Document:

Exhibit 10.5

 

February, 2, 2016

 

Matefinder Deal Memo: The following Memorandum of Understanding
will be a legally binding document in lieu of any formal written contract in the future.

 

Mike Witherill, of MJW Films, agrees to pay Pete Rosen the following
screenwriting fees for the Matefinder Trilogy of books written by Leia Stone.

 

		1]	Writing fee for Book 1: MATEFINDER. $50,000 to be paid
in two installments for the screenplay of the motion picture presently entitled, “Matefinder.”

 

First $20,000 no later than Friday March 4, 2016

 

Final $25,000 no later than Friday March 11, 2016

 

Pete agrees to do two free rewrites/polishes provided the
final half has been paid.

 

		2]	Pete will also be paid a WGA screenwriter fee out of the
budget should the movie be financed and greenlighted. 1% of the total budget with a floor of $150,000 and a ceiling of $500,000.
Paid at the beginning of preproduction in three installments, and disbursed as follows:

 

One-third paid at the start of preproduction.

 

Second third at the start of principal photography.

 

Final third at the end of principal photography.

 

		3]	If Matefinder is financed and greenlighted, and Pete is
paid the ceiling of $500,000, Pete agrees to pay back to Mike the original $50,000 fee.

 

		4]	Sequel writing fee for Book 2: “DEVI.” Pete
receives $75,000 to write the sequel screenplay with same terms and conditions as MATEFINDER, as soon as the first one is completed
and goes into the marketplace.

 

First $37,500 at the start of writing.

 

Final $37,500 at delivery of first draft.

 

Pete agrees to do two free rewrites or polishes provided
the final half has been paid.

 

		5]	If the second film, DEVI, is financed and greenlighted,
the same screenplay rights apply of 1% of total budget of the motion picture with $200,000 floor and 5550,000 ceiling.

 

If the $550,000 ceiling is reached, Pete will return Mike
the $75,000 initial writing fee.

 

     

     

    

 

		6]	Sequel writing fee for Book 3: “BALANCE.” Pete
receives $100,000 to write the screenplay for the third installment of the trilogy, with same terms and conditions as MATEFINDER,
when both parties agree it should begin.

 

First $50,000 at the start of writing.

 

Final $50,000 at delivery of first draft.

 

Pete agrees to do two free rewrites or polishes provided
the final half has been paid.

 

		5]	If the third film, BALANCE, is financed and greenlighted,
the same screenplay rights apply, with 1% of the total budget, a $200,000 floor and $600,000 ceiling, with the same terms and
conditions.

 

If the $600,000 ceiling is reached, Pete will return Mike
the $100,000 initial writing fee.

 

		6]	Net profit participation; Pete will receive TWO PERCENT
of net profits (2%) on no less favorable terms as per the definition of net profit than that of the producer.

 

		7]	Credit: Screenplay by: all advertising print or otherwise
same as producer.

 

If both parties agree, this document shall serve as the Memorandum
of Understanding for the screenwriting of the Matefinder Trilogy by Leia Stone.

 

	/s/ Pete Rosen	February 24, 2016
	Pete Rosen – Screenwriter	 
	 	 
	/s/ Mike Witherill	March 2, 2016
	Mike Witherill – Producer	 

 

    	 	2Exhibit 10.6

 

SCREENPLAY OPTION/PURCHASE AGREEMENT

“CHILD SUPPORT”

 

As of August 1, 2016

 

	Pete Rosen	 
	4735 Sepulveda Blvd., No. 313	 
	Sherman Oaks, CA 91403	 
	Email:	 

 

	Gary Bowen	cc:	Leif Reinstein, Esq.
	4735 Sepulveda Blvd., No. 333	 	Reed Smith LLP
	Sherman Oaks, CA 91403	 	1901 Avenue of the Stars, Suite 700
	Email:	 	Los Angeles, CA 90067

 

Dear Pete and Gary:

 

This will confirm the agreement
between MJW Media, LLC (“Purchaser”), and you, Pete Rosen and Gary Bowen (collectively, “Artist”), with
respect to the original screenplay entitled “Child Support” written by Artist (which, together with the title, themes,
contents, story and characters, and all translations, adaptations, and other versions, as well as all research performed by Artist
in connection therewith, whether now existing or hereafter created, is hereinafter called the “Property”) (the first
motion picture based on the Property hereunder shall be referred to as the “Picture”). In this regard, prior to the
earlier of exercise of the Option (as defined below) or commencement of production of the Picture, Purchaser shall become, or assign
this Agreement to, a WGA signatory entity. Further, for purposes hereof, Artist shall be deemed a “professional writer”
under the WGA.

