page_title: Woody Allen
section_title: Comedy writer
hierarchical_section_title: Woody Allen / Career / Comedy writer
caption_attribution_description: Publicity photo of Woody Allen taken in Chicago when he was a guest on w:Irv Kupcinet show.
context_page_description: Heywood "Woody" Allen is an American director, writer, actor, and comedian whose career spans more than six decades and multiple Academy Award-winning movies. He began his career as a comedy writer on Sid Caesar's comedy variety program, Your Show of Shows, working alongside Mel Brooks, Carl Reiner, Larry Gelbart and Neil Simon. He also began writing material for television, published several books featuring short stories, and writing humor pieces for The New Yorker. In the early 1960s, he performed as a stand-up comedian in Greenwich Village alongside Lenny Bruce, Elaine May, Mike Nichols, and Joan Rivers. There he developed a monologue style, and the persona of an insecure, intellectual, fretful nebbish, which he maintains is quite different from his real-life personality. He released three comedy albums during the mid to late 1960s, even earning a Grammy Award nomination for his 1964 comedy album entitled simply, Woody Allen. In 2004 Comedy Central ranked Allen fourth on a list of the 100 greatest stand-up comedians, while a UK survey ranked Allen the third-greatest comedian.
context_section_description: Allen began writing short jokes when he was 15, and the following year began sending them to various Broadway writers to see if they'd be interested in buying any. He also began going by the name "Woody Allen". One of those writers was Abe Burrows, coauthor of Guys and Dolls, who wrote, "Wow! His stuff was dazzling." Burrows then wrote Allen letters of introduction to Sid Caesar, Phil Silvers, and Peter Lind Hayes, who immediately sent Allen a check for just the jokes Burrows included as samples.
  As a result of the jokes Allen mailed to various writers, he was invited, then age 19, to join the NBC Writer's Development Program in 1955, followed by a job on The NBC Comedy Hour in Los Angeles. He was later hired as a full-time writer for humorist Herb Shriner, initially earning $25 a week. He began writing scripts for The Ed Sullivan Show, The Tonight Show, specials for Sid Caesar post-Caesar's Hour (1954–1957), and other television shows.p.111 By the time he was working for Caesar, he was earning $1,500 a week. He worked alongside Mel Brooks, Carl Reiner, Larry Gelbart, and Neil Simon. He also worked with Danny Simon, whom Allen credits for helping form his writing style. In 1962 alone he estimated that he wrote twenty thousand jokes for various comics. Allen also wrote for the Candid Camera television show, and appeared in some episodes.
  He wrote jokes for the Buddy Hackett sitcom Stanley and for The Pat Boone Chevy Showroom, and in 1958 he co-wrote a few Sid Caesar specials with Larry Gelbart. After writing for many of television's leading comedians and comedy shows, Allen was gaining a reputation as a "genius", composer Mary Rodgers said. When given an assignment for a show he would leave and come back the next day with "reams of paper", according to producer Max Liebman. Similarly, after he wrote for Bob Hope, Hope called him "half a genius".
  His daily writing routine could last as long as 15 hours, and he could focus and write anywhere necessary. Dick Cavett was amazed at Allen's capacity to write: "He can go to a typewriter after breakfast and sit there until the sun sets and his head is pounding, interrupting work only for coffee and a brief walk, and then spend the whole evening working." When Allen wrote for other comedians, they would use eight out of ten of his jokes. When he began performing as a stand-up, he was much more selective, typically using only one out of ten jokes. He estimated that to prepare for a 30-minute show, he spent six months of intensive writing. He enjoyed writing, however, despite the work: "Nothing makes me happier than to tear open a ream of paper. And I can't wait to fill it! I love to do it."
  Allen started writing short stories and cartoon captions for magazines such as The New Yorker; he was inspired by the tradition of New Yorker humorists S. J. Perelman, George S. Kaufman, Robert Benchley, and Max Shulman, whose material he modernized. His collections of short pieces includes Getting Even, Without Feathers, Side Effects, and Mere Anarchy. His early comic fiction was influenced by the zany, pun-ridden humor of S.J. Perelman. In 2010 Allen released audio versions of his books in which he read 73 selections. He was nominated for a Grammy Award for Best Spoken Word Album.
caption: Allen in the 1960s
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