page_title: Dunham Massey Hall
section_title: Contents
hierarchical_section_title: Dunham Massey Hall / Main house / Contents
caption_attribution_description: English: Dunham Massey Hall, United Kingdom
context_page_description: Dunham Massey Hall, usually known simply as Dunham Massey, is an English country house in the parish of Dunham Massey in the district of Trafford, near Altrincham, Greater Manchester. It is now a National Trust property, open to the public. During World War I it was the Stamford Military Hospital.
  The stately home was designated a Grade One listed-building on 5 March 1959. It has been owned by the National Trust since the death of the 10th and last Earl of Stamford in 1976. Over 340,000 people visited the house in 2014/15, placing it in the ten most popular National Trust houses.
  Dunham Massey was built in the early 17th century by the Earls of Warrington, passing to the Earls of Stamford by inheritance; the family still live in part of the house. There were significant alterations, especially internally, at the start of the 20th century. It has historic formal gardens and a deer park. The park and gardens are listed Grade II* on the Register of Historic Parks and Gardens. It was formerly in the ancient parish of Bowdon, Cheshire.
context_section_description: Dunham Massey contains one of the largest collections of Huguenot silver, largely collected by George Booth, 2nd Earl of Warrington. During his 64 years at Dunham Massey, he accumulated over 1000 pieces of silver. One sixth of the original plate remains at Dunham Massey, with much of the collection being dispersed by the Countess of Stamford and Warrington (who died in 1905), widow of George Grey, Earl of Stamford and Warrington (died 1883). The 10th Earl, Roger Grey, expended much money and effort in returning family heirlooms originally from Dunham Massey.
  There is a fine collection of oil paintings and watercolours. The relief wood-carving of the Crucifixion by Grinling Gibbons, which hangs in the Library, is the earliest known work by the 17th-century wood carver. It is on this piece of work he was working when he was discovered by John Evelyn in 1671.  A group of paintings of the house and estate from the 1690s and 1750s are described by Simon Jenkins as "the most remarkable topographical survey of any country house and its grounds to remain in situ.  These are in the Great Gallery, which also has an Allegory of Time by Guercino.
caption: The library, with the Grinling Gibbons carving
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