page_title: Fangxiangshi
hierarchical_section_title: Fangxiangshi
caption_attribution_description: Italiano: Museo Cernuschi, Parigi
context_page_description: The fangxiangshi 方相氏 was a Chinese ritual exorcist, the meaning of whose name is obscure but has been translated as "one who sees in all directions", "he who scrutinizes for evil in many directions", and "one who orients unwanted spirits in the direction to which they belong". Ancient Chinese texts record that he wore a bearskin with four golden eyes, and carried a lance and shield to expel malevolent spirits. His primary duties were orchestrating the seasonal Nuo ritual to chase out disease-causing demons from houses and buildings, and leading a funeral procession to exorcize corpse-eating wangliang spirits away from a burial chamber. From the Han dynasty through the Tang dynasty, fangxiangshi were official wu-shaman specialists in the imperially sanctioned Chinese state religion; after the Tang, they were adapted into popular folk religion and symbolized by wearing a four-eyed mask.
  In the present day, the fangxiangshi is a masked character in Chinese Nuo opera, and continues as the Japanese equivalent hōsōshi 方相氏 exorcist in Shinto ceremonies.
context_section_description: The fangxiangshi 方相氏 was a Chinese ritual exorcist, the meaning of whose name is obscure but has been translated as "one who sees in all (four) directions", "he who scrutinizes for evil in many directions", and "one who orients unwanted spirits in the direction to which they belong". Ancient Chinese texts record that he wore a bearskin with four golden eyes, and carried a lance and shield to expel malevolent spirits. His primary duties were orchestrating the seasonal Nuo ritual to chase out disease-causing demons from houses and buildings, and leading a funeral procession to exorcize corpse-eating wangliang spirits away from a burial chamber. From the Han dynasty through the Tang dynasty (3rd century BCE to 10th century CE), fangxiangshi were official wu-shaman specialists in the imperially sanctioned Chinese state religion; after the Tang, they were adapted into popular folk religion and symbolized by wearing a four-eyed mask.
  In the present day, the fangxiangshi is a masked character in Chinese Nuo opera, and continues as the Japanese equivalent hōsōshi 方相氏 exorcist in Shinto ceremonies.
caption: Chinese Eastern Han dynasty (25-220 CE) tomb guardian figure identified as a Fangxiangshi
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