page_title: Mysterioso Pizzicato
section_title: History
hierarchical_section_title: Mysterioso Pizzicato / History
caption_attribution_description: English: John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.
context_page_description: Mysterioso Pizzicato, also known as The Villain or The Villain's Theme, is a piece of music whose earliest known publication was in 1914, when it appeared in an early collection of incidental photoplay music aimed at accompanists for silent films. The main motif, with minor variations, has become a well-known and widely used device, incorporated into various other musical works, and the scores of films, TV programmes and video games, as well as unnotated indications in film scripts.
  Both a character theme and situation theme, it is used to herald foreboding or disaster and to represent villainy, sneakiness, or stealth. A version of this theme is contrasted with themes such as the hero's.
  Various versions have in common staccato notes, or a note-rest pattern, in imitation of the short sustain of string pizzicato. They share a minor key, considered more sad or ominous. They begin with a staccato ascending arpeggio, reach a tremolo or trill on the minor submediant, and then descend through faster step-wise melodic motion.
context_section_description: The tune appeared as no. 89 in The Remick Folio of Moving Picture Music, vol. I, compiled and edited by the Danish-American composer J. Bodewalt Lampe and published on March 24, 1914 by Jerome H. Remick & Co., New York and Detroit. It is unclear whether Lampe himself was the composer or transcriber of the piece. It also bears a resemblance to part of John Stepan Zamecnik's 1913 composition Mysterious - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1, a widely distributed collection of silent film music. It has been described as reflecting "the tradition of stealthy tremolos that marked the entrance of villains in 19th century stage melodrama". By 1917 the idea of villain's motifs in general, or variants of the specific motif, was established well enough for an author to warn against the, "monotonous and wearisome," overuse of the motif, "whenever [the villain] is seen. Other motifs used to indicate villainy or danger include the second section of "Hearts and Flowers" (1893).
caption: Zamecnik (1913) About this soundPlay (help·info)
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