page_title: Portrait of Dr. Gachet
section_title: Composition
hierarchical_section_title: Portrait of Dr. Gachet / Composition
context_page_description: Portrait of Dr. Gachet is one of the most revered paintings by the Dutch artist Vincent van Gogh. It depicts Dr. Paul Gachet, a homeopathic doctor and artist with whom van Gogh resided following a spell in an asylum at Saint-Rémy-de-Provence. Gachet took care of Van Gogh during the final months of his life. There are two authenticated versions of the portrait, both painted in June 1890 at Auvers-sur-Oise. Both show Gachet sitting at a table and leaning his head on his right arm, but they are easily differentiated in color and style. There is also an etching.
  The first version was acquired by the Städel in Frankfurt in 1911 and subsequently confiscated and sold by Hermann Göring. In May 1990, it was sold at auction for $82.5 million to Ryoei Saito, making it the world's most expensive painting at that time. It then disappeared from public view and the Städel was unable to locate it in 2019. The second version was owned by Gachet and was bequeathed to the Republic of France by his heirs. Despite arguments over its authenticity, it now hangs in the Musée d'Orsay.
context_section_description: Van Gogh painted Gachet resting his right elbow on a red table, head in hand. Two yellow books as well as the purple medicinal herb foxglove are displayed on the table. The foxglove in the painting is a plant from which digitalis is extracted for the treatment of certain heart complaints, perhaps an attribute of Gachet as a physician.
  The doctor's "sensitive face", which Van Gogh wrote to Paul Gauguin carried "the heartbroken expression of our time", is described by Robert Wallace as the portrait's focus. Wallace described the ultramarine blue coat of Gachet, set against a background of hills painted a lighter blue, as highlighting the "tired, pale features and transparent blue eyes that reflect the compassion and melancholy of the man." Van Gogh himself said this expression of melancholy "would seem to look like a grimace to many who saw the canvas".
  With the Portrait of Dr. Gachet, Van Gogh sought to create a "modern portrait", which he wrote to his sister "impassions me most—much, much more than all the rest of my métier." Elaborating on this quote, Van Gogh scholar Jan Hulsker noted "... much later generations experience it not only as psychologically striking, but also as a very unconventional and 'modern' portrait." He also wrote, "My self-portrait is done in nearly the same way but the blue is the fine blue of the Midi, and the clothes are a light lilac," which would refer to one of his final self-portraits painted in September the year previous.
  Van Gogh also wrote to Wilhelmina regarding the Portraits of Madame Ginoux he painted first in Arles in 1888 and again in February 1890 while at the hospital in Saint-Rémy. The second set were styled after the portrait of the same figure by Gauguin, and Van Gogh described Gachet's enthusiasm upon viewing the version painted earlier that year, which the artist had carried with him to the home in Auvers. Van Gogh subsequently carried compositional elements from this portrait to that of Dr. Gachet, including the table-top with two books and pose of the figure with head leaning on one hand.
caption: L'Arlesienne (Madame Ginoux)
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