page_title: Majapahit
section_title: Art
hierarchical_section_title: Majapahit / Culture, art and architecture / Art
caption_attribution_description: English: Candi Tegowangi, Plemahan, Kediri, Jawa Timur.
context_page_description: The Majapahit was a Javanese Hindu-Buddhist thalassocratic empire in Southeast Asia, based on the island of Java, that existed from 1293 to circa 1517. Majapahit reached its peak of glory during the era of Hayam Wuruk, whose reign from 1350 to 1389 was marked by conquest which extended through Southeast Asia. His achievement is also credited to his prime minister, Gajah Mada. According to the Nagarakretagama written in 1365, Majapahit was an empire of 98 tributaries, stretching from Sumatra to New Guinea; consisting of present-day Indonesia, Singapore, Malaysia, Brunei, southern Thailand, East Timor, Sulu Archipelago and other parts of the Philippines, although the scope of Majapahit sphere of influence is still the subject of debate among historians.
  Majapahit was one of the last major Hindu empires of the region and is considered to be one of the greatest and most powerful empires in the history of Indonesia and Southeast Asia, one that is sometimes seen as the precedent for Indonesia's modern boundaries. Its influence extended beyond the modern territory of Indonesia and has been the subject of many studies.
context_section_description: The Pala school of art of the Indian Pala Empire influenced the art and architecture of Majapahit.
  Majapahit art was the continuation of East Javanese art, style and aesthetically developed since the 11th century during the Kediri and Singhasari period. Unlike the earlier naturalistic, relaxed and flowing figures of classical Central Java-style (Sailendra art c. 8th to 10th century), this East Javanese style demonstrates a stiffer pose, stylised and rendered in wayang-like figures, such as those carved on East Javanese temple's bas-reliefs. The bas-reliefs were projected rather flat from the background. This style was later preserved in Balinese art, especially in its Kamasan style classical paintings and Balinese wayang.
  The statues of Hindu gods and Buddhist deities in Majapahit art were also the continuations of its previous Singhasari art. The statues of East Javanese period tends to be a stiffer and frontal-formal pose, compared to the statues of Central Javanese art (c. 9th century) that are more Indianized style, relaxed in tribhanga pose. The stiffer pose of Majapahit gods statues is probably in accordance with the statue's function as the deified portrayal self of the dead Majapahit monarch. The carving, however, is richly decorated, especially with a fine floral carving of lotus plants carved on the stela behind the statue. Examples of Majapahit statues are the Harihara statue from Simping temple, believed to be the deified portrayal of King Kertarajasa, the statue of Parwati believed to be the portrayal of Queen Tribhuwana, and a statue of the queen Suhita discovered at Jebuk, Kalangbret, Tulungagung, East Java.
  Clay pottery and brick masonry are a popular feature in Majapahit art and architecture. The Majapahit Terracotta art also flourished in this period. Significant numbers of terracotta artefacts were discovered in Trowulan. The artefacts range from human and animal figurines, jars, vessels, water containers, piggy banks, bas reliefs, architectural ornaments, roof pinnacles, floor tiles, to pipes and roof tiles. 
  One of the most interesting findings is the Majapahit piggy bank. Several boar-shaped piggy banks have been discovered in Trowulan. It is probably the origin of Javanese-Indonesian word to refer for saving or money container. The word celengan in Javanese and Indonesian means both "savings" and "piggy bank". It was derived from the word celeng which means "wild boar", the suffix "-an" was added to denote its likeness. One important specimen is stored in the National Museum of Indonesia, it has been reconstructed since this large piggy bank has been found broken to pieces.
  Terracotta money boxes also have been found in different shapes, such as tubular or boxes, with slits to slip coins. Another important terracotta artefact is the head figurine of a man popularly thought to be the depiction of Gajah Mada, although it is not certain about who was depicted in these figurines.
caption: Bas reliefs of Tegowangi temple, dated from Majapahit period, demonstrate the East Javanese style.
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