page_title: Merzbow
section_title: Current era (2009–present)
hierarchical_section_title: Merzbow / Life and career / Current era (2009–present)
caption_attribution_description: English: Merzbow and Balázs Pándi performing live on September 26, 2010 at Le Poisson Rouge in New York City.
context_page_description: Merzbow is a Japanese noise project started in 1979 by Masami Akita. Merzbow is best known for a style of harsh, confrontational noise. Since 1980, Akita has released over 400 recordings and has collaborated with various artists.
  The name Merzbow comes from the German dada artist Kurt Schwitters' artwork Merzbau, in which Schwitters transformed the interior of his house using found objects. The name was chosen to reflect Akita's dada influence and junk art aesthetic. In addition to this, Akita has cited a wide range of musical influences from progressive rock, heavy metal, free jazz, and early electronic music to non-musical influences like dadaism, surrealism, and fetish culture. Since the early 2000s, he has been inspired by animal rights and environmentalism, and began to follow a vegan, straight edge lifestyle.
  As well as being a prolific musician, he has been a writer and editor for several books and magazines in Japan, and has written several books of his own. He has written about a variety of subjects, mostly about music, modern art, and underground culture. His more renowned works were on the topics of BDSM and Japanese bondage.
context_section_description: Starting in the mid-2000s, Masami Akita began to reintroduce junk metal and effects pedals back into his setup. By the early 2010s, he was using a large number of pedals, oscillators and tone generators, and reduced to a single laptop running granular synthesis software. In 2014, he toured without a laptop. In 2008, Akita reintroduced the drum kit, his first instrument. This can be heard on the 13 Japanese Birds series. At this time he changed the name of his home studio to Munemihouse.
  Beginning in November 2009, Merzbow started releasing archival material from the 1980s and 1990s, both reissues and previously unreleased material, several of which were released on cassette. The Blossoming Noise label reissued the 1980s cassettes E-Study, Collection 004, Collection 005, Normal Music, and Flesh Metal Orgasm. The Kibbutz cassette was reissued on vinyl by Urashima. Other cassettes of unreleased material include Untitled Nov 1989, 9888A, April 1992, and Variations for Electric Fan. 2010–2013 saw the release several archival box sets; Merzbient, Merzphysics, Merzmorphosis, Lowest Music & Arts 1980–1983, and Duo.
  Akita began collaborating with the Hungarian drummer Balázs Pándi in 2009, initially Pándi served as a live drummer for Merzbow. This resulted in the live albums Live at Fluc Wanne, Vienna 2010/05/18, Ducks: Live in NYC, and Katowice. Akita and Pándi then began to record studio albums collaborating with additional musicians, Cuts (2013) with the Swedish saxophone player Mats Gustafsson, Cuts of Guilt, Cuts Deeper (2015) with Gustafsson and Thurston Moore, and An Untroublesome Defencelessness with Keiji Haino (2016), all released by RareNoiseRecords. Akita, Pándi, and Gustafsson also toured together and released the live LP Live in Tabačka 13/04/12.
  Merzbow also released several collaborations with industrial/noise musicians he had know since the 1980s: Spiral Right / Spiral Left with Z'EV, The Black Album with John Duncan, and a trio of releases with Maurizio Bianchi, Amniocentesi / Envoise 30 05 82 (a split with two tracks from 1982), Merzbow Meets M.B., and Amalgamelody.  Gensho, the seventh collaborative releases with Boris, was released in 2016. It is a double album, one disc is by Boris and one by Merzbow, that are meant to be played at the same time.
caption: Masami Akita and Balázs Pándi live in 2010; photo courtesy Seth Tisue
exif: {"Image Make": "Panasonic", "Image Model": "DMC-LX5", "Image Orientation": "Horizontal (normal)", "Image XResolution": "72", "Image YResolution": "72", "Image ResolutionUnit": "Pixels/Inch", "Image Software": "QuickTime 7.6.6", "Image DateTime": "2010:09:27 18:15:32", "Image HostComputer": "Mac OS X 10.6.4", "Image YCbCrPositioning": "Co-sited", "Image ExifOffset": "244", "Thumbnail Compression": "JPEG (old-style)", "Thumbnail XResolution": "72", "Thumbnail YResolution": "72", "Thumbnail ResolutionUnit": "Pixels/Inch", "Thumbnail JPEGInterchangeFormat": "864", "Thumbnail JPEGInterchangeFormatLength": "4272", "Thumbnail YCbCrPositioning": "Centered", "EXIF ExposureTime": "1/4", "EXIF FNumber": "14/5", "EXIF ExposureProgram": "Program Normal", "EXIF ISOSpeedRatings": "200", "EXIF ExifVersion": "0220", "EXIF DateTimeOriginal": "2010:09:26 23:04:47", "EXIF DateTimeDigitized": "2010:09:26 23:04:47", "EXIF ComponentsConfiguration": "YCbCr", "EXIF CompressedBitsPerPixel": "4", "EXIF ShutterSpeedValue": "2", "EXIF ApertureValue": "1485427/500000", "EXIF ExposureBiasValue": "-33/100", "EXIF MaxApertureValue": "2", "EXIF MeteringMode": "Pattern", "EXIF LightSource": "Unknown", "EXIF Flash": "Flash did not fire, compulsory flash mode", "EXIF FocalLength": "64/5", "EXIF FlashPixVersion": "0100", "EXIF ColorSpace": "Uncalibrated", "EXIF ExifImageWidth": "2345", "EXIF ExifImageLength": "1758", "EXIF SensingMethod": "One-chip color area", "EXIF FileSource": "Digital Camera", "EXIF SceneType": "Directly Photographed", "EXIF CustomRendered": "Normal", "EXIF ExposureMode": "Auto Exposure", "EXIF WhiteBalance": "Auto", "EXIF DigitalZoomRatio": "0", "EXIF FocalLengthIn35mmFilm": "60", "EXIF SceneCaptureType": "Standard", "EXIF Contrast": "Normal", "EXIF Saturation": "Normal", "EXIF Sharpness": "Normal"}