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The Portrait of a Lady.chapter 5

chapter 5

{"name": "Chapter 5", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-5-6", "summary": "At the opening of Chapter 5, Ralph Touchett knocks on his mother's door eagerly. His mother is described as being more fatherly, her father, as more motherly. Ralph's father, Mr. Daniel Touchett, is described as having adopted England as his country because he found it sane and accommodating. Yet he also had no great desire to render himself less American. Ralph therefore spent many terms at an American school, has a degree from an American university, but he also spent three years at Oxford. Ralph is therefore well accustomed to English manners, and appeared English from the outside, but his mind is described as enjoying independence. He did well at Oxford, but he was prevented from having a successful career in England because he was American. Ralph admires his father but has no aptitude for banking himself. Ralph appreciates his father's \"fine ivory surface\" mostly -- that is, his father's impenetrability to the ideas of others, his father's \"originality\". Mr. Daniel Touchett has been successful because he is less pliant than many other Americans. Ralph had worked briefly at his father's bank before he caught a violent sickness; he is a consumptive. This is a deadly disease, but it is described optimistically, insofar as Ralph believes he will survive quite a few winters. He always goes abroad during the winter because of this disease. He comforts himself with the thought that he had not really had ambition to do much in his life in the first place. One winter though, he stayed too long in England, and arrived more \"dead than alive\" in Algiers. After this scare, his attitude changed: he no longer felt he had to struggle to distinguish himself. His friends then know him as more serene. He though does still have the prospect of being in love in his future, although he has forbidden himself an \"expression\" of this. Ralph Touchett converses with his mother about Isabel, and he jokes that he speaks about her like a piece of \"property\". He asks what she means to do with her. Mrs. Touchett answers practically, when Ralph has asked the question in the abstract. Mrs. Touchett talks about buying her clothing, bringing her to Paris, and so forth. I should like to know what you mean to do with her in a general way,\" Ralph responds. Mrs. Touchett tells Ralph where she found Isabel. She thinks Isabel may be a \"genius,\" but she does not yet know in what. Ralph asks if she is a genius in flirting, as Lord Warburton has suggested that to him, but Mrs. Touchett thinks that is not where Isabel's talents lie. Ralph delights in the idea that Isabel might be a \"puzzle\" to Lord Warburton. Ralph persists in asking what Mrs. Touchett plans to \"do\" with her, and then asks if she plans to get her to marry someone in Europe. Mrs. Touchett responds, \"She's perfectly able to marry herself,\" implying that she does not plan on assisting her in that regard. Mrs. Touchett does not know if Isabel is already engaged. Ralph then goes to show Isabel around the house. He watches her inspecting some of the art in their gallery, and he notes that she has \"taste\" and a judging eye. He also notes that she has a great passion for knowledge. Isabel wants to know if there is a ghost in their mansion. Ralph responds that their house is \"dismally prosaic\" and that there is no romance there \"but what you may have brought with you \". Isabel asks if there are more people around there house, saying that she liked Ralph's father and his friend, Lord Warburton. She also likes Mrs. Touchett, she declares, because Mrs. Touchett does not expect one to like her. She goes on to assert that she likes Ralph too, even though he is the opposite of Mrs. Touchett in caring what others think of him. Isabel and Ralph conclude the conversation by agreeing that the great point is to be as happy as possible, and that one does not need to suffer", "analysis": "The narrator, in Chapter 6, portrays Isabel in a less flattering light. She is naive and thinks highly of herself even though she has never been put to the test. He foreshadows that such a test though, will come, and that this test will test her philosophy that she can really appear as she really is. Will Isabel end up being a hypocrite in appearing to be something she is not? Henry James' early and mid-career novels often bring up the \"American theme\" in which an American goes to Europe, bringing some freshness, innocence, money, moral Puritanism and hope to a decadent culture. These Americans are often disappointed in their expectations though. The Touchetts are depicted as an American family who are successful in Europe in spite of their American qualities. Ralph though, notably, is not quite a success. He has money and European manners, but he has not married into the aristocratic class. When Isabel and her uncle discuss the prospect of Isabel's \"success,\" the actual pathway to success seems unclear. It is altogether possible that Isabel conceives of such success in such abstract terms as her own like-ability, and that Mr. Touchett is thinking of it practically -- in terms of her ability to marry into the upper echelons of society, and to achieve the same respect that a European aristocrat would achieve. Isabel's mind does not seem quite capable of formulating the concrete idea of marriage, and instead her desire for love seems to be frightening to her, a very vague idea that she does not want to assume concrete form, since it might threaten her notion of independence. Either way, it is a difficult task to be \"successful\" in Europe, because Americans were seen as coming from a less-respected culture and a lack of tradition. Ralph's observation that Isabel has good taste in painting foreshadows that Isabel will find herself interested in European aesthetics, a conventional aspect of European culture, even while she contradictorily critiques \"conventionality\" in a general sense."}

Ralph Touchett was a philosopher, but nevertheless he knocked at his mother's door (at a quarter to seven) with a good deal of eagerness. Even philosophers have their preferences, and it must be admitted that of his progenitors his father ministered most to his sense of the sweetness of filial dependence. His father, as he had often said to himself, was the more motherly; his mother, on the other hand, was paternal, and even, according to the slang of the day, gubernatorial. She was nevertheless very fond of her only child and had always insisted on his spending three months of the year with her. Ralph rendered perfect justice to her affection and knew that in her thoughts and her thoroughly arranged and servanted life his turn always came after the other nearest subjects of her solicitude, the various punctualities of performance of the workers of her will. He found her completely dressed for dinner, but she embraced her boy with her gloved hands and made him sit on the sofa beside her. She enquired scrupulously about her husband's health and about the young man's own, and, receiving no very brilliant account of either, remarked that she was more than ever convinced of her wisdom in not exposing herself to the English climate. In this case she also might have given way. Ralph smiled at the idea of his mother's giving way, but made no point of reminding her that his own infirmity was not the result of the English climate, from which he absented himself for a considerable part of each year. He had been a very small boy when his father, Daniel Tracy Touchett, a native of Rutland, in the State of Vermont, came to England as subordinate partner in a banking-house where some ten years later he gained preponderant control. Daniel Touchett saw before him a life-long residence in his adopted country, of which, from the first, he took a simple, sane and accommodating view. But, as he said to himself, he had no intention of disamericanising, nor had he a desire to teach his only son any such subtle art. It had been for himself so very soluble a problem to live in England assimilated yet unconverted that it seemed to him equally simple his lawful heir should after his death carry on the grey old bank in the white American light. He was at pains to intensify this light, however, by sending the boy home for his education. Ralph spent several terms at an American school and took a degree at an American university, after which, as he struck his father on his return as even redundantly native, he was placed for some three years in residence at Oxford. Oxford swallowed up Harvard, and Ralph became at last English enough. His outward conformity to the manners that surrounded him was none the less the mask of a mind that greatly enjoyed its independence, on which nothing long imposed itself, and which, naturally inclined to adventure and irony, indulged in a boundless liberty of appreciation. He began with being a young man of promise; at Oxford he distinguished himself, to his father's ineffable satisfaction, and the people about him said it was a thousand pities so clever a fellow should be shut out from a career. He might have had a career by returning to his own country (though this point is shrouded in uncertainty) and even if Mr. Touchett had been willing to part with him (which was not the case) it would have gone hard with him to put a watery waste permanently between himself and the old man whom he regarded as his best friend. Ralph was not only fond of his father, he admired him--he enjoyed the opportunity of observing him. Daniel Touchett, to his perception, was a man of genius, and though he himself had no aptitude for the banking mystery he made a point of learning enough of it to measure the great figure his father had played. It was not this, however, he mainly relished; it was the fine ivory surface, polished as by the English air, that the old man had opposed to possibilities of penetration. Daniel Touchett had been neither at Harvard nor at Oxford, and it was his own fault if he had placed in his son's hands the key to modern criticism. Ralph, whose head was full of ideas which his father had never guessed, had a high esteem for the latter's originality. Americans, rightly or wrongly, are commended for the ease with which they adapt themselves to foreign conditions; but Mr. Touchett had made of the very limits of his pliancy half the ground of his general success. He had retained in their freshness most of his marks of primary pressure; his tone, as his son always noted with pleasure, was that of the more luxuriant parts of New England. At the end of his life he had become, on his own ground, as mellow as he was rich; he combined consummate shrewdness with the disposition superficially to fraternise, and his "social position," on which he had never wasted a care, had the firm perfection of an unthumbed fruit. It was perhaps his want of imagination and of what is called the historic consciousness; but to many of the impressions usually made by English life upon the cultivated stranger his sense was completely closed. There were certain differences he had never perceived, certain habits he had never formed, certain obscurities he had never sounded. As regards these latter, on the day he had sounded them his son would have thought less well of him. Ralph, on leaving Oxford, had spent a couple of years in travelling; after which he had found himself perched on a high stool in his father's bank. The responsibility and honour of such positions is not, I believe, measured by the height of the stool, which depends upon other considerations: Ralph, indeed, who had very long legs, was fond of standing, and even of walking about, at his work. To this exercise, however, he was obliged to devote but a limited period, for at the end of some eighteen months he had become aware of his being seriously out of health. He had caught a violent cold, which fixed itself on his lungs and threw them into dire confusion. He had to give up work and apply, to the letter, the sorry injunction to take care of himself. At first he slighted the task; it appeared to him it was not himself in the least he was taking care of, but an uninteresting and uninterested person with whom he had nothing in common. This person, however, improved on acquaintance, and Ralph grew at last to have a certain grudging tolerance, even an undemonstrative respect, for him. Misfortune makes strange bedfellows, and our young man, feeling that he had something at stake in the matter--it usually struck him as his reputation for ordinary wit--devoted to his graceless charge an amount of attention of which note was duly taken and which had at least the effect of keeping the poor fellow alive. One of his lungs began to heal, the other promised to follow its example, and he was assured he might outweather a dozen winters if he would betake himself to those climates in which consumptives chiefly congregate. As he had grown extremely fond of London, he cursed the flatness of exile: but at the same time that he cursed he conformed, and gradually, when he found his sensitive organ grateful even for grim favours, he conferred them with a lighter hand. He wintered abroad, as the phrase is; basked in the sun, stopped at home when the wind blew, went to bed when it rained, and once or twice, when it had snowed overnight, almost never got up again. A secret hoard of indifference--like a thick cake a fond old nurse might have slipped into his first school outfit--came to his aid and helped to reconcile him to sacrifice; since at the best he was too ill for aught but that arduous game. As he said to himself, there was really nothing he had wanted very much to do, so that he had at least not renounced the field of valour. At present, however, the fragrance of forbidden fruit seemed occasionally to float past him and remind him that the finest of pleasures is the rush of action. Living as he now lived was like reading a good book in a poor translation--a meagre entertainment for a young man who felt that he might have been an excellent linguist. He had good winters and poor winters, and while the former lasted he was sometimes the sport of a vision of virtual recovery. But this vision was dispelled some three years before the occurrence of the incidents with which this history opens: he had on that occasion remained later than usual in England and had been overtaken by bad weather before reaching Algiers. He arrived more dead than alive and lay there for several weeks between life and death. His convalescence was a miracle, but the first use he made of it was to assure himself that such miracles happen but once. He said to himself that his hour was in sight and that it behoved him to keep his eyes upon it, yet that it was also open to him to spend the interval as agreeably as might be consistent with such a preoccupation. With the prospect of losing them the simple use of his faculties became an exquisite pleasure; it seemed to him the joys of contemplation had never been sounded. He was far from the time when he had found it hard that he should be obliged to give up the idea of distinguishing himself; an idea none the less importunate for being vague and none the less delightful for having had to struggle in the same breast with bursts of inspiring self-criticism. His friends at present judged him more cheerful, and attributed it to a theory, over which they shook their heads knowingly, that he would recover his health. His serenity was but the array of wild flowers niched in his ruin. It was very probably this sweet-tasting property of the observed thing in itself that was mainly concerned in Ralph's quickly-stirred interest in the advent of a young lady who was evidently not insipid. If he was consideringly disposed, something told him, here was occupation enough for a succession of days. It may be added, in summary fashion, that the imagination of loving--as distinguished from that of being loved--had still a place in his reduced sketch. He had only forbidden himself the riot of expression. However, he shouldn't inspire his cousin with a passion, nor would she be able, even should she try, to help him to one. "And now tell me about the young lady," he said to his mother. "What do you mean to do with her?" Mrs. Touchett was prompt. "I mean to ask your father to invite her to stay three or four weeks at Gardencourt." "You needn't stand on any such ceremony as that," said Ralph. "My father will ask her as a matter of course." "I don't know about that. She's my niece; she's not his." "Good Lord, dear mother; what a sense of property! That's all the more reason for his asking her. But after that--I mean after three months (for its absurd asking the poor girl to remain but for three or four paltry weeks)--what do you mean to do with her?" "I mean to take her to Paris. I mean to get her clothing." "Ah yes, that's of course. But independently of that?" "I shall invite her to spend the autumn with me in Florence." "You don't rise above detail, dear mother," said Ralph. "I should like to know what you mean to do with her in a general way." "My duty!" Mrs. Touchett declared. "I suppose you pity her very much," she added. "No, I don't think I pity her. She doesn't strike me as inviting compassion. I think I envy her. Before being sure, however, give me a hint of where you see your duty." "In showing her four European countries--I shall leave her the choice of two of them--and in giving her the opportunity of perfecting herself in French, which she already knows very well." Ralph frowned a little. "That sounds rather dry--even allowing her the choice of two of the countries." "If it's dry," said his mother with a laugh, "you can leave Isabel alone to water it! She is as good as a summer rain, any day." "Do you mean she's a gifted being?" "I don't know whether she's a gifted being, but she's a clever girl--with a strong will and a high temper. She has no idea of being bored." "I can imagine that," said Ralph; and then he added abruptly: "How do you two get on?" "Do you mean by that that I'm a bore? I don't think she finds me one. Some girls might, I know; but Isabel's too clever for that. I think I greatly amuse her. We get on because I understand her, I know the sort of girl she is. She's very frank, and I'm very frank: we know just what to expect of each other." "Ah, dear mother," Ralph exclaimed, "one always knows what to expect of you! You've never surprised me but once, and that's to-day--in presenting me with a pretty cousin whose existence I had never suspected." "Do you think her so very pretty?" "Very pretty indeed; but I don't insist upon that. It's her general air of being some one in particular that strikes me. Who is this rare creature, and what is she? Where did you find her, and how did you make her acquaintance?" "I found her in an old house at Albany, sitting in a dreary room on a rainy day, reading a heavy book and boring herself to death. She didn't know she was bored, but when I left her no doubt of it she seemed very grateful for the service. You may say I shouldn't have enlightened he--I should have let her alone. There's a good deal in that, but I acted conscientiously; I thought she was meant for something better. It occurred to me that it would be a kindness to take her about and introduce her to the world. She thinks she knows a great deal of it--like most American girls; but like most American girls she's ridiculously mistaken. If you want to know, I thought she would do me credit. I like to be well thought of, and for a woman of my age there's no greater convenience, in some ways, than an attractive niece. You know I had seen nothing of my sister's children for years; I disapproved entirely of the father. But I always meant to do something for them when he should have gone to his reward. I ascertained where they were to be found and, without any preliminaries, went and introduced myself. There are two others of them, both of whom are married; but I saw only the elder, who has, by the way, a very uncivil husband. The wife, whose name is Lily, jumped at the idea of my taking an interest in Isabel; she said it was just what her sister needed--that some one should take an interest in her. She spoke of her as you might speak of some young person of genius--in want of encouragement and patronage. It may be that Isabel's a genius; but in that case I've not yet learned her special line. Mrs. Ludlow was especially keen about my taking her to Europe; they all regard Europe over there as a land of emigration, of rescue, a refuge for their superfluous population. Isabel herself seemed very glad to come, and the thing was easily arranged. There was a little difficulty about the money-question, as she seemed averse to being under pecuniary obligations. But she has a small income and she supposes herself to be travelling at her own expense." Ralph had listened attentively to this judicious report, by which his interest in the subject of it was not impaired. "Ah, if she's a genius," he said, "we must find out her special line. Is it by chance for flirting?" "I don't think so. You may suspect that at first, but you'll be wrong. You won't, I think, in any way, be easily right about her." "Warburton's wrong then!" Ralph rejoicingly exclaimed. "He flatters himself he has made that discovery." His mother shook her head. "Lord Warburton won't understand her. He needn't try." "He's very intelligent," said Ralph; "but it's right he should be puzzled once in a while." "Isabel will enjoy puzzling a lord," Mrs. Touchett remarked. Her son frowned a little. "What does she know about lords?" "Nothing at all: that will puzzle him all the more." Ralph greeted these words with a laugh and looked out of the window. Then, "Are you not going down to see my father?" he asked. "At a quarter to eight," said Mrs. Touchett. Her son looked at his watch. "You've another quarter of an hour then. Tell me some more about Isabel." After which, as Mrs. Touchett declined his invitation, declaring that he must find out for himself, "Well," he pursued, "she'll certainly do you credit. But won't she also give you trouble?" "I hope not; but if she does I shall not shrink from it. I never do that." "She strikes me as very natural," said Ralph. "Natural people are not the most trouble." "No," said Ralph; "you yourself are a proof of that. You're extremely natural, and I'm sure you have never troubled any one. It takes trouble to do that. But tell me this; it just occurs to me. Is Isabel capable of making herself disagreeable?" "Ah," cried his mother, "you ask too many questions! Find that out for yourself." His questions, however, were not exhausted. "All this time," he said, "you've not told me what you intend to do with her." "Do with her? You talk as if she were a yard of calico. I shall do absolutely nothing with her, and she herself will do everything she chooses. She gave me notice of that." "What you meant then, in your telegram, was that her character's independent." "I never know what I mean in my telegrams--especially those I send from America. Clearness is too expensive. Come down to your father." "It's not yet a quarter to eight," said Ralph. "I must allow for his impatience," Mrs. Touchett answered. Ralph knew what to think of his father's impatience; but, making no rejoinder, he offered his mother his arm. This put it in his power, as they descended together, to stop her a moment on the middle landing of the staircase--the broad, low, wide-armed staircase of time-blackened oak which was one of the most striking features of Gardencourt. "You've no plan of marrying her?" he smiled. "Marrying her? I should be sorry to play her such a trick! But apart from that, she's perfectly able to marry herself. She has every facility." "Do you mean to say she has a husband picked out?" "I don't know about a husband, but there's a young man in Boston--!" Ralph went on; he had no desire to hear about the young man in Boston. "As my father says, they're always engaged!" His mother had told him that he must satisfy his curiosity at the source, and it soon became evident he should not want for occasion. He had a good deal of talk with his young kinswoman when the two had been left together in the drawing-room. Lord Warburton, who had ridden over from his own house, some ten miles distant, remounted and took his departure before dinner; and an hour after this meal was ended Mr. and Mrs. Touchett, who appeared to have quite emptied the measure of their forms, withdrew, under the valid pretext of fatigue, to their respective apartments. The young man spent an hour with his cousin; though she had been travelling half the day she appeared in no degree spent. She was really tired; she knew it, and knew she should pay for it on the morrow; but it was her habit at this period to carry exhaustion to the furthest point and confess to it only when dissimulation broke down. A fine hypocrisy was for the present possible; she was interested; she was, as she said to herself, floated. She asked Ralph to show her the pictures; there were a great many in the house, most of them of his own choosing. The best were arranged in an oaken gallery, of charming proportions, which had a sitting-room at either end of it and which in the evening was usually lighted. The light was insufficient to show the pictures to advantage, and the visit might have stood over to the morrow. This suggestion Ralph had ventured to make; but Isabel looked disappointed--smiling still, however--and said: "If you please I should like to see them just a little." She was eager, she knew she was eager and now seemed so; she couldn't help it. "She doesn't take suggestions," Ralph said to himself; but he said it without irritation; her pressure amused and even pleased him. The lamps were on brackets, at intervals, and if the light was imperfect it was genial. It fell upon the vague squares of rich colour and on the faded gilding of heavy frames; it made a sheen on the polished floor of the gallery. Ralph took a candlestick and moved about, pointing out the things he liked; Isabel, inclining to one picture after another, indulged in little exclamations and murmurs. She was evidently a judge; she had a natural taste; he was struck with that. She took a candlestick herself and held it slowly here and there; she lifted it high, and as she did so he found himself pausing in the middle of the place and bending his eyes much less upon the pictures than on her presence. He lost nothing, in truth, by these wandering glances, for she was better worth looking at than most works of art. She was undeniably spare, and ponderably light, and proveably tall; when people had wished to distinguish her from the other two Miss Archers they had always called her the willowy one. Her hair, which was dark even to blackness, had been an object of envy to many women; her light grey eyes, a little too firm perhaps in her graver moments, had an enchanting range of concession. They walked slowly up one side of the gallery and down the other, and then she said: "Well, now I know more than I did when I began!" "You apparently have a great passion for knowledge," her cousin returned. "I think I have; most girls are horridly ignorant." "You strike me as different from most girls." "Ah, some of them would--but the way they're talked to!" murmured Isabel, who preferred not to dilate just yet on herself. Then in a moment, to change the subject, "Please tell me--isn't there a ghost?" she went on. "A ghost?" "A castle-spectre, a thing that appears. We call them ghosts in America." "So we do here, when we see them." "You do see them then? You ought to, in this romantic old house." "It's not a romantic old house," said Ralph. "You'll be disappointed if you count on that. It's a dismally prosaic one; there's no romance here but what you may have brought with you." "I've brought a great deal; but it seems to me I've brought it to the right place." "To keep it out of harm, certainly; nothing will ever happen to it here, between my father and me." Isabel looked at him a moment. "Is there never any one here but your father and you?" "My mother, of course." "Oh, I know your mother; she's not romantic. Haven't you other people?" "Very few." "I'm sorry for that; I like so much to see people." "Oh, we'll invite all the county to amuse you," said Ralph. "Now you're making fun of me," the girl answered rather gravely. "Who was the gentleman on the lawn when I arrived?" "A county neighbour; he doesn't come very often." "I'm sorry for that; I liked him," said Isabel. "Why, it seemed to me that you barely spoke to him," Ralph objected. "Never mind, I like him all the same. I like your father too, immensely." "You can't do better than that. He's the dearest of the dear." "I'm so sorry he is ill," said Isabel. "You must help me to nurse him; you ought to be a good nurse." "I don't think I am; I've been told I'm not; I'm said to have too many theories. But you haven't told me about the ghost," she added. Ralph, however, gave no heed to this observation. "You like my father and you like Lord Warburton. I infer also that you like my mother." "I like your mother very much, because--because--" And Isabel found herself attempting to assign a reason for her affection for Mrs. Touchett. "Ah, we never know why!" said her companion, laughing. "I always know why," the girl answered. "It's because she doesn't expect one to like her. She doesn't care whether one does or not." "So you adore her--out of perversity? Well, I take greatly after my mother," said Ralph. "I don't believe you do at all. You wish people to like you, and you try to make them do it." "Good heavens, how you see through one!" he cried with a dismay that was not altogether jocular. "But I like you all the same," his cousin went on. "The way to clinch the matter will be to show me the ghost." Ralph shook his head sadly. "I might show it to you, but you'd never see it. The privilege isn't given to every one; it's not enviable. It has never been seen by a young, happy, innocent person like you. You must have suffered first, have suffered greatly, have gained some miserable knowledge. In that way your eyes are opened to it. I saw it long ago," said Ralph. "I told you just now I'm very fond of knowledge," Isabel answered. "Yes, of happy knowledge--of pleasant knowledge. But you haven't suffered, and you're not made to suffer. I hope you'll never see the ghost!" She had listened to him attentively, with a smile on her lips, but with a certain gravity in her eyes. Charming as he found her, she had struck him as rather presumptuous--indeed it was a part of her charm; and he wondered what she would say. "I'm not afraid, you know," she said: which seemed quite presumptuous enough. "You're not afraid of suffering?" "Yes, I'm afraid of suffering. But I'm not afraid of ghosts. And I think people suffer too easily," she added. "I don't believe you do," said Ralph, looking at her with his hands in his pockets. "I don't think that's a fault," she answered. "It's not absolutely necessary to suffer; we were not made for that." "You were not, certainly." "I'm not speaking of myself." And she wandered off a little. "No, it isn't a fault," said her cousin. "It's a merit to be strong." "Only, if you don't suffer they call you hard," Isabel remarked. They passed out of the smaller drawing-room, into which they had returned from the gallery, and paused in the hall, at the foot of the staircase. Here Ralph presented his companion with her bedroom candle, which he had taken from a niche. "Never mind what they call you. When you do suffer they call you an idiot. The great point's to be as happy as possible." She looked at him a little; she had taken her candle and placed her foot on the oaken stair. "Well," she said, "that's what I came to Europe for, to be as happy as possible. Good-night." "Good-night! I wish you all success, and shall be very glad to contribute to it!" She turned away, and he watched her as she slowly ascended. Then, with his hands always in his pockets, he went back to the empty drawing-room.

Chapter 5

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At the opening of Chapter 5, Ralph Touchett knocks on his mother's door eagerly. His mother is described as being more fatherly, her father, as more motherly. Ralph's father, Mr. Daniel Touchett, is described as having adopted England as his country because he found it sane and accommodating. Yet he also had no great desire to render himself less American. Ralph therefore spent many terms at an American school, has a degree from an American university, but he also spent three years at Oxford. Ralph is therefore well accustomed to English manners, and appeared English from the outside, but his mind is described as enjoying independence. He did well at Oxford, but he was prevented from having a successful career in England because he was American. Ralph admires his father but has no aptitude for banking himself. Ralph appreciates his father's "fine ivory surface" mostly -- that is, his father's impenetrability to the ideas of others, his father's "originality". Mr. Daniel Touchett has been successful because he is less pliant than many other Americans. Ralph had worked briefly at his father's bank before he caught a violent sickness; he is a consumptive. This is a deadly disease, but it is described optimistically, insofar as Ralph believes he will survive quite a few winters. He always goes abroad during the winter because of this disease. He comforts himself with the thought that he had not really had ambition to do much in his life in the first place. One winter though, he stayed too long in England, and arrived more "dead than alive" in Algiers. After this scare, his attitude changed: he no longer felt he had to struggle to distinguish himself. His friends then know him as more serene. He though does still have the prospect of being in love in his future, although he has forbidden himself an "expression" of this. Ralph Touchett converses with his mother about Isabel, and he jokes that he speaks about her like a piece of "property". He asks what she means to do with her. Mrs. Touchett answers practically, when Ralph has asked the question in the abstract. Mrs. Touchett talks about buying her clothing, bringing her to Paris, and so forth. I should like to know what you mean to do with her in a general way," Ralph responds. Mrs. Touchett tells Ralph where she found Isabel. She thinks Isabel may be a "genius," but she does not yet know in what. Ralph asks if she is a genius in flirting, as Lord Warburton has suggested that to him, but Mrs. Touchett thinks that is not where Isabel's talents lie. Ralph delights in the idea that Isabel might be a "puzzle" to Lord Warburton. Ralph persists in asking what Mrs. Touchett plans to "do" with her, and then asks if she plans to get her to marry someone in Europe. Mrs. Touchett responds, "She's perfectly able to marry herself," implying that she does not plan on assisting her in that regard. Mrs. Touchett does not know if Isabel is already engaged. Ralph then goes to show Isabel around the house. He watches her inspecting some of the art in their gallery, and he notes that she has "taste" and a judging eye. He also notes that she has a great passion for knowledge. Isabel wants to know if there is a ghost in their mansion. Ralph responds that their house is "dismally prosaic" and that there is no romance there "but what you may have brought with you ". Isabel asks if there are more people around there house, saying that she liked Ralph's father and his friend, Lord Warburton. She also likes Mrs. Touchett, she declares, because Mrs. Touchett does not expect one to like her. She goes on to assert that she likes Ralph too, even though he is the opposite of Mrs. Touchett in caring what others think of him. Isabel and Ralph conclude the conversation by agreeing that the great point is to be as happy as possible, and that one does not need to suffer

The narrator, in Chapter 6, portrays Isabel in a less flattering light. She is naive and thinks highly of herself even though she has never been put to the test. He foreshadows that such a test though, will come, and that this test will test her philosophy that she can really appear as she really is. Will Isabel end up being a hypocrite in appearing to be something she is not? Henry James' early and mid-career novels often bring up the "American theme" in which an American goes to Europe, bringing some freshness, innocence, money, moral Puritanism and hope to a decadent culture. These Americans are often disappointed in their expectations though. The Touchetts are depicted as an American family who are successful in Europe in spite of their American qualities. Ralph though, notably, is not quite a success. He has money and European manners, but he has not married into the aristocratic class. When Isabel and her uncle discuss the prospect of Isabel's "success," the actual pathway to success seems unclear. It is altogether possible that Isabel conceives of such success in such abstract terms as her own like-ability, and that Mr. Touchett is thinking of it practically -- in terms of her ability to marry into the upper echelons of society, and to achieve the same respect that a European aristocrat would achieve. Isabel's mind does not seem quite capable of formulating the concrete idea of marriage, and instead her desire for love seems to be frightening to her, a very vague idea that she does not want to assume concrete form, since it might threaten her notion of independence. Either way, it is a difficult task to be "successful" in Europe, because Americans were seen as coming from a less-respected culture and a lack of tradition. Ralph's observation that Isabel has good taste in painting foreshadows that Isabel will find herself interested in European aesthetics, a conventional aspect of European culture, even while she contradictorily critiques "conventionality" in a general sense.

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all_chapterized_books/2833-chapters/06.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_3_part_2.txt

The Portrait of a Lady.chapter 6

chapter 6

{"name": "Chapter 6", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-5-6", "summary": "In Chapter 6, the narrator embarks on more description of Isabel's history, and other's perceptions of her. He describes Isabel as being an active young person \"of many theories\" with a \"finer mind\" than most others, and a \"larger perception\" of facts. One of her aunts, Mrs. Varian, once started a rumor that she was writing a novel, but Isabel had never attempted to do so. She is not a novelist, for she has no talent for expression. She is not exactly a genius, but she does regard herself highly, thinking that people are right in treating her as superior. Thus the narrator says she might be guilty of the \"sin of self-esteem\". Her actual thoughts though are described as a \"tangle of vague outlines which had never been corrected by the judgment of people speaking with authority\" and she had her own, stubborn way in her own unclear opinions. It seems to be her philosophy that life was only worth living if one thinks well of one's self. According to her, the worst thing that could happen to her seems to be that she might cause injury to someone else. She is unaware of the evil in the world, and flattered herself that she would never sink to the dangers of inconsistency which high self-esteem often brought: \"Her life should always be in harmony with the most pleasing impression she could produce; she would be what she appeared, and she would appear what she was\". She sometimes even imagines herself finding herself in a difficult, so that she might arise as a hero of the occasion, and prove herself. The narrator muses that Isabel might be a subject worthy of a scientific criticism were it not for her tendency to awaken the reader's tenderness. Isabel has a friend named Henrietta Stackpole, who is a journalist and financially independent. Henrietta is representative of a progressive woman who has \"clear cut views\" and is very radically liberal. Isabel thinks Henrietta is proof that a woman can be independent and happy. In respect to her own independence, Isabel's \"deepest\" thought in her mind is described as being the belief that she could give herself completely if a man should present herself as a husband, but she also finds the image \"formidable\" more than \"attractive\". Her mind only hovers around this thought. She sometimes even feels that she is immodest in being so happy, thinking others less unfortunate than herself. Overall she returns to the general theory that a young woman who everyone thinks is clever needs to get a \"general impression of life\". Isabel and her uncle get along quite well. She asks him many questions, and he provides her with a great number of answers about British politics and manners, neighborhood gossip. Isabel wonders if his description of things accords with the descriptions in books; and he responds that he would not know, having been always interested in finding things out in their natural form. Isabel notes that the people in Europe are not very kind to girls in novels, and wonders if they will similarly abuse her. Mr. Touchett notes that he was once incorporated into a novelist's description of England in a caricatured form -- and thus, people in novels are not always depicted accurately. He also expresses to Isabel that one advantage of being an American in Europe is that one does not belong to any class, unlike Europeans, who all belong to a class. Isabel thinks she will not be successful in Europe if Europeans prove to be conventional. Mr. Touchett thinks it's already been settled that Isabel will be a \"success\" in Europe", "analysis": "The narrator, in Chapter 6, portrays Isabel in a less flattering light. She is naive and thinks highly of herself even though she has never been put to the test. He foreshadows that such a test though, will come, and that this test will test her philosophy that she can really appear as she really is. Will Isabel end up being a hypocrite in appearing to be something she is not? Henry James' early and mid-career novels often bring up the \"American theme\" in which an American goes to Europe, bringing some freshness, innocence, money, moral Puritanism and hope to a decadent culture. These Americans are often disappointed in their expectations though. The Touchetts are depicted as an American family who are successful in Europe in spite of their American qualities. Ralph though, notably, is not quite a success. He has money and European manners, but he has not married into the aristocratic class. When Isabel and her uncle discuss the prospect of Isabel's \"success,\" the actual pathway to success seems unclear. It is altogether possible that Isabel conceives of such success in such abstract terms as her own like-ability, and that Mr. Touchett is thinking of it practically -- in terms of her ability to marry into the upper echelons of society, and to achieve the same respect that a European aristocrat would achieve. Isabel's mind does not seem quite capable of formulating the concrete idea of marriage, and instead her desire for love seems to be frightening to her, a very vague idea that she does not want to assume concrete form, since it might threaten her notion of independence. Either way, it is a difficult task to be \"successful\" in Europe, because Americans were seen as coming from a less-respected culture and a lack of tradition. Ralph's observation that Isabel has good taste in painting foreshadows that Isabel will find herself interested in European aesthetics, a conventional aspect of European culture, even while she contradictorily critiques \"conventionality\" in a general sense."}

Isabel Archer was a young person of many theories; her imagination was remarkably active. It had been her fortune to possess a finer mind than most of the persons among whom her lot was cast; to have a larger perception of surrounding facts and to care for knowledge that was tinged with the unfamiliar. It is true that among her contemporaries she passed for a young woman of extraordinary profundity; for these excellent people never withheld their admiration from a reach of intellect of which they themselves were not conscious, and spoke of Isabel as a prodigy of learning, a creature reported to have read the classic authors--in translations. Her paternal aunt, Mrs. Varian, once spread the rumour that Isabel was writing a book--Mrs. Varian having a reverence for books, and averred that the girl would distinguish herself in print. Mrs. Varian thought highly of literature, for which she entertained that esteem that is connected with a sense of privation. Her own large house, remarkable for its assortment of mosaic tables and decorated ceilings, was unfurnished with a library, and in the way of printed volumes contained nothing but half a dozen novels in paper on a shelf in the apartment of one of the Miss Varians. Practically, Mrs. Varian's acquaintance with literature was confined to The New York Interviewer; as she very justly said, after you had read the Interviewer you had lost all faith in culture. Her tendency, with this, was rather to keep the Interviewer out of the way of her daughters; she was determined to bring them up properly, and they read nothing at all. Her impression with regard to Isabel's labours was quite illusory; the girl had never attempted to write a book and had no desire for the laurels of authorship. She had no talent for expression and too little of the consciousness of genius; she only had a general idea that people were right when they treated her as if she were rather superior. Whether or no she were superior, people were right in admiring her if they thought her so; for it seemed to her often that her mind moved more quickly than theirs, and this encouraged an impatience that might easily be confounded with superiority. It may be affirmed without delay that Isabel was probably very liable to the sin of self-esteem; she often surveyed with complacency the field of her own nature; she was in the habit of taking for granted, on scanty evidence, that she was right; she treated herself to occasions of homage. Meanwhile her errors and delusions were frequently such as a biographer interested in preserving the dignity of his subject must shrink from specifying. Her thoughts were a tangle of vague outlines which had never been corrected by the judgement of people speaking with authority. In matters of opinion she had had her own way, and it had led her into a thousand ridiculous zigzags. At moments she discovered she was grotesquely wrong, and then she treated herself to a week of passionate humility. After this she held her head higher than ever again; for it was of no use, she had an unquenchable desire to think well of herself. She had a theory that it was only under this provision life was worth living; that one should be one of the best, should be conscious of a fine organisation (she couldn't help knowing her organisation was fine), should move in a realm of light, of natural wisdom, of happy impulse, of inspiration gracefully chronic. It was almost as unnecessary to cultivate doubt of one's self as to cultivate doubt of one's best friend: one should try to be one's own best friend and to give one's self, in this manner, distinguished company. The girl had a certain nobleness of imagination which rendered her a good many services and played her a great many tricks. She spent half her time in thinking of beauty and bravery and magnanimity; she had a fixed determination to regard the world as a place of brightness, of free expansion, of irresistible action: she held it must be detestable to be afraid or ashamed. She had an infinite hope that she should never do anything wrong. She had resented so strongly, after discovering them, her mere errors of feeling (the discovery always made her tremble as if she had escaped from a trap which might have caught her and smothered her) that the chance of inflicting a sensible injury upon another person, presented only as a contingency, caused her at moments to hold her breath. That always struck her as the worst thing that could happen to her. On the whole, reflectively, she was in no uncertainty about the things that were wrong. She had no love of their look, but when she fixed them hard she recognised them. It was wrong to be mean, to be jealous, to be false, to be cruel; she had seen very little of the evil of the world, but she had seen women who lied and who tried to hurt each other. Seeing such things had quickened her high spirit; it seemed indecent not to scorn them. Of course the danger of a high spirit was the danger of inconsistency--the danger of keeping up the flag after the place has surrendered; a sort of behaviour so crooked as to be almost a dishonour to the flag. But Isabel, who knew little of the sorts of artillery to which young women are exposed, flattered herself that such contradictions would never be noted in her own conduct. Her life should always be in harmony with the most pleasing impression she should produce; she would be what she appeared, and she would appear what she was. Sometimes she went so far as to wish that she might find herself some day in a difficult position, so that she should have the pleasure of being as heroic as the occasion demanded. Altogether, with her meagre knowledge, her inflated ideals, her confidence at once innocent and dogmatic, her temper at once exacting and indulgent, her mixture of curiosity and fastidiousness, of vivacity and indifference, her desire to look very well and to be if possible even better, her determination to see, to try, to know, her combination of the delicate, desultory, flame-like spirit and the eager and personal creature of conditions: she would be an easy victim of scientific criticism if she were not intended to awaken on the reader's part an impulse more tender and more purely expectant. It was one of her theories that Isabel Archer was very fortunate in being independent, and that she ought to make some very enlightened use of that state. She never called it the state of solitude, much less of singleness; she thought such descriptions weak, and, besides, her sister Lily constantly urged her to come and abide. She had a friend whose acquaintance she had made shortly before her father's death, who offered so high an example of useful activity that Isabel always thought of her as a model. Henrietta Stackpole had the advantage of an admired ability; she was thoroughly launched in journalism, and her letters to the Interviewer, from Washington, Newport, the White Mountains and other places, were universally quoted. Isabel pronounced them with confidence "ephemeral," but she esteemed the courage, energy and good-humour of the writer, who, without parents and without property, had adopted three of the children of an infirm and widowed sister and was paying their school-bills out of the proceeds of her literary labour. Henrietta was in the van of progress and had clear-cut views on most subjects; her cherished desire had long been to come to Europe and write a series of letters to the Interviewer from the radical point of view--an enterprise the less difficult as she knew perfectly in advance what her opinions would be and to how many objections most European institutions lay open. When she heard that Isabel was coming she wished to start at once; thinking, naturally, that it would be delightful the two should travel together. She had been obliged, however, to postpone this enterprise. She thought Isabel a glorious creature, and had spoken of her covertly in some of her letters, though she never mentioned the fact to her friend, who would not have taken pleasure in it and was not a regular student of the Interviewer. Henrietta, for Isabel, was chiefly a proof that a woman might suffice to herself and be happy. Her resources were of the obvious kind; but even if one had not the journalistic talent and a genius for guessing, as Henrietta said, what the public was going to want, one was not therefore to conclude that one had no vocation, no beneficent aptitude of any sort, and resign one's self to being frivolous and hollow. Isabel was stoutly determined not to be hollow. If one should wait with the right patience one would find some happy work to one's hand. Of course, among her theories, this young lady was not without a collection of views on the subject of marriage. The first on the list was a conviction of the vulgarity of thinking too much of it. From lapsing into eagerness on this point she earnestly prayed she might be delivered; she held that a woman ought to be able to live to herself, in the absence of exceptional flimsiness, and that it was perfectly possible to be happy without the society of a more or less coarse-minded person of another sex. The girl's prayer was very sufficiently answered; something pure and proud that there was in her--something cold and dry an unappreciated suitor with a taste for analysis might have called it--had hitherto kept her from any great vanity of conjecture on the article of possible husbands. Few of the men she saw seemed worth a ruinous expenditure, and it made her smile to think that one of them should present himself as an incentive to hope and a reward of patience. Deep in her soul--it was the deepest thing there--lay a belief that if a certain light should dawn she could give herself completely; but this image, on the whole, was too formidable to be attractive. Isabel's thoughts hovered about it, but they seldom rested on it long; after a little it ended in alarms. It often seemed to her that she thought too much about herself; you could have made her colour, any day in the year, by calling her a rank egoist. She was always planning out her development, desiring her perfection, observing her progress. Her nature had, in her conceit, a certain garden-like quality, a suggestion of perfume and murmuring boughs, of shady bowers and lengthening vistas, which made her feel that introspection was, after all, an exercise in the open air, and that a visit to the recesses of one's spirit was harmless when one returned from it with a lapful of roses. But she was often reminded that there were other gardens in the world than those of her remarkable soul, and that there were moreover a great many places which were not gardens at all--only dusky pestiferous tracts, planted thick with ugliness and misery. In the current of that repaid curiosity on which she had lately been floating, which had conveyed her to this beautiful old England and might carry her much further still, she often checked herself with the thought of the thousands of people who were less happy than herself--a thought which for the moment made her fine, full consciousness appear a kind of immodesty. What should one do with the misery of the world in a scheme of the agreeable for one's self? It must be confessed that this question never held her long. She was too young, too impatient to live, too unacquainted with pain. She always returned to her theory that a young woman whom after all every one thought clever should begin by getting a general impression of life. This impression was necessary to prevent mistakes, and after it should be secured she might make the unfortunate condition of others a subject of special attention. England was a revelation to her, and she found herself as diverted as a child at a pantomime. In her infantine excursions to Europe she had seen only the Continent, and seen it from the nursery window; Paris, not London, was her father's Mecca, and into many of his interests there his children had naturally not entered. The images of that time moreover had grown faint and remote, and the old-world quality in everything that she now saw had all the charm of strangeness. Her uncle's house seemed a picture made real; no refinement of the agreeable was lost upon Isabel; the rich perfection of Gardencourt at once revealed a world and gratified a need. The large, low rooms, with brown ceilings and dusky corners, the deep embrasures and curious casements, the quiet light on dark, polished panels, the deep greenness outside, that seemed always peeping in, the sense of well-ordered privacy in the centre of a "property"--a place where sounds were felicitously accidental, where the tread was muffed by the earth itself and in the thick mild air all friction dropped out of contact and all shrillness out of talk--these things were much to the taste of our young lady, whose taste played a considerable part in her emotions. She formed a fast friendship with her uncle, and often sat by his chair when he had had it moved out to the lawn. He passed hours in the open air, sitting with folded hands like a placid, homely household god, a god of service, who had done his work and received his wages and was trying to grow used to weeks and months made up only of off-days. Isabel amused him more than she suspected--the effect she produced upon people was often different from what she supposed--and he frequently gave himself the pleasure of making her chatter. It was by this term that he qualified her conversation, which had much of the "point" observable in that of the young ladies of her country, to whom the ear of the world is more directly presented than to their sisters in other lands. Like the mass of American girls Isabel had been encouraged to express herself; her remarks had been attended to; she had been expected to have emotions and opinions. Many of her opinions had doubtless but a slender value, many of her emotions passed away in the utterance; but they had left a trace in giving her the habit of seeming at least to feel and think, and in imparting moreover to her words when she was really moved that prompt vividness which so many people had regarded as a sign of superiority. Mr. Touchett used to think that she reminded him of his wife when his wife was in her teens. It was because she was fresh and natural and quick to understand, to speak--so many characteristics of her niece--that he had fallen in love with Mrs. Touchett. He never expressed this analogy to the girl herself, however; for if Mrs. Touchett had once been like Isabel, Isabel was not at all like Mrs. Touchett. The old man was full of kindness for her; it was a long time, as he said, since they had had any young life in the house; and our rustling, quickly-moving, clear-voiced heroine was as agreeable to his sense as the sound of flowing water. He wanted to do something for her and wished she would ask it of him. She would ask nothing but questions; it is true that of these she asked a quantity. Her uncle had a great fund of answers, though her pressure sometimes came in forms that puzzled him. She questioned him immensely about England, about the British constitution, the English character, the state of politics, the manners and customs of the royal family, the peculiarities of the aristocracy, the way of living and thinking of his neighbours; and in begging to be enlightened on these points she usually enquired whether they corresponded with the descriptions in the books. The old man always looked at her a little with his fine dry smile while he smoothed down the shawl spread across his legs. "The books?" he once said; "well, I don't know much about the books. You must ask Ralph about that. I've always ascertained for myself--got my information in the natural form. I never asked many questions even; I just kept quiet and took notice. Of course I've had very good opportunities--better than what a young lady would naturally have. I'm of an inquisitive disposition, though you mightn't think it if you were to watch me: however much you might watch me I should be watching you more. I've been watching these people for upwards of thirty-five years, and I don't hesitate to say that I've acquired considerable information. It's a very fine country on the whole--finer perhaps than what we give it credit for on the other side. Several improvements I should like to see introduced; but the necessity of them doesn't seem to be generally felt as yet. When the necessity of a thing is generally felt they usually manage to accomplish it; but they seem to feel pretty comfortable about waiting till then. I certainly feel more at home among them than I expected to when I first came over; I suppose it's because I've had a considerable degree of success. When you're successful you naturally feel more at home." "Do you suppose that if I'm successful I shall feel at home?" Isabel asked. "I should think it very probable, and you certainly will be successful. They like American young ladies very much over here; they show them a great deal of kindness. But you mustn't feel too much at home, you know." "Oh, I'm by no means sure it will satisfy me," Isabel judicially emphasised. "I like the place very much, but I'm not sure I shall like the people." "The people are very good people; especially if you like them." "I've no doubt they're good," Isabel rejoined; "but are they pleasant in society? They won't rob me nor beat me; but will they make themselves agreeable to me? That's what I like people to do. I don't hesitate to say so, because I always appreciate it. I don't believe they're very nice to girls; they're not nice to them in the novels." "I don't know about the novels," said Mr. Touchett. "I believe the novels have a great deal but I don't suppose they're very accurate. We once had a lady who wrote novels staying here; she was a friend of Ralph's and he asked her down. She was very positive, quite up to everything; but she was not the sort of person you could depend on for evidence. Too free a fancy--I suppose that was it. She afterwards published a work of fiction in which she was understood to have given a representation--something in the nature of a caricature, as you might say--of my unworthy self. I didn't read it, but Ralph just handed me the book with the principal passages marked. It was understood to be a description of my conversation; American peculiarities, nasal twang, Yankee notions, stars and stripes. Well, it was not at all accurate; she couldn't have listened very attentively. I had no objection to her giving a report of my conversation, if she liked but I didn't like the idea that she hadn't taken the trouble to listen to it. Of course I talk like an American--I can't talk like a Hottentot. However I talk, I've made them understand me pretty well over here. But I don't talk like the old gentleman in that lady's novel. He wasn't an American; we wouldn't have him over there at any price. I just mention that fact to show you that they're not always accurate. Of course, as I've no daughters, and as Mrs. Touchett resides in Florence, I haven't had much chance to notice about the young ladies. It sometimes appears as if the young women in the lower class were not very well treated; but I guess their position is better in the upper and even to some extent in the middle." "Gracious," Isabel exclaimed; "how many classes have they? About fifty, I suppose." "Well, I don't know that I ever counted them. I never took much notice of the classes. That's the advantage of being an American here; you don't belong to any class." "I hope so," said Isabel. "Imagine one's belonging to an English class!" "Well, I guess some of them are pretty comfortable--especially towards the top. But for me there are only two classes: the people I trust and the people I don't. Of those two, my dear Isabel, you belong to the first." "I'm much obliged to you," said the girl quickly. Her way of taking compliments seemed sometimes rather dry; she got rid of them as rapidly as possible. But as regards this she was sometimes misjudged; she was thought insensible to them, whereas in fact she was simply unwilling to show how infinitely they pleased her. To show that was to show too much. "I'm sure the English are very conventional," she added. "They've got everything pretty well fixed," Mr. Touchett admitted. "It's all settled beforehand--they don't leave it to the last moment." "I don't like to have everything settled beforehand," said the girl. "I like more unexpectedness." Her uncle seemed amused at her distinctness of preference. "Well, it's settled beforehand that you'll have great success," he rejoined. "I suppose you'll like that." "I shall not have success if they're too stupidly conventional. I'm not in the least stupidly conventional. I'm just the contrary. That's what they won't like." "No, no, you're all wrong," said the old man. "You can't tell what they'll like. They're very inconsistent; that's their principal interest." "Ah well," said Isabel, standing before her uncle with her hands clasped about the belt of her black dress and looking up and down the lawn--"that will suit me perfectly!"

Chapter 6

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-5-6

In Chapter 6, the narrator embarks on more description of Isabel's history, and other's perceptions of her. He describes Isabel as being an active young person "of many theories" with a "finer mind" than most others, and a "larger perception" of facts. One of her aunts, Mrs. Varian, once started a rumor that she was writing a novel, but Isabel had never attempted to do so. She is not a novelist, for she has no talent for expression. She is not exactly a genius, but she does regard herself highly, thinking that people are right in treating her as superior. Thus the narrator says she might be guilty of the "sin of self-esteem". Her actual thoughts though are described as a "tangle of vague outlines which had never been corrected by the judgment of people speaking with authority" and she had her own, stubborn way in her own unclear opinions. It seems to be her philosophy that life was only worth living if one thinks well of one's self. According to her, the worst thing that could happen to her seems to be that she might cause injury to someone else. She is unaware of the evil in the world, and flattered herself that she would never sink to the dangers of inconsistency which high self-esteem often brought: "Her life should always be in harmony with the most pleasing impression she could produce; she would be what she appeared, and she would appear what she was". She sometimes even imagines herself finding herself in a difficult, so that she might arise as a hero of the occasion, and prove herself. The narrator muses that Isabel might be a subject worthy of a scientific criticism were it not for her tendency to awaken the reader's tenderness. Isabel has a friend named Henrietta Stackpole, who is a journalist and financially independent. Henrietta is representative of a progressive woman who has "clear cut views" and is very radically liberal. Isabel thinks Henrietta is proof that a woman can be independent and happy. In respect to her own independence, Isabel's "deepest" thought in her mind is described as being the belief that she could give herself completely if a man should present herself as a husband, but she also finds the image "formidable" more than "attractive". Her mind only hovers around this thought. She sometimes even feels that she is immodest in being so happy, thinking others less unfortunate than herself. Overall she returns to the general theory that a young woman who everyone thinks is clever needs to get a "general impression of life". Isabel and her uncle get along quite well. She asks him many questions, and he provides her with a great number of answers about British politics and manners, neighborhood gossip. Isabel wonders if his description of things accords with the descriptions in books; and he responds that he would not know, having been always interested in finding things out in their natural form. Isabel notes that the people in Europe are not very kind to girls in novels, and wonders if they will similarly abuse her. Mr. Touchett notes that he was once incorporated into a novelist's description of England in a caricatured form -- and thus, people in novels are not always depicted accurately. He also expresses to Isabel that one advantage of being an American in Europe is that one does not belong to any class, unlike Europeans, who all belong to a class. Isabel thinks she will not be successful in Europe if Europeans prove to be conventional. Mr. Touchett thinks it's already been settled that Isabel will be a "success" in Europe

The narrator, in Chapter 6, portrays Isabel in a less flattering light. She is naive and thinks highly of herself even though she has never been put to the test. He foreshadows that such a test though, will come, and that this test will test her philosophy that she can really appear as she really is. Will Isabel end up being a hypocrite in appearing to be something she is not? Henry James' early and mid-career novels often bring up the "American theme" in which an American goes to Europe, bringing some freshness, innocence, money, moral Puritanism and hope to a decadent culture. These Americans are often disappointed in their expectations though. The Touchetts are depicted as an American family who are successful in Europe in spite of their American qualities. Ralph though, notably, is not quite a success. He has money and European manners, but he has not married into the aristocratic class. When Isabel and her uncle discuss the prospect of Isabel's "success," the actual pathway to success seems unclear. It is altogether possible that Isabel conceives of such success in such abstract terms as her own like-ability, and that Mr. Touchett is thinking of it practically -- in terms of her ability to marry into the upper echelons of society, and to achieve the same respect that a European aristocrat would achieve. Isabel's mind does not seem quite capable of formulating the concrete idea of marriage, and instead her desire for love seems to be frightening to her, a very vague idea that she does not want to assume concrete form, since it might threaten her notion of independence. Either way, it is a difficult task to be "successful" in Europe, because Americans were seen as coming from a less-respected culture and a lack of tradition. Ralph's observation that Isabel has good taste in painting foreshadows that Isabel will find herself interested in European aesthetics, a conventional aspect of European culture, even while she contradictorily critiques "conventionality" in a general sense.

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The Portrait of a Lady.chapter 7

chapter 7

{"name": "Chapter 7", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-7-9", "summary": "Isabel and the Touchetts take to often talking about British politics and the British public. The house itself receives very few visitors, and so all these discussions are really more theoretical than based off of Isabel's own observations. Isabel finds herself often disagreeing with Mrs. Touchett on the subject of the British constitution purely because she is more sentimental than Mrs. Touchett. Isabel claims to have an \"American\" view, and Mrs. Touchett tells her that is a shockingly narrow idea. My point of view, thank God, is personal. Mrs. Touchett declares. Meanwhile, Isabel develops a closer relationship to Ralph, who she accuses of never treating anything seriously. He jokingly likes to paint her as representative of America, and although she fears being seen as narrow-minded, she plays along, pretending to yearn for America. Isabel feels a bit sorry for Ralph sometimes, and she even accuses him of being a \"humbug\" who does not care for anything. Ralph jokes that he cares for nothing but her. The narrator comments that in fact this is not so far from the truth, as Ralph thinks about her often. Before her arrival, he had often many heavy thoughts about his ill father that burdened him. Ralph felt that life would be tasteless without his father, and he had always thought his father would outlive him. With Isabel's presence, he is less preoccupied with such dark thoughts. He decides that he is not in love with her, but that she is like the \"finest work of art\". The question though that constantly arises in his mind though is: \"What was she going to do with herself. He decides that he wants to see for himself, whatever it may be. One day, Lord Warburton comes to visit at Gardencourt. Isabel finds that she likes him very much, and almost begins to think of him as a \"hero of romance\". One night, Mrs. Touchett, Ralph, Lord Warburton and Isabel are sitting in the drawing room after dinner. Mrs. Touchett stands up to go to bed and tells Isabel that she ought to bid the gentlemen good night. Isabel, without thinking, tells her aunt she would like to stay another half hour. Mrs. Touchett gives her a cold stare, reminding her that she is not in Albany. Isabel retorts, blushing, \"I wish I were\". Mrs. Touchett decides to simply stay up until Isabel wishes to go to bed. Afterwards, Mrs. Touchett tells her it was not proper to stay in the drawing room, and Isabel tells her she does not understand it, but is glad to know it. I always want to know the things one shouldn't do,\" Isabel says. The aunt asks, \"So as to do them. Isabel responds, \"So as to choose\"", "analysis": "Isabel is likened to an aesthetic object in Ralph's imagination, described as a \"fine work of art.\" It is interesting to read the parallel between our approach to works of art and to Isabel Archer. One typically assumes a disinterested attitude to a work of art, insofar as one sees something is beautiful without conceiving of a use for that particular work. Similarly, Ralph has no idea what Isabel is good at -- he has no idea what her genius is for. Furthermore, the title of the work is called \"the portrait of a lady,\" which likens Isabel's life to a pictorial painting. In the scene in the drawing room in Chapter 7, we get a first sense of how Isabel treats customs and manners that she does not understand. Mrs. Touchett thinks it is inappropriate for a young girl to stay alone with two unwed men late at night, but Isabel refuses to leave because she thinks the situation is perfectly innocent. When she finds out that such behavior is frowned upon, she is interested because it is a piece of knowledge -- not one that she will necessarily conform to, but rather one that will allow her to understand her options. This foreshadows the quality of her stubbornness: she will not behave as others want her to, but she wants to know how others want her to behave. These others will perceive her behavior though as simply doing the opposite of what they would like her to do. Chapter 8 is an analysis of Lord Warburton as a specimen of the age. He comes from a very privileged background, but he also sides theoretically with radicals rather than conservatives in terms of how the country might change for the causes of more social justice. Of course, this position is more theoretical, because the Touchetts believe Lord Warburton has such a radical opinion only because he lives in such luxury. In other words, thinking about the possibility of social change is a luxury which can contradictorily only be enjoyed from a position of privilege -- a privilege granted from the very institution which one might theoretically want to change. James is being critical of the possibility of society to really change given that the people in power do not benefit from its changing. In Chapter 9, we see Lord Warburton is beginning to fall in love with Isabel. Isabel's reacts both naively and coldly to this prospect: she seems to fear intimacy. This reaction is a reference to an earlier description of Isabel: the narrator has told us that the \"deepest\" thought in her mind is that she might one day give herself wholly to a man in marriage, a prospect which she finds more \"formidable\" than attractive . The reader then begins to ask himself/herself: why is Isabel afraid of this prospect? Does she fear personal intimacy? Does she fear sexual intimacy? Does she think that she will lose her own independence?"}

The two amused themselves, time and again, with talking of the attitude of the British public as if the young lady had been in a position to appeal to it; but in fact the British public remained for the present profoundly indifferent to Miss Isabel Archer, whose fortune had dropped her, as her cousin said, into the dullest house in England. Her gouty uncle received very little company, and Mrs. Touchett, not having cultivated relations with her husband's neighbours, was not warranted in expecting visits from them. She had, however, a peculiar taste; she liked to receive cards. For what is usually called social intercourse she had very little relish; but nothing pleased her more than to find her hall-table whitened with oblong morsels of symbolic pasteboard. She flattered herself that she was a very just woman, and had mastered the sovereign truth that nothing in this world is got for nothing. She had played no social part as mistress of Gardencourt, and it was not to be supposed that, in the surrounding country, a minute account should be kept of her comings and goings. But it is by no means certain that she did not feel it to be wrong that so little notice was taken of them and that her failure (really very gratuitous) to make herself important in the neighbourhood had not much to do with the acrimony of her allusions to her husband's adopted country. Isabel presently found herself in the singular situation of defending the British constitution against her aunt; Mrs. Touchett having formed the habit of sticking pins into this venerable instrument. Isabel always felt an impulse to pull out the pins; not that she imagined they inflicted any damage on the tough old parchment, but because it seemed to her her aunt might make better use of her sharpness. She was very critical herself--it was incidental to her age, her sex and her nationality; but she was very sentimental as well, and there was something in Mrs. Touchett's dryness that set her own moral fountains flowing. "Now what's your point of view?" she asked of her aunt. "When you criticise everything here you should have a point of view. Yours doesn't seem to be American--you thought everything over there so disagreeable. When I criticise I have mine; it's thoroughly American!" "My dear young lady," said Mrs. Touchett, "there are as many points of view in the world as there are people of sense to take them. You may say that doesn't make them very numerous! American? Never in the world; that's shockingly narrow. My point of view, thank God, is personal!" Isabel thought this a better answer than she admitted; it was a tolerable description of her own manner of judging, but it would not have sounded well for her to say so. On the lips of a person less advanced in life and less enlightened by experience than Mrs. Touchett such a declaration would savour of immodesty, even of arrogance. She risked it nevertheless in talking with Ralph, with whom she talked a great deal and with whom her conversation was of a sort that gave a large licence to extravagance. Her cousin used, as the phrase is, to chaff her; he very soon established with her a reputation for treating everything as a joke, and he was not a man to neglect the privileges such a reputation conferred. She accused him of an odious want of seriousness, of laughing at all things, beginning with himself. Such slender faculty of reverence as he possessed centred wholly upon his father; for the rest, he exercised his wit indifferently upon his father's son, this gentleman's weak lungs, his useless life, his fantastic mother, his friends (Lord Warburton in especial), his adopted, and his native country, his charming new-found cousin. "I keep a band of music in my ante-room," he said once to her. "It has orders to play without stopping; it renders me two excellent services. It keeps the sounds of the world from reaching the private apartments, and it makes the world think that dancing's going on within." It was dance-music indeed that you usually heard when you came within ear-shot of Ralph's band; the liveliest waltzes seemed to float upon the air. Isabel often found herself irritated by this perpetual fiddling; she would have liked to pass through the ante-room, as her cousin called it, and enter the private apartments. It mattered little that he had assured her they were a very dismal place; she would have been glad to undertake to sweep them and set them in order. It was but half-hospitality to let her remain outside; to punish him for which Isabel administered innumerable taps with the ferule of her straight young wit. It must be said that her wit was exercised to a large extent in self-defence, for her cousin amused himself with calling her "Columbia" and accusing her of a patriotism so heated that it scorched. He drew a caricature of her in which she was represented as a very pretty young woman dressed, on the lines of the prevailing fashion, in the folds of the national banner. Isabel's chief dread in life at this period of her development was that she should appear narrow-minded; what she feared next afterwards was that she should really be so. But she nevertheless made no scruple of abounding in her cousin's sense and pretending to sigh for the charms of her native land. She would be as American as it pleased him to regard her, and if he chose to laugh at her she would give him plenty of occupation. She defended England against his mother, but when Ralph sang its praises on purpose, as she said, to work her up, she found herself able to differ from him on a variety of points. In fact, the quality of this small ripe country seemed as sweet to her as the taste of an October pear; and her satisfaction was at the root of the good spirits which enabled her to take her cousin's chaff and return it in kind. If her good-humour flagged at moments it was not because she thought herself ill-used, but because she suddenly felt sorry for Ralph. It seemed to her he was talking as a blind and had little heart in what he said. "I don't know what's the matter with you," she observed to him once; "but I suspect you're a great humbug." "That's your privilege," Ralph answered, who had not been used to being so crudely addressed. "I don't know what you care for; I don't think you care for anything. You don't really care for England when you praise it; you don't care for America even when you pretend to abuse it." "I care for nothing but you, dear cousin," said Ralph. "If I could believe even that, I should be very glad." "Ah well, I should hope so!" the young man exclaimed. Isabel might have believed it and not have been far from the truth. He thought a great deal about her; she was constantly present to his mind. At a time when his thoughts had been a good deal of a burden to him her sudden arrival, which promised nothing and was an open-handed gift of fate, had refreshed and quickened them, given them wings and something to fly for. Poor Ralph had been for many weeks steeped in melancholy; his outlook, habitually sombre, lay under the shadow of a deeper cloud. He had grown anxious about his father, whose gout, hitherto confined to his legs, had begun to ascend into regions more vital. The old man had been gravely ill in the spring, and the doctors had whispered to Ralph that another attack would be less easy to deal with. Just now he appeared disburdened of pain, but Ralph could not rid himself of a suspicion that this was a subterfuge of the enemy, who was waiting to take him off his guard. If the manoeuvre should succeed there would be little hope of any great resistance. Ralph had always taken for granted that his father would survive him--that his own name would be the first grimly called. The father and son had been close companions, and the idea of being left alone with the remnant of a tasteless life on his hands was not gratifying to the young man, who had always and tacitly counted upon his elder's help in making the best of a poor business. At the prospect of losing his great motive Ralph lost indeed his one inspiration. If they might die at the same time it would be all very well; but without the encouragement of his father's society he should barely have patience to await his own turn. He had not the incentive of feeling that he was indispensable to his mother; it was a rule with his mother to have no regrets. He bethought himself of course that it had been a small kindness to his father to wish that, of the two, the active rather than the passive party should know the felt wound; he remembered that the old man had always treated his own forecast of an early end as a clever fallacy, which he should be delighted to discredit so far as he might by dying first. But of the two triumphs, that of refuting a sophistical son and that of holding on a while longer to a state of being which, with all abatements, he enjoyed, Ralph deemed it no sin to hope the latter might be vouchsafed to Mr. Touchett. These were nice questions, but Isabel's arrival put a stop to his puzzling over them. It even suggested there might be a compensation for the intolerable ennui of surviving his genial sire. He wondered whether he were harbouring "love" for this spontaneous young woman from Albany; but he judged that on the whole he was not. After he had known her for a week he quite made up his mind to this, and every day he felt a little more sure. Lord Warburton had been right about her; she was a really interesting little figure. Ralph wondered how their neighbour had found it out so soon; and then he said it was only another proof of his friend's high abilities, which he had always greatly admired. If his cousin were to be nothing more than an entertainment to him, Ralph was conscious she was an entertainment of a high order. "A character like that," he said to himself--"a real little passionate force to see at play is the finest thing in nature. It's finer than the finest work of art--than a Greek bas-relief, than a great Titian, than a Gothic cathedral. It's very pleasant to be so well treated where one had least looked for it. I had never been more blue, more bored, than for a week before she came; I had never expected less that anything pleasant would happen. Suddenly I receive a Titian, by the post, to hang on my wall--a Greek bas-relief to stick over my chimney-piece. The key of a beautiful edifice is thrust into my hand, and I'm told to walk in and admire. My poor boy, you've been sadly ungrateful, and now you had better keep very quiet and never grumble again." The sentiment of these reflexions was very just; but it was not exactly true that Ralph Touchett had had a key put into his hand. His cousin was a very brilliant girl, who would take, as he said, a good deal of knowing; but she needed the knowing, and his attitude with regard to her, though it was contemplative and critical, was not judicial. He surveyed the edifice from the outside and admired it greatly; he looked in at the windows and received an impression of proportions equally fair. But he felt that he saw it only by glimpses and that he had not yet stood under the roof. The door was fastened, and though he had keys in his pocket he had a conviction that none of them would fit. She was intelligent and generous; it was a fine free nature; but what was she going to do with herself? This question was irregular, for with most women one had no occasion to ask it. Most women did with themselves nothing at all; they waited, in attitudes more or less gracefully passive, for a man to come that way and furnish them with a destiny. Isabel's originality was that she gave one an impression of having intentions of her own. "Whenever she executes them," said Ralph, "may I be there to see!" It devolved upon him of course to do the honours of the place. Mr. Touchett was confined to his chair, and his wife's position was that of rather a grim visitor; so that in the line of conduct that opened itself to Ralph duty and inclination were harmoniously mixed. He was not a great walker, but he strolled about the grounds with his cousin--a pastime for which the weather remained favourable with a persistency not allowed for in Isabel's somewhat lugubrious prevision of the climate; and in the long afternoons, of which the length was but the measure of her gratified eagerness, they took a boat on the river, the dear little river, as Isabel called it, where the opposite shore seemed still a part of the foreground of the landscape; or drove over the country in a phaeton--a low, capacious, thick-wheeled phaeton formerly much used by Mr. Touchett, but which he had now ceased to enjoy. Isabel enjoyed it largely and, handling the reins in a manner which approved itself to the groom as "knowing," was never weary of driving her uncle's capital horses through winding lanes and byways full of the rural incidents she had confidently expected to find; past cottages thatched and timbered, past ale-houses latticed and sanded, past patches of ancient common and glimpses of empty parks, between hedgerows made thick by midsummer. When they reached home they usually found tea had been served on the lawn and that Mrs. Touchett had not shrunk from the extremity of handing her husband his cup. But the two for the most part sat silent; the old man with his head back and his eyes closed, his wife occupied with her knitting and wearing that appearance of rare profundity with which some ladies consider the movement of their needles. One day, however, a visitor had arrived. The two young persons, after spending an hour on the river, strolled back to the house and perceived Lord Warburton sitting under the trees and engaged in conversation, of which even at a distance the desultory character was appreciable, with Mrs. Touchett. He had driven over from his own place with a portmanteau and had asked, as the father and son often invited him to do, for a dinner and a lodging. Isabel, seeing him for half an hour on the day of her arrival, had discovered in this brief space that she liked him; he had indeed rather sharply registered himself on her fine sense and she had thought of him several times. She had hoped she should see him again--hoped too that she should see a few others. Gardencourt was not dull; the place itself was sovereign, her uncle was more and more a sort of golden grandfather, and Ralph was unlike any cousin she had ever encountered--her idea of cousins having tended to gloom. Then her impressions were still so fresh and so quickly renewed that there was as yet hardly a hint of vacancy in the view. But Isabel had need to remind herself that she was interested in human nature and that her foremost hope in coming abroad had been that she should see a great many people. When Ralph said to her, as he had done several times, "I wonder you find this endurable; you ought to see some of the neighbours and some of our friends, because we have really got a few, though you would never suppose it"--when he offered to invite what he called a "lot of people" and make her acquainted with English society, she encouraged the hospitable impulse and promised in advance to hurl herself into the fray. Little, however, for the present, had come of his offers, and it may be confided to the reader that if the young man delayed to carry them out it was because he found the labour of providing for his companion by no means so severe as to require extraneous help. Isabel had spoken to him very often about "specimens;" it was a word that played a considerable part in her vocabulary; she had given him to understand that she wished to see English society illustrated by eminent cases. "Well now, there's a specimen," he said to her as they walked up from the riverside and he recognised Lord Warburton. "A specimen of what?" asked the girl. "A specimen of an English gentleman." "Do you mean they're all like him?" "Oh no; they're not all like him." "He's a favourable specimen then," said Isabel; "because I'm sure he's nice." "Yes, he's very nice. And he's very fortunate." The fortunate Lord Warburton exchanged a handshake with our heroine and hoped she was very well. "But I needn't ask that," he said, "since you've been handling the oars." "I've been rowing a little," Isabel answered; "but how should you know it?" "Oh, I know he doesn't row; he's too lazy," said his lordship, indicating Ralph Touchett with a laugh. "He has a good excuse for his laziness," Isabel rejoined, lowering her voice a little. "Ah, he has a good excuse for everything!" cried Lord Warburton, still with his sonorous mirth. "My excuse for not rowing is that my cousin rows so well," said Ralph. "She does everything well. She touches nothing that she doesn't adorn!" "It makes one want to be touched, Miss Archer," Lord Warburton declared. "Be touched in the right sense and you'll never look the worse for it," said Isabel, who, if it pleased her to hear it said that her accomplishments were numerous, was happily able to reflect that such complacency was not the indication of a feeble mind, inasmuch as there were several things in which she excelled. Her desire to think well of herself had at least the element of humility that it always needed to be supported by proof. Lord Warburton not only spent the night at Gardencourt, but he was persuaded to remain over the second day; and when the second day was ended he determined to postpone his departure till the morrow. During this period he addressed many of his remarks to Isabel, who accepted this evidence of his esteem with a very good grace. She found herself liking him extremely; the first impression he had made on her had had weight, but at the end of an evening spent in his society she scarce fell short of seeing him--though quite without luridity--as a hero of romance. She retired to rest with a sense of good fortune, with a quickened consciousness of possible felicities. "It's very nice to know two such charming people as those," she said, meaning by "those" her cousin and her cousin's friend. It must be added moreover that an incident had occurred which might have seemed to put her good-humour to the test. Mr. Touchett went to bed at half-past nine o'clock, but his wife remained in the drawing-room with the other members of the party. She prolonged her vigil for something less than an hour, and then, rising, observed to Isabel that it was time they should bid the gentlemen good-night. Isabel had as yet no desire to go to bed; the occasion wore, to her sense, a festive character, and feasts were not in the habit of terminating so early. So, without further thought, she replied, very simply-- "Need I go, dear aunt? I'll come up in half an hour." "It's impossible I should wait for you," Mrs. Touchett answered. "Ah, you needn't wait! Ralph will light my candle," Isabel gaily engaged. "I'll light your candle; do let me light your candle, Miss Archer!" Lord Warburton exclaimed. "Only I beg it shall not be before midnight." Mrs. Touchett fixed her bright little eyes upon him a moment and transferred them coldly to her niece. "You can't stay alone with the gentlemen. You're not--you're not at your blest Albany, my dear." Isabel rose, blushing. "I wish I were," she said. "Oh, I say, mother!" Ralph broke out. "My dear Mrs. Touchett!" Lord Warburton murmured. "I didn't make your country, my lord," Mrs. Touchett said majestically. "I must take it as I find it." "Can't I stay with my own cousin?" Isabel enquired. "I'm not aware that Lord Warburton is your cousin." "Perhaps I had better go to bed!" the visitor suggested. "That will arrange it." Mrs. Touchett gave a little look of despair and sat down again. "Oh, if it's necessary I'll stay up till midnight." Ralph meanwhile handed Isabel her candlestick. He had been watching her; it had seemed to him her temper was involved--an accident that might be interesting. But if he had expected anything of a flare he was disappointed, for the girl simply laughed a little, nodded good-night and withdrew accompanied by her aunt. For himself he was annoyed at his mother, though he thought she was right. Above-stairs the two ladies separated at Mrs. Touchett's door. Isabel had said nothing on her way up. "Of course you're vexed at my interfering with you," said Mrs. Touchett. Isabel considered. "I'm not vexed, but I'm surprised--and a good deal mystified. Wasn't it proper I should remain in the drawing-room?" "Not in the least. Young girls here--in decent houses--don't sit alone with the gentlemen late at night." "You were very right to tell me then," said Isabel. "I don't understand it, but I'm very glad to know it. "I shall always tell you," her aunt answered, "whenever I see you taking what seems to me too much liberty." "Pray do; but I don't say I shall always think your remonstrance just." "Very likely not. You're too fond of your own ways." "Yes, I think I'm very fond of them. But I always want to know the things one shouldn't do." "So as to do them?" asked her aunt. "So as to choose," said Isabel.

Chapter 7

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-7-9

Isabel and the Touchetts take to often talking about British politics and the British public. The house itself receives very few visitors, and so all these discussions are really more theoretical than based off of Isabel's own observations. Isabel finds herself often disagreeing with Mrs. Touchett on the subject of the British constitution purely because she is more sentimental than Mrs. Touchett. Isabel claims to have an "American" view, and Mrs. Touchett tells her that is a shockingly narrow idea. My point of view, thank God, is personal. Mrs. Touchett declares. Meanwhile, Isabel develops a closer relationship to Ralph, who she accuses of never treating anything seriously. He jokingly likes to paint her as representative of America, and although she fears being seen as narrow-minded, she plays along, pretending to yearn for America. Isabel feels a bit sorry for Ralph sometimes, and she even accuses him of being a "humbug" who does not care for anything. Ralph jokes that he cares for nothing but her. The narrator comments that in fact this is not so far from the truth, as Ralph thinks about her often. Before her arrival, he had often many heavy thoughts about his ill father that burdened him. Ralph felt that life would be tasteless without his father, and he had always thought his father would outlive him. With Isabel's presence, he is less preoccupied with such dark thoughts. He decides that he is not in love with her, but that she is like the "finest work of art". The question though that constantly arises in his mind though is: "What was she going to do with herself. He decides that he wants to see for himself, whatever it may be. One day, Lord Warburton comes to visit at Gardencourt. Isabel finds that she likes him very much, and almost begins to think of him as a "hero of romance". One night, Mrs. Touchett, Ralph, Lord Warburton and Isabel are sitting in the drawing room after dinner. Mrs. Touchett stands up to go to bed and tells Isabel that she ought to bid the gentlemen good night. Isabel, without thinking, tells her aunt she would like to stay another half hour. Mrs. Touchett gives her a cold stare, reminding her that she is not in Albany. Isabel retorts, blushing, "I wish I were". Mrs. Touchett decides to simply stay up until Isabel wishes to go to bed. Afterwards, Mrs. Touchett tells her it was not proper to stay in the drawing room, and Isabel tells her she does not understand it, but is glad to know it. I always want to know the things one shouldn't do," Isabel says. The aunt asks, "So as to do them. Isabel responds, "So as to choose"

Isabel is likened to an aesthetic object in Ralph's imagination, described as a "fine work of art." It is interesting to read the parallel between our approach to works of art and to Isabel Archer. One typically assumes a disinterested attitude to a work of art, insofar as one sees something is beautiful without conceiving of a use for that particular work. Similarly, Ralph has no idea what Isabel is good at -- he has no idea what her genius is for. Furthermore, the title of the work is called "the portrait of a lady," which likens Isabel's life to a pictorial painting. In the scene in the drawing room in Chapter 7, we get a first sense of how Isabel treats customs and manners that she does not understand. Mrs. Touchett thinks it is inappropriate for a young girl to stay alone with two unwed men late at night, but Isabel refuses to leave because she thinks the situation is perfectly innocent. When she finds out that such behavior is frowned upon, she is interested because it is a piece of knowledge -- not one that she will necessarily conform to, but rather one that will allow her to understand her options. This foreshadows the quality of her stubbornness: she will not behave as others want her to, but she wants to know how others want her to behave. These others will perceive her behavior though as simply doing the opposite of what they would like her to do. Chapter 8 is an analysis of Lord Warburton as a specimen of the age. He comes from a very privileged background, but he also sides theoretically with radicals rather than conservatives in terms of how the country might change for the causes of more social justice. Of course, this position is more theoretical, because the Touchetts believe Lord Warburton has such a radical opinion only because he lives in such luxury. In other words, thinking about the possibility of social change is a luxury which can contradictorily only be enjoyed from a position of privilege -- a privilege granted from the very institution which one might theoretically want to change. James is being critical of the possibility of society to really change given that the people in power do not benefit from its changing. In Chapter 9, we see Lord Warburton is beginning to fall in love with Isabel. Isabel's reacts both naively and coldly to this prospect: she seems to fear intimacy. This reaction is a reference to an earlier description of Isabel: the narrator has told us that the "deepest" thought in her mind is that she might one day give herself wholly to a man in marriage, a prospect which she finds more "formidable" than attractive . The reader then begins to ask himself/herself: why is Isabel afraid of this prospect? Does she fear personal intimacy? Does she fear sexual intimacy? Does she think that she will lose her own independence?

gradesaver

all_chapterized_books/2833-chapters/08.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_4_part_2.txt

The Portrait of a Lady.chapter 8

chapter 8

{"name": "Chapter 8", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-7-9", "summary": "Lord Warburton gets Mrs. Touchett to promise to bring Isabel to his own manor, Lockleigh. Isabel learns about Lord Warburton's family life: he has two brothers and four sisters. Isabel notes that Warburton acts as if she is an American \"barbarian\" , and he makes little allowance for her imagination or for her experience. Warburton admits to being confused in America, and believes that Americans need as much explanation in England as he had needed in America. Isabel likes Lord Warburton because he appears to have enjoyed the best things of life, but he also is not spoiled for it. He has a boyishness and kindness about him. Isabel confides in Ralph that she likes Warburton, and Ralph responds that he pities him. So he informs Isabel: \"He's a man with a great position who's playing all sorts of tricks with it. He doesn't take himself seriously. He's the victim of a critical age; he has ceased to believe in himself and he doesn't know where to believe in. He can neither abolish himself as a nuisance nor maintain himself as an institution\". Isabel tells Mr. Touchett, Ralph's father, that she does not understand Ralph's opinion of Lord Warburton. Mr. Touchett responds that Lord Warburton seems to want to \"do away with many things,\" but also to remain himself. He notes that there are a great many people like Lord Warburton, and he is not sure if they are trying to start a revolution. Isabel is ecstatic at the thought that there might be a revolution, declaring that she would be on the side of the loyalists if there were such a revolution. Mr. Touchett notes that the desire for change among men such as Lord Warburton, and other radicals, is probably more theoretical than earnest. These progressive ideas are about their biggest luxury,\" he says", "analysis": "Isabel is likened to an aesthetic object in Ralph's imagination, described as a \"fine work of art.\" It is interesting to read the parallel between our approach to works of art and to Isabel Archer. One typically assumes a disinterested attitude to a work of art, insofar as one sees something is beautiful without conceiving of a use for that particular work. Similarly, Ralph has no idea what Isabel is good at -- he has no idea what her genius is for. Furthermore, the title of the work is called \"the portrait of a lady,\" which likens Isabel's life to a pictorial painting. In the scene in the drawing room in Chapter 7, we get a first sense of how Isabel treats customs and manners that she does not understand. Mrs. Touchett thinks it is inappropriate for a young girl to stay alone with two unwed men late at night, but Isabel refuses to leave because she thinks the situation is perfectly innocent. When she finds out that such behavior is frowned upon, she is interested because it is a piece of knowledge -- not one that she will necessarily conform to, but rather one that will allow her to understand her options. This foreshadows the quality of her stubbornness: she will not behave as others want her to, but she wants to know how others want her to behave. These others will perceive her behavior though as simply doing the opposite of what they would like her to do. Chapter 8 is an analysis of Lord Warburton as a specimen of the age. He comes from a very privileged background, but he also sides theoretically with radicals rather than conservatives in terms of how the country might change for the causes of more social justice. Of course, this position is more theoretical, because the Touchetts believe Lord Warburton has such a radical opinion only because he lives in such luxury. In other words, thinking about the possibility of social change is a luxury which can contradictorily only be enjoyed from a position of privilege -- a privilege granted from the very institution which one might theoretically want to change. James is being critical of the possibility of society to really change given that the people in power do not benefit from its changing. In Chapter 9, we see Lord Warburton is beginning to fall in love with Isabel. Isabel's reacts both naively and coldly to this prospect: she seems to fear intimacy. This reaction is a reference to an earlier description of Isabel: the narrator has told us that the \"deepest\" thought in her mind is that she might one day give herself wholly to a man in marriage, a prospect which she finds more \"formidable\" than attractive . The reader then begins to ask himself/herself: why is Isabel afraid of this prospect? Does she fear personal intimacy? Does she fear sexual intimacy? Does she think that she will lose her own independence?"}

As she was devoted to romantic effects Lord Warburton ventured to express a hope that she would come some day and see his house, a very curious old place. He extracted from Mrs. Touchett a promise that she would bring her niece to Lockleigh, and Ralph signified his willingness to attend the ladies if his father should be able to spare him. Lord Warburton assured our heroine that in the mean time his sisters would come and see her. She knew something about his sisters, having sounded him, during the hours they spent together while he was at Gardencourt, on many points connected with his family. When Isabel was interested she asked a great many questions, and as her companion was a copious talker she urged him on this occasion by no means in vain. He told her he had four sisters and two brothers and had lost both his parents. The brothers and sisters were very good people--"not particularly clever, you know," he said, "but very decent and pleasant;" and he was so good as to hope Miss Archer might know them well. One of the brothers was in the Church, settled in the family living, that of Lockleigh, which was a heavy, sprawling parish, and was an excellent fellow in spite of his thinking differently from himself on every conceivable topic. And then Lord Warburton mentioned some of the opinions held by his brother, which were opinions Isabel had often heard expressed and that she supposed to be entertained by a considerable portion of the human family. Many of them indeed she supposed she had held herself, till he assured her she was quite mistaken, that it was really impossible, that she had doubtless imagined she entertained them, but that she might depend that, if she thought them over a little, she would find there was nothing in them. When she answered that she had already thought several of the questions involved over very attentively he declared that she was only another example of what he had often been struck with--the fact that, of all the people in the world, the Americans were the most grossly superstitious. They were rank Tories and bigots, every one of them; there were no conservatives like American conservatives. Her uncle and her cousin were there to prove it; nothing could be more medieval than many of their views; they had ideas that people in England nowadays were ashamed to confess to; and they had the impudence moreover, said his lordship, laughing, to pretend they knew more about the needs and dangers of this poor dear stupid old England than he who was born in it and owned a considerable slice of it--the more shame to him! From all of which Isabel gathered that Lord Warburton was a nobleman of the newest pattern, a reformer, a radical, a contemner of ancient ways. His other brother, who was in the army in India, was rather wild and pig-headed and had not been of much use as yet but to make debts for Warburton to pay--one of the most precious privileges of an elder brother. "I don't think I shall pay any more," said her friend; "he lives a monstrous deal better than I do, enjoys unheard-of luxuries and thinks himself a much finer gentleman than I. As I'm a consistent radical I go in only for equality; I don't go in for the superiority of the younger brothers." Two of his four sisters, the second and fourth, were married, one of them having done very well, as they said, the other only so-so. The husband of the elder, Lord Haycock, was a very good fellow, but unfortunately a horrid Tory; and his wife, like all good English wives, was worse than her husband. The other had espoused a smallish squire in Norfolk and, though married but the other day, had already five children. This information and much more Lord Warburton imparted to his young American listener, taking pains to make many things clear and to lay bare to her apprehension the peculiarities of English life. Isabel was often amused at his explicitness and at the small allowance he seemed to make either for her own experience or for her imagination. "He thinks I'm a barbarian," she said, "and that I've never seen forks and spoons;" and she used to ask him artless questions for the pleasure of hearing him answer seriously. Then when he had fallen into the trap, "It's a pity you can't see me in my war-paint and feathers," she remarked; "if I had known how kind you are to the poor savages I would have brought over my native costume!" Lord Warburton had travelled through the United States and knew much more about them than Isabel; he was so good as to say that America was the most charming country in the world, but his recollections of it appeared to encourage the idea that Americans in England would need to have a great many things explained to them. "If I had only had you to explain things to me in America!" he said. "I was rather puzzled in your country; in fact I was quite bewildered, and the trouble was that the explanations only puzzled me more. You know I think they often gave me the wrong ones on purpose; they're rather clever about that over there. But when I explain you can trust me; about what I tell you there's no mistake." There was no mistake at least about his being very intelligent and cultivated and knowing almost everything in the world. Although he gave the most interesting and thrilling glimpses Isabel felt he never did it to exhibit himself, and though he had had rare chances and had tumbled in, as she put it, for high prizes, he was as far as possible from making a merit of it. He had enjoyed the best things of life, but they had not spoiled his sense of proportion. His quality was a mixture of the effect of rich experience--oh, so easily come by!--with a modesty at times almost boyish; the sweet and wholesome savour of which--it was as agreeable as something tasted--lost nothing from the addition of a tone of responsible kindness. "I like your specimen English gentleman very much," Isabel said to Ralph after Lord Warburton had gone. "I like him too--I love him well," Ralph returned. "But I pity him more." Isabel looked at him askance. "Why, that seems to me his only fault--that one can't pity him a little. He appears to have everything, to know everything, to be everything." "Oh, he's in a bad way!" Ralph insisted. "I suppose you don't mean in health?" "No, as to that he's detestably sound. What I mean is that he's a man with a great position who's playing all sorts of tricks with it. He doesn't take himself seriously." "Does he regard himself as a joke?" "Much worse; he regards himself as an imposition--as an abuse." "Well, perhaps he is," said Isabel. "Perhaps he is--though on the whole I don't think so. But in that case what's more pitiable than a sentient, self-conscious abuse planted by other hands, deeply rooted but aching with a sense of its injustice? For me, in his place, I could be as solemn as a statue of Buddha. He occupies a position that appeals to my imagination. Great responsibilities, great opportunities, great consideration, great wealth, great power, a natural share in the public affairs of a great country. But he's all in a muddle about himself, his position, his power, and indeed about everything in the world. He's the victim of a critical age; he has ceased to believe in himself and he doesn't know what to believe in. When I attempt to tell him (because if I were he I know very well what I should believe in) he calls me a pampered bigot. I believe he seriously thinks me an awful Philistine; he says I don't understand my time. I understand it certainly better than he, who can neither abolish himself as a nuisance nor maintain himself as an institution." "He doesn't look very wretched," Isabel observed. "Possibly not; though, being a man of a good deal of charming taste, I think he often has uncomfortable hours. But what is it to say of a being of his opportunities that he's not miserable? Besides, I believe he is." "I don't," said Isabel. "Well," her cousin rejoined, "if he isn't he ought to be!" In the afternoon she spent an hour with her uncle on the lawn, where the old man sat, as usual, with his shawl over his legs and his large cup of diluted tea in his hands. In the course of conversation he asked her what she thought of their late visitor. Isabel was prompt. "I think he's charming." "He's a nice person," said Mr. Touchett, "but I don't recommend you to fall in love with him." "I shall not do it then; I shall never fall in love but on your recommendation. Moreover," Isabel added, "my cousin gives me rather a sad account of Lord Warburton." "Oh, indeed? I don't know what there may be to say, but you must remember that Ralph must talk." "He thinks your friend's too subversive--or not subversive enough! I don't quite understand which," said Isabel. The old man shook his head slowly, smiled and put down his cup. "I don't know which either. He goes very far, but it's quite possible he doesn't go far enough. He seems to want to do away with a good many things, but he seems to want to remain himself. I suppose that's natural, but it's rather inconsistent." "Oh, I hope he'll remain himself," said Isabel. "If he were to be done away with his friends would miss him sadly." "Well," said the old man, "I guess he'll stay and amuse his friends. I should certainly miss him very much here at Gardencourt. He always amuses me when he comes over, and I think he amuses himself as well. There's a considerable number like him, round in society; they're very fashionable just now. I don't know what they're trying to do--whether they're trying to get up a revolution. I hope at any rate they'll put it off till after I'm gone. You see they want to disestablish everything; but I'm a pretty big landowner here, and I don't want to be disestablished. I wouldn't have come over if I had thought they were going to behave like that," Mr. Touchett went on with expanding hilarity. "I came over because I thought England was a safe country. I call it a regular fraud if they are going to introduce any considerable changes; there'll be a large number disappointed in that case." "Oh, I do hope they'll make a revolution!" Isabel exclaimed. "I should delight in seeing a revolution." "Let me see," said her uncle, with a humorous intention; "I forget whether you're on the side of the old or on the side of the new. I've heard you take such opposite views." "I'm on the side of both. I guess I'm a little on the side of everything. In a revolution--after it was well begun--I think I should be a high, proud loyalist. One sympathises more with them, and they've a chance to behave so exquisitely. I mean so picturesquely." "I don't know that I understand what you mean by behaving picturesquely, but it seems to me that you do that always, my dear." "Oh, you lovely man, if I could believe that!" the girl interrupted. "I'm afraid, after all, you won't have the pleasure of going gracefully to the guillotine here just now," Mr. Touchett went on. "If you want to see a big outbreak you must pay us a long visit. You see, when you come to the point it wouldn't suit them to be taken at their word." "Of whom are you speaking?" "Well, I mean Lord Warburton and his friends--the radicals of the upper class. Of course I only know the way it strikes me. They talk about the changes, but I don't think they quite realise. You and I, you know, we know what it is to have lived under democratic institutions: I always thought them very comfortable, but I was used to them from the first. And then I ain't a lord; you're a lady, my dear, but I ain't a lord. Now over here I don't think it quite comes home to them. It's a matter of every day and every hour, and I don't think many of them would find it as pleasant as what they've got. Of course if they want to try, it's their own business; but I expect they won't try very hard." "Don't you think they're sincere?" Isabel asked. "Well, they want to FEEL earnest," Mr. Touchett allowed; "but it seems as if they took it out in theories mostly. Their radical views are a kind of amusement; they've got to have some amusement, and they might have coarser tastes than that. You see they're very luxurious, and these progressive ideas are about their biggest luxury. They make them feel moral and yet don't damage their position. They think a great deal of their position; don't let one of them ever persuade you he doesn't, for if you were to proceed on that basis you'd be pulled up very short." Isabel followed her uncle's argument, which he unfolded with his quaint distinctness, most attentively, and though she was unacquainted with the British aristocracy she found it in harmony with her general impressions of human nature. But she felt moved to put in a protest on Lord Warburton's behalf. "I don't believe Lord Warburton's a humbug; I don't care what the others are. I should like to see Lord Warburton put to the test." "Heaven deliver me from my friends!" Mr. Touchett answered. "Lord Warburton's a very amiable young man--a very fine young man. He has a hundred thousand a year. He owns fifty thousand acres of the soil of this little island and ever so many other things besides. He has half a dozen houses to live in. He has a seat in Parliament as I have one at my own dinner-table. He has elegant tastes--cares for literature, for art, for science, for charming young ladies. The most elegant is his taste for the new views. It affords him a great deal of pleasure--more perhaps than anything else, except the young ladies. His old house over there--what does he call it, Lockleigh?--is very attractive; but I don't think it's as pleasant as this. That doesn't matter, however--he has so many others. His views don't hurt any one as far as I can see; they certainly don't hurt himself. And if there were to be a revolution he would come off very easily. They wouldn't touch him, they'd leave him as he is: he's too much liked." "Ah, he couldn't be a martyr even if he wished!" Isabel sighed. "That's a very poor position." "He'll never be a martyr unless you make him one," said the old man. Isabel shook her head; there might have been something laughable in the fact that she did it with a touch of melancholy. "I shall never make any one a martyr." "You'll never be one, I hope." "I hope not. But you don't pity Lord Warburton then as Ralph does?" Her uncle looked at her a while with genial acuteness. "Yes, I do, after all!"

Chapter 8

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-7-9

Lord Warburton gets Mrs. Touchett to promise to bring Isabel to his own manor, Lockleigh. Isabel learns about Lord Warburton's family life: he has two brothers and four sisters. Isabel notes that Warburton acts as if she is an American "barbarian" , and he makes little allowance for her imagination or for her experience. Warburton admits to being confused in America, and believes that Americans need as much explanation in England as he had needed in America. Isabel likes Lord Warburton because he appears to have enjoyed the best things of life, but he also is not spoiled for it. He has a boyishness and kindness about him. Isabel confides in Ralph that she likes Warburton, and Ralph responds that he pities him. So he informs Isabel: "He's a man with a great position who's playing all sorts of tricks with it. He doesn't take himself seriously. He's the victim of a critical age; he has ceased to believe in himself and he doesn't know where to believe in. He can neither abolish himself as a nuisance nor maintain himself as an institution". Isabel tells Mr. Touchett, Ralph's father, that she does not understand Ralph's opinion of Lord Warburton. Mr. Touchett responds that Lord Warburton seems to want to "do away with many things," but also to remain himself. He notes that there are a great many people like Lord Warburton, and he is not sure if they are trying to start a revolution. Isabel is ecstatic at the thought that there might be a revolution, declaring that she would be on the side of the loyalists if there were such a revolution. Mr. Touchett notes that the desire for change among men such as Lord Warburton, and other radicals, is probably more theoretical than earnest. These progressive ideas are about their biggest luxury," he says

Isabel is likened to an aesthetic object in Ralph's imagination, described as a "fine work of art." It is interesting to read the parallel between our approach to works of art and to Isabel Archer. One typically assumes a disinterested attitude to a work of art, insofar as one sees something is beautiful without conceiving of a use for that particular work. Similarly, Ralph has no idea what Isabel is good at -- he has no idea what her genius is for. Furthermore, the title of the work is called "the portrait of a lady," which likens Isabel's life to a pictorial painting. In the scene in the drawing room in Chapter 7, we get a first sense of how Isabel treats customs and manners that she does not understand. Mrs. Touchett thinks it is inappropriate for a young girl to stay alone with two unwed men late at night, but Isabel refuses to leave because she thinks the situation is perfectly innocent. When she finds out that such behavior is frowned upon, she is interested because it is a piece of knowledge -- not one that she will necessarily conform to, but rather one that will allow her to understand her options. This foreshadows the quality of her stubbornness: she will not behave as others want her to, but she wants to know how others want her to behave. These others will perceive her behavior though as simply doing the opposite of what they would like her to do. Chapter 8 is an analysis of Lord Warburton as a specimen of the age. He comes from a very privileged background, but he also sides theoretically with radicals rather than conservatives in terms of how the country might change for the causes of more social justice. Of course, this position is more theoretical, because the Touchetts believe Lord Warburton has such a radical opinion only because he lives in such luxury. In other words, thinking about the possibility of social change is a luxury which can contradictorily only be enjoyed from a position of privilege -- a privilege granted from the very institution which one might theoretically want to change. James is being critical of the possibility of society to really change given that the people in power do not benefit from its changing. In Chapter 9, we see Lord Warburton is beginning to fall in love with Isabel. Isabel's reacts both naively and coldly to this prospect: she seems to fear intimacy. This reaction is a reference to an earlier description of Isabel: the narrator has told us that the "deepest" thought in her mind is that she might one day give herself wholly to a man in marriage, a prospect which she finds more "formidable" than attractive . The reader then begins to ask himself/herself: why is Isabel afraid of this prospect? Does she fear personal intimacy? Does she fear sexual intimacy? Does she think that she will lose her own independence?

gradesaver

all_chapterized_books/2833-chapters/09.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_4_part_3.txt

The Portrait of a Lady.chapter 9

chapter 9

{"name": "Chapter 9", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-7-9", "summary": "Lord Warburton's two sisters, the Misses Molyneux, come to visit Gardencourt. Isabel notes that they are very timid but also very sweet, with the charm of not being \"morbid\". They invite her to Lockleigh during a time in which other guests will also be present. When Isabel visits them at Lockleigh, she asks if their brother, Lord Warburton, is really so radical that he would give up everything if he were put to the test. The two sisters look frightened at the prospect. Isabel then concludes that he must be an impostor. Mildred Molyneux attests that it has always been a tradition in their family to be liberal. Isabel sees Lockleigh as a \"castle in a legend\". She meets Lord Warburton's brother, the Vicar, who she can see as a very strong man, but whom she has difficulty imagining as a spiritual aid. The group goes on a stroll, and Lord Warburton speaks privately with Isabel during this stroll. He tells her that he finds her charming. Isabel senses that this is \"the prelude to something grave\" and quickly utters that she does not believe she will be visiting Lockleigh again. He tells her he will visit her at Gardencourt, even though he believes Mr. Touchett does not like him being there. Lord Warburton tells Isabel that he does not feel safe with her, having the sense that she is always summing people up, and that she has mysterious purposes. Isabel tells him that she only wants to improve her mind by foreign travel. He tells her that her mind is already a formidable instrument. It looks down on us all; it despises us,\" he adds. Isabel tells him that he is being quite \"quaint. He then seems to bitterly respond that she \"judges only from the outside\" and that she does not really care , even while she selects the great materials with which to amuse herself. He tells her he will visit her again. She responds coldly, \"Just as you please\". Her coldness, though, is calculated, and it comes from a fear deep within her", "analysis": "Isabel is likened to an aesthetic object in Ralph's imagination, described as a \"fine work of art.\" It is interesting to read the parallel between our approach to works of art and to Isabel Archer. One typically assumes a disinterested attitude to a work of art, insofar as one sees something is beautiful without conceiving of a use for that particular work. Similarly, Ralph has no idea what Isabel is good at -- he has no idea what her genius is for. Furthermore, the title of the work is called \"the portrait of a lady,\" which likens Isabel's life to a pictorial painting. In the scene in the drawing room in Chapter 7, we get a first sense of how Isabel treats customs and manners that she does not understand. Mrs. Touchett thinks it is inappropriate for a young girl to stay alone with two unwed men late at night, but Isabel refuses to leave because she thinks the situation is perfectly innocent. When she finds out that such behavior is frowned upon, she is interested because it is a piece of knowledge -- not one that she will necessarily conform to, but rather one that will allow her to understand her options. This foreshadows the quality of her stubbornness: she will not behave as others want her to, but she wants to know how others want her to behave. These others will perceive her behavior though as simply doing the opposite of what they would like her to do. Chapter 8 is an analysis of Lord Warburton as a specimen of the age. He comes from a very privileged background, but he also sides theoretically with radicals rather than conservatives in terms of how the country might change for the causes of more social justice. Of course, this position is more theoretical, because the Touchetts believe Lord Warburton has such a radical opinion only because he lives in such luxury. In other words, thinking about the possibility of social change is a luxury which can contradictorily only be enjoyed from a position of privilege -- a privilege granted from the very institution which one might theoretically want to change. James is being critical of the possibility of society to really change given that the people in power do not benefit from its changing. In Chapter 9, we see Lord Warburton is beginning to fall in love with Isabel. Isabel's reacts both naively and coldly to this prospect: she seems to fear intimacy. This reaction is a reference to an earlier description of Isabel: the narrator has told us that the \"deepest\" thought in her mind is that she might one day give herself wholly to a man in marriage, a prospect which she finds more \"formidable\" than attractive . The reader then begins to ask himself/herself: why is Isabel afraid of this prospect? Does she fear personal intimacy? Does she fear sexual intimacy? Does she think that she will lose her own independence?"}

The two Misses Molyneux, this nobleman's sisters, came presently to call upon her, and Isabel took a fancy to the young ladies, who appeared to her to show a most original stamp. It is true that when she described them to her cousin by that term he declared that no epithet could be less applicable than this to the two Misses Molyneux, since there were fifty thousand young women in England who exactly resembled them. Deprived of this advantage, however, Isabel's visitors retained that of an extreme sweetness and shyness of demeanour, and of having, as she thought, eyes like the balanced basins, the circles of "ornamental water," set, in parterres, among the geraniums. "They're not morbid, at any rate, whatever they are," our heroine said to herself; and she deemed this a great charm, for two or three of the friends of her girlhood had been regrettably open to the charge (they would have been so nice without it), to say nothing of Isabel's having occasionally suspected it as a tendency of her own. The Misses Molyneux were not in their first youth, but they had bright, fresh complexions and something of the smile of childhood. Yes, their eyes, which Isabel admired, were round, quiet and contented, and their figures, also of a generous roundness, were encased in sealskin jackets. Their friendliness was great, so great that they were almost embarrassed to show it; they seemed somewhat afraid of the young lady from the other side of the world and rather looked than spoke their good wishes. But they made it clear to her that they hoped she would come to luncheon at Lockleigh, where they lived with their brother, and then they might see her very, very often. They wondered if she wouldn't come over some day, and sleep: they were expecting some people on the twenty-ninth, so perhaps she would come while the people were there. "I'm afraid it isn't any one very remarkable," said the elder sister; "but I dare say you'll take us as you find us." "I shall find you delightful; I think you're enchanting just as you are," replied Isabel, who often praised profusely. Her visitors flushed, and her cousin told her, after they were gone, that if she said such things to those poor girls they would think she was in some wild, free manner practising on them: he was sure it was the first time they had been called enchanting. "I can't help it," Isabel answered. "I think it's lovely to be so quiet and reasonable and satisfied. I should like to be like that." "Heaven forbid!" cried Ralph with ardour. "I mean to try and imitate them," said Isabel. "I want very much to see them at home." She had this pleasure a few days later, when, with Ralph and his mother, she drove over to Lockleigh. She found the Misses Molyneux sitting in a vast drawing-room (she perceived afterwards it was one of several) in a wilderness of faded chintz; they were dressed on this occasion in black velveteen. Isabel liked them even better at home than she had done at Gardencourt, and was more than ever struck with the fact that they were not morbid. It had seemed to her before that if they had a fault it was a want of play of mind; but she presently saw they were capable of deep emotion. Before luncheon she was alone with them for some time, on one side of the room, while Lord Warburton, at a distance, talked to Mrs. Touchett. "Is it true your brother's such a great radical?" Isabel asked. She knew it was true, but we have seen that her interest in human nature was keen, and she had a desire to draw the Misses Molyneux out. "Oh dear, yes; he's immensely advanced," said Mildred, the younger sister. "At the same time Warburton's very reasonable," Miss Molyneux observed. Isabel watched him a moment at the other side of the room; he was clearly trying hard to make himself agreeable to Mrs. Touchett. Ralph had met the frank advances of one of the dogs before the fire that the temperature of an English August, in the ancient expanses, had not made an impertinence. "Do you suppose your brother's sincere?" Isabel enquired with a smile. "Oh, he must be, you know!" Mildred exclaimed quickly, while the elder sister gazed at our heroine in silence. "Do you think he would stand the test?" "The test?" "I mean for instance having to give up all this." "Having to give up Lockleigh?" said Miss Molyneux, finding her voice. "Yes, and the other places; what are they called?" The two sisters exchanged an almost frightened glance. "Do you mean--do you mean on account of the expense?" the younger one asked. "I dare say he might let one or two of his houses," said the other. "Let them for nothing?" Isabel demanded. "I can't fancy his giving up his property," said Miss Molyneux. "Ah, I'm afraid he is an impostor!" Isabel returned. "Don't you think it's a false position?" Her companions, evidently, had lost themselves. "My brother's position?" Miss Molyneux enquired. "It's thought a very good position," said the younger sister. "It's the first position in this part of the county." "I dare say you think me very irreverent," Isabel took occasion to remark. "I suppose you revere your brother and are rather afraid of him." "Of course one looks up to one's brother," said Miss Molyneux simply. "If you do that he must be very good--because you, evidently, are beautifully good." "He's most kind. It will never be known, the good he does." "His ability is known," Mildred added; "every one thinks it's immense." "Oh, I can see that," said Isabel. "But if I were he I should wish to fight to the death: I mean for the heritage of the past. I should hold it tight." "I think one ought to be liberal," Mildred argued gently. "We've always been so, even from the earliest times." "Ah well," said Isabel, "you've made a great success of it; I don't wonder you like it. I see you're very fond of crewels." When Lord Warburton showed her the house, after luncheon, it seemed to her a matter of course that it should be a noble picture. Within, it had been a good deal modernised--some of its best points had lost their purity; but as they saw it from the gardens, a stout grey pile, of the softest, deepest, most weather-fretted hue, rising from a broad, still moat, it affected the young visitor as a castle in a legend. The day was cool and rather lustreless; the first note of autumn had been struck, and the watery sunshine rested on the walls in blurred and desultory gleams, washing them, as it were, in places tenderly chosen, where the ache of antiquity was keenest. Her host's brother, the Vicar, had come to luncheon, and Isabel had had five minutes' talk with him--time enough to institute a search for a rich ecclesiasticism and give it up as vain. The marks of the Vicar of Lockleigh were a big, athletic figure, a candid, natural countenance, a capacious appetite and a tendency to indiscriminate laughter. Isabel learned afterwards from her cousin that before taking orders he had been a mighty wrestler and that he was still, on occasion--in the privacy of the family circle as it were--quite capable of flooring his man. Isabel liked him--she was in the mood for liking everything; but her imagination was a good deal taxed to think of him as a source of spiritual aid. The whole party, on leaving lunch, went to walk in the grounds; but Lord Warburton exercised some ingenuity in engaging his least familiar guest in a stroll apart from the others. "I wish you to see the place properly, seriously," he said. "You can't do so if your attention is distracted by irrelevant gossip." His own conversation (though he told Isabel a good deal about the house, which had a very curious history) was not purely archaeological; he reverted at intervals to matters more personal--matters personal to the young lady as well as to himself. But at last, after a pause of some duration, returning for a moment to their ostensible theme, "Ah, well," he said, "I'm very glad indeed you like the old barrack. I wish you could see more of it--that you could stay here a while. My sisters have taken an immense fancy to you--if that would be any inducement." "There's no want of inducements," Isabel answered; "but I'm afraid I can't make engagements. I'm quite in my aunt's hands." "Ah, pardon me if I say I don't exactly believe that. I'm pretty sure you can do whatever you want." "I'm sorry if I make that impression on you; I don't think it's a nice impression to make." "It has the merit of permitting me to hope." And Lord Warburton paused a moment. "To hope what?" "That in future I may see you often." "Ah," said Isabel, "to enjoy that pleasure I needn't be so terribly emancipated." "Doubtless not; and yet, at the same time, I don't think your uncle likes me." "You're very much mistaken. I've heard him speak very highly of you." "I'm glad you have talked about me," said Lord Warburton. "But, I nevertheless don't think he'd like me to keep coming to Gardencourt." "I can't answer for my uncle's tastes," the girl rejoined, "though I ought as far as possible to take them into account. But for myself I shall be very glad to see you." "Now that's what I like to hear you say. I'm charmed when you say that." "You're easily charmed, my lord," said Isabel. "No, I'm not easily charmed!" And then he stopped a moment. "But you've charmed me, Miss Archer." These words were uttered with an indefinable sound which startled the girl; it struck her as the prelude to something grave: she had heard the sound before and she recognised it. She had no wish, however, that for the moment such a prelude should have a sequel, and she said as gaily as possible and as quickly as an appreciable degree of agitation would allow her: "I'm afraid there's no prospect of my being able to come here again." "Never?" said Lord Warburton. "I won't say 'never'; I should feel very melodramatic." "May I come and see you then some day next week?" "Most assuredly. What is there to prevent it?" "Nothing tangible. But with you I never feel safe. I've a sort of sense that you're always summing people up." "You don't of necessity lose by that." "It's very kind of you to say so; but, even if I gain, stern justice is not what I most love. Is Mrs. Touchett going to take you abroad?" "I hope so." "Is England not good enough for you?" "That's a very Machiavellian speech; it doesn't deserve an answer. I want to see as many countries as I can." "Then you'll go on judging, I suppose." "Enjoying, I hope, too." "Yes, that's what you enjoy most; I can't make out what you're up to," said Lord Warburton. "You strike me as having mysterious purposes--vast designs." "You're so good as to have a theory about me which I don't at all fill out. Is there anything mysterious in a purpose entertained and executed every year, in the most public manner, by fifty thousand of my fellow-countrymen--the purpose of improving one's mind by foreign travel?" "You can't improve your mind, Miss Archer," her companion declared. "It's already a most formidable instrument. It looks down on us all; it despises us." "Despises you? You're making fun of me," said Isabel seriously. "Well, you think us 'quaint'--that's the same thing. I won't be thought 'quaint,' to begin with; I'm not so in the least. I protest." "That protest is one of the quaintest things I've ever heard," Isabel answered with a smile. Lord Warburton was briefly silent. "You judge only from the outside--you don't care," he said presently. "You only care to amuse yourself." The note she had heard in his voice a moment before reappeared, and mixed with it now was an audible strain of bitterness--a bitterness so abrupt and inconsequent that the girl was afraid she had hurt him. She had often heard that the English are a highly eccentric people, and she had even read in some ingenious author that they are at bottom the most romantic of races. Was Lord Warburton suddenly turning romantic--was he going to make her a scene, in his own house, only the third time they had met? She was reassured quickly enough by her sense of his great good manners, which was not impaired by the fact that he had already touched the furthest limit of good taste in expressing his admiration of a young lady who had confided in his hospitality. She was right in trusting to his good manners, for he presently went on, laughing a little and without a trace of the accent that had discomposed her: "I don't mean of course that you amuse yourself with trifles. You select great materials; the foibles, the afflictions of human nature, the peculiarities of nations!" "As regards that," said Isabel, "I should find in my own nation entertainment for a lifetime. But we've a long drive, and my aunt will soon wish to start." She turned back toward the others and Lord Warburton walked beside her in silence. But before they reached the others, "I shall come and see you next week," he said. She had received an appreciable shock, but as it died away she felt that she couldn't pretend to herself that it was altogether a painful one. Nevertheless she made answer to his declaration, coldly enough, "Just as you please." And her coldness was not the calculation of her effect--a game she played in a much smaller degree than would have seemed probable to many critics. It came from a certain fear.

Chapter 9

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-7-9

Lord Warburton's two sisters, the Misses Molyneux, come to visit Gardencourt. Isabel notes that they are very timid but also very sweet, with the charm of not being "morbid". They invite her to Lockleigh during a time in which other guests will also be present. When Isabel visits them at Lockleigh, she asks if their brother, Lord Warburton, is really so radical that he would give up everything if he were put to the test. The two sisters look frightened at the prospect. Isabel then concludes that he must be an impostor. Mildred Molyneux attests that it has always been a tradition in their family to be liberal. Isabel sees Lockleigh as a "castle in a legend". She meets Lord Warburton's brother, the Vicar, who she can see as a very strong man, but whom she has difficulty imagining as a spiritual aid. The group goes on a stroll, and Lord Warburton speaks privately with Isabel during this stroll. He tells her that he finds her charming. Isabel senses that this is "the prelude to something grave" and quickly utters that she does not believe she will be visiting Lockleigh again. He tells her he will visit her at Gardencourt, even though he believes Mr. Touchett does not like him being there. Lord Warburton tells Isabel that he does not feel safe with her, having the sense that she is always summing people up, and that she has mysterious purposes. Isabel tells him that she only wants to improve her mind by foreign travel. He tells her that her mind is already a formidable instrument. It looks down on us all; it despises us," he adds. Isabel tells him that he is being quite "quaint. He then seems to bitterly respond that she "judges only from the outside" and that she does not really care , even while she selects the great materials with which to amuse herself. He tells her he will visit her again. She responds coldly, "Just as you please". Her coldness, though, is calculated, and it comes from a fear deep within her

Isabel is likened to an aesthetic object in Ralph's imagination, described as a "fine work of art." It is interesting to read the parallel between our approach to works of art and to Isabel Archer. One typically assumes a disinterested attitude to a work of art, insofar as one sees something is beautiful without conceiving of a use for that particular work. Similarly, Ralph has no idea what Isabel is good at -- he has no idea what her genius is for. Furthermore, the title of the work is called "the portrait of a lady," which likens Isabel's life to a pictorial painting. In the scene in the drawing room in Chapter 7, we get a first sense of how Isabel treats customs and manners that she does not understand. Mrs. Touchett thinks it is inappropriate for a young girl to stay alone with two unwed men late at night, but Isabel refuses to leave because she thinks the situation is perfectly innocent. When she finds out that such behavior is frowned upon, she is interested because it is a piece of knowledge -- not one that she will necessarily conform to, but rather one that will allow her to understand her options. This foreshadows the quality of her stubbornness: she will not behave as others want her to, but she wants to know how others want her to behave. These others will perceive her behavior though as simply doing the opposite of what they would like her to do. Chapter 8 is an analysis of Lord Warburton as a specimen of the age. He comes from a very privileged background, but he also sides theoretically with radicals rather than conservatives in terms of how the country might change for the causes of more social justice. Of course, this position is more theoretical, because the Touchetts believe Lord Warburton has such a radical opinion only because he lives in such luxury. In other words, thinking about the possibility of social change is a luxury which can contradictorily only be enjoyed from a position of privilege -- a privilege granted from the very institution which one might theoretically want to change. James is being critical of the possibility of society to really change given that the people in power do not benefit from its changing. In Chapter 9, we see Lord Warburton is beginning to fall in love with Isabel. Isabel's reacts both naively and coldly to this prospect: she seems to fear intimacy. This reaction is a reference to an earlier description of Isabel: the narrator has told us that the "deepest" thought in her mind is that she might one day give herself wholly to a man in marriage, a prospect which she finds more "formidable" than attractive . The reader then begins to ask himself/herself: why is Isabel afraid of this prospect? Does she fear personal intimacy? Does she fear sexual intimacy? Does she think that she will lose her own independence?

gradesaver

all_chapterized_books/2833-chapters/10.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_5_part_1.txt

The Portrait of a Lady.chapter 10

chapter 10

{"name": "Chapter 10", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-10-14", "summary": "Isabel's friend, Henrietta Stackpole, the independent American journalist, arrives in England and visits at Gardencourt to see Isabel. She is described as a neat, plump person with a remarkably observant eye. Henrietta declares to the Touchetts that she would like to know if they consider themselves American or English, so that she will know how to talk to them. Ralph tells her that, in order to please her, he'll be an Englishman, or even a Turk. Isabel intercedes that Ralph is a cosmopolite. Isabel discovers that Henrietta is writing an article on Gardencourt, and tells her that she should not write about the place. Henrietta thinks they will be delighted afterwards, and Isabel protests that Henrietta has no sense of privacy. Henrietta blushes. Later, she asks Isabel if there is some other place she can describe, and Isabel tells her that she could give her a glimpse of Lord Warburton, and perhaps she can observe him. Henrietta finds it odd that Ralph spends his time so idly, without occupation. She asks how he can reconcile his idleness with his conscience, to which he responds, \"I have no conscience. Henrietta proceeds to interrogate him on having abandoned his own country, and Ralph responds that one's country is not a choice, but only an \"element of one's composition\". Henrietta counsels Ralph to \"take hold of something\" -- that is, find something to work on. A few days later, Henrietta diagnoses Ralph: \"I know what's the matter with you. you think you're too good to get married\". Ralph jokes that he thought so until he met Henrietta. She thinks that getting married would improve him, and that it is his \"duty\". Ralph suspects Henrietta has ulterior motives, so he decides to test this by circuitously suggesting that he is proposing to Henrietta. Henrietta gives him a look of resentment. Isabel later tells Ralph that Henrietta thinks Europeans have a low tone towards women. Ralph notes that perhaps he treats her too personally. He thinks though, that she has the \"smell of the Future\"", "analysis": "Ralph and Henrietta do not seem to really get along -- perhaps they might remind us of friends in a TV sitcom who always make fun of each other, never see eye to eye, yet nevertheless get something out of each other's company. Ralph finds it fun to evade straightforward answers to Henrietta's questions about his own identity and function in the world, and Henrietta persists in pinning him down with one. Ralph seems to represent Europeans here -- a sick and idle, but cultured, person -- and Henrietta is the American of the \"Future\" who is bold, persistent and hard working. This is representative of Henry James' well-known \"American Theme\" in which Americans arrive in Europe, and seem to offer something new to a decadent culture. But what is it, exactly that they offer? Henrietta seems to offer straightforward, puritan values. In Chapter 12, we have what will be seen as her first great action, her refusal of Lord Warburton's marriage proposal. For any American without a fortune, this would have been seen as a great opportunity: marrying a rich, well respected Lord from England. Why does Isabel reject his marriage proposal? She tells him she has nothing to give: she could mean this in a financial sense, but she could also mean that she believes she must develop as an individual, original and independent person in order to enter into a marriage. She furthermore believes herself to be capable of an even greater opportunity: does this mean she believes another man of greater status will propose to her? Or does she think she will be able to occupy herself in life in some other way? The great idea upon which her ambition settles is unclear. What could it mean to engage in \"the free exploration of life\" ? It would appear that Isabel's great idea is to assert some sort of independent freedom of character, but the means of expression of such freedom does not seem to be readily available to her. It does not seem to lie in any possible occupation she could have, especially because she is not a very practical person, but rather a theoretical one. It does not seem to lie in her social relations to others, because this seems to mean that she will have to submit to a particular social system thereby losing her freedom. This leads to a more existential question that is being posed in the book: What is freedom? Can it be asserted in any other way, other than negatively? Meanwhile, the fact that Caspar Goodwood has arrived at the same time that Lord Warburton has decided to propose forms something of a climax of the first section of the novel. Isabel is presented with two possible, concrete realizations for her \"idea\" as to what she will do in life, and she rejects them both, although she rejects them for opposite reasons. One man is not at all likeable, and not at all her ideal; the other is perfectly an ideal of a person, and she likes him perfectly well, but she intuitively feels that she does not want to marry him. Her idea thus assumes expression only negatively here. In Chapter 14, we get some more exploration into Isabel's motivations for rejecting Lord Warburton's marriage proposal. She claims that she does not want to separate herself from \"life\" - from the usual chances that most people suffer. She seems to have a lust for a vague notion of experience, and she believes such experience cannot be found when one is protected from dangers through marriage. Mrs. Touchett's simple declaration ironically is the most adequate for describing Isabel's rejection -- she does think that she can \"do something better.\" However, Mrs. Touchett is also a character that is not depicted in a flattering light; she is not the kind of person who can explore deep psychological motivations and intimate emotions. Thus we are presented with the contradiction that Isabel's \"idea\" on the one hand can be described adequately in a superficial manner, but that it nevertheless breeds a lot of psychological interest and vague emotions."}

The day after her visit to Lockleigh she received a note from her friend Miss Stackpole--a note of which the envelope, exhibiting in conjunction the postmark of Liverpool and the neat calligraphy of the quick-fingered Henrietta, caused her some liveliness of emotion. "Here I am, my lovely friend," Miss Stackpole wrote; "I managed to get off at last. I decided only the night before I left New York--the Interviewer having come round to my figure. I put a few things into a bag, like a veteran journalist, and came down to the steamer in a street-car. Where are you and where can we meet? I suppose you're visiting at some castle or other and have already acquired the correct accent. Perhaps even you have married a lord; I almost hope you have, for I want some introductions to the first people and shall count on you for a few. The Interviewer wants some light on the nobility. My first impressions (of the people at large) are not rose-coloured; but I wish to talk them over with you, and you know that, whatever I am, at least I'm not superficial. I've also something very particular to tell you. Do appoint a meeting as quickly as you can; come to London (I should like so much to visit the sights with you) or else let me come to you, wherever you are. I will do so with pleasure; for you know everything interests me and I wish to see as much as possible of the inner life." Isabel judged best not to show this letter to her uncle; but she acquainted him with its purport, and, as she expected, he begged her instantly to assure Miss Stackpole, in his name, that he should be delighted to receive her at Gardencourt. "Though she's a literary lady," he said, "I suppose that, being an American, she won't show me up, as that other one did. She has seen others like me." "She has seen no other so delightful!" Isabel answered; but she was not altogether at ease about Henrietta's reproductive instincts, which belonged to that side of her friend's character which she regarded with least complacency. She wrote to Miss Stackpole, however, that she would be very welcome under Mr. Touchett's roof; and this alert young woman lost no time in announcing her prompt approach. She had gone up to London, and it was from that centre that she took the train for the station nearest to Gardencourt, where Isabel and Ralph were in waiting to receive her. "Shall I love her or shall I hate her?" Ralph asked while they moved along the platform. "Whichever you do will matter very little to her," said Isabel. "She doesn't care a straw what men think of her." "As a man I'm bound to dislike her then. She must be a kind of monster. Is she very ugly?" "No, she's decidedly pretty." "A female interviewer--a reporter in petticoats? I'm very curious to see her," Ralph conceded. "It's very easy to laugh at her but it is not easy to be as brave as she." "I should think not; crimes of violence and attacks on the person require more or less pluck. Do you suppose she'll interview me?" "Never in the world. She'll not think you of enough importance." "You'll see," said Ralph. "She'll send a description of us all, including Bunchie, to her newspaper." "I shall ask her not to," Isabel answered. "You think she's capable of it then?" "Perfectly." "And yet you've made her your bosom-friend?" "I've not made her my bosom-friend; but I like her in spite of her faults." "Ah well," said Ralph, "I'm afraid I shall dislike her in spite of her merits." "You'll probably fall in love with her at the end of three days." "And have my love-letters published in the Interviewer? Never!" cried the young man. The train presently arrived, and Miss Stackpole, promptly descending, proved, as Isabel had promised, quite delicately, even though rather provincially, fair. She was a neat, plump person, of medium stature, with a round face, a small mouth, a delicate complexion, a bunch of light brown ringlets at the back of her head and a peculiarly open, surprised-looking eye. The most striking point in her appearance was the remarkable fixedness of this organ, which rested without impudence or defiance, but as if in conscientious exercise of a natural right, upon every object it happened to encounter. It rested in this manner upon Ralph himself, a little arrested by Miss Stackpole's gracious and comfortable aspect, which hinted that it wouldn't be so easy as he had assumed to disapprove of her. She rustled, she shimmered, in fresh, dove-coloured draperies, and Ralph saw at a glance that she was as crisp and new and comprehensive as a first issue before the folding. From top to toe she had probably no misprint. She spoke in a clear, high voice--a voice not rich but loud; yet after she had taken her place with her companions in Mr. Touchett's carriage she struck him as not all in the large type, the type of horrid "headings," that he had expected. She answered the enquiries made of her by Isabel, however, and in which the young man ventured to join, with copious lucidity; and later, in the library at Gardencourt, when she had made the acquaintance of Mr. Touchett (his wife not having thought it necessary to appear) did more to give the measure of her confidence in her powers. "Well, I should like to know whether you consider yourselves American or English," she broke out. "If once I knew I could talk to you accordingly." "Talk to us anyhow and we shall be thankful," Ralph liberally answered. She fixed her eyes on him, and there was something in their character that reminded him of large polished buttons--buttons that might have fixed the elastic loops of some tense receptacle: he seemed to see the reflection of surrounding objects on the pupil. The expression of a button is not usually deemed human, but there was something in Miss Stackpole's gaze that made him, as a very modest man, feel vaguely embarrassed--less inviolate, more dishonoured, than he liked. This sensation, it must be added, after he had spent a day or two in her company, sensibly diminished, though it never wholly lapsed. "I don't suppose that you're going to undertake to persuade me that you're an American," she said. "To please you I'll be an Englishman, I'll be a Turk!" "Well, if you can change about that way you're very welcome," Miss Stackpole returned. "I'm sure you understand everything and that differences of nationality are no barrier to you," Ralph went on. Miss Stackpole gazed at him still. "Do you mean the foreign languages?" "The languages are nothing. I mean the spirit--the genius." "I'm not sure that I understand you," said the correspondent of the Interviewer; "but I expect I shall before I leave." "He's what's called a cosmopolite," Isabel suggested. "That means he's a little of everything and not much of any. I must say I think patriotism is like charity--it begins at home." "Ah, but where does home begin, Miss Stackpole?" Ralph enquired. "I don't know where it begins, but I know where it ends. It ended a long time before I got here." "Don't you like it over here?" asked Mr. Touchett with his aged, innocent voice. "Well, sir, I haven't quite made up my mind what ground I shall take. I feel a good deal cramped. I felt it on the journey from Liverpool to London." "Perhaps you were in a crowded carriage," Ralph suggested. "Yes, but it was crowded with friends--party of Americans whose acquaintance I had made upon the steamer; a lovely group from Little Rock, Arkansas. In spite of that I felt cramped--I felt something pressing upon me; I couldn't tell what it was. I felt at the very commencement as if I were not going to accord with the atmosphere. But I suppose I shall make my own atmosphere. That's the true way--then you can breathe. Your surroundings seem very attractive." "Ah, we too are a lovely group!" said Ralph. "Wait a little and you'll see." Miss Stackpole showed every disposition to wait and evidently was prepared to make a considerable stay at Gardencourt. She occupied herself in the mornings with literary labour; but in spite of this Isabel spent many hours with her friend, who, once her daily task performed, deprecated, in fact defied, isolation. Isabel speedily found occasion to desire her to desist from celebrating the charms of their common sojourn in print, having discovered, on the second morning of Miss Stackpole's visit, that she was engaged on a letter to the Interviewer, of which the title, in her exquisitely neat and legible hand (exactly that of the copybooks which our heroine remembered at school) was "Americans and Tudors--Glimpses of Gardencourt." Miss Stackpole, with the best conscience in the world, offered to read her letter to Isabel, who immediately put in her protest. "I don't think you ought to do that. I don't think you ought to describe the place." Henrietta gazed at her as usual. "Why, it's just what the people want, and it's a lovely place." "It's too lovely to be put in the newspapers, and it's not what my uncle wants." "Don't you believe that!" cried Henrietta. "They're always delighted afterwards." "My uncle won't be delighted--nor my cousin either. They'll consider it a breach of hospitality." Miss Stackpole showed no sense of confusion; she simply wiped her pen, very neatly, upon an elegant little implement which she kept for the purpose, and put away her manuscript. "Of course if you don't approve I won't do it; but I sacrifice a beautiful subject." "There are plenty of other subjects, there are subjects all round you. We'll take some drives; I'll show you some charming scenery." "Scenery's not my department; I always need a human interest. You know I'm deeply human, Isabel; I always was," Miss Stackpole rejoined. "I was going to bring in your cousin--the alienated American. There's a great demand just now for the alienated American, and your cousin's a beautiful specimen. I should have handled him severely." "He would have died of it!" Isabel exclaimed. "Not of the severity, but of the publicity." "Well, I should have liked to kill him a little. And I should have delighted to do your uncle, who seems to me a much nobler type--the American faithful still. He's a grand old man; I don't see how he can object to my paying him honour." Isabel looked at her companion in much wonderment; it struck her as strange that a nature in which she found so much to esteem should break down so in spots. "My poor Henrietta," she said, "you've no sense of privacy." Henrietta coloured deeply, and for a moment her brilliant eyes were suffused, while Isabel found her more than ever inconsequent. "You do me great injustice," said Miss Stackpole with dignity. "I've never written a word about myself!" "I'm very sure of that; but it seems to me one should be modest for others also!" "Ah, that's very good!" cried Henrietta, seizing her pen again. "Just let me make a note of it and I'll put it in somewhere." she was a thoroughly good-natured woman, and half an hour later she was in as cheerful a mood as should have been looked for in a newspaper-lady in want of matter. "I've promised to do the social side," she said to Isabel; "and how can I do it unless I get ideas? If I can't describe this place don't you know some place I can describe?" Isabel promised she would bethink herself, and the next day, in conversation with her friend, she happened to mention her visit to Lord Warburton's ancient house. "Ah, you must take me there--that's just the place for me!" Miss Stackpole cried. "I must get a glimpse of the nobility." "I can't take you," said Isabel; "but Lord Warburton's coming here, and you'll have a chance to see him and observe him. Only if you intend to repeat his conversation I shall certainly give him warning." "Don't do that," her companion pleaded; "I want him to be natural." "An Englishman's never so natural as when he's holding his tongue," Isabel declared. It was not apparent, at the end of three days, that her cousin had, according to her prophecy, lost his heart to their visitor, though he had spent a good deal of time in her society. They strolled about the park together and sat under the trees, and in the afternoon, when it was delightful to float along the Thames, Miss Stackpole occupied a place in the boat in which hitherto Ralph had had but a single companion. Her presence proved somehow less irreducible to soft particles than Ralph had expected in the natural perturbation of his sense of the perfect solubility of that of his cousin; for the correspondent of the Interviewer prompted mirth in him, and he had long since decided that the crescendo of mirth should be the flower of his declining days. Henrietta, on her side, failed a little to justify Isabel's declaration with regard to her indifference to masculine opinion; for poor Ralph appeared to have presented himself to her as an irritating problem, which it would be almost immoral not to work out. "What does he do for a living?" she asked of Isabel the evening of her arrival. "Does he go round all day with his hands in his pockets?" "He does nothing," smiled Isabel; "he's a gentleman of large leisure." "Well, I call that a shame--when I have to work like a car-conductor," Miss Stackpole replied. "I should like to show him up." "He's in wretched health; he's quite unfit for work," Isabel urged. "Pshaw! don't you believe it. I work when I'm sick," cried her friend. Later, when she stepped into the boat on joining the water-party, she remarked to Ralph that she supposed he hated her and would like to drown her. "Ah no," said Ralph, "I keep my victims for a slower torture. And you'd be such an interesting one!" "Well, you do torture me; I may say that. But I shock all your prejudices; that's one comfort." "My prejudices? I haven't a prejudice to bless myself with. There's intellectual poverty for you." "The more shame to you; I've some delicious ones. Of course I spoil your flirtation, or whatever it is you call it, with your cousin; but I don't care for that, as I render her the service of drawing you out. She'll see how thin you are." "Ah, do draw me out!" Ralph exclaimed. "So few people will take the trouble." Miss Stackpole, in this undertaking, appeared to shrink from no effort; resorting largely, whenever the opportunity offered, to the natural expedient of interrogation. On the following day the weather was bad, and in the afternoon the young man, by way of providing indoor amusement, offered to show her the pictures. Henrietta strolled through the long gallery in his society, while he pointed out its principal ornaments and mentioned the painters and subjects. Miss Stackpole looked at the pictures in perfect silence, committing herself to no opinion, and Ralph was gratified by the fact that she delivered herself of none of the little ready-made ejaculations of delight of which the visitors to Gardencourt were so frequently lavish. This young lady indeed, to do her justice, was but little addicted to the use of conventional terms; there was something earnest and inventive in her tone, which at times, in its strained deliberation, suggested a person of high culture speaking a foreign language. Ralph Touchett subsequently learned that she had at one time officiated as art critic to a journal of the other world; but she appeared, in spite of this fact, to carry in her pocket none of the small change of admiration. Suddenly, just after he had called her attention to a charming Constable, she turned and looked at him as if he himself had been a picture. "Do you always spend your time like this?" she demanded. "I seldom spend it so agreeably." "Well, you know what I mean--without any regular occupation." "Ah," said Ralph, "I'm the idlest man living." Miss Stackpole directed her gaze to the Constable again, and Ralph bespoke her attention for a small Lancret hanging near it, which represented a gentleman in a pink doublet and hose and a ruff, leaning against the pedestal of the statue of a nymph in a garden and playing the guitar to two ladies seated on the grass. "That's my ideal of a regular occupation," he said. Miss Stackpole turned to him again, and, though her eyes had rested upon the picture, he saw she had missed the subject. She was thinking of something much more serious. "I don't see how you can reconcile it to your conscience." "My dear lady, I have no conscience!" "Well, I advise you to cultivate one. You'll need it the next time you go to America." "I shall probably never go again." "Are you ashamed to show yourself?" Ralph meditated with a mild smile. "I suppose that if one has no conscience one has no shame." "Well, you've got plenty of assurance," Henrietta declared. "Do you consider it right to give up your country?" "Ah, one doesn't give up one's country any more than one gives UP one's grandmother. They're both antecedent to choice--elements of one's composition that are not to be eliminated." "I suppose that means that you've tried and been worsted. What do they think of you over here?" "They delight in me." "That's because you truckle to them." "Ah, set it down a little to my natural charm!" Ralph sighed. "I don't know anything about your natural charm. If you've got any charm it's quite unnatural. It's wholly acquired--or at least you've tried hard to acquire it, living over here. I don't say you've succeeded. It's a charm that I don't appreciate, anyway. Make yourself useful in some way, and then we'll talk about it." "Well, now, tell me what I shall do," said Ralph. "Go right home, to begin with." "Yes, I see. And then?" "Take right hold of something." "Well, now, what sort of thing?" "Anything you please, so long as you take hold. Some new idea, some big work." "Is it very difficult to take hold?" Ralph enquired. "Not if you put your heart into it." "Ah, my heart," said Ralph. "If it depends upon my heart--!" "Haven't you got a heart?" "I had one a few days ago, but I've lost it since." "You're not serious," Miss Stackpole remarked; "that's what's the matter with you." But for all this, in a day or two, she again permitted him to fix her attention and on the later occasion assigned a different cause to her mysterious perversity. "I know what's the matter with you, Mr. Touchett," she said. "You think you're too good to get married." "I thought so till I knew you, Miss Stackpole," Ralph answered; "and then I suddenly changed my mind." "Oh pshaw!" Henrietta groaned. "Then it seemed to me," said Ralph, "that I was not good enough." "It would improve you. Besides, it's your duty." "Ah," cried the young man, "one has so many duties! Is that a duty too?" "Of course it is--did you never know that before? It's every one's duty to get married." Ralph meditated a moment; he was disappointed. There was something in Miss Stackpole he had begun to like; it seemed to him that if she was not a charming woman she was at least a very good "sort." She was wanting in distinction, but, as Isabel had said, she was brave: she went into cages, she flourished lashes, like a spangled lion-tamer. He had not supposed her to be capable of vulgar arts, but these last words struck him as a false note. When a marriageable young woman urges matrimony on an unencumbered young man the most obvious explanation of her conduct is not the altruistic impulse. "Ah, well now, there's a good deal to be said about that," Ralph rejoined. "There may be, but that's the principal thing. I must say I think it looks very exclusive, going round all alone, as if you thought no woman was good enough for you. Do you think you're better than any one else in the world? In America it's usual for people to marry." "If it's my duty," Ralph asked, "is it not, by analogy, yours as well?" Miss Stackpole's ocular surfaces unwinkingly caught the sun. "Have you the fond hope of finding a flaw in my reasoning? Of course I've as good a right to marry as any one else." "Well then," said Ralph, "I won't say it vexes me to see you single. It delights me rather." "You're not serious yet. You never will be." "Shall you not believe me to be so on the day I tell you I desire to give up the practice of going round alone?" Miss Stackpole looked at him for a moment in a manner which seemed to announce a reply that might technically be called encouraging. But to his great surprise this expression suddenly resolved itself into an appearance of alarm and even of resentment. "No, not even then," she answered dryly. After which she walked away. "I've not conceived a passion for your friend," Ralph said that evening to Isabel, "though we talked some time this morning about it." "And you said something she didn't like," the girl replied. Ralph stared. "Has she complained of me?" "She told me she thinks there's something very low in the tone of Europeans towards women." "Does she call me a European?" "One of the worst. She told me you had said to her something that an American never would have said. But she didn't repeat it." Ralph treated himself to a luxury of laughter. "She's an extraordinary combination. Did she think I was making love to her?" "No; I believe even Americans do that. But she apparently thought you mistook the intention of something she had said, and put an unkind construction on it." "I thought she was proposing marriage to me and I accepted her. Was that unkind?" Isabel smiled. "It was unkind to me. I don't want you to marry." "My dear cousin, what's one to do among you all?" Ralph demanded. "Miss Stackpole tells me it's my bounden duty, and that it's hers, in general, to see I do mine!" "She has a great sense of duty," said Isabel gravely. "She has indeed, and it's the motive of everything she says. That's what I like her for. She thinks it's unworthy of you to keep so many things to yourself. That's what she wanted to express. If you thought she was trying to--to attract you, you were very wrong." "It's true it was an odd way, but I did think she was trying to attract me. Forgive my depravity." "You're very conceited. She had no interested views, and never supposed you would think she had." "One must be very modest then to talk with such women," Ralph said humbly. "But it's a very strange type. She's too personal--considering that she expects other people not to be. She walks in without knocking at the door." "Yes," Isabel admitted, "she doesn't sufficiently recognise the existence of knockers; and indeed I'm not sure that she doesn't think them rather a pretentious ornament. She thinks one's door should stand ajar. But I persist in liking her." "I persist in thinking her too familiar," Ralph rejoined, naturally somewhat uncomfortable under the sense of having been doubly deceived in Miss Stackpole. "Well," said Isabel, smiling, "I'm afraid it's because she's rather vulgar that I like her." "She would be flattered by your reason!" "If I should tell her I wouldn't express it in that way. I should say it's because there's something of the 'people' in her." "What do you know about the people? and what does she, for that matter?" "She knows a great deal, and I know enough to feel that she's a kind of emanation of the great democracy--of the continent, the country, the nation. I don't say that she sums it all up, that would be too much to ask of her. But she suggests it; she vividly figures it." "You like her then for patriotic reasons. I'm afraid it is on those very grounds I object to her." "Ah," said Isabel with a kind of joyous sigh, "I like so many things! If a thing strikes me with a certain intensity I accept it. I don't want to swagger, but I suppose I'm rather versatile. I like people to be totally different from Henrietta--in the style of Lord Warburton's sisters for instance. So long as I look at the Misses Molyneux they seem to me to answer a kind of ideal. Then Henrietta presents herself, and I'm straightway convinced by her; not so much in respect to herself as in respect to what masses behind her." "Ah, you mean the back view of her," Ralph suggested. "What she says is true," his cousin answered; "you'll never be serious. I like the great country stretching away beyond the rivers and across the prairies, blooming and smiling and spreading till it stops at the green Pacific! A strong, sweet, fresh odour seems to rise from it, and Henrietta--pardon my simile--has something of that odour in her garments." Isabel blushed a little as she concluded this speech, and the blush, together with the momentary ardour she had thrown into it, was so becoming to her that Ralph stood smiling at her for a moment after she had ceased speaking. "I'm not sure the Pacific's so green as that," he said; "but you're a young woman of imagination. Henrietta, however, does smell of the Future--it almost knocks one down!"

Chapter 10

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-10-14

Isabel's friend, Henrietta Stackpole, the independent American journalist, arrives in England and visits at Gardencourt to see Isabel. She is described as a neat, plump person with a remarkably observant eye. Henrietta declares to the Touchetts that she would like to know if they consider themselves American or English, so that she will know how to talk to them. Ralph tells her that, in order to please her, he'll be an Englishman, or even a Turk. Isabel intercedes that Ralph is a cosmopolite. Isabel discovers that Henrietta is writing an article on Gardencourt, and tells her that she should not write about the place. Henrietta thinks they will be delighted afterwards, and Isabel protests that Henrietta has no sense of privacy. Henrietta blushes. Later, she asks Isabel if there is some other place she can describe, and Isabel tells her that she could give her a glimpse of Lord Warburton, and perhaps she can observe him. Henrietta finds it odd that Ralph spends his time so idly, without occupation. She asks how he can reconcile his idleness with his conscience, to which he responds, "I have no conscience. Henrietta proceeds to interrogate him on having abandoned his own country, and Ralph responds that one's country is not a choice, but only an "element of one's composition". Henrietta counsels Ralph to "take hold of something" -- that is, find something to work on. A few days later, Henrietta diagnoses Ralph: "I know what's the matter with you. you think you're too good to get married". Ralph jokes that he thought so until he met Henrietta. She thinks that getting married would improve him, and that it is his "duty". Ralph suspects Henrietta has ulterior motives, so he decides to test this by circuitously suggesting that he is proposing to Henrietta. Henrietta gives him a look of resentment. Isabel later tells Ralph that Henrietta thinks Europeans have a low tone towards women. Ralph notes that perhaps he treats her too personally. He thinks though, that she has the "smell of the Future"

Ralph and Henrietta do not seem to really get along -- perhaps they might remind us of friends in a TV sitcom who always make fun of each other, never see eye to eye, yet nevertheless get something out of each other's company. Ralph finds it fun to evade straightforward answers to Henrietta's questions about his own identity and function in the world, and Henrietta persists in pinning him down with one. Ralph seems to represent Europeans here -- a sick and idle, but cultured, person -- and Henrietta is the American of the "Future" who is bold, persistent and hard working. This is representative of Henry James' well-known "American Theme" in which Americans arrive in Europe, and seem to offer something new to a decadent culture. But what is it, exactly that they offer? Henrietta seems to offer straightforward, puritan values. In Chapter 12, we have what will be seen as her first great action, her refusal of Lord Warburton's marriage proposal. For any American without a fortune, this would have been seen as a great opportunity: marrying a rich, well respected Lord from England. Why does Isabel reject his marriage proposal? She tells him she has nothing to give: she could mean this in a financial sense, but she could also mean that she believes she must develop as an individual, original and independent person in order to enter into a marriage. She furthermore believes herself to be capable of an even greater opportunity: does this mean she believes another man of greater status will propose to her? Or does she think she will be able to occupy herself in life in some other way? The great idea upon which her ambition settles is unclear. What could it mean to engage in "the free exploration of life" ? It would appear that Isabel's great idea is to assert some sort of independent freedom of character, but the means of expression of such freedom does not seem to be readily available to her. It does not seem to lie in any possible occupation she could have, especially because she is not a very practical person, but rather a theoretical one. It does not seem to lie in her social relations to others, because this seems to mean that she will have to submit to a particular social system thereby losing her freedom. This leads to a more existential question that is being posed in the book: What is freedom? Can it be asserted in any other way, other than negatively? Meanwhile, the fact that Caspar Goodwood has arrived at the same time that Lord Warburton has decided to propose forms something of a climax of the first section of the novel. Isabel is presented with two possible, concrete realizations for her "idea" as to what she will do in life, and she rejects them both, although she rejects them for opposite reasons. One man is not at all likeable, and not at all her ideal; the other is perfectly an ideal of a person, and she likes him perfectly well, but she intuitively feels that she does not want to marry him. Her idea thus assumes expression only negatively here. In Chapter 14, we get some more exploration into Isabel's motivations for rejecting Lord Warburton's marriage proposal. She claims that she does not want to separate herself from "life" - from the usual chances that most people suffer. She seems to have a lust for a vague notion of experience, and she believes such experience cannot be found when one is protected from dangers through marriage. Mrs. Touchett's simple declaration ironically is the most adequate for describing Isabel's rejection -- she does think that she can "do something better." However, Mrs. Touchett is also a character that is not depicted in a flattering light; she is not the kind of person who can explore deep psychological motivations and intimate emotions. Thus we are presented with the contradiction that Isabel's "idea" on the one hand can be described adequately in a superficial manner, but that it nevertheless breeds a lot of psychological interest and vague emotions.

gradesaver

all_chapterized_books/2833-chapters/11.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_5_part_2.txt

The Portrait of a Lady.chapter 11

chapter 11

{"name": "Chapter 11", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-10-14", "summary": "Henrietta gets along well at Gardencourt mostly, except that she begins to mistrust Mrs. Touchett. Mrs. Touchett thinks that Henrietta is both a bore and an adventuress. She detests her manners. Mrs. Touchett tells Henrietta: \"We judge from different points of view, evidently. I like to be treated as an individual; you like to be treated as a 'party'\". In a private moment, Henrietta tells Isabel that Caspar Goodwood came to see her for news about Isabel. Isabel thinks he is simpleminded, and not ugly. Henrietta tells Isabel that Caspar Goodwood is dying for encouragement, but she also notes that Isabel is affected by everything but Mr. Goodwood. She tells Isabel that she shouldn't let her new ideas affect her old ones. Basically Henrietta seems to hope that Isabel will marry Mr. Goodwood, and reminds Isabel that she has already encouraged him that he will be successful if he proposes. Isabel recognizes that Mr. Goodwood is a man of action, the type to \"do something\". Henrietta tells Isabel that Mr. Goodwood will arrive in a few days. Isabel is alarmed by the news. For the next few days she is in a state of ominous foreboding. One day in the garden she receives a letter from Mr. Goodwood. In the letter, Caspar Goodwood reminds Isabel that she had \"dismissed\" him three months earlier when they last saw each other, but that he had refused to accept this, believing her character was not as arbitrary as she was presenting it as. He has arrived in England because she is there. He asks to come see her in half an hour. As Isabel is reading the letter, Lord Warburton appears", "analysis": "Ralph and Henrietta do not seem to really get along -- perhaps they might remind us of friends in a TV sitcom who always make fun of each other, never see eye to eye, yet nevertheless get something out of each other's company. Ralph finds it fun to evade straightforward answers to Henrietta's questions about his own identity and function in the world, and Henrietta persists in pinning him down with one. Ralph seems to represent Europeans here -- a sick and idle, but cultured, person -- and Henrietta is the American of the \"Future\" who is bold, persistent and hard working. This is representative of Henry James' well-known \"American Theme\" in which Americans arrive in Europe, and seem to offer something new to a decadent culture. But what is it, exactly that they offer? Henrietta seems to offer straightforward, puritan values. In Chapter 12, we have what will be seen as her first great action, her refusal of Lord Warburton's marriage proposal. For any American without a fortune, this would have been seen as a great opportunity: marrying a rich, well respected Lord from England. Why does Isabel reject his marriage proposal? She tells him she has nothing to give: she could mean this in a financial sense, but she could also mean that she believes she must develop as an individual, original and independent person in order to enter into a marriage. She furthermore believes herself to be capable of an even greater opportunity: does this mean she believes another man of greater status will propose to her? Or does she think she will be able to occupy herself in life in some other way? The great idea upon which her ambition settles is unclear. What could it mean to engage in \"the free exploration of life\" ? It would appear that Isabel's great idea is to assert some sort of independent freedom of character, but the means of expression of such freedom does not seem to be readily available to her. It does not seem to lie in any possible occupation she could have, especially because she is not a very practical person, but rather a theoretical one. It does not seem to lie in her social relations to others, because this seems to mean that she will have to submit to a particular social system thereby losing her freedom. This leads to a more existential question that is being posed in the book: What is freedom? Can it be asserted in any other way, other than negatively? Meanwhile, the fact that Caspar Goodwood has arrived at the same time that Lord Warburton has decided to propose forms something of a climax of the first section of the novel. Isabel is presented with two possible, concrete realizations for her \"idea\" as to what she will do in life, and she rejects them both, although she rejects them for opposite reasons. One man is not at all likeable, and not at all her ideal; the other is perfectly an ideal of a person, and she likes him perfectly well, but she intuitively feels that she does not want to marry him. Her idea thus assumes expression only negatively here. In Chapter 14, we get some more exploration into Isabel's motivations for rejecting Lord Warburton's marriage proposal. She claims that she does not want to separate herself from \"life\" - from the usual chances that most people suffer. She seems to have a lust for a vague notion of experience, and she believes such experience cannot be found when one is protected from dangers through marriage. Mrs. Touchett's simple declaration ironically is the most adequate for describing Isabel's rejection -- she does think that she can \"do something better.\" However, Mrs. Touchett is also a character that is not depicted in a flattering light; she is not the kind of person who can explore deep psychological motivations and intimate emotions. Thus we are presented with the contradiction that Isabel's \"idea\" on the one hand can be described adequately in a superficial manner, but that it nevertheless breeds a lot of psychological interest and vague emotions."}

He took a resolve after this not to misinterpret her words even when Miss Stackpole appeared to strike the personal note most strongly. He bethought himself that persons, in her view, were simple and homogeneous organisms, and that he, for his own part, was too perverted a representative of the nature of man to have a right to deal with her in strict reciprocity. He carried out his resolve with a great deal of tact, and the young lady found in renewed contact with him no obstacle to the exercise of her genius for unshrinking enquiry, the general application of her confidence. Her situation at Gardencourt therefore, appreciated as we have seen her to be by Isabel and full of appreciation herself of that free play of intelligence which, to her sense, rendered Isabel's character a sister-spirit, and of the easy venerableness of Mr. Touchett, whose noble tone, as she said, met with her full approval--her situation at Gardencourt would have been perfectly comfortable had she not conceived an irresistible mistrust of the little lady for whom she had at first supposed herself obliged to "allow" as mistress of the house. She presently discovered, in truth, that this obligation was of the lightest and that Mrs. Touchett cared very little how Miss Stackpole behaved. Mrs. Touchett had defined her to Isabel as both an adventuress and a bore--adventuresses usually giving one more of a thrill; she had expressed some surprise at her niece's having selected such a friend, yet had immediately added that she knew Isabel's friends were her own affair and that she had never undertaken to like them all or to restrict the girl to those she liked. "If you could see none but the people I like, my dear, you'd have a very small society," Mrs. Touchett frankly admitted; "and I don't think I like any man or woman well enough to recommend them to you. When it comes to recommending it's a serious affair. I don't like Miss Stackpole--everything about her displeases me; she talks so much too loud and looks at one as if one wanted to look at her--which one doesn't. I'm sure she has lived all her life in a boarding-house, and I detest the manners and the liberties of such places. If you ask me if I prefer my own manners, which you doubtless think very bad, I'll tell you that I prefer them immensely. Miss Stackpole knows I detest boarding-house civilisation, and she detests me for detesting it, because she thinks it the highest in the world. She'd like Gardencourt a great deal better if it were a boarding-house. For me, I find it almost too much of one! We shall never get on together therefore, and there's no use trying." Mrs. Touchett was right in guessing that Henrietta disapproved of her, but she had not quite put her finger on the reason. A day or two after Miss Stackpole's arrival she had made some invidious reflexions on American hotels, which excited a vein of counter-argument on the part of the correspondent of the Interviewer, who in the exercise of her profession had acquainted herself, in the western world, with every form of caravansary. Henrietta expressed the opinion that American hotels were the best in the world, and Mrs. Touchett, fresh from a renewed struggle with them, recorded a conviction that they were the worst. Ralph, with his experimental geniality, suggested, by way of healing the breach, that the truth lay between the two extremes and that the establishments in question ought to be described as fair middling. This contribution to the discussion, however, Miss Stackpole rejected with scorn. Middling indeed! If they were not the best in the world they were the worst, but there was nothing middling about an American hotel. "We judge from different points of view, evidently," said Mrs. Touchett. "I like to be treated as an individual; you like to be treated as a 'party.'" "I don't know what you mean," Henrietta replied. "I like to be treated as an American lady." "Poor American ladies!" cried Mrs. Touchett with a laugh. "They're the slaves of slaves." "They're the companions of freemen," Henrietta retorted. "They're the companions of their servants--the Irish chambermaid and the negro waiter. They share their work." "Do you call the domestics in an American household 'slaves'?" Miss Stackpole enquired. "If that's the way you desire to treat them, no wonder you don't like America." "If you've not good servants you're miserable," Mrs. Touchett serenely said. "They're very bad in America, but I've five perfect ones in Florence." "I don't see what you want with five," Henrietta couldn't help observing. "I don't think I should like to see five persons surrounding me in that menial position." "I like them in that position better than in some others," proclaimed Mrs. Touchett with much meaning. "Should you like me better if I were your butler, dear?" her husband asked. "I don't think I should: you wouldn't at all have the tenue." "The companions of freemen--I like that, Miss Stackpole," said Ralph. "It's a beautiful description." "When I said freemen I didn't mean you, sir!" And this was the only reward that Ralph got for his compliment. Miss Stackpole was baffled; she evidently thought there was something treasonable in Mrs. Touchett's appreciation of a class which she privately judged to be a mysterious survival of feudalism. It was perhaps because her mind was oppressed with this image that she suffered some days to elapse before she took occasion to say to Isabel: "My dear friend, I wonder if you're growing faithless." "Faithless? Faithless to you, Henrietta?" "No, that would be a great pain; but it's not that." "Faithless to my country then?" "Ah, that I hope will never be. When I wrote to you from Liverpool I said I had something particular to tell you. You've never asked me what it is. Is it because you've suspected?" "Suspected what? As a rule I don't think I suspect," said Isabel. "I remember now that phrase in your letter, but I confess I had forgotten it. What have you to tell me?" Henrietta looked disappointed, and her steady gaze betrayed it. "You don't ask that right--as if you thought it important. You're changed--you're thinking of other things." "Tell me what you mean, and I'll think of that." "Will you really think of it? That's what I wish to be sure of." "I've not much control of my thoughts, but I'll do my best," said Isabel. Henrietta gazed at her, in silence, for a period which tried Isabel's patience, so that our heroine added at last: "Do you mean that you're going to be married?" "Not till I've seen Europe!" said Miss Stackpole. "What are you laughing at?" she went on. "What I mean is that Mr. Goodwood came out in the steamer with me." "Ah!" Isabel responded. "You say that right. I had a good deal of talk with him; he has come after you." "Did he tell you so?" "No, he told me nothing; that's how I knew it," said Henrietta cleverly. "He said very little about you, but I spoke of you a good deal." Isabel waited. At the mention of Mr. Goodwood's name she had turned a little pale. "I'm very sorry you did that," she observed at last. "It was a pleasure to me, and I liked the way he listened. I could have talked a long time to such a listener; he was so quiet, so intense; he drank it all in." "What did you say about me?" Isabel asked. "I said you were on the whole the finest creature I know." "I'm very sorry for that. He thinks too well of me already; he oughtn't to be encouraged." "He's dying for a little encouragement. I see his face now, and his earnest absorbed look while I talked. I never saw an ugly man look so handsome." "He's very simple-minded," said Isabel. "And he's not so ugly." "There's nothing so simplifying as a grand passion." "It's not a grand passion; I'm very sure it's not that." "You don't say that as if you were sure." Isabel gave rather a cold smile. "I shall say it better to Mr. Goodwood himself." "He'll soon give you a chance," said Henrietta. Isabel offered no answer to this assertion, which her companion made with an air of great confidence. "He'll find you changed," the latter pursued. "You've been affected by your new surroundings." "Very likely. I'm affected by everything." "By everything but Mr. Goodwood!" Miss Stackpole exclaimed with a slightly harsh hilarity. Isabel failed even to smile back and in a moment she said: "Did he ask you to speak to me?" "Not in so many words. But his eyes asked it--and his handshake, when he bade me good-bye." "Thank you for doing so." And Isabel turned away. "Yes, you're changed; you've got new ideas over here," her friend continued. "I hope so," said Isabel; "one should get as many new ideas as possible." "Yes; but they shouldn't interfere with the old ones when the old ones have been the right ones." Isabel turned about again. "If you mean that I had any idea with regard to Mr. Goodwood--!" But she faltered before her friend's implacable glitter. "My dear child, you certainly encouraged him." Isabel made for the moment as if to deny this charge; instead of which, however, she presently answered: "It's very true. I did encourage him." And then she asked if her companion had learned from Mr. Goodwood what he intended to do. It was a concession to her curiosity, for she disliked discussing the subject and found Henrietta wanting in delicacy. "I asked him, and he said he meant to do nothing," Miss Stackpole answered. "But I don't believe that; he's not a man to do nothing. He is a man of high, bold action. Whatever happens to him he'll always do something, and whatever he does will always be right." "I quite believe that." Henrietta might be wanting in delicacy, but it touched the girl, all the same, to hear this declaration. "Ah, you do care for him!" her visitor rang out. "Whatever he does will always be right," Isabel repeated. "When a man's of that infallible mould what does it matter to him what one feels?" "It may not matter to him, but it matters to one's self." "Ah, what it matters to me--that's not what we're discussing," said Isabel with a cold smile. This time her companion was grave. "Well, I don't care; you have changed. You're not the girl you were a few short weeks ago, and Mr. Goodwood will see it. I expect him here any day." "I hope he'll hate me then," said Isabel. "I believe you hope it about as much as I believe him capable of it." To this observation our heroine made no return; she was absorbed in the alarm given her by Henrietta's intimation that Caspar Goodwood would present himself at Gardencourt. She pretended to herself, however, that she thought the event impossible, and, later, she communicated her disbelief to her friend. For the next forty-eight hours, nevertheless, she stood prepared to hear the young man's name announced. The feeling pressed upon her; it made the air sultry, as if there were to be a change of weather; and the weather, socially speaking, had been so agreeable during Isabel's stay at Gardencourt that any change would be for the worse. Her suspense indeed was dissipated the second day. She had walked into the park in company with the sociable Bunchie, and after strolling about for some time, in a manner at once listless and restless, had seated herself on a garden-bench, within sight of the house, beneath a spreading beech, where, in a white dress ornamented with black ribbons, she formed among the flickering shadows a graceful and harmonious image. She entertained herself for some moments with talking to the little terrier, as to whom the proposal of an ownership divided with her cousin had been applied as impartially as possible--as impartially as Bunchie's own somewhat fickle and inconstant sympathies would allow. But she was notified for the first time, on this occasion, of the finite character of Bunchie's intellect; hitherto she had been mainly struck with its extent. It seemed to her at last that she would do well to take a book; formerly, when heavy-hearted, she had been able, with the help of some well-chosen volume, to transfer the seat of consciousness to the organ of pure reason. Of late, it was not to be denied, literature had seemed a fading light, and even after she had reminded herself that her uncle's library was provided with a complete set of those authors which no gentleman's collection should be without, she sat motionless and empty-handed, her eyes bent on the cool green turf of the lawn. Her meditations were presently interrupted by the arrival of a servant who handed her a letter. The letter bore the London postmark and was addressed in a hand she knew--that came into her vision, already so held by him, with the vividness of the writer's voice or his face. This document proved short and may be given entire. MY DEAR MISS ARCHER--I don't know whether you will have heard of my coming to England, but even if you have not it will scarcely be a surprise to you. You will remember that when you gave me my dismissal at Albany, three months ago, I did not accept it. I protested against it. You in fact appeared to accept my protest and to admit that I had the right on my side. I had come to see you with the hope that you would let me bring you over to my conviction; my reasons for entertaining this hope had been of the best. But you disappointed it; I found you changed, and you were able to give me no reason for the change. You admitted that you were unreasonable, and it was the only concession you would make; but it was a very cheap one, because that's not your character. No, you are not, and you never will be, arbitrary or capricious. Therefore it is that I believe you will let me see you again. You told me that I'm not disagreeable to you, and I believe it; for I don't see why that should be. I shall always think of you; I shall never think of any one else. I came to England simply because you are here; I couldn't stay at home after you had gone: I hated the country because you were not in it. If I like this country at present it is only because it holds you. I have been to England before, but have never enjoyed it much. May I not come and see you for half an hour? This at present is the dearest wish of yours faithfully, CASPAR GOODWOOD. Isabel read this missive with such deep attention that she had not perceived an approaching tread on the soft grass. Looking up, however, as she mechanically folded it she saw Lord Warburton standing before her.

