page_title: Chinese architecture
section_title: Architectural bilateral symmetry
hierarchical_section_title: Chinese architecture / Features / Architectural bilateral symmetry
caption_attribution_description: "Wu men" 中文（中国大陆）‎: 故宫午门 English: Beijing - Forbidden City(view N) - Meridian Gate Deutsch: Beijing - Verbotene Stadt(Blick N) - Mittagstor
context_page_description: Chinese architecture demonstrates an architectural style that developed over millennia in China, before spreading out to influence architecture throughout East Asia. Since the solidification of the style in the early imperial period, the structural principles of Chinese architecture have remained largely unchanged, the main changes being only the decorative details. Starting with the Tang dynasty, Chinese architecture has had a major influence on the architectural styles of Japan, Korea, Mongolia, and Vietnam, and a varying amount of influence on the architectural styles of Southeast and South Asia including Malaysia, Singapore, Indonesia, Sri Lanka, Thailand, Laos, Cambodia and The Philippines.
  Chinese architecture is typified by various features; such as, bilateral symmetry, use of enclosed open spaces, the incorporation of ideas related to feng shui such as directional hierarchies, a horizontal emphasis, and allusion to various cosmological, mythological, or other symbolism. Chinese architecture traditionally classifies structures according to type, ranging from pagodas to palaces.
context_section_description: A very important feature in Chinese architecture is its emphasis on articulation and bilateral symmetry, which signifies balance. Bilateral symmetry and the articulation of buildings are found everywhere in Chinese architecture, from palace complexes to humble farmhouses. When possible, plans for renovation and extension of a house will often try to maintain this symmetry provided that there is enough capital to do so. Secondary elements are positioned either side of main structures as two wings to maintain overall bilateral symmetry. The buildings are typically planned to contain an even number of columns in a structure to produce an odd number of bays (間). With the inclusion of a main door to a building in the center bay, symmetry is maintained.
  In contrast to the buildings,  the Chinese gardens tend to be asymmetrical. The principle underlying the garden's composition is to create enduring flow. The design of the classic Chinese garden is based on the ideology of "Nature and Man in One", as opposed to the home itself, which is a symbol of the human sphere co-existing with, but separate from nature. So, the arrangement is as flexible as possible to let people feel they are surrounded by and in harmony with nature. The two essential elements of the garden are hill stones and water. The hill stones mean the pursuit of immortality and water represents emptiness and existence. The mountain belongs to yang (static beauty) and the water belongs to yin (dynamic wonder). They depend on each other and complete the whole nature.
caption: The Meridian Gate of the Forbidden City
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