page_title: John Wilson (Scottish writer)
section_title: Life and work
hierarchical_section_title: John Wilson (Scottish writer) / Life and work
caption_attribution_description: Portrait etching of John Wilson (1785-1854)
context_page_description: John Wilson of Elleray FRSE was a Scottish advocate, literary critic and author, the writer most frequently identified with the pseudonym Christopher North of Blackwood's Edinburgh Magazine.
  He was professor of Moral Philosophy at the University of Edinburgh from 1820–1851.
context_section_description: Wilson was born in Paisley, the son of John Wilson, a wealthy gauze manufacturer who died in 1796, when John was 11 years old, and his wife Margaret Syme (1753–1825). He was their fourth child, and the eldest son, having nine sisters and brothers. 
  He was educated at Paisley Grammar School and entered the University of Glasgow aged 12 (14 being the usual age at that time), and continued to attend various classes for six years, mostly under Professor George Jardine, with whose family he lived. During this period Wilson excelled in sport as well as academic subjects, and fell in love with Margaret Fletcher, who was the object of his affections for several years. Fellow student Alexander Blair became a close friend.
  In 1803 Wilson was entered as a gentleman commoner at Magdalen College, Oxford. He was inspired by Oxford and in much of his later work, notably in the essay called "Old North and Young North", expresses his love for it. However his time at Oxford was not altogether happy. Though he obtained a brilliant first class degree, he made no close friends at Magdalen College and few in the university. Nor was he lucky in love, for his beloved Margaret Fletcher eloped to New York with his younger brother Charles. 
  Wilson took his degree in 1807, and at the age of 22 was his own master with a good income and no guardian to control him. He was able devote himself to managing his estate on Windermere called Elleray, ever since connected with his name. Here for four years he built, boated, wrestled, shot, fished, walked and amused himself, besides composing or collecting from previous compositions a considerable volume of poems, published in 1812 as The Isle of Palms. During this time he also befriended the literary figures William Wordsworth, Samuel Taylor Coleridge, Robert Southey and Thomas de Quincey.
  In 1811 Wilson married Jane Penny of Ambleside, daughter of the Liverpool merchant and slave trader James Penny, and they were happy for four years, until the event which made a working man of letters of Wilson, and without which he would probably have produced a few volumes of verse and nothing more. Most of his fortune was lost by the dishonest speculation of an uncle, in whose hands Wilson had carelessly left it. His mother had a house in Edinburgh, in which she was able and willing to receive her son and his family; he was not forced to give up Elleray, though he was no longer able to live there.
  He read law and was elected to the Faculty of Advocates in 1815, still with many outside interests, and in 1816 produced a second volume of poems, The City of the Plague. In 1817, soon after the founding of Blackwood's Magazine, Wilson began his connection with the Tory monthly and in October 1817 he joined with John Gibson Lockhart in the October number working up James Hogg's MS a satire called the Chaldee Manuscript, in the form of biblical parody, on the rival Edinburgh Review, its publisher and his contributors. He became the principal writer for Blackwood's, though never its nominal editor, the publisher retaining supervision even over Lockhart's and "Christopher North's" contributions, which were the making of the magazine.
  In 1822 began the series of Noctes Ambrosianae, after 1825 mostly Wilson's work. These are discussions in the form of convivial table-talk, including wonderfully various digressions of criticism, description and miscellaneous writing. There was much ephemeral, a certain amount purely local, and something occasionally trivial in them. But their dramatic force, their incessant flashes of happy thought and happy expression, their almost incomparable fulness of life, and their magnificent humour give them all but the highest place among genial and recreative literature. "The Ettrick Shepherd," an idealised portrait of James Hogg, one of the talkers, is a most delightful creation. Before this, Wilson had contributed to Blackwood's prose tales and sketches, and novels, some of which were afterwards published separately in Lights and Shadows of Scottish Life (1822), The Trials of Margaret Lyndsay (1823) and 
caption: Etching of Wilson
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