Spectre_(2015_film)

context: Spectre (2015) is the twenty-fourth James Bond film produced by Eon Productions. It features Daniel Craig in his fourth performance as James Bond, and Christoph Waltz as Ernst Stavro Blofeld, with the film marking the character's re-introduction into the series. It was directed by Sam Mendes as his second James Bond film following Skyfall, and was written by John Logan, Neal Purvis, Robert Wade and Jez Butterworth. It is distributed by Metro-Goldwyn-Mayer and Columbia Pictures. With a budget around $245 million, it is the most expensive Bond film and one of the most expensive films ever made.

context: The story sees Bond pitted against the global criminal organisation Spectre, marking the group's first appearance in an Eon Productions film since 1971's Diamonds Are Forever,[N 2] and tying Craig's series of films together with an overarching storyline. Several recurring James Bond characters, including M, Q and Eve Moneypenny return, with the new additions of Léa Seydoux as Dr. Madeleine Swann, Dave Bautista as Mr. Hinx, Andrew Scott as Max Denbigh and Monica Bellucci as Lucia Sciarra.

context: Spectre was released on 26 October 2015 in the United Kingdom on the same night as the world premiere at the Royal Albert Hall in London, followed by a worldwide release. It was released in the United States on 6 November 2015. It became the second James Bond film to be screened in IMAX venues after Skyfall, although it was not filmed with IMAX cameras. Spectre received mixed reviews upon its release; although criticised for its length, lack of screen time for new characters, and writing, it received praise for its action sequences and cinematography. The theme song, "Writing's on the Wall", received mixed reviews, particularly compared to the previous theme; nevertheless, it won the Golden Globe for Best Original Song and was nominated for the Academy Award in the same category. As of 20 February 2016[update], Spectre has grossed over $879 million worldwide.

context: Following Garreth Mallory's promotion to M, on a mission in Mexico City unofficially ordered by a posthumous message from the previous M, 007 James Bond kills three men plotting a terrorist bombing during the Day of the Dead and gives chase to Marco Sciarra, an assassin who survived the attack. In the ensuing struggle, Bond steals his ring, which is emblazoned with a stylised octopus, and then kills Sciarra by kicking him out of a helicopter. Upon returning to London, Bond is indefinitely suspended from field duty by M, who is in the midst of a power struggle with C, the head of the privately-backed Joint Intelligence Service, consisting of the recently merged MI5 and MI6. C campaigns for Britain to form alongside 8 other countries "Nine Eyes ", a global surveillance and intelligence co-operation initiative between nine member states, and uses his influence to close down the '00' section, believing it to be outdated.

context: Bond disobeys M's order and travels to Rome to attend Sciarra's funeral. That evening he visits Sciarra's widow Lucia, who tells him about Spectre, a criminal organisation to which her husband belonged. Bond infiltrates a Spectre meeting, where he identifies the leader, Franz Oberhauser. When Oberhauser addresses Bond by name, he escapes and is pursued by Mr. Hinx, a Spectre assassin. Moneypenny informs Bond that the information he collected leads to Mr. White, former member of Quantum, a subsidiary of Spectre. Bond asks her to investigate Oberhauser, who was presumed dead years earlier.

context: Bond travels to Austria to find White, who is dying of thallium poisoning. He admits to growing disenchanted with Quantum and tells Bond to find and protect his daughter, Dr. Madeline Swann, who will take him to L'Américain; this will in turn lead him to Spectre. White then commits suicide. Bond locates Swann at the Hoffler Klinik, but she is abducted by Hinx. Bond rescues her and the two meet Q, who discovers that Sciarra's ring links Oberhauser to Bond's previous missions, identifying Le Chiffre, Dominic Greene and Raoul Silva as Spectre agents. Swann reveals that L'Américain is a hotel in Tangier.

