page_title: Chimú culture
section_title: Uses and symbolism
hierarchical_section_title: Chimú culture / Visual arts / Shell / Uses and symbolism
caption_attribution_description: Chimú or Chancay; Sling shot; Beads-Ornaments
context_page_description: The Chimú culture was centered on Chimor with the capital city of Chan Chan, a large adobe city in the Moche Valley of present-day Trujillo, Peru. The culture arose about 900 AD, succeeding the Moche culture, and was later conquered by the Inca emperor Topa Inca Yupanqui around 1470, fifty years before the arrival of the Spanish in the region. Chimor was the largest kingdom in the Late Intermediate Period, encompassing 1,000 kilometres of coastline.
  The Chimú resided on a strip of desert on the northern coast of Peru. The rivers in the region carved a series of fertile valley plains, which were very flat and well-suited to irrigation. Agriculture and fishing were both very important to the Chimú economy.
  Worshipping the moon, the Chimú, unlike the Inca, considered it more powerful than the sun. Offerings played an important role in religious rites. A common object for offerings, as well as one used by artisans, was the shell of the Spondylus shellfish, which resides only in the warm coastal waters off present-day Ecuador.
context_section_description: Spondylus shell had a wide variety of uses in Andean culture and took a variety of forms, ranging from whole shells to fragments to ground shell powder. This material was worked to create intricately carved ornaments, tools, and goods reserved for the nobles and deities. Shell fragments have been found as inlays for body ornaments and as beads for pieces of jewelry. The image to the right displays a Chimú collar made of cotton, red Spondylus shell beads, and black stone beads, and the image below displays a sling shot made of shell. Representing wealth and power, the shell was ground into powder and spread out before the Chimor king by an official called the Fonga Sigde, forming a “red carpet” for the ruler as he walked. Shell were likewise used for ornamentation of certain buildings and architectural structures.
  Found in the tombs of nobles, these artifacts were often used as burial goods and played a role in sacrificial practices. Due to its aquatic origins, shells were prized for their connection to the sea and role in water and fertility rituals, used as offerings in agricultural fields to promote abundant crop yields. The Chimú also placed shells in sources of water, such as wells and springs, to bring rain to their fields, especially in times of drought.
  The symbolic significance of the Spondylus shell is closely related to the physical attributes and biological properties of the bivalve. Its characteristic morphology contributed to the association of the shell with divine power and the supernatural world. The external spines of Spondylus lend to the shell its ties to strength and protection. Because of its shape and red blood-like color, the shell often represents death, sacrifice, and ritual bloodletting practices, as well as female reproductive body parts. Known as the "daughter of the sea," the Spondylus shell has also been linked to femininity, with the univalve embodying masculinity.
  Spondylus has specialized sensory organs, in particular sensitive eyes and papillae, that Andean cultures associate with extra sensory protection. Sensitive to temperature changes in water and thriving in warmer waters, the shell was thought to have divinatory powers, and because its migratory patterns are related to El Niño conditions, its presence is seen as an omen for disaster.
  Moreover, Spondylus exhibits seasonal toxicity, known as Paralytic shellfish poisoning (PSP). Twice a year, the mollusk tissue contains substances that are toxic to humans, caused by poisonous algae that the mollusks consume. During these months, the shells are offered to weather and fertility deities as “food for the gods”, as it was thought that only deities were powerful enough to eat the flesh of the bivalve. At tolerable levels, human consumption of this toxic flesh may result in muscle weakness, mind-altering states, and euphoria, but in more concentrated doses, may lead to paralysis and death. Because of these hallucinogenic effects, Spondylus was a symbol of spiritual transcendence and was viewed as bridge between physical and supernatural worlds.
caption: Chimú or Chancay sling shot with shells made of shell, wool, cotton, and beads - fourteenth-fifteenth century - Metropolitan Museum of Art
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