page_title: Greece
section_title: Music and dances
hierarchical_section_title: Greece / Culture / Music and dances
context_page_description: Greece, officially the Hellenic Republic, known also as Hellas, is a country located in Southeast Europe. Its population is approximately 10.7 million as of 2018; Athens, the nation's capital, is its largest city, followed by Thessaloniki.
  Situated on the southern tip of the Balkans, Greece is located at the crossroads of Europe, Asia, and Africa. It shares land borders with Albania to the northwest, North Macedonia and Bulgaria to the north, and Turkey to the northeast. The Aegean Sea lies to the east of the mainland, the Ionian Sea to the west, the Cretan Sea and the Mediterranean Sea to the south. Greece has the longest coastline on the Mediterranean Basin and the 11th longest coastline in the world at 13,676 km in length, featuring many islands, of which 227 are inhabited. Eighty percent of Greece is mountainous, with Mount Olympus being the highest peak at 2,918 metres. The country consists of nine traditional geographic regions: Macedonia, Central Greece, the Peloponnese, Thessaly, Epirus, the Aegean Islands, Thrace, Crete, and the Ionian Islands.
context_section_description: Greek vocal music extends far back into ancient times where mixed-gender choruses performed for entertainment, celebration and spiritual reasons. Instruments during that period included the double-reed aulos and the plucked string instrument, the lyre, especially the special kind called a kithara. Music played an important role in the education system during ancient times. Boys were taught music from the age of six. Later influences from the Roman Empire, Middle East, and the Byzantine Empire also had effect on Greek music.
  While the new technique of polyphony was developing in the West, the Eastern Orthodox Church resisted any type of change. Therefore, Byzantine music remained monophonic and without any form of instrumental accompaniment. As a result, and despite certain attempts by certain Greek chanters (such as Manouel Gazis, Ioannis Plousiadinos or the Cypriot Ieronimos o Tragoudistis), Byzantine music was deprived of elements of which in the West encouraged an unimpeded development of art. However, this method which kept music away from polyphony, along with centuries of continuous culture, enabled monophonic music to develop to the greatest heights of perfection. Byzantium presented the monophonic Byzantine chant; a melodic treasury of inestimable value for its rhythmical variety and expressive power.
  Along with the Byzantine (Church) chant and music, the Greek people also cultivated the Greek folk song (Demotiko) which is divided into two cycles, the akritic and klephtic. The akritic was created between the 9th and 10th centuries and expressed the life and struggles of the akrites (frontier guards) of the Byzantine empire, the most well known being the stories associated with Digenes Akritas. The klephtic cycle came into being between the late Byzantine period and the start of the Greek War of Independence. The klephtic cycle, together with historical songs, paraloghes (narrative song or ballad), love songs, mantinades, wedding songs, songs of exile and dirges express the life of the Greeks. There is a unity between the Greek people's struggles for freedom, their joys and sorrow and attitudes towards love and death.
  The Heptanesean kantádhes (καντάδες 'serenades'; sing.: καντάδα) became the forerunners of the Greek modern urban popular song, influencing its development to a considerable degree. For the first part of the next century, several Greek composers continued to borrow elements from the Heptanesean style. The most successful songs during the period 1870–1930 were the so-called Athenian serenades, and the songs performed on stage (επιθεωρησιακά τραγούδια 'theatrical revue songs') in revue, operettas and nocturnes that were dominating Athens' theater scene.
  Rebetiko, initially a music associated with the lower classes, later (and especially after the population exchange between Greece and Turkey) reached greater general acceptance as the rough edges of its overt subcultural character were softened and polished, sometimes to the point of unrecognizability. It was the base of the later laïkó (song of the people). The leading performers of the genre include Vassilis Tsitsanis, Grigoris Bithikotsis, Stelios Kazantzidis, George Dalaras, Haris Alexiou and Glykeria.
  Regarding the classical music, it was through the Ionian islands (which were under western rule and influence) that all the major advances of the western European classical music were introduced to mainland Greeks. The region is notable for the birth of the first School of modern Greek classical music (Heptanesean or Ionian School, Greek: Επτανησιακή Σχολή), established in 1815. Prominent representatives of this genre include Nikolaos Mantzaros, Spyridon Xyndas, Spyridon Samaras and Pavlos Carrer. Manolis Kalomiris is considered the founder of the Greek National School of Music.
  In the 20th century, Greek composers have had a significant impact on the development of avant garde and modern classical music, with figures such as Iannis Xenakis, Nikos Skalkottas, and Dimitri Mitropoulos achieving international prominence. At the same time, composers and m
caption: Cretan dancers of traditional folk music
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