context: The two travel to the hotel and discover White's secret room where they find co-ordinates pointing to Oberhauser's operations base in the desert. They travel by train to the nearest station, but are once again confronted by Hinx; they engage in a fight throughout the train in which Mr Hinx is eventually thrown off the train by Bond with Swann's assistance. After arriving at the station, Bond and Swann are escorted to Oberhauser's base. There, he reveals that Spectre has been staging terrorist attacks around the world, creating a need for the Nine Eyes programme. In return Spectre will be given unlimited access to intelligence gathered by Nine Eyes. Bond is tortured as Oberhauser discusses their shared history: after the younger Bond was orphaned, Oberhauser's father, Hannes, became his temporary guardian. Believing that Bond supplanted his role as son, Oberhauser killed his father and staged his own death, subsequently adopting the name Ernst Stavro Blofeld and going on to form Spectre. Bond and Swann escape, destroying the base in the process, leaving Blofeld to apparently die during the explosion.

context: Bond and Swann return to London where they meet M, Bill Tanner, Q, and Moneypenny; they intend to arrest C and stop Nine Eyes from going online. Swann leaves Bond, telling him she cannot be part of a life involving espionage, and is subsequently kidnapped. On the way, the group is ambushed and Bond is kidnapped, but the rest still proceed with the plan. After Q succeeds in preventing the Nine Eyes from going online, a brief struggle between M and C ends with the latter falling to his death. Meanwhile, Bond is taken to the old MI6 building, which is scheduled for demolition, and frees himself. Moving throughout the ruined labyrinth, he encounters a disfigured Blofeld, who tells him that he has three minutes to escape the building before explosives are detonated or die trying to save Swann. Bond finds Swann and the two escape by boat as the building collapses. Bond shoots down Blofeld's helicopter, which crashes onto Westminster Bridge. As Blofeld crawls away from the wreckage, Bond confronts him but ultimately leaves him to be arrested by M. Bond leaves the bridge with Swann.

context: The ownership of the Spectre organisation—originally stylised "SPECTRE" as an acronym of SPecial Executive for Counter-intelligence, Terrorism, Revenge and Extortion—and its characters, had been at the centre of long-standing litigation starting in 1961 between Ian Fleming and Kevin McClory over the film rights to the novel Thunderball. The dispute began after Fleming incorporated elements of an undeveloped film script written by McClory and screenwriter Jack Whittingham—including characters and plot points—into Thunderball, which McClory contested in court, claiming ownership over elements of the novel. In 1963, Fleming settled out of court with McClory, in an agreement which awarded McClory the film rights. This enabled him to become a producer for the 1965 film Thunderball—with Albert R. Broccoli and Harry Saltzman as executive producers—and the non-Eon film Never Say Never Again, an updated remake of Thunderball, in 1983.[N 3] A second remake, entitled Warhead 2000 A.D., was planned for production and release in the 1990s before being abandoned. Under the terms of the 1963 settlement, the literary rights stayed with Fleming, allowing the Spectre organisation and associated characters to continue appearing in print.

context: In November 2013 MGM and the McClory estate formally settled the issue with Danjaq, LLC—sister company of Eon Productions—with MGM acquiring the full copyright film rights to the concept of Spectre and all of the characters associated with it. With the acquisition of the film rights and the organisation's re-introduction to the series' continuity, the SPECTRE acronym was discarded and the organisation reimagined as "Spectre".

context: In November 2014, Sony Pictures Entertainment was targeted by hackers who released details of confidential e-mails between Sony executives regarding several high-profile film projects. Included within these were several memos relating to the production of Spectre, claiming that the film was over budget, detailing early drafts of the script written by John Logan, and expressing Sony's frustration with the project. Eon Productions later issued a statement confirming the leak of what they called "an early version of the screenplay".

