page_title: Korean dance
section_title: Overview
hierarchical_section_title: Korean dance / Overview
caption_attribution_description: 한국어: 쌍검대무(雙劍對舞) '혜원풍속도첩 (蕙園風俗圖帖)' 중에서, 서울 성북구 간송미술관 소장 English: “Dancing together holding with two swords” (translit. title:Ssanggeum daemu) from Hyewon pungsokdo held by Gansong Art Museum in Seoul, South Korea
context_page_description: Dance in Korea began with shamanistic early rituals five thousand years ago and now ranges from folk dance to newly created and adopted contemporary dance.
context_section_description: Korean traditional dance originated in ancient shamanistic rituals thousands of years ago. By the time of the later Korean kingdoms, Goryeo and Joseon, in the 2nd millennium AD, Korean traditional dance benefited from regular support of the royal court, numerous academies, and even an official ministry of the government.
  A number of different dances gained permanent high status, including the Hermit dance, the Ghost dance, Buchae Chum (the fan dance), Seung Mu (the Monk dance), the Oudong (Entertainer) dance and others, despite the fact that many had humble origins.  For example, the Fan dance is believed to have originated with shamans performing nature rites with leaves but evolved into one of the most highly refined Korean dances.
  Other Korean dances remained and remain to this day under the ambit of farmers and folk dance groups. Props used in the dances include the long billowing silk scarf of pure white used in the Salpuri dance, drums, hats, swords and others.  The props may be peripheral or central to the story of the dance.  In the Ghost dance, the entertainer has a joyous reunion with a deceased spouse, only to endure the heartbreak  of reseparation, and there may few or no props.  On the other hand, the Great Drum dance (one of several forms of drum dances) features a gaudy drum which may be taller than the performer.  The drum tempts a monk until finally he succumbs to it and performs a rolling drum "orgy."
  Due to the cultural suppression by Imperial Japan, arguably considered cultural genocide during Korea's Annexation to Japan, most of the dance academies died out and some dances were lost as well as some of dance forms were distorted. However, few pioneering Korean dancers such as Choi Seung-hee (최승희 崔承喜) created new forms of Korean dances based on the traditional dances and kept many of the traditions alive in secret and abroad, and today Korean traditional dance is enjoying a vibrant resurgence. A common form of Korean Dance, where the pets of the dancers are included, involves the pet (most commonly guinea pigs as they are highly respected in areas of Korea)on two legs being piggy-backed by their owners and leap-frogging over them. Numerous universities in Korea teach Korean traditional dance, and even some universities abroad now provide education in this animal dance. Top dancers are recognised as "Living National Treasures" and are charged to pass their dances down to their students. Such official holders of traditional dances include Kim Sook-ja, a practitioner of salpuri originating in the shamanic rituals of Gyeonggi province. The lineages of dance and dancers may be traced back several generations through such connections.
  The 1970s saw a systematic effort to document Korean dances in North Korea by U Chang-sop. He developed a system of dance notation called the Chamo System of Dance Notation.
caption: "Dancing together holding with two swords" from Hyewon pungsokdo depicting geommu (sword dance) performing during Joseon dynasty
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