比特·富勒尔

比特·富勒尔（英語：Beat Furrer，1954年12月6日—）是出生于瑞士的奥地利作曲家和指挥。自1991年以来，他一直担任格拉茨音乐与表演艺术大学的作曲教授。他于2018年获得了恩斯特·冯·西门子音乐奖。 富勒尔出生于瑞士沙夫豪森，1975年移居维也纳，在罗马音乐和表演艺术大学（英语：Roman Haubenstock-Ramati）就读，作曲师从Haubenstock-Ramati（英语：Haubenstock-Ramati）,指挥师从Otmar suitner（英语：Otmar Suitner） 1985年，他与别人共同创立了现在欧洲最著名的当代音乐乐团之一Klangforum Wien（英语：Klangforum Wien），并任指挥。 Klangforum Wien25周年庆典于2010年在Wittener Tagefürneue Kammermusik（英语：Wittener Tagefürneue Kammermusik）举行，他的《Xenos-Szenen》进行了首演。 Tiro mis tristes redes, 为管弦乐队 (1984) Dort ist das Meer, 为合唱与管弦乐队 (1985) Chiaroscuro – For R.H.R., 为管弦乐队 (1983/86) Risonanze, 为分成三组的管弦乐队 (1989) Studie – Übermalung, 为管弦乐队 (1990) Face de la Chaleur, 为长笛与管弦乐队 (1991) Madrigal, 为管弦乐队 (1992) Nuun, 为两台钢琴与管弦乐队 (1996) andere stimmen, 为小提琴与管弦乐队 (2003) canti notturni, 为两名女高音与管弦乐队 (2006) PHAOS, 为管弦乐队 (2006) Konzert, 为钢琴和管弦乐队 (2007) Apon, 为管弦乐队与朗诵 (2009) strane costellazioni, 为管弦乐队 (2013) passaggio, 为合唱与管弦乐队 (2014) Zwei Studien, 为室内管弦乐队 (2015) Ensemble, for 4 clarinets, 2 pianos, vibraphone and marimbaphone (1983) Sinfonia per archi, for string orchestra (1985) Illuminations, for soprano and chamber ensemble (1985) In der Stille des Hauses wohnt ein Ton, for chamber ensemble (1987) Gaspra, for ensemble (1988) à un moment de terre perdue, for ensemble (1990) Narcissus-Fragment, for 26 musicians and two voices (1993) Narcissus-Suite (1996) Still, for ensemble (1998) Ein Lied, das über das Ende des Liedes hinaus ein anderes Ende finden wollte, for ensemble (2001) Invocation III, for soprano and ensemble (2004) recitativo, for voice and ensemble (concert version of the scene 3 from FAMA (2004)) Konzert, for piano and ensemble (2008) lotófagos II, for two sopranos and ensemble based on texts by Händl Klaus and Antonio Machado antichesis, for 14 strings (2006) Xenos I, for ensemble (2008) Xenos II, for ensemble and voice based on a text by Händl Klaus (2009) Xenos III, for two percussionists and strings (2010/13) Linea dell’orizzonte, for ensemble (2012) La bianca notte, for soprano, baritone and Ensemble based on texts by Dino Campana und Sibilla Aleramo (2013) Canti della tenebra, for mezzo-soprano und ensemble based on a text by Dino Campana (2014) Irgendwo. Fern, for two pianos (1983) Poemas, for mezzo-soprano, guitar, piano and marimba (1985) String Quartet No. 1 (1985) Duo, for two violoncelli [Titel before 1995: Chant] (1985) Trio, for flute, oboe or saxophone and clarinet (1985) Music for Mallets, for xylophone, marimba and vibraphone (1985) Retour an Dich, for violin, violoncello and piano (1986) ... y una canción desesperada, for three Guitars (1987) Stimmen, for two violoncelli (1989) Epilog, for three violoncelli (1988) Epilog, version for contrabass clarinet, two violoncelli, percussion and voice (1989) String Quartet No. 2 (1989) Aer, for piano, clarinet and violoncello (1991) Für Alfred Schlee, for string quartet (1991) … cold and calm and moving, for flute, harp, violin, viola and violoncello (1992) Lied, for violin and piano (1993) Time Out 1, for flute, harp and strings (1995) Quartett, for four percussion players (1995) Time Out 2, for flute, harp and strings (1996) presto con fuoco, for flute and piano (1998) a due, for viola and piano (1998) spur, for piano and string quartet (1998) Aria, for soprano and six instruments [clarinet, percussion, piano, violin, viola and violoncello] based on a text by Günter Eich (1999) auf tönernen füssen, for voice and flute based on a text by Friederike Mayröcker (2000) Sei Venuta di Marzo, for string quartet and vocal quartet (2003) String Quartet No. 3 (2004) APOKLISIS, for two bass clarinets (2004) Invocation