 

In consideration of the
parties’ mutual promises, it is hereby agreed as follows:

 

1.          Option.

 

(a)          In
consideration of Purchaser’s commercially reasonable best efforts to set-up the Property for development and/or production
and other good and valuable consideration, Artist hereby exclusively and irrevocably grants to Purchaser an exclusive option (the
“Option”) lasting for twelve (12) months from the above date (the “Initial Option Period”) to purchase
all rights in the Property as more explicitly set forth in Section 2 hereof (“Purchase Price”).

 

(b)          Purchaser
may extend the Initial Option Period by an additional twelve (12) months (the “Extended Option Period”) by providing
written notice to Artist accompanied by the applicable payment at any time prior to expiration of the Initial Option Period. The
Initial Option Period and the Extended Option Period may be referred to collectively herein as the “Option Period.”

 

     

     

    

 

(c)          The
Option price for the Initial Option Period shall be Two Thousand Dollars ($2,000), payable within five (5) business days following
Artist’s execution of this Agreement, which amount shall not be applicable against the Purchase Price. The Option price for
the Extended Option Period shall be Twenty Thousand Hundred Dollars ($20,000), which amount shall be applicable against the Purchase
Price.

 

(d)          During
the Option Period (and any extensions thereof), Purchaser shall have the right to engage in or arrange for development and pre-production
with respect to motion pictures and/or other productions intended to be based on the Property. If in connection with such development
and pre-production Artist or another party is engaged to write screenplays, revisions or other materials based on the Property,
all such writings shall be and remain Purchaser’s sole and exclusive property (whether or not Purchaser exercises the Option
hereunder).

 

2.          Purchase
Price. If Purchaser exercises its Option granted pursuant to Section 1 hereunder, the purchase price for the Rights (as defined
in Section 4 below) shall be a sum equal to Two and One-Quarter Percent (2.25%) of the final approved “direct cost”
budget (exclusive of interest, financing costs, completion bond fees, insurance costs and any contingency) (the “Budget”)
of the Picture, with a floor of Two Hundred Fifty Thousand Dollars ($250,000) and a ceiling of Seven Hundred Fifty Thousand Dollars
($750,000) (the “Purchase Price”). The Option, if exercised, shall be exercised by written notice to Artist accompanied
by the applicable Purchase Price during the Option Period, but not later than commencement of principal photography of the Picture.
Notwithstanding any of the foregoing, if at the time any payment comes due under this Section 2 the Budget is not known, Purchaser
shall pay Artist the applicable amount due based on the $250,000 floor amount and shall pay the balance, if any, in accordance
with this Section 2 after the Budget has been finalized.

 

3.          Contingent
Compensation. If Artist has fulfilled all of the terms and conditions hereunder and is not in uncured material breach hereof,
and the Picture is produced, Artist shall be entitled to receive a sum equal to Two and One-Half Percent (2.5%) of One Hundred
Percent (100%) of the net proceeds (or other best contingent compensation denomination or definition received by Purchaser) derived
from the Picture. Artist’s contingent compensation participation (however denominated) shall be defined, computed, accounted
for and paid on the same basis as Purchaser or its assignee.

 

4.          Writing
Services. Purchaser shall engage Artist to perform a guaranteed first rewrite of the Property (the “Rewrite”) for
a fee of Eighty Thousand Dollars ($80,000), payable $25,000 upon commencement of such writing services and $55,000 upon the earlier
of commencement of principal photography of the Picture or Purchaser’s conclusion and actual receipt of the unrestricted
full funding for the Picture. Notwithstanding any other provision of this Agreement and subject only to Section 14 below, the Rewrite
shall be Purchaser’s sole and exclusive property.