context: Despite being an original story, Spectre draws on Ian Fleming's source material, most notably in the character of Franz Oberhauser, played by Christoph Waltz. Oberhauser shares his name with Hannes Oberhauser, a background character in the short story "Octopussy" from the Octopussy and The Living Daylights collection, and who is named in the film as having been a temporary legal guardian of a young Bond in 1983. Similarly, Charmian Bond is shown to have been his full-time guardian, observing the back story established by Fleming. With the acquisition of the rights to Spectre and its associated characters, screenwriters Neal Purvis and Robert Wade revealed that the film would provide a minor retcon to the continuity of the previous films, with the Quantum organisation alluded to in Casino Royale and introduced in Quantum of Solace reimagined as a division within Spectre rather than an independent organisation.

context: Further references to Fleming's material can be found throughout the film; an MI6 safehouse is called "Hildebrand Rarities and Antiques", a reference to the short story "The Hildebrand Rarity" from the For Your Eyes Only short story collection.[citation needed] Bond's torture by Blofeld mirrors his torture by the title character of Kingsley Amis' continuation novel Colonel Sun.[citation needed]

context: The main cast was revealed in December 2014 at the 007 Stage at Pinewood Studios. Daniel Craig returned for his fourth appearance as James Bond, while Ralph Fiennes, Naomie Harris and Ben Whishaw reprised their roles as M, Eve Moneypenny and Q respectively, having been established in Skyfall. Rory Kinnear also reprised his role as Bill Tanner in his third appearance in the series.

context: Christoph Waltz was cast in the role of Franz Oberhauser, though he refused to comment on the nature of the part. It was later revealed with the film's release that he is Ernst Stavro Blofeld. Dave Bautista was cast as Mr. Hinx after producers sought an actor with a background in contact sports. After casting Bérénice Lim Marlohe, a relative newcomer, as Sévérine in Skyfall, Mendes consciously sought out a more experienced actor for the role of Madeleine Swann, ultimately casting Léa Seydoux in the role. Monica Bellucci joined the cast as Lucia Sciarra, becoming, at the age of fifty, the oldest actress to be cast as a Bond girl. In a separate interview with Danish website Euroman, Jesper Christensen revealed he would be reprising his role as Mr. White from Casino Royale and Quantum of Solace. Christensen's character was reportedly killed off in a scene intended to be used as an epilogue to Quantum of Solace, before it was removed from the final cut of the film, enabling his return in Spectre.

context: In addition to the principal cast, Alessandro Cremona was cast as Marco Sciarra, Stephanie Sigman was cast as Estrella, and Detlef Bothe was cast as a villain for scenes shot in Austria. In February 2015 over fifteen hundred extras were hired for the pre-title sequence set in Mexico, though they were duplicated in the film, giving the effect of around ten thousand extras.

context: In March 2013 Mendes said he would not return to direct the next film in the series, then known as Bond 24; he later recanted and announced that he would return, as he found the script and the plans for the long-term future of the franchise appealing. In directing Skyfall and Spectre, Mendes became the first director to oversee two consecutive Bond films since John Glen directed The Living Daylights and Licence to Kill in 1987 and 1989. Skyfall writer John Logan resumed his role of scriptwriter, collaborating with Neal Purvis and Robert Wade, who returned for their sixth Bond film.[N 4] The writer Jez Butterworth also worked on the script, alongside Mendes and Craig. Dennis Gassner returned as the film's production designer, while cinematographer Hoyte van Hoytema took over from Roger Deakins. In July 2015 Mendes noted that the combined crew of Spectre numbered over one thousand, making it a larger production than Skyfall. Craig is listed as co-producer.

context: Mendes revealed that production would begin on 8 December 2014 at Pinewood Studios, with filming taking seven months. Mendes also confirmed several filming locations, including London, Mexico City and Rome. Van Hoytema shot the film on Kodak 35 mm film stock. Early filming took place at Pinewood Studios, and around London, with scenes variously featuring Craig and Harris at Bond's flat, and Craig and Kinnear travelling down the River Thames.

