US charts; "Paint It, Black" reached No. 1 in the UK and US in May 1966. "Mother's Little Helper", released in June 1966, reached No. 8 in the US; it was one of the first pop songs to discuss the issue of prescription drug abuse. "Have You Seen Your Mother, Baby, Standing in the Shadow?" was released in September 1966 and reached No. 5 in the UK and No. 9 in the US. It had a number of firsts for the group: it was the first Stones recording to feature brass horns and the back-cover photo on the original US picture sleeve depicted the group satirically dressed in drag. The song was accompanied by one of the first official music videos, directed by Peter Whitehead.
  During their North American tour in June and July 1966, the Stones' high-energy concerts proved highly successful with young people while alienating local police tasked with controlling the often rebellious and physically exhausting crowds. According to the Stones historians Philippe Margotin and Jean-Michel Guesdon, the band's notoriety "among the authorities and the establishment seems to have been inversely proportional to their popularity among young people". In an effort to capitalise on this, London released the live album Got Live If You Want It! in December.
  January 1967 saw the release of Between the Buttons, which reached No. 3 in the UK and No. 2 in the US. It was Andrew Oldham's last venture as the Rolling Stones' producer. Allen Klein took over his role as the band's manager in 1965. Richards recalled, "There was a new deal with Decca to be made ... and he said he could do it." The US version included the double A-side single "Let's Spend the Night Together" and "Ruby Tuesday", which went to No. 1 in the US and No. 3 in the UK. When the band went to New York to perform the numbers on The Ed Sullivan Show in January, they were ordered to c
caption: A trade ad for the 1965 Rolling Stones' North American tour
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