Chapter 11

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-10-14

Henrietta gets along well at Gardencourt mostly, except that she begins to mistrust Mrs. Touchett. Mrs. Touchett thinks that Henrietta is both a bore and an adventuress. She detests her manners. Mrs. Touchett tells Henrietta: "We judge from different points of view, evidently. I like to be treated as an individual; you like to be treated as a 'party'". In a private moment, Henrietta tells Isabel that Caspar Goodwood came to see her for news about Isabel. Isabel thinks he is simpleminded, and not ugly. Henrietta tells Isabel that Caspar Goodwood is dying for encouragement, but she also notes that Isabel is affected by everything but Mr. Goodwood. She tells Isabel that she shouldn't let her new ideas affect her old ones. Basically Henrietta seems to hope that Isabel will marry Mr. Goodwood, and reminds Isabel that she has already encouraged him that he will be successful if he proposes. Isabel recognizes that Mr. Goodwood is a man of action, the type to "do something". Henrietta tells Isabel that Mr. Goodwood will arrive in a few days. Isabel is alarmed by the news. For the next few days she is in a state of ominous foreboding. One day in the garden she receives a letter from Mr. Goodwood. In the letter, Caspar Goodwood reminds Isabel that she had "dismissed" him three months earlier when they last saw each other, but that he had refused to accept this, believing her character was not as arbitrary as she was presenting it as. He has arrived in England because she is there. He asks to come see her in half an hour. As Isabel is reading the letter, Lord Warburton appears

Ralph and Henrietta do not seem to really get along -- perhaps they might remind us of friends in a TV sitcom who always make fun of each other, never see eye to eye, yet nevertheless get something out of each other's company. Ralph finds it fun to evade straightforward answers to Henrietta's questions about his own identity and function in the world, and Henrietta persists in pinning him down with one. Ralph seems to represent Europeans here -- a sick and idle, but cultured, person -- and Henrietta is the American of the "Future" who is bold, persistent and hard working. This is representative of Henry James' well-known "American Theme" in which Americans arrive in Europe, and seem to offer something new to a decadent culture. But what is it, exactly that they offer? Henrietta seems to offer straightforward, puritan values. In Chapter 12, we have what will be seen as her first great action, her refusal of Lord Warburton's marriage proposal. For any American without a fortune, this would have been seen as a great opportunity: marrying a rich, well respected Lord from England. Why does Isabel reject his marriage proposal? She tells him she has nothing to give: she could mean this in a financial sense, but she could also mean that she believes she must develop as an individual, original and independent person in order to enter into a marriage. She furthermore believes herself to be capable of an even greater opportunity: does this mean she believes another man of greater status will propose to her? Or does she think she will be able to occupy herself in life in some other way? The great idea upon which her ambition settles is unclear. What could it mean to engage in "the free exploration of life" ? It would appear that Isabel's great idea is to assert some sort of independent freedom of character, but the means of expression of such freedom does not seem to be readily available to her. It does not seem to lie in any possible occupation she could have, especially because she is not a very practical person, but rather a theoretical one. It does not seem to lie in her social relations to others, because this seems to mean that she will have to submit to a particular social system thereby losing her freedom. This leads to a more existential question that is being posed in the book: What is freedom? Can it be asserted in any other way, other than negatively? Meanwhile, the fact that Caspar Goodwood has arrived at the same time that Lord Warburton has decided to propose forms something of a climax of the first section of the novel. Isabel is presented with two possible, concrete realizations for her "idea" as to what she will do in life, and she rejects them both, although she rejects them for opposite reasons. One man is not at all likeable, and not at all her ideal; the other is perfectly an ideal of a person, and she likes him perfectly well, but she intuitively feels that she does not want to marry him. Her idea thus assumes expression only negatively here. In Chapter 14, we get some more exploration into Isabel's motivations for rejecting Lord Warburton's marriage proposal. She claims that she does not want to separate herself from "life" - from the usual chances that most people suffer. She seems to have a lust for a vague notion of experience, and she believes such experience cannot be found when one is protected from dangers through marriage. Mrs. Touchett's simple declaration ironically is the most adequate for describing Isabel's rejection -- she does think that she can "do something better." However, Mrs. Touchett is also a character that is not depicted in a flattering light; she is not the kind of person who can explore deep psychological motivations and intimate emotions. Thus we are presented with the contradiction that Isabel's "idea" on the one hand can be described adequately in a superficial manner, but that it nevertheless breeds a lot of psychological interest and vague emotions.

gradesaver

all_chapterized_books/2833-chapters/12.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_5_part_3.txt

The Portrait of a Lady.chapter 12

chapter 12

{"name": "Chapter 12", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-10-14", "summary": "Isabel is aware that Lord Warburton has arrived with some intention, and she feels curious about this intention at the same time she wishes to elude this intention. Although the narrator does not tell us so, it is obvious that Lord Warburton is about to propose marriage to her. She perceives Lord Warburton as \"looming up before her\" and he appears to demand something of her, as if he is about to draw her into the orbit of the system in which he lives. Her instinct tells her to resist though, especially because she has a system of her own. She also notes that Caspar Goodwood is a man with no system at all, even though he has certain definite intentions with her. Meanwhile, Lord Warburton seems somewhat embarrassed. He was about to do something that would shock all his countrymen, even though he has only been in Isabel's company for 26 hours. Lord Warburton tells her he's in love with her, and that he will be forever. Isabel claims that he does not know her at all. He tells her if she is his wife, he will come to know her. She tells him that she believes in him, and does not need the recommendation of his friends to do so. But then, she thanks him for his offer. He tells her that this gives him some hope that she will come to accept him eventually. She tells him not to hope. She is sure that her opinion of him can only rise, but that his opinion of her will only lower with time. Isabel tells him she is refusing him not because she dislikes him, but because it's about what she herself can give to the marriage. Further, she is not sure that she ever wishes to marry anyone. Isabel feels that she would give her little finger to have the impulse to accept Lord Warburton's proposal; she wishes she could believe it was the best possible opportunity she could have. However, she feels like a \"wild, caught creature in a vast cage\" when presented with this opportunity. This opportunity was not the greatest she could conceive of. Isabel tells him finally that he ought not to bring up the subject today again, and that she only needs time to think of some way to let him know that what he asks is impossible. Lord Warburton tells her he will live without purpose if she rejects him, and she protests that he will marry a better woman than she. She tells him that she only wants to collect her mind a little, and he responds that he is afraid of her \"remarkable\" mind. She responds, \"So am I, my lord. As he leaves, Isabel feels that there had been no great difficult choice, as she simply could not have married him. The idea failed to support any enlightened prejudice in favour of the free exploration of life that she had hitherto entertained or was now capable of entertaining\"", "analysis": "Ralph and Henrietta do not seem to really get along -- perhaps they might remind us of friends in a TV sitcom who always make fun of each other, never see eye to eye, yet nevertheless get something out of each other's company. Ralph finds it fun to evade straightforward answers to Henrietta's questions about his own identity and function in the world, and Henrietta persists in pinning him down with one. Ralph seems to represent Europeans here -- a sick and idle, but cultured, person -- and Henrietta is the American of the \"Future\" who is bold, persistent and hard working. This is representative of Henry James' well-known \"American Theme\" in which Americans arrive in Europe, and seem to offer something new to a decadent culture. But what is it, exactly that they offer? Henrietta seems to offer straightforward, puritan values. In Chapter 12, we have what will be seen as her first great action, her refusal of Lord Warburton's marriage proposal. For any American without a fortune, this would have been seen as a great opportunity: marrying a rich, well respected Lord from England. Why does Isabel reject his marriage proposal? She tells him she has nothing to give: she could mean this in a financial sense, but she could also mean that she believes she must develop as an individual, original and independent person in order to enter into a marriage. She furthermore believes herself to be capable of an even greater opportunity: does this mean she believes another man of greater status will propose to her? Or does she think she will be able to occupy herself in life in some other way? The great idea upon which her ambition settles is unclear. What could it mean to engage in \"the free exploration of life\" ? It would appear that Isabel's great idea is to assert some sort of independent freedom of character, but the means of expression of such freedom does not seem to be readily available to her. It does not seem to lie in any possible occupation she could have, especially because she is not a very practical person, but rather a theoretical one. It does not seem to lie in her social relations to others, because this seems to mean that she will have to submit to a particular social system thereby losing her freedom. This leads to a more existential question that is being posed in the book: What is freedom? Can it be asserted in any other way, other than negatively? Meanwhile, the fact that Caspar Goodwood has arrived at the same time that Lord Warburton has decided to propose forms something of a climax of the first section of the novel. Isabel is presented with two possible, concrete realizations for her \"idea\" as to what she will do in life, and she rejects them both, although she rejects them for opposite reasons. One man is not at all likeable, and not at all her ideal; the other is perfectly an ideal of a person, and she likes him perfectly well, but she intuitively feels that she does not want to marry him. Her idea thus assumes expression only negatively here. In Chapter 14, we get some more exploration into Isabel's motivations for rejecting Lord Warburton's marriage proposal. She claims that she does not want to separate herself from \"life\" - from the usual chances that most people suffer. She seems to have a lust for a vague notion of experience, and she believes such experience cannot be found when one is protected from dangers through marriage. Mrs. Touchett's simple declaration ironically is the most adequate for describing Isabel's rejection -- she does think that she can \"do something better.\" However, Mrs. Touchett is also a character that is not depicted in a flattering light; she is not the kind of person who can explore deep psychological motivations and intimate emotions. Thus we are presented with the contradiction that Isabel's \"idea\" on the one hand can be described adequately in a superficial manner, but that it nevertheless breeds a lot of psychological interest and vague emotions."}

She put the letter into her pocket and offered her visitor a smile of welcome, exhibiting no trace of discomposure and half surprised at her coolness. "They told me you were out here," said Lord Warburton; "and as there was no one in the drawing-room and it's really you that I wish to see, I came out with no more ado." Isabel had got up; she felt a wish, for the moment, that he should not sit down beside her. "I was just going indoors." "Please don't do that; it's much jollier here; I've ridden over from Lockleigh; it's a lovely day." His smile was peculiarly friendly and pleasing, and his whole person seemed to emit that radiance of good-feeling and good fare which had formed the charm of the girl's first impression of him. It surrounded him like a zone of fine June weather. "We'll walk about a little then," said Isabel, who could not divest herself of the sense of an intention on the part of her visitor and who wished both to elude the intention and to satisfy her curiosity about it. It had flashed upon her vision once before, and it had given her on that occasion, as we know, a certain alarm. This alarm was composed of several elements, not all of which were disagreeable; she had indeed spent some days in analysing them and had succeeded in separating the pleasant part of the idea of Lord Warburton's "making up" to her from the painful. It may appear to some readers that the young lady was both precipitate and unduly fastidious; but the latter of these facts, if the charge be true, may serve to exonerate her from the discredit of the former. She was not eager to convince herself that a territorial magnate, as she had heard Lord Warburton called, was smitten with her charms; the fact of a declaration from such a source carrying with it really more questions than it would answer. She had received a strong impression of his being a "personage," and she had occupied herself in examining the image so conveyed. At the risk of adding to the evidence of her self-sufficiency it must be said that there had been moments when this possibility of admiration by a personage represented to her an aggression almost to the degree of an affront, quite to the degree of an inconvenience. She had never yet known a personage; there had been no personages, in this sense, in her life; there were probably none such at all in her native land. When she had thought of individual eminence she had thought of it on the basis of character and wit--of what one might like in a gentleman's mind and in his talk. She herself was a character--she couldn't help being aware of that; and hitherto her visions of a completed consciousness had concerned themselves largely with moral images--things as to which the question would be whether they pleased her sublime soul. Lord Warburton loomed up before her, largely and brightly, as a collection of attributes and powers which were not to be measured by this simple rule, but which demanded a different sort of appreciation--an appreciation that the girl, with her habit of judging quickly and freely, felt she lacked patience to bestow. He appeared to demand of her something that no one else, as it were, had presumed to do. What she felt was that a territorial, a political, a social magnate had conceived the design of drawing her into the system in which he rather invidiously lived and moved. A certain instinct, not imperious, but persuasive, told her to resist--murmured to her that virtually she had a system and an orbit of her own. It told her other things besides--things which both contradicted and confirmed each other; that a girl might do much worse than trust herself to such a man and that it would be very interesting to see something of his system from his own point of view; that on the other hand, however, there was evidently a great deal of it which she should regard only as a complication of every hour, and that even in the whole there was something stiff and stupid which would make it a burden. Furthermore there was a young man lately come from America who had no system at all, but who had a character of which it was useless for her to try to persuade herself that the impression on her mind had been light. The letter she carried in her pocket all sufficiently reminded her of the contrary. Smile not, however, I venture to repeat, at this simple young woman from Albany who debated whether she should accept an English peer before he had offered himself and who was disposed to believe that on the whole she could do better. She was a person of great good faith, and if there was a great deal of folly in her wisdom those who judge her severely may have the satisfaction of finding that, later, she became consistently wise only at the cost of an amount of folly which will constitute almost a direct appeal to charity. Lord Warburton seemed quite ready to walk, to sit or to do anything that Isabel should propose, and he gave her this assurance with his usual air of being particularly pleased to exercise a social virtue. But he was, nevertheless, not in command of his emotions, and as he strolled beside her for a moment, in silence, looking at her without letting her know it, there was something embarrassed in his glance and his misdirected laughter. Yes, assuredly--as we have touched on the point, we may return to it for a moment again--the English are the most romantic people in the world and Lord Warburton was about to give an example of it. He was about to take a step which would astonish all his friends and displease a great many of them, and which had superficially nothing to recommend it. The young lady who trod the turf beside him had come from a queer country across the sea which he knew a good deal about; her antecedents, her associations were very vague to his mind except in so far as they were generic, and in this sense they showed as distinct and unimportant. Miss Archer had neither a fortune nor the sort of beauty that justifies a man to the multitude, and he calculated that he had spent about twenty-six hours in her company. He had summed up all this--the perversity of the impulse, which had declined to avail itself of the most liberal opportunities to subside, and the judgement of mankind, as exemplified particularly in the more quickly-judging half of it: he had looked these things well in the face and then had dismissed them from his thoughts. He cared no more for them than for the rosebud in his buttonhole. It is the good fortune of a man who for the greater part of a lifetime has abstained without effort from making himself disagreeable to his friends, that when the need comes for such a course it is not discredited by irritating associations. "I hope you had a pleasant ride," said Isabel, who observed her companion's hesitancy. "It would have been pleasant if for nothing else than that it brought me here." "Are you so fond of Gardencourt?" the girl asked, more and more sure that he meant to make some appeal to her; wishing not to challenge him if he hesitated, and yet to keep all the quietness of her reason if he proceeded. It suddenly came upon her that her situation was one which a few weeks ago she would have deemed deeply romantic: the park of an old English country-house, with the foreground embellished by a "great" (as she supposed) nobleman in the act of making love to a young lady who, on careful inspection, should be found to present remarkable analogies with herself. But if she was now the heroine of the situation she succeeded scarcely the less in looking at it from the outside. "I care nothing for Gardencourt," said her companion. "I care only for you." "You've known me too short a time to have a right to say that, and I can't believe you're serious." These words of Isabel's were not perfectly sincere, for she had no doubt whatever that he himself was. They were simply a tribute to the fact, of which she was perfectly aware, that those he had just uttered would have excited surprise on the part of a vulgar world. And, moreover, if anything beside the sense she had already acquired that Lord Warburton was not a loose thinker had been needed to convince her, the tone in which he replied would quite have served the purpose. "One's right in such a matter is not measured by the time, Miss Archer; it's measured by the feeling itself. If I were to wait three months it would make no difference; I shall not be more sure of what I mean than I am to-day. Of course I've seen you very little, but my impression dates from the very first hour we met. I lost no time, I fell in love with you then. It was at first sight, as the novels say; I know now that's not a fancy-phrase, and I shall think better of novels for evermore. Those two days I spent here settled it; I don't know whether you suspected I was doing so, but I paid-mentally speaking I mean--the greatest possible attention to you. Nothing you said, nothing you did, was lost upon me. When you came to Lockleigh the other day--or rather when you went away--I was perfectly sure. Nevertheless I made up my mind to think it over and to question myself narrowly. I've done so; all these days I've done nothing else. I don't make mistakes about such things; I'm a very judicious animal. I don't go off easily, but when I'm touched, it's for life. It's for life, Miss Archer, it's for life," Lord Warburton repeated in the kindest, tenderest, pleasantest voice Isabel had ever heard, and looking at her with eyes charged with the light of a passion that had sifted itself clear of the baser parts of emotion--the heat, the violence, the unreason--and that burned as steadily as a lamp in a windless place. By tacit consent, as he talked, they had walked more and more slowly, and at last they stopped and he took her hand. "Ah, Lord Warburton, how little you know me!" Isabel said very gently. Gently too she drew her hand away. "Don't taunt me with that; that I don't know you better makes me unhappy enough already; it's all my loss. But that's what I want, and it seems to me I'm taking the best way. If you'll be my wife, then I shall know you, and when I tell you all the good I think of you you'll not be able to say it's from ignorance." "If you know me little I know you even less," said Isabel. "You mean that, unlike yourself, I may not improve on acquaintance? Ah, of course that's very possible. But think, to speak to you as I do, how determined I must be to try and give satisfaction! You do like me rather, don't you?" "I like you very much, Lord Warburton," she answered; and at this moment she liked him immensely. "I thank you for saying that; it shows you don't regard me as a stranger. I really believe I've filled all the other relations of life very creditably, and I don't see why I shouldn't fill this one--in which I offer myself to you--seeing that I care so much more about it. Ask the people who know me well; I've friends who'll speak for me." "I don't need the recommendation of your friends," said Isabel. "Ah now, that's delightful of you. You believe in me yourself." "Completely," Isabel declared. She quite glowed there, inwardly, with the pleasure of feeling she did. The light in her companion's eyes turned into a smile, and he gave a long exhalation of joy. "If you're mistaken, Miss Archer, let me lose all I possess!" She wondered whether he meant this for a reminder that he was rich, and, on the instant, felt sure that he didn't. He was thinking that, as he would have said himself; and indeed he might safely leave it to the memory of any interlocutor, especially of one to whom he was offering his hand. Isabel had prayed that she might not be agitated, and her mind was tranquil enough, even while she listened and asked herself what it was best she should say, to indulge in this incidental criticism. What she should say, had she asked herself? Her foremost wish was to say something if possible not less kind than what he had said to her. His words had carried perfect conviction with them; she felt she did, all so mysteriously, matter to him. "I thank you more than I can say for your offer," she returned at last. "It does me great honour." "Ah, don't say that!" he broke out. "I was afraid you'd say something like that. I don't see what you've to do with that sort of thing. I don't see why you should thank me--it's I who ought to thank you for listening to me: a man you know so little coming down on you with such a thumper! Of course it's a great question; I must tell you that I'd rather ask it than have it to answer myself. But the way you've listened--or at least your having listened at all--gives me some hope." "Don't hope too much," Isabel said. "Oh Miss Archer!" her companion murmured, smiling again, in his seriousness, as if such a warning might perhaps be taken but as the play of high spirits, the exuberance of elation. "Should you be greatly surprised if I were to beg you not to hope at all?" Isabel asked. "Surprised? I don't know what you mean by surprise. It wouldn't be that; it would be a feeling very much worse." Isabel walked on again; she was silent for some minutes. "I'm very sure that, highly as I already think of you, my opinion of you, if I should know you well, would only rise. But I'm by no means sure that you wouldn't be disappointed. And I say that not in the least out of conventional modesty; it's perfectly sincere." "I'm willing to risk it, Miss Archer," her companion replied. "It's a great question, as you say. It's a very difficult question." "I don't expect you of course to answer it outright. Think it over as long as may be necessary. If I can gain by waiting I'll gladly wait a long time. Only remember that in the end my dearest happiness depends on your answer." "I should be very sorry to keep you in suspense," said Isabel. "Oh, don't mind. I'd much rather have a good answer six months hence than a bad one to-day." "But it's very probable that even six months hence I shouldn't be able to give you one that you'd think good." "Why not, since you really like me?" "Ah, you must never doubt that," said Isabel. "Well then, I don't see what more you ask!" "It's not what I ask; it's what I can give. I don't think I should suit you; I really don't think I should." "You needn't worry about that. That's my affair. You needn't be a better royalist than the king." "It's not only that," said Isabel; "but I'm not sure I wish to marry any one." "Very likely you don't. I've no doubt a great many women begin that way," said his lordship, who, be it averred, did not in the least believe in the axiom he thus beguiled his anxiety by uttering. "But they're frequently persuaded." "Ah, that's because they want to be!" And Isabel lightly laughed. Her suitor's countenance fell, and he looked at her for a while in silence. "I'm afraid it's my being an Englishman that makes you hesitate," he said presently. "I know your uncle thinks you ought to marry in your own country." Isabel listened to this assertion with some interest; it had never occurred to her that Mr. Touchett was likely to discuss her matrimonial prospects with Lord Warburton. "Has he told you that?" "I remember his making the remark. He spoke perhaps of Americans generally." "He appears himself to have found it very pleasant to live in England." Isabel spoke in a manner that might have seemed a little perverse, but which expressed both her constant perception of her uncle's outward felicity and her general disposition to elude any obligation to take a restricted view. It gave her companion hope, and he immediately cried with warmth: "Ah, my dear Miss Archer, old England's a very good sort of country, you know! And it will be still better when we've furbished it up a little." "Oh, don't furbish it, Lord Warburton--, leave it alone. I like it this way." "Well then, if you like it, I'm more and more unable to see your objection to what I propose." "I'm afraid I can't make you understand." "You ought at least to try. I've a fair intelligence. Are you afraid--afraid of the climate? We can easily live elsewhere, you know. You can pick out your climate, the whole world over." These words were uttered with a breadth of candour that was like the embrace of strong arms--that was like the fragrance straight in her face, and by his clean, breathing lips, of she knew not what strange gardens, what charged airs. She would have given her little finger at that moment to feel strongly and simply the impulse to answer: "Lord Warburton, it's impossible for me to do better in this wonderful world, I think, than commit myself, very gratefully, to your loyalty." But though she was lost in admiration of her opportunity she managed to move back into the deepest shade of it, even as some wild, caught creature in a vast cage. The "splendid" security so offered her was not the greatest she could conceive. What she finally bethought herself of saying was something very different--something that deferred the need of really facing her crisis. "Don't think me unkind if I ask you to say no more about this to-day." "Certainly, certainly!" her companion cried. "I wouldn't bore you for the world." "You've given me a great deal to think about, and I promise you to do it justice." "That's all I ask of you, of course--and that you'll remember how absolutely my happiness is in your hands." Isabel listened with extreme respect to this admonition, but she said after a minute: "I must tell you that what I shall think about is some way of letting you know that what you ask is impossible--letting you know it without making you miserable." "There's no way to do that, Miss Archer. I won't say that if you refuse me you'll kill me; I shall not die of it. But I shall do worse; I shall live to no purpose." "You'll live to marry a better woman than I." "Don't say that, please," said Lord Warburton very gravely. "That's fair to neither of us." "To marry a worse one then." "If there are better women than you I prefer the bad ones. That's all I can say," he went on with the same earnestness. "There's no accounting for tastes." His gravity made her feel equally grave, and she showed it by again requesting him to drop the subject for the present. "I'll speak to you myself--very soon. Perhaps I shall write to you." "At your convenience, yes," he replied. "Whatever time you take, it must seem to me long, and I suppose I must make the best of that." "I shall not keep you in suspense; I only want to collect my mind a little." He gave a melancholy sigh and stood looking at her a moment, with his hands behind him, giving short nervous shakes to his hunting-crop. "Do you know I'm very much afraid of it--of that remarkable mind of yours?" Our heroine's biographer can scarcely tell why, but the question made her start and brought a conscious blush to her cheek. She returned his look a moment, and then with a note in her voice that might almost have appealed to his compassion, "So am I, my lord!" she oddly exclaimed. His compassion was not stirred, however; all he possessed of the faculty of pity was needed at home. "Ah! be merciful, be merciful," he murmured. "I think you had better go," said Isabel. "I'll write to you." "Very good; but whatever you write I'll come and see you, you know." And then he stood reflecting, his eyes fixed on the observant countenance of Bunchie, who had the air of having understood all that had been said and of pretending to carry off the indiscretion by a simulated fit of curiosity as to the roots of an ancient oak. "There's one thing more," he went on. "You know, if you don't like Lockleigh--if you think it's damp or anything of that sort--you need never go within fifty miles of it. It's not damp, by the way; I've had the house thoroughly examined; it's perfectly safe and right. But if you shouldn't fancy it you needn't dream of living in it. There's no difficulty whatever about that; there are plenty of houses. I thought I'd just mention it; some people don't like a moat, you know. Good-bye." "I adore a moat," said Isabel. "Good-bye." He held out his hand, and she gave him hers a moment--a moment long enough for him to bend his handsome bared head and kiss it. Then, still agitating, in his mastered emotion, his implement of the chase, he walked rapidly away. He was evidently much upset. Isabel herself was upset, but she had not been affected as she would have imagined. What she felt was not a great responsibility, a great difficulty of choice; it appeared to her there had been no choice in the question. She couldn't marry Lord Warburton; the idea failed to support any enlightened prejudice in favour of the free exploration of life that she had hitherto entertained or was now capable of entertaining. She must write this to him, she must convince him, and that duty was comparatively simple. But what disturbed her, in the sense that it struck her with wonderment, was this very fact that it cost her so little to refuse a magnificent "chance." With whatever qualifications one would, Lord Warburton had offered her a great opportunity; the situation might have discomforts, might contain oppressive, might contain narrowing elements, might prove really but a stupefying anodyne; but she did her sex no injustice in believing that nineteen women out of twenty would have accommodated themselves to it without a pang. Why then upon her also should it not irresistibly impose itself? Who was she, what was she, that she should hold herself superior? What view of life, what design upon fate, what conception of happiness, had she that pretended to be larger than these large these fabulous occasions? If she wouldn't do such a thing as that then she must do great things, she must do something greater. Poor Isabel found ground to remind herself from time to time that she must not be too proud, and nothing could be more sincere than her prayer to be delivered from such a danger: the isolation and loneliness of pride had for her mind the horror of a desert place. If it had been pride that interfered with her accepting Lord Warburton such a betise was singularly misplaced; and she was so conscious of liking him that she ventured to assure herself it was the very softness, and the fine intelligence, of sympathy. She liked him too much to marry him, that was the truth; something assured her there was a fallacy somewhere in the glowing logic of the proposition--as he saw it--even though she mightn't put her very finest finger-point on it; and to inflict upon a man who offered so much a wife with a tendency to criticise would be a peculiarly discreditable act. She had promised him she would consider his question, and when, after he had left her, she wandered back to the bench where he had found her and lost herself in meditation, it might have seemed that she was keeping her vow. But this was not the case; she was wondering if she were not a cold, hard, priggish person, and, on her at last getting up and going rather quickly back to the house, felt, as she had said to her friend, really frightened at herself.

Chapter 12

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-10-14

Isabel is aware that Lord Warburton has arrived with some intention, and she feels curious about this intention at the same time she wishes to elude this intention. Although the narrator does not tell us so, it is obvious that Lord Warburton is about to propose marriage to her. She perceives Lord Warburton as "looming up before her" and he appears to demand something of her, as if he is about to draw her into the orbit of the system in which he lives. Her instinct tells her to resist though, especially because she has a system of her own. She also notes that Caspar Goodwood is a man with no system at all, even though he has certain definite intentions with her. Meanwhile, Lord Warburton seems somewhat embarrassed. He was about to do something that would shock all his countrymen, even though he has only been in Isabel's company for 26 hours. Lord Warburton tells her he's in love with her, and that he will be forever. Isabel claims that he does not know her at all. He tells her if she is his wife, he will come to know her. She tells him that she believes in him, and does not need the recommendation of his friends to do so. But then, she thanks him for his offer. He tells her that this gives him some hope that she will come to accept him eventually. She tells him not to hope. She is sure that her opinion of him can only rise, but that his opinion of her will only lower with time. Isabel tells him she is refusing him not because she dislikes him, but because it's about what she herself can give to the marriage. Further, she is not sure that she ever wishes to marry anyone. Isabel feels that she would give her little finger to have the impulse to accept Lord Warburton's proposal; she wishes she could believe it was the best possible opportunity she could have. However, she feels like a "wild, caught creature in a vast cage" when presented with this opportunity. This opportunity was not the greatest she could conceive of. Isabel tells him finally that he ought not to bring up the subject today again, and that she only needs time to think of some way to let him know that what he asks is impossible. Lord Warburton tells her he will live without purpose if she rejects him, and she protests that he will marry a better woman than she. She tells him that she only wants to collect her mind a little, and he responds that he is afraid of her "remarkable" mind. She responds, "So am I, my lord. As he leaves, Isabel feels that there had been no great difficult choice, as she simply could not have married him. The idea failed to support any enlightened prejudice in favour of the free exploration of life that she had hitherto entertained or was now capable of entertaining"

Ralph and Henrietta do not seem to really get along -- perhaps they might remind us of friends in a TV sitcom who always make fun of each other, never see eye to eye, yet nevertheless get something out of each other's company. Ralph finds it fun to evade straightforward answers to Henrietta's questions about his own identity and function in the world, and Henrietta persists in pinning him down with one. Ralph seems to represent Europeans here -- a sick and idle, but cultured, person -- and Henrietta is the American of the "Future" who is bold, persistent and hard working. This is representative of Henry James' well-known "American Theme" in which Americans arrive in Europe, and seem to offer something new to a decadent culture. But what is it, exactly that they offer? Henrietta seems to offer straightforward, puritan values. In Chapter 12, we have what will be seen as her first great action, her refusal of Lord Warburton's marriage proposal. For any American without a fortune, this would have been seen as a great opportunity: marrying a rich, well respected Lord from England. Why does Isabel reject his marriage proposal? She tells him she has nothing to give: she could mean this in a financial sense, but she could also mean that she believes she must develop as an individual, original and independent person in order to enter into a marriage. She furthermore believes herself to be capable of an even greater opportunity: does this mean she believes another man of greater status will propose to her? Or does she think she will be able to occupy herself in life in some other way? The great idea upon which her ambition settles is unclear. What could it mean to engage in "the free exploration of life" ? It would appear that Isabel's great idea is to assert some sort of independent freedom of character, but the means of expression of such freedom does not seem to be readily available to her. It does not seem to lie in any possible occupation she could have, especially because she is not a very practical person, but rather a theoretical one. It does not seem to lie in her social relations to others, because this seems to mean that she will have to submit to a particular social system thereby losing her freedom. This leads to a more existential question that is being posed in the book: What is freedom? Can it be asserted in any other way, other than negatively? Meanwhile, the fact that Caspar Goodwood has arrived at the same time that Lord Warburton has decided to propose forms something of a climax of the first section of the novel. Isabel is presented with two possible, concrete realizations for her "idea" as to what she will do in life, and she rejects them both, although she rejects them for opposite reasons. One man is not at all likeable, and not at all her ideal; the other is perfectly an ideal of a person, and she likes him perfectly well, but she intuitively feels that she does not want to marry him. Her idea thus assumes expression only negatively here. In Chapter 14, we get some more exploration into Isabel's motivations for rejecting Lord Warburton's marriage proposal. She claims that she does not want to separate herself from "life" - from the usual chances that most people suffer. She seems to have a lust for a vague notion of experience, and she believes such experience cannot be found when one is protected from dangers through marriage. Mrs. Touchett's simple declaration ironically is the most adequate for describing Isabel's rejection -- she does think that she can "do something better." However, Mrs. Touchett is also a character that is not depicted in a flattering light; she is not the kind of person who can explore deep psychological motivations and intimate emotions. Thus we are presented with the contradiction that Isabel's "idea" on the one hand can be described adequately in a superficial manner, but that it nevertheless breeds a lot of psychological interest and vague emotions.

gradesaver

all_chapterized_books/2833-chapters/13.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_5_part_4.txt

The Portrait of a Lady.chapter 13

chapter 13

{"name": "Chapter 13", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-10-14", "summary": "Isabel decides to speak to her uncle, Mr. Touchett, about this event. Mr. Touchett, upon hearing of the proposal, tells her that he knew she would be a success here. He also already knew about Lord Warburton's intentions. Speaking with her uncle allows Isabel to feel that she has reasonable and natural emotions, rather than a vague intellectualism that rests upon an unfounded idea. She did not refuse Lord Warburton either because she planned on accepting Caspar Goodwood. In Caspar Goodwood's presence, she feels deprived of a sense of freedom, and she is often haunted by the sense that he might disapprove of what she did. Sometimes she thinks of Caspar Goodwood as the \"stubbornest fact she knew\". The narrator informs the reader that Caspar Goodwood is the son of a proprietor of cotton-mills in Massachusetts, and therefore a man of means. He even had managed to invent an improvement to the process of cotton spinning and was seen as accomplished because of this. Isabel likes the idea that he is a character and a mover of men , but he does not move her imagination in any other ways. He did not correspond to her idea of a delightful person, although Lord Warburton did correspond to it exactly. However she was still unsatisfied. Isabel decides not to reply to Mr. Goodwood. She writes to Lord Warburton after three days. She tells him, \"We see our lives from our own point of view,\" and that she can never see hers from the point of view of his wife. Henrietta tries to get Ralph Touchett to allow Caspar Goodwood to visit, taking him for a stroll in the garden. Ralph hesitates, but finally agrees when Henrietta accuses him of being in love with Isabel. He tells her he will invite Caspar Goodwood to prove that he is not in love with Isabel. Henrietta tells him that he is inviting Caspar Goodwood to prove it to himself. Ralph writes to Caspar to invite him to Gardencourt, but Caspar refuses. This puzzles Henrietta. Henrietta and Isabel decide to go on to London together, and Ralph joins them", "analysis": "Ralph and Henrietta do not seem to really get along -- perhaps they might remind us of friends in a TV sitcom who always make fun of each other, never see eye to eye, yet nevertheless get something out of each other's company. Ralph finds it fun to evade straightforward answers to Henrietta's questions about his own identity and function in the world, and Henrietta persists in pinning him down with one. Ralph seems to represent Europeans here -- a sick and idle, but cultured, person -- and Henrietta is the American of the \"Future\" who is bold, persistent and hard working. This is representative of Henry James' well-known \"American Theme\" in which Americans arrive in Europe, and seem to offer something new to a decadent culture. But what is it, exactly that they offer? Henrietta seems to offer straightforward, puritan values. In Chapter 12, we have what will be seen as her first great action, her refusal of Lord Warburton's marriage proposal. For any American without a fortune, this would have been seen as a great opportunity: marrying a rich, well respected Lord from England. Why does Isabel reject his marriage proposal? She tells him she has nothing to give: she could mean this in a financial sense, but she could also mean that she believes she must develop as an individual, original and independent person in order to enter into a marriage. She furthermore believes herself to be capable of an even greater opportunity: does this mean she believes another man of greater status will propose to her? Or does she think she will be able to occupy herself in life in some other way? The great idea upon which her ambition settles is unclear. What could it mean to engage in \"the free exploration of life\" ? It would appear that Isabel's great idea is to assert some sort of independent freedom of character, but the means of expression of such freedom does not seem to be readily available to her. It does not seem to lie in any possible occupation she could have, especially because she is not a very practical person, but rather a theoretical one. It does not seem to lie in her social relations to others, because this seems to mean that she will have to submit to a particular social system thereby losing her freedom. This leads to a more existential question that is being posed in the book: What is freedom? Can it be asserted in any other way, other than negatively? Meanwhile, the fact that Caspar Goodwood has arrived at the same time that Lord Warburton has decided to propose forms something of a climax of the first section of the novel. Isabel is presented with two possible, concrete realizations for her \"idea\" as to what she will do in life, and she rejects them both, although she rejects them for opposite reasons. One man is not at all likeable, and not at all her ideal; the other is perfectly an ideal of a person, and she likes him perfectly well, but she intuitively feels that she does not want to marry him. Her idea thus assumes expression only negatively here. In Chapter 14, we get some more exploration into Isabel's motivations for rejecting Lord Warburton's marriage proposal. She claims that she does not want to separate herself from \"life\" - from the usual chances that most people suffer. She seems to have a lust for a vague notion of experience, and she believes such experience cannot be found when one is protected from dangers through marriage. Mrs. Touchett's simple declaration ironically is the most adequate for describing Isabel's rejection -- she does think that she can \"do something better.\" However, Mrs. Touchett is also a character that is not depicted in a flattering light; she is not the kind of person who can explore deep psychological motivations and intimate emotions. Thus we are presented with the contradiction that Isabel's \"idea\" on the one hand can be described adequately in a superficial manner, but that it nevertheless breeds a lot of psychological interest and vague emotions."}

It was this feeling and not the wish to ask advice--she had no desire whatever for that--that led her to speak to her uncle of what had taken place. She wished to speak to some one; she should feel more natural, more human, and her uncle, for this purpose, presented himself in a more attractive light than either her aunt or her friend Henrietta. Her cousin of course was a possible confidant; but she would have had to do herself violence to air this special secret to Ralph. So the next day, after breakfast, she sought her occasion. Her uncle never left his apartment till the afternoon, but he received his cronies, as he said, in his dressing-room. Isabel had quite taken her place in the class so designated, which, for the rest, included the old man's son, his physician, his personal servant, and even Miss Stackpole. Mrs. Touchett did not figure in the list, and this was an obstacle the less to Isabel's finding her host alone. He sat in a complicated mechanical chair, at the open window of his room, looking westward over the park and the river, with his newspapers and letters piled up beside him, his toilet freshly and minutely made, and his smooth, speculative face composed to benevolent expectation. She approached her point directly. "I think I ought to let you know that Lord Warburton has asked me to marry him. I suppose I ought to tell my aunt; but it seems best to tell you first." The old man expressed no surprise, but thanked her for the confidence she showed him. "Do you mind telling me whether you accepted him?" he then enquired. "I've not answered him definitely yet; I've taken a little time to think of it, because that seems more respectful. But I shall not accept him." Mr. Touchett made no comment upon this; he had the air of thinking that, whatever interest he might take in the matter from the point of view of sociability, he had no active voice in it. "Well, I told you you'd be a success over here. Americans are highly appreciated." "Very highly indeed," said Isabel. "But at the cost of seeming both tasteless and ungrateful, I don't think I can marry Lord Warburton." "Well," her uncle went on, "of course an old man can't judge for a young lady. I'm glad you didn't ask me before you made up your mind. I suppose I ought to tell you," he added slowly, but as if it were not of much consequence, "that I've known all about it these three days." "About Lord Warburton's state of mind?" "About his intentions, as they say here. He wrote me a very pleasant letter, telling me all about them. Should you like to see his letter?" the old man obligingly asked. "Thank you; I don't think I care about that. But I'm glad he wrote to you; it was right that he should, and he would be certain to do what was right." "Ah well, I guess you do like him!" Mr. Touchett declared. "You needn't pretend you don't." "I like him extremely; I'm very free to admit that. But I don't wish to marry any one just now." "You think some one may come along whom you may like better. Well, that's very likely," said Mr. Touchett, who appeared to wish to show his kindness to the girl by easing off her decision, as it were, and finding cheerful reasons for it. "I don't care if I don't meet any one else. I like Lord Warburton quite well enough." she fell into that appearance of a sudden change of point of view with which she sometimes startled and even displeased her interlocutors. Her uncle, however, seemed proof against either of these impressions. "He's a very fine man," he resumed in a tone which might have passed for that of encouragement. "His letter was one of the pleasantest I've received for some weeks. I suppose one of the reasons I liked it was that it was all about you; that is all except the part that was about himself. I suppose he told you all that." "He would have told me everything I wished to ask him," Isabel said. "But you didn't feel curious?" "My curiosity would have been idle--once I had determined to decline his offer." "You didn't find it sufficiently attractive?" Mr. Touchett enquired. She was silent a little. "I suppose it was that," she presently admitted. "But I don't know why." "Fortunately ladies are not obliged to give reasons," said her uncle. "There's a great deal that's attractive about such an idea; but I don't see why the English should want to entice us away from our native land. I know that we try to attract them over there, but that's because our population is insufficient. Here, you know, they're rather crowded. However, I presume there's room for charming young ladies everywhere." "There seems to have been room here for you," said Isabel, whose eyes had been wandering over the large pleasure-spaces of the park. Mr. Touchett gave a shrewd, conscious smile. "There's room everywhere, my dear, if you'll pay for it. I sometimes think I've paid too much for this. Perhaps you also might have to pay too much." "Perhaps I might," the girl replied. That suggestion gave her something more definite to rest on than she had found in her own thoughts, and the fact of this association of her uncle's mild acuteness with her dilemma seemed to prove that she was concerned with the natural and reasonable emotions of life and not altogether a victim to intellectual eagerness and vague ambitions--ambitions reaching beyond Lord Warburton's beautiful appeal, reaching to something indefinable and possibly not commendable. In so far as the indefinable had an influence upon Isabel's behaviour at this juncture, it was not the conception, even unformulated, of a union with Caspar Goodwood; for however she might have resisted conquest at her English suitor's large quiet hands she was at least as far removed from the disposition to let the young man from Boston take positive possession of her. The sentiment in which She sought refuge after reading his letter was a critical view of his having come abroad; for it was part of the influence he had upon her that he seemed to deprive her of the sense of freedom. There was a disagreeably strong push, a kind of hardness of presence, in his way of rising before her. She had been haunted at moments by the image, by the danger, of his disapproval and had wondered--a consideration she had never paid in equal degree to any one else--whether he would like what she did. The difficulty was that more than any man she had ever known, more than poor Lord Warburton (she had begun now to give his lordship the benefit of this epithet), Caspar Goodwood expressed for her an energy--and she had already felt it as a power that was of his very nature. It was in no degree a matter of his "advantages"--it was a matter of the spirit that sat in his clear-burning eyes like some tireless watcher at a window. She might like it or not, but he insisted, ever, with his whole weight and force: even in one's usual contact with him one had to reckon with that. The idea of a diminished liberty was particularly disagreeable to her at present, since she had just given a sort of personal accent to her independence by looking so straight at Lord Warburton's big bribe and yet turning away from it. Sometimes Caspar Goodwood had seemed to range himself on the side of her destiny, to be the stubbornest fact she knew; she said to herself at such moments that she might evade him for a time, but that she must make terms with him at last--terms which would be certain to be favourable to himself. Her impulse had been to avail herself of the things that helped her to resist such an obligation; and this impulse had been much concerned in her eager acceptance of her aunt's invitation, which had come to her at an hour when she expected from day to day to see Mr. Goodwood and when she was glad to have an answer ready for something she was sure he would say to her. When she had told him at Albany, on the evening of Mrs. Touchett's visit, that she couldn't then discuss difficult questions, dazzled as she was by the great immediate opening of her aunt's offer of "Europe," he declared that this was no answer at all; and it was now to obtain a better one that he was following her across the sea. To say to herself that he was a kind of grim fate was well enough for a fanciful young woman who was able to take much for granted in him; but the reader has a right to a nearer and a clearer view. He was the son of a proprietor of well-known cotton-mills in Massachusetts--a gentleman who had accumulated a considerable fortune in the exercise of this industry. Caspar at present managed the works, and with a judgement and a temper which, in spite of keen competition and languid years, had kept their prosperity from dwindling. He had received the better part of his education at Harvard College, where, however, he had gained renown rather as a gymnast and an oarsman than as a gleaner of more dispersed knowledge. Later on he had learned that the finer intelligence too could vault and pull and strain--might even, breaking the record, treat itself to rare exploits. He had thus discovered in himself a sharp eye for the mystery of mechanics, and had invented an improvement in the cotton-spinning process which was now largely used and was known by his name. You might have seen it in the newspapers in connection with this fruitful contrivance; assurance of which he had given to Isabel by showing her in the columns of the New York Interviewer an exhaustive article on the Goodwood patent--an article not prepared by Miss Stackpole, friendly as she had proved herself to his more sentimental interests. There were intricate, bristling things he rejoiced in; he liked to organise, to contend, to administer; he could make people work his will, believe in him, march before him and justify him. This was the art, as they said, of managing men--which rested, in him, further, on a bold though brooding ambition. It struck those who knew him well that he might do greater things than carry on a cotton-factory; there was nothing cottony about Caspar Goodwood, and his friends took for granted that he would somehow and somewhere write himself in bigger letters. But it was as if something large and confused, something dark and ugly, would have to call upon him: he was not after all in harmony with mere smug peace and greed and gain, an order of things of which the vital breath was ubiquitous advertisement. It pleased Isabel to believe that he might have ridden, on a plunging steed, the whirlwind of a great war--a war like the Civil strife that had overdarkened her conscious childhood and his ripening youth. She liked at any rate this idea of his being by character and in fact a mover of men--liked it much better than some other points in his nature and aspect. She cared nothing for his cotton-mill--the Goodwood patent left her imagination absolutely cold. She wished him no ounce less of his manhood, but she sometimes thought he would be rather nicer if he looked, for instance, a little differently. His jaw was too square and set and his figure too straight and stiff: these things suggested a want of easy consonance with the deeper rhythms of life. Then she viewed with reserve a habit he had of dressing always in the same manner; it was not apparently that he wore the same clothes continually, for, on the contrary, his garments had a way of looking rather too new. But they all seemed of the same piece; the figure, the stuff, was so drearily usual. She had reminded herself more than once that this was a frivolous objection to a person of his importance; and then she had amended the rebuke by saying that it would be a frivolous objection only if she were in love with him. She was not in love with him and therefore might criticise his small defects as well as his great--which latter consisted in the collective reproach of his being too serious, or, rather, not of his being so, since one could never be, but certainly of his seeming so. He showed his appetites and designs too simply and artlessly; when one was alone with him he talked too much about the same subject, and when other people were present he talked too little about anything. And yet he was of supremely strong, clean make--which was so much she saw the different fitted parts of him as she had seen, in museums and portraits, the different fitted parts of armoured warriors--in plates of steel handsomely inlaid with gold. It was very strange: where, ever, was any tangible link between her impression and her act? Caspar Goodwood had never corresponded to her idea of a delightful person, and she supposed that this was why he left her so harshly critical. When, however, Lord Warburton, who not only did correspond with it, but gave an extension to the term, appealed to her approval, she found herself still unsatisfied. It was certainly strange. The sense of her incoherence was not a help to answering Mr. Goodwood's letter, and Isabel determined to leave it a while unhonoured. If he had determined to persecute her he must take the consequences; foremost among which was his being left to perceive how little it charmed her that he should come down to Gardencourt. She was already liable to the incursions of one suitor at this place, and though it might be pleasant to be appreciated in opposite quarters there was a kind of grossness in entertaining two such passionate pleaders at once, even in a case where the entertainment should consist of dismissing them. She made no reply to Mr. Goodwood; but at the end of three days she wrote to Lord Warburton, and the letter belongs to our history. DEAR LORD WARBURTON--A great deal of earnest thought has not led me to change my mind about the suggestion you were so kind as to make me the other day. I am not, I am really and truly not, able to regard you in the light of a companion for life; or to think of your home--your various homes--as the settled seat of my existence. These things cannot be reasoned about, and I very earnestly entreat you not to return to the subject we discussed so exhaustively. We see our lives from our own point of view; that is the privilege of the weakest and humblest of us; and I shall never be able to see mine in the manner you proposed. Kindly let this suffice you, and do me the justice to believe that I have given your proposal the deeply respectful consideration it deserves. It is with this very great regard that I remain sincerely yours, ISABEL ARCHER. While the author of this missive was making up her mind to dispatch it Henrietta Stackpole formed a resolve which was accompanied by no demur. She invited Ralph Touchett to take a walk with her in the garden, and when he had assented with that alacrity which seemed constantly to testify to his high expectations, she informed him that she had a favour to ask of him. It may be admitted that at this information the young man flinched; for we know that Miss Stackpole had struck him as apt to push an advantage. The alarm was unreasoned, however; for he was clear about the area of her indiscretion as little as advised of its vertical depth, and he made a very civil profession of the desire to serve her. He was afraid of her and presently told her so. "When you look at me in a certain way my knees knock together, my faculties desert me; I'm filled with trepidation and I ask only for strength to execute your commands. You've an address that I've never encountered in any woman." "Well," Henrietta replied good-humouredly, "if I had not known before that you were trying somehow to abash me I should know it now. Of course I'm easy game--I was brought up with such different customs and ideas. I'm not used to your arbitrary standards, and I've never been spoken to in America as you have spoken to me. If a gentleman conversing with me over there were to speak to me like that I shouldn't know what to make of it. We take everything more naturally over there, and, after all, we're a great deal more simple. I admit that; I'm very simple myself. Of course if you choose to laugh at me for it you're very welcome; but I think on the whole I would rather be myself than you. I'm quite content to be myself; I don't want to change. There are plenty of people that appreciate me just as I am. It's true they're nice fresh free-born Americans!" Henrietta had lately taken up the tone of helpless innocence and large concession. "I want you to assist me a little," she went on. "I don't care in the least whether I amuse you while you do so; or, rather, I'm perfectly willing your amusement should be your reward. I want you to help me about Isabel." "Has she injured you?" Ralph asked. "If she had I shouldn't mind, and I should never tell you. What I'm afraid of is that she'll injure herself." "I think that's very possible," said Ralph. His companion stopped in the garden-walk, fixing on him perhaps the very gaze that unnerved him. "That too would amuse you, I suppose. The way you do say things! I never heard any one so indifferent." "To Isabel? Ah, not that!" "Well, you're not in love with her, I hope." "How can that be, when I'm in love with Another?" "You're in love with yourself, that's the Other!" Miss Stackpole declared. "Much good may it do you! But if you wish to be serious once in your life here's a chance; and if you really care for your cousin here's an opportunity to prove it. I don't expect you to understand her; that's too much to ask. But you needn't do that to grant my favour. I'll supply the necessary intelligence." "I shall enjoy that immensely!" Ralph exclaimed. "I'll be Caliban and you shall be Ariel." "You're not at all like Caliban, because you're sophisticated, and Caliban was not. But I'm not talking about imaginary characters; I'm talking about Isabel. Isabel's intensely real. What I wish to tell you is that I find her fearfully changed." "Since you came, do you mean?" "Since I came and before I came. She's not the same as she once so beautifully was." "As she was in America?" "Yes, in America. I suppose you know she comes from there. She can't help it, but she does." "Do you want to change her back again?" "Of course I do, and I want you to help me." "Ah," said Ralph, "I'm only Caliban; I'm not Prospero." "You were Prospero enough to make her what she has become. You've acted on Isabel Archer since she came here, Mr. Touchett." "I, my dear Miss Stackpole? Never in the world. Isabel Archer has acted on me--yes; she acts on every one. But I've been absolutely passive." "You're too passive then. You had better stir yourself and be careful. Isabel's changing every day; she's drifting away--right out to sea. I've watched her and I can see it. She's not the bright American girl she was. She's taking different views, a different colour, and turning away from her old ideals. I want to save those ideals, Mr. Touchett, and that's where you come in." "Not surely as an ideal?" "Well, I hope not," Henrietta replied promptly. "I've got a fear in my heart that she's going to marry one of these fell Europeans, and I want to prevent it. "Ah, I see," cried Ralph; "and to prevent it you want me to step in and marry her?" "Not quite; that remedy would be as bad as the disease, for you're the typical, the fell European from whom I wish to rescue her. No; I wish you to take an interest in another person--a young man to whom she once gave great encouragement and whom she now doesn't seem to think good enough. He's a thoroughly grand man and a very dear friend of mine, and I wish very much you would invite him to pay a visit here." Ralph was much puzzled by this appeal, and it is perhaps not to the credit of his purity of mind that he failed to look at it at first in the simplest light. It wore, to his eyes, a tortuous air, and his fault was that he was not quite sure that anything in the world could really be as candid as this request of Miss Stackpole's appeared. That a young woman should demand that a gentleman whom she described as her very dear friend should be furnished with an opportunity to make himself agreeable to another young woman, a young woman whose attention had wandered and whose charms were greater--this was an anomaly which for the moment challenged all his ingenuity of interpretation. To read between the lines was easier than to follow the text, and to suppose that Miss Stackpole wished the gentleman invited to Gardencourt on her own account was the sign not so much of a vulgar as of an embarrassed mind. Even from this venial act of vulgarity, however, Ralph was saved, and saved by a force that I can only speak of as inspiration. With no more outward light on the subject than he already possessed he suddenly acquired the conviction that it would be a sovereign injustice to the correspondent of the Interviewer to assign a dishonourable motive to any act of hers. This conviction passed into his mind with extreme rapidity; it was perhaps kindled by the pure radiance of the young lady's imperturbable gaze. He returned this challenge a moment, consciously, resisting an inclination to frown as one frowns in the presence of larger luminaries. "Who's the gentleman you speak of?" "Mr. Caspar Goodwood--of Boston. He has been extremely attentive to Isabel--just as devoted to her as he can live. He has followed her out here and he's at present in London. I don't know his address, but I guess I can obtain it." "I've never heard of him," said Ralph. "Well, I suppose you haven't heard of every one. I don't believe he has ever heard of you; but that's no reason why Isabel shouldn't marry him." Ralph gave a mild ambiguous laugh. "What a rage you have for marrying people! Do you remember how you wanted to marry me the other day?" "I've got over that. You don't know how to take such ideas. Mr. Goodwood does, however; and that's what I like about him. He's a splendid man and a perfect gentleman, and Isabel knows it." "Is she very fond of him?" "If she isn't she ought to be. He's simply wrapped up in her." "And you wish me to ask him here," said Ralph reflectively. "It would be an act of true hospitality." "Caspar Goodwood," Ralph continued--"it's rather a striking name." "I don't care anything about his name. It might be Ezekiel Jenkins, and I should say the same. He's the only man I have ever seen whom I think worthy of Isabel." "You're a very devoted friend," said Ralph. "Of course I am. If you say that to pour scorn on me I don't care." "I don't say it to pour scorn on you; I'm very much struck with it." "You're more satiric than ever, but I advise you not to laugh at Mr. Goodwood." "I assure you I'm very serious; you ought to understand that," said Ralph. In a moment his companion understood it. "I believe you are; now you're too serious." "You're difficult to please." "Oh, you're very serious indeed. You won't invite Mr. Goodwood." "I don't know," said Ralph. "I'm capable of strange things. Tell me a little about Mr. Goodwood. What's he like?" "He's just the opposite of you. He's at the head of a cotton-factory; a very fine one." "Has he pleasant manners?" asked Ralph. "Splendid manners--in the American style." "Would he be an agreeable member of our little circle?" "I don't think he'd care much about our little circle. He'd concentrate on Isabel." "And how would my cousin like that?" "Very possibly not at all. But it will be good for her. It will call back her thoughts." "Call them back--from where?" "From foreign parts and other unnatural places. Three months ago she gave Mr. Goodwood every reason to suppose he was acceptable to her, and it's not worthy of Isabel to go back on a real friend simply because she has changed the scene. I've changed the scene too, and the effect of it has been to make me care more for my old associations than ever. It's my belief that the sooner Isabel changes it back again the better. I know her well enough to know that she would never be truly happy over here, and I wish her to form some strong American tie that will act as a preservative." "Aren't you perhaps a little too much in a hurry?" Ralph enquired. "Don't you think you ought to give her more of a chance in poor old England?" "A chance to ruin her bright young life? One's never too much in a hurry to save a precious human creature from drowning." "As I understand it then," said Ralph, "you wish me to push Mr. Goodwood overboard after her. Do you know," he added, "that I've never heard her mention his name?" Henrietta gave a brilliant smile. "I'm delighted to hear that; it proves how much she thinks of him." Ralph appeared to allow that there was a good deal in this, and he surrendered to thought while his companion watched him askance. "If I should invite Mr. Goodwood," he finally said, "it would be to quarrel with him." "Don't do that; he'd prove the better man." "You certainly are doing your best to make me hate him! I really don't think I can ask him. I should be afraid of being rude to him." "It's just as you please," Henrietta returned. "I had no idea you were in love with her yourself." "Do you really believe that?" the young man asked with lifted eyebrows. "That's the most natural speech I've ever heard you make! Of course I believe it," Miss Stackpole ingeniously said. "Well," Ralph concluded, "to prove to you that you're wrong I'll invite him. It must be of course as a friend of yours." "It will not be as a friend of mine that he'll come; and it will not be to prove to me that I'm wrong that you'll ask him--but to prove it to yourself!" These last words of Miss Stackpole's (on which the two presently separated) contained an amount of truth which Ralph Touchett was obliged to recognise; but it so far took the edge from too sharp a recognition that, in spite of his suspecting it would be rather more indiscreet to keep than to break his promise, he wrote Mr. Goodwood a note of six lines, expressing the pleasure it would give Mr. Touchett the elder that he should join a little party at Gardencourt, of which Miss Stackpole was a valued member. Having sent his letter (to the care of a banker whom Henrietta suggested) he waited in some suspense. He had heard this fresh formidable figure named for the first time; for when his mother had mentioned on her arrival that there was a story about the girl's having an "admirer" at home, the idea had seemed deficient in reality and he had taken no pains to ask questions the answers to which would involve only the vague or the disagreeable. Now, however, the native admiration of which his cousin was the object had become more concrete; it took the form of a young man who had followed her to London, who was interested in a cotton-mill and had manners in the most splendid of the American styles. Ralph had two theories about this intervenes. Either his passion was a sentimental fiction of Miss Stackpole's (there was always a sort of tacit understanding among women, born of the solidarity of the sex, that they should discover or invent lovers for each other), in which case he was not to be feared and would probably not accept the invitation; or else he would accept the invitation and in this event prove himself a creature too irrational to demand further consideration. The latter clause of Ralph's argument might have seemed incoherent; but it embodied his conviction that if Mr. Goodwood were interested in Isabel in the serious manner described by Miss Stackpole he would not care to present himself at Gardencourt on a summons from the latter lady. "On this supposition," said Ralph, "he must regard her as a thorn on the stem of his rose; as an intercessor he must find her wanting in tact." Two days after he had sent his invitation he received a very short note from Caspar Goodwood, thanking him for it, regretting that other engagements made a visit to Gardencourt impossible and presenting many compliments to Miss Stackpole. Ralph handed the note to Henrietta, who, when she had read it, exclaimed: "Well, I never have heard of anything so stiff!" "I'm afraid he doesn't care so much about my cousin as you suppose," Ralph observed. "No, it's not that; it's some subtler motive. His nature's very deep. But I'm determined to fathom it, and I shall write to him to know what he means." His refusal of Ralph's overtures was vaguely disconcerting; from the moment he declined to come to Gardencourt our friend began to think him of importance. He asked himself what it signified to him whether Isabel's admirers should be desperadoes or laggards; they were not rivals of his and were perfectly welcome to act out their genius. Nevertheless he felt much curiosity as to the result of Miss Stackpole's promised enquiry into the causes of Mr. Goodwood's stiffness--a curiosity for the present ungratified, inasmuch as when he asked her three days later if she had written to London she was obliged to confess she had written in vain. Mr. Goodwood had not replied. "I suppose he's thinking it over," she said; "he thinks everything over; he's not really at all impetuous. But I'm accustomed to having my letters answered the same day." She presently proposed to Isabel, at all events, that they should make an excursion to London together. "If I must tell the truth," she observed, "I'm not seeing much at this place, and I shouldn't think you were either. I've not even seen that aristocrat--what's his name?--Lord Washburton. He seems to let you severely alone." "Lord Warburton's coming to-morrow, I happen to know," replied her friend, who had received a note from the master of Lockleigh in answer to her own letter. "You'll have every opportunity of turning him inside out." "Well, he may do for one letter, but what's one letter when you want to write fifty? I've described all the scenery in this vicinity and raved about all the old women and donkeys. You may say what you please, scenery doesn't make a vital letter. I must go back to London and get some impressions of real life. I was there but three days before I came away, and that's hardly time to get in touch." As Isabel, on her journey from New York to Gardencourt, had seen even less of the British capital than this, it appeared a happy suggestion of Henrietta's that the two should go thither on a visit of pleasure. The idea struck Isabel as charming; he was curious of the thick detail of London, which had always loomed large and rich to her. They turned over their schemes together and indulged in visions of romantic hours. They would stay at some picturesque old inn--one of the inns described by Dickens--and drive over the town in those delightful hansoms. Henrietta was a literary woman, and the great advantage of being a literary woman was that you could go everywhere and do everything. They would dine at a coffee-house and go afterwards to the play; they would frequent the Abbey and the British Museum and find out where Doctor Johnson had lived, and Goldsmith and Addison. Isabel grew eager and presently unveiled the bright vision to Ralph, who burst into a fit of laughter which scarce expressed the sympathy she had desired. "It's a delightful plan," he said. "I advise you to go to the Duke's Head in Covent Garden, an easy, informal, old-fashioned place, and I'll have you put down at my club." "Do you mean it's improper?" Isabel asked. "Dear me, isn't anything proper here? With Henrietta surely I may go anywhere; she isn't hampered in that way. She has travelled over the whole American continent and can at least find her way about this minute island." "Ah then," said Ralph, "let me take advantage of her protection to go up to town as well. I may never have a chance to travel so safely!"

Chapter 13

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-10-14

Isabel decides to speak to her uncle, Mr. Touchett, about this event. Mr. Touchett, upon hearing of the proposal, tells her that he knew she would be a success here. He also already knew about Lord Warburton's intentions. Speaking with her uncle allows Isabel to feel that she has reasonable and natural emotions, rather than a vague intellectualism that rests upon an unfounded idea. She did not refuse Lord Warburton either because she planned on accepting Caspar Goodwood. In Caspar Goodwood's presence, she feels deprived of a sense of freedom, and she is often haunted by the sense that he might disapprove of what she did. Sometimes she thinks of Caspar Goodwood as the "stubbornest fact she knew". The narrator informs the reader that Caspar Goodwood is the son of a proprietor of cotton-mills in Massachusetts, and therefore a man of means. He even had managed to invent an improvement to the process of cotton spinning and was seen as accomplished because of this. Isabel likes the idea that he is a character and a mover of men , but he does not move her imagination in any other ways. He did not correspond to her idea of a delightful person, although Lord Warburton did correspond to it exactly. However she was still unsatisfied. Isabel decides not to reply to Mr. Goodwood. She writes to Lord Warburton after three days. She tells him, "We see our lives from our own point of view," and that she can never see hers from the point of view of his wife. Henrietta tries to get Ralph Touchett to allow Caspar Goodwood to visit, taking him for a stroll in the garden. Ralph hesitates, but finally agrees when Henrietta accuses him of being in love with Isabel. He tells her he will invite Caspar Goodwood to prove that he is not in love with Isabel. Henrietta tells him that he is inviting Caspar Goodwood to prove it to himself. Ralph writes to Caspar to invite him to Gardencourt, but Caspar refuses. This puzzles Henrietta. Henrietta and Isabel decide to go on to London together, and Ralph joins them

Ralph and Henrietta do not seem to really get along -- perhaps they might remind us of friends in a TV sitcom who always make fun of each other, never see eye to eye, yet nevertheless get something out of each other's company. Ralph finds it fun to evade straightforward answers to Henrietta's questions about his own identity and function in the world, and Henrietta persists in pinning him down with one. Ralph seems to represent Europeans here -- a sick and idle, but cultured, person -- and Henrietta is the American of the "Future" who is bold, persistent and hard working. This is representative of Henry James' well-known "American Theme" in which Americans arrive in Europe, and seem to offer something new to a decadent culture. But what is it, exactly that they offer? Henrietta seems to offer straightforward, puritan values. In Chapter 12, we have what will be seen as her first great action, her refusal of Lord Warburton's marriage proposal. For any American without a fortune, this would have been seen as a great opportunity: marrying a rich, well respected Lord from England. Why does Isabel reject his marriage proposal? She tells him she has nothing to give: she could mean this in a financial sense, but she could also mean that she believes she must develop as an individual, original and independent person in order to enter into a marriage. She furthermore believes herself to be capable of an even greater opportunity: does this mean she believes another man of greater status will propose to her? Or does she think she will be able to occupy herself in life in some other way? The great idea upon which her ambition settles is unclear. What could it mean to engage in "the free exploration of life" ? It would appear that Isabel's great idea is to assert some sort of independent freedom of character, but the means of expression of such freedom does not seem to be readily available to her. It does not seem to lie in any possible occupation she could have, especially because she is not a very practical person, but rather a theoretical one. It does not seem to lie in her social relations to others, because this seems to mean that she will have to submit to a particular social system thereby losing her freedom. This leads to a more existential question that is being posed in the book: What is freedom? Can it be asserted in any other way, other than negatively? Meanwhile, the fact that Caspar Goodwood has arrived at the same time that Lord Warburton has decided to propose forms something of a climax of the first section of the novel. Isabel is presented with two possible, concrete realizations for her "idea" as to what she will do in life, and she rejects them both, although she rejects them for opposite reasons. One man is not at all likeable, and not at all her ideal; the other is perfectly an ideal of a person, and she likes him perfectly well, but she intuitively feels that she does not want to marry him. Her idea thus assumes expression only negatively here. In Chapter 14, we get some more exploration into Isabel's motivations for rejecting Lord Warburton's marriage proposal. She claims that she does not want to separate herself from "life" - from the usual chances that most people suffer. She seems to have a lust for a vague notion of experience, and she believes such experience cannot be found when one is protected from dangers through marriage. Mrs. Touchett's simple declaration ironically is the most adequate for describing Isabel's rejection -- she does think that she can "do something better." However, Mrs. Touchett is also a character that is not depicted in a flattering light; she is not the kind of person who can explore deep psychological motivations and intimate emotions. Thus we are presented with the contradiction that Isabel's "idea" on the one hand can be described adequately in a superficial manner, but that it nevertheless breeds a lot of psychological interest and vague emotions.

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The Portrait of a Lady.chapter 14

chapter 14

{"name": "Chapter 14", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-10-14", "summary": "Lord Warburton and his sisters arrive at Gardencourt right before Isabel departs for London. Henrietta meets Lord Warburton and tells him that she does not approve of lords as an institution. Lord Warburton agrees, and Miss Stackpole asks why he does not give it up. Lord Warburton jokes that they'll make a ceremony of it. Isabel and Lord Warburton have a moment alone in the gallery together. He tells her he does not understand why she rejects him, and he interrogates her as to what her reasons are. Isabel at least tells him the reason is that she feels she cannot escape her fate. It's not my fate to give up,\" she tells him. She does not want to give up other chances. I can't escape unhappiness. In marrying you I shall be trying to,\" she explains. She claims it is not that she wants to be miserable, but rather that she does not want to separate herself from the \"usual chances and dangers\" of life. Lord Warburton promises to separate her from nothing. The rest of the group then interrupts Isabel and Lord Warburton. Isabel tells Miss Molyneux that she will not be able to visit Lockleigh again because she is going away. Henrietta declares the whole party very dismal and bad material for any article she would write about them. Before Isabel leaves, Mrs. Touchett informs her that she knows about Lord Warburton's offer. She claims to know Isabel better than Mr. Touchett does, and she says that when she refuses such an offer it is because she expects to do something better", "analysis": "Ralph and Henrietta do not seem to really get along -- perhaps they might remind us of friends in a TV sitcom who always make fun of each other, never see eye to eye, yet nevertheless get something out of each other's company. Ralph finds it fun to evade straightforward answers to Henrietta's questions about his own identity and function in the world, and Henrietta persists in pinning him down with one. Ralph seems to represent Europeans here -- a sick and idle, but cultured, person -- and Henrietta is the American of the \"Future\" who is bold, persistent and hard working. This is representative of Henry James' well-known \"American Theme\" in which Americans arrive in Europe, and seem to offer something new to a decadent culture. But what is it, exactly that they offer? Henrietta seems to offer straightforward, puritan values. In Chapter 12, we have what will be seen as her first great action, her refusal of Lord Warburton's marriage proposal. For any American without a fortune, this would have been seen as a great opportunity: marrying a rich, well respected Lord from England. Why does Isabel reject his marriage proposal? She tells him she has nothing to give: she could mean this in a financial sense, but she could also mean that she believes she must develop as an individual, original and independent person in order to enter into a marriage. She furthermore believes herself to be capable of an even greater opportunity: does this mean she believes another man of greater status will propose to her? Or does she think she will be able to occupy herself in life in some other way? The great idea upon which her ambition settles is unclear. What could it mean to engage in \"the free exploration of life\" ? It would appear that Isabel's great idea is to assert some sort of independent freedom of character, but the means of expression of such freedom does not seem to be readily available to her. It does not seem to lie in any possible occupation she could have, especially because she is not a very practical person, but rather a theoretical one. It does not seem to lie in her social relations to others, because this seems to mean that she will have to submit to a particular social system thereby losing her freedom. This leads to a more existential question that is being posed in the book: What is freedom? Can it be asserted in any other way, other than negatively? Meanwhile, the fact that Caspar Goodwood has arrived at the same time that Lord Warburton has decided to propose forms something of a climax of the first section of the novel. Isabel is presented with two possible, concrete realizations for her \"idea\" as to what she will do in life, and she rejects them both, although she rejects them for opposite reasons. One man is not at all likeable, and not at all her ideal; the other is perfectly an ideal of a person, and she likes him perfectly well, but she intuitively feels that she does not want to marry him. Her idea thus assumes expression only negatively here. In Chapter 14, we get some more exploration into Isabel's motivations for rejecting Lord Warburton's marriage proposal. She claims that she does not want to separate herself from \"life\" - from the usual chances that most people suffer. She seems to have a lust for a vague notion of experience, and she believes such experience cannot be found when one is protected from dangers through marriage. Mrs. Touchett's simple declaration ironically is the most adequate for describing Isabel's rejection -- she does think that she can \"do something better.\" However, Mrs. Touchett is also a character that is not depicted in a flattering light; she is not the kind of person who can explore deep psychological motivations and intimate emotions. Thus we are presented with the contradiction that Isabel's \"idea\" on the one hand can be described adequately in a superficial manner, but that it nevertheless breeds a lot of psychological interest and vague emotions."}

Miss Stackpole would have prepared to start immediately; but Isabel, as we have seen, had been notified that Lord Warburton would come again to Gardencourt, and she believed it her duty to remain there and see him. For four or five days he had made no response to her letter; then he had written, very briefly, to say he would come to luncheon two days later. There was something in these delays and postponements that touched the girl and renewed her sense of his desire to be considerate and patient, not to appear to urge her too grossly; a consideration the more studied that she was so sure he "really liked" her. Isabel told her uncle she had written to him, mentioning also his intention of coming; and the old man, in consequence, left his room earlier than usual and made his appearance at the two o'clock repast. This was by no means an act of vigilance on his part, but the fruit of a benevolent belief that his being of the company might help to cover any conjoined straying away in case Isabel should give their noble visitor another hearing. That personage drove over from Lockleigh and brought the elder of his sisters with him, a measure presumably dictated by reflexions of the same order as Mr. Touchett's. The two visitors were introduced to Miss Stackpole, who, at luncheon, occupied a seat adjoining Lord Warburton's. Isabel, who was nervous and had no relish for the prospect of again arguing the question he had so prematurely opened, could not help admiring his good-humoured self-possession, which quite disguised the symptoms of that preoccupation with her presence it was natural she should suppose him to feel. He neither looked at her nor spoke to her, and the only sign of his emotion was that he avoided meeting her eyes. He had plenty of talk for the others, however, and he appeared to eat his luncheon with discrimination and appetite. Miss Molyneux, who had a smooth, nun-like forehead and wore a large silver cross suspended from her neck, was evidently preoccupied with Henrietta Stackpole, upon whom her eyes constantly rested in a manner suggesting a conflict between deep alienation and yearning wonder. Of the two ladies from Lockleigh she was the one Isabel had liked best; there was such a world of hereditary quiet in her. Isabel was sure moreover that her mild forehead and silver cross referred to some weird Anglican mystery--some delightful reinstitution perhaps of the quaint office of the canoness. She wondered what Miss Molyneux would think of her if she knew Miss Archer had refused her brother; and then she felt sure that Miss Molyneux would never know--that Lord Warburton never told her such things. He was fond of her and kind to her, but on the whole he told her little. Such, at least, was Isabel's theory; when, at table, she was not occupied in conversation she was usually occupied in forming theories about her neighbours. According to Isabel, if Miss Molyneux should ever learn what had passed between Miss Archer and Lord Warburton she would probably be shocked at such a girl's failure to rise; or no, rather (this was our heroine's last position) she would impute to the young American but a due consciousness of inequality. Whatever Isabel might have made of her opportunities, at all events, Henrietta Stackpole was by no means disposed to neglect those in which she now found herself immersed. "Do you know you're the first lord I've ever seen?" she said very promptly to her neighbour. "I suppose you think I'm awfully benighted." "You've escaped seeing some very ugly men," Lord Warburton answered, looking a trifle absently about the table. "Are they very ugly? They try to make us believe in America that they're all handsome and magnificent and that they wear wonderful robes and crowns." "Ah, the robes and crowns are gone out of fashion," said Lord Warburton, "like your tomahawks and revolvers." "I'm sorry for that; I think an aristocracy ought to be splendid," Henrietta declared. "If it's not that, what is it?" "Oh, you know, it isn't much, at the best," her neighbour allowed. "Won't you have a potato?" "I don't care much for these European potatoes. I shouldn't know you from an ordinary American gentleman." "Do talk to me as if I were one," said Lord Warburton. "I don't see how you manage to get on without potatoes; you must find so few things to eat over here." Henrietta was silent a little; there was a chance he was not sincere. "I've had hardly any appetite since I've been here," she went on at last; "so it doesn't much matter. I don't approve of you, you know; I feel as if I ought to tell you that." "Don't approve of me?" "Yes; I don't suppose any one ever said such a thing to you before, did they? I don't approve of lords as an institution. I think the world has got beyond them--far beyond." "Oh, so do I. I don't approve of myself in the least. Sometimes it comes over me--how I should object to myself if I were not myself, don't you know? But that's rather good, by the way--not to be vainglorious." "Why don't you give it up then?" Miss Stackpole enquired. "Give up--a--?" asked Lord Warburton, meeting her harsh inflexion with a very mellow one. "Give up being a lord." "Oh, I'm so little of one! One would really forget all about it if you wretched Americans were not constantly reminding one. However, I do think of giving it up, the little there is left of it, one of these days." "I should like to see you do it!" Henrietta exclaimed rather grimly. "I'll invite you to the ceremony; we'll have a supper and a dance." "Well," said Miss Stackpole, "I like to see all sides. I don't approve of a privileged class, but I like to hear what they have to say for themselves." "Mighty little, as you see!" "I should like to draw you out a little more," Henrietta continued. "But you're always looking away. You're afraid of meeting my eye. I see you want to escape me." "No, I'm only looking for those despised potatoes." "Please explain about that young lady--your sister--then. I don't understand about her. Is she a Lady?" "She's a capital good girl." "I don't like the way you say that--as if you wanted to change the subject. Is her position inferior to yours?" "We neither of us have any position to speak of; but she's better off than I, because she has none of the bother." "Yes, she doesn't look as if she had much bother. I wish I had as little bother as that. You do produce quiet people over here, whatever else you may do." "Ah, you see one takes life easily, on the whole," said Lord Warburton. "And then you know we're very dull. Ah, we can be dull when we try!" "I should advise you to try something else. I shouldn't know what to talk to your sister about; she looks so different. Is that silver cross a badge?" "A badge?" "A sign of rank." Lord Warburton's glance had wandered a good deal, but at this it met the gaze of his neighbour. "Oh yes," he answered in a moment; "the women go in for those things. The silver cross is worn by the eldest daughters of Viscounts." Which was his harmless revenge for having occasionally had his credulity too easily engaged in America. After luncheon he proposed to Isabel to come into the gallery and look at the pictures; and though she knew he had seen the pictures twenty times she complied without criticising this pretext. Her conscience now was very easy; ever since she sent him her letter she had felt particularly light of spirit. He walked slowly to the end of the gallery, staring at its contents and saying nothing; and then he suddenly broke out: "I hoped you wouldn't write to me that way." "It was the only way, Lord Warburton," said the girl. "Do try and believe that." "If I could believe it of course I should let you alone. But we can't believe by willing it; and I confess I don't understand. I could understand your disliking me; that I could understand well. But that you should admit you do--" "What have I admitted?" Isabel interrupted, turning slightly pale. "That you think me a good fellow; isn't that it?" She said nothing, and he went on: "You don't seem to have any reason, and that gives me a sense of injustice." "I have a reason, Lord Warburton." She said it in a tone that made his heart contract. "I should like very much to know it." "I'll tell you some day when there's more to show for it." "Excuse my saying that in the mean time I must doubt of it." "You make me very unhappy," said Isabel. "I'm not sorry for that; it may help you to know how I feel. Will you kindly answer me a question?" Isabel made no audible assent, but he apparently saw in her eyes something that gave him courage to go on. "Do you prefer some one else?" "That's a question I'd rather not answer." "Ah, you do then!" her suitor murmured with bitterness. The bitterness touched her, and she cried out: "You're mistaken! I don't." He sat down on a bench, unceremoniously, doggedly, like a man in trouble; leaning his elbows on his knees and staring at the floor. "I can't even be glad of that," he said at last, throwing himself back against the wall; "for that would be an excuse." She raised her eyebrows in surprise. "An excuse? Must I excuse myself?" He paid, however, no answer to the question. Another idea had come into his head. "Is it my political opinions? Do you think I go too far?" "I can't object to your political opinions, because I don't understand them." "You don't care what I think!" he cried, getting up. "It's all the same to you." Isabel walked to the other side of the gallery and stood there showing him her charming back, her light slim figure, the length of her white neck as she bent her head, and the density of her dark braids. She stopped in front of a small picture as if for the purpose of examining it; and there was something so young and free in her movement that her very pliancy seemed to mock at him. Her eyes, however, saw nothing; they had suddenly been suffused with tears. In a moment he followed her, and by this time she had brushed her tears away; but when she turned round her face was pale and the expression of her eyes strange. "That reason that I wouldn't tell you--I'll tell it you after all. It's that I can't escape my fate." "Your fate?" "I should try to escape it if I were to marry you." "I don't understand. Why should not that be your fate as well as anything else?" "Because it's not," said Isabel femininely. "I know it's not. It's not my fate to give up--I know it can't be." Poor Lord Warburton stared, an interrogative point in either eye. "Do you call marrying me giving up?" "Not in the usual sense. It's getting--getting--getting a great deal. But it's giving up other chances." "Other chances for what?" "I don't mean chances to marry," said Isabel, her colour quickly coming back to her. And then she stopped, looking down with a deep frown, as if it were hopeless to attempt to make her meaning clear. "I don't think it presumptuous in me to suggest that you'll gain more than you'll lose," her companion observed. "I can't escape unhappiness," said Isabel. "In marrying you I shall be trying to." "I don't know whether you'd try to, but you certainly would: that I must in candour admit!" he exclaimed with an anxious laugh. "I mustn't--I can't!" cried the girl. "Well, if you're bent on being miserable I don't see why you should make me so. Whatever charms a life of misery may have for you, it has none for me." "I'm not bent on a life of misery," said Isabel. "I've always been intensely determined to be happy, and I've often believed I should be. I've told people that; you can ask them. But it comes over me every now and then that I can never be happy in any extraordinary way; not by turning away, by separating myself." "By separating yourself from what?" "From life. From the usual chances and dangers, from what most people know and suffer." Lord Warburton broke into a smile that almost denoted hope. "Why, my dear Miss Archer," he began to explain with the most considerate eagerness, "I don't offer you any exoneration from life or from any chances or dangers whatever. I wish I could; depend upon it I would! For what do you take me, pray? Heaven help me, I'm not the Emperor of China! All I offer you is the chance of taking the common lot in a comfortable sort of way. The common lot? Why, I'm devoted to the common lot! Strike an alliance with me, and I promise you that you shall have plenty of it. You shall separate from nothing whatever--not even from your friend Miss Stackpole." "She'd never approve of it," said Isabel, trying to smile and take advantage of this side-issue; despising herself too, not a little, for doing so. "Are we speaking of Miss Stackpole?" his lordship asked impatiently. "I never saw a person judge things on such theoretic grounds." "Now I suppose you're speaking of me," said Isabel with humility; and she turned away again, for she saw Miss Molyneux enter the gallery, accompanied by Henrietta and by Ralph. Lord Warburton's sister addressed him with a certain timidity and reminded him she ought to return home in time for tea, as she was expecting company to partake of it. He made no answer--apparently not having heard her; he was preoccupied, and with good reason. Miss Molyneux--as if he had been Royalty--stood like a lady-in-waiting. "Well, I never, Miss Molyneux!" said Henrietta Stackpole. "If I wanted to go he'd have to go. If I wanted my brother to do a thing he'd have to do it." "Oh, Warburton does everything one wants," Miss Molyneux answered with a quick, shy laugh. "How very many pictures you have!" she went on, turning to Ralph. "They look a good many, because they're all put together," said Ralph. "But it's really a bad way." "Oh, I think it's so nice. I wish we had a gallery at Lockleigh. I'm so very fond of pictures," Miss Molyneux went on, persistently, to Ralph, as if she were afraid Miss Stackpole would address her again. Henrietta appeared at once to fascinate and to frighten her. "Ah yes, pictures are very convenient," said Ralph, who appeared to know better what style of reflexion was acceptable to her. "They're so very pleasant when it rains," the young lady continued. "It has rained of late so very often." "I'm sorry you're going away, Lord Warburton," said Henrietta. "I wanted to get a great deal more out of you." "I'm not going away," Lord Warburton answered. "Your sister says you must. In America the gentlemen obey the ladies." "I'm afraid we have some people to tea," said Miss Molyneux, looking at her brother. "Very good, my dear. We'll go." "I hoped you would resist!" Henrietta exclaimed. "I wanted to see what Miss Molyneux would do." "I never do anything," said this young lady. "I suppose in your position it's sufficient for you to exist!" Miss Stackpole returned. "I should like very much to see you at home." "You must come to Lockleigh again," said Miss Molyneux, very sweetly, to Isabel, ignoring this remark of Isabel's friend. Isabel looked into her quiet eyes a moment, and for that moment seemed to see in their grey depths the reflexion of everything she had rejected in rejecting Lord Warburton--the peace, the kindness, the honour, the possessions, a deep security and a great exclusion. She kissed Miss Molyneux and then she said: "I'm afraid I can never come again." "Never again?" "I'm afraid I'm going away." "Oh, I'm so very sorry," said Miss Molyneux. "I think that's so very wrong of you." Lord Warburton watched this little passage; then he turned away and stared at a picture. Ralph, leaning against the rail before the picture with his hands in his pockets, had for the moment been watching him. "I should like to see you at home," said Henrietta, whom Lord Warburton found beside him. "I should like an hour's talk with you; there are a great many questions I wish to ask you." "I shall be delighted to see you," the proprietor of Lockleigh answered; "but I'm certain not to be able to answer many of your questions. When will you come?" "Whenever Miss Archer will take me. We're thinking of going to London, but we'll go and see you first. I'm determined to get some satisfaction out of you." "If it depends upon Miss Archer I'm afraid you won't get much. She won't come to Lockleigh; she doesn't like the place." "She told me it was lovely!" said Henrietta. Lord Warburton hesitated. "She won't come, all the same. You had better come alone," he added. Henrietta straightened herself, and her large eyes expanded. "Would you make that remark to an English lady?" she enquired with soft asperity. Lord Warburton stared. "Yes, if I liked her enough." "You'd be careful not to like her enough. If Miss Archer won't visit your place again it's because she doesn't want to take me. I know what she thinks of me, and I suppose you think the same--that I oughtn't to bring in individuals." Lord Warburton was at a loss; he had not been made acquainted with Miss Stackpole's professional character and failed to catch her allusion. "Miss Archer has been warning you!" she therefore went on. "Warning me?" "Isn't that why she came off alone with you here--to put you on your guard?" "Oh dear, no," said Lord Warburton brazenly; "our talk had no such solemn character as that." "Well, you've been on your guard--intensely. I suppose it's natural to you; that's just what I wanted to observe. And so, too, Miss Molyneux--she wouldn't commit herself. You have been warned, anyway," Henrietta continued, addressing this young lady; "but for you it wasn't necessary." "I hope not," said Miss Molyneux vaguely. "Miss Stackpole takes notes," Ralph soothingly explained. "She's a great satirist; she sees through us all and she works us up." "Well, I must say I never have had such a collection of bad material!" Henrietta declared, looking from Isabel to Lord Warburton and from this nobleman to his sister and to Ralph. "There's something the matter with you all; you're as dismal as if you had got a bad cable." "You do see through us, Miss Stackpole," said Ralph in a low tone, giving her a little intelligent nod as he led the party out of the gallery. "There's something the matter with us all." Isabel came behind these two; Miss Molyneux, who decidedly liked her immensely, had taken her arm, to walk beside her over the polished floor. Lord Warburton strolled on the other side with his hands behind him and his eyes lowered. For some moments he said nothing; and then, "Is it true you're going to London?" he asked. "I believe it has been arranged." "And when shall you come back?" "In a few days; but probably for a very short time. I'm going to Paris with my aunt." "When, then, shall I see you again?" "Not for a good while," said Isabel. "But some day or other, I hope." "Do you really hope it?" "Very much." He went a few steps in silence; then he stopped and put out his hand. "Good-bye." "Good-bye," said Isabel. Miss Molyneux kissed her again, and she let the two depart. After it, without rejoining Henrietta and Ralph, she retreated to her own room; in which apartment, before dinner, she was found by Mrs. Touchett, who had stopped on her way to the salon. "I may as well tell you," said that lady, "that your uncle has informed me of your relations with Lord Warburton." Isabel considered. "Relations? They're hardly relations. That's the strange part of it: he has seen me but three or four times." "Why did you tell your uncle rather than me?" Mrs. Touchett dispassionately asked. Again the girl hesitated. "Because he knows Lord Warburton better." "Yes, but I know you better." "I'm not sure of that," said Isabel, smiling. "Neither am I, after all; especially when you give me that rather conceited look. One would think you were awfully pleased with yourself and had carried off a prize! I suppose that when you refuse an offer like Lord Warburton's it's because you expect to do something better." "Ah, my uncle didn't say that!" cried Isabel, smiling still.

Chapter 14

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-10-14

Lord Warburton and his sisters arrive at Gardencourt right before Isabel departs for London. Henrietta meets Lord Warburton and tells him that she does not approve of lords as an institution. Lord Warburton agrees, and Miss Stackpole asks why he does not give it up. Lord Warburton jokes that they'll make a ceremony of it. Isabel and Lord Warburton have a moment alone in the gallery together. He tells her he does not understand why she rejects him, and he interrogates her as to what her reasons are. Isabel at least tells him the reason is that she feels she cannot escape her fate. It's not my fate to give up," she tells him. She does not want to give up other chances. I can't escape unhappiness. In marrying you I shall be trying to," she explains. She claims it is not that she wants to be miserable, but rather that she does not want to separate herself from the "usual chances and dangers" of life. Lord Warburton promises to separate her from nothing. The rest of the group then interrupts Isabel and Lord Warburton. Isabel tells Miss Molyneux that she will not be able to visit Lockleigh again because she is going away. Henrietta declares the whole party very dismal and bad material for any article she would write about them. Before Isabel leaves, Mrs. Touchett informs her that she knows about Lord Warburton's offer. She claims to know Isabel better than Mr. Touchett does, and she says that when she refuses such an offer it is because she expects to do something better

Ralph and Henrietta do not seem to really get along -- perhaps they might remind us of friends in a TV sitcom who always make fun of each other, never see eye to eye, yet nevertheless get something out of each other's company. Ralph finds it fun to evade straightforward answers to Henrietta's questions about his own identity and function in the world, and Henrietta persists in pinning him down with one. Ralph seems to represent Europeans here -- a sick and idle, but cultured, person -- and Henrietta is the American of the "Future" who is bold, persistent and hard working. This is representative of Henry James' well-known "American Theme" in which Americans arrive in Europe, and seem to offer something new to a decadent culture. But what is it, exactly that they offer? Henrietta seems to offer straightforward, puritan values. In Chapter 12, we have what will be seen as her first great action, her refusal of Lord Warburton's marriage proposal. For any American without a fortune, this would have been seen as a great opportunity: marrying a rich, well respected Lord from England. Why does Isabel reject his marriage proposal? She tells him she has nothing to give: she could mean this in a financial sense, but she could also mean that she believes she must develop as an individual, original and independent person in order to enter into a marriage. She furthermore believes herself to be capable of an even greater opportunity: does this mean she believes another man of greater status will propose to her? Or does she think she will be able to occupy herself in life in some other way? The great idea upon which her ambition settles is unclear. What could it mean to engage in "the free exploration of life" ? It would appear that Isabel's great idea is to assert some sort of independent freedom of character, but the means of expression of such freedom does not seem to be readily available to her. It does not seem to lie in any possible occupation she could have, especially because she is not a very practical person, but rather a theoretical one. It does not seem to lie in her social relations to others, because this seems to mean that she will have to submit to a particular social system thereby losing her freedom. This leads to a more existential question that is being posed in the book: What is freedom? Can it be asserted in any other way, other than negatively? Meanwhile, the fact that Caspar Goodwood has arrived at the same time that Lord Warburton has decided to propose forms something of a climax of the first section of the novel. Isabel is presented with two possible, concrete realizations for her "idea" as to what she will do in life, and she rejects them both, although she rejects them for opposite reasons. One man is not at all likeable, and not at all her ideal; the other is perfectly an ideal of a person, and she likes him perfectly well, but she intuitively feels that she does not want to marry him. Her idea thus assumes expression only negatively here. In Chapter 14, we get some more exploration into Isabel's motivations for rejecting Lord Warburton's marriage proposal. She claims that she does not want to separate herself from "life" - from the usual chances that most people suffer. She seems to have a lust for a vague notion of experience, and she believes such experience cannot be found when one is protected from dangers through marriage. Mrs. Touchett's simple declaration ironically is the most adequate for describing Isabel's rejection -- she does think that she can "do something better." However, Mrs. Touchett is also a character that is not depicted in a flattering light; she is not the kind of person who can explore deep psychological motivations and intimate emotions. Thus we are presented with the contradiction that Isabel's "idea" on the one hand can be described adequately in a superficial manner, but that it nevertheless breeds a lot of psychological interest and vague emotions.

gradesaver

all_chapterized_books/2833-chapters/chapters_15_to_18.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_6_part_0.txt

The Portrait of a Lady.chapters 15-18

chapters 15-18

{"name": "Chapters 15-18", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-15-18", "summary": "The three traveling companions, Ralph, Henrietta and Isabel, venture to London together. Ralph stays at his own house in Winchester Square, while the others stay at Pratt's Hotel. Ralph finds himself alone, thinking of Isabel. He deems this an \"idle pursuit\" that will lead to nothing. He notes that she is \"full of premises, conclusions, emotions... asked more questions than he could answer, and launched brave theories\" . Ralph takes the two women around London. Isabel feels a strange pain left by her experience with Lord Warburton at Gardencourt. She perceives her own act to have been necessary, but notes how gracelessly she acted. Nevertheless, she feels some odd pride in the matter, a \"feeling of freedom\" that she enjoys . Ralph introduces the women to Mr. Bantling, one of his acquaintances. He is a jolly, stout man of about 40, who very much enjoys Henrietta's company. He recommends that she stay with his sister, Lady Pensil, if she wants to experience a house that is less dull than Gardencourt. Mr. Bantling accompanies Henrietta back to the hotel when she needs to return alone for another engagement. Henrietta does not see why she needs accompaniment, wondering why anyone should see it improper that she go alone. Nevertheless Mr. Bantling accompanies her. When the two head off together, Ralph speculates that the two may go far as a couple, whereas Isabel does not think it will very far because the two do not understand each other. Ralph says: \"There's no more usual basis of union than a mutual misunderstanding\" . Isabel declares that she would like to go back to the hotel and have dinner by herself. Ralph suggests that she wants to dine alone because she is in fact expecting a visitor, vaguely referencing her past. Isabel declares that there is none of her past in England. Ralph tells Isabel that he knows from Warburton of the proposal. He tells her that he does not want to argue with her though, but rather only hear about her sentiments on the matter. He considers it a remarkable act to have rejected Warburton, because he unites both the extrinsic and intrinsic advantages of marriage. Isabel suggests that Ralph wanted her to marry Warburton, to which he responds that he merely has a great interest in watching her. \"I shall have the thrill of seeing what a young lady does who won't marry Lord Warburton,\" he tells her . He is glad to have seen her do something unexpected. Isabel tells him, \"I don't want to begin life by marrying. There are other things a woman can do\" . Ralph claims that she wants to \"drain the cup of experience\" . She denies this. \"I only want to see for myself,\" she says. He claims to be satisfied with her answers, concluding that she wants to throw herself into a world that interests her. She denies this. \"I don't know what you're trying to fasten upon me,\" she complains . Isabel returns to the hotel. She has no hidden motive for wanting to go alone. Caspar Goodwood though comes to visit her at her hotel unexpectedly, having been informed of her whereabouts through Henrietta Stackpole. Isabel tells him that her silence to his letter was \"an intention\" . Isabel is not very nice to him, telling him that he simply does not fit into life. Isabel asks him to at least banish her from his mind for two years, and then they will at least be on good terms again. Caspar asks what he will gain from this, and she responds that she cannot promise anything. Caspar predicts she will marry someone else. Isabel claims that she does not need the aid of a clever man to teach her how to live. Isabel lets him know that she has already refused a man of great fortune and position. Isabel declares that her independence is what she values most, and Caspar claims that he would deprive her least of all of that; he would merely give her means to exercise that independence. Isabel tells him she would like to choose her own fate. Caspar exclaims, \"One would think you were going to commit some atrocity!\" Isabel says that she very well may, but at least she would be free to do so. Caspar leaves, to return in two years. Isabel drops to her knees and hides her face in her arms as he leaves. Isabel is in an agitated state when Caspar Goodwood leaves, and she is very relieved when he is gone. She recognizes that her love of liberty is still very theoretic rather than actively lived, but she feels that she has at least finally done something. Henrietta returns to the hotel and is upset that Isabel has sent Caspar away. Henrietta asks if Isabel knows where she is going, to which Isabel responds, \"I find it very pleasant not to know. A swift carriage, of a dark night, rattling with four horses over roads that one can't see--that's my idea of happiness\" . Henrietta retorts that she sounds like a heroine of an \"immoral novel.\" Henrietta and Mr. Bantling go off to see Lady Pensil in Bedfordshire, while Isabel and Ralph return to Gardencourt. Mr. Touchett's health has taken a turn for the worse. When Isabel returns home, she hears someone playing the piano. Isabel sees a lady who is well dressed and who plays Schubert remarkably well. Isabel compliments the lady at the piano for her playing. Mrs. Touchett arrives for teatime. The woman introduces herself as Madame Merle, an old friend of Mrs. Touchett's. She is actually an American from Brooklyn, but Isabel had mistakenly thought that she was French. Madame Merle is described as having intelligent grey eyes and being very graceful. She looks like a woman of experience, who also is sympathetic. Isabel admires her very much. Isabel asks Ralph about Madame Merle, and he declares her the cleverest woman he knows. He admits that he was once in love with her, when Monsieur Merle was still living. Ralph reports that she has no children. Meanwhile, Mr. Touchett is very sick. He tells Ralph he is dying, and makes him promise to take care of his mother. Mr. Touchett asks Ralph if he has thought about marrying Isabel, and Ralph smiles at the thought. Ralph though believes he should not marry at all, since he is in an advanced state of pulmonary disorder. He also claims that he is not in love with Isabel. He merely is interested to see what she will do with herself. He admits though that he would like to \"put a little wind in her sails\" . Ralph suggests to his father that he leave Isabel half of Ralph's fortune to Isabel. Mr. Touchett expresses doubts about the rightness of this action. \"You say Isabel wants to be free, and that her being rich will keep her from marrying for money. Do you think that she's a girl to do that?\" Mr. Touchett asks Ralph . Ralph recognizes that Isabel has very little of mind for money, but she does not recognize yet how poor she is. Mr. Touchett thinks the act immoral, making everything so easy for a person. Ralph believes that it depends upon the person, and that he will be facilitating the execution of noble impulses. At last Mr. Touchett expresses his fear that Isabel may fall prey to fortune hunters. Ralph admits that it may be a risk, but that it is a small risk.", "analysis": "Ralph's analysis of Isabel's motivations for rejecting Lord Warburton also assume a form similar to the thoughts expressed by Isabel in previous chapters. But, she notably denies them. She proves herself to be very contrarian in nature through these actions. She simply wants to elude the ideas that others have for her, to assert her own originality and independence. This then becomes the theme of her denial of Caspar Goodwood: she wants to set off on her own, to act freely. Caspar Goodwood though foreshadows that whatever action may come of this may seem an atrocity to others. Isabel is notably brought to her knees upon Caspar's departure. She reacts physically and violently to his presence. There is some suggestion that she is repressing her own sexual lust in his presence: he is often described as very imposing in nature, like a force that she cannot resist. In the Victorian age in which Henry James was writing, sex was certainly not a theme that was discussed. However, sexual desire is certainly an important part of his novels, and its repression often leads characters into inexplicable actions. This is one theory as to why Isabel rejects Caspar Goodwood: she is too sexually repressed to accept her undeniable physical attraction to him. She instead wants to believe she has a higher ideal and value. But it could all be a vapid fiction invented to avoid the sordid reality of her sexuality. In Chapter 18, Ralph acts beneficently by giving Isabel half of his own fortune, giving her the means to be independent. So far money has played a seemingly insignificant role in the plot of the story. It does not matter that Lord Warburton and Caspar Goodwood are rich and Isabel is poor: she has rejected them. It is clear that everyone around Isabel has money, but she does not seem to think herself inferior for her lack of it. However, her impracticality about her \"idea\" of greatness is also reflected in her lack of means to carry out any kind of \"idea.\" How could she continue to live and travel without financial help? Ralph, in other words, is giving her a means to realize her idea in life. However, Mr. Touchett foreshadows that this beneficent act may be immoral. It may cause Isabel to fall prey to fortune hunters, and put her into a situation she is not prepared to deal with."}

It had been arranged that the two young ladies should proceed to London under Ralph's escort, though Mrs. Touchett looked with little favour on the plan. It was just the sort of plan, she said, that Miss Stackpole would be sure to suggest, and she enquired if the correspondent of the Interviewer was to take the party to stay at her favourite boarding-house. "I don't care where she takes us to stay, so long as there's local colour," said Isabel. "That's what we're going to London for." "I suppose that after a girl has refused an English lord she may do anything," her aunt rejoined. "After that one needn't stand on trifles." "Should you have liked me to marry Lord Warburton?" Isabel enquired. "Of course I should." "I thought you disliked the English so much." "So I do; but it's all the greater reason for making use of them." "Is that your idea of marriage?" And Isabel ventured to add that her aunt appeared to her to have made very little use of Mr. Touchett. "Your uncle's not an English nobleman," said Mrs. Touchett, "though even if he had been I should still probably have taken up my residence in Florence." "Do you think Lord Warburton could make me any better than I am?" the girl asked with some animation. "I don't mean I'm too good to improve. I mean that I don't love Lord Warburton enough to marry him." "You did right to refuse him then," said Mrs. Touchett in her smallest, sparest voice. "Only, the next great offer you get, I hope you'll manage to come up to your standard." "We had better wait till the offer comes before we talk about it. I hope very much I may have no more offers for the present. They upset me completely." "You probably won't be troubled with them if you adopt permanently the Bohemian manner of life. However, I've promised Ralph not to criticise." "I'll do whatever Ralph says is right," Isabel returned. "I've unbounded confidence in Ralph." "His mother's much obliged to you!" this lady dryly laughed. "It seems to me indeed she ought to feel it!" Isabel irrepressibly answered. Ralph had assured her that there would be no violation of decency in their paying a visit--the little party of three--to the sights of the metropolis; but Mrs. Touchett took a different view. Like many ladies of her country who had lived a long time in Europe, she had completely lost her native tact on such points, and in her reaction, not in itself deplorable, against the liberty allowed to young persons beyond the seas, had fallen into gratuitous and exaggerated scruples. Ralph accompanied their visitors to town and established them at a quiet inn in a street that ran at right angles to Piccadilly. His first idea had been to take them to his father's house in Winchester Square, a large, dull mansion which at this period of the year was shrouded in silence and brown holland; but he bethought himself that, the cook being at Gardencourt, there was no one in the house to get them their meals, and Pratt's Hotel accordingly became their resting-place. Ralph, on his side, found quarters in Winchester Square, having a "den" there of which he was very fond and being familiar with deeper fears than that of a cold kitchen. He availed himself largely indeed of the resources of Pratt's Hotel, beginning his day with an early visit to his fellow travellers, who had Mr. Pratt in person, in a large bulging white waistcoat, to remove their dish-covers. Ralph turned up, as he said, after breakfast, and the little party made out a scheme of entertainment for the day. As London wears in the month of September a face blank but for its smears of prior service, the young man, who occasionally took an apologetic tone, was obliged to remind his companion, to Miss Stackpole's high derision, that there wasn't a creature in town. "I suppose you mean the aristocracy are absent," Henrietta answered; "but I don't think you could have a better proof that if they were absent altogether they wouldn't be missed. It seems to me the place is about as full as it can be. There's no one here, of course, but three or four millions of people. What is it you call them--the lower-middle class? They're only the population of London, and that's of no consequence." Ralph declared that for him the aristocracy left no void that Miss Stackpole herself didn't fill, and that a more contented man was nowhere at that moment to be found. In this he spoke the truth, for the stale September days, in the huge half-empty town, had a charm wrapped in them as a coloured gem might be wrapped in a dusty cloth. When he went home at night to the empty house in Winchester Square, after a chain of hours with his comparatively ardent friends, he wandered into the big dusky dining-room, where the candle he took from the hall-table, after letting himself in, constituted the only illumination. The square was still, the house was still; when he raised one of the windows of the dining-room to let in the air he heard the slow creak of the boots of a lone constable. His own step, in the empty place, seemed loud and sonorous; some of the carpets had been raised, and whenever he moved he roused a melancholy echo. He sat down in one of the armchairs; the big dark dining table twinkled here and there in the small candle-light; the pictures on the wall, all of them very brown, looked vague and incoherent. There was a ghostly presence as of dinners long since digested, of table-talk that had lost its actuality. This hint of the supernatural perhaps had something to do with the fact that his imagination took a flight and that he remained in his chair a long time beyond the hour at which he should have been in bed; doing nothing, not even reading the evening paper. I say he did nothing, and I maintain the phrase in the face of the fact that he thought at these moments of Isabel. To think of Isabel could only be for him an idle pursuit, leading to nothing and profiting little to any one. His cousin had not yet seemed to him so charming as during these days spent in sounding, tourist-fashion, the deeps and shallows of the metropolitan element. Isabel was full of premises, conclusions, emotions; if she had come in search of local colour she found it everywhere. She asked more questions than he could answer, and launched brave theories, as to historic cause and social effect, that he was equally unable to accept or to refute. The party went more than once to the British Museum and to that brighter palace of art which reclaims for antique variety so large an area of a monotonous suburb; they spent a morning in the Abbey and went on a penny-steamer to the Tower; they looked at pictures both in public and private collections and sat on various occasions beneath the great trees in Kensington Gardens. Henrietta proved an indestructible sight-seer and a more lenient judge than Ralph had ventured to hope. She had indeed many disappointments, and London at large suffered from her vivid remembrance of the strong points of the American civic idea; but she made the best of its dingy dignities and only heaved an occasional sigh and uttered a desultory "Well!" which led no further and lost itself in retrospect. The truth was that, as she said herself, she was not in her element. "I've not a sympathy with inanimate objects," she remarked to Isabel at the National Gallery; and she continued to suffer from the meagreness of the glimpse that had as yet been vouchsafed to her of the inner life. Landscapes by Turner and Assyrian bulls were a poor substitute for the literary dinner-parties at which she had hoped to meet the genius and renown of Great Britain. "Where are your public men, where are your men and women of intellect?" she enquired of Ralph, standing in the middle of Trafalgar Square as if she had supposed this to be a place where she would naturally meet a few. "That's one of them on the top of the column, you say--Lord Nelson. Was he a lord too? Wasn't he high enough, that they had to stick him a hundred feet in the air? That's the past--I don't care about the past; I want to see some of the leading minds of the present. I won't say of the future, because I don't believe much in your future." Poor Ralph had few leading minds among his acquaintance and rarely enjoyed the pleasure of buttonholing a celebrity; a state of things which appeared to Miss Stackpole to indicate a deplorable want of enterprise. "If I were on the other side I should call," she said, "and tell the gentleman, whoever he might be, that I had heard a great deal about him and had come to see for myself. But I gather from what you say that this is not the custom here. You seem to have plenty of meaningless customs, but none of those that would help along. We are in advance, certainly. I suppose I shall have to give up the social side altogether;" and Henrietta, though she went about with her guidebook and pencil and wrote a letter to the Interviewer about the Tower (in which she described the execution of Lady Jane Grey), had a sad sense of falling below her mission. The incident that had preceded Isabel's departure from Gardencourt left a painful trace in our young woman's mind: when she felt again in her face, as from a recurrent wave, the cold breath of her last suitor's surprise, she could only muffle her head till the air cleared. She could not have done less than what she did; this was certainly true. But her necessity, all the same, had been as graceless as some physical act in a strained attitude, and she felt no desire to take credit for her conduct. Mixed with this imperfect pride, nevertheless, was a feeling of freedom which in itself was sweet and which, as she wandered through the great city with her ill-matched companions, occasionally throbbed into odd demonstrations. When she walked in Kensington Gardens she stopped the children (mainly of the poorer sort) whom she saw playing on the grass; she asked them their names and gave them sixpence and, when they were pretty, kissed them. Ralph noticed these quaint charities; he noticed everything she did. One afternoon, that his companions might pass the time, he invited them to tea in Winchester Square, and he had the house set in order as much as possible for their visit. There was another guest to meet them, an amiable bachelor, an old friend of Ralph's who happened to be in town and for whom prompt commerce with Miss Stackpole appeared to have neither difficulty nor dread. Mr. Bantling, a stout, sleek, smiling man of forty, wonderfully dressed, universally informed and incoherently amused, laughed immoderately at everything Henrietta said, gave her several cups of tea, examined in her society the bric-a-brac, of which Ralph had a considerable collection, and afterwards, when the host proposed they should go out into the square and pretend it was a fete-champetre, walked round the limited enclosure several times with her and, at a dozen turns of their talk, bounded responsive--as with a positive passion for argument--to her remarks upon the inner life. "Oh, I see; I dare say you found it very quiet at Gardencourt. Naturally there's not much going on there when there's such a lot of illness about. Touchett's very bad, you know; the doctors have forbidden his being in England at all, and he has only come back to take care of his father. The old man, I believe, has half a dozen things the matter with him. They call it gout, but to my certain knowledge he has organic disease so developed that you may depend upon it he'll go, some day soon, quite quickly. Of course that sort of thing makes a dreadfully dull house; I wonder they have people when they can do so little for them. Then I believe Mr. Touchett's always squabbling with his wife; she lives away from her husband, you know, in that extraordinary American way of yours. If you want a house where there's always something going on, I recommend you to go down and stay with my sister, Lady Pensil, in Bedfordshire. I'll write to her to-morrow and I'm sure she'll be delighted to ask you. I know just what you want--you want a house where they go in for theatricals and picnics and that sort of thing. My sister's just that sort of woman; she's always getting up something or other and she's always glad to have the sort of people who help her. I'm sure she'll ask you down by return of post: she's tremendously fond of distinguished people and writers. She writes herself, you know; but I haven't read everything she has written. It's usually poetry, and I don't go in much for poetry--unless it's Byron. I suppose you think a great deal of Byron in America," Mr. Bantling continued, expanding in the stimulating air of Miss Stackpole's attention, bringing up his sequences promptly and changing his topic with an easy turn of hand. Yet he none the less gracefully kept in sight of the idea, dazzling to Henrietta, of her going to stay with Lady Pensil in Bedfordshire. "I understand what you want; you want to see some genuine English sport. The Touchetts aren't English at all, you know; they have their own habits, their own language, their own food--some odd religion even, I believe, of their own. The old man thinks it's wicked to hunt, I'm told. You must get down to my sister's in time for the theatricals, and I'm sure she'll be glad to give you a part. I'm sure you act well; I know you're very clever. My sister's forty years old and has seven children, but she's going to play the principal part. Plain as she is she makes up awfully well--I will say for her. Of course you needn't act if you don't want to." In this manner Mr. Bantling delivered himself while they strolled over the grass in Winchester Square, which, although it had been peppered by the London soot, invited the tread to linger. Henrietta thought her blooming, easy-voiced bachelor, with his impressibility to feminine merit and his splendid range of suggestion, a very agreeable man, and she valued the opportunity he offered her. "I don't know but I would go, if your sister should ask me. I think it would be my duty. What do you call her name?" "Pensil. It's an odd name, but it isn't a bad one." "I think one name's as good as another. But what's her rank?". "Oh, she's a baron's wife; a convenient sort of rank. You're fine enough and you're not too fine." "I don't know but what she'd be too fine for me. What do you call the place she lives in--Bedfordshire?" "She lives away in the northern corner of it. It's a tiresome country, but I dare say you won't mind it. I'll try and run down while you're there." All this was very pleasant to Miss Stackpole, and she was sorry to be obliged to separate from Lady Pensil's obliging brother. But it happened that she had met the day before, in Piccadilly, some friends whom she had not seen for a year: the Miss Climbers, two ladies from Wilmington, Delaware, who had been travelling on the Continent and were now preparing to re-embark. Henrietta had had a long interview with them on the Piccadilly pavement, and though the three ladies all talked at once they had not exhausted their store. It had been agreed therefore that Henrietta should come and dine with them in their lodgings in Jermyn Street at six o'clock on the morrow, and she now bethought herself of this engagement. She prepared to start for Jermyn Street, taking leave first of Ralph Touchett and Isabel, who, seated on garden chairs in another part of the enclosure, were occupied--if the term may be used--with an exchange of amenities less pointed than the practical colloquy of Miss Stackpole and Mr. Bantling. When it had been settled between Isabel and her friend that they should be reunited at some reputable hour at Pratt's Hotel, Ralph remarked that the latter must have a cab. She couldn't walk all the way to Jermyn Street. "I suppose you mean it's improper for me to walk alone!" Henrietta exclaimed. "Merciful powers, have I come to this?" "There's not the slightest need of your walking alone," Mr. Bantling gaily interposed. "I should be greatly pleased to go with you." "I simply meant that you'd be late for dinner," Ralph returned. "Those poor ladies may easily believe that we refuse, at the last, to spare you." "You had better have a hansom, Henrietta," said Isabel. "I'll get you a hansom if you'll trust me," Mr. Bantling went on. "We might walk a little till we meet one." "I don't see why I shouldn't trust him, do you?" Henrietta enquired of Isabel. "I don't see what Mr. Bantling could do to you," Isabel obligingly answered; "but, if you like, we'll walk with you till you find your cab." "Never mind; we'll go alone. Come on, Mr. Bantling, and take care you get me a good one." Mr. Bantling promised to do his best, and the two took their departure, leaving the girl and her cousin together in the square, over which a clear September twilight had now begun to gather. It was perfectly still; the wide quadrangle of dusky houses showed lights in none of the windows, where the shutters and blinds were closed; the pavements were a vacant expanse, and, putting aside two small children from a neighbouring slum, who, attracted by symptoms of abnormal animation in the interior, poked their faces between the rusty rails of the enclosure, the most vivid object within sight was the big red pillar-post on the southeast corner. "Henrietta will ask him to get into the cab and go with her to Jermyn Street," Ralph observed. He always spoke of Miss Stackpole as Henrietta. "Very possibly," said his companion. "Or rather, no, she won't," he went on. "But Bantling will ask leave to get in." "Very likely again. I'm glad very they're such good friends." "She has made a conquest. He thinks her a brilliant woman. It may go far," said Ralph. Isabel was briefly silent. "I call Henrietta a very brilliant woman, but I don't think it will go far. They would never really know each other. He has not the least idea what she really is, and she has no just comprehension of Mr. Bantling." "There's no more usual basis of union than a mutual misunderstanding. But it ought not to be so difficult to understand Bob Bantling," Ralph added. "He is a very simple organism." "Yes, but Henrietta's a simpler one still. And, pray, what am I to do?" Isabel asked, looking about her through the fading light, in which the limited landscape-gardening of the square took on a large and effective appearance. "I don't imagine that you'll propose that you and I, for our amusement, shall drive about London in a hansom." "There's no reason we shouldn't stay here--if you don't dislike it. It's very warm; there will be half an hour yet before dark; and if you permit it I'll light a cigarette." "You may do what you please," said Isabel, "if you'll amuse me till seven o'clock. I propose at that hour to go back and partake of a simple and solitary repast--two poached eggs and a muffin--at Pratt's Hotel." "Mayn't I dine with you?" Ralph asked. "No, you'll dine at your club." They had wandered back to their chairs in the centre of the square again, and Ralph had lighted his cigarette. It would have given him extreme pleasure to be present in person at the modest little feast she had sketched; but in default of this he liked even being forbidden. For the moment, however, he liked immensely being alone with her, in the thickening dusk, in the centre of the multitudinous town; it made her seem to depend upon him and to be in his power. This power he could exert but vaguely; the best exercise of it was to accept her decisions submissively which indeed there was already an emotion in doing. "Why won't you let me dine with you?" he demanded after a pause. "Because I don't care for it." "I suppose you're tired of me." "I shall be an hour hence. You see I have the gift of foreknowledge." "Oh, I shall be delightful meanwhile," said Ralph. But he said nothing more, and as she made no rejoinder they sat some time in a stillness which seemed to contradict his promise of entertainment. It seemed to him she was preoccupied, and he wondered what she was thinking about; there were two or three very possible subjects. At last he spoke again. "Is your objection to my society this evening caused by your expectation of another visitor?" She turned her head with a glance of her clear, fair eyes. "Another visitor? What visitor should I have?" He had none to suggest; which made his question seem to himself silly as well as brutal. "You've a great many friends that I don't know. You've a whole past from which I was perversely excluded." "You were reserved for my future. You must remember that my past is over there across the water. There's none of it here in London." "Very good, then, since your future is seated beside you. Capital thing to have your future so handy." And Ralph lighted another cigarette and reflected that Isabel probably meant she had received news that Mr. Caspar Goodwood had crossed to Paris. After he had lighted his cigarette he puffed it a while, and then he resumed. "I promised just now to be very amusing; but you see I don't come up to the mark, and the fact is there's a good deal of temerity in one's undertaking to amuse a person like you. What do you care for my feeble attempts? You've grand ideas--you've a high standard in such matters. I ought at least to bring in a band of music or a company of mountebanks." "One mountebank's enough, and you do very well. Pray go on, and in another ten minutes I shall begin to laugh." "I assure you I'm very serious," said Ralph. "You do really ask a great deal." "I don't know what you mean. I ask nothing." "You accept nothing," said Ralph. She coloured, and now suddenly it seemed to her that she guessed his meaning. But why should he speak to her of such things? He hesitated a little and then he continued: "There's something I should like very much to say to you. It's a question I wish to ask. It seems to me I've a right to ask it, because I've a kind of interest in the answer." "Ask what you will," Isabel replied gently, "and I'll try to satisfy you." "Well then, I hope you won't mind my saying that Warburton has told me of something that has passed between you." Isabel suppressed a start; she sat looking at her open fan. "Very good; I suppose it was natural he should tell you." "I have his leave to let you know he has done so. He has some hope still," said Ralph. "Still?" "He had it a few days ago." "I don't believe he has any now," said the girl. "I'm very sorry for him then; he's such an honest man." "Pray, did he ask you to talk to me?" "No, not that. But he told me because he couldn't help it. We're old friends, and he was greatly disappointed. He sent me a line asking me to come and see him, and I drove over to Lockleigh the day before he and his sister lunched with us. He was very heavy-hearted; he had just got a letter from you." "Did he show you the letter?" asked Isabel with momentary loftiness. "By no means. But he told me it was a neat refusal. I was very sorry for him," Ralph repeated. For some moments Isabel said nothing; then at last, "Do you know how often he had seen me?" she enquired. "Five or six times." "That's to your glory." "It's not for that I say it." "What then do you say it for. Not to prove that poor Warburton's state of mind's superficial, because I'm pretty sure you don't think that." Isabel certainly was unable to say she thought it; but presently she said something else. "If you've not been requested by Lord Warburton to argue with me, then you're doing it disinterestedly--or for the love of argument." "I've no wish to argue with you at all. I only wish to leave you alone. I'm simply greatly interested in your own sentiments." "I'm greatly obliged to you!" cried Isabel with a slightly nervous laugh. "Of course you mean that I'm meddling in what doesn't concern me. But why shouldn't I speak to you of this matter without annoying you or embarrassing myself? What's the use of being your cousin if I can't have a few privileges? What's the use of adoring you without hope of a reward if I can't have a few compensations? What's the use of being ill and disabled and restricted to mere spectatorship at the game of life if I really can't see the show when I've paid so much for my ticket? Tell me this," Ralph went on while she listened to him with quickened attention. "What had you in mind when you refused Lord Warburton?" "What had I in mind?" "What was the logic--the view of your situation--that dictated so remarkable an act?" "I didn't wish to marry him--if that's logic." "No, that's not logic--and I knew that before. It's really nothing, you know. What was it you said to yourself? You certainly said more than that." Isabel reflected a moment, then answered with a question of her own. "Why do you call it a remarkable act? That's what your mother thinks too." "Warburton's such a thorough good sort; as a man, I consider he has hardly a fault. And then he's what they call here no end of a swell. He has immense possessions, and his wife would be thought a superior being. He unites the intrinsic and the extrinsic advantages." Isabel watched her cousin as to see how far he would go. "I refused him because he was too perfect then. I'm not perfect myself, and he's too good for me. Besides, his perfection would irritate me." "That's ingenious rather than candid," said Ralph. "As a fact you think nothing in the world too perfect for you." "Do you think I'm so good?" "No, but you're exacting, all the same, without the excuse of thinking yourself good. Nineteen women out of twenty, however, even of the most exacting sort, would have managed to do with Warburton. Perhaps you don't know how he has been stalked." "I don't wish to know. But it seems to me," said Isabel, "that one day when we talked of him you mentioned odd things in him." Ralph smokingly considered. "I hope that what I said then had no weight with you; for they were not faults, the things I spoke of: they were simply peculiarities of his position. If I had known he wished to marry you I'd never have alluded to them. I think I said that as regards that position he was rather a sceptic. It would have been in your power to make him a believer." "I think not. I don't understand the matter, and I'm not conscious of any mission of that sort. You're evidently disappointed," Isabel added, looking at her cousin with rueful gentleness. "You'd have liked me to make such a marriage." "Not in the least. I'm absolutely without a wish on the subject. I don't pretend to advise you, and I content myself with watching you--with the deepest interest." She gave rather a conscious sigh. "I wish I could be as interesting to myself as I am to you!" "There you're not candid again; you're extremely interesting to yourself. Do you know, however," said Ralph, "that if you've really given Warburton his final answer I'm rather glad it has been what it was. I don't mean I'm glad for you, and still less of course for him. I'm glad for myself." "Are you thinking of proposing to me?" "By no means. From the point of view I speak of that would be fatal; I should kill the goose that supplies me with the material of my inimitable omelettes. I use that animal as the symbol of my insane illusions. What I mean is that I shall have the thrill of seeing what a young lady does who won't marry Lord Warburton." "That's what your mother counts upon too," said Isabel. "Ah, there will be plenty of spectators! We shall hang on the rest of your career. I shall not see all of it, but I shall probably see the most interesting years. Of course if you were to marry our friend you'd still have a career--a very decent, in fact a very brilliant one. But relatively speaking it would be a little prosaic. It would be definitely marked out in advance; it would be wanting in the unexpected. You know I'm extremely fond of the unexpected, and now that you've kept the game in your hands I depend on your giving us some grand example of it." "I don't understand you very well," said Isabel, "but I do so well enough to be able to say that if you look for grand examples of anything from me I shall disappoint you." "You'll do so only by disappointing yourself and that will go hard with you!" To this she made no direct reply; there was an amount of truth in it that would bear consideration. At last she said abruptly: "I don't see what harm there is in my wishing not to tie myself. I don't want to begin life by marrying. There are other things a woman can do." "There's nothing she can do so well. But you're of course so many-sided." "If one's two-sided it's enough," said Isabel. "You're the most charming of polygons!" her companion broke out. At a glance from his companion, however, he became grave, and to prove it went on: "You want to see life--you'll be hanged if you don't, as the young men say." "I don't think I want to see it as the young men want to see it. But I do want to look about me." "You want to drain the cup of experience." "No, I don't wish to touch the cup of experience. It's a poisoned drink! I only want to see for myself." "You want to see, but not to feel," Ralph remarked. "I don't think that if one's a sentient being one can make the distinction. I'm a good deal like Henrietta. The other day when I asked her if she wished to marry she said: 'Not till I've seen Europe!' I too don't wish to marry till I've seen Europe." "You evidently expect a crowned head will be struck with you." "No, that would be worse than marrying Lord Warburton. But it's getting very dark," Isabel continued, "and I must go home." She rose from her place, but Ralph only sat still and looked at her. As he remained there she stopped, and they exchanged a gaze that was full on either side, but especially on Ralph's, of utterances too vague for words. "You've answered my question," he said at last. "You've told me what I wanted. I'm greatly obliged to you." "It seems to me I've told you very little." "You've told me the great thing: that the world interests you and that you want to throw yourself into it." Her silvery eyes shone a moment in the dusk. "I never said that." "I think you meant it. Don't repudiate it. It's so fine!" "I don't know what you're trying to fasten upon me, for I'm not in the least an adventurous spirit. Women are not like men." Ralph slowly rose from his seat and they walked together to the gate of the square. "No," he said; "women rarely boast of their courage. Men do so with a certain frequency." "Men have it to boast of!" "Women have it too. You've a great deal." "Enough to go home in a cab to Pratt's Hotel, but not more." Ralph unlocked the gate, and after they had passed out he fastened it. "We'll find your cab," he said; and as they turned toward a neighbouring street in which this quest might avail he asked her again if he mightn't see her safely to the inn. "By no means," she answered; "you're very tired; you must go home and go to bed." The cab was found, and he helped her into it, standing a moment at the door. "When people forget I'm a poor creature I'm often incommoded," he said. "But it's worse when they remember it!" She had had no hidden motive in wishing him not to take her home; it simply struck her that for some days past she had consumed an inordinate quantity of his time, and the independent spirit of the American girl whom extravagance of aid places in an attitude that she ends by finding "affected" had made her decide that for these few hours she must suffice to herself. She had moreover a great fondness for intervals of solitude, which since her arrival in England had been but meagrely met. It was a luxury she could always command at home and she had wittingly missed it. That evening, however, an incident occurred which--had there been a critic to note it--would have taken all colour from the theory that the wish to be quite by herself had caused her to dispense with her cousin's attendance. Seated toward nine o'clock in the dim illumination of Pratt's Hotel and trying with the aid of two tall candles to lose herself in a volume she had brought from Gardencourt, she succeeded only to the extent of reading other words than those printed on the page--words that Ralph had spoken to her that afternoon. Suddenly the well-muffed knuckle of the waiter was applied to the door, which presently gave way to his exhibition, even as a glorious trophy, of the card of a visitor. When this memento had offered to her fixed sight the name of Mr. Caspar Goodwood she let the man stand before her without signifying her wishes. "Shall I show the gentleman up, ma'am?" he asked with a slightly encouraging inflexion. Isabel hesitated still and while she hesitated glanced at the mirror. "He may come in," she said at last; and waited for him not so much smoothing her hair as girding her spirit. Caspar Goodwood was accordingly the next moment shaking hands with her, but saying nothing till the servant had left the room. "Why didn't you answer my letter?" he then asked in a quick, full, slightly peremptory tone--the tone of a man whose questions were habitually pointed and who was capable of much insistence. She answered by a ready question, "How did you know I was here?" "Miss Stackpole let me know," said Caspar Goodwood. "She told me you would probably be at home alone this evening and would be willing to see me." "Where did she see you--to tell you that?" "She didn't see me; she wrote to me." Isabel was silent; neither had sat down; they stood there with an air of defiance, or at least of contention. "Henrietta never told me she was writing to you," she said at last. "This is not kind of her." "Is it so disagreeable to you to see me?" asked the young man. "I didn't expect it. I don't like such surprises." "But you knew I was in town; it was natural we should meet." "Do you call this meeting? I hoped I shouldn't see you. In so big a place as London it seemed very possible." "It was apparently repugnant to you even to write to me," her visitor went on. Isabel made no reply; the sense of Henrietta Stackpole's treachery, as she momentarily qualified it, was strong within her. "Henrietta's certainly not a model of all the delicacies!" she exclaimed with bitterness. "It was a great liberty to take." "I suppose I'm not a model either--of those virtues or of any others. The fault's mine as much as hers." As Isabel looked at him it seemed to her that his jaw had never been more square. This might have displeased her, but she took a different turn. "No, it's not your fault so much as hers. What you've done was inevitable, I suppose, for you." "It was indeed!" cried Caspar Goodwood with a voluntary laugh. "And now that I've come, at any rate, mayn't I stay?" "You may sit down, certainly." She went back to her chair again, while her visitor took the first place that offered, in the manner of a man accustomed to pay little thought to that sort of furtherance. "I've been hoping every day for an answer to my letter. You might have written me a few lines." "It wasn't the trouble of writing that prevented me; I could as easily have written you four pages as one. But my silence was an intention," Isabel said. "I thought it the best thing." He sat with his eyes fixed on hers while she spoke; then he lowered them and attached them to a spot in the carpet as if he were making a strong effort to say nothing but what he ought. He was a strong man in the wrong, and he was acute enough to see that an uncompromising exhibition of his strength would only throw the falsity of his position into relief. Isabel was not incapable of tasting any advantage of position over a person of this quality, and though little desirous to flaunt it in his face she could enjoy being able to say "You know you oughtn't to have written to me yourself!" and to say it with an air of triumph. Caspar Goodwood raised his eyes to her own again; they seemed to shine through the vizard of a helmet. He had a strong sense of justice and was ready any day in the year--over and above this--to argue the question of his rights. "You said you hoped never to hear from me again; I know that. But I never accepted any such rule as my own. I warned you that you should hear very soon." "I didn't say I hoped NEVER to hear from you," said Isabel. "Not for five years then; for ten years; twenty years. It's the same thing." "Do you find it so? It seems to me there's a great difference. I can imagine that at the end of ten years we might have a very pleasant correspondence. I shall have matured my epistolary style." She looked away while she spoke these words, knowing them of so much less earnest a cast than the countenance of her listener. Her eyes, however, at last came back to him, just as he said very irrelevantly; "Are you enjoying your visit to your uncle?" "Very much indeed." She dropped, but then she broke out. "What good do you expect to get by insisting?" "The good of not losing you." "You've no right to talk of losing what's not yours. And even from your own point of view," Isabel added, "you ought to know when to let one alone." "I disgust you very much," said Caspar Goodwood gloomily; not as if to provoke her to compassion for a man conscious of this blighting fact, but as if to set it well before himself, so that he might endeavour to act with his eyes on it. "Yes, you don't at all delight me, you don't fit in, not in any way, just now, and the worst is that your putting it to the proof in this manner is quite unnecessary." It wasn't certainly as if his nature had been soft, so that pin-pricks would draw blood from it; and from the first of her acquaintance with him, and of her having to defend herself against a certain air that he had of knowing better what was good for her than she knew herself, she had recognised the fact that perfect frankness was her best weapon. To attempt to spare his sensibility or to escape from him edgewise, as one might do from a man who had barred the way less sturdily--this, in dealing with Caspar Goodwood, who would grasp at everything of every sort that one might give him, was wasted agility. It was not that he had not susceptibilities, but his passive surface, as well as his active, was large and hard, and he might always be trusted to dress his wounds, so far as they required it, himself. She came back, even for her measure of possible pangs and aches in him, to her old sense that he was naturally plated and steeled, armed essentially for aggression. "I can't reconcile myself to that," he simply said. There was a dangerous liberality about it; for she felt how open it was to him to make the point that he had not always disgusted her. "I can't reconcile myself to it either, and it's not the state of things that ought to exist between us. If you'd only try to banish me from your mind for a few months we should be on good terms again." "I see. If I should cease to think of you at all for a prescribed time, I should find I could keep it up indefinitely." "Indefinitely is more than I ask. It's more even than I should like." "You know that what you ask is impossible," said the young man, taking his adjective for granted in a manner she found irritating. "Aren't you capable of making a calculated effort?" she demanded. "You're strong for everything else; why shouldn't you be strong for that?" "An effort calculated for what?" And then as she hung fire, "I'm capable of nothing with regard to you," he went on, "but just of being infernally in love with you. If one's strong one loves only the more strongly." "There's a good deal in that;" and indeed our young lady felt the force of it--felt it thrown off, into the vast of truth and poetry, as practically a bait to her imagination. But she promptly came round. "Think of me or not, as you find most possible; only leave me alone." "Until when?" "Well, for a year or two." "Which do you mean? Between one year and two there's all the difference in the world." "Call it two then," said Isabel with a studied effect of eagerness. "And what shall I gain by that?" her friend asked with no sign of wincing. "You'll have obliged me greatly." "And what will be my reward?" "Do you need a reward for an act of generosity?" "Yes, when it involves a great sacrifice." "There's no generosity without some sacrifice. Men don't understand such things. If you make the sacrifice you'll have all my admiration." "I don't care a cent for your admiration--not one straw, with nothing to show for it. When will you marry me? That's the only question." "Never--if you go on making me feel only as I feel at present." "What do I gain then by not trying to make you feel otherwise?" "You'll gain quite as much as by worrying me to death!" Caspar Goodwood bent his eyes again and gazed a while into the crown of his hat. A deep flush overspread his face; she could see her sharpness had at last penetrated. This immediately had a value--classic, romantic, redeeming, what did she know? for her; "the strong man in pain" was one of the categories of the human appeal, little charm as he might exert in the given case. "Why do you make me say such things to you?" she cried in a trembling voice. "I only want to be gentle--to be thoroughly kind. It's not delightful to me to feel people care for me and yet to have to try and reason them out of it. I think others also ought to be considerate; we have each to judge for ourselves. I know you're considerate, as much as you can be; you've good reasons for what you do. But I really don't want to marry, or to talk about it at all now. I shall probably never do it--no, never. I've a perfect right to feel that way, and it's no kindness to a woman to press her so hard, to urge her against her will. If I give you pain I can only say I'm very sorry. It's not my fault; I can't marry you simply to please you. I won't say that I shall always remain your friend, because when women say that, in these situations, it passes, I believe, for a sort of mockery. But try me some day." Caspar Goodwood, during this speech, had kept his eyes fixed upon the name of his hatter, and it was not until some time after she had ceased speaking that he raised them. When he did so the sight of a rosy, lovely eagerness in Isabel's face threw some confusion into his attempt to analyse her words. "I'll go home--I'll go to-morrow--I'll leave you alone," he brought out at last. "Only," he heavily said, "I hate to lose sight of you!" "Never fear. I shall do no harm." "You'll marry some one else, as sure as I sit here," Caspar Goodwood declared. "Do you think that a generous charge?" "Why not? Plenty of men will try to make you." "I told you just now that I don't wish to marry and that I almost certainly never shall." "I know you did, and I like your 'almost certainly'! I put no faith in what you say." "Thank you very much. Do you accuse me of lying to shake you off? You say very delicate things." "Why should I not say that? You've given me no pledge of anything at all." "No, that's all that would be wanting!" "You may perhaps even believe you're safe--from wishing to be. But you're not," the young man went on as if preparing himself for the worst. "Very well then. We'll put it that I'm not safe. Have it as you please." "I don't know, however," said Caspar Goodwood, "that my keeping you in sight would prevent it." "Don't you indeed? I'm after all very much afraid of you. Do you think I'm so very easily pleased?" she asked suddenly, changing her tone. "No--I don't; I shall try to console myself with that. But there are a certain number of very dazzling men in the world, no doubt; and if there were only one it would be enough. The most dazzling of all will make straight for you. You'll be sure to take no one who isn't dazzling." "If you mean by dazzling brilliantly clever," Isabel said--"and I can't imagine what else you mean--I don't need the aid of a clever man to teach me how to live. I can find it out for myself." "Find out how to live alone? I wish that, when you have, you'd teach me!" She looked at him a moment; then with a quick smile, "Oh, you ought to marry!" she said. He might be pardoned if for an instant this exclamation seemed to him to sound the infernal note, and it is not on record that her motive for discharging such a shaft had been of the clearest. He oughtn't to stride about lean and hungry, however--she certainly felt THAT for him. "God forgive you!" he murmured between his teeth as he turned away. Her accent had put her slightly in the wrong, and after a moment she felt the need to right herself. The easiest way to do it was to place him where she had been. "You do me great injustice--you say what you don't know!" she broke out. "I shouldn't be an easy victim--I've proved it." "Oh, to me, perfectly." "I've proved it to others as well." And she paused a moment. "I refused a proposal of marriage last week; what they call--no doubt--a dazzling one." "I'm very glad to hear it," said the young man gravely. "It was a proposal many girls would have accepted; it had everything to recommend it." Isabel had not proposed to herself to tell this story, but, now she had begun, the satisfaction of speaking it out and doing herself justice took possession of her. "I was offered a great position and a great fortune--by a person whom I like extremely." Caspar watched her with intense interest. "Is he an Englishman?" "He's an English nobleman," said Isabel. Her visitor received this announcement at first in silence, but at last said: "I'm glad he's disappointed." "Well then, as you have companions in misfortune, make the best of it." "I don't call him a companion," said Casper grimly. "Why not--since I declined his offer absolutely?" "That doesn't make him my companion. Besides, he's an Englishman." "And pray isn't an Englishman a human being?" Isabel asked. "Oh, those people? They're not of my humanity, and I don't care what becomes of them." "You're very angry," said the girl. "We've discussed this matter quite enough." "Oh yes, I'm very angry. I plead guilty to that!" She turned away from him, walked to the open window and stood a moment looking into the dusky void of the street, where a turbid gaslight alone represented social animation. For some time neither of these young persons spoke; Caspar lingered near the chimney-piece with eyes gloomily attached. She had virtually requested him to go--he knew that; but at the risk of making himself odious he kept his ground. She was far too dear to him to be easily renounced, and he had crossed the sea all to wring from her some scrap of a vow. Presently she left the window and stood again before him. "You do me very little justice--after my telling you what I told you just now. I'm sorry I told you--since it matters so little to you." "Ah," cried the young man, "if you were thinking of ME when you did it!" And then he paused with the fear that she might contradict so happy a thought. "I was thinking of you a little," said Isabel. "A little? I don't understand. If the knowledge of what I feel for you had any weight with you at all, calling it a 'little' is a poor account of it." Isabel shook her head as if to carry off a blunder. "I've refused a most kind, noble gentleman. Make the most of that." "I thank you then," said Caspar Goodwood gravely. "I thank you immensely." "And now you had better go home." "May I not see you again?" he asked. "I think it's better not. You'll be sure to talk of this, and you see it leads to nothing." "I promise you not to say a word that will annoy you." Isabel reflected and then answered: "I return in a day or two to my uncle's, and I can't propose to you to come there. It would be too inconsistent." Caspar Goodwood, on his side, considered. "You must do me justice too. I received an invitation to your uncle's more than a week ago, and I declined it." She betrayed surprise. "From whom was your invitation?" "From Mr. Ralph Touchett, whom I suppose to be your cousin. I declined it because I had not your authorisation to accept it. The suggestion that Mr. Touchett should invite me appeared to have come from Miss Stackpole." "It certainly never did from me. Henrietta really goes very far," Isabel added. "Don't be too hard on her--that touches ME." "No; if you declined you did quite right, and I thank you for it." And she gave a little shudder of dismay at the thought that Lord Warburton and Mr. Goodwood might have met at Gardencourt: it would have been so awkward for Lord Warburton. "When you leave your uncle where do you go?" her companion asked. "I go abroad with my aunt--to Florence and other places." The serenity of this announcement struck a chill to the young man's heart; he seemed to see her whirled away into circles from which he was inexorably excluded. Nevertheless he went on quickly with his questions. "And when shall you come back to America?" "Perhaps not for a long time. I'm very happy here." "Do you mean to give up your country?" "Don't be an infant!" "Well, you'll be out of my sight indeed!" said Caspar Goodwood. "I don't know," she answered rather grandly. "The world--with all these places so arranged and so touching each other--comes to strike one as rather small." "It's a sight too big for ME!" Caspar exclaimed with a simplicity our young lady might have found touching if her face had not been set against concessions. This attitude was part of a system, a theory, that she had lately embraced, and to be thorough she said after a moment: "Don't think me unkind if I say it's just THAT--being out of your sight--that I like. If you were in the same place I should feel you were watching me, and I don't like that--I like my liberty too much. If there's a thing in the world I'm fond of," she went on with a slight recurrence of grandeur, "it's my personal independence." But whatever there might be of the too superior in this speech moved Caspar Goodwood's admiration; there was nothing he winced at in the large air of it. He had never supposed she hadn't wings and the need of beautiful free movements--he wasn't, with his own long arms and strides, afraid of any force in her. Isabel's words, if they had been meant to shock him, failed of the mark and only made him smile with the sense that here was common ground. "Who would wish less to curtail your liberty than I? What can give me greater pleasure than to see you perfectly independent--doing whatever you like? It's to make you independent that I want to marry you." "That's a beautiful sophism," said the girl with a smile more beautiful still. "An unmarried woman--a girl of your age--isn't independent. There are all sorts of things she can't do. She's hampered at every step." "That's as she looks at the question," Isabel answered with much spirit. "I'm not in my first youth--I can do what I choose--I belong quite to the independent class. I've neither father nor mother; I'm poor and of a serious disposition; I'm not pretty. I therefore am not bound to be timid and conventional; indeed I can't afford such luxuries. Besides, I try to judge things for myself; to judge wrong, I think, is more honourable than not to judge at all. I don't wish to be a mere sheep in the flock; I wish to choose my fate and know something of human affairs beyond what other people think it compatible with propriety to tell me." She paused a moment, but not long enough for her companion to reply. He was apparently on the point of doing so when she went on: "Let me say this to you, Mr. Goodwood. You're so kind as to speak of being afraid of my marrying. If you should hear a rumour that I'm on the point of doing so--girls are liable to have such things said about them--remember what I have told you about my love of liberty and venture to doubt it." There was something passionately positive in the tone in which she gave him this advice, and he saw a shining candour in her eyes that helped him to believe her. On the whole he felt reassured, and you might have perceived it by the manner in which he said, quite eagerly: "You want simply to travel for two years? I'm quite willing to wait two years, and you may do what you like in the interval. If that's all you want, pray say so. I don't want you to be conventional; do I strike you as conventional myself? Do you want to improve your mind? Your mind's quite good enough for me; but if it interests you to wander about a while and see different countries I shall be delighted to help you in any way in my power." "You're very generous; that's nothing new to me. The best way to help me will be to put as many hundred miles of sea between us as possible." "One would think you were going to commit some atrocity!" said Caspar Goodwood. "Perhaps I am. I wish to be free even to do that if the fancy takes me." "Well then," he said slowly, "I'll go home." And he put out his hand, trying to look contented and confident. Isabel's confidence in him, however, was greater than any he could feel in her. Not that he thought her capable of committing an atrocity; but, turn it over as he would, there was something ominous in the way she reserved her option. As she took his hand she felt a great respect for him; she knew how much he cared for her and she thought him magnanimous. They stood so for a moment, looking at each other, united by a hand-clasp which was not merely passive on her side. "That's right," she said very kindly, almost tenderly. "You'll lose nothing by being a reasonable man." "But I'll come back, wherever you are, two years hence," he returned with characteristic grimness. We have seen that our young lady was inconsequent, and at this she suddenly changed her note. "Ah, remember, I promise nothing--absolutely nothing!" Then more softly, as if to help him to leave her: "And remember too that I shall not be an easy victim!" "You'll get very sick of your independence." "Perhaps I shall; it's even very probable. When that day comes I shall be very glad to see you." She had laid her hand on the knob of the door that led into her room, and she waited a moment to see whether her visitor would not take his departure. But he appeared unable to move; there was still an immense unwillingness in his attitude and a sore remonstrance in his eyes. "I must leave you now," said Isabel; and she opened the door and passed into the other room. This apartment was dark, but the darkness was tempered by a vague radiance sent up through the window from the court of the hotel, and Isabel could make out the masses of the furniture, the dim shining of the mirror and the looming of the big four-posted bed. She stood still a moment, listening, and at last she heard Caspar Goodwood walk out of the sitting-room and close the door behind him. She stood still a little longer, and then, by an irresistible impulse, dropped on her knees before her bed and hid her face in her arms. She was not praying; she was trembling--trembling all over. Vibration was easy to her, was in fact too constant with her, and she found herself now humming like a smitten harp. She only asked, however, to put on the cover, to case herself again in brown holland, but she wished to resist her excitement, and the attitude of devotion, which she kept for some time, seemed to help her to be still. She intensely rejoiced that Caspar Goodwood was gone; there was something in having thus got rid of him that was like the payment, for a stamped receipt, of some debt too long on her mind. As she felt the glad relief she bowed her head a little lower; the sense was there, throbbing in her heart; it was part of her emotion, but it was a thing to be ashamed of--it was profane and out of place. It was not for some ten minutes that she rose from her knees, and even when she came back to the sitting-room her tremor had not quite subsided. It had had, verily, two causes: part of it was to be accounted for by her long discussion with Mr. Goodwood, but it might be feared that the rest was simply the enjoyment she found in the exercise of her power. She sat down in the same chair again and took up her book, but without going through the form of opening the volume. She leaned back, with that low, soft, aspiring murmur with which she often uttered her response to accidents of which the brighter side was not superficially obvious, and yielded to the satisfaction of having refused two ardent suitors in a fortnight. That love of liberty of which she had given Caspar Goodwood so bold a sketch was as yet almost exclusively theoretic; she had not been able to indulge it on a large scale. But it appeared to her she had done something; she had tasted of the delight, if not of battle, at least of victory; she had done what was truest to her plan. In the glow of this consciousness the image of Mr. Goodwood taking his sad walk homeward through the dingy town presented itself with a certain reproachful force; so that, as at the same moment the door of the room was opened, she rose with an apprehension that he had come back. But it was only Henrietta Stackpole returning from her dinner. Miss Stackpole immediately saw that our young lady had been "through" something, and indeed the discovery demanded no great penetration. She went straight up to her friend, who received her without a greeting. Isabel's elation in having sent Caspar Goodwood back to America presupposed her being in a manner glad he had come to see her; but at the same time she perfectly remembered Henrietta had had no right to set a trap for her. "Has he been here, dear?" the latter yearningly asked. Isabel turned away and for some moments answered nothing. "You acted very wrongly," she declared at last. "I acted for the best. I only hope you acted as well." "You're not the judge. I can't trust you," said Isabel. This declaration was unflattering, but Henrietta was much too unselfish to heed the charge it conveyed; she cared only for what it intimated with regard to her friend. "Isabel Archer," she observed with equal abruptness and solemnity, "if you marry one of these people I'll never speak to you again!" "Before making so terrible a threat you had better wait till I'm asked," Isabel replied. Never having said a word to Miss Stackpole about Lord Warburton's overtures, she had now no impulse whatever to justify herself to Henrietta by telling her that she had refused that nobleman. "Oh, you'll be asked quick enough, once you get off on the Continent. Annie Climber was asked three times in Italy--poor plain little Annie." "Well, if Annie Climber wasn't captured why should I be?" "I don't believe Annie was pressed; but you'll be." "That's a flattering conviction," said Isabel without alarm. "I don't flatter you, Isabel, I tell you the truth!" cried her friend. "I hope you don't mean to tell me that you didn't give Mr. Goodwood some hope." "I don't see why I should tell you anything; as I said to you just now, I can't trust you. But since you're so much interested in Mr. Goodwood I won't conceal from you that he returns immediately to America." "You don't mean to say you've sent him off?" Henrietta almost shrieked. "I asked him to leave me alone; and I ask you the same, Henrietta." Miss Stackpole glittered for an instant with dismay, and then passed to the mirror over the chimney-piece and took off her bonnet. "I hope you've enjoyed your dinner," Isabel went on. But her companion was not to be diverted by frivolous propositions. "Do you know where you're going, Isabel Archer?" "Just now I'm going to bed," said Isabel with persistent frivolity. "Do you know where you're drifting?" Henrietta pursued, holding out her bonnet delicately. "No, I haven't the least idea, and I find it very pleasant not to know. A swift carriage, of a dark night, rattling with four horses over roads that one can't see--that's my idea of happiness." "Mr. Goodwood certainly didn't teach you to say such things as that--like the heroine of an immoral novel," said Miss Stackpole. "You're drifting to some great mistake." Isabel was irritated by her friend's interference, yet she still tried to think what truth this declaration could represent. She could think of nothing that diverted her from saying: "You must be very fond of me, Henrietta, to be willing to be so aggressive." "I love you intensely, Isabel," said Miss Stackpole with feeling. "Well, if you love me intensely let me as intensely alone. I asked that of Mr. Goodwood, and I must also ask it of you." "Take care you're not let alone too much." "That's what Mr. Goodwood said to me. I told him I must take the risks." "You're a creature of risks--you make me shudder!" cried Henrietta. "When does Mr. Goodwood return to America?" "I don't know--he didn't tell me." "Perhaps you didn't enquire," said Henrietta with the note of righteous irony. "I gave him too little satisfaction to have the right to ask questions of him." This assertion seemed to Miss Stackpole for a moment to bid defiance to comment; but at last she exclaimed: "Well, Isabel, if I didn't know you I might think you were heartless!" "Take care," said Isabel; "you're spoiling me." "I'm afraid I've done that already. I hope, at least," Miss Stackpole added, "that he may cross with Annie Climber!" Isabel learned from her the next morning that she had determined not to return to Gardencourt (where old Mr. Touchett had promised her a renewed welcome), but to await in London the arrival of the invitation that Mr. Bantling had promised her from his sister Lady Pensil. Miss Stackpole related very freely her conversation with Ralph Touchett's sociable friend and declared to Isabel that she really believed she had now got hold of something that would lead to something. On the receipt of Lady Pensil's letter--Mr. Bantling had virtually guaranteed the arrival of this document--she would immediately depart for Bedfordshire, and if Isabel cared to look out for her impressions in the Interviewer she would certainly find them. Henrietta was evidently going to see something of the inner life this time. "Do you know where you're drifting, Henrietta Stackpole?" Isabel asked, imitating the tone in which her friend had spoken the night before. "I'm drifting to a big position--that of the Queen of American Journalism. If my next letter isn't copied all over the West I'll swallow my penwiper!" She had arranged with her friend Miss Annie Climber, the young lady of the continental offers, that they should go together to make those purchases which were to constitute Miss Climber's farewell to a hemisphere in which she at least had been appreciated; and she presently repaired to Jermyn Street to pick up her companion. Shortly after her departure Ralph Touchett was announced, and as soon as he came in Isabel saw he had something on his mind. He very soon took his cousin into his confidence. He had received from his mother a telegram to the effect that his father had had a sharp attack of his old malady, that she was much alarmed and that she begged he would instantly return to Gardencourt. On this occasion at least Mrs. Touchett's devotion to the electric wire was not open to criticism. "I've judged it best to see the great doctor, Sir Matthew Hope, first," Ralph said; "by great good luck he's in town. He's to see me at half-past twelve, and I shall make sure of his coming down to Gardencourt--which he will do the more readily as he has already seen my father several times, both there and in London. There's an express at two-forty-five, which I shall take; and you'll come back with me or remain here a few days longer, exactly as you prefer." "I shall certainly go with you," Isabel returned. "I don't suppose I can be of any use to my uncle, but if he's ill I shall like to be near him." "I think you're fond of him," said Ralph with a certain shy pleasure in his face. "You appreciate him, which all the world hasn't done. The quality's too fine." "I quite adore him," Isabel after a moment said. "That's very well. After his son he's your greatest admirer." She welcomed this assurance, but she gave secretly a small sigh of relief at the thought that Mr. Touchett was one of those admirers who couldn't propose to marry her. This, however, was not what she spoke; she went on to inform Ralph that there were other reasons for her not remaining in London. She was tired of it and wished to leave it; and then Henrietta was going away--going to stay in Bedfordshire. "In Bedfordshire?" "With Lady Pensil, the sister of Mr. Bantling, who has answered for an invitation." Ralph was feeling anxious, but at this he broke into a laugh. Suddenly, none the less, his gravity returned. "Bantling's a man of courage. But if the invitation should get lost on the way?" "I thought the British post-office was impeccable." "The good Homer sometimes nods," said Ralph. "However," he went on more brightly, "the good Bantling never does, and, whatever happens, he'll take care of Henrietta." Ralph went to keep his appointment with Sir Matthew Hope, and Isabel made her arrangements for quitting Pratt's Hotel. Her uncle's danger touched her nearly, and while she stood before her open trunk, looking about her vaguely for what she should put into it, the tears suddenly rose to her eyes. It was perhaps for this reason that when Ralph came back at two o'clock to take her to the station she was not yet ready. He found Miss Stackpole, however, in the sitting-room, where she had just risen from her luncheon, and this lady immediately expressed her regret at his father's illness. "He's a grand old man," she said; "he's faithful to the last. If it's really to be the last--pardon my alluding to it, but you must often have thought of the possibility--I'm sorry that I shall not be at Gardencourt." "You'll amuse yourself much more in Bedfordshire." "I shall be sorry to amuse myself at such a time," said Henrietta with much propriety. But she immediately added: "I should like so to commemorate the closing scene." "My father may live a long time," said Ralph simply. Then, adverting to topics more cheerful, he interrogated Miss Stackpole as to her own future. Now that Ralph was in trouble she addressed him in a tone of larger allowance and told him that she was much indebted to him for having made her acquainted with Mr. Bantling. "He has told me just the things I want to know," she said; "all the society items and all about the royal family. I can't make out that what he tells me about the royal family is much to their credit; but he says that's only my peculiar way of looking at it. Well, all I want is that he should give me the facts; I can put them together quick enough, once I've got them." And she added that Mr. Bantling had been so good as to promise to come and take her out that afternoon. "To take you where?" Ralph ventured to enquire. "To Buckingham Palace. He's going to show me over it, so that I may get some idea how they live." "Ah," said Ralph, "we leave you in good hands. The first thing we shall hear is that you're invited to Windsor Castle." "If they ask me, I shall certainly go. Once I get started I'm not afraid. But for all that," Henrietta added in a moment, "I'm not satisfied; I'm not at peace about Isabel." "What is her last misdemeanour?" "Well, I've told you before, and I suppose there's no harm in my going on. I always finish a subject that I take up. Mr. Goodwood was here last night." Ralph opened his eyes; he even blushed a little--his blush being the sign of an emotion somewhat acute. He remembered that Isabel, in separating from him in Winchester Square, had repudiated his suggestion that her motive in doing so was the expectation of a visitor at Pratt's Hotel, and it was a new pang to him to have to suspect her of duplicity. On the other hand, he quickly said to himself, what concern was it of his that she should have made an appointment with a lover? Had it not been thought graceful in every age that young ladies should make a mystery of such appointments? Ralph gave Miss Stackpole a diplomatic answer. "I should have thought that, with the views you expressed to me the other day, this would satisfy you perfectly." "That he should come to see her? That was very well, as far as it went. It was a little plot of mine; I let him know that we were in London, and when it had been arranged that I should spend the evening out I sent him a word--the word we just utter to the 'wise.' I hoped he would find her alone; I won't pretend I didn't hope that you'd be out of the way. He came to see her, but he might as well have stayed away." "Isabel was cruel?"--and Ralph's face lighted with the relief of his cousin's not having shown duplicity. "I don't exactly know what passed between them. But she gave him no satisfaction--she sent him back to America." "Poor Mr. Goodwood!" Ralph sighed. "Her only idea seems to be to get rid of him," Henrietta went on. "Poor Mr. Goodwood!" Ralph repeated. The exclamation, it must be confessed, was automatic; it failed exactly to express his thoughts, which were taking another line. "You don't say that as if you felt it. I don't believe you care." "Ah," said Ralph, "you must remember that I don't know this interesting young man--that I've never seen him." "Well, I shall see him, and I shall tell him not to give up. If I didn't believe Isabel would come round," Miss Stackpole added--"well, I'd give up myself. I mean I'd give HER up!" It had occurred to Ralph that, in the conditions, Isabel's parting with her friend might be of a slightly embarrassed nature, and he went down to the door of the hotel in advance of his cousin, who, after a slight delay, followed with the traces of an unaccepted remonstrance, as he thought, in her eyes. The two made the journey to Gardencourt in almost unbroken silence, and the servant who met them at the station had no better news to give them of Mr. Touchett--a fact which caused Ralph to congratulate himself afresh on Sir Matthew Hope's having promised to come down in the five o'clock train and spend the night. Mrs. Touchett, he learned, on reaching home, had been constantly with the old man and was with him at that moment; and this fact made Ralph say to himself that, after all, what his mother wanted was just easy occasion. The finer natures were those that shone at the larger times. Isabel went to her own room, noting throughout the house that perceptible hush which precedes a crisis. At the end of an hour, however, she came downstairs in search of her aunt, whom she wished to ask about Mr. Touchett. She went into the library, but Mrs. Touchett was not there, and as the weather, which had been damp and chill, was now altogether spoiled, it was not probable she had gone for her usual walk in the grounds. Isabel was on the point of ringing to send a question to her room, when this purpose quickly yielded to an unexpected sound--the sound of low music proceeding apparently from the saloon. She knew her aunt never touched the piano, and the musician was therefore probably Ralph, who played for his own amusement. That he should have resorted to this recreation at the present time indicated apparently that his anxiety about his father had been relieved; so that the girl took her way, almost with restored cheer, toward the source of the harmony. The drawing-room at Gardencourt was an apartment of great distances, and, as the piano was placed at the end of it furthest removed from the door at which she entered, her arrival was not noticed by the person seated before the instrument. This person was neither Ralph nor his mother; it was a lady whom Isabel immediately saw to be a stranger to herself, though her back was presented to the door. This back--an ample and well-dressed one--Isabel viewed for some moments with surprise. The lady was of course a visitor who had arrived during her absence and who had not been mentioned by either of the servants--one of them her aunt's maid--of whom she had had speech since her return. Isabel had already learned, however, with what treasures of reserve the function of receiving orders may be accompanied, and she was particularly conscious of having been treated with dryness by her aunt's maid, through whose hands she had slipped perhaps a little too mistrustfully and with an effect of plumage but the more lustrous. The advent of a guest was in itself far from disconcerting; she had not yet divested herself of a young faith that each new acquaintance would exert some momentous influence on her life. By the time she had made these reflexions she became aware that the lady at the piano played remarkably well. She was playing something of Schubert's--Isabel knew not what, but recognised Schubert--and she touched the piano with a discretion of her own. It showed skill, it showed feeling; Isabel sat down noiselessly on the nearest chair and waited till the end of the piece. When it was finished she felt a strong desire to thank the player, and rose from her seat to do so, while at the same time the stranger turned quickly round, as if but just aware of her presence. "That's very beautiful, and your playing makes it more beautiful still," said Isabel with all the young radiance with which she usually uttered a truthful rapture. "You don't think I disturbed Mr. Touchett then?" the musician answered as sweetly as this compliment deserved. "The house is so large and his room so far away that I thought I might venture, especially as I played just--just du bout des doigts." "She's a Frenchwoman," Isabel said to herself; "she says that as if she were French." And this supposition made the visitor more interesting to our speculative heroine. "I hope my uncle's doing well," Isabel added. "I should think that to hear such lovely music as that would really make him feel better." The lady smiled and discriminated. "I'm afraid there are moments in life when even Schubert has nothing to say to us. We must admit, however, that they are our worst." "I'm not in that state now then," said Isabel. "On the contrary I should be so glad if you would play something more." "If it will give you pleasure--delighted." And this obliging person took her place again and struck a few chords, while Isabel sat down nearer the instrument. Suddenly the new-comer stopped with her hands on the keys, half-turning and looking over her shoulder. She was forty years old and not pretty, though her expression charmed. "Pardon me," she said; "but are you the niece--the young American?" "I'm my aunt's niece," Isabel replied with simplicity. The lady at the piano sat still a moment longer, casting her air of interest over her shoulder. "That's very well; we're compatriots." And then she began to play. "Ah then she's not French," Isabel murmured; and as the opposite supposition had made her romantic it might have seemed that this revelation would have marked a drop. But such was not the fact; rarer even than to be French seemed it to be American on such interesting terms. The lady played in the same manner as before, softly and solemnly, and while she played the shadows deepened in the room. The autumn twilight gathered in, and from her place Isabel could see the rain, which had now begun in earnest, washing the cold-looking lawn and the wind shaking the great trees. At last, when the music had ceased, her companion got up and, coming nearer with a smile, before Isabel had time to thank her again, said: "I'm very glad you've come back; I've heard a great deal about you." Isabel thought her a very attractive person, but nevertheless spoke with a certain abruptness in reply to this speech. "From whom have you heard about me?" The stranger hesitated a single moment and then, "From your uncle," she answered. "I've been here three days, and the first day he let me come and pay him a visit in his room. Then he talked constantly of you." "As you didn't know me that must rather have bored you." "It made me want to know you. All the more that since then--your aunt being so much with Mr. Touchett--I've been quite alone and have got rather tired of my own society. I've not chosen a good moment for my visit." A servant had come in with lamps and was presently followed by another bearing the tea-tray. On the appearance of this repast Mrs. Touchett had apparently been notified, for she now arrived and addressed herself to the tea-pot. Her greeting to her niece did not differ materially from her manner of raising the lid of this receptacle in order to glance at the contents: in neither act was it becoming to make a show of avidity. Questioned about her husband she was unable to say he was better; but the local doctor was with him, and much light was expected from this gentleman's consultation with Sir Matthew Hope. "I suppose you two ladies have made acquaintance," she pursued. "If you haven't I recommend you to do so; for so long as we continue--Ralph and I--to cluster about Mr. Touchett's bed you're not likely to have much society but each other." "I know nothing about you but that you're a great musician," Isabel said to the visitor. "There's a good deal more than that to know," Mrs. Touchett affirmed in her little dry tone. "A very little of it, I am sure, will content Miss Archer!" the lady exclaimed with a light laugh. "I'm an old friend of your aunt's. I've lived much in Florence. I'm Madame Merle." She made this last announcement as if she were referring to a person of tolerably distinct identity. For Isabel, however, it represented little; she could only continue to feel that Madame Merle had as charming a manner as any she had ever encountered. "She's not a foreigner in spite of her name," said Mrs. Touchett. "She was born--I always forget where you were born." "It's hardly worth while then I should tell you." "On the contrary," said Mrs. Touchett, who rarely missed a logical point; "if I remembered your telling me would be quite superfluous." Madame Merle glanced at Isabel with a sort of world-wide smile, a thing that over-reached frontiers. "I was born under the shadow of the national banner." "She's too fond of mystery," said Mrs. Touchett; "that's her great fault." "Ah," exclaimed Madame Merle, "I've great faults, but I don't think that's one of then; it certainly isn't the greatest. I came into the world in the Brooklyn navy-yard. My father was a high officer in the United States Navy, and had a post--a post of responsibility--in that establishment at the time. I suppose I ought to love the sea, but I hate it. That's why I don't return to America. I love the land; the great thing is to love something." Isabel, as a dispassionate witness, had not been struck with the force of Mrs. Touchett's characterisation of her visitor, who had an expressive, communicative, responsive face, by no means of the sort which, to Isabel's mind, suggested a secretive disposition. It was a face that told of an amplitude of nature and of quick and free motions and, though it had no regular beauty, was in the highest degree engaging and attaching. Madame Merle was a tall, fair, smooth woman; everything in her person was round and replete, though without those accumulations which suggest heaviness. Her features were thick but in perfect proportion and harmony, and her complexion had a healthy clearness. Her grey eyes were small but full of light and incapable of stupidity--incapable, according to some people, even of tears; she had a liberal, full-rimmed mouth which when she smiled drew itself upward to the left side in a manner that most people thought very odd, some very affected and a few very graceful. Isabel inclined to range herself in the last category. Madame Merle had thick, fair hair, arranged somehow "classically" and as if she were a Bust, Isabel judged--a Juno or a Niobe; and large white hands, of a perfect shape, a shape so perfect that their possessor, preferring to leave them unadorned, wore no jewelled rings. Isabel had taken her at first, as we have seen, for a Frenchwoman; but extended observation might have ranked her as a German--a German of high degree, perhaps an Austrian, a baroness, a countess, a princess. It would never have been supposed she had come into the world in Brooklyn--though one could doubtless not have carried through any argument that the air of distinction marking her in so eminent a degree was inconsistent with such a birth. It was true that the national banner had floated immediately over her cradle, and the breezy freedom of the stars and stripes might have shed an influence upon the attitude she there took towards life. And yet she had evidently nothing of the fluttered, flapping quality of a morsel of bunting in the wind; her manner expressed the repose and confidence which come from a large experience. Experience, however, had not quenched her youth; it had simply made her sympathetic and supple. She was in a word a woman of strong impulses kept in admirable order. This commended itself to Isabel as an ideal combination. The girl made these reflexions while the three ladies sat at their tea, but that ceremony was interrupted before long by the arrival of the great doctor from London, who had been immediately ushered into the drawing-room. Mrs. Touchett took him off to the library for a private talk; and then Madame Merle and Isabel parted, to meet again at dinner. The idea of seeing more of this interesting woman did much to mitigate Isabel's sense of the sadness now settling on Gardencourt. When she came into the drawing-room before dinner she found the place empty; but in the course of a moment Ralph arrived. His anxiety about his father had been lightened; Sir Matthew Hope's view of his condition was less depressed than his own had been. The doctor recommended that the nurse alone should remain with the old man for the next three or four hours; so that Ralph, his mother and the great physician himself were free to dine at table. Mrs. Touchett and Sir Matthew appeared; Madame Merle was the last. Before she came Isabel spoke of her to Ralph, who was standing before the fireplace. "Pray who is this Madame Merle?" "The cleverest woman I know, not excepting yourself," said Ralph. "I thought she seemed very pleasant." "I was sure you'd think her very pleasant." "Is that why you invited her?" "I didn't invite her, and when we came back from London I didn't know she was here. No one invited her. She's a friend of my mother's, and just after you and I went to town my mother got a note from her. She had arrived in England (she usually lives abroad, though she has first and last spent a good deal of time here), and asked leave to come down for a few days. She's a woman who can make such proposals with perfect confidence; she's so welcome wherever she goes. And with my mother there could be no question of hesitating; she's the one person in the world whom my mother very much admires. If she were not herself (which she after all much prefers), she would like to be Madame Merle. It would indeed be a great change." "Well, she's very charming," said Isabel. "And she plays beautifully." "She does everything beautifully. She's complete." Isabel looked at her cousin a moment. "You don't like her." "On the contrary, I was once in love with her." "And she didn't care for you, and that's why you don't like her." "How can we have discussed such things? Monsieur Merle was then living." "Is he dead now?" "So she says." "Don't you believe her?" "Yes, because the statement agrees with the probabilities. The husband of Madame Merle would be likely to pass away." Isabel gazed at her cousin again. "I don't know what you mean. You mean something--that you don't mean. What was Monsieur Merle?" "The husband of Madame." "You're very odious. Has she any children?" "Not the least little child--fortunately." "Fortunately?" "I mean fortunately for the child. She'd be sure to spoil it." Isabel was apparently on the point of assuring her cousin for the third time that he was odious; but the discussion was interrupted by the arrival of the lady who was the topic of it. She came rustling in quickly, apologising for being late, fastening a bracelet, dressed in dark blue satin, which exposed a white bosom that was ineffectually covered by a curious silver necklace. Ralph offered her his arm with the exaggerated alertness of a man who was no longer a lover. Even if this had still been his condition, however, Ralph had other things to think about. The great doctor spent the night at Gardencourt and, returning to London on the morrow, after another consultation with Mr. Touchett's own medical adviser, concurred in Ralph's desire that he should see the patient again on the day following. On the day following Sir Matthew Hope reappeared at Gardencourt, and now took a less encouraging view of the old man, who had grown worse in the twenty-four hours. His feebleness was extreme, and to his son, who constantly sat by his bedside, it often seemed that his end must be at hand. The local doctor, a very sagacious man, in whom Ralph had secretly more confidence than in his distinguished colleague, was constantly in attendance, and Sir Matthew Hope came back several times. Mr. Touchett was much of the time unconscious; he slept a great deal; he rarely spoke. Isabel had a great desire to be useful to him and was allowed to watch with him at hours when his other attendants (of whom Mrs. Touchett was not the least regular) went to take rest. He never seemed to know her, and she always said to herself "Suppose he should die while I'm sitting here;" an idea which excited her and kept her awake. Once he opened his eyes for a while and fixed them upon her intelligently, but when she went to him, hoping he would recognise her, he closed them and relapsed into stupor. The day after this, however, he revived for a longer time; but on this occasion Ralph only was with him. The old man began to talk, much to his son's satisfaction, who assured him that they should presently have him sitting up. "No, my boy," said Mr. Touchett, "not unless you bury me in a sitting posture, as some of the ancients--was it the ancients?--used to do." "Ah, daddy, don't talk about that," Ralph murmured. "You mustn't deny that you're getting better." "There will be no need of my denying it if you don't say it," the old man answered. "Why should we prevaricate just at the last? We never prevaricated before. I've got to die some time, and it's better to die when one's sick than when one's well. I'm very sick--as sick as I shall ever be. I hope you don't want to prove that I shall ever be worse than this? That would be too bad. You don't? Well then." Having made this excellent point he became quiet; but the next time that Ralph was with him he again addressed himself to conversation. The nurse had gone to her supper and Ralph was alone in charge, having just relieved Mrs. Touchett, who had been on guard since dinner. The room was lighted only by the flickering fire, which of late had become necessary, and Ralph's tall shadow was projected over wall and ceiling with an outline constantly varying but always grotesque. "Who's that with me--is it my son?" the old man asked. "Yes, it's your son, daddy." "And is there no one else?" "No one else." Mr. Touchett said nothing for a while; and then, "I want to talk a little," he went on. "Won't it tire you?" Ralph demurred. "It won't matter if it does. I shall have a long rest. I want to talk about YOU." Ralph had drawn nearer to the bed; he sat leaning forward with his hand on his father's. "You had better select a brighter topic." "You were always bright; I used to be proud of your brightness. I should like so much to think you'd do something." "If you leave us," said Ralph, "I shall do nothing but miss you." "That's just what I don't want; it's what I want to talk about. You must get a new interest." "I don't want a new interest, daddy. I have more old ones than I know what to do with." The old man lay there looking at his son; his face was the face of the dying, but his eyes were the eyes of Daniel Touchett. He seemed to be reckoning over Ralph's interests. "Of course you have your mother," he said at last. "You'll take care of her." "My mother will always take care of herself," Ralph returned. "Well," said his father, "perhaps as she grows older she'll need a little help." "I shall not see that. She'll outlive me." "Very likely she will; but that's no reason--!" Mr. Touchett let his phrase die away in a helpless but not quite querulous sigh and remained silent again. "Don't trouble yourself about us," said his son, "My mother and I get on very well together, you know." "You get on by always being apart; that's not natural." "If you leave us we shall probably see more of each other." "Well," the old man observed with wandering irrelevance, "it can't be said that my death will make much difference in your mother's life." "It will probably make more than you think." "Well, she'll have more money," said Mr. Touchett. "I've left her a good wife's portion, just as if she had been a good wife." "She has been one, daddy, according to her own theory. She has never troubled you." "Ah, some troubles are pleasant," Mr. Touchett murmured. "Those you've given me for instance. But your mother has been less--less--what shall I call it? less out of the way since I've been ill. I presume she knows I've noticed it." "I shall certainly tell her so; I'm so glad you mention it." "It won't make any difference to her; she doesn't do it to please me. She does it to please--to please--" And he lay a while trying to think why she did it. "She does it because it suits her. But that's not what I want to talk about," he added. "It's about you. You'll be very well off." "Yes," said Ralph, "I know that. But I hope you've not forgotten the talk we had a year ago--when I told you exactly what money I should need and begged you to make some good use of the rest." "Yes, yes, I remember. I made a new will--in a few days. I suppose it was the first time such a thing had happened--a young man trying to get a will made against him." "It is not against me," said Ralph. "It would be against me to have a large property to take care of. It's impossible for a man in my state of health to spend much money, and enough is as good as a feast." "Well, you'll have enough--and something over. There will be more than enough for one--there will be enough for two." "That's too much," said Ralph. "Ah, don't say that. The best thing you can do; when I'm gone, will be to marry." Ralph had foreseen what his father was coming to, and this suggestion was by no means fresh. It had long been Mr. Touchett's most ingenious way of taking the cheerful view of his son's possible duration. Ralph had usually treated it facetiously; but present circumstances proscribed the facetious. He simply fell back in his chair and returned his father's appealing gaze. "If I, with a wife who hasn't been very fond of me, have had a very happy life," said the old man, carrying his ingenuity further still, "what a life mightn't you have if you should marry a person different from Mrs. Touchett. There are more different from her than there are like her." Ralph still said nothing; and after a pause his father resumed softly: "What do you think of your cousin?" At this Ralph started, meeting the question with a strained smile. "Do I understand you to propose that I should marry Isabel?" "Well, that's what it comes to in the end. Don't you like Isabel?" "Yes, very much." And Ralph got up from his chair and wandered over to the fire. He stood before it an instant and then he stooped and stirred it mechanically. "I like Isabel very much," he repeated. "Well," said his father, "I know she likes you. She has told me how much she likes you." "Did she remark that she would like to marry me?" "No, but she can't have anything against you. And she's the most charming young lady I've ever seen. And she would be good to you. I have thought a great deal about it." "So have I," said Ralph, coming back to the bedside again. "I don't mind telling you that." "You ARE in love with her then? I should think you would be. It's as if she came over on purpose." "No, I'm not in love with her; but I should be if--if certain things were different." "Ah, things are always different from what they might be," said the old man. "If you wait for them to change you'll never do anything. I don't know whether you know," he went on; "but I suppose there's no harm in my alluding to it at such an hour as this: there was some one wanted to marry Isabel the other day, and she wouldn't have him." "I know she refused Warburton: he told me himself." "Well, that proves there's a chance for somebody else." "Somebody else took his chance the other day in London--and got nothing by it." "Was it you?" Mr. Touchett eagerly asked. "No, it was an older friend; a poor gentleman who came over from America to see about it." "Well, I'm sorry for him, whoever he was. But it only proves what I say--that the way's open to you." "If it is, dear father, it's all the greater pity that I'm unable to tread it. I haven't many convictions; but I have three or four that I hold strongly. One is that people, on the whole, had better not marry their cousins. Another is that people in an advanced stage of pulmonary disorder had better not marry at all." The old man raised his weak hand and moved it to and fro before his face. "What do you mean by that? You look at things in a way that would make everything wrong. What sort of a cousin is a cousin that you had never seen for more than twenty years of her life? We're all each other's cousins, and if we stopped at that the human race would die out. It's just the same with your bad lung. You're a great deal better than you used to be. All you want is to lead a natural life. It is a great deal more natural to marry a pretty young lady that you're in love with than it is to remain single on false principles." "I'm not in love with Isabel," said Ralph. "You said just now that you would be if you didn't think it wrong. I want to prove to you that it isn't wrong." "It will only tire you, dear daddy," said Ralph, who marvelled at his father's tenacity and at his finding strength to insist. "Then where shall we all be?" "Where shall you be if I don't provide for you? You won't have anything to do with the bank, and you won't have me to take care of. You say you've so many interests; but I can't make them out." Ralph leaned back in his chair with folded arms; his eyes were fixed for some time in meditation. At last, with the air of a man fairly mustering courage, "I take a great interest in my cousin," he said, "but not the sort of interest you desire. I shall not live many years; but I hope I shall live long enough to see what she does with herself. She's entirely independent of me; I can exercise very little influence upon her life. But I should like to do something for her." "What should you like to do?" "I should like to put a little wind in her sails." "What do you mean by that?" "I should like to put it into her power to do some of the things she wants. She wants to see the world for instance. I should like to put money in her purse." "Ah, I'm glad you've thought of that," said the old man. "But I've thought of it too. I've left her a legacy--five thousand pounds." "That's capital; it's very kind of you. But I should like to do a little more." Something of that veiled acuteness with which it had been on Daniel Touchett's part the habit of a lifetime to listen to a financial proposition still lingered in the face in which the invalid had not obliterated the man of business. "I shall be happy to consider it," he said softly. "Isabel's poor then. My mother tells me that she has but a few hundred dollars a year. I should like to make her rich." "What do you mean by rich?" "I call people rich when they're able to meet the requirements of their imagination. Isabel has a great deal of imagination." "So have you, my son," said Mr. Touchett, listening very attentively but a little confusedly. "You tell me I shall have money enough for two. What I want is that you should kindly relieve me of my superfluity and make it over to Isabel. Divide my inheritance into two equal halves and give her the second." "To do what she likes with?" "Absolutely what she likes." "And without an equivalent?" "What equivalent could there be?" "The one I've already mentioned." "Her marrying--some one or other? It's just to do away with anything of that sort that I make my suggestion. If she has an easy income she'll never have to marry for a support. That's what I want cannily to prevent. She wishes to be free, and your bequest will make her free." "Well, you seem to have thought it out," said Mr. Touchett. "But I don't see why you appeal to me. The money will be yours, and you can easily give it to her yourself." Ralph openly stared. "Ah, dear father, I can't offer Isabel money!" The old man gave a groan. "Don't tell me you're not in love with her! Do you want me to have the credit of it?" "Entirely. I should like it simply to be a clause in your will, without the slightest reference to me." "Do you want me to make a new will then?" "A few words will do it; you can attend to it the next time you feel a little lively." "You must telegraph to Mr. Hilary then. I'll do nothing without my solicitor." "You shall see Mr. Hilary to-morrow." "He'll think we've quarrelled, you and I," said the old man. "Very probably; I shall like him to think it," said Ralph, smiling; "and, to carry out the idea, I give you notice that I shall be very sharp, quite horrid and strange, with you." The humour of this appeared to touch his father, who lay a little while taking it in. "I'll do anything you like," Mr. Touchett said at last; "but I'm not sure it's right. You say you want to put wind in her sails; but aren't you afraid of putting too much?" "I should like to see her going before the breeze!" Ralph answered. "You speak as if it were for your mere amusement." "So it is, a good deal." "Well, I don't think I understand," said Mr. Touchett with a sigh. "Young men are very different from what I was. When I cared for a girl--when I was young--I wanted to do more than look at her." "You've scruples that I shouldn't have had, and you've ideas that I shouldn't have had either. You say Isabel wants to be free, and that her being rich will keep her from marrying for money. Do you think that she's a girl to do that?" "By no means. But she has less money than she has ever had before. Her father then gave her everything, because he used to spend his capital. She has nothing but the crumbs of that feast to live on, and she doesn't really know how meagre they are--she has yet to learn it. My mother has told me all about it. Isabel will learn it when she's really thrown upon the world, and it would be very painful to me to think of her coming to the consciousness of a lot of wants she should be unable to satisfy." "I've left her five thousand pounds. She can satisfy a good many wants with that." "She can indeed. But she would probably spend it in two or three years." "You think she'd be extravagant then?" "Most certainly," said Ralph, smiling serenely. Poor Mr. Touchett's acuteness was rapidly giving place to pure confusion. "It would merely be a question of time then, her spending the larger sum?" "No--though at first I think she'd plunge into that pretty freely: she'd probably make over a part of it to each of her sisters. But after that she'd come to her senses, remember she has still a lifetime before her, and live within her means." "Well, you HAVE worked it out," said the old man helplessly. "You do take an interest in her, certainly." "You can't consistently say I go too far. You wished me to go further." "Well, I don't know," Mr. Touchett answered. "I don't think I enter into your spirit. It seems to me immoral." "Immoral, dear daddy?" "Well, I don't know that it's right to make everything so easy for a person." "It surely depends upon the person. When the person's good, your making things easy is all to the credit of virtue. To facilitate the execution of good impulses, what can be a nobler act?" This was a little difficult to follow, and Mr. Touchett considered it for a while. At last he said: "Isabel's a sweet young thing; but do you think she's so good as that?" "She's as good as her best opportunities," Ralph returned. "Well," Mr. Touchett declared, "she ought to get a great many opportunities for sixty thousand pounds." "I've no doubt she will." "Of course I'll do what you want," said the old man. "I only want to understand it a little." "Well, dear daddy, don't you understand it now?" his son caressingly asked. "If you don't we won't take any more trouble about it. We'll leave it alone." Mr. Touchett lay a long time still. Ralph supposed he had given up the attempt to follow. But at last, quite lucidly, he began again. "Tell me this first. Doesn't it occur to you that a young lady with sixty thousand pounds may fall a victim to the fortune-hunters?" "She'll hardly fall a victim to more than one." "Well, one's too many." "Decidedly. That's a risk, and it has entered into my calculation. I think it's appreciable, but I think it's small, and I'm prepared to take it." Poor Mr. Touchett's acuteness had passed into perplexity, and his perplexity now passed into admiration. "Well, you have gone into it!" he repeated. "But I don't see what good you're to get of it." Ralph leaned over his father's pillows and gently smoothed them; he was aware their talk had been unduly prolonged. "I shall get just the good I said a few moments ago I wished to put into Isabel's reach--that of having met the requirements of my imagination. But it's scandalous, the way I've taken advantage of you!"

