page_title: Spanish literature
section_title: Realism
hierarchical_section_title: Spanish literature / Realism
caption_attribution_description: Español: Retrato del escritor español Benito Pérez Galdós (1843-1920).
context_page_description: Spanish literature generally refers to literature written in the Spanish language within the territory that presently constitutes the Kingdom of Spain. Its development coincides and frequently intersects with that of other literary traditions from regions within the same territory, particularly Catalan literature, Galician intersects as well with Latin, Jewish, and Arabic literary traditions of the Iberian peninsula. The literature of Spanish America is an important branch of Spanish literature, with its own particular characteristics dating back to the earliest years of Spain’s conquest of the Americas.
context_section_description: In Realism (end of the 19th century), which is mixed with Naturalism, important topics are the novel, with Juan Valera, José María de Pereda, Benito Pérez Galdós, Emilia Pardo Bazán, Leopoldo Alas (Clarín), Armando Palacio Valdés, and Vicente Blasco Ibáñez; poetry, with Ramón de Campoamor, Gaspar Núñez de Arce, and other poets; the theater, with José Echegaray, Manuel Tamayo y Baus, and other dramatists; and the literary critics, emphasizing Menéndez Pelayo. Realism offered depictions of contemporary life and society 'as they were'. In the spirit of general "Realism," Realist authors opted for depictions of everyday and banal activities and experiences, instead of a romanticized or similarly stylized presentation.
  The realistic works of this period are characterized by:
  Objective vision of reality through the direct observation of customs or psychological characters. They eliminate any subjective aspect, fantastic events, and every feeling that moves away from reality: "The novel is the image of life" (Galdós), "an artistic copy of reality" (Clarín).
  Defense of a thesis: the narrators write their works approaching reality from their moral conception. They are the so-called omniscient narrators.  The defense of a thesis usually compromises the objectivity of the novel.
  Themes that are familiar to the reader: marital conflicts, infidelity, defense of ideals, etc.
  The popular and colloquial language acquires great importance since it situates the characters in their real environment.
caption: Portrait of Benito Pérez Galdós, by Joaquín Sorolla
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