page_title: Xenobia Bailey
section_title: Work
hierarchical_section_title: Xenobia Bailey / Work
caption_attribution_description: 34 St-Hudson Yards Station
context_page_description: Xenobia Bailey is an African-American fine artist, designer, Supernaturalist, cultural activist and fiber artist best known for her eclectic crochet African-inspired hats and her large scale crochet pieces and mandalas. She has said that her specialty is crochet and needlecraft.
context_section_description: African and Asian culture are strong influences for her work. Her large scale crochet pieces and mandalas consist of colorful concentric circles and repeating patterns. Bailey's art work ranges from costumes, hats, wall pieces and newer digital images are "the far cry from the traditional shawls and doilies associated with the medium". Her pieces are often connected to her ongoing project ''Paradise Under Reconstruction in the Aesthetic of Funk.''
  "To be an artist and be able to create things – it's like fireworks every time you think about something", says Bailey. "I try to get energy and movement from something that is not moving at all."
  Bailey's technique, of mostly circular rows of single crochet, forms a fabric classified as tapestry crochet in flat, geometric, highly colored designs influenced by African, Chinese, and Native American and Eastern philosophies, with undertones of 1970s "Funk" aesthetic. Her signature stitch is a flowy line, as if it is dripping. She calls it the "liquid stitch". Her hats have been featured in United Colors of Benetton ads, on The Cosby Show, and in the Spike Lee film Do The Right Thing (worn by Samuel L. Jackson as DJ Mister Señor Love Daddy). She credits her shift from hats to walls to Chicago artist Nick Cave. Bailey's piece, "Sistah Paradise Great Wall of Fire Revival Tent (Mandela Cosmic tapestry of energy flow)" was exhibited at Stux Gallery, Fall 2000. The piece was hand crocheted with cotton acrylic yarns, with 10' high x 5' diameter. In 2000 Bailey received the Creative Capital Award in the discipline of Visual Arts.
  In 2003, her designs were featured in an Absolut Vodka advertisement entitled "Absolut Bailey." Bailey has been artist-in-residence at the Studio Museum in Harlem, the Society for Contemporary Craft in Pittsburgh, and the Marie Walsh Sharpe Art Foundation in New York City. Her work has been exhibited at the Studio Museum of Harlem, the Jersey City Museum, the New Museum of Contemporary Art, and the High Museum of Art in Atlanta.
  As an addition to her ongoing project Paradise Under Reconstruction, she created a hanging installation in 2006 called Mothership 1: Sistah Paradise's Great Walls of Fire Revival Tent. This piece was created to cover the topic of absent historical documentation for African enslavement in America.
  Bailey was a 2018 Artist-in-Residence at the McColl Center for Art + Innovation in Charlotte, North Carolina.
  In September 2014, Bailey partnered with students from Boys & Girls High School in Brooklyn to design and produce furniture to furnish a home for the Historic Hunterfly Road Houses. Sixty students, aged 14–17, designed three pieces for an imaginary couple moving into 21st century Brooklyn using recycled materials. (Xenobia Bailey. (n.d.). Retrieved March 19, 2019, from http://www.abladeofgrass.org/fellows/xenobia-bailey/)
  In 2016, Xenobia Bailey created a large-scale glass mosaic at the Metropolitan Transportation Authority for the New York City Subway's 34th Street – Hudson Yards station. She named the piece Funktional Vibrations. Her mosaic Morning Stars was installed at the St. Pete Pier in St. Petersburg, Florida, in 2020.
caption: Funktional Vibrations, mosaic, 2016. At the 34th Street station
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