Chapters 15-18

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The three traveling companions, Ralph, Henrietta and Isabel, venture to London together. Ralph stays at his own house in Winchester Square, while the others stay at Pratt's Hotel. Ralph finds himself alone, thinking of Isabel. He deems this an "idle pursuit" that will lead to nothing. He notes that she is "full of premises, conclusions, emotions... asked more questions than he could answer, and launched brave theories" . Ralph takes the two women around London. Isabel feels a strange pain left by her experience with Lord Warburton at Gardencourt. She perceives her own act to have been necessary, but notes how gracelessly she acted. Nevertheless, she feels some odd pride in the matter, a "feeling of freedom" that she enjoys . Ralph introduces the women to Mr. Bantling, one of his acquaintances. He is a jolly, stout man of about 40, who very much enjoys Henrietta's company. He recommends that she stay with his sister, Lady Pensil, if she wants to experience a house that is less dull than Gardencourt. Mr. Bantling accompanies Henrietta back to the hotel when she needs to return alone for another engagement. Henrietta does not see why she needs accompaniment, wondering why anyone should see it improper that she go alone. Nevertheless Mr. Bantling accompanies her. When the two head off together, Ralph speculates that the two may go far as a couple, whereas Isabel does not think it will very far because the two do not understand each other. Ralph says: "There's no more usual basis of union than a mutual misunderstanding" . Isabel declares that she would like to go back to the hotel and have dinner by herself. Ralph suggests that she wants to dine alone because she is in fact expecting a visitor, vaguely referencing her past. Isabel declares that there is none of her past in England. Ralph tells Isabel that he knows from Warburton of the proposal. He tells her that he does not want to argue with her though, but rather only hear about her sentiments on the matter. He considers it a remarkable act to have rejected Warburton, because he unites both the extrinsic and intrinsic advantages of marriage. Isabel suggests that Ralph wanted her to marry Warburton, to which he responds that he merely has a great interest in watching her. "I shall have the thrill of seeing what a young lady does who won't marry Lord Warburton," he tells her . He is glad to have seen her do something unexpected. Isabel tells him, "I don't want to begin life by marrying. There are other things a woman can do" . Ralph claims that she wants to "drain the cup of experience" . She denies this. "I only want to see for myself," she says. He claims to be satisfied with her answers, concluding that she wants to throw herself into a world that interests her. She denies this. "I don't know what you're trying to fasten upon me," she complains . Isabel returns to the hotel. She has no hidden motive for wanting to go alone. Caspar Goodwood though comes to visit her at her hotel unexpectedly, having been informed of her whereabouts through Henrietta Stackpole. Isabel tells him that her silence to his letter was "an intention" . Isabel is not very nice to him, telling him that he simply does not fit into life. Isabel asks him to at least banish her from his mind for two years, and then they will at least be on good terms again. Caspar asks what he will gain from this, and she responds that she cannot promise anything. Caspar predicts she will marry someone else. Isabel claims that she does not need the aid of a clever man to teach her how to live. Isabel lets him know that she has already refused a man of great fortune and position. Isabel declares that her independence is what she values most, and Caspar claims that he would deprive her least of all of that; he would merely give her means to exercise that independence. Isabel tells him she would like to choose her own fate. Caspar exclaims, "One would think you were going to commit some atrocity!" Isabel says that she very well may, but at least she would be free to do so. Caspar leaves, to return in two years. Isabel drops to her knees and hides her face in her arms as he leaves. Isabel is in an agitated state when Caspar Goodwood leaves, and she is very relieved when he is gone. She recognizes that her love of liberty is still very theoretic rather than actively lived, but she feels that she has at least finally done something. Henrietta returns to the hotel and is upset that Isabel has sent Caspar away. Henrietta asks if Isabel knows where she is going, to which Isabel responds, "I find it very pleasant not to know. A swift carriage, of a dark night, rattling with four horses over roads that one can't see--that's my idea of happiness" . Henrietta retorts that she sounds like a heroine of an "immoral novel." Henrietta and Mr. Bantling go off to see Lady Pensil in Bedfordshire, while Isabel and Ralph return to Gardencourt. Mr. Touchett's health has taken a turn for the worse. When Isabel returns home, she hears someone playing the piano. Isabel sees a lady who is well dressed and who plays Schubert remarkably well. Isabel compliments the lady at the piano for her playing. Mrs. Touchett arrives for teatime. The woman introduces herself as Madame Merle, an old friend of Mrs. Touchett's. She is actually an American from Brooklyn, but Isabel had mistakenly thought that she was French. Madame Merle is described as having intelligent grey eyes and being very graceful. She looks like a woman of experience, who also is sympathetic. Isabel admires her very much. Isabel asks Ralph about Madame Merle, and he declares her the cleverest woman he knows. He admits that he was once in love with her, when Monsieur Merle was still living. Ralph reports that she has no children. Meanwhile, Mr. Touchett is very sick. He tells Ralph he is dying, and makes him promise to take care of his mother. Mr. Touchett asks Ralph if he has thought about marrying Isabel, and Ralph smiles at the thought. Ralph though believes he should not marry at all, since he is in an advanced state of pulmonary disorder. He also claims that he is not in love with Isabel. He merely is interested to see what she will do with herself. He admits though that he would like to "put a little wind in her sails" . Ralph suggests to his father that he leave Isabel half of Ralph's fortune to Isabel. Mr. Touchett expresses doubts about the rightness of this action. "You say Isabel wants to be free, and that her being rich will keep her from marrying for money. Do you think that she's a girl to do that?" Mr. Touchett asks Ralph . Ralph recognizes that Isabel has very little of mind for money, but she does not recognize yet how poor she is. Mr. Touchett thinks the act immoral, making everything so easy for a person. Ralph believes that it depends upon the person, and that he will be facilitating the execution of noble impulses. At last Mr. Touchett expresses his fear that Isabel may fall prey to fortune hunters. Ralph admits that it may be a risk, but that it is a small risk.

Ralph's analysis of Isabel's motivations for rejecting Lord Warburton also assume a form similar to the thoughts expressed by Isabel in previous chapters. But, she notably denies them. She proves herself to be very contrarian in nature through these actions. She simply wants to elude the ideas that others have for her, to assert her own originality and independence. This then becomes the theme of her denial of Caspar Goodwood: she wants to set off on her own, to act freely. Caspar Goodwood though foreshadows that whatever action may come of this may seem an atrocity to others. Isabel is notably brought to her knees upon Caspar's departure. She reacts physically and violently to his presence. There is some suggestion that she is repressing her own sexual lust in his presence: he is often described as very imposing in nature, like a force that she cannot resist. In the Victorian age in which Henry James was writing, sex was certainly not a theme that was discussed. However, sexual desire is certainly an important part of his novels, and its repression often leads characters into inexplicable actions. This is one theory as to why Isabel rejects Caspar Goodwood: she is too sexually repressed to accept her undeniable physical attraction to him. She instead wants to believe she has a higher ideal and value. But it could all be a vapid fiction invented to avoid the sordid reality of her sexuality. In Chapter 18, Ralph acts beneficently by giving Isabel half of his own fortune, giving her the means to be independent. So far money has played a seemingly insignificant role in the plot of the story. It does not matter that Lord Warburton and Caspar Goodwood are rich and Isabel is poor: she has rejected them. It is clear that everyone around Isabel has money, but she does not seem to think herself inferior for her lack of it. However, her impracticality about her "idea" of greatness is also reflected in her lack of means to carry out any kind of "idea." How could she continue to live and travel without financial help? Ralph, in other words, is giving her a means to realize her idea in life. However, Mr. Touchett foreshadows that this beneficent act may be immoral. It may cause Isabel to fall prey to fortune hunters, and put her into a situation she is not prepared to deal with.

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all_chapterized_books/2833-chapters/chapters_19_to_21.txt

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The Portrait of a Lady.chapters 19-21

chapters 19-21

{"name": "Chapters 19-21", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-19-21", "summary": "Isabel forms a friendship with Madame Merle, finding her a model worthy of admiration. She observes that Madame Merle was once a woman of great passion, but no longer is -- she has had much experience in her life. Yet Isabel finds it difficult to think of Madame Merle as an individual, in detachment from others and in a private state of being. She sees Madame Merle as existing only through her relations to others. She notes that Merle has a charming surface, but that does not necessarily make her superficial. Isabel notes that Merle speaks in a conventional tongue, but she asks herself: \"What's language at all but a convention? She has the good taste not to pretend, like some people I've met, to express herself by original signs\" . Isabel theorizes that someone or something must have once hurt Madame Merle, and Madame Merle responds that she will tell her a story one day about her life. Merle believes that Americans have no natural place in European society, and they are forced to crawl. She notes that Ralph Touchett is recognized solely through his title as an American in Europe, and that he is simply idle. She says that the worst case she knows of is her friend, Gilbert Osmond, a delightful man who is entirely indolent. He is devoted to his daughter, but does nothing else, and has no ambition to do anything else. Merle mentions that it is perhaps inappropriate that she is staying on in the house when Mr. Touchett is so sick, but declares that the doctor believes she will offer some solace to the family. Merle does not believe she can console Ralph, as he does not like her. Isabel suspects that there is something else between Merle and Ralph, but she does not to be nosy. So the narrator informs us, \"The love of knowledge co-existed in her mind with the finest capacity for ignorance\" . Madame Merle mourns not having done something better with her life. She may be talented, but she has no real use for these talents. She wishes that she had Isabel's qualities, of being frank, generous, and sincere. Isabel sees Merle as an image of success, the dream of one's youth come true, whereas Merle seems to think she has failed in her own ambitions. Merle asks what Isabel's own image looks like, joking that it is a young man with a mustache with a castle in the Apennines. Isabel notes that she would not care about a house. Merle responds, \"That's very crude of you. When you've lived as long as I have you'll see that every human being has his shell and that you must take the shell into account. By the shell I mean the whole envelope of circumstances. There's no such thing as an isolated man or woman; we're each of us made up of some cluster of appurtenances. What shall we call our 'self'? Where does it begin? Where does it end? It overflows into everything that belongs to us--and then it flows back again. I know a large part of myself is in the clothes I choose to wear. I've a great respect for things! One's self--for other people--is one's expression of one's self; and one's house, one's furniture, one's garments, the books one reads, the company one keeps--there things are all expressive\" . Isabel protests that while she may not know if she can express herself, she does know that nothing else expresses her . All the appurtenances are merely barriers to her self. Merle jokes that she might prefer to go without clothing. Isabel lets on that she has refused offers of marriage. Madame Merle tells her that it may be a pleasant exercise in power, but that she ought not to keep on refusing. She then wishes that Isabel had some money of her own. Isabel wishes as well that she did. Madame Merle leaves the house before Mr. Touchett dies, but then returns after he has passed away. She learns from Mrs. Touchett that Isabel has inherited a fortune, and suggests that Isabel is a \"clever\" creature, to which Mrs. Touchett takes offense. Isabel, upon learning of her inheritance, feels gloomy. Isabel then departs for Paris, where she meets a circle of people who seem incredibly wasteful, living in luxury. She meets a childhood friend, Ned Rosier, who seems to be living this sort of luxurious life. Henrietta is also in Paris, and worries that Isabel has inherited so much money because it will allow her imagination to run free without her having to take in the reality of things, to meet with any hardships. Chapter 21 Isabel goes to Italy to meet up with her aunt. Ralph is also with Mrs. Touchett. In a conversation with Ralph, Isabel asks Ralph if his father granted her so much money purely for Ralph's amusement. He avoids this question and gravely returns that the money will give her freedom, and that she ought not worry so much about the morality of it. She need only allow her character to develop freely. Isabel takes this advice to heart. Perhaps, she thinks, she ought not be so worried about whether something is good for her, that she should not be so afraid of doing right or wrong. Isabel then thinks aloud with Ralph in her presence that perhaps she is merely afraid - she tries to care more about the world than herself, but she always seems to come back to herself. She recognizes that a large fortune means freedom. She then begins to see Italy as a land of promise. She considers being with the Touchetts as a kind of preliminary hovering, as a peaceful interlude, which allows her to reflect on her hopes and fears, her ambitions and predilections. She gradually grows accustomed to feeling rich. She allows herself to dream big, to consider the many occasions and obligations that she can have as a rich person. The narrator declares that her fortune becomes a part of her mind, a part of her better self. However, sometimes Isabel's visions take her back to Caspar and Warburton. While it is more often her habit to lose faith in the reality of absent things, she could sometimes be reminded of these painful realities, as if they were dead things suddenly come to life in her mind. She does not imagine, though, that others think of her in the same way. She does have a foreboding feeling though that she might come to know the humiliation of finally giving into Caspar's will. She fears that she will come to find it restful to be with him.", "analysis": "Isabel's admiration of Madame Merle is significant because Merle seems to be a realization of Isabel's own vague ideas, while also being a direct contradiction to them. Isabel thinks Merle is successful - she is independent, can go where she wants, and has obviously tasted of the cup of experience. There is a hint however that Merle has a darker past, and that such experience has left her cold. It is notable how impeccably Merle presents herself, but how essentially useless and empty she seems to feel. There is some speculation that she is not superficial, especially on the part of Isabel, but she does not seem to claim to be anything but superficial. She cares about being seen well in society, because a person for her consists only in their \"appurtenances.\" Isabel idealistically asserts that there is some substance to a person aside from their appearance in society, but she fails to express what this elusive something is. Again, there is a disparity between the essence of an identity and the means she has to express it. She can only seem to express her own originality negatively. What makes a person original, when the only means a person has to express this originality are conventional? Money is a significant theme lurking behind the psychological motivations of characters in this novel. It is also an agent for action of the novel, even though it is disguised as merely an aid to the imagination. While Isabel claims that money and other superficial displays of wealth are unimportant to her, she does finally recognize that having money might give her the freedom to express her own original ideas. She wants to proclaim an idea that only uses the help of money to express itself. We might compare this to Henry James' situation as a writer in a quickly developing scene of the commodification of literature. As Michael Anesko has pointed out , James was very much aware of the changing marketplace for fiction, and being a financial success was important for him. He was very savvy in the way he was published and was able to make quite a bit of money from his works. However, he is very much known as a writer developed to the aesthetics and morality of fiction, to loftier goals than mere financial profit. The reference to money in The Portrait of a Lady, and its situation as an agent in the affairs of its characters, might show a more skeptical view on the part of Henry James of one's ability to divorce the financial aspect of something from the artistic aspect of it."}

As Mrs. Touchett had foretold, Isabel and Madame Merle were thrown much together during the illness of their host, so that if they had not become intimate it would have been almost a breach of good manners. Their manners were of the best, but in addition to this they happened to please each other. It is perhaps too much to say that they swore an eternal friendship, but tacitly at least they called the future to witness. Isabel did so with a perfectly good conscience, though she would have hesitated to admit she was intimate with her new friend in the high sense she privately attached to this term. She often wondered indeed if she ever had been, or ever could be, intimate with any one. She had an ideal of friendship as well as of several other sentiments, which it failed to seem to her in this case--it had not seemed to her in other cases--that the actual completely expressed. But she often reminded herself that there were essential reasons why one's ideal could never become concrete. It was a thing to believe in, not to see--a matter of faith, not of experience. Experience, however, might supply us with very creditable imitations of it, and the part of wisdom was to make the best of these. Certainly, on the whole, Isabel had never encountered a more agreeable and interesting figure than Madame Merle; she had never met a person having less of that fault which is the principal obstacle to friendship--the air of reproducing the more tiresome, the stale, the too-familiar parts of one's own character. The gates of the girl's confidence were opened wider than they had ever been; she said things to this amiable auditress that she had not yet said to any one. Sometimes she took alarm at her candour: it was as if she had given to a comparative stranger the key to her cabinet of jewels. These spiritual gems were the only ones of any magnitude that Isabel possessed, but there was all the greater reason for their being carefully guarded. Afterwards, however, she always remembered that one should never regret a generous error and that if Madame Merle had not the merits she attributed to her, so much the worse for Madame Merle. There was no doubt she had great merits--she was charming, sympathetic, intelligent, cultivated. More than this (for it had not been Isabel's ill-fortune to go through life without meeting in her own sex several persons of whom no less could fairly be said), she was rare, superior and preeminent. There are many amiable people in the world, and Madame Merle was far from being vulgarly good-natured and restlessly witty. She knew how to think--an accomplishment rare in women; and she had thought to very good purpose. Of course, too, she knew how to feel; Isabel couldn't have spent a week with her without being sure of that. This was indeed Madame Merle's great talent, her most perfect gift. Life had told upon her; she had felt it strongly, and it was part of the satisfaction to be taken in her society that when the girl talked of what she was pleased to call serious matters this lady understood her so easily and quickly. Emotion, it is true, had become with her rather historic; she made no secret of the fact that the fount of passion, thanks to having been rather violently tapped at one period, didn't flow quite so freely as of yore. She proposed moreover, as well as expected, to cease feeling; she freely admitted that of old she had been a little mad, and now she pretended to be perfectly sane. "I judge more than I used to," she said to Isabel, "but it seems to me one has earned the right. One can't judge till one's forty; before that we're too eager, too hard, too cruel, and in addition much too ignorant. I'm sorry for you; it will be a long time before you're forty. But every gain's a loss of some kind; I often think that after forty one can't really feel. The freshness, the quickness have certainly gone. You'll keep them longer than most people; it will be a great satisfaction to me to see you some years hence. I want to see what life makes of you. One thing's certain--it can't spoil you. It may pull you about horribly, but I defy it to break you up." Isabel received this assurance as a young soldier, still panting from a slight skirmish in which he has come off with honour, might receive a pat on the shoulder from his colonel. Like such a recognition of merit it seemed to come with authority. How could the lightest word do less on the part of a person who was prepared to say, of almost everything Isabel told her, "Oh, I've been in that, my dear; it passes, like everything else." On many of her interlocutors Madame Merle might have produced an irritating effect; it was disconcertingly difficult to surprise her. But Isabel, though by no means incapable of desiring to be effective, had not at present this impulse. She was too sincere, too interested in her judicious companion. And then moreover Madame Merle never said such things in the tone of triumph or of boastfulness; they dropped from her like cold confessions. A period of bad weather had settled upon Gardencourt; the days grew shorter and there was an end to the pretty tea-parties on the lawn. But our young woman had long indoor conversations with her fellow visitor, and in spite of the rain the two ladies often sallied forth for a walk, equipped with the defensive apparatus which the English climate and the English genius have between them brought to such perfection. Madame Merle liked almost everything, including the English rain. "There's always a little of it and never too much at once," she said; "and it never wets you and it always smells good." She declared that in England the pleasures of smell were great--that in this inimitable island there was a certain mixture of fog and beer and soot which, however odd it might sound, was the national aroma, and was most agreeable to the nostril; and she used to lift the sleeve of her British overcoat and bury her nose in it, inhaling the clear, fine scent of the wool. Poor Ralph Touchett, as soon as the autumn had begun to define itself, became almost a prisoner; in bad weather he was unable to step out of the house, and he used sometimes to stand at one of the windows with his hands in his pockets and, from a countenance half-rueful, half-critical, watch Isabel and Madame Merle as they walked down the avenue under a pair of umbrellas. The roads about Gardencourt were so firm, even in the worst weather, that the two ladies always came back with a healthy glow in their cheeks, looking at the soles of their neat, stout boots and declaring that their walk had done them inexpressible good. Before luncheon, always, Madame Merle was engaged; Isabel admired and envied her rigid possession of her morning. Our heroine had always passed for a person of resources and had taken a certain pride in being one; but she wandered, as by the wrong side of the wall of a private garden, round the enclosed talents, accomplishments, aptitudes of Madame Merle. She found herself desiring to emulate them, and in twenty such ways this lady presented herself as a model. "I should like awfully to be so!" Isabel secretly exclaimed, more than once, as one after another of her friend's fine aspects caught the light, and before long she knew that she had learned a lesson from a high authority. It took no great time indeed for her to feel herself, as the phrase is, under an influence. "What's the harm," she wondered, "so long as it's a good one? The more one's under a good influence the better. The only thing is to see our steps as we take them--to understand them as we go. That, no doubt, I shall always do. I needn't be afraid of becoming too pliable; isn't it my fault that I'm not pliable enough?" It is said that imitation is the sincerest flattery; and if Isabel was sometimes moved to gape at her friend aspiringly and despairingly it was not so much because she desired herself to shine as because she wished to hold up the lamp for Madame Merle. She liked her extremely, but was even more dazzled than attracted. She sometimes asked herself what Henrietta Stackpole would say to her thinking so much of this perverted product of their common soil, and had a conviction that it would be severely judged. Henrietta would not at all subscribe to Madame Merle; for reasons she could not have defined this truth came home to the girl. On the other hand she was equally sure that, should the occasion offer, her new friend would strike off some happy view of her old: Madame Merle was too humorous, too observant, not to do justice to Henrietta, and on becoming acquainted with her would probably give the measure of a tact which Miss Stackpole couldn't hope to emulate. She appeared to have in her experience a touchstone for everything, and somewhere in the capacious pocket of her genial memory she would find the key to Henrietta's value. "That's the great thing," Isabel solemnly pondered; "that's the supreme good fortune: to be in a better position for appreciating people than they are for appreciating you." And she added that such, when one considered it, was simply the essence of the aristocratic situation. In this light, if in none other, one should aim at the aristocratic situation. I may not count over all the links in the chain which led Isabel to think of Madame Merle's situation as aristocratic--a view of it never expressed in any reference made to it by that lady herself. She had known great things and great people, but she had never played a great part. She was one of the small ones of the earth; she had not been born to honours; she knew the world too well to nourish fatuous illusions on the article of her own place in it. She had encountered many of the fortunate few and was perfectly aware of those points at which their fortune differed from hers. But if by her informed measure she was no figure for a high scene, she had yet to Isabel's imagination a sort of greatness. To be so cultivated and civilised, so wise and so easy, and still make so light of it--that was really to be a great lady, especially when one so carried and presented one's self. It was as if somehow she had all society under contribution, and all the arts and graces it practised--or was the effect rather that of charming uses found for her, even from a distance, subtle service rendered by her to a clamorous world wherever she might be? After breakfast she wrote a succession of letters, as those arriving for her appeared innumerable: her correspondence was a source of surprise to Isabel when they sometimes walked together to the village post-office to deposit Madame Merle's offering to the mail. She knew more people, as she told Isabel, than she knew what to do with, and something was always turning up to be written about. Of painting she was devotedly fond, and made no more of brushing in a sketch than of pulling off her gloves. At Gardencourt she was perpetually taking advantage of an hour's sunshine to go out with a camp-stool and a box of water-colours. That she was a brave musician we have already perceived, and it was evidence of the fact that when she seated herself at the piano, as she always did in the evening, her listeners resigned themselves without a murmur to losing the grace of her talk. Isabel, since she had known her, felt ashamed of her own facility, which she now looked upon as basely inferior; and indeed, though she had been thought rather a prodigy at home, the loss to society when, in taking her place upon the music-stool, she turned her back to the room, was usually deemed greater than the gain. When Madame Merle was neither writing, nor painting, nor touching the piano, she was usually employed upon wonderful tasks of rich embroidery, cushions, curtains, decorations for the chimneypiece; an art in which her bold, free invention was as noted as the agility of her needle. She was never idle, for when engaged in none of the ways I have mentioned she was either reading (she appeared to Isabel to read "everything important"), or walking out, or playing patience with the cards, or talking with her fellow inmates. And with all this she had always the social quality, was never rudely absent and yet never too seated. She laid down her pastimes as easily as she took them up; she worked and talked at the same time, and appeared to impute scant worth to anything she did. She gave away her sketches and tapestries; she rose from the piano or remained there, according to the convenience of her auditors, which she always unerringly divined. She was in short the most comfortable, profitable, amenable person to live with. If for Isabel she had a fault it was that she was not natural; by which the girl meant, not that she was either affected or pretentious, since from these vulgar vices no woman could have been more exempt, but that her nature had been too much overlaid by custom and her angles too much rubbed away. She had become too flexible, too useful, was too ripe and too final. She was in a word too perfectly the social animal that man and woman are supposed to have been intended to be; and she had rid herself of every remnant of that tonic wildness which we may assume to have belonged even to the most amiable persons in the ages before country-house life was the fashion. Isabel found it difficult to think of her in any detachment or privacy, she existed only in her relations, direct or indirect, with her fellow mortals. One might wonder what commerce she could possibly hold with her own spirit. One always ended, however, by feeling that a charming surface doesn't necessarily prove one superficial; this was an illusion in which, in one's youth, one had but just escaped being nourished. Madame Merle was not superficial--not she. She was deep, and her nature spoke none the less in her behaviour because it spoke a conventional tongue. "What's language at all but a convention?" said Isabel. "She has the good taste not to pretend, like some people I've met, to express herself by original signs." "I'm afraid you've suffered much," she once found occasion to say to her friend in response to some allusion that had appeared to reach far. "What makes you think that?" Madame Merle asked with the amused smile of a person seated at a game of guesses. "I hope I haven't too much the droop of the misunderstood." "No; but you sometimes say things that I think people who have always been happy wouldn't have found out." "I haven't always been happy," said Madame Merle, smiling still, but with a mock gravity, as if she were telling a child a secret. "Such a wonderful thing!" But Isabel rose to the irony. "A great many people give me the impression of never having for a moment felt anything." "It's very true; there are many more iron pots certainly than porcelain. But you may depend on it that every one bears some mark; even the hardest iron pots have a little bruise, a little hole somewhere. I flatter myself that I'm rather stout, but if I must tell you the truth I've been shockingly chipped and cracked. I do very well for service yet, because I've been cleverly mended; and I try to remain in the cupboard--the quiet, dusky cupboard where there's an odour of stale spices--as much as I can. But when I've to come out and into a strong light--then, my dear, I'm a horror!" I know not whether it was on this occasion or on some other that the conversation had taken the turn I have just indicated she said to Isabel that she would some day a tale unfold. Isabel assured her she should delight to listen to one, and reminded her more than once of this engagement. Madame Merle, however, begged repeatedly for a respite, and at last frankly told her young companion that they must wait till they knew each other better. This would be sure to happen, a long friendship so visibly lay before them. Isabel assented, but at the same time enquired if she mightn't be trusted--if she appeared capable of a betrayal of confidence. "It's not that I'm afraid of your repeating what I say," her fellow visitor answered; "I'm afraid, on the contrary, of your taking it too much to yourself. You'd judge me too harshly; you're of the cruel age." She preferred for the present to talk to Isabel of Isabel, and exhibited the greatest interest in our heroine's history, sentiments, opinions, prospects. She made her chatter and listened to her chatter with infinite good nature. This flattered and quickened the girl, who was struck with all the distinguished people her friend had known and with her having lived, as Mrs. Touchett said, in the best company in Europe. Isabel thought the better of herself for enjoying the favour of a person who had so large a field of comparison; and it was perhaps partly to gratify the sense of profiting by comparison that she often appealed to these stores of reminiscence. Madame Merle had been a dweller in many lands and had social ties in a dozen different countries. "I don't pretend to be educated," she would say, "but I think I know my Europe;" and she spoke one day of going to Sweden to stay with an old friend, and another of proceeding to Malta to follow up a new acquaintance. With England, where she had often dwelt, she was thoroughly familiar, and for Isabel's benefit threw a great deal of light upon the customs of the country and the character of the people, who "after all," as she was fond of saying, were the most convenient in the world to live with. "You mustn't think it strange her remaining here at such a time as this, when Mr. Touchett's passing away," that gentleman's wife remarked to her niece. "She is incapable of a mistake; she's the most tactful woman I know. It's a favour to me that she stays; she's putting off a lot of visits at great houses," said Mrs. Touchett, who never forgot that when she herself was in England her social value sank two or three degrees in the scale. "She has her pick of places; she's not in want of a shelter. But I've asked her to put in this time because I wish you to know her. I think it will be a good thing for you. Serena Merle hasn't a fault." "If I didn't already like her very much that description might alarm me," Isabel returned. "She's never the least little bit 'off.' I've brought you out here and I wish to do the best for you. Your sister Lily told me she hoped I would give you plenty of opportunities. I give you one in putting you in relation with Madame Merle. She's one of the most brilliant women in Europe." "I like her better than I like your description of her," Isabel persisted in saying. "Do you flatter yourself that you'll ever feel her open to criticism? I hope you'll let me know when you do." "That will be cruel--to you," said Isabel. "You needn't mind me. You won't discover a fault in her." "Perhaps not. But I dare say I shan't miss it." "She knows absolutely everything on earth there is to know," said Mrs. Touchett. Isabel after this observed to their companion that she hoped she knew Mrs. Touchett considered she hadn't a speck on her perfection. On which "I'm obliged to you," Madame Merle replied, "but I'm afraid your aunt imagines, or at least alludes to, no aberrations that the clock-face doesn't register." "So that you mean you've a wild side that's unknown to her?" "Ah no, I fear my darkest sides are my tamest. I mean that having no faults, for your aunt, means that one's never late for dinner--that is for her dinner. I was not late, by the way, the other day, when you came back from London; the clock was just at eight when I came into the drawing-room: it was the rest of you that were before the time. It means that one answers a letter the day one gets it and that when one comes to stay with her one doesn't bring too much luggage and is careful not to be taken ill. For Mrs. Touchett those things constitute virtue; it's a blessing to be able to reduce it to its elements." Madame Merle's own conversation, it will be perceived, was enriched with bold, free touches of criticism, which, even when they had a restrictive effect, never struck Isabel as ill-natured. It couldn't occur to the girl for instance that Mrs. Touchett's accomplished guest was abusing her; and this for very good reasons. In the first place Isabel rose eagerly to the sense of her shades; in the second Madame Merle implied that there was a great deal more to say; and it was clear in the third that for a person to speak to one without ceremony of one's near relations was an agreeable sign of that person's intimacy with one's self. These signs of deep communion multiplied as the days elapsed, and there was none of which Isabel was more sensible than of her companion's preference for making Miss Archer herself a topic. Though she referred frequently to the incidents of her own career she never lingered upon them; she was as little of a gross egotist as she was of a flat gossip. "I'm old and stale and faded," she said more than once; "I'm of no more interest than last week's newspaper. You're young and fresh and of to-day; you've the great thing--you've actuality. I once had it--we all have it for an hour. You, however, will have it for longer. Let us talk about you then; you can say nothing I shall not care to hear. It's a sign that I'm growing old--that I like to talk with younger people. I think it's a very pretty compensation. If we can't have youth within us we can have it outside, and I really think we see it and feel it better that way. Of course we must be in sympathy with it--that I shall always be. I don't know that I shall ever be ill-natured with old people--I hope not; there are certainly some old people I adore. But I shall never be anything but abject with the young; they touch me and appeal to me too much. I give you carte blanche then; you can even be impertinent if you like; I shall let it pass and horribly spoil you. I speak as if I were a hundred years old, you say? Well, I am, if you please; I was born before the French Revolution. Ah, my dear, je viens de loin; I belong to the old, old world. But it's not of that I want to talk; I want to talk about the new. You must tell me more about America; you never tell me enough. Here I've been since I was brought here as a helpless child, and it's ridiculous, or rather it's scandalous, how little I know about that splendid, dreadful, funny country--surely the greatest and drollest of them all. There are a great many of us like that in these parts, and I must say I think we're a wretched set of people. You should live in your own land; whatever it may be you have your natural place there. If we're not good Americans we're certainly poor Europeans; we've no natural place here. We're mere parasites, crawling over the surface; we haven't our feet in the soil. At least one can know it and not have illusions. A woman perhaps can get on; a woman, it seems to me, has no natural place anywhere; wherever she finds herself she has to remain on the surface and, more or less, to crawl. You protest, my dear? you're horrified? you declare you'll never crawl? It's very true that I don't see you crawling; you stand more upright than a good many poor creatures. Very good; on the whole, I don't think you'll crawl. But the men, the Americans; je vous demande un peu, what do they make of it over here? I don't envy them trying to arrange themselves. Look at poor Ralph Touchett: what sort of a figure do you call that? Fortunately he has a consumption; I say fortunately, because it gives him something to do. His consumption's his carriere it's a kind of position. You can say: 'Oh, Mr. Touchett, he takes care of his lungs, he knows a great deal about climates.' But without that who would he be, what would he represent? 'Mr. Ralph Touchett: an American who lives in Europe.' That signifies absolutely nothing--it's impossible anything should signify less. 'He's very cultivated,' they say: 'he has a very pretty collection of old snuff-boxes.' The collection is all that's wanted to make it pitiful. I'm tired of the sound of the word; I think it's grotesque. With the poor old father it's different; he has his identity, and it's rather a massive one. He represents a great financial house, and that, in our day, is as good as anything else. For an American, at any rate, that will do very well. But I persist in thinking your cousin very lucky to have a chronic malady so long as he doesn't die of it. It's much better than the snuffboxes. If he weren't ill, you say, he'd do something?--he'd take his father's place in the house. My poor child, I doubt it; I don't think he's at all fond of the house. However, you know him better than I, though I used to know him rather well, and he may have the benefit of the doubt. The worst case, I think, is a friend of mine, a countryman of ours, who lives in Italy (where he also was brought before he knew better), and who is one of the most delightful men I know. Some day you must know him. I'll bring you together and then you'll see what I mean. He's Gilbert Osmond--he lives in Italy; that's all one can say about him or make of him. He's exceedingly clever, a man made to be distinguished; but, as I tell you, you exhaust the description when you say he's Mr. Osmond who lives tout betement in Italy. No career, no name, no position, no fortune, no past, no future, no anything. Oh yes, he paints, if you please--paints in water-colours; like me, only better than I. His painting's pretty bad; on the whole I'm rather glad of that. Fortunately he's very indolent, so indolent that it amounts to a sort of position. He can say, 'Oh, I do nothing; I'm too deadly lazy. You can do nothing to-day unless you get up at five o'clock in the morning.' In that way he becomes a sort of exception; you feel he might do something if he'd only rise early. He never speaks of his painting to people at large; he's too clever for that. But he has a little girl--a dear little girl; he does speak of her. He's devoted to her, and if it were a career to be an excellent father he'd be very distinguished. But I'm afraid that's no better than the snuff-boxes; perhaps not even so good. Tell me what they do in America," pursued Madame Merle, who, it must be observed parenthetically, did not deliver herself all at once of these reflexions, which are presented in a cluster for the convenience of the reader. She talked of Florence, where Mr. Osmond lived and where Mrs. Touchett occupied a medieval palace; she talked of Rome, where she herself had a little pied-a-terre with some rather good old damask. She talked of places, of people and even, as the phrase is, of "subjects"; and from time to time she talked of their kind old host and of the prospect of his recovery. From the first she had thought this prospect small, and Isabel had been struck with the positive, discriminating, competent way in which she took the measure of his remainder of life. One evening she announced definitely that he wouldn't live. "Sir Matthew Hope told me so as plainly as was proper," she said; "standing there, near the fire, before dinner. He makes himself very agreeable, the great doctor. I don't mean his saying that has anything to do with it. But he says such things with great tact. I had told him I felt ill at my ease, staying here at such a time; it seemed to me so indiscreet--it wasn't as if I could nurse. 'You must remain, you must remain,' he answered; 'your office will come later.' Wasn't that a very delicate way of saying both that poor Mr. Touchett would go and that I might be of some use as a consoler? In fact, however, I shall not be of the slightest use. Your aunt will console herself; she, and she alone, knows just how much consolation she'll require. It would be a very delicate matter for another person to undertake to administer the dose. With your cousin it will be different; he'll miss his father immensely. But I should never presume to condole with Mr. Ralph; we're not on those terms." Madame Merle had alluded more than once to some undefined incongruity in her relations with Ralph Touchett; so Isabel took this occasion of asking her if they were not good friends. "Perfectly, but he doesn't like me." "What have you done to him?" "Nothing whatever. But one has no need of a reason for that." "For not liking you? I think one has need of a very good reason." "You're very kind. Be sure you have one ready for the day you begin." "Begin to dislike you? I shall never begin." "I hope not; because if you do you'll never end. That's the way with your cousin; he doesn't get over it. It's an antipathy of nature--if I can call it that when it's all on his side. I've nothing whatever against him and don't bear him the least little grudge for not doing me justice. Justice is all I want. However, one feels that he's a gentleman and would never say anything underhand about one. Cartes sur table," Madame Merle subjoined in a moment, "I'm not afraid of him." "I hope not indeed," said Isabel, who added something about his being the kindest creature living. She remembered, however, that on her first asking him about Madame Merle he had answered her in a manner which this lady might have thought injurious without being explicit. There was something between them, Isabel said to herself, but she said nothing more than this. If it were something of importance it should inspire respect; if it were not it was not worth her curiosity. With all her love of knowledge she had a natural shrinking from raising curtains and looking into unlighted corners. The love of knowledge coexisted in her mind with the finest capacity for ignorance. But Madame Merle sometimes said things that startled her, made her raise her clear eyebrows at the time and think of the words afterwards. "I'd give a great deal to be your age again," she broke out once with a bitterness which, though diluted in her customary amplitude of ease, was imperfectly disguised by it. "If I could only begin again--if I could have my life before me!" "Your life's before you yet," Isabel answered gently, for she was vaguely awe-struck. "No; the best part's gone, and gone for nothing." "Surely not for nothing," said Isabel. "Why not--what have I got? Neither husband, nor child, nor fortune, nor position, nor the traces of a beauty that I never had." "You have many friends, dear lady." "I'm not so sure!" cried Madame Merle. "Ah, you're wrong. You have memories, graces, talents--" But Madame Merle interrupted her. "What have my talents brought me? Nothing but the need of using them still, to get through the hours, the years, to cheat myself with some pretence of movement, of unconsciousness. As for my graces and memories the less said about them the better. You'll be my friend till you find a better use for your friendship." "It will be for you to see that I don't then," said Isabel. "Yes; I would make an effort to keep you." And her companion looked at her gravely. "When I say I should like to be your age I mean with your qualities--frank, generous, sincere like you. In that case I should have made something better of my life." "What should you have liked to do that you've not done?" Madame Merle took a sheet of music--she was seated at the piano and had abruptly wheeled about on the stool when she first spoke--and mechanically turned the leaves. "I'm very ambitious!" she at last replied. "And your ambitions have not been satisfied? They must have been great." "They WERE great. I should make myself ridiculous by talking of them." Isabel wondered what they could have been--whether Madame Merle had aspired to wear a crown. "I don't know what your idea of success may be, but you seem to me to have been successful. To me indeed you're a vivid image of success." Madame Merle tossed away the music with a smile. "What's YOUR idea of success?" "You evidently think it must be a very tame one. It's to see some dream of one's youth come true." "Ah," Madame Merle exclaimed, "that I've never seen! But my dreams were so great--so preposterous. Heaven forgive me, I'm dreaming now!" And she turned back to the piano and began grandly to play. On the morrow she said to Isabel that her definition of success had been very pretty, yet frightfully sad. Measured in that way, who had ever succeeded? The dreams of one's youth, why they were enchanting, they were divine! Who had ever seen such things come to pass? "I myself--a few of them," Isabel ventured to answer. "Already? They must have been dreams of yesterday." "I began to dream very young," Isabel smiled. "Ah, if you mean the aspirations of your childhood--that of having a pink sash and a doll that could close her eyes." "No, I don't mean that." "Or a young man with a fine moustache going down on his knees to you." "No, nor that either," Isabel declared with still more emphasis. Madame Merle appeared to note this eagerness. "I suspect that's what you do mean. We've all had the young man with the moustache. He's the inevitable young man; he doesn't count." Isabel was silent a little but then spoke with extreme and characteristic inconsequence. "Why shouldn't he count? There are young men and young men." "And yours was a paragon--is that what you mean?" asked her friend with a laugh. "If you've had the identical young man you dreamed of, then that was success, and I congratulate you with all my heart. Only in that case why didn't you fly with him to his castle in the Apennines?" "He has no castle in the Apennines." "What has he? An ugly brick house in Fortieth Street? Don't tell me that; I refuse to recognise that as an ideal." "I don't care anything about his house," said Isabel. "That's very crude of you. When you've lived as long as I you'll see that every human being has his shell and that you must take the shell into account. By the shell I mean the whole envelope of circumstances. There's no such thing as an isolated man or woman; we're each of us made up of some cluster of appurtenances. What shall we call our 'self'? Where does it begin? where does it end? It overflows into everything that belongs to us--and then it flows back again. I know a large part of myself is in the clothes I choose to wear. I've a great respect for THINGS! One's self--for other people--is one's expression of one's self; and one's house, one's furniture, one's garments, the books one reads, the company one keeps--these things are all expressive." This was very metaphysical; not more so, however, than several observations Madame Merle had already made. Isabel was fond of metaphysics, but was unable to accompany her friend into this bold analysis of the human personality. "I don't agree with you. I think just the other way. I don't know whether I succeed in expressing myself, but I know that nothing else expresses me. Nothing that belongs to me is any measure of me; everything's on the contrary a limit, a barrier, and a perfectly arbitrary one. Certainly the clothes which, as you say, I choose to wear, don't express me; and heaven forbid they should!" "You dress very well," Madame Merle lightly interposed. "Possibly; but I don't care to be judged by that. My clothes may express the dressmaker, but they don't express me. To begin with it's not my own choice that I wear them; they're imposed upon me by society." "Should you prefer to go without them?" Madame Merle enquired in a tone which virtually terminated the discussion. I am bound to confess, though it may cast some discredit on the sketch I have given of the youthful loyalty practised by our heroine toward this accomplished woman, that Isabel had said nothing whatever to her about Lord Warburton and had been equally reticent on the subject of Caspar Goodwood. She had not, however, concealed the fact that she had had opportunities of marrying and had even let her friend know of how advantageous a kind they had been. Lord Warburton had left Lockleigh and was gone to Scotland, taking his sisters with him; and though he had written to Ralph more than once to ask about Mr. Touchett's health the girl was not liable to the embarrassment of such enquiries as, had he still been in the neighbourhood, he would probably have felt bound to make in person. He had excellent ways, but she felt sure that if he had come to Gardencourt he would have seen Madame Merle, and that if he had seen her he would have liked her and betrayed to her that he was in love with her young friend. It so happened that during this lady's previous visits to Gardencourt--each of them much shorter than the present--he had either not been at Lockleigh or had not called at Mr. Touchett's. Therefore, though she knew him by name as the great man of that county, she had no cause to suspect him as a suitor of Mrs. Touchett's freshly-imported niece. "You've plenty of time," she had said to Isabel in return for the mutilated confidences which our young woman made her and which didn't pretend to be perfect, though we have seen that at moments the girl had compunctions at having said so much. "I'm glad you've done nothing yet--that you have it still to do. It's a very good thing for a girl to have refused a few good offers--so long of course as they are not the best she's likely to have. Pardon me if my tone seems horribly corrupt; one must take the worldly view sometimes. Only don't keep on refusing for the sake of refusing. It's a pleasant exercise of power; but accepting's after all an exercise of power as well. There's always the danger of refusing once too often. It was not the one I fell into--I didn't refuse often enough. You're an exquisite creature, and I should like to see you married to a prime minister. But speaking strictly, you know, you're not what is technically called a parti. You're extremely good-looking and extremely clever; in yourself you're quite exceptional. You appear to have the vaguest ideas about your earthly possessions; but from what I can make out you're not embarrassed with an income. I wish you had a little money." "I wish I had!" said Isabel, simply, apparently forgetting for the moment that her poverty had been a venial fault for two gallant gentlemen. In spite of Sir Matthew Hope's benevolent recommendation Madame Merle did not remain to the end, as the issue of poor Mr. Touchett's malady had now come frankly to be designated. She was under pledges to other people which had at last to be redeemed, and she left Gardencourt with the understanding that she should in any event see Mrs. Touchett there again, or else in town, before quitting England. Her parting with Isabel was even more like the beginning of a friendship than their meeting had been. "I'm going to six places in succession, but I shall see no one I like so well as you. They'll all be old friends, however; one doesn't make new friends at my age. I've made a great exception for you. You must remember that and must think as well of me as possible. You must reward me by believing in me." By way of answer Isabel kissed her, and, though some women kiss with facility, there are kisses and kisses, and this embrace was satisfactory to Madame Merle. Our young lady, after this, was much alone; she saw her aunt and cousin only at meals, and discovered that of the hours during which Mrs. Touchett was invisible only a minor portion was now devoted to nursing her husband. She spent the rest in her own apartments, to which access was not allowed even to her niece, apparently occupied there with mysterious and inscrutable exercises. At table she was grave and silent; but her solemnity was not an attitude--Isabel could see it was a conviction. She wondered if her aunt repented of having taken her own way so much; but there was no visible evidence of this--no tears, no sighs, no exaggeration of a zeal always to its own sense adequate. Mrs. Touchett seemed simply to feel the need of thinking things over and summing them up; she had a little moral account-book--with columns unerringly ruled and a sharp steel clasp--which she kept with exemplary neatness. Uttered reflection had with her ever, at any rate, a practical ring. "If I had foreseen this I'd not have proposed your coming abroad now," she said to Isabel after Madame Merle had left the house. "I'd have waited and sent for you next year." "So that perhaps I should never have known my uncle? It's a great happiness to me to have come now." "That's very well. But it was not that you might know your uncle that I brought you to Europe." A perfectly veracious speech; but, as Isabel thought, not as perfectly timed. She had leisure to think of this and other matters. She took a solitary walk every day and spent vague hours in turning over books in the library. Among the subjects that engaged her attention were the adventures of her friend Miss Stackpole, with whom she was in regular correspondence. Isabel liked her friend's private epistolary style better than her public; that is she felt her public letters would have been excellent if they had not been printed. Henrietta's career, however, was not so successful as might have been wished even in the interest of her private felicity; that view of the inner life of Great Britain which she was so eager to take appeared to dance before her like an ignis fatuus. The invitation from Lady Pensil, for mysterious reasons, had never arrived; and poor Mr. Bantling himself, with all his friendly ingenuity, had been unable to explain so grave a dereliction on the part of a missive that had obviously been sent. He had evidently taken Henrietta's affairs much to heart, and believed that he owed her a set-off to this illusory visit to Bedfordshire. "He says he should think I would go to the Continent," Henrietta wrote; "and as he thinks of going there himself I suppose his advice is sincere. He wants to know why I don't take a view of French life; and it's a fact that I want very much to see the new Republic. Mr. Bantling doesn't care much about the Republic, but he thinks of going over to Paris anyway. I must say he's quite as attentive as I could wish, and at least I shall have seen one polite Englishman. I keep telling Mr. Bantling that he ought to have been an American, and you should see how that pleases him. Whenever I say so he always breaks out with the same exclamation--'Ah, but really, come now!" A few days later she wrote that she had decided to go to Paris at the end of the week and that Mr. Bantling had promised to see her off--perhaps even would go as far as Dover with her. She would wait in Paris till Isabel should arrive, Henrietta added; speaking quite as if Isabel were to start on her continental journey alone and making no allusion to Mrs. Touchett. Bearing in mind his interest in their late companion, our heroine communicated several passages from this correspondence to Ralph, who followed with an emotion akin to suspense the career of the representative of the Interviewer. "It seems to me she's doing very well," he said, "going over to Paris with an ex-Lancer! If she wants something to write about she has only to describe that episode." "It's not conventional, certainly," Isabel answered; "but if you mean that--as far as Henrietta is concerned--it's not perfectly innocent, you're very much mistaken. You'll never understand Henrietta." "Pardon me, I understand her perfectly. I didn't at all at first, but now I've the point of view. I'm afraid, however, that Bantling hasn't; he may have some surprises. Oh, I understand Henrietta as well as if I had made her!" Isabel was by no means sure of this, but she abstained from expressing further doubt, for she was disposed in these days to extend a great charity to her cousin. One afternoon less than a week after Madame Merle's departure she was seated in the library with a volume to which her attention was not fastened. She had placed herself in a deep window-bench, from which she looked out into the dull, damp park; and as the library stood at right angles to the entrance-front of the house she could see the doctor's brougham, which had been waiting for the last two hours before the door. She was struck with his remaining so long, but at last she saw him appear in the portico, stand a moment slowly drawing on his gloves and looking at the knees of his horse, and then get into the vehicle and roll away. Isabel kept her place for half an hour; there was a great stillness in the house. It was so great that when she at last heard a soft, slow step on the deep carpet of the room she was almost startled by the sound. She turned quickly away from the window and saw Ralph Touchett standing there with his hands still in his pockets, but with a face absolutely void of its usual latent smile. She got up and her movement and glance were a question. "It's all over," said Ralph. "Do you mean that my uncle...?" And Isabel stopped. "My dear father died an hour ago." "Ah, my poor Ralph!" she gently wailed, putting out her two hands to him. Some fortnight after this Madame Merle drove up in a hansom cab to the house in Winchester Square. As she descended from her vehicle she observed, suspended between the dining-room windows, a large, neat, wooden tablet, on whose fresh black ground were inscribed in white paint the words--"This noble freehold mansion to be sold"; with the name of the agent to whom application should be made. "They certainly lose no time," said the visitor as, after sounding the big brass knocker, she waited to be admitted; "it's a practical country!" And within the house, as she ascended to the drawing-room, she perceived numerous signs of abdication; pictures removed from the walls and placed upon sofas, windows undraped and floors laid bare. Mrs. Touchett presently received her and intimated in a few words that condolences might be taken for granted. "I know what you're going to say--he was a very good man. But I know it better than any one, because I gave him more chance to show it. In that I think I was a good wife." Mrs. Touchett added that at the end her husband apparently recognised this fact. "He has treated me most liberally," she said; "I won't say more liberally than I expected, because I didn't expect. You know that as a general thing I don't expect. But he chose, I presume, to recognise the fact that though I lived much abroad and mingled--you may say freely--in foreign life, I never exhibited the smallest preference for any one else." "For any one but yourself," Madame Merle mentally observed; but the reflexion was perfectly inaudible. "I never sacrificed my husband to another," Mrs. Touchett continued with her stout curtness. "Oh no," thought Madame Merle; "you never did anything for another!" There was a certain cynicism in these mute comments which demands an explanation; the more so as they are not in accord either with the view--somewhat superficial perhaps--that we have hitherto enjoyed of Madame Merle's character or with the literal facts of Mrs. Touchett's history; the more so, too, as Madame Merle had a well-founded conviction that her friend's last remark was not in the least to be construed as a side-thrust at herself. The truth is that the moment she had crossed the threshold she received an impression that Mr. Touchett's death had had subtle consequences and that these consequences had been profitable to a little circle of persons among whom she was not numbered. Of course it was an event which would naturally have consequences; her imagination had more than once rested upon this fact during her stay at Gardencourt. But it had been one thing to foresee such a matter mentally and another to stand among its massive records. The idea of a distribution of property--she would almost have said of spoils--just now pressed upon her senses and irritated her with a sense of exclusion. I am far from wishing to picture her as one of the hungry mouths or envious hearts of the general herd, but we have already learned of her having desires that had never been satisfied. If she had been questioned, she would of course have admitted--with a fine proud smile--that she had not the faintest claim to a share in Mr. Touchett's relics. "There was never anything in the world between us," she would have said. "There was never that, poor man!"--with a fillip of her thumb and her third finger. I hasten to add, moreover, that if she couldn't at the present moment keep from quite perversely yearning she was careful not to betray herself. She had after all as much sympathy for Mrs. Touchett's gains as for her losses. "He has left me this house," the newly-made widow said; "but of course I shall not live in it; I've a much better one in Florence. The will was opened only three days since, but I've already offered the house for sale. I've also a share in the bank; but I don't yet understand if I'm obliged to leave it there. If not I shall certainly take it out. Ralph, of course, has Gardencourt; but I'm not sure that he'll have means to keep up the place. He's naturally left very well off, but his father has given away an immense deal of money; there are bequests to a string of third cousins in Vermont. Ralph, however, is very fond of Gardencourt and would be quite capable of living there--in summer--with a maid-of-all-work and a gardener's boy. There's one remarkable clause in my husband's will," Mrs. Touchett added. "He has left my niece a fortune." "A fortune!" Madame Merle softly repeated. "Isabel steps into something like seventy thousand pounds." Madame Merle's hands were clasped in her lap; at this she raised them, still clasped, and held them a moment against her bosom while her eyes, a little dilated, fixed themselves on those of her friend. "Ah," she cried, "the clever creature!" Mrs. Touchett gave her a quick look. "What do you mean by that?" For an instant Madame Merle's colour rose and she dropped her eyes. "It certainly is clever to achieve such results--without an effort!" "There assuredly was no effort. Don't call it an achievement." Madame Merle was seldom guilty of the awkwardness of retracting what she had said; her wisdom was shown rather in maintaining it and placing it in a favourable light. "My dear friend, Isabel would certainly not have had seventy thousand pounds left her if she had not been the most charming girl in the world. Her charm includes great cleverness." "She never dreamed, I'm sure, of my husband's doing anything for her; and I never dreamed of it either, for he never spoke to me of his intention," Mrs. Touchett said. "She had no claim upon him whatever; it was no great recommendation to him that she was my niece. Whatever she achieved she achieved unconsciously." "Ah," rejoined Madame Merle, "those are the greatest strokes!" Mrs. Touchett reserved her opinion. "The girl's fortunate; I don't deny that. But for the present she's simply stupefied." "Do you mean that she doesn't know what to do with the money?" "That, I think, she has hardly considered. She doesn't know what to think about the matter at all. It has been as if a big gun were suddenly fired off behind her; she's feeling herself to see if she be hurt. It's but three days since she received a visit from the principal executor, who came in person, very gallantly, to notify her. He told me afterwards that when he had made his little speech she suddenly burst into tears. The money's to remain in the affairs of the bank, and she's to draw the interest." Madame Merle shook her head with a wise and now quite benignant smile. "How very delicious! After she has done that two or three times she'll get used to it." Then after a silence, "What does your son think of it?" she abruptly asked. "He left England before the will was read--used up by his fatigue and anxiety and hurrying off to the south. He's on his way to the Riviera and I've not yet heard from him. But it's not likely he'll ever object to anything done by his father." "Didn't you say his own share had been cut down?" "Only at his wish. I know that he urged his father to do something for the people in America. He's not in the least addicted to looking after number one." "It depends upon whom he regards as number one!" said Madame Merle. And she remained thoughtful a moment, her eyes bent on the floor. "Am I not to see your happy niece?" she asked at last as she raised them. "You may see her; but you'll not be struck with her being happy. She has looked as solemn, these three days, as a Cimabue Madonna!" And Mrs. Touchett rang for a servant. Isabel came in shortly after the footman had been sent to call her; and Madame Merle thought, as she appeared, that Mrs. Touchett's comparison had its force. The girl was pale and grave--an effect not mitigated by her deeper mourning; but the smile of her brightest moments came into her face as she saw Madame Merle, who went forward, laid her hand on our heroine's shoulder and, after looking at her a moment, kissed her as if she were returning the kiss she had received from her at Gardencourt. This was the only allusion the visitor, in her great good taste, made for the present to her young friend's inheritance. Mrs. Touchett had no purpose of awaiting in London the sale of her house. After selecting from among its furniture the objects she wished to transport to her other abode, she left the rest of its contents to be disposed of by the auctioneer and took her departure for the Continent. She was of course accompanied on this journey by her niece, who now had plenty of leisure to measure and weigh and otherwise handle the windfall on which Madame Merle had covertly congratulated her. Isabel thought very often of the fact of her accession of means, looking at it in a dozen different lights; but we shall not now attempt to follow her train of thought or to explain exactly why her new consciousness was at first oppressive. This failure to rise to immediate joy was indeed but brief; the girl presently made up her mind that to be rich was a virtue because it was to be able to do, and that to do could only be sweet. It was the graceful contrary of the stupid side of weakness--especially the feminine variety. To be weak was, for a delicate young person, rather graceful, but, after all, as Isabel said to herself, there was a larger grace than that. Just now, it is true, there was not much to do--once she had sent off a cheque to Lily and another to poor Edith; but she was thankful for the quiet months which her mourning robes and her aunt's fresh widowhood compelled them to spend together. The acquisition of power made her serious; she scrutinised her power with a kind of tender ferocity, but was not eager to exercise it. She began to do so during a stay of some weeks which she eventually made with her aunt in Paris, though in ways that will inevitably present themselves as trivial. They were the ways most naturally imposed in a city in which the shops are the admiration of the world, and that were prescribed unreservedly by the guidance of Mrs. Touchett, who took a rigidly practical view of the transformation of her niece from a poor girl to a rich one. "Now that you're a young woman of fortune you must know how to play the part--I mean to play it well," she said to Isabel once for all; and she added that the girl's first duty was to have everything handsome. "You don't know how to take care of your things, but you must learn," she went on; this was Isabel's second duty. Isabel submitted, but for the present her imagination was not kindled; she longed for opportunities, but these were not the opportunities she meant. Mrs. Touchett rarely changed her plans, and, having intended before her husband's death to spend a part of the winter in Paris, saw no reason to deprive herself--still less to deprive her companion--of this advantage. Though they would live in great retirement she might still present her niece, informally, to the little circle of her fellow countrymen dwelling upon the skirts of the Champs Elysees. With many of these amiable colonists Mrs. Touchett was intimate; she shared their expatriation, their convictions, their pastimes, their ennui. Isabel saw them arrive with a good deal of assiduity at her aunt's hotel, and pronounced on them with a trenchancy doubtless to be accounted for by the temporary exaltation of her sense of human duty. She made up her mind that their lives were, though luxurious, inane, and incurred some disfavour by expressing this view on bright Sunday afternoons, when the American absentees were engaged in calling on each other. Though her listeners passed for people kept exemplarily genial by their cooks and dressmakers, two or three of them thought her cleverness, which was generally admitted, inferior to that of the new theatrical pieces. "You all live here this way, but what does it lead to?" she was pleased to ask. "It doesn't seem to lead to anything, and I should think you'd get very tired of it." Mrs. Touchett thought the question worthy of Henrietta Stackpole. The two ladies had found Henrietta in Paris, and Isabel constantly saw her; so that Mrs. Touchett had some reason for saying to herself that if her niece were not clever enough to originate almost anything, she might be suspected of having borrowed that style of remark from her journalistic friend. The first occasion on which Isabel had spoken was that of a visit paid by the two ladies to Mrs. Luce, an old friend of Mrs. Touchett's and the only person in Paris she now went to see. Mrs. Luce had been living in Paris since the days of Louis Philippe; she used to say jocosely that she was one of the generation of 1830--a joke of which the point was not always taken. When it failed Mrs. Luce used to explain--"Oh yes, I'm one of the romantics;" her French had never become quite perfect. She was always at home on Sunday afternoons and surrounded by sympathetic compatriots, usually the same. In fact she was at home at all times, and reproduced with wondrous truth in her well-cushioned little corner of the brilliant city, the domestic tone of her native Baltimore. This reduced Mr. Luce, her worthy husband, a tall, lean, grizzled, well-brushed gentleman who wore a gold eye-glass and carried his hat a little too much on the back of his head, to mere platonic praise of the "distractions" of Paris--they were his great word--since you would never have guessed from what cares he escaped to them. One of them was that he went every day to the American banker's, where he found a post-office that was almost as sociable and colloquial an institution as in an American country town. He passed an hour (in fine weather) in a chair in the Champs Elysees, and he dined uncommonly well at his own table, seated above a waxed floor which it was Mrs. Luce's happiness to believe had a finer polish than any other in the French capital. Occasionally he dined with a friend or two at the Cafe Anglais, where his talent for ordering a dinner was a source of felicity to his companions and an object of admiration even to the headwaiter of the establishment. These were his only known pastimes, but they had beguiled his hours for upwards of half a century, and they doubtless justified his frequent declaration that there was no place like Paris. In no other place, on these terms, could Mr. Luce flatter himself that he was enjoying life. There was nothing like Paris, but it must be confessed that Mr. Luce thought less highly of this scene of his dissipations than in earlier days. In the list of his resources his political reflections should not be omitted, for they were doubtless the animating principle of many hours that superficially seemed vacant. Like many of his fellow colonists Mr. Luce was a high--or rather a deep--conservative, and gave no countenance to the government lately established in France. He had no faith in its duration and would assure you from year to year that its end was close at hand. "They want to be kept down, sir, to be kept down; nothing but the strong hand--the iron heel--will do for them," he would frequently say of the French people; and his ideal of a fine showy clever rule was that of the superseded Empire. "Paris is much less attractive than in the days of the Emperor; HE knew how to make a city pleasant," Mr. Luce had often remarked to Mrs. Touchett, who was quite of his own way of thinking and wished to know what one had crossed that odious Atlantic for but to get away from republics. "Why, madam, sitting in the Champs Elysees, opposite to the Palace of Industry, I've seen the court-carriages from the Tuileries pass up and down as many as seven times a day. I remember one occasion when they went as high as nine. What do you see now? It's no use talking, the style's all gone. Napoleon knew what the French people want, and there'll be a dark cloud over Paris, our Paris, till they get the Empire back again." Among Mrs. Luce's visitors on Sunday afternoons was a young man with whom Isabel had had a good deal of conversation and whom she found full of valuable knowledge. Mr. Edward Rosier--Ned Rosier as he was called--was native to New York and had been brought up in Paris, living there under the eye of his father who, as it happened, had been an early and intimate friend of the late Mr. Archer. Edward Rosier remembered Isabel as a little girl; it had been his father who came to the rescue of the small Archers at the inn at Neufchatel (he was travelling that way with the boy and had stopped at the hotel by chance), after their bonne had gone off with the Russian prince and when Mr. Archer's whereabouts remained for some days a mystery. Isabel remembered perfectly the neat little male child whose hair smelt of a delicious cosmetic and who had a bonne all his own, warranted to lose sight of him under no provocation. Isabel took a walk with the pair beside the lake and thought little Edward as pretty as an angel--a comparison by no means conventional in her mind, for she had a very definite conception of a type of features which she supposed to be angelic and which her new friend perfectly illustrated. A small pink face surmounted by a blue velvet bonnet and set off by a stiff embroidered collar had become the countenance of her childish dreams; and she had firmly believed for some time afterwards that the heavenly hosts conversed among themselves in a queer little dialect of French-English, expressing the properest sentiments, as when Edward told her that he was "defended" by his bonne to go near the edge of the lake, and that one must always obey to one's bonne. Ned Rosier's English had improved; at least it exhibited in a less degree the French variation. His father was dead and his bonne dismissed, but the young man still conformed to the spirit of their teaching--he never went to the edge of the lake. There was still something agreeable to the nostrils about him and something not offensive to nobler organs. He was a very gentle and gracious youth, with what are called cultivated tastes--an acquaintance with old china, with good wine, with the bindings of books, with the Almanach de Gotha, with the best shops, the best hotels, the hours of railway-trains. He could order a dinner almost as well as Mr. Luce, and it was probable that as his experience accumulated he would be a worthy successor to that gentleman, whose rather grim politics he also advocated in a soft and innocent voice. He had some charming rooms in Paris, decorated with old Spanish altar-lace, the envy of his female friends, who declared that his chimney-piece was better draped than the high shoulders of many a duchess. He usually, however, spent a part of every winter at Pau, and had once passed a couple of months in the United States. He took a great interest in Isabel and remembered perfectly the walk at Neufchatel, when she would persist in going so near the edge. He seemed to recognise this same tendency in the subversive enquiry that I quoted a moment ago, and set himself to answer our heroine's question with greater urbanity than it perhaps deserved. "What does it lead to, Miss Archer? Why Paris leads everywhere. You can't go anywhere unless you come here first. Every one that comes to Europe has got to pass through. You don't mean it in that sense so much? You mean what good it does you? Well, how can you penetrate futurity? How can you tell what lies ahead? If it's a pleasant road I don't care where it leads. I like the road, Miss Archer; I like the dear old asphalte. You can't get tired of it--you can't if you try. You think you would, but you wouldn't; there's always something new and fresh. Take the Hotel Drouot, now; they sometimes have three and four sales a week. Where can you get such things as you can here? In spite of all they say I maintain they're cheaper too, if you know the right places. I know plenty of places, but I keep them to myself. I'll tell you, if you like, as a particular favour; only you mustn't tell any one else. Don't you go anywhere without asking me first; I want you to promise me that. As a general thing avoid the Boulevards; there's very little to be done on the Boulevards. Speaking conscientiously--sans blague--I don't believe any one knows Paris better than I. You and Mrs. Touchett must come and breakfast with me some day, and I'll show you my things; je ne vous dis que ca! There has been a great deal of talk about London of late; it's the fashion to cry up London. But there's nothing in it--you can't do anything in London. No Louis Quinze--nothing of the First Empire; nothing but their eternal Queen Anne. It's good for one's bed-room, Queen Anne--for one's washing-room; but it isn't proper for a salon. Do I spend my life at the auctioneer's?" Mr. Rosier pursued in answer to another question of Isabel's. "Oh no; I haven't the means. I wish I had. You think I'm a mere trifler; I can tell by the expression of your face--you've got a wonderfully expressive face. I hope you don't mind my saying that; I mean it as a kind of warning. You think I ought to do something, and so do I, so long as you leave it vague. But when you come to the point you see you have to stop. I can't go home and be a shopkeeper. You think I'm very well fitted? Ah, Miss Archer, you overrate me. I can buy very well, but I can't sell; you should see when I sometimes try to get rid of my things. It takes much more ability to make other people buy than to buy yourself. When I think how clever they must be, the people who make ME buy! Ah no; I couldn't be a shopkeeper. I can't be a doctor; it's a repulsive business. I can't be a clergyman; I haven't got convictions. And then I can't pronounce the names right in the Bible. They're very difficult, in the Old Testament particularly. I can't be a lawyer; I don't understand--how do you call it?--the American procedure. Is there anything else? There's nothing for a gentleman in America. I should like to be a diplomatist; but American diplomacy--that's not for gentlemen either. I'm sure if you had seen the last min--" Henrietta Stackpole, who was often with her friend when Mr. Rosier, coming to pay his compliments late in the afternoon, expressed himself after the fashion I have sketched, usually interrupted the young man at this point and read him a lecture on the duties of the American citizen. She thought him most unnatural; he was worse than poor Ralph Touchett. Henrietta, however, was at this time more than ever addicted to fine criticism, for her conscience had been freshly alarmed as regards Isabel. She had not congratulated this young lady on her augmentations and begged to be excused from doing so. "If Mr. Touchett had consulted me about leaving you the money," she frankly asserted, "I'd have said to him 'Never!" "I see," Isabel had answered. "You think it will prove a curse in disguise. Perhaps it will." "Leave it to some one you care less for--that's what I should have said." "To yourself for instance?" Isabel suggested jocosely. And then, "Do you really believe it will ruin me?" she asked in quite another tone. "I hope it won't ruin you; but it will certainly confirm your dangerous tendencies." "Do you mean the love of luxury--of extravagance?" "No, no," said Henrietta; "I mean your exposure on the moral side. I approve of luxury; I think we ought to be as elegant as possible. Look at the luxury of our western cities; I've seen nothing over here to compare with it. I hope you'll never become grossly sensual; but I'm not afraid of that. The peril for you is that you live too much in the world of your own dreams. You're not enough in contact with reality--with the toiling, striving, suffering, I may even say sinning, world that surrounds you. You're too fastidious; you've too many graceful illusions. Your newly-acquired thousands will shut you up more and more to the society of a few selfish and heartless people who will be interested in keeping them up." Isabel's eyes expanded as she gazed at this lurid scene. "What are my illusions?" she asked. "I try so hard not to have any." "Well," said Henrietta, "you think you can lead a romantic life, that you can live by pleasing yourself and pleasing others. You'll find you're mistaken. Whatever life you lead you must put your soul in it--to make any sort of success of it; and from the moment you do that it ceases to be romance, I assure you: it becomes grim reality! And you can't always please yourself; you must sometimes please other people. That, I admit, you're very ready to do; but there's another thing that's still more important--you must often displease others. You must always be ready for that--you must never shrink from it. That doesn't suit you at all--you're too fond of admiration, you like to be thought well of. You think we can escape disagreeable duties by taking romantic views--that's your great illusion, my dear. But we can't. You must be prepared on many occasions in life to please no one at all--not even yourself." Isabel shook her head sadly; she looked troubled and frightened. "This, for you, Henrietta," she said, "must be one of those occasions!" It was certainly true that Miss Stackpole, during her visit to Paris, which had been professionally more remunerative than her English sojourn, had not been living in the world of dreams. Mr. Bantling, who had now returned to England, was her companion for the first four weeks of her stay; and about Mr. Bantling there was nothing dreamy. Isabel learned from her friend that the two had led a life of great personal intimacy and that this had been a peculiar advantage to Henrietta, owing to the gentleman's remarkable knowledge of Paris. He had explained everything, shown her everything, been her constant guide and interpreter. They had breakfasted together, dined together, gone to the theatre together, supped together, really in a manner quite lived together. He was a true friend, Henrietta more than once assured our heroine; and she had never supposed that she could like any Englishman so well. Isabel could not have told you why, but she found something that ministered to mirth in the alliance the correspondent of the Interviewer had struck with Lady Pensil's brother; her amusement moreover subsisted in face of the fact that she thought it a credit to each of them. Isabel couldn't rid herself of a suspicion that they were playing somehow at cross-purposes--that the simplicity of each had been entrapped. But this simplicity was on either side none the less honourable. It was as graceful on Henrietta's part to believe that Mr. Bantling took an interest in the diffusion of lively journalism and in consolidating the position of lady-correspondents as it was on the part of his companion to suppose that the cause of the Interviewer--a periodical of which he never formed a very definite conception--was, if subtly analysed (a task to which Mr. Bantling felt himself quite equal), but the cause of Miss Stackpole's need of demonstrative affection. Each of these groping celibates supplied at any rate a want of which the other was impatiently conscious. Mr. Bantling, who was of rather a slow and a discursive habit, relished a prompt, keen, positive woman, who charmed him by the influence of a shining, challenging eye and a kind of bandbox freshness, and who kindled a perception of raciness in a mind to which the usual fare of life seemed unsalted. Henrietta, on the other hand, enjoyed the society of a gentleman who appeared somehow, in his way, made, by expensive, roundabout, almost "quaint" processes, for her use, and whose leisured state, though generally indefensible, was a decided boon to a breathless mate, and who was furnished with an easy, traditional, though by no means exhaustive, answer to almost any social or practical question that could come up. She often found Mr. Bantling's answers very convenient, and in the press of catching the American post would largely and showily address them to publicity. It was to be feared that she was indeed drifting toward those abysses of sophistication as to which Isabel, wishing for a good-humoured retort, had warned her. There might be danger in store for Isabel; but it was scarcely to be hoped that Miss Stackpole, on her side, would find permanent rest in any adoption of the views of a class pledged to all the old abuses. Isabel continued to warn her good-humouredly; Lady Pensil's obliging brother was sometimes, on our heroine's lips, an object of irreverent and facetious allusion. Nothing, however, could exceed Henrietta's amiability on this point; she used to abound in the sense of Isabel's irony and to enumerate with elation the hours she had spent with this perfect man of the world--a term that had ceased to make with her, as previously, for opprobrium. Then, a few moments later, she would forget that they had been talking jocosely and would mention with impulsive earnestness some expedition she had enjoyed in his company. She would say: "Oh, I know all about Versailles; I went there with Mr. Bantling. I was bound to see it thoroughly--I warned him when we went out there that I was thorough: so we spent three days at the hotel and wandered all over the place. It was lovely weather--a kind of Indian summer, only not so good. We just lived in that park. Oh yes; you can't tell me anything about Versailles." Henrietta appeared to have made arrangements to meet her gallant friend during the spring in Italy. Mrs. Touchett, before arriving in Paris, had fixed the day for her departure and by the middle of February had begun to travel southward. She interrupted her journey to pay a visit to her son, who at San Remo, on the Italian shore of the Mediterranean, had been spending a dull, bright winter beneath a slow-moving white umbrella. Isabel went with her aunt as a matter of course, though Mrs. Touchett, with homely, customary logic, had laid before her a pair of alternatives. "Now, of course, you're completely your own mistress and are as free as the bird on the bough. I don't mean you were not so before, but you're at present on a different footing--property erects a kind of barrier. You can do a great many things if you're rich which would be severely criticised if you were poor. You can go and come, you can travel alone, you can have your own establishment: I mean of course if you'll take a companion--some decayed gentlewoman, with a darned cashmere and dyed hair, who paints on velvet. You don't think you'd like that? Of course you can do as you please; I only want you to understand how much you're at liberty. You might take Miss Stackpole as your dame de compagnie; she'd keep people off very well. I think, however, that it's a great deal better you should remain with me, in spite of there being no obligation. It's better for several reasons, quite apart from your liking it. I shouldn't think you'd like it, but I recommend you to make the sacrifice. Of course whatever novelty there may have been at first in my society has quite passed away, and you see me as I am--a dull, obstinate, narrow-minded old woman." "I don't think you're at all dull," Isabel had replied to this. "But you do think I'm obstinate and narrow-minded? I told you so!" said Mrs. Touchett with much elation at being justified. Isabel remained for the present with her aunt, because, in spite of eccentric impulses, she had a great regard for what was usually deemed decent, and a young gentlewoman without visible relations had always struck her as a flower without foliage. It was true that Mrs. Touchett's conversation had never again appeared so brilliant as that first afternoon in Albany, when she sat in her damp waterproof and sketched the opportunities that Europe would offer to a young person of taste. This, however, was in a great measure the girl's own fault; she had got a glimpse of her aunt's experience, and her imagination constantly anticipated the judgements and emotions of a woman who had very little of the same faculty. Apart from this, Mrs. Touchett had a great merit; she was as honest as a pair of compasses. There was a comfort in her stiffness and firmness; you knew exactly where to find her and were never liable to chance encounters and concussions. On her own ground she was perfectly present, but was never over-inquisitive as regards the territory of her neighbour. Isabel came at last to have a kind of undemonstrable pity for her; there seemed something so dreary in the condition of a person whose nature had, as it were, so little surface--offered so limited a face to the accretions of human contact. Nothing tender, nothing sympathetic, had ever had a chance to fasten upon it--no wind-sown blossom, no familiar softening moss. Her offered, her passive extent, in other words, was about that of a knife-edge. Isabel had reason to believe none the less that as she advanced in life she made more of those concessions to the sense of something obscurely distinct from convenience--more of them than she independently exacted. She was learning to sacrifice consistency to considerations of that inferior order for which the excuse must be found in the particular case. It was not to the credit of her absolute rectitude that she should have gone the longest way round to Florence in order to spend a few weeks with her invalid son; since in former years it had been one of her most definite convictions that when Ralph wished to see her he was at liberty to remember that Palazzo Crescentini contained a large apartment known as the quarter of the signorino. "I want to ask you something," Isabel said to this young man the day after her arrival at San Remo--"something I've thought more than once of asking you by letter, but that I've hesitated on the whole to write about. Face to face, nevertheless, my question seems easy enough. Did you know your father intended to leave me so much money?" Ralph stretched his legs a little further than usual and gazed a little more fixedly at the Mediterranean. "What does it matter, my dear Isabel, whether I knew? My father was very obstinate." "So," said the girl, "you did know." "Yes; he told me. We even talked it over a little." "What did he do it for?" asked Isabel abruptly. "Why, as a kind of compliment." "A compliment on what?" "On your so beautifully existing." "He liked me too much," she presently declared. "That's a way we all have." "If I believed that I should be very unhappy. Fortunately I don't believe it. I want to be treated with justice; I want nothing but that." "Very good. But you must remember that justice to a lovely being is after all a florid sort of sentiment." "I'm not a lovely being. How can you say that, at the very moment when I'm asking such odious questions? I must seem to you delicate!" "You seem to me troubled," said Ralph. "I am troubled." "About what?" For a moment she answered nothing; then she broke out: "Do you think it good for me suddenly to be made so rich? Henrietta doesn't." "Oh, hang Henrietta!" said Ralph coarsely, "If you ask me I'm delighted at it." "Is that why your father did it--for your amusement?" "I differ with Miss Stackpole," Ralph went on more gravely. "I think it very good for you to have means." Isabel looked at him with serious eyes. "I wonder whether you know what's good for me--or whether you care." "If I know depend upon it I care. Shall I tell you what it is? Not to torment yourself." "Not to torment you, I suppose you mean." "You can't do that; I'm proof. Take things more easily. Don't ask yourself so much whether this or that is good for you. Don't question your conscience so much--it will get out of tune like a strummed piano. Keep it for great occasions. Don't try so much to form your character--it's like trying to pull open a tight, tender young rose. Live as you like best, and your character will take care of itself. Most things are good for you; the exceptions are very rare, and a comfortable income's not one of them." Ralph paused, smiling; Isabel had listened quickly. "You've too much power of thought--above all too much conscience," Ralph added. "It's out of all reason, the number of things you think wrong. Put back your watch. Diet your fever. Spread your wings; rise above the ground. It's never wrong to do that." She had listened eagerly, as I say; and it was her nature to understand quickly. "I wonder if you appreciate what you say. If you do, you take a great responsibility." "You frighten me a little, but I think I'm right," said Ralph, persisting in cheer. "All the same what you say is very true," Isabel pursued. "You could say nothing more true. I'm absorbed in myself--I look at life too much as a doctor's prescription. Why indeed should we perpetually be thinking whether things are good for us, as if we were patients lying in a hospital? Why should I be so afraid of not doing right? As if it mattered to the world whether I do right or wrong!" "You're a capital person to advise," said Ralph; "you take the wind out of my sails!" She looked at him as if she had not heard him--though she was following out the train of reflexion which he himself had kindled. "I try to care more about the world than about myself--but I always come back to myself. It's because I'm afraid." She stopped; her voice had trembled a little. "Yes, I'm afraid; I can't tell you. A large fortune means freedom, and I'm afraid of that. It's such a fine thing, and one should make such a good use of it. If one shouldn't one would be ashamed. And one must keep thinking; it's a constant effort. I'm not sure it's not a greater happiness to be powerless." "For weak people I've no doubt it's a greater happiness. For weak people the effort not to be contemptible must be great." "And how do you know I'm not weak?" Isabel asked. "Ah," Ralph answered with a flush that the girl noticed, "if you are I'm awfully sold!" The charm of the Mediterranean coast only deepened for our heroine on acquaintance, for it was the threshold of Italy, the gate of admirations. Italy, as yet imperfectly seen and felt, stretched before her as a land of promise, a land in which a love of the beautiful might be comforted by endless knowledge. Whenever she strolled upon the shore with her cousin--and she was the companion of his daily walk--she looked across the sea, with longing eyes, to where she knew that Genoa lay. She was glad to pause, however, on the edge of this larger adventure; there was such a thrill even in the preliminary hovering. It affected her moreover as a peaceful interlude, as a hush of the drum and fife in a career which she had little warrant as yet for regarding as agitated, but which nevertheless she was constantly picturing to herself by the light of her hopes, her fears, her fancies, her ambitions, her predilections, and which reflected these subjective accidents in a manner sufficiently dramatic. Madame Merle had predicted to Mrs. Touchett that after their young friend had put her hand into her pocket half a dozen times she would be reconciled to the idea that it had been filled by a munificent uncle; and the event justified, as it had so often justified before, that lady's perspicacity. Ralph Touchett had praised his cousin for being morally inflammable, that is for being quick to take a hint that was meant as good advice. His advice had perhaps helped the matter; she had at any rate before leaving San Remo grown used to feeling rich. The consciousness in question found a proper place in rather a dense little group of ideas that she had about herself, and often it was by no means the least agreeable. It took perpetually for granted a thousand good intentions. She lost herself in a maze of visions; the fine things to be done by a rich, independent, generous girl who took a large human view of occasions and obligations were sublime in the mass. Her fortune therefore became to her mind a part of her better self; it gave her importance, gave her even, to her own imagination, a certain ideal beauty. What it did for her in the imagination of others is another affair, and on this point we must also touch in time. The visions I have just spoken of were mixed with other debates. Isabel liked better to think of the future than of the past; but at times, as she listened to the murmur of the Mediterranean waves, her glance took a backward flight. It rested upon two figures which, in spite of increasing distance, were still sufficiently salient; they were recognisable without difficulty as those of Caspar Goodwood and Lord Warburton. It was strange how quickly these images of energy had fallen into the background of our young lady's life. It was in her disposition at all times to lose faith in the reality of absent things; she could summon back her faith, in case of need, with an effort, but the effort was often painful even when the reality had been pleasant. The past was apt to look dead and its revival rather to show the livid light of a judgement-day. The girl moreover was not prone to take for granted that she herself lived in the mind of others--she had not the fatuity to believe she left indelible traces. She was capable of being wounded by the discovery that she had been forgotten; but of all liberties the one she herself found sweetest was the liberty to forget. She had not given her last shilling, sentimentally speaking, either to Caspar Goodwood or to Lord Warburton, and yet couldn't but feel them appreciably in debt to her. She had of course reminded herself that she was to hear from Mr. Goodwood again; but this was not to be for another year and a half, and in that time a great many things might happen. She had indeed failed to say to herself that her American suitor might find some other girl more comfortable to woo; because, though it was certain many other girls would prove so, she had not the smallest belief that this merit would attract him. But she reflected that she herself might know the humiliation of change, might really, for that matter, come to the end of the things that were not Caspar (even though there appeared so many of them), and find rest in those very elements of his presence which struck her now as impediments to the finer respiration. It was conceivable that these impediments should some day prove a sort of blessing in disguise--a clear and quiet harbour enclosed by a brave granite breakwater. But that day could only come in its order, and she couldn't wait for it with folded hands. That Lord Warburton should continue to cherish her image seemed to her more than a noble humility or an enlightened pride ought to wish to reckon with. She had so definitely undertaken to preserve no record of what had passed between them that a corresponding effort on his own part would be eminently just. This was not, as it may seem, merely a theory tinged with sarcasm. Isabel candidly believed that his lordship would, in the usual phrase, get over his disappointment. He had been deeply affected--this she believed, and she was still capable of deriving pleasure from the belief; but it was absurd that a man both so intelligent and so honourably dealt with should cultivate a scar out of proportion to any wound. Englishmen liked moreover to be comfortable, said Isabel, and there could be little comfort for Lord Warburton, in the long run, in brooding over a self-sufficient American girl who had been but a casual acquaintance. She flattered herself that, should she hear from one day to another that he had married some young woman of his own country who had done more to deserve him, she should receive the news without a pang even of surprise. It would have proved that he believed she was firm--which was what she wished to seem to him. That alone was grateful to her pride.

Chapters 19-21

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-19-21

Isabel forms a friendship with Madame Merle, finding her a model worthy of admiration. She observes that Madame Merle was once a woman of great passion, but no longer is -- she has had much experience in her life. Yet Isabel finds it difficult to think of Madame Merle as an individual, in detachment from others and in a private state of being. She sees Madame Merle as existing only through her relations to others. She notes that Merle has a charming surface, but that does not necessarily make her superficial. Isabel notes that Merle speaks in a conventional tongue, but she asks herself: "What's language at all but a convention? She has the good taste not to pretend, like some people I've met, to express herself by original signs" . Isabel theorizes that someone or something must have once hurt Madame Merle, and Madame Merle responds that she will tell her a story one day about her life. Merle believes that Americans have no natural place in European society, and they are forced to crawl. She notes that Ralph Touchett is recognized solely through his title as an American in Europe, and that he is simply idle. She says that the worst case she knows of is her friend, Gilbert Osmond, a delightful man who is entirely indolent. He is devoted to his daughter, but does nothing else, and has no ambition to do anything else. Merle mentions that it is perhaps inappropriate that she is staying on in the house when Mr. Touchett is so sick, but declares that the doctor believes she will offer some solace to the family. Merle does not believe she can console Ralph, as he does not like her. Isabel suspects that there is something else between Merle and Ralph, but she does not to be nosy. So the narrator informs us, "The love of knowledge co-existed in her mind with the finest capacity for ignorance" . Madame Merle mourns not having done something better with her life. She may be talented, but she has no real use for these talents. She wishes that she had Isabel's qualities, of being frank, generous, and sincere. Isabel sees Merle as an image of success, the dream of one's youth come true, whereas Merle seems to think she has failed in her own ambitions. Merle asks what Isabel's own image looks like, joking that it is a young man with a mustache with a castle in the Apennines. Isabel notes that she would not care about a house. Merle responds, "That's very crude of you. When you've lived as long as I have you'll see that every human being has his shell and that you must take the shell into account. By the shell I mean the whole envelope of circumstances. There's no such thing as an isolated man or woman; we're each of us made up of some cluster of appurtenances. What shall we call our 'self'? Where does it begin? Where does it end? It overflows into everything that belongs to us--and then it flows back again. I know a large part of myself is in the clothes I choose to wear. I've a great respect for things! One's self--for other people--is one's expression of one's self; and one's house, one's furniture, one's garments, the books one reads, the company one keeps--there things are all expressive" . Isabel protests that while she may not know if she can express herself, she does know that nothing else expresses her . All the appurtenances are merely barriers to her self. Merle jokes that she might prefer to go without clothing. Isabel lets on that she has refused offers of marriage. Madame Merle tells her that it may be a pleasant exercise in power, but that she ought not to keep on refusing. She then wishes that Isabel had some money of her own. Isabel wishes as well that she did. Madame Merle leaves the house before Mr. Touchett dies, but then returns after he has passed away. She learns from Mrs. Touchett that Isabel has inherited a fortune, and suggests that Isabel is a "clever" creature, to which Mrs. Touchett takes offense. Isabel, upon learning of her inheritance, feels gloomy. Isabel then departs for Paris, where she meets a circle of people who seem incredibly wasteful, living in luxury. She meets a childhood friend, Ned Rosier, who seems to be living this sort of luxurious life. Henrietta is also in Paris, and worries that Isabel has inherited so much money because it will allow her imagination to run free without her having to take in the reality of things, to meet with any hardships. Chapter 21 Isabel goes to Italy to meet up with her aunt. Ralph is also with Mrs. Touchett. In a conversation with Ralph, Isabel asks Ralph if his father granted her so much money purely for Ralph's amusement. He avoids this question and gravely returns that the money will give her freedom, and that she ought not worry so much about the morality of it. She need only allow her character to develop freely. Isabel takes this advice to heart. Perhaps, she thinks, she ought not be so worried about whether something is good for her, that she should not be so afraid of doing right or wrong. Isabel then thinks aloud with Ralph in her presence that perhaps she is merely afraid - she tries to care more about the world than herself, but she always seems to come back to herself. She recognizes that a large fortune means freedom. She then begins to see Italy as a land of promise. She considers being with the Touchetts as a kind of preliminary hovering, as a peaceful interlude, which allows her to reflect on her hopes and fears, her ambitions and predilections. She gradually grows accustomed to feeling rich. She allows herself to dream big, to consider the many occasions and obligations that she can have as a rich person. The narrator declares that her fortune becomes a part of her mind, a part of her better self. However, sometimes Isabel's visions take her back to Caspar and Warburton. While it is more often her habit to lose faith in the reality of absent things, she could sometimes be reminded of these painful realities, as if they were dead things suddenly come to life in her mind. She does not imagine, though, that others think of her in the same way. She does have a foreboding feeling though that she might come to know the humiliation of finally giving into Caspar's will. She fears that she will come to find it restful to be with him.

Isabel's admiration of Madame Merle is significant because Merle seems to be a realization of Isabel's own vague ideas, while also being a direct contradiction to them. Isabel thinks Merle is successful - she is independent, can go where she wants, and has obviously tasted of the cup of experience. There is a hint however that Merle has a darker past, and that such experience has left her cold. It is notable how impeccably Merle presents herself, but how essentially useless and empty she seems to feel. There is some speculation that she is not superficial, especially on the part of Isabel, but she does not seem to claim to be anything but superficial. She cares about being seen well in society, because a person for her consists only in their "appurtenances." Isabel idealistically asserts that there is some substance to a person aside from their appearance in society, but she fails to express what this elusive something is. Again, there is a disparity between the essence of an identity and the means she has to express it. She can only seem to express her own originality negatively. What makes a person original, when the only means a person has to express this originality are conventional? Money is a significant theme lurking behind the psychological motivations of characters in this novel. It is also an agent for action of the novel, even though it is disguised as merely an aid to the imagination. While Isabel claims that money and other superficial displays of wealth are unimportant to her, she does finally recognize that having money might give her the freedom to express her own original ideas. She wants to proclaim an idea that only uses the help of money to express itself. We might compare this to Henry James' situation as a writer in a quickly developing scene of the commodification of literature. As Michael Anesko has pointed out , James was very much aware of the changing marketplace for fiction, and being a financial success was important for him. He was very savvy in the way he was published and was able to make quite a bit of money from his works. However, he is very much known as a writer developed to the aesthetics and morality of fiction, to loftier goals than mere financial profit. The reference to money in The Portrait of a Lady, and its situation as an agent in the affairs of its characters, might show a more skeptical view on the part of Henry James of one's ability to divorce the financial aspect of something from the artistic aspect of it.

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The Portrait of a Lady.chapter 22

chapter 22

{"name": "Chapter 22", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-22-23", "summary": "Six months after Mr. Touchett's death, we are told about an exchange between Madame Merle and her friend Gilbert Osmond. Gilbert Osmond lives in his own house in Florence. The house is described as a \"face\" that seems to have heavy lids, but no eyes. It windows are described as defying the world to look inside, rather than being communicative. Inside, there is much padded furniture, tapestries, watercolor paintings, a gentleman named Gilbert Osmond, his daughter Pansy, and two nuns. Gilbert Osmond is described as having a studied look, with intelligent and observant eyes. His appearance suggests a \"fine gold coin\" but one that is not in the \"general circulation\". The child, Pansy, is studying a painting done by her father. The nuns report on the girl's education, describing the languages she has been exposed to, the drawing teacher, the sports she engages in, and so forth. He asks what they have made of her, and they respond that they have made her a Christian, and a \"charming young lady\" in whom there will be nothing but \"contentment\". Little Pansy is described as being perfect and very much loved by the sisters of the convent. She is 15 years old. Madame Merle arrives as the nuns are leaving to go back to Rome. Merle has apparently gone to see Pansy at the convent before, and will give some counsel as to how long Pansy will be educated in the convent. When the nuns leave, Osmond suggests that they send Pansy out while they discuss whether or not she will stay in the convent. Madame Merle says that they do not need to because the subject of their conversation will be something that Pansy does not understand. At the same time that Madame Merle brings up what is on her mind, Osmond notes that she is always doing things for her friends. Madame Merle declares that she cares greatly for her own self. Osmond retorts, \"Exactly; but yourself includes so many other selves--so much of everyone else and of everything. I never knew a person whose life touched so many others. Madame Merle retorts: \"What do you call one's life. They end up sending Pansy away after this exchange. Madame Merle tells Osmond that she will introduce him to Isabel. She tells him that he will \"profit\" by her knowledge of Isabel. Osmond asks if he will indeed \"profit\". He asks if Isabel is \"beautiful, clever, rich, splendid, universally intelligent, and unprecedentedly virtuous\" , saying that he will only meet with her if that is the case. Madame Merle responds that Isabel is all of the above. He asks Merle what he means to \"do\" with Isabel. Madame Merle tells him that she will merely put Isabel in his way. I don't pretend to know what people are meant for,\" she says, \"I only know what I can do with them\". Osmond expresses sympathy for Isabel. He then compliments Merle for looking well; he knows that she has some \"idea\" and that it looks rather becoming on her. For once, Madame Merle loses her self-possession, and the two have a moment of looking each other face to face at an equal level. They both see it as an inconvenient to be known, but because it is mutual they are willing to accept this situation. Merle wishes to Osmond that he were not so heartless. She takes a look at Osmond's picture and notes that she does not care for it. He believes his drawings are better than others'. Merle wishes he had had other ambitions, and he says that this is impossible. Merle compliments him on the taste in his well-furnished rooms. Osmond asks once again if Miss Archer is rich, and Merle lets him know the exact number: she has seventy thousand pounds. Merle tells him that she wishes him to marry Isabel. Osmond says he does not understand her ambitions. Merle notes that Pansy has had enough of the convent. She also remarks that Pansy does not seem to like her, even though the child is as \"pure as a pearl\"", "analysis": "Gilbert Osmond is described as an aesthete. He has impeccable taste, but there seems to be something substantially lacking in him. His house is described in very sinister terms: it is a surface, just a \"face\" that bars communication with the outside. The architecture and style of his house is a symbol of Osmond's own personality. He is superficial and heartless, but appears to be very cultured. His relationship to his daughter is somewhat odd, because the daughter seems to admire him very much, even though he is not a very warm person. James' description of Osmond as a \"coin\" that is not in the general circulation is a hint at Osmond's own relation to commodities: he is a selfish hoarder, and has no interest in the communicative aspects of style. The conversation between Merle and Osmond suggests a very intimate nature of their relationship, although why exactly this is the case is left obscure. They seem to be antagonistic in some respects, exchanging insults, but they are also very forthright with each other. They seem to both know each other too intimately, and the suggestion is that they typically do not allow others to have true knowledge of their character. It is unclear why Merle would want Isabel to marry Osmond, since she thinks highly of Isabel and she thinks Osmond is heartless. There is something sinister about Merle's dealings, especially because she declares that she does not know what Isabel is good for, but she only knows what she can \"do with them.\" She makes it sound as if she will use Isabel for some purpose of her own, but we do not know how her plan of getting Isabel and Osmond to marry will benefit her. Isabel is uncharacteristically silent and un-opinionated when she meets Osmond. She is more interested in gaining an accurate impression of him than of forming her own opinion of him -- this seems to be the exact opposite of her usual approach to people. This foreshadows to us that Osmond will be perceived differently than all her other suitors. Why though, is Isabel so reticent when she meets him? Ralph insinuates that Isabel's abundance of second-hand knowledge on his character is the reason she is so interested in him. It seems that Madame Merle has exploited Isabel's imaginative possibilities: the more Isabel thinks she \"knows\" the less she is able to experience for herself. This brings up an interesting theme that Henry James treats in other of his novels: What is the relationship between knowledge and experience? Does having knowledge of something prejudice us towards the way we experience it? Can one have an experience without having knowledge or prejudice about that thing? His short novel, What Maisie Knew, is one of his more extended explorations of this theme."}

On one of the first days of May, some six months after old Mr. Touchett's death, a small group that might have been described by a painter as composing well was gathered in one of the many rooms of an ancient villa crowning an olive-muffled hill outside of the Roman gate of Florence. The villa was a long, rather blank-looking structure, with the far-projecting roof which Tuscany loves and which, on the hills that encircle Florence, when considered from a distance, makes so harmonious a rectangle with the straight, dark, definite cypresses that usually rise in groups of three or four beside it. The house had a front upon a little grassy, empty, rural piazza which occupied a part of the hill-top; and this front, pierced with a few windows in irregular relations and furnished with a stone bench lengthily adjusted to the base of the structure and useful as a lounging-place to one or two persons wearing more or less of that air of undervalued merit which in Italy, for some reason or other, always gracefully invests any one who confidently assumes a perfectly passive attitude--this antique, solid, weather-worn, yet imposing front had a somewhat incommunicative character. It was the mask, not the face of the house. It had heavy lids, but no eyes; the house in reality looked another way--looked off behind, into splendid openness and the range of the afternoon light. In that quarter the villa overhung the slope of its hill and the long valley of the Arno, hazy with Italian colour. It had a narrow garden, in the manner of a terrace, productive chiefly of tangles of wild roses and other old stone benches, mossy and sun-warmed. The parapet of the terrace was just the height to lean upon, and beneath it the ground declined into the vagueness of olive-crops and vineyards. It is not, however, with the outside of the place that we are concerned; on this bright morning of ripened spring its tenants had reason to prefer the shady side of the wall. The windows of the ground-floor, as you saw them from the piazza, were, in their noble proportions, extremely architectural; but their function seemed less to offer communication with the world than to defy the world to look in. They were massively cross-barred, and placed at such a height that curiosity, even on tiptoe, expired before it reached them. In an apartment lighted by a row of three of these jealous apertures--one of the several distinct apartments into which the villa was divided and which were mainly occupied by foreigners of random race long resident in Florence--a gentleman was seated in company with a young girl and two good sisters from a religious house. The room was, however, less sombre than our indications may have represented, for it had a wide, high door, which now stood open into the tangled garden behind; and the tall iron lattices admitted on occasion more than enough of the Italian sunshine. It was moreover a seat of ease, indeed of luxury, telling of arrangements subtly studied and refinements frankly proclaimed, and containing a variety of those faded hangings of damask and tapestry, those chests and cabinets of carved and time-polished oak, those angular specimens of pictorial art in frames as pedantically primitive, those perverse-looking relics of medieval brass and pottery, of which Italy has long been the not quite exhausted storehouse. These things kept terms with articles of modern furniture in which large allowance had been made for a lounging generation; it was to be noticed that all the chairs were deep and well padded and that much space was occupied by a writing-table of which the ingenious perfection bore the stamp of London and the nineteenth century. There were books in profusion and magazines and newspapers, and a few small, odd, elaborate pictures, chiefly in water-colour. One of these productions stood on a drawing-room easel before which, at the moment we begin to be concerned with her, the young girl I have mentioned had placed herself. She was looking at the picture in silence. Silence--absolute silence--had not fallen upon her companions; but their talk had an appearance of embarrassed continuity. The two good sisters had not settled themselves in their respective chairs; their attitude expressed a final reserve and their faces showed the glaze of prudence. They were plain, ample, mild-featured women, with a kind of business-like modesty to which the impersonal aspect of their stiffened linen and of the serge that draped them as if nailed on frames gave an advantage. One of them, a person of a certain age, in spectacles, with a fresh complexion and a full cheek, had a more discriminating manner than her colleague, as well as the responsibility of their errand, which apparently related to the young girl. This object of interest wore her hat--an ornament of extreme simplicity and not at variance with her plain muslin gown, too short for her years, though it must already have been "let out." The gentleman who might have been supposed to be entertaining the two nuns was perhaps conscious of the difficulties of his function, it being in its way as arduous to converse with the very meek as with the very mighty. At the same time he was clearly much occupied with their quiet charge, and while she turned her back to him his eyes rested gravely on her slim, small figure. He was a man of forty, with a high but well-shaped head, on which the hair, still dense, but prematurely grizzled, had been cropped close. He had a fine, narrow, extremely modelled and composed face, of which the only fault was just this effect of its running a trifle too much to points; an appearance to which the shape of the beard contributed not a little. This beard, cut in the manner of the portraits of the sixteenth century and surmounted by a fair moustache, of which the ends had a romantic upward flourish, gave its wearer a foreign, traditionary look and suggested that he was a gentleman who studied style. His conscious, curious eyes, however, eyes at once vague and penetrating, intelligent and hard, expressive of the observer as well as of the dreamer, would have assured you that he studied it only within well-chosen limits, and that in so far as he sought it he found it. You would have been much at a loss to determine his original clime and country; he had none of the superficial signs that usually render the answer to this question an insipidly easy one. If he had English blood in his veins it had probably received some French or Italian commixture; but he suggested, fine gold coin as he was, no stamp nor emblem of the common mintage that provides for general circulation; he was the elegant complicated medal struck off for a special occasion. He had a light, lean, rather languid-looking figure, and was apparently neither tall nor short. He was dressed as a man dresses who takes little other trouble about it than to have no vulgar things. "Well, my dear, what do you think of it?" he asked of the young girl. He used the Italian tongue, and used it with perfect ease; but this would not have convinced you he was Italian. The child turned her head earnestly to one side and the other. "It's very pretty, papa. Did you make it yourself?" "Certainly I made it. Don't you think I'm clever?" "Yes, papa, very clever; I also have learned to make pictures." And she turned round and showed a small, fair face painted with a fixed and intensely sweet smile. "You should have brought me a specimen of your powers." "I've brought a great many; they're in my trunk." "She draws very--very carefully," the elder of the nuns remarked, speaking in French. "I'm glad to hear it. Is it you who have instructed her?" "Happily no," said the good sister, blushing a little. "Ce n'est pas ma partie. I teach nothing; I leave that to those who are wiser. We've an excellent drawing-master, Mr.--Mr.--what is his name?" she asked of her companion. Her companion looked about at the carpet. "It's a German name," she said in Italian, as if it needed to be translated. "Yes," the other went on, "he's a German, and we've had him many years." The young girl, who was not heeding the conversation, had wandered away to the open door of the large room and stood looking into the garden. "And you, my sister, are French," said the gentleman. "Yes, sir," the visitor gently replied. "I speak to the pupils in my own tongue. I know no other. But we have sisters of other countries--English, German, Irish. They all speak their proper language." The gentleman gave a smile. "Has my daughter been under the care of one of the Irish ladies?" And then, as he saw that his visitors suspected a joke, though failing to understand it, "You're very complete," he instantly added. "Oh, yes, we're complete. We've everything, and everything's of the best." "We have gymnastics," the Italian sister ventured to remark. "But not dangerous." "I hope not. Is that YOUR branch?" A question which provoked much candid hilarity on the part of the two ladies; on the subsidence of which their entertainer, glancing at his daughter, remarked that she had grown. "Yes, but I think she has finished. She'll remain--not big," said the French sister. "I'm not sorry. I prefer women like books--very good and not too long. But I know," the gentleman said, "no particular reason why my child should be short." The nun gave a temperate shrug, as if to intimate that such things might be beyond our knowledge. "She's in very good health; that's the best thing." "Yes, she looks sound." And the young girl's father watched her a moment. "What do you see in the garden?" he asked in French. "I see many flowers," she replied in a sweet, small voice and with an accent as good as his own. "Yes, but not many good ones. However, such as they are, go out and gather some for ces dames." The child turned to him with her smile heightened by pleasure. "May I, truly?" "Ah, when I tell you," said her father. The girl glanced at the elder of the nuns. "May I, truly, ma mere?" "Obey monsieur your father, my child," said the sister, blushing again. The child, satisfied with this authorisation, descended from the threshold and was presently lost to sight. "You don't spoil them," said her father gaily. "For everything they must ask leave. That's our system. Leave is freely granted, but they must ask it." "Oh, I don't quarrel with your system; I've no doubt it's excellent. I sent you my daughter to see what you'd make of her. I had faith." "One must have faith," the sister blandly rejoined, gazing through her spectacles. "Well, has my faith been rewarded? What have you made of her?" The sister dropped her eyes a moment. "A good Christian, monsieur." Her host dropped his eyes as well; but it was probable that the movement had in each case a different spring. "Yes, and what else?" He watched the lady from the convent, probably thinking she would say that a good Christian was everything; but for all her simplicity she was not so crude as that. "A charming young lady--a real little woman--a daughter in whom you will have nothing but contentment." "She seems to me very gentille," said the father. "She's really pretty." "She's perfect. She has no faults." "She never had any as a child, and I'm glad you have given her none." "We love her too much," said the spectacled sister with dignity. "And as for faults, how can we give what we have not? Le couvent n'est pas comme le monde, monsieur. She's our daughter, as you may say. We've had her since she was so small." "Of all those we shall lose this year she's the one we shall miss most," the younger woman murmured deferentially. "Ah, yes, we shall talk long of her," said the other. "We shall hold her up to the new ones." And at this the good sister appeared to find her spectacles dim; while her companion, after fumbling a moment, presently drew forth a pocket-handkerchief of durable texture. "It's not certain you'll lose her; nothing's settled yet," their host rejoined quickly; not as if to anticipate their tears, but in the tone of a man saying what was most agreeable to himself. "We should be very happy to believe that. Fifteen is very young to leave us." "Oh," exclaimed the gentleman with more vivacity than he had yet used, "it is not I who wish to take her away. I wish you could keep her always!" "Ah, monsieur," said the elder sister, smiling and getting up, "good as she is, she's made for the world. Le monde y gagnera." "If all the good people were hidden away in convents how would the world get on?" her companion softly enquired, rising also. This was a question of a wider bearing than the good woman apparently supposed; and the lady in spectacles took a harmonising view by saying comfortably: "Fortunately there are good people everywhere." "If you're going there will be two less here," her host remarked gallantly. For this extravagant sally his simple visitors had no answer, and they simply looked at each other in decent deprecation; but their confusion was speedily covered by the return of the young girl with two large bunches of roses--one of them all white, the other red. "I give you your choice, mamman Catherine," said the child. "It's only the colour that's different, mamman Justine; there are just as many roses in one bunch as in the other." The two sisters turned to each other, smiling and hesitating, with "Which will you take?" and "No, it's for you to choose." "I'll take the red, thank you," said Catherine in the spectacles. "I'm so red myself. They'll comfort us on our way back to Rome." "Ah, they won't last," cried the young girl. "I wish I could give you something that would last!" "You've given us a good memory of yourself, my daughter. That will last!" "I wish nuns could wear pretty things. I would give you my blue beads," the child went on. "And do you go back to Rome to-night?" her father enquired. "Yes, we take the train again. We've so much to do la-bas." "Are you not tired?" "We are never tired." "Ah, my sister, sometimes," murmured the junior votaress. "Not to-day, at any rate. We have rested too well here. Que Dieu vous garde, ma fine." Their host, while they exchanged kisses with his daughter, went forward to open the door through which they were to pass; but as he did so he gave a slight exclamation, and stood looking beyond. The door opened into a vaulted ante-chamber, as high as a chapel and paved with red tiles; and into this antechamber a lady had just been admitted by a servant, a lad in shabby livery, who was now ushering her toward the apartment in which our friends were grouped. The gentleman at the door, after dropping his exclamation, remained silent; in silence too the lady advanced. He gave her no further audible greeting and offered her no hand, but stood aside to let her pass into the saloon. At the threshold she hesitated. "Is there any one?" she asked. "Some one you may see." She went in and found herself confronted with the two nuns and their pupil, who was coming forward, between them, with a hand in the arm of each. At the sight of the new visitor they all paused, and the lady, who had also stopped, stood looking at them. The young girl gave a little soft cry: "Ah, Madame Merle!" The visitor had been slightly startled, but her manner the next instant was none the less gracious. "Yes, it's Madame Merle, come to welcome you home." And she held out two hands to the girl, who immediately came up to her, presenting her forehead to be kissed. Madame Merle saluted this portion of her charming little person and then stood smiling at the two nuns. They acknowledged her smile with a decent obeisance, but permitted themselves no direct scrutiny of this imposing, brilliant woman, who seemed to bring in with her something of the radiance of the outer world. "These ladies have brought my daughter home, and now they return to the convent," the gentleman explained. "Ah, you go back to Rome? I've lately come from there. It's very lovely now," said Madame Merle. The good sisters, standing with their hands folded into their sleeves, accepted this statement uncritically; and the master of the house asked his new visitor how long it was since she had left Rome. "She came to see me at the convent," said the young girl before the lady addressed had time to reply. "I've been more than once, Pansy," Madame Merle declared. "Am I not your great friend in Rome?" "I remember the last time best," said Pansy, "because you told me I should come away." "Did you tell her that?" the child's father asked. "I hardly remember. I told her what I thought would please her. I've been in Florence a week. I hoped you would come to see me." "I should have done so if I had known you were there. One doesn't know such things by inspiration--though I suppose one ought. You had better sit down." These two speeches were made in a particular tone of voice--a tone half-lowered and carefully quiet, but as from habit rather than from any definite need. Madame Merle looked about her, choosing her seat. "You're going to the door with these women? Let me of course not interrupt the ceremony. Je vous salue, mesdames," she added, in French, to the nuns, as if to dismiss them. "This lady's a great friend of ours; you will have seen her at the convent," said their entertainer. "We've much faith in her judgement, and she'll help me to decide whether my daughter shall return to you at the end of the holidays." "I hope you'll decide in our favour, madame," the sister in spectacles ventured to remark. "That's Mr. Osmond's pleasantry; I decide nothing," said Madame Merle, but also as in pleasantry. "I believe you've a very good school, but Miss Osmond's friends must remember that she's very naturally meant for the world." "That's what I've told monsieur," sister Catherine answered. "It's precisely to fit her for the world," she murmured, glancing at Pansy, who stood, at a little distance, attentive to Madame Merle's elegant apparel. "Do you hear that, Pansy? You're very naturally meant for the world," said Pansy's father. The child fixed him an instant with her pure young eyes. "Am I not meant for you, papa?" Papa gave a quick, light laugh. "That doesn't prevent it! I'm of the world, Pansy." "Kindly permit us to retire," said sister Catherine. "Be good and wise and happy in any case, my daughter." "I shall certainly come back and see you," Pansy returned, recommencing her embraces, which were presently interrupted by Madame Merle. "Stay with me, dear child," she said, "while your father takes the good ladies to the door." Pansy stared, disappointed, yet not protesting. She was evidently impregnated with the idea of submission, which was due to any one who took the tone of authority; and she was a passive spectator of the operation of her fate. "May I not see mamman Catherine get into the carriage?" she nevertheless asked very gently. "It would please me better if you'd remain with me," said Madame Merle, while Mr. Osmond and his companions, who had bowed low again to the other visitor, passed into the ante-chamber. "Oh yes, I'll stay," Pansy answered; and she stood near Madame Merle, surrendering her little hand, which this lady took. She stared out of the window; her eyes had filled with tears. "I'm glad they've taught you to obey," said Madame Merle. "That's what good little girls should do." "Oh yes, I obey very well," cried Pansy with soft eagerness, almost with boastfulness, as if she had been speaking of her piano-playing. And then she gave a faint, just audible sigh. Madame Merle, holding her hand, drew it across her own fine palm and looked at it. The gaze was critical, but it found nothing to deprecate; the child's small hand was delicate and fair. "I hope they always see that you wear gloves," she said in a moment. "Little girls usually dislike them." "I used to dislike them, but I like them now," the child made answer. "Very good, I'll make you a present of a dozen." "I thank you very much. What colours will they be?" Pansy demanded with interest. Madame Merle meditated. "Useful colours." "But very pretty?" "Are you very fond of pretty things?" "Yes; but--but not too fond," said Pansy with a trace of asceticism. "Well, they won't be too pretty," Madame Merle returned with a laugh. She took the child's other hand and drew her nearer; after which, looking at her a moment, "Shall you miss mother Catherine?" she went on. "Yes--when I think of her." "Try then not to think of her. Perhaps some day," added Madame Merle, "you'll have another mother." "I don't think that's necessary," Pansy said, repeating her little soft conciliatory sigh. "I had more than thirty mothers at the convent." Her father's step sounded again in the antechamber, and Madame Merle got up, releasing the child. Mr. Osmond came in and closed the door; then, without looking at Madame Merle, he pushed one or two chairs back into their places. His visitor waited a moment for him to speak, watching him as he moved about. Then at last she said: "I hoped you'd have come to Rome. I thought it possible you'd have wished yourself to fetch Pansy away." "That was a natural supposition; but I'm afraid it's not the first time I've acted in defiance of your calculations." "Yes," said Madame Merle, "I think you very perverse." Mr. Osmond busied himself for a moment in the room--there was plenty of space in it to move about--in the fashion of a man mechanically seeking pretexts for not giving an attention which may be embarrassing. Presently, however, he had exhausted his pretexts; there was nothing left for him--unless he took up a book--but to stand with his hands behind him looking at Pansy. "Why didn't you come and see the last of mamman Catherine?" he asked of her abruptly in French. Pansy hesitated a moment, glancing at Madame Merle. "I asked her to stay with me," said this lady, who had seated herself again in another place. "Ah, that was better," Osmond conceded. With which he dropped into a chair and sat looking at Madame Merle; bent forward a little, his elbows on the edge of the arms and his hands interlocked. "She's going to give me some gloves," said Pansy. "You needn't tell that to every one, my dear," Madame Merle observed. "You're very kind to her," said Osmond. "She's supposed to have everything she needs." "I should think she had had enough of the nuns." "If we're going to discuss that matter she had better go out of the room." "Let her stay," said Madame Merle. "We'll talk of something else." "If you like I won't listen," Pansy suggested with an appearance of candour which imposed conviction. "You may listen, charming child, because you won't understand," her father replied. The child sat down, deferentially, near the open door, within sight of the garden, into which she directed her innocent, wistful eyes; and Mr. Osmond went on irrelevantly, addressing himself to his other companion. "You're looking particularly well." "I think I always look the same," said Madame Merle. "You always ARE the same. You don't vary. You're a wonderful woman." "Yes, I think I am." "You sometimes change your mind, however. You told me on your return from England that you wouldn't leave Rome again for the present." "I'm pleased that you remember so well what I say. That was my intention. But I've come to Florence to meet some friends who have lately arrived and as to whose movements I was at that time uncertain." "That reason's characteristic. You're always doing something for your friends." Madame Merle smiled straight at her host. "It's less characteristic than your comment upon it which is perfectly insincere. I don't, however, make a crime of that," she added, "because if you don't believe what you say there's no reason why you should. I don't ruin myself for my friends; I don't deserve your praise. I care greatly for myself." "Exactly; but yourself includes so many other selves--so much of every one else and of everything. I never knew a person whose life touched so many other lives." "What do you call one's life?" asked Madame Merle. "One's appearance, one's movements, one's engagements, one's society?" "I call YOUR life your ambitions," said Osmond. Madame Merle looked a moment at Pansy. "I wonder if she understands that," she murmured. "You see she can't stay with us!" And Pansy's father gave rather a joyless smile. "Go into the garden, mignonne, and pluck a flower or two for Madame Merle," he went on in French. "That's just what I wanted to do," Pansy exclaimed, rising with promptness and noiselessly departing. Her father followed her to the open door, stood a moment watching her, and then came back, but remained standing, or rather strolling to and fro, as if to cultivate a sense of freedom which in another attitude might be wanting. "My ambitions are principally for you," said Madame Merle, looking up at him with a certain courage. "That comes back to what I say. I'm part of your life--I and a thousand others. You're not selfish--I can't admit that. If you were selfish, what should I be? What epithet would properly describe me?" "You're indolent. For me that's your worst fault." "I'm afraid it's really my best." "You don't care," said Madame Merle gravely. "No; I don't think I care much. What sort of a fault do you call that? My indolence, at any rate, was one of the reasons I didn't go to Rome. But it was only one of them." "It's not of importance--to me at least--that you didn't go; though I should have been glad to see you. I'm glad you're not in Rome now--which you might be, would probably be, if you had gone there a month ago. There's something I should like you to do at present in Florence." "Please remember my indolence," said Osmond. "I do remember it; but I beg you to forget it. In that way you'll have both the virtue and the reward. This is not a great labour, and it may prove a real interest. How long is it since you made a new acquaintance?" "I don't think I've made any since I made yours." "It's time then you should make another. There's a friend of mine I want you to know." Mr. Osmond, in his walk, had gone back to the open door again and was looking at his daughter as she moved about in the intense sunshine. "What good will it do me?" he asked with a sort of genial crudity. Madame Merle waited. "It will amuse you." There was nothing crude in this rejoinder; it had been thoroughly well considered. "If you say that, you know, I believe it," said Osmond, coming toward her. "There are some points in which my confidence in you is complete. I'm perfectly aware, for instance, that you know good society from bad." "Society is all bad." "Pardon me. That isn't--the knowledge I impute to you--a common sort of wisdom. You've gained it in the right way--experimentally; you've compared an immense number of more or less impossible people with each other." "Well, I invite you to profit by my knowledge." "To profit? Are you very sure that I shall?" "It's what I hope. It will depend on yourself. If I could only induce you to make an effort!" "Ah, there you are! I knew something tiresome was coming. What in the world--that's likely to turn up here--is worth an effort?" Madame Merle flushed as with a wounded intention. "Don't be foolish, Osmond. No one knows better than you what IS worth an effort. Haven't I seen you in old days?" "I recognise some things. But they're none of them probable in this poor life." "It's the effort that makes them probable," said Madame Merle. "There's something in that. Who then is your friend?" "The person I came to Florence to see. She's a niece of Mrs. Touchett, whom you'll not have forgotten." "A niece? The word niece suggests youth and ignorance. I see what you're coming to." "Yes, she's young--twenty-three years old. She's a great friend of mine. I met her for the first time in England, several months ago, and we struck up a grand alliance. I like her immensely, and I do what I don't do every day--I admire her. You'll do the same." "Not if I can help it." "Precisely. But you won't be able to help it." "Is she beautiful, clever, rich, splendid, universally intelligent and unprecedentedly virtuous? It's only on those conditions that I care to make her acquaintance. You know I asked you some time ago never to speak to me of a creature who shouldn't correspond to that description. I know plenty of dingy people; I don't want to know any more." "Miss Archer isn't dingy; she's as bright as the morning. She corresponds to your description; it's for that I wish you to know her. She fills all your requirements." "More or less, of course." "No; quite literally. She's beautiful, accomplished, generous and, for an American, well-born. She's also very clever and very amiable, and she has a handsome fortune." Mr. Osmond listened to this in silence, appearing to turn it over in his mind with his eyes on his informant. "What do you want to do with her?" he asked at last. "What you see. Put her in your way." "Isn't she meant for something better than that?" "I don't pretend to know what people are meant for," said Madame Merle. "I only know what I can do with them." "I'm sorry for Miss Archer!" Osmond declared. Madame Merle got up. "If that's a beginning of interest in her I take note of it." The two stood there face to face; she settled her mantilla, looking down at it as she did so. "You're looking very well," Osmond repeated still less relevantly than before. "You have some idea. You're never so well as when you've got an idea; they're always becoming to you." In the manner and tone of these two persons, on first meeting at any juncture, and especially when they met in the presence of others, was something indirect and circumspect, as if they had approached each other obliquely and addressed each other by implication. The effect of each appeared to be to intensify to an appreciable degree the self-consciousness of the other. Madame Merle of course carried off any embarrassment better than her friend; but even Madame Merle had not on this occasion the form she would have liked to have--the perfect self-possession she would have wished to wear for her host. The point to be made is, however, that at a certain moment the element between them, whatever it was, always levelled itself and left them more closely face to face than either ever was with any one else. This was what had happened now. They stood there knowing each other well and each on the whole willing to accept the satisfaction of knowing as a compensation for the inconvenience--whatever it might be--of being known. "I wish very much you were not so heartless," Madame Merle quietly said. "It has always been against you, and it will be against you now." "I'm not so heartless as you think. Every now and then something touches me--as for instance your saying just now that your ambitions are for me. I don't understand it; I don't see how or why they should be. But it touches me, all the same." "You'll probably understand it even less as time goes on. There are some things you'll never understand. There's no particular need you should." "You, after all, are the most remarkable of women," said Osmond. "You have more in you than almost any one. I don't see why you think Mrs. Touchett's niece should matter very much to me, when--when--" But he paused a moment. "When I myself have mattered so little?" "That of course is not what I meant to say. When I've known and appreciated such a woman as you." "Isabel Archer's better than I," said Madame Merle. Her companion gave a laugh. "How little you must think of her to say that!" "Do you suppose I'm capable of jealousy? Please answer me that." "With regard to me? No; on the whole I don't." "Come and see me then, two days hence. I'm staying at Mrs. Touchett's--Palazzo Crescentini--and the girl will be there." "Why didn't you ask me that at first simply, without speaking of the girl?" said Osmond. "You could have had her there at any rate." Madame Merle looked at him in the manner of a woman whom no question he could ever put would find unprepared. "Do you wish to know why? Because I've spoken of you to her." Osmond frowned and turned away. "I'd rather not know that." Then in a moment he pointed out the easel supporting the little water-colour drawing. "Have you seen what's there--my last?" Madame Merle drew near and considered. "Is it the Venetian Alps--one of your last year's sketches?" "Yes--but how you guess everything!" She looked a moment longer, then turned away. "You know I don't care for your drawings." "I know it, yet I'm always surprised at it. They're really so much better than most people's." "That may very well be. But as the only thing you do--well, it's so little. I should have liked you to do so many other things: those were my ambitions." "Yes; you've told me many times--things that were impossible." "Things that were impossible," said Madame Merle. And then in quite a different tone: "In itself your little picture's very good." She looked about the room--at the old cabinets, pictures, tapestries, surfaces of faded silk. "Your rooms at least are perfect. I'm struck with that afresh whenever I come back; I know none better anywhere. You understand this sort of thing as nobody anywhere does. You've such adorable taste." "I'm sick of my adorable taste," said Gilbert Osmond. "You must nevertheless let Miss Archer come and see it. I've told her about it." "I don't object to showing my things--when people are not idiots." "You do it delightfully. As cicerone of your museum you appear to particular advantage." Mr. Osmond, in return for this compliment, simply looked at once colder and more attentive. "Did you say she was rich?" "She has seventy thousand pounds." "En ecus bien comptes?" "There's no doubt whatever about her fortune. I've seen it, as I may say." "Satisfactory woman!--I mean you. And if I go to see her shall I see the mother?" "The mother? She has none--nor father either." "The aunt then--whom did you say?--Mrs. Touchett. I can easily keep her out of the way." "I don't object to her," said Osmond; "I rather like Mrs. Touchett. She has a sort of old-fashioned character that's passing away--a vivid identity. But that long jackanapes the son--is he about the place?" "He's there, but he won't trouble you." "He's a good deal of a donkey." "I think you're mistaken. He's a very clever man. But he's not fond of being about when I'm there, because he doesn't like me." "What could he be more asinine than that? Did you say she has looks?" Osmond went on. "Yes; but I won't say it again, lest you should be disappointed in them. Come and make a beginning; that's all I ask of you." "A beginning of what?" Madame Merle was silent a little. "I want you of course to marry her." "The beginning of the end? Well, I'll see for myself. Have you told her that?" "For what do you take me? She's not so coarse a piece of machinery--nor am I." "Really," said Osmond after some meditation, "I don't understand your ambitions." "I think you'll understand this one after you've seen Miss Archer. Suspend your judgement." Madame Merle, as she spoke, had drawn near the open door of the garden, where she stood a moment looking out. "Pansy has really grown pretty," she presently added. "So it seemed to me." "But she has had enough of the convent." "I don't know," said Osmond. "I like what they've made of her. It's very charming." "That's not the convent. It's the child's nature." "It's the combination, I think. She's as pure as a pearl." "Why doesn't she come back with my flowers then?" Madame Merle asked. "She's not in a hurry." "We'll go and get them." "She doesn't like me," the visitor murmured as she raised her parasol and they passed into the garden.

Chapter 22

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-22-23

Six months after Mr. Touchett's death, we are told about an exchange between Madame Merle and her friend Gilbert Osmond. Gilbert Osmond lives in his own house in Florence. The house is described as a "face" that seems to have heavy lids, but no eyes. It windows are described as defying the world to look inside, rather than being communicative. Inside, there is much padded furniture, tapestries, watercolor paintings, a gentleman named Gilbert Osmond, his daughter Pansy, and two nuns. Gilbert Osmond is described as having a studied look, with intelligent and observant eyes. His appearance suggests a "fine gold coin" but one that is not in the "general circulation". The child, Pansy, is studying a painting done by her father. The nuns report on the girl's education, describing the languages she has been exposed to, the drawing teacher, the sports she engages in, and so forth. He asks what they have made of her, and they respond that they have made her a Christian, and a "charming young lady" in whom there will be nothing but "contentment". Little Pansy is described as being perfect and very much loved by the sisters of the convent. She is 15 years old. Madame Merle arrives as the nuns are leaving to go back to Rome. Merle has apparently gone to see Pansy at the convent before, and will give some counsel as to how long Pansy will be educated in the convent. When the nuns leave, Osmond suggests that they send Pansy out while they discuss whether or not she will stay in the convent. Madame Merle says that they do not need to because the subject of their conversation will be something that Pansy does not understand. At the same time that Madame Merle brings up what is on her mind, Osmond notes that she is always doing things for her friends. Madame Merle declares that she cares greatly for her own self. Osmond retorts, "Exactly; but yourself includes so many other selves--so much of everyone else and of everything. I never knew a person whose life touched so many others. Madame Merle retorts: "What do you call one's life. They end up sending Pansy away after this exchange. Madame Merle tells Osmond that she will introduce him to Isabel. She tells him that he will "profit" by her knowledge of Isabel. Osmond asks if he will indeed "profit". He asks if Isabel is "beautiful, clever, rich, splendid, universally intelligent, and unprecedentedly virtuous" , saying that he will only meet with her if that is the case. Madame Merle responds that Isabel is all of the above. He asks Merle what he means to "do" with Isabel. Madame Merle tells him that she will merely put Isabel in his way. I don't pretend to know what people are meant for," she says, "I only know what I can do with them". Osmond expresses sympathy for Isabel. He then compliments Merle for looking well; he knows that she has some "idea" and that it looks rather becoming on her. For once, Madame Merle loses her self-possession, and the two have a moment of looking each other face to face at an equal level. They both see it as an inconvenient to be known, but because it is mutual they are willing to accept this situation. Merle wishes to Osmond that he were not so heartless. She takes a look at Osmond's picture and notes that she does not care for it. He believes his drawings are better than others'. Merle wishes he had had other ambitions, and he says that this is impossible. Merle compliments him on the taste in his well-furnished rooms. Osmond asks once again if Miss Archer is rich, and Merle lets him know the exact number: she has seventy thousand pounds. Merle tells him that she wishes him to marry Isabel. Osmond says he does not understand her ambitions. Merle notes that Pansy has had enough of the convent. She also remarks that Pansy does not seem to like her, even though the child is as "pure as a pearl"

Gilbert Osmond is described as an aesthete. He has impeccable taste, but there seems to be something substantially lacking in him. His house is described in very sinister terms: it is a surface, just a "face" that bars communication with the outside. The architecture and style of his house is a symbol of Osmond's own personality. He is superficial and heartless, but appears to be very cultured. His relationship to his daughter is somewhat odd, because the daughter seems to admire him very much, even though he is not a very warm person. James' description of Osmond as a "coin" that is not in the general circulation is a hint at Osmond's own relation to commodities: he is a selfish hoarder, and has no interest in the communicative aspects of style. The conversation between Merle and Osmond suggests a very intimate nature of their relationship, although why exactly this is the case is left obscure. They seem to be antagonistic in some respects, exchanging insults, but they are also very forthright with each other. They seem to both know each other too intimately, and the suggestion is that they typically do not allow others to have true knowledge of their character. It is unclear why Merle would want Isabel to marry Osmond, since she thinks highly of Isabel and she thinks Osmond is heartless. There is something sinister about Merle's dealings, especially because she declares that she does not know what Isabel is good for, but she only knows what she can "do with them." She makes it sound as if she will use Isabel for some purpose of her own, but we do not know how her plan of getting Isabel and Osmond to marry will benefit her. Isabel is uncharacteristically silent and un-opinionated when she meets Osmond. She is more interested in gaining an accurate impression of him than of forming her own opinion of him -- this seems to be the exact opposite of her usual approach to people. This foreshadows to us that Osmond will be perceived differently than all her other suitors. Why though, is Isabel so reticent when she meets him? Ralph insinuates that Isabel's abundance of second-hand knowledge on his character is the reason she is so interested in him. It seems that Madame Merle has exploited Isabel's imaginative possibilities: the more Isabel thinks she "knows" the less she is able to experience for herself. This brings up an interesting theme that Henry James treats in other of his novels: What is the relationship between knowledge and experience? Does having knowledge of something prejudice us towards the way we experience it? Can one have an experience without having knowledge or prejudice about that thing? His short novel, What Maisie Knew, is one of his more extended explorations of this theme.

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all_chapterized_books/2833-chapters/23.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_8_part_2.txt

The Portrait of a Lady.chapter 23

chapter 23

{"name": "Chapter 23", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-22-23", "summary": "At Mrs. Touchett's place, the Palazzo Crescenti in Florence, Merle comes to visit. She arranges for Isabel and Gilbert Osmond to meet. When Osmond visits the house, Isabel is uncharacteristically silent, finding it more important to get an accurate impression of him than she finds it important to produce her own impression of him. Osmond, in spite of Isabel's silence is interested in her. He invites her to visit his house with Madame Merle sometime. Isabel expects that Madame Merle will scold her for her silence and stupidity when Osmond leaves, but instead Merle tells her that she behaved just as she wished. Isabel feels displeasure at this comment, claiming that she is under no obligation to charm Mr. Osmond. Merle flushes at this. When Isabel asks Ralph about Osmond, Ralph only knows that he is a vague, unexplained American who has lived for thirty years in Italy. He knows that Osmond dreads the vulgar, but other than that he has no special talents. Isabel says that she wants to have more information about him because it is better to know about one's dangers. Ralph responds that knowing that much may actually make people more dangerous. He cautions her to judge for herself. Isabel has noticed that Ralph has something against Madame Merle. When she asks him what he thinks of her, he responds that he feels sorry for Madame Merle, that she was ambitious but unaccomplished. He finds her, in her overall aspect, to be an exaggerated person, never allowing others to have the chance to call her a fool. Ralph thinks to himself that Isabel's friendship with Madame Merle will not last forever, noting that neither person knew the other as well as she supposed. He believes that each will discover the true nature of the other", "analysis": "Gilbert Osmond is described as an aesthete. He has impeccable taste, but there seems to be something substantially lacking in him. His house is described in very sinister terms: it is a surface, just a \"face\" that bars communication with the outside. The architecture and style of his house is a symbol of Osmond's own personality. He is superficial and heartless, but appears to be very cultured. His relationship to his daughter is somewhat odd, because the daughter seems to admire him very much, even though he is not a very warm person. James' description of Osmond as a \"coin\" that is not in the general circulation is a hint at Osmond's own relation to commodities: he is a selfish hoarder, and has no interest in the communicative aspects of style. The conversation between Merle and Osmond suggests a very intimate nature of their relationship, although why exactly this is the case is left obscure. They seem to be antagonistic in some respects, exchanging insults, but they are also very forthright with each other. They seem to both know each other too intimately, and the suggestion is that they typically do not allow others to have true knowledge of their character. It is unclear why Merle would want Isabel to marry Osmond, since she thinks highly of Isabel and she thinks Osmond is heartless. There is something sinister about Merle's dealings, especially because she declares that she does not know what Isabel is good for, but she only knows what she can \"do with them.\" She makes it sound as if she will use Isabel for some purpose of her own, but we do not know how her plan of getting Isabel and Osmond to marry will benefit her. Isabel is uncharacteristically silent and un-opinionated when she meets Osmond. She is more interested in gaining an accurate impression of him than of forming her own opinion of him -- this seems to be the exact opposite of her usual approach to people. This foreshadows to us that Osmond will be perceived differently than all her other suitors. Why though, is Isabel so reticent when she meets him? Ralph insinuates that Isabel's abundance of second-hand knowledge on his character is the reason she is so interested in him. It seems that Madame Merle has exploited Isabel's imaginative possibilities: the more Isabel thinks she \"knows\" the less she is able to experience for herself. This brings up an interesting theme that Henry James treats in other of his novels: What is the relationship between knowledge and experience? Does having knowledge of something prejudice us towards the way we experience it? Can one have an experience without having knowledge or prejudice about that thing? His short novel, What Maisie Knew, is one of his more extended explorations of this theme."}

Madame Merle, who had come to Florence on Mrs. Touchett's arrival at the invitation of this lady--Mrs. Touchett offering her for a month the hospitality of Palazzo Crescentini--the judicious Madame Merle spoke to Isabel afresh about Gilbert Osmond and expressed the hope she might know him; making, however, no such point of the matter as we have seen her do in recommending the girl herself to Mr. Osmond's attention. The reason of this was perhaps that Isabel offered no resistance whatever to Madame Merle's proposal. In Italy, as in England, the lady had a multitude of friends, both among the natives of the country and its heterogeneous visitors. She had mentioned to Isabel most of the people the girl would find it well to "meet"--of course, she said, Isabel could know whomever in the wide world she would--and had placed Mr. Osmond near the top of the list. He was an old friend of her own; she had known him these dozen years; he was one of the cleverest and most agreeable men--well, in Europe simply. He was altogether above the respectable average; quite another affair. He wasn't a professional charmer--far from it, and the effect he produced depended a good deal on the state of his nerves and his spirits. When not in the right mood he could fall as low as any one, saved only by his looking at such hours rather like a demoralised prince in exile. But if he cared or was interested or rightly challenged--just exactly rightly it had to be--then one felt his cleverness and his distinction. Those qualities didn't depend, in him, as in so many people, on his not committing or exposing himself. He had his perversities--which indeed Isabel would find to be the case with all the men really worth knowing--and didn't cause his light to shine equally for all persons. Madame Merle, however, thought she could undertake that for Isabel he would be brilliant. He was easily bored, too easily, and dull people always put him out; but a quick and cultivated girl like Isabel would give him a stimulus which was too absent from his life. At any rate he was a person not to miss. One shouldn't attempt to live in Italy without making a friend of Gilbert Osmond, who knew more about the country than any one except two or three German professors. And if they had more knowledge than he it was he who had most perception and taste--being artistic through and through. Isabel remembered that her friend had spoken of him during their plunge, at Gardencourt, into the deeps of talk, and wondered a little what was the nature of the tie binding these superior spirits. She felt that Madame Merle's ties always somehow had histories, and such an impression was part of the interest created by this inordinate woman. As regards her relations with Mr. Osmond, however, she hinted at nothing but a long-established calm friendship. Isabel said she should be happy to know a person who had enjoyed so high a confidence for so many years. "You ought to see a great many men," Madame Merle remarked; "you ought to see as many as possible, so as to get used to them." "Used to them?" Isabel repeated with that solemn stare which sometimes seemed to proclaim her deficient in the sense of comedy. "Why, I'm not afraid of them--I'm as used to them as the cook to the butcher-boys." "Used to them, I mean, so as to despise them. That's what one comes to with most of them. You'll pick out, for your society, the few whom you don't despise." This was a note of cynicism that Madame Merle didn't often allow herself to sound; but Isabel was not alarmed, for she had never supposed that as one saw more of the world the sentiment of respect became the most active of one's emotions. It was excited, none the less, by the beautiful city of Florence, which pleased her not less than Madame Merle had promised; and if her unassisted perception had not been able to gauge its charms she had clever companions as priests to the mystery. She was--in no want indeed of esthetic illumination, for Ralph found it a joy that renewed his own early passion to act as cicerone to his eager young kinswoman. Madame Merle remained at home; she had seen the treasures of Florence again and again and had always something else to do. But she talked of all things with remarkable vividness of memory--she recalled the right-hand corner of the large Perugino and the position of the hands of the Saint Elizabeth in the picture next to it. She had her opinions as to the character of many famous works of art, differing often from Ralph with great sharpness and defending her interpretations with as much ingenuity as good-humour. Isabel listened to the discussions taking place between the two with a sense that she might derive much benefit from them and that they were among the advantages she couldn't have enjoyed for instance in Albany. In the clear May mornings before the formal breakfast--this repast at Mrs. Touchett's was served at twelve o'clock--she wandered with her cousin through the narrow and sombre Florentine streets, resting a while in the thicker dusk of some historic church or the vaulted chambers of some dispeopled convent. She went to the galleries and palaces; she looked at the pictures and statues that had hitherto been great names to her, and exchanged for a knowledge which was sometimes a limitation a presentiment which proved usually to have been a blank. She performed all those acts of mental prostration in which, on a first visit to Italy, youth and enthusiasm so freely indulge; she felt her heart beat in the presence of immortal genius and knew the sweetness of rising tears in eyes to which faded fresco and darkened marble grew dim. But the return, every day, was even pleasanter than the going forth; the return into the wide, monumental court of the great house in which Mrs. Touchett, many years before, had established herself, and into the high, cool rooms where the carven rafters and pompous frescoes of the sixteenth century looked down on the familiar commodities of the age of advertisement. Mrs. Touchett inhabited an historic building in a narrow street whose very name recalled the strife of medieval factions; and found compensation for the darkness of her frontage in the modicity of her rent and the brightness of a garden where nature itself looked as archaic as the rugged architecture of the palace and which cleared and scented the rooms in regular use. To live in such a place was, for Isabel, to hold to her ear all day a shell of the sea of the past. This vague eternal rumour kept her imagination awake. Gilbert Osmond came to see Madame Merle, who presented him to the young lady lurking at the other side of the room. Isabel took on this occasion little part in the talk; she scarcely even smiled when the others turned to her invitingly; she sat there as if she had been at the play and had paid even a large sum for her place. Mrs. Touchett was not present, and these two had it, for the effect of brilliancy, all their own way. They talked of the Florentine, the Roman, the cosmopolite world, and might have been distinguished performers figuring for a charity. It all had the rich readiness that would have come from rehearsal. Madame Merle appealed to her as if she had been on the stage, but she could ignore any learnt cue without spoiling the scene--though of course she thus put dreadfully in the wrong the friend who had told Mr. Osmond she could be depended on. This was no matter for once; even if more had been involved she could have made no attempt to shine. There was something in the visitor that checked her and held her in suspense--made it more important she should get an impression of him than that she should produce one herself. Besides, she had little skill in producing an impression which she knew to be expected: nothing could be happier, in general, than to seem dazzling, but she had a perverse unwillingness to glitter by arrangement. Mr. Osmond, to do him justice, had a well-bred air of expecting nothing, a quiet ease that covered everything, even the first show of his own wit. This was the more grateful as his face, his head, was sensitive; he was not handsome, but he was fine, as fine as one of the drawings in the long gallery above the bridge of the Uffizi. And his very voice was fine--the more strangely that, with its clearness, it yet somehow wasn't sweet. This had had really to do with making her abstain from interference. His utterance was the vibration of glass, and if she had put out her finger she might have changed the pitch and spoiled the concert. Yet before he went she had to speak. "Madame Merle," he said, "consents to come up to my hill-top some day next week and drink tea in my garden. It would give me much pleasure if you would come with her. It's thought rather pretty--there's what they call a general view. My daughter too would be so glad--or rather, for she's too young to have strong emotions, I should be so glad--so very glad." And Mr. Osmond paused with a slight air of embarrassment, leaving his sentence unfinished. "I should be so happy if you could know my daughter," he went on a moment afterwards. Isabel replied that she should be delighted to see Miss Osmond and that if Madame Merle would show her the way to the hill-top she should be very grateful. Upon this assurance the visitor took his leave; after which Isabel fully expected her friend would scold her for having been so stupid. But to her surprise that lady, who indeed never fell into the mere matter-of-course, said to her in a few moments, "You were charming, my dear; you were just as one would have wished you. You're never disappointing." A rebuke might possibly have been irritating, though it is much more probable that Isabel would have taken it in good part; but, strange to say, the words that Madame Merle actually used caused her the first feeling of displeasure she had known this ally to excite. "That's more than I intended," she answered coldly. "I'm under no obligation that I know of to charm Mr. Osmond." Madame Merle perceptibly flushed, but we know it was not her habit to retract. "My dear child, I didn't speak for him, poor man; I spoke for yourself. It's not of course a question as to his liking you; it matters little whether he likes you or not! But I thought you liked HIM." "I did," said Isabel honestly. "But I don't see what that matters either." "Everything that concerns you matters to me," Madame Merle returned with her weary nobleness; "especially when at the same time another old friend's concerned." Whatever Isabel's obligations may have been to Mr. Osmond, it must be admitted that she found them sufficient to lead her to put to Ralph sundry questions about him. She thought Ralph's judgements distorted by his trials, but she flattered herself she had learned to make allowance for that. "Do I know him?" said her cousin. "Oh, yes, I 'know' him; not well, but on the whole enough. I've never cultivated his society, and he apparently has never found mine indispensable to his happiness. Who is he, what is he? He's a vague, unexplained American who has been living these thirty years, or less, in Italy. Why do I call him unexplained? Only as a cover for my ignorance; I don't know his antecedents, his family, his origin. For all I do know he may be a prince in disguise; he rather looks like one, by the way--like a prince who has abdicated in a fit of fastidiousness and has been in a state of disgust ever since. He used to live in Rome; but of late years he has taken up his abode here; I remember hearing him say that Rome has grown vulgar. He has a great dread of vulgarity; that's his special line; he hasn't any other that I know of. He lives on his income, which I suspect of not being vulgarly large. He's a poor but honest gentleman that's what he calls himself. He married young and lost his wife, and I believe he has a daughter. He also has a sister, who's married to some small Count or other, of these parts; I remember meeting her of old. She's nicer than he, I should think, but rather impossible. I remember there used to be some stories about her. I don't think I recommend you to know her. But why don't you ask Madame Merle about these people? She knows them all much better than I." "I ask you because I want your opinion as well as hers," said Isabel. "A fig for my opinion! If you fall in love with Mr. Osmond what will you care for that?" "Not much, probably. But meanwhile it has a certain importance. The more information one has about one's dangers the better." "I don't agree to that--it may make them dangers. We know too much about people in these days; we hear too much. Our ears, our minds, our mouths, are stuffed with personalities. Don't mind anything any one tells you about any one else. Judge everyone and everything for yourself." "That's what I try to do," said Isabel "but when you do that people call you conceited." "You're not to mind them--that's precisely my argument; not to mind what they say about yourself any more than what they say about your friend or your enemy." Isabel considered. "I think you're right; but there are some things I can't help minding: for instance when my friend's attacked or when I myself am praised." "Of course you're always at liberty to judge the critic. Judge people as critics, however," Ralph added, "and you'll condemn them all!" "I shall see Mr. Osmond for myself," said Isabel. "I've promised to pay him a visit." "To pay him a visit?" "To go and see his view, his pictures, his daughter--I don't know exactly what. Madame Merle's to take me; she tells me a great many ladies call on him." "Ah, with Madame Merle you may go anywhere, de confiance," said Ralph. "She knows none but the best people." Isabel said no more about Mr. Osmond, but she presently remarked to her cousin that she was not satisfied with his tone about Madame Merle. "It seems to me you insinuate things about her. I don't know what you mean, but if you've any grounds for disliking her I think you should either mention them frankly or else say nothing at all." Ralph, however, resented this charge with more apparent earnestness than he commonly used. "I speak of Madame Merle exactly as I speak to her: with an even exaggerated respect." "Exaggerated, precisely. That's what I complain of." "I do so because Madame Merle's merits are exaggerated." "By whom, pray? By me? If so I do her a poor service." "No, no; by herself." "Ah, I protest!" Isabel earnestly cried. "If ever there was a woman who made small claims--!" "You put your finger on it," Ralph interrupted. "Her modesty's exaggerated. She has no business with small claims--she has a perfect right to make large ones." "Her merits are large then. You contradict yourself." "Her merits are immense," said Ralph. "She's indescribably blameless; a pathless desert of virtue; the only woman I know who never gives one a chance." "A chance for what?" "Well, say to call her a fool! She's the only woman I know who has but that one little fault." Isabel turned away with impatience. "I don't understand you; you're too paradoxical for my plain mind." "Let me explain. When I say she exaggerates I don't mean it in the vulgar sense--that she boasts, overstates, gives too fine an account of herself. I mean literally that she pushes the search for perfection too far--that her merits are in themselves overstrained. She's too good, too kind, too clever, too learned, too accomplished, too everything. She's too complete, in a word. I confess to you that she acts on my nerves and that I feel about her a good deal as that intensely human Athenian felt about Aristides the Just." Isabel looked hard at her cousin; but the mocking spirit, if it lurked in his words, failed on this occasion to peep from his face. "Do you wish Madame Merle to be banished?" "By no means. She's much too good company. I delight in Madame Merle," said Ralph Touchett simply. "You're very odious, sir!" Isabel exclaimed. And then she asked him if he knew anything that was not to the honour of her brilliant friend. "Nothing whatever. Don't you see that's just what I mean? On the character of every one else you may find some little black speck; if I were to take half an hour to it, some day, I've no doubt I should be able to find one on yours. For my own, of course, I'm spotted like a leopard. But on Madame Merle's nothing, nothing, nothing!" "That's just what I think!" said Isabel with a toss of her head. "That is why I like her so much." "She's a capital person for you to know. Since you wish to see the world you couldn't have a better guide." "I suppose you mean by that that she's worldly?" "Worldly? No," said Ralph, "she's the great round world itself!" It had certainly not, as Isabel for the moment took it into her head to believe, been a refinement of malice in him to say that he delighted in Madame Merle. Ralph Touchett took his refreshment wherever he could find it, and he would not have forgiven himself if he had been left wholly unbeguiled by such a mistress of the social art. There are deep-lying sympathies and antipathies, and it may have been that, in spite of the administered justice she enjoyed at his hands, her absence from his mother's house would not have made life barren to him. But Ralph Touchett had learned more or less inscrutably to attend, and there could have been nothing so "sustained" to attend to as the general performance of Madame Merle. He tasted her in sips, he let her stand, with an opportuneness she herself could not have surpassed. There were moments when he felt almost sorry for her; and these, oddly enough, were the moments when his kindness was least demonstrative. He was sure she had been yearningly ambitious and that what she had visibly accomplished was far below her secret measure. She had got herself into perfect training, but had won none of the prizes. She was always plain Madame Merle, the widow of a Swiss negociant, with a small income and a large acquaintance, who stayed with people a great deal and was almost as universally "liked" as some new volume of smooth twaddle. The contrast between this position and any one of some half-dozen others that he supposed to have at various moments engaged her hope had an element of the tragical. His mother thought he got on beautifully with their genial guest; to Mrs. Touchett's sense two persons who dealt so largely in too-ingenious theories of conduct--that is of their own--would have much in common. He had given due consideration to Isabel's intimacy with her eminent friend, having long since made up his mind that he could not, without opposition, keep his cousin to himself; and he made the best of it, as he had done of worse things. He believed it would take care of itself; it wouldn't last forever. Neither of these two superior persons knew the other as well as she supposed, and when each had made an important discovery or two there would be, if not a rupture, at least a relaxation. Meanwhile he was quite willing to admit that the conversation of the elder lady was an advantage to the younger, who had a great deal to learn and would doubtless learn it better from Madame Merle than from some other instructors of the young. It was not probable that Isabel would be injured.

Chapter 23

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At Mrs. Touchett's place, the Palazzo Crescenti in Florence, Merle comes to visit. She arranges for Isabel and Gilbert Osmond to meet. When Osmond visits the house, Isabel is uncharacteristically silent, finding it more important to get an accurate impression of him than she finds it important to produce her own impression of him. Osmond, in spite of Isabel's silence is interested in her. He invites her to visit his house with Madame Merle sometime. Isabel expects that Madame Merle will scold her for her silence and stupidity when Osmond leaves, but instead Merle tells her that she behaved just as she wished. Isabel feels displeasure at this comment, claiming that she is under no obligation to charm Mr. Osmond. Merle flushes at this. When Isabel asks Ralph about Osmond, Ralph only knows that he is a vague, unexplained American who has lived for thirty years in Italy. He knows that Osmond dreads the vulgar, but other than that he has no special talents. Isabel says that she wants to have more information about him because it is better to know about one's dangers. Ralph responds that knowing that much may actually make people more dangerous. He cautions her to judge for herself. Isabel has noticed that Ralph has something against Madame Merle. When she asks him what he thinks of her, he responds that he feels sorry for Madame Merle, that she was ambitious but unaccomplished. He finds her, in her overall aspect, to be an exaggerated person, never allowing others to have the chance to call her a fool. Ralph thinks to himself that Isabel's friendship with Madame Merle will not last forever, noting that neither person knew the other as well as she supposed. He believes that each will discover the true nature of the other

Gilbert Osmond is described as an aesthete. He has impeccable taste, but there seems to be something substantially lacking in him. His house is described in very sinister terms: it is a surface, just a "face" that bars communication with the outside. The architecture and style of his house is a symbol of Osmond's own personality. He is superficial and heartless, but appears to be very cultured. His relationship to his daughter is somewhat odd, because the daughter seems to admire him very much, even though he is not a very warm person. James' description of Osmond as a "coin" that is not in the general circulation is a hint at Osmond's own relation to commodities: he is a selfish hoarder, and has no interest in the communicative aspects of style. The conversation between Merle and Osmond suggests a very intimate nature of their relationship, although why exactly this is the case is left obscure. They seem to be antagonistic in some respects, exchanging insults, but they are also very forthright with each other. They seem to both know each other too intimately, and the suggestion is that they typically do not allow others to have true knowledge of their character. It is unclear why Merle would want Isabel to marry Osmond, since she thinks highly of Isabel and she thinks Osmond is heartless. There is something sinister about Merle's dealings, especially because she declares that she does not know what Isabel is good for, but she only knows what she can "do with them." She makes it sound as if she will use Isabel for some purpose of her own, but we do not know how her plan of getting Isabel and Osmond to marry will benefit her. Isabel is uncharacteristically silent and un-opinionated when she meets Osmond. She is more interested in gaining an accurate impression of him than of forming her own opinion of him -- this seems to be the exact opposite of her usual approach to people. This foreshadows to us that Osmond will be perceived differently than all her other suitors. Why though, is Isabel so reticent when she meets him? Ralph insinuates that Isabel's abundance of second-hand knowledge on his character is the reason she is so interested in him. It seems that Madame Merle has exploited Isabel's imaginative possibilities: the more Isabel thinks she "knows" the less she is able to experience for herself. This brings up an interesting theme that Henry James treats in other of his novels: What is the relationship between knowledge and experience? Does having knowledge of something prejudice us towards the way we experience it? Can one have an experience without having knowledge or prejudice about that thing? His short novel, What Maisie Knew, is one of his more extended explorations of this theme.

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all_chapterized_books/2833-chapters/24.txt

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The Portrait of a Lady.chapter 24

chapter 24

{"name": "Chapter 24", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-24-26", "summary": "Isabel has the opportunity to visit Gilbert Osmond in his own home. Isabel meets Gilbert Osmond's sister, Countess Gemini and his daughter, Pansy there. She notes that Countess Gemini has features like that of a tropical bird and that she has a \"great deal of manner\". The Countess informs her that she has visited Gilbert in order to see Isabel, rather than to see her own brother. Mr. Osmond notes of his possessions that, \"I've a few good things. indeed I've nothing very bad. But I've not what I should have liked\". He seems to hint that \"nothing but the right 'values' was of any consequence. Isabel notes that being simple is not the way of this particular family. She also realizes that the occasion \"signified more than lay on the surface\" and she feels ill equipped to understand what it is. She also feels like she ought to offer some sort of entertainment, but is too timid to do so. Mr. Osmond does much of the talking instead. Madame Merle and Countess Gemini seem to know each other quite well. Mr. Osmond speaks of living in Florence , in such a secluded house. He believes that he might have been a better man had he not lived in Florence, but that he declares that Florence is a place where one could get impressions unlike anywhere else. He admits himself to being \"rusty as key\" , as he has ceased to form attachments and social relations. Countess Gemini and Madame Merle go off into the garden, leaving Osmond and Isabel alone with Pansy for a few minutes. Osmond asks Isabel what she thinks of his sister, telling her his own opinion of Countess Gemini: he thinks that she is more honest than she seems, that she is unhappy especially with her horrible husband, but she shows this unhappiness comically. He then goes on to tell her about the objects in his salon. The narrator then focuses in on Isabel's thoughts during this scene, rather than describing exactly what is said. Isabel finds Osmond's talk interesting, but she finds him much more so, because he is unlike anyone else she has ever seen. She notes that he does not use any uncommon terms or idioms, but he is simply an original. She sees that he \"consulted his taste in everything\" , just as a sick man consults a lawyer. She thinks him similar to Ralph, but sees Osmond as more in harmony with his environment. She wonders what Osmond means when he refers to his own provincial mind, his tendency to be reclusive. She notes that he is shy, but realizes that this shyness is a sign of his own good breeding. She takes his question about Countess Gemini to be a sign of his own interest in Isabel herself. Isabel though finds it tiring to appear as intelligent as she thinks Madame Merle has described her. She carefully tries not to disagree with Osmond. Before they take afternoon tea with the rest of the party, Osmond asks Isabel if she will come back. She says she will, although she wonders if it will deter her from her natural mission if she ends up staying in Florence. Osmond retorts: \"A woman's natural mission is to be where she's most appreciated\". Madame Merle, hearing this, says that Isabel has a plan to go around the world. Isabel confesses that she changes her plans every day, and she feels frivolous for it. Osmond declares that he himself made a plan many years ago, and continues to live by it: \"To resign myself. To be content with little\". Isabel wonders if this is really a simple way of living. He thinks it is simple because it is \"negative. He admits to having had no prospects, no talents. Isabel is surprised that he has shared some private information about himself. His own self-description would have been dry, but Isabel's own imagination supplies a \"human element\" to it. The chapter ends with Gilbert Osmond declaring how his daughter is his great happiness", "analysis": "In Chapter 24, Isabel gets an impression of Osmond's home. Note that she does not see it as so ominous an object as the narrator has previously described the villa. Rather than seeing it as a house with windows that do not allow communication with the world , Isabel's perspective allows the narrator to briefly remark upon the \"grave\" air of the place, as if one would \"need an act of energy to get out\" of it once inside . The narrator counterbalances this observation with the remark that Isabel is only thinking about \"advancing\" though, and her thoughts are not nearly so foreboding. In the previous conversation between Madame Merle and Osmond, the setting has offered a reflection of the atmosphere: something sinister is going on between Madame Merle and Osmond, in this very secluded house. In this scene however, the signs are ignored, or poorly read. Notably Isabel herself realizes that she does not know how to read the people and the objects in the house, as the occasion \"signified more than lay on the surface\" for her . In other words, the narrator is setting up a contrast between a more objective interpretation of the house and Isabel's more interested, ambitious reading of the house. She wants to see more than lays beyond the surface, she wants to read into the signs, but she believes it is written in a cryptic language. The narrator's previous description of the house signifies that there is not much more than a superficial shell in this house: that signs do not point to a deeper meaning to be interpreted, but rather everything points to keeping the interpreter mystified through its lack of depth. This kind of deception is a reference to the larger deception that aesthetic objects play on people. Aesthetics is the analysis of art; it refers to the philosophical question of why we find something beautiful. So, for example, one can look at a beautiful artistic object and believe that there must be some deeper meaning or some higher \"value\" that is being referred to in it. One might believe it is a moral value, or an intellectual value, to which the various signs in a painting refer. Or, we could apply the same question to a novel: why do we read? What makes a book worthy of being read? Does it make us more moral people when we read? Or do we learn some higher truth about life? We believe that the signs of fiction might point us in a particular direction in life, give us some guidance. However, by treating aesthetics in the context of a novel, James is hinting at the idea that art is all an illusion. There is a trick being played: it looks like all the signs refer to some deeper meaning, but in fact, they are creating the illusion of depth by means of blocking the reader from pinning a definite interpretation upon them. That is what is happening to Isabel here. She is unable to figure out what values Osmond is referring to, what standards he uses to judge. But she is still interested because she believes there is a value. But if Osmond is revealed to be a bad person with no morality and no higher values, then it will show that she has created the illusion of value from her own inability to interpret the signs. She has tricked herself into believing there is depth, when there is only superficiality. Another theme that is relevant is the relationship between commodities and people. It is notable that many of Henry James' descriptions of characters end up being a comparison between a person and inanimate objects. Here, it seems that Osmond, who has so many nice objects and allows their value to all appreciate here in his own home as if they were collector's items, is comparing a woman to a commodity: \"A woman's natural mission is to be where she's most appreciated,\" he says . This is an eerie description of moral value, with an indication that he is actually referring to financial value. Similarly, Isabel begins to see him as an aesthetic object: a painting with a low-tone. In Chapter 25, we get a sense of what the true motivations of the characters are, beneath their appearances. There is the mention of money and marriage again: Isabel has seventy thousand pounds. But it is not quite clear why Madame Merle would be interested in giving Osmond Isabel's fortune through marriage. What does she have to gain from making this match? As a first time reader, it would be easy to overlook this chapter as the eccentric worries of Countess Gemini, who has been portrayed as a busybody. This foreshadows the true nature of Osmond."}

It would certainly have been hard to see what injury could arise to her from the visit she presently paid to Mr. Osmond's hill-top. Nothing could have been more charming than this occasion--a soft afternoon in the full maturity of the Tuscan spring. The companions drove out of the Roman Gate, beneath the enormous blank superstructure which crowns the fine clear arch of that portal and makes it nakedly impressive, and wound between high-walled lanes into which the wealth of blossoming orchards over-drooped and flung a fragrance, until they reached the small superurban piazza, of crooked shape, where the long brown wall of the villa occupied in part by Mr. Osmond formed a principal, or at least a very imposing, object. Isabel went with her friend through a wide, high court, where a clear shadow rested below and a pair of light-arched galleries, facing each other above, caught the upper sunshine upon their slim columns and the flowering plants in which they were dressed. There was something grave and strong in the place; it looked somehow as if, once you were in, you would need an act of energy to get out. For Isabel, however, there was of course as yet no thought of getting out, but only of advancing. Mr. Osmond met her in the cold ante-chamber--it was cold even in the month of May--and ushered her, with her conductress, into the apartment to which we have already been introduced. Madame Merle was in front, and while Isabel lingered a little, talking with him, she went forward familiarly and greeted two persons who were seated in the saloon. One of these was little Pansy, on whom she bestowed a kiss; the other was a lady whom Mr. Osmond indicated to Isabel as his sister, the Countess Gemini. "And that's my little girl," he said, "who has just come out of her convent." Pansy had on a scant white dress, and her fair hair was neatly arranged in a net; she wore her small shoes tied sandal-fashion about her ankles. She made Isabel a little conventual curtsey and then came to be kissed. The Countess Gemini simply nodded without getting up: Isabel could see she was a woman of high fashion. She was thin and dark and not at all pretty, having features that suggested some tropical bird--a long beak-like nose, small, quickly-moving eyes and a mouth and chin that receded extremely. Her expression, however, thanks to various intensities of emphasis and wonder, of horror and joy, was not inhuman, and, as regards her appearance, it was plain she understood herself and made the most of her points. Her attire, voluminous and delicate, bristling with elegance, had the look of shimmering plumage, and her attitudes were as light and sudden as those of a creature who perched upon twigs. She had a great deal of manner; Isabel, who had never known any one with so much manner, immediately classed her as the most affected of women. She remembered that Ralph had not recommended her as an acquaintance; but she was ready to acknowledge that to a casual view the Countess Gemini revealed no depths. Her demonstrations suggested the violent waving of some flag of general truce--white silk with fluttering streamers. "You'll believe I'm glad to see you when I tell you it's only because I knew you were to be here that I came myself. I don't come and see my brother--I make him come and see me. This hill of his is impossible--I don't see what possesses him. Really, Osmond, you'll be the ruin of my horses some day, and if it hurts them you'll have to give me another pair. I heard them wheezing to-day; I assure you I did. It's very disagreeable to hear one's horses wheezing when one's sitting in the carriage; it sounds too as if they weren't what they should be. But I've always had good horses; whatever else I may have lacked I've always managed that. My husband doesn't know much, but I think he knows a horse. In general Italians don't, but my husband goes in, according to his poor light, for everything English. My horses are English--so it's all the greater pity they should be ruined. I must tell you," she went on, directly addressing Isabel, "that Osmond doesn't often invite me; I don't think he likes to have me. It was quite my own idea, coming to-day. I like to see new people, and I'm sure you're very new. But don't sit there; that chair's not what it looks. There are some very good seats here, but there are also some horrors." These remarks were delivered with a series of little jerks and pecks, of roulades of shrillness, and in an accent that was as some fond recall of good English, or rather of good American, in adversity. "I don't like to have you, my dear?" said her brother. "I'm sure you're invaluable." "I don't see any horrors anywhere," Isabel returned, looking about her. "Everything seems to me beautiful and precious." "I've a few good things," Mr. Osmond allowed; "indeed I've nothing very bad. But I've not what I should have liked." He stood there a little awkwardly, smiling and glancing about; his manner was an odd mixture of the detached and the involved. He seemed to hint that nothing but the right "values" was of any consequence. Isabel made a rapid induction: perfect simplicity was not the badge of his family. Even the little girl from the convent, who, in her prim white dress, with her small submissive face and her hands locked before her, stood there as if she were about to partake of her first communion, even Mr. Osmond's diminutive daughter had a kind of finish that was not entirely artless. "You'd have liked a few things from the Uffizi and the Pitti--that's what you'd have liked," said Madame Merle. "Poor Osmond, with his old curtains and crucifixes!" the Countess Gemini exclaimed: she appeared to call her brother only by his family-name. Her ejaculation had no particular object; she smiled at Isabel as she made it and looked at her from head to foot. Her brother had not heard her; he seemed to be thinking what he could say to Isabel. "Won't you have some tea?--you must be very tired," he at last bethought himself of remarking. "No indeed, I'm not tired; what have I done to tire me?" Isabel felt a certain need of being very direct, of pretending to nothing; there was something in the air, in her general impression of things--she could hardly have said what it was--that deprived her of all disposition to put herself forward. The place, the occasion, the combination of people, signified more than lay on the surface; she would try to understand--she would not simply utter graceful platitudes. Poor Isabel was doubtless not aware that many women would have uttered graceful platitudes to cover the working of their observation. It must be confessed that her pride was a trifle alarmed. A man she had heard spoken of in terms that excited interest and who was evidently capable of distinguishing himself, had invited her, a young lady not lavish of her favours, to come to his house. Now that she had done so the burden of the entertainment rested naturally on his wit. Isabel was not rendered less observant, and for the moment, we judge, she was not rendered more indulgent, by perceiving that Mr. Osmond carried his burden less complacently than might have been expected. "What a fool I was to have let myself so needlessly in--!" she could fancy his exclaiming to himself. "You'll be tired when you go home, if he shows you all his bibelots and gives you a lecture on each," said the Countess Gemini. "I'm not afraid of that; but if I'm tired I shall at least have learned something." "Very little, I suspect. But my sister's dreadfully afraid of learning anything," said Mr. Osmond. "Oh, I confess to that; I don't want to know anything more--I know too much already. The more you know the more unhappy you are." "You should not undervalue knowledge before Pansy, who has not finished her education," Madame Merle interposed with a smile. "Pansy will never know any harm," said the child's father. "Pansy's a little convent-flower." "Oh, the convents, the convents!" cried the Countess with a flutter of her ruffles. "Speak to me of the convents! You may learn anything there; I'm a convent-flower myself. I don't pretend to be good, but the nuns do. Don't you see what I mean?" she went on, appealing to Isabel. Isabel was not sure she saw, and she answered that she was very bad at following arguments. The Countess then declared that she herself detested arguments, but that this was her brother's taste--he would always discuss. "For me," she said, "one should like a thing or one shouldn't; one can't like everything, of course. But one shouldn't attempt to reason it out--you never know where it may lead you. There are some very good feelings that may have bad reasons, don't you know? And then there are very bad feelings, sometimes, that have good reasons. Don't you see what I mean? I don't care anything about reasons, but I know what I like." "Ah, that's the great thing," said Isabel, smiling and suspecting that her acquaintance with this lightly flitting personage would not lead to intellectual repose. If the Countess objected to argument Isabel at this moment had as little taste for it, and she put out her hand to Pansy with a pleasant sense that such a gesture committed her to nothing that would admit of a divergence of views. Gilbert Osmond apparently took a rather hopeless view of his sister's tone; he turned the conversation to another topic. He presently sat down on the other side of his daughter, who had shyly brushed Isabel's fingers with her own; but he ended by drawing her out of her chair and making her stand between his knees, leaning against him while he passed his arm round her slimness. The child fixed her eyes on Isabel with a still, disinterested gaze which seemed void of an intention, yet conscious of an attraction. Mr. Osmond talked of many things; Madame Merle had said he could be agreeable when he chose, and to-day, after a little, he appeared not only to have chosen but to have determined. Madame Merle and the Countess Gemini sat a little apart, conversing in the effortless manner of persons who knew each other well enough to take their ease; but every now and then Isabel heard the Countess, at something said by her companion, plunge into the latter's lucidity as a poodle splashes after a thrown stick. It was as if Madame Merle were seeing how far she would go. Mr. Osmond talked of Florence, of Italy, of the pleasure of living in that country and of the abatements to the pleasure. There were both satisfactions and drawbacks; the drawbacks were numerous; strangers were too apt to see such a world as all romantic. It met the case soothingly for the human, for the social failure--by which he meant the people who couldn't "realise," as they said, on their sensibility: they could keep it about them there, in their poverty, without ridicule, as you might keep an heirloom or an inconvenient entailed place that brought you in nothing. Thus there were advantages in living in the country which contained the greatest sum of beauty. Certain impressions you could get only there. Others, favourable to life, you never got, and you got some that were very bad. But from time to time you got one of a quality that made up for everything. Italy, all the same, had spoiled a great many people; he was even fatuous enough to believe at times that he himself might have been a better man if he had spent less of his life there. It made one idle and dilettantish and second-rate; it had no discipline for the character, didn't cultivate in you, otherwise expressed, the successful social and other "cheek" that flourished in Paris and London. "We're sweetly provincial," said Mr. Osmond, "and I'm perfectly aware that I myself am as rusty as a key that has no lock to fit it. It polishes me up a little to talk with you--not that I venture to pretend I can turn that very complicated lock I suspect your intellect of being! But you'll be going away before I've seen you three times, and I shall perhaps never see you after that. That's what it is to live in a country that people come to. When they're disagreeable here it's bad enough; when they're agreeable it's still worse. As soon as you like them they're off again! I've been deceived too often; I've ceased to form attachments, to permit myself to feel attractions. You mean to stay--to settle? That would be really comfortable. Ah yes, your aunt's a sort of guarantee; I believe she may be depended on. Oh, she's an old Florentine; I mean literally an old one; not a modern outsider. She's a contemporary of the Medici; she must have been present at the burning of Savonarola, and I'm not sure she didn't throw a handful of chips into the flame. Her face is very much like some faces in the early pictures; little, dry, definite faces that must have had a good deal of expression, but almost always the same one. Indeed I can show you her portrait in a fresco of Ghirlandaio's. I hope you don't object to my speaking that way of your aunt, eh? I've an idea you don't. Perhaps you think that's even worse. I assure you there's no want of respect in it, to either of you. You know I'm a particular admirer of Mrs. Touchett." While Isabel's host exerted himself to entertain her in this somewhat confidential fashion she looked occasionally at Madame Merle, who met her eyes with an inattentive smile in which, on this occasion, there was no infelicitous intimation that our heroine appeared to advantage. Madame Merle eventually proposed to the Countess Gemini that they should go into the garden, and the Countess, rising and shaking out her feathers, began to rustle toward the door. "Poor Miss Archer!" she exclaimed, surveying the other group with expressive compassion. "She has been brought quite into the family." "Miss Archer can certainly have nothing but sympathy for a family to which you belong," Mr. Osmond answered, with a laugh which, though it had something of a mocking ring, had also a finer patience. "I don't know what you mean by that! I'm sure she'll see no harm in me but what you tell her. I'm better than he says, Miss Archer," the Countess went on. "I'm only rather an idiot and a bore. Is that all he has said? Ah then, you keep him in good-humour. Has he opened on one of his favourite subjects? I give you notice that there are two or three that he treats a fond. In that case you had better take off your bonnet." "I don't think I know what Mr. Osmond's favourite subjects are," said Isabel, who had risen to her feet. The Countess assumed for an instant an attitude of intense meditation, pressing one of her hands, with the finger-tips gathered together, to her forehead. "I'll tell you in a moment. One's Machiavelli; the other's Vittoria Colonna; the next is Metastasio." "Ah, with me," said Madame Merle, passing her arm into the Countess Gemini's as if to guide her course to the garden, "Mr. Osmond's never so historical." "Oh you," the Countess answered as they moved away, "you yourself are Machiavelli--you yourself are Vittoria Colonna!" "We shall hear next that poor Madame Merle is Metastasio!" Gilbert Osmond resignedly sighed. Isabel had got up on the assumption that they too were to go into the garden; but her host stood there with no apparent inclination to leave the room, his hands in the pockets of his jacket and his daughter, who had now locked her arm into one of his own, clinging to him and looking up while her eyes moved from his own face to Isabel's. Isabel waited, with a certain unuttered contentedness, to have her movements directed; she liked Mr. Osmond's talk, his company: she had what always gave her a very private thrill, the consciousness of a new relation. Through the open doors of the great room she saw Madame Merle and the Countess stroll across the fine grass of the garden; then she turned, and her eyes wandered over the things scattered about her. The understanding had been that Mr. Osmond should show her his treasures; his pictures and cabinets all looked like treasures. Isabel after a moment went toward one of the pictures to see it better; but just as she had done so he said to her abruptly: "Miss Archer, what do you think of my sister?" She faced him with some surprise. "Ah, don't ask me that--I've seen your sister too little." "Yes, you've seen her very little; but you must have observed that there is not a great deal of her to see. What do you think of our family tone?" he went on with his cool smile. "I should like to know how it strikes a fresh, unprejudiced mind. I know what you're going to say--you've had almost no observation of it. Of course this is only a glimpse. But just take notice, in future, if you have a chance. I sometimes think we've got into a rather bad way, living off here among things and people not our own, without responsibilities or attachments, with nothing to hold us together or keep us up; marrying foreigners, forming artificial tastes, playing tricks with our natural mission. Let me add, though, that I say that much more for myself than for my sister. She's a very honest lady--more so than she seems. She's rather unhappy, and as she's not of a serious turn she doesn't tend to show it tragically: she shows it comically instead. She has got a horrid husband, though I'm not sure she makes the best of him. Of course, however, a horrid husband's an awkward thing. Madame Merle gives her excellent advice, but it's a good deal like giving a child a dictionary to learn a language with. He can look out the words, but he can't put them together. My sister needs a grammar, but unfortunately she's not grammatical. Pardon my troubling you with these details; my sister was very right in saying you've been taken into the family. Let me take down that picture; you want more light." He took down the picture, carried it toward the window, related some curious facts about it. She looked at the other works of art, and he gave her such further information as might appear most acceptable to a young lady making a call on a summer afternoon. His pictures, his medallions and tapestries were interesting; but after a while Isabel felt the owner much more so, and independently of them, thickly as they seemed to overhang him. He resembled no one she had ever seen; most of the people she knew might be divided into groups of half a dozen specimens. There were one or two exceptions to this; she could think for instance of no group that would contain her aunt Lydia. There were other people who were, relatively speaking, original--original, as one might say, by courtesy such as Mr. Goodwood, as her cousin Ralph, as Henrietta Stackpole, as Lord Warburton, as Madame Merle. But in essentials, when one came to look at them, these individuals belonged to types already present to her mind. Her mind contained no class offering a natural place to Mr. Osmond--he was a specimen apart. It was not that she recognised all these truths at the hour, but they were falling into order before her. For the moment she only said to herself that this "new relation" would perhaps prove her very most distinguished. Madame Merle had had that note of rarity, but what quite other power it immediately gained when sounded by a man! It was not so much what he said and did, but rather what he withheld, that marked him for her as by one of those signs of the highly curious that he was showing her on the underside of old plates and in the corner of sixteenth-century drawings: he indulged in no striking deflections from common usage, he was an original without being an eccentric. She had never met a person of so fine a grain. The peculiarity was physical, to begin with, and it extended to impalpabilities. His dense, delicate hair, his overdrawn, retouched features, his clear complexion, ripe without being coarse, the very evenness of the growth of his beard, and that light, smooth slenderness of structure which made the movement of a single one of his fingers produce the effect of an expressive gesture--these personal points struck our sensitive young woman as signs of quality, of intensity, somehow as promises of interest. He was certainly fastidious and critical; he was probably irritable. His sensibility had governed him--possibly governed him too much; it had made him impatient of vulgar troubles and had led him to live by himself, in a sorted, sifted, arranged world, thinking about art and beauty and history. He had consulted his taste in everything--his taste alone perhaps, as a sick man consciously incurable consults at last only his lawyer: that was what made him so different from every one else. Ralph had something of this same quality, this appearance of thinking that life was a matter of connoisseurship; but in Ralph it was an anomaly, a kind of humorous excrescence, whereas in Mr. Osmond it was the keynote, and everything was in harmony with it. She was certainly far from understanding him completely; his meaning was not at all times obvious. It was hard to see what he meant for instance by speaking of his provincial side--which was exactly the side she would have taken him most to lack. Was it a harmless paradox, intended to puzzle her? or was it the last refinement of high culture? She trusted she should learn in time; it would be very interesting to learn. If it was provincial to have that harmony, what then was the finish of the capital? And she could put this question in spite of so feeling her host a shy personage; since such shyness as his--the shyness of ticklish nerves and fine perceptions--was perfectly consistent with the best breeding. Indeed it was almost a proof of standards and touchstones other than the vulgar: he must be so sure the vulgar would be first on the ground. He wasn't a man of easy assurance, who chatted and gossiped with the fluency of a superficial nature; he was critical of himself as well as of others, and, exacting a good deal of others, to think them agreeable, probably took a rather ironical view of what he himself offered: a proof into the bargain that he was not grossly conceited. If he had not been shy he wouldn't have effected that gradual, subtle, successful conversion of it to which she owed both what pleased her in him and what mystified her. If he had suddenly asked her what she thought of the Countess Gemini, that was doubtless a proof that he was interested in her; it could scarcely be as a help to knowledge of his own sister. That he should be so interested showed an enquiring mind; but it was a little singular he should sacrifice his fraternal feeling to his curiosity. This was the most eccentric thing he had done. There were two other rooms, beyond the one in which she had been received, equally full of romantic objects, and in these apartments Isabel spent a quarter of an hour. Everything was in the last degree curious and precious, and Mr. Osmond continued to be the kindest of ciceroni as he led her from one fine piece to another and still held his little girl by the hand. His kindness almost surprised our young friend, who wondered why he should take so much trouble for her; and she was oppressed at last with the accumulation of beauty and knowledge to which she found herself introduced. There was enough for the present; she had ceased to attend to what he said; she listened to him with attentive eyes, but was not thinking of what he told her. He probably thought her quicker, cleverer in every way, more prepared, than she was. Madame Merle would have pleasantly exaggerated; which was a pity, because in the end he would be sure to find out, and then perhaps even her real intelligence wouldn't reconcile him to his mistake. A part of Isabel's fatigue came from the effort to appear as intelligent as she believed Madame Merle had described her, and from the fear (very unusual with her) of exposing--not her ignorance; for that she cared comparatively little--but her possible grossness of perception. It would have annoyed her to express a liking for something he, in his superior enlightenment, would think she oughtn't to like; or to pass by something at which the truly initiated mind would arrest itself. She had no wish to fall into that grotesqueness--in which she had seen women (and it was a warning) serenely, yet ignobly, flounder. She was very careful therefore as to what she said, as to what she noticed or failed to notice; more careful than she had ever been before. They came back into the first of the rooms, where the tea had been served; but as the two other ladies were still on the terrace, and as Isabel had not yet been made acquainted with the view, the paramount distinction of the place, Mr. Osmond directed her steps into the garden without more delay. Madame Merle and the Countess had had chairs brought out, and as the afternoon was lovely the Countess proposed they should take their tea in the open air. Pansy therefore was sent to bid the servant bring out the preparations. The sun had got low, the golden light took a deeper tone, and on the mountains and the plain that stretched beneath them the masses of purple shadow glowed as richly as the places that were still exposed. The scene had an extraordinary charm. The air was almost solemnly still, and the large expanse of the landscape, with its garden-like culture and nobleness of outline, its teeming valley and delicately-fretted hills, its peculiarly human-looking touches of habitation, lay there in splendid harmony and classic grace. "You seem so well pleased that I think you can be trusted to come back," Osmond said as he led his companion to one of the angles of the terrace. "I shall certainly come back," she returned, "in spite of what you say about its being bad to live in Italy. What was that you said about one's natural mission? I wonder if I should forsake my natural mission if I were to settle in Florence." "A woman's natural mission is to be where she's most appreciated." "The point's to find out where that is." "Very true--she often wastes a great deal of time in the enquiry. People ought to make it very plain to her." "Such a matter would have to be made very plain to me," smiled Isabel. "I'm glad, at any rate, to hear you talk of settling. Madame Merle had given me an idea that you were of a rather roving disposition. I thought she spoke of your having some plan of going round the world." "I'm rather ashamed of my plans; I make a new one every day." "I don't see why you should be ashamed; it's the greatest of pleasures." "It seems frivolous, I think," said Isabel. "One ought to choose something very deliberately, and be faithful to that." "By that rule then, I've not been frivolous." "Have you never made plans?" "Yes, I made one years ago, and I'm acting on it to-day." "It must have been a very pleasant one," Isabel permitted herself to observe. "It was very simple. It was to be as quiet as possible." "As quiet?" the girl repeated. "Not to worry--not to strive nor struggle. To resign myself. To be content with little." He spoke these sentences slowly, with short pauses between, and his intelligent regard was fixed on his visitor's with the conscious air of a man who has brought himself to confess something. "Do you call that simple?" she asked with mild irony. "Yes, because it's negative." "Has your life been negative?" "Call it affirmative if you like. Only it has affirmed my indifference. Mind you, not my natural indifference--I HAD none. But my studied, my wilful renunciation." She scarcely understood him; it seemed a question whether he were joking or not. Why should a man who struck her as having a great fund of reserve suddenly bring himself to be so confidential? This was his affair, however, and his confidences were interesting. "I don't see why you should have renounced," she said in a moment. "Because I could do nothing. I had no prospects, I was poor, and I was not a man of genius. I had no talents even; I took my measure early in life. I was simply the most fastidious young gentleman living. There were two or three people in the world I envied--the Emperor of Russia, for instance, and the Sultan of Turkey! There were even moments when I envied the Pope of Rome--for the consideration he enjoys. I should have been delighted to be considered to that extent; but since that couldn't be I didn't care for anything less, and I made up my mind not to go in for honours. The leanest gentleman can always consider himself, and fortunately I was, though lean, a gentleman. I could do nothing in Italy--I couldn't even be an Italian patriot. To do that I should have had to get out of the country; and I was too fond of it to leave it, to say nothing of my being too well satisfied with it, on the whole, as it then was, to wish it altered. So I've passed a great many years here on that quiet plan I spoke of. I've not been at all unhappy. I don't mean to say I've cared for nothing; but the things I've cared for have been definite--limited. The events of my life have been absolutely unperceived by any one save myself; getting an old silver crucifix at a bargain (I've never bought anything dear, of course), or discovering, as I once did, a sketch by Correggio on a panel daubed over by some inspired idiot." This would have been rather a dry account of Mr. Osmond's career if Isabel had fully believed it; but her imagination supplied the human element which she was sure had not been wanting. His life had been mingled with other lives more than he admitted; naturally she couldn't expect him to enter into this. For the present she abstained from provoking further revelations; to intimate that he had not told her everything would be more familiar and less considerate than she now desired to be--would in fact be uproariously vulgar. He had certainly told her quite enough. It was her present inclination, however, to express a measured sympathy for the success with which he had preserved his independence. "That's a very pleasant life," she said, "to renounce everything but Correggio!" "Oh, I've made in my way a good thing of it. Don't imagine I'm whining about it. It's one's own fault if one isn't happy." This was large; she kept down to something smaller. "Have you lived here always?" "No, not always. I lived a long time at Naples, and many years in Rome. But I've been here a good while. Perhaps I shall have to change, however; to do something else. I've no longer myself to think of. My daughter's growing up and may very possibly not care so much for the Correggios and crucifixes as I. I shall have to do what's best for Pansy." "Yes, do that," said Isabel. "She's such a dear little girl." "Ah," cried Gilbert Osmond beautifully, "she's a little saint of heaven! She is my great happiness!"

