ktmeng/mec huggingface dataset:
Topic: identity

This is carefully timed to fall at a precise moment of tension so throughout the break the audience would be itching to watch more. There are two climatic curtains throughout this play, in-between the three acts. The first climatic curtain in the play is after act one, we know that Gerald has played a part in her life, but we don’t really know how, and the audience really want to know how he is involved in her death as we assume he must.
Topic: identity

Of course, the main mistaken identity throughout is ‘Inspector’ Goose. We find out at the end of the play that he isn’t a real inspector. His identity was concealed by the Birlings’ lack of questions, Mr. Birling only asks few questions but trusts him to be a real inspector as does not see a reason not do. The inspector was probably dressed in similar attire to a normal inspector so that caused even less suspicion. He conducted himself similarly and even addressed him self as an inspector so of course the Birling family didn’t even think to doubt it till after he was gone.
Topic: identity

We learn nothing of the person that pretends to be the inspector though. He just seems to play a model of moral and conscious, as would be shown in the medieval morality plays. Eric is also a mistaken identity, but not in the same way as they all knew who he was but just certain aspects of his nature were concealed from them, like the fact that he was the father of Eva Smith’s baby. It was obvious that they were in the dark because of Mrs. Birling refusal of believing that Eric could do any thing wrong. ‘Mrs. Birling: No, it can’t be him, he isn’t like that’
Topic: identity

She is in a state of shock that she blamed this girls death on him, and also that there was so much of her son that she didn’t know about through trying to block herself from that was blindingly obvious just because she didn’t want to know. Another mistaken identity was of Mrs. Birling. At first she seems kind and pleasant and seems genuinely happy with the fact that her daughter is getting engaged and seems to be quite a nice person. Afterwards we find out she is a total and utter snob as we learn that she is incredible disregarding to the lower classes, to the extent of suggesting that they are not even of the same kind.
Topic: identity

‘And in any case I don’t suppose for a moment that we can understand why the girl committed suicide. Girls of that class… ‘ She shows her belief that different boundaries of class cover even the boundaries of thinking. It show that she is very shallow-minded and not a very nice person inside, which only started to show later on in the play. On the surface it does seem that this is a ‘who dunnit’ but delve further and certain aspects prove wrong these allegations. For one not only one person is said to have driven her to suicide, but all of them, it also doesn’t have a conclusion at the end but ends rather openly.
Topic: identity

The idea of the plot runs through a lot of ideas on rules playwrights should follow in order for their play to be a success. The main idea of plot is that only one storyline should follow throughout the story or otherwise it overcomplicates it. If there is more that one they can’t be explained well, or are rushed which will make them pointless, in a realistic drama it is best as there is no moving around of set. An inspector calls does follow the rules of the Greek Unities which were set down by Greek philosopher Aristotle. Time, Space and Action are the three points that make it up. Time means that the story should be set in real time.
Topic: identity

According to their survey almost 46% of the respondents said that credit card fraud is a very big problem in e-commerce while 26% believed that it was not such a main issue. There are many people who have never shopped online and have no intentions of doing so. When these people were asked they said that due to e-commerce frauds it is very unlikely that they will ever shop. Almost 55% of these respondents said that in case of any identity theft or credit card fraud it will be they themselves who will be blamed.
Topic: identity

Credit card frauds, which are the most happening crimes and has affected almost half of the consumers who have shopped online, is responsible for only one fourth of the total e-commerce frauds. Their research also says that e-commerce frauds are “overhyped and misunderstood”. This research highlighted the qualitative aspect of e-commerce threats. According to Jupiter Media Metrix, people are not afraid of the fraud itself but scared of the unknown. They do not know how many and to what extent frauds can happen on the internet. According to FBI (Federal Bureau of Investigation), almost 26% of all complaints lie under the category of frauds.
Topic: identity

This means that the actual frauds happening online are a lot less than presented in the papers . In the end juniper gave a few suggestions which can be helpful, as frauds in e-commerce can have various different categories, and putting them under one definition means reducing customer pool. They divided e-commerce fraud into three categories namely : – Threat; According to Juniper, in 2000 a hacker tried to attack a website of egghead. com. This was classified under e-commerce fraud, even though it was just an attack and there were no losses. This increases the overall fraud percentage in e-commerce scaring away the potential customers.
Topic: identity

Therefore it should have been categorized under threat and same should be done with other similar incidents. – Breach; A book seller name biblifind had all the credit card numbers stolen from its website. However, none of the credit cards numbers were misused. Hence this is again not a case of fraud but just security breach. – Fraud; a hacker stole almost 60,000 credit card numbers from creditcards. com. Many of these numbers were used for shopping. This is a case of fraud. According to Juniper, unnecessary classification of every crime in e-commerce begin defined as fraud only scares the potential customer away .
Topic: identity

There are many things in life that are important to me, but what I really live for comes down to three things: the will of God, my friends and family, and my future. By following the will of God, one will be on the right path to heaven. Family is the way to ones past, and they will always be their. Friends are important because one will be influenced significantly by their closest friends. Having a successful future will lead one to be content while they live in this world.
Topic: identity

