page_title: List of works by William Hogarth
section_title: 1730s
hierarchical_section_title: List of works by William Hogarth / 1730s
context_page_description: This is a list of works by William Hogarth by publication date.
  As a printmaker Hogarth often employed other engravers to produce his work and frequently revised his works between one print run and the next, so it is often difficult to accurately differentiate between works by Hogarth and those in the style of or "after". Some of the less likely, possible, doubtful works and those formerly identified as Hogarth's works are listed at the end. Numbers in square brackets refer to the catalogue numbers in Ronald Paulson's third edition of Hogarth's Graphic Works.
  The works are all paintings, prints or drawings, apart from Hogarth's 1753 book The Analysis of Beauty.
context_section_description: Shop card for Mary and Ann Hogarth (1730) [117]
  Bookplate for George Lambert (1730?) [118]
  Paulet book plate (unknown) [119]
  The Beggar's Opera (various versions between 1728 and 1731, all showing a scene from Act III; Scene xi)
  The Beggar's Opera I (c.1728)
  The Beggar's Opera II (1728)
  The Beggar's Opera III
  The Beggar's Opera IV (c.1728)
  The Beggar's Opera V
  The Beggar's Opera VI (1729–31) 
  An Assembly at Wanstead House (1728–31)
  The Denunciation (1729)
  Woodes Rogers and his Family (1729)
  The Wedding of Stephen Bechingham and Mary Cox (1729–30)
  Bambridge on Trial for Murder by a Committee of the House of Commons / The Committee of the House of Commons (1729)
  The Christening / Orator Henley Christening A Child (c.1729)
  Debates on Palmistry (c.1729)
  Falstaff Examining His Recruits (1730)—the oldest known painting of a scene from Shakespeare
  The Wollaston Family (1730)
  The House of Cards (1730)—two scenes of children playing sometimes paired.
  The House of Cards
  A Children's Party
  The Ashley and Popple Family (1730)
  Boys Peeping at Nature (1730)—subscription ticket for A Harlot's Progress, modified and reused as subscription ticket for Paul Before Felix and Moses Brought Before Pharaoh's Daughter in 1751 [120]
  The Jones Family (c.1730)
  An Auction of Pictures (c.1730)
  A Fishing Party / A Fair Angler  (c.1730)
  Conversation Piece (Portrait of Sir Andrew Fountaine with Other Men and Women) / The Fountaine Family (c.1730-1735)
  A Scene from "The Tempest" (c.1730-1735)
  Before and After—a comic view of the differing attitudes of men and women to love making. Various versions:
  Before and After oil-on-canvas, exterior scene (1730–31)
  Before and After oil-on-canvas, interior scene (1730–31)
  Before and After engraving, interior scene (1736) [141,142]
  Ashley Cowper with his Wife and Daughter (1731)
  The Theft of a Watch (1731)
  The Family of George II The Royal Family (1731–32)
  The Royal Family II (1732–33)
  A Harlot's Progress (1732)—six pictures showing the path of a pretty country girl lured into a life of prostitution [121–126]
  Plate 1 (Ensnared by a Procuress)
  Plate 2 (Quarrels with her Jew Protector)
  Plate 3 (Apprehended by a Magistrate)
  Plate 4 (Scene in Bridewell)
  Plate 5 (Expires while the Doctors are Disputing)
  Plate 6 (The Funeral)
  A Chorus of Singers / The Chorus / Rehearsal of the Oratorio of Judith—subscription ticket for Midnight Modern Conversation (1732) [127]
  A Midnight Modern Conversation painting and print (1732) [128]
  The Cholmondeley Family (1732)
  A Performance of "The Indian Emperor or The Conquest of Mexico by the Spaniards" (1732-1735)
  Sarah Malcolm / Sarah Malcolm in Prison (1732) [129]
  H.R.H. William Augustus, Duke of Cumberland (c.1732)
  The Marriage Contract (c.1732)—a study for A Rake's Progress this was likely to have been intended as the second scene
  Gerard Anne Edwards in His Cradle (1733)
  A Laughing Audience / A Pleased Audience (1733)—subscription ticket for A Rake's Progress [130]
  A Rake's Progress paintings (1732-33) prints(1735)—a series of eight scenes depicting the dissolute life of a young heir and his descent into poverty and madness [132–139]
  The Heir
  The Levee
  The Orgy
  The Arrest
  The Marriage
  The Gaming House
  The Prison
  The Madhouse
  Southwark Fair (1733)—issued with A Rake's Progress [131]
  The Edwards Family (1733-34)
  The Distrest Poet (c.1733-36) painting (1737) print—issued with Scholars at a Lecture and The Company of Undertakers (1740) print—issued together with The Enraged Musician [145]
  The Pool of Bethesda (c.1735)
  Satan, Sin and Death (1735-40)
  Self Portrait (c.1735-40)
  Thomas Pellett, M.D. (c. 1735-39)
  The Sleeping Congregation painting (1728) print (1736) [140]
  Scholars at a Lecture (1736) [143]
  The Company of Undertakers (1736) [144]
  Three Ladies in a Grand Interior/ The Broken Fan / possibly Catherine Darnley, Duchess of Buckingham with Two Ladies (c.1736)
  Woman Swearing A Child To A Grave Citizen—print engraved by Joseph Symons c. 1736
  The Good Samaritan (1737)
  Four Times of the Day paintings (1736) prints (1738)—four comic views of life in London [146–149]
  Morning
  Noon
  Evening
  Night
caption: The Madhouse, the final scene from A Rake's Progress
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