Chapter 24

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-24-26

Isabel has the opportunity to visit Gilbert Osmond in his own home. Isabel meets Gilbert Osmond's sister, Countess Gemini and his daughter, Pansy there. She notes that Countess Gemini has features like that of a tropical bird and that she has a "great deal of manner". The Countess informs her that she has visited Gilbert in order to see Isabel, rather than to see her own brother. Mr. Osmond notes of his possessions that, "I've a few good things. indeed I've nothing very bad. But I've not what I should have liked". He seems to hint that "nothing but the right 'values' was of any consequence. Isabel notes that being simple is not the way of this particular family. She also realizes that the occasion "signified more than lay on the surface" and she feels ill equipped to understand what it is. She also feels like she ought to offer some sort of entertainment, but is too timid to do so. Mr. Osmond does much of the talking instead. Madame Merle and Countess Gemini seem to know each other quite well. Mr. Osmond speaks of living in Florence , in such a secluded house. He believes that he might have been a better man had he not lived in Florence, but that he declares that Florence is a place where one could get impressions unlike anywhere else. He admits himself to being "rusty as key" , as he has ceased to form attachments and social relations. Countess Gemini and Madame Merle go off into the garden, leaving Osmond and Isabel alone with Pansy for a few minutes. Osmond asks Isabel what she thinks of his sister, telling her his own opinion of Countess Gemini: he thinks that she is more honest than she seems, that she is unhappy especially with her horrible husband, but she shows this unhappiness comically. He then goes on to tell her about the objects in his salon. The narrator then focuses in on Isabel's thoughts during this scene, rather than describing exactly what is said. Isabel finds Osmond's talk interesting, but she finds him much more so, because he is unlike anyone else she has ever seen. She notes that he does not use any uncommon terms or idioms, but he is simply an original. She sees that he "consulted his taste in everything" , just as a sick man consults a lawyer. She thinks him similar to Ralph, but sees Osmond as more in harmony with his environment. She wonders what Osmond means when he refers to his own provincial mind, his tendency to be reclusive. She notes that he is shy, but realizes that this shyness is a sign of his own good breeding. She takes his question about Countess Gemini to be a sign of his own interest in Isabel herself. Isabel though finds it tiring to appear as intelligent as she thinks Madame Merle has described her. She carefully tries not to disagree with Osmond. Before they take afternoon tea with the rest of the party, Osmond asks Isabel if she will come back. She says she will, although she wonders if it will deter her from her natural mission if she ends up staying in Florence. Osmond retorts: "A woman's natural mission is to be where she's most appreciated". Madame Merle, hearing this, says that Isabel has a plan to go around the world. Isabel confesses that she changes her plans every day, and she feels frivolous for it. Osmond declares that he himself made a plan many years ago, and continues to live by it: "To resign myself. To be content with little". Isabel wonders if this is really a simple way of living. He thinks it is simple because it is "negative. He admits to having had no prospects, no talents. Isabel is surprised that he has shared some private information about himself. His own self-description would have been dry, but Isabel's own imagination supplies a "human element" to it. The chapter ends with Gilbert Osmond declaring how his daughter is his great happiness

In Chapter 24, Isabel gets an impression of Osmond's home. Note that she does not see it as so ominous an object as the narrator has previously described the villa. Rather than seeing it as a house with windows that do not allow communication with the world , Isabel's perspective allows the narrator to briefly remark upon the "grave" air of the place, as if one would "need an act of energy to get out" of it once inside . The narrator counterbalances this observation with the remark that Isabel is only thinking about "advancing" though, and her thoughts are not nearly so foreboding. In the previous conversation between Madame Merle and Osmond, the setting has offered a reflection of the atmosphere: something sinister is going on between Madame Merle and Osmond, in this very secluded house. In this scene however, the signs are ignored, or poorly read. Notably Isabel herself realizes that she does not know how to read the people and the objects in the house, as the occasion "signified more than lay on the surface" for her . In other words, the narrator is setting up a contrast between a more objective interpretation of the house and Isabel's more interested, ambitious reading of the house. She wants to see more than lays beyond the surface, she wants to read into the signs, but she believes it is written in a cryptic language. The narrator's previous description of the house signifies that there is not much more than a superficial shell in this house: that signs do not point to a deeper meaning to be interpreted, but rather everything points to keeping the interpreter mystified through its lack of depth. This kind of deception is a reference to the larger deception that aesthetic objects play on people. Aesthetics is the analysis of art; it refers to the philosophical question of why we find something beautiful. So, for example, one can look at a beautiful artistic object and believe that there must be some deeper meaning or some higher "value" that is being referred to in it. One might believe it is a moral value, or an intellectual value, to which the various signs in a painting refer. Or, we could apply the same question to a novel: why do we read? What makes a book worthy of being read? Does it make us more moral people when we read? Or do we learn some higher truth about life? We believe that the signs of fiction might point us in a particular direction in life, give us some guidance. However, by treating aesthetics in the context of a novel, James is hinting at the idea that art is all an illusion. There is a trick being played: it looks like all the signs refer to some deeper meaning, but in fact, they are creating the illusion of depth by means of blocking the reader from pinning a definite interpretation upon them. That is what is happening to Isabel here. She is unable to figure out what values Osmond is referring to, what standards he uses to judge. But she is still interested because she believes there is a value. But if Osmond is revealed to be a bad person with no morality and no higher values, then it will show that she has created the illusion of value from her own inability to interpret the signs. She has tricked herself into believing there is depth, when there is only superficiality. Another theme that is relevant is the relationship between commodities and people. It is notable that many of Henry James' descriptions of characters end up being a comparison between a person and inanimate objects. Here, it seems that Osmond, who has so many nice objects and allows their value to all appreciate here in his own home as if they were collector's items, is comparing a woman to a commodity: "A woman's natural mission is to be where she's most appreciated," he says . This is an eerie description of moral value, with an indication that he is actually referring to financial value. Similarly, Isabel begins to see him as an aesthetic object: a painting with a low-tone. In Chapter 25, we get a sense of what the true motivations of the characters are, beneath their appearances. There is the mention of money and marriage again: Isabel has seventy thousand pounds. But it is not quite clear why Madame Merle would be interested in giving Osmond Isabel's fortune through marriage. What does she have to gain from making this match? As a first time reader, it would be easy to overlook this chapter as the eccentric worries of Countess Gemini, who has been portrayed as a busybody. This foreshadows the true nature of Osmond.

gradesaver

all_chapterized_books/2833-chapters/25.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_9_part_2.txt

The Portrait of a Lady.chapter 25

chapter 25

{"name": "Chapter 25", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-24-26", "summary": "Meanwhile, Madame Merle and Countess Gemini's conversation, occurring at the same time as Isabel and Osmond's conversation, is recounted. Countess Gemini declares that she does not approve of Madame Merle's plan. Madame Merle claims that she has no plan, and that she is not calculating. Countess Gemini declares that she will thwart Merle and Osmond's plan, warning Isabel of her brother's character. Merle warns her that this will simply backfire, and Isabel will dislike Gemini. Merle believes that Isabel has already fallen in love with Osmond, after only two meetings. Madame Merle has Pansy make some tea, and Pansy is very eager to please. Merle and Gemini continue the discussion. Countess Gemini asks Merle if she thinks Osmond will make Isabel happy, and Merle responds that he would at least behave like a gentleman. Merle informs the countess that Isabel has seventy thousand pounds, and Countess Gemini responds by saying that it is a pity that such a charming girl needs to be sacrificed", "analysis": "In Chapter 24, Isabel gets an impression of Osmond's home. Note that she does not see it as so ominous an object as the narrator has previously described the villa. Rather than seeing it as a house with windows that do not allow communication with the world , Isabel's perspective allows the narrator to briefly remark upon the \"grave\" air of the place, as if one would \"need an act of energy to get out\" of it once inside . The narrator counterbalances this observation with the remark that Isabel is only thinking about \"advancing\" though, and her thoughts are not nearly so foreboding. In the previous conversation between Madame Merle and Osmond, the setting has offered a reflection of the atmosphere: something sinister is going on between Madame Merle and Osmond, in this very secluded house. In this scene however, the signs are ignored, or poorly read. Notably Isabel herself realizes that she does not know how to read the people and the objects in the house, as the occasion \"signified more than lay on the surface\" for her . In other words, the narrator is setting up a contrast between a more objective interpretation of the house and Isabel's more interested, ambitious reading of the house. She wants to see more than lays beyond the surface, she wants to read into the signs, but she believes it is written in a cryptic language. The narrator's previous description of the house signifies that there is not much more than a superficial shell in this house: that signs do not point to a deeper meaning to be interpreted, but rather everything points to keeping the interpreter mystified through its lack of depth. This kind of deception is a reference to the larger deception that aesthetic objects play on people. Aesthetics is the analysis of art; it refers to the philosophical question of why we find something beautiful. So, for example, one can look at a beautiful artistic object and believe that there must be some deeper meaning or some higher \"value\" that is being referred to in it. One might believe it is a moral value, or an intellectual value, to which the various signs in a painting refer. Or, we could apply the same question to a novel: why do we read? What makes a book worthy of being read? Does it make us more moral people when we read? Or do we learn some higher truth about life? We believe that the signs of fiction might point us in a particular direction in life, give us some guidance. However, by treating aesthetics in the context of a novel, James is hinting at the idea that art is all an illusion. There is a trick being played: it looks like all the signs refer to some deeper meaning, but in fact, they are creating the illusion of depth by means of blocking the reader from pinning a definite interpretation upon them. That is what is happening to Isabel here. She is unable to figure out what values Osmond is referring to, what standards he uses to judge. But she is still interested because she believes there is a value. But if Osmond is revealed to be a bad person with no morality and no higher values, then it will show that she has created the illusion of value from her own inability to interpret the signs. She has tricked herself into believing there is depth, when there is only superficiality. Another theme that is relevant is the relationship between commodities and people. It is notable that many of Henry James' descriptions of characters end up being a comparison between a person and inanimate objects. Here, it seems that Osmond, who has so many nice objects and allows their value to all appreciate here in his own home as if they were collector's items, is comparing a woman to a commodity: \"A woman's natural mission is to be where she's most appreciated,\" he says . This is an eerie description of moral value, with an indication that he is actually referring to financial value. Similarly, Isabel begins to see him as an aesthetic object: a painting with a low-tone. In Chapter 25, we get a sense of what the true motivations of the characters are, beneath their appearances. There is the mention of money and marriage again: Isabel has seventy thousand pounds. But it is not quite clear why Madame Merle would be interested in giving Osmond Isabel's fortune through marriage. What does she have to gain from making this match? As a first time reader, it would be easy to overlook this chapter as the eccentric worries of Countess Gemini, who has been portrayed as a busybody. This foreshadows the true nature of Osmond."}

While this sufficiently intimate colloquy (prolonged for some time after we cease to follow it) went forward Madame Merle and her companion, breaking a silence of some duration, had begun to exchange remarks. They were sitting in an attitude of unexpressed expectancy; an attitude especially marked on the part of the Countess Gemini, who, being of a more nervous temperament than her friend, practised with less success the art of disguising impatience. What these ladies were waiting for would not have been apparent and was perhaps not very definite to their own minds. Madame Merle waited for Osmond to release their young friend from her tete-a-tete, and the Countess waited because Madame Merle did. The Countess, moreover, by waiting, found the time ripe for one of her pretty perversities. She might have desired for some minutes to place it. Her brother wandered with Isabel to the end of the garden, to which point her eyes followed them. "My dear," she then observed to her companion, "you'll excuse me if I don't congratulate you!" "Very willingly, for I don't in the least know why you should." "Haven't you a little plan that you think rather well of?" And the Countess nodded at the sequestered couple. Madame Merle's eyes took the same direction; then she looked serenely at her neighbour. "You know I never understand you very well," she smiled. "No one can understand better than you when you wish. I see that just now you DON'T wish." "You say things to me that no one else does," said Madame Merle gravely, yet without bitterness. "You mean things you don't like? Doesn't Osmond sometimes say such things?" "What your brother says has a point." "Yes, a poisoned one sometimes. If you mean that I'm not so clever as he you mustn't think I shall suffer from your sense of our difference. But it will be much better that you should understand me." "Why so?" asked Madame Merle. "To what will it conduce?" "If I don't approve of your plan you ought to know it in order to appreciate the danger of my interfering with it." Madame Merle looked as if she were ready to admit that there might be something in this; but in a moment she said quietly: "You think me more calculating than I am." "It's not your calculating I think ill of; it's your calculating wrong. You've done so in this case." "You must have made extensive calculations yourself to discover that." "No, I've not had time. I've seen the girl but this once," said the Countess, "and the conviction has suddenly come to me. I like her very much." "So do I," Madame Merle mentioned. "You've a strange way of showing it." "Surely I've given her the advantage of making your acquaintance." "That indeed," piped the Countess, "is perhaps the best thing that could happen to her!" Madame Merle said nothing for some time. The Countess's manner was odious, was really low; but it was an old story, and with her eyes upon the violet slope of Monte Morello she gave herself up to reflection. "My dear lady," she finally resumed, "I advise you not to agitate yourself. The matter you allude to concerns three persons much stronger of purpose than yourself." "Three persons? You and Osmond of course. But is Miss Archer also very strong of purpose?" "Quite as much so as we." "Ah then," said the Countess radiantly, "if I convince her it's her interest to resist you she'll do so successfully!" "Resist us? Why do you express yourself so coarsely? She's not exposed to compulsion or deception." "I'm not sure of that. You're capable of anything, you and Osmond. I don't mean Osmond by himself, and I don't mean you by yourself. But together you're dangerous--like some chemical combination." "You had better leave us alone then," smiled Madame Merle. "I don't mean to touch you--but I shall talk to that girl." "My poor Amy," Madame Merle murmured, "I don't see what has got into your head." "I take an interest in her--that's what has got into my head. I like her." Madame Merle hesitated a moment. "I don't think she likes you." The Countess's bright little eyes expanded and her face was set in a grimace. "Ah, you ARE dangerous--even by yourself!" "If you want her to like you don't abuse your brother to her," said Madame Merle. "I don't suppose you pretend she has fallen in love with him in two interviews." Madame Merle looked a moment at Isabel and at the master of the house. He was leaning against the parapet, facing her, his arms folded; and she at present was evidently not lost in the mere impersonal view, persistently as she gazed at it. As Madame Merle watched her she lowered her eyes; she was listening, possibly with a certain embarrassment, while she pressed the point of her parasol into the path. Madame Merle rose from her chair. "Yes, I think so!" she pronounced. The shabby footboy, summoned by Pansy--he might, tarnished as to livery and quaint as to type, have issued from some stray sketch of old-time manners, been "put in" by the brush of a Longhi or a Goya--had come out with a small table and placed it on the grass, and then had gone back and fetched the tea-tray; after which he had again disappeared, to return with a couple of chairs. Pansy had watched these proceedings with the deepest interest, standing with her small hands folded together upon the front of her scanty frock; but she had not presumed to offer assistance. When the tea-table had been arranged, however, she gently approached her aunt. "Do you think papa would object to my making the tea?" The Countess looked at her with a deliberately critical gaze and without answering her question. "My poor niece," she said, "is that your best frock?" "Ah no," Pansy answered, "it's just a little toilette for common occasions." "Do you call it a common occasion when I come to see you?--to say nothing of Madame Merle and the pretty lady yonder." Pansy reflected a moment, turning gravely from one of the persons mentioned to the other. Then her face broke into its perfect smile. "I have a pretty dress, but even that one's very simple. Why should I expose it beside your beautiful things?" "Because it's the prettiest you have; for me you must always wear the prettiest. Please put it on the next time. It seems to me they don't dress you so well as they might." The child sparingly stroked down her antiquated skirt. "It's a good little dress to make tea--don't you think? Don't you believe papa would allow me?" "Impossible for me to say, my child," said the Countess. "For me, your father's ideas are unfathomable. Madame Merle understands them better. Ask HER." Madame Merle smiled with her usual grace. "It's a weighty question--let me think. It seems to me it would please your father to see a careful little daughter making his tea. It's the proper duty of the daughter of the house--when she grows up." "So it seems to me, Madame Merle!" Pansy cried. "You shall see how well I'll make it. A spoonful for each." And she began to busy herself at the table. "Two spoonfuls for me," said the Countess, who, with Madame Merle, remained for some moments watching her. "Listen to me, Pansy," the Countess resumed at last. "I should like to know what you think of your visitor." "Ah, she's not mine--she's papa's," Pansy objected. "Miss Archer came to see you as well," said Madame Merle. "I'm very happy to hear that. She has been very polite to me." "Do you like her then?" the Countess asked. "She's charming--charming," Pansy repeated in her little neat conversational tone. "She pleases me thoroughly." "And how do you think she pleases your father?" "Ah really, Countess!" murmured Madame Merle dissuasively. "Go and call them to tea," she went on to the child. "You'll see if they don't like it!" Pansy declared; and departed to summon the others, who had still lingered at the end of the terrace. "If Miss Archer's to become her mother it's surely interesting to know if the child likes her," said the Countess. "If your brother marries again it won't be for Pansy's sake," Madame Merle replied. "She'll soon be sixteen, and after that she'll begin to need a husband rather than a stepmother." "And will you provide the husband as well?" "I shall certainly take an interest in her marrying fortunately. I imagine you'll do the same." "Indeed I shan't!" cried the Countess. "Why should I, of all women, set such a price on a husband?" "You didn't marry fortunately; that's what I'm speaking of. When I say a husband I mean a good one." "There are no good ones. Osmond won't be a good one." Madame Merle closed her eyes a moment. "You're irritated just now; I don't know why," she presently said. "I don't think you'll really object either to your brother's or to your niece's marrying, when the time comes for them to do so; and as regards Pansy I'm confident that we shall some day have the pleasure of looking for a husband for her together. Your large acquaintance will be a great help." "Yes, I'm irritated," the Countess answered. "You often irritate me. Your own coolness is fabulous. You're a strange woman." "It's much better that we should always act together," Madame Merle went on. "Do you mean that as a threat?" asked the Countess rising. Madame Merle shook her head as for quiet amusement. "No indeed, you've not my coolness!" Isabel and Mr. Osmond were now slowly coming toward them and Isabel had taken Pansy by the hand. "Do you pretend to believe he'd make her happy?" the Countess demanded. "If he should marry Miss Archer I suppose he'd behave like a gentleman." The Countess jerked herself into a succession of attitudes. "Do you mean as most gentlemen behave? That would be much to be thankful for! Of course Osmond's a gentleman; his own sister needn't be reminded of that. But does he think he can marry any girl he happens to pick out? Osmond's a gentleman, of course; but I must say I've NEVER, no, no, never, seen any one of Osmond's pretensions! What they're all founded on is more than I can say. I'm his own sister; I might be supposed to know. Who is he, if you please? What has he ever done? If there had been anything particularly grand in his origin--if he were made of some superior clay--I presume I should have got some inkling of it. If there had been any great honours or splendours in the family I should certainly have made the most of them: they would have been quite in my line. But there's nothing, nothing, nothing. One's parents were charming people of course; but so were yours, I've no doubt. Every one's a charming person nowadays. Even I'm a charming person; don't laugh, it has literally been said. As for Osmond, he has always appeared to believe that he's descended from the gods." "You may say what you please," said Madame Merle, who had listened to this quick outbreak none the less attentively, we may believe, because her eye wandered away from the speaker and her hands busied themselves with adjusting the knots of ribbon on her dress. "You Osmonds are a fine race--your blood must flow from some very pure source. Your brother, like an intelligent man, has had the conviction of it if he has not had the proofs. You're modest about it, but you yourself are extremely distinguished. What do you say about your niece? The child's a little princess. Nevertheless," Madame Merle added, "it won't be an easy matter for Osmond to marry Miss Archer. Yet he can try." "I hope she'll refuse him. It will take him down a little." "We mustn't forget that he is one of the cleverest of men." "I've heard you say that before, but I haven't yet discovered what he has done." "What he has done? He has done nothing that has had to be undone. And he has known how to wait." "To wait for Miss Archer's money? How much of it is there?" "That's not what I mean," said Madame Merle. "Miss Archer has seventy thousand pounds." "Well, it's a pity she's so charming," the Countess declared. "To be sacrificed, any girl would do. She needn't be superior." "If she weren't superior your brother would never look at her. He must have the best." "Yes," returned the Countess as they went forward a little to meet the others, "he's very hard to satisfy. That makes me tremble for her happiness!"

Chapter 25

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-24-26

Meanwhile, Madame Merle and Countess Gemini's conversation, occurring at the same time as Isabel and Osmond's conversation, is recounted. Countess Gemini declares that she does not approve of Madame Merle's plan. Madame Merle claims that she has no plan, and that she is not calculating. Countess Gemini declares that she will thwart Merle and Osmond's plan, warning Isabel of her brother's character. Merle warns her that this will simply backfire, and Isabel will dislike Gemini. Merle believes that Isabel has already fallen in love with Osmond, after only two meetings. Madame Merle has Pansy make some tea, and Pansy is very eager to please. Merle and Gemini continue the discussion. Countess Gemini asks Merle if she thinks Osmond will make Isabel happy, and Merle responds that he would at least behave like a gentleman. Merle informs the countess that Isabel has seventy thousand pounds, and Countess Gemini responds by saying that it is a pity that such a charming girl needs to be sacrificed

In Chapter 24, Isabel gets an impression of Osmond's home. Note that she does not see it as so ominous an object as the narrator has previously described the villa. Rather than seeing it as a house with windows that do not allow communication with the world , Isabel's perspective allows the narrator to briefly remark upon the "grave" air of the place, as if one would "need an act of energy to get out" of it once inside . The narrator counterbalances this observation with the remark that Isabel is only thinking about "advancing" though, and her thoughts are not nearly so foreboding. In the previous conversation between Madame Merle and Osmond, the setting has offered a reflection of the atmosphere: something sinister is going on between Madame Merle and Osmond, in this very secluded house. In this scene however, the signs are ignored, or poorly read. Notably Isabel herself realizes that she does not know how to read the people and the objects in the house, as the occasion "signified more than lay on the surface" for her . In other words, the narrator is setting up a contrast between a more objective interpretation of the house and Isabel's more interested, ambitious reading of the house. She wants to see more than lays beyond the surface, she wants to read into the signs, but she believes it is written in a cryptic language. The narrator's previous description of the house signifies that there is not much more than a superficial shell in this house: that signs do not point to a deeper meaning to be interpreted, but rather everything points to keeping the interpreter mystified through its lack of depth. This kind of deception is a reference to the larger deception that aesthetic objects play on people. Aesthetics is the analysis of art; it refers to the philosophical question of why we find something beautiful. So, for example, one can look at a beautiful artistic object and believe that there must be some deeper meaning or some higher "value" that is being referred to in it. One might believe it is a moral value, or an intellectual value, to which the various signs in a painting refer. Or, we could apply the same question to a novel: why do we read? What makes a book worthy of being read? Does it make us more moral people when we read? Or do we learn some higher truth about life? We believe that the signs of fiction might point us in a particular direction in life, give us some guidance. However, by treating aesthetics in the context of a novel, James is hinting at the idea that art is all an illusion. There is a trick being played: it looks like all the signs refer to some deeper meaning, but in fact, they are creating the illusion of depth by means of blocking the reader from pinning a definite interpretation upon them. That is what is happening to Isabel here. She is unable to figure out what values Osmond is referring to, what standards he uses to judge. But she is still interested because she believes there is a value. But if Osmond is revealed to be a bad person with no morality and no higher values, then it will show that she has created the illusion of value from her own inability to interpret the signs. She has tricked herself into believing there is depth, when there is only superficiality. Another theme that is relevant is the relationship between commodities and people. It is notable that many of Henry James' descriptions of characters end up being a comparison between a person and inanimate objects. Here, it seems that Osmond, who has so many nice objects and allows their value to all appreciate here in his own home as if they were collector's items, is comparing a woman to a commodity: "A woman's natural mission is to be where she's most appreciated," he says . This is an eerie description of moral value, with an indication that he is actually referring to financial value. Similarly, Isabel begins to see him as an aesthetic object: a painting with a low-tone. In Chapter 25, we get a sense of what the true motivations of the characters are, beneath their appearances. There is the mention of money and marriage again: Isabel has seventy thousand pounds. But it is not quite clear why Madame Merle would be interested in giving Osmond Isabel's fortune through marriage. What does she have to gain from making this match? As a first time reader, it would be easy to overlook this chapter as the eccentric worries of Countess Gemini, who has been portrayed as a busybody. This foreshadows the true nature of Osmond.

gradesaver

all_chapterized_books/2833-chapters/26.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_9_part_3.txt

The Portrait of a Lady.chapter 26

chapter 26

{"name": "Chapter 26", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-24-26", "summary": "Gilbert Osmond goes to visit Isabel five times at Palazzo Crescentini, where she and her aunt are staying. Mrs. Touchett notices the anomaly: while Osmond has visited her before, he has never done so quite so often. Ralph enjoys Osmond's company, and he understands Osmond's attraction to Isabel. They both guess at his true motivation. They both though do not believe Isabel would want to marry him. Mrs. Touchett believes she will not marry Osmond because he does not correspond with any conception of success that she has. Ralph believes Isabel will turn him down, because she is \"studying human nature\" and busy retaining her liberty. Mrs. Touchett wants to tell Isabel that Osmond will probably propose marriage, and Madame Merle prevents her, claiming that she will speak to Osmond about the matter. Madame Merle tells Mrs. Touchett not to inflame Isabel's imagination. Mrs. Touchett retorts that she never did such a thing in her whole life. Meanwhile, Isabel has no idea that others are discussing her relationship to Osmond. She merely has a picture in her mind of Osmond -- described as a picture without \"flourishes\" a low tone, and an atmosphere of summer twilight. Countess Gemini visits the house as well. She is not well regarded by others, as apparently some of her improprieties have managed to circulate as gossip around town. Madame Merle defends Countess Gemini against Mrs. Touchett's annoyance. Merle explains to Isabel that one need only observe the condition of not believing a single thing Countess Gemini said and then she was quite tolerable. Of course, according to Madame Merle's description of Countess Gemini, she is not well liked by her brother, because Osmond likes women who find the truth sacred. Mr. Bantling and Henrietta also pay a visit to Isabel. They decide to go to Rome together, as Henrietta Stackpole is now devoting herself to studying the outer aspects of life in Continental Europe. When Isabel informs Osmond of her intentions , he says he would like to see it with her, although he declines her invitation to do so in a group with others. He claims he cannot leave Pansy. Madame Merle and Osmond have a conversation at Countess Gemini's, in private. Madame Merle counsels him to go to Rome. Osmond thinks it sounds like a lot of work and Madame Merle responds that he is ungrateful. Osmond says that Isabel is not disagreeable, but she has one fault. She has too many ideas\". He is glad, at the very least, that she has bad ideas, since they will have to be sacrificed", "analysis": "In Chapter 24, Isabel gets an impression of Osmond's home. Note that she does not see it as so ominous an object as the narrator has previously described the villa. Rather than seeing it as a house with windows that do not allow communication with the world , Isabel's perspective allows the narrator to briefly remark upon the \"grave\" air of the place, as if one would \"need an act of energy to get out\" of it once inside . The narrator counterbalances this observation with the remark that Isabel is only thinking about \"advancing\" though, and her thoughts are not nearly so foreboding. In the previous conversation between Madame Merle and Osmond, the setting has offered a reflection of the atmosphere: something sinister is going on between Madame Merle and Osmond, in this very secluded house. In this scene however, the signs are ignored, or poorly read. Notably Isabel herself realizes that she does not know how to read the people and the objects in the house, as the occasion \"signified more than lay on the surface\" for her . In other words, the narrator is setting up a contrast between a more objective interpretation of the house and Isabel's more interested, ambitious reading of the house. She wants to see more than lays beyond the surface, she wants to read into the signs, but she believes it is written in a cryptic language. The narrator's previous description of the house signifies that there is not much more than a superficial shell in this house: that signs do not point to a deeper meaning to be interpreted, but rather everything points to keeping the interpreter mystified through its lack of depth. This kind of deception is a reference to the larger deception that aesthetic objects play on people. Aesthetics is the analysis of art; it refers to the philosophical question of why we find something beautiful. So, for example, one can look at a beautiful artistic object and believe that there must be some deeper meaning or some higher \"value\" that is being referred to in it. One might believe it is a moral value, or an intellectual value, to which the various signs in a painting refer. Or, we could apply the same question to a novel: why do we read? What makes a book worthy of being read? Does it make us more moral people when we read? Or do we learn some higher truth about life? We believe that the signs of fiction might point us in a particular direction in life, give us some guidance. However, by treating aesthetics in the context of a novel, James is hinting at the idea that art is all an illusion. There is a trick being played: it looks like all the signs refer to some deeper meaning, but in fact, they are creating the illusion of depth by means of blocking the reader from pinning a definite interpretation upon them. That is what is happening to Isabel here. She is unable to figure out what values Osmond is referring to, what standards he uses to judge. But she is still interested because she believes there is a value. But if Osmond is revealed to be a bad person with no morality and no higher values, then it will show that she has created the illusion of value from her own inability to interpret the signs. She has tricked herself into believing there is depth, when there is only superficiality. Another theme that is relevant is the relationship between commodities and people. It is notable that many of Henry James' descriptions of characters end up being a comparison between a person and inanimate objects. Here, it seems that Osmond, who has so many nice objects and allows their value to all appreciate here in his own home as if they were collector's items, is comparing a woman to a commodity: \"A woman's natural mission is to be where she's most appreciated,\" he says . This is an eerie description of moral value, with an indication that he is actually referring to financial value. Similarly, Isabel begins to see him as an aesthetic object: a painting with a low-tone. In Chapter 25, we get a sense of what the true motivations of the characters are, beneath their appearances. There is the mention of money and marriage again: Isabel has seventy thousand pounds. But it is not quite clear why Madame Merle would be interested in giving Osmond Isabel's fortune through marriage. What does she have to gain from making this match? As a first time reader, it would be easy to overlook this chapter as the eccentric worries of Countess Gemini, who has been portrayed as a busybody. This foreshadows the true nature of Osmond."}

Gilbert Osmond came to see Isabel again; that is he came to Palazzo Crescentini. He had other friends there as well, and to Mrs. Touchett and Madame Merle he was always impartially civil; but the former of these ladies noted the fact that in the course of a fortnight he called five times, and compared it with another fact that she found no difficulty in remembering. Two visits a year had hitherto constituted his regular tribute to Mrs. Touchett's worth, and she had never observed him select for such visits those moments, of almost periodical recurrence, when Madame Merle was under her roof. It was not for Madame Merle that he came; these two were old friends and he never put himself out for her. He was not fond of Ralph--Ralph had told her so--and it was not supposable that Mr. Osmond had suddenly taken a fancy to her son. Ralph was imperturbable--Ralph had a kind of loose-fitting urbanity that wrapped him about like an ill-made overcoat, but of which he never divested himself; he thought Mr. Osmond very good company and was willing at any time to look at him in the light of hospitality. But he didn't flatter himself that the desire to repair a past injustice was the motive of their visitor's calls; he read the situation more clearly. Isabel was the attraction, and in all conscience a sufficient one. Osmond was a critic, a student of the exquisite, and it was natural he should be curious of so rare an apparition. So when his mother observed to him that it was plain what Mr. Osmond was thinking of, Ralph replied that he was quite of her opinion. Mrs. Touchett had from far back found a place on her scant list for this gentleman, though wondering dimly by what art and what process--so negative and so wise as they were--he had everywhere effectively imposed himself. As he had never been an importunate visitor he had had no chance to be offensive, and he was recommended to her by his appearance of being as well able to do without her as she was to do without him--a quality that always, oddly enough, affected her as providing ground for a relation with her. It gave her no satisfaction, however, to think that he had taken it into his head to marry her niece. Such an alliance, on Isabel's part, would have an air of almost morbid perversity. Mrs. Touchett easily remembered that the girl had refused an English peer; and that a young lady with whom Lord Warburton had not successfully wrestled should content herself with an obscure American dilettante, a middle-aged widower with an uncanny child and an ambiguous income, this answered to nothing in Mrs. Touchett's conception of success. She took, it will be observed, not the sentimental, but the political, view of matrimony--a view which has always had much to recommend it. "I trust she won't have the folly to listen to him," she said to her son; to which Ralph replied that Isabel's listening was one thing and Isabel's answering quite another. He knew she had listened to several parties, as his father would have said, but had made them listen in return; and he found much entertainment in the idea that in these few months of his knowing her he should observe a fresh suitor at her gate. She had wanted to see life, and fortune was serving her to her taste; a succession of fine gentlemen going down on their knees to her would do as well as anything else. Ralph looked forward to a fourth, a fifth, a tenth besieger; he had no conviction she would stop at a third. She would keep the gate ajar and open a parley; she would certainly not allow number three to come in. He expressed this view, somewhat after this fashion, to his mother, who looked at him as if he had been dancing a jig. He had such a fanciful, pictorial way of saying things that he might as well address her in the deaf-mute's alphabet. "I don't think I know what you mean," she said; "you use too many figures of speech; I could never understand allegories. The two words in the language I most respect are Yes and No. If Isabel wants to marry Mr. Osmond she'll do so in spite of all your comparisons. Let her alone to find a fine one herself for anything she undertakes. I know very little about the young man in America; I don't think she spends much of her time in thinking of him, and I suspect he has got tired of waiting for her. There's nothing in life to prevent her marrying Mr. Osmond if she only looks at him in a certain way. That's all very well; no one approves more than I of one's pleasing one's self. But she takes her pleasure in such odd things; she's capable of marrying Mr. Osmond for the beauty of his opinions or for his autograph of Michael Angelo. She wants to be disinterested: as if she were the only person who's in danger of not being so! Will HE be so disinterested when he has the spending of her money? That was her idea before your father's death, and it has acquired new charms for her since. She ought to marry some one of whose disinterestedness she shall herself be sure; and there would be no such proof of that as his having a fortune of his own." "My dear mother, I'm not afraid," Ralph answered. "She's making fools of us all. She'll please herself, of course; but she'll do so by studying human nature at close quarters and yet retaining her liberty. She has started on an exploring expedition, and I don't think she'll change her course, at the outset, at a signal from Gilbert Osmond. She may have slackened speed for an hour, but before we know it she'll be steaming away again. Excuse another metaphor." Mrs. Touchett excused it perhaps, but was not so much reassured as to withhold from Madame Merle the expression of her fears. "You who know everything," she said, "you must know this: whether that curious creature's really making love to my niece." "Gilbert Osmond?" Madame Merle widened her clear eyes and, with a full intelligence, "Heaven help us," she exclaimed, "that's an idea!" "Hadn't it occurred to you?" "You make me feel an idiot, but I confess it hadn't. I wonder," she added, "if it has occurred to Isabel." "Oh, I shall now ask her," said Mrs. Touchett. Madame Merle reflected. "Don't put it into her head. The thing would be to ask Mr. Osmond." "I can't do that," said Mrs. Touchett. "I won't have him enquire of me--as he perfectly may with that air of his, given Isabel's situation--what business it is of mine." "I'll ask him myself," Madame Merle bravely declared. "But what business--for HIM--is it of yours?" "It's being none whatever is just why I can afford to speak. It's so much less my business than any one's else that he can put me off with anything he chooses. But it will be by the way he does this that I shall know." "Pray let me hear then," said Mrs. Touchett, "of the fruits of your penetration. If I can't speak to him, however, at least I can speak to Isabel." Her companion sounded at this the note of warning. "Don't be too quick with her. Don't inflame her imagination." "I never did anything in life to any one's imagination. But I'm always sure of her doing something--well, not of MY kind." "No, you wouldn't like this," Madame Merle observed without the point of interrogation. "Why in the world should I, pray? Mr. Osmond has nothing the least solid to offer." Again Madame Merle was silent while her thoughtful smile drew up her mouth even more charmingly than usual toward the left corner. "Let us distinguish. Gilbert Osmond's certainly not the first comer. He's a man who in favourable conditions might very well make a great impression. He has made a great impression, to my knowledge, more than once." "Don't tell me about his probably quite cold-blooded love-affairs; they're nothing to me!" Mrs. Touchett cried. "What you say's precisely why I wish he would cease his visits. He has nothing in the world that I know of but a dozen or two of early masters and a more or less pert little daughter." "The early masters are now worth a good deal of money," said Madame Merle, "and the daughter's a very young and very innocent and very harmless person." "In other words she's an insipid little chit. Is that what you mean? Having no fortune she can't hope to marry as they marry here; so that Isabel will have to furnish her either with a maintenance or with a dowry." "Isabel probably wouldn't object to being kind to her. I think she likes the poor child." "Another reason then for Mr. Osmond's stopping at home! Otherwise, a week hence, we shall have my niece arriving at the conviction that her mission in life's to prove that a stepmother may sacrifice herself--and that, to prove it, she must first become one." "She would make a charming stepmother," smiled Madame Merle; "but I quite agree with you that she had better not decide upon her mission too hastily. Changing the form of one's mission's almost as difficult as changing the shape of one's nose: there they are, each, in the middle of one's face and one's character--one has to begin too far back. But I'll investigate and report to you." All this went on quite over Isabel's head; she had no suspicions that her relations with Mr. Osmond were being discussed. Madame Merle had said nothing to put her on her guard; she alluded no more pointedly to him than to the other gentlemen of Florence, native and foreign, who now arrived in considerable numbers to pay their respects to Miss Archer's aunt. Isabel thought him interesting--she came back to that; she liked so to think of him. She had carried away an image from her visit to his hill-top which her subsequent knowledge of him did nothing to efface and which put on for her a particular harmony with other supposed and divined things, histories within histories: the image of a quiet, clever, sensitive, distinguished man, strolling on a moss-grown terrace above the sweet Val d'Arno and holding by the hand a little girl whose bell-like clearness gave a new grace to childhood. The picture had no flourishes, but she liked its lowness of tone and the atmosphere of summer twilight that pervaded it. It spoke of the kind of personal issue that touched her most nearly; of the choice between objects, subjects, contacts--what might she call them?--of a thin and those of a rich association; of a lonely, studious life in a lovely land; of an old sorrow that sometimes ached to-day; of a feeling of pride that was perhaps exaggerated, but that had an element of nobleness; of a care for beauty and perfection so natural and so cultivated together that the career appeared to stretch beneath it in the disposed vistas and with the ranges of steps and terraces and fountains of a formal Italian garden--allowing only for arid places freshened by the natural dews of a quaint half-anxious, half-helpless fatherhood. At Palazzo Crescentini Mr. Osmond's manner remained the same; diffident at first--oh self-conscious beyond doubt! and full of the effort (visible only to a sympathetic eye) to overcome this disadvantage; an effort which usually resulted in a great deal of easy, lively, very positive, rather aggressive, always suggestive talk. Mr. Osmond's talk was not injured by the indication of an eagerness to shine; Isabel found no difficulty in believing that a person was sincere who had so many of the signs of strong conviction--as for instance an explicit and graceful appreciation of anything that might be said on his own side of the question, said perhaps by Miss Archer in especial. What continued to please this young woman was that while he talked so for amusement he didn't talk, as she had heard people, for "effect." He uttered his ideas as if, odd as they often appeared, he were used to them and had lived with them; old polished knobs and heads and handles, of precious substance, that could be fitted if necessary to new walking-sticks--not switches plucked in destitution from the common tree and then too elegantly waved about. One day he brought his small daughter with him, and she rejoiced to renew acquaintance with the child, who, as she presented her forehead to be kissed by every member of the circle, reminded her vividly of an ingenue in a French play. Isabel had never seen a little person of this pattern; American girls were very different--different too were the maidens of England. Pansy was so formed and finished for her tiny place in the world, and yet in imagination, as one could see, so innocent and infantine. She sat on the sofa by Isabel; she wore a small grenadine mantle and a pair of the useful gloves that Madame Merle had given her--little grey gloves with a single button. She was like a sheet of blank paper--the ideal jeune fille of foreign fiction. Isabel hoped that so fair and smooth a page would be covered with an edifying text. The Countess Gemini also came to call upon her, but the Countess was quite another affair. She was by no means a blank sheet; she had been written over in a variety of hands, and Mrs. Touchett, who felt by no means honoured by her visit, pronounced that a number of unmistakeable blots were to be seen upon her surface. The Countess gave rise indeed to some discussion between the mistress of the house and the visitor from Rome, in which Madame Merle (who was not such a fool as to irritate people by always agreeing with them) availed herself felicitously enough of that large licence of dissent which her hostess permitted as freely as she practised it. Mrs. Touchett had declared it a piece of audacity that this highly compromised character should have presented herself at such a time of day at the door of a house in which she was esteemed so little as she must long have known herself to be at Palazzo Crescentini. Isabel had been made acquainted with the estimate prevailing under that roof: it represented Mr. Osmond's sister as a lady who had so mismanaged her improprieties that they had ceased to hang together at all--which was at the least what one asked of such matters--and had become the mere floating fragments of a wrecked renown, incommoding social circulation. She had been married by her mother--a more administrative person, with an appreciation of foreign titles which the daughter, to do her justice, had probably by this time thrown off--to an Italian nobleman who had perhaps given her some excuse for attempting to quench the consciousness of outrage. The Countess, however, had consoled herself outrageously, and the list of her excuses had now lost itself in the labyrinth of her adventures. Mrs. Touchett had never consented to receive her, though the Countess had made overtures of old. Florence was not an austere city; but, as Mrs. Touchett said, she had to draw the line somewhere. Madame Merle defended the luckless lady with a great deal of zeal and wit. She couldn't see why Mrs. Touchett should make a scapegoat of a woman who had really done no harm, who had only done good in the wrong way. One must certainly draw the line, but while one was about it one should draw it straight: it was a very crooked chalk-mark that would exclude the Countess Gemini. In that case Mrs. Touchett had better shut up her house; this perhaps would be the best course so long as she remained in Florence. One must be fair and not make arbitrary differences: the Countess had doubtless been imprudent, she had not been so clever as other women. She was a good creature, not clever at all; but since when had that been a ground of exclusion from the best society? For ever so long now one had heard nothing about her, and there could be no better proof of her having renounced the error of her ways than her desire to become a member of Mrs. Touchett's circle. Isabel could contribute nothing to this interesting dispute, not even a patient attention; she contented herself with having given a friendly welcome to the unfortunate lady, who, whatever her defects, had at least the merit of being Mr. Osmond's sister. As she liked the brother Isabel thought it proper to try and like the sister: in spite of the growing complexity of things she was still capable of these primitive sequences. She had not received the happiest impression of the Countess on meeting her at the villa, but was thankful for an opportunity to repair the accident. Had not Mr. Osmond remarked that she was a respectable person? To have proceeded from Gilbert Osmond this was a crude proposition, but Madame Merle bestowed upon it a certain improving polish. She told Isabel more about the poor Countess than Mr. Osmond had done, and related the history of her marriage and its consequences. The Count was a member of an ancient Tuscan family, but of such small estate that he had been glad to accept Amy Osmond, in spite of the questionable beauty which had yet not hampered her career, with the modest dowry her mother was able to offer--a sum about equivalent to that which had already formed her brother's share of their patrimony. Count Gemini since then, however, had inherited money, and now they were well enough off, as Italians went, though Amy was horribly extravagant. The Count was a low-lived brute; he had given his wife every pretext. She had no children; she had lost three within a year of their birth. Her mother, who had bristled with pretensions to elegant learning and published descriptive poems and corresponded on Italian subjects with the English weekly journals, her mother had died three years after the Countess's marriage, the father, lost in the grey American dawn of the situation, but reputed originally rich and wild, having died much earlier. One could see this in Gilbert Osmond, Madame Merle held--see that he had been brought up by a woman; though, to do him justice, one would suppose it had been by a more sensible woman than the American Corinne, as Mrs. Osmond had liked to be called. She had brought her children to Italy after her husband's death, and Mrs. Touchett remembered her during the year that followed her arrival. She thought her a horrible snob; but this was an irregularity of judgement on Mrs. Touchett's part, for she, like Mrs. Osmond, approved of political marriages. The Countess was very good company and not really the featherhead she seemed; all one had to do with her was to observe the simple condition of not believing a word she said. Madame Merle had always made the best of her for her brother's sake; he appreciated any kindness shown to Amy, because (if it had to be confessed for him) he rather felt she let down their common name. Naturally he couldn't like her style, her shrillness, her egotism, her violations of taste and above all of truth: she acted badly on his nerves, she was not HIS sort of woman. What was his sort of woman? Oh, the very opposite of the Countess, a woman to whom the truth should be habitually sacred. Isabel was unable to estimate the number of times her visitor had, in half an hour, profaned it: the Countess indeed had given her an impression of rather silly sincerity. She had talked almost exclusively about herself; how much she should like to know Miss Archer; how thankful she should be for a real friend; how base the people in Florence were; how tired she was of the place; how much she should like to live somewhere else--in Paris, in London, in Washington; how impossible it was to get anything nice to wear in Italy except a little old lace; how dear the world was growing everywhere; what a life of suffering and privation she had led. Madame Merle listened with interest to Isabel's account of this passage, but she had not needed it to feel exempt from anxiety. On the whole she was not afraid of the Countess, and she could afford to do what was altogether best--not to appear so. Isabel had meanwhile another visitor, whom it was not, even behind her back, so easy a matter to patronise. Henrietta Stackpole, who had left Paris after Mrs. Touchett's departure for San Remo and had worked her way down, as she said, through the cities of North Italy, reached the banks of the Arno about the middle of May. Madame Merle surveyed her with a single glance, took her in from head to foot, and after a pang of despair determined to endure her. She determined indeed to delight in her. She mightn't be inhaled as a rose, but she might be grasped as a nettle. Madame Merle genially squeezed her into insignificance, and Isabel felt that in foreseeing this liberality she had done justice to her friend's intelligence. Henrietta's arrival had been announced by Mr. Bantling, who, coming down from Nice while she was at Venice, and expecting to find her in Florence, which she had not yet reached, called at Palazzo Crescentini to express his disappointment. Henrietta's own advent occurred two days later and produced in Mr. Bantling an emotion amply accounted for by the fact that he had not seen her since the termination of the episode at Versailles. The humorous view of his situation was generally taken, but it was uttered only by Ralph Touchett, who, in the privacy of his own apartment, when Bantling smoked a cigar there, indulged in goodness knew what strong comedy on the subject of the all-judging one and her British backer. This gentleman took the joke in perfectly good part and candidly confessed that he regarded the affair as a positive intellectual adventure. He liked Miss Stackpole extremely; he thought she had a wonderful head on her shoulders, and found great comfort in the society of a woman who was not perpetually thinking about what would be said and how what she did, how what they did--and they had done things!--would look. Miss Stackpole never cared how anything looked, and, if she didn't care, pray why should he? But his curiosity had been roused; he wanted awfully to see if she ever WOULD care. He was prepared to go as far as she--he didn't see why he should break down first. Henrietta showed no signs of breaking down. Her prospects had brightened on her leaving England, and she was now in the full enjoyment of her copious resources. She had indeed been obliged to sacrifice her hopes with regard to the inner life; the social question, on the Continent, bristled with difficulties even more numerous than those she had encountered in England. But on the Continent there was the outer life, which was palpable and visible at every turn, and more easily convertible to literary uses than the customs of those opaque islanders. Out of doors in foreign lands, as she ingeniously remarked, one seemed to see the right side of the tapestry; out of doors in England one seemed to see the wrong side, which gave one no notion of the figure. The admission costs her historian a pang, but Henrietta, despairing of more occult things, was now paying much attention to the outer life. She had been studying it for two months at Venice, from which city she sent to the Interviewer a conscientious account of the gondolas, the Piazza, the Bridge of Sighs, the pigeons and the young boatman who chanted Tasso. The Interviewer was perhaps disappointed, but Henrietta was at least seeing Europe. Her present purpose was to get down to Rome before the malaria should come on--she apparently supposed that it began on a fixed day; and with this design she was to spend at present but few days in Florence. Mr. Bantling was to go with her to Rome, and she pointed out to Isabel that as he had been there before, as he was a military man and as he had had a classical education--he had been bred at Eton, where they study nothing but Latin and Whyte-Melville, said Miss Stackpole--he would be a most useful companion in the city of the Caesars. At this juncture Ralph had the happy idea of proposing to Isabel that she also, under his own escort, should make a pilgrimage to Rome. She expected to pass a portion of the next winter there--that was very well; but meantime there was no harm in surveying the field. There were ten days left of the beautiful month of May--the most precious month of all to the true Rome-lover. Isabel would become a Rome-lover; that was a foregone conclusion. She was provided with a trusty companion of her own sex, whose society, thanks to the fact of other calls on this lady's attention, would probably not be oppressive. Madame Merle would remain with Mrs. Touchett; she had left Rome for the summer and wouldn't care to return. She professed herself delighted to be left at peace in Florence; she had locked up her apartment and sent her cook home to Palestrina. She urged Isabel, however, to assent to Ralph's proposal, and assured her that a good introduction to Rome was not a thing to be despised. Isabel in truth needed no urging, and the party of four arranged its little journey. Mrs. Touchett, on this occasion, had resigned herself to the absence of a duenna; we have seen that she now inclined to the belief that her niece should stand alone. One of Isabel's preparations consisted of her seeing Gilbert Osmond before she started and mentioning her intention to him. "I should like to be in Rome with you," he commented. "I should like to see you on that wonderful ground." She scarcely faltered. "You might come then." "But you'll have a lot of people with you." "Ah," Isabel admitted, "of course I shall not be alone." For a moment he said nothing more. "You'll like it," he went on at last. "They've spoiled it, but you'll rave about it." "Ought I to dislike it because, poor old dear--the Niobe of Nations, you know--it has been spoiled?" she asked. "No, I think not. It has been spoiled so often," he smiled. "If I were to go, what should I do with my little girl?" "Can't you leave her at the villa?" "I don't know that I like that--though there's a very good old woman who looks after her. I can't afford a governess." "Bring her with you then," said Isabel promptly. Mr. Osmond looked grave. "She has been in Rome all winter, at her convent; and she's too young to make journeys of pleasure." "You don't like bringing her forward?" Isabel enquired. "No, I think young girls should be kept out of the world." "I was brought up on a different system." "You? Oh, with you it succeeded, because you--you were exceptional." "I don't see why," said Isabel, who, however, was not sure there was not some truth in the speech. Mr. Osmond didn't explain; he simply went on: "If I thought it would make her resemble you to join a social group in Rome I'd take her there to-morrow." "Don't make her resemble me," said Isabel. "Keep her like herself." "I might send her to my sister," Mr. Osmond observed. He had almost the air of asking advice; he seemed to like to talk over his domestic matters with Miss Archer. "Yes," she concurred; "I think that wouldn't do much towards making her resemble me!" After she had left Florence Gilbert Osmond met Madame Merle at the Countess Gemini's. There were other people present; the Countess's drawing-room was usually well filled, and the talk had been general, but after a while Osmond left his place and came and sat on an ottoman half-behind, half-beside Madame Merle's chair. "She wants me to go to Rome with her," he remarked in a low voice. "To go with her?" "To be there while she's there. She proposed it. "I suppose you mean that you proposed it and she assented." "Of course I gave her a chance. But she's encouraging--she's very encouraging." "I rejoice to hear it--but don't cry victory too soon. Of course you'll go to Rome." "Ah," said Osmond, "it makes one work, this idea of yours!" "Don't pretend you don't enjoy it--you're very ungrateful. You've not been so well occupied these many years." "The way you take it's beautiful," said Osmond. "I ought to be grateful for that." "Not too much so, however," Madame Merle answered. She talked with her usual smile, leaning back in her chair and looking round the room. "You've made a very good impression, and I've seen for myself that you've received one. You've not come to Mrs. Touchett's seven times to oblige me." "The girl's not disagreeable," Osmond quietly conceded. Madame Merle dropped her eye on him a moment, during which her lips closed with a certain firmness. "Is that all you can find to say about that fine creature?" "All? Isn't it enough? Of how many people have you heard me say more?" She made no answer to this, but still presented her talkative grace to the room. "You're unfathomable," she murmured at last. "I'm frightened at the abyss into which I shall have cast her." He took it almost gaily. "You can't draw back--you've gone too far." "Very good; but you must do the rest yourself." "I shall do it," said Gilbert Osmond. Madame Merle remained silent and he changed his place again; but when she rose to go he also took leave. Mrs. Touchett's victoria was awaiting her guest in the court, and after he had helped his friend into it he stood there detaining her. "You're very indiscreet," she said rather wearily; "you shouldn't have moved when I did." He had taken off his hat; he passed his hand over his forehead. "I always forget; I'm out of the habit." "You're quite unfathomable," she repeated, glancing up at the windows of the house, a modern structure in the new part of the town. He paid no heed to this remark, but spoke in his own sense. "She's really very charming. I've scarcely known any one more graceful." "It does me good to hear you say that. The better you like her the better for me." "I like her very much. She's all you described her, and into the bargain capable, I feel, of great devotion. She has only one fault." "What's that?" "Too many ideas." "I warned you she was clever." "Fortunately they're very bad ones," said Osmond. "Why is that fortunate?" "Dame, if they must be sacrificed!" Madame Merle leaned back, looking straight before her; then she spoke to the coachman. But her friend again detained her. "If I go to Rome what shall I do with Pansy?" "I'll go and see her," said Madame Merle.

Chapter 26

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-24-26

Gilbert Osmond goes to visit Isabel five times at Palazzo Crescentini, where she and her aunt are staying. Mrs. Touchett notices the anomaly: while Osmond has visited her before, he has never done so quite so often. Ralph enjoys Osmond's company, and he understands Osmond's attraction to Isabel. They both guess at his true motivation. They both though do not believe Isabel would want to marry him. Mrs. Touchett believes she will not marry Osmond because he does not correspond with any conception of success that she has. Ralph believes Isabel will turn him down, because she is "studying human nature" and busy retaining her liberty. Mrs. Touchett wants to tell Isabel that Osmond will probably propose marriage, and Madame Merle prevents her, claiming that she will speak to Osmond about the matter. Madame Merle tells Mrs. Touchett not to inflame Isabel's imagination. Mrs. Touchett retorts that she never did such a thing in her whole life. Meanwhile, Isabel has no idea that others are discussing her relationship to Osmond. She merely has a picture in her mind of Osmond -- described as a picture without "flourishes" a low tone, and an atmosphere of summer twilight. Countess Gemini visits the house as well. She is not well regarded by others, as apparently some of her improprieties have managed to circulate as gossip around town. Madame Merle defends Countess Gemini against Mrs. Touchett's annoyance. Merle explains to Isabel that one need only observe the condition of not believing a single thing Countess Gemini said and then she was quite tolerable. Of course, according to Madame Merle's description of Countess Gemini, she is not well liked by her brother, because Osmond likes women who find the truth sacred. Mr. Bantling and Henrietta also pay a visit to Isabel. They decide to go to Rome together, as Henrietta Stackpole is now devoting herself to studying the outer aspects of life in Continental Europe. When Isabel informs Osmond of her intentions , he says he would like to see it with her, although he declines her invitation to do so in a group with others. He claims he cannot leave Pansy. Madame Merle and Osmond have a conversation at Countess Gemini's, in private. Madame Merle counsels him to go to Rome. Osmond thinks it sounds like a lot of work and Madame Merle responds that he is ungrateful. Osmond says that Isabel is not disagreeable, but she has one fault. She has too many ideas". He is glad, at the very least, that she has bad ideas, since they will have to be sacrificed

In Chapter 24, Isabel gets an impression of Osmond's home. Note that she does not see it as so ominous an object as the narrator has previously described the villa. Rather than seeing it as a house with windows that do not allow communication with the world , Isabel's perspective allows the narrator to briefly remark upon the "grave" air of the place, as if one would "need an act of energy to get out" of it once inside . The narrator counterbalances this observation with the remark that Isabel is only thinking about "advancing" though, and her thoughts are not nearly so foreboding. In the previous conversation between Madame Merle and Osmond, the setting has offered a reflection of the atmosphere: something sinister is going on between Madame Merle and Osmond, in this very secluded house. In this scene however, the signs are ignored, or poorly read. Notably Isabel herself realizes that she does not know how to read the people and the objects in the house, as the occasion "signified more than lay on the surface" for her . In other words, the narrator is setting up a contrast between a more objective interpretation of the house and Isabel's more interested, ambitious reading of the house. She wants to see more than lays beyond the surface, she wants to read into the signs, but she believes it is written in a cryptic language. The narrator's previous description of the house signifies that there is not much more than a superficial shell in this house: that signs do not point to a deeper meaning to be interpreted, but rather everything points to keeping the interpreter mystified through its lack of depth. This kind of deception is a reference to the larger deception that aesthetic objects play on people. Aesthetics is the analysis of art; it refers to the philosophical question of why we find something beautiful. So, for example, one can look at a beautiful artistic object and believe that there must be some deeper meaning or some higher "value" that is being referred to in it. One might believe it is a moral value, or an intellectual value, to which the various signs in a painting refer. Or, we could apply the same question to a novel: why do we read? What makes a book worthy of being read? Does it make us more moral people when we read? Or do we learn some higher truth about life? We believe that the signs of fiction might point us in a particular direction in life, give us some guidance. However, by treating aesthetics in the context of a novel, James is hinting at the idea that art is all an illusion. There is a trick being played: it looks like all the signs refer to some deeper meaning, but in fact, they are creating the illusion of depth by means of blocking the reader from pinning a definite interpretation upon them. That is what is happening to Isabel here. She is unable to figure out what values Osmond is referring to, what standards he uses to judge. But she is still interested because she believes there is a value. But if Osmond is revealed to be a bad person with no morality and no higher values, then it will show that she has created the illusion of value from her own inability to interpret the signs. She has tricked herself into believing there is depth, when there is only superficiality. Another theme that is relevant is the relationship between commodities and people. It is notable that many of Henry James' descriptions of characters end up being a comparison between a person and inanimate objects. Here, it seems that Osmond, who has so many nice objects and allows their value to all appreciate here in his own home as if they were collector's items, is comparing a woman to a commodity: "A woman's natural mission is to be where she's most appreciated," he says . This is an eerie description of moral value, with an indication that he is actually referring to financial value. Similarly, Isabel begins to see him as an aesthetic object: a painting with a low-tone. In Chapter 25, we get a sense of what the true motivations of the characters are, beneath their appearances. There is the mention of money and marriage again: Isabel has seventy thousand pounds. But it is not quite clear why Madame Merle would be interested in giving Osmond Isabel's fortune through marriage. What does she have to gain from making this match? As a first time reader, it would be easy to overlook this chapter as the eccentric worries of Countess Gemini, who has been portrayed as a busybody. This foreshadows the true nature of Osmond.

gradesaver

all_chapterized_books/2833-chapters/27.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_10_part_1.txt

The Portrait of a Lady.chapter 27

chapter 27

{"name": "Chapter 27", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-27-30", "summary": "Isabel visits Rome with Ralph, Henrietta, and Mr. Bantling. One day, they are visiting some old Roman ruins that are in the process of being excavated. Henrietta and Mr. Bantling wander off together, and Ralph goes to see an archaeological dig that is in process, leaving Isabel alone with her thoughts. She is distracted, thinking little about her outside surroundings, and very much preoccupied with her inner world. However, she has little time to herself because suddenly Lord Warburton appears. They are equally surprised to see one another. He explains that he is stopping in Rome after having travelled to Turkey and the Asia Minor for 6 months. He then cannot help but declare that he still loves her, and he has written her many letters during their time apart, which he has then burned before sending. Isabel is still firm: she wants to be friendly with him but does not want to encourage him. The next day, the group of four and Lord Warburton visit Saint Peter's Basilica. They have completed a walk around the church and are watching a choir singing at the entrance of the church, when Isabel suddenly discovers Gilbert Osmond has been watching her. He tells her that he decided to come, and that her hotel told him that he would find her here. Isabel blushes at the thought of what she had previously said to Lord Warburton when she rejected him, as she juxtaposes it with the image of Gilbert Osmond in Rome with herself. Gilbert Osmond meets the group, and Henrietta declares all of Isabel's companions in Europe to be unlikeable people. Osmond mentions that he thinks being in Saint Peter's makes one feel small. Meanwhile, Lord Warburton asks Ralph privately about Gilbert Osmond: does Ralph think Isabel will accept a marriage proposal from Osmond, if that is indeed his intention. Ralph replies that he thinks she will not accept so long as they do nothing to prevent the marriage", "analysis": "In these chapters, we start to see the significance of one person's view of oneself for determining one's actions and preferences in the world. Isabel likes how she herself is seen by Gilbert Osmond; Gilbert Osmond likes how Lord Warburton sees Isabel, and decides that Isabel is worthy of being admired because of it; and Ralph believes that if he and Lord Warburton do not suggest Isabel that Gilbert Osmond is not a good suitor, that she will not act the contrary part and end up marrying him. Isabel seems to be an original because she likes to act contrary to how people expect her to, so Ralph believes that if they do not want her to marry Gilbert Osmond, she will do the opposite. Yet, Isabel also likes how she is seen from the eyes of Gilbert Osmond -- but she is here trying to act contrary to this vision, as if she wanted to continue asserting her liberty. However, the problem is that Gilbert Osmond does not give her something very concrete to react against: it is instead a vague image, as he does not even propose marriage to her. This allows for her imagination to grow enormously. If he had proposed marriage, it seems that she would have had an immediate reaction to the contrary. It is interesting to consider the growth of Isabel's imagination in the context of the sudden appearances of Lord Warburton and Gilbert Osmond, which are juxtaposed against each other. Lord Warburton interrupts her inner world, as if he is a daydream come alive. He admits that she has appeared to him as if he had wished her into existence, but the set up of the scene implies to us that Isabel herself has wished him into existence. Yet, it is almost as if this exact correspondence to her imagination is something that Isabel cannot accept: she is too ambitious to be satisfied with the concrete reality of any of her ideas, and thus she rejects him. Notably, the background references the buried past: she is in a site where they have archaeological digs. It is as if something real and concrete has been dug up from her past life and appeared here in Rome -- Lord Warburton himself. In contrast, Gilbert Osmond appears in Saint Peter's basilica, described as a place where most people are disappointed. Isabel though is not disappointed, because she is capable of imagining something that is not there, while also ignoring that which is actually present before her eyes. We are led to believe that this is how she sees Osmond: she can imagine a lot of vague things about him, because she is blind to what is right before her eyes, and because she is not able to concretely grasp what he is about. Osmond's vague declaration of love serves to further this pattern. Because he is not concretely offering his hand in marriage, she is instead allowed to imagine further possibilities as to where their relationship might go, to have her own original idea about them, rather than slotting them into a conventional social form. Isabel's imagination works best when it is vague or when it is working against something concrete. But when something corresponds to her imagination, it is as if she is scared of something -- perhaps disappointment of how pathetic reality actually is. Pansy's characterization in Chapter 30 gives plenty of room for Isabel's imagination, but it has little substance in itself. She is described as a blank page, so that Isabel can project what she wishes to upon her. It seems that this might be the seed for Isabel's later acceptance of Osmond's proposal of marriage. Isabel would like to do something for the child - she would like to give Pansy the choice to marry or not. This could be one interpretation of Isabel's psychological motivations for marrying Gilbert Osmond. In Chapter 30, we get an indication of what the social mores were at the time. It was inappropriate for young women to visit unmarried men alone. This is evidence of the Victorian prudery of the time. Isabel makes a good point in noting that Merle has visited Osmond alone and it has not mattered. There is a suggestion though that Merle has made a point of allowing her visits not \"to signify.\" This is an interesting theme throughout the work: what do social conventions signify, and how do they signify? For example, what does it mean when someone acts inappropriately - does it mean that this person is vulgar? Merle hints that she is a master of manipulating the signs of social conventions: she can control how things signify, rather than simply accepting that they signify something obvious. See Sharon Cameron's work for more on how characters manipulate social signs and meaning."}

I may not attempt to report in its fulness our young woman's response to the deep appeal of Rome, to analyse her feelings as she trod the pavement of the Forum or to number her pulsations as she crossed the threshold of Saint Peter's. It is enough to say that her impression was such as might have been expected of a person of her freshness and her eagerness. She had always been fond of history, and here was history in the stones of the street and the atoms of the sunshine. She had an imagination that kindled at the mention of great deeds, and wherever she turned some great deed had been acted. These things strongly moved her, but moved her all inwardly. It seemed to her companions that she talked less than usual, and Ralph Touchett, when he appeared to be looking listlessly and awkwardly over her head, was really dropping on her an intensity of observation. By her own measure she was very happy; she would even have been willing to take these hours for the happiest she was ever to know. The sense of the terrible human past was heavy to her, but that of something altogether contemporary would suddenly give it wings that it could wave in the blue. Her consciousness was so mixed that she scarcely knew where the different parts of it would lead her, and she went about in a repressed ecstasy of contemplation, seeing often in the things she looked at a great deal more than was there, and yet not seeing many of the items enumerated in her Murray. Rome, as Ralph said, confessed to the psychological moment. The herd of reechoing tourists had departed and most of the solemn places had relapsed into solemnity. The sky was a blaze of blue, and the plash of the fountains in their mossy niches had lost its chill and doubled its music. On the corners of the warm, bright streets one stumbled on bundles of flowers. Our friends had gone one afternoon--it was the third of their stay--to look at the latest excavations in the Forum, these labours having been for some time previous largely extended. They had descended from the modern street to the level of the Sacred Way, along which they wandered with a reverence of step which was not the same on the part of each. Henrietta Stackpole was struck with the fact that ancient Rome had been paved a good deal like New York, and even found an analogy between the deep chariot-ruts traceable in the antique street and the overjangled iron grooves which express the intensity of American life. The sun had begun to sink, the air was a golden haze, and the long shadows of broken column and vague pedestal leaned across the field of ruin. Henrietta wandered away with Mr. Bantling, whom it was apparently delightful to her to hear speak of Julius Caesar as a "cheeky old boy," and Ralph addressed such elucidations as he was prepared to offer to the attentive ear of our heroine. One of the humble archeologists who hover about the place had put himself at the disposal of the two, and repeated his lesson with a fluency which the decline of the season had done nothing to impair. A process of digging was on view in a remote corner of the Forum, and he presently remarked that if it should please the signori to go and watch it a little they might see something of interest. The proposal commended itself more to Ralph than to Isabel, weary with much wandering; so that she admonished her companion to satisfy his curiosity while she patiently awaited his return. The hour and the place were much to her taste--she should enjoy being briefly alone. Ralph accordingly went off with the cicerone while Isabel sat down on a prostrate column near the foundations of the Capitol. She wanted a short solitude, but she was not long to enjoy it. Keen as was her interest in the rugged relics of the Roman past that lay scattered about her and in which the corrosion of centuries had still left so much of individual life, her thoughts, after resting a while on these things, had wandered, by a concatenation of stages it might require some subtlety to trace, to regions and objects charged with a more active appeal. From the Roman past to Isabel Archer's future was a long stride, but her imagination had taken it in a single flight and now hovered in slow circles over the nearer and richer field. She was so absorbed in her thoughts, as she bent her eyes upon a row of cracked but not dislocated slabs covering the ground at her feet, that she had not heard the sound of approaching footsteps before a shadow was thrown across the line of her vision. She looked up and saw a gentleman--a gentleman who was not Ralph come back to say that the excavations were a bore. This personage was startled as she was startled; he stood there baring his head to her perceptibly pale surprise. "Lord Warburton!" Isabel exclaimed as she rose. "I had no idea it was you. I turned that corner and came upon you." She looked about her to explain. "I'm alone, but my companions have just left me. My cousin's gone to look at the work over there." "Ah yes; I see." And Lord Warburton's eyes wandered vaguely in the direction she had indicated. He stood firmly before her now; he had recovered his balance and seemed to wish to show it, though very kindly. "Don't let me disturb you," he went on, looking at her dejected pillar. "I'm afraid you're tired." "Yes, I'm rather tired." She hesitated a moment, but sat down again. "Don't let me interrupt you," she added. "Oh dear, I'm quite alone, I've nothing on earth to do. I had no idea you were in Rome. I've just come from the East. I'm only passing through." "You've been making a long journey," said Isabel, who had learned from Ralph that Lord Warburton was absent from England. "Yes, I came abroad for six months--soon after I saw you last. I've been in Turkey and Asia Minor; I came the other day from Athens." He managed not to be awkward, but he wasn't easy, and after a longer look at the girl he came down to nature. "Do you wish me to leave you, or will you let me stay a little?" She took it all humanely. "I don't wish you to leave me, Lord Warburton; I'm very glad to see you." "Thank you for saying that. May I sit down?" The fluted shaft on which she had taken her seat would have afforded a resting-place to several persons, and there was plenty of room even for a highly-developed Englishman. This fine specimen of that great class seated himself near our young lady, and in the course of five minutes he had asked her several questions, taken rather at random and to which, as he put some of them twice over, he apparently somewhat missed catching the answer; had given her too some information about himself which was not wasted upon her calmer feminine sense. He repeated more than once that he had not expected to meet her, and it was evident that the encounter touched him in a way that would have made preparation advisable. He began abruptly to pass from the impunity of things to their solemnity, and from their being delightful to their being impossible. He was splendidly sunburnt; even his multitudinous beard had been burnished by the fire of Asia. He was dressed in the loose-fitting, heterogeneous garments in which the English traveller in foreign lands is wont to consult his comfort and affirm his nationality; and with his pleasant steady eyes, his bronzed complexion, fresh beneath its seasoning, his manly figure, his minimising manner and his general air of being a gentleman and an explorer, he was such a representative of the British race as need not in any clime have been disavowed by those who have a kindness for it. Isabel noted these things and was glad she had always liked him. He had kept, evidently in spite of shocks, every one of his merits--properties these partaking of the essence of great decent houses, as one might put it; resembling their innermost fixtures and ornaments, not subject to vulgar shifting and removable only by some whole break-up. They talked of the matters naturally in order; her uncle's death, Ralph's state of health, the way she had passed her winter, her visit to Rome, her return to Florence, her plans for the summer, the hotel she was staying at; and then of Lord Warburton's own adventures, movements, intentions, impressions and present domicile. At last there was a silence, and it said so much more than either had said that it scarce needed his final words. "I've written to you several times." "Written to me? I've never had your letters." "I never sent them. I burned them up." "Ah," laughed Isabel, "it was better that you should do that than I!" "I thought you wouldn't care for them," he went on with a simplicity that touched her. "It seemed to me that after all I had no right to trouble you with letters." "I should have been very glad to have news of you. You know how I hoped that--that--" But she stopped; there would be such a flatness in the utterance of her thought. "I know what you're going to say. You hoped we should always remain good friends." This formula, as Lord Warburton uttered it, was certainly flat enough; but then he was interested in making it appear so. She found herself reduced simply to "Please don't talk of all that"; a speech which hardly struck her as improvement on the other. "It's a small consolation to allow me!" her companion exclaimed with force. "I can't pretend to console you," said the girl, who, all still as she sat there, threw herself back with a sort of inward triumph on the answer that had satisfied him so little six months before. He was pleasant, he was powerful, he was gallant; there was no better man than he. But her answer remained. "It's very well you don't try to console me; it wouldn't be in your power," she heard him say through the medium of her strange elation. "I hoped we should meet again, because I had no fear you would attempt to make me feel I had wronged you. But when you do that--the pain's greater than the pleasure." And she got up with a small conscious majesty, looking for her companions. "I don't want to make you feel that; of course I can't say that. I only just want you to know one or two things--in fairness to myself, as it were. I won't return to the subject again. I felt very strongly what I expressed to you last year; I couldn't think of anything else. I tried to forget--energetically, systematically. I tried to take an interest in somebody else. I tell you this because I want you to know I did my duty. I didn't succeed. It was for the same purpose I went abroad--as far away as possible. They say travelling distracts the mind, but it didn't distract mine. I've thought of you perpetually, ever since I last saw you. I'm exactly the same. I love you just as much, and everything I said to you then is just as true. This instant at which I speak to you shows me again exactly how, to my great misfortune, you just insuperably charm me. There--I can't say less. I don't mean, however, to insist; it's only for a moment. I may add that when I came upon you a few minutes since, without the smallest idea of seeing you, I was, upon my honour, in the very act of wishing I knew where you were." He had recovered his self-control, and while he spoke it became complete. He might have been addressing a small committee--making all quietly and clearly a statement of importance; aided by an occasional look at a paper of notes concealed in his hat, which he had not again put on. And the committee, assuredly, would have felt the point proved. "I've often thought of you, Lord Warburton," Isabel answered. "You may be sure I shall always do that." And she added in a tone of which she tried to keep up the kindness and keep down the meaning: "There's no harm in that on either side." They walked along together, and she was prompt to ask about his sisters and request him to let them know she had done so. He made for the moment no further reference to their great question, but dipped again into shallower and safer waters. But he wished to know when she was to leave Rome, and on her mentioning the limit of her stay declared he was glad it was still so distant. "Why do you say that if you yourself are only passing through?" she enquired with some anxiety. "Ah, when I said I was passing through I didn't mean that one would treat Rome as if it were Clapham Junction. To pass through Rome is to stop a week or two." "Say frankly that you mean to stay as long as I do!" His flushed smile, for a little, seemed to sound her. "You won't like that. You're afraid you'll see too much of me." "It doesn't matter what I like. I certainly can't expect you to leave this delightful place on my account. But I confess I'm afraid of you." "Afraid I'll begin again? I promise to be very careful." They had gradually stopped and they stood a moment face to face. "Poor Lord Warburton!" she said with a compassion intended to be good for both of them. "Poor Lord Warburton indeed! But I'll be careful." "You may be unhappy, but you shall not make ME so. That I can't allow." "If I believed I could make you unhappy I think I should try it." At this she walked in advance and he also proceeded. "I'll never say a word to displease you." "Very good. If you do, our friendship's at an end." "Perhaps some day--after a while--you'll give me leave." "Give you leave to make me unhappy?" He hesitated. "To tell you again--" But he checked himself. "I'll keep it down. I'll keep it down always." Ralph Touchett had been joined in his visit to the excavation by Miss Stackpole and her attendant, and these three now emerged from among the mounds of earth and stone collected round the aperture and came into sight of Isabel and her companion. Poor Ralph hailed his friend with joy qualified by wonder, and Henrietta exclaimed in a high voice "Gracious, there's that lord!" Ralph and his English neighbour greeted with the austerity with which, after long separations, English neighbours greet, and Miss Stackpole rested her large intellectual gaze upon the sunburnt traveller. But she soon established her relation to the crisis. "I don't suppose you remember me, sir." "Indeed I do remember you," said Lord Warburton. "I asked you to come and see me, and you never came." "I don't go everywhere I'm asked," Miss Stackpole answered coldly. "Ah well, I won't ask you again," laughed the master of Lockleigh. "If you do I'll go; so be sure!" Lord Warburton, for all his hilarity, seemed sure enough. Mr. Bantling had stood by without claiming a recognition, but he now took occasion to nod to his lordship, who answered him with a friendly "Oh, you here, Bantling?" and a hand-shake. "Well," said Henrietta, "I didn't know you knew him!" "I guess you don't know every one I know," Mr. Bantling rejoined facetiously. "I thought that when an Englishman knew a lord he always told you." "Ah, I'm afraid Bantling was ashamed of me," Lord Warburton laughed again. Isabel took pleasure in that note; she gave a small sigh of relief as they kept their course homeward. The next day was Sunday; she spent her morning over two long letters--one to her sister Lily, the other to Madame Merle; but in neither of these epistles did she mention the fact that a rejected suitor had threatened her with another appeal. Of a Sunday afternoon all good Romans (and the best Romans are often the northern barbarians) follow the custom of going to vespers at Saint Peter's; and it had been agreed among our friends that they would drive together to the great church. After lunch, an hour before the carriage came, Lord Warburton presented himself at the Hotel de Paris and paid a visit to the two ladies, Ralph Touchett and Mr. Bantling having gone out together. The visitor seemed to have wished to give Isabel a proof of his intention to keep the promise made her the evening before; he was both discreet and frank--not even dumbly importunate or remotely intense. He thus left her to judge what a mere good friend he could be. He talked about his travels, about Persia, about Turkey, and when Miss Stackpole asked him whether it would "pay" for her to visit those countries assured her they offered a great field to female enterprise. Isabel did him justice, but she wondered what his purpose was and what he expected to gain even by proving the superior strain of his sincerity. If he expected to melt her by showing what a good fellow he was, he might spare himself the trouble. She knew the superior strain of everything about him, and nothing he could now do was required to light the view. Moreover his being in Rome at all affected her as a complication of the wrong sort--she liked so complications of the right. Nevertheless, when, on bringing his call to a close, he said he too should be at Saint Peter's and should look out for her and her friends, she was obliged to reply that he must follow his convenience. In the church, as she strolled over its tesselated acres, he was the first person she encountered. She had not been one of the superior tourists who are "disappointed" in Saint Peter's and find it smaller than its fame; the first time she passed beneath the huge leathern curtain that strains and bangs at the entrance, the first time she found herself beneath the far-arching dome and saw the light drizzle down through the air thickened with incense and with the reflections of marble and gilt, of mosaic and bronze, her conception of greatness rose and dizzily rose. After this it never lacked space to soar. She gazed and wondered like a child or a peasant, she paid her silent tribute to the seated sublime. Lord Warburton walked beside her and talked of Saint Sophia of Constantinople; she feared for instance that he would end by calling attention to his exemplary conduct. The service had not yet begun, but at Saint Peter's there is much to observe, and as there is something almost profane in the vastness of the place, which seems meant as much for physical as for spiritual exercise, the different figures and groups, the mingled worshippers and spectators, may follow their various intentions without conflict or scandal. In that splendid immensity individual indiscretion carries but a short distance. Isabel and her companions, however, were guilty of none; for though Henrietta was obliged in candour to declare that Michael Angelo's dome suffered by comparison with that of the Capitol at Washington, she addressed her protest chiefly to Mr. Bantling's ear and reserved it in its more accentuated form for the columns of the Interviewer. Isabel made the circuit of the church with his lordship, and as they drew near the choir on the left of the entrance the voices of the Pope's singers were borne to them over the heads of the large number of persons clustered outside the doors. They paused a while on the skirts of this crowd, composed in equal measure of Roman cockneys and inquisitive strangers, and while they stood there the sacred concert went forward. Ralph, with Henrietta and Mr. Bantling, was apparently within, where Isabel, looking beyond the dense group in front of her, saw the afternoon light, silvered by clouds of incense that seemed to mingle with the splendid chant, slope through the embossed recesses of high windows. After a while the singing stopped and then Lord Warburton seemed disposed to move off with her. Isabel could only accompany him; whereupon she found herself confronted with Gilbert Osmond, who appeared to have been standing at a short distance behind her. He now approached with all the forms--he appeared to have multiplied them on this occasion to suit the place. "So you decided to come?" she said as she put out her hand. "Yes, I came last night and called this afternoon at your hotel. They told me you had come here, and I looked about for you." "The others are inside," she decided to say. "I didn't come for the others," he promptly returned. She looked away; Lord Warburton was watching them; perhaps he had heard this. Suddenly she remembered it to be just what he had said to her the morning he came to Gardencourt to ask her to marry him. Mr. Osmond's words had brought the colour to her cheek, and this reminiscence had not the effect of dispelling it. She repaired any betrayal by mentioning to each companion the name of the other, and fortunately at this moment Mr. Bantling emerged from the choir, cleaving the crowd with British valour and followed by Miss Stackpole and Ralph Touchett. I say fortunately, but this is perhaps a superficial view of the matter; since on perceiving the gentleman from Florence Ralph Touchett appeared to take the case as not committing him to joy. He didn't hang back, however, from civility, and presently observed to Isabel, with due benevolence, that she would soon have all her friends about her. Miss Stackpole had met Mr. Osmond in Florence, but she had already found occasion to say to Isabel that she liked him no better than her other admirers--than Mr. Touchett and Lord Warburton, and even than little Mr. Rosier in Paris. "I don't know what it's in you," she had been pleased to remark, "but for a nice girl you do attract the most unnatural people. Mr. Goodwood's the only one I've any respect for, and he's just the one you don't appreciate." "What's your opinion of Saint Peter's?" Mr. Osmond was meanwhile enquiring of our young lady. "It's very large and very bright," she contented herself with replying. "It's too large; it makes one feel like an atom." "Isn't that the right way to feel in the greatest of human temples?" she asked with rather a liking for her phrase. "I suppose it's the right way to feel everywhere, when one IS nobody. But I like it in a church as little as anywhere else." "You ought indeed to be a Pope!" Isabel exclaimed, remembering something he had referred to in Florence. "Ah, I should have enjoyed that!" said Gilbert Osmond. Lord Warburton meanwhile had joined Ralph Touchett, and the two strolled away together. "Who's the fellow speaking to Miss Archer?" his lordship demanded. "His name's Gilbert Osmond--he lives in Florence," Ralph said. "What is he besides?" "Nothing at all. Oh yes, he's an American; but one forgets that--he's so little of one." "Has he known Miss Archer long?" "Three or four weeks." "Does she like him?" "She's trying to find out." "And will she?" "Find out--?" Ralph asked. "Will she like him?" "Do you mean will she accept him?" "Yes," said Lord Warburton after an instant; "I suppose that's what I horribly mean." "Perhaps not if one does nothing to prevent it," Ralph replied. His lordship stared a moment, but apprehended. "Then we must be perfectly quiet?" "As quiet as the grave. And only on the chance!" Ralph added. "The chance she may?" "The chance she may not?" Lord Warburton took this at first in silence, but he spoke again. "Is he awfully clever?" "Awfully," said Ralph. His companion thought. "And what else?" "What more do you want?" Ralph groaned. "Do you mean what more does SHE?" Ralph took him by the arm to turn him: they had to rejoin the others. "She wants nothing that WE can give her." "Ah well, if she won't have You--!" said his lordship handsomely as they went.

Chapter 27

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-27-30

Isabel visits Rome with Ralph, Henrietta, and Mr. Bantling. One day, they are visiting some old Roman ruins that are in the process of being excavated. Henrietta and Mr. Bantling wander off together, and Ralph goes to see an archaeological dig that is in process, leaving Isabel alone with her thoughts. She is distracted, thinking little about her outside surroundings, and very much preoccupied with her inner world. However, she has little time to herself because suddenly Lord Warburton appears. They are equally surprised to see one another. He explains that he is stopping in Rome after having travelled to Turkey and the Asia Minor for 6 months. He then cannot help but declare that he still loves her, and he has written her many letters during their time apart, which he has then burned before sending. Isabel is still firm: she wants to be friendly with him but does not want to encourage him. The next day, the group of four and Lord Warburton visit Saint Peter's Basilica. They have completed a walk around the church and are watching a choir singing at the entrance of the church, when Isabel suddenly discovers Gilbert Osmond has been watching her. He tells her that he decided to come, and that her hotel told him that he would find her here. Isabel blushes at the thought of what she had previously said to Lord Warburton when she rejected him, as she juxtaposes it with the image of Gilbert Osmond in Rome with herself. Gilbert Osmond meets the group, and Henrietta declares all of Isabel's companions in Europe to be unlikeable people. Osmond mentions that he thinks being in Saint Peter's makes one feel small. Meanwhile, Lord Warburton asks Ralph privately about Gilbert Osmond: does Ralph think Isabel will accept a marriage proposal from Osmond, if that is indeed his intention. Ralph replies that he thinks she will not accept so long as they do nothing to prevent the marriage

In these chapters, we start to see the significance of one person's view of oneself for determining one's actions and preferences in the world. Isabel likes how she herself is seen by Gilbert Osmond; Gilbert Osmond likes how Lord Warburton sees Isabel, and decides that Isabel is worthy of being admired because of it; and Ralph believes that if he and Lord Warburton do not suggest Isabel that Gilbert Osmond is not a good suitor, that she will not act the contrary part and end up marrying him. Isabel seems to be an original because she likes to act contrary to how people expect her to, so Ralph believes that if they do not want her to marry Gilbert Osmond, she will do the opposite. Yet, Isabel also likes how she is seen from the eyes of Gilbert Osmond -- but she is here trying to act contrary to this vision, as if she wanted to continue asserting her liberty. However, the problem is that Gilbert Osmond does not give her something very concrete to react against: it is instead a vague image, as he does not even propose marriage to her. This allows for her imagination to grow enormously. If he had proposed marriage, it seems that she would have had an immediate reaction to the contrary. It is interesting to consider the growth of Isabel's imagination in the context of the sudden appearances of Lord Warburton and Gilbert Osmond, which are juxtaposed against each other. Lord Warburton interrupts her inner world, as if he is a daydream come alive. He admits that she has appeared to him as if he had wished her into existence, but the set up of the scene implies to us that Isabel herself has wished him into existence. Yet, it is almost as if this exact correspondence to her imagination is something that Isabel cannot accept: she is too ambitious to be satisfied with the concrete reality of any of her ideas, and thus she rejects him. Notably, the background references the buried past: she is in a site where they have archaeological digs. It is as if something real and concrete has been dug up from her past life and appeared here in Rome -- Lord Warburton himself. In contrast, Gilbert Osmond appears in Saint Peter's basilica, described as a place where most people are disappointed. Isabel though is not disappointed, because she is capable of imagining something that is not there, while also ignoring that which is actually present before her eyes. We are led to believe that this is how she sees Osmond: she can imagine a lot of vague things about him, because she is blind to what is right before her eyes, and because she is not able to concretely grasp what he is about. Osmond's vague declaration of love serves to further this pattern. Because he is not concretely offering his hand in marriage, she is instead allowed to imagine further possibilities as to where their relationship might go, to have her own original idea about them, rather than slotting them into a conventional social form. Isabel's imagination works best when it is vague or when it is working against something concrete. But when something corresponds to her imagination, it is as if she is scared of something -- perhaps disappointment of how pathetic reality actually is. Pansy's characterization in Chapter 30 gives plenty of room for Isabel's imagination, but it has little substance in itself. She is described as a blank page, so that Isabel can project what she wishes to upon her. It seems that this might be the seed for Isabel's later acceptance of Osmond's proposal of marriage. Isabel would like to do something for the child - she would like to give Pansy the choice to marry or not. This could be one interpretation of Isabel's psychological motivations for marrying Gilbert Osmond. In Chapter 30, we get an indication of what the social mores were at the time. It was inappropriate for young women to visit unmarried men alone. This is evidence of the Victorian prudery of the time. Isabel makes a good point in noting that Merle has visited Osmond alone and it has not mattered. There is a suggestion though that Merle has made a point of allowing her visits not "to signify." This is an interesting theme throughout the work: what do social conventions signify, and how do they signify? For example, what does it mean when someone acts inappropriately - does it mean that this person is vulgar? Merle hints that she is a master of manipulating the signs of social conventions: she can control how things signify, rather than simply accepting that they signify something obvious. See Sharon Cameron's work for more on how characters manipulate social signs and meaning.

gradesaver

all_chapterized_books/2833-chapters/28.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_10_part_2.txt

The Portrait of a Lady.chapter 28

chapter 28

{"name": "Chapter 28", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-27-30", "summary": "The next day Lord Warburton goes to the opera, where he knows he will find Isabel and the others. He spots Isabel in a box with Gilbert Osmond and decides to join her. Lord Warburton then glumly watches the two together during the opera. He feels angry and puzzled. Osmond later asks about Lord Warburton. Upon finding out about his character and his fortune, he declares that he would like to be Lord Warburton. Isabel jokes that he is always envying someone, and Osmond responds that his envy is not dangerous. A day later, Lord Warburton abruptly announces that he is leaving Rome, when he encounters them in the gallery of the Capitol. Isabel, then, left alone, in front of the statue of the Dying Gladiator, feeling the vividness of the past. Isabel wonders about these Greek sculptures around her, wondering what they would say if they were alive. After she is sitting alone for half an hour, Gilbert Osmond appears. Osmond notes that Isabel is quite cruel to Lord Warburton. We learn that Osmond, who is very fond of originals, takes a real liking from the idea that Lord Warburton desires Isabel. He likes the idea of taking a \"young lady who had qualified herself to figure in his collection of choice objects by declining so noble a hand\". In other words, he thinks of Isabel as a collector's object that he will hoard for himself. She has more value now that she has had the original idea of rejecting such an aristocratic figure as Lord Warburton", "analysis": "In these chapters, we start to see the significance of one person's view of oneself for determining one's actions and preferences in the world. Isabel likes how she herself is seen by Gilbert Osmond; Gilbert Osmond likes how Lord Warburton sees Isabel, and decides that Isabel is worthy of being admired because of it; and Ralph believes that if he and Lord Warburton do not suggest Isabel that Gilbert Osmond is not a good suitor, that she will not act the contrary part and end up marrying him. Isabel seems to be an original because she likes to act contrary to how people expect her to, so Ralph believes that if they do not want her to marry Gilbert Osmond, she will do the opposite. Yet, Isabel also likes how she is seen from the eyes of Gilbert Osmond -- but she is here trying to act contrary to this vision, as if she wanted to continue asserting her liberty. However, the problem is that Gilbert Osmond does not give her something very concrete to react against: it is instead a vague image, as he does not even propose marriage to her. This allows for her imagination to grow enormously. If he had proposed marriage, it seems that she would have had an immediate reaction to the contrary. It is interesting to consider the growth of Isabel's imagination in the context of the sudden appearances of Lord Warburton and Gilbert Osmond, which are juxtaposed against each other. Lord Warburton interrupts her inner world, as if he is a daydream come alive. He admits that she has appeared to him as if he had wished her into existence, but the set up of the scene implies to us that Isabel herself has wished him into existence. Yet, it is almost as if this exact correspondence to her imagination is something that Isabel cannot accept: she is too ambitious to be satisfied with the concrete reality of any of her ideas, and thus she rejects him. Notably, the background references the buried past: she is in a site where they have archaeological digs. It is as if something real and concrete has been dug up from her past life and appeared here in Rome -- Lord Warburton himself. In contrast, Gilbert Osmond appears in Saint Peter's basilica, described as a place where most people are disappointed. Isabel though is not disappointed, because she is capable of imagining something that is not there, while also ignoring that which is actually present before her eyes. We are led to believe that this is how she sees Osmond: she can imagine a lot of vague things about him, because she is blind to what is right before her eyes, and because she is not able to concretely grasp what he is about. Osmond's vague declaration of love serves to further this pattern. Because he is not concretely offering his hand in marriage, she is instead allowed to imagine further possibilities as to where their relationship might go, to have her own original idea about them, rather than slotting them into a conventional social form. Isabel's imagination works best when it is vague or when it is working against something concrete. But when something corresponds to her imagination, it is as if she is scared of something -- perhaps disappointment of how pathetic reality actually is. Pansy's characterization in Chapter 30 gives plenty of room for Isabel's imagination, but it has little substance in itself. She is described as a blank page, so that Isabel can project what she wishes to upon her. It seems that this might be the seed for Isabel's later acceptance of Osmond's proposal of marriage. Isabel would like to do something for the child - she would like to give Pansy the choice to marry or not. This could be one interpretation of Isabel's psychological motivations for marrying Gilbert Osmond. In Chapter 30, we get an indication of what the social mores were at the time. It was inappropriate for young women to visit unmarried men alone. This is evidence of the Victorian prudery of the time. Isabel makes a good point in noting that Merle has visited Osmond alone and it has not mattered. There is a suggestion though that Merle has made a point of allowing her visits not \"to signify.\" This is an interesting theme throughout the work: what do social conventions signify, and how do they signify? For example, what does it mean when someone acts inappropriately - does it mean that this person is vulgar? Merle hints that she is a master of manipulating the signs of social conventions: she can control how things signify, rather than simply accepting that they signify something obvious. See Sharon Cameron's work for more on how characters manipulate social signs and meaning."}

On the morrow, in the evening, Lord Warburton went again to see his friends at their hotel, and at this establishment he learned that they had gone to the opera. He drove to the opera with the idea of paying them a visit in their box after the easy Italian fashion; and when he had obtained his admittance--it was one of the secondary theatres--looked about the large, bare, ill-lighted house. An act had just terminated and he was at liberty to pursue his quest. After scanning two or three tiers of boxes he perceived in one of the largest of these receptacles a lady whom he easily recognised. Miss Archer was seated facing the stage and partly screened by the curtain of the box; and beside her, leaning back in his chair, was Mr. Gilbert Osmond. They appeared to have the place to themselves, and Warburton supposed their companions had taken advantage of the recess to enjoy the relative coolness of the lobby. He stood a while with his eyes on the interesting pair; he asked himself if he should go up and interrupt the harmony. At last he judged that Isabel had seen him, and this accident determined him. There should be no marked holding off. He took his way to the upper regions and on the staircase met Ralph Touchett slowly descending, his hat at the inclination of ennui and his hands where they usually were. "I saw you below a moment since and was going down to you. I feel lonely and want company," was Ralph's greeting. "You've some that's very good which you've yet deserted." "Do you mean my cousin? Oh, she has a visitor and doesn't want me. Then Miss Stackpole and Bantling have gone out to a cafe to eat an ice--Miss Stackpole delights in an ice. I didn't think they wanted me either. The opera's very bad; the women look like laundresses and sing like peacocks. I feel very low." "You had better go home," Lord Warburton said without affectation. "And leave my young lady in this sad place? Ah no, I must watch over her." "She seems to have plenty of friends." "Yes, that's why I must watch," said Ralph with the same large mock-melancholy. "If she doesn't want you it's probable she doesn't want me." "No, you're different. Go to the box and stay there while I walk about." Lord Warburton went to the box, where Isabel's welcome was as to a friend so honourably old that he vaguely asked himself what queer temporal province she was annexing. He exchanged greetings with Mr. Osmond, to whom he had been introduced the day before and who, after he came in, sat blandly apart and silent, as if repudiating competence in the subjects of allusion now probable. It struck her second visitor that Miss Archer had, in operatic conditions, a radiance, even a slight exaltation; as she was, however, at all times a keenly-glancing, quickly-moving, completely animated young woman, he may have been mistaken on this point. Her talk with him moreover pointed to presence of mind; it expressed a kindness so ingenious and deliberate as to indicate that she was in undisturbed possession of her faculties. Poor Lord Warburton had moments of bewilderment. She had discouraged him, formally, as much as a woman could; what business had she then with such arts and such felicities, above all with such tones of reparation--preparation? Her voice had tricks of sweetness, but why play them on HIM? The others came back; the bare, familiar, trivial opera began again. The box was large, and there was room for him to remain if he would sit a little behind and in the dark. He did so for half an hour, while Mr. Osmond remained in front, leaning forward, his elbows on his knees, just behind Isabel. Lord Warburton heard nothing, and from his gloomy corner saw nothing but the clear profile of this young lady defined against the dim illumination of the house. When there was another interval no one moved. Mr. Osmond talked to Isabel, and Lord Warburton kept his corner. He did so but for a short time, however; after which he got up and bade good-night to the ladies. Isabel said nothing to detain him, but it didn't prevent his being puzzled again. Why should she mark so one of his values--quite the wrong one--when she would have nothing to do with another, which was quite the right? He was angry with himself for being puzzled, and then angry for being angry. Verdi's music did little to comfort him, and he left the theatre and walked homeward, without knowing his way, through the tortuous, tragic streets of Rome, where heavier sorrows than his had been carried under the stars. "What's the character of that gentleman?" Osmond asked of Isabel after he had retired. "Irreproachable--don't you see it?" "He owns about half England; that's his character," Henrietta remarked. "That's what they call a free country!" "Ah, he's a great proprietor? Happy man!" said Gilbert Osmond. "Do you call that happiness--the ownership of wretched human beings?" cried Miss Stackpole. "He owns his tenants and has thousands of them. It's pleasant to own something, but inanimate objects are enough for me. I don't insist on flesh and blood and minds and consciences." "It seems to me you own a human being or two," Mr. Bantling suggested jocosely. "I wonder if Warburton orders his tenants about as you do me." "Lord Warburton's a great radical," Isabel said. "He has very advanced opinions." "He has very advanced stone walls. His park's enclosed by a gigantic iron fence, some thirty miles round," Henrietta announced for the information of Mr. Osmond. "I should like him to converse with a few of our Boston radicals." "Don't they approve of iron fences?" asked Mr. Bantling. "Only to shut up wicked conservatives. I always feel as if I were talking to YOU over something with a neat top-finish of broken glass." "Do you know him well, this unreformed reformer?" Osmond went on, questioning Isabel. "Well enough for all the use I have for him." "And how much of a use is that?" "Well, I like to like him." "'Liking to like'--why, it makes a passion!" said Osmond. "No"--she considered--"keep that for liking to DISlike." "Do you wish to provoke me then," Osmond laughed, "to a passion for HIM?" She said nothing for a moment, but then met the light question with a disproportionate gravity. "No, Mr. Osmond; I don't think I should ever dare to provoke you. Lord Warburton, at any rate," she more easily added, "is a very nice man." "Of great ability?" her friend enquired. "Of excellent ability, and as good as he looks." "As good as he's good-looking do you mean? He's very good-looking. How detestably fortunate!--to be a great English magnate, to be clever and handsome into the bargain, and, by way of finishing off, to enjoy your high favour! That's a man I could envy." Isabel considered him with interest. "You seem to me to be always envying some one. Yesterday it was the Pope; to-day it's poor Lord Warburton." "My envy's not dangerous; it wouldn't hurt a mouse. I don't want to destroy the people--I only want to BE them. You see it would destroy only myself." "You'd like to be the Pope?" said Isabel. "I should love it--but I should have gone in for it earlier. But why"--Osmond reverted--"do you speak of your friend as poor?" "Women--when they are very, very good sometimes pity men after they've hurt them; that's their great way of showing kindness," said Ralph, joining in the conversation for the first time and with a cynicism so transparently ingenious as to be virtually innocent. "Pray, have I hurt Lord Warburton?" Isabel asked, raising her eyebrows as if the idea were perfectly fresh. "It serves him right if you have," said Henrietta while the curtain rose for the ballet. Isabel saw no more of her attributive victim for the next twenty-four hours, but on the second day after the visit to the opera she encountered him in the gallery of the Capitol, where he stood before the lion of the collection, the statue of the Dying Gladiator. She had come in with her companions, among whom, on this occasion again, Gilbert Osmond had his place, and the party, having ascended the staircase, entered the first and finest of the rooms. Lord Warburton addressed her alertly enough, but said in a moment that he was leaving the gallery. "And I'm leaving Rome," he added. "I must bid you goodbye." Isabel, inconsequently enough, was now sorry to hear it. This was perhaps because she had ceased to be afraid of his renewing his suit; she was thinking of something else. She was on the point of naming her regret, but she checked herself and simply wished him a happy journey; which made him look at her rather unlightedly. "I'm afraid you'll think me very 'volatile.' I told you the other day I wanted so much to stop." "Oh no; you could easily change your mind." "That's what I have done." "Bon voyage then." "You're in a great hurry to get rid of me," said his lordship quite dismally. "Not in the least. But I hate partings." "You don't care what I do," he went on pitifully. Isabel looked at him a moment. "Ah," she said, "you're not keeping your promise!" He coloured like a boy of fifteen. "If I'm not, then it's because I can't; and that's why I'm going." "Good-bye then." "Good-bye." He lingered still, however. "When shall I see you again?" Isabel hesitated, but soon, as if she had had a happy inspiration: "Some day after you're married." "That will never be. It will be after you are." "That will do as well," she smiled. "Yes, quite as well. Good-bye." They shook hands, and he left her alone in the glorious room, among the shining antique marbles. She sat down in the centre of the circle of these presences, regarding them vaguely, resting her eyes on their beautiful blank faces; listening, as it were, to their eternal silence. It is impossible, in Rome at least, to look long at a great company of Greek sculptures without feeling the effect of their noble quietude; which, as with a high door closed for the ceremony, slowly drops on the spirit the large white mantle of peace. I say in Rome especially, because the Roman air is an exquisite medium for such impressions. The golden sunshine mingles with them, the deep stillness of the past, so vivid yet, though it is nothing but a void full of names, seems to throw a solemn spell upon them. The blinds were partly closed in the windows of the Capitol, and a clear, warm shadow rested on the figures and made them more mildly human. Isabel sat there a long time, under the charm of their motionless grace, wondering to what, of their experience, their absent eyes were open, and how, to our ears, their alien lips would sound. The dark red walls of the room threw them into relief; the polished marble floor reflected their beauty. She had seen them all before, but her enjoyment repeated itself, and it was all the greater because she was glad again, for the time, to be alone. At last, however, her attention lapsed, drawn off by a deeper tide of life. An occasional tourist came in, stopped and stared a moment at the Dying Gladiator, and then passed out of the other door, creaking over the smooth pavement. At the end of half an hour Gilbert Osmond reappeared, apparently in advance of his companions. He strolled toward her slowly, with his hands behind him and his usual enquiring, yet not quite appealing smile. "I'm surprised to find you alone, I thought you had company. "So I have--the best." And she glanced at the Antinous and the Faun. "Do you call them better company than an English peer?" "Ah, my English peer left me some time ago." She got up, speaking with intention a little dryly. Mr. Osmond noted her dryness, which contributed for him to the interest of his question. "I'm afraid that what I heard the other evening is true: you're rather cruel to that nobleman." Isabel looked a moment at the vanquished Gladiator. "It's not true. I'm scrupulously kind." "That's exactly what I mean!" Gilbert Osmond returned, and with such happy hilarity that his joke needs to be explained. We know that he was fond of originals, of rarities, of the superior and the exquisite; and now that he had seen Lord Warburton, whom he thought a very fine example of his race and order, he perceived a new attraction in the idea of taking to himself a young lady who had qualified herself to figure in his collection of choice objects by declining so noble a hand. Gilbert Osmond had a high appreciation of this particular patriciate; not so much for its distinction, which he thought easily surpassable, as for its solid actuality. He had never forgiven his star for not appointing him to an English dukedom, and he could measure the unexpectedness of such conduct as Isabel's. It would be proper that the woman he might marry should have done something of that sort.

Chapter 28

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-27-30

The next day Lord Warburton goes to the opera, where he knows he will find Isabel and the others. He spots Isabel in a box with Gilbert Osmond and decides to join her. Lord Warburton then glumly watches the two together during the opera. He feels angry and puzzled. Osmond later asks about Lord Warburton. Upon finding out about his character and his fortune, he declares that he would like to be Lord Warburton. Isabel jokes that he is always envying someone, and Osmond responds that his envy is not dangerous. A day later, Lord Warburton abruptly announces that he is leaving Rome, when he encounters them in the gallery of the Capitol. Isabel, then, left alone, in front of the statue of the Dying Gladiator, feeling the vividness of the past. Isabel wonders about these Greek sculptures around her, wondering what they would say if they were alive. After she is sitting alone for half an hour, Gilbert Osmond appears. Osmond notes that Isabel is quite cruel to Lord Warburton. We learn that Osmond, who is very fond of originals, takes a real liking from the idea that Lord Warburton desires Isabel. He likes the idea of taking a "young lady who had qualified herself to figure in his collection of choice objects by declining so noble a hand". In other words, he thinks of Isabel as a collector's object that he will hoard for himself. She has more value now that she has had the original idea of rejecting such an aristocratic figure as Lord Warburton

In these chapters, we start to see the significance of one person's view of oneself for determining one's actions and preferences in the world. Isabel likes how she herself is seen by Gilbert Osmond; Gilbert Osmond likes how Lord Warburton sees Isabel, and decides that Isabel is worthy of being admired because of it; and Ralph believes that if he and Lord Warburton do not suggest Isabel that Gilbert Osmond is not a good suitor, that she will not act the contrary part and end up marrying him. Isabel seems to be an original because she likes to act contrary to how people expect her to, so Ralph believes that if they do not want her to marry Gilbert Osmond, she will do the opposite. Yet, Isabel also likes how she is seen from the eyes of Gilbert Osmond -- but she is here trying to act contrary to this vision, as if she wanted to continue asserting her liberty. However, the problem is that Gilbert Osmond does not give her something very concrete to react against: it is instead a vague image, as he does not even propose marriage to her. This allows for her imagination to grow enormously. If he had proposed marriage, it seems that she would have had an immediate reaction to the contrary. It is interesting to consider the growth of Isabel's imagination in the context of the sudden appearances of Lord Warburton and Gilbert Osmond, which are juxtaposed against each other. Lord Warburton interrupts her inner world, as if he is a daydream come alive. He admits that she has appeared to him as if he had wished her into existence, but the set up of the scene implies to us that Isabel herself has wished him into existence. Yet, it is almost as if this exact correspondence to her imagination is something that Isabel cannot accept: she is too ambitious to be satisfied with the concrete reality of any of her ideas, and thus she rejects him. Notably, the background references the buried past: she is in a site where they have archaeological digs. It is as if something real and concrete has been dug up from her past life and appeared here in Rome -- Lord Warburton himself. In contrast, Gilbert Osmond appears in Saint Peter's basilica, described as a place where most people are disappointed. Isabel though is not disappointed, because she is capable of imagining something that is not there, while also ignoring that which is actually present before her eyes. We are led to believe that this is how she sees Osmond: she can imagine a lot of vague things about him, because she is blind to what is right before her eyes, and because she is not able to concretely grasp what he is about. Osmond's vague declaration of love serves to further this pattern. Because he is not concretely offering his hand in marriage, she is instead allowed to imagine further possibilities as to where their relationship might go, to have her own original idea about them, rather than slotting them into a conventional social form. Isabel's imagination works best when it is vague or when it is working against something concrete. But when something corresponds to her imagination, it is as if she is scared of something -- perhaps disappointment of how pathetic reality actually is. Pansy's characterization in Chapter 30 gives plenty of room for Isabel's imagination, but it has little substance in itself. She is described as a blank page, so that Isabel can project what she wishes to upon her. It seems that this might be the seed for Isabel's later acceptance of Osmond's proposal of marriage. Isabel would like to do something for the child - she would like to give Pansy the choice to marry or not. This could be one interpretation of Isabel's psychological motivations for marrying Gilbert Osmond. In Chapter 30, we get an indication of what the social mores were at the time. It was inappropriate for young women to visit unmarried men alone. This is evidence of the Victorian prudery of the time. Isabel makes a good point in noting that Merle has visited Osmond alone and it has not mattered. There is a suggestion though that Merle has made a point of allowing her visits not "to signify." This is an interesting theme throughout the work: what do social conventions signify, and how do they signify? For example, what does it mean when someone acts inappropriately - does it mean that this person is vulgar? Merle hints that she is a master of manipulating the signs of social conventions: she can control how things signify, rather than simply accepting that they signify something obvious. See Sharon Cameron's work for more on how characters manipulate social signs and meaning.

gradesaver

all_chapterized_books/2833-chapters/29.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_10_part_3.txt

The Portrait of a Lady.chapter 29

chapter 29

{"name": "Chapter 29", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-27-30", "summary": "Ralph notes that Osmond is a very agreeable companion. We learn that Osmond thinks Isabel is a fine figure, but that she has the fault of being too ready, too precipitate. Osmond feels quite happy and he even writes Isabel a sonnet. He has a sense of success. He had never tried much for such success, but he definitely would have felt he would have earned it, if he had had it. He knew he had style, and he felt Isabel would help him show it to the world. Isabel receives a note from her aunt, with her aunt telling her she will take her to Bellagio. Before she leaves, Osmond tells her that she will probably go and travel the world; that she is under no obligation to come back. He tells her that he has no desire to see her while she is travelling, and would prefer it if she simply visit him once she has done travelling. Isabel accuses him of thinking her travels ridiculous. He replies that this is not true, and that he believes one should make one's life a work of art. He tells her to go out and do what she likes. He tells her that he loves her. Isabel feels herself retreat, shocked by the words. He says that he only tells her because he thinks it will not offend her, and he admits he has nothing to offer her. She will always be the most important woman in the world to him, he declares. The narrator tells her \"Isabel looked at herself in this character\". She likes the image, but she reacts otherwise. He asks her to just do him a small favor when she returns to her aunt's home: he would like her to visit his daughter, Pansy, whom he has left alone during his trip to Rome. Isabel says she will do him this favor, and she dismisses him. When he leaves her alone, Isabel realizes that her imagination had been going forward to meet this moment, but when it had come, she is entirely shocked. The narrator declares Isabel's reaction odd, mentioning that her imagination is a \"vague space\" that could not seem to breach dangerous territory", "analysis": "In these chapters, we start to see the significance of one person's view of oneself for determining one's actions and preferences in the world. Isabel likes how she herself is seen by Gilbert Osmond; Gilbert Osmond likes how Lord Warburton sees Isabel, and decides that Isabel is worthy of being admired because of it; and Ralph believes that if he and Lord Warburton do not suggest Isabel that Gilbert Osmond is not a good suitor, that she will not act the contrary part and end up marrying him. Isabel seems to be an original because she likes to act contrary to how people expect her to, so Ralph believes that if they do not want her to marry Gilbert Osmond, she will do the opposite. Yet, Isabel also likes how she is seen from the eyes of Gilbert Osmond -- but she is here trying to act contrary to this vision, as if she wanted to continue asserting her liberty. However, the problem is that Gilbert Osmond does not give her something very concrete to react against: it is instead a vague image, as he does not even propose marriage to her. This allows for her imagination to grow enormously. If he had proposed marriage, it seems that she would have had an immediate reaction to the contrary. It is interesting to consider the growth of Isabel's imagination in the context of the sudden appearances of Lord Warburton and Gilbert Osmond, which are juxtaposed against each other. Lord Warburton interrupts her inner world, as if he is a daydream come alive. He admits that she has appeared to him as if he had wished her into existence, but the set up of the scene implies to us that Isabel herself has wished him into existence. Yet, it is almost as if this exact correspondence to her imagination is something that Isabel cannot accept: she is too ambitious to be satisfied with the concrete reality of any of her ideas, and thus she rejects him. Notably, the background references the buried past: she is in a site where they have archaeological digs. It is as if something real and concrete has been dug up from her past life and appeared here in Rome -- Lord Warburton himself. In contrast, Gilbert Osmond appears in Saint Peter's basilica, described as a place where most people are disappointed. Isabel though is not disappointed, because she is capable of imagining something that is not there, while also ignoring that which is actually present before her eyes. We are led to believe that this is how she sees Osmond: she can imagine a lot of vague things about him, because she is blind to what is right before her eyes, and because she is not able to concretely grasp what he is about. Osmond's vague declaration of love serves to further this pattern. Because he is not concretely offering his hand in marriage, she is instead allowed to imagine further possibilities as to where their relationship might go, to have her own original idea about them, rather than slotting them into a conventional social form. Isabel's imagination works best when it is vague or when it is working against something concrete. But when something corresponds to her imagination, it is as if she is scared of something -- perhaps disappointment of how pathetic reality actually is. Pansy's characterization in Chapter 30 gives plenty of room for Isabel's imagination, but it has little substance in itself. She is described as a blank page, so that Isabel can project what she wishes to upon her. It seems that this might be the seed for Isabel's later acceptance of Osmond's proposal of marriage. Isabel would like to do something for the child - she would like to give Pansy the choice to marry or not. This could be one interpretation of Isabel's psychological motivations for marrying Gilbert Osmond. In Chapter 30, we get an indication of what the social mores were at the time. It was inappropriate for young women to visit unmarried men alone. This is evidence of the Victorian prudery of the time. Isabel makes a good point in noting that Merle has visited Osmond alone and it has not mattered. There is a suggestion though that Merle has made a point of allowing her visits not \"to signify.\" This is an interesting theme throughout the work: what do social conventions signify, and how do they signify? For example, what does it mean when someone acts inappropriately - does it mean that this person is vulgar? Merle hints that she is a master of manipulating the signs of social conventions: she can control how things signify, rather than simply accepting that they signify something obvious. See Sharon Cameron's work for more on how characters manipulate social signs and meaning."}

Ralph Touchett, in talk with his excellent friend, had rather markedly qualified, as we know, his recognition of Gilbert Osmond's personal merits; but he might really have felt himself illiberal in the light of that gentleman's conduct during the rest of the visit to Rome. Osmond spent a portion of each day with Isabel and her companions, and ended by affecting them as the easiest of men to live with. Who wouldn't have seen that he could command, as it were, both tact and gaiety?--which perhaps was exactly why Ralph had made his old-time look of superficial sociability a reproach to him. Even Isabel's invidious kinsman was obliged to admit that he was just now a delightful associate. His good humour was imperturbable, his knowledge of the right fact, his production of the right word, as convenient as the friendly flicker of a match for your cigarette. Clearly he was amused--as amused as a man could be who was so little ever surprised, and that made him almost applausive. It was not that his spirits were visibly high--he would never, in the concert of pleasure, touch the big drum by so much as a knuckle: he had a mortal dislike to the high, ragged note, to what he called random ravings. He thought Miss Archer sometimes of too precipitate a readiness. It was pity she had that fault, because if she had not had it she would really have had none; she would have been as smooth to his general need of her as handled ivory to the palm. If he was not personally loud, however, he was deep, and during these closing days of the Roman May he knew a complacency that matched with slow irregular walks under the pines of the Villa Borghese, among the small sweet meadow-flowers and the mossy marbles. He was pleased with everything; he had never before been pleased with so many things at once. Old impressions, old enjoyments, renewed themselves; one evening, going home to his room at the inn, he wrote down a little sonnet to which he prefixed the title of "Rome Revisited." A day or two later he showed this piece of correct and ingenious verse to Isabel, explaining to her that it was an Italian fashion to commemorate the occasions of life by a tribute to the muse. He took his pleasures in general singly; he was too often--he would have admitted that--too sorely aware of something wrong, something ugly; the fertilising dew of a conceivable felicity too seldom descended on his spirit. But at present he was happy--happier than he had perhaps ever been in his life, and the feeling had a large foundation. This was simply the sense of success--the most agreeable emotion of the human heart. Osmond had never had too much of it; in this respect he had the irritation of satiety, as he knew perfectly well and often reminded himself. "Ah no, I've not been spoiled; certainly I've not been spoiled," he used inwardly to repeat. "If I do succeed before I die I shall thoroughly have earned it." He was too apt to reason as if "earning" this boon consisted above all of covertly aching for it and might be confined to that exercise. Absolutely void of it, also, his career had not been; he might indeed have suggested to a spectator here and there that he was resting on vague laurels. But his triumphs were, some of them, now too old; others had been too easy. The present one had been less arduous than might have been expected, but had been easy--that is had been rapid--only because he had made an altogether exceptional effort, a greater effort than he had believed it in him to make. The desire to have something or other to show for his "parts"--to show somehow or other--had been the dream of his youth; but as the years went on the conditions attached to any marked proof of rarity had affected him more and more as gross and detestable; like the swallowing of mugs of beer to advertise what one could "stand." If an anonymous drawing on a museum wall had been conscious and watchful it might have known this peculiar pleasure of being at last and all of a sudden identified--as from the hand of a great master--by the so high and so unnoticed fact of style. His "style" was what the girl had discovered with a little help; and now, beside herself enjoying it, she should publish it to the world without his having any of the trouble. She should do the thing FOR him, and he would not have waited in vain. Shortly before the time fixed in advance for her departure this young lady received from Mrs. Touchett a telegram running as follows: "Leave Florence 4th June for Bellaggio, and take you if you have not other views. But can't wait if you dawdle in Rome." The dawdling in Rome was very pleasant, but Isabel had different views, and she let her aunt know she would immediately join her. She told Gilbert Osmond that she had done so, and he replied that, spending many of his summers as well as his winters in Italy, he himself would loiter a little longer in the cool shadow of Saint Peter's. He would not return to Florence for ten days more, and in that time she would have started for Bellaggio. It might be months in this case before he should see her again. This exchange took place in the large decorated sitting-room occupied by our friends at the hotel; it was late in the evening, and Ralph Touchett was to take his cousin back to Florence on the morrow. Osmond had found the girl alone; Miss Stackpole had contracted a friendship with a delightful American family on the fourth floor and had mounted the interminable staircase to pay them a visit. Henrietta contracted friendships, in travelling, with great freedom, and had formed in railway-carriages several that were among her most valued ties. Ralph was making arrangements for the morrow's journey, and Isabel sat alone in a wilderness of yellow upholstery. The chairs and sofas were orange; the walls and windows were draped in purple and gilt. The mirrors, the pictures had great flamboyant frames; the ceiling was deeply vaulted and painted over with naked muses and cherubs. For Osmond the place was ugly to distress; the false colours, the sham splendour were like vulgar, bragging, lying talk. Isabel had taken in hand a volume of Ampere, presented, on their arrival in Rome, by Ralph; but though she held it in her lap with her finger vaguely kept in the place she was not impatient to pursue her study. A lamp covered with a drooping veil of pink tissue-paper burned on the table beside her and diffused a strange pale rosiness over the scene. "You say you'll come back; but who knows?" Gilbert Osmond said. "I think you're much more likely to start on your voyage round the world. You're under no obligation to come back; you can do exactly what you choose; you can roam through space." "Well, Italy's a part of space," Isabel answered. "I can take it on the way." "On the way round the world? No, don't do that. Don't put us in a parenthesis--give us a chapter to ourselves. I don't want to see you on your travels. I'd rather see you when they're over. I should like to see you when you're tired and satiated," Osmond added in a moment. "I shall prefer you in that state." Isabel, with her eyes bent, fingered the pages of M. Ampere. "You turn things into ridicule without seeming to do it, though not, I think, without intending it. You've no respect for my travels--you think them ridiculous." "Where do you find that?" She went on in the same tone, fretting the edge of her book with the paper-knife. "You see my ignorance, my blunders, the way I wander about as if the world belonged to me, simply because--because it has been put into my power to do so. You don't think a woman ought to do that. You think it bold and ungraceful." "I think it beautiful," said Osmond. "You know my opinions--I've treated you to enough of them. Don't you remember my telling you that one ought to make one's life a work of art? You looked rather shocked at first; but then I told you that it was exactly what you seemed to me to be trying to do with your own." She looked up from her book. "What you despise most in the world is bad, is stupid art." "Possibly. But yours seem to me very clear and very good." "If I were to go to Japan next winter you would laugh at me," she went on. Osmond gave a smile--a keen one, but not a laugh, for the tone of their conversation was not jocose. Isabel had in fact her solemnity; he had seen it before. "You have one!" "That's exactly what I say. You think such an idea absurd." "I would give my little finger to go to Japan; it's one of the countries I want most to see. Can't you believe that, with my taste for old lacquer?" "I haven't a taste for old lacquer to excuse me," said Isabel. "You've a better excuse--the means of going. You're quite wrong in your theory that I laugh at you. I don't know what has put it into your head." "It wouldn't be remarkable if you did think it ridiculous that I should have the means to travel when you've not; for you know everything and I know nothing." "The more reason why you should travel and learn," smiled Osmond. "Besides," he added as if it were a point to be made, "I don't know everything." Isabel was not struck with the oddity of his saying this gravely; she was thinking that the pleasantest incident of her life--so it pleased her to qualify these too few days in Rome, which she might musingly have likened to the figure of some small princess of one of the ages of dress overmuffled in a mantle of state and dragging a train that it took pages or historians to hold up--that this felicity was coming to an end. That most of the interest of the time had been owing to Mr. Osmond was a reflexion she was not just now at pains to make; she had already done the point abundant justice. But she said to herself that if there were a danger they should never meet again, perhaps after all it would be as well. Happy things don't repeat themselves, and her adventure wore already the changed, the seaward face of some romantic island from which, after feasting on purple grapes, she was putting off while the breeze rose. She might come back to Italy and find him different--this strange man who pleased her just as he was; and it would be better not to come than run the risk of that. But if she was not to come the greater the pity that the chapter was closed; she felt for a moment a pang that touched the source of tears. The sensation kept her silent, and Gilbert Osmond was silent too; he was looking at her. "Go everywhere," he said at last, in a low, kind voice; "do everything; get everything out of life. Be happy,--be triumphant." "What do you mean by being triumphant?" "Well, doing what you like." "To triumph, then, it seems to me, is to fail! Doing all the vain things one likes is often very tiresome." "Exactly," said Osmond with his quiet quickness. "As I intimated just now, you'll be tired some day." He paused a moment and then he went on: "I don't know whether I had better not wait till then for something I want to say to you." "Ah, I can't advise you without knowing what it is. But I'm horrid when I'm tired," Isabel added with due inconsequence. "I don't believe that. You're angry, sometimes--that I can believe, though I've never seen it. But I'm sure you're never 'cross.'" "Not even when I lose my temper?" "You don't lose it--you find it, and that must be beautiful." Osmond spoke with a noble earnestness. "They must be great moments to see." "If I could only find it now!" Isabel nervously cried. "I'm not afraid; I should fold my arms and admire you. I'm speaking very seriously." He leaned forward, a hand on each knee; for some moments he bent his eyes on the floor. "What I wish to say to you," he went on at last, looking up, "is that I find I'm in love with you." She instantly rose. "Ah, keep that till I am tired!" "Tired of hearing it from others?" He sat there raising his eyes to her. "No, you may heed it now or never, as you please. But after all I must say it now." She had turned away, but in the movement she had stopped herself and dropped her gaze upon him. The two remained a while in this situation, exchanging a long look--the large, conscious look of the critical hours of life. Then he got up and came near her, deeply respectful, as if he were afraid he had been too familiar. "I'm absolutely in love with you." He had repeated the announcement in a tone of almost impersonal discretion, like a man who expected very little from it but who spoke for his own needed relief. The tears came into her eyes: this time they obeyed the sharpness of the pang that suggested to her somehow the slipping of a fine bolt--backward, forward, she couldn't have said which. The words he had uttered made him, as he stood there, beautiful and generous, invested him as with the golden air of early autumn; but, morally speaking, she retreated before them--facing him still--as she had retreated in the other cases before a like encounter. "Oh don't say that, please," she answered with an intensity that expressed the dread of having, in this case too, to choose and decide. What made her dread great was precisely the force which, as it would seem, ought to have banished all dread--the sense of something within herself, deep down, that she supposed to be inspired and trustful passion. It was there like a large sum stored in a bank--which there was a terror in having to begin to spend. If she touched it, it would all come out. "I haven't the idea that it will matter much to you," said Osmond. "I've too little to offer you. What I have--it's enough for me; but it's not enough for you. I've neither fortune, nor fame, nor extrinsic advantages of any kind. So I offer nothing. I only tell you because I think it can't offend you, and some day or other it may give you pleasure. It gives me pleasure, I assure you," he went on, standing there before her, considerately inclined to her, turning his hat, which he had taken up, slowly round with a movement which had all the decent tremor of awkwardness and none of its oddity, and presenting to her his firm, refined, slightly ravaged face. "It gives me no pain, because it's perfectly simple. For me you'll always be the most important woman in the world." Isabel looked at herself in this character--looked intently, thinking she filled it with a certain grace. But what she said was not an expression of any such complacency. "You don't offend me; but you ought to remember that, without being offended, one may be incommoded, troubled." "Incommoded," she heard herself saying that, and it struck her as a ridiculous word. But it was what stupidly came to her. "I remember perfectly. Of course you're surprised and startled. But if it's nothing but that, it will pass away. And it will perhaps leave something that I may not be ashamed of." "I don't know what it may leave. You see at all events that I'm not overwhelmed," said Isabel with rather a pale smile. "I'm not too troubled to think. And I think that I'm glad I leave Rome to-morrow." "Of course I don't agree with you there." "I don't at all KNOW you," she added abruptly; and then she coloured as she heard herself saying what she had said almost a year before to Lord Warburton. "If you were not going away you'd know me better." "I shall do that some other time." "I hope so. I'm very easy to know." "No, no," she emphatically answered--"there you're not sincere. You're not easy to know; no one could be less so." "Well," he laughed, "I said that because I know myself. It may be a boast, but I do." "Very likely; but you're very wise." "So are you, Miss Archer!" Osmond exclaimed. "I don't feel so just now. Still, I'm wise enough to think you had better go. Good-night." "God bless you!" said Gilbert Osmond, taking the hand which she failed to surrender. After which he added: "If we meet again you'll find me as you leave me. If we don't I shall be so all the same." "Thank you very much. Good-bye." There was something quietly firm about Isabel's visitor; he might go of his own movement, but wouldn't be dismissed. "There's one thing more. I haven't asked anything of you--not even a thought in the future; you must do me that justice. But there's a little service I should like to ask. I shall not return home for several days; Rome's delightful, and it's a good place for a man in my state of mind. Oh, I know you're sorry to leave it; but you're right to do what your aunt wishes." "She doesn't even wish it!" Isabel broke out strangely. Osmond was apparently on the point of saying something that would match these words, but he changed his mind and rejoined simply: "Ah well, it's proper you should go with her, very proper. Do everything that's proper; I go in for that. Excuse my being so patronising. You say you don't know me, but when you do you'll discover what a worship I have for propriety." "You're not conventional?" Isabel gravely asked. "I like the way you utter that word! No, I'm not conventional: I'm convention itself. You don't understand that?" And he paused a moment, smiling. "I should like to explain it." Then with a sudden, quick, bright naturalness, "Do come back again," he pleaded. "There are so many things we might talk about." She stood there with lowered eyes. "What service did you speak of just now?" "Go and see my little daughter before you leave Florence. She's alone at the villa; I decided not to send her to my sister, who hasn't at all my ideas. Tell her she must love her poor father very much," said Gilbert Osmond gently. "It will be a great pleasure to me to go," Isabel answered. "I'll tell her what you say. Once more good-bye." On this he took a rapid, respectful leave. When he had gone she stood a moment looking about her and seated herself slowly and with an air of deliberation. She sat there till her companions came back, with folded hands, gazing at the ugly carpet. Her agitation--for it had not diminished--was very still, very deep. What had happened was something that for a week past her imagination had been going forward to meet; but here, when it came, she stopped--that sublime principle somehow broke down. The working of this young lady's spirit was strange, and I can only give it to you as I see it, not hoping to make it seem altogether natural. Her imagination, as I say, now hung back: there was a last vague space it couldn't cross--a dusky, uncertain tract which looked ambiguous and even slightly treacherous, like a moorland seen in the winter twilight. But she was to cross it yet.

Chapter 29

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-27-30

Ralph notes that Osmond is a very agreeable companion. We learn that Osmond thinks Isabel is a fine figure, but that she has the fault of being too ready, too precipitate. Osmond feels quite happy and he even writes Isabel a sonnet. He has a sense of success. He had never tried much for such success, but he definitely would have felt he would have earned it, if he had had it. He knew he had style, and he felt Isabel would help him show it to the world. Isabel receives a note from her aunt, with her aunt telling her she will take her to Bellagio. Before she leaves, Osmond tells her that she will probably go and travel the world; that she is under no obligation to come back. He tells her that he has no desire to see her while she is travelling, and would prefer it if she simply visit him once she has done travelling. Isabel accuses him of thinking her travels ridiculous. He replies that this is not true, and that he believes one should make one's life a work of art. He tells her to go out and do what she likes. He tells her that he loves her. Isabel feels herself retreat, shocked by the words. He says that he only tells her because he thinks it will not offend her, and he admits he has nothing to offer her. She will always be the most important woman in the world to him, he declares. The narrator tells her "Isabel looked at herself in this character". She likes the image, but she reacts otherwise. He asks her to just do him a small favor when she returns to her aunt's home: he would like her to visit his daughter, Pansy, whom he has left alone during his trip to Rome. Isabel says she will do him this favor, and she dismisses him. When he leaves her alone, Isabel realizes that her imagination had been going forward to meet this moment, but when it had come, she is entirely shocked. The narrator declares Isabel's reaction odd, mentioning that her imagination is a "vague space" that could not seem to breach dangerous territory

In these chapters, we start to see the significance of one person's view of oneself for determining one's actions and preferences in the world. Isabel likes how she herself is seen by Gilbert Osmond; Gilbert Osmond likes how Lord Warburton sees Isabel, and decides that Isabel is worthy of being admired because of it; and Ralph believes that if he and Lord Warburton do not suggest Isabel that Gilbert Osmond is not a good suitor, that she will not act the contrary part and end up marrying him. Isabel seems to be an original because she likes to act contrary to how people expect her to, so Ralph believes that if they do not want her to marry Gilbert Osmond, she will do the opposite. Yet, Isabel also likes how she is seen from the eyes of Gilbert Osmond -- but she is here trying to act contrary to this vision, as if she wanted to continue asserting her liberty. However, the problem is that Gilbert Osmond does not give her something very concrete to react against: it is instead a vague image, as he does not even propose marriage to her. This allows for her imagination to grow enormously. If he had proposed marriage, it seems that she would have had an immediate reaction to the contrary. It is interesting to consider the growth of Isabel's imagination in the context of the sudden appearances of Lord Warburton and Gilbert Osmond, which are juxtaposed against each other. Lord Warburton interrupts her inner world, as if he is a daydream come alive. He admits that she has appeared to him as if he had wished her into existence, but the set up of the scene implies to us that Isabel herself has wished him into existence. Yet, it is almost as if this exact correspondence to her imagination is something that Isabel cannot accept: she is too ambitious to be satisfied with the concrete reality of any of her ideas, and thus she rejects him. Notably, the background references the buried past: she is in a site where they have archaeological digs. It is as if something real and concrete has been dug up from her past life and appeared here in Rome -- Lord Warburton himself. In contrast, Gilbert Osmond appears in Saint Peter's basilica, described as a place where most people are disappointed. Isabel though is not disappointed, because she is capable of imagining something that is not there, while also ignoring that which is actually present before her eyes. We are led to believe that this is how she sees Osmond: she can imagine a lot of vague things about him, because she is blind to what is right before her eyes, and because she is not able to concretely grasp what he is about. Osmond's vague declaration of love serves to further this pattern. Because he is not concretely offering his hand in marriage, she is instead allowed to imagine further possibilities as to where their relationship might go, to have her own original idea about them, rather than slotting them into a conventional social form. Isabel's imagination works best when it is vague or when it is working against something concrete. But when something corresponds to her imagination, it is as if she is scared of something -- perhaps disappointment of how pathetic reality actually is. Pansy's characterization in Chapter 30 gives plenty of room for Isabel's imagination, but it has little substance in itself. She is described as a blank page, so that Isabel can project what she wishes to upon her. It seems that this might be the seed for Isabel's later acceptance of Osmond's proposal of marriage. Isabel would like to do something for the child - she would like to give Pansy the choice to marry or not. This could be one interpretation of Isabel's psychological motivations for marrying Gilbert Osmond. In Chapter 30, we get an indication of what the social mores were at the time. It was inappropriate for young women to visit unmarried men alone. This is evidence of the Victorian prudery of the time. Isabel makes a good point in noting that Merle has visited Osmond alone and it has not mattered. There is a suggestion though that Merle has made a point of allowing her visits not "to signify." This is an interesting theme throughout the work: what do social conventions signify, and how do they signify? For example, what does it mean when someone acts inappropriately - does it mean that this person is vulgar? Merle hints that she is a master of manipulating the signs of social conventions: she can control how things signify, rather than simply accepting that they signify something obvious. See Sharon Cameron's work for more on how characters manipulate social signs and meaning.

gradesaver

all_chapterized_books/2833-chapters/30.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_10_part_4.txt

The Portrait of a Lady.chapter 30

chapter 30

{"name": "Chapter 30", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-27-30", "summary": "Isabel announces her intention to visit Pansy to Madame Merle, but Merle cautions her that it might not look appropriate, since Gilbert Osmond is a bachelor. Isabel wonders what it matters, as Osmond is not there currently. Merle responds, \"They don't know he's away, you see. Isabel asks whom she means. She responds, \"Everyone. But perhaps it doesn't signify\". Isabel goes to visit Pansy anyway. She is extremely impressed by the young creature, noting how innocent she is. She wonders if perhaps the natural mannerism of the child is really the \"perfection of self-consciousness\". The narrator thinks that Pansy is really a blank page, which really has no will and could be easily mystified. Pansy mentions to Isabel how a friend of hers has been withdrawn from the convent in order to save money for her dowry. She wonders if that is the reason why she is being withdrawn from the convent. She notes that it costs much money to marry, but she wishes really only to stay with her father for her whole life. Pansy says she lives for her father, to make him happy. Isabel leaves, feeling like she would have liked to tell Pansy something about her father, but that she will have ruined Pansy's innocence if she does", "analysis": "In these chapters, we start to see the significance of one person's view of oneself for determining one's actions and preferences in the world. Isabel likes how she herself is seen by Gilbert Osmond; Gilbert Osmond likes how Lord Warburton sees Isabel, and decides that Isabel is worthy of being admired because of it; and Ralph believes that if he and Lord Warburton do not suggest Isabel that Gilbert Osmond is not a good suitor, that she will not act the contrary part and end up marrying him. Isabel seems to be an original because she likes to act contrary to how people expect her to, so Ralph believes that if they do not want her to marry Gilbert Osmond, she will do the opposite. Yet, Isabel also likes how she is seen from the eyes of Gilbert Osmond -- but she is here trying to act contrary to this vision, as if she wanted to continue asserting her liberty. However, the problem is that Gilbert Osmond does not give her something very concrete to react against: it is instead a vague image, as he does not even propose marriage to her. This allows for her imagination to grow enormously. If he had proposed marriage, it seems that she would have had an immediate reaction to the contrary. It is interesting to consider the growth of Isabel's imagination in the context of the sudden appearances of Lord Warburton and Gilbert Osmond, which are juxtaposed against each other. Lord Warburton interrupts her inner world, as if he is a daydream come alive. He admits that she has appeared to him as if he had wished her into existence, but the set up of the scene implies to us that Isabel herself has wished him into existence. Yet, it is almost as if this exact correspondence to her imagination is something that Isabel cannot accept: she is too ambitious to be satisfied with the concrete reality of any of her ideas, and thus she rejects him. Notably, the background references the buried past: she is in a site where they have archaeological digs. It is as if something real and concrete has been dug up from her past life and appeared here in Rome -- Lord Warburton himself. In contrast, Gilbert Osmond appears in Saint Peter's basilica, described as a place where most people are disappointed. Isabel though is not disappointed, because she is capable of imagining something that is not there, while also ignoring that which is actually present before her eyes. We are led to believe that this is how she sees Osmond: she can imagine a lot of vague things about him, because she is blind to what is right before her eyes, and because she is not able to concretely grasp what he is about. Osmond's vague declaration of love serves to further this pattern. Because he is not concretely offering his hand in marriage, she is instead allowed to imagine further possibilities as to where their relationship might go, to have her own original idea about them, rather than slotting them into a conventional social form. Isabel's imagination works best when it is vague or when it is working against something concrete. But when something corresponds to her imagination, it is as if she is scared of something -- perhaps disappointment of how pathetic reality actually is. Pansy's characterization in Chapter 30 gives plenty of room for Isabel's imagination, but it has little substance in itself. She is described as a blank page, so that Isabel can project what she wishes to upon her. It seems that this might be the seed for Isabel's later acceptance of Osmond's proposal of marriage. Isabel would like to do something for the child - she would like to give Pansy the choice to marry or not. This could be one interpretation of Isabel's psychological motivations for marrying Gilbert Osmond. In Chapter 30, we get an indication of what the social mores were at the time. It was inappropriate for young women to visit unmarried men alone. This is evidence of the Victorian prudery of the time. Isabel makes a good point in noting that Merle has visited Osmond alone and it has not mattered. There is a suggestion though that Merle has made a point of allowing her visits not \"to signify.\" This is an interesting theme throughout the work: what do social conventions signify, and how do they signify? For example, what does it mean when someone acts inappropriately - does it mean that this person is vulgar? Merle hints that she is a master of manipulating the signs of social conventions: she can control how things signify, rather than simply accepting that they signify something obvious. See Sharon Cameron's work for more on how characters manipulate social signs and meaning."}

She returned on the morrow to Florence, under her cousin's escort, and Ralph Touchett, though usually restive under railway discipline, thought very well of the successive hours passed in the train that hurried his companion away from the city now distinguished by Gilbert Osmond's preference--hours that were to form the first stage in a larger scheme of travel. Miss Stackpole had remained behind; she was planning a little trip to Naples, to be carried out with Mr. Bantling's aid. Isabel was to have three days in Florence before the 4th of June, the date of Mrs. Touchett's departure, and she determined to devote the last of these to her promise to call on Pansy Osmond. Her plan, however, seemed for a moment likely to modify itself in deference to an idea of Madame Merle's. This lady was still at Casa Touchett; but she too was on the point of leaving Florence, her next station being an ancient castle in the mountains of Tuscany, the residence of a noble family of that country, whose acquaintance (she had known them, as she said, "forever") seemed to Isabel, in the light of certain photographs of their immense crenellated dwelling which her friend was able to show her, a precious privilege. She mentioned to this fortunate woman that Mr. Osmond had asked her to take a look at his daughter, but didn't mention that he had also made her a declaration of love. "Ah, comme cela se trouve!" Madame Merle exclaimed. "I myself have been thinking it would be a kindness to pay the child a little visit before I go off." "We can go together then," Isabel reasonably said: "reasonably" because the proposal was not uttered in the spirit of enthusiasm. She had prefigured her small pilgrimage as made in solitude; she should like it better so. She was nevertheless prepared to sacrifice this mystic sentiment to her great consideration for her friend. That personage finely meditated. "After all, why should we both go; having, each of us, so much to do during these last hours?" "Very good; I can easily go alone." "I don't know about your going alone--to the house of a handsome bachelor. He has been married--but so long ago!" Isabel stared. "When Mr. Osmond's away what does it matter?" "They don't know he's away, you see." "They? Whom do you mean?" "Every one. But perhaps it doesn't signify." "If you were going why shouldn't I?" Isabel asked. "Because I'm an old frump and you're a beautiful young woman." "Granting all that, you've not promised." "How much you think of your promises!" said the elder woman in mild mockery. "I think a great deal of my promises. Does that surprise you?" "You're right," Madame Merle audibly reflected. "I really think you wish to be kind to the child." "I wish very much to be kind to her." "Go and see her then; no one will be the wiser. And tell her I'd have come if you hadn't. Or rather," Madame Merle added, "DON'T tell her. She won't care." As Isabel drove, in the publicity of an open vehicle, along the winding way which led to Mr. Osmond's hill-top, she wondered what her friend had meant by no one's being the wiser. Once in a while, at large intervals, this lady, whose voyaging discretion, as a general thing, was rather of the open sea than of the risky channel, dropped a remark of ambiguous quality, struck a note that sounded false. What cared Isabel Archer for the vulgar judgements of obscure people? and did Madame Merle suppose that she was capable of doing a thing at all if it had to be sneakingly done? Of course not: she must have meant something else--something which in the press of the hours that preceded her departure she had not had time to explain. Isabel would return to this some day; there were sorts of things as to which she liked to be clear. She heard Pansy strumming at the piano in another place as she herself was ushered into Mr. Osmond's drawing-room; the little girl was "practising," and Isabel was pleased to think she performed this duty with rigour. She immediately came in, smoothing down her frock, and did the honours of her father's house with a wide-eyed earnestness of courtesy. Isabel sat there half an hour, and Pansy rose to the occasion as the small, winged fairy in the pantomime soars by the aid of the dissimulated wire--not chattering, but conversing, and showing the same respectful interest in Isabel's affairs that Isabel was so good as to take in hers. Isabel wondered at her; she had never had so directly presented to her nose the white flower of cultivated sweetness. How well the child had been taught, said our admiring young woman; how prettily she had been directed and fashioned; and yet how simple, how natural, how innocent she had been kept! Isabel was fond, ever, of the question of character and quality, of sounding, as who should say, the deep personal mystery, and it had pleased her, up to this time, to be in doubt as to whether this tender slip were not really all-knowing. Was the extremity of her candour but the perfection of self-consciousness? Was it put on to please her father's visitor, or was it the direct expression of an unspotted nature? The hour that Isabel spent in Mr. Osmond's beautiful empty, dusky rooms--the windows had been half-darkened, to keep out the heat, and here and there, through an easy crevice, the splendid summer day peeped in, lighting a gleam of faded colour or tarnished gilt in the rich gloom--her interview with the daughter of the house, I say, effectually settled this question. Pansy was really a blank page, a pure white surface, successfully kept so; she had neither art, nor guile, nor temper, nor talent--only two or three small exquisite instincts: for knowing a friend, for avoiding a mistake, for taking care of an old toy or a new frock. Yet to be so tender was to be touching withal, and she could be felt as an easy victim of fate. She would have no will, no power to resist, no sense of her own importance; she would easily be mystified, easily crushed: her force would be all in knowing when and where to cling. She moved about the place with her visitor, who had asked leave to walk through the other rooms again, where Pansy gave her judgement on several works of art. She spoke of her prospects, her occupations, her father's intentions; she was not egotistical, but felt the propriety of supplying the information so distinguished a guest would naturally expect. "Please tell me," she said, "did papa, in Rome, go to see Madame Catherine? He told me he would if he had time. Perhaps he had not time. Papa likes a great deal of time. He wished to speak about my education; it isn't finished yet, you know. I don't know what they can do with me more; but it appears it's far from finished. Papa told me one day he thought he would finish it himself; for the last year or two, at the convent, the masters that teach the tall girls are so very dear. Papa's not rich, and I should be very sorry if he were to pay much money for me, because I don't think I'm worth it. I don't learn quickly enough, and I have no memory. For what I'm told, yes--especially when it's pleasant; but not for what I learn in a book. There was a young girl who was my best friend, and they took her away from the convent, when she was fourteen, to make--how do you say it in English?--to make a dot. You don't say it in English? I hope it isn't wrong; I only mean they wished to keep the money to marry her. I don't know whether it is for that that papa wishes to keep the money--to marry me. It costs so much to marry!" Pansy went on with a sigh; "I think papa might make that economy. At any rate I'm too young to think about it yet, and I don't care for any gentleman; I mean for any but him. If he were not my papa I should like to marry him; I would rather be his daughter than the wife of--of some strange person. I miss him very much, but not so much as you might think, for I've been so much away from him. Papa has always been principally for holidays. I miss Madame Catherine almost more; but you must not tell him that. You shall not see him again? I'm very sorry, and he'll be sorry too. Of everyone who comes here I like you the best. That's not a great compliment, for there are not many people. It was very kind of you to come to-day--so far from your house; for I'm really as yet only a child. Oh, yes, I've only the occupations of a child. When did YOU give them up, the occupations of a child? I should like to know how old you are, but I don't know whether it's right to ask. At the convent they told us that we must never ask the age. I don't like to do anything that's not expected; it looks as if one had not been properly taught. I myself--I should never like to be taken by surprise. Papa left directions for everything. I go to bed very early. When the sun goes off that side I go into the garden. Papa left strict orders that I was not to get scorched. I always enjoy the view; the mountains are so graceful. In Rome, from the convent, we saw nothing but roofs and bell-towers. I practise three hours. I don't play very well. You play yourself? I wish very much you'd play something for me; papa has the idea that I should hear good music. Madame Merle has played for me several times; that's what I like best about Madame Merle; she has great facility. I shall never have facility. And I've no voice--just a small sound like the squeak of a slate-pencil making flourishes." Isabel gratified this respectful wish, drew off her gloves and sat down to the piano, while Pansy, standing beside her, watched her white hands move quickly over the keys. When she stopped she kissed the child good-bye, held her close, looked at her long. "Be very good," she said; "give pleasure to your father." "I think that's what I live for," Pansy answered. "He has not much pleasure; he's rather a sad man." Isabel listened to this assertion with an interest which she felt it almost a torment to be obliged to conceal. It was her pride that obliged her, and a certain sense of decency; there were still other things in her head which she felt a strong impulse, instantly checked, to say to Pansy about her father; there were things it would have given her pleasure to hear the child, to make the child, say. But she no sooner became conscious of these things than her imagination was hushed with horror at the idea of taking advantage of the little girl--it was of this she would have accused herself--and of exhaling into that air where he might still have a subtle sense for it any breath of her charmed state. She had come--she had come; but she had stayed only an hour. She rose quickly from the music-stool; even then, however, she lingered a moment, still holding her small companion, drawing the child's sweet slimness closer and looking down at her almost in envy. She was obliged to confess it to herself--she would have taken a passionate pleasure in talking of Gilbert Osmond to this innocent, diminutive creature who was so near him. But she said no other word; she only kissed Pansy once again. They went together through the vestibule, to the door that opened on the court; and there her young hostess stopped, looking rather wistfully beyond. "I may go no further. I've promised papa not to pass this door." "You're right to obey him; he'll never ask you anything unreasonable." "I shall always obey him. But when will you come again?" "Not for a long time, I'm afraid." "As soon as you can, I hope. I'm only a little girl," said Pansy, "but I shall always expect you." And the small figure stood in the high, dark doorway, watching Isabel cross the clear, grey court and disappear into the brightness beyond the big portone, which gave a wider dazzle as it opened.

Chapter 30

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-27-30

Isabel announces her intention to visit Pansy to Madame Merle, but Merle cautions her that it might not look appropriate, since Gilbert Osmond is a bachelor. Isabel wonders what it matters, as Osmond is not there currently. Merle responds, "They don't know he's away, you see. Isabel asks whom she means. She responds, "Everyone. But perhaps it doesn't signify". Isabel goes to visit Pansy anyway. She is extremely impressed by the young creature, noting how innocent she is. She wonders if perhaps the natural mannerism of the child is really the "perfection of self-consciousness". The narrator thinks that Pansy is really a blank page, which really has no will and could be easily mystified. Pansy mentions to Isabel how a friend of hers has been withdrawn from the convent in order to save money for her dowry. She wonders if that is the reason why she is being withdrawn from the convent. She notes that it costs much money to marry, but she wishes really only to stay with her father for her whole life. Pansy says she lives for her father, to make him happy. Isabel leaves, feeling like she would have liked to tell Pansy something about her father, but that she will have ruined Pansy's innocence if she does

In these chapters, we start to see the significance of one person's view of oneself for determining one's actions and preferences in the world. Isabel likes how she herself is seen by Gilbert Osmond; Gilbert Osmond likes how Lord Warburton sees Isabel, and decides that Isabel is worthy of being admired because of it; and Ralph believes that if he and Lord Warburton do not suggest Isabel that Gilbert Osmond is not a good suitor, that she will not act the contrary part and end up marrying him. Isabel seems to be an original because she likes to act contrary to how people expect her to, so Ralph believes that if they do not want her to marry Gilbert Osmond, she will do the opposite. Yet, Isabel also likes how she is seen from the eyes of Gilbert Osmond -- but she is here trying to act contrary to this vision, as if she wanted to continue asserting her liberty. However, the problem is that Gilbert Osmond does not give her something very concrete to react against: it is instead a vague image, as he does not even propose marriage to her. This allows for her imagination to grow enormously. If he had proposed marriage, it seems that she would have had an immediate reaction to the contrary. It is interesting to consider the growth of Isabel's imagination in the context of the sudden appearances of Lord Warburton and Gilbert Osmond, which are juxtaposed against each other. Lord Warburton interrupts her inner world, as if he is a daydream come alive. He admits that she has appeared to him as if he had wished her into existence, but the set up of the scene implies to us that Isabel herself has wished him into existence. Yet, it is almost as if this exact correspondence to her imagination is something that Isabel cannot accept: she is too ambitious to be satisfied with the concrete reality of any of her ideas, and thus she rejects him. Notably, the background references the buried past: she is in a site where they have archaeological digs. It is as if something real and concrete has been dug up from her past life and appeared here in Rome -- Lord Warburton himself. In contrast, Gilbert Osmond appears in Saint Peter's basilica, described as a place where most people are disappointed. Isabel though is not disappointed, because she is capable of imagining something that is not there, while also ignoring that which is actually present before her eyes. We are led to believe that this is how she sees Osmond: she can imagine a lot of vague things about him, because she is blind to what is right before her eyes, and because she is not able to concretely grasp what he is about. Osmond's vague declaration of love serves to further this pattern. Because he is not concretely offering his hand in marriage, she is instead allowed to imagine further possibilities as to where their relationship might go, to have her own original idea about them, rather than slotting them into a conventional social form. Isabel's imagination works best when it is vague or when it is working against something concrete. But when something corresponds to her imagination, it is as if she is scared of something -- perhaps disappointment of how pathetic reality actually is. Pansy's characterization in Chapter 30 gives plenty of room for Isabel's imagination, but it has little substance in itself. She is described as a blank page, so that Isabel can project what she wishes to upon her. It seems that this might be the seed for Isabel's later acceptance of Osmond's proposal of marriage. Isabel would like to do something for the child - she would like to give Pansy the choice to marry or not. This could be one interpretation of Isabel's psychological motivations for marrying Gilbert Osmond. In Chapter 30, we get an indication of what the social mores were at the time. It was inappropriate for young women to visit unmarried men alone. This is evidence of the Victorian prudery of the time. Isabel makes a good point in noting that Merle has visited Osmond alone and it has not mattered. There is a suggestion though that Merle has made a point of allowing her visits not "to signify." This is an interesting theme throughout the work: what do social conventions signify, and how do they signify? For example, what does it mean when someone acts inappropriately - does it mean that this person is vulgar? Merle hints that she is a master of manipulating the signs of social conventions: she can control how things signify, rather than simply accepting that they signify something obvious. See Sharon Cameron's work for more on how characters manipulate social signs and meaning.

gradesaver

all_chapterized_books/2833-chapters/31.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_11_part_1.txt

The Portrait of a Lady.chapter 31

chapter 31

{"name": "Chapter 31", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-31-35", "summary": "The chapter opens with Isabel sitting at a window of Mrs. Touchett's Palazzo Crescentini, waiting for someone. A year has passed since she had left Florence: during this time, her sister and her sister's husband, the Ludlows, have visited her and toured Switzerland, Paris, and London with her. When they left, she felt free to act: she goes on a trip to the East with Madame Merle. She visits Turkey, Greece, and Egypt. Then she returns to Rome, and Gilbert Osmond comes down to visit her for a few weeks. The narrator has described all of this in the course of a few pages, all as background to the scene in which Isabel is waiting for a mysterious someone to arrive", "analysis": ". It is notable too, that this reminiscence of Isabel's travels is contextualized in her mind's eye -- she is awaiting Caspar Goodwood, and thinking about how much she herself has changed since she last saw him. This is a common technique that Henry James employs: the narrator lends some more concrete words for the very vague reminiscences of a character, allowing that character to reflect upon their own experiences, but also allowing the reader to reap the benefit of a more objective, summary view of certain events. \"If her thoughts just now had inclined themselves to retrospect, instead of fluttering their wings nervously about the present, they would have evoked a multitude of interesting pictures,\" the narrator tells us. This again is called \"hypothetical discourse\" as coined by scholar Arlene Young . Isabel's reaction in Chapter 32 to Caspar Goodwood is curiously physical and emotional. Is she really as disinterested in him as she claims to be? The novel itself deals very little with strong, physical outbursts of emotions: Isabel's scenes with Caspar Goodwood are an exception to the rule. One theory is that Isabel is sexually attracted to Goodwood, but her Victorian prudery makes her repress this idea; she wants to escape her own sexuality in his presence. It is important to notice the reactions of others to Isabel's engagement, and how Isabel's resolution becomes more concrete in the face of their opposition. In her conversation with Mrs. Touchett, she does not quite know why she wants to marry Osmond, and she can barely articulate it. When she discusses her motivations with Ralph, her own conviction becomes more concrete. \"His opposition had made her own conception of her conduct clearer to her,\" the narrator tells us. Ralph says that he had thought of the great \"idea\" she would actualize in the world only in the \"negative\" -- but we should notice that her marrying Osmond is actually an articulation of a negative idea -- of an idea that exists only as one in opposition to others' opinions. In other words, she feels like she freely chooses her marriage to Osmond mostly because no one in her circle seems to approve of the engagement. So the narrator tells us, the disapproval of others for Isabel \"served mainly to throw into higher relief, in every way so honourable, that she married to please herself.\" Osmond's narcissism becomes apparent in Chapter 35. It is notable how he thinks of Isabel as a fine object, a present made to him by Madame Merle, rather than seeming to really be in love with her. Again, there is a comparison between a person and a commodity: he thinks of Isabel as a \"silver plate.\" Consider the coldness of this extended metaphor - he continues to think of how he will heap fruits onto this plate. His conception of a good relationship is that the other person reflects one's own thoughts back to oneself -- it seems that he will give very little room for Isabel to have ideas of her own. He has the attitude of a connoisseur or collector to a commodity of value. It does not quite fit a more romantic conception of love - of loving Isabel for herself."}

Isabel came back to Florence, but only after several months; an interval sufficiently replete with incident. It is not, however, during this interval that we are closely concerned with her; our attention is engaged again on a certain day in the late spring-time, shortly after her return to Palazzo Crescentini and a year from the date of the incidents just narrated. She was alone on this occasion, in one of the smaller of the numerous rooms devoted by Mrs. Touchett to social uses, and there was that in her expression and attitude which would have suggested that she was expecting a visitor. The tall window was open, and though its green shutters were partly drawn the bright air of the garden had come in through a broad interstice and filled the room with warmth and perfume. Our young woman stood near it for some time, her hands clasped behind her; she gazed abroad with the vagueness of unrest. Too troubled for attention she moved in a vain circle. Yet it could not be in her thought to catch a glimpse of her visitor before he should pass into the house, since the entrance to the palace was not through the garden, in which stillness and privacy always reigned. She wished rather to forestall his arrival by a process of conjecture, and to judge by the expression of her face this attempt gave her plenty to do. Grave she found herself, and positively more weighted, as by the experience of the lapse of the year she had spent in seeing the world. She had ranged, she would have said, through space and surveyed much of mankind, and was therefore now, in her own eyes, a very different person from the frivolous young woman from Albany who had begun to take the measure of Europe on the lawn at Gardencourt a couple of years before. She flattered herself she had harvested wisdom and learned a great deal more of life than this light-minded creature had even suspected. If her thoughts just now had inclined themselves to retrospect, instead of fluttering their wings nervously about the present, they would have evoked a multitude of interesting pictures. These pictures would have been both landscapes and figure-pieces; the latter, however, would have been the more numerous. With several of the images that might have been projected on such a field we are already acquainted. There would be for instance the conciliatory Lily, our heroine's sister and Edmund Ludlow's wife, who had come out from New York to spend five months with her relative. She had left her husband behind her, but had brought her children, to whom Isabel now played with equal munificence and tenderness the part of maiden-aunt. Mr. Ludlow, toward the last, had been able to snatch a few weeks from his forensic triumphs and, crossing the ocean with extreme rapidity, had spent a month with the two ladies in Paris before taking his wife home. The little Ludlows had not yet, even from the American point of view, reached the proper tourist-age; so that while her sister was with her Isabel had confined her movements to a narrow circle. Lily and the babies had joined her in Switzerland in the month of July, and they had spent a summer of fine weather in an Alpine valley where the flowers were thick in the meadows and the shade of great chestnuts made a resting-place for such upward wanderings as might be undertaken by ladies and children on warm afternoons. They had afterwards reached the French capital, which was worshipped, and with costly ceremonies, by Lily, but thought of as noisily vacant by Isabel, who in these days made use of her memory of Rome as she might have done, in a hot and crowded room, of a phial of something pungent hidden in her handkerchief. Mrs. Ludlow sacrificed, as I say, to Paris, yet had doubts and wonderments not allayed at that altar; and after her husband had joined her found further chagrin in his failure to throw himself into these speculations. They all had Isabel for subject; but Edmund Ludlow, as he had always done before, declined to be surprised, or distressed, or mystified, or elated, at anything his sister-in-law might have done or have failed to do. Mrs. Ludlow's mental motions were sufficiently various. At one moment she thought it would be so natural for that young woman to come home and take a house in New York--the Rossiters', for instance, which had an elegant conservatory and was just round the corner from her own; at another she couldn't conceal her surprise at the girl's not marrying some member of one of the great aristocracies. On the whole, as I have said, she had fallen from high communion with the probabilities. She had taken more satisfaction in Isabel's accession of fortune than if the money had been left to herself; it had seemed to her to offer just the proper setting for her sister's slightly meagre, but scarce the less eminent figure. Isabel had developed less, however, than Lily had thought likely--development, to Lily's understanding, being somehow mysteriously connected with morning-calls and evening-parties. Intellectually, doubtless, she had made immense strides; but she appeared to have achieved few of those social conquests of which Mrs. Ludlow had expected to admire the trophies. Lily's conception of such achievements was extremely vague; but this was exactly what she had expected of Isabel--to give it form and body. Isabel could have done as well as she had done in New York; and Mrs. Ludlow appealed to her husband to know whether there was any privilege she enjoyed in Europe which the society of that city might not offer her. We know ourselves that Isabel had made conquests--whether inferior or not to those she might have effected in her native land it would be a delicate matter to decide; and it is not altogether with a feeling of complacency that I again mention that she had not rendered these honourable victories public. She had not told her sister the history of Lord Warburton, nor had she given her a hint of Mr. Osmond's state of mind; and she had had no better reason for her silence than that she didn't wish to speak. It was more romantic to say nothing, and, drinking deep, in secret, of romance, she was as little disposed to ask poor Lily's advice as she would have been to close that rare volume forever. But Lily knew nothing of these discriminations, and could only pronounce her sister's career a strange anti-climax--an impression confirmed by the fact that Isabel's silence about Mr. Osmond, for instance, was in direct proportion to the frequency with which he occupied her thoughts. As this happened very often it sometimes appeared to Mrs. Ludlow that she had lost her courage. So uncanny a result of so exhilarating an incident as inheriting a fortune was of course perplexing to the cheerful Lily; it added to her general sense that Isabel was not at all like other people. Our young lady's courage, however, might have been taken as reaching its height after her relations had gone home. She could imagine braver things than spending the winter in Paris--Paris had sides by which it so resembled New York, Paris was like smart, neat prose--and her close correspondence with Madame Merle did much to stimulate such flights. She had never had a keener sense of freedom, of the absolute boldness and wantonness of liberty, than when she turned away from the platform at the Euston Station on one of the last days of November, after the departure of the train that was to convey poor Lily, her husband and her children to their ship at Liverpool. It had been good for her to regale; she was very conscious of that; she was very observant, as we know, of what was good for her, and her effort was constantly to find something that was good enough. To profit by the present advantage till the latest moment she had made the journey from Paris with the unenvied travellers. She would have accompanied them to Liverpool as well, only Edmund Ludlow had asked her, as a favour, not to do so; it made Lily so fidgety and she asked such impossible questions. Isabel watched the train move away; she kissed her hand to the elder of her small nephews, a demonstrative child who leaned dangerously far out of the window of the carriage and made separation an occasion of violent hilarity, and then she walked back into the foggy London street. The world lay before her--she could do whatever she chose. There was a deep thrill in it all, but for the present her choice was tolerably discreet; she chose simply to walk back from Euston Square to her hotel. The early dusk of a November afternoon had already closed in; the street-lamps, in the thick, brown air, looked weak and red; our heroine was unattended and Euston Square was a long way from Piccadilly. But Isabel performed the journey with a positive enjoyment of its dangers and lost her way almost on purpose, in order to get more sensations, so that she was disappointed when an obliging policeman easily set her right again. She was so fond of the spectacle of human life that she enjoyed even the aspect of gathering dusk in the London streets--the moving crowds, the hurrying cabs, the lighted shops, the flaring stalls, the dark, shining dampness of everything. That evening, at her hotel, she wrote to Madame Merle that she should start in a day or two for Rome. She made her way down to Rome without touching at Florence--having gone first to Venice and then proceeded southward by Ancona. She accomplished this journey without other assistance than that of her servant, for her natural protectors were not now on the ground. Ralph Touchett was spending the winter at Corfu, and Miss Stackpole, in the September previous, had been recalled to America by a telegram from the Interviewer. This journal offered its brilliant correspondent a fresher field for her genius than the mouldering cities of Europe, and Henrietta was cheered on her way by a promise from Mr. Bantling that he would soon come over to see her. Isabel wrote to Mrs. Touchett to apologise for not presenting herself just yet in Florence, and her aunt replied characteristically enough. Apologies, Mrs. Touchett intimated, were of no more use to her than bubbles, and she herself never dealt in such articles. One either did the thing or one didn't, and what one "would" have done belonged to the sphere of the irrelevant, like the idea of a future life or of the origin of things. Her letter was frank, but (a rare case with Mrs. Touchett) not so frank as it pretended. She easily forgave her niece for not stopping at Florence, because she took it for a sign that Gilbert Osmond was less in question there than formerly. She watched of course to see if he would now find a pretext for going to Rome, and derived some comfort from learning that he had not been guilty of an absence. Isabel, on her side, had not been a fortnight in Rome before she proposed to Madame Merle that they should make a little pilgrimage to the East. Madame Merle remarked that her friend was restless, but she added that she herself had always been consumed with the desire to visit Athens and Constantinople. The two ladies accordingly embarked on this expedition, and spent three months in Greece, in Turkey, in Egypt. Isabel found much to interest her in these countries, though Madame Merle continued to remark that even among the most classic sites, the scenes most calculated to suggest repose and reflexion, a certain incoherence prevailed in her. Isabel travelled rapidly and recklessly; she was like a thirsty person draining cup after cup. Madame Merle meanwhile, as lady-in-waiting to a princess circulating incognita, panted a little in her rear. It was on Isabel's invitation she had come, and she imparted all due dignity to the girl's uncountenanced state. She played her part with the tact that might have been expected of her, effacing herself and accepting the position of a companion whose expenses were profusely paid. The situation, however, had no hardships, and people who met this reserved though striking pair on their travels would not have been able to tell you which was patroness and which client. To say that Madame Merle improved on acquaintance states meagrely the impression she made on her friend, who had found her from the first so ample and so easy. At the end of an intimacy of three months Isabel felt she knew her better; her character had revealed itself, and the admirable woman had also at last redeemed her promise of relating her history from her own point of view--a consummation the more desirable as Isabel had already heard it related from the point of view of others. This history was so sad a one (in so far as it concerned the late M. Merle, a positive adventurer, she might say, though originally so plausible, who had taken advantage, years before, of her youth and of an inexperience in which doubtless those who knew her only now would find it difficult to believe); it abounded so in startling and lamentable incidents that her companion wondered a person so eprouvee could have kept so much of her freshness, her interest in life. Into this freshness of Madame Merle's she obtained a considerable insight; she seemed to see it as professional, as slightly mechanical, carried about in its case like the fiddle of the virtuoso, or blanketed and bridled like the "favourite" of the jockey. She liked her as much as ever, but there was a corner of the curtain that never was lifted; it was as if she had remained after all something of a public performer, condemned to emerge only in character and in costume. She had once said that she came from a distance, that she belonged to the "old, old" world, and Isabel never lost the impression that she was the product of a different moral or social clime from her own, that she had grown up under other stars. She believed then that at bottom she had a different morality. Of course the morality of civilised persons has always much in common; but our young woman had a sense in her of values gone wrong or, as they said at the shops, marked down. She considered, with the presumption of youth, that a morality differing from her own must be inferior to it; and this conviction was an aid to detecting an occasional flash of cruelty, an occasional lapse from candour, in the conversation of a person who had raised delicate kindness to an art and whose pride was too high for the narrow ways of deception. Her conception of human motives might, in certain lights, have been acquired at the court of some kingdom in decadence, and there were several in her list of which our heroine had not even heard. She had not heard of everything, that was very plain; and there were evidently things in the world of which it was not advantageous to hear. She had once or twice had a positive scare; since it so affected her to have to exclaim, of her friend, "Heaven forgive her, she doesn't understand me!" Absurd as it may seem this discovery operated as a shock, left her with a vague dismay in which there was even an element of foreboding. The dismay of course subsided, in the light of some sudden proof of Madame Merle's remarkable intelligence; but it stood for a high-water-mark in the ebb and flow of confidence. Madame Merle had once declared her belief that when a friendship ceases to grow it immediately begins to decline--there being no point of equilibrium between liking more and liking less. A stationary affection, in other words, was impossible--it must move one way or the other. However that might be, the girl had in these days a thousand uses for her sense of the romantic, which was more active than it had ever been. I do not allude to the impulse it received as she gazed at the Pyramids in the course of an excursion from Cairo, or as she stood among the broken columns of the Acropolis and fixed her eyes upon the point designated to her as the Strait of Salamis; deep and memorable as these emotions had remained. She came back by the last of March from Egypt and Greece and made another stay in Rome. A few days after her arrival Gilbert Osmond descended from Florence and remained three weeks, during which the fact of her being with his old friend Madame Merle, in whose house she had gone to lodge, made it virtually inevitable that he should see her every day. When the last of April came she wrote to Mrs. Touchett that she should now rejoice to accept an invitation given long before, and went to pay a visit at Palazzo Crescentini, Madame Merle on this occasion remaining in Rome. She found her aunt alone; her cousin was still at Corfu. Ralph, however, was expected in Florence from day to day, and Isabel, who had not seen him for upwards of a year, was prepared to give him the most affectionate welcome.

