page_title: Adelaide (Beethoven)
section_title: Text
hierarchical_section_title: Adelaide (Beethoven) / Text
caption_attribution_description: Friedrich von Matthisson, deutscher Dichter, zeitgen. Darstellung des 1831 Verstorbenen, Lizenz: gemeinfrei, durch Ablauf der urheberrechtlichen Fristen
context_page_description: Adelaide, Op. 46, is a song for solo voice and piano composed in about 1795 by Ludwig van Beethoven. The text is a poem in German by Friedrich von Matthisson.
context_section_description: The text of Adelaide is an early Romantic poem that expresses an outpouring of yearning for an idealized and apparently unattainable woman.
  Einsam wandelt dein Freund im Frühlingsgarten,
  
  Mild vom lieblichen Zauberlicht umflossen,
  
  Das durch wankende Blüthenzweige zittert,
  
  Adelaide!
  
  In der spiegelnden Flut, im Schnee der Alpen,
  
  In des sinkenden Tages Goldgewölke,
  
  In Gefilde der Sterne strahlt dein Bildnis,
  
  Adelaide!
  
  Abendlüftchen im zarten Laube flüstern,
  
  Silberglöckchen des Mais im Grase säuseln,
  
  Wellen rauschen und Nachtigallen flöten,
  
  Adelaide!
  
  Einst, o Wunder! entblüht auf meinem Grabe,
  
  Eine Blume der Asche meines Herzens.
  
  Deutlich schimmert auf jedem Purpurblättchen:
  
  Adelaide!
  Your friend wanders alone in the garden of spring,
  
  Gently bathed in lovely magical light,
  
  Which shimmers through the swaying branches of flowers:
  
  Adelaide!
  
  In the reflection of the river, in the snows of the Alps,
  
  In the golden clouds of sinking day,
  
  In the fields of stars thy face beams forth,
  
  Adelaide!
  
  Evening breezes whisper through the tender leaves
  
  The silver bells at Maytime rustle in the grass,
  
  Waves roar and nightingales sing,
  
  Adelaide!
  
  Some day, o miracle! a flower will blossom,
  
  Upon my grave from the ashes of my heart;
  
  And clearly on every violet petal will shine:
  
  Adelaide!
  For his poem Matthisson chose an unusual meter, with the pattern trochee, dactyl, trochee, trochee, trochee. This is a German adaptation of a meter used in ancient Greek and Latin, the Phaelacian hendecasyllable.
  The poem clearly struck a chord with Beethoven, whose personal life often centered on his yearnings for idealized and unattainable women. The letter of thanks that Beethoven later wrote to Matthisson testifies to his emotional engagement with the poem:
  Vienna, August 4, 1800.
  MOST ESTEEMED FRIEND,--
  You will receive with this one of my compositions published some years since, and yet, to my shame, you probably have never heard of it. I cannot attempt to excuse myself, or to explain why I dedicated a work to you which came direct from my heart, but never acquainted you with its existence, unless indeed in this way, that at first I did not know where you lived, and partly also from diffidence, which led me to think I might have been premature in dedicating a work to you before ascertaining that you approved of it. Indeed, even now I send you "Adelaide" with a feeling of timidity. You know yourself what changes the lapse of some years brings forth in an artist who continues to make progress; the greater the advances we make in art, the less are we satisfied with our works of an earlier date. My most ardent wish will be fulfilled if you are not dissatisfied with the manner in which I have set your heavenly "Adelaide" to music, and are incited by it soon to compose a similar poem; and if you do not consider my request too indiscreet, I would ask you to send it to me forthwith, that I may exert all my energies to approach your lovely poetry in merit. Pray regard the dedication as a token of the pleasure which your "Adelaide" conferred on me, as well as of the appreciation and intense delight your poetry always has inspired, and always will inspire in me.
  When playing "Adelaide," sometimes recall
  Your sincere admirer,
  
  BEETHOVEN.
caption: Friedrich von Matthisson (1761-1831)
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