page_title: Unitarian Universalist Church of Lancaster
section_title: Architecture and Interior Design
hierarchical_section_title: Unitarian Universalist Church of Lancaster / Architecture and Interior Design
caption_attribution_description: English: Charles Connick stained-glass window, UU Church of Lancaster, women's parlor, late 1920s
context_page_description: The Unitarian Universalist Church of Lancaster is a Unitarian Universalist church located at 538 West Chestnut Street, Lancaster, Pennsylvania. The church building is part of the Historic District of the City of Lancaster. The congregation is a member of the Unitarian Universalist Association, in the Association's Central East Region. Like all Unitarian Universalist churches, it is noncreedal, covenantal and religiously liberal. According to the UUA, the Lancaster church currently has 274 members and is an LGBTQ Welcoming Congregation.
context_section_description: The church has ties to several historic religious communities in Lancaster, notably St. James Episcopal Church (also in the Historic District) and the Lancaster Theological Seminary, but the Unitarian Universalist building is newer and represents the last era of generally acknowledged architectural distinction in the city. Except for an addition built next door in 1972, the exterior of the church is largely unchanged from its appearance in 1909, when it was dedicated. It was designed by Lancaster's leading architect, Cassius Emlen Urban, but is an unusual example of his work. Smaller than his other Lancaster churches, it follows the transitional Gothic style with Norman elements advocated for such churches by Ralph Adams Cram and Alexander Bourne. 
  The interior underwent extensive renovation in the 1920s, including installation of stained-glass windows by the firms of Franz Xaver Zettler (sanctuary and vestibule) and Charles Connick (women's parlor). The interior has stayed essentially unchanged since those renovations, and, like the exterior, the interior work is atypical of the firms that produced it. The choices were influenced by the views of a founding member of the church, Milton T. Garvin (1860-1936), a prominent local merchant and philanthropist who personally funded the construction and decoration of the building and worked closely with the architects and ministers involved. Garvin's family were Hicksite Quakers from the Nottingham Lots community of southern Pennsylvania and Maryland, 
  and he joined the "new Unitarian movement", as he referred to it, in the absence of a recognized Quaker meeting in Lancaster. Garvin became a Unitarian activist and initiated the Association's Religious Arts Society (1923), but was a life-long "advocate for universal peace", which complicated his attitude toward the controversial pro-war stance of the Association during World War One. After the war Garvin commissioned sanctuary windows which, while taking World War One and the American Civil War as subject matter, advocate for peace and reconciliation as core values in American history and civic life. The sanctuary windows and other sanctuary decoration were designed by the Swiss-American architect and artist Woldemar H. Ritter (1880-ca. 1935), whose modernist artistic approach was approved by Garvin and distinguishes the Lancaster windows from other work by Zettler. The sanctuary windows were installed in 1926. The windows by Charles Connick were commissioned for the women's parlor and were designed by Connick; they were installed in 1929 and dedicated in 1930.
caption: Connick window (detail)
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