Chapter 31

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-31-35

The chapter opens with Isabel sitting at a window of Mrs. Touchett's Palazzo Crescentini, waiting for someone. A year has passed since she had left Florence: during this time, her sister and her sister's husband, the Ludlows, have visited her and toured Switzerland, Paris, and London with her. When they left, she felt free to act: she goes on a trip to the East with Madame Merle. She visits Turkey, Greece, and Egypt. Then she returns to Rome, and Gilbert Osmond comes down to visit her for a few weeks. The narrator has described all of this in the course of a few pages, all as background to the scene in which Isabel is waiting for a mysterious someone to arrive

. It is notable too, that this reminiscence of Isabel's travels is contextualized in her mind's eye -- she is awaiting Caspar Goodwood, and thinking about how much she herself has changed since she last saw him. This is a common technique that Henry James employs: the narrator lends some more concrete words for the very vague reminiscences of a character, allowing that character to reflect upon their own experiences, but also allowing the reader to reap the benefit of a more objective, summary view of certain events. "If her thoughts just now had inclined themselves to retrospect, instead of fluttering their wings nervously about the present, they would have evoked a multitude of interesting pictures," the narrator tells us. This again is called "hypothetical discourse" as coined by scholar Arlene Young . Isabel's reaction in Chapter 32 to Caspar Goodwood is curiously physical and emotional. Is she really as disinterested in him as she claims to be? The novel itself deals very little with strong, physical outbursts of emotions: Isabel's scenes with Caspar Goodwood are an exception to the rule. One theory is that Isabel is sexually attracted to Goodwood, but her Victorian prudery makes her repress this idea; she wants to escape her own sexuality in his presence. It is important to notice the reactions of others to Isabel's engagement, and how Isabel's resolution becomes more concrete in the face of their opposition. In her conversation with Mrs. Touchett, she does not quite know why she wants to marry Osmond, and she can barely articulate it. When she discusses her motivations with Ralph, her own conviction becomes more concrete. "His opposition had made her own conception of her conduct clearer to her," the narrator tells us. Ralph says that he had thought of the great "idea" she would actualize in the world only in the "negative" -- but we should notice that her marrying Osmond is actually an articulation of a negative idea -- of an idea that exists only as one in opposition to others' opinions. In other words, she feels like she freely chooses her marriage to Osmond mostly because no one in her circle seems to approve of the engagement. So the narrator tells us, the disapproval of others for Isabel "served mainly to throw into higher relief, in every way so honourable, that she married to please herself." Osmond's narcissism becomes apparent in Chapter 35. It is notable how he thinks of Isabel as a fine object, a present made to him by Madame Merle, rather than seeming to really be in love with her. Again, there is a comparison between a person and a commodity: he thinks of Isabel as a "silver plate." Consider the coldness of this extended metaphor - he continues to think of how he will heap fruits onto this plate. His conception of a good relationship is that the other person reflects one's own thoughts back to oneself -- it seems that he will give very little room for Isabel to have ideas of her own. He has the attitude of a connoisseur or collector to a commodity of value. It does not quite fit a more romantic conception of love - of loving Isabel for herself.

gradesaver

all_chapterized_books/2833-chapters/32.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_11_part_2.txt

The Portrait of a Lady.chapter 32

chapter 32

{"name": "Chapter 32", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-31-35", "summary": "We learn that Isabel is waiting for Caspar Goodwood. Isabel tells her that she wishes he had not come. Mr. Goodwood tells her that after what she has done to him he shall never feel anything for the rest of his life - just what she has done to him. Isabel notes that she will have to prepare for Henrietta arriving, and Goodwood asks if Henrietta knows of Mr. Osmond. Isabel says that she does not marry to please Henrietta. Isabel claims that she does not marry for any of her friends, and that she is marrying a \"perfect nonentity\". Isabel feels agitation upon seeing Caspar Goodwood in his misery. But as he is leaving, she is afraid he will not utter the word that will give her the opportunity to defend herself. Although, the narrator wonders, if she has done nothing wrong, why is she so eager to defend herself. The narrator concludes that she is being generous to Goodwood. She claims she never deceived him, and that she was perfectly free. Caspar tells her he came to see for himself. He admits that he is selfish and would want her to be married to no one if she would not marry him. When he leaves, she breaks into a fit of weeping", "analysis": ". It is notable too, that this reminiscence of Isabel's travels is contextualized in her mind's eye -- she is awaiting Caspar Goodwood, and thinking about how much she herself has changed since she last saw him. This is a common technique that Henry James employs: the narrator lends some more concrete words for the very vague reminiscences of a character, allowing that character to reflect upon their own experiences, but also allowing the reader to reap the benefit of a more objective, summary view of certain events. \"If her thoughts just now had inclined themselves to retrospect, instead of fluttering their wings nervously about the present, they would have evoked a multitude of interesting pictures,\" the narrator tells us. This again is called \"hypothetical discourse\" as coined by scholar Arlene Young . Isabel's reaction in Chapter 32 to Caspar Goodwood is curiously physical and emotional. Is she really as disinterested in him as she claims to be? The novel itself deals very little with strong, physical outbursts of emotions: Isabel's scenes with Caspar Goodwood are an exception to the rule. One theory is that Isabel is sexually attracted to Goodwood, but her Victorian prudery makes her repress this idea; she wants to escape her own sexuality in his presence. It is important to notice the reactions of others to Isabel's engagement, and how Isabel's resolution becomes more concrete in the face of their opposition. In her conversation with Mrs. Touchett, she does not quite know why she wants to marry Osmond, and she can barely articulate it. When she discusses her motivations with Ralph, her own conviction becomes more concrete. \"His opposition had made her own conception of her conduct clearer to her,\" the narrator tells us. Ralph says that he had thought of the great \"idea\" she would actualize in the world only in the \"negative\" -- but we should notice that her marrying Osmond is actually an articulation of a negative idea -- of an idea that exists only as one in opposition to others' opinions. In other words, she feels like she freely chooses her marriage to Osmond mostly because no one in her circle seems to approve of the engagement. So the narrator tells us, the disapproval of others for Isabel \"served mainly to throw into higher relief, in every way so honourable, that she married to please herself.\" Osmond's narcissism becomes apparent in Chapter 35. It is notable how he thinks of Isabel as a fine object, a present made to him by Madame Merle, rather than seeming to really be in love with her. Again, there is a comparison between a person and a commodity: he thinks of Isabel as a \"silver plate.\" Consider the coldness of this extended metaphor - he continues to think of how he will heap fruits onto this plate. His conception of a good relationship is that the other person reflects one's own thoughts back to oneself -- it seems that he will give very little room for Isabel to have ideas of her own. He has the attitude of a connoisseur or collector to a commodity of value. It does not quite fit a more romantic conception of love - of loving Isabel for herself."}

It was not of him, nevertheless, that she was thinking while she stood at the window near which we found her a while ago, and it was not of any of the matters I have rapidly sketched. She was not turned to the past, but to the immediate, impending hour. She had reason to expect a scene, and she was not fond of scenes. She was not asking herself what she should say to her visitor; this question had already been answered. What he would say to her--that was the interesting issue. It could be nothing in the least soothing--she had warrant for this, and the conviction doubtless showed in the cloud on her brow. For the rest, however, all clearness reigned in her; she had put away her mourning and she walked in no small shimmering splendour. She only, felt older--ever so much, and as if she were "worth more" for it, like some curious piece in an antiquary's collection. She was not at any rate left indefinitely to her apprehensions, for a servant at last stood before her with a card on his tray. "Let the gentleman come in," she said, and continued to gaze out of the window after the footman had retired. It was only when she had heard the door close behind the person who presently entered that she looked round. Caspar Goodwood stood there--stood and received a moment, from head to foot, the bright, dry gaze with which she rather withheld than offered a greeting. Whether his sense of maturity had kept pace with Isabel's we shall perhaps presently ascertain; let me say meanwhile that to her critical glance he showed nothing of the injury of time. Straight, strong and hard, there was nothing in his appearance that spoke positively either of youth or of age; if he had neither innocence nor weakness, so he had no practical philosophy. His jaw showed the same voluntary cast as in earlier days; but a crisis like the present had in it of course something grim. He had the air of a man who had travelled hard; he said nothing at first, as if he had been out of breath. This gave Isabel time to make a reflexion: "Poor fellow, what great things he's capable of, and what a pity he should waste so dreadfully his splendid force! What a pity too that one can't satisfy everybody!" It gave her time to do more to say at the end of a minute: "I can't tell you how I hoped you wouldn't come!" "I've no doubt of that." And he looked about him for a seat. Not only had he come, but he meant to settle. "You must be very tired," said Isabel, seating herself, and generously, as she thought, to give him his opportunity. "No, I'm not at all tired. Did you ever know me to be tired?" "Never; I wish I had! When did you arrive?" "Last night, very late; in a kind of snail-train they call the express. These Italian trains go at about the rate of an American funeral." "That's in keeping--you must have felt as if you were coming to bury me!" And she forced a smile of encouragement to an easy view of their situation. She had reasoned the matter well out, making it perfectly clear that she broke no faith and falsified no contract; but for all this she was afraid of her visitor. She was ashamed of her fear; but she was devoutly thankful there was nothing else to be ashamed of. He looked at her with his stiff insistence, an insistence in which there was such a want of tact; especially when the dull dark beam in his eye rested on her as a physical weight. "No, I didn't feel that; I couldn't think of you as dead. I wish I could!" he candidly declared. "I thank you immensely." "I'd rather think of you as dead than as married to another man." "That's very selfish of you!" she returned with the ardour of a real conviction. "If you're not happy yourself others have yet a right to be." "Very likely it's selfish; but I don't in the least mind your saying so. I don't mind anything you can say now--I don't feel it. The cruellest things you could think of would be mere pin-pricks. After what you've done I shall never feel anything--I mean anything but that. That I shall feel all my life." Mr. Goodwood made these detached assertions with dry deliberateness, in his hard, slow American tone, which flung no atmospheric colour over propositions intrinsically crude. The tone made Isabel angry rather than touched her; but her anger perhaps was fortunate, inasmuch as it gave her a further reason for controlling herself. It was under the pressure of this control that she became, after a little, irrelevant. "When did you leave New York?" He threw up his head as if calculating. "Seventeen days ago." "You must have travelled fast in spite of your slow trains." "I came as fast as I could. I'd have come five days ago if I had been able." "It wouldn't have made any difference, Mr. Goodwood," she coldly smiled. "Not to you--no. But to me." "You gain nothing that I see." "That's for me to judge!" "Of course. To me it seems that you only torment yourself." And then, to change the subject, she asked him if he had seen Henrietta Stackpole. He looked as if he had not come from Boston to Florence to talk of Henrietta Stackpole; but he answered, distinctly enough, that this young lady had been with him just before he left America. "She came to see you?" Isabel then demanded. "Yes, she was in Boston, and she called at my office. It was the day I had got your letter." "Did you tell her?" Isabel asked with a certain anxiety. "Oh no," said Caspar Goodwood simply; "I didn't want to do that. She'll hear it quick enough; she hears everything." "I shall write to her, and then she'll write to me and scold me," Isabel declared, trying to smile again. Caspar, however, remained sternly grave. "I guess she'll come right out," he said. "On purpose to scold me?" "I don't know. She seemed to think she had not seen Europe thoroughly." "I'm glad you tell me that," Isabel said. "I must prepare for her." Mr. Goodwood fixed his eyes for a moment on the floor; then at last, raising them, "Does she know Mr. Osmond?" he enquired. "A little. And she doesn't like him. But of course I don't marry to please Henrietta," she added. It would have been better for poor Caspar if she had tried a little more to gratify Miss Stackpole; but he didn't say so; he only asked, presently, when her marriage would take place. To which she made answer that she didn't know yet. "I can only say it will be soon. I've told no one but yourself and one other person--an old friend of Mr. Osmond's." "Is it a marriage your friends won't like?" he demanded. "I really haven't an idea. As I say, I don't marry for my friends." He went on, making no exclamation, no comment, only asking questions, doing it quite without delicacy. "Who and what then is Mr. Gilbert Osmond?" "Who and what? Nobody and nothing but a very good and very honourable man. He's not in business," said Isabel. "He's not rich; he's not known for anything in particular." She disliked Mr. Goodwood's questions, but she said to herself that she owed it to him to satisfy him as far as possible. The satisfaction poor Caspar exhibited was, however, small; he sat very upright, gazing at her. "Where does he come from? Where does he belong?" She had never been so little pleased with the way he said "belawng." "He comes from nowhere. He has spent most of his life in Italy." "You said in your letter he was American. Hasn't he a native place?" "Yes, but he has forgotten it. He left it as a small boy." "Has he never gone back?" "Why should he go back?" Isabel asked, flushing all defensively. "He has no profession." "He might have gone back for his pleasure. Doesn't he like the United States?" "He doesn't know them. Then he's very quiet and very simple--he contents himself with Italy." "With Italy and with you," said Mr. Goodwood with gloomy plainness and no appearance of trying to make an epigram. "What has he ever done?" he added abruptly. "That I should marry him? Nothing at all," Isabel replied while her patience helped itself by turning a little to hardness. "If he had done great things would you forgive me any better? Give me up, Mr. Goodwood; I'm marrying a perfect nonentity. Don't try to take an interest in him. You can't." "I can't appreciate him; that's what you mean. And you don't mean in the least that he's a perfect nonentity. You think he's grand, you think he's great, though no one else thinks so." Isabel's colour deepened; she felt this really acute of her companion, and it was certainly a proof of the aid that passion might render perceptions she had never taken for fine. "Why do you always come back to what others think? I can't discuss Mr. Osmond with you." "Of course not," said Caspar reasonably. And he sat there with his air of stiff helplessness, as if not only this were true, but there were nothing else that they might discuss. "You see how little you gain," she accordingly broke out--"how little comfort or satisfaction I can give you." "I didn't expect you to give me much." "I don't understand then why you came." "I came because I wanted to see you once more--even just as you are." "I appreciate that; but if you had waited a while, sooner or later we should have been sure to meet, and our meeting would have been pleasanter for each of us than this." "Waited till after you're married? That's just what I didn't want to do. You'll be different then." "Not very. I shall still be a great friend of yours. You'll see." "That will make it all the worse," said Mr. Goodwood grimly. "Ah, you're unaccommodating! I can't promise to dislike you in order to help you to resign yourself." "I shouldn't care if you did!" Isabel got up with a movement of repressed impatience and walked to the window, where she remained a moment looking out. When she turned round her visitor was still motionless in his place. She came toward him again and stopped, resting her hand on the back of the chair she had just quitted. "Do you mean you came simply to look at me? That's better for you perhaps than for me." "I wished to hear the sound of your voice," he said. "You've heard it, and you see it says nothing very sweet." "It gives me pleasure, all the same." And with this he got up. She had felt pain and displeasure on receiving early that day the news he was in Florence and by her leave would come within an hour to see her. She had been vexed and distressed, though she had sent back word by his messenger that he might come when he would. She had not been better pleased when she saw him; his being there at all was so full of heavy implications. It implied things she could never assent to--rights, reproaches, remonstrance, rebuke, the expectation of making her change her purpose. These things, however, if implied, had not been expressed; and now our young lady, strangely enough, began to resent her visitor's remarkable self-control. There was a dumb misery about him that irritated her; there was a manly staying of his hand that made her heart beat faster. She felt her agitation rising, and she said to herself that she was angry in the way a woman is angry when she has been in the wrong. She was not in the wrong; she had fortunately not that bitterness to swallow; but, all the same, she wished he would denounce her a little. She had wished his visit would be short; it had no purpose, no propriety; yet now that he seemed to be turning away she felt a sudden horror of his leaving her without uttering a word that would give her an opportunity to defend herself more than she had done in writing to him a month before, in a few carefully chosen words, to announce her engagement. If she were not in the wrong, however, why should she desire to defend herself? It was an excess of generosity on Isabel's part to desire that Mr. Goodwood should be angry. And if he had not meanwhile held himself hard it might have made him so to hear the tone in which she suddenly exclaimed, as if she were accusing him of having accused her: "I've not deceived you! I was perfectly free!" "Yes, I know that," said Caspar. "I gave you full warning that I'd do as I chose." "You said you'd probably never marry, and you said it with such a manner that I pretty well believed it." She considered this an instant. "No one can be more surprised than myself at my present intention." "You told me that if I heard you were engaged I was not to believe it," Caspar went on. "I heard it twenty days ago from yourself, but I remembered what you had said. I thought there might be some mistake, and that's partly why I came." "If you wish me to repeat it by word of mouth, that's soon done. There's no mistake whatever." "I saw that as soon as I came into the room." "What good would it do you that I shouldn't marry?" she asked with a certain fierceness. "I should like it better than this." "You're very selfish, as I said before." "I know that. I'm selfish as iron." "Even iron sometimes melts! If you'll be reasonable I'll see you again." "Don't you call me reasonable now?" "I don't know what to say to you," she answered with sudden humility. "I shan't trouble you for a long time," the young man went on. He made a step towards the door, but he stopped. "Another reason why I came was that I wanted to hear what you would say in explanation of your having changed your mind." Her humbleness as suddenly deserted her. "In explanation? Do you think I'm bound to explain?" He gave her one of his long dumb looks. "You were very positive. I did believe it." "So did I. Do you think I could explain if I would?" "No, I suppose not. Well," he added, "I've done what I wished. I've seen you." "How little you make of these terrible journeys," she felt the poverty of her presently replying. "If you're afraid I'm knocked up--in any such way as that--you may be at your ease about it." He turned away, this time in earnest, and no hand-shake, no sign of parting, was exchanged between them. At the door he stopped with his hand on the knob. "I shall leave Florence to-morrow," he said without a quaver. "I'm delighted to hear it!" she answered passionately. Five minutes after he had gone out she burst into tears.

Chapter 32

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-31-35

We learn that Isabel is waiting for Caspar Goodwood. Isabel tells her that she wishes he had not come. Mr. Goodwood tells her that after what she has done to him he shall never feel anything for the rest of his life - just what she has done to him. Isabel notes that she will have to prepare for Henrietta arriving, and Goodwood asks if Henrietta knows of Mr. Osmond. Isabel says that she does not marry to please Henrietta. Isabel claims that she does not marry for any of her friends, and that she is marrying a "perfect nonentity". Isabel feels agitation upon seeing Caspar Goodwood in his misery. But as he is leaving, she is afraid he will not utter the word that will give her the opportunity to defend herself. Although, the narrator wonders, if she has done nothing wrong, why is she so eager to defend herself. The narrator concludes that she is being generous to Goodwood. She claims she never deceived him, and that she was perfectly free. Caspar tells her he came to see for himself. He admits that he is selfish and would want her to be married to no one if she would not marry him. When he leaves, she breaks into a fit of weeping

. It is notable too, that this reminiscence of Isabel's travels is contextualized in her mind's eye -- she is awaiting Caspar Goodwood, and thinking about how much she herself has changed since she last saw him. This is a common technique that Henry James employs: the narrator lends some more concrete words for the very vague reminiscences of a character, allowing that character to reflect upon their own experiences, but also allowing the reader to reap the benefit of a more objective, summary view of certain events. "If her thoughts just now had inclined themselves to retrospect, instead of fluttering their wings nervously about the present, they would have evoked a multitude of interesting pictures," the narrator tells us. This again is called "hypothetical discourse" as coined by scholar Arlene Young . Isabel's reaction in Chapter 32 to Caspar Goodwood is curiously physical and emotional. Is she really as disinterested in him as she claims to be? The novel itself deals very little with strong, physical outbursts of emotions: Isabel's scenes with Caspar Goodwood are an exception to the rule. One theory is that Isabel is sexually attracted to Goodwood, but her Victorian prudery makes her repress this idea; she wants to escape her own sexuality in his presence. It is important to notice the reactions of others to Isabel's engagement, and how Isabel's resolution becomes more concrete in the face of their opposition. In her conversation with Mrs. Touchett, she does not quite know why she wants to marry Osmond, and she can barely articulate it. When she discusses her motivations with Ralph, her own conviction becomes more concrete. "His opposition had made her own conception of her conduct clearer to her," the narrator tells us. Ralph says that he had thought of the great "idea" she would actualize in the world only in the "negative" -- but we should notice that her marrying Osmond is actually an articulation of a negative idea -- of an idea that exists only as one in opposition to others' opinions. In other words, she feels like she freely chooses her marriage to Osmond mostly because no one in her circle seems to approve of the engagement. So the narrator tells us, the disapproval of others for Isabel "served mainly to throw into higher relief, in every way so honourable, that she married to please herself." Osmond's narcissism becomes apparent in Chapter 35. It is notable how he thinks of Isabel as a fine object, a present made to him by Madame Merle, rather than seeming to really be in love with her. Again, there is a comparison between a person and a commodity: he thinks of Isabel as a "silver plate." Consider the coldness of this extended metaphor - he continues to think of how he will heap fruits onto this plate. His conception of a good relationship is that the other person reflects one's own thoughts back to oneself -- it seems that he will give very little room for Isabel to have ideas of her own. He has the attitude of a connoisseur or collector to a commodity of value. It does not quite fit a more romantic conception of love - of loving Isabel for herself.

gradesaver

all_chapterized_books/2833-chapters/33.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_11_part_3.txt

The Portrait of a Lady.chapter 33

chapter 33

{"name": "Chapter 33", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-31-35", "summary": "Isabel breaks the news of her engagement to Mrs. Touchett. Mrs. Touchett though, already seems to know. She blames Madame Merle, telling Isabel she now realizes that Merle only pretended to her that she would interfere if there were a danger that Isabel would marry Osmond. She thinks Merle has done something grand for Osmond, in giving him Isabel. Isabel does not think Merle had anything to do with her engagement. Mrs. Touchett thinks that Osmond has no name, no importance, and no fortune, so she has no idea why Isabel would marry him. Isabel hesitantly suggests that she should like to give Osmond some money. Mrs. Touchett wonders if Isabel marries Osmond for charity, and Isabel responds that she does not have to explain herself to Mrs. Touchett", "analysis": ". It is notable too, that this reminiscence of Isabel's travels is contextualized in her mind's eye -- she is awaiting Caspar Goodwood, and thinking about how much she herself has changed since she last saw him. This is a common technique that Henry James employs: the narrator lends some more concrete words for the very vague reminiscences of a character, allowing that character to reflect upon their own experiences, but also allowing the reader to reap the benefit of a more objective, summary view of certain events. \"If her thoughts just now had inclined themselves to retrospect, instead of fluttering their wings nervously about the present, they would have evoked a multitude of interesting pictures,\" the narrator tells us. This again is called \"hypothetical discourse\" as coined by scholar Arlene Young . Isabel's reaction in Chapter 32 to Caspar Goodwood is curiously physical and emotional. Is she really as disinterested in him as she claims to be? The novel itself deals very little with strong, physical outbursts of emotions: Isabel's scenes with Caspar Goodwood are an exception to the rule. One theory is that Isabel is sexually attracted to Goodwood, but her Victorian prudery makes her repress this idea; she wants to escape her own sexuality in his presence. It is important to notice the reactions of others to Isabel's engagement, and how Isabel's resolution becomes more concrete in the face of their opposition. In her conversation with Mrs. Touchett, she does not quite know why she wants to marry Osmond, and she can barely articulate it. When she discusses her motivations with Ralph, her own conviction becomes more concrete. \"His opposition had made her own conception of her conduct clearer to her,\" the narrator tells us. Ralph says that he had thought of the great \"idea\" she would actualize in the world only in the \"negative\" -- but we should notice that her marrying Osmond is actually an articulation of a negative idea -- of an idea that exists only as one in opposition to others' opinions. In other words, she feels like she freely chooses her marriage to Osmond mostly because no one in her circle seems to approve of the engagement. So the narrator tells us, the disapproval of others for Isabel \"served mainly to throw into higher relief, in every way so honourable, that she married to please herself.\" Osmond's narcissism becomes apparent in Chapter 35. It is notable how he thinks of Isabel as a fine object, a present made to him by Madame Merle, rather than seeming to really be in love with her. Again, there is a comparison between a person and a commodity: he thinks of Isabel as a \"silver plate.\" Consider the coldness of this extended metaphor - he continues to think of how he will heap fruits onto this plate. His conception of a good relationship is that the other person reflects one's own thoughts back to oneself -- it seems that he will give very little room for Isabel to have ideas of her own. He has the attitude of a connoisseur or collector to a commodity of value. It does not quite fit a more romantic conception of love - of loving Isabel for herself."}

Her fit of weeping, however, was soon smothered, and the signs of it had vanished when, an hour later, she broke the news to her aunt. I use this expression because she had been sure Mrs. Touchett would not be pleased; Isabel had only waited to tell her till she had seen Mr. Goodwood. She had an odd impression that it would not be honourable to make the fact public before she should have heard what Mr. Goodwood would say about it. He had said rather less than she expected, and she now had a somewhat angry sense of having lost time. But she would lose no more; she waited till Mrs. Touchett came into the drawing-room before the mid-day breakfast, and then she began. "Aunt Lydia, I've something to tell you." Mrs. Touchett gave a little jump and looked at her almost fiercely. "You needn't tell me; I know what it is." "I don't know how you know." "The same way that I know when the window's open--by feeling a draught. You're going to marry that man." "What man do you mean?" Isabel enquired with great dignity. "Madame Merle's friend--Mr. Osmond." "I don't know why you call him Madame Merle's friend. Is that the principal thing he's known by?" "If he's not her friend he ought to be--after what she has done for him!" cried Mrs. Touchett. "I shouldn't have expected it of her; I'm disappointed." "If you mean that Madame Merle has had anything to do with my engagement you're greatly mistaken," Isabel declared with a sort of ardent coldness. "You mean that your attractions were sufficient, without the gentleman's having had to be lashed up? You're quite right. They're immense, your attractions, and he would never have presumed to think of you if she hadn't put him up to it. He has a very good opinion of himself, but he was not a man to take trouble. Madame Merle took the trouble for him." "He has taken a great deal for himself!" cried Isabel with a voluntary laugh. Mrs. Touchett gave a sharp nod. "I think he must, after all, to have made you like him so much." "I thought he even pleased YOU." "He did, at one time; and that's why I'm angry with him." "Be angry with me, not with him," said the girl. "Oh, I'm always angry with you; that's no satisfaction! Was it for this that you refused Lord Warburton?" "Please don't go back to that. Why shouldn't I like Mr. Osmond, since others have done so?" "Others, at their wildest moments, never wanted to marry him. There's nothing OF him," Mrs. Touchett explained. "Then he can't hurt me," said Isabel. "Do you think you're going to be happy? No one's happy, in such doings, you should know." "I shall set the fashion then. What does one marry for?" "What YOU will marry for, heaven only knows. People usually marry as they go into partnership--to set up a house. But in your partnership you'll bring everything." "Is it that Mr. Osmond isn't rich? Is that what you're talking about?" Isabel asked. "He has no money; he has no name; he has no importance. I value such things and I have the courage to say it; I think they're very precious. Many other people think the same, and they show it. But they give some other reason." Isabel hesitated a little. "I think I value everything that's valuable. I care very much for money, and that's why I wish Mr. Osmond to have a little." "Give it to him then; but marry some one else." "His name's good enough for me," the girl went on. "It's a very pretty name. Have I such a fine one myself?" "All the more reason you should improve on it. There are only a dozen American names. Do you marry him out of charity?" "It was my duty to tell you, Aunt Lydia, but I don't think it's my duty to explain to you. Even if it were I shouldn't be able. So please don't remonstrate; in talking about it you have me at a disadvantage. I can't talk about it." "I don't remonstrate, I simply answer you: I must give some sign of intelligence. I saw it coming, and I said nothing. I never meddle." "You never do, and I'm greatly obliged to you. You've been very considerate." "It was not considerate--it was convenient," said Mrs. Touchett. "But I shall talk to Madame Merle." "I don't see why you keep bringing her in. She has been a very good friend to me." "Possibly; but she has been a poor one to me." "What has she done to you?" "She has deceived me. She had as good as promised me to prevent your engagement." "She couldn't have prevented it." "She can do anything; that's what I've always liked her for. I knew she could play any part; but I understood that she played them one by one. I didn't understand that she would play two at the same time." "I don't know what part she may have played to you," Isabel said; "that's between yourselves. To me she has been honest and kind and devoted." "Devoted, of course; she wished you to marry her candidate. She told me she was watching you only in order to interpose." "She said that to please you," the girl answered; conscious, however, of the inadequacy of the explanation. "To please me by deceiving me? She knows me better. Am I pleased to-day?" "I don't think you're ever much pleased," Isabel was obliged to reply. "If Madame Merle knew you would learn the truth what had she to gain by insincerity?" "She gained time, as you see. While I waited for her to interfere you were marching away, and she was really beating the drum." "That's very well. But by your own admission you saw I was marching, and even if she had given the alarm you wouldn't have tried to stop me." "No, but some one else would." "Whom do you mean?" Isabel asked, looking very hard at her aunt. Mrs. Touchett's little bright eyes, active as they usually were, sustained her gaze rather than returned it. "Would you have listened to Ralph?" "Not if he had abused Mr. Osmond." "Ralph doesn't abuse people; you know that perfectly. He cares very much for you." "I know he does," said Isabel; "and I shall feel the value of it now, for he knows that whatever I do I do with reason." "He never believed you would do this. I told him you were capable of it, and he argued the other way." "He did it for the sake of argument," the girl smiled. "You don't accuse him of having deceived you; why should you accuse Madame Merle?" "He never pretended he'd prevent it." "I'm glad of that!" cried Isabel gaily. "I wish very much," she presently added, "that when he comes you'd tell him first of my engagement." "Of course I'll mention it," said Mrs. Touchett. "I shall say nothing more to you about it, but I give you notice I shall talk to others." "That's as you please. I only meant that it's rather better the announcement should come from you than from me." "I quite agree with you; it's much more proper!" And on this the aunt and the niece went to breakfast, where Mrs. Touchett, as good as her word, made no allusion to Gilbert Osmond. After an interval of silence, however, she asked her companion from whom she had received a visit an hour before. "From an old friend--an American gentleman," Isabel said with a colour in her cheek. "An American gentleman of course. It's only an American gentleman who calls at ten o'clock in the morning." "It was half-past ten; he was in a great hurry; he goes away this evening." "Couldn't he have come yesterday, at the usual time?" "He only arrived last night." "He spends but twenty-four hours in Florence?" Mrs. Touchett cried. "He's an American gentleman truly." "He is indeed," said Isabel, thinking with perverse admiration of what Caspar Goodwood had done for her. Two days afterward Ralph arrived; but though Isabel was sure that Mrs. Touchett had lost no time in imparting to him the great fact, he showed at first no open knowledge of it. Their prompted talk was naturally of his health; Isabel had many questions to ask about Corfu. She had been shocked by his appearance when he came into the room; she had forgotten how ill he looked. In spite of Corfu he looked very ill to-day, and she wondered if he were really worse or if she were simply disaccustomed to living with an invalid. Poor Ralph made no nearer approach to conventional beauty as he advanced in life, and the now apparently complete loss of his health had done little to mitigate the natural oddity of his person. Blighted and battered, but still responsive and still ironic, his face was like a lighted lantern patched with paper and unsteadily held; his thin whisker languished upon a lean cheek; the exorbitant curve of his nose defined itself more sharply. Lean he was altogether, lean and long and loose-jointed; an accidental cohesion of relaxed angles. His brown velvet jacket had become perennial; his hands had fixed themselves in his pockets; he shambled and stumbled and shuffled in a manner that denoted great physical helplessness. It was perhaps this whimsical gait that helped to mark his character more than ever as that of the humorous invalid--the invalid for whom even his own disabilities are part of the general joke. They might well indeed with Ralph have been the chief cause of the want of seriousness marking his view of a world in which the reason for his own continued presence was past finding out. Isabel had grown fond of his ugliness; his awkwardness had become dear to her. They had been sweetened by association; they struck her as the very terms on which it had been given him to be charming. He was so charming that her sense of his being ill had hitherto had a sort of comfort in it; the state of his health had seemed not a limitation, but a kind of intellectual advantage; it absolved him from all professional and official emotions and left him the luxury of being exclusively personal. The personality so resulting was delightful; he had remained proof against the staleness of disease; he had had to consent to be deplorably ill, yet had somehow escaped being formally sick. Such had been the girl's impression of her cousin; and when she had pitied him it was only on reflection. As she reflected a good deal she had allowed him a certain amount of compassion; but she always had a dread of wasting that essence--a precious article, worth more to the giver than to any one else. Now, however, it took no great sensibility to feel that poor Ralph's tenure of life was less elastic than it should be. He was a bright, free, generous spirit, he had all the illumination of wisdom and none of its pedantry, and yet he was distressfully dying. Isabel noted afresh that life was certainly hard for some people, and she felt a delicate glow of shame as she thought how easy it now promised to become for herself. She was prepared to learn that Ralph was not pleased with her engagement; but she was not prepared, in spite of her affection for him, to let this fact spoil the situation. She was not even prepared, or so she thought, to resent his want of sympathy; for it would be his privilege--it would be indeed his natural line--to find fault with any step she might take toward marriage. One's cousin always pretended to hate one's husband; that was traditional, classical; it was a part of one's cousin's always pretending to adore one. Ralph was nothing if not critical; and though she would certainly, other things being equal, have been as glad to marry to please him as to please any one, it would be absurd to regard as important that her choice should square with his views. What were his views after all? He had pretended to believe she had better have married Lord Warburton; but this was only because she had refused that excellent man. If she had accepted him Ralph would certainly have taken another tone; he always took the opposite. You could criticise any marriage; it was the essence of a marriage to be open to criticism. How well she herself, should she only give her mind to it, might criticise this union of her own! She had other employment, however, and Ralph was welcome to relieve her of the care. Isabel was prepared to be most patient and most indulgent. He must have seen that, and this made it the more odd he should say nothing. After three days had elapsed without his speaking our young woman wearied of waiting; dislike it as he would, he might at least go through the form. We, who know more about poor Ralph than his cousin, may easily believe that during the hours that followed his arrival at Palazzo Crescentini he had privately gone through many forms. His mother had literally greeted him with the great news, which had been even more sensibly chilling than Mrs. Touchett's maternal kiss. Ralph was shocked and humiliated; his calculations had been false and the person in the world in whom he was most interested was lost. He drifted about the house like a rudderless vessel in a rocky stream, or sat in the garden of the palace on a great cane chair, his long legs extended, his head thrown back and his hat pulled over his eyes. He felt cold about the heart; he had never liked anything less. What could he do, what could he say? If the girl were irreclaimable could he pretend to like it? To attempt to reclaim her was permissible only if the attempt should succeed. To try to persuade her of anything sordid or sinister in the man to whose deep art she had succumbed would be decently discreet only in the event of her being persuaded. Otherwise he should simply have damned himself. It cost him an equal effort to speak his thought and to dissemble; he could neither assent with sincerity nor protest with hope. Meanwhile he knew--or rather he supposed--that the affianced pair were daily renewing their mutual vows. Osmond at this moment showed himself little at Palazzo Crescentini; but Isabel met him every day elsewhere, as she was free to do after their engagement had been made public. She had taken a carriage by the month, so as not to be indebted to her aunt for the means of pursuing a course of which Mrs. Touchett disapproved, and she drove in the morning to the Cascine. This suburban wilderness, during the early hours, was void of all intruders, and our young lady, joined by her lover in its quietest part, strolled with him a while through the grey Italian shade and listened to the nightingales.

Chapter 33

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-31-35

Isabel breaks the news of her engagement to Mrs. Touchett. Mrs. Touchett though, already seems to know. She blames Madame Merle, telling Isabel she now realizes that Merle only pretended to her that she would interfere if there were a danger that Isabel would marry Osmond. She thinks Merle has done something grand for Osmond, in giving him Isabel. Isabel does not think Merle had anything to do with her engagement. Mrs. Touchett thinks that Osmond has no name, no importance, and no fortune, so she has no idea why Isabel would marry him. Isabel hesitantly suggests that she should like to give Osmond some money. Mrs. Touchett wonders if Isabel marries Osmond for charity, and Isabel responds that she does not have to explain herself to Mrs. Touchett

. It is notable too, that this reminiscence of Isabel's travels is contextualized in her mind's eye -- she is awaiting Caspar Goodwood, and thinking about how much she herself has changed since she last saw him. This is a common technique that Henry James employs: the narrator lends some more concrete words for the very vague reminiscences of a character, allowing that character to reflect upon their own experiences, but also allowing the reader to reap the benefit of a more objective, summary view of certain events. "If her thoughts just now had inclined themselves to retrospect, instead of fluttering their wings nervously about the present, they would have evoked a multitude of interesting pictures," the narrator tells us. This again is called "hypothetical discourse" as coined by scholar Arlene Young . Isabel's reaction in Chapter 32 to Caspar Goodwood is curiously physical and emotional. Is she really as disinterested in him as she claims to be? The novel itself deals very little with strong, physical outbursts of emotions: Isabel's scenes with Caspar Goodwood are an exception to the rule. One theory is that Isabel is sexually attracted to Goodwood, but her Victorian prudery makes her repress this idea; she wants to escape her own sexuality in his presence. It is important to notice the reactions of others to Isabel's engagement, and how Isabel's resolution becomes more concrete in the face of their opposition. In her conversation with Mrs. Touchett, she does not quite know why she wants to marry Osmond, and she can barely articulate it. When she discusses her motivations with Ralph, her own conviction becomes more concrete. "His opposition had made her own conception of her conduct clearer to her," the narrator tells us. Ralph says that he had thought of the great "idea" she would actualize in the world only in the "negative" -- but we should notice that her marrying Osmond is actually an articulation of a negative idea -- of an idea that exists only as one in opposition to others' opinions. In other words, she feels like she freely chooses her marriage to Osmond mostly because no one in her circle seems to approve of the engagement. So the narrator tells us, the disapproval of others for Isabel "served mainly to throw into higher relief, in every way so honourable, that she married to please herself." Osmond's narcissism becomes apparent in Chapter 35. It is notable how he thinks of Isabel as a fine object, a present made to him by Madame Merle, rather than seeming to really be in love with her. Again, there is a comparison between a person and a commodity: he thinks of Isabel as a "silver plate." Consider the coldness of this extended metaphor - he continues to think of how he will heap fruits onto this plate. His conception of a good relationship is that the other person reflects one's own thoughts back to oneself -- it seems that he will give very little room for Isabel to have ideas of her own. He has the attitude of a connoisseur or collector to a commodity of value. It does not quite fit a more romantic conception of love - of loving Isabel for herself.

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The Portrait of a Lady.chapter 34

chapter 34

{"name": "Chapter 34", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-31-35", "summary": "Isabel and Mrs. Touchett agree that Mrs. Touchett will be the one to announce the engagement to the others. Ralph arrives two days after this discussion with Mrs. Touchett. Isabel knows he has been informed of the engagement, and prepares herself to meet with his resistance. But he is silent on the subject for several days, and she can only be patient and expectant. The narrator informs us though that Ralph indeed was displeased with the engagement, and he feels humiliated. He had miscalculated what Isabel would do. Isabel happens upon Ralph in the garden. He seems to be sleeping - but when Isabel approaches him, he says he is just thinking of her. They finally broach the subject of her engagement. He tells her that he can only say what he thinks of Osmond if she ends up not going through with the engagement, because otherwise he will have spoken ill of her husband to be. This is offensive already to her, but she says she is not angry because she knows his opinion is disinterested. He says she has been trapped, and that she will be put into a cage. She asks what the harm is, if she likes her cage. He finally admits to thinking that Osmond is small. She considers this - the word seems large to her. Ralph says that he thinks Osmond has taste, and only taste - he does nothing, he only judges. He does not really feel his relation to others, according to Ralph. He of course has no proof that Osmond is a sinister character, but he nevertheless has guessed that he is a selfish person. He had thought of Isabel as a soaring creature, high up in the air, and he feels that she has fallen. Isabel does not know what she means about being high in the sky. Ralph accidentally lets slip that he loves Isabel, and Isabel is annoyed - is he too on that tiresome list. She wishes to strike him off that list. Ralph quickly realizes his mistake and tells her he is still disinterested in the matter because he loves without hope. Isabel says that she likes what Osmond has and what he represents. She believes that Osmond is a man to whom being important is not a big deal - and she finds that large. Would Ralph prefer it, she asks, if she made a marriage of ambition, so that she herself could become more important for being with someone important. She likes it that Mr. Osmond is not rich. She thinks Ralph is making a mistake in his judgment of Mr. Osmond's character. Osmond wants to teach her about the world, and she believes he knows everything, understands everything. Ralph realizes how ardently Isabel believes what she says -- he finds her \"dismally consistent\". He realizes that she \"loved him not for what he possessed, but for his very poverties dressed out as honours. Ralph felt sick, realizing that he had wanted Isabel to be able to meet her imagination with the financial means to do so - he realizes that his act of beneficence has resulted in her ability to do so by Isabel feels more resolved by the end of their conversation, and Ralph realizes he can do nothing. He says that he feels bad, because she is in trouble. Isabel says she will never complain to him if she is in trouble", "analysis": ". It is notable too, that this reminiscence of Isabel's travels is contextualized in her mind's eye -- she is awaiting Caspar Goodwood, and thinking about how much she herself has changed since she last saw him. This is a common technique that Henry James employs: the narrator lends some more concrete words for the very vague reminiscences of a character, allowing that character to reflect upon their own experiences, but also allowing the reader to reap the benefit of a more objective, summary view of certain events. \"If her thoughts just now had inclined themselves to retrospect, instead of fluttering their wings nervously about the present, they would have evoked a multitude of interesting pictures,\" the narrator tells us. This again is called \"hypothetical discourse\" as coined by scholar Arlene Young . Isabel's reaction in Chapter 32 to Caspar Goodwood is curiously physical and emotional. Is she really as disinterested in him as she claims to be? The novel itself deals very little with strong, physical outbursts of emotions: Isabel's scenes with Caspar Goodwood are an exception to the rule. One theory is that Isabel is sexually attracted to Goodwood, but her Victorian prudery makes her repress this idea; she wants to escape her own sexuality in his presence. It is important to notice the reactions of others to Isabel's engagement, and how Isabel's resolution becomes more concrete in the face of their opposition. In her conversation with Mrs. Touchett, she does not quite know why she wants to marry Osmond, and she can barely articulate it. When she discusses her motivations with Ralph, her own conviction becomes more concrete. \"His opposition had made her own conception of her conduct clearer to her,\" the narrator tells us. Ralph says that he had thought of the great \"idea\" she would actualize in the world only in the \"negative\" -- but we should notice that her marrying Osmond is actually an articulation of a negative idea -- of an idea that exists only as one in opposition to others' opinions. In other words, she feels like she freely chooses her marriage to Osmond mostly because no one in her circle seems to approve of the engagement. So the narrator tells us, the disapproval of others for Isabel \"served mainly to throw into higher relief, in every way so honourable, that she married to please herself.\" Osmond's narcissism becomes apparent in Chapter 35. It is notable how he thinks of Isabel as a fine object, a present made to him by Madame Merle, rather than seeming to really be in love with her. Again, there is a comparison between a person and a commodity: he thinks of Isabel as a \"silver plate.\" Consider the coldness of this extended metaphor - he continues to think of how he will heap fruits onto this plate. His conception of a good relationship is that the other person reflects one's own thoughts back to oneself -- it seems that he will give very little room for Isabel to have ideas of her own. He has the attitude of a connoisseur or collector to a commodity of value. It does not quite fit a more romantic conception of love - of loving Isabel for herself."}

One morning, on her return from her drive, some half-hour before luncheon, she quitted her vehicle in the court of the palace and, instead of ascending the great staircase, crossed the court, passed beneath another archway and entered the garden. A sweeter spot at this moment could not have been imagined. The stillness of noontide hung over it, and the warm shade, enclosed and still, made bowers like spacious caves. Ralph was sitting there in the clear gloom, at the base of a statue of Terpsichore--a dancing nymph with taper fingers and inflated draperies in the manner of Bernini; the extreme relaxation of his attitude suggested at first to Isabel that he was asleep. Her light footstep on the grass had not roused him, and before turning away she stood for a moment looking at him. During this instant he opened his eyes; upon which she sat down on a rustic chair that matched with his own. Though in her irritation she had accused him of indifference she was not blind to the fact that he had visibly had something to brood over. But she had explained his air of absence partly by the languor of his increased weakness, partly by worries connected with the property inherited from his father--the fruit of eccentric arrangements of which Mrs. Touchett disapproved and which, as she had told Isabel, now encountered opposition from the other partners in the bank. He ought to have gone to England, his mother said, instead of coming to Florence; he had not been there for months, and took no more interest in the bank than in the state of Patagonia. "I'm sorry I waked you," Isabel said; "you look too tired." "I feel too tired. But I was not asleep. I was thinking of you." "Are you tired of that?" "Very much so. It leads to nothing. The road's long and I never arrive." "What do you wish to arrive at?" she put to him, closing her parasol. "At the point of expressing to myself properly what I think of your engagement." "Don't think too much of it," she lightly returned. "Do you mean that it's none of my business?" "Beyond a certain point, yes." "That's the point I want to fix. I had an idea you may have found me wanting in good manners. I've never congratulated you." "Of course I've noticed that. I wondered why you were silent." "There have been a good many reasons. I'll tell you now," Ralph said. He pulled off his hat and laid it on the ground; then he sat looking at her. He leaned back under the protection of Bernini, his head against his marble pedestal, his arms dropped on either side of him, his hands laid upon the rests of his wide chair. He looked awkward, uncomfortable; he hesitated long. Isabel said nothing; when people were embarrassed she was usually sorry for them, but she was determined not to help Ralph to utter a word that should not be to the honour of her high decision. "I think I've hardly got over my surprise," he went on at last. "You were the last person I expected to see caught." "I don't know why you call it caught." "Because you're going to be put into a cage." "If I like my cage, that needn't trouble you," she answered. "That's what I wonder at; that's what I've been thinking of." "If you've been thinking you may imagine how I've thought! I'm satisfied that I'm doing well." "You must have changed immensely. A year ago you valued your liberty beyond everything. You wanted only to see life." "I've seen it," said Isabel. "It doesn't look to me now, I admit, such an inviting expanse." "I don't pretend it is; only I had an idea that you took a genial view of it and wanted to survey the whole field." "I've seen that one can't do anything so general. One must choose a corner and cultivate that." "That's what I think. And one must choose as good a corner as possible. I had no idea, all winter, while I read your delightful letters, that you were choosing. You said nothing about it, and your silence put me off my guard." "It was not a matter I was likely to write to you about. Besides, I knew nothing of the future. It has all come lately. If you had been on your guard, however," Isabel asked, "what would you have done?" "I should have said 'Wait a little longer.'" "Wait for what?" "Well, for a little more light," said Ralph with rather an absurd smile, while his hands found their way into his pockets. "Where should my light have come from? From you?" "I might have struck a spark or two." Isabel had drawn off her gloves; she smoothed them out as they lay upon her knee. The mildness of this movement was accidental, for her expression was not conciliatory. "You're beating about the bush, Ralph. You wish to say you don't like Mr. Osmond, and yet you're afraid." "Willing to wound and yet afraid to strike? I'm willing to wound HIM, yes--but not to wound you. I'm afraid of you, not of him. If you marry him it won't be a fortunate way for me to have spoken." "IF I marry him! Have you had any expectation of dissuading me?" "Of course that seems to you too fatuous." "No," said Isabel after a little; "it seems to me too touching." "That's the same thing. It makes me so ridiculous that you pity me." She stroked out her long gloves again. "I know you've a great affection for me. I can't get rid of that." "For heaven's sake don't try. Keep that well in sight. It will convince you how intensely I want you to do well." "And how little you trust me!" There was a moment's silence; the warm noontide seemed to listen. "I trust you, but I don't trust him," said Ralph. She raised her eyes and gave him a wide, deep look. "You've said it now, and I'm glad you've made it so clear. But you'll suffer by it." "Not if you're just." "I'm very just," said Isabel. "What better proof of it can there be than that I'm not angry with you? I don't know what's the matter with me, but I'm not. I was when you began, but it has passed away. Perhaps I ought to be angry, but Mr. Osmond wouldn't think so. He wants me to know everything; that's what I like him for. You've nothing to gain, I know that. I've never been so nice to you, as a girl, that you should have much reason for wishing me to remain one. You give very good advice; you've often done so. No, I'm very quiet; I've always believed in your wisdom," she went on, boasting of her quietness, yet speaking with a kind of contained exaltation. It was her passionate desire to be just; it touched Ralph to the heart, affected him like a caress from a creature he had injured. He wished to interrupt, to reassure her; for a moment he was absurdly inconsistent; he would have retracted what he had said. But she gave him no chance; she went on, having caught a glimpse, as she thought, of the heroic line and desiring to advance in that direction. "I see you've some special idea; I should like very much to hear it. I'm sure it's disinterested; I feel that. It seems a strange thing to argue about, and of course I ought to tell you definitely that if you expect to dissuade me you may give it up. You'll not move me an inch; it's too late. As you say, I'm caught. Certainly it won't be pleasant for you to remember this, but your pain will be in your own thoughts. I shall never reproach you." "I don't think you ever will," said Ralph. "It's not in the least the sort of marriage I thought you'd make." "What sort of marriage was that, pray?" "Well, I can hardly say. I hadn't exactly a positive view of it, but I had a negative. I didn't think you'd decide for--well, for that type." "What's the matter with Mr. Osmond's type, if it be one? His being so independent, so individual, is what I most see in him," the girl declared. "What do you know against him? You know him scarcely at all." "Yes," Ralph said, "I know him very little, and I confess I haven't facts and items to prove him a villain. But all the same I can't help feeling that you're running a grave risk." "Marriage is always a grave risk, and his risk's as grave as mine." "That's his affair! If he's afraid, let him back out. I wish to God he would." Isabel reclined in her chair, folding her arms and gazing a while at her cousin. "I don't think I understand you," she said at last coldly. "I don't know what you're talking about." "I believed you'd marry a man of more importance." Cold, I say, her tone had been, but at this a colour like a flame leaped into her face. "Of more importance to whom? It seems to me enough that one's husband should be of importance to one's self!" Ralph blushed as well; his attitude embarrassed him. Physically speaking he proceeded to change it; he straightened himself, then leaned forward, resting a hand on each knee. He fixed his eyes on the ground; he had an air of the most respectful deliberation. "I'll tell you in a moment what I mean," he presently said. He felt agitated, intensely eager; now that he had opened the discussion he wished to discharge his mind. But he wished also to be superlatively gentle. Isabel waited a little--then she went on with majesty. "In everything that makes one care for people Mr. Osmond is pre-eminent. There may be nobler natures, but I've never had the pleasure of meeting one. Mr. Osmond's is the finest I know; he's good enough for me, and interesting enough, and clever enough. I'm far more struck with what he has and what he represents than with what he may lack." "I had treated myself to a charming vision of your future," Ralph observed without answering this; "I had amused myself with planning out a high destiny for you. There was to be nothing of this sort in it. You were not to come down so easily or so soon." "Come down, you say?" "Well, that renders my sense of what has happened to you. You seemed to me to be soaring far up in the blue--to be, sailing in the bright light, over the heads of men. Suddenly some one tosses up a faded rosebud--a missile that should never have reached you--and straight you drop to the ground. It hurts me," said Ralph audaciously, "hurts me as if I had fallen myself!" The look of pain and bewilderment deepened in his companion's face. "I don't understand you in the least," she repeated. "You say you amused yourself with a project for my career--I don't understand that. Don't amuse yourself too much, or I shall think you're doing it at my expense." Ralph shook his head. "I'm not afraid of your not believing that I've had great ideas for you." "What do you mean by my soaring and sailing?" she pursued. "I've never moved on a higher plane than I'm moving on now. There's nothing higher for a girl than to marry a--a person she likes," said poor Isabel, wandering into the didactic. "It's your liking the person we speak of that I venture to criticise, my dear cousin. I should have said that the man for you would have been a more active, larger, freer sort of nature." Ralph hesitated, then added: "I can't get over the sense that Osmond is somehow--well, small." He had uttered the last word with no great assurance; he was afraid she would flash out again. But to his surprise she was quiet; she had the air of considering. "Small?" She made it sound immense. "I think he's narrow, selfish. He takes himself so seriously!" "He has a great respect for himself; I don't blame him for that," said Isabel. "It makes one more sure to respect others." Ralph for a moment felt almost reassured by her reasonable tone. "Yes, but everything is relative; one ought to feel one's relation to things--to others. I don't think Mr. Osmond does that." "I've chiefly to do with his relation to me. In that he's excellent." "He's the incarnation of taste," Ralph went on, thinking hard how he could best express Gilbert Osmond's sinister attributes without putting himself in the wrong by seeming to describe him coarsely. He wished to describe him impersonally, scientifically. "He judges and measures, approves and condemns, altogether by that." "It's a happy thing then that his taste should be exquisite." "It's exquisite, indeed, since it has led him to select you as his bride. But have you ever seen such a taste--a really exquisite one--ruffled?" "I hope it may never be my fortune to fail to gratify my husband's." At these words a sudden passion leaped to Ralph's lips. "Ah, that's wilful, that's unworthy of you! You were not meant to be measured in that way--you were meant for something better than to keep guard over the sensibilities of a sterile dilettante!" Isabel rose quickly and he did the same, so that they stood for a moment looking at each other as if he had flung down a defiance or an insult. But "You go too far," she simply breathed. "I've said what I had on my mind--and I've said it because I love you!" Isabel turned pale: was he too on that tiresome list? She had a sudden wish to strike him off. "Ah then, you're not disinterested!" "I love you, but I love without hope," said Ralph quickly, forcing a smile and feeling that in that last declaration he had expressed more than he intended. Isabel moved away and stood looking into the sunny stillness of the garden; but after a little she turned back to him. "I'm afraid your talk then is the wildness of despair! I don't understand it--but it doesn't matter. I'm not arguing with you; it's impossible I should; I've only tried to listen to you. I'm much obliged to you for attempting to explain," she said gently, as if the anger with which she had just sprung up had already subsided. "It's very good of you to try to warn me, if you're really alarmed; but I won't promise to think of what you've said: I shall forget it as soon as possible. Try and forget it yourself; you've done your duty, and no man can do more. I can't explain to you what I feel, what I believe, and I wouldn't if I could." She paused a moment and then went on with an inconsequence that Ralph observed even in the midst of his eagerness to discover some symptom of concession. "I can't enter into your idea of Mr. Osmond; I can't do it justice, because I see him in quite another way. He's not important--no, he's not important; he's a man to whom importance is supremely indifferent. If that's what you mean when you call him 'small,' then he's as small as you please. I call that large--it's the largest thing I know. I won't pretend to argue with you about a person I'm going to marry," Isabel repeated. "I'm not in the least concerned to defend Mr. Osmond; he's not so weak as to need my defence. I should think it would seem strange even to yourself that I should talk of him so quietly and coldly, as if he were any one else. I wouldn't talk of him at all to any one but you; and you, after what you've said--I may just answer you once for all. Pray, would you wish me to make a mercenary marriage--what they call a marriage of ambition? I've only one ambition--to be free to follow out a good feeling. I had others once, but they've passed away. Do you complain of Mr. Osmond because he's not rich? That's just what I like him for. I've fortunately money enough; I've never felt so thankful for it as to-day. There have been moments when I should like to go and kneel down by your father's grave: he did perhaps a better thing than he knew when he put it into my power to marry a poor man--a man who has borne his poverty with such dignity, with such indifference. Mr. Osmond has never scrambled nor struggled--he has cared for no worldly prize. If that's to be narrow, if that's to be selfish, then it's very well. I'm not frightened by such words, I'm not even displeased; I'm only sorry that you should make a mistake. Others might have done so, but I'm surprised that you should. You might know a gentleman when you see one--you might know a fine mind. Mr. Osmond makes no mistakes! He knows everything, he understands everything, he has the kindest, gentlest, highest spirit. You've got hold of some false idea. It's a pity, but I can't help it; it regards you more than me." Isabel paused a moment, looking at her cousin with an eye illumined by a sentiment which contradicted the careful calmness of her manner--a mingled sentiment, to which the angry pain excited by his words and the wounded pride of having needed to justify a choice of which she felt only the nobleness and purity, equally contributed. Though she paused Ralph said nothing; he saw she had more to say. She was grand, but she was highly solicitous; she was indifferent, but she was all in a passion. "What sort of a person should you have liked me to marry?" she asked suddenly. "You talk about one's soaring and sailing, but if one marries at all one touches the earth. One has human feelings and needs, one has a heart in one's bosom, and one must marry a particular individual. Your mother has never forgiven me for not having come to a better understanding with Lord Warburton, and she's horrified at my contenting myself with a person who has none of his great advantages--no property, no title, no honours, no houses, nor lands, nor position, nor reputation, nor brilliant belongings of any sort. It's the total absence of all these things that pleases me. Mr. Osmond's simply a very lonely, a very cultivated and a very honest man--he's not a prodigious proprietor." Ralph had listened with great attention, as if everything she said merited deep consideration; but in truth he was only half thinking of the things she said, he was for the rest simply accommodating himself to the weight of his total impression--the impression of her ardent good faith. She was wrong, but she believed; she was deluded, but she was dismally consistent. It was wonderfully characteristic of her that, having invented a fine theory, about Gilbert Osmond, she loved him not for what he really possessed, but for his very poverties dressed out as honours. Ralph remembered what he had said to his father about wishing to put it into her power to meet the requirements of her imagination. He had done so, and the girl had taken full advantage of the luxury. Poor Ralph felt sick; he felt ashamed. Isabel had uttered her last words with a low solemnity of conviction which virtually terminated the discussion, and she closed it formally by turning away and walking back to the house. Ralph walked beside her, and they passed into the court together and reached the big staircase. Here he stopped and Isabel paused, turning on him a face of elation--absolutely and perversely of gratitude. His opposition had made her own conception of her conduct clearer to her. "Shall you not come up to breakfast?" she asked. "No; I want no breakfast; I'm not hungry." "You ought to eat," said the girl; "you live on air." "I do, very much, and I shall go back into the garden and take another mouthful. I came thus far simply to say this. I told you last year that if you were to get into trouble I should feel terribly sold. That's how I feel to-day." "Do you think I'm in trouble?" "One's in trouble when one's in error." "Very well," said Isabel; "I shall never complain of my trouble to you!" And she moved up the staircase. Ralph, standing there with his hands in his pockets, followed her with his eyes; then the lurking chill of the high-walled court struck him and made him shiver, so that he returned to the garden to breakfast on the Florentine sunshine.

Chapter 34

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-31-35

Isabel and Mrs. Touchett agree that Mrs. Touchett will be the one to announce the engagement to the others. Ralph arrives two days after this discussion with Mrs. Touchett. Isabel knows he has been informed of the engagement, and prepares herself to meet with his resistance. But he is silent on the subject for several days, and she can only be patient and expectant. The narrator informs us though that Ralph indeed was displeased with the engagement, and he feels humiliated. He had miscalculated what Isabel would do. Isabel happens upon Ralph in the garden. He seems to be sleeping - but when Isabel approaches him, he says he is just thinking of her. They finally broach the subject of her engagement. He tells her that he can only say what he thinks of Osmond if she ends up not going through with the engagement, because otherwise he will have spoken ill of her husband to be. This is offensive already to her, but she says she is not angry because she knows his opinion is disinterested. He says she has been trapped, and that she will be put into a cage. She asks what the harm is, if she likes her cage. He finally admits to thinking that Osmond is small. She considers this - the word seems large to her. Ralph says that he thinks Osmond has taste, and only taste - he does nothing, he only judges. He does not really feel his relation to others, according to Ralph. He of course has no proof that Osmond is a sinister character, but he nevertheless has guessed that he is a selfish person. He had thought of Isabel as a soaring creature, high up in the air, and he feels that she has fallen. Isabel does not know what she means about being high in the sky. Ralph accidentally lets slip that he loves Isabel, and Isabel is annoyed - is he too on that tiresome list. She wishes to strike him off that list. Ralph quickly realizes his mistake and tells her he is still disinterested in the matter because he loves without hope. Isabel says that she likes what Osmond has and what he represents. She believes that Osmond is a man to whom being important is not a big deal - and she finds that large. Would Ralph prefer it, she asks, if she made a marriage of ambition, so that she herself could become more important for being with someone important. She likes it that Mr. Osmond is not rich. She thinks Ralph is making a mistake in his judgment of Mr. Osmond's character. Osmond wants to teach her about the world, and she believes he knows everything, understands everything. Ralph realizes how ardently Isabel believes what she says -- he finds her "dismally consistent". He realizes that she "loved him not for what he possessed, but for his very poverties dressed out as honours. Ralph felt sick, realizing that he had wanted Isabel to be able to meet her imagination with the financial means to do so - he realizes that his act of beneficence has resulted in her ability to do so by Isabel feels more resolved by the end of their conversation, and Ralph realizes he can do nothing. He says that he feels bad, because she is in trouble. Isabel says she will never complain to him if she is in trouble

. It is notable too, that this reminiscence of Isabel's travels is contextualized in her mind's eye -- she is awaiting Caspar Goodwood, and thinking about how much she herself has changed since she last saw him. This is a common technique that Henry James employs: the narrator lends some more concrete words for the very vague reminiscences of a character, allowing that character to reflect upon their own experiences, but also allowing the reader to reap the benefit of a more objective, summary view of certain events. "If her thoughts just now had inclined themselves to retrospect, instead of fluttering their wings nervously about the present, they would have evoked a multitude of interesting pictures," the narrator tells us. This again is called "hypothetical discourse" as coined by scholar Arlene Young . Isabel's reaction in Chapter 32 to Caspar Goodwood is curiously physical and emotional. Is she really as disinterested in him as she claims to be? The novel itself deals very little with strong, physical outbursts of emotions: Isabel's scenes with Caspar Goodwood are an exception to the rule. One theory is that Isabel is sexually attracted to Goodwood, but her Victorian prudery makes her repress this idea; she wants to escape her own sexuality in his presence. It is important to notice the reactions of others to Isabel's engagement, and how Isabel's resolution becomes more concrete in the face of their opposition. In her conversation with Mrs. Touchett, she does not quite know why she wants to marry Osmond, and she can barely articulate it. When she discusses her motivations with Ralph, her own conviction becomes more concrete. "His opposition had made her own conception of her conduct clearer to her," the narrator tells us. Ralph says that he had thought of the great "idea" she would actualize in the world only in the "negative" -- but we should notice that her marrying Osmond is actually an articulation of a negative idea -- of an idea that exists only as one in opposition to others' opinions. In other words, she feels like she freely chooses her marriage to Osmond mostly because no one in her circle seems to approve of the engagement. So the narrator tells us, the disapproval of others for Isabel "served mainly to throw into higher relief, in every way so honourable, that she married to please herself." Osmond's narcissism becomes apparent in Chapter 35. It is notable how he thinks of Isabel as a fine object, a present made to him by Madame Merle, rather than seeming to really be in love with her. Again, there is a comparison between a person and a commodity: he thinks of Isabel as a "silver plate." Consider the coldness of this extended metaphor - he continues to think of how he will heap fruits onto this plate. His conception of a good relationship is that the other person reflects one's own thoughts back to oneself -- it seems that he will give very little room for Isabel to have ideas of her own. He has the attitude of a connoisseur or collector to a commodity of value. It does not quite fit a more romantic conception of love - of loving Isabel for herself.

gradesaver

all_chapterized_books/2833-chapters/35.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_11_part_5.txt

The Portrait of a Lady.chapter 35

chapter 35

{"name": "Chapter 35", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-31-35", "summary": "Isabel feels isolated now that she knows how her friends disapprove of her marriage. The narrator tells us: \"the chief impression produced on Isabel's spirit by this criticism was that the passion of love separated its victim terribly from everyone but the loved object\". She knew Henrietta would come out to disapprove of her, and she thinks also of the disapproval that Caspar Goodwood had and that Lord Warburton would undoubtedly have. Her sisters have written to her out of duty, but they also wonder why she did not make a better match. Osmond is satisfied - the narrator describes him as full of self-control, and capable thus of acting tender and kind. He does think that Madame Merle has made him a wonderful \"present\". He is glad that Isabel is not dull; he thinks of her as a \"silver plate\" that reflects back to him his own thoughts in an original form, making them seem all the more splendid. He knows though that their relations do not approve, and he tells Isabel that he thinks they disapprove because of their difference in fortune. He defends himself by saying that he has shown himself to never care for money, insofar as he has never tried to earn it. He tells her they will get on very well. Isabel meanwhile feels that she is surrendering to Osmond in an act of humility - rather than simply taking in the act of marriage, she has something to give. She is tired of observing - after a year of traveling abroad - and now wants to engage in the \"act of living\" even more. No longer did she feel she could never marry - she has a more primitive need to be beneficent. She is glad to have a private duty \"that might gather one's energies to a point\". Pansy is glad the two will marry. She thinks that Isabel and her father suit each other well. When they are discussing the matter though, Isabel has a strange fear that she will one day have to protect Pansy from harm. Countess Gemini tells Isabel that she is glad for herself that Isabel and Osmond will marry, but she cannot be glad for Isabel. She declares that she only tells fibs if she has something to gain from it, and therefore she is being honest with Isabel when she tells her that she and Osmond have fallen quite low in status. She predicts that Isabel and herself will never be quite intimate with each other. She makes some declarations as to marriage in general, how she sees them as a \"steel trap\" for women", "analysis": ". It is notable too, that this reminiscence of Isabel's travels is contextualized in her mind's eye -- she is awaiting Caspar Goodwood, and thinking about how much she herself has changed since she last saw him. This is a common technique that Henry James employs: the narrator lends some more concrete words for the very vague reminiscences of a character, allowing that character to reflect upon their own experiences, but also allowing the reader to reap the benefit of a more objective, summary view of certain events. \"If her thoughts just now had inclined themselves to retrospect, instead of fluttering their wings nervously about the present, they would have evoked a multitude of interesting pictures,\" the narrator tells us. This again is called \"hypothetical discourse\" as coined by scholar Arlene Young . Isabel's reaction in Chapter 32 to Caspar Goodwood is curiously physical and emotional. Is she really as disinterested in him as she claims to be? The novel itself deals very little with strong, physical outbursts of emotions: Isabel's scenes with Caspar Goodwood are an exception to the rule. One theory is that Isabel is sexually attracted to Goodwood, but her Victorian prudery makes her repress this idea; she wants to escape her own sexuality in his presence. It is important to notice the reactions of others to Isabel's engagement, and how Isabel's resolution becomes more concrete in the face of their opposition. In her conversation with Mrs. Touchett, she does not quite know why she wants to marry Osmond, and she can barely articulate it. When she discusses her motivations with Ralph, her own conviction becomes more concrete. \"His opposition had made her own conception of her conduct clearer to her,\" the narrator tells us. Ralph says that he had thought of the great \"idea\" she would actualize in the world only in the \"negative\" -- but we should notice that her marrying Osmond is actually an articulation of a negative idea -- of an idea that exists only as one in opposition to others' opinions. In other words, she feels like she freely chooses her marriage to Osmond mostly because no one in her circle seems to approve of the engagement. So the narrator tells us, the disapproval of others for Isabel \"served mainly to throw into higher relief, in every way so honourable, that she married to please herself.\" Osmond's narcissism becomes apparent in Chapter 35. It is notable how he thinks of Isabel as a fine object, a present made to him by Madame Merle, rather than seeming to really be in love with her. Again, there is a comparison between a person and a commodity: he thinks of Isabel as a \"silver plate.\" Consider the coldness of this extended metaphor - he continues to think of how he will heap fruits onto this plate. His conception of a good relationship is that the other person reflects one's own thoughts back to oneself -- it seems that he will give very little room for Isabel to have ideas of her own. He has the attitude of a connoisseur or collector to a commodity of value. It does not quite fit a more romantic conception of love - of loving Isabel for herself."}

Isabel, when she strolled in the Cascine with her lover, felt no impulse to tell him how little he was approved at Palazzo Crescentini. The discreet opposition offered to her marriage by her aunt and her cousin made on the whole no great impression upon her; the moral of it was simply that they disliked Gilbert Osmond. This dislike was not alarming to Isabel; she scarcely even regretted it; for it served mainly to throw into higher relief the fact, in every way so honourable, that she married to please herself. One did other things to please other people; one did this for a more personal satisfaction; and Isabel's satisfaction was confirmed by her lover's admirable good conduct. Gilbert Osmond was in love, and he had never deserved less than during these still, bright days, each of them numbered, which preceded the fulfilment of his hopes, the harsh criticism passed upon him by Ralph Touchett. The chief impression produced on Isabel's spirit by this criticism was that the passion of love separated its victim terribly from every one but the loved object. She felt herself disjoined from every one she had ever known before--from her two sisters, who wrote to express a dutiful hope that she would be happy, and a surprise, somewhat more vague, at her not having chosen a consort who was the hero of a richer accumulation of anecdote; from Henrietta, who, she was sure, would come out, too late, on purpose to remonstrate; from Lord Warburton, who would certainly console himself, and from Caspar Goodwood, who perhaps would not; from her aunt, who had cold, shallow ideas about marriage, for which she was not sorry to display her contempt; and from Ralph, whose talk about having great views for her was surely but a whimsical cover for a personal disappointment. Ralph apparently wished her not to marry at all--that was what it really meant--because he was amused with the spectacle of her adventures as a single woman. His disappointment made him say angry things about the man she had preferred even to him: Isabel flattered herself that she believed Ralph had been angry. It was the more easy for her to believe this because, as I say, she had now little free or unemployed emotion for minor needs, and accepted as an incident, in fact quite as an ornament, of her lot the idea that to prefer Gilbert Osmond as she preferred him was perforce to break all other ties. She tasted of the sweets of this preference, and they made her conscious, almost with awe, of the invidious and remorseless tide of the charmed and possessed condition, great as was the traditional honour and imputed virtue of being in love. It was the tragic part of happiness; one's right was always made of the wrong of some one else. The elation of success, which surely now flamed high in Osmond, emitted meanwhile very little smoke for so brilliant a blaze. Contentment, on his part, took no vulgar form; excitement, in the most self-conscious of men, was a kind of ecstasy of self-control. This disposition, however, made him an admirable lover; it gave him a constant view of the smitten and dedicated state. He never forgot himself, as I say; and so he never forgot to be graceful and tender, to wear the appearance--which presented indeed no difficulty--of stirred senses and deep intentions. He was immensely pleased with his young lady; Madame Merle had made him a present of incalculable value. What could be a finer thing to live with than a high spirit attuned to softness? For would not the softness be all for one's self, and the strenuousness for society, which admired the air of superiority? What could be a happier gift in a companion than a quick, fanciful mind which saved one repetitions and reflected one's thought on a polished, elegant surface? Osmond hated to see his thought reproduced literally--that made it look stale and stupid; he preferred it to be freshened in the reproduction even as "words" by music. His egotism had never taken the crude form of desiring a dull wife; this lady's intelligence was to be a silver plate, not an earthen one--a plate that he might heap up with ripe fruits, to which it would give a decorative value, so that talk might become for him a sort of served dessert. He found the silver quality in this perfection in Isabel; he could tap her imagination with his knuckle and make it ring. He knew perfectly, though he had not been told, that their union enjoyed little favour with the girl's relations; but he had always treated her so completely as an independent person that it hardly seemed necessary to express regret for the attitude of her family. Nevertheless, one morning, he made an abrupt allusion to it. "It's the difference in our fortune they don't like," he said. "They think I'm in love with your money." "Are you speaking of my aunt--of my cousin?" Isabel asked. "How do you know what they think?" "You've not told me they're pleased, and when I wrote to Mrs. Touchett the other day she never answered my note. If they had been delighted I should have had some sign of it, and the fact of my being poor and you rich is the most obvious explanation of their reserve. But of course when a poor man marries a rich girl he must be prepared for imputations. I don't mind them; I only care for one thing--for your not having the shadow of a doubt. I don't care what people of whom I ask nothing think--I'm not even capable perhaps of wanting to know. I've never so concerned myself, God forgive me, and why should I begin to-day, when I have taken to myself a compensation for everything? I won't pretend I'm sorry you're rich; I'm delighted. I delight in everything that's yours--whether it be money or virtue. Money's a horrid thing to follow, but a charming thing to meet. It seems to me, however, that I've sufficiently proved the limits of my itch for it: I never in my life tried to earn a penny, and I ought to be less subject to suspicion than most of the people one sees grubbing and grabbing. I suppose it's their business to suspect--that of your family; it's proper on the whole they should. They'll like me better some day; so will you, for that matter. Meanwhile my business is not to make myself bad blood, but simply to be thankful for life and love." "It has made me better, loving you," he said on another occasion; "it has made me wiser and easier and--I won't pretend to deny--brighter and nicer and even stronger. I used to want a great many things before and to be angry I didn't have them. Theoretically I was satisfied, as I once told you. I flattered myself I had limited my wants. But I was subject to irritation; I used to have morbid, sterile, hateful fits of hunger, of desire. Now I'm really satisfied, because I can't think of anything better. It's just as when one has been trying to spell out a book in the twilight and suddenly the lamp comes in. I had been putting out my eyes over the book of life and finding nothing to reward me for my pains; but now that I can read it properly I see it's a delightful story. My dear girl, I can't tell you how life seems to stretch there before us--what a long summer afternoon awaits us. It's the latter half of an Italian day--with a golden haze, and the shadows just lengthening, and that divine delicacy in the light, the air, the landscape, which I have loved all my life and which you love to-day. Upon my honour, I don't see why we shouldn't get on. We've got what we like--to say nothing of having each other. We've the faculty of admiration and several capital convictions. We're not stupid, we're not mean, we're not under bonds to any kind of ignorance or dreariness. You're remarkably fresh, and I'm remarkably well-seasoned. We've my poor child to amuse us; we'll try and make up some little life for her. It's all soft and mellow--it has the Italian colouring." They made a good many plans, but they left themselves also a good deal of latitude; it was a matter of course, however, that they should live for the present in Italy. It was in Italy that they had met, Italy had been a party to their first impressions of each other, and Italy should be a party to their happiness. Osmond had the attachment of old acquaintance and Isabel the stimulus of new, which seemed to assure her a future at a high level of consciousness of the beautiful. The desire for unlimited expansion had been succeeded in her soul by the sense that life was vacant without some private duty that might gather one's energies to a point. She had told Ralph she had "seen life" in a year or two and that she was already tired, not of the act of living, but of that of observing. What had become of all her ardours, her aspirations, her theories, her high estimate of her independence and her incipient conviction that she should never marry? These things had been absorbed in a more primitive need--a need the answer to which brushed away numberless questions, yet gratified infinite desires. It simplified the situation at a stroke, it came down from above like the light of the stars, and it needed no explanation. There was explanation enough in the fact that he was her lover, her own, and that she should be able to be of use to him. She could surrender to him with a kind of humility, she could marry him with a kind of pride; she was not only taking, she was giving. He brought Pansy with him two or three times to the Cascine--Pansy who was very little taller than a year before, and not much older. That she would always be a child was the conviction expressed by her father, who held her by the hand when she was in her sixteenth year and told her to go and play while he sat down a little with the pretty lady. Pansy wore a short dress and a long coat; her hat always seemed too big for her. She found pleasure in walking off, with quick, short steps, to the end of the alley, and then in walking back with a smile that seemed an appeal for approbation. Isabel approved in abundance, and the abundance had the personal touch that the child's affectionate nature craved. She watched her indications as if for herself also much depended on them--Pansy already so represented part of the service she could render, part of the responsibility she could face. Her father took so the childish view of her that he had not yet explained to her the new relation in which he stood to the elegant Miss Archer. "She doesn't know," he said to Isabel; "she doesn't guess; she thinks it perfectly natural that you and I should come and walk here together simply as good friends. There seems to me something enchantingly innocent in that; it's the way I like her to be. No, I'm not a failure, as I used to think; I've succeeded in two things. I'm to marry the woman I adore, and I've brought up my child, as I wished, in the old way." He was very fond, in all things, of the "old way"; that had struck Isabel as one of his fine, quiet, sincere notes. "It occurs to me that you'll not know whether you've succeeded until you've told her," she said. "You must see how she takes your news, She may be horrified--she may be jealous." "I'm not afraid of that; she's too fond of you on her own account. I should like to leave her in the dark a little longer--to see if it will come into her head that if we're not engaged we ought to be." Isabel was impressed by Osmond's artistic, the plastic view, as it somehow appeared, of Pansy's innocence--her own appreciation of it being more anxiously moral. She was perhaps not the less pleased when he told her a few days later that he had communicated the fact to his daughter, who had made such a pretty little speech--"Oh, then I shall have a beautiful sister!" She was neither surprised nor alarmed; she had not cried, as he expected. "Perhaps she had guessed it," said Isabel. "Don't say that; I should be disgusted if I believed that. I thought it would be just a little shock; but the way she took it proves that her good manners are paramount. That's also what I wished. You shall see for yourself; to-morrow she shall make you her congratulations in person." The meeting, on the morrow, took place at the Countess Gemini's, whither Pansy had been conducted by her father, who knew that Isabel was to come in the afternoon to return a visit made her by the Countess on learning that they were to become sisters-in-law. Calling at Casa Touchett the visitor had not found Isabel at home; but after our young woman had been ushered into the Countess's drawing-room Pansy arrived to say that her aunt would presently appear. Pansy was spending the day with that lady, who thought her of an age to begin to learn how to carry herself in company. It was Isabel's view that the little girl might have given lessons in deportment to her relative, and nothing could have justified this conviction more than the manner in which Pansy acquitted herself while they waited together for the Countess. Her father's decision, the year before, had finally been to send her back to the convent to receive the last graces, and Madame Catherine had evidently carried out her theory that Pansy was to be fitted for the great world. "Papa has told me that you've kindly consented to marry him," said this excellent woman's pupil. "It's very delightful; I think you'll suit very well." "You think I shall suit YOU?" "You'll suit me beautifully; but what I mean is that you and papa will suit each other. You're both so quiet and so serious. You're not so quiet as he--or even as Madame Merle; but you're more quiet than many others. He should not for instance have a wife like my aunt. She's always in motion, in agitation--to-day especially; you'll see when she comes in. They told us at the convent it was wrong to judge our elders, but I suppose there's no harm if we judge them favourably. You'll be a delightful companion for papa." "For you too, I hope," Isabel said. "I speak first of him on purpose. I've told you already what I myself think of you; I liked you from the first. I admire you so much that I think it will be a good fortune to have you always before me. You'll be my model; I shall try to imitate you though I'm afraid it will be very feeble. I'm very glad for papa--he needed something more than me. Without you I don't see how he could have got it. You'll be my stepmother, but we mustn't use that word. They're always said to be cruel; but I don't think you'll ever so much as pinch or even push me. I'm not afraid at all." "My good little Pansy," said Isabel gently, "I shall be ever so kind to you." A vague, inconsequent vision of her coming in some odd way to need it had intervened with the effect of a chill. "Very well then, I've nothing to fear," the child returned with her note of prepared promptitude. What teaching she had had, it seemed to suggest--or what penalties for non-performance she dreaded! Her description of her aunt had not been incorrect; the Countess Gemini was further than ever from having folded her wings. She entered the room with a flutter through the air and kissed Isabel first on the forehead and then on each cheek as if according to some ancient prescribed rite. She drew the visitor to a sofa and, looking at her with a variety of turns of the head, began to talk very much as if, seated brush in hand before an easel, she were applying a series of considered touches to a composition of figures already sketched in. "If you expect me to congratulate you I must beg you to excuse me. I don't suppose you care if I do or not; I believe you're supposed not to care--through being so clever--for all sorts of ordinary things. But I care myself if I tell fibs; I never tell them unless there's something rather good to be gained. I don't see what's to be gained with you--especially as you wouldn't believe me. I don't make professions any more than I make paper flowers or flouncey lampshades--I don't know how. My lampshades would be sure to take fire, my roses and my fibs to be larger than life. I'm very glad for my own sake that you're to marry Osmond; but I won't pretend I'm glad for yours. You're very brilliant--you know that's the way you're always spoken of; you're an heiress and very good-looking and original, not banal; so it's a good thing to have you in the family. Our family's very good, you know; Osmond will have told you that; and my mother was rather distinguished--she was called the American Corinne. But we're dreadfully fallen, I think, and perhaps you'll pick us up. I've great confidence in you; there are ever so many things I want to talk to you about. I never congratulate any girl on marrying; I think they ought to make it somehow not quite so awful a steel trap. I suppose Pansy oughtn't to hear all this; but that's what she has come to me for--to acquire the tone of society. There's no harm in her knowing what horrors she may be in for. When first I got an idea that my brother had designs on you I thought of writing to you, to recommend you, in the strongest terms, not to listen to him. Then I thought it would be disloyal, and I hate anything of that kind. Besides, as I say, I was enchanted for myself; and after all I'm very selfish. By the way, you won't respect me, not one little mite, and we shall never be intimate. I should like it, but you won't. Some day, all the same, we shall be better friends than you will believe at first. My husband will come and see you, though, as you probably know, he's on no sort of terms with Osmond. He's very fond of going to see pretty women, but I'm not afraid of you. In the first place I don't care what he does. In the second, you won't care a straw for him; he won't be a bit, at any time, your affair, and, stupid as he is, he'll see you're not his. Some day, if you can stand it, I'll tell you all about him. Do you think my niece ought to go out of the room? Pansy, go and practise a little in my boudoir." "Let her stay, please," said Isabel. "I would rather hear nothing that Pansy may not!"

Chapter 35

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-31-35

Isabel feels isolated now that she knows how her friends disapprove of her marriage. The narrator tells us: "the chief impression produced on Isabel's spirit by this criticism was that the passion of love separated its victim terribly from everyone but the loved object". She knew Henrietta would come out to disapprove of her, and she thinks also of the disapproval that Caspar Goodwood had and that Lord Warburton would undoubtedly have. Her sisters have written to her out of duty, but they also wonder why she did not make a better match. Osmond is satisfied - the narrator describes him as full of self-control, and capable thus of acting tender and kind. He does think that Madame Merle has made him a wonderful "present". He is glad that Isabel is not dull; he thinks of her as a "silver plate" that reflects back to him his own thoughts in an original form, making them seem all the more splendid. He knows though that their relations do not approve, and he tells Isabel that he thinks they disapprove because of their difference in fortune. He defends himself by saying that he has shown himself to never care for money, insofar as he has never tried to earn it. He tells her they will get on very well. Isabel meanwhile feels that she is surrendering to Osmond in an act of humility - rather than simply taking in the act of marriage, she has something to give. She is tired of observing - after a year of traveling abroad - and now wants to engage in the "act of living" even more. No longer did she feel she could never marry - she has a more primitive need to be beneficent. She is glad to have a private duty "that might gather one's energies to a point". Pansy is glad the two will marry. She thinks that Isabel and her father suit each other well. When they are discussing the matter though, Isabel has a strange fear that she will one day have to protect Pansy from harm. Countess Gemini tells Isabel that she is glad for herself that Isabel and Osmond will marry, but she cannot be glad for Isabel. She declares that she only tells fibs if she has something to gain from it, and therefore she is being honest with Isabel when she tells her that she and Osmond have fallen quite low in status. She predicts that Isabel and herself will never be quite intimate with each other. She makes some declarations as to marriage in general, how she sees them as a "steel trap" for women

. It is notable too, that this reminiscence of Isabel's travels is contextualized in her mind's eye -- she is awaiting Caspar Goodwood, and thinking about how much she herself has changed since she last saw him. This is a common technique that Henry James employs: the narrator lends some more concrete words for the very vague reminiscences of a character, allowing that character to reflect upon their own experiences, but also allowing the reader to reap the benefit of a more objective, summary view of certain events. "If her thoughts just now had inclined themselves to retrospect, instead of fluttering their wings nervously about the present, they would have evoked a multitude of interesting pictures," the narrator tells us. This again is called "hypothetical discourse" as coined by scholar Arlene Young . Isabel's reaction in Chapter 32 to Caspar Goodwood is curiously physical and emotional. Is she really as disinterested in him as she claims to be? The novel itself deals very little with strong, physical outbursts of emotions: Isabel's scenes with Caspar Goodwood are an exception to the rule. One theory is that Isabel is sexually attracted to Goodwood, but her Victorian prudery makes her repress this idea; she wants to escape her own sexuality in his presence. It is important to notice the reactions of others to Isabel's engagement, and how Isabel's resolution becomes more concrete in the face of their opposition. In her conversation with Mrs. Touchett, she does not quite know why she wants to marry Osmond, and she can barely articulate it. When she discusses her motivations with Ralph, her own conviction becomes more concrete. "His opposition had made her own conception of her conduct clearer to her," the narrator tells us. Ralph says that he had thought of the great "idea" she would actualize in the world only in the "negative" -- but we should notice that her marrying Osmond is actually an articulation of a negative idea -- of an idea that exists only as one in opposition to others' opinions. In other words, she feels like she freely chooses her marriage to Osmond mostly because no one in her circle seems to approve of the engagement. So the narrator tells us, the disapproval of others for Isabel "served mainly to throw into higher relief, in every way so honourable, that she married to please herself." Osmond's narcissism becomes apparent in Chapter 35. It is notable how he thinks of Isabel as a fine object, a present made to him by Madame Merle, rather than seeming to really be in love with her. Again, there is a comparison between a person and a commodity: he thinks of Isabel as a "silver plate." Consider the coldness of this extended metaphor - he continues to think of how he will heap fruits onto this plate. His conception of a good relationship is that the other person reflects one's own thoughts back to oneself -- it seems that he will give very little room for Isabel to have ideas of her own. He has the attitude of a connoisseur or collector to a commodity of value. It does not quite fit a more romantic conception of love - of loving Isabel for herself.

gradesaver

all_chapterized_books/2833-chapters/36.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_12_part_1.txt

The Portrait of a Lady.chapter 36

chapter 36

{"name": "Chapter 36", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-36-39", "summary": "In the autumn of 1876, Edward Rosier visits Madame Merle. The reader will remember that Edward Rosier had met Isabel's acquaintance briefly in Paris. He was part of the American circle there. He is visiting Madame Merle because he had met Pansy in Saint Moritz, where he fell in love with her. He knows Madame Merle is close with the family and wants her to advise him. He thinks of Pansy as \"admirably finished,\" a \"consummate piece\". It will be remembered that Edward Rosier is quite a collector. He immediately appreciates all of Madame Merle's fine things as he waits for her to greet him. He declares to Madame Merle that he cares more for Pansy Osmond than \"all the bibelots in Europe. He has come to ask for advice, and to be counseled on his prospects as a suitor for Pansy. Madame Merle agrees to help him, although she asks him what else he has to offer in marriage. He tells her he has a fortune of forty thousand francs a year. Merle thinks one might live sufficiently on such a sum, but not beautifully. She mentions that Pansy will bring little to a marriage, and that she does not think that Isabel will give her a dowry. Merle makes fun of Edward Rosier a bit, for being naive about money. We learn that Isabel and Osmond do not yet have children, and that they have opposite opinions in everything. Merle thinks that Osmond will be inclined to think he can do better for Pansy. Rosier thinks though that Pansy is in love with him. Madame Merle points out that he does not know this - he has not asked Pansy. Merle says she will find out for him though. He wants to speak to Isabel as well about the matter, but Merle cautions him that this would set Osmond against him. Edward Rosier nevertheless goes to see Isabel, realizing that there is no real reason that Madame Merle would really help him. Pansy is now living in a massive structure in the heart of Rome with Isabel and Osmond. Mr. Rosier thinks of this house as an evil omen, a dungeon. He thought of the palace as fully of Osmond's own taste, and not at all of Isabel's. He had learned from Isabel that her husband had added a lot to his collection after their marriage. Rosier thinks of Osmond as a good collector - he had been patient in marriage, and thus had landed the great prizes once he had finally married. Edward Rosier goes to visit Isabel who is now Mrs. Osmond", "analysis": "Many years have passed once Chapter 36 opens. It is an interesting technical choice on the part of James to begin this second part of his novel through the third-person point of view of Edward Rosier. Edward is not exactly an admirable character, and the narrator points out that his vision of Pansy is inaccurate. He also seems to resemble Osmond in subtle ways: they are both collectors, and they both have a habit of comparing persons of value to objects of value. He also believes that his own taste is quite accurately the only aesthetic standard - although it differs from Osmond's. In other words, his perspective is certainly not characterized by the perspicacity of others. Why then does James choose to introduce the story through his eyes? One answer might be that Edward is an example of James' technique of the \"ficelle\" - a character who is two-dimensional and is used merely to move the action of the story along. It is James' way of economically summarizing what the relationship between Osmond and Isabel has turned out to be. As James once famously said, \"Really, universally, relations stop nowhere, and the exquisite problem of the artist is eternally but to draw, by a geometry of his own, the circle within which they shall happily appear to do so\" . It is not until Chapter 40 that we get a peek into Isabel's world. Instead, Ralph's analysis in Chapter 39 of the situation paints a bleak picture for us. Ralph still believes Osmond is selfish and vulgar, and he believes that he has reduced Isabel to the function of being a \"representative\" of his own lack of values. It is interesting to pause over what is meant by an \"intrinsic value\" as opposed to Osmond's true values. Osmond cares what other people think of him, by Ralph's theory -- he cares how he appears to the world. He cares about his reputation and about having the means to show himself off in the world. But, the question is: does anyone else have an intrinsic value in this novel? Isabel is valuable, as James has explained in the preface, because others think she is interesting. This too is a value gained because of the opinion of others. Furthermore, a comparison can be made between Henry James as the author and Gilbert Osmond as the manipulative husband: Henry James also enjoyed financial success from \"using\" Isabel Archer to represent his own ideas. What is the intrinsic value of the novel itself? Is it supposed to be a representation of the author's ideas, or is it valuable for some other reason? This question is being posed in a meta-fictional sense. Can we really detach the idea of \"intrinsic value\" from values for others -- isn't value, after all, a social phenomenon?"}

One afternoon of the autumn of 1876, toward dusk, a young man of pleasing appearance rang at the door of a small apartment on the third floor of an old Roman house. On its being opened he enquired for Madame Merle; whereupon the servant, a neat, plain woman, with a French face and a lady's maid's manner, ushered him into a diminutive drawing-room and requested the favour of his name. "Mr. Edward Rosier," said the young man, who sat down to wait till his hostess should appear. The reader will perhaps not have forgotten that Mr. Rosier was an ornament of the American circle in Paris, but it may also be remembered that he sometimes vanished from its horizon. He had spent a portion of several winters at Pau, and as he was a gentleman of constituted habits he might have continued for years to pay his annual visit to this charming resort. In the summer of 1876, however, an incident befell him which changed the current not only of his thoughts, but of his customary sequences. He passed a month in the Upper Engadine and encountered at Saint Moritz a charming young girl. To this little person he began to pay, on the spot, particular attention: she struck him as exactly the household angel he had long been looking for. He was never precipitate, he was nothing if not discreet, so he forbore for the present to declare his passion; but it seemed to him when they parted--the young lady to go down into Italy and her admirer to proceed to Geneva, where he was under bonds to join other friends--that he should be romantically wretched if he were not to see her again. The simplest way to do so was to go in the autumn to Rome, where Miss Osmond was domiciled with her family. Mr. Rosier started on his pilgrimage to the Italian capital and reached it on the first of November. It was a pleasant thing to do, but for the young man there was a strain of the heroic in the enterprise. He might expose himself, unseasoned, to the poison of the Roman air, which in November lay, notoriously, much in wait. Fortune, however, favours the brave; and this adventurer, who took three grains of quinine a day, had at the end of a month no cause to deplore his temerity. He had made to a certain extent good use of his time; he had devoted it in vain to finding a flaw in Pansy Osmond's composition. She was admirably finished; she had had the last touch; she was really a consummate piece. He thought of her in amorous meditation a good deal as he might have thought of a Dresden-china shepherdess. Miss Osmond, indeed, in the bloom of her juvenility, had a hint of the rococo which Rosier, whose taste was predominantly for that manner, could not fail to appreciate. That he esteemed the productions of comparatively frivolous periods would have been apparent from the attention he bestowed upon Madame Merle's drawing-room, which, although furnished with specimens of every style, was especially rich in articles of the last two centuries. He had immediately put a glass into one eye and looked round; and then "By Jove, she has some jolly good things!" he had yearningly murmured. The room was small and densely filled with furniture; it gave an impression of faded silk and little statuettes which might totter if one moved. Rosier got up and wandered about with his careful tread, bending over the tables charged with knick-knacks and the cushions embossed with princely arms. When Madame Merle came in she found him standing before the fireplace with his nose very close to the great lace flounce attached to the damask cover of the mantel. He had lifted it delicately, as if he were smelling it. "It's old Venetian," she said; "it's rather good." "It's too good for this; you ought to wear it." "They tell me you have some better in Paris, in the same situation." "Ah, but I can't wear mine," smiled the visitor. "I don't see why you shouldn't! I've better lace than that to wear." His eyes wandered, lingeringly, round the room again. "You've some very good things." "Yes, but I hate them." "Do you want to get rid of them?" the young man quickly asked. "No, it's good to have something to hate: one works it off!" "I love my things," said Mr. Rosier as he sat there flushed with all his recognitions. "But it's not about them, nor about yours, that I came to talk to you." He paused a moment and then, with greater softness: "I care more for Miss Osmond than for all the bibelots in Europe!" Madame Merle opened wide eyes. "Did you come to tell me that?" "I came to ask your advice." She looked at him with a friendly frown, stroking her chin with her large white hand. "A man in love, you know, doesn't ask advice." "Why not, if he's in a difficult position? That's often the case with a man in love. I've been in love before, and I know. But never so much as this time--really never so much. I should like particularly to know what you think of my prospects. I'm afraid that for Mr. Osmond I'm not--well, a real collector's piece." "Do you wish me to intercede?" Madame Merle asked with her fine arms folded and her handsome mouth drawn up to the left. "If you could say a good word for me I should be greatly obliged. There will be no use in my troubling Miss Osmond unless I have good reason to believe her father will consent." "You're very considerate; that's in your favour. But you assume in rather an off-hand way that I think you a prize." "You've been very kind to me," said the young man. "That's why I came." "I'm always kind to people who have good Louis Quatorze. It's very rare now, and there's no telling what one may get by it." With which the left-hand corner of Madame Merle's mouth gave expression to the joke. But he looked, in spite of it, literally apprehensive and consistently strenuous. "Ah, I thought you liked me for myself!" "I like you very much; but, if you please, we won't analyse. Pardon me if I seem patronising, but I think you a perfect little gentleman. I must tell you, however, that I've not the marrying of Pansy Osmond." "I didn't suppose that. But you've seemed to me intimate with her family, and I thought you might have influence." Madame Merle considered. "Whom do you call her family?" "Why, her father; and--how do you say it in English?--her belle-mere." "Mr. Osmond's her father, certainly; but his wife can scarcely be termed a member of her family. Mrs. Osmond has nothing to do with marrying her." "I'm sorry for that," said Rosier with an amiable sigh of good faith. "I think Mrs. Osmond would favour me." "Very likely--if her husband doesn't." He raised his eyebrows. "Does she take the opposite line from him?" "In everything. They think quite differently." "Well," said Rosier, "I'm sorry for that; but it's none of my business. She's very fond of Pansy." "Yes, she's very fond of Pansy." "And Pansy has a great affection for her. She has told me how she loves her as if she were her own mother." "You must, after all, have had some very intimate talk with the poor child," said Madame Merle. "Have you declared your sentiments?" "Never!" cried Rosier, lifting his neatly-gloved hand. "Never till I've assured myself of those of the parents." "You always wait for that? You've excellent principles; you observe the proprieties." "I think you're laughing at me," the young man murmured, dropping back in his chair and feeling his small moustache. "I didn't expect that of you, Madame Merle." She shook her head calmly, like a person who saw things as she saw them. "You don't do me justice. I think your conduct in excellent taste and the best you could adopt. Yes, that's what I think." "I wouldn't agitate her--only to agitate her; I love her too much for that," said Ned Rosier. "I'm glad, after all, that you've told me," Madame Merle went on. "Leave it to me a little; I think I can help you." "I said you were the person to come to!" her visitor cried with prompt elation. "You were very clever," Madame Merle returned more dryly. "When I say I can help you I mean once assuming your cause to be good. Let us think a little if it is." "I'm awfully decent, you know," said Rosier earnestly. "I won't say I've no faults, but I'll say I've no vices." "All that's negative, and it always depends, also, on what people call vices. What's the positive side? What's the virtuous? What have you got besides your Spanish lace and your Dresden teacups?" "I've a comfortable little fortune--about forty thousand francs a year. With the talent I have for arranging, we can live beautifully on such an income." "Beautifully, no. Sufficiently, yes. Even that depends on where you live." "Well, in Paris. I would undertake it in Paris." Madame Merle's mouth rose to the left. "It wouldn't be famous; you'd have to make use of the teacups, and they'd get broken." "We don't want to be famous. If Miss Osmond should have everything pretty it would be enough. When one's as pretty as she one can afford--well, quite cheap faience. She ought never to wear anything but muslin--without the sprig," said Rosier reflectively. "Wouldn't you even allow her the sprig? She'd be much obliged to you at any rate for that theory." "It's the correct one, I assure you; and I'm sure she'd enter into it. She understands all that; that's why I love her." "She's a very good little girl, and most tidy--also extremely graceful. But her father, to the best of my belief, can give her nothing." Rosier scarce demurred. "I don't in the least desire that he should. But I may remark, all the same, that he lives like a rich man." "The money's his wife's; she brought him a large fortune." "Mrs. Osmond then is very fond of her stepdaughter; she may do something." "For a love-sick swain you have your eyes about you!" Madame Merle exclaimed with a laugh. "I esteem a dot very much. I can do without it, but I esteem it." "Mrs. Osmond," Madame Merle went on, "will probably prefer to keep her money for her own children." "Her own children? Surely she has none." "She may have yet. She had a poor little boy, who died two years ago, six months after his birth. Others therefore may come." "I hope they will, if it will make her happy. She's a splendid woman." Madame Merle failed to burst into speech. "Ah, about her there's much to be said. Splendid as you like! We've not exactly made out that you're a parti. The absence of vices is hardly a source of income. "Pardon me, I think it may be," said Rosier quite lucidly. "You'll be a touching couple, living on your innocence!" "I think you underrate me." "You're not so innocent as that? Seriously," said Madame Merle, "of course forty thousand francs a year and a nice character are a combination to be considered. I don't say it's to be jumped at, but there might be a worse offer. Mr. Osmond, however, will probably incline to believe he can do better." "HE can do so perhaps; but what can his daughter do? She can't do better than marry the man she loves. For she does, you know," Rosier added eagerly. "She does--I know it." "Ah," cried the young man, "I said you were the person to come to." "But I don't know how you know it, if you haven't asked her," Madame Merle went on. "In such a case there's no need of asking and telling; as you say, we're an innocent couple. How did YOU know it?" "I who am not innocent? By being very crafty. Leave it to me; I'll find out for you." Rosier got up and stood smoothing his hat. "You say that rather coldly. Don't simply find out how it is, but try to make it as it should be." "I'll do my best. I'll try to make the most of your advantages." "Thank you so very much. Meanwhile then I'll say a word to Mrs. Osmond." "Gardez-vous-en bien!" And Madame Merle was on her feet. "Don't set her going, or you'll spoil everything." Rosier gazed into his hat; he wondered whether his hostess HAD been after all the right person to come to. "I don't think I understand you. I'm an old friend of Mrs. Osmond, and I think she would like me to succeed." "Be an old friend as much as you like; the more old friends she has the better, for she doesn't get on very well with some of her new. But don't for the present try to make her take up the cudgels for you. Her husband may have other views, and, as a person who wishes her well, I advise you not to multiply points of difference between them." Poor Rosier's face assumed an expression of alarm; a suit for the hand of Pansy Osmond was even a more complicated business than his taste for proper transitions had allowed. But the extreme good sense which he concealed under a surface suggesting that of a careful owner's "best set" came to his assistance. "I don't see that I'm bound to consider Mr. Osmond so very much!" he exclaimed. "No, but you should consider HER. You say you're an old friend. Would you make her suffer?" "Not for the world." "Then be very careful, and let the matter alone till I've taken a few soundings." "Let the matter alone, dear Madame Merle? Remember that I'm in love." "Oh, you won't burn up! Why did you come to me, if you're not to heed what I say?" "You're very kind; I'll be very good," the young man promised. "But I'm afraid Mr. Osmond's pretty hard," he added in his mild voice as he went to the door. Madame Merle gave a short laugh. "It has been said before. But his wife isn't easy either." "Ah, she's a splendid woman!" Ned Rosier repeated, for departure. He resolved that his conduct should be worthy of an aspirant who was already a model of discretion; but he saw nothing in any pledge he had given Madame Merle that made it improper he should keep himself in spirits by an occasional visit to Miss Osmond's home. He reflected constantly on what his adviser had said to him, and turned over in his mind the impression of her rather circumspect tone. He had gone to her de confiance, as they put it in Paris; but it was possible he had been precipitate. He found difficulty in thinking of himself as rash--he had incurred this reproach so rarely; but it certainly was true that he had known Madame Merle only for the last month, and that his thinking her a delightful woman was not, when one came to look into it, a reason for assuming that she would be eager to push Pansy Osmond into his arms, gracefully arranged as these members might be to receive her. She had indeed shown him benevolence, and she was a person of consideration among the girl's people, where she had a rather striking appearance (Rosier had more than once wondered how she managed it) of being intimate without being familiar. But possibly he had exaggerated these advantages. There was no particular reason why she should take trouble for him; a charming woman was charming to every one, and Rosier felt rather a fool when he thought of his having appealed to her on the ground that she had distinguished him. Very likely--though she had appeared to say it in joke--she was really only thinking of his bibelots. Had it come into her head that he might offer her two or three of the gems of his collection? If she would only help him to marry Miss Osmond he would present her with his whole museum. He could hardly say so to her outright; it would seem too gross a bribe. But he should like her to believe it. It was with these thoughts that he went again to Mrs. Osmond's, Mrs. Osmond having an "evening"--she had taken the Thursday of each week--when his presence could be accounted for on general principles of civility. The object of Mr. Rosier's well-regulated affection dwelt in a high house in the very heart of Rome; a dark and massive structure overlooking a sunny piazzetta in the neighbourhood of the Farnese Palace. In a palace, too, little Pansy lived--a palace by Roman measure, but a dungeon to poor Rosier's apprehensive mind. It seemed to him of evil omen that the young lady he wished to marry, and whose fastidious father he doubted of his ability to conciliate, should be immured in a kind of domestic fortress, a pile which bore a stern old Roman name, which smelt of historic deeds, of crime and craft and violence, which was mentioned in "Murray" and visited by tourists who looked, on a vague survey, disappointed and depressed, and which had frescoes by Caravaggio in the piano nobile and a row of mutilated statues and dusty urns in the wide, nobly-arched loggia overhanging the damp court where a fountain gushed out of a mossy niche. In a less preoccupied frame of mind he could have done justice to the Palazzo Roccanera; he could have entered into the sentiment of Mrs. Osmond, who had once told him that on settling themselves in Rome she and her husband had chosen this habitation for the love of local colour. It had local colour enough, and though he knew less about architecture than about Limoges enamels he could see that the proportions of the windows and even the details of the cornice had quite the grand air. But Rosier was haunted by the conviction that at picturesque periods young girls had been shut up there to keep them from their true loves, and then, under the threat of being thrown into convents, had been forced into unholy marriages. There was one point, however, to which he always did justice when once he found himself in Mrs. Osmond's warm, rich-looking reception-rooms, which were on the second floor. He acknowledged that these people were very strong in "good things." It was a taste of Osmond's own--not at all of hers; this she had told him the first time he came to the house, when, after asking himself for a quarter of an hour whether they had even better "French" than he in Paris, he was obliged on the spot to admit that they had, very much, and vanquished his envy, as a gentleman should, to the point of expressing to his hostess his pure admiration of her treasures. He learned from Mrs. Osmond that her husband had made a large collection before their marriage and that, though he had annexed a number of fine pieces within the last three years, he had achieved his greatest finds at a time when he had not the advantage of her advice. Rosier interpreted this information according to principles of his own. For "advice" read "cash," he said to himself; and the fact that Gilbert Osmond had landed his highest prizes during his impecunious season confirmed his most cherished doctrine--the doctrine that a collector may freely be poor if he be only patient. In general, when Rosier presented himself on a Thursday evening, his first recognition was for the walls of the saloon; there were three or four objects his eyes really yearned for. But after his talk with Madame Merle he felt the extreme seriousness of his position; and now, when he came in, he looked about for the daughter of the house with such eagerness as might be permitted a gentleman whose smile, as he crossed a threshold, always took everything comfortable for granted.

Chapter 36

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-36-39

In the autumn of 1876, Edward Rosier visits Madame Merle. The reader will remember that Edward Rosier had met Isabel's acquaintance briefly in Paris. He was part of the American circle there. He is visiting Madame Merle because he had met Pansy in Saint Moritz, where he fell in love with her. He knows Madame Merle is close with the family and wants her to advise him. He thinks of Pansy as "admirably finished," a "consummate piece". It will be remembered that Edward Rosier is quite a collector. He immediately appreciates all of Madame Merle's fine things as he waits for her to greet him. He declares to Madame Merle that he cares more for Pansy Osmond than "all the bibelots in Europe. He has come to ask for advice, and to be counseled on his prospects as a suitor for Pansy. Madame Merle agrees to help him, although she asks him what else he has to offer in marriage. He tells her he has a fortune of forty thousand francs a year. Merle thinks one might live sufficiently on such a sum, but not beautifully. She mentions that Pansy will bring little to a marriage, and that she does not think that Isabel will give her a dowry. Merle makes fun of Edward Rosier a bit, for being naive about money. We learn that Isabel and Osmond do not yet have children, and that they have opposite opinions in everything. Merle thinks that Osmond will be inclined to think he can do better for Pansy. Rosier thinks though that Pansy is in love with him. Madame Merle points out that he does not know this - he has not asked Pansy. Merle says she will find out for him though. He wants to speak to Isabel as well about the matter, but Merle cautions him that this would set Osmond against him. Edward Rosier nevertheless goes to see Isabel, realizing that there is no real reason that Madame Merle would really help him. Pansy is now living in a massive structure in the heart of Rome with Isabel and Osmond. Mr. Rosier thinks of this house as an evil omen, a dungeon. He thought of the palace as fully of Osmond's own taste, and not at all of Isabel's. He had learned from Isabel that her husband had added a lot to his collection after their marriage. Rosier thinks of Osmond as a good collector - he had been patient in marriage, and thus had landed the great prizes once he had finally married. Edward Rosier goes to visit Isabel who is now Mrs. Osmond

Many years have passed once Chapter 36 opens. It is an interesting technical choice on the part of James to begin this second part of his novel through the third-person point of view of Edward Rosier. Edward is not exactly an admirable character, and the narrator points out that his vision of Pansy is inaccurate. He also seems to resemble Osmond in subtle ways: they are both collectors, and they both have a habit of comparing persons of value to objects of value. He also believes that his own taste is quite accurately the only aesthetic standard - although it differs from Osmond's. In other words, his perspective is certainly not characterized by the perspicacity of others. Why then does James choose to introduce the story through his eyes? One answer might be that Edward is an example of James' technique of the "ficelle" - a character who is two-dimensional and is used merely to move the action of the story along. It is James' way of economically summarizing what the relationship between Osmond and Isabel has turned out to be. As James once famously said, "Really, universally, relations stop nowhere, and the exquisite problem of the artist is eternally but to draw, by a geometry of his own, the circle within which they shall happily appear to do so" . It is not until Chapter 40 that we get a peek into Isabel's world. Instead, Ralph's analysis in Chapter 39 of the situation paints a bleak picture for us. Ralph still believes Osmond is selfish and vulgar, and he believes that he has reduced Isabel to the function of being a "representative" of his own lack of values. It is interesting to pause over what is meant by an "intrinsic value" as opposed to Osmond's true values. Osmond cares what other people think of him, by Ralph's theory -- he cares how he appears to the world. He cares about his reputation and about having the means to show himself off in the world. But, the question is: does anyone else have an intrinsic value in this novel? Isabel is valuable, as James has explained in the preface, because others think she is interesting. This too is a value gained because of the opinion of others. Furthermore, a comparison can be made between Henry James as the author and Gilbert Osmond as the manipulative husband: Henry James also enjoyed financial success from "using" Isabel Archer to represent his own ideas. What is the intrinsic value of the novel itself? Is it supposed to be a representation of the author's ideas, or is it valuable for some other reason? This question is being posed in a meta-fictional sense. Can we really detach the idea of "intrinsic value" from values for others -- isn't value, after all, a social phenomenon?

gradesaver

all_chapterized_books/2833-chapters/37.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_12_part_2.txt

The Portrait of a Lady.chapter 37

chapter 37

{"name": "Chapter 37", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-36-39", "summary": "Edward Rosier now stands in the palace where Isabel and Osmond live at some sort of social gathering. Osmond greets him, saying his wife will be out shortly. When we see Isabel through Edward's eyes, it seems that she has changed very little, imparting still that secret \"lustre\" of a valuable item. Edward Rosier lets Isabel know that he would like to see Pansy. When we see Pansy through Edward's eyes, the narrator tells us that while she is now nineteen years old, and that while she is pretty, she seems to lack style. She is dressed with \"freshness\" instead. Edward Rosier would have been inclined to notice these defects, the narrator tells us, if he had not already attributed named her qualities with ideas of his own -- he thinks she is absolutely unique. Mr. Rosier asks Pansy to show him the yellow room, and she agrees. He gets her to admit that she likes him, as she shows him her father's things. Pansy asks if Edward is sure that her father knows that he likes her; he retorts that her father is supposed to know everything. Madame Merle arrives and talks to Gilbert Osmond about Mr. Rosier: Merle considers telling Mr. Rosier that Osmond dislikes the proposal, and Osmond is annoyed at the thought that this will make Mr. Rosier insist. Merle advises Osmond to keep Mr. Rosier on hand, for he may have a use for him. Osmond does not understand this. Meanwhile Mr. Rosier speaks to Isabel. She tells him that he is not rich enough for Pansy, and he feels insulted. He has never been told that he is not good enough. She tells him Pansy's father cares about the money, and he hints that Osmond's love of money was apparent when he married Isabel", "analysis": "Many years have passed once Chapter 36 opens. It is an interesting technical choice on the part of James to begin this second part of his novel through the third-person point of view of Edward Rosier. Edward is not exactly an admirable character, and the narrator points out that his vision of Pansy is inaccurate. He also seems to resemble Osmond in subtle ways: they are both collectors, and they both have a habit of comparing persons of value to objects of value. He also believes that his own taste is quite accurately the only aesthetic standard - although it differs from Osmond's. In other words, his perspective is certainly not characterized by the perspicacity of others. Why then does James choose to introduce the story through his eyes? One answer might be that Edward is an example of James' technique of the \"ficelle\" - a character who is two-dimensional and is used merely to move the action of the story along. It is James' way of economically summarizing what the relationship between Osmond and Isabel has turned out to be. As James once famously said, \"Really, universally, relations stop nowhere, and the exquisite problem of the artist is eternally but to draw, by a geometry of his own, the circle within which they shall happily appear to do so\" . It is not until Chapter 40 that we get a peek into Isabel's world. Instead, Ralph's analysis in Chapter 39 of the situation paints a bleak picture for us. Ralph still believes Osmond is selfish and vulgar, and he believes that he has reduced Isabel to the function of being a \"representative\" of his own lack of values. It is interesting to pause over what is meant by an \"intrinsic value\" as opposed to Osmond's true values. Osmond cares what other people think of him, by Ralph's theory -- he cares how he appears to the world. He cares about his reputation and about having the means to show himself off in the world. But, the question is: does anyone else have an intrinsic value in this novel? Isabel is valuable, as James has explained in the preface, because others think she is interesting. This too is a value gained because of the opinion of others. Furthermore, a comparison can be made between Henry James as the author and Gilbert Osmond as the manipulative husband: Henry James also enjoyed financial success from \"using\" Isabel Archer to represent his own ideas. What is the intrinsic value of the novel itself? Is it supposed to be a representation of the author's ideas, or is it valuable for some other reason? This question is being posed in a meta-fictional sense. Can we really detach the idea of \"intrinsic value\" from values for others -- isn't value, after all, a social phenomenon?"}

Pansy was not in the first of the rooms, a large apartment with a concave ceiling and walls covered with old red damask; it was here Mrs. Osmond usually sat--though she was not in her most customary place to-night--and that a circle of more especial intimates gathered about the fire. The room was flushed with subdued, diffused brightness; it contained the larger things and--almost always--an odour of flowers. Pansy on this occasion was presumably in the next of the series, the resort of younger visitors, where tea was served. Osmond stood before the chimney, leaning back with his hands behind him; he had one foot up and was warming the sole. Half a dozen persons, scattered near him, were talking together; but he was not in the conversation; his eyes had an expression, frequent with them, that seemed to represent them as engaged with objects more worth their while than the appearances actually thrust upon them. Rosier, coming in unannounced, failed to attract his attention; but the young man, who was very punctilious, though he was even exceptionally conscious that it was the wife, not the husband, he had come to see, went up to shake hands with him. Osmond put out his left hand, without changing his attitude. "How d'ye do? My wife's somewhere about." "Never fear; I shall find her," said Rosier cheerfully. Osmond, however, took him in; he had never in his life felt himself so efficiently looked at. "Madame Merle has told him, and he doesn't like it," he privately reasoned. He had hoped Madame Merle would be there, but she was not in sight; perhaps she was in one of the other rooms or would come later. He had never especially delighted in Gilbert Osmond, having a fancy he gave himself airs. But Rosier was not quickly resentful, and where politeness was concerned had ever a strong need of being quite in the right. He looked round him and smiled, all without help, and then in a moment, "I saw a jolly good piece of Capo di Monte to-day," he said. Osmond answered nothing at first; but presently, while he warmed his boot-sole, "I don't care a fig for Capo di Monte!" he returned. "I hope you're not losing your interest?" "In old pots and plates? Yes, I'm losing my interest." Rosier for an instant forgot the delicacy of his position. "You're not thinking of parting with a--a piece or two?" "No, I'm not thinking of parting with anything at all, Mr. Rosier," said Osmond, with his eyes still on the eyes of his visitor. "Ah, you want to keep, but not to add," Rosier remarked brightly. "Exactly. I've nothing I wish to match." Poor Rosier was aware he had blushed; he was distressed at his want of assurance. "Ah, well, I have!" was all he could murmur; and he knew his murmur was partly lost as he turned away. He took his course to the adjoining room and met Mrs. Osmond coming out of the deep doorway. She was dressed in black velvet; she looked high and splendid, as he had said, and yet oh so radiantly gentle! We know what Mr. Rosier thought of her and the terms in which, to Madame Merle, he had expressed his admiration. Like his appreciation of her dear little stepdaughter it was based partly on his eye for decorative character, his instinct for authenticity; but also on a sense for uncatalogued values, for that secret of a "lustre" beyond any recorded losing or rediscovering, which his devotion to brittle wares had still not disqualified him to recognise. Mrs. Osmond, at present, might well have gratified such tastes. The years had touched her only to enrich her; the flower of her youth had not faded, it only hung more quietly on its stem. She had lost something of that quick eagerness to which her husband had privately taken exception--she had more the air of being able to wait. Now, at all events, framed in the gilded doorway, she struck our young man as the picture of a gracious lady. "You see I'm very regular," he said. "But who should be if I'm not?" "Yes, I've known you longer than any one here. But we mustn't indulge in tender reminiscences. I want to introduce you to a young lady." "Ah, please, what young lady?" Rosier was immensely obliging; but this was not what he had come for. "She sits there by the fire in pink and has no one to speak to." Rosier hesitated a moment. "Can't Mr. Osmond speak to her? He's within six feet of her." Mrs. Osmond also hesitated. "She's not very lively, and he doesn't like dull people." "But she's good enough for me? Ah now, that's hard!" "I only mean that you've ideas for two. And then you're so obliging." "No, he's not--to me." And Mrs. Osmond vaguely smiled. "That's a sign he should be doubly so to other women. "So I tell him," she said, still smiling. "You see I want some tea," Rosier went on, looking wistfully beyond. "That's perfect. Go and give some to my young lady." "Very good; but after that I'll abandon her to her fate. The simple truth is I'm dying to have a little talk with Miss Osmond." "Ah," said Isabel, turning away, "I can't help you there!" Five minutes later, while he handed a tea-cup to the damsel in pink, whom he had conducted into the other room, he wondered whether, in making to Mrs. Osmond the profession I have just quoted, he had broken the spirit of his promise to Madame Merle. Such a question was capable of occupying this young man's mind for a considerable time. At last, however, he became--comparatively speaking--reckless; he cared little what promises he might break. The fate to which he had threatened to abandon the damsel in pink proved to be none so terrible; for Pansy Osmond, who had given him the tea for his companion--Pansy was as fond as ever of making tea--presently came and talked to her. Into this mild colloquy Edward Rosier entered little; he sat by moodily, watching his small sweetheart. If we look at her now through his eyes we shall at first not see much to remind us of the obedient little girl who, at Florence, three years before, was sent to walk short distances in the Cascine while her father and Miss Archer talked together of matters sacred to elder people. But after a moment we shall perceive that if at nineteen Pansy has become a young lady she doesn't really fill out the part; that if she has grown very pretty she lacks in a deplorable degree the quality known and esteemed in the appearance of females as style; and that if she is dressed with great freshness she wears her smart attire with an undisguised appearance of saving it--very much as if it were lent her for the occasion. Edward Rosier, it would seem, would have been just the man to note these defects; and in point of fact there was not a quality of this young lady, of any sort, that he had not noted. Only he called her qualities by names of his own--some of which indeed were happy enough. "No, she's unique--she's absolutely unique," he used to say to himself; and you may be sure that not for an instant would he have admitted to you that she was wanting in style. Style? Why, she had the style of a little princess; if you couldn't see it you had no eye. It was not modern, it was not conscious, it would produce no impression in Broadway; the small, serious damsel, in her stiff little dress, only looked like an Infanta of Velasquez. This was enough for Edward Rosier, who thought her delightfully old-fashioned. Her anxious eyes, her charming lips, her slip of a figure, were as touching as a childish prayer. He had now an acute desire to know just to what point she liked him--a desire which made him fidget as he sat in his chair. It made him feel hot, so that he had to pat his forehead with his handkerchief; he had never been so uncomfortable. She was such a perfect jeune fille, and one couldn't make of a jeune fille the enquiry requisite for throwing light on such a point. A jeune fille was what Rosier had always dreamed of--a jeune fille who should yet not be French, for he had felt that this nationality would complicate the question. He was sure Pansy had never looked at a newspaper and that, in the way of novels, if she had read Sir Walter Scott it was the very most. An American jeune fille--what could be better than that? She would be frank and gay, and yet would not have walked alone, nor have received letters from men, nor have been taken to the theatre to see the comedy of manners. Rosier could not deny that, as the matter stood, it would be a breach of hospitality to appeal directly to this unsophisticated creature; but he was now in imminent danger of asking himself if hospitality were the most sacred thing in the world. Was not the sentiment that he entertained for Miss Osmond of infinitely greater importance? Of greater importance to him--yes; but not probably to the master of the house. There was one comfort; even if this gentleman had been placed on his guard by Madame Merle he would not have extended the warning to Pansy; it would not have been part of his policy to let her know that a prepossessing young man was in love with her. But he WAS in love with her, the prepossessing young man; and all these restrictions of circumstance had ended by irritating him. What had Gilbert Osmond meant by giving him two fingers of his left hand? If Osmond was rude, surely he himself might be bold. He felt extremely bold after the dull girl in so vain a disguise of rose-colour had responded to the call of her mother, who came in to say, with a significant simper at Rosier, that she must carry her off to other triumphs. The mother and daughter departed together, and now it depended only upon him that he should be virtually alone with Pansy. He had never been alone with her before; he had never been alone with a jeune fille. It was a great moment; poor Rosier began to pat his forehead again. There was another room beyond the one in which they stood--a small room that had been thrown open and lighted, but that, the company not being numerous, had remained empty all the evening. It was empty yet; it was upholstered in pale yellow; there were several lamps; through the open door it looked the very temple of authorised love. Rosier gazed a moment through this aperture; he was afraid that Pansy would run away, and felt almost capable of stretching out a hand to detain her. But she lingered where the other maiden had left them, making no motion to join a knot of visitors on the far side of the room. For a little it occurred to him that she was frightened--too frightened perhaps to move; but a second glance assured him she was not, and he then reflected that she was too innocent indeed for that. After a supreme hesitation he asked her if he might go and look at the yellow room, which seemed so attractive yet so virginal. He had been there already with Osmond, to inspect the furniture, which was of the First French Empire, and especially to admire the clock (which he didn't really admire), an immense classic structure of that period. He therefore felt that he had now begun to manoeuvre. "Certainly, you may go," said Pansy; "and if you like I'll show you." She was not in the least frightened. "That's just what I hoped you'd say; you're so very kind," Rosier murmured. They went in together; Rosier really thought the room very ugly, and it seemed cold. The same idea appeared to have struck Pansy. "It's not for winter evenings; it's more for summer," she said. "It's papa's taste; he has so much." He had a good deal, Rosier thought; but some of it was very bad. He looked about him; he hardly knew what to say in such a situation. "Doesn't Mrs. Osmond care how her rooms are done? Has she no taste?" he asked. "Oh yes, a great deal; but it's more for literature," said Pansy--"and for conversation. But papa cares also for those things. I think he knows everything." Rosier was silent a little. "There's one thing I'm sure he knows!" he broke out presently. "He knows that when I come here it's, with all respect to him, with all respect to Mrs. Osmond, who's so charming--it's really," said the young man, "to see you!" "To see me?" And Pansy raised her vaguely troubled eyes. "To see you; that's what I come for," Rosier repeated, feeling the intoxication of a rupture with authority. Pansy stood looking at him, simply, intently, openly; a blush was not needed to make her face more modest. "I thought it was for that." "And it was not disagreeable to you?" "I couldn't tell; I didn't know. You never told me," said Pansy. "I was afraid of offending you." "You don't offend me," the young girl murmured, smiling as if an angel had kissed her. "You like me then, Pansy?" Rosier asked very gently, feeling very happy. "Yes--I like you." They had walked to the chimney-piece where the big cold Empire clock was perched; they were well within the room and beyond observation from without. The tone in which she had said these four words seemed to him the very breath of nature, and his only answer could be to take her hand and hold it a moment. Then he raised it to his lips. She submitted, still with her pure, trusting smile, in which there was something ineffably passive. She liked him--she had liked him all the while; now anything might happen! She was ready--she had been ready always, waiting for him to speak. If he had not spoken she would have waited for ever; but when the word came she dropped like the peach from the shaken tree. Rosier felt that if he should draw her toward him and hold her to his heart she would submit without a murmur, would rest there without a question. It was true that this would be a rash experiment in a yellow Empire salottino. She had known it was for her he came, and yet like what a perfect little lady she had carried it off! "You're very dear to me," he murmured, trying to believe that there was after all such a thing as hospitality. She looked a moment at her hand, where he had kissed it. "Did you say papa knows?" "You told me just now he knows everything." "I think you must make sure," said Pansy. "Ah, my dear, when once I'm sure of YOU!" Rosier murmured in her ear; whereupon she turned back to the other rooms with a little air of consistency which seemed to imply that their appeal should be immediate. The other rooms meanwhile had become conscious of the arrival of Madame Merle, who, wherever she went, produced an impression when she entered. How she did it the most attentive spectator could not have told you, for she neither spoke loud, nor laughed profusely, nor moved rapidly, nor dressed with splendour, nor appealed in any appreciable manner to the audience. Large, fair, smiling, serene, there was something in her very tranquillity that diffused itself, and when people looked round it was because of a sudden quiet. On this occasion she had done the quietest thing she could do; after embracing Mrs. Osmond, which was more striking, she had sat down on a small sofa to commune with the master of the house. There was a brief exchange of commonplaces between these two--they always paid, in public, a certain formal tribute to the commonplace--and then Madame Merle, whose eyes had been wandering, asked if little Mr. Rosier had come this evening. "He came nearly an hour ago--but he has disappeared," Osmond said. "And where's Pansy?" "In the other room. There are several people there." "He's probably among them," said Madame Merle. "Do you wish to see him?" Osmond asked in a provokingly pointless tone. Madame Merle looked at him a moment; she knew each of his tones to the eighth of a note. "Yes, I should like to say to him that I've told you what he wants, and that it interests you but feebly." "Don't tell him that. He'll try to interest me more--which is exactly what I don't want. Tell him I hate his proposal." "But you don't hate it." "It doesn't signify; I don't love it. I let him see that, myself, this evening; I was rude to him on purpose. That sort of thing's a great bore. There's no hurry." "I'll tell him that you'll take time and think it over." "No, don't do that. He'll hang on." "If I discourage him he'll do the same." "Yes, but in the one case he'll try to talk and explain--which would be exceedingly tiresome. In the other he'll probably hold his tongue and go in for some deeper game. That will leave me quiet. I hate talking with a donkey." "Is that what you call poor Mr. Rosier?" "Oh, he's a nuisance--with his eternal majolica." Madame Merle dropped her eyes; she had a faint smile. "He's a gentleman, he has a charming temper; and, after all, an income of forty thousand francs!" "It's misery--'genteel' misery," Osmond broke in. "It's not what I've dreamed of for Pansy." "Very good then. He has promised me not to speak to her." "Do you believe him?" Osmond asked absentmindedly. "Perfectly. Pansy has thought a great deal about him; but I don't suppose you consider that that matters." "I don't consider it matters at all; but neither do I believe she has thought of him." "That opinion's more convenient," said Madame Merle quietly. "Has she told you she's in love with him?" "For what do you take her? And for what do you take me?" Madame Merle added in a moment. Osmond had raised his foot and was resting his slim ankle on the other knee; he clasped his ankle in his hand familiarly--his long, fine forefinger and thumb could make a ring for it--and gazed a while before him. "This kind of thing doesn't find me unprepared. It's what I educated her for. It was all for this--that when such a case should come up she should do what I prefer." "I'm not afraid that she'll not do it." "Well then, where's the hitch?" "I don't see any. But, all the same, I recommend you not to get rid of Mr. Rosier. Keep him on hand; he may be useful." "I can't keep him. Keep him yourself." "Very good; I'll put him into a corner and allow him so much a day." Madame Merle had, for the most part, while they talked, been glancing about her; it was her habit in this situation, just as it was her habit to interpose a good many blank-looking pauses. A long drop followed the last words I have quoted; and before it had ended she saw Pansy come out of the adjoining room, followed by Edward Rosier. The girl advanced a few steps and then stopped and stood looking at Madame Merle and at her father. "He has spoken to her," Madame Merle went on to Osmond. Her companion never turned his head. "So much for your belief in his promises. He ought to be horsewhipped." "He intends to confess, poor little man!" Osmond got up; he had now taken a sharp look at his daughter. "It doesn't matter," he murmured, turning away. Pansy after a moment came up to Madame Merle with her little manner of unfamiliar politeness. This lady's reception of her was not more intimate; she simply, as she rose from the sofa, gave her a friendly smile. "You're very late," the young creature gently said. "My dear child, I'm never later than I intend to be." Madame Merle had not got up to be gracious to Pansy; she moved toward Edward Rosier. He came to meet her and, very quickly, as if to get it off his mind, "I've spoken to her!" he whispered. "I know it, Mr. Rosier." "Did she tell you?" "Yes, she told me. Behave properly for the rest of the evening, and come and see me to-morrow at a quarter past five." She was severe, and in the manner in which she turned her back to him there was a degree of contempt which caused him to mutter a decent imprecation. He had no intention of speaking to Osmond; it was neither the time nor the place. But he instinctively wandered toward Isabel, who sat talking with an old lady. He sat down on the other side of her; the old lady was Italian, and Rosier took for granted she understood no English. "You said just now you wouldn't help me," he began to Mrs. Osmond. "Perhaps you'll feel differently when you know--when you know--!" Isabel met his hesitation. "When I know what?" "That she's all right." "What do you mean by that?" "Well, that we've come to an understanding." "She's all wrong," said Isabel. "It won't do." Poor Rosier gazed at her half-pleadingly, half-angrily; a sudden flush testified to his sense of injury. "I've never been treated so," he said. "What is there against me, after all? That's not the way I'm usually considered. I could have married twenty times." "It's a pity you didn't. I don't mean twenty times, but once, comfortably," Isabel added, smiling kindly. "You're not rich enough for Pansy." "She doesn't care a straw for one's money." "No, but her father does." "Ah yes, he has proved that!" cried the young man. Isabel got up, turning away from him, leaving her old lady without ceremony; and he occupied himself for the next ten minutes in pretending to look at Gilbert Osmond's collection of miniatures, which were neatly arranged on a series of small velvet screens. But he looked without seeing; his cheek burned; he was too full of his sense of injury. It was certain that he had never been treated that way before; he was not used to being thought not good enough. He knew how good he was, and if such a fallacy had not been so pernicious he could have laughed at it. He searched again for Pansy, but she had disappeared, and his main desire was now to get out of the house. Before doing so he spoke once more to Isabel; it was not agreeable to him to reflect that he had just said a rude thing to her--the only point that would now justify a low view of him. "I referred to Mr. Osmond as I shouldn't have done, a while ago," he began. "But you must remember my situation." "I don't remember what you said," she answered coldly. "Ah, you're offended, and now you'll never help me." She was silent an instant, and then with a change of tone: "It's not that I won't; I simply can't!" Her manner was almost passionate. "If you COULD, just a little, I'd never again speak of your husband save as an angel." "The inducement's great," said Isabel gravely--inscrutably, as he afterwards, to himself, called it; and she gave him, straight in the eyes, a look which was also inscrutable. It made him remember somehow that he had known her as a child; and yet it was keener than he liked, and he took himself off.

Chapter 37

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-36-39

Edward Rosier now stands in the palace where Isabel and Osmond live at some sort of social gathering. Osmond greets him, saying his wife will be out shortly. When we see Isabel through Edward's eyes, it seems that she has changed very little, imparting still that secret "lustre" of a valuable item. Edward Rosier lets Isabel know that he would like to see Pansy. When we see Pansy through Edward's eyes, the narrator tells us that while she is now nineteen years old, and that while she is pretty, she seems to lack style. She is dressed with "freshness" instead. Edward Rosier would have been inclined to notice these defects, the narrator tells us, if he had not already attributed named her qualities with ideas of his own -- he thinks she is absolutely unique. Mr. Rosier asks Pansy to show him the yellow room, and she agrees. He gets her to admit that she likes him, as she shows him her father's things. Pansy asks if Edward is sure that her father knows that he likes her; he retorts that her father is supposed to know everything. Madame Merle arrives and talks to Gilbert Osmond about Mr. Rosier: Merle considers telling Mr. Rosier that Osmond dislikes the proposal, and Osmond is annoyed at the thought that this will make Mr. Rosier insist. Merle advises Osmond to keep Mr. Rosier on hand, for he may have a use for him. Osmond does not understand this. Meanwhile Mr. Rosier speaks to Isabel. She tells him that he is not rich enough for Pansy, and he feels insulted. He has never been told that he is not good enough. She tells him Pansy's father cares about the money, and he hints that Osmond's love of money was apparent when he married Isabel

Many years have passed once Chapter 36 opens. It is an interesting technical choice on the part of James to begin this second part of his novel through the third-person point of view of Edward Rosier. Edward is not exactly an admirable character, and the narrator points out that his vision of Pansy is inaccurate. He also seems to resemble Osmond in subtle ways: they are both collectors, and they both have a habit of comparing persons of value to objects of value. He also believes that his own taste is quite accurately the only aesthetic standard - although it differs from Osmond's. In other words, his perspective is certainly not characterized by the perspicacity of others. Why then does James choose to introduce the story through his eyes? One answer might be that Edward is an example of James' technique of the "ficelle" - a character who is two-dimensional and is used merely to move the action of the story along. It is James' way of economically summarizing what the relationship between Osmond and Isabel has turned out to be. As James once famously said, "Really, universally, relations stop nowhere, and the exquisite problem of the artist is eternally but to draw, by a geometry of his own, the circle within which they shall happily appear to do so" . It is not until Chapter 40 that we get a peek into Isabel's world. Instead, Ralph's analysis in Chapter 39 of the situation paints a bleak picture for us. Ralph still believes Osmond is selfish and vulgar, and he believes that he has reduced Isabel to the function of being a "representative" of his own lack of values. It is interesting to pause over what is meant by an "intrinsic value" as opposed to Osmond's true values. Osmond cares what other people think of him, by Ralph's theory -- he cares how he appears to the world. He cares about his reputation and about having the means to show himself off in the world. But, the question is: does anyone else have an intrinsic value in this novel? Isabel is valuable, as James has explained in the preface, because others think she is interesting. This too is a value gained because of the opinion of others. Furthermore, a comparison can be made between Henry James as the author and Gilbert Osmond as the manipulative husband: Henry James also enjoyed financial success from "using" Isabel Archer to represent his own ideas. What is the intrinsic value of the novel itself? Is it supposed to be a representation of the author's ideas, or is it valuable for some other reason? This question is being posed in a meta-fictional sense. Can we really detach the idea of "intrinsic value" from values for others -- isn't value, after all, a social phenomenon?

gradesaver

all_chapterized_books/2833-chapters/38.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_12_part_3.txt

The Portrait of a Lady.chapter 38

chapter 38

{"name": "Chapter 38", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-36-39", "summary": "Edward Rosier goes to see Madame Merle, who quickly forgives him for breaking his promise not to speak to Isabel. She tells him that he needs to only be patient and he may have a chance. She also warns him not to visit the house too often. Edward Rosier then skips one evening of the Thursday night gatherings at the Palazzo Roccanero, where Isabel and Osmond live together. The next Thursday he attends though. He discusses his love for Pansy with Osmond, who tells him that Pansy does not care for him and will not want to marry him. Edward then goes to discuss the matter with Isabel. As they are speaking, Lord Warburton suddenly appears. Edward slips away to speak with Pansy. Lord Warburton informs Isabel that he has arrived with Ralph, who has taken a turn for the worse. Isabel decides to see Ralph the next morning. She notes that Warburton has nothing of the spirit of revenge, and bears no malice against her for refusing him. She envies him in fact, because as a man, he has been able to plunge himself into the \"healing waters of action\". He asks if she is happy, and she jokes that she would not tell him if she was not. She then says that she is happy. He says that he may yet marry. Edward Rosier meanwhile speaks to Pansy, asking if she has changed her mind about him. She says she has not, but that she has promised her father that she will not speak with him. She tells him that her plan is to speak with Isabel about helping change Osmond's mind. Lord Warburton and Isabel then come up to Pansy for Lord Warburton to be introduced to her", "analysis": "Many years have passed once Chapter 36 opens. It is an interesting technical choice on the part of James to begin this second part of his novel through the third-person point of view of Edward Rosier. Edward is not exactly an admirable character, and the narrator points out that his vision of Pansy is inaccurate. He also seems to resemble Osmond in subtle ways: they are both collectors, and they both have a habit of comparing persons of value to objects of value. He also believes that his own taste is quite accurately the only aesthetic standard - although it differs from Osmond's. In other words, his perspective is certainly not characterized by the perspicacity of others. Why then does James choose to introduce the story through his eyes? One answer might be that Edward is an example of James' technique of the \"ficelle\" - a character who is two-dimensional and is used merely to move the action of the story along. It is James' way of economically summarizing what the relationship between Osmond and Isabel has turned out to be. As James once famously said, \"Really, universally, relations stop nowhere, and the exquisite problem of the artist is eternally but to draw, by a geometry of his own, the circle within which they shall happily appear to do so\" . It is not until Chapter 40 that we get a peek into Isabel's world. Instead, Ralph's analysis in Chapter 39 of the situation paints a bleak picture for us. Ralph still believes Osmond is selfish and vulgar, and he believes that he has reduced Isabel to the function of being a \"representative\" of his own lack of values. It is interesting to pause over what is meant by an \"intrinsic value\" as opposed to Osmond's true values. Osmond cares what other people think of him, by Ralph's theory -- he cares how he appears to the world. He cares about his reputation and about having the means to show himself off in the world. But, the question is: does anyone else have an intrinsic value in this novel? Isabel is valuable, as James has explained in the preface, because others think she is interesting. This too is a value gained because of the opinion of others. Furthermore, a comparison can be made between Henry James as the author and Gilbert Osmond as the manipulative husband: Henry James also enjoyed financial success from \"using\" Isabel Archer to represent his own ideas. What is the intrinsic value of the novel itself? Is it supposed to be a representation of the author's ideas, or is it valuable for some other reason? This question is being posed in a meta-fictional sense. Can we really detach the idea of \"intrinsic value\" from values for others -- isn't value, after all, a social phenomenon?"}

He went to see Madame Merle on the morrow, and to his surprise she let him off rather easily. But she made him promise that he would stop there till something should have been decided. Mr. Osmond had had higher expectations; it was very true that as he had no intention of giving his daughter a portion such expectations were open to criticism or even, if one would, to ridicule. But she would advise Mr. Rosier not to take that tone; if he would possess his soul in patience he might arrive at his felicity. Mr. Osmond was not favourable to his suit, but it wouldn't be a miracle if he should gradually come round. Pansy would never defy her father, he might depend on that; so nothing was to be gained by precipitation. Mr. Osmond needed to accustom his mind to an offer of a sort that he had not hitherto entertained, and this result must come of itself--it was useless to try to force it. Rosier remarked that his own situation would be in the meanwhile the most uncomfortable in the world, and Madame Merle assured him that she felt for him. But, as she justly declared, one couldn't have everything one wanted; she had learned that lesson for herself. There would be no use in his writing to Gilbert Osmond, who had charged her to tell him as much. He wished the matter dropped for a few weeks and would himself write when he should have anything to communicate that it might please Mr. Rosier to hear. "He doesn't like your having spoken to Pansy, Ah, he doesn't like it at all," said Madame Merle. "I'm perfectly willing to give him a chance to tell me so!" "If you do that he'll tell you more than you care to hear. Go to the house, for the next month, as little as possible, and leave the rest to me." "As little as possible? Who's to measure the possibility?" "Let me measure it. Go on Thursday evenings with the rest of the world, but don't go at all at odd times, and don't fret about Pansy. I'll see that she understands everything. She's a calm little nature; she'll take it quietly." Edward Rosier fretted about Pansy a good deal, but he did as he was advised, and awaited another Thursday evening before returning to Palazzo Roccanera. There had been a party at dinner, so that though he went early the company was already tolerably numerous. Osmond, as usual, was in the first room, near the fire, staring straight at the door, so that, not to be distinctly uncivil, Rosier had to go and speak to him. "I'm glad that you can take a hint," Pansy's father said, slightly closing his keen, conscious eyes. "I take no hints. But I took a message, as I supposed it to be." "You took it? Where did you take it?" It seemed to poor Rosier he was being insulted, and he waited a moment, asking himself how much a true lover ought to submit to. "Madame Merle gave me, as I understood it, a message from you--to the effect that you declined to give me the opportunity I desire, the opportunity to explain my wishes to you." And he flattered himself he spoke rather sternly. "I don't see what Madame Merle has to do with it. Why did you apply to Madame Merle?" "I asked her for an opinion--for nothing more. I did so because she had seemed to me to know you very well." "She doesn't know me so well as she thinks," said Osmond. "I'm sorry for that, because she has given me some little ground for hope." Osmond stared into the fire a moment. "I set a great price on my daughter." "You can't set a higher one than I do. Don't I prove it by wishing to marry her?" "I wish to marry her very well," Osmond went on with a dry impertinence which, in another mood, poor Rosier would have admired. "Of course I pretend she'd marry well in marrying me. She couldn't marry a man who loves her more--or whom, I may venture to add, she loves more." "I'm not bound to accept your theories as to whom my daughter loves"--and Osmond looked up with a quick, cold smile. "I'm not theorising. Your daughter has spoken." "Not to me," Osmond continued, now bending forward a little and dropping his eyes to his boot-toes. "I have her promise, sir!" cried Rosier with the sharpness of exasperation. As their voices had been pitched very low before, such a note attracted some attention from the company. Osmond waited till this little movement had subsided; then he said, all undisturbed: "I think she has no recollection of having given it." They had been standing with their faces to the fire, and after he had uttered these last words the master of the house turned round again to the room. Before Rosier had time to reply he perceived that a gentleman--a stranger--had just come in, unannounced, according to the Roman custom, and was about to present himself to his host. The latter smiled blandly, but somewhat blankly; the visitor had a handsome face and a large, fair beard, and was evidently an Englishman. "You apparently don't recognise me," he said with a smile that expressed more than Osmond's. "Ah yes, now I do. I expected so little to see you." Rosier departed and went in direct pursuit of Pansy. He sought her, as usual, in the neighbouring room, but he again encountered Mrs. Osmond in his path. He gave his hostess no greeting--he was too righteously indignant, but said to her crudely: "Your husband's awfully cold-blooded." She gave the same mystical smile he had noticed before. "You can't expect every one to be as hot as yourself." "I don't pretend to be cold, but I'm cool. What has he been doing to his daughter?" "I've no idea." "Don't you take any interest?" Rosier demanded with his sense that she too was irritating. For a moment she answered nothing; then, "No!" she said abruptly and with a quickened light in her eyes which directly contradicted the word. "Pardon me if I don't believe that. Where's Miss Osmond?" "In the corner, making tea. Please leave her there." Rosier instantly discovered his friend, who had been hidden by intervening groups. He watched her, but her own attention was entirely given to her occupation. "What on earth has he done to her?" he asked again imploringly. "He declares to me she has given me up." "She has not given you up," Isabel said in a low tone and without looking at him. "Ah, thank you for that! Now I'll leave her alone as long as you think proper!" He had hardly spoken when he saw her change colour, and became aware that Osmond was coming toward her accompanied by the gentleman who had just entered. He judged the latter, in spite of the advantage of good looks and evident social experience, a little embarrassed. "Isabel," said her husband, "I bring you an old friend." Mrs. Osmond's face, though it wore a smile, was, like her old friend's, not perfectly confident. "I'm very happy to see Lord Warburton," she said. Rosier turned away and, now that his talk with her had been interrupted, felt absolved from the little pledge he had just taken. He had a quick impression that Mrs. Osmond wouldn't notice what he did. Isabel in fact, to do him justice, for some time quite ceased to observe him. She had been startled; she hardly knew if she felt a pleasure or a pain. Lord Warburton, however, now that he was face to face with her, was plainly quite sure of his own sense of the matter; though his grey eyes had still their fine original property of keeping recognition and attestation strictly sincere. He was "heavier" than of yore and looked older; he stood there very solidly and sensibly. "I suppose you didn't expect to see me," he said; "I've but just arrived. Literally, I only got here this evening. You see I've lost no time in coming to pay you my respects. I knew you were at home on Thursdays." "You see the fame of your Thursdays has spread to England," Osmond remarked to his wife. "It's very kind of Lord Warburton to come so soon; we're greatly flattered," Isabel said. "Ah well, it's better than stopping in one of those horrible inns," Osmond went on. "The hotel seems very good; I think it's the same at which I saw you four years since. You know it was here in Rome that we first met; it's a long time ago. Do you remember where I bade you good-bye?" his lordship asked of his hostess. "It was in the Capitol, in the first room." "I remember that myself," said Osmond. "I was there at the time." "Yes, I remember you there. I was very sorry to leave Rome--so sorry that, somehow or other, it became almost a dismal memory, and I've never cared to come back till to-day. But I knew you were living here," her old friend went on to Isabel, "and I assure you I've often thought of you. It must be a charming place to live in," he added with a look, round him, at her established home, in which she might have caught the dim ghost of his old ruefulness. "We should have been glad to see you at any time," Osmond observed with propriety. "Thank you very much. I haven't been out of England since then. Till a month ago I really supposed my travels over." "I've heard of you from time to time," said Isabel, who had already, with her rare capacity for such inward feats, taken the measure of what meeting him again meant for her. "I hope you've heard no harm. My life has been a remarkably complete blank." "Like the good reigns in history," Osmond suggested. He appeared to think his duties as a host now terminated--he had performed them so conscientiously. Nothing could have been more adequate, more nicely measured, than his courtesy to his wife's old friend. It was punctilious, it was explicit, it was everything but natural--a deficiency which Lord Warburton, who, himself, had on the whole a good deal of nature, may be supposed to have perceived. "I'll leave you and Mrs. Osmond together," he added. "You have reminiscences into which I don't enter." "I'm afraid you lose a good deal!" Lord Warburton called after him, as he moved away, in a tone which perhaps betrayed overmuch an appreciation of his generosity. Then the visitor turned on Isabel the deeper, the deepest, consciousness of his look, which gradually became more serious. "I'm really very glad to see you." "It's very pleasant. You're very kind." "Do you know that you're changed--a little?" She just hesitated. "Yes--a good deal." "I don't mean for the worse, of course; and yet how can I say for the better?" "I think I shall have no scruple in saying that to YOU," she bravely returned. "Ah well, for me--it's a long time. It would be a pity there shouldn't be something to show for it." They sat down and she asked him about his sisters, with other enquiries of a somewhat perfunctory kind. He answered her questions as if they interested him, and in a few moments she saw--or believed she saw--that he would press with less of his whole weight than of yore. Time had breathed upon his heart and, without chilling it, given it a relieved sense of having taken the air. Isabel felt her usual esteem for Time rise at a bound. Her friend's manner was certainly that of a contented man, one who would rather like people, or like her at least, to know him for such. "There's something I must tell you without more delay," he resumed. "I've brought Ralph Touchett with me." "Brought him with you?" Isabel's surprise was great. "He's at the hotel; he was too tired to come out and has gone to bed." "I'll go to see him," she immediately said. "That's exactly what I hoped you'd do. I had an idea you hadn't seen much of him since your marriage, that in fact your relations were a--a little more formal. That's why I hesitated--like an awkward Briton." "I'm as fond of Ralph as ever," Isabel answered. "But why has he come to Rome?" The declaration was very gentle, the question a little sharp. "Because he's very far gone, Mrs. Osmond." "Rome then is no place for him. I heard from him that he had determined to give up his custom of wintering abroad and to remain in England, indoors, in what he called an artificial climate." "Poor fellow, he doesn't succeed with the artificial! I went to see him three weeks ago, at Gardencourt, and found him thoroughly ill. He has been getting worse every year, and now he has no strength left. He smokes no more cigarettes! He had got up an artificial climate indeed; the house was as hot as Calcutta. Nevertheless he had suddenly taken it into his head to start for Sicily. I didn't believe in it--neither did the doctors, nor any of his friends. His mother, as I suppose you know, is in America, so there was no one to prevent him. He stuck to his idea that it would be the saving of him to spend the winter at Catania. He said he could take servants and furniture, could make himself comfortable, but in point of fact he hasn't brought anything. I wanted him at least to go by sea, to save fatigue; but he said he hated the sea and wished to stop at Rome. After that, though I thought it all rubbish, I made up my mind to come with him. I'm acting as--what do you call it in America?--as a kind of moderator. Poor Ralph's very moderate now. We left England a fortnight ago, and he has been very bad on the way. He can't keep warm, and the further south we come the more he feels the cold. He has got rather a good man, but I'm afraid he's beyond human help. I wanted him to take with him some clever fellow--I mean some sharp young doctor; but he wouldn't hear of it. If you don't mind my saying so, I think it was a most extraordinary time for Mrs. Touchett to decide on going to America." Isabel had listened eagerly; her face was full of pain and wonder. "My aunt does that at fixed periods and lets nothing turn her aside. When the date comes round she starts; I think she'd have started if Ralph had been dying." "I sometimes think he IS dying," Lord Warburton said. Isabel sprang up. "I'll go to him then now." He checked her; he was a little disconcerted at the quick effect of his words. "I don't mean I thought so to-night. On the contrary, to-day, in the train, he seemed particularly well; the idea of our reaching Rome--he's very fond of Rome, you know--gave him strength. An hour ago, when I bade him goodnight, he told me he was very tired, but very happy. Go to him in the morning; that's all I mean. I didn't tell him I was coming here; I didn't decide to till after we had separated. Then I remembered he had told me you had an evening, and that it was this very Thursday. It occurred to me to come in and tell you he's here, and let you know you had perhaps better not wait for him to call. I think he said he hadn't written to you." There was no need of Isabel's declaring that she would act upon Lord Warburton's information; she looked, as she sat there, like a winged creature held back. "Let alone that I wanted to see you for myself," her visitor gallantly added. "I don't understand Ralph's plan; it seems to me very wild," she said. "I was glad to think of him between those thick walls at Gardencourt." "He was completely alone there; the thick walls were his only company." "You went to see him; you've been extremely kind." "Oh dear, I had nothing to do," said Lord Warburton. "We hear, on the contrary, that you're doing great things. Every one speaks of you as a great statesman, and I'm perpetually seeing your name in the Times, which, by the way, doesn't appear to hold it in reverence. You're apparently as wild a radical as ever." "I don't feel nearly so wild; you know the world has come round to me. Touchett and I have kept up a sort of parliamentary debate all the way from London. I tell him he's the last of the Tories, and he calls me the King of the Goths--says I have, down to the details of my personal appearance, every sign of the brute. So you see there's life in him yet." Isabel had many questions to ask about Ralph, but she abstained from asking them all. She would see for herself on the morrow. She perceived that after a little Lord Warburton would tire of that subject--he had a conception of other possible topics. She was more and more able to say to herself that he had recovered, and, what is more to the point, she was able to say it without bitterness. He had been for her, of old, such an image of urgency, of insistence, of something to be resisted and reasoned with, that his reappearance at first menaced her with a new trouble. But she was now reassured; she could see he only wished to live with her on good terms, that she was to understand he had forgiven her and was incapable of the bad taste of making pointed allusions. This was not a form of revenge, of course; she had no suspicion of his wishing to punish her by an exhibition of disillusionment; she did him the justice to believe it had simply occurred to him that she would now take a good-natured interest in knowing he was resigned. It was the resignation of a healthy, manly nature, in which sentimental wounds could never fester. British politics had cured him; she had known they would. She gave an envious thought to the happier lot of men, who are always free to plunge into the healing waters of action. Lord Warburton of course spoke of the past, but he spoke of it without implications; he even went so far as to allude to their former meeting in Rome as a very jolly time. And he told her he had been immensely interested in hearing of her marriage and that it was a great pleasure for him to make Mr. Osmond's acquaintance--since he could hardly be said to have made it on the other occasion. He had not written to her at the time of that passage in her history, but he didn't apologise to her for this. The only thing he implied was that they were old friends, intimate friends. It was very much as an intimate friend that he said to her, suddenly, after a short pause which he had occupied in smiling, as he looked about him, like a person amused, at a provincial entertainment, by some innocent game of guesses-- "Well now, I suppose you're very happy and all that sort of thing?" Isabel answered with a quick laugh; the tone of his remark struck her almost as the accent of comedy. "Do you suppose if I were not I'd tell you?" "Well, I don't know. I don't see why not." "I do then. Fortunately, however, I'm very happy." "You've got an awfully good house." "Yes, it's very pleasant. But that's not my merit--it's my husband's." "You mean he has arranged it?" "Yes, it was nothing when we came." "He must be very clever." "He has a genius for upholstery," said Isabel. "There's a great rage for that sort of thing now. But you must have a taste of your own." "I enjoy things when they're done, but I've no ideas. I can never propose anything." "Do you mean you accept what others propose?" "Very willingly, for the most part." "That's a good thing to know. I shall propose to you something." "It will be very kind. I must say, however, that I've in a few small ways a certain initiative. I should like for instance to introduce you to some of these people." "Oh, please don't; I prefer sitting here. Unless it be to that young lady in the blue dress. She has a charming face." "The one talking to the rosy young man? That's my husband's daughter." "Lucky man, your husband. What a dear little maid!" "You must make her acquaintance." "In a moment--with pleasure. I like looking at her from here." He ceased to look at her, however, very soon; his eyes constantly reverted to Mrs. Osmond. "Do you know I was wrong just now in saying you had changed?" he presently went on. "You seem to me, after all, very much the same." "And yet I find it a great change to be married," said Isabel with mild gaiety. "It affects most people more than it has affected you. You see I haven't gone in for that." "It rather surprises me." "You ought to understand it, Mrs. Osmond. But I do want to marry," he added more simply. "It ought to be very easy," Isabel said, rising--after which she reflected, with a pang perhaps too visible, that she was hardly the person to say this. It was perhaps because Lord Warburton divined the pang that he generously forbore to call her attention to her not having contributed then to the facility. Edward Rosier had meanwhile seated himself on an ottoman beside Pansy's tea-table. He pretended at first to talk to her about trifles, and she asked him who was the new gentleman conversing with her stepmother. "He's an English lord," said Rosier. "I don't know more." "I wonder if he'll have some tea. The English are so fond of tea." "Never mind that; I've something particular to say to you." "Don't speak so loud every one will hear," said Pansy. "They won't hear if you continue to look that way: as if your only thought in life was the wish the kettle would boil." "It has just been filled; the servants never know!"--and she sighed with the weight of her responsibility. "Do you know what your father said to me just now? That you didn't mean what you said a week ago." "I don't mean everything I say. How can a young girl do that? But I mean what I say to you." "He told me you had forgotten me." "Ah no, I don't forget," said Pansy, showing her pretty teeth in a fixed smile. "Then everything's just the very same?" "Ah no, not the very same. Papa has been terribly severe." "What has he done to you?" "He asked me what you had done to me, and I told him everything. Then he forbade me to marry you." "You needn't mind that." "Oh yes, I must indeed. I can't disobey papa." "Not for one who loves you as I do, and whom you pretend to love?" She raised the lid of the tea-pot, gazing into this vessel for a moment; then she dropped six words into its aromatic depths. "I love you just as much." "What good will that do me?" "Ah," said Pansy, raising her sweet, vague eyes, "I don't know that." "You disappoint me," groaned poor Rosier. She was silent a little; she handed a tea-cup to a servant. "Please don't talk any more." "Is this to be all my satisfaction?" "Papa said I was not to talk with you." "Do you sacrifice me like that? Ah, it's too much!" "I wish you'd wait a little," said the girl in a voice just distinct enough to betray a quaver. "Of course I'll wait if you'll give me hope. But you take my life away." "I'll not give you up--oh no!" Pansy went on. "He'll try and make you marry some one else." "I'll never do that." "What then are we to wait for?" She hesitated again. "I'll speak to Mrs. Osmond and she'll help us." It was in this manner that she for the most part designated her stepmother. "She won't help us much. She's afraid." "Afraid of what?" "Of your father, I suppose." Pansy shook her little head. "She's not afraid of any one. We must have patience." "Ah, that's an awful word," Rosier groaned; he was deeply disconcerted. Oblivious of the customs of good society, he dropped his head into his hands and, supporting it with a melancholy grace, sat staring at the carpet. Presently he became aware of a good deal of movement about him and, as he looked up, saw Pansy making a curtsey--it was still her little curtsey of the convent--to the English lord whom Mrs. Osmond had introduced.

