page_title: Agung
section_title: Interactions with the opposite sex
hierarchical_section_title: Agung / Uses / Interactions with the opposite sex
caption_attribution_description: English: The two Philippine vertically hanged, wide-rimmed gongs known as the agung used as a supportive/accompanying instrument in the kulintang ensemble, here being used during an agung contest.Deutsch: Ein agung ist zwei runde gongs auf den Philippinen.
context_page_description: The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan, Panay, Mindoro, Mindanao, Sabah, Sulawesi, Sarawak and Kalimantan as an integral part of the agung orchestra.
context_section_description: There was also a secondary motive for men, especially young males, for learning the agung: the ability to interact with young, unmarried women. Both Maranao and Maguindanao cultures traditionally adhere to Islamic customs which prohibit dating or causal conversation between the opposite sexes (unless married to or related to by blood) and therefore performances such as kulintang music provided the opportunity for such a connection. Among the Maguindanao, the rhythmic modes of duyog and sinulog a kamamatuan allowed agung players to serenade the young, unmarried women on the kulintang. Tidto, the other rhythmic mode, could also be used but players rarely use this for serenading since the kulintang player is usually an older woman.
caption: An agung played during a contest by a Magui Moro Master Artist using two balus.
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