page_title: Michael Edward Edgerton
section_title: Work
hierarchical_section_title: Michael Edward Edgerton / Work
caption_attribution_description: English: Michael Edward Edgerton, Anaphora, #62, 2001 (page 1)
context_page_description: Michael Edward Edgerton is an American composer and Associate Professor of music composition & theory at the Guangxi Arts University. He received his D.M.A. in music composition from the University of Illinois at Urbana; the M.M. from Michigan State University and the B.A. from the University of Wisconsin–Parkside. From 1996 to 1999, Michael was a Postdoctoral Fellow with the National Center for Voice and Speech, based at the Waisman Center at the University of Wisconsin – Madison. He has studied composition with William Brooks, Morgan Powell, Jere Hutcheson and August Wegner.
context_section_description: Compositions
  ORCHESTRA/SINFONIETTA
  #87__Party Pieces Project, for orchestra (2013)
  #84__The Garden of Risk, for sinfonietta (2009/2012)
  #42__Pyramid of Unas, for orchestra and six voices (1998 – revision needed)
  #01__The Final Diary of a Branch, for orchestra (1985)
  
  OPERA/MUSIC THEATER 
  #33__No!!!, for two voices, rope climbers and drummers (1996) 
  #21__A Broken Collaboration, for solo actor, 3 voices, electric guitar and cello (1994)
  #19__The 15th Century Walled Garden – Apokatastasis, for solo percussion, mosh pit, geodesic dome, car hoods, rocks, metal and other objects (1993)
  #18__The Electric Meat Factory, for soprano, chanter, guitar, percussion, wall bass, electronic tape, spatialization in a three-story house played as an instrument (1993)
  #17__Fracture Zone: Clipperton et Ragusii, an underwater drama designed to be performed within the Clipperton Transform Fault in the Pacific Ocean (1993)
  #16__Fama Fraternitatis, for solo voice, assorted instruments, dancers and tunnelers (1992)
  #11__Hour History, an opera for four principal actors, 11 male voices, percussion ensemble (1989)
  
  LARGE ENSEMBLE 
  #92__In Silence I Hide my Loudest Scream, for 9 players (A.Fl., B,Cl., Trpt., Tbn., Perc., 2 Vl., Vla., Vlc.) (2015)
  #85__Folk Songs, for voices and chamber ensemble (2010/2013)
  #75__fragmenta Scotia, for large chamber ensemble and voice (2007)
  CHAMBER ENSEMBLE
  #90__Noise is interrupting my practice: Silence is when my reaction is quiet. Silence is my protest against the way things are, for piano and amplification (2014)
  #89__The Return of Takhi, the last feral horse, for B.Cl., Trpt., Tbn., Vce (2014)
  #78__Balkan Dance, for 4 blockflöte (tenor, bass F, grossbass C, Subbass F) (2008)
  #77__A Marriage of Shadows, for flute (a.fl), Alto (tenor) sax, percussion, gtr, voice (2008)
  #74__illusions, for e.hn, cl, bn, hn, tpt, tbn, pno, vla (2006)
  #73__adjusting to beams falling, for flute and violoncello (2006)
  #67__Kut, for sheng (or accordion/oboe), female voice, violin (2002)
  #66__Sangītaśiromani, for 7 strings (vln & vla) (2002)
  #64__String Quartet #1, for string quartet (2002)
  #63__Koli, for string quartet and bass voice (2001)
  #57__Samsara, for twenty strings (2000)
  #56__le Critérion, for woodwind quartet (fl, ob, cl, bsn) (2000/2008)
  #52__Pakji Studies, for wind, brass and percussion (1999)
  #51__Twelve Miniatures, for wind, brass and piano (1999)
  #50__Pakji, for wind ensemble (1999)
  #44__Agwara-Nanga-Wolof, for steel pans, African drums, brass and saxophone (1998)
  #39__A Holy Person Falls into the Nile as a Pelican, for clarinet and horn (1997)
  #38__Circles et Articulation, for trumpet & piano (1997)
  #37__l’histoire du petit Heure, for percussion ensemble (1997)
  #31__On Music, for flute and viola (1996)
  #28__Lincoln Shrine, for marimba and violin (1995)
  #23__XHAIN, for piano duo (1995/2008)
  #22__Regret of a Noiseless Sundering, for saxophone quartet (1995)
  #15__Net/Byrinth: Rec. Study 1, for trumpet, horn, and trombone (1991)
  #14__Michelle 8091-434, for bass clarinet, b. sax, tuba, double bass, trap set (1991)
  #13__Whose Land? (16’13) rock band and tape (1990)
  #12__The Hidden Thunder of Screaming Souls, for voice and viola (1989)
  #09__Unspoken Crime, for violin, violoncello and piano (1988)
  #08__Expansions 1a, for flute, clarinet, bass clarinet and bassoon (1988)
  #06__Current: The Eternal Mystery, for percussion ensemble (1987)
  #05__Ai, for trumpet, trombone, tuba (1987)
  #03__A Penny for the Young Guy, for narrator, voices, winds, brass, strings (1986)
  #02__Dwellers of the Southwest, for tenor and mixed ensemble (1986)
  SOLO INSTRUMENT
  #91__THRUSH, for piano (2015)
  #86__2 Sonata, for alto flute (2011)
  #85.a_Ari(rang), for soprano sax (2010)
  #83__The Book of One Man Dead, for free-base accordion (2009)
  #79__The Oak at Mambre, for doublebass (2008)
  #72__Tempo Mental Rap, for guitar (2005)
  #71__Art from the Edge of the World, for oboe (2005)
  #70__1 sonata, for piano (2004)
  #65__Tractatus I, for solo oboe (2002)
  #55__Mamre, for violin (2000)
  #47__Schreistimme, for bayan (1998)
  #35__Apposte Messe, for air-driven organ (1996)
  #32_
caption: Michael Edward Edgerton, Anaphora, for solo voice, page 1
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