物議をかもしたクラシック音楽のコンサートの一覧

ポータル クラシック音楽 物議をかもしたクラシック音楽のコンサートの一覧（ぶつぎをかもしたクラシックおんがくのコンサートのいちらん）は、クラシック音楽のコンサートにおいて、しばしば新作やプロダクションの初演時に、手に負えないような事件に発展してしまったコンサートの一覧である。 ^ The Gentleman's Magazine, February 1763, vol. XXXIII, p. 97 – via HathiTrust ^ Chancellor, V. E. (2002). “Anti-Racialism or Censorship? The 1802 Jewish Riots at Covent Garden Opera and the Career of Thomas John Dibdin”. The Opera Quarterly 18 (1): 18–25. doi:10.1093/oq/18.1.18.  ^ Slatin, Sonia (1979). “Opera and revolution: La Muette de Portici and the Belgian revolution of 1830 revisited”. Journal of Musicological Research 3 (1–2): 45–62 [53–54]. doi:10.1080/01411897908574506.  ^ Wasselin, Christian, "Benvenuto Cellini" on the Hector Berlioz website for a more detailed inside story of the opera ^ Halperson, Maurice. "The Romance of Music, 56", Musical America, September 8, 1917. ^ Nicolaisen, Jay (1978). “The First Mefistofele”. 19th-Century Music 1 (3): 221–232 [221–222]. doi:10.2307/746412. JSTOR 746412.  ^ 沼野 2021, p. 5. ^ Payton, Rodney J. (1976). “The Music of Futurism: Concerts and Polemics”. The Musical Quarterly 62 (1): 25–45. doi:10.1093/mq/LXII.1.25. JSTOR 741598.  ^ Music of the Twentieth-century Avant-garde: A Biocritical Sourcebook. Greenwood Publishing Group. (2002). ISBN 9780313296895. https://books.google.com/books?id=9-M_jhnOuboC&dq=russolo+riot&pg=PA415  ^ Barker, Andrew (1997). "Battles of the Mind: Berg and the Cultural Politics of 'Vienna 1900'", The Cambridge Companion to Berg, p. 24. Pople, Anthony, ed. ISBN 0-521-56489-1. ^ Bullard, Truman (1971). The first performance of Igor Stravinsky's Sacre du printemps. Ann Arbor, Michigan: Ann Arbor University (microfilm copy). OCLC 937514  ^ Pieter C. van den Toorn, Stravinsky and The Rite of Spring, Chapter 1: Point of Order ^ 100 Years After The Riot, The 'Rite' Remains : Deceptive Cadence : NPR ^ Steinberg, Michael. "Program notes Archived 2016-06-05 at the Wayback Machine.", San Francisco Symphony. ^ Nice. “Music Futurista: The Art of Noises”. www.ltmrecordings.com. 3 September 2016閲覧。 ^ Thorn, Benjamin (2002). “Luigi Russolo (1885-1947)”. In Larry Sitsky. Music of the Twentieth-century Avant-garde: A Biocritical Sourcebook. Greenwood Publishing Group. p. 415. ISBN 978-0-313-29689-5. https://books.google.com/books?id=9-M_jhnOuboC&pg=PA415  ^ Peterkin, Norman (1919). “Erik Satie's 'Parade'”. The Musical Times 60 (918): 426–427 [426]. doi:10.2307/3701903. JSTOR 3701903. https://zenodo.org/record/1543204.  ^ “Springtime in Paris: Erik Satie”. Music.minnesota.publicradio.org (2000年3月1日). 2014年1月14日閲覧。 ^ "Taxi Toots Sound Sweet After Music By Composers Guild: Many Hisses Greet Conclusion of 'Hyperprism'; Dissenters Told to Leave and Piece Is Played Over Again", New-York Tribune, March 5, 1923. ^ 沼野 2021, p. 6. ^ Orledge, Robert (1998). “Erik Satie's Ballet Mercure (1924): From Mount Etna to Montmartre”. Journal of the Royal Musical Association 123 (2): 229–249. doi:10.1093/jrma/123.2.229. JSTOR 766416.  ^ 沼野 2021, p. 98. ^ Key, Susan, Larry Rothe, and Thomas M. Tilson. American Mavericks. San Francisco, California: San Francisco Symphony, 2001. ^ Vinton, John (January 1964). “The Case of the Miraculous Mandarin”. The Musical Quarterly 50 (1): 13. doi:10.1093/mq/L.1.1.  ^ 沼野 2021, p. 93. ^ 沼野 2021, p. 80. ^ Sprout, Leslie A. (Winter 2009). “The 1945 Stravinsky Debates: Nigg, Messiaen, and the Early Cold War in France”. The Journal of Musicology 26 (1): 86. doi:10.1525/jm.2009.26.1.85.  ^ a b Jameux, Dominique Susan Bradshaw訳 (1991). Pierre Boulez. Cambridge, Massachusetts: Harvard University Press. pp. 47–48. ISBN 0-674-66740-9. https://archive.org/details/pierreboulez00jame  ^ Mattis, Olivia (1992). “Varèse's Multimedia Conception of Déserts”. The Musical Quarterly 76 (4): 557–583 [557]. doi:10.1093/mq/76.4.557.  ^ Boyden, Matthew, and Nick Kimberly. The Rough Guide to Opera, Rough Guides, 2002, p. 550. ^ John Cage, Antonin Becvar, and Leonard Bernstein Walk into a Bar, greg.org ^ Cage: Atlas Eclipticalis (audio) - YouTube, New York Philharmonic, Leonard Bernstein; Bernstein's introduction to Cage starts at 9:00 minutes. ^ Kurtz 1992, p. 175. ^ Schonberg, Harold. "Music: A Concert Fuss: Piece by Reich Draws a Vocal Reaction" The New York Times, January 20, 1973. ^ Essay, Michael Tilson Thomas, 1997 ^ "Steve Reich: the composer with his finger on the pulse" by David Shariatmadari, The Guardian, 26 October 2016 ^ Frank J. Oteri (2001年1月1日). “John Adams: In The Center Of American Music”. NewMusicBox. 2020年1月26日閲覧。 ^ 沼野 2021, p. 258. ^ Wakin, Daniel J. (December 13, 2006). “After La Scala Boos, a Tenor Boos Back”. The New York Times. https://www.nytimes.com/2006/12/13/arts/music/13teno.html January 31, 2018閲覧。  ^ Kate Connolly (2013年5月9日). “German Nazi-themed opera cancelled after deluge of complaints” (英語). the Guardian. 2022年1月1日閲覧。 ^ Michelle Martin (2013年5月9日). “Nazi-themed Wagner opera in Germany sickens audience, withdrawn” (英語). Reuters. https://jp.reuters.com/article/us-music-wagner-idUSBRE9480WO20130509 2022年1月1日閲覧。  ^ Lizzie Dearden (2016年3月3日). “Iranian musician forced to stop Cologne concert after audience members jeer and shout 'speak German'”. The Independent. https://www.independent.co.uk/news/world/europe/iranian-musician-forced-to-stop-cologne-concert-after-audience-members-jeer-and-shout-speak-german-a6909066.html 2018年10月28日閲覧。  沼野雄司『現代音楽史 闘争しつづける芸術のゆくえ』中公新書、2021年。  Kurtz, Michael. 1992. Stockhausen: A Biography, translated by Richard Toop. London and Boston: Faber and Faber. ISBN 0-571-14323-7 (cloth) ISBN 0-571-17146-X (pbk).