page_title: Hephaestion
section_title: Career
hierarchical_section_title: Hephaestion / Career
caption_attribution_description: Alexander and Porus by Charles Le Brun, painted 1673. Le Brun also spelled LEBRUN (b. Feb. 24, 1619, Paris, France--d. Feb. 12, 1690, Paris), painter and designer who became the arbiter of artistic production in France during the last half of the 17th century. Possessing both technical facility and the capacity to organize and carry out many vast projects, Le Brun personally created or supervised the production of most of the paintings, sculptures, and decorative objects commissioned by the French government for three decades during the reign of Louis XIV. Under his direction French artists created a homogeneous style that came to be accepted throughout Europe as the paragon of academic and propagandistic art. [Encyclopaedia Britannica, 1994] Lebrun, Charles (1619-90). French painter and art theorist, the dominant artist of Louis XIV's reign. After training with Vouet he went to Rome in 1642 and worked under Poussin, becoming a convert to the latter's theories of art. He returned to Paris in 1646. From 1661 he became established in the employ of Louis XIV, in 1662 he was raised to the nobility and named Premier Paintre du roi, and in 1663 he was made director of the reorganized Academie, which he turned into a channel for imposing a codified system of orthodoxy in matters of art. His lectures came to be accepted as providing the official standards of artistic correctness and, formulated on the basis of the Classicism of Poussin, gave authority to the view that every aspect of artistic creation can be reduced to teachable rule and precept. In 1698 his small illustrated treatise Methode pour apprendre a dessiner les passions... was posthumously published; in this, again following theories of Poussin, he purported to codify the visual expression of the emotions in painting. Despite the Classicism of his theories, Lebrun's own talents lay rather in the direction of flamboyant and grandiose decorative effects. Among the most outstanding of his works for the king were the Galerie d'Apollon at the Louvre (1663), and the famous Galerie des Glaces (1679-84) and the Great Staircase (1671-78, destroyed in 1752) at Versailles. His importance in the history of French art is twofold: his contributions to the magnificence of the Grand Manner of Louis XIV and his influence in laying the basis of academicism. Many of the leading French artists of the next generation trained in his studio. Lebrun was a fine portraitist and an extremely prolific draughtsman.
context_page_description: Hephaestion, son of Amyntor, was an ancient Macedonian nobleman and a general in the army of Alexander the Great. He was "by far the dearest of all the king's friends; he had been brought up with Alexander and shared all his secrets." This relationship lasted throughout their lives, and was compared, by others as well as themselves, to that of Achilles and Patroclus.
  His military career was distinguished. A member of Alexander the Great's personal bodyguard, he went on to command the Companion cavalry and was entrusted with many other tasks throughout Alexander's ten-year campaign in Asia, including diplomatic missions, the bridging of major rivers, sieges and the foundation of new settlements. Besides being a soldier, engineer and diplomat, he corresponded with the philosophers Aristotle and Xenocrates and actively supported Alexander in his attempts to integrate the Greeks and Persians. Alexander formally made him his second-in-command when he appointed him Chiliarch of the empire. Alexander also made him part of the royal family when he gave him as his bride Drypetis, sister to his own second wife Stateira, both daughters of Darius III of Persia.
context_section_description: Sharing Alexander's upbringing, Hephaestion would have learned to fight and to ride well from an early age. His first taste of military action was probably the campaign against the Thracians while Alexander was regent, followed by Philip II's Danube campaign (342 BC) and the battle of Chaeronea (338 BC) while he was still in his teens. His name is not mentioned in lists of high-ranking officers during the early battles of Alexander's Danube campaign (335 BC) or the invasion of Persia. Nor are the names of Alexander's other close friends and contemporaries listed, suggesting that their promotions, when they achieved them, were earned by merit.
  Hephaestion's career was never solely a military one. Right from the start he was also engaged in special missions, sometimes diplomatic, sometimes technical. The first mention of his career in the sources is a diplomatic mission of some importance. After the battle of Issus (333 BC) when Alexander was proceeding south down the Phoenician coast and had received the capitulation of Sidon, Hephaestion was "authorised to appoint to the throne the Sidonian he considered most deserving of that high office". Hephaestion took local advice and chose a man distantly related to the royal family, but whose honesty had reduced him to working as a gardener. The man, Abdalonymus, had a successful royal career, fully justifying Hephaestion's choice.
  After the siege of Tyre (332 BC) Alexander entrusted his fleet to Hephaestion, who had orders to skirt the coast and head for Gaza, their next objective, while Alexander himself led the army overland. Hephaestion's task was not an easy one for this was not the Athenian fleet with which Alexander had started and had earlier disbanded, but a motley collection of semi-reluctant allies of many nationalities who would need holding together with patience and strength. Furthermore, on arrival at Gaza the cargo of siege engines had to be unloaded, transported across difficult terrain and reassembled.
  Plutarch, while writing about Alexander's correspondence, reveals an occasion when Hephaestion was away on business and Alexander wrote to him. The subject matter suggests that this took place while they were in Egypt. What business Hephaestion was attending to we do not know, but Andrew Chugg has suggested that it was concerned either with his command of the fleet or Athenian diplomacy. He quotes sources which suggest that Hephaestion had been approached by Aristion of Athens to effect a reconciliation between Alexander and Demosthenes and, certainly, Athens' inaction during the revolt of the Spartan king Agis would seem to support this idea. As Chugg says, "If he did persuade Alexander to reach an accommodation with Demosthenes at this critical juncture, as would seem likely from the circumstances, then he was significantly responsible for saving the situation for Macedon in Greece by preventing the revolt of Agis spreading to Athens and her allies."
  It is likely, though not certain, that it was Hephaestion who led the advance army from Egypt to bridge the Euphrates river. Darius of Persia sent Mazaeus to hold the opposite bank while the bridging work was in progress. This Mazaeus was the commander who threw away what looked like certain victory on the Persian right at the battle of Gaugamela (331 BC) and later became Alexander's governor of Babylon. Robin Lane Fox has suggested that a conversation with Hephaestion may have won Mazaeus over: "It is conceivable that the battle of Gaugamela was partly won on the banks of the Euphrates and that Mazaeus' reinstatement was less a sign of magnanimity than of a prearranged reward."
  It is at Gaugamela that mention is first made of Hephaestion's rank. He is called the "commander of the bodyguards (somatophylakes)". This is not the Royal Squadron, whose duties also included guarding the king in battle and which was at that time commanded by Cleitus—a man of the older generation—but a small group of close companions specifically designated to fight alongside the king. Hephaestion was certainly in the thick of things with A
caption: A painting by Charles Le Brun depicting Alexander and Hephaestion (in red cloak), facing Porus, during the Battle of the Hydaspes.
exif: {}