 

    	 	2	 

     

    

 

5.          Rights.
If the Option granted pursuant to Section 1 hereunder is exercised, Purchaser shall own, and Artist hereby assigns to Purchaser,
exclusively, in perpetuity and throughout the universe, all right, title and interest in and to the Property, whether now known
or hereinafter devised, including, without limitation, all motion picture rights, all television rights (pay, free, film, tape,
cassette, cable, live and otherwise), all computer-assisted media rights (including, but not limited to any interactive device,
mechanism, or storage medium for digital information such as DVD, CD-ROM, CD-I, 3D0 and similar disc systems, or any other computer
based system whether PC, network, mainframe or otherwise, or which is made available through any delivery system now known or hereafter
devised, including, but not limited to retail sales, point-of-purchase, on-demand, cable, pay-per-view, broadcast transmission,
telephone, Internet or cellular and any other devise or methods now known or hereafter devised) and all allied and incidental rights
in the Property, including, by way of further illustration, sequel and remake rights, music rights, soundtrack album rights, merchandising
rights, publishing rights, radio rights, stage rights and promotional and advertising rights (collectively, the “Rights”).

 

Without limiting the foregoing,
if the Option granted pursuant to Section 1 hereunder is exercised, Artist hereby acknowledges that a portion of the Purchase Price
payable under this Agreement is allocated to and adequate compensation for the purchase/assignment of the Rental and Lending Rights,
as defined below, and Artist hereby irrevocably assigns, licenses and grants to Purchaser, throughout the universe, in perpetuity,
any and all rights of Artist to authorize, prohibit and/or control the renting, lending, fixation, reproduction and/or other exploitation
of the Picture by any media and means now known or hereafter devised as may be conferred upon you under applicable laws, regulations
or directives, in any jurisdiction throughout the world, including, without limitation, any so-called rental and lending rights
pursuant to any European Economic Community (“EEC”) directives and/or enabling or implementing legislation, laws or
regulations enacted by member nations of the EEC (all of the foregoing rights are herein collectively the “Rental and Lending
Rights”). Artist agrees that the remuneration provided in the first sentence of this paragraph, as well as any residuals
or additional compensation payable pursuant to an applicable collective bargaining agreement (if any) include, without limitation,
adequate and equitable remuneration for Artist’s assignment of the Rental and Lending Rights and constitute a complete buy-out
of all Rental and Lending Rights in perpetuity.

 

The Rights herein granted
include the right to distribute, transmit, exhibit, broadcast and otherwise exploit all works produced pursuant to the rights granted
hereunder by means of any and all media and devices whether now known or hereafter devised, and in any and all markets whatsoever,
as well as the right of Purchaser in its discretion to make any and all changes in, additions to and deletions from the Property,
as well as the right to use, in a reasonable and customary manner, Artist’s name, likeness and approved biography in and
in connection with the exploitation of the rights granted hereunder; provided, that in no event shall Artist’s name, likeness
and/or biography be used hereunder to endorse any product, service, individual or entity, or other than in connection with the
exploitation of the rights granted hereunder. Nothing contained in this Agreement shall be construed as requiring Purchaser to
exercise or exploit any of the Rights granted to Purchaser hereunder.

 

Artist agrees that Purchaser
shall have the unlimited right to vary, change, alter, modify, add to and/or delete from all or any part of the Property (including
without limitation the title or titles thereto), and to rearrange and/or transpose all or any part of the Property and change the
sequence thereof and the characters and descriptions of the characters contained in the Property and to use a portion or portions
of the Property in conjunction with any other literary, dramatic or other material of any kind. Artist hereby waives the benefits
of any provision of law known as the “droit moral” or any similar law in any and all countries and other jurisdictions
of the universe.