They were there when you were feeling down and they are there when you feel like you are on top of the world. Family is one thing one can’t change, so learn to love them. However, one is able to change friends. Friends will change ones life drastically with the tremendous amount of influence that they contain. True friends will stick with through the tough times and enjoy the great times with someone. Ones relationship with their family and friends is critical because it will mold their future.
Topic: identity

Having a successful future is a key aspect of life in order to be happy. By successful I mean with ones family, friends, education, with ones career, and most important of all, spiritually. Family and friends is very important. I still wish to have a close relationship with both in the future, and perhaps I will start a family of my own. I need to be well educated in order to have a career that I will enjoy and one that will support me financially. The last and most important aspect of all is being successful spiritually. Being successful spiritually means having a great relationship with God, and by bringing ones friends and family closer to God. Happiness for tomorrow is an important aspect that I live for.
Topic: identity

The will of God, my friends and family, and the future, are three things that are worth living for. We must make heaven our ultimate goal. We will reach it by following the will of God. We are able to get aid to do this through our family and our friends. Both our family and our friends will be a key factor to the outcome of our future. Having a successful future will be greatly determined by those factors. As one can see, following the will of God, friends and family, and the future are all worth living for.
Topic: identity

‘The power of each image, whether it is produced in art, picture taking or in the head ‘s oculus, may be seen as composed of a figure of psychological deductions related to assorted content factors-color, illuming, angle, focal point, size, distance, form, texture, and tone. ‘ The ocular linguistic communication is formed from ‘selective perceptual experience, past experience, personal and cultural attituedes and values – all of these combine in a assortment of ways to construe and make full in perceptual stimulation to construct a rationally and emotionally meaningful communicating.
Topic: identity

The Edinburgh City Region Brand ‘Edinburgh Inspiring Capital ‘ is developed by the Destination Edinburgh Marketing Alliance ( DEMA ) Project for advancing the metropolis. The undertaking is started with planing a powerful ocular individuality for the trade name ‘draws its strength from the people and organisations who embrace it ‘ ( DEMA ) . This is a strong individuality for presenting finish selling activity. The counsel and web site as portion of the resource of the trade name can besides assist organisation to make new and powerful expression and experience in their ain trade name communicating. Through analyzing how DEMA design and utilize their metropolis trade name ocular individuality and combination with existent status of advancing Foshan, lessons and suggestions are offered in the undermentioned elements:
Topic: identity

It is indispensable to observe that the designing of originative trade name logo of Foshan is different from planing logo for touristry since this is non merely a tourer trade name for tourer image but for all the stakeholders in the metropolis. The logotype should be suited for utilizing in broad field of metropolis publicity. Analyzing successful logos design for corporate and metropoliss in history, they have characteristics in common: simple and elegant, flexible in different clip and media, unforgettable and stand foring the value and characteristic of the metropolis. The choosing of the representation can be metropolis symbol every bit good as cardinal merchandise.
Topic: identity

The inspiration of coloring material can come from the physical visual aspect of the metropolis every bit good as emotion and vision of the metropolis harmonizing to color psychological science. Colour pallet for DEMA was inspired by Edinburgh and its environing countries. For illustration, the coloring material slate is from architecture outside while ruddy represent the screen of books for visionary. For Foshan, green as the chief coloring material seen on the route can be used in showing the relaxing and comfy life ; orange is a coloring material for energy and bravery of invention which used a batch in street events ; slated-color as the coloring material for our care foring history and civilization.
Topic: identity

For Edinburgh, they should be ‘warm with an component of plangency, picturing natural actions and emotions of people within them ‘ ( DEMA ) . For one of the trade name values of Foshan: cherishing civilization and history, pull stringsing the usage of visible radiation is a of import accomplishment. For illustration, the visible radiation of sundown can use an aureate coating on the edifice and create longer shadow, which can stress the antediluvian and elegant side of the metropolis ( Fig 9 ) .
Topic: identity

The quality of exposures and graphic is an issue should be noticed in the ocular communicating particularly through cyberspace. The quality of images in traditional media like Television and magazine are much better since they have more completed standards. Even for this media, supply exposures with exposures more flexible in the state of affairs of restriction usage of coloring material and measure is of import. As disclosed before in the Xintiandi instance, the bad quality of cyberspace exposures and design prevent communicating and besides damage the corporate individuality of high quality and elegant. Internet as a cheap, speedy and searchable media should ne’er be overlook. On the contrary, over-processed exposures looks unreal besides spoil. Puting up picture takings library for high quality, good positioned and classified exposures like DEMA is one manner of commanding the quality of exposures.
Topic: identity