Chapter 38

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-36-39

Edward Rosier goes to see Madame Merle, who quickly forgives him for breaking his promise not to speak to Isabel. She tells him that he needs to only be patient and he may have a chance. She also warns him not to visit the house too often. Edward Rosier then skips one evening of the Thursday night gatherings at the Palazzo Roccanero, where Isabel and Osmond live together. The next Thursday he attends though. He discusses his love for Pansy with Osmond, who tells him that Pansy does not care for him and will not want to marry him. Edward then goes to discuss the matter with Isabel. As they are speaking, Lord Warburton suddenly appears. Edward slips away to speak with Pansy. Lord Warburton informs Isabel that he has arrived with Ralph, who has taken a turn for the worse. Isabel decides to see Ralph the next morning. She notes that Warburton has nothing of the spirit of revenge, and bears no malice against her for refusing him. She envies him in fact, because as a man, he has been able to plunge himself into the "healing waters of action". He asks if she is happy, and she jokes that she would not tell him if she was not. She then says that she is happy. He says that he may yet marry. Edward Rosier meanwhile speaks to Pansy, asking if she has changed her mind about him. She says she has not, but that she has promised her father that she will not speak with him. She tells him that her plan is to speak with Isabel about helping change Osmond's mind. Lord Warburton and Isabel then come up to Pansy for Lord Warburton to be introduced to her

Many years have passed once Chapter 36 opens. It is an interesting technical choice on the part of James to begin this second part of his novel through the third-person point of view of Edward Rosier. Edward is not exactly an admirable character, and the narrator points out that his vision of Pansy is inaccurate. He also seems to resemble Osmond in subtle ways: they are both collectors, and they both have a habit of comparing persons of value to objects of value. He also believes that his own taste is quite accurately the only aesthetic standard - although it differs from Osmond's. In other words, his perspective is certainly not characterized by the perspicacity of others. Why then does James choose to introduce the story through his eyes? One answer might be that Edward is an example of James' technique of the "ficelle" - a character who is two-dimensional and is used merely to move the action of the story along. It is James' way of economically summarizing what the relationship between Osmond and Isabel has turned out to be. As James once famously said, "Really, universally, relations stop nowhere, and the exquisite problem of the artist is eternally but to draw, by a geometry of his own, the circle within which they shall happily appear to do so" . It is not until Chapter 40 that we get a peek into Isabel's world. Instead, Ralph's analysis in Chapter 39 of the situation paints a bleak picture for us. Ralph still believes Osmond is selfish and vulgar, and he believes that he has reduced Isabel to the function of being a "representative" of his own lack of values. It is interesting to pause over what is meant by an "intrinsic value" as opposed to Osmond's true values. Osmond cares what other people think of him, by Ralph's theory -- he cares how he appears to the world. He cares about his reputation and about having the means to show himself off in the world. But, the question is: does anyone else have an intrinsic value in this novel? Isabel is valuable, as James has explained in the preface, because others think she is interesting. This too is a value gained because of the opinion of others. Furthermore, a comparison can be made between Henry James as the author and Gilbert Osmond as the manipulative husband: Henry James also enjoyed financial success from "using" Isabel Archer to represent his own ideas. What is the intrinsic value of the novel itself? Is it supposed to be a representation of the author's ideas, or is it valuable for some other reason? This question is being posed in a meta-fictional sense. Can we really detach the idea of "intrinsic value" from values for others -- isn't value, after all, a social phenomenon?

gradesaver

all_chapterized_books/2833-chapters/39.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_12_part_4.txt

The Portrait of a Lady.chapter 39

chapter 39

{"name": "Chapter 39", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-36-39", "summary": "In this chapter, we get Ralph's view of Isabel's marriage: he feels that she wears a mask. He has a theory about her unhappiness and how she is only playing the part of a happy wife, but he knows that she would never tell him if this were the case. The relations between Ralph and Isabel have cooled significantly - they always feel somewhat formal, and Ralph notices a definite difference. He feels that Isabel will never forgive him for having insulted her husband. Ralph did manage to make it to the wedding. The ceremony was very small: only Countess Gemini, Mrs. Touchett and Pansy were there to witness it. Henrietta had been critical of Mr. Osmond as well, and Mr. Osmond did not like Henrietta. Mrs. Touchett had only formal and distant relations with Isabel, and she had also broken her friendship with Madame Merle. Madame Merle acted as if Mrs. Touchett had offended her, pretending that she had simply not noticed Isabel had felt affectionate towards Gilbert Osmond during their travels together. We learn that Isabel has had a child, but she has also lost it. The life she leads gives all the appearance of being a successful one: from the outside, there was nothing to gape at or criticize. Ralph though recognizes this appearance as the \"hand of the master\". He notices that Isabel acts in too exaggerated a manner sometimes, and that she seems less curious, more indifferent. He feels that Isabel gives the appearance of a fine lady who is supposed to represent something -- namely, Gilbert Osmond. He realizes that Osmond had never had material with which express himself, but he had patiently waited. Isabel now serves the function of that material. But even though such material is very fine, Ralph thinks to himself, the thing being represented is absolutely vulgar. Ralph realizes that Osmond had given the appearance of caring for intrinsic values, but in actual fact, he lived for what others thought of him. His purpose was to project an image of impertinence and mystification - to make the world feel as if he were superior to it. His ambition was not to please the world, but to please himself by exciting the world's curiosity and then declining to satisfy it,\" the narrator tells us of Ralph's theory about Osmond. Generally speaking Osmond does not seem to think Ralph is important enough to be disliked. However, once when Ralph stayed for too long in Rome, he knew that Osmond began to protest. Ralph then left so as not to disturb the relations between the couple. However, in a conversation with Lord Warburton, Ralph declares his intention to stay on, to see if Osmond will again protest. Also in this conversation, Lord Warburton and Ralph both intimate that they originally set upon their journey to see Isabel rather than to journey further south, as they had ostensibly planned to do. Ralph asks Warburton if he is trying to prove to Isabel that he does not intend to \"make love to her\" by showing interest in Pansy. Warburton wonders if Isabel will be pleased that he is showing interest in Pansy", "analysis": "Many years have passed once Chapter 36 opens. It is an interesting technical choice on the part of James to begin this second part of his novel through the third-person point of view of Edward Rosier. Edward is not exactly an admirable character, and the narrator points out that his vision of Pansy is inaccurate. He also seems to resemble Osmond in subtle ways: they are both collectors, and they both have a habit of comparing persons of value to objects of value. He also believes that his own taste is quite accurately the only aesthetic standard - although it differs from Osmond's. In other words, his perspective is certainly not characterized by the perspicacity of others. Why then does James choose to introduce the story through his eyes? One answer might be that Edward is an example of James' technique of the \"ficelle\" - a character who is two-dimensional and is used merely to move the action of the story along. It is James' way of economically summarizing what the relationship between Osmond and Isabel has turned out to be. As James once famously said, \"Really, universally, relations stop nowhere, and the exquisite problem of the artist is eternally but to draw, by a geometry of his own, the circle within which they shall happily appear to do so\" . It is not until Chapter 40 that we get a peek into Isabel's world. Instead, Ralph's analysis in Chapter 39 of the situation paints a bleak picture for us. Ralph still believes Osmond is selfish and vulgar, and he believes that he has reduced Isabel to the function of being a \"representative\" of his own lack of values. It is interesting to pause over what is meant by an \"intrinsic value\" as opposed to Osmond's true values. Osmond cares what other people think of him, by Ralph's theory -- he cares how he appears to the world. He cares about his reputation and about having the means to show himself off in the world. But, the question is: does anyone else have an intrinsic value in this novel? Isabel is valuable, as James has explained in the preface, because others think she is interesting. This too is a value gained because of the opinion of others. Furthermore, a comparison can be made between Henry James as the author and Gilbert Osmond as the manipulative husband: Henry James also enjoyed financial success from \"using\" Isabel Archer to represent his own ideas. What is the intrinsic value of the novel itself? Is it supposed to be a representation of the author's ideas, or is it valuable for some other reason? This question is being posed in a meta-fictional sense. Can we really detach the idea of \"intrinsic value\" from values for others -- isn't value, after all, a social phenomenon?"}

It will probably not surprise the reflective reader that Ralph Touchett should have seen less of his cousin since her marriage than he had done before that event--an event of which he took such a view as could hardly prove a confirmation of intimacy. He had uttered his thought, as we know, and after this had held his peace, Isabel not having invited him to resume a discussion which marked an era in their relations. That discussion had made a difference--the difference he feared rather than the one he hoped. It had not chilled the girl's zeal in carrying out her engagement, but it had come dangerously near to spoiling a friendship. No reference was ever again made between them to Ralph's opinion of Gilbert Osmond, and by surrounding this topic with a sacred silence they managed to preserve a semblance of reciprocal frankness. But there was a difference, as Ralph often said to himself--there was a difference. She had not forgiven him, she never would forgive him: that was all he had gained. She thought she had forgiven him; she believed she didn't care; and as she was both very generous and very proud these convictions represented a certain reality. But whether or no the event should justify him he would virtually have done her a wrong, and the wrong was of the sort that women remember best. As Osmond's wife she could never again be his friend. If in this character she should enjoy the felicity she expected, she would have nothing but contempt for the man who had attempted, in advance, to undermine a blessing so dear; and if on the other hand his warning should be justified the vow she had taken that he should never know it would lay upon her spirit such a burden as to make her hate him. So dismal had been, during the year that followed his cousin's marriage, Ralph's prevision of the future; and if his meditations appear morbid we must remember he was not in the bloom of health. He consoled himself as he might by behaving (as he deemed) beautifully, and was present at the ceremony by which Isabel was united to Mr. Osmond, and which was performed in Florence in the month of June. He learned from his mother that Isabel at first had thought of celebrating her nuptials in her native land, but that as simplicity was what she chiefly desired to secure she had finally decided, in spite of Osmond's professed willingness to make a journey of any length, that this characteristic would be best embodied in their being married by the nearest clergyman in the shortest time. The thing was done therefore at the little American chapel, on a very hot day, in the presence only of Mrs. Touchett and her son, of Pansy Osmond and the Countess Gemini. That severity in the proceedings of which I just spoke was in part the result of the absence of two persons who might have been looked for on the occasion and who would have lent it a certain richness. Madame Merle had been invited, but Madame Merle, who was unable to leave Rome, had written a gracious letter of excuses. Henrietta Stackpole had not been invited, as her departure from America, announced to Isabel by Mr. Goodwood, was in fact frustrated by the duties of her profession; but she had sent a letter, less gracious than Madame Merle's, intimating that, had she been able to cross the Atlantic, she would have been present not only as a witness but as a critic. Her return to Europe had taken place somewhat later, and she had effected a meeting with Isabel in the autumn, in Paris, when she had indulged--perhaps a trifle too freely--her critical genius. Poor Osmond, who was chiefly the subject of it, had protested so sharply that Henrietta was obliged to declare to Isabel that she had taken a step which put a barrier between them. "It isn't in the least that you've married--it is that you have married HIM," she had deemed it her duty to remark; agreeing, it will be seen, much more with Ralph Touchett than she suspected, though she had few of his hesitations and compunctions. Henrietta's second visit to Europe, however, was not apparently to have been made in vain; for just at the moment when Osmond had declared to Isabel that he really must object to that newspaper-woman, and Isabel had answered that it seemed to her he took Henrietta too hard, the good Mr. Bantling had appeared upon the scene and proposed that they should take a run down to Spain. Henrietta's letters from Spain had proved the most acceptable she had yet published, and there had been one in especial, dated from the Alhambra and entitled 'Moors and Moonlight,' which generally passed for her masterpiece. Isabel had been secretly disappointed at her husband's not seeing his way simply to take the poor girl for funny. She even wondered if his sense of fun, or of the funny--which would be his sense of humour, wouldn't it?--were by chance defective. Of course she herself looked at the matter as a person whose present happiness had nothing to grudge to Henrietta's violated conscience. Osmond had thought their alliance a kind of monstrosity; he couldn't imagine what they had in common. For him, Mr. Bantling's fellow tourist was simply the most vulgar of women, and he had also pronounced her the most abandoned. Against this latter clause of the verdict Isabel had appealed with an ardour that had made him wonder afresh at the oddity of some of his wife's tastes. Isabel could explain it only by saying that she liked to know people who were as different as possible from herself. "Why then don't you make the acquaintance of your washerwoman?" Osmond had enquired; to which Isabel had answered that she was afraid her washerwoman wouldn't care for her. Now Henrietta cared so much. Ralph had seen nothing of her for the greater part of the two years that had followed her marriage; the winter that formed the beginning of her residence in Rome he had spent again at San Remo, where he had been joined in the spring by his mother, who afterwards had gone with him to England, to see what they were doing at the bank--an operation she couldn't induce him to perform. Ralph had taken a lease of his house at San Remo, a small villa which he had occupied still another winter; but late in the month of April of this second year he had come down to Rome. It was the first time since her marriage that he had stood face to face with Isabel; his desire to see her again was then of the keenest. She had written to him from time to time, but her letters told him nothing he wanted to know. He had asked his mother what she was making of her life, and his mother had simply answered that she supposed she was making the best of it. Mrs. Touchett had not the imagination that communes with the unseen, and she now pretended to no intimacy with her niece, whom she rarely encountered. This young woman appeared to be living in a sufficiently honourable way, but Mrs. Touchett still remained of the opinion that her marriage had been a shabby affair. It had given her no pleasure to think of Isabel's establishment, which she was sure was a very lame business. From time to time, in Florence, she rubbed against the Countess Gemini, doing her best always to minimise the contact; and the Countess reminded her of Osmond, who made her think of Isabel. The Countess was less talked of in these days; but Mrs. Touchett augured no good of that: it only proved how she had been talked of before. There was a more direct suggestion of Isabel in the person of Madame Merle; but Madame Merle's relations with Mrs. Touchett had undergone a perceptible change. Isabel's aunt had told her, without circumlocution, that she had played too ingenious a part; and Madame Merle, who never quarrelled with any one, who appeared to think no one worth it, and who had performed the miracle of living, more or less, for several years with Mrs. Touchett and showing no symptom of irritation--Madame Merle now took a very high tone and declared that this was an accusation from which she couldn't stoop to defend herself. She added, however (without stooping), that her behaviour had been only too simple, that she had believed only what she saw, that she saw Isabel was not eager to marry and Osmond not eager to please (his repeated visits had been nothing; he was boring himself to death on his hill-top and he came merely for amusement). Isabel had kept her sentiments to herself, and her journey to Greece and Egypt had effectually thrown dust in her companion's eyes. Madame Merle accepted the event--she was unprepared to think of it as a scandal; but that she had played any part in it, double or single, was an imputation against which she proudly protested. It was doubtless in consequence of Mrs. Touchett's attitude, and of the injury it offered to habits consecrated by many charming seasons, that Madame Merle had, after this, chosen to pass many months in England, where her credit was quite unimpaired. Mrs. Touchett had done her a wrong; there are some things that can't be forgiven. But Madame Merle suffered in silence; there was always something exquisite in her dignity. Ralph, as I say, had wished to see for himself; but while engaged in this pursuit he had yet felt afresh what a fool he had been to put the girl on her guard. He had played the wrong card, and now he had lost the game. He should see nothing, he should learn nothing; for him she would always wear a mask. His true line would have been to profess delight in her union, so that later, when, as Ralph phrased it, the bottom should fall out of it, she might have the pleasure of saying to him that he had been a goose. He would gladly have consented to pass for a goose in order to know Isabel's real situation. At present, however, she neither taunted him with his fallacies nor pretended that her own confidence was justified; if she wore a mask it completely covered her face. There was something fixed and mechanical in the serenity painted on it; this was not an expression, Ralph said--it was a representation, it was even an advertisement. She had lost her child; that was a sorrow, but it was a sorrow she scarcely spoke of; there was more to say about it than she could say to Ralph. It belonged to the past, moreover; it had occurred six months before and she had already laid aside the tokens of mourning. She appeared to be leading the life of the world; Ralph heard her spoken of as having a "charming position." He observed that she produced the impression of being peculiarly enviable, that it was supposed, among many people, to be a privilege even to know her. Her house was not open to every one, and she had an evening in the week to which people were not invited as a matter of course. She lived with a certain magnificence, but you needed to be a member of her circle to perceive it; for there was nothing to gape at, nothing to criticise, nothing even to admire, in the daily proceedings of Mr. and Mrs. Osmond. Ralph, in all this, recognised the hand of the master; for he knew that Isabel had no faculty for producing studied impressions. She struck him as having a great love of movement, of gaiety, of late hours, of long rides, of fatigue; an eagerness to be entertained, to be interested, even to be bored, to make acquaintances, to see people who were talked about, to explore the neighbourhood of Rome, to enter into relation with certain of the mustiest relics of its old society. In all this there was much less discrimination than in that desire for comprehensiveness of development on which he had been used to exercise his wit. There was a kind of violence in some of her impulses, of crudity in some of her experiments, which took him by surprise: it seemed to him that she even spoke faster, moved faster, breathed faster, than before her marriage. Certainly she had fallen into exaggerations--she who used to care so much for the pure truth; and whereas of old she had a great delight in good-humoured argument, in intellectual play (she never looked so charming as when in the genial heat of discussion she received a crushing blow full in the face and brushed it away as a feather), she appeared now to think there was nothing worth people's either differing about or agreeing upon. Of old she had been curious, and now she was indifferent, and yet in spite of her indifference her activity was greater than ever. Slender still, but lovelier than before, she had gained no great maturity of aspect; yet there was an amplitude and a brilliancy in her personal arrangements that gave a touch of insolence to her beauty. Poor human-hearted Isabel, what perversity had bitten her? Her light step drew a mass of drapery behind it; her intelligent head sustained a majesty of ornament. The free, keen girl had become quite another person; what he saw was the fine lady who was supposed to represent something. What did Isabel represent? Ralph asked himself; and he could only answer by saying that she represented Gilbert Osmond. "Good heavens, what a function!" he then woefully exclaimed. He was lost in wonder at the mystery of things. He recognised Osmond, as I say; he recognised him at every turn. He saw how he kept all things within limits; how he adjusted, regulated, animated their manner of life. Osmond was in his element; at last he had material to work with. He always had an eye to effect, and his effects were deeply calculated. They were produced by no vulgar means, but the motive was as vulgar as the art was great. To surround his interior with a sort of invidious sanctity, to tantalise society with a sense of exclusion, to make people believe his house was different from every other, to impart to the face that he presented to the world a cold originality--this was the ingenious effort of the personage to whom Isabel had attributed a superior morality. "He works with superior material," Ralph said to himself; "it's rich abundance compared with his former resources." Ralph was a clever man; but Ralph had never--to his own sense--been so clever as when he observed, in petto, that under the guise of caring only for intrinsic values Osmond lived exclusively for the world. Far from being its master as he pretended to be, he was its very humble servant, and the degree of its attention was his only measure of success. He lived with his eye on it from morning till night, and the world was so stupid it never suspected the trick. Everything he did was pose--pose so subtly considered that if one were not on the lookout one mistook it for impulse. Ralph had never met a man who lived so much in the land of consideration. His tastes, his studies, his accomplishments, his collections, were all for a purpose. His life on his hill-top at Florence had been the conscious attitude of years. His solitude, his ennui, his love for his daughter, his good manners, his bad manners, were so many features of a mental image constantly present to him as a model of impertinence and mystification. His ambition was not to please the world, but to please himself by exciting the world's curiosity and then declining to satisfy it. It had made him feel great, ever, to play the world a trick. The thing he had done in his life most directly to please himself was his marrying Miss Archer; though in this case indeed the gullible world was in a manner embodied in poor Isabel, who had been mystified to the top of her bent. Ralph of course found a fitness in being consistent; he had embraced a creed, and as he had suffered for it he could not in honour forsake it. I give this little sketch of its articles for what they may at the time have been worth. It was certain that he was very skilful in fitting the facts to his theory--even the fact that during the month he spent in Rome at this period the husband of the woman he loved appeared to regard him not in the least as an enemy. For Gilbert Osmond Ralph had not now that importance. It was not that he had the importance of a friend; it was rather that he had none at all. He was Isabel's cousin and he was rather unpleasantly ill--it was on this basis that Osmond treated with him. He made the proper enquiries, asked about his health, about Mrs. Touchett, about his opinion of winter climates, whether he were comfortable at his hotel. He addressed him, on the few occasions of their meeting, not a word that was not necessary; but his manner had always the urbanity proper to conscious success in the presence of conscious failure. For all this, Ralph had had, toward the end, a sharp inward vision of Osmond's making it of small ease to his wife that she should continue to receive Mr. Touchett. He was not jealous--he had not that excuse; no one could be jealous of Ralph. But he made Isabel pay for her old-time kindness, of which so much was still left; and as Ralph had no idea of her paying too much, so when his suspicion had become sharp, he had taken himself off. In doing so he had deprived Isabel of a very interesting occupation: she had been constantly wondering what fine principle was keeping him alive. She had decided that it was his love of conversation; his conversation had been better than ever. He had given up walking; he was no longer a humorous stroller. He sat all day in a chair--almost any chair would serve, and was so dependent on what you would do for him that, had not his talk been highly contemplative, you might have thought he was blind. The reader already knows more about him than Isabel was ever to know, and the reader may therefore be given the key to the mystery. What kept Ralph alive was simply the fact that he had not yet seen enough of the person in the world in whom he was most interested: he was not yet satisfied. There was more to come; he couldn't make up his mind to lose that. He wanted to see what she would make of her husband--or what her husband would make of her. This was only the first act of the drama, and he was determined to sit out the performance. His determination had held good; it had kept him going some eighteen months more, till the time of his return to Rome with Lord Warburton. It had given him indeed such an air of intending to live indefinitely that Mrs. Touchett, though more accessible to confusions of thought in the matter of this strange, unremunerative--and unremunerated--son of hers than she had ever been before, had, as we have learned, not scrupled to embark for a distant land. If Ralph had been kept alive by suspense it was with a good deal of the same emotion--the excitement of wondering in what state she should find him--that Isabel mounted to his apartment the day after Lord Warburton had notified her of his arrival in Rome. She spent an hour with him; it was the first of several visits. Gilbert Osmond called on him punctually, and on their sending their carriage for him Ralph came more than once to Palazzo Roccanera. A fortnight elapsed, at the end of which Ralph announced to Lord Warburton that he thought after all he wouldn't go to Sicily. The two men had been dining together after a day spent by the latter in ranging about the Campagna. They had left the table, and Warburton, before the chimney, was lighting a cigar, which he instantly removed from his lips. "Won't go to Sicily? Where then will you go?" "Well, I guess I won't go anywhere," said Ralph, from the sofa, all shamelessly. "Do you mean you'll return to England?" "Oh dear no; I'll stay in Rome." "Rome won't do for you. Rome's not warm enough." "It will have to do. I'll make it do. See how well I've been." Lord Warburton looked at him a while, puffing a cigar and as if trying to see it. "You've been better than you were on the journey, certainly. I wonder how you lived through that. But I don't understand your condition. I recommend you to try Sicily." "I can't try," said poor Ralph. "I've done trying. I can't move further. I can't face that journey. Fancy me between Scylla and Charybdis! I don't want to die on the Sicilian plains--to be snatched away, like Proserpine in the same locality, to the Plutonian shades." "What the deuce then did you come for?" his lordship enquired. "Because the idea took me. I see it won't do. It really doesn't matter where I am now. I've exhausted all remedies, I've swallowed all climates. As I'm here I'll stay. I haven't a single cousin in Sicily--much less a married one." "Your cousin's certainly an inducement. But what does the doctor say?" "I haven't asked him, and I don't care a fig. If I die here Mrs. Osmond will bury me. But I shall not die here." "I hope not." Lord Warburton continued to smoke reflectively. "Well, I must say," he resumed, "for myself I'm very glad you don't insist on Sicily. I had a horror of that journey." "Ah, but for you it needn't have mattered. I had no idea of dragging you in my train." "I certainly didn't mean to let you go alone." "My dear Warburton, I never expected you to come further than this," Ralph cried. "I should have gone with you and seen you settled," said Lord Warburton. "You're a very good Christian. You're a very kind man." "Then I should have come back here." "And then you'd have gone to England." "No, no; I should have stayed." "Well," said Ralph, "if that's what we are both up to, I don't see where Sicily comes in!" His companion was silent; he sat staring at the fire. At last, looking up, "I say, tell me this," he broke out; "did you really mean to go to Sicily when we started?" "Ah, vous m'en demandez trop! Let me put a question first. Did you come with me quite--platonically?" "I don't know what you mean by that. I wanted to come abroad." "I suspect we've each been playing our little game." "Speak for yourself. I made no secret whatever of my desiring to be here a while." "Yes, I remember you said you wished to see the Minister of Foreign Affairs." "I've seen him three times. He's very amusing." "I think you've forgotten what you came for," said Ralph. "Perhaps I have," his companion answered rather gravely. These two were gentlemen of a race which is not distinguished by the absence of reserve, and they had travelled together from London to Rome without an allusion to matters that were uppermost in the mind of each. There was an old subject they had once discussed, but it had lost its recognised place in their attention, and even after their arrival in Rome, where many things led back to it, they had kept the same half-diffident, half-confident silence. "I recommend you to get the doctor's consent, all the same," Lord Warburton went on, abruptly, after an interval. "The doctor's consent will spoil it. I never have it when I can help it." "What then does Mrs. Osmond think?" Ralph's friend demanded. "I've not told her. She'll probably say that Rome's too cold and even offer to go with me to Catania. She's capable of that." "In your place I should like it." "Her husband won't like it." "Ah well, I can fancy that; though it seems to me you're not bound to mind his likings. They're his affair." "I don't want to make any more trouble between them," said Ralph. "Is there so much already?" "There's complete preparation for it. Her going off with me would make the explosion. Osmond isn't fond of his wife's cousin." "Then of course he'd make a row. But won't he make a row if you stop here?" "That's what I want to see. He made one the last time I was in Rome, and then I thought it my duty to disappear. Now I think it's my duty to stop and defend her." "My dear Touchett, your defensive powers--!" Lord Warburton began with a smile. But he saw something in his companion's face that checked him. "Your duty, in these premises, seems to me rather a nice question," he observed instead. Ralph for a short time answered nothing. "It's true that my defensive powers are small," he returned at last; "but as my aggressive ones are still smaller Osmond may after all not think me worth his gunpowder. At any rate," he added, "there are things I'm curious to see." "You're sacrificing your health to your curiosity then?" "I'm not much interested in my health, and I'm deeply interested in Mrs. Osmond." "So am I. But not as I once was," Lord Warburton added quickly. This was one of the allusions he had not hitherto found occasion to make. "Does she strike you as very happy?" Ralph enquired, emboldened by this confidence. "Well, I don't know; I've hardly thought. She told me the other night she was happy." "Ah, she told YOU, of course," Ralph exclaimed, smiling. "I don't know that. It seems to me I was rather the sort of person she might have complained to." "Complained? She'll never complain. She has done it--what she HAS done--and she knows it. She'll complain to you least of all. She's very careful." "She needn't be. I don't mean to make love to her again." "I'm delighted to hear it. There can be no doubt at least of YOUR duty." "Ah no," said Lord Warburton gravely; "none!" "Permit me to ask," Ralph went on, "whether it's to bring out the fact that you don't mean to make love to her that you're so very civil to the little girl?" Lord Warburton gave a slight start; he got up and stood before the fire, looking at it hard. "Does that strike you as very ridiculous?" "Ridiculous? Not in the least, if you really like her." "I think her a delightful little person. I don't know when a girl of that age has pleased me more." "She's a charming creature. Ah, she at least is genuine." "Of course there's the difference in our ages--more than twenty years." "My dear Warburton," said Ralph, "are you serious?" "Perfectly serious--as far as I've got." "I'm very glad. And, heaven help us," cried Ralph, "how cheered-up old Osmond will be!" His companion frowned. "I say, don't spoil it. I shouldn't propose for his daughter to please HIM." "He'll have the perversity to be pleased all the same." "He's not so fond of me as that," said his lordship. "As that? My dear Warburton, the drawback of your position is that people needn't be fond of you at all to wish to be connected with you. Now, with me in such a case, I should have the happy confidence that they loved me." Lord Warburton seemed scarcely in the mood for doing justice to general axioms--he was thinking of a special case. "Do you judge she'll be pleased?" "The girl herself? Delighted, surely." "No, no; I mean Mrs. Osmond." Ralph looked at him a moment. "My dear fellow, what has she to do with it?" "Whatever she chooses. She's very fond of Pansy." "Very true--very true." And Ralph slowly got up. "It's an interesting question--how far her fondness for Pansy will carry her." He stood there a moment with his hands in his pockets and rather a clouded brow. "I hope, you know, that you're very--very sure. The deuce!" he broke off. "I don't know how to say it." "Yes, you do; you know how to say everything." "Well, it's awkward. I hope you're sure that among Miss Osmond's merits her being--a--so near her stepmother isn't a leading one?" "Good heavens, Touchett!" cried Lord Warburton angrily, "for what do you take me?"

Chapter 39

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In this chapter, we get Ralph's view of Isabel's marriage: he feels that she wears a mask. He has a theory about her unhappiness and how she is only playing the part of a happy wife, but he knows that she would never tell him if this were the case. The relations between Ralph and Isabel have cooled significantly - they always feel somewhat formal, and Ralph notices a definite difference. He feels that Isabel will never forgive him for having insulted her husband. Ralph did manage to make it to the wedding. The ceremony was very small: only Countess Gemini, Mrs. Touchett and Pansy were there to witness it. Henrietta had been critical of Mr. Osmond as well, and Mr. Osmond did not like Henrietta. Mrs. Touchett had only formal and distant relations with Isabel, and she had also broken her friendship with Madame Merle. Madame Merle acted as if Mrs. Touchett had offended her, pretending that she had simply not noticed Isabel had felt affectionate towards Gilbert Osmond during their travels together. We learn that Isabel has had a child, but she has also lost it. The life she leads gives all the appearance of being a successful one: from the outside, there was nothing to gape at or criticize. Ralph though recognizes this appearance as the "hand of the master". He notices that Isabel acts in too exaggerated a manner sometimes, and that she seems less curious, more indifferent. He feels that Isabel gives the appearance of a fine lady who is supposed to represent something -- namely, Gilbert Osmond. He realizes that Osmond had never had material with which express himself, but he had patiently waited. Isabel now serves the function of that material. But even though such material is very fine, Ralph thinks to himself, the thing being represented is absolutely vulgar. Ralph realizes that Osmond had given the appearance of caring for intrinsic values, but in actual fact, he lived for what others thought of him. His purpose was to project an image of impertinence and mystification - to make the world feel as if he were superior to it. His ambition was not to please the world, but to please himself by exciting the world's curiosity and then declining to satisfy it," the narrator tells us of Ralph's theory about Osmond. Generally speaking Osmond does not seem to think Ralph is important enough to be disliked. However, once when Ralph stayed for too long in Rome, he knew that Osmond began to protest. Ralph then left so as not to disturb the relations between the couple. However, in a conversation with Lord Warburton, Ralph declares his intention to stay on, to see if Osmond will again protest. Also in this conversation, Lord Warburton and Ralph both intimate that they originally set upon their journey to see Isabel rather than to journey further south, as they had ostensibly planned to do. Ralph asks Warburton if he is trying to prove to Isabel that he does not intend to "make love to her" by showing interest in Pansy. Warburton wonders if Isabel will be pleased that he is showing interest in Pansy

Many years have passed once Chapter 36 opens. It is an interesting technical choice on the part of James to begin this second part of his novel through the third-person point of view of Edward Rosier. Edward is not exactly an admirable character, and the narrator points out that his vision of Pansy is inaccurate. He also seems to resemble Osmond in subtle ways: they are both collectors, and they both have a habit of comparing persons of value to objects of value. He also believes that his own taste is quite accurately the only aesthetic standard - although it differs from Osmond's. In other words, his perspective is certainly not characterized by the perspicacity of others. Why then does James choose to introduce the story through his eyes? One answer might be that Edward is an example of James' technique of the "ficelle" - a character who is two-dimensional and is used merely to move the action of the story along. It is James' way of economically summarizing what the relationship between Osmond and Isabel has turned out to be. As James once famously said, "Really, universally, relations stop nowhere, and the exquisite problem of the artist is eternally but to draw, by a geometry of his own, the circle within which they shall happily appear to do so" . It is not until Chapter 40 that we get a peek into Isabel's world. Instead, Ralph's analysis in Chapter 39 of the situation paints a bleak picture for us. Ralph still believes Osmond is selfish and vulgar, and he believes that he has reduced Isabel to the function of being a "representative" of his own lack of values. It is interesting to pause over what is meant by an "intrinsic value" as opposed to Osmond's true values. Osmond cares what other people think of him, by Ralph's theory -- he cares how he appears to the world. He cares about his reputation and about having the means to show himself off in the world. But, the question is: does anyone else have an intrinsic value in this novel? Isabel is valuable, as James has explained in the preface, because others think she is interesting. This too is a value gained because of the opinion of others. Furthermore, a comparison can be made between Henry James as the author and Gilbert Osmond as the manipulative husband: Henry James also enjoyed financial success from "using" Isabel Archer to represent his own ideas. What is the intrinsic value of the novel itself? Is it supposed to be a representation of the author's ideas, or is it valuable for some other reason? This question is being posed in a meta-fictional sense. Can we really detach the idea of "intrinsic value" from values for others -- isn't value, after all, a social phenomenon?

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The Portrait of a Lady.chapter 40

chapter 40

{"name": "Chapter 40", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-40-42", "summary": "Isabel has had three years to think of Mrs. Touchett's suggestion that Madame Merle had a hand in her marriage. She still believes that while Merle may have helped Osmond get married, she certainly did not put the idea into Isabel's head. However, she has noticed that Merle has had a noticeable absence -- Merle has distanced herself from the couple. Madame Merle had even mentioned it once to her, saying that she had known Gilbert Osmond for so much longer than Isabel and did not want to seem too familiar. Isabel had once admired Madame Merle's \"trick for life\" , wondering how she could herself imitate her by turning herself into something like a silver surface. Now though, she does not want to imitate this. One day, Isabel returns to the house after a walk in the garden. She is going through the drawing room, when she sees Madame Merle has come for a visit. She receives a shocking impression: Madame Merle is standing, while Osmond is sitting down. She notes that the two are sitting silent, as if they are familiar with each other. As soon as Osmond notices Isabel's arrival, he jumps up, as if he knows his mistake. Madame Merle tells Isabel she has come to discuss Edward Rosier's quest for Pansy's hand in marriage. Rosier comes to visit Merle often, begging her to intercede on his behalf. Isabel responds sarcastically to Merle's claims to wash her hands of the whole affair. Merle wants Isabel to speak to Pansy - to find out if Pansy has actual feelings for Mr. Rosier. Isabel accuses her of being too much \"interested\" in the whole affair. Merle then tells her Mr. Rosier is afraid that Lord Warburton is falling in love with Pansy. Isabel says that she knows Lord Warburton is charmed by Pansy, and Merle almost immediately asks if Isabel has told her husband this. Merle thinks it is \"kind\" of Lord Warburton to rest his eyes on Pansy. Isabel agrees with Merle that a match with Lord Warburton might be good for Pansy. Merle thinks that Isabel can make Lord Warburton marry Pansy - that she has a great influence over him. Isabel is surprised to learn that Merle knew about her rejection of Warburton. Merle suggests that Isabel owes him the reparation of making a match for him with Pansy", "analysis": "The situation between Lord Warburton and Pansy presents us with an interesting situation that allows Isabel to think about the right motivations behind an action. If Lord Warburton is marrying Pansy in order to please Isabel, she sees that it would be wrong of her to take advantage of this. Yet Isabel realizes that this is exactly what Madame Merle and Osmond expect of her: they expect her to have no qualms about using another person for one's own ends. This makes her reflect on the moral character of the people around her. As Robert Pippin has pointed out , the modern situation that Henry James was facing during his time introduced the possibility that psychological motivations made an action moral or immoral. For example, if Osmond had married Isabel just for his own self-interest and to increase his fortune, it would be immoral. But Isabel had married Osmond because she had wanted to give him the means to further express himself, and this is considered moral. However, the problem being presented in the novel is that psychological motivations only crystallize as such later on in life. It is important to note the technique that James employs to enter into Isabel's mind. He first of all has set up the scene so that we have only gradually approached Isabel's true state of mind through the speculations of others. We first get Edward Rosier's speculations of Isabel, then Lord Warburton's, then Ralph's, until we finally approach Isabel's own. It is like peeling the layers off of an onion until we reach the core of Isabel's thought. Furthermore, there is an indication that Isabel's own thoughts are very much infected and inflected through her understanding of the thoughts of others. Sharon Cameron has called this the 'intersubjectivity' of the novel: the belief that one's mind is not entirely one's own, but rather a consciousness crystallizes as such only once one knows what others are thinking. Finally, Chapter 42 provides us with insight into James' views on the conventional Old World. Osmond is representative of empty traditions without any intrinsic meaning. He follows them simply to show his own aristocratic value. At best, this Old World is capable of showing itself off through aesthetics -- knowledge about classical art, for example, would let one show off how cultured one is. However, James is questioning whether or not this aristocratic, European view of the world would not benefit from the freshness of an American, moral perspective. Isabel is representative of the New World, and the insights that an open mind can provide to a European outlook. She wants to always look at things for herself, bring her own original perspective, and question the meaning of traditions. Yet it is problematic that she has only two means of expressing herself: money and marriage. There seems also to be a feminist point being made here, especially in Isabel's envy of Lord Warburton. Women did not have enough avenues open to them during this time period for expression of their character, and James seems to be suggesting that they would have something very valuable to add to society if more pathways were open to them to do so."}

Isabel had not seen much of Madame Merle since her marriage, this lady having indulged in frequent absences from Rome. At one time she had spent six months in England; at another she had passed a portion of a winter in Paris. She had made numerous visits to distant friends and gave countenance to the idea that for the future she should be a less inveterate Roman than in the past. As she had been inveterate in the past only in the sense of constantly having an apartment in one of the sunniest niches of the Pincian--an apartment which often stood empty--this suggested a prospect of almost constant absence; a danger which Isabel at one period had been much inclined to deplore. Familiarity had modified in some degree her first impression of Madame Merle, but it had not essentially altered it; there was still much wonder of admiration in it. That personage was armed at all points; it was a pleasure to see a character so completely equipped for the social battle. She carried her flag discreetly, but her weapons were polished steel, and she used them with a skill which struck Isabel as more and more that of a veteran. She was never weary, never overcome with disgust; she never appeared to need rest or consolation. She had her own ideas; she had of old exposed a great many of them to Isabel, who knew also that under an appearance of extreme self-control her highly-cultivated friend concealed a rich sensibility. But her will was mistress of her life; there was something gallant in the way she kept going. It was as if she had learned the secret of it--as if the art of life were some clever trick she had guessed. Isabel, as she herself grew older, became acquainted with revulsions, with disgusts; there were days when the world looked black and she asked herself with some sharpness what it was that she was pretending to live for. Her old habit had been to live by enthusiasm, to fall in love with suddenly-perceived possibilities, with the idea of some new adventure. As a younger person she had been used to proceed from one little exaltation to the other: there were scarcely any dull places between. But Madame Merle had suppressed enthusiasm; she fell in love now-a-days with nothing; she lived entirely by reason and by wisdom. There were hours when Isabel would have given anything for lessons in this art; if her brilliant friend had been near she would have made an appeal to her. She had become aware more than before of the advantage of being like that--of having made one's self a firm surface, a sort of corselet of silver. But, as I say, it was not till the winter during which we lately renewed acquaintance with our heroine that the personage in question made again a continuous stay in Rome. Isabel now saw more of her than she had done since her marriage; but by this time Isabel's needs and inclinations had considerably changed. It was not at present to Madame Merle that she would have applied for instruction; she had lost the desire to know this lady's clever trick. If she had troubles she must keep them to herself, and if life was difficult it would not make it easier to confess herself beaten. Madame Merle was doubtless of great use to herself and an ornament to any circle; but was she--would she be--of use to others in periods of refined embarrassment? The best way to profit by her friend--this indeed Isabel had always thought--was to imitate her, to be as firm and bright as she. She recognised no embarrassments, and Isabel, considering this fact, determined for the fiftieth time to brush aside her own. It seemed to her too, on the renewal of an intercourse which had virtually been interrupted, that her old ally was different, was almost detached--pushing to the extreme a certain rather artificial fear of being indiscreet. Ralph Touchett, we know, had been of the opinion that she was prone to exaggeration, to forcing the note--was apt, in the vulgar phrase, to overdo it. Isabel had never admitted this charge--had never indeed quite understood it; Madame Merle's conduct, to her perception, always bore the stamp of good taste, was always "quiet." But in this matter of not wishing to intrude upon the inner life of the Osmond family it at last occurred to our young woman that she overdid a little. That of course was not the best taste; that was rather violent. She remembered too much that Isabel was married; that she had now other interests; that though she, Madame Merle, had known Gilbert Osmond and his little Pansy very well, better almost than any one, she was not after all of the inner circle. She was on her guard; she never spoke of their affairs till she was asked, even pressed--as when her opinion was wanted; she had a dread of seeming to meddle. Madame Merle was as candid as we know, and one day she candidly expressed this dread to Isabel. "I MUST be on my guard," she said; "I might so easily, without suspecting it, offend you. You would be right to be offended, even if my intention should have been of the purest. I must not forget that I knew your husband long before you did; I must not let that betray me. If you were a silly woman you might be jealous. You're not a silly woman; I know that perfectly. But neither am I; therefore I'm determined not to get into trouble. A little harm's very soon done; a mistake's made before one knows it. Of course if I had wished to make love to your husband I had ten years to do it in, and nothing to prevent; so it isn't likely I shall begin to-day, when I'm so much less attractive than I was. But if I were to annoy you by seeming to take a place that doesn't belong to me, you wouldn't make that reflection; you'd simply say I was forgetting certain differences. I'm determined not to forget them. Certainly a good friend isn't always thinking of that; one doesn't suspect one's friends of injustice. I don't suspect you, my dear, in the least; but I suspect human nature. Don't think I make myself uncomfortable; I'm not always watching myself. I think I sufficiently prove it in talking to you as I do now. All I wish to say is, however, that if you were to be jealous--that's the form it would take--I should be sure to think it was a little my fault. It certainly wouldn't be your husband's." Isabel had had three years to think over Mrs. Touchett's theory that Madame Merle had made Gilbert Osmond's marriage. We know how she had at first received it. Madame Merle might have made Gilbert Osmond's marriage, but she certainly had not made Isabel Archer's. That was the work of--Isabel scarcely knew what: of nature, providence, fortune, of the eternal mystery of things. It was true her aunt's complaint had been not so much of Madame Merle's activity as of her duplicity: she had brought about the strange event and then she had denied her guilt. Such guilt would not have been great, to Isabel's mind; she couldn't make a crime of Madame Merle's having been the producing cause of the most important friendship she had ever formed. This had occurred to her just before her marriage, after her little discussion with her aunt and at a time when she was still capable of that large inward reference, the tone almost of the philosophic historian, to her scant young annals. If Madame Merle had desired her change of state she could only say it had been a very happy thought. With her, moreover, she had been perfectly straightforward; she had never concealed her high opinion of Gilbert Osmond. After their union Isabel discovered that her husband took a less convenient view of the matter; he seldom consented to finger, in talk, this roundest and smoothest bead of their social rosary. "Don't you like Madame Merle?" Isabel had once said to him. "She thinks a great deal of you." "I'll tell you once for all," Osmond had answered. "I liked her once better than I do to-day. I'm tired of her, and I'm rather ashamed of it. She's so almost unnaturally good! I'm glad she's not in Italy; it makes for relaxation--for a sort of moral detente. Don't talk of her too much; it seems to bring her back. She'll come back in plenty of time." Madame Merle, in fact, had come back before it was too late--too late, I mean, to recover whatever advantage she might have lost. But meantime, if, as I have said, she was sensibly different, Isabel's feelings were also not quite the same. Her consciousness of the situation was as acute as of old, but it was much less satisfying. A dissatisfied mind, whatever else it may miss, is rarely in want of reasons; they bloom as thick as buttercups in June. The fact of Madame Merle's having had a hand in Gilbert Osmond's marriage ceased to be one of her titles to consideration; it might have been written, after all, that there was not so much to thank her for. As time went on there was less and less, and Isabel once said to herself that perhaps without her these things would not have been. That reflection indeed was instantly stifled; she knew an immediate horror at having made it. "Whatever happens to me let me not be unjust," she said; "let me bear my burdens myself and not shift them upon others!" This disposition was tested, eventually, by that ingenious apology for her present conduct which Madame Merle saw fit to make and of which I have given a sketch; for there was something irritating--there was almost an air of mockery--in her neat discriminations and clear convictions. In Isabel's mind to-day there was nothing clear; there was a confusion of regrets, a complication of fears. She felt helpless as she turned away from her friend, who had just made the statements I have quoted: Madame Merle knew so little what she was thinking of! She was herself moreover so unable to explain. Jealous of her--jealous of her with Gilbert? The idea just then suggested no near reality. She almost wished jealousy had been possible; it would have made in a manner for refreshment. Wasn't it in a manner one of the symptoms of happiness? Madame Merle, however, was wise, so wise that she might have been pretending to know Isabel better than Isabel knew herself. This young woman had always been fertile in resolutions--any of them of an elevated character; but at no period had they flourished (in the privacy of her heart) more richly than to-day. It is true that they all had a family likeness; they might have been summed up in the determination that if she was to be unhappy it should not be by a fault of her own. Her poor winged spirit had always had a great desire to do its best, and it had not as yet been seriously discouraged. It wished, therefore, to hold fast to justice--not to pay itself by petty revenges. To associate Madame Merle with its disappointment would be a petty revenge--especially as the pleasure to be derived from that would be perfectly insincere. It might feed her sense of bitterness, but it would not loosen her bonds. It was impossible to pretend that she had not acted with her eyes open; if ever a girl was a free agent she had been. A girl in love was doubtless not a free agent; but the sole source of her mistake had been within herself. There had been no plot, no snare; she had looked and considered and chosen. When a woman had made such a mistake, there was only one way to repair it--just immensely (oh, with the highest grandeur!) to accept it. One folly was enough, especially when it was to last for ever; a second one would not much set it off. In this vow of reticence there was a certain nobleness which kept Isabel going; but Madame Merle had been right, for all that, in taking her precautions. One day about a month after Ralph Touchett's arrival in Rome Isabel came back from a walk with Pansy. It was not only a part of her general determination to be just that she was at present very thankful for Pansy--it was also a part of her tenderness for things that were pure and weak. Pansy was dear to her, and there was nothing else in her life that had the rightness of the young creature's attachment or the sweetness of her own clearness about it. It was like a soft presence--like a small hand in her own; on Pansy's part it was more than an affection--it was a kind of ardent coercive faith. On her own side her sense of the girl's dependence was more than a pleasure; it operated as a definite reason when motives threatened to fail her. She had said to herself that we must take our duty where we find it, and that we must look for it as much as possible. Pansy's sympathy was a direct admonition; it seemed to say that here was an opportunity, not eminent perhaps, but unmistakeable. Yet an opportunity for what Isabel could hardly have said; in general, to be more for the child than the child was able to be for herself. Isabel could have smiled, in these days, to remember that her little companion had once been ambiguous, for she now perceived that Pansy's ambiguities were simply her own grossness of vision. She had been unable to believe any one could care so much--so extraordinarily much--to please. But since then she had seen this delicate faculty in operation, and now she knew what to think of it. It was the whole creature--it was a sort of genius. Pansy had no pride to interfere with it, and though she was constantly extending her conquests she took no credit for them. The two were constantly together; Mrs. Osmond was rarely seen without her stepdaughter. Isabel liked her company; it had the effect of one's carrying a nosegay composed all of the same flower. And then not to neglect Pansy, not under any provocation to neglect her--this she had made an article of religion. The young girl had every appearance of being happier in Isabel's society than in that of any one save her father,--whom she admired with an intensity justified by the fact that, as paternity was an exquisite pleasure to Gilbert Osmond, he had always been luxuriously mild. Isabel knew how Pansy liked to be with her and how she studied the means of pleasing her. She had decided that the best way of pleasing her was negative, and consisted in not giving her trouble--a conviction which certainly could have had no reference to trouble already existing. She was therefore ingeniously passive and almost imaginatively docile; she was careful even to moderate the eagerness with which she assented to Isabel's propositions and which might have implied that she could have thought otherwise. She never interrupted, never asked social questions, and though she delighted in approbation, to the point of turning pale when it came to her, never held out her hand for it. She only looked toward it wistfully--an attitude which, as she grew older, made her eyes the prettiest in the world. When during the second winter at Palazzo Roccanera she began to go to parties, to dances, she always, at a reasonable hour, lest Mrs. Osmond should be tired, was the first to propose departure. Isabel appreciated the sacrifice of the late dances, for she knew her little companion had a passionate pleasure in this exercise, taking her steps to the music like a conscientious fairy. Society, moreover, had no drawbacks for her; she liked even the tiresome parts--the heat of ball-rooms, the dulness of dinners, the crush at the door, the awkward waiting for the carriage. During the day, in this vehicle, beside her stepmother, she sat in a small fixed, appreciative posture, bending forward and faintly smiling, as if she had been taken to drive for the first time. On the day I speak of they had been driven out of one of the gates of the city and at the end of half an hour had left the carriage to await them by the roadside while they walked away over the short grass of the Campagna, which even in the winter months is sprinkled with delicate flowers. This was almost a daily habit with Isabel, who was fond of a walk and had a swift length of step, though not so swift a one as on her first coming to Europe. It was not the form of exercise that Pansy loved best, but she liked it, because she liked everything; and she moved with a shorter undulation beside her father's wife, who afterwards, on their return to Rome, paid a tribute to her preferences by making the circuit of the Pincian or the Villa Borghese. She had gathered a handful of flowers in a sunny hollow, far from the walls of Rome, and on reaching Palazzo Roccanera she went straight to her room, to put them into water. Isabel passed into the drawing-room, the one she herself usually occupied, the second in order from the large ante-chamber which was entered from the staircase and in which even Gilbert Osmond's rich devices had not been able to correct a look of rather grand nudity. Just beyond the threshold of the drawing-room she stopped short, the reason for her doing so being that she had received an impression. The impression had, in strictness, nothing unprecedented; but she felt it as something new, and the soundlessness of her step gave her time to take in the scene before she interrupted it. Madame Merle was there in her bonnet, and Gilbert Osmond was talking to her; for a minute they were unaware she had come in. Isabel had often seen that before, certainly; but what she had not seen, or at least had not noticed, was that their colloquy had for the moment converted itself into a sort of familiar silence, from which she instantly perceived that her entrance would startle them. Madame Merle was standing on the rug, a little way from the fire; Osmond was in a deep chair, leaning back and looking at her. Her head was erect, as usual, but her eyes were bent on his. What struck Isabel first was that he was sitting while Madame Merle stood; there was an anomaly in this that arrested her. Then she perceived that they had arrived at a desultory pause in their exchange of ideas and were musing, face to face, with the freedom of old friends who sometimes exchange ideas without uttering them. There was nothing to shock in this; they were old friends in fact. But the thing made an image, lasting only a moment, like a sudden flicker of light. Their relative positions, their absorbed mutual gaze, struck her as something detected. But it was all over by the time she had fairly seen it. Madame Merle had seen her and had welcomed her without moving; her husband, on the other hand, had instantly jumped up. He presently murmured something about wanting a walk and, after having asked their visitor to excuse him, left the room. "I came to see you, thinking you would have come in; and as you hadn't I waited for you," Madame Merle said. "Didn't he ask you to sit down?" Isabel asked with a smile. Madame Merle looked about her. "Ah, it's very true; I was going away." "You must stay now." "Certainly. I came for a reason; I've something on my mind." "I've told you that before," Isabel said--"that it takes something extraordinary to bring you to this house." "And you know what I've told YOU; that whether I come or whether I stay away, I've always the same motive--the affection I bear you." "Yes, you've told me that." "You look just now as if you didn't believe it," said Madame Merle. "Ah," Isabel answered, "the profundity of your motives, that's the last thing I doubt!" "You doubt sooner of the sincerity of my words." Isabel shook her head gravely. "I know you've always been kind to me." "As often as you would let me. You don't always take it; then one has to let you alone. It's not to do you a kindness, however, that I've come to-day; it's quite another affair. I've come to get rid of a trouble of my own--to make it over to you. I've been talking to your husband about it." "I'm surprised at that; he doesn't like troubles." "Especially other people's; I know very well. But neither do you, I suppose. At any rate, whether you do or not, you must help me. It's about poor Mr. Rosier." "Ah," said Isabel reflectively, "it's his trouble then, not yours." "He has succeeded in saddling me with it. He comes to see me ten times a week, to talk about Pansy." "Yes, he wants to marry her. I know all about it." Madame Merle hesitated. "I gathered from your husband that perhaps you didn't." "How should he know what I know? He has never spoken to me of the matter." "It's probably because he doesn't know how to speak of it." "It's nevertheless the sort of question in which he's rarely at fault." "Yes, because as a general thing he knows perfectly well what to think. To-day he doesn't." "Haven't you been telling him?" Isabel asked. Madame Merle gave a bright, voluntary smile. "Do you know you're a little dry?" "Yes; I can't help it. Mr. Rosier has also talked to me." "In that there's some reason. You're so near the child." "Ah," said Isabel, "for all the comfort I've given him! If you think me dry, I wonder what HE thinks." "I believe he thinks you can do more than you have done." "I can do nothing." "You can do more at least than I. I don't know what mysterious connection he may have discovered between me and Pansy; but he came to me from the first, as if I held his fortune in my hand. Now he keeps coming back, to spur me up, to know what hope there is, to pour out his feelings." "He's very much in love," said Isabel. "Very much--for him." "Very much for Pansy, you might say as well." Madame Merle dropped her eyes a moment. "Don't you think she's attractive?" "The dearest little person possible--but very limited." "She ought to be all the easier for Mr. Rosier to love. Mr. Rosier's not unlimited." "No," said Isabel, "he has about the extent of one's pocket-handkerchief--the small ones with lace borders." Her humour had lately turned a good deal to sarcasm, but in a moment she was ashamed of exercising it on so innocent an object as Pansy's suitor. "He's very kind, very honest," she presently added; "and he's not such a fool as he seems." "He assures me that she delights in him," said Madame Merle. "I don't know; I've not asked her." "You've never sounded her a little?" "It's not my place; it's her father's." "Ah, you're too literal!" said Madame Merle. "I must judge for myself." Madame Merle gave her smile again. "It isn't easy to help you." "To help me?" said Isabel very seriously. "What do you mean?" "It's easy to displease you. Don't you see how wise I am to be careful? I notify you, at any rate, as I notified Osmond, that I wash my hands of the love-affairs of Miss Pansy and Mr. Edward Rosier. Je n'y peux rien, moi! I can't talk to Pansy about him. Especially," added Madame Merle, "as I don't think him a paragon of husbands." Isabel reflected a little; after which, with a smile, "You don't wash your hands then!" she said. After which again she added in another tone: "You can't--you're too much interested." Madame Merle slowly rose; she had given Isabel a look as rapid as the intimation that had gleamed before our heroine a few moments before. Only this time the latter saw nothing. "Ask him the next time, and you'll see." "I can't ask him; he has ceased to come to the house. Gilbert has let him know that he's not welcome." "Ah yes," said Madame Merle, "I forgot that--though it's the burden of his lamentation. He says Osmond has insulted him. All the same," she went on, "Osmond doesn't dislike him so much as he thinks." She had got up as if to close the conversation, but she lingered, looking about her, and had evidently more to say. Isabel perceived this and even saw the point she had in view; but Isabel also had her own reasons for not opening the way. "That must have pleased him, if you've told him," she answered, smiling. "Certainly I've told him; as far as that goes I've encouraged him. I've preached patience, have said that his case isn't desperate if he'll only hold his tongue and be quiet. Unfortunately he has taken it into his head to be jealous." "Jealous?" "Jealous of Lord Warburton, who, he says, is always here." Isabel, who was tired, had remained sitting; but at this she also rose. "Ah!" she exclaimed simply, moving slowly to the fireplace. Madame Merle observed her as she passed and while she stood a moment before the mantel-glass and pushed into its place a wandering tress of hair. "Poor Mr. Rosier keeps saying there's nothing impossible in Lord Warburton's falling in love with Pansy," Madame Merle went on. Isabel was silent a little; she turned away from the glass. "It's true--there's nothing impossible," she returned at last, gravely and more gently. "So I've had to admit to Mr. Rosier. So, too, your husband thinks." "That I don't know." "Ask him and you'll see." "I shall not ask him," said Isabel. "Pardon me; I forgot you had pointed that out. Of course," Madame Merle added, "you've had infinitely more observation of Lord Warburton's behaviour than I." "I see no reason why I shouldn't tell you that he likes my stepdaughter very much." Madame Merle gave one of her quick looks again. "Likes her, you mean--as Mr. Rosier means?" "I don't know how Mr. Rosier means; but Lord Warburton has let me know that he's charmed with Pansy." "And you've never told Osmond?" This observation was immediate, precipitate; it almost burst from Madame Merle's lips. Isabel's eyes rested on her. "I suppose he'll know in time; Lord Warburton has a tongue and knows how to express himself." Madame Merle instantly became conscious that she had spoken more quickly than usual, and the reflection brought the colour to her cheek. She gave the treacherous impulse time to subside and then said as if she had been thinking it over a little: "That would be better than marrying poor Mr. Rosier." "Much better, I think." "It would be very delightful; it would be a great marriage. It's really very kind of him." "Very kind of him?" "To drop his eyes on a simple little girl." "I don't see that." "It's very good of you. But after all, Pansy Osmond--" "After all, Pansy Osmond's the most attractive person he has ever known!" Isabel exclaimed. Madame Merle stared, and indeed she was justly bewildered. "Ah, a moment ago I thought you seemed rather to disparage her." "I said she was limited. And so she is. And so's Lord Warburton." "So are we all, if you come to that. If it's no more than Pansy deserves, all the better. But if she fixes her affections on Mr. Rosier I won't admit that she deserves it. That will be too perverse." "Mr. Rosier's a nuisance!" Isabel cried abruptly. "I quite agree with you, and I'm delighted to know that I'm not expected to feed his flame. For the future, when he calls on me, my door shall be closed to him." And gathering her mantle together Madame Merle prepared to depart. She was checked, however, on her progress to the door, by an inconsequent request from Isabel. "All the same, you know, be kind to him." She lifted her shoulders and eyebrows and stood looking at her friend. "I don't understand your contradictions! Decidedly I shan't be kind to him, for it will be a false kindness. I want to see her married to Lord Warburton." "You had better wait till he asks her." "If what you say's true, he'll ask her. Especially," said Madame Merle in a moment, "if you make him." "If I make him?" "It's quite in your power. You've great influence with him." Isabel frowned a little. "Where did you learn that?" "Mrs. Touchett told me. Not you--never!" said Madame Merle, smiling. "I certainly never told you anything of the sort." "You MIGHT have done so--so far as opportunity went--when we were by way of being confidential with each other. But you really told me very little; I've often thought so since." Isabel had thought so too, and sometimes with a certain satisfaction. But she didn't admit it now--perhaps because she wished not to appear to exult in it. "You seem to have had an excellent informant in my aunt," she simply returned. "She let me know you had declined an offer of marriage from Lord Warburton, because she was greatly vexed and was full of the subject. Of course I think you've done better in doing as you did. But if you wouldn't marry Lord Warburton yourself, make him the reparation of helping him to marry some one else." Isabel listened to this with a face that persisted in not reflecting the bright expressiveness of Madame Merle's. But in a moment she said, reasonably and gently enough: "I should be very glad indeed if, as regards Pansy, it could be arranged." Upon which her companion, who seemed to regard this as a speech of good omen, embraced her more tenderly than might have been expected and triumphantly withdrew.

Chapter 40

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-40-42

Isabel has had three years to think of Mrs. Touchett's suggestion that Madame Merle had a hand in her marriage. She still believes that while Merle may have helped Osmond get married, she certainly did not put the idea into Isabel's head. However, she has noticed that Merle has had a noticeable absence -- Merle has distanced herself from the couple. Madame Merle had even mentioned it once to her, saying that she had known Gilbert Osmond for so much longer than Isabel and did not want to seem too familiar. Isabel had once admired Madame Merle's "trick for life" , wondering how she could herself imitate her by turning herself into something like a silver surface. Now though, she does not want to imitate this. One day, Isabel returns to the house after a walk in the garden. She is going through the drawing room, when she sees Madame Merle has come for a visit. She receives a shocking impression: Madame Merle is standing, while Osmond is sitting down. She notes that the two are sitting silent, as if they are familiar with each other. As soon as Osmond notices Isabel's arrival, he jumps up, as if he knows his mistake. Madame Merle tells Isabel she has come to discuss Edward Rosier's quest for Pansy's hand in marriage. Rosier comes to visit Merle often, begging her to intercede on his behalf. Isabel responds sarcastically to Merle's claims to wash her hands of the whole affair. Merle wants Isabel to speak to Pansy - to find out if Pansy has actual feelings for Mr. Rosier. Isabel accuses her of being too much "interested" in the whole affair. Merle then tells her Mr. Rosier is afraid that Lord Warburton is falling in love with Pansy. Isabel says that she knows Lord Warburton is charmed by Pansy, and Merle almost immediately asks if Isabel has told her husband this. Merle thinks it is "kind" of Lord Warburton to rest his eyes on Pansy. Isabel agrees with Merle that a match with Lord Warburton might be good for Pansy. Merle thinks that Isabel can make Lord Warburton marry Pansy - that she has a great influence over him. Isabel is surprised to learn that Merle knew about her rejection of Warburton. Merle suggests that Isabel owes him the reparation of making a match for him with Pansy

The situation between Lord Warburton and Pansy presents us with an interesting situation that allows Isabel to think about the right motivations behind an action. If Lord Warburton is marrying Pansy in order to please Isabel, she sees that it would be wrong of her to take advantage of this. Yet Isabel realizes that this is exactly what Madame Merle and Osmond expect of her: they expect her to have no qualms about using another person for one's own ends. This makes her reflect on the moral character of the people around her. As Robert Pippin has pointed out , the modern situation that Henry James was facing during his time introduced the possibility that psychological motivations made an action moral or immoral. For example, if Osmond had married Isabel just for his own self-interest and to increase his fortune, it would be immoral. But Isabel had married Osmond because she had wanted to give him the means to further express himself, and this is considered moral. However, the problem being presented in the novel is that psychological motivations only crystallize as such later on in life. It is important to note the technique that James employs to enter into Isabel's mind. He first of all has set up the scene so that we have only gradually approached Isabel's true state of mind through the speculations of others. We first get Edward Rosier's speculations of Isabel, then Lord Warburton's, then Ralph's, until we finally approach Isabel's own. It is like peeling the layers off of an onion until we reach the core of Isabel's thought. Furthermore, there is an indication that Isabel's own thoughts are very much infected and inflected through her understanding of the thoughts of others. Sharon Cameron has called this the 'intersubjectivity' of the novel: the belief that one's mind is not entirely one's own, but rather a consciousness crystallizes as such only once one knows what others are thinking. Finally, Chapter 42 provides us with insight into James' views on the conventional Old World. Osmond is representative of empty traditions without any intrinsic meaning. He follows them simply to show his own aristocratic value. At best, this Old World is capable of showing itself off through aesthetics -- knowledge about classical art, for example, would let one show off how cultured one is. However, James is questioning whether or not this aristocratic, European view of the world would not benefit from the freshness of an American, moral perspective. Isabel is representative of the New World, and the insights that an open mind can provide to a European outlook. She wants to always look at things for herself, bring her own original perspective, and question the meaning of traditions. Yet it is problematic that she has only two means of expressing herself: money and marriage. There seems also to be a feminist point being made here, especially in Isabel's envy of Lord Warburton. Women did not have enough avenues open to them during this time period for expression of their character, and James seems to be suggesting that they would have something very valuable to add to society if more pathways were open to them to do so.

gradesaver

all_chapterized_books/2833-chapters/41.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_13_part_2.txt

The Portrait of a Lady.chapter 41

chapter 41

{"name": "Chapter 41", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-40-42", "summary": "Isabel is not excited by the idea of Pansy and Lord Warburton marrying initially, but she allows the idea to settle in her mind. She realizes that she would be acting her part as a good wife if she were to assist the match in being made. Yet, she is also surprised that Lord Warburton would be attracted to Pansy -- for Pansy is very different from Isabel herself. She thinks of Pansy as small, an innocent but limited creature. Nevertheless, Isabel contents herself with the idea of providing a service for her husband. Of course, Isabel thinks to herself, Edward Rosier presents a problem. Isabel had tried not to inform herself of Pansy's feelings for Mr. Rosier, but she finds that she knows that Pansy thinks the world of him. She wonders how tenacious Pansy will be in clinging to her idea of Edward Rosier - Isabel then begins to believe that Pansy could cling to just anything. Isabel after all thinks more highly of Lord Warburton than Edward Rosier. This scene within Isabel's mind takes place as Isabel is having another of her Thursday gatherings. Lord Warburton is there, speaking with Pansy. Isabel knows that if she leaves the two alone in a room together, Lord Warburton may declare his feelings for Pansy and set in motion a proposal. But she hesitates to do this act that would please her husband. Lord Warburton ends up leaving for the night without a moment alone with Pansy. Isabel then sits alone in a room staring at the fire. Her husband enters the room, and asks about Lord Warburton's interest in Pansy. Isabel says she has been waiting for Osmond to give it a name. The narrator tells us that Isabel has decided not to take it for granted that her husband would like Lord Warburton -- and further, she is motivated by the thought that Osmond's declaring a desire to see Lord Warburton propose would show that Osmond did in fact want something from the world. She thinks it is his constant intimation that he wants nothing of the world - that nothing could be good enough for him. Thus his declaration of a desire for a proposal from Lord Warburton would be a lapse in consistency. Isabel then also thinks to herself that her husband may very well decide to take this opportunity to humiliate Isabel. Osmond behaves well on this occasion though. He simply asks Isabel to help along the match. He then suggests to Isabel that she can make Lord Warburton do whatever she would like him to do - and that she should use this influence to make him marry Pansy", "analysis": "The situation between Lord Warburton and Pansy presents us with an interesting situation that allows Isabel to think about the right motivations behind an action. If Lord Warburton is marrying Pansy in order to please Isabel, she sees that it would be wrong of her to take advantage of this. Yet Isabel realizes that this is exactly what Madame Merle and Osmond expect of her: they expect her to have no qualms about using another person for one's own ends. This makes her reflect on the moral character of the people around her. As Robert Pippin has pointed out , the modern situation that Henry James was facing during his time introduced the possibility that psychological motivations made an action moral or immoral. For example, if Osmond had married Isabel just for his own self-interest and to increase his fortune, it would be immoral. But Isabel had married Osmond because she had wanted to give him the means to further express himself, and this is considered moral. However, the problem being presented in the novel is that psychological motivations only crystallize as such later on in life. It is important to note the technique that James employs to enter into Isabel's mind. He first of all has set up the scene so that we have only gradually approached Isabel's true state of mind through the speculations of others. We first get Edward Rosier's speculations of Isabel, then Lord Warburton's, then Ralph's, until we finally approach Isabel's own. It is like peeling the layers off of an onion until we reach the core of Isabel's thought. Furthermore, there is an indication that Isabel's own thoughts are very much infected and inflected through her understanding of the thoughts of others. Sharon Cameron has called this the 'intersubjectivity' of the novel: the belief that one's mind is not entirely one's own, but rather a consciousness crystallizes as such only once one knows what others are thinking. Finally, Chapter 42 provides us with insight into James' views on the conventional Old World. Osmond is representative of empty traditions without any intrinsic meaning. He follows them simply to show his own aristocratic value. At best, this Old World is capable of showing itself off through aesthetics -- knowledge about classical art, for example, would let one show off how cultured one is. However, James is questioning whether or not this aristocratic, European view of the world would not benefit from the freshness of an American, moral perspective. Isabel is representative of the New World, and the insights that an open mind can provide to a European outlook. She wants to always look at things for herself, bring her own original perspective, and question the meaning of traditions. Yet it is problematic that she has only two means of expressing herself: money and marriage. There seems also to be a feminist point being made here, especially in Isabel's envy of Lord Warburton. Women did not have enough avenues open to them during this time period for expression of their character, and James seems to be suggesting that they would have something very valuable to add to society if more pathways were open to them to do so."}

Osmond touched on this matter that evening for the first time; coming very late into the drawing-room, where she was sitting alone. They had spent the evening at home, and Pansy had gone to bed; he himself had been sitting since dinner in a small apartment in which he had arranged his books and which he called his study. At ten o'clock Lord Warburton had come in, as he always did when he knew from Isabel that she was to be at home; he was going somewhere else and he sat for half an hour. Isabel, after asking him for news of Ralph, said very little to him, on purpose; she wished him to talk with her stepdaughter. She pretended to read; she even went after a little to the piano; she asked herself if she mightn't leave the room. She had come little by little to think well of the idea of Pansy's becoming the wife of the master of beautiful Lockleigh, though at first it had not presented itself in a manner to excite her enthusiasm. Madame Merle, that afternoon, had applied the match to an accumulation of inflammable material. When Isabel was unhappy she always looked about her--partly from impulse and partly by theory--for some form of positive exertion. She could never rid herself of the sense that unhappiness was a state of disease--of suffering as opposed to doing. To "do"--it hardly mattered what--would therefore be an escape, perhaps in some degree a remedy. Besides, she wished to convince herself that she had done everything possible to content her husband; she was determined not to be haunted by visions of his wife's limpness under appeal. It would please him greatly to see Pansy married to an English nobleman, and justly please him, since this nobleman was so sound a character. It seemed to Isabel that if she could make it her duty to bring about such an event she should play the part of a good wife. She wanted to be that; she wanted to be able to believe sincerely, and with proof of it, that she had been that. Then such an undertaking had other recommendations. It would occupy her, and she desired occupation. It would even amuse her, and if she could really amuse herself she perhaps might be saved. Lastly, it would be a service to Lord Warburton, who evidently pleased himself greatly with the charming girl. It was a little "weird" he should--being what he was; but there was no accounting for such impressions. Pansy might captivate any one--any one at least but Lord Warburton. Isabel would have thought her too small, too slight, perhaps even too artificial for that. There was always a little of the doll about her, and that was not what he had been looking for. Still, who could say what men ever were looking for? They looked for what they found; they knew what pleased them only when they saw it. No theory was valid in such matters, and nothing was more unaccountable or more natural than anything else. If he had cared for HER it might seem odd he should care for Pansy, who was so different; but he had not cared for her so much as he had supposed. Or if he had, he had completely got over it, and it was natural that, as that affair had failed, he should think something of quite another sort might succeed. Enthusiasm, as I say, had not come at first to Isabel, but it came to-day and made her feel almost happy. It was astonishing what happiness she could still find in the idea of procuring a pleasure for her husband. It was a pity, however, that Edward Rosier had crossed their path! At this reflection the light that had suddenly gleamed upon that path lost something of its brightness. Isabel was unfortunately as sure that Pansy thought Mr. Rosier the nicest of all the young men--as sure as if she had held an interview with her on the subject. It was very tiresome she should be so sure, when she had carefully abstained from informing herself; almost as tiresome as that poor Mr. Rosier should have taken it into his own head. He was certainly very inferior to Lord Warburton. It was not the difference in fortune so much as the difference in the men; the young American was really so light a weight. He was much more of the type of the useless fine gentleman than the English nobleman. It was true that there was no particular reason why Pansy should marry a statesman; still, if a statesman admired her, that was his affair, and she would make a perfect little pearl of a peeress. It may seem to the reader that Mrs. Osmond had grown of a sudden strangely cynical, for she ended by saying to herself that this difficulty could probably be arranged. An impediment that was embodied in poor Rosier could not anyhow present itself as a dangerous one; there were always means of levelling secondary obstacles. Isabel was perfectly aware that she had not taken the measure of Pansy's tenacity, which might prove to be inconveniently great; but she inclined to see her as rather letting go, under suggestion, than as clutching under deprecation--since she had certainly the faculty of assent developed in a very much higher degree than that of protest. She would cling, yes, she would cling; but it really mattered to her very little what she clung to. Lord Warburton would do as well as Mr. Rosier--especially as she seemed quite to like him; she had expressed this sentiment to Isabel without a single reservation; she had said she thought his conversation most interesting--he had told her all about India. His manner to Pansy had been of the rightest and easiest--Isabel noticed that for herself, as she also observed that he talked to her not in the least in a patronising way, reminding himself of her youth and simplicity, but quite as if she understood his subjects with that sufficiency with which she followed those of the fashionable operas. This went far enough for attention to the music and the barytone. He was careful only to be kind--he was as kind as he had been to another fluttered young chit at Gardencourt. A girl might well be touched by that; she remembered how she herself had been touched, and said to herself that if she had been as simple as Pansy the impression would have been deeper still. She had not been simple when she refused him; that operation had been as complicated as, later, her acceptance of Osmond had been. Pansy, however, in spite of HER simplicity, really did understand, and was glad that Lord Warburton should talk to her, not about her partners and bouquets, but about the state of Italy, the condition of the peasantry, the famous grist-tax, the pellagra, his impressions of Roman society. She looked at him, as she drew her needle through her tapestry, with sweet submissive eyes, and when she lowered them she gave little quiet oblique glances at his person, his hands, his feet, his clothes, as if she were considering him. Even his person, Isabel might have reminded her, was better than Mr. Rosier's. But Isabel contented herself at such moments with wondering where this gentleman was; he came no more at all to Palazzo Roccanera. It was surprising, as I say, the hold it had taken of her--the idea of assisting her husband to be pleased. It was surprising for a variety of reasons which I shall presently touch upon. On the evening I speak of, while Lord Warburton sat there, she had been on the point of taking the great step of going out of the room and leaving her companions alone. I say the great step, because it was in this light that Gilbert Osmond would have regarded it, and Isabel was trying as much as possible to take her husband's view. She succeeded after a fashion, but she fell short of the point I mention. After all she couldn't rise to it; something held her and made this impossible. It was not exactly that it would be base or insidious; for women as a general thing practise such manoeuvres with a perfectly good conscience, and Isabel was instinctively much more true than false to the common genius of her sex. There was a vague doubt that interposed--a sense that she was not quite sure. So she remained in the drawing-room, and after a while Lord Warburton went off to his party, of which he promised to give Pansy a full account on the morrow. After he had gone she wondered if she had prevented something which would have happened if she had absented herself for a quarter of an hour; and then she pronounced--always mentally--that when their distinguished visitor should wish her to go away he would easily find means to let her know it. Pansy said nothing whatever about him after he had gone, and Isabel studiously said nothing, as she had taken a vow of reserve until after he should have declared himself. He was a little longer in coming to this than might seem to accord with the description he had given Isabel of his feelings. Pansy went to bed, and Isabel had to admit that she could not now guess what her stepdaughter was thinking of. Her transparent little companion was for the moment not to be seen through. She remained alone, looking at the fire, until, at the end of half an hour, her husband came in. He moved about a while in silence and then sat down; he looked at the fire like herself. But she now had transferred her eyes from the flickering flame in the chimney to Osmond's face, and she watched him while he kept his silence. Covert observation had become a habit with her; an instinct, of which it is not an exaggeration to say that it was allied to that of self-defence, had made it habitual. She wished as much as possible to know his thoughts, to know what he would say, beforehand, so that she might prepare her answer. Preparing answers had not been her strong point of old; she had rarely in this respect got further than thinking afterwards of clever things she might have said. But she had learned caution--learned it in a measure from her husband's very countenance. It was the same face she had looked into with eyes equally earnest perhaps, but less penetrating, on the terrace of a Florentine villa; except that Osmond had grown slightly stouter since his marriage. He still, however, might strike one as very distinguished. "Has Lord Warburton been here?" he presently asked. "Yes, he stayed half an hour." "Did he see Pansy?" "Yes; he sat on the sofa beside her." "Did he talk with her much?" "He talked almost only to her." "It seems to me he's attentive. Isn't that what you call it?" "I don't call it anything," said Isabel; "I've waited for you to give it a name." "That's a consideration you don't always show," Osmond answered after a moment. "I've determined, this time, to try and act as you'd like. I've so often failed of that." Osmond turned his head slowly, looking at her. "Are you trying to quarrel with me?" "No, I'm trying to live at peace." "Nothing's more easy; you know I don't quarrel myself." "What do you call it when you try to make me angry?" Isabel asked. "I don't try; if I've done so it has been the most natural thing in the world. Moreover I'm not in the least trying now." Isabel smiled. "It doesn't matter. I've determined never to be angry again." "That's an excellent resolve. Your temper isn't good." "No--it's not good." She pushed away the book she had been reading and took up the band of tapestry Pansy had left on the table. "That's partly why I've not spoken to you about this business of my daughter's," Osmond said, designating Pansy in the manner that was most frequent with him. "I was afraid I should encounter opposition--that you too would have views on the subject. I've sent little Rosier about his business." "You were afraid I'd plead for Mr. Rosier? Haven't you noticed that I've never spoken to you of him?" "I've never given you a chance. We've so little conversation in these days. I know he was an old friend of yours." "Yes; he's an old friend of mine." Isabel cared little more for him than for the tapestry that she held in her hand; but it was true that he was an old friend and that with her husband she felt a desire not to extenuate such ties. He had a way of expressing contempt for them which fortified her loyalty to them, even when, as in the present case, they were in themselves insignificant. She sometimes felt a sort of passion of tenderness for memories which had no other merit than that they belonged to her unmarried life. "But as regards Pansy," she added in a moment, "I've given him no encouragement." "That's fortunate," Osmond observed. "Fortunate for me, I suppose you mean. For him it matters little." "There's no use talking of him," Osmond said. "As I tell you, I've turned him out." "Yes; but a lover outside's always a lover. He's sometimes even more of one. Mr. Rosier still has hope." "He's welcome to the comfort of it! My daughter has only to sit perfectly quiet to become Lady Warburton." "Should you like that?" Isabel asked with a simplicity which was not so affected as it may appear. She was resolved to assume nothing, for Osmond had a way of unexpectedly turning her assumptions against her. The intensity with which he would like his daughter to become Lady Warburton had been the very basis of her own recent reflections. But that was for herself; she would recognise nothing until Osmond should have put it into words; she would not take for granted with him that he thought Lord Warburton a prize worth an amount of effort that was unusual among the Osmonds. It was Gilbert's constant intimation that for him nothing in life was a prize; that he treated as from equal to equal with the most distinguished people in the world, and that his daughter had only to look about her to pick out a prince. It cost him therefore a lapse from consistency to say explicitly that he yearned for Lord Warburton and that if this nobleman should escape his equivalent might not be found; with which moreover it was another of his customary implications that he was never inconsistent. He would have liked his wife to glide over the point. But strangely enough, now that she was face to face with him and although an hour before she had almost invented a scheme for pleasing him, Isabel was not accommodating, would not glide. And yet she knew exactly the effect on his mind of her question: it would operate as an humiliation. Never mind; he was terribly capable of humiliating her--all the more so that he was also capable of waiting for great opportunities and of showing sometimes an almost unaccountable indifference to small ones. Isabel perhaps took a small opportunity because she would not have availed herself of a great one. Osmond at present acquitted himself very honourably. "I should like it extremely; it would be a great marriage. And then Lord Warburton has another advantage: he's an old friend of yours. It would be pleasant for him to come into the family. It's very odd Pansy's admirers should all be your old friends." "It's natural that they should come to see me. In coming to see me they see Pansy. Seeing her it's natural they should fall in love with her." "So I think. But you're not bound to do so." "If she should marry Lord Warburton I should be very glad," Isabel went on frankly. "He's an excellent man. You say, however, that she has only to sit perfectly still. Perhaps she won't sit perfectly still. If she loses Mr. Rosier she may jump up!" Osmond appeared to give no heed to this; he sat gazing at the fire. "Pansy would like to be a great lady," he remarked in a moment with a certain tenderness of tone. "She wishes above all to please," he added. "To please Mr. Rosier, perhaps." "No, to please me." "Me too a little, I think," said Isabel. "Yes, she has a great opinion of you. But she'll do what I like." "If you're sure of that, it's very well," she went on. "Meantime," said Osmond, "I should like our distinguished visitor to speak." "He has spoken--to me. He has told me it would be a great pleasure to him to believe she could care for him." Osmond turned his head quickly, but at first he said nothing. Then, "Why didn't you tell me that?" he asked sharply. "There was no opportunity. You know how we live. I've taken the first chance that has offered." "Did you speak to him of Rosier?" "Oh yes, a little." "That was hardly necessary." "I thought it best he should know, so that, so that--" And Isabel paused. "So that what?" "So that he might act accordingly." "So that he might back out, do you mean?" "No, so that he might advance while there's yet time." "That's not the effect it seems to have had." "You should have patience," said Isabel. "You know Englishmen are shy." "This one's not. He was not when he made love to YOU." She had been afraid Osmond would speak of that; it was disagreeable to her. "I beg your pardon; he was extremely so," she returned. He answered nothing for some time; he took up a book and fingered the pages while she sat silent and occupied herself with Pansy's tapestry. "You must have a great deal of influence with him," Osmond went on at last. "The moment you really wish it you can bring him to the point." This was more offensive still; but she felt the great naturalness of his saying it, and it was after all extremely like what she had said to herself. "Why should I have influence?" she asked. "What have I ever done to put him under an obligation to me?" "You refused to marry him," said Osmond with his eyes on his book. "I must not presume too much on that," she replied. He threw down the book presently and got up, standing before the fire with his hands behind him. "Well, I hold that it lies in your hands. I shall leave it there. With a little good-will you may manage it. Think that over and remember how much I count on you." He waited a little, to give her time to answer; but she answered nothing, and he presently strolled out of the room.

Chapter 41

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-40-42

Isabel is not excited by the idea of Pansy and Lord Warburton marrying initially, but she allows the idea to settle in her mind. She realizes that she would be acting her part as a good wife if she were to assist the match in being made. Yet, she is also surprised that Lord Warburton would be attracted to Pansy -- for Pansy is very different from Isabel herself. She thinks of Pansy as small, an innocent but limited creature. Nevertheless, Isabel contents herself with the idea of providing a service for her husband. Of course, Isabel thinks to herself, Edward Rosier presents a problem. Isabel had tried not to inform herself of Pansy's feelings for Mr. Rosier, but she finds that she knows that Pansy thinks the world of him. She wonders how tenacious Pansy will be in clinging to her idea of Edward Rosier - Isabel then begins to believe that Pansy could cling to just anything. Isabel after all thinks more highly of Lord Warburton than Edward Rosier. This scene within Isabel's mind takes place as Isabel is having another of her Thursday gatherings. Lord Warburton is there, speaking with Pansy. Isabel knows that if she leaves the two alone in a room together, Lord Warburton may declare his feelings for Pansy and set in motion a proposal. But she hesitates to do this act that would please her husband. Lord Warburton ends up leaving for the night without a moment alone with Pansy. Isabel then sits alone in a room staring at the fire. Her husband enters the room, and asks about Lord Warburton's interest in Pansy. Isabel says she has been waiting for Osmond to give it a name. The narrator tells us that Isabel has decided not to take it for granted that her husband would like Lord Warburton -- and further, she is motivated by the thought that Osmond's declaring a desire to see Lord Warburton propose would show that Osmond did in fact want something from the world. She thinks it is his constant intimation that he wants nothing of the world - that nothing could be good enough for him. Thus his declaration of a desire for a proposal from Lord Warburton would be a lapse in consistency. Isabel then also thinks to herself that her husband may very well decide to take this opportunity to humiliate Isabel. Osmond behaves well on this occasion though. He simply asks Isabel to help along the match. He then suggests to Isabel that she can make Lord Warburton do whatever she would like him to do - and that she should use this influence to make him marry Pansy

The situation between Lord Warburton and Pansy presents us with an interesting situation that allows Isabel to think about the right motivations behind an action. If Lord Warburton is marrying Pansy in order to please Isabel, she sees that it would be wrong of her to take advantage of this. Yet Isabel realizes that this is exactly what Madame Merle and Osmond expect of her: they expect her to have no qualms about using another person for one's own ends. This makes her reflect on the moral character of the people around her. As Robert Pippin has pointed out , the modern situation that Henry James was facing during his time introduced the possibility that psychological motivations made an action moral or immoral. For example, if Osmond had married Isabel just for his own self-interest and to increase his fortune, it would be immoral. But Isabel had married Osmond because she had wanted to give him the means to further express himself, and this is considered moral. However, the problem being presented in the novel is that psychological motivations only crystallize as such later on in life. It is important to note the technique that James employs to enter into Isabel's mind. He first of all has set up the scene so that we have only gradually approached Isabel's true state of mind through the speculations of others. We first get Edward Rosier's speculations of Isabel, then Lord Warburton's, then Ralph's, until we finally approach Isabel's own. It is like peeling the layers off of an onion until we reach the core of Isabel's thought. Furthermore, there is an indication that Isabel's own thoughts are very much infected and inflected through her understanding of the thoughts of others. Sharon Cameron has called this the 'intersubjectivity' of the novel: the belief that one's mind is not entirely one's own, but rather a consciousness crystallizes as such only once one knows what others are thinking. Finally, Chapter 42 provides us with insight into James' views on the conventional Old World. Osmond is representative of empty traditions without any intrinsic meaning. He follows them simply to show his own aristocratic value. At best, this Old World is capable of showing itself off through aesthetics -- knowledge about classical art, for example, would let one show off how cultured one is. However, James is questioning whether or not this aristocratic, European view of the world would not benefit from the freshness of an American, moral perspective. Isabel is representative of the New World, and the insights that an open mind can provide to a European outlook. She wants to always look at things for herself, bring her own original perspective, and question the meaning of traditions. Yet it is problematic that she has only two means of expressing herself: money and marriage. There seems also to be a feminist point being made here, especially in Isabel's envy of Lord Warburton. Women did not have enough avenues open to them during this time period for expression of their character, and James seems to be suggesting that they would have something very valuable to add to society if more pathways were open to them to do so.

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The Portrait of a Lady.chapter 42

chapter 42

{"name": "Chapter 42", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-40-42", "summary": "This is the most famous chapter of the novel and its climax. Unlike other novels, where the climax takes primarily in terms of external events, all of the tension of the novel gathers in Isabel's mind. The scene consists only of her thinking through the motivations of the various people around her. It opens with Isabel absorbed in looking at the situation as Osmond has presented it to her. She has an unexpected recognition that she does in fact have an influence on Lord Warburton. She wonders if he has a desire to please her. The answer frightens her, because she realizes that if he does want to please Isabel, then it is likely that he would marry Pansy for the sake of his love for Isabel. She thinks it impossible that he would be in love with both of them. Other thoughts then crowd to the foreground of Isabel's mind. She has realized that Osmond was in more direct communication with Madame Merle than she ever suspected. Isabel then thinks to herself that she would have liked to give Osmond proof of her own loyalty - but that everything Osmond touches withers away. So too her good intention: realizing that he expects her to intervene makes her feel that there is something horrible in doing so. She thinks about her marriage. For the first year, it was good, but gradually she began to realize that the shadows she perceived in Osmond's character were not figments of her imagination. He was never violent, but she had gradually begun to realize that her husband hated her. He hated her for being different, and for not being malleable enough for him to change her. Sometimes she felt she had even deceived him when they first got together -- if not in intention, in fact. She had acted more timid than she really was, had felt small in his presence. She realizes that Osmond had not disguised himself either. She simply had not seen his whole person. She speculates on her motivations for marrying him. She had thought of certain of his features as together making a great figure. She thought he was helpless and ineffectual, but this made her feel tenderer towards him. She realizes she had wanted to give him the means to be effectual. If it had not been for her money, she would not have married him, she realizes. Isabel feels embarrassed at the thought that she might have married on a factitious theory. But she then defends herself in thinking of the personal qualities she admired in him. She found him to have a fine mind - and this she still believed. She felt she had almost lived in his mind, \"it appeared to have become her habitation\". In fact, she wondered that he did not hate her more. She remembers the first hint he had given of his future dislike for her: he had told her she had too many ideas once before he had even proposed marriage. She had not thought much of it then. But she had wanted to marry so as to share her ideas. She had kept her character in reserve, and he had not known this until they had already closed the door behind them. He seemed to take personal offense at the way she looked at life. Gradually she had realized she was living in the house of darkness. Osmond's beautiful mind indeed seemed to peep down from a small high window and mock at her,\" the narrator tells us. She had realized he was incredibly egotistical, and that he hated everyone but three or four people. She learned a lot from his recognition of the baseness of life, but at the same time, she recognizes that the reason he holds it in contempt is so as to extract recognition of his own superiority. He was not really indifferent, she discovered. He was unable to live without society. She realizes that he has an aristocratic ideal, an immense esteem for tradition. He expects her further to live in accordance with such traditions. She feels suffocated in this rigid system though. She realizes that her husband was ashamed of her, with her disregard for tradition. She is most offensive insofar as she has a mind of her own. He had wanted her to be more like a garden for himself, rather than having a mind of her own. His contempt for her had then turned into a comfort of his life. She wonders what is going to come, what sort of obstacles will present themselves before the couple. She was aware that he was unhappy about Ralph's staying in Rome for some time. But she could not pretend to be indifferent to Ralph. She felt after all a little light in her life from being with Ralph, as if he had been her brother. If Gilbert was jealous it was because Ralph was generous and Gilbert was not. Ralph was just as intelligent, and better than Gilbert. She wonders how Ralph knew about Gilbert. Isabel feels she is doing her cousin a kindness in not telling him of her true state. Finally, she gets up from her meditative vigil at four in the morning. She then thinks back to what she saw between Madame Merle and Gilbert Osmond", "analysis": "The situation between Lord Warburton and Pansy presents us with an interesting situation that allows Isabel to think about the right motivations behind an action. If Lord Warburton is marrying Pansy in order to please Isabel, she sees that it would be wrong of her to take advantage of this. Yet Isabel realizes that this is exactly what Madame Merle and Osmond expect of her: they expect her to have no qualms about using another person for one's own ends. This makes her reflect on the moral character of the people around her. As Robert Pippin has pointed out , the modern situation that Henry James was facing during his time introduced the possibility that psychological motivations made an action moral or immoral. For example, if Osmond had married Isabel just for his own self-interest and to increase his fortune, it would be immoral. But Isabel had married Osmond because she had wanted to give him the means to further express himself, and this is considered moral. However, the problem being presented in the novel is that psychological motivations only crystallize as such later on in life. It is important to note the technique that James employs to enter into Isabel's mind. He first of all has set up the scene so that we have only gradually approached Isabel's true state of mind through the speculations of others. We first get Edward Rosier's speculations of Isabel, then Lord Warburton's, then Ralph's, until we finally approach Isabel's own. It is like peeling the layers off of an onion until we reach the core of Isabel's thought. Furthermore, there is an indication that Isabel's own thoughts are very much infected and inflected through her understanding of the thoughts of others. Sharon Cameron has called this the 'intersubjectivity' of the novel: the belief that one's mind is not entirely one's own, but rather a consciousness crystallizes as such only once one knows what others are thinking. Finally, Chapter 42 provides us with insight into James' views on the conventional Old World. Osmond is representative of empty traditions without any intrinsic meaning. He follows them simply to show his own aristocratic value. At best, this Old World is capable of showing itself off through aesthetics -- knowledge about classical art, for example, would let one show off how cultured one is. However, James is questioning whether or not this aristocratic, European view of the world would not benefit from the freshness of an American, moral perspective. Isabel is representative of the New World, and the insights that an open mind can provide to a European outlook. She wants to always look at things for herself, bring her own original perspective, and question the meaning of traditions. Yet it is problematic that she has only two means of expressing herself: money and marriage. There seems also to be a feminist point being made here, especially in Isabel's envy of Lord Warburton. Women did not have enough avenues open to them during this time period for expression of their character, and James seems to be suggesting that they would have something very valuable to add to society if more pathways were open to them to do so."}

She had answered nothing because his words had put the situation before her and she was absorbed in looking at it. There was something in them that suddenly made vibrations deep, so that she had been afraid to trust herself to speak. After he had gone she leaned back in her chair and closed her eyes; and for a long time, far into the night and still further, she sat in the still drawing-room, given up to her meditation. A servant came in to attend to the fire, and she bade him bring fresh candles and then go to bed. Osmond had told her to think of what he had said; and she did so indeed, and of many other things. The suggestion from another that she had a definite influence on Lord Warburton--this had given her the start that accompanies unexpected recognition. Was it true that there was something still between them that might be a handle to make him declare himself to Pansy--a susceptibility, on his part, to approval, a desire to do what would please her? Isabel had hitherto not asked herself the question, because she had not been forced; but now that it was directly presented to her she saw the answer, and the answer frightened her. Yes, there was something--something on Lord Warburton's part. When he had first come to Rome she believed the link that united them to be completely snapped; but little by little she had been reminded that it had yet a palpable existence. It was as thin as a hair, but there were moments when she seemed to hear it vibrate. For herself nothing was changed; what she once thought of him she always thought; it was needless this feeling should change; it seemed to her in fact a better feeling than ever. But he? had he still the idea that she might be more to him than other women? Had he the wish to profit by the memory of the few moments of intimacy through which they had once passed? Isabel knew she had read some of the signs of such a disposition. But what were his hopes, his pretensions, and in what strange way were they mingled with his evidently very sincere appreciation of poor Pansy? Was he in love with Gilbert Osmond's wife, and if so what comfort did he expect to derive from it? If he was in love with Pansy he was not in love with her stepmother, and if he was in love with her stepmother he was not in love with Pansy. Was she to cultivate the advantage she possessed in order to make him commit himself to Pansy, knowing he would do so for her sake and not for the small creature's own--was this the service her husband had asked of her? This at any rate was the duty with which she found herself confronted--from the moment she admitted to herself that her old friend had still an uneradicated predilection for her society. It was not an agreeable task; it was in fact a repulsive one. She asked herself with dismay whether Lord Warburton were pretending to be in love with Pansy in order to cultivate another satisfaction and what might be called other chances. Of this refinement of duplicity she presently acquitted him; she preferred to believe him in perfect good faith. But if his admiration for Pansy were a delusion this was scarcely better than its being an affectation. Isabel wandered among these ugly possibilities until she had completely lost her way; some of them, as she suddenly encountered them, seemed ugly enough. Then she broke out of the labyrinth, rubbing her eyes, and declared that her imagination surely did her little honour and that her husband's did him even less. Lord Warburton was as disinterested as he need be, and she was no more to him than she need wish. She would rest upon this till the contrary should be proved; proved more effectually than by a cynical intimation of Osmond's. Such a resolution, however, brought her this evening but little peace, for her soul was haunted with terrors which crowded to the foreground of thought as quickly as a place was made for them. What had suddenly set them into livelier motion she hardly knew, unless it were the strange impression she had received in the afternoon of her husband's being in more direct communication with Madame Merle than she suspected. That impression came back to her from time to time, and now she wondered it had never come before. Besides this, her short interview with Osmond half an hour ago was a striking example of his faculty for making everything wither that he touched, spoiling everything for her that he looked at. It was very well to undertake to give him a proof of loyalty; the real fact was that the knowledge of his expecting a thing raised a presumption against it. It was as if he had had the evil eye; as if his presence were a blight and his favour a misfortune. Was the fault in himself, or only in the deep mistrust she had conceived for him? This mistrust was now the clearest result of their short married life; a gulf had opened between them over which they looked at each other with eyes that were on either side a declaration of the deception suffered. It was a strange opposition, of the like of which she had never dreamed--an opposition in which the vital principle of the one was a thing of contempt to the other. It was not her fault--she had practised no deception; she had only admired and believed. She had taken all the first steps in the purest confidence, and then she had suddenly found the infinite vista of a multiplied life to be a dark, narrow alley with a dead wall at the end. Instead of leading to the high places of happiness, from which the world would seem to lie below one, so that one could look down with a sense of exaltation and advantage, and judge and choose and pity, it led rather downward and earthward, into realms of restriction and depression where the sound of other lives, easier and freer, was heard as from above, and where it served to deepen the feeling of failure. It was her deep distrust of her husband--this was what darkened the world. That is a sentiment easily indicated, but not so easily explained, and so composite in its character that much time and still more suffering had been needed to bring it to its actual perfection. Suffering, with Isabel, was an active condition; it was not a chill, a stupor, a despair; it was a passion of thought, of speculation, of response to every pressure. She flattered herself that she had kept her failing faith to herself, however,--that no one suspected it but Osmond. Oh, he knew it, and there were times when she thought he enjoyed it. It had come gradually--it was not till the first year of their life together, so admirably intimate at first, had closed that she had taken the alarm. Then the shadows had begun to gather; it was as if Osmond deliberately, almost malignantly, had put the lights out one by one. The dusk at first was vague and thin, and she could still see her way in it. But it steadily deepened, and if now and again it had occasionally lifted there were certain corners of her prospect that were impenetrably black. These shadows were not an emanation from her own mind: she was very sure of that; she had done her best to be just and temperate, to see only the truth. They were a part, they were a kind of creation and consequence, of her husband's very presence. They were not his misdeeds, his turpitudes; she accused him of nothing--that is but of one thing, which was NOT a crime. She knew of no wrong he had done; he was not violent, he was not cruel: she simply believed he hated her. That was all she accused him of, and the miserable part of it was precisely that it was not a crime, for against a crime she might have found redress. He had discovered that she was so different, that she was not what he had believed she would prove to be. He had thought at first he could change her, and she had done her best to be what he would like. But she was, after all, herself--she couldn't help that; and now there was no use pretending, wearing a mask or a dress, for he knew her and had made up his mind. She was not afraid of him; she had no apprehension he would hurt her; for the ill-will he bore her was not of that sort. He would if possible never give her a pretext, never put himself in the wrong. Isabel, scanning the future with dry, fixed eyes, saw that he would have the better of her there. She would give him many pretexts, she would often put herself in the wrong. There were times when she almost pitied him; for if she had not deceived him in intention she understood how completely she must have done so in fact. She had effaced herself when he first knew her; she had made herself small, pretending there was less of her than there really was. It was because she had been under the extraordinary charm that he, on his side, had taken pains to put forth. He was not changed; he had not disguised himself, during the year of his courtship, any more than she. But she had seen only half his nature then, as one saw the disk of the moon when it was partly masked by the shadow of the earth. She saw the full moon now--she saw the whole man. She had kept still, as it were, so that he should have a free field, and yet in spite of this she had mistaken a part for the whole. Ah, she had been immensely under the charm! It had not passed away; it was there still: she still knew perfectly what it was that made Osmond delightful when he chose to be. He had wished to be when he made love to her, and as she had wished to be charmed it was not wonderful he had succeeded. He had succeeded because he had been sincere; it never occurred to her now to deny him that. He admired her--he had told her why: because she was the most imaginative woman he had known. It might very well have been true; for during those months she had imagined a world of things that had no substance. She had had a more wondrous vision of him, fed through charmed senses and oh such a stirred fancy!--she had not read him right. A certain combination of features had touched her, and in them she had seen the most striking of figures. That he was poor and lonely and yet that somehow he was noble--that was what had interested her and seemed to give her her opportunity. There had been an indefinable beauty about him--in his situation, in his mind, in his face. She had felt at the same time that he was helpless and ineffectual, but the feeling had taken the form of a tenderness which was the very flower of respect. He was like a sceptical voyager strolling on the beach while he waited for the tide, looking seaward yet not putting to sea. It was in all this she had found her occasion. She would launch his boat for him; she would be his providence; it would be a good thing to love him. And she had loved him, she had so anxiously and yet so ardently given herself--a good deal for what she found in him, but a good deal also for what she brought him and what might enrich the gift. As she looked back at the passion of those full weeks she perceived in it a kind of maternal strain--the happiness of a woman who felt that she was a contributor, that she came with charged hands. But for her money, as she saw to-day, she would never have done it. And then her mind wandered off to poor Mr. Touchett, sleeping under English turf, the beneficent author of infinite woe! For this was the fantastic fact. At bottom her money had been a burden, had been on her mind, which was filled with the desire to transfer the weight of it to some other conscience, to some more prepared receptacle. What would lighten her own conscience more effectually than to make it over to the man with the best taste in the world? Unless she should have given it to a hospital there would have been nothing better she could do with it; and there was no charitable institution in which she had been as much interested as in Gilbert Osmond. He would use her fortune in a way that would make her think better of it and rub off a certain grossness attaching to the good luck of an unexpected inheritance. There had been nothing very delicate in inheriting seventy thousand pounds; the delicacy had been all in Mr. Touchett's leaving them to her. But to marry Gilbert Osmond and bring him such a portion--in that there would be delicacy for her as well. There would be less for him--that was true; but that was his affair, and if he loved her he wouldn't object to her being rich. Had he not had the courage to say he was glad she was rich? Isabel's cheek burned when she asked herself if she had really married on a factitious theory, in order to do something finely appreciable with her money. But she was able to answer quickly enough that this was only half the story. It was because a certain ardour took possession of her--a sense of the earnestness of his affection and a delight in his personal qualities. He was better than any one else. This supreme conviction had filled her life for months, and enough of it still remained to prove to her that she could not have done otherwise. The finest--in the sense of being the subtlest--manly organism she had ever known had become her property, and the recognition of her having but to put out her hands and take it had been originally a sort of act of devotion. She had not been mistaken about the beauty of his mind; she knew that organ perfectly now. She had lived with it, she had lived IN it almost--it appeared to have become her habitation. If she had been captured it had taken a firm hand to seize her; that reflection perhaps had some worth. A mind more ingenious, more pliant, more cultivated, more trained to admirable exercises, she had not encountered; and it was this exquisite instrument she had now to reckon with. She lost herself in infinite dismay when she thought of the magnitude of HIS deception. It was a wonder, perhaps, in view of this, that he didn't hate her more. She remembered perfectly the first sign he had given of it--it had been like the bell that was to ring up the curtain upon the real drama of their life. He said to her one day that she had too many ideas and that she must get rid of them. He had told her that already, before their marriage; but then she had not noticed it: it had come back to her only afterwards. This time she might well have noticed it, because he had really meant it. The words had been nothing superficially; but when in the light of deepening experience she had looked into them they had then appeared portentous. He had really meant it--he would have liked her to have nothing of her own but her pretty appearance. She had known she had too many ideas; she had more even than he had supposed, many more than she had expressed to him when he had asked her to marry him. Yes, she HAD been hypocritical; she had liked him so much. She had too many ideas for herself; but that was just what one married for, to share them with some one else. One couldn't pluck them up by the roots, though of course one might suppress them, be careful not to utter them. It had not been this, however, his objecting to her opinions; this had been nothing. She had no opinions--none that she would not have been eager to sacrifice in the satisfaction of feeling herself loved for it. What he had meant had been the whole thing--her character, the way she felt, the way she judged. This was what she had kept in reserve; this was what he had not known until he had found himself--with the door closed behind, as it were--set down face to face with it. She had a certain way of looking at life which he took as a personal offence. Heaven knew that now at least it was a very humble, accommodating way! The strange thing was that she should not have suspected from the first that his own had been so different. She had thought it so large, so enlightened, so perfectly that of an honest man and a gentleman. Hadn't he assured her that he had no superstitions, no dull limitations, no prejudices that had lost their freshness? Hadn't he all the appearance of a man living in the open air of the world, indifferent to small considerations, caring only for truth and knowledge and believing that two intelligent people ought to look for them together and, whether they found them or not, find at least some happiness in the search? He had told her he loved the conventional; but there was a sense in which this seemed a noble declaration. In that sense, that of the love of harmony and order and decency and of all the stately offices of life, she went with him freely, and his warning had contained nothing ominous. But when, as the months had elapsed, she had followed him further and he had led her into the mansion of his own habitation, then, THEN she had seen where she really was. She could live it over again, the incredulous terror with which she had taken the measure of her dwelling. Between those four walls she had lived ever since; they were to surround her for the rest of her life. It was the house of darkness, the house of dumbness, the house of suffocation. Osmond's beautiful mind gave it neither light nor air; Osmond's beautiful mind indeed seemed to peep down from a small high window and mock at her. Of course it had not been physical suffering; for physical suffering there might have been a remedy. She could come and go; she had her liberty; her husband was perfectly polite. He took himself so seriously; it was something appalling. Under all his culture, his cleverness, his amenity, under his good-nature, his facility, his knowledge of life, his egotism lay hidden like a serpent in a bank of flowers. She had taken him seriously, but she had not taken him so seriously as that. How could she--especially when she had known him better? She was to think of him as he thought of himself--as the first gentleman in Europe. So it was that she had thought of him at first, and that indeed was the reason she had married him. But when she began to see what it implied she drew back; there was more in the bond than she had meant to put her name to. It implied a sovereign contempt for every one but some three or four very exalted people whom he envied, and for everything in the world but half a dozen ideas of his own. That was very well; she would have gone with him even there a long distance; for he pointed out to her so much of the baseness and shabbiness of life, opened her eyes so wide to the stupidity, the depravity, the ignorance of mankind, that she had been properly impressed with the infinite vulgarity of things and of the virtue of keeping one's self unspotted by it. But this base, if noble world, it appeared, was after all what one was to live for; one was to keep it forever in one's eye, in order not to enlighten or convert or redeem it, but to extract from it some recognition of one's own superiority. On the one hand it was despicable, but on the other it afforded a standard. Osmond had talked to Isabel about his renunciation, his indifference, the ease with which he dispensed with the usual aids to success; and all this had seemed to her admirable. She had thought it a grand indifference, an exquisite independence. But indifference was really the last of his qualities; she had never seen any one who thought so much of others. For herself, avowedly, the world had always interested her and the study of her fellow creatures been her constant passion. She would have been willing, however, to renounce all her curiosities and sympathies for the sake of a personal life, if the person concerned had only been able to make her believe it was a gain! This at least was her present conviction; and the thing certainly would have been easier than to care for society as Osmond cared for it. He was unable to live without it, and she saw that he had never really done so; he had looked at it out of his window even when he appeared to be most detached from it. He had his ideal, just as she had tried to have hers; only it was strange that people should seek for justice in such different quarters. His ideal was a conception of high prosperity and propriety, of the aristocratic life, which she now saw that he deemed himself always, in essence at least, to have led. He had never lapsed from it for an hour; he would never have recovered from the shame of doing so. That again was very well; here too she would have agreed; but they attached such different ideas, such different associations and desires, to the same formulas. Her notion of the aristocratic life was simply the union of great knowledge with great liberty; the knowledge would give one a sense of duty and the liberty a sense of enjoyment. But for Osmond it was altogether a thing of forms, a conscious, calculated attitude. He was fond of the old, the consecrated, the transmitted; so was she, but she pretended to do what she chose with it. He had an immense esteem for tradition; he had told her once that the best thing in the world was to have it, but that if one was so unfortunate as not to have it one must immediately proceed to make it. She knew that he meant by this that she hadn't it, but that he was better off; though from what source he had derived his traditions she never learned. He had a very large collection of them, however; that was very certain, and after a little she began to see. The great thing was to act in accordance with them; the great thing not only for him but for her. Isabel had an undefined conviction that to serve for another person than their proprietor traditions must be of a thoroughly superior kind; but she nevertheless assented to this intimation that she too must march to the stately music that floated down from unknown periods in her husband's past; she who of old had been so free of step, so desultory, so devious, so much the reverse of processional. There were certain things they must do, a certain posture they must take, certain people they must know and not know. When she saw this rigid system close about her, draped though it was in pictured tapestries, that sense of darkness and suffocation of which I have spoken took possession of her; she seemed shut up with an odour of mould and decay. She had resisted of course; at first very humorously, ironically, tenderly; then, as the situation grew more serious, eagerly, passionately, pleadingly. She had pleaded the cause of freedom, of doing as they chose, of not caring for the aspect and denomination of their life--the cause of other instincts and longings, of quite another ideal. Then it was that her husband's personality, touched as it never had been, stepped forth and stood erect. The things she had said were answered only by his scorn, and she could see he was ineffably ashamed of her. What did he think of her--that she was base, vulgar, ignoble? He at least knew now that she had no traditions! It had not been in his prevision of things that she should reveal such flatness; her sentiments were worthy of a radical newspaper or a Unitarian preacher. The real offence, as she ultimately perceived, was her having a mind of her own at all. Her mind was to be his--attached to his own like a small garden-plot to a deer-park. He would rake the soil gently and water the flowers; he would weed the beds and gather an occasional nosegay. It would be a pretty piece of property for a proprietor already far-reaching. He didn't wish her to be stupid. On the contrary, it was because she was clever that she had pleased him. But he expected her intelligence to operate altogether in his favour, and so far from desiring her mind to be a blank he had flattered himself that it would be richly receptive. He had expected his wife to feel with him and for him, to enter into his opinions, his ambitions, his preferences; and Isabel was obliged to confess that this was no great insolence on the part of a man so accomplished and a husband originally at least so tender. But there were certain things she could never take in. To begin with, they were hideously unclean. She was not a daughter of the Puritans, but for all that she believed in such a thing as chastity and even as decency. It would appear that Osmond was far from doing anything of the sort; some of his traditions made her push back her skirts. Did all women have lovers? Did they all lie and even the best have their price? Were there only three or four that didn't deceive their husbands? When Isabel heard such things she felt a greater scorn for them than for the gossip of a village parlour--a scorn that kept its freshness in a very tainted air. There was the taint of her sister-in-law: did her husband judge only by the Countess Gemini? This lady very often lied, and she had practised deceptions that were not simply verbal. It was enough to find these facts assumed among Osmond's traditions--it was enough without giving them such a general extension. It was her scorn of his assumptions, it was this that made him draw himself up. He had plenty of contempt, and it was proper his wife should be as well furnished; but that she should turn the hot light of her disdain upon his own conception of things--this was a danger he had not allowed for. He believed he should have regulated her emotions before she came to it; and Isabel could easily imagine how his ears had scorched on his discovering he had been too confident. When one had a wife who gave one that sensation there was nothing left but to hate her. She was morally certain now that this feeling of hatred, which at first had been a refuge and a refreshment, had become the occupation and comfort of his life. The feeling was deep, because it was sincere; he had had the revelation that she could after all dispense with him. If to herself the idea was startling, if it presented itself at first as a kind of infidelity, a capacity for pollution, what infinite effect might it not be expected to have had upon HIM? It was very simple; he despised her; she had no traditions and the moral horizon of a Unitarian minister. Poor Isabel, who had never been able to understand Unitarianism! This was the certitude she had been living with now for a time that she had ceased to measure. What was coming--what was before them? That was her constant question. What would he do--what ought SHE to do? When a man hated his wife what did it lead to? She didn't hate him, that she was sure of, for every little while she felt a passionate wish to give him a pleasant surprise. Very often, however, she felt afraid, and it used to come over her, as I have intimated, that she had deceived him at the very first. They were strangely married, at all events, and it was a horrible life. Until that morning he had scarcely spoken to her for a week; his manner was as dry as a burned-out fire. She knew there was a special reason; he was displeased at Ralph Touchett's staying on in Rome. He thought she saw too much of her cousin--he had told her a week before it was indecent she should go to him at his hotel. He would have said more than this if Ralph's invalid state had not appeared to make it brutal to denounce him; but having had to contain himself had only deepened his disgust. Isabel read all this as she would have read the hour on the clock-face; she was as perfectly aware that the sight of her interest in her cousin stirred her husband's rage as if Osmond had locked her into her room--which she was sure was what he wanted to do. It was her honest belief that on the whole she was not defiant, but she certainly couldn't pretend to be indifferent to Ralph. She believed he was dying at last and that she should never see him again, and this gave her a tenderness for him that she had never known before. Nothing was a pleasure to her now; how could anything be a pleasure to a woman who knew that she had thrown away her life? There was an everlasting weight on her heart--there was a livid light on everything. But Ralph's little visit was a lamp in the darkness; for the hour that she sat with him her ache for herself became somehow her ache for HIM. She felt to-day as if he had been her brother. She had never had a brother, but if she had and she were in trouble and he were dying, he would be dear to her as Ralph was. Ah yes, if Gilbert was jealous of her there was perhaps some reason; it didn't make Gilbert look better to sit for half an hour with Ralph. It was not that they talked of him--it was not that she complained. His name was never uttered between them. It was simply that Ralph was generous and that her husband was not. There was something in Ralph's talk, in his smile, in the mere fact of his being in Rome, that made the blasted circle round which she walked more spacious. He made her feel the good of the world; he made her feel what might have been. He was after all as intelligent as Osmond--quite apart from his being better. And thus it seemed to her an act of devotion to conceal her misery from him. She concealed it elaborately; she was perpetually, in their talk, hanging out curtains and before her again--it lived before her again,--it had never had time to die--that morning in the garden at Florence when he had warned her against Osmond. She had only to close her eyes to see the place, to hear his voice, to feel the warm, sweet air. How could he have known? What a mystery, what a wonder of wisdom! As intelligent as Gilbert? He was much more intelligent--to arrive at such a judgement as that. Gilbert had never been so deep, so just. She had told him then that from her at least he should never know if he was right; and this was what she was taking care of now. It gave her plenty to do; there was passion, exaltation, religion in it. Women find their religion sometimes in strange exercises, and Isabel at present, in playing a part before her cousin, had an idea that she was doing him a kindness. It would have been a kindness perhaps if he had been for a single instant a dupe. As it was, the kindness consisted mainly in trying to make him believe that he had once wounded her greatly and that the event had put him to shame, but that, as she was very generous and he was so ill, she bore him no grudge and even considerately forbore to flaunt her happiness in his face. Ralph smiled to himself, as he lay on his sofa, at this extraordinary form of consideration; but he forgave her for having forgiven him. She didn't wish him to have the pain of knowing she was unhappy: that was the great thing, and it didn't matter that such knowledge would rather have righted him. For herself, she lingered in the soundless saloon long after the fire had gone out. There was no danger of her feeling the cold; she was in a fever. She heard the small hours strike, and then the great ones, but her vigil took no heed of time. Her mind, assailed by visions, was in a state of extraordinary activity, and her visions might as well come to her there, where she sat up to meet them, as on her pillow, to make a mockery of rest. As I have said, she believed she was not defiant, and what could be a better proof of it than that she should linger there half the night, trying to persuade herself that there was no reason why Pansy shouldn't be married as you would put a letter in the post-office? When the clock struck four she got up; she was going to bed at last, for the lamp had long since gone out and the candles burned down to their sockets. But even then she stopped again in the middle of the room and stood there gazing at a remembered vision--that of her husband and Madame Merle unconsciously and familiarly associated.

Chapter 42

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-40-42

This is the most famous chapter of the novel and its climax. Unlike other novels, where the climax takes primarily in terms of external events, all of the tension of the novel gathers in Isabel's mind. The scene consists only of her thinking through the motivations of the various people around her. It opens with Isabel absorbed in looking at the situation as Osmond has presented it to her. She has an unexpected recognition that she does in fact have an influence on Lord Warburton. She wonders if he has a desire to please her. The answer frightens her, because she realizes that if he does want to please Isabel, then it is likely that he would marry Pansy for the sake of his love for Isabel. She thinks it impossible that he would be in love with both of them. Other thoughts then crowd to the foreground of Isabel's mind. She has realized that Osmond was in more direct communication with Madame Merle than she ever suspected. Isabel then thinks to herself that she would have liked to give Osmond proof of her own loyalty - but that everything Osmond touches withers away. So too her good intention: realizing that he expects her to intervene makes her feel that there is something horrible in doing so. She thinks about her marriage. For the first year, it was good, but gradually she began to realize that the shadows she perceived in Osmond's character were not figments of her imagination. He was never violent, but she had gradually begun to realize that her husband hated her. He hated her for being different, and for not being malleable enough for him to change her. Sometimes she felt she had even deceived him when they first got together -- if not in intention, in fact. She had acted more timid than she really was, had felt small in his presence. She realizes that Osmond had not disguised himself either. She simply had not seen his whole person. She speculates on her motivations for marrying him. She had thought of certain of his features as together making a great figure. She thought he was helpless and ineffectual, but this made her feel tenderer towards him. She realizes she had wanted to give him the means to be effectual. If it had not been for her money, she would not have married him, she realizes. Isabel feels embarrassed at the thought that she might have married on a factitious theory. But she then defends herself in thinking of the personal qualities she admired in him. She found him to have a fine mind - and this she still believed. She felt she had almost lived in his mind, "it appeared to have become her habitation". In fact, she wondered that he did not hate her more. She remembers the first hint he had given of his future dislike for her: he had told her she had too many ideas once before he had even proposed marriage. She had not thought much of it then. But she had wanted to marry so as to share her ideas. She had kept her character in reserve, and he had not known this until they had already closed the door behind them. He seemed to take personal offense at the way she looked at life. Gradually she had realized she was living in the house of darkness. Osmond's beautiful mind indeed seemed to peep down from a small high window and mock at her," the narrator tells us. She had realized he was incredibly egotistical, and that he hated everyone but three or four people. She learned a lot from his recognition of the baseness of life, but at the same time, she recognizes that the reason he holds it in contempt is so as to extract recognition of his own superiority. He was not really indifferent, she discovered. He was unable to live without society. She realizes that he has an aristocratic ideal, an immense esteem for tradition. He expects her further to live in accordance with such traditions. She feels suffocated in this rigid system though. She realizes that her husband was ashamed of her, with her disregard for tradition. She is most offensive insofar as she has a mind of her own. He had wanted her to be more like a garden for himself, rather than having a mind of her own. His contempt for her had then turned into a comfort of his life. She wonders what is going to come, what sort of obstacles will present themselves before the couple. She was aware that he was unhappy about Ralph's staying in Rome for some time. But she could not pretend to be indifferent to Ralph. She felt after all a little light in her life from being with Ralph, as if he had been her brother. If Gilbert was jealous it was because Ralph was generous and Gilbert was not. Ralph was just as intelligent, and better than Gilbert. She wonders how Ralph knew about Gilbert. Isabel feels she is doing her cousin a kindness in not telling him of her true state. Finally, she gets up from her meditative vigil at four in the morning. She then thinks back to what she saw between Madame Merle and Gilbert Osmond

The situation between Lord Warburton and Pansy presents us with an interesting situation that allows Isabel to think about the right motivations behind an action. If Lord Warburton is marrying Pansy in order to please Isabel, she sees that it would be wrong of her to take advantage of this. Yet Isabel realizes that this is exactly what Madame Merle and Osmond expect of her: they expect her to have no qualms about using another person for one's own ends. This makes her reflect on the moral character of the people around her. As Robert Pippin has pointed out , the modern situation that Henry James was facing during his time introduced the possibility that psychological motivations made an action moral or immoral. For example, if Osmond had married Isabel just for his own self-interest and to increase his fortune, it would be immoral. But Isabel had married Osmond because she had wanted to give him the means to further express himself, and this is considered moral. However, the problem being presented in the novel is that psychological motivations only crystallize as such later on in life. It is important to note the technique that James employs to enter into Isabel's mind. He first of all has set up the scene so that we have only gradually approached Isabel's true state of mind through the speculations of others. We first get Edward Rosier's speculations of Isabel, then Lord Warburton's, then Ralph's, until we finally approach Isabel's own. It is like peeling the layers off of an onion until we reach the core of Isabel's thought. Furthermore, there is an indication that Isabel's own thoughts are very much infected and inflected through her understanding of the thoughts of others. Sharon Cameron has called this the 'intersubjectivity' of the novel: the belief that one's mind is not entirely one's own, but rather a consciousness crystallizes as such only once one knows what others are thinking. Finally, Chapter 42 provides us with insight into James' views on the conventional Old World. Osmond is representative of empty traditions without any intrinsic meaning. He follows them simply to show his own aristocratic value. At best, this Old World is capable of showing itself off through aesthetics -- knowledge about classical art, for example, would let one show off how cultured one is. However, James is questioning whether or not this aristocratic, European view of the world would not benefit from the freshness of an American, moral perspective. Isabel is representative of the New World, and the insights that an open mind can provide to a European outlook. She wants to always look at things for herself, bring her own original perspective, and question the meaning of traditions. Yet it is problematic that she has only two means of expressing herself: money and marriage. There seems also to be a feminist point being made here, especially in Isabel's envy of Lord Warburton. Women did not have enough avenues open to them during this time period for expression of their character, and James seems to be suggesting that they would have something very valuable to add to society if more pathways were open to them to do so.

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all_chapterized_books/2833-chapters/43.txt

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The Portrait of a Lady.chapter 43

chapter 43

{"name": "Chapter 43", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-43-45", "summary": "Isabel takes Pansy to a dance, where she has been instructed by Osmond to keep watch over his daughter. While Pansy is dancing, Edward Rosier approaches Isabel in a determined manner. We learn that Pansy has refused to dance with him. He sees a bouquet of pansies that Isabel is holding, and realizing that it must belong to Pansy, he begs for one of the flowers. Pansy finishes a dance and is returning to Isabel, and Isabel bids Edward to leave. Upon her return, Pansy counts the flowers. Lord Warburton then approaches Isabel. Warburton has not yet asked Pansy to dance, because she is occupied with others. He then asks Isabel to dance, and she refuses. He says he prefers to talk to her anyway. Apparently Lord Warburton has written to Isabel telling her of his intention to offer marriage to Pansy, but he has not written to Osmond. The two then bump into Edward Rosier, who looks miserable. Lord Warburton notes how miserable he looks and asks Isabel why. Isabel tells him of Rosier's love for Pansy, and Warburton pities the man. Isabel notices that Warburton is not at all envious, and thinks that he is not in love with Pansy. Lord Warburton claims he has good reasons to love Pansy, and Isabel retorts that one never has good reasons to be in love. He wonders why Isabel is so skeptical of his intentions towards Pansy. The two exchange a look. Deeper meanings are exchanged between them than they are conscious of. Not for an instant should he suspect her of detecting in his proposal of marrying her stepdaughter an implication of increased nearness to herself, or of thinking it, on such a betrayal, ominous,\" the narrator tells us", "analysis": "In Chapter 43, Isabel guesses that Warburton may act or abstain from acting on the basis of her own desires: and it is this that makes her refuse to force him to do so. They exchange a look that is very significant for indicating how psychological motivation of two people with good intentions can play off of each other. The narrator tells us that Isabel sees the gleam of an idea in Warburton's eye that Isabel herself is uneasy. This is a very difficult construction: Isabel knows that Warburton is thinking about Isabel's thoughts and desires. The next sentence is attributed neither to Warburton, nor to Isabel - it is simply a statement that \"not for an instant should he suspect her of detecting in his proposal... an implication of increased nearness to herself\" . It could either mean that Warburton is trying to prevent Isabel from knowing that he is acting all out of his love for Isabel, or it could mean that Isabel notices Warburton is trying to prevent her from knowing his true motivation. Two people with good intentions, in other words, want to act only when they understand other people's desires and motivations, rather than acting purely out of their own self-interest. This seems to be the version of morality that James is propagating: one must understand oneself within a network of social relations and amidst the motivations of others in order to act in a moral way. The conversation between Countess Gemini and Henrietta Stackpole is one of the few conversations we get between two characters of minor importance. It is comical that these two characters get along: Countess Gemini has been described as a frivolous fabulist, and Henrietta Stackpole is very straightforward and honest. Henrietta Stackpole represents the New World and the possibilities open to modern women, insofar as she has an occupation that enables her to travel, think, observe, and be financially independent. Countess Gemini represents the decadence of the Old World, having married for position and money, she is left without any real values. Ralph and Isabel's conversation in Chapter 45 is significant because it shows Isabel finally beginning to move about the cage which Osmond has built for her: she finally starts to assert her own idea of how one should behave in life, rather than following Osmond's conventional way. Convention dictates that a woman should not oppose her husband's will. Isabel here feels that a heavy obligation. However, she realizes that if she convinces Lord Warburton to propose marriage to Pansy, he will only be doing it out of his love for Isabel. In Isabel's conversation with Pansy, in Chapter 46 then, Isabel seems to realize what more concretely what her morality is: she believes that people should act only from their own ideas and desires, and do so in an open and honest way."}

Three nights after this she took Pansy to a great party, to which Osmond, who never went to dances, did not accompany them. Pansy was as ready for a dance as ever; she was not of a generalising turn and had not extended to other pleasures the interdict she had seen placed on those of love. If she was biding her time or hoping to circumvent her father she must have had a prevision of success. Isabel thought this unlikely; it was much more likely that Pansy had simply determined to be a good girl. She had never had such a chance, and she had a proper esteem for chances. She carried herself no less attentively than usual and kept no less anxious an eye upon her vaporous skirts; she held her bouquet very tight and counted over the flowers for the twentieth time. She made Isabel feel old; it seemed so long since she had been in a flutter about a ball. Pansy, who was greatly admired, was never in want of partners, and very soon after their arrival she gave Isabel, who was not dancing, her bouquet to hold. Isabel had rendered her this service for some minutes when she became aware of the near presence of Edward Rosier. He stood before her; he had lost his affable smile and wore a look of almost military resolution. The change in his appearance would have made Isabel smile if she had not felt his case to be at bottom a hard one: he had always smelt so much more of heliotrope than of gunpowder. He looked at her a moment somewhat fiercely, as if to notify her he was dangerous, and then dropped his eyes on her bouquet. After he had inspected it his glance softened and he said quickly: "It's all pansies; it must be hers!" Isabel smiled kindly. "Yes, it's hers; she gave it to me to hold." "May I hold it a little, Mrs. Osmond?" the poor young man asked. "No, I can't trust you; I'm afraid you wouldn't give it back." "I'm not sure that I should; I should leave the house with it instantly. But may I not at least have a single flower?" Isabel hesitated a moment, and then, smiling still, held out the bouquet. "Choose one yourself. It's frightful what I'm doing for you." "Ah, if you do no more than this, Mrs. Osmond!" Rosier exclaimed with his glass in one eye, carefully choosing his flower. "Don't put it into your button-hole," she said. "Don't for the world!" "I should like her to see it. She has refused to dance with me, but I wish to show her that I believe in her still." "It's very well to show it to her, but it's out of place to show it to others. Her father has told her not to dance with you." "And is that all YOU can do for me? I expected more from you, Mrs. Osmond," said the young man in a tone of fine general reference. "You know our acquaintance goes back very far--quite into the days of our innocent childhood." "Don't make me out too old," Isabel patiently answered. "You come back to that very often, and I've never denied it. But I must tell you that, old friends as we are, if you had done me the honour to ask me to marry you I should have refused you on the spot." "Ah, you don't esteem me then. Say at once that you think me a mere Parisian trifler!" "I esteem you very much, but I'm not in love with you. What I mean by that, of course, is that I'm not in love with you for Pansy." "Very good; I see. You pity me--that's all." And Edward Rosier looked all round, inconsequently, with his single glass. It was a revelation to him that people shouldn't be more pleased; but he was at least too proud to show that the deficiency struck him as general. Isabel for a moment said nothing. His manner and appearance had not the dignity of the deepest tragedy; his little glass, among other things, was against that. But she suddenly felt touched; her own unhappiness, after all, had something in common with his, and it came over her, more than before, that here, in recognisable, if not in romantic form, was the most affecting thing in the world--young love struggling with adversity. "Would you really be very kind to her?" she finally asked in a low tone. He dropped his eyes devoutly and raised the little flower that he held in his fingers to his lips. Then he looked at her. "You pity me; but don't you pity HER a little?" "I don't know; I'm not sure. She'll always enjoy life." "It will depend on what you call life!" Mr. Rosier effectively said. "She won't enjoy being tortured." "There'll be nothing of that." "I'm glad to hear it. She knows what she's about. You'll see." "I think she does, and she'll never disobey her father. But she's coming back to me," Isabel added, "and I must beg you to go away." Rosier lingered a moment till Pansy came in sight on the arm of her cavalier; he stood just long enough to look her in the face. Then he walked away, holding up his head; and the manner in which he achieved this sacrifice to expediency convinced Isabel he was very much in love. Pansy, who seldom got disarranged in dancing, looking perfectly fresh and cool after this exercise, waited a moment and then took back her bouquet. Isabel watched her and saw she was counting the flowers; whereupon she said to herself that decidedly there were deeper forces at play than she had recognised. Pansy had seen Rosier turn away, but she said nothing to Isabel about him; she talked only of her partner, after he had made his bow and retired; of the music, the floor, the rare misfortune of having already torn her dress. Isabel was sure, however, she had discovered her lover to have abstracted a flower; though this knowledge was not needed to account for the dutiful grace with which she responded to the appeal of her next partner. That perfect amenity under acute constraint was part of a larger system. She was again led forth by a flushed young man, this time carrying her bouquet; and she had not been absent many minutes when Isabel saw Lord Warburton advancing through the crowd. He presently drew near and bade her good-evening; she had not seen him since the day before. He looked about him, and then "Where's the little maid?" he asked. It was in this manner that he had formed the harmless habit of alluding to Miss Osmond. "She's dancing," said Isabel. "You'll see her somewhere." He looked among the dancers and at last caught Pansy's eye. "She sees me, but she won't notice me," he then remarked. "Are you not dancing?" "As you see, I'm a wall-flower." "Won't you dance with me?" "Thank you; I'd rather you should dance with the little maid." "One needn't prevent the other--especially as she's engaged." "She's not engaged for everything, and you can reserve yourself. She dances very hard, and you'll be the fresher." "She dances beautifully," said Lord Warburton, following her with his eyes. "Ah, at last," he added, "she has given me a smile." He stood there with his handsome, easy, important physiognomy; and as Isabel observed him it came over her, as it had done before, that it was strange a man of his mettle should take an interest in a little maid. It struck her as a great incongruity; neither Pansy's small fascinations, nor his own kindness, his good-nature, not even his need for amusement, which was extreme and constant, were sufficient to account for it. "I should like to dance with you," he went on in a moment, turning back to Isabel; "but I think I like even better to talk with you." "Yes, it's better, and it's more worthy of your dignity. Great statesmen oughtn't to waltz." "Don't be cruel. Why did you recommend me then to dance with Miss Osmond?" "Ah, that's different. If you danced with her it would look simply like a piece of kindness--as if you were doing it for her amusement. If you dance with me you'll look as if you were doing it for your own." "And pray haven't I a right to amuse myself?" "No, not with the affairs of the British Empire on your hands." "The British Empire be hanged! You're always laughing at it." "Amuse yourself with talking to me," said Isabel. "I'm not sure it's really a recreation. You're too pointed; I've always to be defending myself. And you strike me as more than usually dangerous to-night. Will you absolutely not dance?" "I can't leave my place. Pansy must find me here." He was silent a little. "You're wonderfully good to her," he said suddenly. Isabel stared a little and smiled. "Can you imagine one's not being?" "No indeed. I know how one is charmed with her. But you must have done a great deal for her." "I've taken her out with me," said Isabel, smiling still. "And I've seen that she has proper clothes." "Your society must have been a great benefit to her. You've talked to her, advised her, helped her to develop." "Ah yes, if she isn't the rose she has lived near it." She laughed, and her companion did as much; but there was a certain visible preoccupation in his face which interfered with complete hilarity. "We all try to live as near it as we can," he said after a moment's hesitation. Isabel turned away; Pansy was about to be restored to her, and she welcomed the diversion. We know how much she liked Lord Warburton; she thought him pleasanter even than the sum of his merits warranted; there was something in his friendship that appeared a kind of resource in case of indefinite need; it was like having a large balance at the bank. She felt happier when he was in the room; there was something reassuring in his approach; the sound of his voice reminded her of the beneficence of nature. Yet for all that it didn't suit her that he should be too near her, that he should take too much of her good-will for granted. She was afraid of that; she averted herself from it; she wished he wouldn't. She felt that if he should come too near, as it were, it might be in her to flash out and bid him keep his distance. Pansy came back to Isabel with another rent in her skirt, which was the inevitable consequence of the first and which she displayed to Isabel with serious eyes. There were too many gentlemen in uniform; they wore those dreadful spurs, which were fatal to the dresses of little maids. It hereupon became apparent that the resources of women are innumerable. Isabel devoted herself to Pansy's desecrated drapery; she fumbled for a pin and repaired the injury; she smiled and listened to her account of her adventures. Her attention, her sympathy were immediate and active; and they were in direct proportion to a sentiment with which they were in no way connected--a lively conjecture as to whether Lord Warburton might be trying to make love to her. It was not simply his words just then; it was others as well; it was the reference and the continuity. This was what she thought about while she pinned up Pansy's dress. If it were so, as she feared, he was of course unwitting; he himself had not taken account of his intention. But this made it none the more auspicious, made the situation none less impossible. The sooner he should get back into right relations with things the better. He immediately began to talk to Pansy--on whom it was certainly mystifying to see that he dropped a smile of chastened devotion. Pansy replied, as usual, with a little air of conscientious aspiration; he had to bend toward her a good deal in conversation, and her eyes, as usual, wandered up and down his robust person as if he had offered it to her for exhibition. She always seemed a little frightened; yet her fright was not of the painful character that suggests dislike; on the contrary, she looked as if she knew that he knew she liked him. Isabel left them together a little and wandered toward a friend whom she saw near and with whom she talked till the music of the following dance began, for which she knew Pansy to be also engaged. The girl joined her presently, with a little fluttered flush, and Isabel, who scrupulously took Osmond's view of his daughter's complete dependence, consigned her, as a precious and momentary loan, to her appointed partner. About all this matter she had her own imaginations, her own reserves; there were moments when Pansy's extreme adhesiveness made each of them, to her sense, look foolish. But Osmond had given her a sort of tableau of her position as his daughter's duenna, which consisted of gracious alternations of concession and contraction; and there were directions of his which she liked to think she obeyed to the letter. Perhaps, as regards some of them, it was because her doing so appeared to reduce them to the absurd. After Pansy had been led away, she found Lord Warburton drawing near her again. She rested her eyes on him steadily; she wished she could sound his thoughts. But he had no appearance of confusion. "She has promised to dance with me later," he said. "I'm glad of that. I suppose you've engaged her for the cotillion." At this he looked a little awkward. "No, I didn't ask her for that. It's a quadrille." "Ah, you're not clever!" said Isabel almost angrily. "I told her to keep the cotillion in case you should ask for it." "Poor little maid, fancy that!" And Lord Warburton laughed frankly. "Of course I will if you like." "If I like? Oh, if you dance with her only because I like it--!" "I'm afraid I bore her. She seems to have a lot of young fellows on her book." Isabel dropped her eyes, reflecting rapidly; Lord Warburton stood there looking at her and she felt his eyes on her face. She felt much inclined to ask him to remove them. She didn't do so, however; she only said to him, after a minute, with her own raised: "Please let me understand." "Understand what?" "You told me ten days ago that you'd like to marry my stepdaughter. You've not forgotten it!" "Forgotten it? I wrote to Mr. Osmond about it this morning." "Ah," said Isabel, "he didn't mention to me that he had heard from you." Lord Warburton stammered a little. "I--I didn't send my letter." "Perhaps you forgot THAT." "No, I wasn't satisfied with it. It's an awkward sort of letter to write, you know. But I shall send it to-night." "At three o'clock in the morning?" "I mean later, in the course of the day." "Very good. You still wish then to marry her?" "Very much indeed." "Aren't you afraid that you'll bore her?" And as her companion stared at this enquiry Isabel added: "If she can't dance with you for half an hour how will she be able to dance with you for life?" "Ah," said Lord Warburton readily, "I'll let her dance with other people! About the cotillion, the fact is I thought that you--that you--" "That I would do it with you? I told you I'd do nothing." "Exactly; so that while it's going on I might find some quiet corner where we may sit down and talk." "Oh," said Isabel gravely, "you're much too considerate of me." When the cotillion came Pansy was found to have engaged herself, thinking, in perfect humility, that Lord Warburton had no intentions. Isabel recommended him to seek another partner, but he assured her that he would dance with no one but herself. As, however, she had, in spite of the remonstrances of her hostess, declined other invitations on the ground that she was not dancing at all, it was not possible for her to make an exception in Lord Warburton's favour. "After all I don't care to dance," he said; "it's a barbarous amusement: I'd much rather talk." And he intimated that he had discovered exactly the corner he had been looking for--a quiet nook in one of the smaller rooms, where the music would come to them faintly and not interfere with conversation. Isabel had decided to let him carry out his idea; she wished to be satisfied. She wandered away from the ball-room with him, though she knew her husband desired she should not lose sight of his daughter. It was with his daughter's pretendant, however; that would make it right for Osmond. On her way out of the ball-room she came upon Edward Rosier, who was standing in a doorway, with folded arms, looking at the dance in the attitude of a young man without illusions. She stopped a moment and asked him if he were not dancing. "Certainly not, if I can't dance with HER!" he answered. "You had better go away then," said Isabel with the manner of good counsel. "I shall not go till she does!" And he let Lord Warburton pass without giving him a look. This nobleman, however, had noticed the melancholy youth, and he asked Isabel who her dismal friend was, remarking that he had seen him somewhere before. "It's the young man I've told you about, who's in love with Pansy." "Ah yes, I remember. He looks rather bad." "He has reason. My husband won't listen to him." "What's the matter with him?" Lord Warburton enquired. "He seems very harmless." "He hasn't money enough, and he isn't very clever." Lord Warburton listened with interest; he seemed struck with this account of Edward Rosier. "Dear me; he looked a well-set-up young fellow." "So he is, but my husband's very particular." "Oh, I see." And Lord Warburton paused a moment. "How much money has he got?" he then ventured to ask. "Some forty thousand francs a year." "Sixteen hundred pounds? Ah, but that's very good, you know." "So I think. My husband, however, has larger ideas." "Yes; I've noticed that your husband has very large ideas. Is he really an idiot, the young man?" "An idiot? Not in the least; he's charming. When he was twelve years old I myself was in love with him." "He doesn't look much more than twelve to-day," Lord Warburton rejoined vaguely, looking about him. Then with more point, "Don't you think we might sit here?" he asked. "Wherever you please." The room was a sort of boudoir, pervaded by a subdued, rose-coloured light; a lady and gentleman moved out of it as our friends came in. "It's very kind of you to take such an interest in Mr. Rosier," Isabel said. "He seems to me rather ill-treated. He had a face a yard long. I wondered what ailed him." "You're a just man," said Isabel. "You've a kind thought even for a rival." Lord Warburton suddenly turned with a stare. "A rival! Do you call him my rival?" "Surely--if you both wish to marry the same person." "Yes--but since he has no chance!" "I like you, however that may be, for putting your self in his place. It shows imagination." "You like me for it?" And Lord Warburton looked at her with an uncertain eye. "I think you mean you're laughing at me for it." "Yes, I'm laughing at you a little. But I like you as somebody to laugh at." "Ah well, then, let me enter into his situation a little more. What do you suppose one could do for him?" "Since I have been praising your imagination I'll leave you to imagine that yourself," Isabel said. "Pansy too would like you for that." "Miss Osmond? Ah, she, I flatter myself, likes me already." "Very much, I think." He waited a little; he was still questioning her face. "Well then, I don't understand you. You don't mean that she cares for him?" A quick blush sprang to his brow. "You told me she would have no wish apart from her father's, and as I've gathered that he would favour me--!" He paused a little and then suggested "Don't you see?" through his blush. "Yes, I told you she has an immense wish to please her father, and that it would probably take her very far." "That seems to me a very proper feeling," said Lord Warburton. "Certainly; it's a very proper feeling." Isabel remained silent for some moments; the room continued empty; the sound of the music reached them with its richness softened by the interposing apartments. Then at last she said: "But it hardly strikes me as the sort of feeling to which a man would wish to be indebted for a wife." "I don't know; if the wife's a good one and he thinks she does well!" "Yes, of course you must think that." "I do; I can't help it. You call that very British, of course." "No, I don't. I think Pansy would do wonderfully well to marry you, and I don't know who should know it better than you. But you're not in love." "Ah, yes I am, Mrs. Osmond!" Isabel shook her head. "You like to think you are while you sit here with me. But that's not how you strike me." "I'm not like the young man in the doorway. I admit that. But what makes it so unnatural? Could any one in the world be more loveable than Miss Osmond?" "No one, possibly. But love has nothing to do with good reasons." "I don't agree with you. I'm delighted to have good reasons." "Of course you are. If you were really in love you wouldn't care a straw for them." "Ah, really in love--really in love!" Lord Warburton exclaimed, folding his arms, leaning back his head and stretching himself a little. "You must remember that I'm forty-two years old. I won't pretend I'm as I once was." "Well, if you're sure," said Isabel, "it's all right." He answered nothing; he sat there, with his head back, looking before him. Abruptly, however, he changed his position; he turned quickly to his friend. "Why are you so unwilling, so sceptical?" She met his eyes, and for a moment they looked straight at each other. If she wished to be satisfied she saw something that satisfied her; she saw in his expression the gleam of an idea that she was uneasy on her own account--that she was perhaps even in fear. It showed a suspicion, not a hope, but such as it was it told her what she wanted to know. Not for an instant should he suspect her of detecting in his proposal of marrying her step-daughter an implication of increased nearness to herself, or of thinking it, on such a betrayal, ominous. In that brief, extremely personal gaze, however, deeper meanings passed between them than they were conscious of at the moment. "My dear Lord Warburton," she said, smiling, "you may do, so far as I'm concerned, whatever comes into your head." And with this she got up and wandered into the adjoining room, where, within her companion's view, she was immediately addressed by a pair of gentlemen, high personages in the Roman world, who met her as if they had been looking for her. While she talked with them she found herself regretting she had moved; it looked a little like running away--all the more as Lord Warburton didn't follow her. She was glad of this, however, and at any rate she was satisfied. She was so well satisfied that when, in passing back into the ball-room, she found Edward Rosier still planted in the doorway, she stopped and spoke to him again. "You did right not to go away. I've some comfort for you." "I need it," the young man softly wailed, "when I see you so awfully thick with him!" "Don't speak of him; I'll do what I can for you. I'm afraid it won't be much, but what I can I'll do." He looked at her with gloomy obliqueness. "What has suddenly brought you round?" "The sense that you are an inconvenience in doorways!" she answered, smiling as she passed him. Half an hour later she took leave, with Pansy, and at the foot of the staircase the two ladies, with many other departing guests, waited a while for their carriage. Just as it approached Lord Warburton came out of the house and assisted them to reach their vehicle. He stood a moment at the door, asking Pansy if she had amused herself; and she, having answered him, fell back with a little air of fatigue. Then Isabel, at the window, detaining him by a movement of her finger, murmured gently: "Don't forget to send your letter to her father!"

Chapter 43

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-43-45

Isabel takes Pansy to a dance, where she has been instructed by Osmond to keep watch over his daughter. While Pansy is dancing, Edward Rosier approaches Isabel in a determined manner. We learn that Pansy has refused to dance with him. He sees a bouquet of pansies that Isabel is holding, and realizing that it must belong to Pansy, he begs for one of the flowers. Pansy finishes a dance and is returning to Isabel, and Isabel bids Edward to leave. Upon her return, Pansy counts the flowers. Lord Warburton then approaches Isabel. Warburton has not yet asked Pansy to dance, because she is occupied with others. He then asks Isabel to dance, and she refuses. He says he prefers to talk to her anyway. Apparently Lord Warburton has written to Isabel telling her of his intention to offer marriage to Pansy, but he has not written to Osmond. The two then bump into Edward Rosier, who looks miserable. Lord Warburton notes how miserable he looks and asks Isabel why. Isabel tells him of Rosier's love for Pansy, and Warburton pities the man. Isabel notices that Warburton is not at all envious, and thinks that he is not in love with Pansy. Lord Warburton claims he has good reasons to love Pansy, and Isabel retorts that one never has good reasons to be in love. He wonders why Isabel is so skeptical of his intentions towards Pansy. The two exchange a look. Deeper meanings are exchanged between them than they are conscious of. Not for an instant should he suspect her of detecting in his proposal of marrying her stepdaughter an implication of increased nearness to herself, or of thinking it, on such a betrayal, ominous," the narrator tells us

In Chapter 43, Isabel guesses that Warburton may act or abstain from acting on the basis of her own desires: and it is this that makes her refuse to force him to do so. They exchange a look that is very significant for indicating how psychological motivation of two people with good intentions can play off of each other. The narrator tells us that Isabel sees the gleam of an idea in Warburton's eye that Isabel herself is uneasy. This is a very difficult construction: Isabel knows that Warburton is thinking about Isabel's thoughts and desires. The next sentence is attributed neither to Warburton, nor to Isabel - it is simply a statement that "not for an instant should he suspect her of detecting in his proposal... an implication of increased nearness to herself" . It could either mean that Warburton is trying to prevent Isabel from knowing that he is acting all out of his love for Isabel, or it could mean that Isabel notices Warburton is trying to prevent her from knowing his true motivation. Two people with good intentions, in other words, want to act only when they understand other people's desires and motivations, rather than acting purely out of their own self-interest. This seems to be the version of morality that James is propagating: one must understand oneself within a network of social relations and amidst the motivations of others in order to act in a moral way. The conversation between Countess Gemini and Henrietta Stackpole is one of the few conversations we get between two characters of minor importance. It is comical that these two characters get along: Countess Gemini has been described as a frivolous fabulist, and Henrietta Stackpole is very straightforward and honest. Henrietta Stackpole represents the New World and the possibilities open to modern women, insofar as she has an occupation that enables her to travel, think, observe, and be financially independent. Countess Gemini represents the decadence of the Old World, having married for position and money, she is left without any real values. Ralph and Isabel's conversation in Chapter 45 is significant because it shows Isabel finally beginning to move about the cage which Osmond has built for her: she finally starts to assert her own idea of how one should behave in life, rather than following Osmond's conventional way. Convention dictates that a woman should not oppose her husband's will. Isabel here feels that a heavy obligation. However, she realizes that if she convinces Lord Warburton to propose marriage to Pansy, he will only be doing it out of his love for Isabel. In Isabel's conversation with Pansy, in Chapter 46 then, Isabel seems to realize what more concretely what her morality is: she believes that people should act only from their own ideas and desires, and do so in an open and honest way.

gradesaver

all_chapterized_books/2833-chapters/44.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_14_part_2.txt

The Portrait of a Lady.chapter 44

chapter 44

{"name": "Chapter 44", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-43-45", "summary": "Countess Gemini wishes she lived in Rome - she finds herself often very bored. She thought of society in Rome as very interesting; it had many celebrities, whereas in Florence, where she lives, there are none. She knew Isabel was having a beautiful time, and that she led a more brilliant life than herself. The Countess did not feel envious of Isabel's personal merits though. She is constantly surprised by the fact that Isabel did not look down on her. Isabel in fact was somewhat scared of her, thinking of her as a \"bright rare shell, with a polished surface\". The Countess is not often asked to come to Rome because of her brother. Isabel would have liked to have seen her more often. The Countess wishes to know how Isabel is faring against her brother. One day Henrietta Stackpole comes to visit the Countess because the Countess is the only person she knows in Florence at the moment. Henrietta tells the Countess that she remembers the Countess once told her something useful about the position of women in the city of Florence. Henrietta has used this bit of information in a newspaper article. Henrietta informs the Countess that Isabel's husband has tried to break her relations with her dearest friend. She is seeking the Countess's help. Henrietta is going to Rome to see if Isabel now hates her. She has noticed a change in Isabel's letters. The Countess tells Henrietta that Lord Warburton is trying to \"make love\" to Isabel. Henrietta wants to find out if Isabel is unhappy, but she is afraid Isabel would not tell her. The Countess speculates that she can find out if Mr. Osmond is unhappy - and if he is unhappy, then that would show that Isabel is making him miserable, meaning that she has not allowed herself to be trampled upon by Mr. Osmond. Henrietta dislikes this line of thought. The Countess notes how devoted Isabel's friends are. On her way back to her hotel, Henrietta leaves a card for Caspar Goodwood, who is in Florence. She requests to see him regarding an important matter. When she arrives at her hotel though, Goodwood is already there. She asks him if he will go to Rome. Goodwood says he has been considering it for the past few months. He does not believe it will matter for Isabel, but he wants to go and see him for himself. Henrietta notes that Caspar Goodwood has never cared for anyone but Isabel. Caspar Goodwood wonders why Henrietta Stackpole thinks that Isabel is always foremost on his mind. He believes he is not always thinking of Isabel. He wished that Henrietta would leave him alone. But he realizes that he must offer to go on the same train with her to Rome, if only out of courtesy", "analysis": "In Chapter 43, Isabel guesses that Warburton may act or abstain from acting on the basis of her own desires: and it is this that makes her refuse to force him to do so. They exchange a look that is very significant for indicating how psychological motivation of two people with good intentions can play off of each other. The narrator tells us that Isabel sees the gleam of an idea in Warburton's eye that Isabel herself is uneasy. This is a very difficult construction: Isabel knows that Warburton is thinking about Isabel's thoughts and desires. The next sentence is attributed neither to Warburton, nor to Isabel - it is simply a statement that \"not for an instant should he suspect her of detecting in his proposal... an implication of increased nearness to herself\" . It could either mean that Warburton is trying to prevent Isabel from knowing that he is acting all out of his love for Isabel, or it could mean that Isabel notices Warburton is trying to prevent her from knowing his true motivation. Two people with good intentions, in other words, want to act only when they understand other people's desires and motivations, rather than acting purely out of their own self-interest. This seems to be the version of morality that James is propagating: one must understand oneself within a network of social relations and amidst the motivations of others in order to act in a moral way. The conversation between Countess Gemini and Henrietta Stackpole is one of the few conversations we get between two characters of minor importance. It is comical that these two characters get along: Countess Gemini has been described as a frivolous fabulist, and Henrietta Stackpole is very straightforward and honest. Henrietta Stackpole represents the New World and the possibilities open to modern women, insofar as she has an occupation that enables her to travel, think, observe, and be financially independent. Countess Gemini represents the decadence of the Old World, having married for position and money, she is left without any real values. Ralph and Isabel's conversation in Chapter 45 is significant because it shows Isabel finally beginning to move about the cage which Osmond has built for her: she finally starts to assert her own idea of how one should behave in life, rather than following Osmond's conventional way. Convention dictates that a woman should not oppose her husband's will. Isabel here feels that a heavy obligation. However, she realizes that if she convinces Lord Warburton to propose marriage to Pansy, he will only be doing it out of his love for Isabel. In Isabel's conversation with Pansy, in Chapter 46 then, Isabel seems to realize what more concretely what her morality is: she believes that people should act only from their own ideas and desires, and do so in an open and honest way."}

The Countess Gemini was often extremely bored--bored, in her own phrase, to extinction. She had not been extinguished, however, and she struggled bravely enough with her destiny, which had been to marry an unaccommodating Florentine who insisted upon living in his native town, where he enjoyed such consideration as might attach to a gentleman whose talent for losing at cards had not the merit of being incidental to an obliging disposition. The Count Gemini was not liked even by those who won from him; and he bore a name which, having a measurable value in Florence, was, like the local coin of the old Italian states, without currency in other parts of the peninsula. In Rome he was simply a very dull Florentine, and it is not remarkable that he should not have cared to pay frequent visits to a place where, to carry it off, his dulness needed more explanation than was convenient. The Countess lived with her eyes upon Rome, and it was the constant grievance of her life that she had not an habitation there. She was ashamed to say how seldom she had been allowed to visit that city; it scarcely made the matter better that there were other members of the Florentine nobility who never had been there at all. She went whenever she could; that was all she could say. Or rather not all, but all she said she could say. In fact she had much more to say about it, and had often set forth the reasons why she hated Florence and wished to end her days in the shadow of Saint Peter's. They are reasons, however, that do not closely concern us, and were usually summed up in the declaration that Rome, in short, was the Eternal City and that Florence was simply a pretty little place like any other. The Countess apparently needed to connect the idea of eternity with her amusements. She was convinced that society was infinitely more interesting in Rome, where you met celebrities all winter at evening parties. At Florence there were no celebrities; none at least that one had heard of. Since her brother's marriage her impatience had greatly increased; she was so sure his wife had a more brilliant life than herself. She was not so intellectual as Isabel, but she was intellectual enough to do justice to Rome--not to the ruins and the catacombs, not even perhaps to the monuments and museums, the church ceremonies and the scenery; but certainly to all the rest. She heard a great deal about her sister-in-law and knew perfectly that Isabel was having a beautiful time. She had indeed seen it for herself on the only occasion on which she had enjoyed the hospitality of Palazzo Roccanera. She had spent a week there during the first winter of her brother's marriage, but she had not been encouraged to renew this satisfaction. Osmond didn't want her--that she was perfectly aware of; but she would have gone all the same, for after all she didn't care two straws about Osmond. It was her husband who wouldn't let her, and the money question was always a trouble. Isabel had been very nice; the Countess, who had liked her sister-in-law from the first, had not been blinded by envy to Isabel's personal merits. She had always observed that she got on better with clever women than with silly ones like herself; the silly ones could never understand her wisdom, whereas the clever ones--the really clever ones--always understood her silliness. It appeared to her that, different as they were in appearance and general style, Isabel and she had somewhere a patch of common ground that they would set their feet upon at last. It was not very large, but it was firm, and they should both know it when once they had really touched it. And then she lived, with Mrs. Osmond, under the influence of a pleasant surprise; she was constantly expecting that Isabel would "look down" on her, and she as constantly saw this operation postponed. She asked herself when it would begin, like fire-works, or Lent, or the opera season; not that she cared much, but she wondered what kept it in abeyance. Her sister-in-law regarded her with none but level glances and expressed for the poor Countess as little contempt as admiration. In reality Isabel would as soon have thought of despising her as of passing a moral judgement on a grasshopper. She was not indifferent to her husband's sister, however; she was rather a little afraid of her. She wondered at her; she thought her very extraordinary. The Countess seemed to her to have no soul; she was like a bright rare shell, with a polished surface and a remarkably pink lip, in which something would rattle when you shook it. This rattle was apparently the Countess's spiritual principle, a little loose nut that tumbled about inside of her. She was too odd for disdain, too anomalous for comparisons. Isabel would have invited her again (there was no question of inviting the Count); but Osmond, after his marriage, had not scrupled to say frankly that Amy was a fool of the worst species--a fool whose folly had the irrepressibility of genius. He said at another time that she had no heart; and he added in a moment that she had given it all away--in small pieces, like a frosted wedding-cake. The fact of not having been asked was of course another obstacle to the Countess's going again to Rome; but at the period with which this history has now to deal she was in receipt of an invitation to spend several weeks at Palazzo Roccanera. The proposal had come from Osmond himself, who wrote to his sister that she must be prepared to be very quiet. Whether or no she found in this phrase all the meaning he had put into it I am unable to say; but she accepted the invitation on any terms. She was curious, moreover; for one of the impressions of her former visit had been that her brother had found his match. Before the marriage she had been sorry for Isabel, so sorry as to have had serious thoughts--if any of the Countess's thoughts were serious--of putting her on her guard. But she had let that pass, and after a little she was reassured. Osmond was as lofty as ever, but his wife would not be an easy victim. The Countess was not very exact at measurements, but it seemed to her that if Isabel should draw herself up she would be the taller spirit of the two. What she wanted to learn now was whether Isabel had drawn herself up; it would give her immense pleasure to see Osmond overtopped. Several days before she was to start for Rome a servant brought her the card of a visitor--a card with the simple superscription "Henrietta C. Stackpole." The Countess pressed her finger-tips to her forehead; she didn't remember to have known any such Henrietta as that. The servant then remarked that the lady had requested him to say that if the Countess should not recognise her name she would know her well enough on seeing her. By the time she appeared before her visitor she had in fact reminded herself that there was once a literary lady at Mrs. Touchett's; the only woman of letters she had ever encountered--that is the only modern one, since she was the daughter of a defunct poetess. She recognised Miss Stackpole immediately, the more so that Miss Stackpole seemed perfectly unchanged; and the Countess, who was thoroughly good-natured, thought it rather fine to be called on by a person of that sort of distinction. She wondered if Miss Stackpole had come on account of her mother--whether she had heard of the American Corinne. Her mother was not at all like Isabel's friend; the Countess could see at a glance that this lady was much more contemporary; and she received an impression of the improvements that were taking place--chiefly in distant countries--in the character (the professional character) of literary ladies. Her mother had been used to wear a Roman scarf thrown over a pair of shoulders timorously bared of their tight black velvet (oh the old clothes!) and a gold laurel-wreath set upon a multitude of glossy ringlets. She had spoken softly and vaguely, with the accent of her "Creole" ancestors, as she always confessed; she sighed a great deal and was not at all enterprising. But Henrietta, the Countess could see, was always closely buttoned and compactly braided; there was something brisk and business-like in her appearance; her manner was almost conscientiously familiar. It was as impossible to imagine her ever vaguely sighing as to imagine a letter posted without its address. The Countess could not but feel that the correspondent of the Interviewer was much more in the movement than the American Corinne. She explained that she had called on the Countess because she was the only person she knew in Florence, and that when she visited a foreign city she liked to see something more than superficial travellers. She knew Mrs. Touchett, but Mrs. Touchett was in America, and even if she had been in Florence Henrietta would not have put herself out for her, since Mrs. Touchett was not one of her admirations. "Do you mean by that that I am?" the Countess graciously asked. "Well, I like you better than I do her," said Miss Stackpole. "I seem to remember that when I saw you before you were very interesting. I don't know whether it was an accident or whether it's your usual style. At any rate I was a good deal struck with what you said. I made use of it afterwards in print." "Dear me!" cried the Countess, staring and half-alarmed; "I had no idea I ever said anything remarkable! I wish I had known it at the time." "It was about the position of woman in this city," Miss Stackpole remarked. "You threw a good deal of light upon it." "The position of woman's very uncomfortable. Is that what you mean? And you wrote it down and published it?" the Countess went on. "Ah, do let me see it!" "I'll write to them to send you the paper if you like," Henrietta said. "I didn't mention your name; I only said a lady of high rank. And then I quoted your views." The Countess threw herself hastily backward, tossing up her clasped hands. "Do you know I'm rather sorry you didn't mention my name? I should have rather liked to see my name in the papers. I forget what my views were; I have so many! But I'm not ashamed of them. I'm not at all like my brother--I suppose you know my brother? He thinks it a kind of scandal to be put in the papers; if you were to quote him he'd never forgive you." "He needn't be afraid; I shall never refer to him," said Miss Stackpole with bland dryness. "That's another reason," she added, "why I wanted to come to see you. You know Mr. Osmond married my dearest friend." "Ah, yes; you were a friend of Isabel's. I was trying to think what I knew about you." "I'm quite willing to be known by that," Henrietta declared. "But that isn't what your brother likes to know me by. He has tried to break up my relations with Isabel." "Don't permit it," said the Countess. "That's what I want to talk about. I'm going to Rome." "So am I!" the Countess cried. "We'll go together." "With great pleasure. And when I write about my journey I'll mention you by name as my companion." The Countess sprang from her chair and came and sat on the sofa beside her visitor. "Ah, you must send me the paper! My husband won't like it, but he need never see it. Besides, he doesn't know how to read." Henrietta's large eyes became immense. "Doesn't know how to read? May I put that into my letter?" "Into your letter?" "In the Interviewer. That's my paper." "Oh yes, if you like; with his name. Are you going to stay with Isabel?" Henrietta held up her head, gazing a little in silence at her hostess. "She has not asked me. I wrote to her I was coming, and she answered that she would engage a room for me at a pension. She gave no reason." The Countess listened with extreme interest. "The reason's Osmond," she pregnantly remarked. "Isabel ought to make a stand," said Miss Stackpole. "I'm afraid she has changed a great deal. I told her she would." "I'm sorry to hear it; I hoped she would have her own way. Why doesn't my brother like you?" the Countess ingenuously added. "I don't know and I don't care. He's perfectly welcome not to like me; I don't want every one to like me; I should think less of myself if some people did. A journalist can't hope to do much good unless he gets a good deal hated; that's the way he knows how his work goes on. And it's just the same for a lady. But I didn't expect it of Isabel." "Do you mean that she hates you?" the Countess enquired. "I don't know; I want to see. That's what I'm going to Rome for." "Dear me, what a tiresome errand!" the Countess exclaimed. "She doesn't write to me in the same way; it's easy to see there's a difference. If you know anything," Miss Stackpole went on, "I should like to hear it beforehand, so as to decide on the line I shall take." The Countess thrust out her under lip and gave a gradual shrug. "I know very little; I see and hear very little of Osmond. He doesn't like me any better than he appears to like you." "Yet you're not a lady correspondent," said Henrietta pensively. "Oh, he has plenty of reasons. Nevertheless they've invited me--I'm to stay in the house!" And the Countess smiled almost fiercely; her exultation, for the moment, took little account of Miss Stackpole's disappointment. This lady, however, regarded it very placidly. "I shouldn't have gone if she HAD asked me. That is I think I shouldn't; and I'm glad I hadn't to make up my mind. It would have been a very difficult question. I shouldn't have liked to turn away from her, and yet I shouldn't have been happy under her roof. A pension will suit me very well. But that's not all." "Rome's very good just now," said the Countess; "there are all sorts of brilliant people. Did you ever hear of Lord Warburton?" "Hear of him? I know him very well. Do you consider him very brilliant?" Henrietta enquired. "I don't know him, but I'm told he's extremely grand seigneur. He's making love to Isabel." "Making love to her?" "So I'm told; I don't know the details," said the Countess lightly. "But Isabel's pretty safe." Henrietta gazed earnestly at her companion; for a moment she said nothing. "When do you go to Rome?" she enquired abruptly. "Not for a week, I'm afraid." "I shall go to-morrow," Henrietta said. "I think I had better not wait." "Dear me, I'm sorry; I'm having some dresses made. I'm told Isabel receives immensely. But I shall see you there; I shall call on you at your pension." Henrietta sat still--she was lost in thought; and suddenly the Countess cried: "Ah, but if you don't go with me you can't describe our journey!" Miss Stackpole seemed unmoved by this consideration; she was thinking of something else and presently expressed it. "I'm not sure that I understand you about Lord Warburton." "Understand me? I mean he's very nice, that's all." "Do you consider it nice to make love to married women?" Henrietta enquired with unprecedented distinctness. The Countess stared, and then with a little violent laugh: "It's certain all the nice men do it. Get married and you'll see!" she added. "That idea would be enough to prevent me," said Miss Stackpole. "I should want my own husband; I shouldn't want any one else's. Do you mean that Isabel's guilty--guilty--?" And she paused a little, choosing her expression. "Do I mean she's guilty? Oh dear no, not yet, I hope. I only mean that Osmond's very tiresome and that Lord Warburton, as I hear, is a great deal at the house. I'm afraid you're scandalised." "No, I'm just anxious," Henrietta said. "Ah, you're not very complimentary to Isabel! You should have more confidence. I'll tell you," the Countess added quickly: "if it will be a comfort to you I engage to draw him off." Miss Stackpole answered at first only with the deeper solemnity of her gaze. "You don't understand me," she said after a while. "I haven't the idea you seem to suppose. I'm not afraid for Isabel--in that way. I'm only afraid she's unhappy--that's what I want to get at." The Countess gave a dozen turns of the head; she looked impatient and sarcastic. "That may very well be; for my part I should like to know whether Osmond is." Miss Stackpole had begun a little to bore her. "If she's really changed that must be at the bottom of it," Henrietta went on. "You'll see; she'll tell you," said the Countess. "Ah, she may NOT tell me--that's what I'm afraid of!" "Well, if Osmond isn't amusing himself--in his own old way--I flatter myself I shall discover it," the Countess rejoined. "I don't care for that," said Henrietta. "I do immensely! If Isabel's unhappy I'm very sorry for her, but I can't help it. I might tell her something that would make her worse, but I can't tell her anything that would console her. What did she go and marry him for? If she had listened to me she'd have got rid of him. I'll forgive her, however, if I find she has made things hot for him! If she has simply allowed him to trample upon her I don't know that I shall even pity her. But I don't think that's very likely. I count upon finding that if she's miserable she has at least made HIM so." Henrietta got up; these seemed to her, naturally, very dreadful expectations. She honestly believed she had no desire to see Mr. Osmond unhappy; and indeed he could not be for her the subject of a flight of fancy. She was on the whole rather disappointed in the Countess, whose mind moved in a narrower circle than she had imagined, though with a capacity for coarseness even there. "It will be better if they love each other," she said for edification. "They can't. He can't love any one." "I presumed that was the case. But it only aggravates my fear for Isabel. I shall positively start to-morrow." "Isabel certainly has devotees," said the Countess, smiling very vividly. "I declare I don't pity her." "It may be I can't assist her," Miss Stackpole pursued, as if it were well not to have illusions. "You can have wanted to, at any rate; that's something. I believe that's what you came from America for," the Countess suddenly added. "Yes, I wanted to look after her," Henrietta said serenely. Her hostess stood there smiling at her with small bright eyes and an eager-looking nose; with cheeks into each of which a flush had come. "Ah, that's very pretty c'est bien gentil! Isn't it what they call friendship?" "I don't know what they call it. I thought I had better come." "She's very happy--she's very fortunate," the Countess went on. "She has others besides." And then she broke out passionately. "She's more fortunate than I! I'm as unhappy as she--I've a very bad husband; he's a great deal worse than Osmond. And I've no friends. I thought I had, but they're gone. No one, man or woman, would do for me what you've done for her." Henrietta was touched; there was nature in this bitter effusion. She gazed at her companion a moment, and then: "Look here, Countess, I'll do anything for you that you like. I'll wait over and travel with you." "Never mind," the Countess answered with a quick change of tone: "only describe me in the newspaper!" Henrietta, before leaving her, however, was obliged to make her understand that she could give no fictitious representation of her journey to Rome. Miss Stackpole was a strictly veracious reporter. On quitting her she took the way to the Lung' Arno, the sunny quay beside the yellow river where the bright-faced inns familiar to tourists stand all in a row. She had learned her way before this through the streets of Florence (she was very quick in such matters), and was therefore able to turn with great decision of step out of the little square which forms the approach to the bridge of the Holy Trinity. She proceeded to the left, toward the Ponte Vecchio, and stopped in front of one of the hotels which overlook that delightful structure. Here she drew forth a small pocket-book, took from it a card and a pencil and, after meditating a moment, wrote a few words. It is our privilege to look over her shoulder, and if we exercise it we may read the brief query: "Could I see you this evening for a few moments on a very important matter?" Henrietta added that she should start on the morrow for Rome. Armed with this little document she approached the porter, who now had taken up his station in the doorway, and asked if Mr. Goodwood were at home. The porter replied, as porters always reply, that he had gone out about twenty minutes before; whereupon Henrietta presented her card and begged it might be handed him on his return. She left the inn and pursued her course along the quay to the severe portico of the Uffizi, through which she presently reached the entrance of the famous gallery of paintings. Making her way in, she ascended the high staircase which leads to the upper chambers. The long corridor, glazed on one side and decorated with antique busts, which gives admission to these apartments, presented an empty vista in which the bright winter light twinkled upon the marble floor. The gallery is very cold and during the midwinter weeks but scantily visited. Miss Stackpole may appear more ardent in her quest of artistic beauty than she has hitherto struck us as being, but she had after all her preferences and admirations. One of the latter was the little Correggio of the Tribune--the Virgin kneeling down before the sacred infant, who lies in a litter of straw, and clapping her hands to him while he delightedly laughs and crows. Henrietta had a special devotion to this intimate scene--she thought it the most beautiful picture in the world. On her way, at present, from New York to Rome, she was spending but three days in Florence, and yet reminded herself that they must not elapse without her paying another visit to her favourite work of art. She had a great sense of beauty in all ways, and it involved a good many intellectual obligations. She was about to turn into the Tribune when a gentleman came out of it; whereupon she gave a little exclamation and stood before Caspar Goodwood. "I've just been at your hotel," she said. "I left a card for you." "I'm very much honoured," Caspar Goodwood answered as if he really meant it. "It was not to honour you I did it; I've called on you before and I know you don't like it. It was to talk to you a little about something." He looked for a moment at the buckle in her hat. "I shall be very glad to hear what you wish to say." "You don't like to talk with me," said Henrietta. "But I don't care for that; I don't talk for your amusement. I wrote a word to ask you to come and see me; but since I've met you here this will do as well." "I was just going away," Goodwood stated; "but of course I'll stop." He was civil, but not enthusiastic. Henrietta, however, never looked for great professions, and she was so much in earnest that she was thankful he would listen to her on any terms. She asked him first, none the less, if he had seen all the pictures. "All I want to. I've been here an hour." "I wonder if you've seen my Correggio," said Henrietta. "I came up on purpose to have a look at it." She went into the Tribune and he slowly accompanied her. "I suppose I've seen it, but I didn't know it was yours. I don't remember pictures--especially that sort." She had pointed out her favourite work, and he asked her if it was about Correggio she wished to talk with him. "No," said Henrietta, "it's about something less harmonious!" They had the small, brilliant room, a splendid cabinet of treasures, to themselves; there was only a custode hovering about the Medicean Venus. "I want you to do me a favour," Miss Stackpole went on. Caspar Goodwood frowned a little, but he expressed no embarrassment at the sense of not looking eager. His face was that of a much older man than our earlier friend. "I'm sure it's something I shan't like," he said rather loudly. "No, I don't think you'll like it. If you did it would be no favour." "Well, let's hear it," he went on in the tone of a man quite conscious of his patience. "You may say there's no particular reason why you should do me a favour. Indeed I only know of one: the fact that if you'd let me I'd gladly do you one." Her soft, exact tone, in which there was no attempt at effect, had an extreme sincerity; and her companion, though he presented rather a hard surface, couldn't help being touched by it. When he was touched he rarely showed it, however, by the usual signs; he neither blushed, nor looked away, nor looked conscious. He only fixed his attention more directly; he seemed to consider with added firmness. Henrietta continued therefore disinterestedly, without the sense of an advantage. "I may say now, indeed--it seems a good time--that if I've ever annoyed you (and I think sometimes I have) it's because I knew I was willing to suffer annoyance for you. I've troubled you--doubtless. But I'd TAKE trouble for you." Goodwood hesitated. "You're taking trouble now." "Yes, I am--some. I want you to consider whether it's better on the whole that you should go to Rome." "I thought you were going to say that!" he answered rather artlessly. "You HAVE considered it then?" "Of course I have, very carefully. I've looked all round it. Otherwise I shouldn't have come so far as this. That's what I stayed in Paris two months for. I was thinking it over." "I'm afraid you decided as you liked. You decided it was best because you were so much attracted." "Best for whom, do you mean?" Goodwood demanded. "Well, for yourself first. For Mrs. Osmond next." "Oh, it won't do HER any good! I don't flatter myself that." "Won't it do her some harm?--that's the question." "I don't see what it will matter to her. I'm nothing to Mrs. Osmond. But if you want to know, I do want to see her myself." "Yes, and that's why you go." "Of course it is. Could there be a better reason?" "How will it help you?--that's what I want to know," said Miss Stackpole. "That's just what I can't tell you. It's just what I was thinking about in Paris." "It will make you more discontented." "Why do you say 'more' so?" Goodwood asked rather sternly. "How do you know I'm discontented?" "Well," said Henrietta, hesitating a little, "you seem never to have cared for another." "How do you know what I care for?" he cried with a big blush. "Just now I care to go to Rome." Henrietta looked at him in silence, with a sad yet luminous expression. "Well," she observed at last, "I only wanted to tell you what I think; I had it on my mind. Of course you think it's none of my business. But nothing is any one's business, on that principle." "It's very kind of you; I'm greatly obliged to you for your interest," said Caspar Goodwood. "I shall go to Rome and I shan't hurt Mrs. Osmond." "You won't hurt her, perhaps. But will you help her?--that's the real issue." "Is she in need of help?" he asked slowly, with a penetrating look. "Most women always are," said Henrietta, with conscientious evasiveness and generalising less hopefully than usual. "If you go to Rome," she added, "I hope you'll be a true friend--not a selfish one!" And she turned off and began to look at the pictures. Caspar Goodwood let her go and stood watching her while she wandered round the room; but after a moment he rejoined her. "You've heard something about her here," he then resumed. "I should like to know what you've heard." Henrietta had never prevaricated in her life, and, though on this occasion there might have been a fitness in doing so, she decided, after thinking some minutes, to make no superficial exception. "Yes, I've heard," she answered; "but as I don't want you to go to Rome I won't tell you." "Just as you please. I shall see for myself," he said. Then inconsistently, for him, "You've heard she's unhappy!" he added. "Oh, you won't see that!" Henrietta exclaimed. "I hope not. When do you start?" "To-morrow, by the evening train. And you?" Goodwood hung back; he had no desire to make his journey to Rome in Miss Stackpole's company. His indifference to this advantage was not of the same character as Gilbert Osmond's, but it had at this moment an equal distinctness. It was rather a tribute to Miss Stackpole's virtues than a reference to her faults. He thought her very remarkable, very brilliant, and he had, in theory, no objection to the class to which she belonged. Lady correspondents appeared to him a part of the natural scheme of things in a progressive country, and though he never read their letters he supposed that they ministered somehow to social prosperity. But it was this very eminence of their position that made him wish Miss Stackpole didn't take so much for granted. She took for granted that he was always ready for some allusion to Mrs. Osmond; she had done so when they met in Paris, six weeks after his arrival in Europe, and she had repeated the assumption with every successive opportunity. He had no wish whatever to allude to Mrs. Osmond; he was NOT always thinking of her; he was perfectly sure of that. He was the most reserved, the least colloquial of men, and this enquiring authoress was constantly flashing her lantern into the quiet darkness of his soul. He wished she didn't care so much; he even wished, though it might seem rather brutal of him, that she would leave him alone. In spite of this, however, he just now made other reflections--which show how widely different, in effect, his ill-humour was from Gilbert Osmond's. He desired to go immediately to Rome; he would have liked to go alone, in the night-train. He hated the European railway-carriages, in which one sat for hours in a vise, knee to knee and nose to nose with a foreigner to whom one presently found one's self objecting with all the added vehemence of one's wish to have the window open; and if they were worse at night even than by day, at least at night one could sleep and dream of an American saloon-car. But he couldn't take a night-train when Miss Stackpole was starting in the morning; it struck him that this would be an insult to an unprotected woman. Nor could he wait until after she had gone unless he should wait longer than he had patience for. It wouldn't do to start the next day. She worried him; she oppressed him; the idea of spending the day in a European railway-carriage with her offered a complication of irritations. Still, she was a lady travelling alone; it was his duty to put himself out for her. There could be no two questions about that; it was a perfectly clear necessity. He looked extremely grave for some moments and then said, wholly without the flourish of gallantry but in a tone of extreme distinctness, "Of course if you're going to-morrow I'll go too, as I may be of assistance to you." "Well, Mr. Goodwood, I should hope so!" Henrietta returned imperturbably.