 

    	 	3	 

     

    

 

6.          Writer
Representations and Warranties/Indemnities. Subject to Article 28 of the WGA Minimum Basic Agreement, Artist hereby represents
and warrants that: (a) the Property was written by and is wholly original with Artist (except incidental materials in the public
domain and materials provided or altered by Purchaser), (b) neither the Property nor any element thereof infringes the copyright
in any other work; (c) neither the Property nor any element thereof, to the best of Artist’s knowledge, will violate the
rights to privacy or publicity of any person or constitute a defamation against any person, or in any other way violate the rights
of any person whomsoever; (d) Artist owns all rights assigned to Purchaser free and clear of any liens, encumbrances, and other
third party interests, and any claims or litigation, whether pending or threatened, (e) Artist has the full right and power to
make and perform this Agreement without the consent of any third party; (f) the Property has not previously been exploited as a
motion picture or television production; and (g) the Property does and will continue to enjoy either statutory or common law copyright
protection in the United States and all countries adhering to either or both the Berne and Universal Copyright Conventions. Artist
shall indemnify Purchaser and each of its principals, officers, managers, agents, attorneys, employees, successors and assigns
against any liability, loss, damage, cost or expense (including reasonable outside attorneys’ fees) incurred by reason of
any claim arising in connection with Artist’s uncured material breach of any of the foregoing or any other term of this Agreement.

 

7.          Purchaser
Indemnities. Purchaser hereby indemnifies, defends and holds Artist harmless against any liability, loss, damage, cost or expense
(including reasonable outside attorneys’ fees) incurred by reason of any claim arising from Purchaser’s breach or alleged
breach of any of its obligations hereunder, materials Purchaser provides or alters, and the development, production, distribution
and other exploitation of the Picture (or any element thereof or rights therein) to the extent that Artist’s indemnity obligations
do not apply.

 

8.          Insurance
Coverage. Artist shall be named as an additional insured on any errors and omissions and general liability insurance policies
covering the Picture.

 

9.          Additional
Documents. At Purchaser’s request, following a reasonable opportunity to review and comment, Artist shall execute any
and all additional documents and instruments consistent herewith as are reasonably necessary or desirable to effectuate purposes
of this agreement (including, without limitation, short form options and assignments). Upon Artist’s failure to promptly
execute any such documents within five (5) business days after delivery, Artist hereby appoints Purchaser as Artist’s irrevocable
attorney-in-fact to execute any such document on Artist’s behalf. The rights of Purchaser under this subparagraph constitute
a power coupled with an interest and are irrevocable. Purchaser shall provide Artist with copies of any documents it executes on
Artist’s behalf pursuant to this Section, but Producer’s inadvertent failure to provide such copies shall not constitute
a breach of this Agreement.

 

10.         Credit.
Purchaser shall accord Artist writing credit on screen as and to the extent required by the WGA Basic Agreement. Such credit shall
also be accorded in paid ads (subject to customary exclusions) and anywhere the billing block appears. It is acknowledged and agreed
that no casual or inadvertent failure by Purchaser to accord such credit, nor the failure for any reason by third parties to comply
with the provisions of this paragraph, shall be deemed a breach hereof by Purchaser, it being agreed, however, that upon receipt
of written notice from Artist, Purchaser shall make reasonable efforts to cure any such failure on a prospective basis.

 

    	 	4	 

     

    

 

11.         Subsequent
Productions.

 

(a)          First
Negotiation. If, within (7) years after the initial general theatrical release of the Picture, Purchaser, its assignee, designee,
licensee or successor intends to produce a theatrical or direct-to-video sequel, prequel, remake, television or new media production
based upon the Picture, (each a “Subsequent Production”) and provided: (i) Artist is not in uncured material breach
hereunder; (ii) Artist is ready, willing and able to render such services as, when and where reasonably required by Purchaser;
and (iii) Artist receives sole “written by” or sole “screenplay by” credit on the Picture upon final determination
of writing credits pursuant to the MBA (as if applicable hereto), then, with respect to the first such Subsequent Production (subject
to any applicable studio or network approvals), Artist shall be accorded the first opportunity to negotiate with Purchaser with
regard to Artist writing (and, with respect to TV Productions only, writing and executive producing) the first such Subsequent
Production (on financial terms no less favorable than those hereunder for theatrical sequels, prequels or remakes). If one or more
of items (i) through (iii) are not satisfied, or if such negotiations do not result in an agreement within thirty (30) days from
the commencement thereof, Purchaser may proceed with the writing of such materials by a third party, subject to the terms of Section
11.b. below. The provisions of this section shall apply to subsequent theatrical and television sequels, prequels and remakes of
the Picture only if all of the conditions hereof were met with respect to the immediately preceding sequel, prequel or remake.