context: Filming started in Austria in December 2014, with production taking in the area around Sölden—including the Ötztal Glacier Road, Rettenbach glacier and the adjacent ski resort and cable car station—and Obertilliach and Lake Altaussee, before concluding in February 2015. Scenes filmed in Austria centred on the Ice Q Restaurant, standing in for the fictional Hoffler Klinik, a private medical clinic in the Austrian Alps. Filming included an action scene featuring a Land Rover Defender Bigfoot and a Range Rover Sport. Production was temporarily halted first by an injury to Craig, who sprained his knee whilst shooting a fight scene, and later by an accident involving a filming vehicle that saw three crew members injured, at least one of them seriously.

context: Filming temporarily returned to England to shoot scenes at Blenheim Palace in Oxfordshire, which stood in for a location in Rome, before moving on to the city itself for a five-week shoot across the city, with locations including the Ponte Sisto bridge and the Roman Forum. The production faced opposition from a variety of special interest groups and city authorities, who were concerned about the potential for damage to historical sites around the city, and problems with graffiti and rubbish appearing in the film. A car chase scene set along the banks of the Tiber River and through the streets of Rome featured an Aston Martin DB10 and a Jaguar C-X75. The C-X75 was originally developed as a hybrid electric vehicle with four independent electric engines powered by two jet turbines, before the project was cancelled. The version used for filming was converted to use a conventional internal combustion engine, to minimise the potential for disruption from mechanical problems with the complex hybrid system. The C-X75s used for filming were developed by the engineering division of Formula One racing team Williams, who built the original C-X75 prototype for Jaguar.

context: With filming completed in Rome, production moved to Mexico City in late March to shoot the film's opening sequence, with scenes to include the Day of the Dead festival filmed in and around the Zócalo and the Centro Histórico district. The planned scenes required the city square to be closed for filming a sequence involving a fight aboard a Messerschmitt-Bölkow-Blohm Bo 105 helicopter flown by stunt pilot Chuck Aaron, which called for modifications to be made to several buildings to prevent damage. This particular scene in Mexico required 1,500 extras, 10 giant skeletons and 250,000 paper flowers. Reports in the Mexican media added that the film's second unit would move to Palenque in the state of Chiapas, to film aerial manoeuvres considered too dangerous to shoot in an urban area.

context: Following filming in Mexico, and during a scheduled break, Craig was flown to New York to undergo minor surgery to fix his knee injury. It was reported that filming was not affected and he had returned to filming at Pinewood Studios as planned on 22 April.

context: A brief shoot at London's City Hall was filmed on 18 April 2015, while Mendes was on location. On 17 May 2015 filming took place on the Thames in London. Stunt scenes involving Craig and Seydoux on a speedboat as well as a low flying helicopter near Westminster Bridge were shot at night, with filming temporarily closing both Westminster and Lambeth Bridges. Scenes were also shot on the river near MI6's headquarters at Vauxhall Cross. The crew returned to the river less than a week later to film scenes solely set on Westminster Bridge. The London Fire Brigade was on set to simulate rain as well as monitor smoke used for filming. Craig, Seydoux, and Waltz, as well as Harris and Fiennes, were seen being filmed. Prior to this, scenes involving Fiennes were shot at a restaurant in Covent Garden. Filming then took place in Trafalgar Square. In early June, the crew, as well as Craig, Seydoux, and Waltz, returned to the Thames for a final time to continue filming scenes previously shot on the river.

context: After wrapping up in England, production travelled to Morocco in June, with filming taking place in Oujda, Tangier and Erfoud, after preliminary work was completed by the production's second unit. An explosion filmed in Morocco holds a Guinness World Record for the "Largest film stunt explosion" in cinematic history, with the record credited to production designer Chris Corbould. Principal photography concluded on 5 July 2015. A wrap-up party for Spectre was held in commemoration before entering post-production. Filming took 128 days.

