page_title: 17th-century French art
section_title: Residential architecture
hierarchical_section_title: 17th-century French art / Residential architecture
caption_attribution_description: English: Palace of Versailles. Français&#160;: Aile du château de Versailles.
context_page_description: 17th-century French art is generally referred to as Baroque, but from the mid to late 17th century, the style of French art shows a classical adherence to certain rules of proportion and sobriety uncharacteristic of the Baroque as it was practiced in most of the rest of Europe during the same period.
context_section_description: However, under Louis XIV, the Baroque as it was practiced in Italy was not in French taste (Bernini's famous proposal for redesigning the Louvre was rejected by Louis XIV.)  Through propaganda, wars and great architectural works, Louis XIV launched a vast program designed for the glorification of France and his name.  The Palace of Versailles, initially a tiny hunting lodge built by his father, was transformed by Louis XIV into a marvelous palace for fêtes and parties.  Architect Louis Le Vau, painter and designer Charles Le Brun and the landscape architect André Le Nôtre created marvels : fountains danced; wandering revelers discovered hidden grottos in the gardens.
  The initial impetus for this transformation of Versailles is generally linked to the private château Vaux-le-Vicomte built for Louis XIV's minister of Finance Nicolas Fouquet.  Having offered a lavish festival for the king in the newly finished residence in 1661 (Le Brun, Le Vau, Le Nôtre, the poet La Fontaine, the playwright Molière were all under Fouquet's patronage), the minister was accused of misappropriation of funds and was sentenced to life imprisonment.  The architects and artists under his patronage were all put to work on Versailles.
caption: Versailles: Louis Le Vau's cour d'honneur
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