 

(b)          Passive
Payments. Provided that: (i) Artist is not in uncured material breach hereof; (ii) Artist receives sole “written by”
or “screenplay by” credit on the Picture upon final determination of writing credits pursuant to the MBA (as if applicable
hereto); (iii) Purchaser or its assignee, licensee, designee or successor elects to produce any of the Subsequent Productions described
below based upon the Picture; and (iv) Owner has not been engaged to render writing services in connection with such Subsequent
Production pursuant to Section 11.a. above, Artist shall be entitled to receive the following applicable royalties (the following
amounts being inclusive of any amounts required to be paid pursuant to the MBA in connection with the Picture, if any):

 

i.            Theatrical
Sequels/Prequels: For each applicable theatrical sequel or prequel motion picture based on the Picture, Artist shall be paid
an amount equal to: (i) Fifty Percent (50%) of all amounts paid to Artist pursuant to Section 2 above, payable upon commencement
of principal photography of such theatrical sequel and/or prequel; and (ii) a percentage of the Net Proceeds equal to fifty percent
(50%) of the percentage to which Artist is entitled pursuant to Section 3 above.

 

ii.         Theatrical
Remakes: For each applicable theatrical remake of the Picture, Artist shall be paid an amount equal to: (i) Thirty-Three and
One-Third Percent (33-1/3%) of all amounts paid to Artist pursuant to Section 2 above, payable upon commencement of principal photography
of such theatrical remake; and (ii) a percentage of Net Proceeds equal to Thirty-Three and One-Third Percent (33-1/3%) of the percentage
to which Artist is entitled pursuant to Section 3 above.

 

    	 	5	 

     

    

 

iii.         Television
Productions:

 

		a.	Pilot and Series. If a television pilot and/or series
is produced, Artist shall be entitled to receive episode a royalty of $2,000 for each episode of 30 minutes or less; $3,000 for
each episode of 31-60 minutes; and $4,000 for each episode in excess of 60 minutes, payable within ten (10) days after completion
of principal photography of the applicable episode. For each of the second through the sixth U.S. free Network television runs
of the applicable episode, Artist shall receive an additional sum equal to twenty percent (20%) of the applicable royalty, which
shall be paid to Artist not later than thirty (30) days following broadcast of the applicable episode.

 

		b.	Movies-For-Television and Television Mini-Series.
If a television motion picture or “mini-series” is produced. Artist shall be entitled to receive an amount equal to
$10.000 for each hour of programming produced, up to a maximum of $80,000, payable promptly following the commencement of principal
photography of the applicable production.

 

iv.         New
Media Productions: If a feature-length production or episodic series production is produced for initial exhibition on a so-called
“New Media” or digital platform, Artist shall be entitled to receive a passive royalty to be negotiated in good faith
within customary parameters for agreements of this type, taking into account the budget of the production and other relevant factors.
Notwithstanding the foregoing, if a new media Subsequent Production is produced for initial exhibition on Netflix, Hulu, Amazon
or YouTube Red and the budget of such project is commensurate with budgets for comparable television programming, then the passive
payments under Section 11.b.iii. shall apply.

 

v.           100/50/50:
With respect to any television series, movie-for-television, mini-series, or new media production, if the applicable Subsequent
Production is placed in general theatrical release in the U.S. and/or abroad after its initial television broadcast, then Artist
shall be entitled to an additional one-time royalty equal to fifty percent (50%) of the royalty originally paid for such Subsequent
Production if such production is so released in the U.S., and an additional one-time royalty equal to 50% of the royalty originally
paid for such Subsequent Production if such production is so released outside of the U.S. If the applicable Subsequent Production
is theatrically released in the U.S. prior to telecast, then Artist shall be entitled to a one-time payment equal to 100% of the
applicable royalty otherwise payable for such Subsequent Production. However, in no event shall Artist be entitled to an aggregate
sum of more than 100% of the applicable royalty for the theatrical release, if any, of the applicable Production. Payments under
this Section shall be made within thirty (30) calendar days of the applicable theatrical release.