context: Whilst filming in Mexico City, speculation in the media claimed that the script had been altered to accommodate the demands of Mexican authorities—reportedly influencing details of the scene and characters, casting choices, and modifying the script in order to portray the country in a "positive light"—in order to secure tax concessions and financial support worth up to $20 million for the film. This was denied by producer Michael G. Wilson, who stated that the scene had always been intended to be shot in Mexico as production had been attracted to the imagery of the Day of the Dead, and that the script had been developed from there. Production of Skyfall had previously faced similar problems while attempting to secure permits to shoot the film's pre-title sequence in India before moving to Istanbul.

context: Thomas Newman returned as Spectre's composer. Rather than composing the score once the film had moved into post-production, Newman worked during filming. The theatrical trailer released in July 2015 contained a rendition of John Barry's On Her Majesty's Secret Service theme. Mendes revealed that the final film would have more than one hundred minutes of music. The soundtrack album was released on 23 October 2015 in the UK and 6 November 2015 in the USA on the Decca Records label.

context: In September 2015 it was announced that Sam Smith and regular collaborator Jimmy Napes had written the film's title theme, "Writing's on the Wall", with Smith performing it for the film. Smith said the song came together in one session and that he and Napes wrote it in under half an hour before recording a demo. Satisfied with the quality, the demo was used in the final release.

context: The song was released as a digital download on 25 September 2015. It received mixed reviews from critics and fans, particularly in comparison to Adele's "Skyfall". The mixed reception to the song led to Shirley Bassey trending on Twitter on the day it was released. It became the first Bond theme to reach number one in the UK Singles Chart. The English band Radiohead also composed a song for the film, which went unused.

context: During the December 2014 press conference announcing the start of filming, Aston Martin and Eon unveiled the new DB10 as the official car for the film. The DB10 was designed in collaboration between Aston Martin and the filmmakers, with only 10 being produced especially for Spectre as a celebration of the 50th anniversary of the company's association with the franchise. Only eight of those 10 were used for the film, however; the remaining two were used for promotional work. After modifying the Jaguar C-X75 for the film, Williams F1 carried the 007 logo on their cars at the 2015 Mexican Grand Prix, with the team playing host to the cast and crew ahead of the Mexican premiere of the film.

context: To promote the film, production continued the trend established during Skyfall's production of releasing still images of clapperboards and video blogs on Eon's official social media accounts.

context: On 13 March 2015, several members of the cast and crew, including Craig, Whishaw, Wilson and Mendes, as well as previous James Bond actor, Sir Roger Moore, appeared in a sketch written by David Walliams and the Dawson Brothers for Comic Relief's Red Nose Day on BBC One. In the sketch, they film a behind-the-scenes mockumentary on the filming of Spectre. The first teaser trailer for Spectre was released worldwide in March 2015, followed by the theatrical trailer in July and the final trailer in October.

context: Spectre had its world premiere in London on 26 October 2015 at the Royal Albert Hall, the same day as its general release in the United Kingdom and Republic of Ireland. Following the announcement of the start of filming, Paramount Pictures brought forward the release of Mission: Impossible – Rogue Nation to avoid competing with Spectre. In March 2015 IMAX corporation announced that Spectre would be screened in its cinemas, following Skyfall's success with the company. In the UK it received a wider release than Skyfall, with a minimum of 647 cinemas including 40 IMAX screens, compared to Skyfall's 587 locations and 21 IMAX screens.

context: As of 21 February 2016[update] Spectre has grossed $879.3 million worldwide; $138.1 million of the takings have been generated from the UK market and $199.8 million from North America.

context: In the United Kingdom, the film grossed £4.1 million ($6.4 million) from its Monday preview screenings. It grossed £6.3 million ($9.2 million) on its opening day and then £5.7 million ($8.8 million) on Wednesday, setting UK records for both days. In the film's first seven days it grossed £41.7 million ($63.8 million), breaking the UK record for highest first-week opening, set by Harry Potter and the Prisoner of Azkaban's £23.88 million ($36.9 million) in 2004. Its Friday–Saturday gross was £20.4 million ($31.2 million) compared to Skyfall's £20.1 million ($31 million). The film also broke the record for the best per-screen opening average with $110,000, a record previously held by The Dark Knight with $100,200. It has grossed a total of $136.3 million there. In the U.K., it surpassed Avatar to become the country's highest-grossing IMAX release ever with $10.09 million.

