page_title: Willis Conover
section_title: Voice of America
hierarchical_section_title: Willis Conover / Voice of America
caption_attribution_description: English: Willis Conover jazz producer and broadcaster on the Voice of America radio program, arrives in Poland for the first time.
context_page_description: Willis Clark Conover, Jr. was a jazz producer and broadcaster on the Voice of America for over forty years. He produced jazz concerts at the White House, the Newport Jazz Festival, and for movies and television. By arranging concerts where people of all races were welcome, he is credited with desegregating Washington D.C. nightclubs. Conover is credited with keeping interest in jazz alive in the countries of Eastern Europe through his nightly broadcasts during the Cold War.
context_section_description: Conover came to work at the Voice of America, and eventually became a legend among jazz lovers, primarily due to the hour-long program on the Voice of America called Voice of America Jazz Hour. Known for his sonorous baritone voice, many would argue that he was the most important presenter on Voice of America. His slow delivery and the use of scripts written in "special English" made his programmes more widely accessible and he is said to have become the first teacher of English to a whole generation of East European jazz lovers. Conover was not well known in the United States, even among jazz aficionados, as the Voice of America did not broadcast domestically except on shortwave, but his visits to Eastern Europe and Soviet Union brought huge crowds and star treatment for him.
  He was a celebrity figure in the Soviet Union, where jazz was very popular and the Voice of America was a prime source of information as well as music.
  In 1956, Conover conducted a series of interviews with jazz luminaries like Duke Ellington, Billie Holiday, Stan Getz, Peggy Lee, Stan Kenton, Benny Goodman, and Art Tatum.  His interview with Tatum is noted as "the only known in-depth recorded interview with the pianist".  These interviews were selected by the Library of Congress as a 2010 addition to the National Recording Registry, which selects recordings annually that are "culturally, historically, or aesthetically significant".
caption: Conover's first arrival in Poland (1959)
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