Last but non the least, sense of topographic point is of import for taking topographic point for taking exposures. Except for taking topographic point reflecting trade name value and taking harmonizing to the old visual-physical securitizing, the topographic point should be sympathetic excessively. Nasar conducts research after Lynch ‘s research of the metropolis image for populace ‘s appraising image for the metropolis. After carry oning interview with citizens in two American metropoliss Knoxville and Chattanooga for their like and disfavor of visual-physical characteristics, five desirable characteristics are indicated:
Topic: identity

One of the desirable characteristics by Nasar ‘naturalness ‘ is sometimes incompatible with image of comfortable in Chinese ‘s perceptual experience. Modern and comfortable should be modern glass office edifice situated in the country with few naturalness like the Centre of Canary Wharf. One of the solutions is hiting exposures in different angles and puting it in different subdivision of picture taking library for different message. Another manner is utilizing the spread of image to convey surprise to aim audience. Three exposures following are taken in the same topographic point of the metropolis: the first 1 is confronting the pool, the second is confronting the route, and the 3rd one is confronting with playing kids in the background of comfortable Centre concern territory.
Topic: identity

For topographic point with ‘historical signifance/content ‘ , we go back to the world which discussed in the Xintiandi undertaking once more. There is group of people preferring old edifice and it is the topographic point they grow up and they like as local people. However, when this sort of exposure posted in the Internet, take hypertext transfer protocol: //blog.sina.com.cn/s/blog_4df364e90100h23g.html as illustration, people like it think it like the beauty of ruins but do non handle it as a topographic point to populate. Some even wonder Foshan as an economic developed metropolis will hold such dilapidated streets and edifices which make them disappointed. This may be a good image for a poet, but non for pulling other originative people to populate in the metropolis.
Topic: identity

The British council has run a posting undertaking equilibrate the new and old image of Britain for their edifices and offices all over the universe. The thought of collaging traditional portrayal with modern-day graphics by Damien Hurst, English gentleman with universe famed comedy character Mr. Bean and traditional English breakfast with international culinary art is interesting and convincing. The altering usage of font from old-fashion seriph to sans seriph is the high spot of the design every bit good as aid for the place of Britain as a state with advanced design industry.
Topic: identity

No specific web site for publicity of Foshan as a metropolis to populate. There are merely little columns under metropolis council websites or portal web sites. Most of them are in bad design and edit. The others are tourist web sites with information jumble without offering systematic information about the metropolis. Here is the first two web sites turned out in Google when typing Foshan in Chinese: in Guang-Fo Metropolitan ( GFM ) web site and page in Foshan Government ( FG ) web site. After analyzing their column page ‘Creative Foshan ‘ and ‘Welcome to Foshan ‘ on stigmatization and presenting Foshan, I have indentified the undermentioned jobs:
Topic: identity

‘Black’ became a political colour, a source of identity to those who had experienced undifferentiated racism. A shared ‘black’ identity in contemporary society gives the impression of a homogenous group of individuals. The term ‘black’ has been used inconsistently in present day society; it is usually used to refer to those solely of African descent, only sometimes included to refer to those of Asian origins, this has led individuals with family roots in the Indian sub-continent to “now reject the generalized use of the label” (Gillborn and Gipps,1996:8).
Topic: identity

The make-up of the African Caribbean and Asian population in Britain has become varied in modern day Britain; Anwar (1999) stated that Britons of South Asians totalled over 1. 7 million compared to that of fewer than 8,000 people in 1955 (cited in Song, 2003:100), social experiences have created a ‘collective understanding’ however a sense of division has occurred between the diverse ethnic and religious groups comprising of Asian descent.
Topic: identity

This idea has been highlighted by the increasing number of young second-generational Asian youth identifying themselves as British Muslims, as opposed to other identities, such as Pakistani. The revival of Islam as a world religion has led to many scholars such as Jacobson (1997), arguing that religion has become a source of identity that crosses over different cultures and ethnicities. “Islam is important… because it is about how you think, not what country you are from” (Jacobson, 1997:245 cited in Abercrombie et al, 2006:239). The idea of Islam as a sense of identity unifies people has one entity.
Topic: identity

The 9/11 attacks on the World Trade Centre, however, have only increased the differing forms of racial abuse experienced between communities of African and Asian descent. The widespread presence of Islamaphobia has depicted certain sections of the Asian population with religious fanaticism and ‘backwards’ methods following the debate, on whether Muslim females should be allowed to where veils in contemporary society, this is contrasted by a fraction of the Asian population in Britain are depicted has being hard-working individuals.
Topic: identity

This differs from the way in which those of African descent are racially stereotyped has deviant individual’s involved in criminal activity. In the revolutionary political climate of the late 1960’s and early 70’s, the idea of a shared ‘black’ identity had a greater significance, however in a less radicalized political climate the emphasis has been placed on a cultural understanding and individuality therefore weakening the sense of a shared ‘black’ political identity. Increasing racial and ethnic tensions have led to the fragmentation in the notion of a shared ‘black’ identity.
Topic: identity

