人渣宣言

人渣宣言（SCUM Manifesto），或意譯為「消滅男性協會宣言」，是瓦萊麗·索拉納斯于1967年发表的基进女权主义宣言。 宣言主張男人敗毁了世界，而該由女人來修正世界。为了实现此目标，宣言主張成立「消滅男性協會」（SCUM），一個致力于推翻社会和消灭男性的组织。 因为模仿弗洛伊德的女性气质理论，《人渣宣言》常認為是讽刺或戏仿作品。 人渣（SCUM）出现在第一版的封面上，為「消滅男性協會」（Society for Cutting Up Men）的縮寫。 在索拉纳斯試圖槍殺安迪·沃荷之前，《人渣宣言》鲜为人知。謀殺事件替索拉纳斯與《人渣宣言》帶來极大关注。 雖然女性主义者基阿特金森（英语：Ti-Grace Atkinson）为索拉纳斯辩护，认为《宣言》是对父权的合理批评，但傅瑞丹等其他女性主義者认为索拉纳斯的观点过于偏激和极化。 在這個「社會」裡的「生活」極其無聊，「社會」的任何層面都與女性無關。具備公民意識、負責任、追求刺激的女性只能推翻政府、廢除貨幣、建立完善的自動化建制並消滅男性。 "Life" in this "society" being, at best, an utter bore and no aspect of "society" being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation and eliminate the male sex. ——人渣宣言 宣言始於一項理論假設，即出於Y染色體的基因缺陷，男人是「不完整的女人」。 此基因缺陷造成男性情感能力受限、自我中心、欠缺熱情與人際互動能力。索拉納斯描述男性缺乏同情心，只能憑自己直接的感官經驗行事。 宣言持續論述，男人終生試圖成為一個女人，以克服自己的殘缺。為此，男人「尋找女人、與女人交好，與女人同居，與女人合為一體」（constantly seeking out, fraternizing with and trying to live through and fuse with the female）。索拉納斯拒絕了佛洛伊德的阴茎羡妒理論，反而論證是男性有陰部羨妒。索拉納斯隨後指控男性搞爛了整個世界，羅列了一長串男人的罪行，包含戰爭等。 基於前述種種罪行，消滅男性有道德上之必要。 宣言主張成立一支女性的革命先鋒隊。這支革命先鋒隊就是「消滅男性協會」（SCUM）。宣言強調，「消滅男性協會」（SCUM）必須採取比公民不服從更加激進的破壞行動與暴力，否則不足以摧毀整套社會系統。「消滅男性協會的示威遊行必踩在總統那令人作嘔的蠢臉上；消滅男性協會的襲擊必在黑夜中，用六吋的刀」（If SCUM ever marches, it will be over the President's stupid, sickening face; if SCUM ever strikes, it will be in the dark with a six-inch blade）。 宣言結尾，描繪了沒有男人的女性烏托邦。沒有金錢，沒有疾病與死亡。宣言進一步重申，男性是在不理性地捍衛現存制度，應接受自己滅亡的必要性。 Laura Winkiel認為索拉纳斯便是基於宣言刺殺安迪沃荷。 1976年，《人渣宣言》被改编为電影。Carole Roussopoulos（英语：Carole Roussopoulos）和德尔芬·塞里格执导該片。電影中，塞里格读了宣言法译本中的几段内容。 1996年的电影《顛覆三度空間》（I Shot Andy Warhol）中有描述了索拉纳斯的作品以及她与安迪·沃荷的关系 。索拉纳斯与安迪·沃荷的觀念差異，很大一部分与《人渣宣言》有关，以及作者身份概念上的争议。 基进女权主义 对工作的批评 臺灣譯名 Penner (2011) Jansen (2011) and see pp. 6, 129–160 (ch. 6, esp. pp. 131–135, 137–142, 145–148, & 150–160), 208 & 218. Castro (1990) Woods, Chavisa. Hating Valerie Solanas (And Loving Violent Men). Full Stop. 21 May 2019 [25 February 2020]. （原始内容存档于2021-11-30） （英语）.  Jansen (2011), pp. 159–160 Fahs (2014) Drake & Kerekes (2004), p. 199 Bernstein Weiss, Tracey. The Rhetoric of Radical Feminism: A Pentadic Analysis of the Inception of a Rhetorical Movement. Temple University. 1978: 3.  Solanas (1968), p. 31 Solanas (1968), pp. 32–33 Solanas (1968), pp. 34–35 Solanas (1968), pp. 67–70 Solanas (1968), pp. 80–84 Winkiel (1999), p. 73 ("the only act of violence to come as a direct result of the manifesto") and p. 79 (the Manifesto "result[ing] in one failed assassination"). Hoberman, J. The Magic Hour: Film at Fin de Siècle. Philadelphia, PA: Temple University Press. 2003: 49. ISBN 1-56639-996-3. Valerie Solanas really was a nobody until she shot Andy Warhol. But once The SCUM Manifesto was underlined in blood, Solanas hardly had to wait for admirers.... Solanas was claimed as an 'important spokeswoman' by the radical wing of NOW ....  Siegel, Deborah. Sisterhood, Interrupted: From Radical Women to Grrls Gone Wild. New York: Palgrave Macmillan. 2007: 2. ISBN 978-1-4039-8204-9. Valerie Solanas, author of the man-hating tract known as the S.C.U.M. (Society for Cutting Up Men) Manifesto, shot Andy Warhol.... [¶] To women of the Baby Boomer generation, th[is and other] ... opening salvos of a revolution are moments of canonical—and personal—feminist history.  Siegel, Deborah. Sisterhood, Interrupted: From Radical Women to Grrls Gone Wild. New York: Palgrave Macmillan. 2007: 71–72. ISBN 978-1-4039-8204-9. "Solanas's supporters argued that the shooting of a prominent male avant-garde figure was a bold political statement offered in the name of women's liberation".  Biet, Christian; Olivier Neveux. Une histoire du spectacle militant: théâtre et cinéma militants 1966-1981. Entretemps. 2007: 294. 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