page_title: Xia Gui
section_title: Work
hierarchical_section_title: Xia Gui / Work
caption_attribution_description: English: Pure and Remote View of Streams and Mountains 中文（简体）‎: 南宋 夏圭 设色纸本 46.5cm×889.1cm
context_page_description: Xia Gui, courtesy name Yuyu, was a Chinese landscape painter of the Song dynasty. Very little is known about his life, and only a few of his works survive, but he is generally considered one of China's greatest artists. He continued the tradition of Li Tang, further simplifying the earlier Song style to achieve a more immediate, striking effect. Together with Ma Yuan, he founded the so-called Ma-Xia school, one of the most important of the period.
  Although Xia was popular during his lifetime, his reputation suffered after his death, together with that of all Southern Song academy painters. Nevertheless, a few artists, including the Japanese master Sesshū, continued Xia's tradition for hundreds of years, until the early 17th century.
context_section_description: The vast majority of Xia's surviving works are small album leaves, the favorite genre of Song academy painters. The genuine work all  scholars  in the Proceeding 1970  agreed  is the album leaf, Sailboat in Rainstorm,  in the Museum of Fine Arts, Boston. Instead of producing highly detailed, complex paintings, he limited his materials and thus achieved a more immediate effect. Li Tang had numerous followers, and Xia was one of them; however, as his works show, he soon developed a personal style. Examples of his work in the album leaf format include two ink on silk paintings in the Tokyo National Museum (one of which is from the famous Garden Plowed by the Brush (Hikkoen) collection): both feature perfectly balanced diagonal composition, in which the void and the solid mass play equally important roles, and a formidable ink technique.
  Xia's techniques are even more impressive in his hand scrolls; however, few of these have survived. The most well known is the 9 meter (30 feet) long Pure and Remote View of Streams and Mountains (ink on paper). This work is preserved incomplete, missing a final section which bore the artist's signature. Extremely subtle, graded ink washes and overlapping brushstrokes created complex atmospheric effects of mist, sky, and infinity.
  Other hand scrolls by Xia Gui include Ten Thousand Miles of the Yangzi River, which only survives in an unreliable 16th century copy, and Twelve Views from a Thatched Hut. The latter survives in several copies; the original is probably the fragmentary scroll in the Nelson-Atkins Museum of Art in Kansas City, Missouri, United States.
  Hanging scrolls by Xia Gui are rare. the famous Rain Storm from the Kawasaki collection in Japan is now considered a copy. There are two possibly authentic hanging scrolls kept in the Freer Gallery of Art: Rapids in a Mountain Valley (also known as A Misty Gorge, survives without the top part which bore the signature) and Autumn Moonlight on Dongting Lake.
  Old documents describe Xia as a painter who worked very fast, and with great ease. Pure and Remote View of Streams and Mountains is a work on paper, which absorbs ink quickly, and so must be an example of such spontaneous creation. Xia was also praised for his technical skill in drawing architecture and similar objects freehand, rather than using a ruler. Some sources mention the painter's preference for brushes with worn tips, used to avoid excessive smoothness, and "split" brushes, which allowed making two or more strokes at the same time.
caption: Pure and Remote View of Streams and Mountains The full scroll measures 46.5 × 889.1 centimeters (18.309 × 350.04 inches) and is on display in the National Palace Museum, Taipei, Taiwan.
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