 

    	 	6	 

     

    

 

12.         Premieres.
If the Picture is produced and Artist is not in uncured material breach hereof, each Artist and a non-business companion shall
be entitled to receive invitations to the first celebrity premiere, if any, of the Picture. Purchaser shall make reasonable good
faith efforts to cause the distributor of the Picture to provide travel and expenses for Artist and Artist’s companion on
a favored nations basis with all non-cast; provided, Purchaser’s failure or inability to do so shall not constitute a breach
of this Agreement.

 

13.         DVD.
If the Picture is produced and Artist is not in uncured material breach hereof, each Artist will be entitled to receive a DVD copy
of the Picture at such time as they become commercially available (subject to the policies of the distributor).

 

14.         Reversion.
If Purchaser exercises the Option, but does not produce the Picture within 2 years from the date of such exercise, then all rights
in and to the Property shall revert to Artist, subject to Purchaser’s first-priority lien against first dollars received
by Artist from any third-party purchaser of the Property for all of Purchaser’s script and development costs, plus interest
thereon at the rate of banker’s prime plus 1%, and 5% of 100% of the profits derived from any production based on the Property,
defined, computed, accounted for and paid on a favored nations basis with all producers on the applicable production. In addition,
Artist shall have the right to acquire all development materials created or paid for by Purchaser (including without limitation
the Rewrite) on terms to be negotiated in good faith.

 

15.         Remedies.
It is acknowledged and agreed that neither the failure to accord Artist credit nor any other breach of this Agreement shall entitle
Artist to equitable relief, whether injunctive or otherwise, against or with respect to the Picture or any other works produced
pursuant to the rights granted hereunder or their exploitation, since Artist’s remedy of money damages at law is adequate.

 

16.         Assignment.
Purchaser shall have the right to assign any or all of its rights and/or obligations under this Agreement to any person or entity,
but no such assignment shall relieve Purchaser of its obligations to Artist under this agreement unless such assignment is to a
so-called “major” or “mini-major” motion picture distributor, or a network television broadcaster, or a
major pay television company, as such terms are commonly understood in the motion picture industry, or a party that is at least
as financially capable as Purchaser, and such entity assumes all of Purchaser’s obligations hereunder in writing. Artist
shall not have the right to assign this Agreement in whole or in part, and any such purported assignment shall be void ab initio.
Notwithstanding the receding sentence, Artist shall have the one-time right to assign the right to receive compensation hereunder
to a loan-out entity.

 

17.         Default/Force
Majeure. Each and every option period hereunder shall be subject to extension for any period of your material breach and/or
force majeure (including without limitation any strike by any guild, union or other labor organization against motion picture producers
during the option periods), and any period during which any claim remains outstanding or unresolved which involves the material
breach of any of your warranties, representations or agreements herein that materially affects the development of the Property.
Any option extension for force majeure hereunder shall not exceed 6 consecutive months. Neither party hereto shall be deemed to
be in breach or default hereunder unless and until the allegedly breaching party fails to cure the alleged breach within five (5)
days following receipt of reasonably detailed written notice of the alleged breach.

 

    	 	7	 

     

    

 

18.         Jurisdiction.
This Agreement will be interpreted in accordance with the laws of the State of California applicable to agreements entered into
and to be wholly performed therein. Any and all disputes hereunder shall be exclusively submitted to a final and binding arbitration
under the rules of AFMA in Los Angeles, California. The prevailing party (as determined by the arbitrator) shall be entitled to
costs and attorney’s fees in connection with any such proceeding.

 

19.         Notices/Payments.
All notices from Artist to Purchaser shall be sent to the following address:

 

MJW Media, LLC

Attn: Mike Witherill

1166 E. Warner
Road, Suite 205

Gilbert, AZ 85296

Email: mjwitherill@gmail.com

 

		cc:	Paul Miloknay, Esq.

Miloknay Weiner
LLP

7162 Beverly
Blvd., Suite 345

Los Angeles,
CA 90036

Email: paul@miloknayweiner.com

 

Notices shall be sufficiently
given when the same shall be deposited so addressed, postage prepaid, in the United States mail and/or when the same shall have
been delivered so addressed by facsimile or email transmission, and 3 days after the date of said mailing or the date of facsimile
or email transmission shall be the date of the giving of such notice.

