page_title: Modern Greek art
section_title: 19th century
hierarchical_section_title: Modern Greek art / Sculpture and painting / 19th century
caption_attribution_description: English: Children's Concert.
context_page_description: Modern Greek art is art from the period between the emergence of the new independent Greek state and the 20th century.
  As Mainland Greece was under Ottoman rule for all four centuries, it was not a part of the Renaissance and artistic movements that followed in Western Europe. However, Greek islands such as Crete, and the Ionian islands in particular were for large periods under Venetian or other European powers' rule and thus were able to better assimilate the radical artistic changes that were occurring in Europe during the 14th-18th century. The Cretan School and in particular the Heptanese School of art are two typical examples of artistic movements in Greece that followed parallel routes to Western Europe.
  As such, there were different artistic trends in the emerging Greek society. Modern Greek art can be said to have been predominantly shaped by the particular socioeconomic conditions of Greece, the large Greek diaspora across Europe, and the new Greek social elite, as well as external artistic influences, predominantly from Germany and France.
context_section_description: The School of Munich
  Modern Greek art began to be developed around the time of Romanticism. Greek artists absorbed many elements from their European colleagues, resulting in the culmination of the distinctive style of Greek Romantic art, inspired by revolutionary ideals as well as the country's geography and history. After centuries of Ottoman rule, few opportunities for an education in the arts existed in the newly independent Greece, so studying abroad was imperative for artists. Munich, as an important international center for the arts at that time, was the place where the majority of the Greek artists of the 19th century chose to study. Later on, they would return to Greece and pass on their knowledge. Some of them remained in Munich, the so-called Athens on the Isar. Both academic and personal bonds developed between early Greek painters and Munich artistry giving birth to the Greek "Munich School" of painting. Nikolaos Gysis was an important teacher and artist at the Munich Academy and he soon became a leading figure among Greek artists. Academism, realism, genre painting, upper middle class portraiture, still life and landscape painting, often representing impressionist features, will be replaced in the end of the 19th century by Symbolism, Jugendstil, Art Nouveau, which are mainly traced in the work of Nikolaos Gysis, Aristeas and others. Early-20th-century modernism is also represented by significant Greek artists in Munich. Many of these Munich School artists chose subjects such as everyday Greek life, local customs, and living conditions. Several important painters emerged at this time. Theodoros Vryzakis specialized in historical painting and especially inspired by the 1821 Greek War of Independence. Nikiphoros Lytras concentrated on realistic depictions of Greek life. Georgios Jakobides devoted his attention to infants and children and he would later become the first Director of the new National Gallery of Athens. Georgios Roilos was another leading painter of the period  closely associated with the Munich School, especially in his early career. Konstantinos Volanakis was inspired mostly by the Greek sea. 
  Other artists associated with the School of Munich were Symeon Sabbides, Yannoulis Chalepas, Leonidas Drosis, as well as quite a few modernist artists who studied in Munich, which included Theofrastos Triantafyllidis, Jorgos Busianis, and also Giorgio de Chirico.
  Notable sculptors of the new Greek Kingdom were Leonidas Drosis (his major work was the extensive neo-classical architectural ornament at the Academy of Athens), Lazaros Sochos, Georgios Vitalis, Dimitrios Filippotis, Ioannis Kossos, Yannoulis Chalepas, Georgios Bonanos and Lazaros Fytalis.
  The School of Paris
  A few Greek painters studied in Paris. Despite residing in the French capital and following the guidelines of the French Art Academy, they invariably had their own interpretations. Jacob Rizos was involved with the rendering of female grace, Theodoros Rallis with scenes from the Orthodox East and Nikolaos Xydias Typaldos with portraiture, still life and genre painting. During this period in Paris the avant-garde Impressionist movement developed, but most Greek painters remained faithful to the precepts of their teachers with only some nebulous thrusts in the direction of this movement. The first Greek impressionist was Périclès Pantazis who, after Paris, settled in Belgium and became a part of the avant-garde group Circle de la pâte.
  Themes-artistic depictions
  Many Greek artists of this period also drew upon El Greco's style for inspiration, particularly when creating art based on religious themes. This tied in with the idea of modern secular Greek art of the period referencing more classical styles, while religious art referenced Byzantine, or Byzantine inspired art. Moreover, an important and often pioneering role was played by artists from Ionian islands in the 18th century and the beginning of the 19th century, who exploited conquests of the Italian Renaissance and baroque ateliers. As efforts persisted with new directions and objectives
caption: Georgios Jakobides, Children's Concert.
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