page_title: Paul Ivano
hierarchical_section_title: Paul Ivano
caption_attribution_description: English: L. to R.&#160;: Robert Lazlo (camera assistant), Ella Raines, Frank Heisler (camera assistant), and cinematographer Paul Ivano, on the set of The Suspect (1944) - publicity still
context_page_description: Paul Ivano, ASC, was a Serbian–French–American cinematographer whose career stretched from 1920 into the late 1960s. Born Paul Ivano Ivanichevitch, to Serbian parents in Nice, France, he served for two years with the Franco–American Ambulance Corps and the American Red Cross Ambulance Corps, between 1916 and 1918. After the conclusion of World War I, he remained in the Balkans, acting as a photographer and interpreter for the American Red Cross. He arrived in the United States in 1919, and moved to California, the following year. In 1947 he was the cameraman who made the first aerial helicopter shots for an American feature film in Nicholas Ray's film noir They Live by Night.
context_section_description: Paul Ivano, ASC (May 13, 1900 – April 9, 1984), was a Serbian–French–American cinematographer whose career stretched from 1920 into the late 1960s. Born Paul Ivano Ivanichevitch, to Serbian parents in Nice, France, he served for two years with the Franco–American Ambulance Corps and the American Red Cross Ambulance Corps, between 1916 and 1918. After the conclusion of World War I, he remained in the Balkans, acting as a photographer and interpreter for the American Red Cross. He arrived in the United States in 1919, and moved to California, the following year. In 1947 he was the cameraman who made the first aerial helicopter shots for an American feature film in Nicholas Ray's film noir They Live by Night.
caption: Ivano (right) with camera assistants Robert Lazlo and Frank Heisler and Ella Raines on the set of The Suspect (1944)
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