 

All payments which Purchaser
may be required to make to Artist hereunder shall be delivered or sent to Artist by mail at the address for payments set forth
on page one hereof, and Artist acknowledges that payment in such fashion shall be a good and valid discharge of all such indebtedness
to Artist.

 

20.         No
Obligation. Nothing contained in this Agreement shall be construed to obligate Purchaser to produce, distribute, release or
exhibit any motion picture, television program or other production based upon the Property or to exploit or make any use of the
rights, license, privileges or property granted to Purchaser, including without limitation, the Rights.

 

21.         Miscellaneous.
It is contemplated that a more formal agreement may be prepared containing the terms set forth herein and such standard terms as
are customary in the motion picture industry in agreements of this nature. Until such more formal agreement is executed, this Agreement
shall constitute the entire understanding and agreement of the parties hereto and replaces any and all prior agreements or understandings,
whether written or oral, relating to the subject matter of this Agreement. This Agreement may be executed in counterparts and/or
by facsimile or email transmission, and such counterparts and electronic signatures shall be binding as originals for all purposes.

 

    	 	8	 

     

    

 

ACCEPTED AND AGREED AS OF AUGUST 1, 2016:

 

	PURCHASER:	 	ARTIST:
	MJW MEDIA, LLC	 	PETE ROSEN
	 	 	 	 	 
	By:	/s/ Michael J. Witherill	 	By:	/s/ Pete Rosen
	 	  Michael J. Witherill	 	 	  Pete Rosen
	Its:	  Managing Member	 	 

 

	 	GARY BOWEN
	 	 	 
	 	By:	/s/ Gary Bowen
	 	 	  Gary Bowen

 

    	 	9	 

     

    

 

EXHIBIT “A”

SHORT FORM OPTION

 

For good and valuable consideration, receipt
of which is hereby acknowledged, the undersigned hereby grants to MJW Media, LLC (“Purchaser”), its successors and
assigns, the sole and exclusive option to purchase all right, title and interest (except for certain rights expressly reserved
by the undersigned as set forth in the agreement referenced below) in the screenplay entitled “Child Support,” written
by the undersigned (the “Property”). The Property includes, but is not limited to: (i) all contents; (ii) all past,
present and future adaptations and versions; (iii) the title, characters and theme; and (iv) all ancillary and related rights.

 

This instrument is executed in accordance with
and is subject to the Option/Purchase agreement (the “Agreement”) between the undersigned and Purchaser dated as of
August 1, 2016, relating to the option granted to Purchaser to purchase the above-mentioned rights in the Property, which rights
are more fully described in the agreement.

 

	 	DATED as of August 1, 2016
	 	 
	 	/s/ Pete Rosen
	 	Pete Rosen
	 	 
	 	/s/ Gary Bowen
	 	Gary Bowen

 

     

     

    

 

EXHIBIT “B”

SHORT FORM ASSIGNMENT

 

For good and valuable consideration, the receipt
of which is hereby acknowledged, the undersigned, ________________ (“Assignor”), sells and assigns to MJW Media, LLC,
its successors and assigns, forever and throughout the world, all right, title and interest (except for certain rights expressly
reserved by the undersigned as set forth in the agreement referenced below) in the original book entitled “Child Support”
written by Assignor (the “Property”). The Property includes, but is not limited to: (i) all contents; (ii) all past,
present and future adaptations and versions; (iii) the title, characters and theme; and (iv) all ancillary and related rights.
This Assignment is executed in accordance with and is subject to the agreement (the “Agreement”) between the Assignor
and Purchaser dated as of August 1, 2016, relating to the sale and assignment to Purchaser of the above-mentioned rights in the
Property, which rights are more fully described in the Agreement.

 

IN WITNESS WHEREOF, the undersigned has executed
this Assignment on the date indicated below.

 

	 	DATED:  August 1, 2016
	 	 
	 	/s/ Pete Rosen
	 	Pete Rosen
	 	 
	 	/s/ Gary Bowen
	 	Gary Bowen

Source: [{"source": "alea-institute/alea-institute/kl3m-data-edgar-agreements/train-00276-of-00352.parquet"}, [{"source": "alea-institute/alea-institute/kl3m-data-edgar-agreements/train-00276-of-00352.parquet"}]]