page_title: Black metal
section_title: Outside Norway
hierarchical_section_title: Black metal / History / Second wave / Outside Norway
caption_attribution_description: English: Cradle of Filth band at Metalmania Festival 2005 in Poland Polski: Zespół Cradle of Filth na festiwalu Metalmania 2005
context_page_description: Black metal is an extreme subgenre of heavy metal music. Common traits include fast tempos, a shrieking vocal style, heavily distorted guitars played with tremolo picking, raw recording, unconventional song structures, and an emphasis on atmosphere. Artists often appear in corpse paint and adopt pseudonyms.
  During the 1980s, several thrash metal and death metal bands formed a prototype for black metal. This so-called first wave included bands such as Venom, Bathory, Mercyful Fate, Hellhammer and Celtic Frost. A second wave arose in the early 1990s, spearheaded by Norwegian bands such as Mayhem, Darkthrone, Burzum, Immortal, Emperor, Satyricon and Gorgoroth. The early Norwegian black metal scene developed the style of their forebears into a distinct genre. Norwegian-inspired black metal scenes emerged throughout Europe and North America, although some other scenes developed their own styles independently. Some prominent Swedish bands spawned during this second wave, the second generation in Sweden being led by Dissection, Abruptum, Marduk, and Nifelheim.
context_section_description: Black metal scenes also emerged on the European mainland during the early 1990s, inspired by the Norwegian scene or the older bands, or both. In Poland, a scene was spearheaded by Graveland and Behemoth. In France, a close-knit group of musicians known as Les Légions Noires emerged; this included artists such as Mütiilation, Vlad Tepes, Belketre and Torgeist. In Belgium, there were acts such as Ancient Rites and Enthroned. Bands such as Black Funeral, Grand Belial's Key and Judas Iscariot emerged during this time in the United States. Black Funeral, from Houston, formed in 1993, was associated with black magic and Satanism.
  A notable black metal group in England was Cradle of Filth, who released three demos in a black/death metal style with symphonic flourishes, followed by the album The Principle of Evil Made Flesh, which featured a then-unusual hybrid style of black and gothic metal. The band then abandoned black metal for gothic metal, becoming one of the most successful extreme metal bands to date. John Serba of AllMusic commented that their first album "made waves in the early black metal scene, putting Cradle of Filth on the tips of metalheads' tongues, whether in praise of the band's brazen attempts to break the black metal mold or in derision for its 'commercialization' of an underground phenomenon that was proud of its grimy heritage". Some black metal fans did not consider Cradle of Filth to be black metal. When asked if he considers Cradle of Filth a black metal band, vocalist Dani Filth said he considers them black metal in terms of philosophy and atmosphere, but not in other ways. Another English band called Necropolis never released any music, but "began a desecratory assault against churches and cemeteries in their area" and "almost caused Black Metal to be banned in Britain as a result". Dayal Patterson says successful acts like Cradle of Filth "provoked an even greater extremity [of negative opinion] from the underground" scene due to concerns about "selling out".
  The controversy surrounding the Thuringian band Absurd drew attention to the German black metal scene. In 1993, the members murdered a boy from their school, Sandro Beyer. A photo of Beyer's gravestone is on the cover of one of their demos, Thuringian Pagan Madness, along with pro-Nazi statements. It was recorded in prison and released in Poland by Graveland drummer Capricornus. The band's early music was more influenced by Oi! and Rock Against Communism (RAC) than by black metal, and described as being "more akin to '60s garage punk than some of the […] Black Metal of their contemporaries". Alexander von Meilenwald from German band Nagelfar considers Ungod's 1993 debut Circle of the Seven Infernal Pacts, Desaster's 1994 demo Lost in the Ages, Tha-Norr's 1995 album Wolfenzeitalter, Lunar Aurora's 1996 debut Weltengänger and Katharsis's 2000 debut 666 to be the most important recordings for the German scene. He said they were "not necessarily the best German releases, but they all kicked off something".
caption: English band Cradle of Filth performing at Metalmania in 2005
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