The Birmingham riots at the start of the twenty-first century have only highlight such issues. A major problem with the inclusion of those of Asian descent in a shared ‘black’ identity, is partly due to a fraction of people within the Asian population identifying themselves as not being ‘black’, recent discourses have associate the idea of ‘black’ identity being associated with those of African descent, Evidence have shown that an increasing number of African Caribbean people have placed on emphasis the skin-colour of an individual has a strong source of identity.
Topic: identity

An increasing number of individual within the Asian population share a dual identity, in which they inherent an Asian identity and adopt a British one. This has led to individual having the ability to interact between two different cultures, for example one is able to identify themselves has British when abroad but in Britain, a greater emphasis is placed on their cultural background. Hall (2002) has described the idea of ‘black’ being a constructed identity. The process of identity is a continuing process always altering. (Cited in Mason, 2000:28)
Topic: identity

The emergence of hip-hop in popular culture has lead to a younger generation of Britons adopting a similar fashion taste and speaking the same language in the form of colloquial speech, this has only challenged the characteristics attributed with a sense of identity. The evolution of new ethnic identities, suggests that the notion of a shared ‘black’ identity has ‘evaporated’ in contemporary society, whilst a shared ‘black’ identity provides a based for political change, it constructs an idea of a homogeneous social group. The notions of a shared ‘black’ identity developed out of the collective experience of oppression and disadvantage.
Topic: identity

In a political climate where Asian and African Caribbean people face diverse forms of racial abuse and inequalities, “such differences undermine the legitimacy of the notion of a collective ‘Black’ identity”. (Song, 2003:103). The emergence of differing levels in achievement among ethnic groups have led to a shared ‘black’ identity becoming fragmented, with individuals forming new ethnic minorities, with minority groups “constantly redrawing and renegotiating their boundaries… all against the backdrop of historical events and contingencies” (Song, 2003:103).
Topic: identity

Those of the Asian descent have rather placed a greater significance on cultural factors when identify their ethnic identity, therefore the idea of a shared ‘black’ identity is not an essentialist as in previous decades. Racial discrimination in society still persist today, ‘Black’ still remains a political colour, it providences the foundation for ethnic minority to become united to eradicate the stigma of racism in all its form from society. However ones need’s to take into the increasing amount of diversity within ethnic minority groups.
Topic: identity

Such components of Howardism are so offensive to Indigenous and non-indigenous Australians that the Prime Minister’s possibly genuine desires for “practical reconciliation” (Neill, 2002) are intrinsically flawed and will fail. Reconciliation Australia, (the former Council for Aboriginal Reconciliation) defines reconciliation as “a united Australia which respects this land of ours, values the Aboriginal and Torres Strait Islander heritage and provides justice and equity for all”.
Topic: identity

Native title, as a physical manifestation of Reconciliation, is the token of that future. The High Court legitimised the legal concept in 1992 by stating, “the common law of this country recognises a form of native title which, in the cases where it has not been extinguished, reflects the entitlement of the indigenous inhabitants, in accordance with their laws or customs, to their traditional lands”. (www. nntt, 2002). “The past informs the present” at the philosophical and spiritual heart of the Reconciliation and Native Title movements.
Topic: identity

It is here Aboriginal identity directly draws on traditional societies and culture in an attempt to survive and redress the effects and consequences of European invasion. Traditional Indigenous notions of ownership and relationship are intrinsic elements of that identity and subsequently, both movements. “Ownership” in an Aboriginal sense differs dramatically from its western counterpart. Where it suggests control and dominion in a European understanding, Aboriginal ownership suggests responsibility, custodianship and identity. Rather than land belonging to them, Indigenous Australians see themselves as “belonging to the land”.(Parbury, 1988 p. 14)
Topic: identity

Indigenous artist Jimmy Pike articulated the essence of Aboriginal ownership and the absurdity of “Crown Land” when he asked how the Queen could own his Walmajarri land when “she doesn’t even know where the waterholes are”. (SMH, 02/06/01 Spectrum p. 4) “Relationship” (to people, land and spirit), in traditional Indigenous societies, follows a complex matrix of customs and cultural pretexts embodied in The Dreaming (Myers, 1991 p. 47) and although Western notions may sometimes reflect similar characteristics, all too often Western pretexts are arbitrary and subject to negotiation.(Danaher et al, 2000 p. 31)
Topic: identity

This is confusing to Indigenous people. Their culture has no such ambiguity. The Dreaming, underpins traditional Indigenous societies, creating a “sophisticated network of relationships, rights and obligations [where] everyone is related and all relationships are respected – kinship is the fabric of Aboriginal society” (Parbury, 1988 p. 15) Even after two hundred years of exposure to such Indigenous notions, the collective psyche of non-indigenous Australia seems entirely unable to grasp these concepts.
Topic: identity

