page_title: Naryshkin Baroque
section_title: Style
hierarchical_section_title: Naryshkin Baroque / Style
caption_attribution_description: Русский: Западная стена Донского монастыря, на заднем плане надвратная колокольня. English: Wall ans watchtower of Donskoy Monastery, Moscow. Gate Church of Saints Zachary and Elisabeth with bell tower. Deutsch: Mauer und Wachturm des Donskoi-Klosters in Moskau. Hinten die Sankt-Zacharis-und-Elisabeth-Torkirche mit dem Glockenturm.
context_page_description: Naryshkin Baroque, also referred to as Moscow Baroque or Muscovite Baroque, is a particular style of Baroque architecture and decoration that was fashionable in Moscow from the late 17th century into the early 18th century. In the late 17th century, the Western European Baroque style of architecture combined with traditional Russian architecture to form this unique style. It is called Muscovite Baroque as it was originally only found within Moscow and the surrounding areas. It is more commonly referred to as Naryshkin Baroque, as the first church designed in this style was built on one of the Naryshkin family's estates.
context_section_description: The churches designed in the Naryshkin Baroque style were often built in red brick, which differed them from other buildings of the time. They were also thoroughly decorated with details in white limestone. The structure of the building was also different from anything else being built in Russia at the time. This architectural style was classified as "under the bell" or "under the ring" (Ru. под звоном). Churches that are "under the bell" mean that the bell tower is placed on top of the main volume, instead of next to the building as was common in the 17th century.
  The bell towers were often built in the shape of an octagon, with the main volume of the building being a quadrangle. This octagon on quadrangle shape was a classic Baroque composition for churches. The window trimmings were decorated, as on all Baroque style temples. Cupolas replaced the tented roof, which was previously widespread in Russian church architecture. These placed upon a high drum created feeling of loftiness and impression of a variety of forms. The design for octagon on quadrangle churches was originally believed to have been taken from Ukrainian Baroque architecture, but further research proved that that wasn't true, as the first church built in this style was in Russia.
  The style spread continually, even to architecture that wasn't religious architecture. Many monasteries remodeled their walls and buildings in this style, as it was the latest fashion. The most notable examples of these monasteries were the Novodevichy Convent and the Donskoy Monastery in Moscow. There are some examples outside of Moscow as well; Krutitsy, Metochion and Solotcha Cloister are near Riazan. Non-religious architecture adopted this style as well, as could be seen in the Sukharev Tower in Moscow.
  In the 1730s, the Naryshkin Baroque style ended and it evolved into the Rastrelliesque, or the Elizabethan Baroque style.
caption: Donskoy Monastery in Moscow
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