page_title: Lizinska de Mirbel
section_title: Success
hierarchical_section_title: Lizinska de Mirbel / Success
caption_attribution_description: English: Charles X Distributing Awards to Artists Exhibiting at the Salon of 1824 at the Louvre, 1827, Musée du Louvre, Paris. Français&#160;: Charles X distribuant des récompenses aux artistes exposants du salon de 1824 au Louvre. Deutsch: Charles X bei der Verteilung von Auszeichnungen an Künstler die im Salon des Jahres 1824 im Louvre ausstellten.
context_page_description: Lizinska de Mirbel was a French painter of miniature portraits. She was very fashionable among the aristocracy of Paris during the Bourbon Restoration and the July Monarchy.
context_section_description: Lizinca made her studies of the king during several breakfasts, where she had to stand at all times, close enough to study the face but not so close as to disturb him. The painting was a success, and the king took an interest in her as a sensible and witty but modest woman. Lizinca became one of the nominal mistresses of Louis XVIII, who had been widowed since 1810 and followed convention by always having an official mistress. As with the other women, the relationship was limited to jokes and cuddles and gay remarks. The king's true interest was in a few men whose fortunes he had made.
  The king helped to find a husband for Lizinca, and she accepted his choice. She married Charles François Brisseau de Mirbel on 18 May 1824. He was born on 27 March 1776, was 48 years old when they married and had been a widower for 13 years. He was a member of the Académie des Sciences and a knight of the Legion of Honour. He was a professor of botany at the Jardin des plantes. The government gave the Mirbels a small apartment on the third floor of a house near the Carrousel. James Fenimore Cooper visited her there in 1827 after climbing up a narrow, steep and winding set of stairs. He observed that "M. de [Mirbel] is a man of talents and great respectability, and his wife is exceedingly clever, but they are not rich. He is a professor, and she is an artist." He wrote,
  The door opens, and I enter. The little drawing-room is crowded; chiefly with men. Two card tables are set, and at one I recognize a party, in which are three dukes of the vieille cour, with M. de Duras at their head! The rest of the company was a little more mixed, but, on the whole, it savoured strongly of Coblentz and the émigration. This was more truly French than any thing I had yet stumbled on. One or two of the grandees looked at me as if, better informed than Scott, they knew that General La Fayette had not gone to America to live. Some of these gentlemen certainly do not love us; but I had cut out too much work for the night to stay and return the big looks of even dukes, and, watching an opportunity, when the eyes of Madame de [Mirbel] were another way, I stole out of the room.
  From this time Lizinca de Mirbel became much in demand by the Paris élite due to the king's favour. She was house painter to Louis XVIII and his successor Charles X. She won a second class medal at the 1822 Exposition. She was awarded the first class gold medal at the Paris Salon of 1827 for her miniatures and watercolors. Her work won awards in all the subsequent exhibitions apart from those of 1836, 1838 and 1843. She competed at the 1849 exhibition, where she won a second class medal. Some of portraits exhibited at different shows included King Charles X, the Duke of Fitz-James (1827), Élie, duc Decazes, the Princess of Chalais, Count Demidoff (1834) Louis-Philippe, Queen of the Belgians, Duke of Orleans, Count of Paris, Fanny Elssler (1839), General Gourgaud (1841), François Guizot (1844), Duchess of Treviso (1845), Marshal de Reggio (1847) and Émile de Girardin (1848).
  Lizinca de Mirbel was particularly known for her portraits of elderly men and women. Pierre Paul Emmanuel de Pommayrac was one of her pupils. She died of cholera on 30 August 1849 during an epidemic.
caption: Charles X distributing awards to artists at the Salon of 1824. Mme de Mirbel is in the foreground, at the edge of the red carpet, facing the viewer.
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