The apparent alien-ness of these notions, when juxtaposed with their western equivalents, epitomises the current discord and conflict in the relationship between non-indigenous Australia and its original inhabitants. Aboriginal notions of “relationship” hinge directly on the complex cultural pretexts of a pre-invasion society. How Indigenous Australian social structures operated for example, led Levi Strauss to observe back in 1956 that such structures were “so far ahead of the rest of mankind that to understand the careful and deliberate systems of rules they have elaborated [would require] all the refinements of modern mathematics”.(Rowley, 1971 p. 188)
Topic: identity

This fairly crude though accurate assumption demonstrates the difficulty explaining these notions in a western framework. That we might need mathematics for example, to comprehend complex human inter-relationships is somewhat sad really. Language further highlights cultural incongruities between New Australians and Old Australians – the concept of “sorry” for example is problematic in the sense that there is no Aboriginal word for it (Parbury, 1988 p.22), and there appears no need for it – traditional Aboriginal law is clear, as is its amends process. LR Hiatt explains the traditional system (in the first person).
Topic: identity

“Sorry” in Indigenous culture appears to be a culturally intrinsic action, rather than a word, and relatively devoid of the western values of (often false) virtue assigned to it. The Native Title movement began with the Land Rights movement in the 1970’s. Native title is the “traditional Aboriginal right of access, use or occupation of land… based on traditional laws and customs and can include any combination of living, hunting, gathering, fishing, and ceremonial rights of access”.
Topic: identity

Professor Marcia Langton, chairwomen of Indigenous studies at the University of Melbourne, explains the historical precedent. “After the US war of independence, chief justice (John) Marshall of the US Supreme Court explored the dilemma of the conflicting rights of settlers and indigenous people and adopted the compromise known as “native title at common law”. (The Age, 01/06/02 p. 4) This legal notion heralded an age of negotiation between imperial powers and indigenous people throughout the “new world”.
Topic: identity

Unfortunately (and ironically) for Indigenous Australians, Great Britain no longer controlled Australia. The world’s newest federation was becoming the working man’s paradise – freed from the oppressive shadows of British and European class structures. In a strange perversion of Marxist philosophy, the New Australians adopted a xenophobic national attitude reflected in publications of the day. The Lone Hand ‘s inaugural issue in the early 1900’s, proclaimed an “Honest, Clean, White Australia” and The Bulletin constantly referred to “The Asiatic Menace” (Plate, 2001).
Topic: identity

In a disturbingly familiar timeline of events, the general political ambivalence and apathy that existed throughout the 1890’s, prior to Federation, was overcome by an active political agenda that incited racist fears of supplantation and invasion and resulted in a successful vote for an independent Commonwealth, who’s first two legislative acts were The Alien Immigration Act, 1901 (The White Australia Policy) and the Pacific Islanders Labourers Act, 1901 – designed to force second generations out of Australia.(AFR, 07/12/01 p. 4)
Topic: identity

last year, the UTS’s Cassi Plate suggests such origins indicate a more sinister underbelly to the current national consciousness than simple ignorance, or resistance to a “black armband view of history” (Frost, 1997 pp. 23-24). She proposes that “Australian nationalism holds assumptions of white supremacy at its core” as seen in the “outbreaks of white panic” at the end of the last two centuries.
Topic: identity

Throughout the play “The Taming of the Shrew,” William Shakespeare has utilized several ingenious techniques resulting in an effective piece of work. One of the more unique and creative methods is the use of mistaken identity. With the use of mistaken identity, Shakespeare has successfully given the play an element of humor from the beginning to the end. The mistaken identity within the two induction scenes must have been quite humorous for the upper-class noblemen who watched the play.
Topic: identity

In Shakespeare’s time, the upper-class often found their amusement in the poorer, more unfortunate lower-class. Christopher Sly was no exception. When the lord finds Sly, a drunk beggar, he immediately plots a practical joke to play on him. The lord, who is very wealthy and obviously has a lot of time on his hands decides to treat Sly as a nobleman and see how he reacts. In addition to ordering his servants to treat Sly as their master, he too pretends to be a servant.
Topic: identity

The most amusing part of this induction occurs when Sly becomes convinced that he is indeed a nobleman. When he first awakes, he thinks that everyone is playing a joke on him. After some convincing, Sly gives in and believes that he really was suffering from a long sickness. When Sly asks the page, who is pretending to be his wife to undress and join him in bed, the audience must have reacted with loud laughter knowing that his ‘wife’ is actually the same sex as he.
Topic: identity

The first quotation mark was adderssed by the BN Gorvenment after they win the election in 1982, at that yearss the gorvernment suggested the thought of Assimilation: A + B + C = A, where A, B, and C represent different societal groups and A represents the dominant group. The subordination of minority civilizations into a dominant culture.This attack may be likned to what some have called “ forced assimilation ” ( ( Alison Gibson. 1984. p 105 ) ( National civilization and democracy, Kua kia shortly, p133 ) . The 2nd quotation mark was the respond from the people, espeacially the Chinese which represent the thought of Pluralism: A + B + C = A + B + C, where A, B, and C represent different societal groups that over clip maintain their alone individualities.
Topic: identity

