page_title: Louis James Alfred Lefébure-Wély
section_title: Biography
hierarchical_section_title: Louis James Alfred Lefébure-Wély / Biography
caption_attribution_description: English: Louis James Alfred Lefébure-Wély
context_page_description: Louis-James-Alfred Lefébure-Wély was a French organist and composer. He played a major role in the development of the French symphonic organ style and was closely associated with the organ builder Aristide Cavaillé-Coll, inaugurating many new Cavaillé-Coll organs.
  His playing was virtuosic, and as a performer, he was rated above eminent contemporaries including César Franck. His compositions, less substantial than those of Franck and others, have not held such a prominent place in the repertory.
context_section_description: Lefébure-Wély was born in Paris, son of an organist.  He studied with his father, Isaac-François-Antoine Lefebvre (1756–1831), who had changed his name to Antoine Lefébure-Wely after being appointed organist of the fashionable church of Saint-Roch in the 1st arrondissement. The boy was musically precocious. In the manuscript of an unpublished Mass by his father is a note:
  This Mass was played on Easter Tuesday 1826 by my little boy Alfrede, age eight years and four months, on the organ of Saint-Roch to the satisfaction of everyone present. He retained throughout the Mass an extraordinary presence that surprised the people who were near him at the organ.
  Within two years of that occasion, Antoine Lefébure-Wely suffered a stroke, paralysing his left side. For the next five years, his son deputised for him. When  Alfred was fourteen Antoine died, and the son succeeded the father as official organist of Saint-Roch. While holding the post he entered the Paris Conservatoire in 1832,  studying with François Benoist. In 1835 he won first prize for organ. Following that he studied composition with Berton and Halévy. In 1838 he began a long association with the organ-builder Aristide Cavaillé-Coll, performing to a huge audience on the new instrument at Notre-Dame-de-Lorette. A reviewer in La France musical praised Lefébure-Wely's technical skill, but advised him to play music of a more serious style than he had developed. Lefébure-Wely, however, knew what the public wanted, and continued to perform music of a popular type. When a new Cavaillé-Coll organ was installed at Saint-Roch in 1842 Lefébure-Wely incurred critical disapproval for playing a fantasia on themes from Meyerbeer's popular opera Robert le diable.
  A French government website about Cavaillé-Coll calls Lefébure-Wely an "exceptionally talented dandy who, better than anyone, had grasped the musical potential of the new tones and combinations to create music that was thrilling, renewing, impressive and at times heartrending".  The site says of the composer, "A protégé of the aristocracy, he frequented the bourgeois salons where he often performed with his wife, a singer … and his two daughters who were pianists. He was the incarnation of the organ of the Second Empire." Even Gioacchino Rossini, not known for the solemnity of most of his own music, once told Lefébure-Wely, "You are admired more for your faults than your virtues."
  In 1847 Lefébure-Wely moved to the Église de la Madeleine, exchanging posts with the previous organist, Charles-Alexandre Fessy. In 1849 he was in charge of the music for the funeral of Frédéric Chopin, when he transcribed some of Chopin's piano works for the organ, attracting critical praise.
  Lefébure-Wely was awarded the Légion d'honneur in 1850. His contemporary, César Franck became better known as a composer, but was not as highly regarded as an organist. Adolphe Adam commented, "Lefébure-Wely is the most skilful artist I know"; Camille Saint-Saëns,  Lefébure-Wely's successor at the Madeleine, observed, "Lefébure-Wely was a wonderful improviser … but he left only a few unimportant compositions for the organ." He was the dedicatee of the "12 études pour les pieds seulement" (12 Studies for organ pedals alone) by Charles-Valentin Alkan and of the "Final en si bémol" for organ, op. 21, by Franck.
  Lefébure-Wely resigned his post at the Madeleine in 1858 to devote himself to composing a three-act opéra comique, Les recruteurs. It was premiered at the Opéra-Comique on December 11, 1861, but was not a great success. From 1863 until his death he was organist at  Saint-Sulpice, where the Cavaillé-Coll instrument was the largest in France. He died in Paris at the age of 52. Many musicians and other leading figures attended his Requiem Mass.  Ambroise Thomas gave the eulogy, in which he said, "Lefébure-Wely has taken his place among the most eminent organists – not only of his time, but of all periods and of all schools!" Lefébure-Wely was buried in Père Lachaise Cemetery; his tomb was designed by the architect Victor Baltard.
caption: Lefébure-Wely in 1840
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