page_title: Rose La Touche
section_title: Introduction to John Ruskin
hierarchical_section_title: Rose La Touche / Introduction to John Ruskin
caption_attribution_description: English: John Ruskin, 1882. Français&#160;: John Ruskin, 1882.
context_page_description: Rose La Touche was the pupil, cherished student, "pet", and ideal on which the English art historian John Ruskin based Sesame and Lilies.
context_section_description: Ruskin met La Touche on 3 January 1858, when she was nine years old and he was about to turn 39. He was her private art tutor, and the two maintained an educational relationship through correspondence until she was 18. Rose's mother, Maria La Touche, had written to Ruskin for assistance with her children's education after a formal introduction from her friend Louisa, Lady Waterford. Ruskin recalls the correspondence in Praeterita:
  Soon after I returned home, in the eventful year 1858, a lady wrote to me from—somewhere near Green Street, W.,—saying, as people sometimes did, in those days, that she saw I was the only sound teacher in Art; but this farther, very seriously, that she wanted her children—two girls and a boy—taught the beginnings of Art rightly; especially the younger girl, in whom she thought I might find some power worth developing.
  Although some debate exists over the nature of Ruskin's first correspondence with Maria La Touche, Tim Hilton notes in John Ruskin: The Early Years that he did not call as immediately as his autobiography suggests. Rather, "he sent William Ward to see her, being too busy to call himself".
  When Ruskin did call on the La Touches for the first time, he was "taken with them" and "felt there was something exceptional about Rose". Upon first meeting Rose, Ruskin wrote in the final pages of Praeterita that
  presently the drawing room door opened, and Rosie came in, quietly taking stock of me with her blue eyes as she walked across the room; gave me her hand, as a good dog gives its paw, and then stood a little back. Nine years old, on 3 January 1858, thus now rising towards ten; neither tall nor short for her age; a little stiff in her way of standing. The eyes rather deep blue at that time, and fuller and softer than afterwards. Lips perfectly lovely in profile;--a little too wide, and hard in edge, seen in front; the rest of the features what a fair, well-bred Irish girl's usually are; the hair, perhaps, more graceful in short curl around the forehead, and softer than one sees often, in the close-bound tresses above the neck.
caption: John Ruskin, 1882
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