page_title: Dodo
section_title: The white dodo
hierarchical_section_title: Dodo / The white dodo
caption_attribution_description: "Landscape with Orpheus and the animals" apparently showing a white dodo in the lower right corner, which may be the source of all subsequent depictions of white dodos.
context_page_description: The dodo is an extinct flightless bird that was endemic to the island of Mauritius, east of Madagascar in the Indian Ocean. The dodo's closest genetic relative was the also-extinct Rodrigues solitaire, the two forming the subfamily Raphinae of the family of pigeons and doves. The closest living relative of the dodo is the Nicobar pigeon. A white dodo was once thought to have existed on the nearby island of Réunion, but this is now thought to have been confusion based on the Réunion ibis and paintings of white dodos.
  Subfossil remains show the dodo was about 1 metre tall and may have weighed 10.6–17.5 kg in the wild. The dodo's appearance in life is evidenced only by drawings, paintings, and written accounts from the 17th century. As these vary considerably, and only some of the illustrations are known to have been drawn from live specimens, its exact appearance in life remains unresolved, and little is known about its behaviour. Though the dodo has historically been considered fat and clumsy, it is now thought to have been well-adapted for its ecosystem.
context_section_description: The supposed "white dodo" (or "solitaire") of Réunion is now considered an erroneous conjecture based on contemporary reports of the Réunion ibis and 17th-century paintings of white, dodo-like birds by Pieter Withoos and Pieter Holsteyn that surfaced in the 19th century. The confusion began when Willem Ysbrandtszoon Bontekoe, who visited Réunion around 1619, mentioned fat, flightless birds that he referred to as "Dod-eersen" in his journal, though without mentioning their colouration. When the journal was published in 1646, it was accompanied by an engraving of a dodo from Savery's "Crocker Art Gallery sketch". A white, stocky, and flightless bird was first mentioned as part of the Réunion fauna by Chief Officer J. Tatton in 1625. Sporadic mentions were subsequently made by Sieur Dubois and other contemporary writers.
  Baron Edmond de Sélys Longchamps coined the name Raphus solitarius for these birds in 1848, as he believed the accounts referred to a species of dodo. When 17th-century paintings of white dodos were discovered by 19th-century naturalists, it was assumed they depicted these birds. Oudemans suggested that the discrepancy between the paintings and the old descriptions was that the paintings showed females, and that the species was therefore sexually dimorphic. Some authors also believed the birds described were of a species similar to the Rodrigues solitaire, as it was referred to by the same name, or even that there were white species of both dodo and solitaire on the island.
  The Pieter Withoos painting, which was discovered first, appears to be based on an earlier painting by Pieter Holsteyn, three versions of which are known to have existed. According to Hume, Cheke, and Valledor de Lozoya, it appears that all depictions of white dodos were based on Roelant Savery's painting Landscape with Orpheus and the animals, or on copies of it. The painting has generally been dated to 1611, though a post-1614, or even post-1626, date has also been proposed. The painting shows a whitish specimen and was apparently based on a stuffed specimen then in Prague; a walghvogel described as having a "dirty off-white colouring" was mentioned in an inventory of specimens in the Prague collection of the Holy Roman Emperor Rudolf II, to whom Savery was contracted at the time (1607–1611). Savery's several later images all show greyish birds, possibly because he had by then seen another specimen. Cheke and Hume believe the painted specimen was white, owing to albinism. Valledor de Lozoya has instead suggested that the light plumage was a juvenile trait, a result of bleaching of old taxidermy specimens, or simply artistic license.
  In 1987, scientists described fossils of a recently extinct species of ibis from Réunion with a relatively short beak, Borbonibis latipes, before a connection to the solitaire reports had been made. Cheke suggested to one of the authors, Francois Moutou, that the fossils may have been of the Réunion solitaire, and this suggestion was published in 1995. The ibis was reassigned to the genus Threskiornis, now combined with the specific epithet solitarius from the binomial R. solitarius. Birds of this genus are also white and black with slender beaks, fitting the old descriptions of the Réunion solitaire. No fossil remains of dodo-like birds have ever been found on the island.
caption: Savery's Landscape with Orpheus and the animals showing a whitish dodo in the lower right, 1611 or later
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