Chapter 44

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-43-45

Countess Gemini wishes she lived in Rome - she finds herself often very bored. She thought of society in Rome as very interesting; it had many celebrities, whereas in Florence, where she lives, there are none. She knew Isabel was having a beautiful time, and that she led a more brilliant life than herself. The Countess did not feel envious of Isabel's personal merits though. She is constantly surprised by the fact that Isabel did not look down on her. Isabel in fact was somewhat scared of her, thinking of her as a "bright rare shell, with a polished surface". The Countess is not often asked to come to Rome because of her brother. Isabel would have liked to have seen her more often. The Countess wishes to know how Isabel is faring against her brother. One day Henrietta Stackpole comes to visit the Countess because the Countess is the only person she knows in Florence at the moment. Henrietta tells the Countess that she remembers the Countess once told her something useful about the position of women in the city of Florence. Henrietta has used this bit of information in a newspaper article. Henrietta informs the Countess that Isabel's husband has tried to break her relations with her dearest friend. She is seeking the Countess's help. Henrietta is going to Rome to see if Isabel now hates her. She has noticed a change in Isabel's letters. The Countess tells Henrietta that Lord Warburton is trying to "make love" to Isabel. Henrietta wants to find out if Isabel is unhappy, but she is afraid Isabel would not tell her. The Countess speculates that she can find out if Mr. Osmond is unhappy - and if he is unhappy, then that would show that Isabel is making him miserable, meaning that she has not allowed herself to be trampled upon by Mr. Osmond. Henrietta dislikes this line of thought. The Countess notes how devoted Isabel's friends are. On her way back to her hotel, Henrietta leaves a card for Caspar Goodwood, who is in Florence. She requests to see him regarding an important matter. When she arrives at her hotel though, Goodwood is already there. She asks him if he will go to Rome. Goodwood says he has been considering it for the past few months. He does not believe it will matter for Isabel, but he wants to go and see him for himself. Henrietta notes that Caspar Goodwood has never cared for anyone but Isabel. Caspar Goodwood wonders why Henrietta Stackpole thinks that Isabel is always foremost on his mind. He believes he is not always thinking of Isabel. He wished that Henrietta would leave him alone. But he realizes that he must offer to go on the same train with her to Rome, if only out of courtesy

In Chapter 43, Isabel guesses that Warburton may act or abstain from acting on the basis of her own desires: and it is this that makes her refuse to force him to do so. They exchange a look that is very significant for indicating how psychological motivation of two people with good intentions can play off of each other. The narrator tells us that Isabel sees the gleam of an idea in Warburton's eye that Isabel herself is uneasy. This is a very difficult construction: Isabel knows that Warburton is thinking about Isabel's thoughts and desires. The next sentence is attributed neither to Warburton, nor to Isabel - it is simply a statement that "not for an instant should he suspect her of detecting in his proposal... an implication of increased nearness to herself" . It could either mean that Warburton is trying to prevent Isabel from knowing that he is acting all out of his love for Isabel, or it could mean that Isabel notices Warburton is trying to prevent her from knowing his true motivation. Two people with good intentions, in other words, want to act only when they understand other people's desires and motivations, rather than acting purely out of their own self-interest. This seems to be the version of morality that James is propagating: one must understand oneself within a network of social relations and amidst the motivations of others in order to act in a moral way. The conversation between Countess Gemini and Henrietta Stackpole is one of the few conversations we get between two characters of minor importance. It is comical that these two characters get along: Countess Gemini has been described as a frivolous fabulist, and Henrietta Stackpole is very straightforward and honest. Henrietta Stackpole represents the New World and the possibilities open to modern women, insofar as she has an occupation that enables her to travel, think, observe, and be financially independent. Countess Gemini represents the decadence of the Old World, having married for position and money, she is left without any real values. Ralph and Isabel's conversation in Chapter 45 is significant because it shows Isabel finally beginning to move about the cage which Osmond has built for her: she finally starts to assert her own idea of how one should behave in life, rather than following Osmond's conventional way. Convention dictates that a woman should not oppose her husband's will. Isabel here feels that a heavy obligation. However, she realizes that if she convinces Lord Warburton to propose marriage to Pansy, he will only be doing it out of his love for Isabel. In Isabel's conversation with Pansy, in Chapter 46 then, Isabel seems to realize what more concretely what her morality is: she believes that people should act only from their own ideas and desires, and do so in an open and honest way.

gradesaver

all_chapterized_books/2833-chapters/45.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_14_part_3.txt

The Portrait of a Lady.chapter 45

chapter 45

{"name": "Chapter 45", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-43-45", "summary": "Isabel knows that her husband dislikes her visiting Ralph. She thinks of Ralph though as an \"apostle of freedom\" who allows her to refresh her own mind. However Isabel is very much aware of how her visiting Ralph against the wishes of her husband would not fit the definition of a conventional marriage, and she cowers at the idea that she might end up meeting her husband in open opposition. Sometimes she even Ralph would leave because she is afraid of seeming to repudiate her husband in her defiance. Isabel visits Ralph one day and asks him if Lord Warburton is really in love with Pansy, and Ralph responds that he is not in love with Pansy, implying that he is in love with Isabel. When Ralph treats the matter lightly, Isabel sighs that Ralph gives her no help. Ralph compassionately declares, \"How unhappy you must be. since it is the first time she has ever asked for help. Isabel however quickly recovers and brushes the matter off as a \"domestic embarrassment. Isabel's mask has only dropped for an instant, and Ralph feels disappointed. He tries again and again to make her betray her husband in words. He feels he hears her cry for help in the fact that she is contradicting herself in matters of domestic embarrassments. Ralph then suggests that Osmond will think Isabel is jealous of Pansy. Isabel blushes at the idea. Later that day, Isabel decides to speak to Pansy. She wants to know how Pansy feels about Lord Warburton. She knows that Osmond would have thought this an act of treachery. Isabel tells Pansy that she wants to know what Pansy desires so that Isabel herself may act accordingly. Pansy tells her that all she wants is to marry Mr. Rosier. Isabel says it is impossible, and that she must think of something else. Isabel explains to Pansy the consequences of disobeying her father, and she also tells him that Edward Rosier does not have enough money to marry her. As she explains this, she feels incredibly insincere. She suggests that Osmond might propose another suitor for marriage, Lord Warburton. Pansy smiles with bright assurance: she is sure that Lord Warburton will not ask. Isabel feels awkward at Pansy's assurance, because she feels like she is being accused of dishonesty. Pansy explains that Warburton is kind enough not to ask", "analysis": "In Chapter 43, Isabel guesses that Warburton may act or abstain from acting on the basis of her own desires: and it is this that makes her refuse to force him to do so. They exchange a look that is very significant for indicating how psychological motivation of two people with good intentions can play off of each other. The narrator tells us that Isabel sees the gleam of an idea in Warburton's eye that Isabel herself is uneasy. This is a very difficult construction: Isabel knows that Warburton is thinking about Isabel's thoughts and desires. The next sentence is attributed neither to Warburton, nor to Isabel - it is simply a statement that \"not for an instant should he suspect her of detecting in his proposal... an implication of increased nearness to herself\" . It could either mean that Warburton is trying to prevent Isabel from knowing that he is acting all out of his love for Isabel, or it could mean that Isabel notices Warburton is trying to prevent her from knowing his true motivation. Two people with good intentions, in other words, want to act only when they understand other people's desires and motivations, rather than acting purely out of their own self-interest. This seems to be the version of morality that James is propagating: one must understand oneself within a network of social relations and amidst the motivations of others in order to act in a moral way. The conversation between Countess Gemini and Henrietta Stackpole is one of the few conversations we get between two characters of minor importance. It is comical that these two characters get along: Countess Gemini has been described as a frivolous fabulist, and Henrietta Stackpole is very straightforward and honest. Henrietta Stackpole represents the New World and the possibilities open to modern women, insofar as she has an occupation that enables her to travel, think, observe, and be financially independent. Countess Gemini represents the decadence of the Old World, having married for position and money, she is left without any real values. Ralph and Isabel's conversation in Chapter 45 is significant because it shows Isabel finally beginning to move about the cage which Osmond has built for her: she finally starts to assert her own idea of how one should behave in life, rather than following Osmond's conventional way. Convention dictates that a woman should not oppose her husband's will. Isabel here feels that a heavy obligation. However, she realizes that if she convinces Lord Warburton to propose marriage to Pansy, he will only be doing it out of his love for Isabel. In Isabel's conversation with Pansy, in Chapter 46 then, Isabel seems to realize what more concretely what her morality is: she believes that people should act only from their own ideas and desires, and do so in an open and honest way."}

I have already had reason to say that Isabel knew her husband to be displeased by the continuance of Ralph's visit to Rome. That knowledge was very present to her as she went to her cousin's hotel the day after she had invited Lord Warburton to give a tangible proof of his sincerity; and at this moment, as at others, she had a sufficient perception of the sources of Osmond's opposition. He wished her to have no freedom of mind, and he knew perfectly well that Ralph was an apostle of freedom. It was just because he was this, Isabel said to herself, that it was a refreshment to go and see him. It will be perceived that she partook of this refreshment in spite of her husband's aversion to it, that is partook of it, as she flattered herself, discreetly. She had not as yet undertaken to act in direct opposition to his wishes; he was her appointed and inscribed master; she gazed at moments with a sort of incredulous blankness at this fact. It weighed upon her imagination, however; constantly present to her mind were all the traditionary decencies and sanctities of marriage. The idea of violating them filled her with shame as well as with dread, for on giving herself away she had lost sight of this contingency in the perfect belief that her husband's intentions were as generous as her own. She seemed to see, none the less, the rapid approach of the day when she should have to take back something she had solemnly bestown. Such a ceremony would be odious and monstrous; she tried to shut her eyes to it meanwhile. Osmond would do nothing to help it by beginning first; he would put that burden upon her to the end. He had not yet formally forbidden her to call upon Ralph; but she felt sure that unless Ralph should very soon depart this prohibition would come. How could poor Ralph depart? The weather as yet made it impossible. She could perfectly understand her husband's wish for the event; she didn't, to be just, see how he COULD like her to be with her cousin. Ralph never said a word against him, but Osmond's sore, mute protest was none the less founded. If he should positively interpose, if he should put forth his authority, she would have to decide, and that wouldn't be easy. The prospect made her heart beat and her cheeks burn, as I say, in advance; there were moments when, in her wish to avoid an open rupture, she found herself wishing Ralph would start even at a risk. And it was of no use that, when catching herself in this state of mind, she called herself a feeble spirit, a coward. It was not that she loved Ralph less, but that almost anything seemed preferable to repudiating the most serious act--the single sacred act--of her life. That appeared to make the whole future hideous. To break with Osmond once would be to break for ever; any open acknowledgement of irreconcilable needs would be an admission that their whole attempt had proved a failure. For them there could be no condonement, no compromise, no easy forgetfulness, no formal readjustment. They had attempted only one thing, but that one thing was to have been exquisite. Once they missed it nothing else would do; there was no conceivable substitute for that success. For the moment, Isabel went to the Hotel de Paris as often as she thought well; the measure of propriety was in the canon of taste, and there couldn't have been a better proof that morality was, so to speak, a matter of earnest appreciation. Isabel's application of that measure had been particularly free to-day, for in addition to the general truth that she couldn't leave Ralph to die alone she had something important to ask of him. This indeed was Gilbert's business as well as her own. She came very soon to what she wished to speak of. "I want you to answer me a question. It's about Lord Warburton." "I think I guess your question," Ralph answered from his arm-chair, out of which his thin legs protruded at greater length than ever. "Very possibly you guess it. Please then answer it." "Oh, I don't say I can do that." "You're intimate with him," she said; "you've a great deal of observation of him." "Very true. But think how he must dissimulate!" "Why should he dissimulate? That's not his nature." "Ah, you must remember that the circumstances are peculiar," said Ralph with an air of private amusement. "To a certain extent--yes. But is he really in love?" "Very much, I think. I can make that out." "Ah!" said Isabel with a certain dryness. Ralph looked at her as if his mild hilarity had been touched with mystification. "You say that as if you were disappointed." Isabel got up, slowly smoothing her gloves and eyeing them thoughtfully. "It's after all no business of mine." "You're very philosophic," said her cousin. And then in a moment: "May I enquire what you're talking about?" Isabel stared. "I thought you knew. Lord Warburton tells me he wants, of all things in the world, to marry Pansy. I've told you that before, without eliciting a comment from you. You might risk one this morning, I think. Is it your belief that he really cares for her?" "Ah, for Pansy, no!" cried Ralph very positively. "But you said just now he did." Ralph waited a moment. "That he cared for you, Mrs. Osmond." Isabel shook her head gravely. "That's nonsense, you know." "Of course it is. But the nonsense is Warburton's, not mine." "That would be very tiresome." She spoke, as she flattered herself, with much subtlety. "I ought to tell you indeed," Ralph went on, "that to me he has denied it." "It's very good of you to talk about it together! Has he also told you that he's in love with Pansy?" "He has spoken very well of her--very properly. He has let me know, of course, that he thinks she would do very well at Lockleigh." "Does he really think it?" "Ah, what Warburton really thinks--!" said Ralph. Isabel fell to smoothing her gloves again; they were long, loose gloves on which she could freely expend herself. Soon, however, she looked up, and then, "Ah, Ralph, you give me no help!" she cried abruptly and passionately. It was the first time she had alluded to the need for help, and the words shook her cousin with their violence. He gave a long murmur of relief, of pity, of tenderness; it seemed to him that at last the gulf between them had been bridged. It was this that made him exclaim in a moment: "How unhappy you must be!" He had no sooner spoken than she recovered her self-possession, and the first use she made of it was to pretend she had not heard him. "When I talk of your helping me I talk great nonsense," she said with a quick smile. "The idea of my troubling you with my domestic embarrassments! The matter's very simple; Lord Warburton must get on by himself. I can't undertake to see him through." "He ought to succeed easily," said Ralph. Isabel debated. "Yes--but he has not always succeeded." "Very true. You know, however, how that always surprised me. Is Miss Osmond capable of giving us a surprise?" "It will come from him, rather. I seem to see that after all he'll let the matter drop." "He'll do nothing dishonourable," said Ralph. "I'm very sure of that. Nothing can be more honourable than for him to leave the poor child alone. She cares for another person, and it's cruel to attempt to bribe her by magnificent offers to give him up." "Cruel to the other person perhaps--the one she cares for. But Warburton isn't obliged to mind that." "No, cruel to her," said Isabel. "She would be very unhappy if she were to allow herself to be persuaded to desert poor Mr. Rosier. That idea seems to amuse you; of course you're not in love with him. He has the merit--for Pansy--of being in love with Pansy. She can see at a glance that Lord Warburton isn't." "He'd be very good to her," said Ralph. "He has been good to her already. Fortunately, however, he has not said a word to disturb her. He could come and bid her good-bye to-morrow with perfect propriety." "How would your husband like that?" "Not at all; and he may be right in not liking it. Only he must obtain satisfaction himself." "Has he commissioned you to obtain it?" Ralph ventured to ask. "It was natural that as an old friend of Lord Warburton's--an older friend, that is, than Gilbert--I should take an interest in his intentions." "Take an interest in his renouncing them, you mean?" Isabel hesitated, frowning a little. "Let me understand. Are you pleading his cause?" "Not in the least. I'm very glad he shouldn't become your stepdaughter's husband. It makes such a very queer relation to you!" said Ralph, smiling. "But I'm rather nervous lest your husband should think you haven't pushed him enough." Isabel found herself able to smile as well as he. "He knows me well enough not to have expected me to push. He himself has no intention of pushing, I presume. I'm not afraid I shall not be able to justify myself!" she said lightly. Her mask had dropped for an instant, but she had put it on again, to Ralph's infinite disappointment. He had caught a glimpse of her natural face and he wished immensely to look into it. He had an almost savage desire to hear her complain of her husband--hear her say that she should be held accountable for Lord Warburton's defection. Ralph was certain that this was her situation; he knew by instinct, in advance, the form that in such an event Osmond's displeasure would take. It could only take the meanest and cruellest. He would have liked to warn Isabel of it--to let her see at least how he judged for her and how he knew. It little mattered that Isabel would know much better; it was for his own satisfaction more than for hers that he longed to show her he was not deceived. He tried and tried again to make her betray Osmond; he felt cold-blooded, cruel, dishonourable almost, in doing so. But it scarcely mattered, for he only failed. What had she come for then, and why did she seem almost to offer him a chance to violate their tacit convention? Why did she ask him his advice if she gave him no liberty to answer her? How could they talk of her domestic embarrassments, as it pleased her humorously to designate them, if the principal factor was not to be mentioned? These contradictions were themselves but an indication of her trouble, and her cry for help, just before, was the only thing he was bound to consider. "You'll be decidedly at variance, all the same," he said in a moment. And as she answered nothing, looking as if she scarce understood, "You'll find yourselves thinking very differently," he continued. "That may easily happen, among the most united couples!" She took up her parasol; he saw she was nervous, afraid of what he might say. "It's a matter we can hardly quarrel about, however," she added; "for almost all the interest is on his side. That's very natural. Pansy's after all his daughter--not mine." And she put out her hand to wish him goodbye. Ralph took an inward resolution that she shouldn't leave him without his letting her know that he knew everything: it seemed too great an opportunity to lose. "Do you know what his interest will make him say?" he asked as he took her hand. She shook her head, rather dryly--not discouragingly--and he went on. "It will make him say that your want of zeal is owing to jealousy." He stopped a moment; her face made him afraid. "To jealousy?" "To jealousy of his daughter." She blushed red and threw back her head. "You're not kind," she said in a voice that he had never heard on her lips. "Be frank with me and you'll see," he answered. But she made no reply; she only pulled her hand out of his own, which he tried still to hold, and rapidly withdrew from the room. She made up her mind to speak to Pansy, and she took an occasion on the same day, going to the girl's room before dinner. Pansy was already dressed; she was always in advance of the time: it seemed to illustrate her pretty patience and the graceful stillness with which she could sit and wait. At present she was seated, in her fresh array, before the bed-room fire; she had blown out her candles on the completion of her toilet, in accordance with the economical habits in which she had been brought up and which she was now more careful than ever to observe; so that the room was lighted only by a couple of logs. The rooms in Palazzo Roccanera were as spacious as they were numerous, and Pansy's virginal bower was an immense chamber with a dark, heavily-timbered ceiling. Its diminutive mistress, in the midst of it, appeared but a speck of humanity, and as she got up, with quick deference, to welcome Isabel, the latter was more than ever struck with her shy sincerity. Isabel had a difficult task--the only thing was to perform it as simply as possible. She felt bitter and angry, but she warned herself against betraying this heat. She was afraid even of looking too grave, or at least too stern; she was afraid of causing alarm. But Pansy seemed to have guessed she had come more or less as a confessor; for after she had moved the chair in which she had been sitting a little nearer to the fire and Isabel had taken her place in it, she kneeled down on a cushion in front of her, looking up and resting her clasped hands on her stepmother's knees. What Isabel wished to do was to hear from her own lips that her mind was not occupied with Lord Warburton; but if she desired the assurance she felt herself by no means at liberty to provoke it. The girl's father would have qualified this as rank treachery; and indeed Isabel knew that if Pansy should display the smallest germ of a disposition to encourage Lord Warburton her own duty was to hold her tongue. It was difficult to interrogate without appearing to suggest; Pansy's supreme simplicity, an innocence even more complete than Isabel had yet judged it, gave to the most tentative enquiry something of the effect of an admonition. As she knelt there in the vague firelight, with her pretty dress dimly shining, her hands folded half in appeal and half in submission, her soft eyes, raised and fixed, full of the seriousness of the situation, she looked to Isabel like a childish martyr decked out for sacrifice and scarcely presuming even to hope to avert it. When Isabel said to her that she had never yet spoken to her of what might have been going on in relation to her getting married, but that her silence had not been indifference or ignorance, had only been the desire to leave her at liberty, Pansy bent forward, raised her face nearer and nearer, and with a little murmur which evidently expressed a deep longing, answered that she had greatly wished her to speak and that she begged her to advise her now. "It's difficult for me to advise you," Isabel returned. "I don't know how I can undertake that. That's for your father; you must get his advice and, above all, you must act on it." At this Pansy dropped her eyes; for a moment she said nothing. "I think I should like your advice better than papa's," she presently remarked. "That's not as it should be," said Isabel coldly. "I love you very much, but your father loves you better." "It isn't because you love me--it's because you're a lady," Pansy answered with the air of saying something very reasonable. "A lady can advise a young girl better than a man." "I advise you then to pay the greatest respect to your father's wishes." "Ah yes," said the child eagerly, "I must do that." "But if I speak to you now about your getting married it's not for your own sake, it's for mine," Isabel went on. "If I try to learn from you what you expect, what you desire, it's only that I may act accordingly." Pansy stared, and then very quickly, "Will you do everything I want?" she asked. "Before I say yes I must know what such things are." Pansy presently told her that the only thing she wanted in life was to marry Mr. Rosier. He had asked her and she had told him she would do so if her papa would allow it. Now her papa wouldn't allow it. "Very well then, it's impossible," Isabel pronounced. "Yes, it's impossible," said Pansy without a sigh and with the same extreme attention in her clear little face. "You must think of something else then," Isabel went on; but Pansy, sighing at this, told her that she had attempted that feat without the least success. "You think of those who think of you," she said with a faint smile. "I know Mr. Rosier thinks of me." "He ought not to," said Isabel loftily. "Your father has expressly requested he shouldn't." "He can't help it, because he knows I think of HIM." "You shouldn't think of him. There's some excuse for him, perhaps; but there's none for you." "I wish you would try to find one," the girl exclaimed as if she were praying to the Madonna. "I should be very sorry to attempt it," said the Madonna with unusual frigidity. "If you knew some one else was thinking of you, would you think of him?" "No one can think of me as Mr. Rosier does; no one has the right." "Ah, but I don't admit Mr. Rosier's right!" Isabel hypocritically cried. Pansy only gazed at her, evidently much puzzled; and Isabel, taking advantage of it, began to represent to her the wretched consequences of disobeying her father. At this Pansy stopped her with the assurance that she would never disobey him, would never marry without his consent. And she announced, in the serenest, simplest tone, that, though she might never marry Mr. Rosier, she would never cease to think of him. She appeared to have accepted the idea of eternal singleness; but Isabel of course was free to reflect that she had no conception of its meaning. She was perfectly sincere; she was prepared to give up her lover. This might seem an important step toward taking another, but for Pansy, evidently, it failed to lead in that direction. She felt no bitterness toward her father; there was no bitterness in her heart; there was only the sweetness of fidelity to Edward Rosier, and a strange, exquisite intimation that she could prove it better by remaining single than even by marrying him. "Your father would like you to make a better marriage," said Isabel. "Mr. Rosier's fortune is not at all large." "How do you mean better--if that would be good enough? And I have myself so little money; why should I look for a fortune?" "Your having so little is a reason for looking for more." With which Isabel was grateful for the dimness of the room; she felt as if her face were hideously insincere. It was what she was doing for Osmond; it was what one had to do for Osmond! Pansy's solemn eyes, fixed on her own, almost embarrassed her; she was ashamed to think she had made so light of the girl's preference. "What should you like me to do?" her companion softly demanded. The question was a terrible one, and Isabel took refuge in timorous vagueness. "To remember all the pleasure it's in your power to give your father." "To marry some one else, you mean--if he should ask me?" For a moment Isabel's answer caused itself to be waited for; then she heard herself utter it in the stillness that Pansy's attention seemed to make. "Yes--to marry some one else." The child's eyes grew more penetrating; Isabel believed she was doubting her sincerity, and the impression took force from her slowly getting up from her cushion. She stood there a moment with her small hands unclasped and then quavered out: "Well, I hope no one will ask me!" "There has been a question of that. Some one else would have been ready to ask you." "I don't think he can have been ready," said Pansy. "It would appear so if he had been sure he'd succeed." "If he had been sure? Then he wasn't ready!" Isabel thought this rather sharp; she also got up and stood a moment looking into the fire. "Lord Warburton has shown you great attention," she resumed; "of course you know it's of him I speak." She found herself, against her expectation, almost placed in the position of justifying herself; which led her to introduce this nobleman more crudely than she had intended. "He has been very kind to me, and I like him very much. But if you mean that he'll propose for me I think you're mistaken." "Perhaps I am. But your father would like it extremely." Pansy shook her head with a little wise smile. "Lord Warburton won't propose simply to please papa." "Your father would like you to encourage him," Isabel went on mechanically. "How can I encourage him?" "I don't know. Your father must tell you that." Pansy said nothing for a moment; she only continued to smile as if she were in possession of a bright assurance. "There's no danger--no danger!" she declared at last. There was a conviction in the way she said this, and a felicity in her believing it, which conduced to Isabel's awkwardness. She felt accused of dishonesty, and the idea was disgusting. To repair her self-respect she was on the point of saying that Lord Warburton had let her know that there was a danger. But she didn't; she only said--in her embarrassment rather wide of the mark--that he surely had been most kind, most friendly. "Yes, he has been very kind," Pansy answered. "That's what I like him for." "Why then is the difficulty so great?" "I've always felt sure of his knowing that I don't want--what did you say I should do?--to encourage him. He knows I don't want to marry, and he wants me to know that he therefore won't trouble me. That's the meaning of his kindness. It's as if he said to me: 'I like you very much, but if it doesn't please you I'll never say it again.' I think that's very kind, very noble," Pansy went on with deepening positiveness. "That is all we've said to each other. And he doesn't care for me either. Ah no, there's no danger." Isabel was touched with wonder at the depths of perception of which this submissive little person was capable; she felt afraid of Pansy's wisdom--began almost to retreat before it. "You must tell your father that," she remarked reservedly. "I think I'd rather not," Pansy unreservedly answered. "You oughtn't to let him have false hopes." "Perhaps not; but it will be good for me that he should. So long as he believes that Lord Warburton intends anything of the kind you say, papa won't propose any one else. And that will be an advantage for me," said the child very lucidly. There was something brilliant in her lucidity, and it made her companion draw a long breath. It relieved this friend of a heavy responsibility. Pansy had a sufficient illumination of her own, and Isabel felt that she herself just now had no light to spare from her small stock. Nevertheless it still clung to her that she must be loyal to Osmond, that she was on her honour in dealing with his daughter. Under the influence of this sentiment she threw out another suggestion before she retired--a suggestion with which it seemed to her that she should have done her utmost. "Your father takes for granted at least that you would like to marry a nobleman." Pansy stood in the open doorway; she had drawn back the curtain for Isabel to pass. "I think Mr. Rosier looks like one!" she remarked very gravely.

Chapter 45

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Isabel knows that her husband dislikes her visiting Ralph. She thinks of Ralph though as an "apostle of freedom" who allows her to refresh her own mind. However Isabel is very much aware of how her visiting Ralph against the wishes of her husband would not fit the definition of a conventional marriage, and she cowers at the idea that she might end up meeting her husband in open opposition. Sometimes she even Ralph would leave because she is afraid of seeming to repudiate her husband in her defiance. Isabel visits Ralph one day and asks him if Lord Warburton is really in love with Pansy, and Ralph responds that he is not in love with Pansy, implying that he is in love with Isabel. When Ralph treats the matter lightly, Isabel sighs that Ralph gives her no help. Ralph compassionately declares, "How unhappy you must be. since it is the first time she has ever asked for help. Isabel however quickly recovers and brushes the matter off as a "domestic embarrassment. Isabel's mask has only dropped for an instant, and Ralph feels disappointed. He tries again and again to make her betray her husband in words. He feels he hears her cry for help in the fact that she is contradicting herself in matters of domestic embarrassments. Ralph then suggests that Osmond will think Isabel is jealous of Pansy. Isabel blushes at the idea. Later that day, Isabel decides to speak to Pansy. She wants to know how Pansy feels about Lord Warburton. She knows that Osmond would have thought this an act of treachery. Isabel tells Pansy that she wants to know what Pansy desires so that Isabel herself may act accordingly. Pansy tells her that all she wants is to marry Mr. Rosier. Isabel says it is impossible, and that she must think of something else. Isabel explains to Pansy the consequences of disobeying her father, and she also tells him that Edward Rosier does not have enough money to marry her. As she explains this, she feels incredibly insincere. She suggests that Osmond might propose another suitor for marriage, Lord Warburton. Pansy smiles with bright assurance: she is sure that Lord Warburton will not ask. Isabel feels awkward at Pansy's assurance, because she feels like she is being accused of dishonesty. Pansy explains that Warburton is kind enough not to ask

In Chapter 43, Isabel guesses that Warburton may act or abstain from acting on the basis of her own desires: and it is this that makes her refuse to force him to do so. They exchange a look that is very significant for indicating how psychological motivation of two people with good intentions can play off of each other. The narrator tells us that Isabel sees the gleam of an idea in Warburton's eye that Isabel herself is uneasy. This is a very difficult construction: Isabel knows that Warburton is thinking about Isabel's thoughts and desires. The next sentence is attributed neither to Warburton, nor to Isabel - it is simply a statement that "not for an instant should he suspect her of detecting in his proposal... an implication of increased nearness to herself" . It could either mean that Warburton is trying to prevent Isabel from knowing that he is acting all out of his love for Isabel, or it could mean that Isabel notices Warburton is trying to prevent her from knowing his true motivation. Two people with good intentions, in other words, want to act only when they understand other people's desires and motivations, rather than acting purely out of their own self-interest. This seems to be the version of morality that James is propagating: one must understand oneself within a network of social relations and amidst the motivations of others in order to act in a moral way. The conversation between Countess Gemini and Henrietta Stackpole is one of the few conversations we get between two characters of minor importance. It is comical that these two characters get along: Countess Gemini has been described as a frivolous fabulist, and Henrietta Stackpole is very straightforward and honest. Henrietta Stackpole represents the New World and the possibilities open to modern women, insofar as she has an occupation that enables her to travel, think, observe, and be financially independent. Countess Gemini represents the decadence of the Old World, having married for position and money, she is left without any real values. Ralph and Isabel's conversation in Chapter 45 is significant because it shows Isabel finally beginning to move about the cage which Osmond has built for her: she finally starts to assert her own idea of how one should behave in life, rather than following Osmond's conventional way. Convention dictates that a woman should not oppose her husband's will. Isabel here feels that a heavy obligation. However, she realizes that if she convinces Lord Warburton to propose marriage to Pansy, he will only be doing it out of his love for Isabel. In Isabel's conversation with Pansy, in Chapter 46 then, Isabel seems to realize what more concretely what her morality is: she believes that people should act only from their own ideas and desires, and do so in an open and honest way.

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The Portrait of a Lady.chapter 46

chapter 46

{"name": "Chapter 46", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-46-47", "summary": "Osmond begins to think it is odd that Lord Warburton has not yet written to him to ask for Pansy's hand in marriage. Osmond asks Isabel to remind Lord Warburton to write. Isabel tells him to do so himself. Osmond retorts that Isabel is working against him. Isabel begins to tremble. She notes, \"How much you must want to make sure of him. She feels delight at having wounded him. Lord Warburton suddenly arrives. He announces that he will be leaving soon, and he speaks as if he will not be seeing them for quite some time more. A complex operation occurs in Isabel's mind as Warburton gallantly departs. She listens to Warburton, reading between the lines of what he said. On the other side of her mind, she knows Osmond's emotions. She almost feels sorry for him as his hopes vanish. But she also sees how proportionate his inexpressiveness is to his indifference. As his hopes vanish, she sees how he had the comfort of thinking how well he had kept out of the whole affair, as if he had been indifferent the entire time. Lord Warburton begins to stay and chat for an awkwardly long time. Osmond excuses himself. Pansy is sent into the room, and Warburton tells her that Pansy has a \"guardian angel\". He then retreats. Pansy tells Isabel that she is her guardian angel. Pansy believes that Isabel has asked Osmond to be gentle with her, but Isabel recognizes that Osmond is only gentle because he can never be put in the wrong with his daughter. When Isabel is about to go to bed, Osmond calls her into the drawing room. He asks what she means to do. She responds that she has no intentions. Osmond believes she is trying to humiliate him, playing a very deep game. Isabel tells him that Pansy did not like Lord Warburton, and Osmond simply dismisses this as an unimportant detail", "analysis": "Isabel's conversation with Osmond declares her intention not to help him in his quest to marry Pansy to Lord Warburton -- he accuses her then of taking a direct action against him. This is the beginning of an open confrontation with her husband that she has never before had, and which she had feared at the beginning of Chapter 45 would occur in reference to Ralph. It is a demonstration of a kind of psychological violence that people can do to each other by acting against one another's interests, or ignoring each other's desires. Osmond shows his own limited perspective when he refuses to acknowledge Pansy's own desires as even factoring into her life: he simply believes she should follow convention and try to ambitiously climb as high in society as possible through marriage. Isabel's response to Henrietta's suggestion that she simply leave Osmond implies that Isabel believes in a certain moral standard for her own behavior. Unlike being tied to conventionality, like Osmond's understanding of marriage, Isabel takes responsibility for her actions, believing that she freely made her choice to be with Osmond and that she ought not to hypocritically act in ways contradicting the oath she made. Robert Pippin has understood Isabel to be one of Henry James' best moral heroines, who is asking the question of how she can morally assert her own freedom in life - how she can act independently, taking responsibility for her own actions. She is faced with the modern problem of decaying social relations that are empty formal conventions with no real moral values. She is faced with a problem of meaning that is unstable because nobody shares common meanings. Gilbert Osmond for example sees marriage as a financial transaction, but Isabel marries for her own ideas. Her assertion to Henrietta that she must adhere to the consequences of her actions shows Isabel's commitment to keeping her actions consistent, even in the realization that they are isolating."}

Lord Warburton was not seen in Mrs. Osmond's drawing-room for several days, and Isabel couldn't fail to observe that her husband said nothing to her about having received a letter from him. She couldn't fail to observe, either, that Osmond was in a state of expectancy and that, though it was not agreeable to him to betray it, he thought their distinguished friend kept him waiting quite too long. At the end of four days he alluded to his absence. "What has become of Warburton? What does he mean by treating one like a tradesman with a bill?" "I know nothing about him," Isabel said. "I saw him last Friday at the German ball. He told me then that he meant to write to you." "He has never written to me." "So I supposed, from your not having told me." "He's an odd fish," said Osmond comprehensively. And on Isabel's making no rejoinder he went on to enquire whether it took his lordship five days to indite a letter. "Does he form his words with such difficulty?" "I don't know," Isabel was reduced to replying. "I've never had a letter from him." "Never had a letter? I had an idea that you were at one time in intimate correspondence." She answered that this had not been the case, and let the conversation drop. On the morrow, however, coming into the drawing-room late in the afternoon, her husband took it up again. "When Lord Warburton told you of his intention of writing what did you say to him?" he asked. She just faltered. "I think I told him not to forget it. "Did you believe there was a danger of that?" "As you say, he's an odd fish." "Apparently he has forgotten it," said Osmond. "Be so good as to remind him." "Should you like me to write to him?" she demanded. "I've no objection whatever." "You expect too much of me." "Ah yes, I expect a great deal of you." "I'm afraid I shall disappoint you," said Isabel. "My expectations have survived a good deal of disappointment." "Of course I know that. Think how I must have disappointed myself! If you really wish hands laid on Lord Warburton you must lay them yourself." For a couple of minutes Osmond answered nothing; then he said: "That won't be easy, with you working against me." Isabel started; she felt herself beginning to tremble. He had a way of looking at her through half-closed eyelids, as if he were thinking of her but scarcely saw her, which seemed to her to have a wonderfully cruel intention. It appeared to recognise her as a disagreeable necessity of thought, but to ignore her for the time as a presence. That effect had never been so marked as now. "I think you accuse me of something very base," she returned. "I accuse you of not being trustworthy. If he doesn't after all come forward it will be because you've kept him off. I don't know that it's base: it is the kind of thing a woman always thinks she may do. I've no doubt you've the finest ideas about it." "I told you I would do what I could," she went on. "Yes, that gained you time." It came over her, after he had said this, that she had once thought him beautiful. "How much you must want to make sure of him!" she exclaimed in a moment. She had no sooner spoken than she perceived the full reach of her words, of which she had not been conscious in uttering them. They made a comparison between Osmond and herself, recalled the fact that she had once held this coveted treasure in her hand and felt herself rich enough to let it fall. A momentary exultation took possession of her--a horrible delight in having wounded him; for his face instantly told her that none of the force of her exclamation was lost. He expressed nothing otherwise, however; he only said quickly: "Yes, I want it immensely." At this moment a servant came in to usher a visitor, and he was followed the next by Lord Warburton, who received a visible check on seeing Osmond. He looked rapidly from the master of the house to the mistress; a movement that seemed to denote a reluctance to interrupt or even a perception of ominous conditions. Then he advanced, with his English address, in which a vague shyness seemed to offer itself as an element of good-breeding; in which the only defect was a difficulty in achieving transitions. Osmond was embarrassed; he found nothing to say; but Isabel remarked, promptly enough, that they had been in the act of talking about their visitor. Upon this her husband added that they hadn't known what was become of him--they had been afraid he had gone away. "No," he explained, smiling and looking at Osmond; "I'm only on the point of going." And then he mentioned that he found himself suddenly recalled to England: he should start on the morrow or the day after. "I'm awfully sorry to leave poor Touchett!" he ended by exclaiming. For a moment neither of his companions spoke; Osmond only leaned back in his chair, listening. Isabel didn't look at him; she could only fancy how he looked. Her eyes were on their visitor's face, where they were the more free to rest that those of his lordship carefully avoided them. Yet Isabel was sure that had she met his glance she would have found it expressive. "You had better take poor Touchett with you," she heard her husband say, lightly enough, in a moment. "He had better wait for warmer weather," Lord Warburton answered. "I shouldn't advise him to travel just now." He sat there a quarter of an hour, talking as if he might not soon see them again--unless indeed they should come to England, a course he strongly recommended. Why shouldn't they come to England in the autumn?--that struck him as a very happy thought. It would give him such pleasure to do what he could for them--to have them come and spend a month with him. Osmond, by his own admission, had been to England but once; which was an absurd state of things for a man of his leisure and intelligence. It was just the country for him--he would be sure to get on well there. Then Lord Warburton asked Isabel if she remembered what a good time she had had there and if she didn't want to try it again. Didn't she want to see Gardencourt once more? Gardencourt was really very good. Touchett didn't take proper care of it, but it was the sort of place you could hardly spoil by letting it alone. Why didn't they come and pay Touchett a visit? He surely must have asked them. Hadn't asked them? What an ill-mannered wretch!--and Lord Warburton promised to give the master of Gardencourt a piece of his mind. Of course it was a mere accident; he would be delighted to have them. Spending a month with Touchett and a month with himself, and seeing all the rest of the people they must know there, they really wouldn't find it half bad. Lord Warburton added that it would amuse Miss Osmond as well, who had told him that she had never been to England and whom he had assured it was a country she deserved to see. Of course she didn't need to go to England to be admired--that was her fate everywhere; but she would be an immense success there, she certainly would, if that was any inducement. He asked if she were not at home: couldn't he say good-bye? Not that he liked good-byes--he always funked them. When he left England the other day he hadn't said good-bye to a two-legged creature. He had had half a mind to leave Rome without troubling Mrs. Osmond for a final interview. What could be more dreary than final interviews? One never said the things one wanted--one remembered them all an hour afterwards. On the other hand one usually said a lot of things one shouldn't, simply from a sense that one had to say something. Such a sense was upsetting; it muddled one's wits. He had it at present, and that was the effect it produced on him. If Mrs. Osmond didn't think he spoke as he ought she must set it down to agitation; it was no light thing to part with Mrs. Osmond. He was really very sorry to be going. He had thought of writing to her instead of calling--but he would write to her at any rate, to tell her a lot of things that would be sure to occur to him as soon as he had left the house. They must think seriously about coming to Lockleigh. If there was anything awkward in the conditions of his visit or in the announcement of his departure it failed to come to the surface. Lord Warburton talked about his agitation; but he showed it in no other manner, and Isabel saw that since he had determined on a retreat he was capable of executing it gallantly. She was very glad for him; she liked him quite well enough to wish him to appear to carry a thing off. He would do that on any occasion--not from impudence but simply from the habit of success; and Isabel felt it out of her husband's power to frustrate this faculty. A complex operation, as she sat there, went on in her mind. On one side she listened to their visitor; said what was proper to him; read, more or less, between the lines of what he said himself; and wondered how he would have spoken if he had found her alone. On the other she had a perfect consciousness of Osmond's emotion. She felt almost sorry for him; he was condemned to the sharp pain of loss without the relief of cursing. He had had a great hope, and now, as he saw it vanish into smoke, he was obliged to sit and smile and twirl his thumbs. Not that he troubled himself to smile very brightly; he treated their friend on the whole to as vacant a countenance as so clever a man could very well wear. It was indeed a part of Osmond's cleverness that he could look consummately uncompromised. His present appearance, however, was not a confession of disappointment; it was simply a part of Osmond's habitual system, which was to be inexpressive exactly in proportion as he was really intent. He had been intent on this prize from the first; but he had never allowed his eagerness to irradiate his refined face. He had treated his possible son-in-law as he treated every one--with an air of being interested in him only for his own advantage, not for any profit to a person already so generally, so perfectly provided as Gilbert Osmond. He would give no sign now of an inward rage which was the result of a vanished prospect of gain--not the faintest nor subtlest. Isabel could be sure of that, if it was any satisfaction to her. Strangely, very strangely, it was a satisfaction; she wished Lord Warburton to triumph before her husband, and at the same time she wished her husband to be very superior before Lord Warburton. Osmond, in his way, was admirable; he had, like their visitor, the advantage of an acquired habit. It was not that of succeeding, but it was something almost as good--that of not attempting. As he leaned back in his place, listening but vaguely to the other's friendly offers and suppressed explanations--as if it were only proper to assume that they were addressed essentially to his wife--he had at least (since so little else was left him) the comfort of thinking how well he personally had kept out of it, and how the air of indifference, which he was now able to wear, had the added beauty of consistency. It was something to be able to look as if the leave-taker's movements had no relation to his own mind. The latter did well, certainly; but Osmond's performance was in its very nature more finished. Lord Warburton's position was after all an easy one; there was no reason in the world why he shouldn't leave Rome. He had had beneficent inclinations, but they had stopped short of fruition; he had never committed himself, and his honour was safe. Osmond appeared to take but a moderate interest in the proposal that they should go and stay with him and in his allusion to the success Pansy might extract from their visit. He murmured a recognition, but left Isabel to say that it was a matter requiring grave consideration. Isabel, even while she made this remark, could see the great vista which had suddenly opened out in her husband's mind, with Pansy's little figure marching up the middle of it. Lord Warburton had asked leave to bid good-bye to Pansy, but neither Isabel nor Osmond had made any motion to send for her. He had the air of giving out that his visit must be short; he sat on a small chair, as if it were only for a moment, keeping his hat in his hand. But he stayed and stayed; Isabel wondered what he was waiting for. She believed it was not to see Pansy; she had an impression that on the whole he would rather not see Pansy. It was of course to see herself alone--he had something to say to her. Isabel had no great wish to hear it, for she was afraid it would be an explanation, and she could perfectly dispense with explanations. Osmond, however, presently got up, like a man of good taste to whom it had occurred that so inveterate a visitor might wish to say just the last word of all to the ladies. "I've a letter to write before dinner," he said; "you must excuse me. I'll see if my daughter's disengaged, and if she is she shall know you're here. Of course when you come to Rome you'll always look us up. Mrs. Osmond will talk to you about the English expedition: she decides all those things." The nod with which, instead of a hand-shake, he wound up this little speech was perhaps rather a meagre form of salutation; but on the whole it was all the occasion demanded. Isabel reflected that after he left the room Lord Warburton would have no pretext for saying, "Your husband's very angry"; which would have been extremely disagreeable to her. Nevertheless, if he had done so, she would have said: "Oh, don't be anxious. He doesn't hate you: it's me that he hates!" It was only when they had been left alone together that her friend showed a certain vague awkwardness--sitting down in another chair, handling two or three of the objects that were near him. "I hope he'll make Miss Osmond come," he presently remarked. "I want very much to see her." "I'm glad it's the last time," said Isabel. "So am I. She doesn't care for me." "No, she doesn't care for you." "I don't wonder at it," he returned. Then he added with inconsequence: "You'll come to England, won't you?" "I think we had better not." "Ah, you owe me a visit. Don't you remember that you were to have come to Lockleigh once, and you never did?" "Everything's changed since then," said Isabel. "Not changed for the worse, surely--as far as we're concerned. To see you under my roof"--and he hung fire but an instant--"would be a great satisfaction." She had feared an explanation; but that was the only one that occurred. They talked a little of Ralph, and in another moment Pansy came in, already dressed for dinner and with a little red spot in either cheek. She shook hands with Lord Warburton and stood looking up into his face with a fixed smile--a smile that Isabel knew, though his lordship probably never suspected it, to be near akin to a burst of tears. "I'm going away," he said. "I want to bid you good-bye." "Good-bye, Lord Warburton." Her voice perceptibly trembled. "And I want to tell you how much I wish you may be very happy." "Thank you, Lord Warburton," Pansy answered. He lingered a moment and gave a glance at Isabel. "You ought to be very happy--you've got a guardian angel." "I'm sure I shall be happy," said Pansy in the tone of a person whose certainties were always cheerful. "Such a conviction as that will take you a great way. But if it should ever fail you, remember--remember--" And her interlocutor stammered a little. "Think of me sometimes, you know!" he said with a vague laugh. Then he shook hands with Isabel in silence, and presently he was gone. When he had left the room she expected an effusion of tears from her stepdaughter; but Pansy in fact treated her to something very different. "I think you ARE my guardian angel!" she exclaimed very sweetly. Isabel shook her head. "I'm not an angel of any kind. I'm at the most your good friend." "You're a very good friend then--to have asked papa to be gentle with me." "I've asked your father nothing," said Isabel, wondering. "He told me just now to come to the drawing-room, and then he gave me a very kind kiss." "Ah," said Isabel, "that was quite his own idea!" She recognised the idea perfectly; it was very characteristic, and she was to see a great deal more of it. Even with Pansy he couldn't put himself the least in the wrong. They were dining out that day, and after their dinner they went to another entertainment; so that it was not till late in the evening that Isabel saw him alone. When Pansy kissed him before going to bed he returned her embrace with even more than his usual munificence, and Isabel wondered if he meant it as a hint that his daughter had been injured by the machinations of her stepmother. It was a partial expression, at any rate, of what he continued to expect of his wife. She was about to follow Pansy, but he remarked that he wished she would remain; he had something to say to her. Then he walked about the drawing-room a little, while she stood waiting in her cloak. "I don't understand what you wish to do," he said in a moment. "I should like to know--so that I may know how to act." "Just now I wish to go to bed. I'm very tired." "Sit down and rest; I shall not keep you long. Not there--take a comfortable place." And he arranged a multitude of cushions that were scattered in picturesque disorder upon a vast divan. This was not, however, where she seated herself; she dropped into the nearest chair. The fire had gone out; the lights in the great room were few. She drew her cloak about her; she felt mortally cold. "I think you're trying to humiliate me," Osmond went on. "It's a most absurd undertaking." "I haven't the least idea what you mean," she returned. "You've played a very deep game; you've managed it beautifully." "What is it that I've managed?" "You've not quite settled it, however; we shall see him again." And he stopped in front of her, with his hands in his pockets, looking down at her thoughtfully, in his usual way, which seemed meant to let her know that she was not an object, but only a rather disagreeable incident, of thought. "If you mean that Lord Warburton's under an obligation to come back you're wrong," Isabel said. "He's under none whatever." "That's just what I complain of. But when I say he'll come back I don't mean he'll come from a sense of duty." "There's nothing else to make him. I think he has quite exhausted Rome." "Ah no, that's a shallow judgement. Rome's inexhaustible." And Osmond began to walk about again. "However, about that perhaps there's no hurry," he added. "It's rather a good idea of his that we should go to England. If it were not for the fear of finding your cousin there I think I should try to persuade you." "It may be that you'll not find my cousin," said Isabel. "I should like to be sure of it. However, I shall be as sure as possible. At the same time I should like to see his house, that you told me so much about at one time: what do you call it?--Gardencourt. It must be a charming thing. And then, you know, I've a devotion to the memory of your uncle: you made me take a great fancy to him. I should like to see where he lived and died. That indeed is a detail. Your friend was right. Pansy ought to see England." "I've no doubt she would enjoy it," said Isabel. "But that's a long time hence; next autumn's far off," Osmond continued; "and meantime there are things that more nearly interest us. Do you think me so very proud?" he suddenly asked. "I think you very strange." "You don't understand me." "No, not even when you insult me." "I don't insult you; I'm incapable of it. I merely speak of certain facts, and if the allusion's an injury to you the fault's not mine. It's surely a fact that you have kept all this matter quite in your own hands." "Are you going back to Lord Warburton?" Isabel asked. "I'm very tired of his name." "You shall hear it again before we've done with it." She had spoken of his insulting her, but it suddenly seemed to her that this ceased to be a pain. He was going down--down; the vision of such a fall made her almost giddy: that was the only pain. He was too strange, too different; he didn't touch her. Still, the working of his morbid passion was extraordinary, and she felt a rising curiosity to know in what light he saw himself justified. "I might say to you that I judge you've nothing to say to me that's worth hearing," she returned in a moment. "But I should perhaps be wrong. There's a thing that would be worth my hearing--to know in the plainest words of what it is you accuse me." "Of having prevented Pansy's marriage to Warburton. Are those words plain enough?" "On the contrary, I took a great interest in it. I told you so; and when you told me that you counted on me--that I think was what you said--I accepted the obligation. I was a fool to do so, but I did it." "You pretended to do it, and you even pretended reluctance to make me more willing to trust you. Then you began to use your ingenuity to get him out of the way." "I think I see what you mean," said Isabel. "Where's the letter you told me he had written me?" her husband demanded. "I haven't the least idea; I haven't asked him." "You stopped it on the way," said Osmond. Isabel slowly got up; standing there in her white cloak, which covered her to her feet, she might have represented the angel of disdain, first cousin to that of pity. "Oh, Gilbert, for a man who was so fine--!" she exclaimed in a long murmur. "I was never so fine as you. You've done everything you wanted. You've got him out of the way without appearing to do so, and you've placed me in the position in which you wished to see me--that of a man who has tried to marry his daughter to a lord, but has grotesquely failed." "Pansy doesn't care for him. She's very glad he's gone," Isabel said. "That has nothing to do with the matter." "And he doesn't care for Pansy." "That won't do; you told me he did. I don't know why you wanted this particular satisfaction," Osmond continued; "you might have taken some other. It doesn't seem to me that I've been presumptuous--that I have taken too much for granted. I've been very modest about it, very quiet. The idea didn't originate with me. He began to show that he liked her before I ever thought of it. I left it all to you." "Yes, you were very glad to leave it to me. After this you must attend to such things yourself." He looked at her a moment; then he turned away. "I thought you were very fond of my daughter." "I've never been more so than to-day." "Your affection is attended with immense limitations. However, that perhaps is natural." "Is this all you wished to say to me?" Isabel asked, taking a candle that stood on one of the tables. "Are you satisfied? Am I sufficiently disappointed?" "I don't think that on the whole you're disappointed. You've had another opportunity to try to stupefy me." "It's not that. It's proved that Pansy can aim high." "Poor little Pansy!" said Isabel as she turned away with her candle.

Chapter 46

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-46-47

Osmond begins to think it is odd that Lord Warburton has not yet written to him to ask for Pansy's hand in marriage. Osmond asks Isabel to remind Lord Warburton to write. Isabel tells him to do so himself. Osmond retorts that Isabel is working against him. Isabel begins to tremble. She notes, "How much you must want to make sure of him. She feels delight at having wounded him. Lord Warburton suddenly arrives. He announces that he will be leaving soon, and he speaks as if he will not be seeing them for quite some time more. A complex operation occurs in Isabel's mind as Warburton gallantly departs. She listens to Warburton, reading between the lines of what he said. On the other side of her mind, she knows Osmond's emotions. She almost feels sorry for him as his hopes vanish. But she also sees how proportionate his inexpressiveness is to his indifference. As his hopes vanish, she sees how he had the comfort of thinking how well he had kept out of the whole affair, as if he had been indifferent the entire time. Lord Warburton begins to stay and chat for an awkwardly long time. Osmond excuses himself. Pansy is sent into the room, and Warburton tells her that Pansy has a "guardian angel". He then retreats. Pansy tells Isabel that she is her guardian angel. Pansy believes that Isabel has asked Osmond to be gentle with her, but Isabel recognizes that Osmond is only gentle because he can never be put in the wrong with his daughter. When Isabel is about to go to bed, Osmond calls her into the drawing room. He asks what she means to do. She responds that she has no intentions. Osmond believes she is trying to humiliate him, playing a very deep game. Isabel tells him that Pansy did not like Lord Warburton, and Osmond simply dismisses this as an unimportant detail

Isabel's conversation with Osmond declares her intention not to help him in his quest to marry Pansy to Lord Warburton -- he accuses her then of taking a direct action against him. This is the beginning of an open confrontation with her husband that she has never before had, and which she had feared at the beginning of Chapter 45 would occur in reference to Ralph. It is a demonstration of a kind of psychological violence that people can do to each other by acting against one another's interests, or ignoring each other's desires. Osmond shows his own limited perspective when he refuses to acknowledge Pansy's own desires as even factoring into her life: he simply believes she should follow convention and try to ambitiously climb as high in society as possible through marriage. Isabel's response to Henrietta's suggestion that she simply leave Osmond implies that Isabel believes in a certain moral standard for her own behavior. Unlike being tied to conventionality, like Osmond's understanding of marriage, Isabel takes responsibility for her actions, believing that she freely made her choice to be with Osmond and that she ought not to hypocritically act in ways contradicting the oath she made. Robert Pippin has understood Isabel to be one of Henry James' best moral heroines, who is asking the question of how she can morally assert her own freedom in life - how she can act independently, taking responsibility for her own actions. She is faced with the modern problem of decaying social relations that are empty formal conventions with no real moral values. She is faced with a problem of meaning that is unstable because nobody shares common meanings. Gilbert Osmond for example sees marriage as a financial transaction, but Isabel marries for her own ideas. Her assertion to Henrietta that she must adhere to the consequences of her actions shows Isabel's commitment to keeping her actions consistent, even in the realization that they are isolating.

gradesaver

all_chapterized_books/2833-chapters/47.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_15_part_2.txt

The Portrait of a Lady.chapter 47

chapter 47

{"name": "Chapter 47", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-46-47", "summary": "During a period of Madame Merle's absence from Rome, Isabel is haunted by strange visions at night of her husband and Madame Merle together. She feels her imagination arrive at an elusive point only to be checked by a nameless dread. Henrietta arrives in Rome and visits Isabel. She informs her that Caspar Goodwood is also in Rome, but Goodwood delays in coming to see Isabel. Sometimes Isabel believes she sees him on the street. Isabel feels she must put her own spiritual affairs in order, but she is afraid that if Caspar comes to see her he will know how much such affairs are in disarray. Isabel lets Henrietta know how unhappy she is, and Henrietta responds by asking her why she does not leave. Isabel declares that she must accept her choice, because she made it freely. Henrietta shows herself to be a good friend who has made the journey from America simply because she knows her friend Isabel is unhappy. Henrietta tells Isabel about Mr. Bantling's journey to America and how he was received there as a \"simple\" man. In this chapter, we get a sense of the various ways Isabel's friends constellate with each other and with her husband. Pansy finds Henrietta fascinating, and Henrietta thinks that Pansy is suspicious, remembering everything she says. Osmond dislikes Ralph, believing he is pompous. He thinks his only redeeming quality is the fact that he is ill, but thinks he ought to prove how ill he is by dying. He is offended by Lord Warburton's behavior, comparing him to a man that has come to buy a house, gone and looked around in each and every room, only to escape having not paid for any rent. Osmond likens Henrietta to a \"steel pen\" - she is sharp and grating, and he finds her simply to be a \"monster\". Caspar finally visits Isabel and surprisingly he and Osmond get along quite well. When Osmond learns that Caspar proposed marriage, he is surprised that Isabel did not accept, saying it would have been like living under a \"tall belfry\". Caspar comes to Isabel's Thursday evening gatherings regularly. Isabel asks Caspar to visit Ralph as a favor to herself. When Caspar goes to visit Ralph, he finds Henrietta has also been keeping Ralph company. Ralph and Henrietta jokingly have declared each other enemies, and of course they seem to accord in nothing. Isabel's plan is to have Caspar accompany Ralph back to Gardencourt. This would be convenient too because it would give Caspar an occupation away from herself. She believes it would be fitting if Ralph would take his final resting place in his own home. She associates Gardencourt with a sacred time in her life", "analysis": "Isabel's conversation with Osmond declares her intention not to help him in his quest to marry Pansy to Lord Warburton -- he accuses her then of taking a direct action against him. This is the beginning of an open confrontation with her husband that she has never before had, and which she had feared at the beginning of Chapter 45 would occur in reference to Ralph. It is a demonstration of a kind of psychological violence that people can do to each other by acting against one another's interests, or ignoring each other's desires. Osmond shows his own limited perspective when he refuses to acknowledge Pansy's own desires as even factoring into her life: he simply believes she should follow convention and try to ambitiously climb as high in society as possible through marriage. Isabel's response to Henrietta's suggestion that she simply leave Osmond implies that Isabel believes in a certain moral standard for her own behavior. Unlike being tied to conventionality, like Osmond's understanding of marriage, Isabel takes responsibility for her actions, believing that she freely made her choice to be with Osmond and that she ought not to hypocritically act in ways contradicting the oath she made. Robert Pippin has understood Isabel to be one of Henry James' best moral heroines, who is asking the question of how she can morally assert her own freedom in life - how she can act independently, taking responsibility for her own actions. She is faced with the modern problem of decaying social relations that are empty formal conventions with no real moral values. She is faced with a problem of meaning that is unstable because nobody shares common meanings. Gilbert Osmond for example sees marriage as a financial transaction, but Isabel marries for her own ideas. Her assertion to Henrietta that she must adhere to the consequences of her actions shows Isabel's commitment to keeping her actions consistent, even in the realization that they are isolating."}

It was from Henrietta Stackpole that she learned how Caspar Goodwood had come to Rome; an event that took place three days after Lord Warburton's departure. This latter fact had been preceded by an incident of some importance to Isabel--the temporary absence, once again, of Madame Merle, who had gone to Naples to stay with a friend, the happy possessor of a villa at Posilippo. Madame Merle had ceased to minister to Isabel's happiness, who found herself wondering whether the most discreet of women might not also by chance be the most dangerous. Sometimes, at night, she had strange visions; she seemed to see her husband and her friend--his friend--in dim, indistinguishable combination. It seemed to her that she had not done with her; this lady had something in reserve. Isabel's imagination applied itself actively to this elusive point, but every now and then it was checked by a nameless dread, so that when the charming woman was away from Rome she had almost a consciousness of respite. She had already learned from Miss Stackpole that Caspar Goodwood was in Europe, Henrietta having written to make it known to her immediately after meeting him in Paris. He himself never wrote to Isabel, and though he was in Europe she thought it very possible he might not desire to see her. Their last interview, before her marriage, had had quite the character of a complete rupture; if she remembered rightly he had said he wished to take his last look at her. Since then he had been the most discordant survival of her earlier time--the only one in fact with which a permanent pain was associated. He had left her that morning with a sense of the most superfluous of shocks: it was like a collision between vessels in broad daylight. There had been no mist, no hidden current to excuse it, and she herself had only wished to steer wide. He had bumped against her prow, however, while her hand was on the tiller, and--to complete the metaphor--had given the lighter vessel a strain which still occasionally betrayed itself in a faint creaking. It had been horrid to see him, because he represented the only serious harm that (to her belief) she had ever done in the world: he was the only person with an unsatisfied claim on her. She had made him unhappy, she couldn't help it; and his unhappiness was a grim reality. She had cried with rage, after he had left her, at--she hardly knew what: she tried to think it had been at his want of consideration. He had come to her with his unhappiness when her own bliss was so perfect; he had done his best to darken the brightness of those pure rays. He had not been violent, and yet there had been a violence in the impression. There had been a violence at any rate in something somewhere; perhaps it was only in her own fit of weeping and in that after-sense of the same which had lasted three or four days. The effect of his final appeal had in short faded away, and all the first year of her marriage he had dropped out of her books. He was a thankless subject of reference; it was disagreeable to have to think of a person who was sore and sombre about you and whom you could yet do nothing to relieve. It would have been different if she had been able to doubt, even a little, of his unreconciled state, as she doubted of Lord Warburton's; unfortunately it was beyond question, and this aggressive, uncompromising look of it was just what made it unattractive. She could never say to herself that here was a sufferer who had compensations, as she was able to say in the case of her English suitor. She had no faith in Mr. Goodwood's compensations and no esteem for them. A cotton factory was not a compensation for anything--least of all for having failed to marry Isabel Archer. And yet, beyond that, she hardly knew what he had--save of course his intrinsic qualities. Oh, he was intrinsic enough; she never thought of his even looking for artificial aids. If he extended his business--that, to the best of her belief, was the only form exertion could take with him--it would be because it was an enterprising thing, or good for the business; not in the least because he might hope it would overlay the past. This gave his figure a kind of bareness and bleakness which made the accident of meeting it in memory or in apprehension a peculiar concussion; it was deficient in the social drapery commonly muffling, in an overcivilized age, the sharpness of human contacts. His perfect silence, moreover, the fact that she never heard from him and very seldom heard any mention of him, deepened this impression of his loneliness. She asked Lily for news of him, from time to time; but Lily knew nothing of Boston--her imagination was all bounded on the east by Madison Avenue. As time went on Isabel had thought of him oftener, and with fewer restrictions; she had had more than once the idea of writing to him. She had never told her husband about him--never let Osmond know of his visits to her in Florence; a reserve not dictated in the early period by a want of confidence in Osmond, but simply by the consideration that the young man's disappointment was not her secret but his own. It would be wrong of her, she had believed, to convey it to another, and Mr. Goodwood's affairs could have, after all, little interest for Gilbert. When it had come to the point she had never written to him; it seemed to her that, considering his grievance, the least she could do was to let him alone. Nevertheless she would have been glad to be in some way nearer to him. It was not that it ever occurred to her that she might have married him; even after the consequences of her actual union had grown vivid to her that particular reflection, though she indulged in so many, had not had the assurance to present itself. But on finding herself in trouble he had become a member of that circle of things with which she wished to set herself right. I have mentioned how passionately she needed to feel that her unhappiness should not have come to her through her own fault. She had no near prospect of dying, and yet she wished to make her peace with the world--to put her spiritual affairs in order. It came back to her from time to time that there was an account still to be settled with Caspar, and she saw herself disposed or able to settle it to-day on terms easier for him than ever before. Still, when she learned he was coming to Rome she felt all afraid; it would be more disagreeable for him than for any one else to make out--since he WOULD make it out, as over a falsified balance-sheet or something of that sort--the intimate disarray of her affairs. Deep in her breast she believed that he had invested his all in her happiness, while the others had invested only a part. He was one more person from whom she should have to conceal her stress. She was reassured, however, after he arrived in Rome, for he spent several days without coming to see her. Henrietta Stackpole, it may well be imagined, was more punctual, and Isabel was largely favoured with the society of her friend. She threw herself into it, for now that she had made such a point of keeping her conscience clear, that was one way of proving she had not been superficial--the more so as the years, in their flight, had rather enriched than blighted those peculiarities which had been humorously criticised by persons less interested than Isabel, and which were still marked enough to give loyalty a spice of heroism. Henrietta was as keen and quick and fresh as ever, and as neat and bright and fair. Her remarkably open eyes, lighted like great glazed railway-stations, had put up no shutters; her attire had lost none of its crispness, her opinions none of their national reference. She was by no means quite unchanged, however it struck Isabel she had grown vague. Of old she had never been vague; though undertaking many enquiries at once, she had managed to be entire and pointed about each. She had a reason for everything she did; she fairly bristled with motives. Formerly, when she came to Europe it was because she wished to see it, but now, having already seen it, she had no such excuse. She didn't for a moment pretend that the desire to examine decaying civilisations had anything to do with her present enterprise; her journey was rather an expression of her independence of the old world than of a sense of further obligations to it. "It's nothing to come to Europe," she said to Isabel; "it doesn't seem to me one needs so many reasons for that. It is something to stay at home; this is much more important." It was not therefore with a sense of doing anything very important that she treated herself to another pilgrimage to Rome; she had seen the place before and carefully inspected it; her present act was simply a sign of familiarity, of her knowing all about it, of her having as good a right as any one else to be there. This was all very well, and Henrietta was restless; she had a perfect right to be restless too, if one came to that. But she had after all a better reason for coming to Rome than that she cared for it so little. Her friend easily recognised it, and with it the worth of the other's fidelity. She had crossed the stormy ocean in midwinter because she had guessed that Isabel was sad. Henrietta guessed a great deal, but she had never guessed so happily as that. Isabel's satisfactions just now were few, but even if they had been more numerous there would still have been something of individual joy in her sense of being justified in having always thought highly of Henrietta. She had made large concessions with regard to her, and had yet insisted that, with all abatements, she was very valuable. It was not her own triumph, however, that she found good; it was simply the relief of confessing to this confidant, the first person to whom she had owned it, that she was not in the least at her ease. Henrietta had herself approached this point with the smallest possible delay, and had accused her to her face of being wretched. She was a woman, she was a sister; she was not Ralph, nor Lord Warburton, nor Caspar Goodwood, and Isabel could speak. "Yes, I'm wretched," she said very mildly. She hated to hear herself say it; she tried to say it as judicially as possible. "What does he do to you?" Henrietta asked, frowning as if she were enquiring into the operations of a quack doctor. "He does nothing. But he doesn't like me." "He's very hard to please!" cried Miss Stackpole. "Why don't you leave him?" "I can't change that way," Isabel said. "Why not, I should like to know? You won't confess that you've made a mistake. You're too proud." "I don't know whether I'm too proud. But I can't publish my mistake. I don't think that's decent. I'd much rather die." "You won't think so always," said Henrietta. "I don't know what great unhappiness might bring me to; but it seems to me I shall always be ashamed. One must accept one's deeds. I married him before all the world; I was perfectly free; it was impossible to do anything more deliberate. One can't change that way," Isabel repeated. "You HAVE changed, in spite of the impossibility. I hope you don't mean to say you like him." Isabel debated. "No, I don't like him. I can tell you, because I'm weary of my secret. But that's enough; I can't announce it on the housetops." Henrietta gave a laugh. "Don't you think you're rather too considerate?" "It's not of him that I'm considerate--it's of myself!" Isabel answered. It was not surprising Gilbert Osmond should not have taken comfort in Miss Stackpole; his instinct had naturally set him in opposition to a young lady capable of advising his wife to withdraw from the conjugal roof. When she arrived in Rome he had said to Isabel that he hoped she would leave her friend the interviewer alone; and Isabel had answered that he at least had nothing to fear from her. She said to Henrietta that as Osmond didn't like her she couldn't invite her to dine, but they could easily see each other in other ways. Isabel received Miss Stackpole freely in her own sitting-room, and took her repeatedly to drive, face to face with Pansy, who, bending a little forward, on the opposite seat of the carriage, gazed at the celebrated authoress with a respectful attention which Henrietta occasionally found irritating. She complained to Isabel that Miss Osmond had a little look as if she should remember everything one said. "I don't want to be remembered that way," Miss Stackpole declared; "I consider that my conversation refers only to the moment, like the morning papers. Your stepdaughter, as she sits there, looks as if she kept all the back numbers and would bring them out some day against me." She could not teach herself to think favourably of Pansy, whose absence of initiative, of conversation, of personal claims, seemed to her, in a girl of twenty, unnatural and even uncanny. Isabel presently saw that Osmond would have liked her to urge a little the cause of her friend, insist a little upon his receiving her, so that he might appear to suffer for good manners' sake. Her immediate acceptance of his objections put him too much in the wrong--it being in effect one of the disadvantages of expressing contempt that you cannot enjoy at the same time the credit of expressing sympathy. Osmond held to his credit, and yet he held to his objections--all of which were elements difficult to reconcile. The right thing would have been that Miss Stackpole should come to dine at Palazzo Roccanera once or twice, so that (in spite of his superficial civility, always so great) she might judge for herself how little pleasure it gave him. From the moment, however, that both the ladies were so unaccommodating, there was nothing for Osmond but to wish the lady from New York would take herself off. It was surprising how little satisfaction he got from his wife's friends; he took occasion to call Isabel's attention to it. "You're certainly not fortunate in your intimates; I wish you might make a new collection," he said to her one morning in reference to nothing visible at the moment, but in a tone of ripe reflection which deprived the remark of all brutal abruptness. "It's as if you had taken the trouble to pick out the people in the world that I have least in common with. Your cousin I have always thought a conceited ass--besides his being the most ill-favoured animal I know. Then it's insufferably tiresome that one can't tell him so; one must spare him on account of his health. His health seems to me the best part of him; it gives him privileges enjoyed by no one else. If he's so desperately ill there's only one way to prove it; but he seems to have no mind for that. I can't say much more for the great Warburton. When one really thinks of it, the cool insolence of that performance was something rare! He comes and looks at one's daughter as if she were a suite of apartments; he tries the door-handles and looks out of the windows, raps on the walls and almost thinks he'll take the place. Will you be so good as to draw up a lease? Then, on the whole, he decides that the rooms are too small; he doesn't think he could live on a third floor; he must look out for a piano nobile. And he goes away after having got a month's lodging in the poor little apartment for nothing. Miss Stackpole, however, is your most wonderful invention. She strikes me as a kind of monster. One hasn't a nerve in one's body that she doesn't set quivering. You know I never have admitted that she's a woman. Do you know what she reminds me of? Of a new steel pen--the most odious thing in nature. She talks as a steel pen writes; aren't her letters, by the way, on ruled paper? She thinks and moves and walks and looks exactly as she talks. You may say that she doesn't hurt me, inasmuch as I don't see her. I don't see her, but I hear her; I hear her all day long. Her voice is in my ears; I can't get rid of it. I know exactly what she says, and every inflexion of the tone in which she says it. She says charming things about me, and they give you great comfort. I don't like at all to think she talks about me--I feel as I should feel if I knew the footman were wearing my hat." Henrietta talked about Gilbert Osmond, as his wife assured him, rather less than he suspected. She had plenty of other subjects, in two of which the reader may be supposed to be especially interested. She let her friend know that Caspar Goodwood had discovered for himself that she was unhappy, though indeed her ingenuity was unable to suggest what comfort he hoped to give her by coming to Rome and yet not calling on her. They met him twice in the street, but he had no appearance of seeing them; they were driving, and he had a habit of looking straight in front of him, as if he proposed to take in but one object at a time. Isabel could have fancied she had seen him the day before; it must have been with just that face and step that he had walked out of Mrs. Touchett's door at the close of their last interview. He was dressed just as he had been dressed on that day, Isabel remembered the colour of his cravat; and yet in spite of this familiar look there was a strangeness in his figure too, something that made her feel it afresh to be rather terrible he should have come to Rome. He looked bigger and more overtopping than of old, and in those days he certainly reached high enough. She noticed that the people whom he passed looked back after him; but he went straight forward, lifting above them a face like a February sky. Miss Stackpole's other topic was very different; she gave Isabel the latest news about Mr. Bantling. He had been out in the United States the year before, and she was happy to say she had been able to show him considerable attention. She didn't know how much he had enjoyed it, but she would undertake to say it had done him good; he wasn't the same man when he left as he had been when he came. It had opened his eyes and shown him that England wasn't everything. He had been very much liked in most places, and thought extremely simple--more simple than the English were commonly supposed to be. There were people who had thought him affected; she didn't know whether they meant that his simplicity was an affectation. Some of his questions were too discouraging; he thought all the chambermaids were farmers' daughters--or all the farmers' daughters were chambermaids--she couldn't exactly remember which. He hadn't seemed able to grasp the great school system; it had been really too much for him. On the whole he had behaved as if there were too much of everything--as if he could only take in a small part. The part he had chosen was the hotel system and the river navigation. He had seemed really fascinated with the hotels; he had a photograph of every one he had visited. But the river steamers were his principal interest; he wanted to do nothing but sail on the big boats. They had travelled together from New York to Milwaukee, stopping at the most interesting cities on the route; and whenever they started afresh he had wanted to know if they could go by the steamer. He seemed to have no idea of geography--had an impression that Baltimore was a Western city and was perpetually expecting to arrive at the Mississippi. He appeared never to have heard of any river in America but the Mississippi and was unprepared to recognise the existence of the Hudson, though obliged to confess at last that it was fully equal to the Rhine. They had spent some pleasant hours in the palace-cars; he was always ordering ice-cream from the coloured man. He could never get used to that idea--that you could get ice-cream in the cars. Of course you couldn't, nor fans, nor candy, nor anything in the English cars! He found the heat quite overwhelming, and she had told him she indeed expected it was the biggest he had ever experienced. He was now in England, hunting--"hunting round" Henrietta called it. These amusements were those of the American red men; we had left that behind long ago, the pleasures of the chase. It seemed to be generally believed in England that we wore tomahawks and feathers; but such a costume was more in keeping with English habits. Mr. Bantling would not have time to join her in Italy, but when she should go to Paris again he expected to come over. He wanted very much to see Versailles again; he was very fond of the ancient regime. They didn't agree about that, but that was what she liked Versailles for, that you could see the ancient regime had been swept away. There were no dukes and marquises there now; she remembered on the contrary one day when there were five American families, walking all round. Mr. Bantling was very anxious that she should take up the subject of England again, and he thought she might get on better with it now; England had changed a good deal within two or three years. He was determined that if she went there he should go to see his sister, Lady Pensil, and that this time the invitation should come to her straight. The mystery about that other one had never been explained. Caspar Goodwood came at last to Palazzo Roccanera; he had written Isabel a note beforehand, to ask leave. This was promptly granted; she would be at home at six o'clock that afternoon. She spent the day wondering what he was coming for--what good he expected to get of it. He had presented himself hitherto as a person destitute of the faculty of compromise, who would take what he had asked for or take nothing. Isabel's hospitality, however, raised no questions, and she found no great difficulty in appearing happy enough to deceive him. It was her conviction at least that she deceived him, made him say to himself that he had been misinformed. But she also saw, so she believed, that he was not disappointed, as some other men, she was sure, would have been; he had not come to Rome to look for an opportunity. She never found out what he had come for; he offered her no explanation; there could be none but the very simple one that he wanted to see her. In other words he had come for his amusement. Isabel followed up this induction with a good deal of eagerness, and was delighted to have found a formula that would lay the ghost of this gentleman's ancient grievance. If he had come to Rome for his amusement this was exactly what she wanted; for if he cared for amusement he had got over his heartache. If he had got over his heartache everything was as it should be and her responsibilities were at an end. It was true that he took his recreation a little stiffly, but he had never been loose and easy and she had every reason to believe he was satisfied with what he saw. Henrietta was not in his confidence, though he was in hers, and Isabel consequently received no side-light upon his state of mind. He was open to little conversation on general topics; it came back to her that she had said of him once, years before, "Mr. Goodwood speaks a good deal, but he doesn't talk." He spoke a good deal now, but he talked perhaps as little as ever; considering, that is, how much there was in Rome to talk about. His arrival was not calculated to simplify her relations with her husband, for if Mr. Osmond didn't like her friends Mr. Goodwood had no claim upon his attention save as having been one of the first of them. There was nothing for her to say of him but that he was the very oldest; this rather meagre synthesis exhausted the facts. She had been obliged to introduce him to Gilbert; it was impossible she should not ask him to dinner, to her Thursday evenings, of which she had grown very weary, but to which her husband still held for the sake not so much of inviting people as of not inviting them. To the Thursdays Mr. Goodwood came regularly, solemnly, rather early; he appeared to regard them with a good deal of gravity. Isabel every now and then had a moment of anger; there was something so literal about him; she thought he might know that she didn't know what to do with him. But she couldn't call him stupid; he was not that in the least; he was only extraordinarily honest. To be as honest as that made a man very different from most people; one had to be almost equally honest with HIM. She made this latter reflection at the very time she was flattering herself she had persuaded him that she was the most light-hearted of women. He never threw any doubt on this point, never asked her any personal questions. He got on much better with Osmond than had seemed probable. Osmond had a great dislike to being counted on; in such a case he had an irresistible need of disappointing you. It was in virtue of this principle that he gave himself the entertainment of taking a fancy to a perpendicular Bostonian whom he had been depended upon to treat with coldness. He asked Isabel if Mr. Goodwood also had wanted to marry her, and expressed surprise at her not having accepted him. It would have been an excellent thing, like living under some tall belfry which would strike all the hours and make a queer vibration in the upper air. He declared he liked to talk with the great Goodwood; it wasn't easy at first, you had to climb up an interminable steep staircase up to the top of the tower; but when you got there you had a big view and felt a little fresh breeze. Osmond, as we know, had delightful qualities, and he gave Caspar Goodwood the benefit of them all. Isabel could see that Mr. Goodwood thought better of her husband than he had ever wished to; he had given her the impression that morning in Florence of being inaccessible to a good impression. Gilbert asked him repeatedly to dinner, and Mr. Goodwood smoked a cigar with him afterwards and even desired to be shown his collections. Gilbert said to Isabel that he was very original; he was as strong and of as good a style as an English portmanteau,--he had plenty of straps and buckles which would never wear out, and a capital patent lock. Caspar Goodwood took to riding on the Campagna and devoted much time to this exercise; it was therefore mainly in the evening that Isabel saw him. She bethought herself of saying to him one day that if he were willing he could render her a service. And then she added smiling: "I don't know, however, what right I have to ask a service of you." "You're the person in the world who has most right," he answered. "I've given you assurances that I've never given any one else." The service was that he should go and see her cousin Ralph, who was ill at the Hotel de Paris, alone, and be as kind to him as possible. Mr. Goodwood had never seen him, but he would know who the poor fellow was; if she was not mistaken Ralph had once invited him to Gardencourt. Caspar remembered the invitation perfectly, and, though he was not supposed to be a man of imagination, had enough to put himself in the place of a poor gentleman who lay dying at a Roman inn. He called at the Hotel de Paris and, on being shown into the presence of the master of Gardencourt, found Miss Stackpole sitting beside his sofa. A singular change had in fact occurred in this lady's relations with Ralph Touchett. She had not been asked by Isabel to go and see him, but on hearing that he was too ill to come out had immediately gone of her own motion. After this she had paid him a daily visit--always under the conviction that they were great enemies. "Oh yes, we're intimate enemies," Ralph used to say; and he accused her freely--as freely as the humour of it would allow--of coming to worry him to death. In reality they became excellent friends, Henrietta much wondering that she should never have liked him before. Ralph liked her exactly as much as he had always done; he had never doubted for a moment that she was an excellent fellow. They talked about everything and always differed; about everything, that is, but Isabel--a topic as to which Ralph always had a thin forefinger on his lips. Mr. Bantling on the other hand proved a great resource; Ralph was capable of discussing Mr. Bantling with Henrietta for hours. Discussion was stimulated of course by their inevitable difference of view--Ralph having amused himself with taking the ground that the genial ex-guardsman was a regular Machiavelli. Caspar Goodwood could contribute nothing to such a debate; but after he had been left alone with his host he found there were various other matters they could take up. It must be admitted that the lady who had just gone out was not one of these; Caspar granted all Miss Stackpole's merits in advance, but had no further remark to make about her. Neither, after the first allusions, did the two men expatiate upon Mrs. Osmond--a theme in which Goodwood perceived as many dangers as Ralph. He felt very sorry for that unclassable personage; he couldn't bear to see a pleasant man, so pleasant for all his queerness, so beyond anything to be done. There was always something to be done, for Goodwood, and he did it in this case by repeating several times his visit to the Hotel de Paris. It seemed to Isabel that she had been very clever; she had artfully disposed of the superfluous Caspar. She had given him an occupation; she had converted him into a caretaker of Ralph. She had a plan of making him travel northward with her cousin as soon as the first mild weather should allow it. Lord Warburton had brought Ralph to Rome and Mr. Goodwood should take him away. There seemed a happy symmetry in this, and she was now intensely eager that Ralph should depart. She had a constant fear he would die there before her eyes and a horror of the occurrence of this event at an inn, by her door, which he had so rarely entered. Ralph must sink to his last rest in his own dear house, in one of those deep, dim chambers of Gardencourt where the dark ivy would cluster round the edges of the glimmering window. There seemed to Isabel in these days something sacred in Gardencourt; no chapter of the past was more perfectly irrecoverable. When she thought of the months she had spent there the tears rose to her eyes. She flattered herself, as I say, upon her ingenuity, but she had need of all she could muster; for several events occurred which seemed to confront and defy her. The Countess Gemini arrived from Florence--arrived with her trunks, her dresses, her chatter, her falsehoods, her frivolity, the strange, the unholy legend of the number of her lovers. Edward Rosier, who had been away somewhere,--no one, not even Pansy, knew where,--reappeared in Rome and began to write her long letters, which she never answered. Madame Merle returned from Naples and said to her with a strange smile: "What on earth did you do with Lord Warburton?" As if it were any business of hers!

Chapter 47

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-46-47

During a period of Madame Merle's absence from Rome, Isabel is haunted by strange visions at night of her husband and Madame Merle together. She feels her imagination arrive at an elusive point only to be checked by a nameless dread. Henrietta arrives in Rome and visits Isabel. She informs her that Caspar Goodwood is also in Rome, but Goodwood delays in coming to see Isabel. Sometimes Isabel believes she sees him on the street. Isabel feels she must put her own spiritual affairs in order, but she is afraid that if Caspar comes to see her he will know how much such affairs are in disarray. Isabel lets Henrietta know how unhappy she is, and Henrietta responds by asking her why she does not leave. Isabel declares that she must accept her choice, because she made it freely. Henrietta shows herself to be a good friend who has made the journey from America simply because she knows her friend Isabel is unhappy. Henrietta tells Isabel about Mr. Bantling's journey to America and how he was received there as a "simple" man. In this chapter, we get a sense of the various ways Isabel's friends constellate with each other and with her husband. Pansy finds Henrietta fascinating, and Henrietta thinks that Pansy is suspicious, remembering everything she says. Osmond dislikes Ralph, believing he is pompous. He thinks his only redeeming quality is the fact that he is ill, but thinks he ought to prove how ill he is by dying. He is offended by Lord Warburton's behavior, comparing him to a man that has come to buy a house, gone and looked around in each and every room, only to escape having not paid for any rent. Osmond likens Henrietta to a "steel pen" - she is sharp and grating, and he finds her simply to be a "monster". Caspar finally visits Isabel and surprisingly he and Osmond get along quite well. When Osmond learns that Caspar proposed marriage, he is surprised that Isabel did not accept, saying it would have been like living under a "tall belfry". Caspar comes to Isabel's Thursday evening gatherings regularly. Isabel asks Caspar to visit Ralph as a favor to herself. When Caspar goes to visit Ralph, he finds Henrietta has also been keeping Ralph company. Ralph and Henrietta jokingly have declared each other enemies, and of course they seem to accord in nothing. Isabel's plan is to have Caspar accompany Ralph back to Gardencourt. This would be convenient too because it would give Caspar an occupation away from herself. She believes it would be fitting if Ralph would take his final resting place in his own home. She associates Gardencourt with a sacred time in her life

Isabel's conversation with Osmond declares her intention not to help him in his quest to marry Pansy to Lord Warburton -- he accuses her then of taking a direct action against him. This is the beginning of an open confrontation with her husband that she has never before had, and which she had feared at the beginning of Chapter 45 would occur in reference to Ralph. It is a demonstration of a kind of psychological violence that people can do to each other by acting against one another's interests, or ignoring each other's desires. Osmond shows his own limited perspective when he refuses to acknowledge Pansy's own desires as even factoring into her life: he simply believes she should follow convention and try to ambitiously climb as high in society as possible through marriage. Isabel's response to Henrietta's suggestion that she simply leave Osmond implies that Isabel believes in a certain moral standard for her own behavior. Unlike being tied to conventionality, like Osmond's understanding of marriage, Isabel takes responsibility for her actions, believing that she freely made her choice to be with Osmond and that she ought not to hypocritically act in ways contradicting the oath she made. Robert Pippin has understood Isabel to be one of Henry James' best moral heroines, who is asking the question of how she can morally assert her own freedom in life - how she can act independently, taking responsibility for her own actions. She is faced with the modern problem of decaying social relations that are empty formal conventions with no real moral values. She is faced with a problem of meaning that is unstable because nobody shares common meanings. Gilbert Osmond for example sees marriage as a financial transaction, but Isabel marries for her own ideas. Her assertion to Henrietta that she must adhere to the consequences of her actions shows Isabel's commitment to keeping her actions consistent, even in the realization that they are isolating.

gradesaver

all_chapterized_books/2833-chapters/48.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_16_part_1.txt

The Portrait of a Lady.chapter 48

chapter 48

{"name": "Chapter 48", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-48-49", "summary": "Ralph decides to return to England, and Henrietta insists that she accompany him. Caspar also will take the journey with the pair, because he has promised Isabel. Caspar tells Ralph that he knows Isabel simply wants to get rid of him. Caspar came to see if Isabel is happy. Ralph tells him that Isabel is the most \"visibly happy\" woman he knows. Before leaving, Henrietta tells the Countess Gemini that her speculations about Lord Warburton's affair with Isabel were incorrect because Lord Warburton was in fact courting Pansy. Gemini points out to Henrietta that no proposal resulted. Henrietta encourages Isabel to leave her husband before the worst occurs. Isabel insists that she will remain the same person in spite of her husband. Ralph and Isabel have parting words. Ralph speaks as if he will see her again. Isabel suddenly lets on that she is unhappy, telling him that she is afraid of herself. She is upset that she cannot accompany Ralph herself, feeling that it is her duty. Ralph tells Isabel that he has kept alive out of his interest in Isabel. Isabel tells him he can send for her, and she will come to him at Gardencourt. Ralph knows that Osmond would not consent to that. Isabel insists that she can arrange for it. Osmond has parting words with Caspar Goodwood. He tells him that he and his wife have liked him because Caspar has helped them reconcile them to the future. He sees Caspar as a really new kind of man, the most modern man he knows. Osmond claims that Isabel and he typically have the same opinion about things. Caspar, meanwhile, wants to see Isabel alone one last time. He has a dull rage of his consciousness of things. He feels suspicious of Osmond even though he knows his host has been very generous with him. The narrator tells us that Goodwood had actually wished Osmond dead and might even have liked to kill him. He does feel that he has no proof that Osmond does not in fact get along with Isabel. But he is irritated because he feels he does not even know the truth. Caspar does not manage to speak with Isabel alone until most everyone has left the party. He asks Isabel outright: \"what have you really made of your life. I can't understand, I can't penetrate you. He feels that she is inscrutable, and that is what makes him suspect she has something to hide. He declares that he has come simply because he loves her still. He realizes though it is none of his business whether or not she is happy. Isabel finally tells him that he can pity her every so often", "analysis": "Goodwood is an interesting character because he introduces the specter of a possibly violent resolution to a book that has been so far, very melodramatic. There is the suggestion that he may kill Osmond. He seethes with rage during this scene. James extensively revised sections of the book for his New York Edition anthology in 1907, and it is notable that Goodwood's sections receive much attention. Caspar wants to \"penetrate\" Isabel - there is a suggestion that he does not only want knowledge of her situation, but carnal knowledge of her. James made Goodwood's sexuality more explicit in his revision of the novel. We might read this through a psychoanalytic lens, whereby sexuality, everywhere repressed by Victorian manners, threatens to bubble to the surface in the figure of Goodwood. Isabel's realizes that Merle and Osmond are much more intimate than she ever knew because Merle begins to deliver messages to Isabel from Osmond. Merle obviously knows what is \"between\" Osmond and Isabel, and she has acted as an intermediary the whole time. Isabel cannot pinpoint the concrete nature of Merle's interest in her marriage, but she recognizes the plot. This is a demonstration of Isabel's own imagination finally pinning itself on an intricate, real idea, as shadowy as it may be. The reader will remember that at the beginning of the novel, Isabel had only ideas without any concrete articulation of these ideas. Merle has provided the \"means\" for such an articulation through arranging a marriage to Osmond. However, Isabel here discovers that the intermediary has determined the entire idea. In other words, there is no escaping the effect that a medium has upon the message it expresses. The medium can actually change the meaning of the original idea it meant to express. In other words, Henry James is considering the nature of signifiers in relation to what they ultimately signify. Osmond and Merle's conversation finally reveals the intimate nature of their relationship -- the reader can guess that they once had an affair. Osmond's reaction to Merle is interesting: the story twice ironically references the melodramatic, literary nature of Merle's complaints through the voice of Osmond. He says she likes a \"sentence in a copy book\" and that she talks of revenge \"like a third-rate novelist\" . He serves something like an editorial function to her soap opera-like thoughts. It is as if Henry James is reflecting on the melodramatic nature of his plot and trying to \"edit\" it and make it more realistic through splitting the problem between two characters. We might understand the melodramatic nature of Henry James' novel in the context of Isabel's reference to Merle as a \"wicked\" person. In our modern world, to make the distinction between good and evil is a more theological notion that does not apply in our daily lives -- it seems somewhat antiquated for example to refer to someone who is a psychologically disturbed criminal as \"evil\" or \"wicked.\" Isabel therefore notes the foreign usage of the word. Yet she applies the word because she is making a moral judgment of her friend, and morality is based on making such distinctions, between ultimately good and bad actions. To apply a standard of morality to something is generally to draw a line, a strong distinction between options. However, because this fictional world is devoid of religious guidance, it cannot be God who provides a guide for making such distinction. Instead, Henry James makes recourse to the melodrama: a genre that draws drastic distinctions and applies them to events of daily life. For more information on this idea, see Peter Brooks' book, The Melodramatic Imagination ."}

One day, toward the end of February, Ralph Touchett made up his mind to return to England. He had his own reasons for this decision, which he was not bound to communicate; but Henrietta Stackpole, to whom he mentioned his intention, flattered herself that she guessed them. She forbore to express them, however; she only said, after a moment, as she sat by his sofa: "I suppose you know you can't go alone?" "I've no idea of doing that," Ralph answered. "I shall have people with me." "What do you mean by 'people'? Servants whom you pay?" "Ah," said Ralph jocosely, "after all, they're human beings." "Are there any women among them?" Miss Stackpole desired to know. "You speak as if I had a dozen! No, I confess I haven't a soubrette in my employment." "Well," said Henrietta calmly, "you can't go to England that way. You must have a woman's care." "I've had so much of yours for the past fortnight that it will last me a good while." "You've not had enough of it yet. I guess I'll go with you," said Henrietta. "Go with me?" Ralph slowly raised himself from his sofa. "Yes, I know you don't like me, but I'll go with you all the same. It would be better for your health to lie down again." Ralph looked at her a little; then he slowly relapsed. "I like you very much," he said in a moment. Miss Stackpole gave one of her infrequent laughs. "You needn't think that by saying that you can buy me off. I'll go with you, and what is more I'll take care of you." "You're a very good woman," said Ralph. "Wait till I get you safely home before you say that. It won't be easy. But you had better go, all the same." Before she left him, Ralph said to her: "Do you really mean to take care of me?" "Well, I mean to try." "I notify you then that I submit. Oh, I submit!" And it was perhaps a sign of submission that a few minutes after she had left him alone he burst into a loud fit of laughter. It seemed to him so inconsequent, such a conclusive proof of his having abdicated all functions and renounced all exercise, that he should start on a journey across Europe under the supervision of Miss Stackpole. And the great oddity was that the prospect pleased him; he was gratefully, luxuriously passive. He felt even impatient to start; and indeed he had an immense longing to see his own house again. The end of everything was at hand; it seemed to him he could stretch out his arm and touch the goal. But he wanted to die at home; it was the only wish he had left--to extend himself in the large quiet room where he had last seen his father lie, and close his eyes upon the summer dawn. That same day Caspar Goodwood came to see him, and he informed his visitor that Miss Stackpole had taken him up and was to conduct him back to England. "Ah then," said Caspar, "I'm afraid I shall be a fifth wheel to the coach. Mrs. Osmond has made me promise to go with you." "Good heavens--it's the golden age! You're all too kind." "The kindness on my part is to her; it's hardly to you." "Granting that, SHE'S kind," smiled Ralph. "To get people to go with you? Yes, that's a sort of kindness," Goodwood answered without lending himself to the joke. "For myself, however," he added, "I'll go so far as to say that I would much rather travel with you and Miss Stackpole than with Miss Stackpole alone." "And you'd rather stay here than do either," said Ralph. "There's really no need of your coming. Henrietta's extraordinarily efficient." "I'm sure of that. But I've promised Mrs. Osmond." "You can easily get her to let you off." "She wouldn't let me off for the world. She wants me to look after you, but that isn't the principal thing. The principal thing is that she wants me to leave Rome." "Ah, you see too much in it," Ralph suggested. "I bore her," Goodwood went on; "she has nothing to say to me, so she invented that." "Oh then, if it's a convenience to her I certainly will take you with me. Though I don't see why it should be a convenience," Ralph added in a moment. "Well," said Caspar Goodwood simply, "she thinks I'm watching her." "Watching her?" "Trying to make out if she's happy." "That's easy to make out," said Ralph. "She's the most visibly happy woman I know." "Exactly so; I'm satisfied," Goodwood answered dryly. For all his dryness, however, he had more to say. "I've been watching her; I was an old friend and it seemed to me I had the right. She pretends to be happy; that was what she undertook to be; and I thought I should like to see for myself what it amounts to. I've seen," he continued with a harsh ring in his voice, "and I don't want to see any more. I'm now quite ready to go." "Do you know it strikes me as about time you should?" Ralph rejoined. And this was the only conversation these gentlemen had about Isabel Osmond. Henrietta made her preparations for departure, and among them she found it proper to say a few words to the Countess Gemini, who returned at Miss Stackpole's pension the visit which this lady had paid her in Florence. "You were very wrong about Lord Warburton," she remarked to the Countess. "I think it right you should know that." "About his making love to Isabel? My poor lady, he was at her house three times a day. He has left traces of his passage!" the Countess cried. "He wished to marry your niece; that's why he came to the house." The Countess stared, and then with an inconsiderate laugh: "Is that the story that Isabel tells? It isn't bad, as such things go. If he wishes to marry my niece, pray why doesn't he do it? Perhaps he has gone to buy the wedding-ring and will come back with it next month, after I'm gone." "No, he'll not come back. Miss Osmond doesn't wish to marry him." "She's very accommodating! I knew she was fond of Isabel, but I didn't know she carried it so far." "I don't understand you," said Henrietta coldly, and reflecting that the Countess was unpleasantly perverse. "I really must stick to my point--that Isabel never encouraged the attentions of Lord Warburton." "My dear friend, what do you and I know about it? All we know is that my brother's capable of everything." "I don't know what your brother's capable of," said Henrietta with dignity. "It's not her encouraging Warburton that I complain of; it's her sending him away. I want particularly to see him. Do you suppose she thought I would make him faithless?" the Countess continued with audacious insistence. "However, she's only keeping him, one can feel that. The house is full of him there; he's quite in the air. Oh yes, he has left traces; I'm sure I shall see him yet." "Well," said Henrietta after a little, with one of those inspirations which had made the fortune of her letters to the Interviewer, "perhaps he'll be more successful with you than with Isabel!" When she told her friend of the offer she had made Ralph Isabel replied that she could have done nothing that would have pleased her more. It had always been her faith that at bottom Ralph and this young woman were made to understand each other. "I don't care whether he understands me or not," Henrietta declared. "The great thing is that he shouldn't die in the cars." "He won't do that," Isabel said, shaking her head with an extension of faith. "He won't if I can help it. I see you want us all to go. I don't know what you want to do." "I want to be alone," said Isabel. "You won't be that so long as you've so much company at home." "Ah, they're part of the comedy. You others are spectators." "Do you call it a comedy, Isabel Archer?" Henrietta rather grimly asked. "The tragedy then if you like. You're all looking at me; it makes me uncomfortable." Henrietta engaged in this act for a while. "You're like the stricken deer, seeking the innermost shade. Oh, you do give me such a sense of helplessness!" she broke out. "I'm not at all helpless. There are many things I mean to do." "It's not you I'm speaking of; it's myself. It's too much, having come on purpose, to leave you just as I find you." "You don't do that; you leave me much refreshed," Isabel said. "Very mild refreshment--sour lemonade! I want you to promise me something." "I can't do that. I shall never make another promise. I made such a solemn one four years ago, and I've succeeded so ill in keeping it." "You've had no encouragement. In this case I should give you the greatest. Leave your husband before the worst comes; that's what I want you to promise." "The worst? What do you call the worst?" "Before your character gets spoiled." "Do you mean my disposition? It won't get spoiled," Isabel answered, smiling. "I'm taking very good care of it. I'm extremely struck," she added, turning away, "with the off-hand way in which you speak of a woman's leaving her husband. It's easy to see you've never had one!" "Well," said Henrietta as if she were beginning an argument, "nothing is more common in our Western cities, and it's to them, after all, that we must look in the future." Her argument, however, does not concern this history, which has too many other threads to unwind. She announced to Ralph Touchett that she was ready to leave Rome by any train he might designate, and Ralph immediately pulled himself together for departure. Isabel went to see him at the last, and he made the same remark that Henrietta had made. It struck him that Isabel was uncommonly glad to get rid of them all. For all answer to this she gently laid her hand on his, and said in a low tone, with a quick smile: "My dear Ralph--!" It was answer enough, and he was quite contented. But he went on in the same way, jocosely, ingenuously: "I've seen less of you than I might, but it's better than nothing. And then I've heard a great deal about you." "I don't know from whom, leading the life you've done." "From the voices of the air! Oh, from no one else; I never let other people speak of you. They always say you're 'charming,' and that's so flat." "I might have seen more of you certainly," Isabel said. "But when one's married one has so much occupation." "Fortunately I'm not married. When you come to see me in England I shall be able to entertain you with all the freedom of a bachelor." He continued to talk as if they should certainly meet again, and succeeded in making the assumption appear almost just. He made no allusion to his term being near, to the probability that he should not outlast the summer. If he preferred it so, Isabel was willing enough; the reality was sufficiently distinct without their erecting finger-posts in conversation. That had been well enough for the earlier time, though about this, as about his other affairs, Ralph had never been egotistic. Isabel spoke of his journey, of the stages into which he should divide it, of the precautions he should take. "Henrietta's my greatest precaution," he went on. "The conscience of that woman's sublime." "Certainly she'll be very conscientious." "Will be? She has been! It's only because she thinks it's her duty that she goes with me. There's a conception of duty for you." "Yes, it's a generous one," said Isabel, "and it makes me deeply ashamed. I ought to go with you, you know." "Your husband wouldn't like that." "No, he wouldn't like it. But I might go, all the same." "I'm startled by the boldness of your imagination. Fancy my being a cause of disagreement between a lady and her husband!" "That's why I don't go," said Isabel simply--yet not very lucidly. Ralph understood well enough, however. "I should think so, with all those occupations you speak of." "It isn't that. I'm afraid," said Isabel. After a pause she repeated, as if to make herself, rather than him, hear the words: "I'm afraid." Ralph could hardly tell what her tone meant; it was so strangely deliberate--apparently so void of emotion. Did she wish to do public penance for a fault of which she had not been convicted? or were her words simply an attempt at enlightened self-analysis? However this might be, Ralph could not resist so easy an opportunity. "Afraid of your husband?" "Afraid of myself!" she said, getting up. She stood there a moment and then added: "If I were afraid of my husband that would be simply my duty. That's what women are expected to be." "Ah yes," laughed Ralph; "but to make up for it there's always some man awfully afraid of some woman!" She gave no heed to this pleasantry, but suddenly took a different turn. "With Henrietta at the head of your little band," she exclaimed abruptly, "there will be nothing left for Mr. Goodwood!" "Ah, my dear Isabel," Ralph answered, "he's used to that. There is nothing left for Mr. Goodwood." She coloured and then observed, quickly, that she must leave him. They stood together a moment; both her hands were in both of his. "You've been my best friend," she said. "It was for you that I wanted--that I wanted to live. But I'm of no use to you." Then it came over her more poignantly that she should not see him again. She could not accept that; she could not part with him that way. "If you should send for me I'd come," she said at last. "Your husband won't consent to that." "Oh yes, I can arrange it." "I shall keep that for my last pleasure!" said Ralph. In answer to which she simply kissed him. It was a Thursday, and that evening Caspar Goodwood came to Palazzo Roccanera. He was among the first to arrive, and he spent some time in conversation with Gilbert Osmond, who almost always was present when his wife received. They sat down together, and Osmond, talkative, communicative, expansive, seemed possessed with a kind of intellectual gaiety. He leaned back with his legs crossed, lounging and chatting, while Goodwood, more restless, but not at all lively, shifted his position, played with his hat, made the little sofa creak beneath him. Osmond's face wore a sharp, aggressive smile; he was as a man whose perceptions have been quickened by good news. He remarked to Goodwood that he was sorry they were to lose him; he himself should particularly miss him. He saw so few intelligent men--they were surprisingly scarce in Rome. He must be sure to come back; there was something very refreshing, to an inveterate Italian like himself, in talking with a genuine outsider. "I'm very fond of Rome, you know," Osmond said; "but there's nothing I like better than to meet people who haven't that superstition. The modern world's after all very fine. Now you're thoroughly modern and yet are not at all common. So many of the moderns we see are such very poor stuff. If they're the children of the future we're willing to die young. Of course the ancients too are often very tiresome. My wife and I like everything that's really new--not the mere pretence of it. There's nothing new, unfortunately, in ignorance and stupidity. We see plenty of that in forms that offer themselves as a revelation of progress, of light. A revelation of vulgarity! There's a certain kind of vulgarity which I believe is really new; I don't think there ever was anything like it before. Indeed I don't find vulgarity, at all, before the present century. You see a faint menace of it here and there in the last, but to-day the air has grown so dense that delicate things are literally not recognised. Now, we've liked you--!" With which he hesitated a moment, laying his hand gently on Goodwood's knee and smiling with a mixture of assurance and embarrassment. "I'm going to say something extremely offensive and patronising, but you must let me have the satisfaction of it. We've liked you because--because you've reconciled us a little to the future. If there are to be a certain number of people like you--a la bonne heure! I'm talking for my wife as well as for myself, you see. She speaks for me, my wife; why shouldn't I speak for her? We're as united, you know, as the candlestick and the snuffers. Am I assuming too much when I say that I think I've understood from you that your occupations have been--a--commercial? There's a danger in that, you know; but it's the way you have escaped that strikes us. Excuse me if my little compliment seems in execrable taste; fortunately my wife doesn't hear me. What I mean is that you might have been--a--what I was mentioning just now. The whole American world was in a conspiracy to make you so. But you resisted, you've something about you that saved you. And yet you're so modern, so modern; the most modern man we know! We shall always be delighted to see you again." I have said that Osmond was in good humour, and these remarks will give ample evidence of the fact. They were infinitely more personal than he usually cared to be, and if Caspar Goodwood had attended to them more closely he might have thought that the defence of delicacy was in rather odd hands. We may believe, however, that Osmond knew very well what he was about, and that if he chose to use the tone of patronage with a grossness not in his habits he had an excellent reason for the escapade. Goodwood had only a vague sense that he was laying it on somehow; he scarcely knew where the mixture was applied. Indeed he scarcely knew what Osmond was talking about; he wanted to be alone with Isabel, and that idea spoke louder to him than her husband's perfectly-pitched voice. He watched her talking with other people and wondered when she would be at liberty and whether he might ask her to go into one of the other rooms. His humour was not, like Osmond's, of the best; there was an element of dull rage in his consciousness of things. Up to this time he had not disliked Osmond personally; he had only thought him very well-informed and obliging and more than he had supposed like the person whom Isabel Archer would naturally marry. His host had won in the open field a great advantage over him, and Goodwood had too strong a sense of fair play to have been moved to underrate him on that account. He had not tried positively to think well of him; this was a flight of sentimental benevolence of which, even in the days when he came nearest to reconciling himself to what had happened, Goodwood was quite incapable. He accepted him as rather a brilliant personage of the amateurish kind, afflicted with a redundancy of leisure which it amused him to work off in little refinements of conversation. But he only half trusted him; he could never make out why the deuce Osmond should lavish refinements of any sort upon HIM. It made him suspect that he found some private entertainment in it, and it ministered to a general impression that his triumphant rival had in his composition a streak of perversity. He knew indeed that Osmond could have no reason to wish him evil; he had nothing to fear from him. He had carried off a supreme advantage and could afford to be kind to a man who had lost everything. It was true that Goodwood had at times grimly wished he were dead and would have liked to kill him; but Osmond had no means of knowing this, for practice had made the younger man perfect in the art of appearing inaccessible to-day to any violent emotion. He cultivated this art in order to deceive himself, but it was others that he deceived first. He cultivated it, moreover, with very limited success; of which there could be no better proof than the deep, dumb irritation that reigned in his soul when he heard Osmond speak of his wife's feelings as if he were commissioned to answer for them. That was all he had had an ear for in what his host said to him this evening; he had been conscious that Osmond made more of a point even than usual of referring to the conjugal harmony prevailing at Palazzo Roccanera. He had been more careful than ever to speak as if he and his wife had all things in sweet community and it were as natural to each of them to say "we" as to say "I". In all this there was an air of intention that had puzzled and angered our poor Bostonian, who could only reflect for his comfort that Mrs. Osmond's relations with her husband were none of his business. He had no proof whatever that her husband misrepresented her, and if he judged her by the surface of things was bound to believe that she liked her life. She had never given him the faintest sign of discontent. Miss Stackpole had told him that she had lost her illusions, but writing for the papers had made Miss Stackpole sensational. She was too fond of early news. Moreover, since her arrival in Rome she had been much on her guard; she had pretty well ceased to flash her lantern at him. This indeed, it may be said for her, would have been quite against her conscience. She had now seen the reality of Isabel's situation, and it had inspired her with a just reserve. Whatever could be done to improve it the most useful form of assistance would not be to inflame her former lovers with a sense of her wrongs. Miss Stackpole continued to take a deep interest in the state of Mr. Goodwood's feelings, but she showed it at present only by sending him choice extracts, humorous and other, from the American journals, of which she received several by every post and which she always perused with a pair of scissors in her hand. The articles she cut out she placed in an envelope addressed to Mr. Goodwood, which she left with her own hand at his hotel. He never asked her a question about Isabel: hadn't he come five thousand miles to see for himself? He was thus not in the least authorised to think Mrs. Osmond unhappy; but the very absence of authorisation operated as an irritant, ministered to the harsh-ness with which, in spite of his theory that he had ceased to care, he now recognised that, so far as she was concerned, the future had nothing more for him. He had not even the satisfaction of knowing the truth; apparently he could not even be trusted to respect her if she WERE unhappy. He was hopeless, helpless, useless. To this last character she had called his attention by her ingenious plan for making him leave Rome. He had no objection whatever to doing what he could for her cousin, but it made him grind his teeth to think that of all the services she might have asked of him this was the one she had been eager to select. There had been no danger of her choosing one that would have kept him in Rome. To-night what he was chiefly thinking of was that he was to leave her to-morrow and that he had gained nothing by coming but the knowledge that he was as little wanted as ever. About herself he had gained no knowledge; she was imperturbable, inscrutable, impenetrable. He felt the old bitterness, which he had tried so hard to swallow, rise again in his throat, and he knew there are disappointments that last as long as life. Osmond went on talking; Goodwood was vaguely aware that he was touching again upon his perfect intimacy with his wife. It seemed to him for a moment that the man had a kind of demonic imagination; it was impossible that without malice he should have selected so unusual a topic. But what did it matter, after all, whether he were demonic or not, and whether she loved him or hated him? She might hate him to the death without one's gaining a straw one's self. "You travel, by the by, with Ralph Touchett," Osmond said. "I suppose that means you'll move slowly?" "I don't know. I shall do just as he likes." "You're very accommodating. We're immensely obliged to you; you must really let me say it. My wife has probably expressed to you what we feel. Touchett has been on our minds all winter; it has looked more than once as if he would never leave Rome. He ought never to have come; it's worse than an imprudence for people in that state to travel; it's a kind of indelicacy. I wouldn't for the world be under such an obligation to Touchett as he has been to--to my wife and me. Other people inevitably have to look after him, and every one isn't so generous as you." "I've nothing else to do," Caspar said dryly. Osmond looked at him a moment askance. "You ought to marry, and then you'd have plenty to do! It's true that in that case you wouldn't be quite so available for deeds of mercy." "Do you find that as a married man you're so much occupied?" the young man mechanically asked. "Ah, you see, being married's in itself an occupation. It isn't always active; it's often passive; but that takes even more attention. Then my wife and I do so many things together. We read, we study, we make music, we walk, we drive--we talk even, as when we first knew each other. I delight, to this hour, in my wife's conversation. If you're ever bored take my advice and get married. Your wife indeed may bore you, in that case; but you'll never bore yourself. You'll always have something to say to yourself--always have a subject of reflection." "I'm not bored," said Goodwood. "I've plenty to think about and to say to myself." "More than to say to others!" Osmond exclaimed with a light laugh. "Where shall you go next? I mean after you've consigned Touchett to his natural caretakers--I believe his mother's at last coming back to look after him. That little lady's superb; she neglects her duties with a finish--! Perhaps you'll spend the summer in England?" "I don't know. I've no plans." "Happy man! That's a little bleak, but it's very free." "Oh yes, I'm very free." "Free to come back to Rome I hope," said Osmond as he saw a group of new visitors enter the room. "Remember that when you do come we count on you!" Goodwood had meant to go away early, but the evening elapsed without his having a chance to speak to Isabel otherwise than as one of several associated interlocutors. There was something perverse in the inveteracy with which she avoided him; his unquenchable rancour discovered an intention where there was certainly no appearance of one. There was absolutely no appearance of one. She met his eyes with her clear hospitable smile, which seemed almost to ask that he would come and help her to entertain some of her visitors. To such suggestions, however, he opposed but a stiff impatience. He wandered about and waited; he talked to the few people he knew, who found him for the first time rather self-contradictory. This was indeed rare with Caspar Goodwood, though he often contradicted others. There was often music at Palazzo Roccanera, and it was usually very good. Under cover of the music he managed to contain himself; but toward the end, when he saw the people beginning to go, he drew near to Isabel and asked her in a low tone if he might not speak to her in one of the other rooms, which he had just assured himself was empty. She smiled as if she wished to oblige him but found her self absolutely prevented. "I'm afraid it's impossible. People are saying good-night, and I must be where they can see me." "I shall wait till they are all gone then." She hesitated a moment. "Ah, that will be delightful!" she exclaimed. And he waited, though it took a long time yet. There were several people, at the end, who seemed tethered to the carpet. The Countess Gemini, who was never herself till midnight, as she said, displayed no consciousness that the entertainment was over; she had still a little circle of gentlemen in front of the fire, who every now and then broke into a united laugh. Osmond had disappeared--he never bade good-bye to people; and as the Countess was extending her range, according to her custom at this period of the evening, Isabel had sent Pansy to bed. Isabel sat a little apart; she too appeared to wish her sister-in-law would sound a lower note and let the last loiterers depart in peace. "May I not say a word to you now?" Goodwood presently asked her. She got up immediately, smiling. "Certainly, we'll go somewhere else if you like." They went together, leaving the Countess with her little circle, and for a moment after they had crossed the threshold neither of them spoke. Isabel would not sit down; she stood in the middle of the room slowly fanning herself; she had for him the same familiar grace. She seemed to wait for him to speak. Now that he was alone with her all the passion he had never stifled surged into his senses; it hummed in his eyes and made things swim round him. The bright, empty room grew dim and blurred, and through the heaving veil he felt her hover before him with gleaming eyes and parted lips. If he had seen more distinctly he would have perceived her smile was fixed and a trifle forced--that she was frightened at what she saw in his own face. "I suppose you wish to bid me goodbye?" she said. "Yes--but I don't like it. I don't want to leave Rome," he answered with almost plaintive honesty. "I can well imagine. It's wonderfully good of you. I can't tell you how kind I think you." For a moment more he said nothing. "With a few words like that you make me go." "You must come back some day," she brightly returned. "Some day? You mean as long a time hence as possible." "Oh no; I don't mean all that." "What do you mean? I don't understand! But I said I'd go, and I'll go," Goodwood added. "Come back whenever you like," said Isabel with attempted lightness. "I don't care a straw for your cousin!" Caspar broke out. "Is that what you wished to tell me?" "No, no; I didn't want to tell you anything; I wanted to ask you--" he paused a moment, and then--"what have you really made of your life?" he said, in a low, quick tone. He paused again, as if for an answer; but she said nothing, and he went on: "I can't understand, I can't penetrate you! What am I to believe--what do you want me to think?" Still she said nothing; she only stood looking at him, now quite without pretending to ease. "I'm told you're unhappy, and if you are I should like to know it. That would be something for me. But you yourself say you're happy, and you're somehow so still, so smooth, so hard. You're completely changed. You conceal everything; I haven't really come near you." "You come very near," Isabel said gently, but in a tone of warning. "And yet I don't touch you! I want to know the truth. Have you done well?" "You ask a great deal." "Yes--I've always asked a great deal. Of course you won't tell me. I shall never know if you can help it. And then it's none of my business." He had spoken with a visible effort to control himself, to give a considerate form to an inconsiderate state of mind. But the sense that it was his last chance, that he loved her and had lost her, that she would think him a fool whatever he should say, suddenly gave him a lash and added a deep vibration to his low voice. "You're perfectly inscrutable, and that's what makes me think you've something to hide. I tell you I don't care a straw for your cousin, but I don't mean that I don't like him. I mean that it isn't because I like him that I go away with him. I'd go if he were an idiot and you should have asked me. If you should ask me I'd go to Siberia tomorrow. Why do you want me to leave the place? You must have some reason for that; if you were as contented as you pretend you are you wouldn't care. I'd rather know the truth about you, even if it's damnable, than have come here for nothing. That isn't what I came for. I thought I shouldn't care. I came because I wanted to assure myself that I needn't think of you any more. I haven't thought of anything else, and you're quite right to wish me to go away. But if I must go, there's no harm in my letting myself out for a single moment, is there? If you're really hurt--if HE hurts you--nothing I say will hurt you. When I tell you I love you it's simply what I came for. I thought it was for something else; but it was for that. I shouldn't say it if I didn't believe I should never see you again. It's the last time--let me pluck a single flower! I've no right to say that, I know; and you've no right to listen. But you don't listen; you never listen, you're always thinking of something else. After this I must go, of course; so I shall at least have a reason. Your asking me is no reason, not a real one. I can't judge by your husband," he went on irrelevantly, almost incoherently; "I don't understand him; he tells me you adore each other. Why does he tell me that? What business is it of mine? When I say that to you, you look strange. But you always look strange. Yes, you've something to hide. It's none of my business--very true. But I love you," said Caspar Goodwood. As he said, she looked strange. She turned her eyes to the door by which they had entered and raised her fan as if in warning. "You've behaved so well; don't spoil it," she uttered softly. "No one hears me. It's wonderful what you tried to put me off with. I love you as I've never loved you." "I know it. I knew it as soon as you consented to go." "You can't help it--of course not. You would if you could, but you can't, unfortunately. Unfortunately for me, I mean. I ask nothing--nothing, that is, I shouldn't. But I do ask one sole satisfaction:--that you tell me--that you tell me--!" "That I tell you what?" "Whether I may pity you." "Should you like that?" Isabel asked, trying to smile again. "To pity you? Most assuredly! That at least would be doing something. I'd give my life to it." She raised her fan to her face, which it covered all except her eyes. They rested a moment on his. "Don't give your life to it; but give a thought to it every now and then." And with that she went back to the Countess Gemini.

Chapter 48

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-48-49

Ralph decides to return to England, and Henrietta insists that she accompany him. Caspar also will take the journey with the pair, because he has promised Isabel. Caspar tells Ralph that he knows Isabel simply wants to get rid of him. Caspar came to see if Isabel is happy. Ralph tells him that Isabel is the most "visibly happy" woman he knows. Before leaving, Henrietta tells the Countess Gemini that her speculations about Lord Warburton's affair with Isabel were incorrect because Lord Warburton was in fact courting Pansy. Gemini points out to Henrietta that no proposal resulted. Henrietta encourages Isabel to leave her husband before the worst occurs. Isabel insists that she will remain the same person in spite of her husband. Ralph and Isabel have parting words. Ralph speaks as if he will see her again. Isabel suddenly lets on that she is unhappy, telling him that she is afraid of herself. She is upset that she cannot accompany Ralph herself, feeling that it is her duty. Ralph tells Isabel that he has kept alive out of his interest in Isabel. Isabel tells him he can send for her, and she will come to him at Gardencourt. Ralph knows that Osmond would not consent to that. Isabel insists that she can arrange for it. Osmond has parting words with Caspar Goodwood. He tells him that he and his wife have liked him because Caspar has helped them reconcile them to the future. He sees Caspar as a really new kind of man, the most modern man he knows. Osmond claims that Isabel and he typically have the same opinion about things. Caspar, meanwhile, wants to see Isabel alone one last time. He has a dull rage of his consciousness of things. He feels suspicious of Osmond even though he knows his host has been very generous with him. The narrator tells us that Goodwood had actually wished Osmond dead and might even have liked to kill him. He does feel that he has no proof that Osmond does not in fact get along with Isabel. But he is irritated because he feels he does not even know the truth. Caspar does not manage to speak with Isabel alone until most everyone has left the party. He asks Isabel outright: "what have you really made of your life. I can't understand, I can't penetrate you. He feels that she is inscrutable, and that is what makes him suspect she has something to hide. He declares that he has come simply because he loves her still. He realizes though it is none of his business whether or not she is happy. Isabel finally tells him that he can pity her every so often

Goodwood is an interesting character because he introduces the specter of a possibly violent resolution to a book that has been so far, very melodramatic. There is the suggestion that he may kill Osmond. He seethes with rage during this scene. James extensively revised sections of the book for his New York Edition anthology in 1907, and it is notable that Goodwood's sections receive much attention. Caspar wants to "penetrate" Isabel - there is a suggestion that he does not only want knowledge of her situation, but carnal knowledge of her. James made Goodwood's sexuality more explicit in his revision of the novel. We might read this through a psychoanalytic lens, whereby sexuality, everywhere repressed by Victorian manners, threatens to bubble to the surface in the figure of Goodwood. Isabel's realizes that Merle and Osmond are much more intimate than she ever knew because Merle begins to deliver messages to Isabel from Osmond. Merle obviously knows what is "between" Osmond and Isabel, and she has acted as an intermediary the whole time. Isabel cannot pinpoint the concrete nature of Merle's interest in her marriage, but she recognizes the plot. This is a demonstration of Isabel's own imagination finally pinning itself on an intricate, real idea, as shadowy as it may be. The reader will remember that at the beginning of the novel, Isabel had only ideas without any concrete articulation of these ideas. Merle has provided the "means" for such an articulation through arranging a marriage to Osmond. However, Isabel here discovers that the intermediary has determined the entire idea. In other words, there is no escaping the effect that a medium has upon the message it expresses. The medium can actually change the meaning of the original idea it meant to express. In other words, Henry James is considering the nature of signifiers in relation to what they ultimately signify. Osmond and Merle's conversation finally reveals the intimate nature of their relationship -- the reader can guess that they once had an affair. Osmond's reaction to Merle is interesting: the story twice ironically references the melodramatic, literary nature of Merle's complaints through the voice of Osmond. He says she likes a "sentence in a copy book" and that she talks of revenge "like a third-rate novelist" . He serves something like an editorial function to her soap opera-like thoughts. It is as if Henry James is reflecting on the melodramatic nature of his plot and trying to "edit" it and make it more realistic through splitting the problem between two characters. We might understand the melodramatic nature of Henry James' novel in the context of Isabel's reference to Merle as a "wicked" person. In our modern world, to make the distinction between good and evil is a more theological notion that does not apply in our daily lives -- it seems somewhat antiquated for example to refer to someone who is a psychologically disturbed criminal as "evil" or "wicked." Isabel therefore notes the foreign usage of the word. Yet she applies the word because she is making a moral judgment of her friend, and morality is based on making such distinctions, between ultimately good and bad actions. To apply a standard of morality to something is generally to draw a line, a strong distinction between options. However, because this fictional world is devoid of religious guidance, it cannot be God who provides a guide for making such distinction. Instead, Henry James makes recourse to the melodrama: a genre that draws drastic distinctions and applies them to events of daily life. For more information on this idea, see Peter Brooks' book, The Melodramatic Imagination .

gradesaver

all_chapterized_books/2833-chapters/49.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_16_part_2.txt

The Portrait of a Lady.chapter 49

chapter 49

{"name": "Chapter 49", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-48-49", "summary": "Madame Merle returns to Rome and she asks Isabel what happened with Lord Warburton. She pretends to take the whole affair lightly, but Isabel notices that she takes a more zealous interest than she should in Pansy's marriage. Isabel suspects even more than Merle has had a hand in Isabel's own marriage. She no longer feels that Merle's proximity to her is a mere \"accident\" , but rather that it is intentionally plotted. She has no definite suspicion, but she still feels there had been some sort of intention on Merle's part. Merle lets Isabel know that her husband is disappointed in her. Isabel feels bitter upon hearing how Osmond has been speaking ill of his wife. Merle insists on knowing whether Lord Warburton left on his own or whether Isabel advised it. She thinks it would help Osmond know what his daughter's prospects are if he knew what had occurred. Isabel turns pale. She asks Merle: \"Who are you--what are you. What have you to do with my husband. What have you to do with me. Merle responds: \"Everything. The truth came over Isabel like a \"high-surging wave\". Merle had been responsible for her marriage. Isabel goes for a drive alone that afternoon. The image of Madame Merle hovered before her. She wonders if the word \"wicked\" could be applied to her friend. She realizes that Merle has been deeply false to her. Isabel still wonders why Merle would want to bring about the event of her marriage so much that she should behave so badly. She thinks to herself that it must have something to do with money; Merle had married her to an intimate companion who might give Merle some money. She wonders if Gilbert had only wanted her money, would he let her go if she gave him all of it. She feels sorry for Merle, though, because she thinks she must not have gotten the money she had wanted. The narrator then leads the reader to a scene simultaneously occurring between Gilbert and Merle. Merle thinks Gilbert is ungrateful for what she has given him. Osmond is annoyed with her and asks what is wrong with her. She declares that she would give anything to be able to weep, but that she cannot do so anymore, since she has met Mr. Osmond. Merle recognizes that she was horrible to Isabel and she claims Gilbert has dried up her soul. Merle claims that Osmond has taken out his revenge upon Isabel, making his wife afraid of him and treating her badly. Osmond claims that she loses sight of the real and that he is in fact very simple. He asks only that his wife adore him. Merle says that she herself never adored him, and Osmond points out that she pretended to. Merle mourns the fact that she is being taught a lesson of having represented herself falsely, and Osmond critiques her for sounding like a \"sentence in a copy book\"", "analysis": "Goodwood is an interesting character because he introduces the specter of a possibly violent resolution to a book that has been so far, very melodramatic. There is the suggestion that he may kill Osmond. He seethes with rage during this scene. James extensively revised sections of the book for his New York Edition anthology in 1907, and it is notable that Goodwood's sections receive much attention. Caspar wants to \"penetrate\" Isabel - there is a suggestion that he does not only want knowledge of her situation, but carnal knowledge of her. James made Goodwood's sexuality more explicit in his revision of the novel. We might read this through a psychoanalytic lens, whereby sexuality, everywhere repressed by Victorian manners, threatens to bubble to the surface in the figure of Goodwood. Isabel's realizes that Merle and Osmond are much more intimate than she ever knew because Merle begins to deliver messages to Isabel from Osmond. Merle obviously knows what is \"between\" Osmond and Isabel, and she has acted as an intermediary the whole time. Isabel cannot pinpoint the concrete nature of Merle's interest in her marriage, but she recognizes the plot. This is a demonstration of Isabel's own imagination finally pinning itself on an intricate, real idea, as shadowy as it may be. The reader will remember that at the beginning of the novel, Isabel had only ideas without any concrete articulation of these ideas. Merle has provided the \"means\" for such an articulation through arranging a marriage to Osmond. However, Isabel here discovers that the intermediary has determined the entire idea. In other words, there is no escaping the effect that a medium has upon the message it expresses. The medium can actually change the meaning of the original idea it meant to express. In other words, Henry James is considering the nature of signifiers in relation to what they ultimately signify. Osmond and Merle's conversation finally reveals the intimate nature of their relationship -- the reader can guess that they once had an affair. Osmond's reaction to Merle is interesting: the story twice ironically references the melodramatic, literary nature of Merle's complaints through the voice of Osmond. He says she likes a \"sentence in a copy book\" and that she talks of revenge \"like a third-rate novelist\" . He serves something like an editorial function to her soap opera-like thoughts. It is as if Henry James is reflecting on the melodramatic nature of his plot and trying to \"edit\" it and make it more realistic through splitting the problem between two characters. We might understand the melodramatic nature of Henry James' novel in the context of Isabel's reference to Merle as a \"wicked\" person. In our modern world, to make the distinction between good and evil is a more theological notion that does not apply in our daily lives -- it seems somewhat antiquated for example to refer to someone who is a psychologically disturbed criminal as \"evil\" or \"wicked.\" Isabel therefore notes the foreign usage of the word. Yet she applies the word because she is making a moral judgment of her friend, and morality is based on making such distinctions, between ultimately good and bad actions. To apply a standard of morality to something is generally to draw a line, a strong distinction between options. However, because this fictional world is devoid of religious guidance, it cannot be God who provides a guide for making such distinction. Instead, Henry James makes recourse to the melodrama: a genre that draws drastic distinctions and applies them to events of daily life. For more information on this idea, see Peter Brooks' book, The Melodramatic Imagination ."}

Madame Merle had not made her appearance at Palazzo Roccanera on the evening of that Thursday of which I have narrated some of the incidents, and Isabel, though she observed her absence, was not surprised by it. Things had passed between them which added no stimulus to sociability, and to appreciate which we must glance a little backward. It has been mentioned that Madame Merle returned from Naples shortly after Lord Warburton had left Rome, and that on her first meeting with Isabel (whom, to do her justice, she came immediately to see) her first utterance had been an enquiry as to the whereabouts of this nobleman, for whom she appeared to hold her dear friend accountable. "Please don't talk of him," said Isabel for answer; "we've heard so much of him of late." Madame Merle bent her head on one side a little, protestingly, and smiled at the left corner of her mouth. "You've heard, yes. But you must remember that I've not, in Naples. I hoped to find him here and to be able to congratulate Pansy." "You may congratulate Pansy still; but not on marrying Lord Warburton." "How you say that! Don't you know I had set my heart on it?" Madame Merle asked with a great deal of spirit, but still with the intonation of good-humour. Isabel was discomposed, but she was determined to be good-humoured too. "You shouldn't have gone to Naples then. You should have stayed here to watch the affair." "I had too much confidence in you. But do you think it's too late?" "You had better ask Pansy," said Isabel. "I shall ask her what you've said to her." These words seemed to justify the impulse of self-defence aroused on Isabel's part by her perceiving that her visitor's attitude was a critical one. Madame Merle, as we know, had been very discreet hitherto; she had never criticised; she had been markedly afraid of intermeddling. But apparently she had only reserved herself for this occasion, since she now had a dangerous quickness in her eye and an air of irritation which even her admirable ease was not able to transmute. She had suffered a disappointment which excited Isabel's surprise--our heroine having no knowledge of her zealous interest in Pansy's marriage; and she betrayed it in a manner which quickened Mrs. Osmond's alarm. More clearly than ever before Isabel heard a cold, mocking voice proceed from she knew not where, in the dim void that surrounded her, and declare that this bright, strong, definite, worldly woman, this incarnation of the practical, the personal, the immediate, was a powerful agent in her destiny. She was nearer to her than Isabel had yet discovered, and her nearness was not the charming accident she had so long supposed. The sense of accident indeed had died within her that day when she happened to be struck with the manner in which the wonderful lady and her own husband sat together in private. No definite suspicion had as yet taken its place; but it was enough to make her view this friend with a different eye, to have been led to reflect that there was more intention in her past behaviour than she had allowed for at the time. Ah yes, there had been intention, there had been intention, Isabel said to herself; and she seemed to wake from a long pernicious dream. What was it that brought home to her that Madame Merle's intention had not been good? Nothing but the mistrust which had lately taken body and which married itself now to the fruitful wonder produced by her visitor's challenge on behalf of poor Pansy. There was something in this challenge which had at the very outset excited an answering defiance; a nameless vitality which she could see to have been absent from her friend's professions of delicacy and caution. Madame Merle had been unwilling to interfere, certainly, but only so long as there was nothing to interfere with. It will perhaps seem to the reader that Isabel went fast in casting doubt, on mere suspicion, on a sincerity proved by several years of good offices. She moved quickly indeed, and with reason, for a strange truth was filtering into her soul. Madame Merle's interest was identical with Osmond's: that was enough. "I think Pansy will tell you nothing that will make you more angry," she said in answer to her companion's last remark. "I'm not in the least angry. I've only a great desire to retrieve the situation. Do you consider that Warburton has left us for ever?" "I can't tell you; I don't understand you. It's all over; please let it rest. Osmond has talked to me a great deal about it, and I've nothing more to say or to hear. I've no doubt," Isabel added, "that he'll be very happy to discuss the subject with you." "I know what he thinks; he came to see me last evening." "As soon as you had arrived? Then you know all about it and you needn't apply to me for information." "It isn't information I want. At bottom it's sympathy. I had set my heart on that marriage; the idea did what so few things do--it satisfied the imagination." "Your imagination, yes. But not that of the persons concerned." "You mean by that of course that I'm not concerned. Of course not directly. But when one's such an old friend one can't help having something at stake. You forget how long I've known Pansy. You mean, of course," Madame Merle added, "that YOU are one of the persons concerned." "No; that's the last thing I mean. I'm very weary of it all." Madame Merle hesitated a little. "Ah yes, your work's done." "Take care what you say," said Isabel very gravely. "Oh, I take care; never perhaps more than when it appears least. Your husband judges you severely." Isabel made for a moment no answer to this; she felt choked with bitterness. It was not the insolence of Madame Merle's informing her that Osmond had been taking her into his confidence as against his wife that struck her most; for she was not quick to believe that this was meant for insolence. Madame Merle was very rarely insolent, and only when it was exactly right. It was not right now, or at least it was not right yet. What touched Isabel like a drop of corrosive acid upon an open wound was the knowledge that Osmond dishonoured her in his words as well as in his thoughts. "Should you like to know how I judge HIM?" she asked at last. "No, because you'd never tell me. And it would be painful for me to know." There was a pause, and for the first time since she had known her Isabel thought Madame Merle disagreeable. She wished she would leave her. "Remember how attractive Pansy is, and don't despair," she said abruptly, with a desire that this should close their interview. But Madame Merle's expansive presence underwent no contraction. She only gathered her mantle about her and, with the movement, scattered upon the air a faint, agreeable fragrance. "I don't despair; I feel encouraged. And I didn't come to scold you; I came if possible to learn the truth. I know you'll tell it if I ask you. It's an immense blessing with you that one can count upon that. No, you won't believe what a comfort I take in it." "What truth do you speak of?" Isabel asked, wondering. "Just this: whether Lord Warburton changed his mind quite of his own movement or because you recommended it. To please himself I mean, or to please you. Think of the confidence I must still have in you, in spite of having lost a little of it," Madame Merle continued with a smile, "to ask such a question as that!" She sat looking at her friend, to judge the effect of her words, and then went on: "Now don't be heroic, don't be unreasonable, don't take offence. It seems to me I do you an honour in speaking so. I don't know another woman to whom I would do it. I haven't the least idea that any other woman would tell me the truth. And don't you see how well it is that your husband should know it? It's true that he doesn't appear to have had any tact whatever in trying to extract it; he has indulged in gratuitous suppositions. But that doesn't alter the fact that it would make a difference in his view of his daughter's prospects to know distinctly what really occurred. If Lord Warburton simply got tired of the poor child, that's one thing, and it's a pity. If he gave her up to please you it's another. That's a pity too, but in a different way. Then, in the latter case, you'd perhaps resign yourself to not being pleased--to simply seeing your step-daughter married. Let him off--let us have him!" Madame Merle had proceeded very deliberately, watching her companion and apparently thinking she could proceed safely. As she went on Isabel grew pale; she clasped her hands more tightly in her lap. It was not that her visitor had at last thought it the right time to be insolent; for this was not what was most apparent. It was a worse horror than that. "Who are you--what are you?" Isabel murmured. "What have you to do with my husband?" It was strange that for the moment she drew as near to him as if she had loved him. "Ah then, you take it heroically! I'm very sorry. Don't think, however, that I shall do so." "What have you to do with me?" Isabel went on. Madame Merle slowly got up, stroking her muff, but not removing her eyes from Isabel's face. "Everything!" she answered. Isabel sat there looking up at her, without rising; her face was almost a prayer to be enlightened. But the light of this woman's eyes seemed only a darkness. "Oh misery!" she murmured at last; and she fell back, covering her face with her hands. It had come over her like a high-surging wave that Mrs. Touchett was right. Madame Merle had married her. Before she uncovered her face again that lady had left the room. Isabel took a drive alone that afternoon; she wished to be far away, under the sky, where she could descend from her carriage and tread upon the daisies. She had long before this taken old Rome into her confidence, for in a world of ruins the ruin of her happiness seemed a less unnatural catastrophe. She rested her weariness upon things that had crumbled for centuries and yet still were upright; she dropped her secret sadness into the silence of lonely places, where its very modern quality detached itself and grew objective, so that as she sat in a sun-warmed angle on a winter's day, or stood in a mouldy church to which no one came, she could almost smile at it and think of its smallness. Small it was, in the large Roman record, and her haunting sense of the continuity of the human lot easily carried her from the less to the greater. She had become deeply, tenderly acquainted with Rome; it interfused and moderated her passion. But she had grown to think of it chiefly as the place where people had suffered. This was what came to her in the starved churches, where the marble columns, transferred from pagan ruins, seemed to offer her a companionship in endurance and the musty incense to be a compound of long-unanswered prayers. There was no gentler nor less consistent heretic than Isabel; the firmest of worshippers, gazing at dark altar-pictures or clustered candles, could not have felt more intimately the suggestiveness of these objects nor have been more liable at such moments to a spiritual visitation. Pansy, as we know, was almost always her companion, and of late the Countess Gemini, balancing a pink parasol, had lent brilliancy to their equipage; but she still occasionally found herself alone when it suited her mood and where it suited the place. On such occasions she had several resorts; the most accessible of which perhaps was a seat on the low parapet which edges the wide grassy space before the high, cold front of Saint John Lateran, whence you look across the Campagna at the far-trailing outline of the Alban Mount and at that mighty plain, between, which is still so full of all that has passed from it. After the departure of her cousin and his companions she roamed more than usual; she carried her sombre spirit from one familiar shrine to the other. Even when Pansy and the Countess were with her she felt the touch of a vanished world. The carriage, leaving the walls of Rome behind, rolled through narrow lanes where the wild honeysuckle had begun to tangle itself in the hedges, or waited for her in quiet places where the fields lay near, while she strolled further and further over the flower-freckled turf, or sat on a stone that had once had a use and gazed through the veil of her personal sadness at the splendid sadness of the scene--at the dense, warm light, the far gradations and soft confusions of colour, the motionless shepherds in lonely attitudes, the hills where the cloud-shadows had the lightness of a blush. On the afternoon I began with speaking of, she had taken a resolution not to think of Madame Merle; but the resolution proved vain, and this lady's image hovered constantly before her. She asked herself, with an almost childlike horror of the supposition, whether to this intimate friend of several years the great historical epithet of wicked were to be applied. She knew the idea only by the Bible and other literary works; to the best of her belief she had had no personal acquaintance with wickedness. She had desired a large acquaintance with human life, and in spite of her having flattered herself that she cultivated it with some success this elementary privilege had been denied her. Perhaps it was not wicked--in the historic sense--to be even deeply false; for that was what Madame Merle had been--deeply, deeply, deeply. Isabel's Aunt Lydia had made this discovery long before, and had mentioned it to her niece; but Isabel had flattered herself at this time that she had a much richer view of things, especially of the spontaneity of her own career and the nobleness of her own interpretations, than poor stiffly-reasoning Mrs. Touchett. Madame Merle had done what she wanted; she had brought about the union of her two friends; a reflection which could not fail to make it a matter of wonder that she should so much have desired such an event. There were people who had the match-making passion, like the votaries of art for art; but Madame Merle, great artist as she was, was scarcely one of these. She thought too ill of marriage, too ill even of life; she had desired that particular marriage but had not desired others. She had therefore had a conception of gain, and Isabel asked herself where she had found her profit. It took her naturally a long time to discover, and even then her discovery was imperfect. It came back to her that Madame Merle, though she had seemed to like her from their first meeting at Gardencourt, had been doubly affectionate after Mr. Touchett's death and after learning that her young friend had been subject to the good old man's charity. She had found her profit not in the gross device of borrowing money, but in the more refined idea of introducing one of her intimates to the young woman's fresh and ingenuous fortune. She had naturally chosen her closest intimate, and it was already vivid enough to Isabel that Gilbert occupied this position. She found herself confronted in this manner with the conviction that the man in the world whom she had supposed to be the least sordid had married her, like a vulgar adventurer, for her money. Strange to say, it had never before occurred to her; if she had thought a good deal of harm of Osmond she had not done him this particular injury. This was the worst she could think of, and she had been saying to herself that the worst was still to come. A man might marry a woman for her money perfectly well; the thing was often done. But at least he should let her know. She wondered whether, since he had wanted her money, her money would now satisfy him. Would he take her money and let her go. Ah, if Mr. Touchett's great charity would but help her to-day it would be blessed indeed! It was not slow to occur to her that if Madame Merle had wished to do Gilbert a service his recognition to her of the boon must have lost its warmth. What must be his feelings to-day in regard to his too zealous benefactress, and what expression must they have found on the part of such a master of irony? It is a singular, but a characteristic, fact that before Isabel returned from her silent drive she had broken its silence by the soft exclamation: "Poor, poor Madame Merle!" Her compassion would perhaps have been justified if on this same afternoon she had been concealed behind one of the valuable curtains of time-softened damask which dressed the interesting little salon of the lady to whom it referred; the carefully-arranged apartment to which we once paid a visit in company with the discreet Mr. Rosier. In that apartment, towards six o'clock, Gilbert Osmond was seated, and his hostess stood before him as Isabel had seen her stand on an occasion commemorated in this history with an emphasis appropriate not so much to its apparent as to its real importance. "I don't believe you're unhappy; I believe you like it," said Madame Merle. "Did I say I was unhappy?" Osmond asked with a face grave enough to suggest that he might have been. "No, but you don't say the contrary, as you ought in common gratitude." "Don't talk about gratitude," he returned dryly. "And don't aggravate me," he added in a moment. Madame Merle slowly seated herself, with her arms folded and her white hands arranged as a support to one of them and an ornament, as it were, to the other. She looked exquisitely calm but impressively sad. "On your side, don't try to frighten me. I wonder if you guess some of my thoughts." "I trouble about them no more than I can help. I've quite enough of my own." "That's because they're so delightful." Osmond rested his head against the back of his chair and looked at his companion with a cynical directness which seemed also partly an expression of fatigue. "You do aggravate me," he remarked in a moment. "I'm very tired." "Eh moi donc!" cried Madame Merle. "With you it's because you fatigue yourself. With me it's not my own fault." "When I fatigue myself it's for you. I've given you an interest. That's a great gift." "Do you call it an interest?" Osmond enquired with detachment. "Certainly, since it helps you to pass your time." "The time has never seemed longer to me than this winter." "You've never looked better; you've never been so agreeable, so brilliant." "Damn my brilliancy!" he thoughtfully murmured. "How little, after all, you know me!" "If I don't know you I know nothing," smiled Madame Merle. "You've the feeling of complete success." "No, I shall not have that till I've made you stop judging me." "I did that long ago. I speak from old knowledge. But you express yourself more too." Osmond just hung fire. "I wish you'd express yourself less!" "You wish to condemn me to silence? Remember that I've never been a chatterbox. At any rate there are three or four things I should like to say to you first. Your wife doesn't know what to do with herself," she went on with a change of tone. "Pardon me; she knows perfectly. She has a line sharply drawn. She means to carry out her ideas." "Her ideas to-day must be remarkable." "Certainly they are. She has more of them than ever." "She was unable to show me any this morning," said Madame Merle. "She seemed in a very simple, almost in a stupid, state of mind. She was completely bewildered." "You had better say at once that she was pathetic." "Ah no, I don't want to encourage you too much." He still had his head against the cushion behind him; the ankle of one foot rested on the other knee. So he sat for a while. "I should like to know what's the matter with you," he said at last. "The matter--the matter--!" And here Madame Merle stopped. Then she went on with a sudden outbreak of passion, a burst of summer thunder in a clear sky: "The matter is that I would give my right hand to be able to weep, and that I can't!" "What good would it do you to weep?" "It would make me feel as I felt before I knew you." "If I've dried your tears, that's something. But I've seen you shed them." "Oh, I believe you'll make me cry still. I mean make me howl like a wolf. I've a great hope, I've a great need, of that. I was vile this morning; I was horrid," she said. "If Isabel was in the stupid state of mind you mention she probably didn't perceive it," Osmond answered. "It was precisely my deviltry that stupefied her. I couldn't help it; I was full of something bad. Perhaps it was something good; I don't know. You've not only dried up my tears; you've dried up my soul." "It's not I then that am responsible for my wife's condition," Osmond said. "It's pleasant to think that I shall get the benefit of your influence upon her. Don't you know the soul is an immortal principle? How can it suffer alteration?" "I don't believe at all that it's an immortal principle. I believe it can perfectly be destroyed. That's what has happened to mine, which was a very good one to start with; and it's you I have to thank for it. You're VERY bad," she added with gravity in her emphasis. "Is this the way we're to end?" Osmond asked with the same studied coldness. "I don't know how we're to end. I wish I did--How do bad people end?--especially as to their COMMON crimes. You have made me as bad as yourself." "I don't understand you. You seem to me quite good enough," said Osmond, his conscious indifference giving an extreme effect to the words. Madame Merle's self-possession tended on the contrary to diminish, and she was nearer losing it than on any occasion on which we have had the pleasure of meeting her. The glow of her eye turners sombre; her smile betrayed a painful effort. "Good enough for anything that I've done with myself? I suppose that's what you mean." "Good enough to be always charming!" Osmond exclaimed, smiling too. "Oh God!" his companion murmured; and, sitting there in her ripe freshness, she had recourse to the same gesture she had provoked on Isabel's part in the morning: she bent her face and covered it with her hands. "Are you going to weep after all?" Osmond asked; and on her remaining motionless he went on: "Have I ever complained to you?" She dropped her hands quickly. "No, you've taken your revenge otherwise--you have taken it on HER." Osmond threw back his head further; he looked a while at the ceiling and might have been supposed to be appealing, in an informal way, to the heavenly powers. "Oh, the imagination of women! It's always vulgar, at bottom. You talk of revenge like a third-rate novelist." "Of course you haven't complained. You've enjoyed your triumph too much." "I'm rather curious to know what you call my triumph." "You've made your wife afraid of you." Osmond changed his position; he leaned forward, resting his elbows on his knees and looking a while at a beautiful old Persian rug, at his feet. He had an air of refusing to accept any one's valuation of anything, even of time, and of preferring to abide by his own; a peculiarity which made him at moments an irritating person to converse with. "Isabel's not afraid of me, and it's not what I wish," he said at last. "To what do you want to provoke me when you say such things as that?" "I've thought over all the harm you can do me," Madame Merle answered. "Your wife was afraid of me this morning, but in me it was really you she feared." "You may have said things that were in very bad taste; I'm not responsible for that. I didn't see the use of your going to see her at all: you're capable of acting without her. I've not made you afraid of me that I can see," he went on; "how then should I have made her? You're at least as brave. I can't think where you've picked up such rubbish; one might suppose you knew me by this time." He got up as he spoke and walked to the chimney, where he stood a moment bending his eye, as if he had seen them for the first time, on the delicate specimens of rare porcelain with which it was covered. He took up a small cup and held it in his hand; then, still holding it and leaning his arm on the mantel, he pursued: "You always see too much in everything; you overdo it; you lose sight of the real. I'm much simpler than you think." "I think you're very simple." And Madame Merle kept her eye on her cup. "I've come to that with time. I judged you, as I say, of old; but it's only since your marriage that I've understood you. I've seen better what you have been to your wife than I ever saw what you were for me. Please be very careful of that precious object." "It already has a wee bit of a tiny crack," said Osmond dryly as he put it down. "If you didn't understand me before I married it was cruelly rash of you to put me into such a box. However, I took a fancy to my box myself; I thought it would be a comfortable fit. I asked very little; I only asked that she should like me." "That she should like you so much!" "So much, of course; in such a case one asks the maximum. That she should adore me, if you will. Oh yes, I wanted that." "I never adored you," said Madame Merle. "Ah, but you pretended to!" "It's true that you never accused me of being a comfortable fit," Madame Merle went on. "My wife has declined--declined to do anything of the sort," said Osmond. "If you're determined to make a tragedy of that, the tragedy's hardly for her." "The tragedy's for me!" Madame Merle exclaimed, rising with a long low sigh but having a glance at the same time for the contents of her mantel-shelf. "It appears that I'm to be severely taught the disadvantages of a false position." "You express yourself like a sentence in a copybook. We must look for our comfort where we can find it. If my wife doesn't like me, at least my child does. I shall look for compensations in Pansy. Fortunately I haven't a fault to find with her." "Ah," she said softly, "if I had a child--!" Osmond waited, and then, with a little formal air, "The children of others may be a great interest!" he announced. "You're more like a copy-book than I. There's something after all that holds us together." "Is it the idea of the harm I may do you?" Osmond asked. "No; it's the idea of the good I may do for you. It's that," Madame Merle pursued, "that made me so jealous of Isabel. I want it to be MY work," she added, with her face, which had grown hard and bitter, relaxing to its habit of smoothness. Her friend took up his hat and his umbrella, and after giving the former article two or three strokes with his coat-cuff, "On the whole, I think," he said, "you had better leave it to me." After he had left her she went, the first thing, and lifted from the mantel-shelf the attenuated coffee-cup in which he had mentioned the existence of a crack; but she looked at it rather abstractedly. "Have I been so vile all for nothing?" she vaguely wailed.

Chapter 49

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-48-49

Madame Merle returns to Rome and she asks Isabel what happened with Lord Warburton. She pretends to take the whole affair lightly, but Isabel notices that she takes a more zealous interest than she should in Pansy's marriage. Isabel suspects even more than Merle has had a hand in Isabel's own marriage. She no longer feels that Merle's proximity to her is a mere "accident" , but rather that it is intentionally plotted. She has no definite suspicion, but she still feels there had been some sort of intention on Merle's part. Merle lets Isabel know that her husband is disappointed in her. Isabel feels bitter upon hearing how Osmond has been speaking ill of his wife. Merle insists on knowing whether Lord Warburton left on his own or whether Isabel advised it. She thinks it would help Osmond know what his daughter's prospects are if he knew what had occurred. Isabel turns pale. She asks Merle: "Who are you--what are you. What have you to do with my husband. What have you to do with me. Merle responds: "Everything. The truth came over Isabel like a "high-surging wave". Merle had been responsible for her marriage. Isabel goes for a drive alone that afternoon. The image of Madame Merle hovered before her. She wonders if the word "wicked" could be applied to her friend. She realizes that Merle has been deeply false to her. Isabel still wonders why Merle would want to bring about the event of her marriage so much that she should behave so badly. She thinks to herself that it must have something to do with money; Merle had married her to an intimate companion who might give Merle some money. She wonders if Gilbert had only wanted her money, would he let her go if she gave him all of it. She feels sorry for Merle, though, because she thinks she must not have gotten the money she had wanted. The narrator then leads the reader to a scene simultaneously occurring between Gilbert and Merle. Merle thinks Gilbert is ungrateful for what she has given him. Osmond is annoyed with her and asks what is wrong with her. She declares that she would give anything to be able to weep, but that she cannot do so anymore, since she has met Mr. Osmond. Merle recognizes that she was horrible to Isabel and she claims Gilbert has dried up her soul. Merle claims that Osmond has taken out his revenge upon Isabel, making his wife afraid of him and treating her badly. Osmond claims that she loses sight of the real and that he is in fact very simple. He asks only that his wife adore him. Merle says that she herself never adored him, and Osmond points out that she pretended to. Merle mourns the fact that she is being taught a lesson of having represented herself falsely, and Osmond critiques her for sounding like a "sentence in a copy book"

Goodwood is an interesting character because he introduces the specter of a possibly violent resolution to a book that has been so far, very melodramatic. There is the suggestion that he may kill Osmond. He seethes with rage during this scene. James extensively revised sections of the book for his New York Edition anthology in 1907, and it is notable that Goodwood's sections receive much attention. Caspar wants to "penetrate" Isabel - there is a suggestion that he does not only want knowledge of her situation, but carnal knowledge of her. James made Goodwood's sexuality more explicit in his revision of the novel. We might read this through a psychoanalytic lens, whereby sexuality, everywhere repressed by Victorian manners, threatens to bubble to the surface in the figure of Goodwood. Isabel's realizes that Merle and Osmond are much more intimate than she ever knew because Merle begins to deliver messages to Isabel from Osmond. Merle obviously knows what is "between" Osmond and Isabel, and she has acted as an intermediary the whole time. Isabel cannot pinpoint the concrete nature of Merle's interest in her marriage, but she recognizes the plot. This is a demonstration of Isabel's own imagination finally pinning itself on an intricate, real idea, as shadowy as it may be. The reader will remember that at the beginning of the novel, Isabel had only ideas without any concrete articulation of these ideas. Merle has provided the "means" for such an articulation through arranging a marriage to Osmond. However, Isabel here discovers that the intermediary has determined the entire idea. In other words, there is no escaping the effect that a medium has upon the message it expresses. The medium can actually change the meaning of the original idea it meant to express. In other words, Henry James is considering the nature of signifiers in relation to what they ultimately signify. Osmond and Merle's conversation finally reveals the intimate nature of their relationship -- the reader can guess that they once had an affair. Osmond's reaction to Merle is interesting: the story twice ironically references the melodramatic, literary nature of Merle's complaints through the voice of Osmond. He says she likes a "sentence in a copy book" and that she talks of revenge "like a third-rate novelist" . He serves something like an editorial function to her soap opera-like thoughts. It is as if Henry James is reflecting on the melodramatic nature of his plot and trying to "edit" it and make it more realistic through splitting the problem between two characters. We might understand the melodramatic nature of Henry James' novel in the context of Isabel's reference to Merle as a "wicked" person. In our modern world, to make the distinction between good and evil is a more theological notion that does not apply in our daily lives -- it seems somewhat antiquated for example to refer to someone who is a psychologically disturbed criminal as "evil" or "wicked." Isabel therefore notes the foreign usage of the word. Yet she applies the word because she is making a moral judgment of her friend, and morality is based on making such distinctions, between ultimately good and bad actions. To apply a standard of morality to something is generally to draw a line, a strong distinction between options. However, because this fictional world is devoid of religious guidance, it cannot be God who provides a guide for making such distinction. Instead, Henry James makes recourse to the melodrama: a genre that draws drastic distinctions and applies them to events of daily life. For more information on this idea, see Peter Brooks' book, The Melodramatic Imagination .

gradesaver

all_chapterized_books/2833-chapters/50.txt

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The Portrait of a Lady.chapter 50

chapter 50

{"name": "Chapter 50", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-50-51", "summary": "The Countess Gemini is visiting Isabel at the opening of this chapter. Pansy, Isabel and the Countess climb the Coliseum stairs together. Isabel notices, as Pansy and Countess ascend, that Edward Rosier is in the Coliseum as well, and he is watching them. He comes over to Isabel and tells her that he has sold all of his bibelots. He has done so that he will have money instead, enough for Mr. Osmond to think he is rich. Isabel tells him that Mr. Osmond will think him unwise now. Pansy and the Countess approach them, and Edward quickly leaves. On the way home, Pansy shoots Isabel a look of melancholy. Isabel feels sorry for Pansy, but also envious for her timid passion. The Countess and Edward go off together. Later, it seems that the Countess has sided with Edward. The next week, Pansy informs Isabel that her father is sending her back to the convent. Pansy says it will give her time to reflect. She will be very quiet and think a great deal. Isabel promises to visit her. That evening, Isabel tells Osmond that she will miss Pansy very much. He says that he is sending Pansy away because she is \"dusty\" and \"disheveled\" from being out in the world too much. The narrator tells us though that his explanation is not so much a real explanation as it is an attempt to put his idea into words, so that he may see how it might look. He declares that he wants Pansy to look at the world in the right way. Isabel finds Osmond's \"sketch\" very interesting. She feels as if it is being presented to her so as to mystify her, to make her imagination work. The Countess Gemini interrupts Osmond to say that he ought to say he is just banishing Pansy because of Mr. Rosier. Osmond replies that it would be easier to banish the Countess herself", "analysis": "Osmond's decision to send Pansy away is his attempt to exercise more control over Pansy and her understanding of the world. Pansy, ever the obedient daughter, does not take it bitterly and resolves herself to do what her father tells her. Osmond though wants to present his idea as if it is for his daughter's own interest, and he creates a \"portrait.\" This is an extended metaphor that is employed by the narrator to describe Osmond's actions. This metaphor then is presented to Isabel, who realizes the aesthetic illusion this sketch is supposed to create. The metaphor then serves to allow us to view these people's social relations and their attempts to manipulate the truth as similar to the way we approach a work of art. The reader of this ClassicNote will remember that aesthetics is the philosophical inquiry into what makes something beautiful, and what makes something into a work of art. Henry James, through this metaphor, is showing how Osmond can use aesthetic means to manipulate an ugly truth, to make an ugly truth appear better. Isabel, who once was convinced by Osmond's good taste , now is suspicious of it. She knows that it is a trick designed to work on her imagination, to make her believe that values are there which are not actually there. Osmond is able to control Isabel by appealing to her sense of higher values -- values that she realizes he does not share, but which he can nevertheless use against her. She tries to point out his hypocrisy, but he is somehow maintains the upper hand. The Countess arrives to put one of the final pieces of the puzzle together for Isabel. The use of a minor character to tie up this loose end and give a concrete reality to a suspicion that is only shadowy in Isabel's mind is a technique that is common to James' novels. In his New York Edition Prefaces, he calls it the use of a 'ficelle': a character that helps advance the plot, economizing on the infinite possibilities of what might happen by being minor themselves and somewhat two-dimensional. When Isabel learns the truth, she shows her truly good nature by exercising her empathy for Madame Merle, who has so wickedly deceived her. She recognizes that not even Pansy likes Madame Merle - Pansy, Merle's very own daughter. Isabel has been successful exactly where Merle has not been: she has money, has received marriage proposals from prominent men, and she is often thought of as Pansy's guardian and stepmother."}

As the Countess Gemini was not acquainted with the ancient monuments Isabel occasionally offered to introduce her to these interesting relics and to give their afternoon drive an antiquarian aim. The Countess, who professed to think her sister-in-law a prodigy of learning, never made an objection, and gazed at masses of Roman brickwork as patiently as if they had been mounds of modern drapery. She had not the historic sense, though she had in some directions the anecdotic, and as regards herself the apologetic, but she was so delighted to be in Rome that she only desired to float with the current. She would gladly have passed an hour every day in the damp darkness of the Baths of Titus if it had been a condition of her remaining at Palazzo Roccanera. Isabel, however, was not a severe cicerone; she used to visit the ruins chiefly because they offered an excuse for talking about other matters than the love affairs of the ladies of Florence, as to which her companion was never weary of offering information. It must be added that during these visits the Countess forbade herself every form of active research; her preference was to sit in the carriage and exclaim that everything was most interesting. It was in this manner that she had hitherto examined the Coliseum, to the infinite regret of her niece, who--with all the respect that she owed her--could not see why she should not descend from the vehicle and enter the building. Pansy had so little chance to ramble that her view of the case was not wholly disinterested; it may be divined that she had a secret hope that, once inside, her parents' guest might be induced to climb to the upper tiers. There came a day when the Countess announced her willingness to undertake this feat--a mild afternoon in March when the windy month expressed itself in occasional puffs of spring. The three ladies went into the Coliseum together, but Isabel left her companions to wander over the place. She had often ascended to those desolate ledges from which the Roman crowd used to bellow applause and where now the wild flowers (when they are allowed) bloom in the deep crevices; and to-day she felt weary and disposed to sit in the despoiled arena. It made an intermission too, for the Countess often asked more from one's attention than she gave in return; and Isabel believed that when she was alone with her niece she let the dust gather for a moment on the ancient scandals of the Arnide. She so remained below therefore, while Pansy guided her undiscriminating aunt to the steep brick staircase at the foot of which the custodian unlocks the tall wooden gate. The great enclosure was half in shadow; the western sun brought out the pale red tone of the great blocks of travertine--the latent colour that is the only living element in the immense ruin. Here and there wandered a peasant or a tourist, looking up at the far sky-line where, in the clear stillness, a multitude of swallows kept circling and plunging. Isabel presently became aware that one of the other visitors, planted in the middle of the arena, had turned his attention to her own person and was looking at her with a certain little poise of the head which she had some weeks before perceived to be characteristic of baffled but indestructible purpose. Such an attitude, to-day, could belong only to Mr. Edward Rosier; and this gentleman proved in fact to have been considering the question of speaking to her. When he had assured himself that she was unaccompanied he drew near, remarking that though she would not answer his letters she would perhaps not wholly close her ears to his spoken eloquence. She replied that her stepdaughter was close at hand and that she could only give him five minutes; whereupon he took out his watch and sat down upon a broken block. "It's very soon told," said Edward Rosier. "I've sold all my bibelots!" Isabel gave instinctively an exclamation of horror; it was as if he had told her he had had all his teeth drawn. "I've sold them by auction at the Hotel Drouot," he went on. "The sale took place three days ago, and they've telegraphed me the result. It's magnificent." "I'm glad to hear it; but I wish you had kept your pretty things." "I have the money instead--fifty thousand dollars. Will Mr. Osmond think me rich enough now?" "Is it for that you did it?" Isabel asked gently. "For what else in the world could it be? That's the only thing I think of. I went to Paris and made my arrangements. I couldn't stop for the sale; I couldn't have seen them going off; I think it would have killed me. But I put them into good hands, and they brought high prices. I should tell you I have kept my enamels. Now I have the money in my pocket, and he can't say I'm poor!" the young man exclaimed defiantly. "He'll say now that you're not wise," said Isabel, as if Gilbert Osmond had never said this before. Rosier gave her a sharp look. "Do you mean that without my bibelots I'm nothing? Do you mean they were the best thing about me? That's what they told me in Paris; oh they were very frank about it. But they hadn't seen HER!" "My dear friend, you deserve to succeed," said Isabel very kindly. "You say that so sadly that it's the same as if you said I shouldn't." And he questioned her eyes with the clear trepidation of his own. He had the air of a man who knows he has been the talk of Paris for a week and is full half a head taller in consequence, but who also has a painful suspicion that in spite of this increase of stature one or two persons still have the perversity to think him diminutive. "I know what happened here while I was away," he went on; "What does Mr. Osmond expect after she has refused Lord Warburton?" Isabel debated. "That she'll marry another nobleman." "What other nobleman?" "One that he'll pick out." Rosier slowly got up, putting his watch into his waistcoat-pocket. "You're laughing at some one, but this time I don't think it's at me." "I didn't mean to laugh," said Isabel. "I laugh very seldom. Now you had better go away." "I feel very safe!" Rosier declared without moving. This might be; but it evidently made him feel more so to make the announcement in rather a loud voice, balancing himself a little complacently on his toes and looking all round the Coliseum as if it were filled with an audience. Suddenly Isabel saw him change colour; there was more of an audience than he had suspected. She turned and perceived that her two companions had returned from their excursion. "You must really go away," she said quickly. "Ah, my dear lady, pity me!" Edward Rosier murmured in a voice strangely at variance with the announcement I have just quoted. And then he added eagerly, like a man who in the midst of his misery is seized by a happy thought: "Is that lady the Countess Gemini? I've a great desire to be presented to her." Isabel looked at him a moment. "She has no influence with her brother." "Ah, what a monster you make him out!" And Rosier faced the Countess, who advanced, in front of Pansy, with an animation partly due perhaps to the fact that she perceived her sister-in-law to be engaged in conversation with a very pretty young man. "I'm glad you've kept your enamels!" Isabel called as she left him. She went straight to Pansy, who, on seeing Edward Rosier, had stopped short, with lowered eyes. "We'll go back to the carriage," she said gently. "Yes, it's getting late," Pansy returned more gently still. And she went on without a murmur, without faltering or glancing back. Isabel, however, allowing herself this last liberty, saw that a meeting had immediately taken place between the Countess and Mr. Rosier. He had removed his hat and was bowing and smiling; he had evidently introduced himself, while the Countess's expressive back displayed to Isabel's eye a gracious inclination. These facts, none the less, were presently lost to sight, for Isabel and Pansy took their places again in the carriage. Pansy, who faced her stepmother, at first kept her eyes fixed on her lap; then she raised them and rested them on Isabel's. There shone out of each of them a little melancholy ray--a spark of timid passion which touched Isabel to the heart. At the same time a wave of envy passed over her soul, as she compared the tremulous longing, the definite ideal of the child with her own dry despair. "Poor little Pansy!" she affectionately said. "Oh never mind!" Pansy answered in the tone of eager apology. And then there was a silence; the Countess was a long time coming. "Did you show your aunt everything, and did she enjoy it?" Isabel asked at last. "Yes, I showed her everything. I think she was very much pleased." "And you're not tired, I hope." "Oh no, thank you, I'm not tired." The Countess still remained behind, so that Isabel requested the footman to go into the Coliseum and tell her they were waiting. He presently returned with the announcement that the Signora Contessa begged them not to wait--she would come home in a cab! About a week after this lady's quick sympathies had enlisted themselves with Mr. Rosier, Isabel, going rather late to dress for dinner, found Pansy sitting in her room. The girl seemed to have been awaiting her; she got up from her low chair. "Pardon my taking the liberty," she said in a small voice. "It will be the last--for some time." Her voice was strange, and her eyes, widely opened, had an excited, frightened look. "You're not going away!" Isabel exclaimed. "I'm going to the convent." "To the convent?" Pansy drew nearer, till she was near enough to put her arms round Isabel and rest her head on her shoulder. She stood this way a moment, perfectly still; but her companion could feel her tremble. The quiver of her little body expressed everything she was unable to say. Isabel nevertheless pressed her. "Why are you going to the convent?" "Because papa thinks it best. He says a young girl's better, every now and then, for making a little retreat. He says the world, always the world, is very bad for a young girl. This is just a chance for a little seclusion--a little reflexion." Pansy spoke in short detached sentences, as if she could scarce trust herself; and then she added with a triumph of self-control: "I think papa's right; I've been so much in the world this winter." Her announcement had a strange effect on Isabel; it seemed to carry a larger meaning than the girl herself knew. "When was this decided?" she asked. "I've heard nothing of it." "Papa told me half an hour ago; he thought it better it shouldn't be too much talked about in advance. Madame Catherine's to come for me at a quarter past seven, and I'm only to take two frocks. It's only for a few weeks; I'm sure it will be very good. I shall find all those ladies who used to be so kind to me, and I shall see the little girls who are being educated. I'm very fond of little girls," said Pansy with an effect of diminutive grandeur. "And I'm also very fond of Mother Catherine. I shall be very quiet and think a great deal." Isabel listened to her, holding her breath; she was almost awe-struck. "Think of ME sometimes." "Ah, come and see me soon!" cried Pansy; and the cry was very different from the heroic remarks of which she had just delivered herself. Isabel could say nothing more; she understood nothing; she only felt how little she yet knew her husband. Her answer to his daughter was a long, tender kiss. Half an hour later she learned from her maid that Madame Catherine had arrived in a cab and had departed again with the signorina. On going to the drawing-room before dinner she found the Countess Gemini alone, and this lady characterised the incident by exclaiming, with a wonderful toss of the head, "En voila, ma chere, une pose!" But if it was an affectation she was at a loss to see what her husband affected. She could only dimly perceive that he had more traditions than she supposed. It had become her habit to be so careful as to what she said to him that, strange as it may appear, she hesitated, for several minutes after he had come in, to allude to his daughter's sudden departure: she spoke of it only after they were seated at table. But she had forbidden herself ever to ask Osmond a question. All she could do was to make a declaration, and there was one that came very naturally. "I shall miss Pansy very much." He looked a while, with his head inclined a little, at the basket of flowers in the middle of the table. "Ah yes," he said at last, "I had thought of that. You must go and see her, you know; but not too often. I dare say you wonder why I sent her to the good sisters; but I doubt if I can make you understand. It doesn't matter; don't trouble yourself about it. That's why I had not spoken of it. I didn't believe you would enter into it. But I've always had the idea; I've always thought it a part of the education of one's daughter. One's daughter should be fresh and fair; she should be innocent and gentle. With the manners of the present time she is liable to become so dusty and crumpled. Pansy's a little dusty, a little dishevelled; she has knocked about too much. This bustling, pushing rabble that calls itself society--one should take her out of it occasionally. Convents are very quiet, very convenient, very salutary. I like to think of her there, in the old garden, under the arcade, among those tranquil virtuous women. Many of them are gentlewomen born; several of them are noble. She will have her books and her drawing, she will have her piano. I've made the most liberal arrangements. There is to be nothing ascetic; there's just to be a certain little sense of sequestration. She'll have time to think, and there's something I want her to think about." Osmond spoke deliberately, reasonably, still with his head on one side, as if he were looking at the basket of flowers. His tone, however, was that of a man not so much offering an explanation as putting a thing into words--almost into pictures--to see, himself, how it would look. He considered a while the picture he had evoked and seemed greatly pleased with it. And then he went on: "The Catholics are very wise after all. The convent is a great institution; we can't do without it; it corresponds to an essential need in families, in society. It's a school of good manners; it's a school of repose. Oh, I don't want to detach my daughter from the world," he added; "I don't want to make her fix her thoughts on any other. This one's very well, as SHE should take it, and she may think of it as much as she likes. Only she must think of it in the right way." Isabel gave an extreme attention to this little sketch; she found it indeed intensely interesting. It seemed to show her how far her husband's desire to be effective was capable of going--to the point of playing theoretic tricks on the delicate organism of his daughter. She could not understand his purpose, no--not wholly; but she understood it better than he supposed or desired, inasmuch as she was convinced that the whole proceeding was an elaborate mystification, addressed to herself and destined to act upon her imagination. He had wanted to do something sudden and arbitrary, something unexpected and refined; to mark the difference between his sympathies and her own, and show that if he regarded his daughter as a precious work of art it was natural he should be more and more careful about the finishing touches. If he wished to be effective he had succeeded; the incident struck a chill into Isabel's heart. Pansy had known the convent in her childhood and had found a happy home there; she was fond of the good sisters, who were very fond of her, and there was therefore for the moment no definite hardship in her lot. But all the same the girl had taken fright; the impression her father desired to make would evidently be sharp enough. The old Protestant tradition had never faded from Isabel's imagination, and as her thoughts attached themselves to this striking example of her husband's genius--she sat looking, like him, at the basket of flowers--poor little Pansy became the heroine of a tragedy. Osmond wished it to be known that he shrank from nothing, and his wife found it hard to pretend to eat her dinner. There was a certain relief presently, in hearing the high, strained voice of her sister-in-law. The Countess too, apparently, had been thinking the thing out, but had arrived at a different conclusion from Isabel. "It's very absurd, my dear Osmond," she said, "to invent so many pretty reasons for poor Pansy's banishment. Why don't you say at once that you want to get her out of my way? Haven't you discovered that I think very well of Mr. Rosier? I do indeed; he seems to me simpaticissimo. He has made me believe in true love; I never did before! Of course you've made up your mind that with those convictions I'm dreadful company for Pansy." Osmond took a sip of a glass of wine; he looked perfectly good-humoured. "My dear Amy," he answered, smiling as if he were uttering a piece of gallantry, "I don't know anything about your convictions, but if I suspected that they interfere with mine it would be much simpler to banish YOU."

Chapter 50

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-50-51

The Countess Gemini is visiting Isabel at the opening of this chapter. Pansy, Isabel and the Countess climb the Coliseum stairs together. Isabel notices, as Pansy and Countess ascend, that Edward Rosier is in the Coliseum as well, and he is watching them. He comes over to Isabel and tells her that he has sold all of his bibelots. He has done so that he will have money instead, enough for Mr. Osmond to think he is rich. Isabel tells him that Mr. Osmond will think him unwise now. Pansy and the Countess approach them, and Edward quickly leaves. On the way home, Pansy shoots Isabel a look of melancholy. Isabel feels sorry for Pansy, but also envious for her timid passion. The Countess and Edward go off together. Later, it seems that the Countess has sided with Edward. The next week, Pansy informs Isabel that her father is sending her back to the convent. Pansy says it will give her time to reflect. She will be very quiet and think a great deal. Isabel promises to visit her. That evening, Isabel tells Osmond that she will miss Pansy very much. He says that he is sending Pansy away because she is "dusty" and "disheveled" from being out in the world too much. The narrator tells us though that his explanation is not so much a real explanation as it is an attempt to put his idea into words, so that he may see how it might look. He declares that he wants Pansy to look at the world in the right way. Isabel finds Osmond's "sketch" very interesting. She feels as if it is being presented to her so as to mystify her, to make her imagination work. The Countess Gemini interrupts Osmond to say that he ought to say he is just banishing Pansy because of Mr. Rosier. Osmond replies that it would be easier to banish the Countess herself

Osmond's decision to send Pansy away is his attempt to exercise more control over Pansy and her understanding of the world. Pansy, ever the obedient daughter, does not take it bitterly and resolves herself to do what her father tells her. Osmond though wants to present his idea as if it is for his daughter's own interest, and he creates a "portrait." This is an extended metaphor that is employed by the narrator to describe Osmond's actions. This metaphor then is presented to Isabel, who realizes the aesthetic illusion this sketch is supposed to create. The metaphor then serves to allow us to view these people's social relations and their attempts to manipulate the truth as similar to the way we approach a work of art. The reader of this ClassicNote will remember that aesthetics is the philosophical inquiry into what makes something beautiful, and what makes something into a work of art. Henry James, through this metaphor, is showing how Osmond can use aesthetic means to manipulate an ugly truth, to make an ugly truth appear better. Isabel, who once was convinced by Osmond's good taste , now is suspicious of it. She knows that it is a trick designed to work on her imagination, to make her believe that values are there which are not actually there. Osmond is able to control Isabel by appealing to her sense of higher values -- values that she realizes he does not share, but which he can nevertheless use against her. She tries to point out his hypocrisy, but he is somehow maintains the upper hand. The Countess arrives to put one of the final pieces of the puzzle together for Isabel. The use of a minor character to tie up this loose end and give a concrete reality to a suspicion that is only shadowy in Isabel's mind is a technique that is common to James' novels. In his New York Edition Prefaces, he calls it the use of a 'ficelle': a character that helps advance the plot, economizing on the infinite possibilities of what might happen by being minor themselves and somewhat two-dimensional. When Isabel learns the truth, she shows her truly good nature by exercising her empathy for Madame Merle, who has so wickedly deceived her. She recognizes that not even Pansy likes Madame Merle - Pansy, Merle's very own daughter. Isabel has been successful exactly where Merle has not been: she has money, has received marriage proposals from prominent men, and she is often thought of as Pansy's guardian and stepmother.

