安布罗乔·洛伦泽蒂

安布罗乔·洛伦泽蒂（Ambrogio Lorenzetti；義大利語發音：[amˈbrɔːdʒo lorenˈtsetti]，约1290年—1348年6月9日）是一位意大利西恩納畫派的画家，活跃于1317-1348年。他最著名的作品是壁画《好政府与坏政府的寓言》，位于锡耶纳市政厅的九人大厅（Sala dei Nove）。 他的哥哥彼得罗·洛伦泽蒂也是一位画家。 Annunciation, 1344 Madonna and Child, 1319 Investiture of Saint Louis of Toulouse, 1329 Maestà, 1335 Frank N Magill; Alison Aves. Dictionary of World Biography. Routledge. 1998-11-01: 595–. ISBN 978-1-57958-041-4.  Bowsky, William M. The Buon Governo of Siena (1287-1355): A Mediaeval Italian Oligarchy. Speculum. 1962, 37 (3): 368–381. JSTOR 2852358. doi:10.2307/2852358.  ———. The Medieval Commune and Internal Violence: Police Power and Public Safety in Siena, 1287-1355. American Historical Review. 1967, 73 (1): 1–17. JSTOR 1849025. doi:10.2307/1849025.  Bowsky, William M. A Medieval Italian Commune; Siena Under The Nine, 1287-1355. Berkeley: University of California Press. 1981. ISBN 978-0-520-04256-8.  Debby, Nirit Ben-Aryeh. War and Peace: the description of Ambrogio Lorenzetti's Frescoes in Saint Bernardino's 1425 Siena Sermons. Renaissance Studies. 2001, 15 (3): 273–286. doi:10.1111/1477-4658.00370.  Feldges-Henning, Uta. The Pictorial Programme of the Sala della Pace: A New Interpretation. Journal of the Warburg and Courtauld Institutes. 1972, 35: 145–162. JSTOR 750926. doi:10.2307/750926.  Frugoni, Chiara. Pietro and Ambrogio Lorenzetti. Florence, Italy: Scala, Istituto Fotografico Editoriale. 1988. ISBN 978-0-935748-80-2.  ———. A Distant City; Images of Urban Experience in the Medieval World. New Jersey: Princeton University Press. 1991. ISBN 978-0-691-04083-7.  Greenstein, Jack M. The Vision of Peace: Meaning and Representation in Ambrogio Lorenzetti's Sala Della Pace Cityscapes. Art History. 1988, 11 (4): 492–510. doi:10.1111/j.1467-8365.1988.tb00320.x.  Norman, Diana. Pisa, Siena, and the Maremma: a neglected aspect of Ambrogio Lorenzetti's paintings in the Sala dei Nove. Renaissance Studies. 1997, 11 (4): 311–341. doi:10.1111/j.1477-4658.1997.tb00025.x.  Polzer, Joseph. Ambrogio Lorenzetti's 'War and Peace' Murals Revisited: Contributions to the Meaning of the 'Good Government Allegory'. Artibus et Historiae. 2002, 23 (45): 63–105. JSTOR 1483682. doi:10.2307/1483682.  Prazniak, Roxann. Siena on the Silk Roads: Ambrogio Lorenzetti and the Mongol Global Century, 1250–1350. Journal of World History. 2010, 21 (2): 177–217. doi:10.1353/jwh.0.0123.  Rubinstein, Nicolai. Political Ideas in Siense Art: The Frescoes by Ambrogio Lorenzetti and Taddeo di Bartolo in the Palazzo Pubblico. Journal of the Warburg and Courtauld Institutes. 1958, 21 (3/4): 179–207. JSTOR 751396. doi:10.2307/751396.  Skinner, Quentin. Ambrogio Lorenzetti: The Artist as Political Philosopher. Belting, Hans; Blume, Dieter (编). Malerei und Stadtkultur in der Dantezeit: die Argumentation der Bilder. Munich: Hirmer. 1989: 85–103. ISBN 978-3-7774-5030-8 （德语）.  Southard, Edna Carter. The Frescoes in Siena's Palazzo Pubblico, 1289-1539: Studies in Imagery and Relations to other Communal Palaces in Tuscany. New York: Garland. 1979. ISBN 978-0-8240-3967-7.  Starn, Randolph. The Republican Regime of the "Room of Peace" in Siena, 1338-40. Representations. 1987, 18 (18): 1–32. JSTOR 3043749. doi:10.2307/3043749.  ———. Ambrogio Lorenzetti; The Palazzo Pubblico, Siena. New York: George Braziller. 1994. ISBN 978-0-8076-1313-9.  Ambrogio Lorenzetti at Panopticon Virtual Art Gallery Arch 343: Cities in History - Lecture 10: The Uses of Decorum - Lorenzetti's Good and Bad Government