Cultural pluralism is fre-quently seen as a “ peaceable coexistence between groups. All civilizations are to be allowed to be individually and every bit, harmonious or non. The harmonious version has been termed ” integrity in diverseness ‘ . ( Alison Gibson. 1984. p 105 ) ( National civilization and democracy, Kua kia shortly, p133 ) . You can image when this two thought bump together, how much pandemonium it will do. The Malayan have stay in this occasion for over 50 old ages, it is necessary to place briefly the protagonism of assorted places on National individuality. First, I will discourse about what is National Identity, And so i will research how the Malaysia ‘s movie industry construt the image of Malaysian ‘s National Identity, And how the image alteration through the decennary.
Topic: identity

In the book “ Cultural relation and State Building ” Malini Ratnasingam claim that the national individuality is the best signifier of individuality should accommodate by the Malaysian, beacause the other societal individuality content excessively much class that will rupture the Malaysian into many single pieces, but national individuality will work good for the Malayan, Because state are crossed by those differences, a force of unite, a sense of belonging and nationess.
Topic: identity

From the quotation mark Benedict Anderson belieave that the state is about all the member, even the smallest state. National individuality is a image that can imagined by every individual state. But In the book ‘Cultural Contestatation ‘ writer Zawahi Ibrahim disagree with Anderson ‘s construct and suggested that the individuality formation takes topographic point within what he would name a “ two societal world ” which are “ authority-defined ” societal world, one which is magisterially defined by people who are portion of the dominant power construction. The 2nd is “ everyday-defined ” societal world, one which is experienced by people in the class of thier everday life. These two societal worlds exist side by side at any given clip. ( Zawahi Ibrahim, 1998, pg18 ) The individuality is a dialogue between these two societal world.
Topic: identity

But now it raise a inquiry, if the national indentity include everything, do n’t the Malay civilization besides portion of the national individuality? Yes, but now we speaking about how the movie industry aid construt the national individuality, at the old clip, the Malay movie are wholly dominanted the movie industry, which give an thought of the feeling of the state have owned by Malay, In the movie ‘Tajul Ashikin ‘ ( see figure 1 ) there was a scene where two work forces try to monger thier wares, but thier voices are drowned out by a freshly arrived Chinese squad that is offering dental services.
Topic: identity

But at that clip, the blunt economic disparity between Malay provincials and Chinese merchandisers did n’t look to hold undue political reverberations because the populationwas sparse and times were good ( 120 Malay p269 ) . So the film show the concern of the Malay sovereignty alternatively of advancing peaceable cultural dealingss. With this thought, it help to destruct the national individuality alternatively of construt it.
Topic: identity

But still there is some exception.There is still some other racial tenseness dad up in these film. On the movie “ Mahsuri ” which release in 1959 ( see fiugre 2 ) , there was a portion about a merciless Indian tease by the Malayans about his tegument coloring material. ( p165 ) The secret plan is meant to be amusing, in fact, it was directed by an Indian. Cultural struggle frequently appear in Malayan day-to-day life, we can non avoid it, but we can confront it with great attitude. This secret plan showed an attitude to confront the difference between every cultural, merely laugh at it.
Topic: identity

The following movie that have the multi ethnicity it is ‘Ali Baba Pucang Lapok ‘ directed by Malayan silver-screen fable P. Ramlee at 1960, P.Ramlee are one of the minority inside that can make the sense of Malaysianness in the film in the decennary. The film itself are calculated mish-mash of civilization, inside the film you can see different sort of civilization image. But the most surprise scene will be when the Chinese bargainer being asked how long he have lived in the country, he answer that he hold lived here for 80years, he non merely counted his ain 50 old ages age, but add up his male parent. ( see figure 3 )
Topic: identity

It is barely seen a film have such multi civilization in Malay old movie. The national individuality is to make a sense of state, it merely can be done when the have the thought that the land does n’t owned by anyone, but they were all born equal in this topographic point. This film successfully present the message. and helped build the sense of state, althought it is merely one short scene, but it is still a large measure for the Malaysia ‘s industry at the decennary.
Topic: identity

Another movie besides directed by P.Ramlee ‘Sesudah Sebuh ‘ ( see figure 4 ) , “ The most multi cultural dramatis personae we have of all time seen. ” said the Author of 120 Malay Movie Amir Muhammad. The Main dramatis personae include the 3 chief race of Malaysian, Melayu, Cina and Indian. And a conversation in the film, create am ideal racial integrating, In a bookstore by a client to the proprietor: ” Even though you ‘re Malay and one ‘m Chinese, we are both Malaysians. And Malaysians have a responsibility to assist each other. ” The Idea ca n’t be more clear, it ‘s simple and straight indicating the ideal without any ornament.
Topic: identity

When it come to 1970s, the thought of multic ethic face a challenge. The 513 incident had drag the ethic relation into crisis state of affairs. The racial public violences led to a declaration of a province of ‘national exigency ‘ . The public violence ignited the capital Kuala Lumpur and the environing country of Selangor, Malay rabble, have oning white headbands meaning an confederation with decease, and brandishing blades and stickers, surged into Chinese countries in the capital, combustion, plundering and killing. In revenge, Chinese, sometimes aided by Indians, armed themselves with
Topic: identity

