page_title: Mary Brian
section_title: Successful transition to 'Talkies'
hierarchical_section_title: Mary Brian / Successful transition to 'Talkies'
caption_attribution_description: English: Poster for the American comedy film The Front Page (1931). There are no copyright marks. At bottom right is This paper leased to the exhibitor by United Artists Corporation. United States Copyright Office page 2 "Visually Perceptible Copies The notice for visually perceptible copies should contain all three elements described below. They should appear together or in close proximity on the copies. 1 The symbol © (letter C in a circle); the word “Copyright”; or the abbreviation “Copr.” 2 The year of first publication. If the work is a derivative work or a compilation incorporating previously published material, the year date of first publication of the derivative work or compilation is sufficient. Examples of derivative works are translations or dramatizations; an example of a compilation is an anthology. The year may be omitted when a pictorial, graphic, or sculptural work, with accompanying textual matter, if any, is reproduced in or on greeting cards, postcards, stationery, jewelry, dolls, toys, or useful articles. 3 The name of the copyright owner, an abbreviation by which the name can be recognized, or a generally known alternative designation of owner.1 Example © 2007 Jane Doe.")
context_page_description: Mary Brian was an American actress, who made the transition from silent films to sound films.
context_section_description: Her first talkie was Varsity (1928), which was filmed with part-sound and talking sequences, opposite Buddy Rogers. After successfully making the transition to sound, she co-starred with Gary Cooper, Walter Huston and Richard Arlen in one of the earliest Western talkies, The Virginian (1929), her first all-talkie feature. In it, she played a spirited frontier heroine, schoolmarm Molly Stark Wood, who was the love interest of the Virginian (Cooper).
  Brian co-starred in several hits during the 1930s, including her role as Gwen Cavendish in George Cukor’s comedy The Royal Family of Broadway (1930) with Ina Claire and Fredric March, as herself in Paramount's all-star revue Paramount on Parade (1930), as Peggy Grant in Lewis Milestone’s comedy The Front Page (1931) with Adolphe Menjou and Pat O'Brien.
  After her contract with Paramount ended in 1932, Brian decided to freelance, which was unusual in a period when multi-year contracts with one studio were common.. That same year, she appeared on the vaudeville stage at New York's Palace Theatre. Also in the same year, she starred in Manhattan Tower.
  Other movie roles include Murial Ross, aka Murial Rossi, in Shadows of Sing Sing (1933), in which she received top billing, Gloria Van Dayham in College Rhythm (1934), Yvette Lamartine in Charlie Chan in Paris (1935), Hope Wolfinger, W. C. Fields’s daughter, in Man on the Flying Trapeze (1935), Sally Barnaby in Spendthrift (1936) opposite Henry Fonda, and Doris in Navy Blues (1937), in which she received top billing.
  In 1936, she went to England and made three movies, including The Amazing Quest of Ernest Bliss in which she starred opposite Cary Grant, to whom she became engaged at one stage.
  Her final film of the 1930s was Affairs of Cappy Ricks although she auditioned unsuccessfully for the part that would go to Janet Gaynor in A Star is Born.
caption: Poster from The Front Page in 1931
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