page_title: Platinum print
hierarchical_section_title: Platinum print
caption_attribution_description: 'Coming Home from the Marshes'. Platinum Print. From Life and Landscape on the Norfolk Broads, 1886
context_page_description: Platinum prints, also called platinotypes, are photographic prints made by a monochrome printing process involving platinum.
  Platinum tones range from warm black, to reddish brown, to expanded mid-tone grays that are unobtainable in silver prints.
  Unlike the silver print process, platinum lies on the paper surface, while silver lies in a gelatin or albumen emulsion that coats the paper. As a result, since no gelatin emulsion is used, the final platinum image is absolutely matte with a deposit of platinum absorbed slightly into the paper.
  Platinum prints are the most durable of all photographic processes. The platinum group metals are very stable against chemical reactions that might degrade the print—even more stable than gold. It is estimated that a platinum image, properly made, can last thousands of years.
  Some of the desirable characteristics of a platinum print include:
  The reflective quality of the print is much more diffuse in nature compared to glossy prints that typically have specular reflections.
  A very delicate, large tonal range.
  Not being coated with gelatin, the prints do not exhibit the tendency to curl.
context_section_description: Platinum prints, also called platinotypes, are photographic prints made by a monochrome printing process involving platinum.
  Platinum tones range from warm black, to reddish brown, to expanded mid-tone grays that are unobtainable in silver prints.
  Unlike the silver print process, platinum lies on the paper surface, while silver lies in a gelatin or albumen emulsion that coats the paper. As a result, since no gelatin emulsion is used, the final platinum image is absolutely matte with a deposit of platinum (and/or palladium, its sister element which is also used in most platinum photographs) absorbed slightly into the paper.
  Platinum prints are the most durable of all photographic processes. The platinum group metals are very stable against chemical reactions that might degrade the print—even more stable than gold. It is estimated that a platinum image, properly made, can last thousands of years.
  Some of the desirable characteristics of a platinum print include:
  The reflective quality of the print is much more diffuse in nature compared to glossy prints that typically have specular reflections.
  A very delicate, large tonal range.
  Not being coated with gelatin, the prints do not exhibit the tendency to curl.
  The darkest possible tones in the prints are lighter than silver-based prints. Recent studies have attributed this to an optical illusion produced by the gelatin coating on RC and fiber-based papers. However, platinotypes that have been waxed or varnished will produce images that appear to have greater D-max than silver prints.
  A greatly decreased susceptibility to deterioration compared to silver-based prints due to the inherent stability of the process and also because they are commonly printed on 100% rag papers.
  Many practitioners have abandoned platinum and only use palladium. The process using palladium alone (sodium tetrachloropalladate) is similar to standard processes, but rather than using ferric oxalate plus potassium chlorate as the restrainer (which is ineffective for palladium), a weak solution of sodium chloroplatinate is used instead.  Sodium chloroplatinate, in contrast to potassium chlorate, does not cause grain. This formula is generally referred to as the Na2 method. This somewhat misleading abbreviation was coined by Richard Sullivan of Bostick & Sullivan, one of the principal suppliers of chemistry and printing supplies, who popularized the process.
caption: Coming Home from the Marshes, platinum print by Peter Henry Emerson, 1886
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