‘Tunku Abdul Rahman ‘s multiracial manner of authorities was successful until serious and widespread anti-Chinese public violences broke out in May 1969. These public violences followed a autumn in support for the United Malays ‘ National Organization ( UMNO ) in the federal election and were declarative of Malay bitterness of the economic success of the Chinese concern community. ‘ ( hypertext transfer protocol: //www.city.com.my/malaysia-history.htm )
Topic: identity

‘The pro-Malay policy. The most important consequence of the events of May 1969 was an effort, announced in the five-year program ( 1971-75 ) , to reconstitute Malayan society. The purpose was to raise the per centum of ethnic-Malay-owned concerns from 4 % to 30 % by 1990, and to widen the usage of pro-Malay ( bumiputra ) affirmative-action quota systems for university entryway and company employment. Economic enlargement, it was hoped, would greatly ease this redistributive procedure and at the same clip offer the chance to extinguish poorness among all Malaysians. ‘ ( hypertext transfer protocol: //www.city.com.my/malaysia-history.htm )
Topic: identity

All of these policy indirectly influence the relation between cultural, all the unequal act make the cultural hatred adult twenty-four hours by twenty-four hours. Causing the thought of national individuality start changging. The alteration of the society have brought into the movie industry, the multi cultural that seldom seen from the movie before 1970s wholly obliterate after these policy untill recent old ages. Before so we have Malay civilization dominant movie industry.
Topic: identity

‘Film are censored or banned if it oppose authorities polucy or promote anti-gorvernment feeling ; glorify communism and socialism ; laud any peculiar race while minimizing others ; gloriy offense and immorality ; trade with sadism, inhuman treatment and inordinate force ; insult ‘public self-respect ‘ ; and demo behavior non acceptable to Malayan society ‘ ( Mohd Hamdan Bin Haji Adnan, 1991 )
Topic: identity

These policy had make the Malayan confuse and inquiry about thier naional individuality, the policy have succesfully incite the desire of Malay that persuit for Malay sovereignty, the other cultural like Chinese and Indian felt betray by the state, when there is no state pride in them, the National individuality become dominant by the Malay, and go the image that shown by the Movie industry, but it is non the image that the state portion along, from ( figure 5 ) we can see the local Malay movie have non accepted by the other cultural. so it is non a National individuality of that decennary, the movie on that decennary have lose the construct of being a National film.
Topic: identity

‘The film is so a mean of ‘speaking the state ‘ in all its constructed singularity. The connexion between ‘speaking the state ‘ and ‘selling the state ‘ become all the more invitable when the rhetoric of both nationlism and selling emphasize qualities of singularity, peculiarity and nationalism. The term ‘representing the state ‘ there bow accuires and ecmonomic every bit good as an analytical and cultural nonsubjective – it is non merely ‘ how ‘ a film represents the state, but besides ‘how successfully ‘ it does so. ‘ ( Malaysia Cinema, pg 107 )
Topic: identity

But where there is force per unit area, where there is opposition. The serious state of affairs besides created a tendency, Never has it been every bit desire as today, people pursuit for the integrity of the Nation. In the book “ Found in Malaysia ” have interviewed 54 influential Public figure who have different race, faith, civilization, gender, sexual, genarational and political. But when it come to the inquiry: Describe what sort of Malaysia you whould like for yourself and future coevals? They all gave a same reply in many different manner, but in the terminal, the chief thought is the same.
Topic: identity

“ All of us regardless of racial/ethnic, regious, category and lingual backgrounds, portion one thing in common: we are all Malayan citizens and we call this state our place and attention for its hereafter. We dream of future Malaysia that is equal to all, but takes into acount ourparticular wants, demands and aspirations and at the same clip, is able to provide to the demands of others harmonizing to an inclusive logic of equal representation and equal right. “ ( Azizi Khan, 2004, pg475 )
Topic: identity

The thought go a tendency, and get down to look in the recent 10 old ages. Beacuse the inrternet have start to cover all the new genaration day-to-day life. Internet is one of the most powerful beginnings in human history, the information can portion in rapid velocity, milllion of “ personal narrations ” or “ popular signifiers of look ” which help construt the “ everyday-defined ” societal world was shared everyday. Causing the Balance between the “ authority-defined ” societal world and “ everyday-defined ” societal world started to alter. So we will get down from Malaysia Independence Film Industry, which have good used the cyberspace as a province for them to distribute thier thought and narrative. The first illustration for indipendence movie is the Undertaking “ 15 Malaysia ” .
Topic: identity

