page_title: Ljuskrona
hierarchical_section_title: Ljuskrona
context_page_description: Ljuskrona is a Swedish term for chandelier.
  The term is currently used to describe both the chandelier itself, and the Christmas traditions surrounding its creation and use. The tradition originated in Sweden during Jul. Emigrants carried it to other countries beginning in the early 1800s.
  The ljuskrona is a distinctive candle holder, which is wrapped in fringed paper. Ljuskrona have historically been made out of discarded materials and then covered with cut paper. The paper is usually newspaper, wrapping paper or crepe paper in various colors. Although it is usually thought of as a secular tradition for the home, it is also found in some churches.
  In 1988, the Folk Art section of the US National Endowment for the Arts awarded a grant for the implementation of a survey to document practices and styles extant in the US. The grant led to a traveling exhibition that included eight styles and ten photo panels. A slide show of the styles and anomalies featured in the project was funded by the Kansas Humanities Council. The project documented approximately 300 ljuskrona, generally created in the Midwestern United States.
context_section_description: Ljuskrona ("light crown") is a Swedish term for chandelier.
  The term is currently used to describe both the chandelier itself, and the Christmas traditions surrounding its creation and use. The tradition originated in Sweden during Jul. Emigrants carried it to other countries beginning in the early 1800s. 
  The ljuskrona is a distinctive candle holder, which is wrapped in fringed paper. Ljuskrona have historically been made out of discarded materials and then covered with cut paper. The paper is usually newspaper, wrapping paper or crepe paper in various colors. Although it is usually thought of as a secular tradition for the home, it is also found in some churches.
  In 1988, the Folk Art section of the US National Endowment for the Arts awarded a grant for the implementation of a survey to document practices and styles extant in the US. The grant led to a traveling exhibition that included eight styles and ten photo panels. A slide show of the styles and anomalies featured in the project was funded by the Kansas Humanities Council. The project documented approximately 300 ljuskrona, generally created in the Midwestern United States. Interviews provided information about family gatherings to re-wrap the candle holders, the custom of lighting the candles on Christmas Eve and the occasional candle holder that caught on fire.
  In some areas of Sweden the tradition continues as a private family custom.
  The term ljuskrona was used in the US to describe both ljuskrona (lit. "light crowns", chandeliers) and ljustaken (lit. “light stakes”, candelabras) even though, technically, one is a ceiling-mounted light fixture and the other a standing light fixture. Some families will refer to the paper-wrapped candle holders as julstaken, julkrona, jul tradet, or simply Swedish Christmas trees, regardless of whether the object sits or hangs.
  The type and color of paper used appears to be a personal family decision, with some preference given to decisions made in previous years. 
  Ljuskrona are taken out from their hiding place on December 13, St. Lucia Day. At that time, repairs or a complete re-wrapping will take place. Usually the mother or oldest child teaches the younger ones how to “decorate” the ljuskrona.
  The ljuskrona is put away on St. Knut's Day, January 13, as are all of the other Christmas decorations. Some rural families burn the Christmas tree that night.
caption: Carl Larsson: "Julaftonen" (akvarell, 1904-05) Ljustaken on table to the right
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