page_title: Dr. Dre
section_title: Production style
hierarchical_section_title: Dr. Dre / Musical influences and style / Production style
caption_attribution_description: Meetings with bosses - Dr Dre.
context_page_description: Andre Romelle Young, known professionally as Dr. Dre, is an American rapper, record producer, audio engineer, record executive, entrepreneur, and actor. He is the founder and CEO of Aftermath Entertainment and Beats Electronics, and was previously co-owner of Death Row Records. Dr. Dre began his career as a member of the World Class Wreckin' Cru in 1985, and later found fame with the gangsta rap group N.W.A. The group popularized explicit lyrics in hip hop to detail the violence of street life. During the early 1990s, Dre was credited as a key figure in the crafting and popularization of West Coast G-funk, a subgenre of hip hop characterized by a synthesizer foundation and slow, heavy beats.
  Dre's solo debut studio album The Chronic, released under Death Row Records, made him one of the best-selling American music artists of 1993. It earned him a Grammy Award for Best Rap Solo Performance for the single "Let Me Ride", as well as several accolades for the single "Nuthin' but a 'G' Thang". That year, he produced Death Row labelmate Snoop Doggy Dogg's debut album Doggystyle, and mentored producers such as his step-brother Warren G and Snoop Dogg's cousin Daz Dillinger. In 1996, Dr.
context_section_description: Dre is renowned for constantly evolving his production style through the years, while always keeping in touch with his roots and re-shaping elements from previous work. In the start of his career as a producer for the World Class Wreckin Cru with DJ Alonzo Williams in the mid-1980s, his beats were in the electro-hop style pioneered by The Unknown DJ, and that of early hip-hop groups like the Beastie Boys and Whodini. These influences are evident in Eazy-E's 1986 song "Boyz-n-the-Hood," which Dre produced. Sampling was at the time a key element of Dre's production, the E-mu SP-1200 being his primary instrument in the N.W.A days.
  In 1987, Dre sampled the Ohio Players' ARP synth riffs from their 1973 funk hit "Funky Worm" in the N.W.A song "Dopeman". Being the first hip-hop producer to sample the song, Dre both paved the way for the future popularization of the G-funk style within hip-hop, and established heavy synthesizer solos as an integral part of his production style. Dr. Dre was also one of the very first producers to interpolate the then little-known drum break from The Winstons' "Amen, Brother" in the N.W.A song "Straight Outta Compton". This break has since becοme a staple in not only hip-hop, but all popular music, having been used in over 1700 songs.
  From Straight Outta Compton on, Dre uses live musicians to replay old melodies rather than sampling them. With Ruthless Records, collaborators included guitarist Mike "Crazy Neck" Sims, multi-instrumentalist Colin Wolfe, DJ Yella and sound engineer Donovan "The Dirt Biker" Sound. Dre is receptive of new ideas from other producers, one example being his fruitful collaboration with Above the Law's producer Cold 187um while at Ruthless. Cold 187 um was at the time experimenting with 1970s P-Funk samples (Parliament, Funkadelic, Bootsy Collins, George Clinton etc.), that Dre also utilized. Dre has since been accused of "stealing" the concept of G-funk from Cold 187 um.
  Upon leaving Ruthless and forming Death Row Records in 1991, Dre called on veteran West Coast DJ Chris "The Glove" Taylor and sound engineer Greg "Gregski" Royal, along with Colin Wolfe, to help him on future projects. His 1992 album The Chronic is thought to be one of the most well-produced hip-hop albums of all time. Musical themes included hard-hitting synthesizer solos played by Wolfe, bass-heavy compositions, background female vocals and Dre fully embracing 1970s funk samples. Dre used a minimoog synth to replay the melody from Leon Haywood's 1972 song "I Wanna Do Somethin' Freaky to You" for the Chronic's first single "Nuthin' but a "G" Thang" which became a global hit. For his new protégé Snoop Doggy Dogg's album Doggystyle, Dre collaborated with then 19-year-old producer Daz Dillinger, who received co-production credits on songs "Serial Killa" and "For all My Niggaz & Bitches", The Dramatics bass player Tony "T. Money" Green, guitarist Ricky Rouse, keyboardists Emanuel "Porkchop" Dean and Sean "Barney Rubble" Thomas and engineer Tommy Daugherty, as well as Warren G and Sam Sneed, who are credited with bringing several samples to the studio.
  The influence of The Chronic and Doggystyle on the popular music of the 1990s went not only far beyond the West Coast, but beyond hip-hop as a genre. Artists as diverse as Master P ("Bout It, Bout It"), George Michael ("Fastlove"), Mariah Carey ("Fantasy"), Luis Miguel ("Dame"), and The Spice Girls ("Say You'll Be There") used G-funk instrumentation in their songs. Bad Boy Records producer Chucky Thompson stated in the April 2004 issue of XXL magazine that the sound of Doggystyle and The Chronic was the basis for the Notorious B.I.G.'s 1995 hit single "Big Poppa":
  At that time, we were listening to Snoop's album. We knew what was going on in the West through Dr. Dre. Big just knew the culture, he knew what was going on with hip-hop. It was more than just New York, it was all over.
  In 1994, starting with the Murder was the Case soundtrack, Dre attempted to push the boundaries of G-funk further into a darker sound. In songs such as "Murder was the Case" and "Natur
caption: Dre in 2013
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