page_title: Antonio Fantuzzi
section_title: Works
hierarchical_section_title: Antonio Fantuzzi / Works
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context_page_description: Antonio Fantuzzi was an Italian painter and printmaker active in the French Renaissance in a Mannerist style. All that is known about his early life is that he was born in Bologna, from the accounts at Fontainebleau and one inscription on a print.
  He is recorded as a painter of the First School of Fontainebleau from 1537 into the 1540s, at first on "modest wages", but from 1540 better paid, and apparently a principal assistant to Francesco Primaticcio, who had taken charge of the "school" decorating the Palace of Fontainebleau after the suicide in 1540 of Rosso Fiorentino. Primaticcio was also Bolognese, and may well have summoned Fantuzzi to France in 1537, although he may well have only completed his training in France. He became a leading member of the printmaking workshop at Fontainebleau and nearly 100 etchings survive, 16 dated between 1542 and 1545. Most copy designs by Rosso, Giulio Romano, or Primaticcio. He is last recorded at Fontainebleau in 1550.
context_section_description: No identifiable painting or drawing by him survives; his first task at Fontainebleau was helping with the room over the "Porte Dorée", and after 1540 the "Gallery of Ulysses".  Neither sets of decorations has survived, and Fantuzzi's prints are valuable in recording some of the designs.  He is also recorded as being, from 1540, in charge of the supply of designs for decorative elements such as grotesques to the other artists.  His prints of ornament designs are "particularly appealing, perhaps because they correspond with his specialty in painting.  He seems to have lavished more care and to have had sympathies in these works not usually felt in his figural prints after Rosso".  From 1540 his salary increased from seven to twenty livres per month.
  He worked closely with Léon Davent, a French native who was one of the other leading Fontainebleau printmakers, who had presumably trained as a goldsmith and so an engraver. It is thought that Fantuzzi taught Davent the artist's technique of etching, which once learned became Davent's main technique.  In return Fantuzzi adopted a number of technical tricks developed by engravers and translatable to etching, very likely with instruction from Davent.  His early style is "rather brutal in appearance" when copying Giulio Romano, and "angular and restless" when copying Rosso Fiorentino, but he moved to a gentler and more harmonious style closer to Primaticcio.  Suzanne Boorsch says that his early style was "full of energy but lacked discipline, so that in some of the prints a violent light and strokes in many directions cause figures and grounds to be confused... His later works retain this liveliness but are calmer and more controlled".
  The example illustrated of a copy of a stucco and paint surround at the palace was presumably made from the preparatory drawing; the frame surrounded a painting of Ignorance Vanquished and allegory of "The Enlightenment of François I" by Rosso Fiorentino.  The landscape here has just been inserted from some other source; presumably the drawing used had a blank space here. Apart from the initials, which stand for François, Roi de France, the print is in reverse (a mirror image) of the frame in the Gallery of François I in the palace, which survives, though it is different in some details, and has a very different effect having both elements in sculpted stucco and in paint.  There are a number of other etchings by Fantuzzi and others of the very complex frames in the gallery, all showing similar differences and inserted landscapes, indicating that they were following drawings prepared before the final designs were achieved.  Other prints record the paintings actually placed inside the frames.
  The "mildly licentious" lunette Mars and Venus Bathing of about 1543 was probably copying a painting by Primaticcio for the six-room "Appartement des Bains" (Bathroom Suite) at the palace, decorated in the 1540s and destroyed in 1697. Cassiano del Pozzo recorded that one of the rooms there featured painted lunettes, though of Diana and Callisto. It may have been made from a drawing now in the Louvre of the same size but in reverse; this used to be attributed to Rosso, but is now given to Primaticcio.
  In 2003 Fantuzzi and Davent shared an exhibition in the Cabinet des Estampes in Geneva: Les Lumières du maniérisme français: Antonio Fantuzzi et Léon Davent, 1540–1550 ("Leaders of French Mannerism: Antonio Fantuzzi and Léon Davent, 1540–1550").
caption: The surround as it was completed, in the Gallery of François I
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