page_title: Victorian era
section_title: Family and gender roles
hierarchical_section_title: Victorian era / Society and culture / Family and gender roles
caption_attribution_description: English: The Bayswater Omnibus
context_page_description: In the history of the United Kingdom, the Victorian era was the period of Queen Victoria's reign, from 20 June 1837 until her death on 22 January 1901. The era followed the Georgian period and preceded the Edwardian period, and its later half overlaps with the first part of the Belle Époque era of Continental Europe. In terms of moral sensibilities and political reforms, this period began with the passage of the Reform Act 1832. There was a strong religious drive for higher moral standards led by the nonconformist churches, such as the Methodists, and the Evangelical wing of the established Church of England. Britain's relations with the other Great Powers were driven by the colonial antagonism of the Great Game with Russia, climaxing during the Crimean War; a Pax Britannica of international free trade was maintained by the country's naval and industrial supremacy. Britain embarked on global imperial expansion, particularly in Asia and Africa, which made the British Empire the largest empire in history. National self-confidence peaked.
context_section_description: The centrality of the family was a dominant feature for all classes. Worriers repeatedly detected threats that had to be dealt with: working wives, overpaid youths, harsh factory conditions, bad housing, poor sanitation, excessive drinking, and religious decline. The licentiousness so characteristic of the upper class of the late 18th and early 19th centuries dissipated. The home became a refuge from the harsh world; middle-class wives sheltered their husbands from the tedium of domestic affairs. The number of children shrank, allowing much more attention to be paid to each child. Extended families were less common, as the nuclear family became both the ideal and the reality.
  The emerging middle-class norm for women was separate spheres, whereby women avoid the public sphere – the domain of politics, paid work, commerce, and public speaking. Instead, they should dominate in the realm of domestic life, focused on the care of the family, the husband, the children, the household, religion, and moral behavior. Religiosity was in the female sphere, and the Nonconformist churches offered new roles that women eagerly entered. They taught in Sunday schools, visited the poor and sick, distributed tracts, engaged in fundraising, supported missionaries, led Methodist class meetings, prayed with other women, and a few were allowed to preach to mixed audiences.
  The long 1854 poem The Angel in the House by Coventry Patmore (1823–1896) exemplified the idealized Victorian woman who is angelically pure and devoted to her family and home. The poem was not a pure invention but reflected the emerging legal economic social, cultural, religious and moral values of the Victorian middle-class. Legally women had limited rights to their bodies, the family property, or their children. The recognized identities were those of daughter, wife, mother, and widow. Rapid growth and prosperity meant that fewer women had to find paid employment, and even when the husband owned a shop or small business, the wife's participation was less necessary. Meanwhile, the home sphere grew dramatically in size; women spent the money and decided on the furniture, clothing, food, schooling, and outward appearance the family would make. Patmore's model was widely copied – by Charles Dickens, for example. Literary critics of the time suggested that superior feminine qualities of delicacy, sensitivity, sympathy, and sharp observation gave women novelists a superior insight into stories about home family and love. This made their work highly attractive to the middle-class women who bought the novels and the serialized versions that appeared in many magazines. However, a few early feminists called for aspirations beyond the home. By the end of the century, the "New Woman" was riding a bicycle, wearing bloomers, signing petitions, supporting worldwide mission activities, and talking about the vote.
caption: George William Joy's painting The Bayswater Omnibus, 1895, depicts middle-class social life in this English late Victorian-era scene.
exif: {}