context: Spectre opened in Germany with $22.45 million (including previews), which included a new record for the biggest Saturday of all time, Australia with $8.7 million (including previews) and South Korea opened to $8.2 million (including previews). Despite the 13 November Paris attacks, which led to numerous theaters being closed down, the film opened with $14.6 million (including $2 million in previews) in France. In Mexico, where part of the film was shot, it debuted with more than double that of Skyfall with $4.5 million. It also bested its predecessor's opening in various Nordic regions where MGM is distributing, such as in Finland ($2.66 million) and Norway ($2.91 million), and in other markets like Denmark ($4.2 million), the Netherlands ($3.38 million), and Sweden ($3.1 million). In India, it opened at No. 1 with $4.8 million which is 4% above the opening of Skyfall. It topped the German-speaking Switzerland box office for four weeks and in the Netherlands, it has held the No. 1 spot for seven weeks straight where it has topped Minions to become the top movie of the year. The top earning markets are Germany ($70.3 million) and France ($38.8 million). In Paris, it has the second highest ticket sales of all time with $4.1 million tickets sold only behind Spider-Man 3 which sold over $6.32 million tickets in 2007.

context: In the United States and Canada, the film opened on 6 November 2015, and in its opening weekend, was originally projected to gross $70–75 million from 3,927 screens, the widest release for a Bond film. However, after grossing $5.25 million from its early Thursday night showings and $28 million on its opening day, weekend projections were increased to $75–80 million. The film ended up grossing $70.4 million in its opening weekend (about $20 million less than Skyfall's $90.6 million debut, including IMAX previews), but nevertheless finished first at the box office. IMAX generated $9.1 million for Spectre at 374 screens, premium large format made $8 million from 429 cinemas, reaping 11% of the film's opening, which means that Spectre earned $17.1 million (23%) of its opening weekend total in large-format venues. Cinemark XD generated $1.85 million in 112 XD locations.

context: In China, it opened on 12 November and earned $15 million on its opening day, which is the second biggest 2D single day gross for a Hollywood film behind the $18.5 million opening day of Mission: Impossible – Rogue Nation and occupying 43% of all available screens which included $790,000 in advance night screenings. Through its opening weekend, it earned $48.1 million from 14,700 screens which is 198% ahead of Skyfall, a new record for a Hollywood 2D opening. IMAX contributed $4.6 million on 246 screens, also a new record for a three-day opening for a November release (breaking Interstellar's record). In its second weekend, it added $12.1 million falling precipitously by 75% which is the second worst second weekend drop for any major Hollywood release in China of 2015. It grossed a total of $84.7 million there after four weekends. Albeit a strong opening it failed to attain the $100 million mark as projected.

context: Spectre has received mixed reviews, with many reviewers either giving the film highly positive or highly negative feedback. Many critics praised the film's opening scene, action sequences, stuntwork, cinematography and performances from the cast. In some early reviews, the film received favourable comparisons with its predecessor, Skyfall. Rotten Tomatoes sampled 274 reviews and judged 64% of the critiques to be positive, saying that the film "nudges Daniel Craig's rebooted Bond closer to the glorious, action-driven spectacle of earlier entries, although it's admittedly reliant on established 007 formula." On Metacritic, the film has a rating of 60 out of 100, based on 48 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.

context: Prior to its UK release, Spectre mostly received positive reviews. Mark Kermode, writing in The Guardian, gave the film four out of five stars, observing that the film did not live up to the standard set by Skyfall, but was able to tap into audience expectations. Writing in the same publication, Peter Bradshaw gave the film a full five stars, calling it "inventive, intelligent and complex", and singling out Craig's performance as the film's highlight. In another five star review, The Daily Telegraph's Robbie Collin described Spectre as "a swaggering show of confidence'", lauding it as "a feat of pure cinematic necromancy." In an otherwise positive, but overall less enthusiastic review, IGN's Chris Tilly considered Spectre "solid if unspectacular", and gave the film a 7.2 score (out of a possible 10), saying that "the film falls frustratingly short of greatness."

