page_title: Symbols and proto-writing of the Cucuteni–Trypillia culture
hierarchical_section_title: Symbols and proto-writing of the Cucuteni–Trypillia culture
caption_attribution_description: English: Cucuteni Artefact
context_page_description: A set of symbols depicted on clay artifacts associated with the Vinča culture, which flourished along the Danube River in the Pannonian Plain, between 6000-4000 BC was first noted by Hungarian archaeologist Zsófia Torma at the archaeological site in the village of Turdaș, Romania, and consisted of a collection of artifacts that had what appeared to be an unknown system of writing. In 1908, more of these same kind of artifacts were discovered at a site near Vinča, outside of the city of Belgrade, Serbia. Scholars subsequently labeled this the "Vinča Script" or "Vinča-Tordos Script".
  The Vinča symbols were also discussed by Marija Gimbutas, who in the 1950s developed her theories that became collectively known as the Old European culture. Gimbutas claimed that these symbols represented an Old European Script that she said was a writing system that predated the Sumerian Cuneiform script. This theory reinforced her claims that the Neolithic civilizations of southeastern Europe were matriarchal, Mother Goddess worshippers, since the symbols were so often found on clay anthropomorphic female fetish figurines that are to be found in archaeological sites throughout the entire region.
context_section_description: A set of symbols depicted on clay artifacts associated with the Vinča culture, which flourished along the Danube River in the Pannonian Plain, between 6000-4000 BC was first noted by Hungarian archaeologist Zsófia Torma ( 1832 –  1899)   at the archaeological site in the village of Turdaș, Romania (which was known at the time as Tordos), and consisted of a collection of artifacts that had what appeared to be an unknown system of writing. In 1908, more of these same kind of artifacts were discovered at a site near Vinča, outside of the city of Belgrade, Serbia. Scholars subsequently labeled this the "Vinča Script" or "Vinča-Tordos Script".
  The Vinča symbols were also discussed by Marija Gimbutas, who in the 1950s developed her theories that became collectively known as the Old European culture. Gimbutas claimed that these symbols represented an Old European Script that she said was a writing system that predated the Sumerian Cuneiform script. This theory reinforced her claims that the Neolithic civilizations of southeastern Europe were matriarchal, Mother Goddess worshippers, since the symbols were so often found on clay anthropomorphic female fetish figurines that are to be found in archaeological sites throughout the entire region. Her claims have largely been disproven by subsequent research and discoveries,
  Further clouding the issue, there have been several people who have published theories about the Vinča symbols, including one that claims it is the ancient Etruscan alphabet; all of these theories have been disproven by scholars.
  The Vinča symbols were found etched or painted on the ubiquitous anthropomorphic female clay statues. These statues have markings on them that appear in roughly the same location (for instance, along the upper arms and shoulders), and are found in various archaeological sites scattered over a wide geographical area.
  Beginning in 1875 up to the present, archaeologists have found more than a thousand Neolithic era clay artifacts that have examples of symbols similar to the Vinča symbols scattered widely throughout south-eastern Europe. These include:
  The Tărtăria Tablets, discovered in 1961 in the village of Tărtăria, Săliştea, Alba County, Romania.
  The Gradeshnitsa Tablets, discovered in 1969 in Gradeshnitsa, Vratsa Province, Bulgaria.
  The Dispilio Tablet, discovered in 1994 in Dispilio, Kastoria regional unit, Greece.
  The Cucuteni-Trypillia pintadera (or barter tokens)
  There has been some controversy in the dating of some of these discoveries, especially the Tărtăria Tablets.
  In 1981 archaeologists unearthed a remarkable discovery dating back to 4200 BC from the Precucuteni site of Poduri-Dealul, near the town of Ghindaru, Bacău County, Romania. Dubbed the "Council of Goddesses", it was a collection of 15 anthropomorphic female clay figurines, all of whom were seated, with 13 of them seated on accompanying clay chairs (or thrones), all of the figurines were placed so that they were facing inward in a circle (see photograph below). The archaeologists noted that some of these figurines had symbolic markings painted in red on their shoulders, almost identical to other clay female figurines found elsewhere.
  Looking below, the figure to the left has a symbol made of four lines that are connected to a perpendicular line (or bar) located on the right shoulder. Another female figurine found at a Precucuteni site near Târgu Frumos, in Iaşi County, Romania, has an identical symbol, including the placement of it on the figurine's right shoulder. Târgu Frumos is located a linear 88.5 km. (55 miles) from Ghindaru.
  The figurine on the right has a symbol of three lines connected to a bar and placed on the left shoulder, again identical to other Precucuteni female clay figurines found at sites near the villages of Isaiia, Iaşi County, Romania, and Sabatynivka, Ulianovskyi Raion, Kirovohrad Oblast, Ukraine. Isaiia is located 119 km. (74 miles), and Sabatynivka is 333 km (207 mi) from Ghindaru.
  Both examples illustrated of these symbols, the three and four lines connected to a bar, are found in other archae
caption: Abstract symbol on Cucuteni pottery
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