page_title: Hellenistic period
section_title: Hellenization and acculturation
hierarchical_section_title: Hellenistic period / Culture / Hellenization and acculturation
caption_attribution_description: English: Rampurva bull in Presidential Palace high closeup. Detail of:
context_page_description: The Hellenistic period covers the period of Mediterranean history between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire as signified by the Battle of Actium in 31 BC and the conquest of Ptolemaic Egypt the following year. The Greek word Hellas was originally the widely-recognized name of Greece, from which the word Hellenistic was derived.
  During the Hellenistic period Greek cultural influence and power reached the peak of its geographical expansion, being dominant in the Mediterranean world and most of West and Central Asia, even in parts of the Indian subcontinent, experiencing prosperity and progress in the arts, exploration, literature, theatre, architecture, music, mathematics, philosophy, and science. It is often considered a period of transition, sometimes even of decadence or degeneration, compared to the enlightenment of the Greek Classical era. The Hellenistic period saw the rise of New Comedy, Alexandrian poetry, the Septuagint and the philosophies of Stoicism, Epicureanism, and Pyrrhonism. Greek science was advanced by the works of the mathematician Euclid and the polymath Archimedes.
context_section_description: The concept of Hellenization, meaning the adoption of Greek culture in non-Greek regions, has long been controversial. Undoubtedly Greek influence did spread through the Hellenistic realms, but to what extent, and whether this was a deliberate policy or mere cultural diffusion, have been hotly debated.
  It seems likely that Alexander himself pursued policies which led to Hellenization, such as the foundations of new cities and Greek colonies. While it may have been a deliberate attempt to spread Greek culture (or as Arrian says, "to civilise the natives"), it is more likely that it was a series of pragmatic measures designed to aid in the rule of his enormous empire. Cities and colonies were centers of administrative control and Macedonian power in a newly conquered region. Alexander also seems to have attempted to create a mixed Greco-Persian elite class as shown by the Susa weddings and his adoption of some forms of Persian dress and court culture. He also brought Persian and other non-Greek peoples into his military and even the elite cavalry units of the companion cavalry. Again, it is probably better to see these policies as a pragmatic response to the demands of ruling a large empire than to any idealized attempt to bringing Greek culture to the 'barbarians'. This approach was bitterly resented by the Macedonians and discarded by most of the Diadochi after Alexander's death. These policies can also be interpreted as the result of Alexander's possible megalomania during his later years.
  After Alexander's death in 323 BC, the influx of Greek colonists into the new realms continued to spread Greek culture into Asia. The founding of new cities and military colonies continued to be a major part of the Successors' struggle for control of any particular region, and these continued to be centers of cultural diffusion. The spread of Greek culture under the Successors seems mostly to have occurred with the spreading of Greeks themselves, rather than as an active policy.
  Throughout the Hellenistic world, these Greco-Macedonian colonists considered themselves by and large superior to the native "barbarians" and excluded most non-Greeks from the upper echelons of courtly and government life. Most of the native population was not Hellenized, had little access to Greek culture and often found themselves discriminated against by their Hellenic overlords. Gymnasiums and their Greek education, for example, were for Greeks only. Greek cities and colonies may have exported Greek art and architecture as far as the Indus, but these were mostly enclaves of Greek culture for the transplanted Greek elite. The degree of influence that Greek culture had throughout the Hellenistic kingdoms was therefore highly localized and based mostly on a few great cities like Alexandria and Antioch. Some natives did learn Greek and adopt Greek ways, but this was mostly limited to a few local elites who were allowed to retain their posts by the Diadochi and also to a small number of mid-level administrators who acted as intermediaries between the Greek speaking upper class and their subjects. In the Seleucid Empire, for example, this group amounted to only 2.5 percent of the official class.
  Hellenistic art nevertheless had a considerable influence on the cultures that had been affected by the Hellenistic expansion. As far as the Indian subcontinent, Hellenistic influence on Indian art was broad and far-reaching, and had effects for several centuries following the forays of Alexander the Great.
  Despite their initial reluctance, the Successors seem to have later deliberately naturalized themselves to their different regions, presumably in order to help maintain control of the population. In the Ptolemaic kingdom, we find some Egyptianized Greeks by the 2nd century onwards. In the Indo-Greek kingdom we find kings who were converts to Buddhism (e.g., Menander). The Greeks in the regions therefore gradually become 'localized', adopting local customs as appropriate. In this way, hybrid 'Hellenistic' cultures naturally emerged, at least among the upper echelons of
caption: Bull capital from Rampurva, one of the Pillars of Ashoka, Maurya Empire, 3rd century BC. Located in the Presidential Palace of Rashtrapati Bhavan, New Delhi. The subject matter is Indian (zebu), the global shape is influenced by Achaemenid styles, and the floral band incorporates Hellenistic designs (flame palmettes).[108]
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