page_title: Zoom lens
section_title: History
hierarchical_section_title: Zoom lens / History
caption_attribution_description: English: 35mm Camera with telephoto zoom lens.
context_page_description: A zoom lens is a mechanical assembly of lens elements for which the focal length can be varied, as opposed to a fixed focal length lens.
  A true zoom lens, also called a parfocal lens, is one that maintains focus when its focal length changes. Most consumer zoom lenses do not maintain perfect focus, but are still parfocal designs.
  The convenience of variable focal length comes at the cost of complexity – and some compromises on image quality, weight, dimensions, aperture, autofocus performance, and cost. For example, all zoom lenses suffer from at least slight, if not considerable, loss of image resolution at their maximum aperture, especially at the extremes of their focal length range. This effect is evident in the corners of the image, when displayed in a large format or high resolution. The greater the range of focal length a zoom lens offers, the more exaggerated these compromises must become.
context_section_description: Early forms of zoom lenses were used in optical telescopes to provide continuous variation of the magnification of the image, and this was first reported in the proceedings of the Royal Society in 1834. Early patents for telephoto lenses also included movable lens elements which could be adjusted to change the overall focal length of the lens. Lenses of this kind are now called varifocal lenses, since when the focal length is changed, the position of the focal plane also moves, requiring refocusing of the lens after each change.
  The first true zoom lens, which retained near-sharp focus while the effective focal length of the lens assembly was changed, was patented in 1902 by Clile C. Allen (U.S. Patent 696,788).  An early use of the zoom lens in cinema can be seen in the opening shot of the movie "It" starring Clara Bow, from 1927.  The first industrial production was the Bell and Howell Cooke "Varo" 40–120 mm lens for 35mm movie cameras introduced in 1932. The most impressive early TV Zoom lens was the VAROTAL III,  from Rank Taylor Hobson from UK built in 1953. The Kilfitt 36–82 mm/2.8 Zoomar introduced in 1959 was the first varifocal lens in regular production for still 35mm photography. The first modern film zoom lens, the Pan-Cinor, was designed around 1950 by Roger Cuvillier, a French engineer working for SOM-Berthiot. It had an optical compensation zoom system. In 1956, Pierre Angénieux introduced the mechanical compensation system, enabling precise focus while zooming, in his 17-68mm lens for 16mm released in 1958. The same year a prototype of the 35mm version of the Angénieux 4x zoom, the 35-140mm was first used by cinematographer Roger Fellous for the production of Julie La Rousse. Angénieux received a 1964 technical award from the academy of motion pictures for the design of the 10 to 1 zoom lenses, including the 12-120mm for 16mm film cameras and the 25-250mm for 35mm film cameras.
  Since then advances in optical design, particularly the use of computers for optical ray tracing, has made the design and construction of zoom lenses much easier, and they are now used widely in professional and amateur photography.
caption: Canon AE-1, a 35mm camera with a zoom lens. The advantage of a zoom lens is the flexibility, but the disadvantage is the optical quality. Prime lenses have a greater image quality in comparison.
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