page_title: Epic of Gilgamesh
section_title: History
hierarchical_section_title: Epic of Gilgamesh / History
caption_attribution_description: Héros maîtrisant un lion, VIIIe siècle avant J.-C., palais du roi assyrien fr:Sargon II à Dur-Sharrukin, actuelle Khorsabad en Irak au Musée du Louvre
context_page_description: The Epic of Gilgamesh is an epic poem from ancient Mesopotamia that is often regarded as the earliest surviving great work of literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh begins with five Sumerian poems about Bilgamesh, king of Uruk, dating from the Third Dynasty of Ur. These independent stories were later used as source material for a combined epic in Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version dates to the 18th century BC and is titled after its incipit, Shūtur eli sharrī. Only a few tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit Sha naqba īmuru. Approximately two-thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BC Assyrian king Ashurbanipal.
  The first half of the story discusses Gilgamesh, king of Uruk, and Enkidu, a wild man created by the gods to stop Gilgamesh from oppressing the people of Uruk.
context_section_description: Distinct sources exist from over a 2000-year timeframe. The earliest Sumerian poems are now generally considered to be distinct stories, rather than parts of a single epic. They date from as early as the Third Dynasty of Ur (c. 2100 BC). The Old Babylonian tablets (c. 1800 BC), are the earliest surviving tablets for a single Epic of Gilgamesh narrative. The older Old Babylonian tablets and later Akkadian version are important sources for modern translations, with the earlier texts mainly used to fill in gaps (lacunae) in the later texts. Although several revised versions based on new discoveries have been published, the epic remains incomplete. Analysis of the Old Babylonian text has been used to reconstruct possible earlier forms of the epic. The most recent Akkadian version, also referred to as the Standard Babylonian version, consists of twelve tablets and was edited by Sîn-lēqi-unninni, who is thought to have lived sometime between 1300 BC and 1000 BC.
  Some 15,000 fragments of Assyrian cuneiform tablets were discovered in the Library of Ashurbanipal in Nineveh by Austen Henry Layard, his assistant Hormuzd Rassam, and W. K. Loftus in the early 1850s. Late in the following decade, the British Museum hired George Smith to study these; in 1872, Smith read translated fragments before the Society of Biblical Archaeology, and in 1875 and 1876 he published fuller translations, the latter of which was published as The Chaldaean Account of Genesis. The central character of Gilgamesh was initially reintroduced to the world as "Izdubar", before the cuneiform logographs in his name could be pronounced accurately.
  In 1891, Paul Haupt collected the cuneiform text, and nine years later, Peter Jensen provided a comprehensive edition; R. Campbell Thompson updated both of their work in 1930. Over the next two decades, Samuel Noah Kramer reassembled the Sumerian poems. The first direct Arabic translation from the original tablets was published in the 1960s by Iraqi archaeologist Taha Baqir.
  In 1998, American Assyriologist Theodore Kwasman discovered a piece believed to have contained the first lines of the epic in the storeroom of the British Museum, the fragment, found in 1878 and dated to between 600 BC and 100 BC, had remained unexamined by experts for more than a century since its recovery. The fragment read "He who saw all, who was the foundation of the land, who knew (everything), was wise in all matters: Gilgamesh."
  The discovery of artifacts (c. 2600 BC) associated with Enmebaragesi of Kish, mentioned in the legends as the father of one of Gilgamesh's adversaries, has lent credibility to the historical existence of Gilgamesh.
  The definitive modern translation is a two-volume critical work by Andrew George, published by Oxford University Press in 2003. A book review by Cambridge scholar Eleanor Robson claims that George's is the most significant critical work on Gilgamesh in the last 70 years. George discusses the state of the surviving material, and provides a tablet-by-tablet exegesis, with a dual language side-by-side translation. In 2004, Stephen Mitchell supplied a controversial version that takes many liberties with the text and includes modernized allusions and commentary relating to the Iraq War of 2003.
caption: Ancient Assyrian statue currently in the Louvre, possibly representing Gilgamesh
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