VI, for soprano and flute (2004) FAMA VI, for voice and contrabass flute (2005) lotófagos I, for soprano und double bass (2006) fragmentos de un libro futuro, for soprano and guitar quartet (2007) ... ferner Gesang ..., for clarinet and string trio Ira – Arca, for bass flute and double bass (2012) Canti della tenebra, for mezzo-soprano and piano based on texts by Dino Campana (2013) spazio immergente, for soprano and trombone (2015) Clarinet Quintet (2016) Frau Nachtigall, for violoncello (1982) voicelessness – the snow has no voice, for piano (1987) Stimme – allein, for baritone based on Leonce and Lena by Georg Büchner (1997) solo, for violoncello (2000) Phasma, for piano (2002) Melodie – fallend, for piano (2003) Drei Klavierstücke, for piano (2004) Studie, for piano (2011) Kaleidoscopic Memories, for double bass and electronics (2016) Dort ist das Meer – nachts steig ich hinab, for choir and orchestra (1986) Ultimi cori, for mixed choir (four voices) and three percussionists (1989) Stimmen/Quartett, for mixed choir and four percussion players (1996) Psalm »Gloria tibi Domine«, for mixed choir a cappella (eight voices) (1998) voices – still, for mixed choir (four voices) and ensemble (2001) Orpheus' Bücher, for choir and orchestra based on texts by Cesare Pavese, Ovid and Virgil (2001) Enigma I, for mixed choir a cappella in four groups (text by Leonardo da Vinci) (2007) Enigma II, for mixed choir a cappella (text by Leonardo da Vinci) (2009) Enigma III, for mixed choir a cappella (text by Leonardo da Vinci) (2009) Enigma IV, for mixed choir a cappella (text by Leonardo da Vinci) (2010) Enigma V, for choir a cappella (2012) Enigma VI, for mixed choir a cappella (text by Leonardo da Vinci) (2013) Enigma VII, for mixed choir a cappella (text by Leonardo da Vinci) (2015) passaggio, for choir and orchestra (2014) Herbst, for choir a capella (2015) Spazio Immergente II, for 2x16 voices and percussion (text by Lukrez (de rerum natura)) (2016) Die Blinden, chamber opera in one act based on texts by Maurice Maeterlinck, Plato, Friedrich Hölderlin and Arthur Rimbaud (1989/90) Narcissus, opera in six scenes based on Ovids "Metamorphoses" (1992/1994) Begehren, music theatre based on texts by Cesare Pavese, Günter Eich, Ovid and Virgil (2001) Invocation, opera based on texts by Marguerite Duras (2002/2003) FAMA, listening theatre in eight scenes for large ensemble, eight voices and actress based on texts by Ovid and Arthur Schnitzler (2004/2005) Wüstenbuch, music theatre based on texts by Händl Klaus, Ingeborg Bachmann, Antonio Machado and Lucretius, as well as Papyrus Berlin 3024 (2010) La Bianca Notte, an opera of characters in seventeen scenes based on texts by Dino Campana, Sibilla Aleramo, Leonardo da Vinci, Filippo Tommaso Marinetti and Carlo Pariani (2015) Violetter Schnee based on a libretto by Vladimir Sorokin (2017) Beat Furrer erhält Ernst von Siemens Musikpreis. Die Zeit (Hamburg). 2018-01-23 [2018-01-30]. （原始内容存档于2019-04-16） （德语）.  Beat Furrer's biography （页面存档备份，存于互联网档案馆） on Cdmc website Braunmüller, Robert. Beat Furrer ist der Preisträger 2018. Abendzeitung (München). 2018-01-23 [2018-01-30]. （原始内容存档于2019-04-16） （德语）.  Template:BrahmsOnline "Solche Musik stirbt nie", review in Frankfurter Allgemeine Zeitung, 30 April 2010 Pachl, Peter P. Mit zahlreichen ästhetischen Querverweisen – Uraufführung von Beat Furrers "Violetter Schnee" an der Staatsoper. neue musikzeitung (Regensburg). 2019-01-14 [2019-01-15] （德语）.  Amling, Ulrich. Unter fremder Sonne. Der Tagesspiegel (Berlin). 2019-01-15 [2019-01-15]. （原始内容存档于2019-07-27） （德语）.  富勒尔官网网站 （页面存档备份，存于互联网档案馆）