context: Critical appraisal of the film was mixed in the United States. In a lukewarm review for RogerEbert.com, Matt Zoller Seitz gave the film 2.5 stars out of 4, describing Spectre as inconsistent and unable to capitalise on its potential. Kenneth Turan, reviewing the film for Los Angeles Times, concluded that Spectre "comes off as exhausted and uninspired". Manohla Dargis of The New York Times panned the film as having "nothing surprising" and sacrificing its originality for the sake of box office returns. Forbes' Scott Mendelson also heavily criticised the film, denouncing Spectre as "the worst 007 movie in 30 years". Darren Franich of Entertainment Weekly viewed Spectre as "an overreaction to our current blockbuster moment", aspiring "to be a serialized sequel" and proving "itself as a Saga". While noting that "[n]othing that happens in Spectre holds up to even minor logical scrutiny", he had "come not to bury Spectre, but to weirdly praise it. Because the final act of the movie is so strange, so willfully obtuse, that it deserves extra attention." In a positive review Rolling Stone, Peter Travers gave the film 3.5 stars out of 4, describing "The 24th movie about the British MI6 agent with a license to kill is party time for Bond fans, a fierce, funny, gorgeously produced valentine to the longest-running franchise in movies". Other positive reviews from Mick LaSalle from the San Francisco Chronicle, gave it a perfect 100 score, stating: “One of the great satisfactions of Spectre is that, in addition to all the stirring action, and all the timely references to a secret organization out to steal everyone’s personal information, we get to believe in Bond as a person.” Stephen Whitty from the New York Daily News, gave it an 80 grade, saying: “Craig is cruelly efficient. Dave Bautista makes a good, Oddjob-like assassin. And while Lea Seydoux doesn’t leave a huge impression as this film’s “Bond girl,” perhaps it’s because we’ve already met — far too briefly — the hypnotic Monica Bellucci, as the first real “Bond woman” since Diana Rigg.” Richard Roeper from the Chicago Sun-Times, gave it a 75 grade. He stated: “This is the 24th Bond film and it ranks solidly in the middle of the all-time rankings, which means it’s still a slick, beautifully photographed, action-packed, international thriller with a number of wonderfully, ludicrously entertaining set pieces, a sprinkling of dry wit, myriad gorgeous women and a classic psycho-villain who is clearly out of his mind but seems to like it that way.” Michael Phillips over at the Chicago Tribune, gave it a 75 grade. He stated: “For all its workmanlike devotion to out-of-control helicopters, “Spectre” works best when everyone’s on the ground, doing his or her job, driving expensive fast cars heedlessly, detonating the occasional wisecrack, enjoying themselves and their beautiful clothes.” Guy Lodge from Variety, gave it a 70 score, stating: “What’s missing is the unexpected emotional urgency of “Skyfall,” as the film sustains its predecessor’s nostalgia kick with a less sentimental bent.”

context: Christopher Orr, writing in The Atlantic, also criticised the film, saying that Spectre "backslides on virtually every [aspect]". Lawrence Toppman of The Charlotte Observer called Craig's performance "Bored, James Bored." Alyssa Rosenberg, writing for The Washington Post, stated that the film turned into "a disappointingly conventional Bond film."

context: In India, it was reported that the Indian Central Board of Film Certification (CBFC) censored kissing scenes featuring Monica Bellucci, Daniel Craig, and Léa Seydoux. They also muted all profanity. This prompted criticism of the board online, especially on Twitter.

context: A sequel to Spectre will begin development in spring 2016. Sam Mendes has stated he will not return to direct the next 007 film. Christoph Waltz has signed on for two more films in the series, but his return depends on whether or not Craig will again portray Bond.