“ 15Malaysia is a short movie undertaking. It consists of 15 short movies made by 15 Malayan film makers. These movies non merely cover with socio-political issues in Malaysia, they besides feature some of the best-known faces in the state, including histrions, instrumentalists and top political leaders. You may believe of them as fetid small movies made by 15 Malayan voices for the people of Malaysia. ” ( hypertext transfer protocol: //15malaysia.com/ )
Topic: identity

From the undertaking name we can cognize that this movie is dedicate to demo 15 sort of narrative that happened in Malaysia. I traveling to take a few of them into discusstion. First I will get down with the “ personal narration ” narrative. “ House ” is a narrative about an Indian household forced by the capitalist to give up their house for development, and besides show the feeling of the Indian child ( Rama ) toward the house is more so a house, but a household. ( see figure 6 ) The narrative effort to research the narrative inside the slums normally the Indian race who have many household suffer with these job in order to allow the audience understand the state more.
Topic: identity

We will strat from Yasmin Ahmadm ( see figure 6 ) , Malaysia ‘s celebrated movie manager, writter and scriptwriter, in Malaysia, most of the cultural used to avoid each other but necessarily knock together, no 1 can avoid, because this is merely what live in Malaysia are look like, And most of her movie are disputing the minute when different cultural bump together, she narrate the flicker of the minute and bend in into a moving image. When most of the popular civilization ‘s film intentionally avoid the cultural struggle, her movies break the boundary between cultural and faith. She focus on emotion and the relationship between people, narate and show the narrative in a human position, non in Malay, Chinese or Indian, but back to the beginning – human emotion. It makes the audience to rethink about politic, faith and societal issues in indirectly ways. The more we understand each other, the lupus erythematosus we affraid.
Topic: identity

The relation between Chinese and Malay ever been complicate, that hatred between both of this race go on before incident 513, when in World war 2, the Japan invade and ruled this state for over 3 old ages. on that period, the Nipponese surpress the Chinese but treated the Malay friendly and even organize a Malay ground forces to defence againts the Communist, but who is communist? At that clip many Chinese were the Communist, the root of hatred were start from here, and Malay ‘s fright of get replace by the Chinese in the econimic, so is the 513 incident, the unequal policy, Chinese fright of forced to fall in Muslim if married a Muslim and etc.
Topic: identity

Malay movies rarely touch on forbidden subjects like intoxicant, Canis familiaris, harlotry, self-destruction, etc. Many of the Malay movies merely showed the ‘good side ‘ . Much of the clip, they are hindered by those issues. But Yasmin Ahmad used rearward psychological science to convey out the negative issues, because there are many gray countries to look into in Malayan civilization. The followers are some of the tabu in Malay tradition that is shown in the film “ Muallaf ( 2007 ) ” . A Muslim adult female who despaired on her matrimony ended up taking her ain life by self-destruction. Young Malays drama and acquire rummy in a snooker room. An Islam instructor touched a Canis familiaris on his manner to mosque. A sincere Malay Muslim miss works in a saloon at dark. These issues are a challenge to the traditional Malay society.
Topic: identity

However, the undertakings that she undertakes must be lawful from the point of position of Islam. She must non work as a terpsichorean, a theoretical account, a barmaid, a waitress, a movie actress, a musician, or a cocotte to sell her muliebrity in order to do money, even with the consent of her hubby. ( A. Rahman I. Doi, 1990:147 ) .
Topic: identity

Yasmin Ahmand movie has a power of self-contemplation, Yasmin Ahmad movie excavation into the confilct between cultural group alternatively of attempt to avoild these sensitive issue like other, Yasmin Ahmad bring the struggle right into audience oculus without beautify it, merely with the simplest emotion of human being, a manner that lead us to undestand empathy. Merely when Malayan strong plenty to truly confront themselves, so we can organize our Identity Honestly.
Topic: identity

The following instance will be opposite of Yasmin Ahmad film.Yasmin Ahmad movie represent the world side of cultural struggle, now we are traveling to see the Malayan Utopia. ‘Nasi Lemak 2.0 ‘ ( see figure 9 ) is directed by a controversial public figure – Namewee, who have temper the national anthem and content with rasict, critic to gorvenment and faith in 2007. The vocal ‘Negarakuku ‘ drag the attending of public, Public reaction towards the vocal is split, Immediate reactions in the signifier of YouTube remarks range from being critical, in just understanding, support, onslaughts and menaces towards Wee. He became One of the most haterd public figure by the Malay ethnic at that clip.
Topic: identity

Nasi Lemak2.0 is the first Malayan movie that did non aim one of the three population groups as its audience. And succesfully hit 7million ringgit gross. The film is have many secret plan that content the relation between the different ethnic for illustration: the bright non-Muslim pupils unable to inscribe into universities, governments bias in favor of Malays, Chinese educated citizens speak hapless English, immigrants issues, Hang Tuah ‘s unresolved individuality enigma, English educated Chinese deficiency of assurance in talking Chinese linguistic communication, Kuala Lumpur a busy and unsettling metropolis, some non-Chinese could talk better Chinese, mix of Indian and Chinese vocal, and civilization of Baba and Nyonya.