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all_chapterized_books/2833-chapters/51.txt

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The Portrait of a Lady.chapter 51

chapter 51

{"name": "Chapter 51", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-50-51", "summary": "A week after Pansy's departure, Isabel receives a telegram from Mrs. Touchett. Ralph has taken a turn for the worse and will die soon. Isabel goes to Osmond's study so as to inform him of Ralph's condition and to declare her intention to go to Gardencourt to visit Ralph. Osmond thinks the only reason she is going is so that she will take her revenge out on her husband. Osmond tells her that if she leaves for Rome it will mean that she has taken a calculated opposition against her husband. Isabel tells him that it is his own opposition that is malignant and calculated. This is her worst thought -- she has never before spoken to her husband in this manner. Osmond reminds her that their union is of \"deliberate making\" and that as her husband, he wants her to take their marriage seriously. He claims that he values honor above all. Isabel feels that this is really his egotism speaking, but also constitutes an appeal to her sense of honor. She recognizes that he speaks in the name of the most sacred things--the observance of a magnificent form. She had previously felt she could take action in visiting Ralph, but now she feels that this action's meaning has changed suddenly, \"transformed by the blight of Osmond's touch\". Isabel though does not give up easily, and she accuses her husband of speaking of their union when he accuses her of falsity. Isabel says that if she goes, Osmond must expect her never to come back. Osmond, who has turned to drawing a little sketch of something, thinks she is out of her mind. Isabel leaves, feeling as if Osmond can use any of her weaknesses against her. On her way out, she encounters Countess Gemini. She tells the Countess about Ralph's bad condition. The Countess for a minute realizes that Isabel will soon go into mourning and there will be no more dinner parties for her to attend. She also thinks about Isabel's troubled condition. Isabel returns to her room and thinks about how one must choose one's husband over all else. She feels afraid of the violence of her going when Osmond wished her to stay. Isabel buries herself into a pile of cushions. The Countess Gemini is hovering above her when she looks up. The Countess has come to comfort her and to encourage Isabel to do what she likes, to visit Ralph. She then tells Isabel that her first sister-in-law, the first wife of Osmond, had no children. Pansy is the daughter of Osmond and the wife of another man -- Madame Merle. Osmond had managed to disguise Pansy as the daughter of his deceased wife. Madame Merle had not been able to pass off the child as her own because she had been too long separated from her husband for it to be his. Isabel wonders that the Countess tells her this now. The Countess admits that she is bored with Isabel not knowing, and she is surprised at all the things that Isabel has succeeded in not knowing. Isabel pities Madame Merle, and the Countess is entertained by Isabel's kindness. Isabel wonders why Osmond never married Madame Merle, and the Countess responds that Merle does not have money. Merle herself also still wanted to marry a great man. The Countess concludes the conversation by asking Isabel if she will go on her journey after all. Isabel looks ill, and declares with an \"infinite sadness\" that she must see Ralph", "analysis": "Osmond's decision to send Pansy away is his attempt to exercise more control over Pansy and her understanding of the world. Pansy, ever the obedient daughter, does not take it bitterly and resolves herself to do what her father tells her. Osmond though wants to present his idea as if it is for his daughter's own interest, and he creates a \"portrait.\" This is an extended metaphor that is employed by the narrator to describe Osmond's actions. This metaphor then is presented to Isabel, who realizes the aesthetic illusion this sketch is supposed to create. The metaphor then serves to allow us to view these people's social relations and their attempts to manipulate the truth as similar to the way we approach a work of art. The reader of this ClassicNote will remember that aesthetics is the philosophical inquiry into what makes something beautiful, and what makes something into a work of art. Henry James, through this metaphor, is showing how Osmond can use aesthetic means to manipulate an ugly truth, to make an ugly truth appear better. Isabel, who once was convinced by Osmond's good taste , now is suspicious of it. She knows that it is a trick designed to work on her imagination, to make her believe that values are there which are not actually there. Osmond is able to control Isabel by appealing to her sense of higher values -- values that she realizes he does not share, but which he can nevertheless use against her. She tries to point out his hypocrisy, but he is somehow maintains the upper hand. The Countess arrives to put one of the final pieces of the puzzle together for Isabel. The use of a minor character to tie up this loose end and give a concrete reality to a suspicion that is only shadowy in Isabel's mind is a technique that is common to James' novels. In his New York Edition Prefaces, he calls it the use of a 'ficelle': a character that helps advance the plot, economizing on the infinite possibilities of what might happen by being minor themselves and somewhat two-dimensional. When Isabel learns the truth, she shows her truly good nature by exercising her empathy for Madame Merle, who has so wickedly deceived her. She recognizes that not even Pansy likes Madame Merle - Pansy, Merle's very own daughter. Isabel has been successful exactly where Merle has not been: she has money, has received marriage proposals from prominent men, and she is often thought of as Pansy's guardian and stepmother."}

The Countess was not banished, but she felt the insecurity of her tenure of her brother's hospitality. A week after this incident Isabel received a telegram from England, dated from Gardencourt and bearing the stamp of Mrs. Touchett's authorship. "Ralph cannot last many days," it ran, "and if convenient would like to see you. Wishes me to say that you must come only if you've not other duties. Say, for myself, that you used to talk a good deal about your duty and to wonder what it was; shall be curious to see whether you've found it out. Ralph is really dying, and there's no other company." Isabel was prepared for this news, having received from Henrietta Stackpole a detailed account of her journey to England with her appreciative patient. Ralph had arrived more dead than alive, but she had managed to convey him to Gardencourt, where he had taken to his bed, which, as Miss Stackpole wrote, he evidently would never leave again. She added that she had really had two patients on her hands instead of one, inasmuch as Mr. Goodwood, who had been of no earthly use, was quite as ailing, in a different way, as Mr. Touchett. Afterwards she wrote that she had been obliged to surrender the field to Mrs. Touchett, who had just returned from America and had promptly given her to understand that she didn't wish any interviewing at Gardencourt. Isabel had written to her aunt shortly after Ralph came to Rome, letting her know of his critical condition and suggesting that she should lose no time in returning to Europe. Mrs. Touchett had telegraphed an acknowledgement of this admonition, and the only further news Isabel received from her was the second telegram I have just quoted. Isabel stood a moment looking at the latter missive; then, thrusting it into her pocket, she went straight to the door of her husband's study. Here she again paused an instant, after which she opened the door and went in. Osmond was seated at the table near the window with a folio volume before him, propped against a pile of books. This volume was open at a page of small coloured plates, and Isabel presently saw that he had been copying from it the drawing of an antique coin. A box of water-colours and fine brushes lay before him, and he had already transferred to a sheet of immaculate paper the delicate, finely-tinted disk. His back was turned toward the door, but he recognised his wife without looking round. "Excuse me for disturbing you," she said. "When I come to your room I always knock," he answered, going on with his work. "I forgot; I had something else to think of. My cousin's dying." "Ah, I don't believe that," said Osmond, looking at his drawing through a magnifying glass. "He was dying when we married; he'll outlive us all." Isabel gave herself no time, no thought, to appreciate the careful cynicism of this declaration; she simply went on quickly, full of her own intention "My aunt has telegraphed for me; I must go to Gardencourt." "Why must you go to Gardencourt?" Osmond asked in the tone of impartial curiosity. "To see Ralph before he dies." To this, for some time, he made no rejoinder; he continued to give his chief attention to his work, which was of a sort that would brook no negligence. "I don't see the need of it," he said at last. "He came to see you here. I didn't like that; I thought his being in Rome a great mistake. But I tolerated it because it was to be the last time you should see him. Now you tell me it's not to have been the last. Ah, you're not grateful!" "What am I to be grateful for?" Gilbert Osmond laid down his little implements, blew a speck of dust from his drawing, slowly got up, and for the first time looked at his wife. "For my not having interfered while he was here." "Oh yes, I am. I remember perfectly how distinctly you let me know you didn't like it. I was very glad when he went away." "Leave him alone then. Don't run after him." Isabel turned her eyes away from him; they rested upon his little drawing. "I must go to England," she said, with a full consciousness that her tone might strike an irritable man of taste as stupidly obstinate. "I shall not like it if you do," Osmond remarked. "Why should I mind that? You won't like it if I don't. You like nothing I do or don't do. You pretend to think I lie." Osmond turned slightly pale; he gave a cold smile. "That's why you must go then? Not to see your cousin, but to take a revenge on me." "I know nothing about revenge." "I do," said Osmond. "Don't give me an occasion." "You're only too eager to take one. You wish immensely that I would commit some folly." "I should be gratified in that case if you disobeyed me." "If I disobeyed you?" said Isabel in a low tone which had the effect of mildness. "Let it be clear. If you leave Rome to-day it will be a piece of the most deliberate, the most calculated, opposition." "How can you call it calculated? I received my aunt's telegram but three minutes ago." "You calculate rapidly; it's a great accomplishment. I don't see why we should prolong our discussion; you know my wish." And he stood there as if he expected to see her withdraw. But she never moved; she couldn't move, strange as it may seem; she still wished to justify herself; he had the power, in an extraordinary degree, of making her feel this need. There was something in her imagination he could always appeal to against her judgement. "You've no reason for such a wish," said Isabel, "and I've every reason for going. I can't tell you how unjust you seem to me. But I think you know. It's your own opposition that's calculated. It's malignant." She had never uttered her worst thought to her husband before, and the sensation of hearing it was evidently new to Osmond. But he showed no surprise, and his coolness was apparently a proof that he had believed his wife would in fact be unable to resist for ever his ingenious endeavour to draw her out. "It's all the more intense then," he answered. And he added almost as if he were giving her a friendly counsel: "This is a very important matter." She recognised that; she was fully conscious of the weight of the occasion; she knew that between them they had arrived at a crisis. Its gravity made her careful; she said nothing, and he went on. "You say I've no reason? I have the very best. I dislike, from the bottom of my soul, what you intend to do. It's dishonourable; it's indelicate; it's indecent. Your cousin is nothing whatever to me, and I'm under no obligation to make concessions to him. I've already made the very handsomest. Your relations with him, while he was here, kept me on pins and needles; but I let that pass, because from week to week I expected him to go. I've never liked him and he has never liked me. That's why you like him--because he hates me," said Osmond with a quick, barely audible tremor in his voice. "I've an ideal of what my wife should do and should not do. She should not travel across Europe alone, in defiance of my deepest desire, to sit at the bedside of other men. Your cousin's nothing to you; he's nothing to us. You smile most expressively when I talk about US, but I assure you that WE, WE, Mrs. Osmond, is all I know. I take our marriage seriously; you appear to have found a way of not doing so. I'm not aware that we're divorced or separated; for me we're indissolubly united. You are nearer to me than any human creature, and I'm nearer to you. It may be a disagreeable proximity; it's one, at any rate, of our own deliberate making. You don't like to be reminded of that, I know; but I'm perfectly willing, because--because--" And he paused a moment, looking as if he had something to say which would be very much to the point. "Because I think we should accept the consequences of our actions, and what I value most in life is the honour of a thing!" He spoke gravely and almost gently; the accent of sarcasm had dropped out of his tone. It had a gravity which checked his wife's quick emotion; the resolution with which she had entered the room found itself caught in a mesh of fine threads. His last words were not a command, they constituted a kind of appeal; and, though she felt that any expression of respect on his part could only be a refinement of egotism, they represented something transcendent and absolute, like the sign of the cross or the flag of one's country. He spoke in the name of something sacred and precious--the observance of a magnificent form. They were as perfectly apart in feeling as two disillusioned lovers had ever been; but they had never yet separated in act. Isabel had not changed; her old passion for justice still abode within her; and now, in the very thick of her sense of her husband's blasphemous sophistry, it began to throb to a tune which for a moment promised him the victory. It came over her that in his wish to preserve appearances he was after all sincere, and that this, as far as it went, was a merit. Ten minutes before she had felt all the joy of irreflective action--a joy to which she had so long been a stranger; but action had been suddenly changed to slow renunciation, transformed by the blight of Osmond's touch. If she must renounce, however, she would let him know she was a victim rather than a dupe. "I know you're a master of the art of mockery," she said. "How can you speak of an indissoluble union--how can you speak of your being contented? Where's our union when you accuse me of falsity? Where's your contentment when you have nothing but hideous suspicion in your heart?" "It is in our living decently together, in spite of such drawbacks." "We don't live decently together!" cried Isabel. "Indeed we don't if you go to England." "That's very little; that's nothing. I might do much more." He raised his eyebrows and even his shoulders a little: he had lived long enough in Italy to catch this trick. "Ah, if you've come to threaten me I prefer my drawing." And he walked back to his table, where he took up the sheet of paper on which he had been working and stood studying it. "I suppose that if I go you'll not expect me to come back," said Isabel. He turned quickly round, and she could see this movement at least was not designed. He looked at her a little, and then, "Are you out of your mind?" he enquired. "How can it be anything but a rupture?" she went on; "especially if all you say is true?" She was unable to see how it could be anything but a rupture; she sincerely wished to know what else it might be. He sat down before his table. "I really can't argue with you on the hypothesis of your defying me," he said. And he took up one of his little brushes again. She lingered but a moment longer; long enough to embrace with her eye his whole deliberately indifferent yet most expressive figure; after which she quickly left the room. Her faculties, her energy, her passion, were all dispersed again; she felt as if a cold, dark mist had suddenly encompassed her. Osmond possessed in a supreme degree the art of eliciting any weakness. On her way back to her room she found the Countess Gemini standing in the open doorway of a little parlour in which a small collection of heterogeneous books had been arranged. The Countess had an open volume in her hand; she appeared to have been glancing down a page which failed to strike her as interesting. At the sound of Isabel's step she raised her head. "Ah my dear," she said, "you, who are so literary, do tell me some amusing book to read! Everything here's of a dreariness--! Do you think this would do me any good?" Isabel glanced at the title of the volume she held out, but without reading or understanding it. "I'm afraid I can't advise you. I've had bad news. My cousin, Ralph Touchett, is dying." The Countess threw down her book. "Ah, he was so simpatico. I'm awfully sorry for you." "You would be sorrier still if you knew." "What is there to know? You look very badly," the Countess added. "You must have been with Osmond." Half an hour before Isabel would have listened very coldly to an intimation that she should ever feel a desire for the sympathy of her sister-in-law, and there can be no better proof of her present embarrassment than the fact that she almost clutched at this lady's fluttering attention. "I've been with Osmond," she said, while the Countess's bright eyes glittered at her. "I'm sure then he has been odious!" the Countess cried. "Did he say he was glad poor Mr. Touchett's dying?" "He said it's impossible I should go to England." The Countess's mind, when her interests were concerned, was agile; she already foresaw the extinction of any further brightness in her visit to Rome. Ralph Touchett would die, Isabel would go into mourning, and then there would be no more dinner-parties. Such a prospect produced for a moment in her countenance an expressive grimace; but this rapid, picturesque play of feature was her only tribute to disappointment. After all, she reflected, the game was almost played out; she had already overstayed her invitation. And then she cared enough for Isabel's trouble to forget her own, and she saw that Isabel's trouble was deep. It seemed deeper than the mere death of a cousin, and the Countess had no hesitation in connecting her exasperating brother with the expression of her sister-in-law's eyes. Her heart beat with an almost joyous expectation, for if she had wished to see Osmond overtopped the conditions looked favourable now. Of course if Isabel should go to England she herself would immediately leave Palazzo Roccanera; nothing would induce her to remain there with Osmond. Nevertheless she felt an immense desire to hear that Isabel would go to England. "Nothing's impossible for you, my dear," she said caressingly. "Why else are you rich and clever and good?" "Why indeed? I feel stupidly weak." "Why does Osmond say it's impossible?" the Countess asked in a tone which sufficiently declared that she couldn't imagine. From the moment she thus began to question her, however, Isabel drew back; she disengaged her hand, which the Countess had affectionately taken. But she answered this enquiry with frank bitterness. "Because we're so happy together that we can't separate even for a fortnight." "Ah," cried the Countess while Isabel turned away, "when I want to make a journey my husband simply tells me I can have no money!" Isabel went to her room, where she walked up and down for an hour. It may appear to some readers that she gave herself much trouble, and it is certain that for a woman of a high spirit she had allowed herself easily to be arrested. It seemed to her that only now she fully measured the great undertaking of matrimony. Marriage meant that in such a case as this, when one had to choose, one chose as a matter of course for one's husband. "I'm afraid--yes, I'm afraid," she said to herself more than once, stopping short in her walk. But what she was afraid of was not her husband--his displeasure, his hatred, his revenge; it was not even her own later judgement of her conduct a consideration which had often held her in check; it was simply the violence there would be in going when Osmond wished her to remain. A gulf of difference had opened between them, but nevertheless it was his desire that she should stay, it was a horror to him that she should go. She knew the nervous fineness with which he could feel an objection. What he thought of her she knew, what he was capable of saying to her she had felt; yet they were married, for all that, and marriage meant that a woman should cleave to the man with whom, uttering tremendous vows, she had stood at the altar. She sank down on her sofa at last and buried her head in a pile of cushions. When she raised her head again the Countess Gemini hovered before her. She had come in all unperceived; she had a strange smile on her thin lips and her whole face had grown in an hour a shining intimation. She lived assuredly, it might be said, at the window of her spirit, but now she was leaning far out. "I knocked," she began, "but you didn't answer me. So I ventured in. I've been looking at you for the past five minutes. You're very unhappy." "Yes; but I don't think you can comfort me." "Will you give me leave to try?" And the Countess sat down on the sofa beside her. She continued to smile, and there was something communicative and exultant in her expression. She appeared to have a deal to say, and it occurred to Isabel for the first time that her sister-in-law might say something really human. She made play with her glittering eyes, in which there was an unpleasant fascination. "After all," she soon resumed, "I must tell you, to begin with, that I don't understand your state of mind. You seem to have so many scruples, so many reasons, so many ties. When I discovered, ten years ago, that my husband's dearest wish was to make me miserable--of late he has simply let me alone--ah, it was a wonderful simplification! My poor Isabel, you're not simple enough." "No, I'm not simple enough," said Isabel. "There's something I want you to know," the Countess declared--"because I think you ought to know it. Perhaps you do; perhaps you've guessed it. But if you have, all I can say is that I understand still less why you shouldn't do as you like." "What do you wish me to know?" Isabel felt a foreboding that made her heart beat faster. The Countess was about to justify herself, and this alone was portentous. But she was nevertheless disposed to play a little with her subject. "In your place I should have guessed it ages ago. Have you never really suspected?" "I've guessed nothing. What should I have suspected? I don't know what you mean." "That's because you've such a beastly pure mind. I never saw a woman with such a pure mind!" cried the Countess. Isabel slowly got up. "You're going to tell me something horrible." "You can call it by whatever name you will!" And the Countess rose also, while her gathered perversity grew vivid and dreadful. She stood a moment in a sort of glare of intention and, as seemed to Isabel even then, of ugliness; after which she said: "My first sister-in-law had no children." Isabel stared back at her; the announcement was an anticlimax. "Your first sister-in-law?" "I suppose you know at least, if one may mention it, that Osmond has been married before! I've never spoken to you of his wife; I thought it mightn't be decent or respectful. But others, less particular, must have done so. The poor little woman lived hardly three years and died childless. It wasn't till after her death that Pansy arrived." Isabel's brow had contracted to a frown; her lips were parted in pale, vague wonder. She was trying to follow; there seemed so much more to follow than she could see. "Pansy's not my husband's child then?" "Your husband's--in perfection! But no one else's husband's. Some one else's wife's. Ah, my good Isabel," cried the Countess, "with you one must dot one's i's!" "I don't understand. Whose wife's?" Isabel asked. "The wife of a horrid little Swiss who died--how long?--a dozen, more than fifteen, years ago. He never recognised Miss Pansy, nor, knowing what he was about, would have anything to say to her; and there was no reason why he should. Osmond did, and that was better; though he had to fit on afterwards the whole rigmarole of his own wife's having died in childbirth, and of his having, in grief and horror, banished the little girl from his sight for as long as possible before taking her home from nurse. His wife had really died, you know, of quite another matter and in quite another place: in the Piedmontese mountains, where they had gone, one August, because her health appeared to require the air, but where she was suddenly taken worse--fatally ill. The story passed, sufficiently; it was covered by the appearances so long as nobody heeded, as nobody cared to look into it. But of course I knew--without researches," the Countess lucidly proceeded; "as also, you'll understand, without a word said between us--I mean between Osmond and me. Don't you see him looking at me, in silence, that way, to settle it?--that is to settle ME if I should say anything. I said nothing, right or left--never a word to a creature, if you can believe that of me: on my honour, my dear, I speak of the thing to you now, after all this time, as I've never, never spoken. It was to be enough for me, from the first, that the child was my niece--from the moment she was my brother's daughter. As for her veritable mother--!" But with this Pansy's wonderful aunt dropped--as, involuntarily, from the impression of her sister-in-law's face, out of which more eyes might have seemed to look at her than she had ever had to meet. She had spoken no name, yet Isabel could but check, on her own lips, an echo of the unspoken. She sank to her seat again, hanging her head. "Why have you told me this?" she asked in a voice the Countess hardly recognised. "Because I've been so bored with your not knowing. I've been bored, frankly, my dear, with not having told you; as if, stupidly, all this time I couldn't have managed! Ca me depasse, if you don't mind my saying so, the things, all round you, that you've appeared to succeed in not knowing. It's a sort of assistance--aid to innocent ignorance--that I've always been a bad hand at rendering; and in this connexion, that of keeping quiet for my brother, my virtue has at any rate finally found itself exhausted. It's not a black lie, moreover, you know," the Countess inimitably added. "The facts are exactly what I tell you." "I had no idea," said Isabel presently; and looked up at her in a manner that doubtless matched the apparent witlessness of this confession. "So I believed--though it was hard to believe. Had it never occurred to you that he was for six or seven years her lover?" "I don't know. Things HAVE occurred to me, and perhaps that was what they all meant." "She has been wonderfully clever, she has been magnificent, about Pansy!" the Countess, before all this view of it, cried. "Oh, no idea, for me," Isabel went on, "ever DEFINITELY took that form." She appeared to be making out to herself what had been and what hadn't. "And as it is--I don't understand." She spoke as one troubled and puzzled, yet the poor Countess seemed to have seen her revelation fall below its possibilities of effect. She had expected to kindle some responsive blaze, but had barely extracted a spark. Isabel showed as scarce more impressed than she might have been, as a young woman of approved imagination, with some fine sinister passage of public history. "Don't you recognise how the child could never pass for HER husband's?--that is with M. Merle himself," her companion resumed. "They had been separated too long for that, and he had gone to some far country--I think to South America. If she had ever had children--which I'm not sure of--she had lost them. The conditions happened to make it workable, under stress (I mean at so awkward a pinch), that Osmond should acknowledge the little girl. His wife was dead--very true; but she had not been dead too long to put a certain accommodation of dates out of the question--from the moment, I mean, that suspicion wasn't started; which was what they had to take care of. What was more natural than that poor Mrs. Osmond, at a distance and for a world not troubling about trifles, should have left behind her, poverina, the pledge of her brief happiness that had cost her her life? With the aid of a change of residence--Osmond had been living with her at Naples at the time of their stay in the Alps, and he in due course left it for ever--the whole history was successfully set going. My poor sister-in-law, in her grave, couldn't help herself, and the real mother, to save HER skin, renounced all visible property in the child." "Ah, poor, poor woman!" cried Isabel, who herewith burst into tears. It was a long time since she had shed any; she had suffered a high reaction from weeping. But now they flowed with an abundance in which the Countess Gemini found only another discomfiture. "It's very kind of you to pity her!" she discordantly laughed. "Yes indeed, you have a way of your own--!" "He must have been false to his wife--and so very soon!" said Isabel with a sudden check. "That's all that's wanting--that you should take up her cause!" the Countess went on. "I quite agree with you, however, that it was much too soon." "But to me, to me--?" And Isabel hesitated as if she had not heard; as if her question--though it was sufficiently there in her eyes--were all for herself. "To you he has been faithful? Well, it depends, my dear, on what you call faithful. When he married you he was no longer the lover of another woman--SUCH a lover as he had been, cara mia, between their risks and their precautions, while the thing lasted! That state of affairs had passed away; the lady had repented, or at all events, for reasons of her own, drawn back: she had always had, too, a worship of appearances so intense that even Osmond himself had got bored with it. You may therefore imagine what it was--when he couldn't patch it on conveniently to ANY of those he goes in for! But the whole past was between them." "Yes," Isabel mechanically echoed, "the whole past is between them." "Ah, this later past is nothing. But for six or seven years, as I say, they had kept it up." She was silent a little. "Why then did she want him to marry me?" "Ah my dear, that's her superiority! Because you had money; and because she believed you would be good to Pansy." "Poor woman--and Pansy who doesn't like her!" cried Isabel. "That's the reason she wanted some one whom Pansy would like. She knows it; she knows everything." "Will she know that you've told me this?" "That will depend upon whether you tell her. She's prepared for it, and do you know what she counts upon for her defence? On your believing that I lie. Perhaps you do; don't make yourself uncomfortable to hide it. Only, as it happens this time, I don't. I've told plenty of little idiotic fibs, but they've never hurt any one but myself." Isabel sat staring at her companion's story as at a bale of fantastic wares some strolling gypsy might have unpacked on the carpet at her feet. "Why did Osmond never marry her?" she finally asked. "Because she had no money." The Countess had an answer for everything, and if she lied she lied well. "No one knows, no one has ever known, what she lives on, or how she has got all those beautiful things. I don't believe Osmond himself knows. Besides, she wouldn't have married him." "How can she have loved him then?" "She doesn't love him in that way. She did at first, and then, I suppose, she would have married him; but at that time her husband was living. By the time M. Merle had rejoined--I won't say his ancestors, because he never had any--her relations with Osmond had changed, and she had grown more ambitious. Besides, she has never had, about him," the Countess went on, leaving Isabel to wince for it so tragically afterwards--"she HAD never had, what you might call any illusions of INTELLIGENCE. She hoped she might marry a great man; that has always been her idea. She has waited and watched and plotted and prayed; but she has never succeeded. I don't call Madame Merle a success, you know. I don't know what she may accomplish yet, but at present she has very little to show. The only tangible result she has ever achieved--except, of course, getting to know every one and staying with them free of expense--has been her bringing you and Osmond together. Oh, she did that, my dear; you needn't look as if you doubted it. I've watched them for years; I know everything--everything. I'm thought a great scatterbrain, but I've had enough application of mind to follow up those two. She hates me, and her way of showing it is to pretend to be for ever defending me. When people say I've had fifteen lovers she looks horrified and declares that quite half of them were never proved. She has been afraid of me for years, and she has taken great comfort in the vile, false things people have said about me. She has been afraid I'd expose her, and she threatened me one day when Osmond began to pay his court to you. It was at his house in Florence; do you remember that afternoon when she brought you there and we had tea in the garden? She let me know then that if I should tell tales two could play at that game. She pretends there's a good deal more to tell about me than about her. It would be an interesting comparison! I don't care a fig what she may say, simply because I know YOU don't care a fig. You can't trouble your head about me less than you do already. So she may take her revenge as she chooses; I don't think she'll frighten you very much. Her great idea has been to be tremendously irreproachable--a kind of full-blown lily--the incarnation of propriety. She has always worshipped that god. There should be no scandal about Caesar's wife, you know; and, as I say, she has always hoped to marry Caesar. That was one reason she wouldn't marry Osmond; the fear that on seeing her with Pansy people would put things together--would even see a resemblance. She has had a terror lest the mother should betray herself. She has been awfully careful; the mother has never done so." "Yes, yes, the mother has done so," said Isabel, who had listened to all this with a face more and more wan. "She betrayed herself to me the other day, though I didn't recognise her. There appeared to have been a chance of Pansy's making a great marriage, and in her disappointment at its not coming off she almost dropped the mask." "Ah, that's where she'd dish herself!" cried the Countess. "She has failed so dreadfully that she's determined her daughter shall make it up." Isabel started at the words "her daughter," which her guest threw off so familiarly. "It seems very wonderful," she murmured; and in this bewildering impression she had almost lost her sense of being personally touched by the story. "Now don't go and turn against the poor innocent child!" the Countess went on. "She's very nice, in spite of her deplorable origin. I myself have liked Pansy; not, naturally, because she was hers, but because she had become yours." "Yes, she has become mine. And how the poor woman must have suffered at seeing me--!" Isabel exclaimed while she flushed at the thought. "I don't believe she has suffered; on the contrary, she has enjoyed. Osmond's marriage has given his daughter a great little lift. Before that she lived in a hole. And do you know what the mother thought? That you might take such a fancy to the child that you'd do something for her. Osmond of course could never give her a portion. Osmond was really extremely poor; but of course you know all about that. Ah, my dear," cried the Countess, "why did you ever inherit money?" She stopped a moment as if she saw something singular in Isabel's face. "Don't tell me now that you'll give her a dot. You're capable of that, but I would refuse to believe it. Don't try to be too good. Be a little easy and natural and nasty; feel a little wicked, for the comfort of it, once in your life!" "It's very strange. I suppose I ought to know, but I'm sorry," Isabel said. "I'm much obliged to you." "Yes, you seem to be!" cried the Countess with a mocking laugh. "Perhaps you are--perhaps you're not. You don't take it as I should have thought." "How should I take it?" Isabel asked. "Well, I should say as a woman who has been made use of." Isabel made no answer to this; she only listened, and the Countess went on. "They've always been bound to each other; they remained so even after she broke off--or HE did. But he has always been more for her than she has been for him. When their little carnival was over they made a bargain that each should give the other complete liberty, but that each should also do everything possible to help the other on. You may ask me how I know such a thing as that. I know it by the way they've behaved. Now see how much better women are than men! She has found a wife for Osmond, but Osmond has never lifted a little finger for HER. She has worked for him, plotted for him, suffered for him; she has even more than once found money for him; and the end of it is that he's tired of her. She's an old habit; there are moments when he needs her, but on the whole he wouldn't miss her if she were removed. And, what's more, today she knows it. So you needn't be jealous!" the Countess added humorously. Isabel rose from her sofa again; she felt bruised and scant of breath; her head was humming with new knowledge. "I'm much obliged to you," she repeated. And then she added abruptly, in quite a different tone: "How do you know all this?" This enquiry appeared to ruffle the Countess more than Isabel's expression of gratitude pleased her. She gave her companion a bold stare, with which, "Let us assume that I've invented it!" she cried. She too, however, suddenly changed her tone and, laying her hand on Isabel's arm, said with the penetration of her sharp bright smile: "Now will you give up your journey?" Isabel started a little; she turned away. But she felt weak and in a moment had to lay her arm upon the mantel-shelf for support. She stood a minute so, and then upon her arm she dropped her dizzy head, with closed eyes and pale lips. "I've done wrong to speak--I've made you ill!" the Countess cried. "Ah, I must see Ralph!" Isabel wailed; not in resentment, not in the quick passion her companion had looked for; but in a tone of far-reaching, infinite sadness.

Chapter 51

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-50-51

A week after Pansy's departure, Isabel receives a telegram from Mrs. Touchett. Ralph has taken a turn for the worse and will die soon. Isabel goes to Osmond's study so as to inform him of Ralph's condition and to declare her intention to go to Gardencourt to visit Ralph. Osmond thinks the only reason she is going is so that she will take her revenge out on her husband. Osmond tells her that if she leaves for Rome it will mean that she has taken a calculated opposition against her husband. Isabel tells him that it is his own opposition that is malignant and calculated. This is her worst thought -- she has never before spoken to her husband in this manner. Osmond reminds her that their union is of "deliberate making" and that as her husband, he wants her to take their marriage seriously. He claims that he values honor above all. Isabel feels that this is really his egotism speaking, but also constitutes an appeal to her sense of honor. She recognizes that he speaks in the name of the most sacred things--the observance of a magnificent form. She had previously felt she could take action in visiting Ralph, but now she feels that this action's meaning has changed suddenly, "transformed by the blight of Osmond's touch". Isabel though does not give up easily, and she accuses her husband of speaking of their union when he accuses her of falsity. Isabel says that if she goes, Osmond must expect her never to come back. Osmond, who has turned to drawing a little sketch of something, thinks she is out of her mind. Isabel leaves, feeling as if Osmond can use any of her weaknesses against her. On her way out, she encounters Countess Gemini. She tells the Countess about Ralph's bad condition. The Countess for a minute realizes that Isabel will soon go into mourning and there will be no more dinner parties for her to attend. She also thinks about Isabel's troubled condition. Isabel returns to her room and thinks about how one must choose one's husband over all else. She feels afraid of the violence of her going when Osmond wished her to stay. Isabel buries herself into a pile of cushions. The Countess Gemini is hovering above her when she looks up. The Countess has come to comfort her and to encourage Isabel to do what she likes, to visit Ralph. She then tells Isabel that her first sister-in-law, the first wife of Osmond, had no children. Pansy is the daughter of Osmond and the wife of another man -- Madame Merle. Osmond had managed to disguise Pansy as the daughter of his deceased wife. Madame Merle had not been able to pass off the child as her own because she had been too long separated from her husband for it to be his. Isabel wonders that the Countess tells her this now. The Countess admits that she is bored with Isabel not knowing, and she is surprised at all the things that Isabel has succeeded in not knowing. Isabel pities Madame Merle, and the Countess is entertained by Isabel's kindness. Isabel wonders why Osmond never married Madame Merle, and the Countess responds that Merle does not have money. Merle herself also still wanted to marry a great man. The Countess concludes the conversation by asking Isabel if she will go on her journey after all. Isabel looks ill, and declares with an "infinite sadness" that she must see Ralph

Osmond's decision to send Pansy away is his attempt to exercise more control over Pansy and her understanding of the world. Pansy, ever the obedient daughter, does not take it bitterly and resolves herself to do what her father tells her. Osmond though wants to present his idea as if it is for his daughter's own interest, and he creates a "portrait." This is an extended metaphor that is employed by the narrator to describe Osmond's actions. This metaphor then is presented to Isabel, who realizes the aesthetic illusion this sketch is supposed to create. The metaphor then serves to allow us to view these people's social relations and their attempts to manipulate the truth as similar to the way we approach a work of art. The reader of this ClassicNote will remember that aesthetics is the philosophical inquiry into what makes something beautiful, and what makes something into a work of art. Henry James, through this metaphor, is showing how Osmond can use aesthetic means to manipulate an ugly truth, to make an ugly truth appear better. Isabel, who once was convinced by Osmond's good taste , now is suspicious of it. She knows that it is a trick designed to work on her imagination, to make her believe that values are there which are not actually there. Osmond is able to control Isabel by appealing to her sense of higher values -- values that she realizes he does not share, but which he can nevertheless use against her. She tries to point out his hypocrisy, but he is somehow maintains the upper hand. The Countess arrives to put one of the final pieces of the puzzle together for Isabel. The use of a minor character to tie up this loose end and give a concrete reality to a suspicion that is only shadowy in Isabel's mind is a technique that is common to James' novels. In his New York Edition Prefaces, he calls it the use of a 'ficelle': a character that helps advance the plot, economizing on the infinite possibilities of what might happen by being minor themselves and somewhat two-dimensional. When Isabel learns the truth, she shows her truly good nature by exercising her empathy for Madame Merle, who has so wickedly deceived her. She recognizes that not even Pansy likes Madame Merle - Pansy, Merle's very own daughter. Isabel has been successful exactly where Merle has not been: she has money, has received marriage proposals from prominent men, and she is often thought of as Pansy's guardian and stepmother.

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The Portrait of a Lady.chapter 52

chapter 52

{"name": "Chapter 52", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-52-55", "summary": "Before departing for London, Isabel decides to visit Pansy. As she is waiting for Pansy, she is surprised to happen upon Madame Merle. Seeing this woman who was so present to her imagination all day in the flesh is like seeing \"a painted picture move\". Isabel feels that this is like evidence in court against Merle, of Merle's own interest in Pansy's affairs. Merle offers up the excuse that she should have told Isabel she meant to visit Pansy, and that she only thought Pansy might be lonely. Merle talks at length about Pansy and the convent. Isabel then noted a sudden break in her voice -- a modulation that marked Merle's perception of Isabel's changed attitude towards her. She realizes that Isabel knows her secret. She falters for a moment, but then she regains herself. She realizes that she is only safe if she does not betray herself. Isabel sees this all as if it is reflected in a \"clear glass\". Isabel enjoys the knowledge that Madame Merle had felt herself being exposed. Isabel is looking out the window though, and she sees - not the garden outside, but rather, the \"dry staring fact that she had been an applied handled hung-up tool\". Her only revenge though is not to react, to sit there silently. Merle realizes that Isabel will never reproach her, never given her the opportunity to defend herself. Isabel goes to see Pansy, and she feels that the girl has been \"vanquished\" by her father's will. Pansy is worried that Isabel will leave her forever when she says that she will go to England. Pansy says it will be easier for her to do as Osmond and Merle like if Isabel is around. She declares that she does not like Merle, and Isabel cautions her to never say that again. Merle appeals to Isabel before she leaves the convent again. Merle tells Isabel that her cousin Ralph once did he a great service, and asks Isabel if she knows what it is. She goes on to tell Isabel that Ralph is the one who made her a rich woman -- it was Ralph's idea to give her the money, and Isabel ought to thank him for making a brilliant match. Isabel ironically replies that she thinks it is Merle that she has to thank. Merle lowers her eyes, recognizes Isabel is unhappy, and declares that she will go to America", "analysis": "The scene between Madame Merle and Isabel in Chapter 52 is a very important one for understanding James' project. In the preface, he has declared that Isabel is made extraordinary by her perceptiveness. Yet, we have learned that she often does not see what is right in front of her, being willfully ignorant, and she often sees more than what is right in front of her, allowing her imagination to work on the material right in front of her. In this scene however, Isabel finally is victorious in understanding the situation and allowing herself to be seen as an all-knowing and seeing entity. Merle sees that Isabel knows what she is - she knows her true nature. However, Merle cannot resist taking her down a notch, proving to her that her vision is not so extraordinary after all, by telling her about Ralph's gift to her. It is as if Isabel is a \"clear glass\" that allows Merle to see herself as a monstrosity for the first time. The end of the novel seems haunted by the past. The so-called \"ghost\" of Ralph Touchett appears. Recall that Isabel had earlier thought that the house of Gardencourt might be haunted, and Ralph had joked that she might live to see the ghost. However, while Isabel had expected the ghost of European history to make its appearance in the house -- for she had associated European convention with haunted houses and Romances - now, this ghost has come to stand for the American experience in Europe. We might read this in terms of an understanding of Americans making their mark on the history of Europe, in line with the Old World vs. New World theme. Goodwood's forced kiss at the end of the novel and his speech to Isabel suggests that he thinks it is perfectly acceptable to begin an extramarital affair with her. Isabel however, fights against this possibility. Her running away from him suggests that she is willing to accept the consequences of her marriage to Osmond once and for all, and upholds the honor of her actions of marrying Osmond. She wants to uphold a conventional notion of duty. This is representative of Isabel's final moral action. We can also read the ending though as Isabel's weakness rather than her strength. Every time she has a scene with Caspar Goodwood, she has a very physical reaction to him. It is as if she is attracted to him physically but cannot accept this about herself. Goodwood thus seems to represent her unconscious desires from which she runs away."}

There was a train for Turin and Paris that evening; and after the Countess had left her Isabel had a rapid and decisive conference with her maid, who was discreet, devoted and active. After this she thought (except of her journey) only of one thing. She must go and see Pansy; from her she couldn't turn away. She had not seen her yet, as Osmond had given her to understand that it was too soon to begin. She drove at five o'clock to a high floor in a narrow street in the quarter of the Piazza Navona, and was admitted by the portress of the convent, a genial and obsequious person. Isabel had been at this institution before; she had come with Pansy to see the sisters. She knew they were good women, and she saw that the large rooms were clean and cheerful and that the well-used garden had sun for winter and shade for spring. But she disliked the place, which affronted and almost frightened her; not for the world would she have spent a night there. It produced to-day more than before the impression of a well-appointed prison; for it was not possible to pretend Pansy was free to leave it. This innocent creature had been presented to her in a new and violent light, but the secondary effect of the revelation was to make her reach out a hand. The portress left her to wait in the parlour of the convent while she went to make it known that there was a visitor for the dear young lady. The parlour was a vast, cold apartment, with new-looking furniture; a large clean stove of white porcelain, unlighted, a collection of wax flowers under glass, and a series of engravings from religious pictures on the walls. On the other occasion Isabel had thought it less like Rome than like Philadelphia, but to-day she made no reflexions; the apartment only seemed to her very empty and very soundless. The portress returned at the end of some five minutes, ushering in another person. Isabel got up, expecting to see one of the ladies of the sisterhood, but to her extreme surprise found herself confronted with Madame Merle. The effect was strange, for Madame Merle was already so present to her vision that her appearance in the flesh was like suddenly, and rather awfully, seeing a painted picture move. Isabel had been thinking all day of her falsity, her audacity, her ability, her probable suffering; and these dark things seemed to flash with a sudden light as she entered the room. Her being there at all had the character of ugly evidence, of handwritings, of profaned relics, of grim things produced in court. It made Isabel feel faint; if it had been necessary to speak on the spot she would have been quite unable. But no such necessity was distinct to her; it seemed to her indeed that she had absolutely nothing to say to Madame Merle. In one's relations with this lady, however, there were never any absolute necessities; she had a manner which carried off not only her own deficiencies but those of other people. But she was different from usual; she came in slowly, behind the portress, and Isabel instantly perceived that she was not likely to depend upon her habitual resources. For her too the occasion was exceptional, and she had undertaken to treat it by the light of the moment. This gave her a peculiar gravity; she pretended not even to smile, and though Isabel saw that she was more than ever playing a part it seemed to her that on the whole the wonderful woman had never been so natural. She looked at her young friend from head to foot, but not harshly nor defiantly; with a cold gentleness rather, and an absence of any air of allusion to their last meeting. It was as if she had wished to mark a distinction. She had been irritated then, she was reconciled now. "You can leave us alone," she said to the portress; "in five minutes this lady will ring for you." And then she turned to Isabel, who, after noting what has just been mentioned, had ceased to notice and had let her eyes wander as far as the limits of the room would allow. She wished never to look at Madame Merle again. "You're surprised to find me here, and I'm afraid you're not pleased," this lady went on. "You don't see why I should have come; it's as if I had anticipated you. I confess I've been rather indiscreet--I ought to have asked your permission." There was none of the oblique movement of irony in this; it was said simply and mildly; but Isabel, far afloat on a sea of wonder and pain, could not have told herself with what intention it was uttered. "But I've not been sitting long," Madame Merle continued; "that is I've not been long with Pansy. I came to see her because it occurred to me this afternoon that she must be rather lonely and perhaps even a little miserable. It may be good for a small girl; I know so little about small girls; I can't tell. At any rate it's a little dismal. Therefore I came--on the chance. I knew of course that you'd come, and her father as well; still, I had not been told other visitors were forbidden. The good woman--what's her name? Madame Catherine--made no objection whatever. I stayed twenty minutes with Pansy; she has a charming little room, not in the least conventual, with a piano and flowers. She has arranged it delightfully; she has so much taste. Of course it's all none of my business, but I feel happier since I've seen her. She may even have a maid if she likes; but of course she has no occasion to dress. She wears a little black frock; she looks so charming. I went afterwards to see Mother Catherine, who has a very good room too; I assure you I don't find the poor sisters at all monastic. Mother Catherine has a most coquettish little toilet-table, with something that looked uncommonly like a bottle of eau-de-Cologne. She speaks delightfully of Pansy; says it's a great happiness for them to have her. She's a little saint of heaven and a model to the oldest of them. Just as I was leaving Madame Catherine the portress came to say to her that there was a lady for the signorina. Of course I knew it must be you, and I asked her to let me go and receive you in her place. She demurred greatly--I must tell you that--and said it was her duty to notify the Mother Superior; it was of such high importance that you should be treated with respect. I requested her to let the Mother Superior alone and asked her how she supposed I would treat you!" So Madame Merle went on, with much of the brilliancy of a woman who had long been a mistress of the art of conversation. But there were phases and gradations in her speech, not one of which was lost upon Isabel's ear, though her eyes were absent from her companion's face. She had not proceeded far before Isabel noted a sudden break in her voice, a lapse in her continuity, which was in itself a complete drama. This subtle modulation marked a momentous discovery--the perception of an entirely new attitude on the part of her listener. Madame Merle had guessed in the space of an instant that everything was at end between them, and in the space of another instant she had guessed the reason why. The person who stood there was not the same one she had seen hitherto, but was a very different person--a person who knew her secret. This discovery was tremendous, and from the moment she made it the most accomplished of women faltered and lost her courage. But only for that moment. Then the conscious stream of her perfect manner gathered itself again and flowed on as smoothly as might be to the end. But it was only because she had the end in view that she was able to proceed. She had been touched with a point that made her quiver, and she needed all the alertness of her will to repress her agitation. Her only safety was in her not betraying herself. She resisted this, but the startled quality of her voice refused to improve--she couldn't help it--while she heard herself say she hardly knew what. The tide of her confidence ebbed, and she was able only just to glide into port, faintly grazing the bottom. Isabel saw it all as distinctly as if it had been reflected in a large clear glass. It might have been a great moment for her, for it might have been a moment of triumph. That Madame Merle had lost her pluck and saw before her the phantom of exposure--this in itself was a revenge, this in itself was almost the promise of a brighter day. And for a moment during which she stood apparently looking out of the window, with her back half-turned, Isabel enjoyed that knowledge. On the other side of the window lay the garden of the convent; but this is not what she saw; she saw nothing of the budding plants and the glowing afternoon. She saw, in the crude light of that revelation which had already become a part of experience and to which the very frailty of the vessel in which it had been offered her only gave an intrinsic price, the dry staring fact that she had been an applied handled hung-up tool, as senseless and convenient as mere shaped wood and iron. All the bitterness of this knowledge surged into her soul again; it was as if she felt on her lips the taste of dishonour. There was a moment during which, if she had turned and spoken, she would have said something that would hiss like a lash. But she closed her eyes, and then the hideous vision dropped. What remained was the cleverest woman in the world standing there within a few feet of her and knowing as little what to think as the meanest. Isabel's only revenge was to be silent still--to leave Madame Merle in this unprecedented situation. She left her there for a period that must have seemed long to this lady, who at last seated herself with a movement which was in itself a confession of helplessness. Then Isabel turned slow eyes, looking down at her. Madame Merle was very pale; her own eyes covered Isabel's face. She might see what she would, but her danger was over. Isabel would never accuse her, never reproach her; perhaps because she never would give her the opportunity to defend herself. "I'm come to bid Pansy good-bye," our young woman said at last. "I go to England to-night." "Go to England to-night!" Madame Merle repeated sitting there and looking up at her. "I'm going to Gardencourt. Ralph Touchett's dying." "Ah, you'll feel that." Madame Merle recovered herself; she had a chance to express sympathy. "Do you go alone?" "Yes; without my husband." Madame Merle gave a low vague murmur; a sort of recognition of the general sadness of things. "Mr. Touchett never liked me, but I'm sorry he's dying. Shall you see his mother?" "Yes; she has returned from America." "She used to be very kind to me; but she has changed. Others too have changed," said Madame Merle with a quiet noble pathos. She paused a moment, then added: "And you'll see dear old Gardencourt again!" "I shall not enjoy it much," Isabel answered. "Naturally--in your grief. But it's on the whole, of all the houses I know, and I know many, the one I should have liked best to live in. I don't venture to send a message to the people," Madame Merle added; "but I should like to give my love to the place." Isabel turned away. "I had better go to Pansy. I've not much time." While she looked about her for the proper egress, the door opened and admitted one of the ladies of the house, who advanced with a discreet smile, gently rubbing, under her long loose sleeves, a pair of plump white hands. Isabel recognised Madame Catherine, whose acquaintance she had already made, and begged that she would immediately let her see Miss Osmond. Madame Catherine looked doubly discreet, but smiled very blandly and said: "It will be good for her to see you. I'll take you to her myself." Then she directed her pleased guarded vision to Madame Merle. "Will you let me remain a little?" this lady asked. "It's so good to be here." "You may remain always if you like!" And the good sister gave a knowing laugh. She led Isabel out of the room, through several corridors, and up a long staircase. All these departments were solid and bare, light and clean; so, thought Isabel, are the great penal establishments. Madame Catherine gently pushed open the door of Pansy's room and ushered in the visitor; then stood smiling with folded hands while the two others met and embraced. "She's glad to see you," she repeated; "it will do her good." And she placed the best chair carefully for Isabel. But she made no movement to seat herself; she seemed ready to retire. "How does this dear child look?" she asked of Isabel, lingering a moment. "She looks pale," Isabel answered. "That's the pleasure of seeing you. She's very happy. Elle eclaire la maison," said the good sister. Pansy wore, as Madame Merle had said, a little black dress; it was perhaps this that made her look pale. "They're very good to me--they think of everything!" she exclaimed with all her customary eagerness to accommodate. "We think of you always--you're a precious charge," Madame Catherine remarked in the tone of a woman with whom benevolence was a habit and whose conception of duty was the acceptance of every care. It fell with a leaden weight on Isabel's ears; it seemed to represent the surrender of a personality, the authority of the Church. When Madame Catherine had left them together Pansy kneeled down and hid her head in her stepmother's lap. So she remained some moments, while Isabel gently stroked her hair. Then she got up, averting her face and looking about the room. "Don't you think I've arranged it well? I've everything I have at home." "It's very pretty; you're very comfortable." Isabel scarcely knew what she could say to her. On the one hand she couldn't let her think she had come to pity her, and on the other it would be a dull mockery to pretend to rejoice with her. So she simply added after a moment: "I've come to bid you good-bye. I'm going to England." Pansy's white little face turned red. "To England! Not to come back?" "I don't know when I shall come back." "Ah, I'm sorry," Pansy breathed with faintness. She spoke as if she had no right to criticise; but her tone expressed a depth of disappointment. "My cousin, Mr. Touchett, is very ill; he'll probably die. I wish to see him," Isabel said. "Ah yes; you told me he would die. Of course you must go. And will papa go?" "No; I shall go alone." For a moment the girl said nothing. Isabel had often wondered what she thought of the apparent relations of her father with his wife; but never by a glance, by an intimation, had she let it be seen that she deemed them deficient in an air of intimacy. She made her reflexions, Isabel was sure; and she must have had a conviction that there were husbands and wives who were more intimate than that. But Pansy was not indiscreet even in thought; she would as little have ventured to judge her gentle stepmother as to criticise her magnificent father. Her heart may have stood almost as still as it would have done had she seen two of the saints in the great picture in the convent chapel turn their painted heads and shake them at each other. But as in this latter case she would (for very solemnity's sake) never have mentioned the awful phenomenon, so she put away all knowledge of the secrets of larger lives than her own. "You'll be very far away," she presently went on. "Yes; I shall be far away. But it will scarcely matter," Isabel explained; "since so long as you're here I can't be called near you." "Yes, but you can come and see me; though you've not come very often." "I've not come because your father forbade it. To-day I bring nothing with me. I can't amuse you." "I'm not to be amused. That's not what papa wishes." "Then it hardly matters whether I'm in Rome or in England." "You're not happy, Mrs. Osmond," said Pansy. "Not very. But it doesn't matter." "That's what I say to myself. What does it matter? But I should like to come out." "I wish indeed you might." "Don't leave me here," Pansy went on gently. Isabel said nothing for a minute; her heart beat fast. "Will you come away with me now?" she asked. Pansy looked at her pleadingly. "Did papa tell you to bring me?" "No; it's my own proposal." "I think I had better wait then. Did papa send me no message?" "I don't think he knew I was coming." "He thinks I've not had enough," said Pansy. "But I have. The ladies are very kind to me and the little girls come to see me. There are some very little ones--such charming children. Then my room--you can see for yourself. All that's very delightful. But I've had enough. Papa wished me to think a little--and I've thought a great deal." "What have you thought?" "Well, that I must never displease papa." "You knew that before." "Yes; but I know it better. I'll do anything--I'll do anything," said Pansy. Then, as she heard her own words, a deep, pure blush came into her face. Isabel read the meaning of it; she saw the poor girl had been vanquished. It was well that Mr. Edward Rosier had kept his enamels! Isabel looked into her eyes and saw there mainly a prayer to be treated easily. She laid her hand on Pansy's as if to let her know that her look conveyed no diminution of esteem; for the collapse of the girl's momentary resistance (mute and modest thought it had been) seemed only her tribute to the truth of things. She didn't presume to judge others, but she had judged herself; she had seen the reality. She had no vocation for struggling with combinations; in the solemnity of sequestration there was something that overwhelmed her. She bowed her pretty head to authority and only asked of authority to be merciful. Yes; it was very well that Edward Rosier had reserved a few articles! Isabel got up; her time was rapidly shortening. "Good-bye then. I leave Rome to-night." Pansy took hold of her dress; there was a sudden change in the child's face. "You look strange, you frighten me." "Oh, I'm very harmless," said Isabel. "Perhaps you won't come back?" "Perhaps not. I can't tell." "Ah, Mrs. Osmond, you won't leave me!" Isabel now saw she had guessed everything. "My dear child, what can I do for you?" she asked. "I don't know--but I'm happier when I think of you." "You can always think of me." "Not when you're so far. I'm a little afraid," said Pansy. "What are you afraid of?" "Of papa--a little. And of Madame Merle. She has just been to see me." "You must not say that," Isabel observed. "Oh, I'll do everything they want. Only if you're here I shall do it more easily." Isabel considered. "I won't desert you," she said at last. "Good-bye, my child." Then they held each other a moment in a silent embrace, like two sisters; and afterwards Pansy walked along the corridor with her visitor to the top of the staircase. "Madame Merle has been here," she remarked as they went; and as Isabel answered nothing she added abruptly: "I don't like Madame Merle!" Isabel hesitated, then stopped. "You must never say that--that you don't like Madame Merle." Pansy looked at her in wonder; but wonder with Pansy had never been a reason for non-compliance. "I never will again," she said with exquisite gentleness. At the top of the staircase they had to separate, as it appeared to be part of the mild but very definite discipline under which Pansy lived that she should not go down. Isabel descended, and when she reached the bottom the girl was standing above. "You'll come back?" she called out in a voice that Isabel remembered afterwards. "Yes--I'll come back." Madame Catherine met Mrs. Osmond below and conducted her to the door of the parlour, outside of which the two stood talking a minute. "I won't go in," said the good sister. "Madame Merle's waiting for you." At this announcement Isabel stiffened; she was on the point of asking if there were no other egress from the convent. But a moment's reflexion assured her that she would do well not to betray to the worthy nun her desire to avoid Pansy's other friend. Her companion grasped her arm very gently and, fixing her a moment with wise, benevolent eyes, said in French and almost familiarly: "Eh bien, chere Madame, qu'en pensez-vous?" "About my step-daughter? Oh, it would take long to tell you." "We think it's enough," Madame Catherine distinctly observed. And she pushed open the door of the parlour. Madame Merle was sitting just as Isabel had left her, like a woman so absorbed in thought that she had not moved a little finger. As Madame Catherine closed the door she got up, and Isabel saw that she had been thinking to some purpose. She had recovered her balance; she was in full possession of her resources. "I found I wished to wait for you," she said urbanely. "But it's not to talk about Pansy." Isabel wondered what it could be to talk about, and in spite of Madame Merle's declaration she answered after a moment: "Madame Catherine says it's enough." "Yes; it also seems to me enough. I wanted to ask you another word about poor Mr. Touchett," Madame Merle added. "Have you reason to believe that he's really at his last?" "I've no information but a telegram. Unfortunately it only confirms a probability." "I'm going to ask you a strange question," said Madame Merle. "Are you very fond of your cousin?" And she gave a smile as strange as her utterance. "Yes, I'm very fond of him. But I don't understand you." She just hung fire. "It's rather hard to explain. Something has occurred to me which may not have occurred to you, and I give you the benefit of my idea. Your cousin did you once a great service. Have you never guessed it?" "He has done me many services." "Yes; but one was much above the rest. He made you a rich woman." "HE made me--?" Madame Merle appearing to see herself successful, she went on more triumphantly: "He imparted to you that extra lustre which was required to make you a brilliant match. At bottom it's him you've to thank." She stopped; there was something in Isabel's eyes. "I don't understand you. It was my uncle's money." "Yes; it was your uncle's money, but it was your cousin's idea. He brought his father over to it. Ah, my dear, the sum was large!" Isabel stood staring; she seemed to-day to live in a world illumined by lurid flashes. "I don't know why you say such things. I don't know what you know." "I know nothing but what I've guessed. But I've guessed that." Isabel went to the door and, when she had opened it, stood a moment with her hand on the latch. Then she said--it was her only revenge: "I believed it was you I had to thank!" Madame Merle dropped her eyes; she stood there in a kind of proud penance. "You're very unhappy, I know. But I'm more so." "Yes; I can believe that. I think I should like never to see you again." Madame Merle raised her eyes. "I shall go to America," she quietly remarked while Isabel passed out.

Chapter 52

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-52-55

Before departing for London, Isabel decides to visit Pansy. As she is waiting for Pansy, she is surprised to happen upon Madame Merle. Seeing this woman who was so present to her imagination all day in the flesh is like seeing "a painted picture move". Isabel feels that this is like evidence in court against Merle, of Merle's own interest in Pansy's affairs. Merle offers up the excuse that she should have told Isabel she meant to visit Pansy, and that she only thought Pansy might be lonely. Merle talks at length about Pansy and the convent. Isabel then noted a sudden break in her voice -- a modulation that marked Merle's perception of Isabel's changed attitude towards her. She realizes that Isabel knows her secret. She falters for a moment, but then she regains herself. She realizes that she is only safe if she does not betray herself. Isabel sees this all as if it is reflected in a "clear glass". Isabel enjoys the knowledge that Madame Merle had felt herself being exposed. Isabel is looking out the window though, and she sees - not the garden outside, but rather, the "dry staring fact that she had been an applied handled hung-up tool". Her only revenge though is not to react, to sit there silently. Merle realizes that Isabel will never reproach her, never given her the opportunity to defend herself. Isabel goes to see Pansy, and she feels that the girl has been "vanquished" by her father's will. Pansy is worried that Isabel will leave her forever when she says that she will go to England. Pansy says it will be easier for her to do as Osmond and Merle like if Isabel is around. She declares that she does not like Merle, and Isabel cautions her to never say that again. Merle appeals to Isabel before she leaves the convent again. Merle tells Isabel that her cousin Ralph once did he a great service, and asks Isabel if she knows what it is. She goes on to tell Isabel that Ralph is the one who made her a rich woman -- it was Ralph's idea to give her the money, and Isabel ought to thank him for making a brilliant match. Isabel ironically replies that she thinks it is Merle that she has to thank. Merle lowers her eyes, recognizes Isabel is unhappy, and declares that she will go to America

The scene between Madame Merle and Isabel in Chapter 52 is a very important one for understanding James' project. In the preface, he has declared that Isabel is made extraordinary by her perceptiveness. Yet, we have learned that she often does not see what is right in front of her, being willfully ignorant, and she often sees more than what is right in front of her, allowing her imagination to work on the material right in front of her. In this scene however, Isabel finally is victorious in understanding the situation and allowing herself to be seen as an all-knowing and seeing entity. Merle sees that Isabel knows what she is - she knows her true nature. However, Merle cannot resist taking her down a notch, proving to her that her vision is not so extraordinary after all, by telling her about Ralph's gift to her. It is as if Isabel is a "clear glass" that allows Merle to see herself as a monstrosity for the first time. The end of the novel seems haunted by the past. The so-called "ghost" of Ralph Touchett appears. Recall that Isabel had earlier thought that the house of Gardencourt might be haunted, and Ralph had joked that she might live to see the ghost. However, while Isabel had expected the ghost of European history to make its appearance in the house -- for she had associated European convention with haunted houses and Romances - now, this ghost has come to stand for the American experience in Europe. We might read this in terms of an understanding of Americans making their mark on the history of Europe, in line with the Old World vs. New World theme. Goodwood's forced kiss at the end of the novel and his speech to Isabel suggests that he thinks it is perfectly acceptable to begin an extramarital affair with her. Isabel however, fights against this possibility. Her running away from him suggests that she is willing to accept the consequences of her marriage to Osmond once and for all, and upholds the honor of her actions of marrying Osmond. She wants to uphold a conventional notion of duty. This is representative of Isabel's final moral action. We can also read the ending though as Isabel's weakness rather than her strength. Every time she has a scene with Caspar Goodwood, she has a very physical reaction to him. It is as if she is attracted to him physically but cannot accept this about herself. Goodwood thus seems to represent her unconscious desires from which she runs away.

gradesaver

all_chapterized_books/2833-chapters/53.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_18_part_2.txt

The Portrait of a Lady.chapter 53

chapter 53

{"name": "Chapter 53", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-52-55", "summary": "On Isabel's journey to Gardencourt, she has many disconnected visions as she looks out the window -- not of what is outside, but rather she has \"sightless eyes. She thinks back to many memories and of her own expectations, realizing the mutual relations and interconnectedness of things that she did not notice before. This rises before her like a vast architectural vastness. She wishes to give it all up, to not know anything. She thinks of her time in Rome as a time in which she was as good as dead - she was motionless and passive. Yet she feels now she will go on living much longer, and this gives her hope of happiness in the future. She is still optimistic that to live does not mean only to suffer. When she arrives in England, Henrietta Stackpole and Mr. Bantling greet her at the train station. Isabel lets Henrietta know that Osmond will make a scene when she returns, but that she has promised Pansy she will return. Henrietta announces that she will marry Mr. Bantling and relocate to London. Isabel is somewhat disappointed, thinking that a marriage to Mr. Bantling is somewhat unoriginal. Nevertheless she admires Henrietta because it seems that Henrietta is planning to \"attack\" London", "analysis": "The scene between Madame Merle and Isabel in Chapter 52 is a very important one for understanding James' project. In the preface, he has declared that Isabel is made extraordinary by her perceptiveness. Yet, we have learned that she often does not see what is right in front of her, being willfully ignorant, and she often sees more than what is right in front of her, allowing her imagination to work on the material right in front of her. In this scene however, Isabel finally is victorious in understanding the situation and allowing herself to be seen as an all-knowing and seeing entity. Merle sees that Isabel knows what she is - she knows her true nature. However, Merle cannot resist taking her down a notch, proving to her that her vision is not so extraordinary after all, by telling her about Ralph's gift to her. It is as if Isabel is a \"clear glass\" that allows Merle to see herself as a monstrosity for the first time. The end of the novel seems haunted by the past. The so-called \"ghost\" of Ralph Touchett appears. Recall that Isabel had earlier thought that the house of Gardencourt might be haunted, and Ralph had joked that she might live to see the ghost. However, while Isabel had expected the ghost of European history to make its appearance in the house -- for she had associated European convention with haunted houses and Romances - now, this ghost has come to stand for the American experience in Europe. We might read this in terms of an understanding of Americans making their mark on the history of Europe, in line with the Old World vs. New World theme. Goodwood's forced kiss at the end of the novel and his speech to Isabel suggests that he thinks it is perfectly acceptable to begin an extramarital affair with her. Isabel however, fights against this possibility. Her running away from him suggests that she is willing to accept the consequences of her marriage to Osmond once and for all, and upholds the honor of her actions of marrying Osmond. She wants to uphold a conventional notion of duty. This is representative of Isabel's final moral action. We can also read the ending though as Isabel's weakness rather than her strength. Every time she has a scene with Caspar Goodwood, she has a very physical reaction to him. It is as if she is attracted to him physically but cannot accept this about herself. Goodwood thus seems to represent her unconscious desires from which she runs away."}

It was not with surprise, it was with a feeling which in other circumstances would have had much of the effect of joy, that as Isabel descended from the Paris Mail at Charing Cross she stepped into the arms, as it were--or at any rate into the hands--of Henrietta Stackpole. She had telegraphed to her friend from Turin, and though she had not definitely said to herself that Henrietta would meet her, she had felt her telegram would produce some helpful result. On her long journey from Rome her mind had been given up to vagueness; she was unable to question the future. She performed this journey with sightless eyes and took little pleasure in the countries she traversed, decked out though they were in the richest freshness of spring. Her thoughts followed their course through other countries--strange-looking, dimly-lighted, pathless lands, in which there was no change of seasons, but only, as it seemed, a perpetual dreariness of winter. She had plenty to think about; but it was neither reflexion nor conscious purpose that filled her mind. Disconnected visions passed through it, and sudden dull gleams of memory, of expectation. The past and the future came and went at their will, but she saw them only in fitful images, which rose and fell by a logic of their own. It was extraordinary the things she remembered. Now that she was in the secret, now that she knew something that so much concerned her and the eclipse of which had made life resemble an attempt to play whist with an imperfect pack of cards, the truth of things, their mutual relations, their meaning, and for the most part their horror, rose before her with a kind of architectural vastness. She remembered a thousand trifles; they started to life with the spontaneity of a shiver. She had thought them trifles at the time; now she saw that they had been weighted with lead. Yet even now they were trifles after all, for of what use was it to her to understand them? Nothing seemed of use to her to-day. All purpose, all intention, was suspended; all desire too save the single desire to reach her much-embracing refuge. Gardencourt had been her starting-point, and to those muffled chambers it was at least a temporary solution to return. She had gone forth in her strength; she would come back in her weakness, and if the place had been a rest to her before, it would be a sanctuary now. She envied Ralph his dying, for if one were thinking of rest that was the most perfect of all. To cease utterly, to give it all up and not know anything more--this idea was as sweet as the vision of a cool bath in a marble tank, in a darkened chamber, in a hot land. She had moments indeed in her journey from Rome which were almost as good as being dead. She sat in her corner, so motionless, so passive, simply with the sense of being carried, so detached from hope and regret, that she recalled to herself one of those Etruscan figures couched upon the receptacle of their ashes. There was nothing to regret now--that was all over. Not only the time of her folly, but the time of her repentance was far. The only thing to regret was that Madame Merle had been so--well, so unimaginable. Just here her intelligence dropped, from literal inability to say what it was that Madame Merle had been. Whatever it was it was for Madame Merle herself to regret it; and doubtless she would do so in America, where she had announced she was going. It concerned Isabel no more; she only had an impression that she should never again see Madame Merle. This impression carried her into the future, of which from time to time she had a mutilated glimpse. She saw herself, in the distant years, still in the attitude of a woman who had her life to live, and these intimations contradicted the spirit of the present hour. It might be desirable to get quite away, really away, further away than little grey-green England, but this privilege was evidently to be denied her. Deep in her soul--deeper than any appetite for renunciation--was the sense that life would be her business for a long time to come. And at moments there was something inspiring, almost enlivening, in the conviction. It was a proof of strength--it was a proof she should some day be happy again. It couldn't be she was to live only to suffer; she was still young, after all, and a great many things might happen to her yet. To live only to suffer--only to feel the injury of life repeated and enlarged--it seemed to her she was too valuable, too capable, for that. Then she wondered if it were vain and stupid to think so well of herself. When had it even been a guarantee to be valuable? Wasn't all history full of the destruction of precious things? Wasn't it much more probable that if one were fine one would suffer? It involved then perhaps an admission that one had a certain grossness; but Isabel recognised, as it passed before her eyes, the quick vague shadow of a long future. She should never escape; she should last to the end. Then the middle years wrapped her about again and the grey curtain of her indifference closed her in. Henrietta kissed her, as Henrietta usually kissed, as if she were afraid she should be caught doing it; and then Isabel stood there in the crowd, looking about her, looking for her servant. She asked nothing; she wished to wait. She had a sudden perception that she should be helped. She rejoiced Henrietta had come; there was something terrible in an arrival in London. The dusky, smoky, far-arching vault of the station, the strange, livid light, the dense, dark, pushing crowd, filled her with a nervous fear and made her put her arm into her friend's. She remembered she had once liked these things; they seemed part of a mighty spectacle in which there was something that touched her. She remembered how she walked away from Euston, in the winter dusk, in the crowded streets, five years before. She could not have done that to-day, and the incident came before her as the deed of another person. "It's too beautiful that you should have come," said Henrietta, looking at her as if she thought Isabel might be prepared to challenge the proposition. "If you hadn't--if you hadn't; well, I don't know," remarked Miss Stackpole, hinting ominously at her powers of disapproval. Isabel looked about without seeing her maid. Her eyes rested on another figure, however, which she felt she had seen before; and in a moment she recognised the genial countenance of Mr. Bantling. He stood a little apart, and it was not in the power of the multitude that pressed about him to make him yield an inch of the ground he had taken--that of abstracting himself discreetly while the two ladies performed their embraces. "There's Mr. Bantling," said Isabel, gently, irrelevantly, scarcely caring much now whether she should find her maid or not. "Oh yes, he goes everywhere with me. Come here, Mr. Bantling!" Henrietta exclaimed. Whereupon the gallant bachelor advanced with a smile--a smile tempered, however, by the gravity of the occasion. "Isn't it lovely she has come?" Henrietta asked. "He knows all about it," she added; "we had quite a discussion. He said you wouldn't, I said you would." "I thought you always agreed," Isabel smiled in return. She felt she could smile now; she had seen in an instant, in Mr. Bantling's brave eyes, that he had good news for her. They seemed to say he wished her to remember he was an old friend of her cousin--that he understood, that it was all right. Isabel gave him her hand; she thought of him, extravagantly, as a beautiful blameless knight. "Oh, I always agree," said Mr. Bantling. "But she doesn't, you know." "Didn't I tell you that a maid was a nuisance?" Henrietta enquired. "Your young lady has probably remained at Calais." "I don't care," said Isabel, looking at Mr. Bantling, whom she had never found so interesting. "Stay with her while I go and see," Henrietta commanded, leaving the two for a moment together. They stood there at first in silence, and then Mr. Bantling asked Isabel how it had been on the Channel. "Very fine. No, I believe it was very rough," she said, to her companion's obvious surprise. After which she added: "You've been to Gardencourt, I know." "Now how do you know that?" "I can't tell you--except that you look like a person who has been to Gardencourt." "Do you think I look awfully sad? It's awfully sad there, you know." "I don't believe you ever look awfully sad. You look awfully kind," said Isabel with a breadth that cost her no effort. It seemed to her she should never again feel a superficial embarrassment. Poor Mr. Bantling, however, was still in this inferior stage. He blushed a good deal and laughed, he assured her that he was often very blue, and that when he was blue he was awfully fierce. "You can ask Miss Stackpole, you know. I was at Gardencourt two days ago." "Did you see my cousin?" "Only for a little. But he had been seeing people; Warburton had been there the day before. Ralph was just the same as usual, except that he was in bed and that he looks tremendously ill and that he can't speak," Mr. Bantling pursued. "He was awfully jolly and funny all the same. He was just as clever as ever. It's awfully wretched." Even in the crowded, noisy station this simple picture was vivid. "Was that late in the day?" "Yes; I went on purpose. We thought you'd like to know." "I'm greatly obliged to you. Can I go down tonight?" "Ah, I don't think SHE'LL let you go," said Mr. Bantling. "She wants you to stop with her. I made Touchett's man promise to telegraph me to-day, and I found the telegram an hour ago at my club. 'Quiet and easy,' that's what it says, and it's dated two o'clock. So you see you can wait till to-morrow. You must be awfully tired." "Yes, I'm awfully tired. And I thank you again." "Oh," said Mr. Bantling, "We were certain you would like the last news." On which Isabel vaguely noted that he and Henrietta seemed after all to agree. Miss Stackpole came back with Isabel's maid, whom she had caught in the act of proving her utility. This excellent person, instead of losing herself in the crowd, had simply attended to her mistress's luggage, so that the latter was now at liberty to leave the station. "You know you're not to think of going to the country to-night," Henrietta remarked to her. "It doesn't matter whether there's a train or not. You're to come straight to me in Wimpole Street. There isn't a corner to be had in London, but I've got you one all the same. It isn't a Roman palace, but it will do for a night." "I'll do whatever you wish," Isabel said. "You'll come and answer a few questions; that's what I wish." "She doesn't say anything about dinner, does she, Mrs. Osmond?" Mr. Bantling enquired jocosely. Henrietta fixed him a moment with her speculative gaze. "I see you're in a great hurry to get your own. You'll be at the Paddington Station to-morrow morning at ten." "Don't come for my sake, Mr. Bantling," said Isabel. "He'll come for mine," Henrietta declared as she ushered her friend into a cab. And later, in a large dusky parlour in Wimpole Street--to do her justice there had been dinner enough--she asked those questions to which she had alluded at the station. "Did your husband make you a scene about your coming?" That was Miss Stackpole's first enquiry. "No; I can't say he made a scene." "He didn't object then?" "Yes, he objected very much. But it was not what you'd call a scene." "What was it then?" "It was a very quiet conversation." Henrietta for a moment regarded her guest. "It must have been hellish," she then remarked. And Isabel didn't deny that it had been hellish. But she confined herself to answering Henrietta's questions, which was easy, as they were tolerably definite. For the present she offered her no new information. "Well," said Miss Stackpole at last, "I've only one criticism to make. I don't see why you promised little Miss Osmond to go back." "I'm not sure I myself see now," Isabel replied. "But I did then." "If you've forgotten your reason perhaps you won't return." Isabel waited a moment. "Perhaps I shall find another." "You'll certainly never find a good one." "In default of a better my having promised will do," Isabel suggested. "Yes; that's why I hate it." "Don't speak of it now. I've a little time. Coming away was a complication, but what will going back be?" "You must remember, after all, that he won't make you a scene!" said Henrietta with much intention. "He will, though," Isabel answered gravely. "It won't be the scene of a moment; it will be a scene of the rest of my life." For some minutes the two women sat and considered this remainder, and then Miss Stackpole, to change the subject, as Isabel had requested, announced abruptly: "I've been to stay with Lady Pensil!" "Ah, the invitation came at last!" "Yes; it took five years. But this time she wanted to see me." "Naturally enough." "It was more natural than I think you know," said Henrietta, who fixed her eyes on a distant point. And then she added, turning suddenly: "Isabel Archer, I beg your pardon. You don't know why? Because I criticised you, and yet I've gone further than you. Mr. Osmond, at least, was born on the other side!" It was a moment before Isabel grasped her meaning; this sense was so modestly, or at least so ingeniously, veiled. Isabel's mind was not possessed at present with the comicality of things; but she greeted with a quick laugh the image that her companion had raised. She immediately recovered herself, however, and with the right excess of intensity, "Henrietta Stackpole," she asked, "are you going to give up your country?" "Yes, my poor Isabel, I am. I won't pretend to deny it; I look the fact in the face. I'm going to marry Mr. Bantling and locate right here in London." "It seems very strange," said Isabel, smiling now. "Well yes, I suppose it does. I've come to it little by little. I think I know what I'm doing; but I don't know as I can explain." "One can't explain one's marriage," Isabel answered. "And yours doesn't need to be explained. Mr. Bantling isn't a riddle." "No, he isn't a bad pun--or even a high flight of American humour. He has a beautiful nature," Henrietta went on. "I've studied him for many years and I see right through him. He's as clear as the style of a good prospectus. He's not intellectual, but he appreciates intellect. On the other hand he doesn't exaggerate its claims. I sometimes think we do in the United States." "Ah," said Isabel, "you're changed indeed! It's the first time I've ever heard you say anything against your native land." "I only say that we're too infatuated with mere brain-power; that, after all, isn't a vulgar fault. But I AM changed; a woman has to change a good deal to marry." "I hope you'll be very happy. You will at last--over here--see something of the inner life." Henrietta gave a little significant sigh. "That's the key to the mystery, I believe. I couldn't endure to be kept off. Now I've as good a right as any one!" she added with artless elation. Isabel was duly diverted, but there was a certain melancholy in her view. Henrietta, after all, had confessed herself human and feminine, Henrietta whom she had hitherto regarded as a light keen flame, a disembodied voice. It was a disappointment to find she had personal susceptibilities, that she was subject to common passions, and that her intimacy with Mr. Bantling had not been completely original. There was a want of originality in her marrying him--there was even a kind of stupidity; and for a moment, to Isabel's sense, the dreariness of the world took on a deeper tinge. A little later indeed she reflected that Mr. Bantling himself at least was original. But she didn't see how Henrietta could give up her country. She herself had relaxed her hold of it, but it had never been her country as it had been Henrietta's. She presently asked her if she had enjoyed her visit to Lady Pensil. "Oh yes," said Henrietta, "she didn't know what to make of me." "And was that very enjoyable?" "Very much so, because she's supposed to be a master mind. She thinks she knows everything; but she doesn't understand a woman of my modern type. It would be so much easier for her if I were only a little better or a little worse. She's so puzzled; I believe she thinks it's my duty to go and do something immoral. She thinks it's immoral that I should marry her brother; but, after all, that isn't immoral enough. And she'll never understand my mixture--never!" "She's not so intelligent as her brother then," said Isabel. "He appears to have understood." "Oh no, he hasn't!" cried Miss Stackpole with decision. "I really believe that's what he wants to marry me for--just to find out the mystery and the proportions of it. That's a fixed idea--a kind of fascination." "It's very good in you to humour it." "Oh well," said Henrietta, "I've something to find out too!" And Isabel saw that she had not renounced an allegiance, but planned an attack. She was at last about to grapple in earnest with England. Isabel also perceived, however, on the morrow, at the Paddington Station, where she found herself, at ten o'clock, in the company both of Miss Stackpole and Mr. Bantling, that the gentleman bore his perplexities lightly. If he had not found out everything he had found out at least the great point--that Miss Stackpole would not be wanting in initiative. It was evident that in the selection of a wife he had been on his guard against this deficiency. "Henrietta has told me, and I'm very glad," Isabel said as she gave him her hand. "I dare say you think it awfully odd," Mr. Bantling replied, resting on his neat umbrella. "Yes, I think it awfully odd." "You can't think it so awfully odd as I do. But I've always rather liked striking out a line," said Mr. Bantling serenely.

Chapter 53

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-52-55

On Isabel's journey to Gardencourt, she has many disconnected visions as she looks out the window -- not of what is outside, but rather she has "sightless eyes. She thinks back to many memories and of her own expectations, realizing the mutual relations and interconnectedness of things that she did not notice before. This rises before her like a vast architectural vastness. She wishes to give it all up, to not know anything. She thinks of her time in Rome as a time in which she was as good as dead - she was motionless and passive. Yet she feels now she will go on living much longer, and this gives her hope of happiness in the future. She is still optimistic that to live does not mean only to suffer. When she arrives in England, Henrietta Stackpole and Mr. Bantling greet her at the train station. Isabel lets Henrietta know that Osmond will make a scene when she returns, but that she has promised Pansy she will return. Henrietta announces that she will marry Mr. Bantling and relocate to London. Isabel is somewhat disappointed, thinking that a marriage to Mr. Bantling is somewhat unoriginal. Nevertheless she admires Henrietta because it seems that Henrietta is planning to "attack" London

The scene between Madame Merle and Isabel in Chapter 52 is a very important one for understanding James' project. In the preface, he has declared that Isabel is made extraordinary by her perceptiveness. Yet, we have learned that she often does not see what is right in front of her, being willfully ignorant, and she often sees more than what is right in front of her, allowing her imagination to work on the material right in front of her. In this scene however, Isabel finally is victorious in understanding the situation and allowing herself to be seen as an all-knowing and seeing entity. Merle sees that Isabel knows what she is - she knows her true nature. However, Merle cannot resist taking her down a notch, proving to her that her vision is not so extraordinary after all, by telling her about Ralph's gift to her. It is as if Isabel is a "clear glass" that allows Merle to see herself as a monstrosity for the first time. The end of the novel seems haunted by the past. The so-called "ghost" of Ralph Touchett appears. Recall that Isabel had earlier thought that the house of Gardencourt might be haunted, and Ralph had joked that she might live to see the ghost. However, while Isabel had expected the ghost of European history to make its appearance in the house -- for she had associated European convention with haunted houses and Romances - now, this ghost has come to stand for the American experience in Europe. We might read this in terms of an understanding of Americans making their mark on the history of Europe, in line with the Old World vs. New World theme. Goodwood's forced kiss at the end of the novel and his speech to Isabel suggests that he thinks it is perfectly acceptable to begin an extramarital affair with her. Isabel however, fights against this possibility. Her running away from him suggests that she is willing to accept the consequences of her marriage to Osmond once and for all, and upholds the honor of her actions of marrying Osmond. She wants to uphold a conventional notion of duty. This is representative of Isabel's final moral action. We can also read the ending though as Isabel's weakness rather than her strength. Every time she has a scene with Caspar Goodwood, she has a very physical reaction to him. It is as if she is attracted to him physically but cannot accept this about herself. Goodwood thus seems to represent her unconscious desires from which she runs away.

gradesaver

all_chapterized_books/2833-chapters/54.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_18_part_3.txt

The Portrait of a Lady.chapter 54

chapter 54

{"name": "Chapter 54", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-52-55", "summary": "Isabel's arrival in Gardencourt is as quiet as her first time there. She wonders to herself what would have happened to her if she had never met her aunt - would she have married Caspar Goodwood. Mrs. Touchett comes to greet Isabel and inform her of Ralph's condition. He is not doing well, and Mrs. Touchett states that he has not had a successful life. Isabel says that he has had a beautiful one. Mrs. Touchett asks Isabel three questions: has she ever regretted her refusal of Lord Warburton. Isabel says she has not. Are she and Madame Merle still friends. Isabel says she is not. What did Madame Merle do to her. Isabel replies that she made a convenience of her. Isabel waits by Ralph's bedside for three days before he is finally well enough to speak. When he finally sits up, he believes he is near his end. He says he was not sure she would come. He then asks what she has done for him, implying that she has acted in opposition to her husband in coming to see him. She responds by asking him the same thing: what is it that he did for her. Did he really make her a rich woman. He tells her that he thinks he ruined her. Isabel admits that Osmond married her for her money. Ralph tells Isabel that she wanted to look at life, but ended up ground into the mill of the conventional. Yet he still has hope that she will be young again", "analysis": "The scene between Madame Merle and Isabel in Chapter 52 is a very important one for understanding James' project. In the preface, he has declared that Isabel is made extraordinary by her perceptiveness. Yet, we have learned that she often does not see what is right in front of her, being willfully ignorant, and she often sees more than what is right in front of her, allowing her imagination to work on the material right in front of her. In this scene however, Isabel finally is victorious in understanding the situation and allowing herself to be seen as an all-knowing and seeing entity. Merle sees that Isabel knows what she is - she knows her true nature. However, Merle cannot resist taking her down a notch, proving to her that her vision is not so extraordinary after all, by telling her about Ralph's gift to her. It is as if Isabel is a \"clear glass\" that allows Merle to see herself as a monstrosity for the first time. The end of the novel seems haunted by the past. The so-called \"ghost\" of Ralph Touchett appears. Recall that Isabel had earlier thought that the house of Gardencourt might be haunted, and Ralph had joked that she might live to see the ghost. However, while Isabel had expected the ghost of European history to make its appearance in the house -- for she had associated European convention with haunted houses and Romances - now, this ghost has come to stand for the American experience in Europe. We might read this in terms of an understanding of Americans making their mark on the history of Europe, in line with the Old World vs. New World theme. Goodwood's forced kiss at the end of the novel and his speech to Isabel suggests that he thinks it is perfectly acceptable to begin an extramarital affair with her. Isabel however, fights against this possibility. Her running away from him suggests that she is willing to accept the consequences of her marriage to Osmond once and for all, and upholds the honor of her actions of marrying Osmond. She wants to uphold a conventional notion of duty. This is representative of Isabel's final moral action. We can also read the ending though as Isabel's weakness rather than her strength. Every time she has a scene with Caspar Goodwood, she has a very physical reaction to him. It is as if she is attracted to him physically but cannot accept this about herself. Goodwood thus seems to represent her unconscious desires from which she runs away."}

Isabel's arrival at Gardencourt on this second occasion was even quieter than it had been on the first. Ralph Touchett kept but a small household, and to the new servants Mrs. Osmond was a stranger; so that instead of being conducted to her own apartment she was coldly shown into the drawing-room and left to wait while her name was carried up to her aunt. She waited a long time; Mrs. Touchett appeared in no hurry to come to her. She grew impatient at last; she grew nervous and scared--as scared as if the objects about her had begun to show for conscious things, watching her trouble with grotesque grimaces. The day was dark and cold; the dusk was thick in the corners of the wide brown rooms. The house was perfectly still--with a stillness that Isabel remembered; it had filled all the place for days before the death of her uncle. She left the drawing-room and wandered about--strolled into the library and along the gallery of pictures, where, in the deep silence, her footstep made an echo. Nothing was changed; she recognised everything she had seen years before; it might have been only yesterday she had stood there. She envied the security of valuable "pieces" which change by no hair's breadth, only grow in value, while their owners lose inch by inch youth, happiness, beauty; and she became aware that she was walking about as her aunt had done on the day she had come to see her in Albany. She was changed enough since then--that had been the beginning. It suddenly struck her that if her Aunt Lydia had not come that day in just that way and found her alone, everything might have been different. She might have had another life and she might have been a woman more blest. She stopped in the gallery in front of a small picture--a charming and precious Bonington--upon which her eyes rested a long time. But she was not looking at the picture; she was wondering whether if her aunt had not come that day in Albany she would have married Caspar Goodwood. Mrs. Touchett appeared at last, just after Isabel had returned to the big uninhabited drawing-room. She looked a good deal older, but her eye was as bright as ever and her head as erect; her thin lips seemed a repository of latent meanings. She wore a little grey dress of the most undecorated fashion, and Isabel wondered, as she had wondered the first time, if her remarkable kinswoman resembled more a queen-regent or the matron of a gaol. Her lips felt very thin indeed on Isabel's hot cheek. "I've kept you waiting because I've been sitting with Ralph," Mrs. Touchett said. "The nurse had gone to luncheon and I had taken her place. He has a man who's supposed to look after him, but the man's good for nothing; he's always looking out of the window--as if there were anything to see! I didn't wish to move, because Ralph seemed to be sleeping and I was afraid the sound would disturb him. I waited till the nurse came back. I remembered you knew the house." "I find I know it better even than I thought; I've been walking everywhere," Isabel answered. And then she asked if Ralph slept much. "He lies with his eyes closed; he doesn't move. But I'm not sure that it's always sleep." "Will he see me? Can he speak to me?" Mrs. Touchett declined the office of saying. "You can try him," was the limit of her extravagance. And then she offered to conduct Isabel to her room. "I thought they had taken you there; but it's not my house, it's Ralph's; and I don't know what they do. They must at least have taken your luggage; I don't suppose you've brought much. Not that I care, however. I believe they've given you the same room you had before; when Ralph heard you were coming he said you must have that one." "Did he say anything else?" "Ah, my dear, he doesn't chatter as he used!" cried Mrs. Touchett as she preceded her niece up the staircase. It was the same room, and something told Isabel it had not been slept in since she occupied it. Her luggage was there and was not voluminous; Mrs. Touchett sat down a moment with her eyes upon it. "Is there really no hope?" our young woman asked as she stood before her. "None whatever. There never has been. It has not been a successful life." "No--it has only been a beautiful one." Isabel found herself already contradicting her aunt; she was irritated by her dryness. "I don't know what you mean by that; there's no beauty without health. That is a very odd dress to travel in." Isabel glanced at her garment. "I left Rome at an hour's notice; I took the first that came." "Your sisters, in America, wished to know how you dress. That seemed to be their principal interest. I wasn't able to tell them--but they seemed to have the right idea: that you never wear anything less than black brocade." "They think I'm more brilliant than I am; I'm afraid to tell them the truth," said Isabel. "Lily wrote me you had dined with her." "She invited me four times, and I went once. After the second time she should have let me alone. The dinner was very good; it must have been expensive. Her husband has a very bad manner. Did I enjoy my visit to America? Why should I have enjoyed it? I didn't go for my pleasure." These were interesting items, but Mrs. Touchett soon left her niece, whom she was to meet in half an hour at the midday meal. For this repast the two ladies faced each other at an abbreviated table in the melancholy dining-room. Here, after a little, Isabel saw her aunt not to be so dry as she appeared, and her old pity for the poor woman's inexpressiveness, her want of regret, of disappointment, came back to her. Unmistakeably she would have found it a blessing to-day to be able to feel a defeat, a mistake, even a shame or two. She wondered if she were not even missing those enrichments of consciousness and privately trying--reaching out for some aftertaste of life, dregs of the banquet; the testimony of pain or the cold recreation of remorse. On the other hand perhaps she was afraid; if she should begin to know remorse at all it might take her too far. Isabel could perceive, however, how it had come over her dimly that she had failed of something, that she saw herself in the future as an old woman without memories. Her little sharp face looked tragical. She told her niece that Ralph had as yet not moved, but that he probably would be able to see her before dinner. And then in a moment she added that he had seen Lord Warburton the day before; an announcement which startled Isabel a little, as it seemed an intimation that this personage was in the neighbourhood and that an accident might bring them together. Such an accident would not be happy; she had not come to England to struggle again with Lord Warburton. She none the less presently said to her aunt that he had been very kind to Ralph; she had seen something of that in Rome. "He has something else to think of now," Mrs. Touchett returned. And she paused with a gaze like a gimlet. Isabel saw she meant something, and instantly guessed what she meant. But her reply concealed her guess; her heart beat faster and she wished to gain a moment. "Ah yes--the House of Lords and all that." "He's not thinking of the Lords; he's thinking of the ladies. At least he's thinking of one of them; he told Ralph he's engaged to be married." "Ah, to be married!" Isabel mildly exclaimed. "Unless he breaks it off. He seemed to think Ralph would like to know. Poor Ralph can't go to the wedding, though I believe it's to take place very soon. "And who's the young lady?" "A member of the aristocracy; Lady Flora, Lady Felicia--something of that sort." "I'm very glad," Isabel said. "It must be a sudden decision." "Sudden enough, I believe; a courtship of three weeks. It has only just been made public." "I'm very glad," Isabel repeated with a larger emphasis. She knew her aunt was watching her--looking for the signs of some imputed soreness, and the desire to prevent her companion from seeing anything of this kind enabled her to speak in the tone of quick satisfaction, the tone almost of relief. Mrs. Touchett of course followed the tradition that ladies, even married ones, regard the marriage of their old lovers as an offence to themselves. Isabel's first care therefore was to show that however that might be in general she was not offended now. But meanwhile, as I say, her heart beat faster; and if she sat for some moments thoughtful--she presently forgot Mrs. Touchett's observation--it was not because she had lost an admirer. Her imagination had traversed half Europe; it halted, panting, and even trembling a little, in the city of Rome. She figured herself announcing to her husband that Lord Warburton was to lead a bride to the altar, and she was of course not aware how extremely wan she must have looked while she made this intellectual effort. But at last she collected herself and said to her aunt: "He was sure to do it some time or other." Mrs. Touchett was silent; then she gave a sharp little shake of the head. "Ah, my dear, you're beyond me!" she cried suddenly. They went on with their luncheon in silence; Isabel felt as if she had heard of Lord Warburton's death. She had known him only as a suitor, and now that was all over. He was dead for poor Pansy; by Pansy he might have lived. A servant had been hovering about; at last Mrs. Touchett requested him to leave them alone. She had finished her meal; she sat with her hands folded on the edge of the table. "I should like to ask you three questions," she observed when the servant had gone. "Three are a great many." "I can't do with less; I've been thinking. They're all very good ones." "That's what I'm afraid of. The best questions are the worst," Isabel answered. Mrs. Touchett had pushed back her chair, and as her niece left the table and walked, rather consciously, to one of the deep windows, she felt herself followed by her eyes. "Have you ever been sorry you didn't marry Lord Warburton?" Mrs. Touchett enquired. Isabel shook her head slowly, but not heavily. "No, dear aunt." "Good. I ought to tell you that I propose to believe what you say." "Your believing me's an immense temptation," she declared, smiling still. "A temptation to lie? I don't recommend you to do that, for when I'm misinformed I'm as dangerous as a poisoned rat. I don't mean to crow over you." "It's my husband who doesn't get on with me," said Isabel. "I could have told him he wouldn't. I don't call that crowing over YOU," Mrs. Touchett added. "Do you still like Serena Merle?" she went on. "Not as I once did. But it doesn't matter, for she's going to America." "To America? She must have done something very bad." "Yes--very bad." "May I ask what it is?" "She made a convenience of me." "Ah," cried Mrs. Touchett, "so she did of me! She does of every one." "She'll make a convenience of America," said Isabel, smiling again and glad that her aunt's questions were over. It was not till the evening that she was able to see Ralph. He had been dozing all day; at least he had been lying unconscious. The doctor was there, but after a while went away--the local doctor, who had attended his father and whom Ralph liked. He came three or four times a day; he was deeply interested in his patient. Ralph had had Sir Matthew Hope, but he had got tired of this celebrated man, to whom he had asked his mother to send word he was now dead and was therefore without further need of medical advice. Mrs. Touchett had simply written to Sir Matthew that her son disliked him. On the day of Isabel's arrival Ralph gave no sign, as I have related, for many hours; but toward evening he raised himself and said he knew that she had come. How he knew was not apparent, inasmuch as for fear of exciting him no one had offered the information. Isabel came in and sat by his bed in the dim light; there was only a shaded candle in a corner of the room. She told the nurse she might go--she herself would sit with him for the rest of the evening. He had opened his eyes and recognised her, and had moved his hand, which lay helpless beside him, so that she might take it. But he was unable to speak; he closed his eyes again and remained perfectly still, only keeping her hand in his own. She sat with him a long time--till the nurse came back; but he gave no further sign. He might have passed away while she looked at him; he was already the figure and pattern of death. She had thought him far gone in Rome, and this was worse; there was but one change possible now. There was a strange tranquillity in his face; it was as still as the lid of a box. With this he was a mere lattice of bones; when he opened his eyes to greet her it was as if she were looking into immeasurable space. It was not till midnight that the nurse came back; but the hours, to Isabel, had not seemed long; it was exactly what she had come for. If she had come simply to wait she found ample occasion, for he lay three days in a kind of grateful silence. He recognised her and at moments seemed to wish to speak; but he found no voice. Then he closed his eyes again, as if he too were waiting for something--for something that certainly would come. He was so absolutely quiet that it seemed to her what was coming had already arrived; and yet she never lost the sense that they were still together. But they were not always together; there were other hours that she passed in wandering through the empty house and listening for a voice that was not poor Ralph's. She had a constant fear; she thought it possible her husband would write to her. But he remained silent, and she only got a letter from Florence and from the Countess Gemini. Ralph, however, spoke at last--on the evening of the third day. "I feel better to-night," he murmured, abruptly, in the soundless dimness of her vigil; "I think I can say something." She sank upon her knees beside his pillow; took his thin hand in her own; begged him not to make an effort--not to tire himself. His face was of necessity serious--it was incapable of the muscular play of a smile; but its owner apparently had not lost a perception of incongruities. "What does it matter if I'm tired when I've all eternity to rest? There's no harm in making an effort when it's the very last of all. Don't people always feel better just before the end? I've often heard of that; it's what I was waiting for. Ever since you've been here I thought it would come. I tried two or three times; I was afraid you'd get tired of sitting there." He spoke slowly, with painful breaks and long pauses; his voice seemed to come from a distance. When he ceased he lay with his face turned to Isabel and his large unwinking eyes open into her own. "It was very good of you to come," he went on. "I thought you would; but I wasn't sure." "I was not sure either till I came," said Isabel. "You've been like an angel beside my bed. You know they talk about the angel of death. It's the most beautiful of all. You've been like that; as if you were waiting for me." "I was not waiting for your death; I was waiting for--for this. This is not death, dear Ralph." "Not for you--no. There's nothing makes us feel so much alive as to see others die. That's the sensation of life--the sense that we remain. I've had it--even I. But now I'm of no use but to give it to others. With me it's all over." And then he paused. Isabel bowed her head further, till it rested on the two hands that were clasped upon his own. She couldn't see him now; but his far-away voice was close to her ear. "Isabel," he went on suddenly, "I wish it were over for you." She answered nothing; she had burst into sobs; she remained so, with her buried face. He lay silent, listening to her sobs; at last he gave a long groan. "Ah, what is it you have done for me?" "What is it you did for me?" she cried, her now extreme agitation half smothered by her attitude. She had lost all her shame, all wish to hide things. Now he must know; she wished him to know, for it brought them supremely together, and he was beyond the reach of pain. "You did something once--you know it. O Ralph, you've been everything! What have I done for you--what can I do to-day? I would die if you could live. But I don't wish you to live; I would die myself, not to lose you." Her voice was as broken as his own and full of tears and anguish. "You won't lose me--you'll keep me. Keep me in your heart; I shall be nearer to you than I've ever been. Dear Isabel, life is better; for in life there's love. Death is good--but there's no love." "I never thanked you--I never spoke--I never was what I should be!" Isabel went on. She felt a passionate need to cry out and accuse herself, to let her sorrow possess her. All her troubles, for the moment, became single and melted together into this present pain. "What must you have thought of me? Yet how could I know? I never knew, and I only know to-day because there are people less stupid than I." "Don't mind people," said Ralph. "I think I'm glad to leave people." She raised her head and her clasped hands; she seemed for a moment to pray to him. "Is it true--is it true?" she asked. "True that you've been stupid? Oh no," said Ralph with a sensible intention of wit. "That you made me rich--that all I have is yours?" He turned away his head, and for some time said nothing. Then at last: "Ah, don't speak of that--that was not happy." Slowly he moved his face toward her again, and they once more saw each other. "But for that--but for that--!" And he paused. "I believe I ruined you," he wailed. She was full of the sense that he was beyond the reach of pain; he seemed already so little of this world. But even if she had not had it she would still have spoken, for nothing mattered now but the only knowledge that was not pure anguish--the knowledge that they were looking at the truth together. "He married me for the money," she said. She wished to say everything; she was afraid he might die before she had done so. He gazed at her a little, and for the first time his fixed eyes lowered their lids. But he raised them in a moment, and then, "He was greatly in love with you," he answered. "Yes, he was in love with me. But he wouldn't have married me if I had been poor. I don't hurt you in saying that. How can I? I only want you to understand. I always tried to keep you from understanding; but that's all over." "I always understood," said Ralph. "I thought you did, and I didn't like it. But now I like it." "You don't hurt me--you make me very happy." And as Ralph said this there was an extraordinary gladness in his voice. She bent her head again, and pressed her lips to the back of his hand. "I always understood," he continued, "though it was so strange--so pitiful. You wanted to look at life for yourself--but you were not allowed; you were punished for your wish. You were ground in the very mill of the conventional!" "Oh yes, I've been punished," Isabel sobbed. He listened to her a little, and then continued: "Was he very bad about your coming?" "He made it very hard for me. But I don't care." "It is all over then between you?" "Oh no; I don't think anything's over." "Are you going back to him?" Ralph gasped. "I don't know--I can't tell. I shall stay here as long as I may. I don't want to think--I needn't think. I don't care for anything but you, and that's enough for the present. It will last a little yet. Here on my knees, with you dying in my arms, I'm happier than I have been for a long time. And I want you to be happy--not to think of anything sad; only to feel that I'm near you and I love you. Why should there be pain--? In such hours as this what have we to do with pain? That's not the deepest thing; there's something deeper." Ralph evidently found from moment to moment greater difficulty in speaking; he had to wait longer to collect himself. At first he appeared to make no response to these last words; he let a long time elapse. Then he murmured simply: "You must stay here." "I should like to stay--as long as seems right." "As seems right--as seems right?" He repeated her words. "Yes, you think a great deal about that." "Of course one must. You're very tired," said Isabel. "I'm very tired. You said just now that pain's not the deepest thing. No--no. But it's very deep. If I could stay--" "For me you'll always be here," she softly interrupted. It was easy to interrupt him. But he went on, after a moment: "It passes, after all; it's passing now. But love remains. I don't know why we should suffer so much. Perhaps I shall find out. There are many things in life. You're very young." "I feel very old," said Isabel. "You'll grow young again. That's how I see you. I don't believe--I don't believe--" But he stopped again; his strength failed him. She begged him to be quiet now. "We needn't speak to understand each other," she said. "I don't believe that such a generous mistake as yours can hurt you for more than a little." "Oh Ralph, I'm very happy now," she cried through her tears. "And remember this," he continued, "that if you've been hated you've also been loved. Ah but, Isabel--ADORED!" he just audibly and lingeringly breathed. "Oh my brother!" she cried with a movement of still deeper prostration.

Chapter 54

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-52-55

Isabel's arrival in Gardencourt is as quiet as her first time there. She wonders to herself what would have happened to her if she had never met her aunt - would she have married Caspar Goodwood. Mrs. Touchett comes to greet Isabel and inform her of Ralph's condition. He is not doing well, and Mrs. Touchett states that he has not had a successful life. Isabel says that he has had a beautiful one. Mrs. Touchett asks Isabel three questions: has she ever regretted her refusal of Lord Warburton. Isabel says she has not. Are she and Madame Merle still friends. Isabel says she is not. What did Madame Merle do to her. Isabel replies that she made a convenience of her. Isabel waits by Ralph's bedside for three days before he is finally well enough to speak. When he finally sits up, he believes he is near his end. He says he was not sure she would come. He then asks what she has done for him, implying that she has acted in opposition to her husband in coming to see him. She responds by asking him the same thing: what is it that he did for her. Did he really make her a rich woman. He tells her that he thinks he ruined her. Isabel admits that Osmond married her for her money. Ralph tells Isabel that she wanted to look at life, but ended up ground into the mill of the conventional. Yet he still has hope that she will be young again

The scene between Madame Merle and Isabel in Chapter 52 is a very important one for understanding James' project. In the preface, he has declared that Isabel is made extraordinary by her perceptiveness. Yet, we have learned that she often does not see what is right in front of her, being willfully ignorant, and she often sees more than what is right in front of her, allowing her imagination to work on the material right in front of her. In this scene however, Isabel finally is victorious in understanding the situation and allowing herself to be seen as an all-knowing and seeing entity. Merle sees that Isabel knows what she is - she knows her true nature. However, Merle cannot resist taking her down a notch, proving to her that her vision is not so extraordinary after all, by telling her about Ralph's gift to her. It is as if Isabel is a "clear glass" that allows Merle to see herself as a monstrosity for the first time. The end of the novel seems haunted by the past. The so-called "ghost" of Ralph Touchett appears. Recall that Isabel had earlier thought that the house of Gardencourt might be haunted, and Ralph had joked that she might live to see the ghost. However, while Isabel had expected the ghost of European history to make its appearance in the house -- for she had associated European convention with haunted houses and Romances - now, this ghost has come to stand for the American experience in Europe. We might read this in terms of an understanding of Americans making their mark on the history of Europe, in line with the Old World vs. New World theme. Goodwood's forced kiss at the end of the novel and his speech to Isabel suggests that he thinks it is perfectly acceptable to begin an extramarital affair with her. Isabel however, fights against this possibility. Her running away from him suggests that she is willing to accept the consequences of her marriage to Osmond once and for all, and upholds the honor of her actions of marrying Osmond. She wants to uphold a conventional notion of duty. This is representative of Isabel's final moral action. We can also read the ending though as Isabel's weakness rather than her strength. Every time she has a scene with Caspar Goodwood, she has a very physical reaction to him. It is as if she is attracted to him physically but cannot accept this about herself. Goodwood thus seems to represent her unconscious desires from which she runs away.

gradesaver

all_chapterized_books/2833-chapters/55.txt

finished_summaries/gradesaver/The Portrait of a Lady/section_18_part_4.txt

The Portrait of a Lady.chapter 55

chapter 55

{"name": "Chapter 55", "url": "https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-52-55", "summary": "Isabel awakens one morning with the feeling that there is a ghost in her bedroom. She remembers Ralph saying that if she had suffered enough she might see the ghost of Gardencourt. She sees the figure - it appears to be Ralph. She goes to Ralph's bedroom to find Mrs. Touchett over his bed, and Ralph lying as still as his father had lain there six years earlier. Ralph has passed away. Death had not come violently, as Ralph had seen it a long time coming. At the funeral, Isabel is very conscious of Caspar Goodwood's presence. She wonders why he is still in England, and she senses a complex intention on his part. Isabel stays awhile longer at Gardencourt, thinking of Rome with a spiritual shudder. She recognizes though that she must return to Rome, because she has an obligation there. She knew she must make her decision. Mrs. Touchett informs Isabel that Ralph has left her nothing, noting her opinion that Mr. Touchett had already been enormously generous with Isabel. Gardencourt is to be sold and divided, and Mrs. Touchett mentions that Ralph has left Henrietta Stackpole his library. She finds this ludicrous. One afternoon, Isabel is in the library when she notices Lord Warburton has arrived at Gardencourt. She assumes he wants to pay his respects to Mrs. Touchett rather than to see herself. To prove this theory, she leaves the house, wandering outside into the garden. Mrs. Touchett and Lord Warburton though come to find her. Mrs. Touchett claims that Lord Warburton had no idea of Isabel's presence at Gardencourt. Warburton insists that Isabel come visit him at Lockleigh. He abstains from mentioning his fiancee. When Lord Warburton leaves, Isabel wanders over to a bench in the garden. She remembers it as the place where she read Caspar Goodwood's letter six years earlier, and as the place where Lord Warburton surprised her with his marriage proposal. She feels it is a historical bench. She sits there for a while, looking like a \"victim of idleness\", without purpose. Suddenly, Caspar Goodwood approaches her, much as Lord Warburton had approached her many years earlier. She rises immediately, but Caspar grabs her wrist and makes her sink back down onto the bench with him. She closes her eyes, so as to avoid looking at him in the face. In an instant, he disengages her wrist. She has a feeling of danger in his presence; she notes his resolution. Caspar tells her that he can help her, that Ralph told him everything about her unhappy state and how much it would cost her if she came to Gardencourt against her husband's will. Isabel responds that it is none of Caspar's business. Goodwood responds that he would normally have been offended to hear another man speak of Isabel as Ralph did, but that Ralph was dying. He had promised Ralph that he would look after Isabel. He asks why she should bother going back to Rome, back to that \"ghastly form\" of life. She responds that she does it so as to get away from Caspar Goodwood himself. But, the narrator says, this response does not express everything she feels. She also feels that she has never really been loved, and this knowledge sweeps her off of her feet. Goodwood tells her that he is hers forever, and encourages her to save what she can of her own life. He points out that she has no children, and that she ought not to care what others think. We can do absolutely as we please; to whom under the sun do we owe anything. Goodwood insists. He believes the world is very large. Isabel retorts that the world is very small, although she actually feels that it is quite large. She asks him to do her the kindness of going away. He kisses her suddenly. His kiss was like white lightning, a flash that spread, and spread again, and stayed; and it was extraordinarily as if, while she took it, she felt each thing in his hard manhood that had least pleased her. the narrator tells us. She then feels the darkness return and she is free. She runs off. She feels she now knows the straight path to take. Two days later, Caspar Goodwood goes to Henrietta Stackpole's place in London. He has heard Isabel is there. Henrietta tells him that Isabel has gone on to Rome", "analysis": "The scene between Madame Merle and Isabel in Chapter 52 is a very important one for understanding James' project. In the preface, he has declared that Isabel is made extraordinary by her perceptiveness. Yet, we have learned that she often does not see what is right in front of her, being willfully ignorant, and she often sees more than what is right in front of her, allowing her imagination to work on the material right in front of her. In this scene however, Isabel finally is victorious in understanding the situation and allowing herself to be seen as an all-knowing and seeing entity. Merle sees that Isabel knows what she is - she knows her true nature. However, Merle cannot resist taking her down a notch, proving to her that her vision is not so extraordinary after all, by telling her about Ralph's gift to her. It is as if Isabel is a \"clear glass\" that allows Merle to see herself as a monstrosity for the first time. The end of the novel seems haunted by the past. The so-called \"ghost\" of Ralph Touchett appears. Recall that Isabel had earlier thought that the house of Gardencourt might be haunted, and Ralph had joked that she might live to see the ghost. However, while Isabel had expected the ghost of European history to make its appearance in the house -- for she had associated European convention with haunted houses and Romances - now, this ghost has come to stand for the American experience in Europe. We might read this in terms of an understanding of Americans making their mark on the history of Europe, in line with the Old World vs. New World theme. Goodwood's forced kiss at the end of the novel and his speech to Isabel suggests that he thinks it is perfectly acceptable to begin an extramarital affair with her. Isabel however, fights against this possibility. Her running away from him suggests that she is willing to accept the consequences of her marriage to Osmond once and for all, and upholds the honor of her actions of marrying Osmond. She wants to uphold a conventional notion of duty. This is representative of Isabel's final moral action. We can also read the ending though as Isabel's weakness rather than her strength. Every time she has a scene with Caspar Goodwood, she has a very physical reaction to him. It is as if she is attracted to him physically but cannot accept this about herself. Goodwood thus seems to represent her unconscious desires from which she runs away."}

He had told her, the first evening she ever spent at Gardencourt, that if she should live to suffer enough she might some day see the ghost with which the old house was duly provided. She apparently had fulfilled the necessary condition; for the next morning, in the cold, faint dawn, she knew that a spirit was standing by her bed. She had lain down without undressing, it being her belief that Ralph would not outlast the night. She had no inclination to sleep; she was waiting, and such waiting was wakeful. But she closed her eyes; she believed that as the night wore on she should hear a knock at her door. She heard no knock, but at the time the darkness began vaguely to grow grey she started up from her pillow as abruptly as if she had received a summons. It seemed to her for an instant that he was standing there--a vague, hovering figure in the vagueness of the room. She stared a moment; she saw his white face--his kind eyes; then she saw there was nothing. She was not afraid; she was only sure. She quitted the place and in her certainty passed through dark corridors and down a flight of oaken steps that shone in the vague light of a hall-window. Outside Ralph's door she stopped a moment, listening, but she seemed to hear only the hush that filled it. She opened the door with a hand as gentle as if she were lifting a veil from the face of the dead, and saw Mrs. Touchett sitting motionless and upright beside the couch of her son, with one of his hands in her own. The doctor was on the other side, with poor Ralph's further wrist resting in his professional fingers. The two nurses were at the foot between them. Mrs. Touchett took no notice of Isabel, but the doctor looked at her very hard; then he gently placed Ralph's hand in a proper position, close beside him. The nurse looked at her very hard too, and no one said a word; but Isabel only looked at what she had come to see. It was fairer than Ralph had ever been in life, and there was a strange resemblance to the face of his father, which, six years before, she had seen lying on the same pillow. She went to her aunt and put her arm around her; and Mrs. Touchett, who as a general thing neither invited nor enjoyed caresses, submitted for a moment to this one, rising, as might be, to take it. But she was stiff and dry-eyed; her acute white face was terrible. "Dear Aunt Lydia," Isabel murmured. "Go and thank God you've no child," said Mrs. Touchett, disengaging herself. Three days after this a considerable number of people found time, at the height of the London "season," to take a morning train down to a quiet station in Berkshire and spend half an hour in a small grey church which stood within an easy walk. It was in the green burial-place of this edifice that Mrs. Touchett consigned her son to earth. She stood herself at the edge of the grave, and Isabel stood beside her; the sexton himself had not a more practical interest in the scene than Mrs. Touchett. It was a solemn occasion, but neither a harsh nor a heavy one; there was a certain geniality in the appearance of things. The weather had changed to fair; the day, one of the last of the treacherous May-time, was warm and windless, and the air had the brightness of the hawthorn and the blackbird. If it was sad to think of poor Touchett, it was not too sad, since death, for him, had had no violence. He had been dying so long; he was so ready; everything had been so expected and prepared. There were tears in Isabel's eyes, but they were not tears that blinded. She looked through them at the beauty of the day, the splendour of nature, the sweetness of the old English churchyard, the bowed heads of good friends. Lord Warburton was there, and a group of gentlemen all unknown to her, several of whom, as she afterwards learned, were connected with the bank; and there were others whom she knew. Miss Stackpole was among the first, with honest Mr. Bantling beside her; and Caspar Goodwood, lifting his head higher than the rest--bowing it rather less. During much of the time Isabel was conscious of Mr. Goodwood's gaze; he looked at her somewhat harder than he usually looked in public, while the others had fixed their eyes upon the churchyard turf. But she never let him see that she saw him; she thought of him only to wonder that he was still in England. She found she had taken for granted that after accompanying Ralph to Gardencourt he had gone away; she remembered how little it was a country that pleased him. He was there, however, very distinctly there; and something in his attitude seemed to say that he was there with a complex intention. She wouldn't meet his eyes, though there was doubtless sympathy in them; he made her rather uneasy. With the dispersal of the little group he disappeared, and the only person who came to speak to her--though several spoke to Mrs. Touchett--was Henrietta Stackpole. Henrietta had been crying. Ralph had said to Isabel that he hoped she would remain at Gardencourt, and she made no immediate motion to leave the place. She said to herself that it was but common charity to stay a little with her aunt. It was fortunate she had so good a formula; otherwise she might have been greatly in want of one. Her errand was over; she had done what she had left her husband to do. She had a husband in a foreign city, counting the hours of her absence; in such a case one needed an excellent motive. He was not one of the best husbands, but that didn't alter the case. Certain obligations were involved in the very fact of marriage, and were quite independent of the quantity of enjoyment extracted from it. Isabel thought of her husband as little as might be; but now that she was at a distance, beyond its spell, she thought with a kind of spiritual shudder of Rome. There was a penetrating chill in the image, and she drew back into the deepest shade of Gardencourt. She lived from day to day, postponing, closing her eyes, trying not to think. She knew she must decide, but she decided nothing; her coming itself had not been a decision. On that occasion she had simply started. Osmond gave no sound and now evidently would give none; he would leave it all to her. From Pansy she heard nothing, but that was very simple: her father had told her not to write. Mrs. Touchett accepted Isabel's company, but offered her no assistance; she appeared to be absorbed in considering, without enthusiasm but with perfect lucidity, the new conveniences of her own situation. Mrs. Touchett was not an optimist, but even from painful occurrences she managed to extract a certain utility. This consisted in the reflexion that, after all, such things happened to other people and not to herself. Death was disagreeable, but in this case it was her son's death, not her own; she had never flattered herself that her own would be disagreeable to any one but Mrs. Touchett. She was better off than poor Ralph, who had left all the commodities of life behind him, and indeed all the security; since the worst of dying was, to Mrs. Touchett's mind, that it exposed one to be taken advantage of. For herself she was on the spot; there was nothing so good as that. She made known to Isabel very punctually--it was the evening her son was buried--several of Ralph's testamentary arrangements. He had told her everything, had consulted her about everything. He left her no money; of course she had no need of money. He left her the furniture of Gardencourt, exclusive of the pictures and books and the use of the place for a year; after which it was to be sold. The money produced by the sale was to constitute an endowment for a hospital for poor persons suffering from the malady of which he died; and of this portion of the will Lord Warburton was appointed executor. The rest of his property, which was to be withdrawn from the bank, was disposed of in various bequests, several of them to those cousins in Vermont to whom his father had already been so bountiful. Then there were a number of small legacies. "Some of them are extremely peculiar," said Mrs. Touchett; "he has left considerable sums to persons I never heard of. He gave me a list, and I asked then who some of them were, and he told me they were people who at various times had seemed to like him. Apparently he thought you didn't like him, for he hasn't left you a penny. It was his opinion that you had been handsomely treated by his father, which I'm bound to say I think you were--though I don't mean that I ever heard him complain of it. The pictures are to be dispersed; he has distributed them about, one by one, as little keepsakes. The most valuable of the collection goes to Lord Warburton. And what do you think he has done with his library? It sounds like a practical joke. He has left it to your friend Miss Stackpole--'in recognition of her services to literature.' Does he mean her following him up from Rome? Was that a service to literature? It contains a great many rare and valuable books, and as she can't carry it about the world in her trunk he recommends her to sell it at auction. She will sell it of course at Christie's, and with the proceeds she'll set up a newspaper. Will that be a service to literature?" This question Isabel forbore to answer, as it exceeded the little interrogatory to which she had deemed it necessary to submit on her arrival. Besides, she had never been less interested in literature than to-day, as she found when she occasionally took down from the shelf one of the rare and valuable volumes of which Mrs. Touchett had spoken. She was quite unable to read; her attention had never been so little at her command. One afternoon, in the library, about a week after the ceremony in the churchyard, she was trying to fix it for an hour; but her eyes often wandered from the book in her hand to the open window, which looked down the long avenue. It was in this way that she saw a modest vehicle approach the door and perceived Lord Warburton sitting, in rather an uncomfortable attitude, in a corner of it. He had always had a high standard of courtesy, and it was therefore not remarkable, under the circumstances, that he should have taken the trouble to come down from London to call on Mrs. Touchett. It was of course Mrs. Touchett he had come to see, and not Mrs. Osmond; and to prove to herself the validity of this thesis Isabel presently stepped out of the house and wandered away into the park. Since her arrival at Gardencourt she had been but little out of doors, the weather being unfavourable for visiting the grounds. This evening, however, was fine, and at first it struck her as a happy thought to have come out. The theory I have just mentioned was plausible enough, but it brought her little rest, and if you had seen her pacing about you would have said she had a bad conscience. She was not pacified when at the end of a quarter of an hour, finding herself in view of the house, she saw Mrs. Touchett emerge from the portico accompanied by her visitor. Her aunt had evidently proposed to Lord Warburton that they should come in search of her. She was in no humour for visitors and, if she had had a chance, would have drawn back behind one of the great trees. But she saw she had been seen and that nothing was left her but to advance. As the lawn at Gardencourt was a vast expanse this took some time; during which she observed that, as he walked beside his hostess, Lord Warburton kept his hands rather stiffly behind him and his eyes upon the ground. Both persons apparently were silent; but Mrs. Touchett's thin little glance, as she directed it toward Isabel, had even at a distance an expression. It seemed to say with cutting sharpness: "Here's the eminently amenable nobleman you might have married!" When Lord Warburton lifted his own eyes, however, that was not what they said. They only said "This is rather awkward, you know, and I depend upon you to help me." He was very grave, very proper and, for the first time since Isabel had known him, greeted her without a smile. Even in his days of distress he had always begun with a smile. He looked extremely selfconscious. "Lord Warburton has been so good as to come out to see me," said Mrs. Touchett. "He tells me he didn't know you were still here. I know he's an old friend of yours, and as I was told you were not in the house I brought him out to see for himself." "Oh, I saw there was a good train at 6.40, that would get me back in time for dinner," Mrs. Touchett's companion rather irrelevantly explained. "I'm so glad to find you've not gone." "I'm not here for long, you know," Isabel said with a certain eagerness. "I suppose not; but I hope it's for some weeks. You came to England sooner than--a--than you thought?" "Yes, I came very suddenly." Mrs. Touchett turned away as if she were looking at the condition of the grounds, which indeed was not what it should be, while Lord Warburton hesitated a little. Isabel fancied he had been on the point of asking about her husband--rather confusedly--and then had checked himself. He continued immitigably grave, either because he thought it becoming in a place over which death had just passed, or for more personal reasons. If he was conscious of personal reasons it was very fortunate that he had the cover of the former motive; he could make the most of that. Isabel thought of all this. It was not that his face was sad, for that was another matter; but it was strangely inexpressive. "My sisters would have been so glad to come if they had known you were still here--if they had thought you would see them," Lord Warburton went on. "Do kindly let them see you before you leave England." "It would give me great pleasure; I have such a friendly recollection of them." "I don't know whether you would come to Lockleigh for a day or two? You know there's always that old promise." And his lordship coloured a little as he made this suggestion, which gave his face a somewhat more familiar air. "Perhaps I'm not right in saying that just now; of course you're not thinking of visiting. But I meant what would hardly be a visit. My sisters are to be at Lockleigh at Whitsuntide for five days; and if you could come then--as you say you're not to be very long in England--I would see that there should be literally no one else." Isabel wondered if not even the young lady he was to marry would be there with her mamma; but she did not express this idea. "Thank you extremely," she contented herself with saying; "I'm afraid I hardly know about Whitsuntide." "But I have your promise--haven't I?--for some other time." There was an interrogation in this; but Isabel let it pass. She looked at her interlocutor a moment, and the result of her observation was that--as had happened before--she felt sorry for him. "Take care you don't miss your train," she said. And then she added: "I wish you every happiness." He blushed again, more than before, and he looked at his watch. "Ah yes, 6.40; I haven't much time, but I've a fly at the door. Thank you very much." It was not apparent whether the thanks applied to her having reminded him of his train or to the more sentimental remark. "Good-bye, Mrs. Osmond; good-bye." He shook hands with her, without meeting her eyes, and then he turned to Mrs. Touchett, who had wandered back to them. With her his parting was equally brief; and in a moment the two ladies saw him move with long steps across the lawn. "Are you very sure he's to be married?" Isabel asked of her aunt. "I can't be surer than he; but he seems sure. I congratulated him, and he accepted it." "Ah," said Isabel, "I give it up!"--while her aunt returned to the house and to those avocations which the visitor had interrupted. She gave it up, but she still thought of it--thought of it while she strolled again under the great oaks whose shadows were long upon the acres of turf. At the end of a few minutes she found herself near a rustic bench, which, a moment after she had looked at it, struck her as an object recognised. It was not simply that she had seen it before, nor even that she had sat upon it; it was that on this spot something important had happened to her--that the place had an air of association. Then she remembered that she had been sitting there, six years before, when a servant brought her from the house the letter in which Caspar Goodwood informed her that he had followed her to Europe; and that when she had read the letter she looked up to hear Lord Warburton announcing that he should like to marry her. It was indeed an historical, an interesting, bench; she stood and looked at it as if it might have something to say to her. She wouldn't sit down on it now--she felt rather afraid of it. She only stood before it, and while she stood the past came back to her in one of those rushing waves of emotion by which persons of sensibility are visited at odd hours. The effect of this agitation was a sudden sense of being very tired, under the influence of which she overcame her scruples and sank into the rustic seat. I have said that she was restless and unable to occupy herself; and whether or no, if you had seen her there, you would have admired the justice of the former epithet, you would at least have allowed that at this moment she was the image of a victim of idleness. Her attitude had a singular absence of purpose; her hands, hanging at her sides, lost themselves in the folds of her black dress; her eyes gazed vaguely before her. There was nothing to recall her to the house; the two ladies, in their seclusion, dined early and had tea at an indefinite hour. How long she had sat in this position she could not have told you; but the twilight had grown thick when she became aware that she was not alone. She quickly straightened herself, glancing about, and then saw what had become of her solitude. She was sharing it with Caspar Goodwood, who stood looking at her, a few yards off, and whose footfall on the unresonant turf, as he came near, she had not heard. It occurred to her in the midst of this that it was just so Lord Warburton had surprised her of old. She instantly rose, and as soon as Goodwood saw he was seen he started forward. She had had time only to rise when, with a motion that looked like violence, but felt like--she knew not what, he grasped her by the wrist and made her sink again into the seat. She closed her eyes; he had not hurt her; it was only a touch, which she had obeyed. But there was something in his face that she wished not to see. That was the way he had looked at her the other day in the churchyard; only at present it was worse. He said nothing at first; she only felt him close to her--beside her on the bench and pressingly turned to her. It almost seemed to her that no one had ever been so close to her as that. All this, however, took but an instant, at the end of which she had disengaged her wrist, turning her eyes upon her visitant. "You've frightened me," she said. "I didn't mean to," he answered, "but if I did a little, no matter. I came from London a while ago by the train, but I couldn't come here directly. There was a man at the station who got ahead of me. He took a fly that was there, and I heard him give the order to drive here. I don't know who he was, but I didn't want to come with him; I wanted to see you alone. So I've been waiting and walking about. I've walked all over, and I was just coming to the house when I saw you here. There was a keeper, or someone, who met me; but that was all right, because I had made his acquaintance when I came here with your cousin. Is that gentleman gone? Are you really alone? I want to speak to you." Goodwood spoke very fast; he was as excited as when they had parted in Rome. Isabel had hoped that condition would subside; and she shrank into herself as she perceived that, on the contrary, he had only let out sail. She had a new sensation; he had never produced it before; it was a feeling of danger. There was indeed something really formidable in his resolution. She gazed straight before her; he, with a hand on each knee, leaned forward, looking deeply into her face. The twilight seemed to darken round them. "I want to speak to you," he repeated; "I've something particular to say. I don't want to trouble you--as I did the other day in Rome. That was of no use; it only distressed you. I couldn't help it; I knew I was wrong. But I'm not wrong now; please don't think I am," he went on with his hard, deep voice melting a moment into entreaty. "I came here to-day for a purpose. It's very different. It was vain for me to speak to you then; but now I can help you." She couldn't have told you whether it was because she was afraid, or because such a voice in the darkness seemed of necessity a boon; but she listened to him as she had never listened before; his words dropped deep into her soul. They produced a sort of stillness in all her being; and it was with an effort, in a moment, that she answered him. "How can you help me?" she asked in a low tone, as if she were taking what he had said seriously enough to make the enquiry in confidence. "By inducing you to trust me. Now I know--to-day I know. Do you remember what I asked you in Rome? Then I was quite in the dark. But to-day I know on good authority; everything's clear to me to-day. It was a good thing when you made me come away with your cousin. He was a good man, a fine man, one of the best; he told me how the case stands for you. He explained everything; he guessed my sentiments. He was a member of your family and he left you--so long as you should be in England--to my care," said Goodwood as if he were making a great point. "Do you know what he said to me the last time I saw him--as he lay there where he died? He said: 'Do everything you can for her; do everything she'll let you.'" Isabel suddenly got up. "You had no business to talk about me!" "Why not--why not, when we talked in that way?" he demanded, following her fast. "And he was dying--when a man's dying it's different." She checked the movement she had made to leave him; she was listening more than ever; it was true that he was not the same as that last time. That had been aimless, fruitless passion, but at present he had an idea, which she scented in all her being. "But it doesn't matter!" he exclaimed, pressing her still harder, though now without touching a hem of her garment. "If Touchett had never opened his mouth I should have known all the same. I had only to look at you at your cousin's funeral to see what's the matter with you. You can't deceive me any more; for God's sake be honest with a man who's so honest with you. You're the most unhappy of women, and your husband's the deadliest of fiends." She turned on him as if he had struck her. "Are you mad?" she cried. "I've never been so sane; I see the whole thing. Don't think it's necessary to defend him. But I won't say another word against him; I'll speak only of you," Goodwood added quickly. "How can you pretend you're not heart-broken? You don't know what to do--you don't know where to turn. It's too late to play a part; didn't you leave all that behind you in Rome? Touchett knew all about it, and I knew it too--what it would cost you to come here. It will have cost you your life? Say it will"--and he flared almost into anger: "give me one word of truth! When I know such a horror as that, how can I keep myself from wishing to save you? What would you think of me if I should stand still and see you go back to your reward? 'It's awful, what she'll have to pay for it!'--that's what Touchett said to me. I may tell you that, mayn't I? He was such a near relation!" cried Goodwood, making his queer grim point again. "I'd sooner have been shot than let another man say those things to me; but he was different; he seemed to me to have the right. It was after he got home--when he saw he was dying, and when I saw it too. I understand all about it: you're afraid to go back. You're perfectly alone; you don't know where to turn. You can't turn anywhere; you know that perfectly. Now it is therefore that I want you to think of ME." "To think of 'you'?" Isabel said, standing before him in the dusk. The idea of which she had caught a glimpse a few moments before now loomed large. She threw back her head a little; she stared at it as if it had been a comet in the sky. "You don't know where to turn. Turn straight to me. I want to persuade you to trust me," Goodwood repeated. And then he paused with his shining eyes. "Why should you go back--why should you go through that ghastly form?" "To get away from you!" she answered. But this expressed only a little of what she felt. The rest was that she had never been loved before. She had believed it, but this was different; this was the hot wind of the desert, at the approach of which the others dropped dead, like mere sweet airs of the garden. It wrapped her about; it lifted her off her feet, while the very taste of it, as of something potent, acrid and strange, forced open her set teeth. At first, in rejoinder to what she had said, it seemed to her that he would break out into greater violence. But after an instant he was perfectly quiet; he wished to prove he was sane, that he had reasoned it all out. "I want to prevent that, and I think I may, if you'll only for once listen to me. It's too monstrous of you to think of sinking back into that misery, of going to open your mouth to that poisoned air. It's you that are out of your mind. Trust me as if I had the care of you. Why shouldn't we be happy--when it's here before us, when it's so easy? I'm yours for ever--for ever and ever. Here I stand; I'm as firm as a rock. What have you to care about? You've no children; that perhaps would be an obstacle. As it is you've nothing to consider. You must save what you can of your life; you mustn't lose it all simply because you've lost a part. It would be an insult to you to assume that you care for the look of the thing, for what people will say, for the bottomless idiocy of the world. We've nothing to do with all that; we're quite out of it; we look at things as they are. You took the great step in coming away; the next is nothing; it's the natural one. I swear, as I stand here, that a woman deliberately made to suffer is justified in anything in life--in going down into the streets if that will help her! I know how you suffer, and that's why I'm here. We can do absolutely as we please; to whom under the sun do we owe anything? What is it that holds us, what is it that has the smallest right to interfere in such a question as this? Such a question is between ourselves--and to say that is to settle it! Were we born to rot in our misery--were we born to be afraid? I never knew YOU afraid! If you'll only trust me, how little you will be disappointed! The world's all before us--and the world's very big. I know something about that." Isabel gave a long murmur, like a creature in pain; it was as if he were pressing something that hurt her. "The world's very small," she said at random; she had an immense desire to appear to resist. She said it at random, to hear herself say something; but it was not what she meant. The world, in truth, had never seemed so large; it seemed to open out, all round her, to take the form of a mighty sea, where she floated in fathomless waters. She had wanted help, and here was help; it had come in a rushing torrent. I know not whether she believed everything he said; but she believed just then that to let him take her in his arms would be the next best thing to her dying. This belief, for a moment, was a kind of rapture, in which she felt herself sink and sink. In the movement she seemed to beat with her feet, in order to catch herself, to feel something to rest on. "Ah, be mine as I'm yours!" she heard her companion cry. He had suddenly given up argument, and his voice seemed to come, harsh and terrible, through a confusion of vaguer sounds. This however, of course, was but a subjective fact, as the metaphysicians say; the confusion, the noise of waters, all the rest of it, were in her own swimming head. In an instant she became aware of this. "Do me the greatest kindness of all," she panted. "I beseech you to go away!" "Ah, don't say that. Don't kill me!" he cried. She clasped her hands; her eyes were streaming with tears. "As you love me, as you pity me, leave me alone!" He glared at her a moment through the dusk, and the next instant she felt his arms about her and his lips on her own lips. His kiss was like white lightning, a flash that spread, and spread again, and stayed; and it was extraordinarily as if, while she took it, she felt each thing in his hard manhood that had least pleased her, each aggressive fact of his face, his figure, his presence, justified of its intense identity and made one with this act of possession. So had she heard of those wrecked and under water following a train of images before they sink. But when darkness returned she was free. She never looked about her; she only darted from the spot. There were lights in the windows of the house; they shone far across the lawn. In an extraordinarily short time--for the distance was considerable--she had moved through the darkness (for she saw nothing) and reached the door. Here only she paused. She looked all about her; she listened a little; then she put her hand on the latch. She had not known where to turn; but she knew now. There was a very straight path. Two days afterwards Caspar Goodwood knocked at the door of the house in Wimpole Street in which Henrietta Stackpole occupied furnished lodgings. He had hardly removed his hand from the knocker when the door was opened and Miss Stackpole herself stood before him. She had on her hat and jacket; she was on the point of going out. "Oh, good-morning," he said, "I was in hopes I should find Mrs. Osmond." Henrietta kept him waiting a moment for her reply; but there was a good deal of expression about Miss Stackpole even when she was silent. "Pray what led you to suppose she was here?" "I went down to Gardencourt this morning, and the servant told me she had come to London. He believed she was to come to you." Again Miss Stackpole held him--with an intention of perfect kindness--in suspense. "She came here yesterday, and spent the night. But this morning she started for Rome." Caspar Goodwood was not looking at her; his eyes were fastened on the doorstep. "Oh, she started--?" he stammered. And without finishing his phrase or looking up he stiffly averted himself. But he couldn't otherwise move. Henrietta had come out, closing the door behind her, and now she put out her hand and grasped his arm. "Look here, Mr. Goodwood," she said; "just you wait!" On which he looked up at her--but only to guess, from her face, with a revulsion, that she simply meant he was young. She stood shining at him with that cheap comfort, and it added, on the spot, thirty years to his life. She walked him away with her, however, as if she had given him now the key to patience.

Chapter 55

https://web.archive.org/web/20180325075811/http://www.gradesaver.com/the-portrait-of-a-lady/study-guide/summary-chapters-52-55

Isabel awakens one morning with the feeling that there is a ghost in her bedroom. She remembers Ralph saying that if she had suffered enough she might see the ghost of Gardencourt. She sees the figure - it appears to be Ralph. She goes to Ralph's bedroom to find Mrs. Touchett over his bed, and Ralph lying as still as his father had lain there six years earlier. Ralph has passed away. Death had not come violently, as Ralph had seen it a long time coming. At the funeral, Isabel is very conscious of Caspar Goodwood's presence. She wonders why he is still in England, and she senses a complex intention on his part. Isabel stays awhile longer at Gardencourt, thinking of Rome with a spiritual shudder. She recognizes though that she must return to Rome, because she has an obligation there. She knew she must make her decision. Mrs. Touchett informs Isabel that Ralph has left her nothing, noting her opinion that Mr. Touchett had already been enormously generous with Isabel. Gardencourt is to be sold and divided, and Mrs. Touchett mentions that Ralph has left Henrietta Stackpole his library. She finds this ludicrous. One afternoon, Isabel is in the library when she notices Lord Warburton has arrived at Gardencourt. She assumes he wants to pay his respects to Mrs. Touchett rather than to see herself. To prove this theory, she leaves the house, wandering outside into the garden. Mrs. Touchett and Lord Warburton though come to find her. Mrs. Touchett claims that Lord Warburton had no idea of Isabel's presence at Gardencourt. Warburton insists that Isabel come visit him at Lockleigh. He abstains from mentioning his fiancee. When Lord Warburton leaves, Isabel wanders over to a bench in the garden. She remembers it as the place where she read Caspar Goodwood's letter six years earlier, and as the place where Lord Warburton surprised her with his marriage proposal. She feels it is a historical bench. She sits there for a while, looking like a "victim of idleness", without purpose. Suddenly, Caspar Goodwood approaches her, much as Lord Warburton had approached her many years earlier. She rises immediately, but Caspar grabs her wrist and makes her sink back down onto the bench with him. She closes her eyes, so as to avoid looking at him in the face. In an instant, he disengages her wrist. She has a feeling of danger in his presence; she notes his resolution. Caspar tells her that he can help her, that Ralph told him everything about her unhappy state and how much it would cost her if she came to Gardencourt against her husband's will. Isabel responds that it is none of Caspar's business. Goodwood responds that he would normally have been offended to hear another man speak of Isabel as Ralph did, but that Ralph was dying. He had promised Ralph that he would look after Isabel. He asks why she should bother going back to Rome, back to that "ghastly form" of life. She responds that she does it so as to get away from Caspar Goodwood himself. But, the narrator says, this response does not express everything she feels. She also feels that she has never really been loved, and this knowledge sweeps her off of her feet. Goodwood tells her that he is hers forever, and encourages her to save what she can of her own life. He points out that she has no children, and that she ought not to care what others think. We can do absolutely as we please; to whom under the sun do we owe anything. Goodwood insists. He believes the world is very large. Isabel retorts that the world is very small, although she actually feels that it is quite large. She asks him to do her the kindness of going away. He kisses her suddenly. His kiss was like white lightning, a flash that spread, and spread again, and stayed; and it was extraordinarily as if, while she took it, she felt each thing in his hard manhood that had least pleased her. the narrator tells us. She then feels the darkness return and she is free. She runs off. She feels she now knows the straight path to take. Two days later, Caspar Goodwood goes to Henrietta Stackpole's place in London. He has heard Isabel is there. Henrietta tells him that Isabel has gone on to Rome

The scene between Madame Merle and Isabel in Chapter 52 is a very important one for understanding James' project. In the preface, he has declared that Isabel is made extraordinary by her perceptiveness. Yet, we have learned that she often does not see what is right in front of her, being willfully ignorant, and she often sees more than what is right in front of her, allowing her imagination to work on the material right in front of her. In this scene however, Isabel finally is victorious in understanding the situation and allowing herself to be seen as an all-knowing and seeing entity. Merle sees that Isabel knows what she is - she knows her true nature. However, Merle cannot resist taking her down a notch, proving to her that her vision is not so extraordinary after all, by telling her about Ralph's gift to her. It is as if Isabel is a "clear glass" that allows Merle to see herself as a monstrosity for the first time. The end of the novel seems haunted by the past. The so-called "ghost" of Ralph Touchett appears. Recall that Isabel had earlier thought that the house of Gardencourt might be haunted, and Ralph had joked that she might live to see the ghost. However, while Isabel had expected the ghost of European history to make its appearance in the house -- for she had associated European convention with haunted houses and Romances - now, this ghost has come to stand for the American experience in Europe. We might read this in terms of an understanding of Americans making their mark on the history of Europe, in line with the Old World vs. New World theme. Goodwood's forced kiss at the end of the novel and his speech to Isabel suggests that he thinks it is perfectly acceptable to begin an extramarital affair with her. Isabel however, fights against this possibility. Her running away from him suggests that she is willing to accept the consequences of her marriage to Osmond once and for all, and upholds the honor of her actions of marrying Osmond. She wants to uphold a conventional notion of duty. This is representative of Isabel's final moral action. We can also read the ending though as Isabel's weakness rather than her strength. Every time she has a scene with Caspar Goodwood, she has a very physical reaction to him. It is as if she is attracted to him physically but cannot accept this about herself. Goodwood thus seems to represent her unconscious desires from which she runs away.

shmoop

all_chapterized_books/2833-chapters/01.txt

finished_summaries/shmoop/The Portrait of a Lady/section_0_part_0.txt

The Portrait of a Lady.chapter 1

volume 1, chapter 1

{"name": "Volume 1, Chapter 1", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/volume-1-chapter-1", "summary": "Ralph Touchett, his father, and his friend Lord Warburton lounge on the spacious lawn of Gardencourt, the Touchett family's beautiful English estate, 40 miles from London. It's tea time. We meet the three gentlemen, all of whom are quite pleasant. Mr. Touchett, an American expatriate, still has the look of his countrymen about him. He seems like a kind, wise, and very smart old man. Lord Warburton is apparently the ideal English gentleman, and an aristocrat, to boot. Ralph, though less impressive than his noble friend, has a certain charm of his own. The two gently banter -- this is an old routine between friends. Both Touchetts are rather sickly. Mr. Touchett teases Ralph, saying that his son is his sick nurse. Lord Warburton teasingly says that Ralph is a cynic. Ralph says Lord Warburton is bored with life. Their banter is obviously familiar -- it's a routine they've been through before. Mr. Touchett is a bank owner, but Ralph says he is not very rich, since he gives away so much of his money. Mr. Touchett chides the young men for their lack of focus. He tells Lord Warburton to find an interesting woman and settle down with her. The conversation turns to current affairs. Apparently, Ralph's cousin, a previously unknown young American lady, is coming to visit from the states with his mother, Mrs. Touchett. The Touchetts are originally from America and have lived in England for 30 years. Mrs. Touchett, who seems like something of an odd character, insists on communicating with her menfolk through frugal, sparsely worded telegrams, but the message is never really clear. Ralph describes his mother as a woman who insists on her independence. They predict that the niece will be similar. We gather that Mrs. and Mr. Touchett don't have a particularly great relationship. The three men discuss the benefits of having a lady to love, and Mr. Touchett jokes that Lord Warburton had better not fall in love with his niece.", "analysis": ""}

Under certain circumstances there are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea. There are circumstances in which, whether you partake of the tea or not--some people of course never do,--the situation is in itself delightful. Those that I have in mind in beginning to unfold this simple history offered an admirable setting to an innocent pastime. The implements of the little feast had been disposed upon the lawn of an old English country-house, in what I should call the perfect middle of a splendid summer afternoon. Part of the afternoon had waned, but much of it was left, and what was left was of the finest and rarest quality. Real dusk would not arrive for many hours; but the flood of summer light had begun to ebb, the air had grown mellow, the shadows were long upon the smooth, dense turf. They lengthened slowly, however, and the scene expressed that sense of leisure still to come which is perhaps the chief source of one's enjoyment of such a scene at such an hour. From five o'clock to eight is on certain occasions a little eternity; but on such an occasion as this the interval could be only an eternity of pleasure. The persons concerned in it were taking their pleasure quietly, and they were not of the sex which is supposed to furnish the regular votaries of the ceremony I have mentioned. The shadows on the perfect lawn were straight and angular; they were the shadows of an old man sitting in a deep wicker-chair near the low table on which the tea had been served, and of two younger men strolling to and fro, in desultory talk, in front of him. The old man had his cup in his hand; it was an unusually large cup, of a different pattern from the rest of the set and painted in brilliant colours. He disposed of its contents with much circumspection, holding it for a long time close to his chin, with his face turned to the house. His companions had either finished their tea or were indifferent to their privilege; they smoked cigarettes as they continued to stroll. One of them, from time to time, as he passed, looked with a certain attention at the elder man, who, unconscious of observation, rested his eyes upon the rich red front of his dwelling. The house that rose beyond the lawn was a structure to repay such consideration and was the most characteristic object in the peculiarly English picture I have attempted to sketch. It stood upon a low hill, above the river--the river being the Thames at some forty miles from London. A long gabled front of red brick, with the complexion of which time and the weather had played all sorts of pictorial tricks, only, however, to improve and refine it, presented to the lawn its patches of ivy, its clustered chimneys, its windows smothered in creepers. The house had a name and a history; the old gentleman taking his tea would have been delighted to tell you these things: how it had been built under Edward the Sixth, had offered a night's hospitality to the great Elizabeth (whose august person had extended itself upon a huge, magnificent and terribly angular bed which still formed the principal honour of the sleeping apartments), had been a good deal bruised and defaced in Cromwell's wars, and then, under the Restoration, repaired and much enlarged; and how, finally, after having been remodelled and disfigured in the eighteenth century, it had passed into the careful keeping of a shrewd American banker, who had bought it originally because (owing to circumstances too complicated to set forth) it was offered at a great bargain: bought it with much grumbling at its ugliness, its antiquity, its incommodity, and who now, at the end of twenty years, had become conscious of a real aesthetic passion for it, so that he knew all its points and would tell you just where to stand to see them in combination and just the hour when the shadows of its various protuberances which fell so softly upon the warm, weary brickwork--were of the right measure. Besides this, as I have said, he could have counted off most of the successive owners and occupants, several of whom were known to general fame; doing so, however, with an undemonstrative conviction that the latest phase of its destiny was not the least honourable. The front of the house overlooking that portion of the lawn with which we are concerned was not the entrance-front; this was in quite another quarter. Privacy here reigned supreme, and the wide carpet of turf that covered the level hill-top seemed but the extension of a luxurious interior. The great still oaks and beeches flung down a shade as dense as that of velvet curtains; and the place was furnished, like a room, with cushioned seats, with rich-coloured rugs, with the books and papers that lay upon the grass. The river was at some distance; where the ground began to slope the lawn, properly speaking, ceased. But it was none the less a charming walk down to the water. The old gentleman at the tea-table, who had come from America thirty years before, had brought with him, at the top of his baggage, his American physiognomy; and he had not only brought it with him, but he had kept it in the best order, so that, if necessary, he might have taken it back to his own country with perfect confidence. At present, obviously, nevertheless, he was not likely to displace himself; his journeys were over and he was taking the rest that precedes the great rest. He had a narrow, clean-shaven face, with features evenly distributed and an expression of placid acuteness. It was evidently a face in which the range of representation was not large, so that the air of contented shrewdness was all the more of a merit. It seemed to tell that he had been successful in life, yet it seemed to tell also that his success had not been exclusive and invidious, but had had much of the inoffensiveness of failure. He had certainly had a great experience of men, but there was an almost rustic simplicity in the faint smile that played upon his lean, spacious cheek and lighted up his humorous eye as he at last slowly and carefully deposited his big tea-cup upon the table. He was neatly dressed, in well-brushed black; but a shawl was folded upon his knees, and his feet were encased in thick, embroidered slippers. A beautiful collie dog lay upon the grass near his chair, watching the master's face almost as tenderly as the master took in the still more magisterial physiognomy of the house; and a little bristling, bustling terrier bestowed a desultory attendance upon the other gentlemen. One of these was a remarkably well-made man of five-and-thirty, with a face as English as that of the old gentleman I have just sketched was something else; a noticeably handsome face, fresh-coloured, fair and frank, with firm, straight features, a lively grey eye and the rich adornment of a chestnut beard. This person had a certain fortunate, brilliant exceptional look--the air of a happy temperament fertilised by a high civilisation--which would have made almost any observer envy him at a venture. He was booted and spurred, as if he had dismounted from a long ride; he wore a white hat, which looked too large for him; he held his two hands behind him, and in one of them--a large, white, well-shaped fist--was crumpled a pair of soiled dog-skin gloves. His companion, measuring the length of the lawn beside him, was a person of quite a different pattern, who, although he might have excited grave curiosity, would not, like the other, have provoked you to wish yourself, almost blindly, in his place. Tall, lean, loosely and feebly put together, he had an ugly, sickly, witty, charming face, furnished, but by no means decorated, with a straggling moustache and whisker. He looked clever and ill--a combination by no means felicitous; and he wore a brown velvet jacket. He carried his hands in his pockets, and there was something in the way he did it that showed the habit was inveterate. His gait had a shambling, wandering quality; he was not very firm on his legs. As I have said, whenever he passed the old man in the chair he rested his eyes upon him; and at this moment, with their faces brought into relation, you would easily have seen they were father and son. The father caught his son's eye at last and gave him a mild, responsive smile. "I'm getting on very well," he said. "Have you drunk your tea?" asked the son. "Yes, and enjoyed it." "Shall I give you some more?" The old man considered, placidly. "Well, I guess I'll wait and see." He had, in speaking, the American tone. "Are you cold?" the son enquired. The father slowly rubbed his legs. "Well, I don't know. I can't tell till I feel." "Perhaps some one might feel for you," said the younger man, laughing. "Oh, I hope some one will always feel for me! Don't you feel for me, Lord Warburton?" "Oh yes, immensely," said the gentleman addressed as Lord Warburton, promptly. "I'm bound to say you look wonderfully comfortable." "Well, I suppose I am, in most respects." And the old man looked down at his green shawl and smoothed it over his knees. "The fact is I've been comfortable so many years that I suppose I've got so used to it I don't know it." "Yes, that's the bore of comfort," said Lord Warburton. "We only know when we're uncomfortable." "It strikes me we're rather particular," his companion remarked. "Oh yes, there's no doubt we're particular," Lord Warburton murmured. And then the three men remained silent a while; the two younger ones standing looking down at the other, who presently asked for more tea. "I should think you would be very unhappy with that shawl," Lord Warburton resumed while his companion filled the old man's cup again. "Oh no, he must have the shawl!" cried the gentleman in the velvet coat. "Don't put such ideas as that into his head." "It belongs to my wife," said the old man simply. "Oh, if it's for sentimental reasons--" And Lord Warburton made a gesture of apology. "I suppose I must give it to her when she comes," the old man went on. "You'll please to do nothing of the kind. You'll keep it to cover your poor old legs." "Well, you mustn't abuse my legs," said the old man. "I guess they are as good as yours." "Oh, you're perfectly free to abuse mine," his son replied, giving him his tea. "Well, we're two lame ducks; I don't think there's much difference." "I'm much obliged to you for calling me a duck. How's your tea?" "Well, it's rather hot." "That's intended to be a merit." "Ah, there's a great deal of merit," murmured the old man, kindly. "He's a very good nurse, Lord Warburton." "Isn't he a bit clumsy?" asked his lordship. "Oh no, he's not clumsy--considering that he's an invalid himself. He's a very good nurse--for a sick-nurse. I call him my sick-nurse because he's sick himself." "Oh, come, daddy!" the ugly young man exclaimed. "Well, you are; I wish you weren't. But I suppose you can't help it." "I might try: that's an idea," said the young man. "Were you ever sick, Lord Warburton?" his father asked. Lord Warburton considered a moment. "Yes, sir, once, in the Persian Gulf." "He's making light of you, daddy," said the other young man. "That's a sort of joke." "Well, there seem to be so many sorts now," daddy replied, serenely. "You don't look as if you had been sick, anyway, Lord Warburton." "He's sick of life; he was just telling me so; going on fearfully about it," said Lord Warburton's friend. "Is that true, sir?" asked the old man gravely. "If it is, your son gave me no consolation. He's a wretched fellow to talk to--a regular cynic. He doesn't seem to believe in anything." "That's another sort of joke," said the person accused of cynicism. "It's because his health is so poor," his father explained to Lord Warburton. "It affects his mind and colours his way of looking at things; he seems to feel as if he had never had a chance. But it's almost entirely theoretical, you know; it doesn't seem to affect his spirits. I've hardly ever seen him when he wasn't cheerful--about as he is at present. He often cheers me up." The young man so described looked at Lord Warburton and laughed. "Is it a glowing eulogy or an accusation of levity? Should you like me to carry out my theories, daddy?" "By Jove, we should see some queer things!" cried Lord Warburton. "I hope you haven't taken up that sort of tone," said the old man. "Warburton's tone is worse than mine; he pretends to be bored. I'm not in the least bored; I find life only too interesting." "Ah, too interesting; you shouldn't allow it to be that, you know!" "I'm never bored when I come here," said Lord Warburton. "One gets such uncommonly good talk." "Is that another sort of joke?" asked the old man. "You've no excuse for being bored anywhere. When I was your age I had never heard of such a thing." "You must have developed very late." "No, I developed very quick; that was just the reason. When I was twenty years old I was very highly developed indeed. I was working tooth and nail. You wouldn't be bored if you had something to do; but all you young men are too idle. You think too much of your pleasure. You're too fastidious, and too indolent, and too rich." "Oh, I say," cried Lord Warburton, "you're hardly the person to accuse a fellow-creature of being too rich!" "Do you mean because I'm a banker?" asked the old man. "Because of that, if you like; and because you have--haven't you?--such unlimited means." "He isn't very rich," the other young man mercifully pleaded. "He has given away an immense deal of money." "Well, I suppose it was his own," said Lord Warburton; "and in that case could there be a better proof of wealth? Let not a public benefactor talk of one's being too fond of pleasure." "Daddy's very fond of pleasure--of other people's." The old man shook his head. "I don't pretend to have contributed anything to the amusement of my contemporaries." "My dear father, you're too modest!" "That's a kind of joke, sir," said Lord Warburton. "You young men have too many jokes. When there are no jokes you've nothing left." "Fortunately there are always more jokes," the ugly young man remarked. "I don't believe it--I believe things are getting more serious. You young men will find that out." "The increasing seriousness of things, then that's the great opportunity of jokes." "They'll have to be grim jokes," said the old man. "I'm convinced there will be great changes, and not all for the better." "I quite agree with you, sir," Lord Warburton declared. "I'm very sure there will be great changes, and that all sorts of queer things will happen. That's why I find so much difficulty in applying your advice; you know you told me the other day that I ought to 'take hold' of something. One hesitates to take hold of a thing that may the next moment be knocked sky-high." "You ought to take hold of a pretty woman," said his companion. "He's trying hard to fall in love," he added, by way of explanation, to his father. "The pretty women themselves may be sent flying!" Lord Warburton exclaimed. "No, no, they'll be firm," the old man rejoined; "they'll not be affected by the social and political changes I just referred to." "You mean they won't be abolished? Very well, then, I'll lay hands on one as soon as possible and tie her round my neck as a life-preserver." "The ladies will save us," said the old man; "that is the best of them will--for I make a difference between them. Make up to a good one and marry her, and your life will become much more interesting." A momentary silence marked perhaps on the part of his auditors a sense of the magnanimity of this speech, for it was a secret neither for his son nor for his visitor that his own experiment in matrimony had not been a happy one. As he said, however, he made a difference; and these words may have been intended as a confession of personal error; though of course it was not in place for either of his companions to remark that apparently the lady of his choice had not been one of the best. "If I marry an interesting woman I shall be interested: is that what you say?" Lord Warburton asked. "I'm not at all keen about marrying--your son misrepresented me; but there's no knowing what an interesting woman might do with me." "I should like to see your idea of an interesting woman," said his friend. "My dear fellow, you can't see ideas--especially such highly ethereal ones as mine. If I could only see it myself--that would be a great step in advance." "Well, you may fall in love with whomsoever you please; but you mustn't fall in love with my niece," said the old man. His son broke into a laugh. "He'll think you mean that as a provocation! My dear father, you've lived with the English for thirty years, and you've picked up a good many of the things they say. But you've never learned the things they don't say!" "I say what I please," the old man returned with all his serenity. "I haven't the honour of knowing your niece," Lord Warburton said. "I think it's the first time I've heard of her." "She's a niece of my wife's; Mrs. Touchett brings her to England." Then young Mr. Touchett explained. "My mother, you know, has been spending the winter in America, and we're expecting her back. She writes that she has discovered a niece and that she has invited her to come out with her." "I see,--very kind of her," said Lord Warburton. Is the young lady interesting?" "We hardly know more about her than you; my mother has not gone into details. She chiefly communicates with us by means of telegrams, and her telegrams are rather inscrutable. They say women don't know how to write them, but my mother has thoroughly mastered the art of condensation. 'Tired America, hot weather awful, return England with niece, first steamer decent cabin.' That's the sort of message we get from her--that was the last that came. But there had been another before, which I think contained the first mention of the niece. 'Changed hotel, very bad, impudent clerk, address here. Taken sister's girl, died last year, go to Europe, two sisters, quite independent.' Over that my father and I have scarcely stopped puzzling; it seems to admit of so many interpretations." "There's one thing very clear in it," said the old man; "she has given the hotel-clerk a dressing." "I'm not sure even of that, since he has driven her from the field. We thought at first that the sister mentioned might be the sister of the clerk; but the subsequent mention of a niece seems to prove that the allusion is to one of my aunts. Then there was a question as to whose the two other sisters were; they are probably two of my late aunt's daughters. But who's 'quite independent,' and in what sense is the term used?--that point's not yet settled. Does the expression apply more particularly to the young lady my mother has adopted, or does it characterise her sisters equally?--and is it used in a moral or in a financial sense? Does it mean that they've been left well off, or that they wish to be under no obligations? or does it simply mean that they're fond of their own way?" "Whatever else it means, it's pretty sure to mean that," Mr. Touchett remarked. "You'll see for yourself," said Lord Warburton. "When does Mrs. Touchett arrive?" "We're quite in the dark; as soon as she can find a decent cabin. She may be waiting for it yet; on the other hand she may already have disembarked in England." "In that case she would probably have telegraphed to you." "She never telegraphs when you would expect it--only when you don't," said the old man. "She likes to drop on me suddenly; she thinks she'll find me doing something wrong. She has never done so yet, but she's not discouraged." "It's her share in the family trait, the independence she speaks of." Her son's appreciation of the matter was more favourable. "Whatever the high spirit of those young ladies may be, her own is a match for it. She likes to do everything for herself and has no belief in any one's power to help her. She thinks me of no more use than a postage-stamp without gum, and she would never forgive me if I should presume to go to Liverpool to meet her." "Will you at least let me know when your cousin arrives?" Lord Warburton asked. "Only on the condition I've mentioned--that you don't fall in love with her!" Mr. Touchett replied. "That strikes me as hard, don't you think me good enough?" "I think you too good--because I shouldn't like her to marry you. She hasn't come here to look for a husband, I hope; so many young ladies are doing that, as if there were no good ones at home. Then she's probably engaged; American girls are usually engaged, I believe. Moreover I'm not sure, after all, that you'd be a remarkable husband." "Very likely she's engaged; I've known a good many American girls, and they always were; but I could never see that it made any difference, upon my word! As for my being a good husband," Mr. Touchett's visitor pursued, "I'm not sure of that either. One can but try!" "Try as much as you please, but don't try on my niece," smiled the old man, whose opposition to the idea was broadly humorous. "Ah, well," said Lord Warburton with a humour broader still, "perhaps, after all, she's not worth trying on!"

Volume 1, Chapter 1

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/volume-1-chapter-1

Ralph Touchett, his father, and his friend Lord Warburton lounge on the spacious lawn of Gardencourt, the Touchett family's beautiful English estate, 40 miles from London. It's tea time. We meet the three gentlemen, all of whom are quite pleasant. Mr. Touchett, an American expatriate, still has the look of his countrymen about him. He seems like a kind, wise, and very smart old man. Lord Warburton is apparently the ideal English gentleman, and an aristocrat, to boot. Ralph, though less impressive than his noble friend, has a certain charm of his own. The two gently banter -- this is an old routine between friends. Both Touchetts are rather sickly. Mr. Touchett teases Ralph, saying that his son is his sick nurse. Lord Warburton teasingly says that Ralph is a cynic. Ralph says Lord Warburton is bored with life. Their banter is obviously familiar -- it's a routine they've been through before. Mr. Touchett is a bank owner, but Ralph says he is not very rich, since he gives away so much of his money. Mr. Touchett chides the young men for their lack of focus. He tells Lord Warburton to find an interesting woman and settle down with her. The conversation turns to current affairs. Apparently, Ralph's cousin, a previously unknown young American lady, is coming to visit from the states with his mother, Mrs. Touchett. The Touchetts are originally from America and have lived in England for 30 years. Mrs. Touchett, who seems like something of an odd character, insists on communicating with her menfolk through frugal, sparsely worded telegrams, but the message is never really clear. Ralph describes his mother as a woman who insists on her independence. They predict that the niece will be similar. We gather that Mrs. and Mr. Touchett don't have a particularly great relationship. The three men discuss the benefits of having a lady to love, and Mr. Touchett jokes that Lord Warburton had better not fall in love with his niece.

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all_chapterized_books/2833-chapters/02.txt

finished_summaries/shmoop/The Portrait of a Lady/section_1_part_0.txt

The Portrait of a Lady.chapter 2

chapter 2

{"name": "Chapter 2", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-2", "summary": "Ralph's little dog, Bunchie, runs toward the house, and Ralph sees a beautiful young woman approaching. We assume, as he does, that this is the independent young cousin. Ralph and his cousin, Isabel Archer, get off to a friendly start. Isabel tells Ralph that he is to go to his mother's chambers at a quarter to seven. Mrs. Touchett has locked herself in her room, as is her custom. When Isabel does not take it upon herself to greet Mr. Touchett, Ralph invites her to come and meet him. Though her aunt had led her to believe that her uncle was quite active, recently his health has declined drastically. Isabel meets Mr. Touchett and Lord Warburton. All three gentlemen are quite interested in her, in their different ways. Ralph innocently comments that Mrs. Touchett has \"adopted\" Isabel. She seems offended by this statement and clarifies that her liberty is very important to her. Returning to their pre-Isabel conversation, Lord Warburton declares that she is his idea of an interesting woman.", "analysis": ""}

While this exchange of pleasantries took place between the two Ralph Touchett wandered away a little, with his usual slouching gait, his hands in his pockets and his little rowdyish terrier at his heels. His face was turned toward the house, but his eyes were bent musingly on the lawn; so that he had been an object of observation to a person who had just made her appearance in the ample doorway for some moments before he perceived her. His attention was called to her by the conduct of his dog, who had suddenly darted forward with a little volley of shrill barks, in which the note of welcome, however, was more sensible than that of defiance. The person in question was a young lady, who seemed immediately to interpret the greeting of the small beast. He advanced with great rapidity and stood at her feet, looking up and barking hard; whereupon, without hesitation, she stooped and caught him in her hands, holding him face to face while he continued his quick chatter. His master now had had time to follow and to see that Bunchie's new friend was a tall girl in a black dress, who at first sight looked pretty. She was bareheaded, as if she were staying in the house--a fact which conveyed perplexity to the son of its master, conscious of that immunity from visitors which had for some time been rendered necessary by the latter's ill-health. Meantime the two other gentlemen had also taken note of the new-comer. "Dear me, who's that strange woman?" Mr. Touchett had asked. "Perhaps it's Mrs. Touchett's niece--the independent young lady," Lord Warburton suggested. "I think she must be, from the way she handles the dog." The collie, too, had now allowed his attention to be diverted, and he trotted toward the young lady in the doorway, slowly setting his tail in motion as he went. "But where's my wife then?" murmured the old man. "I suppose the young lady has left her somewhere: that's a part of the independence." The girl spoke to Ralph, smiling, while she still held up the terrier. "Is this your little dog, sir?" "He was mine a moment ago; but you've suddenly acquired a remarkable air of property in him." "Couldn't we share him?" asked the girl. "He's such a perfect little darling." Ralph looked at her a moment; she was unexpectedly pretty. "You may have him altogether," he then replied. The young lady seemed to have a great deal of confidence, both in herself and in others; but this abrupt generosity made her blush. "I ought to tell you that I'm probably your cousin," she brought out, putting down the dog. "And here's another!" she added quickly, as the collie came up. "Probably?" the young man exclaimed, laughing. "I supposed it was quite settled! Have you arrived with my mother?" "Yes, half an hour ago." "And has she deposited you and departed again?" "No, she went straight to her room, and she told me that, if I should see you, I was to say to you that you must come to her there at a quarter to seven." The young man looked at his watch. "Thank you very much; I shall be punctual." And then he looked at his cousin. "You're very welcome here. I'm delighted to see you." She was looking at everything, with an eye that denoted clear perception--at her companion, at the two dogs, at the two gentlemen under the trees, at the beautiful scene that surrounded her. "I've never seen anything so lovely as this place. I've been all over the house; it's too enchanting." "I'm sorry you should have been here so long without our knowing it." "Your mother told me that in England people arrived very quietly; so I thought it was all right. Is one of those gentlemen your father?" "Yes, the elder one--the one sitting down," said Ralph. The girl gave a laugh. "I don't suppose it's the other. Who's the other?" "He's a friend of ours--Lord Warburton." "Oh, I hoped there would be a lord; it's just like a novel!" And then, "Oh you adorable creature!" she suddenly cried, stooping down and picking up the small dog again. She remained standing where they had met, making no offer to advance or to speak to Mr. Touchett, and while she lingered so near the threshold, slim and charming, her interlocutor wondered if she expected the old man to come and pay her his respects. American girls were used to a great deal of deference, and it had been intimated that this one had a high spirit. Indeed Ralph could see that in her face. "Won't you come and make acquaintance with my father?" he nevertheless ventured to ask. "He's old and infirm--he doesn't leave his chair." "Ah, poor man, I'm very sorry!" the girl exclaimed, immediately moving forward. "I got the impression from your mother that he was rather intensely active." Ralph Touchett was silent a moment. "She hasn't seen him for a year." "Well, he has a lovely place to sit. Come along, little hound." "It's a dear old place," said the young man, looking sidewise at his neighbour. "What's his name?" she asked, her attention having again reverted to the terrier. "My father's name?" "Yes," said the young lady with amusement; "but don't tell him I asked you." They had come by this time to where old Mr. Touchett was sitting, and he slowly got up from his chair to introduce himself. "My mother has arrived," said Ralph, "and this is Miss Archer." The old man placed his two hands on her shoulders, looked at her a moment with extreme benevolence and then gallantly kissed her. "It's a great pleasure to me to see you here; but I wish you had given us a chance to receive you." "Oh, we were received," said the girl. "There were about a dozen servants in the hall. And there was an old woman curtseying at the gate." "We can do better than that--if we have notice!" And the old man stood there smiling, rubbing his hands and slowly shaking his head at her. "But Mrs. Touchett doesn't like receptions." "She went straight to her room." "Yes--and locked herself in. She always does that. Well, I suppose I shall see her next week." And Mrs. Touchett's husband slowly resumed his former posture. "Before that," said Miss Archer. "She's coming down to dinner--at eight o'clock. Don't you forget a quarter to seven," she added, turning with a smile to Ralph. "What's to happen at a quarter to seven?" "I'm to see my mother," said Ralph. "Ah, happy boy!" the old man commented. "You must sit down--you must have some tea," he observed to his wife's niece. "They gave me some tea in my room the moment I got there," this young lady answered. "I'm sorry you're out of health," she added, resting her eyes upon her venerable host. "Oh, I'm an old man, my dear; it's time for me to be old. But I shall be the better for having you here." She had been looking all round her again--at the lawn, the great trees, the reedy, silvery Thames, the beautiful old house; and while engaged in this survey she had made room in it for her companions; a comprehensiveness of observation easily conceivable on the part of a young woman who was evidently both intelligent and excited. She had seated herself and had put away the little dog; her white hands, in her lap, were folded upon her black dress; her head was erect, her eye lighted, her flexible figure turned itself easily this way and that, in sympathy with the alertness with which she evidently caught impressions. Her impressions were numerous, and they were all reflected in a clear, still smile. "I've never seen anything so beautiful as this." "It's looking very well," said Mr. Touchett. "I know the way it strikes you. I've been through all that. But you're very beautiful yourself," he added with a politeness by no means crudely jocular and with the happy consciousness that his advanced age gave him the privilege of saying such things--even to young persons who might possibly take alarm at them. What degree of alarm this young person took need not be exactly measured; she instantly rose, however, with a blush which was not a refutation. "Oh yes, of course I'm lovely!" she returned with a quick laugh. "How old is your house? Is it Elizabethan?" "It's early Tudor," said Ralph Touchett. She turned toward him, watching his face. "Early Tudor? How very delightful! And I suppose there are a great many others." "There are many much better ones." "Don't say that, my son!" the old man protested. "There's nothing better than this." "I've got a very good one; I think in some respects it's rather better," said Lord Warburton, who as yet had not spoken, but who had kept an attentive eye upon Miss Archer. He slightly inclined himself, smiling; he had an excellent manner with women. The girl appreciated it in an instant; she had not forgotten that this was Lord Warburton. "I should like very much to show it to you," he added. "Don't believe him," cried the old man; "don't look at it! It's a wretched old barrack--not to be compared with this." "I don't know--I can't judge," said the girl, smiling at Lord Warburton. In this discussion Ralph Touchett took no interest whatever; he stood with his hands in his pockets, looking greatly as if he should like to renew his conversation with his new-found cousin. "Are you very fond of dogs?" he enquired by way of beginning. He seemed to recognise that it was an awkward beginning for a clever man. "Very fond of them indeed." "You must keep the terrier, you know," he went on, still awkwardly. "I'll keep him while I'm here, with pleasure." "That will be for a long time, I hope." "You're very kind. I hardly know. My aunt must settle that." "I'll settle it with her--at a quarter to seven." And Ralph looked at his watch again. "I'm glad to be here at all," said the girl. "I don't believe you allow things to be settled for you." "Oh yes; if they're settled as I like them." "I shall settle this as I like it," said Ralph. "It's most unaccountable that we should never have known you." "I was there--you had only to come and see me." "There? Where do you mean?" "In the United States: in New York and Albany and other American places." "I've been there--all over, but I never saw you. I can't make it out." Miss Archer just hesitated. "It was because there had been some disagreement between your mother and my father, after my mother's death, which took place when I was a child. In consequence of it we never expected to see you." "Ah, but I don't embrace all my mother's quarrels--heaven forbid!" the young man cried. "You've lately lost your father?" he went on more gravely. "Yes; more than a year ago. After that my aunt was very kind to me; she came to see me and proposed that I should come with her to Europe." "I see," said Ralph. "She has adopted you." "Adopted me?" The girl stared, and her blush came back to her, together with a momentary look of pain which gave her interlocutor some alarm. He had underestimated the effect of his words. Lord Warburton, who appeared constantly desirous of a nearer view of Miss Archer, strolled toward the two cousins at the moment, and as he did so she rested her wider eyes on him. "Oh no; she has not adopted me. I'm not a candidate for adoption." "I beg a thousand pardons," Ralph murmured. "I meant--I meant--" He hardly knew what he meant. "You meant she has taken me up. Yes; she likes to take people up. She has been very kind to me; but," she added with a certain visible eagerness of desire to be explicit, "I'm very fond of my liberty." "Are you talking about Mrs. Touchett?" the old man called out from his chair. "Come here, my dear, and tell me about her. I'm always thankful for information." The girl hesitated again, smiling. "She's really very benevolent," she answered; after which she went over to her uncle, whose mirth was excited by her words. Lord Warburton was left standing with Ralph Touchett, to whom in a moment he said: "You wished a while ago to see my idea of an interesting woman. There it is!"

Chapter 2

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-2

Ralph's little dog, Bunchie, runs toward the house, and Ralph sees a beautiful young woman approaching. We assume, as he does, that this is the independent young cousin. Ralph and his cousin, Isabel Archer, get off to a friendly start. Isabel tells Ralph that he is to go to his mother's chambers at a quarter to seven. Mrs. Touchett has locked herself in her room, as is her custom. When Isabel does not take it upon herself to greet Mr. Touchett, Ralph invites her to come and meet him. Though her aunt had led her to believe that her uncle was quite active, recently his health has declined drastically. Isabel meets Mr. Touchett and Lord Warburton. All three gentlemen are quite interested in her, in their different ways. Ralph innocently comments that Mrs. Touchett has "adopted" Isabel. She seems offended by this statement and clarifies that her liberty is very important to her. Returning to their pre-Isabel conversation, Lord Warburton declares that she is his idea of an interesting woman.

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all_chapterized_books/2833-chapters/03.txt

finished_summaries/shmoop/The Portrait of a Lady/section_2_part_0.txt

The Portrait of a Lady.chapter 3

chapter 3

{"name": "Chapter 3", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-3", "summary": "Mrs. Touchett is a rather eccentric lady, and insists on things just as she likes them. For this reason, she keeps a house in Florence where she resides, while Mr. Touchett stays in England at Gardencourt. Now that we've met our heroine, we get her back-story. Mrs. Touchett \"discovered\" Isabel at her deceased grandmother's house in Albany, New York, where she spent most of her childhood. The house is next to a school, which a younger Isabel elected not to attend. She read a lot of books on her own instead. We begin to see that Isabel is as independent as her aunt, even as a child. Isabel is sitting in the \"office,\" a kind of quiet, informal room, when Mrs. Touchett unexpectedly arrives. She recognizes her as \"crazy Aunt Lydia,\" whom she'd heard of from her late father. Mrs. Touchett intrigues Isabel, and Isabel interests Mrs. Touchett as well. The two ladies talk for about an hour, waiting for Isabel's sister and brother-in-law, Lilian and Edmund, to return. Mrs. Touchett offers Isabel the chance to go to Florence. Isabel is excited by the idea, but cannot promise to do everything Mrs. Touchett asks her to do. Mrs. Touchett tells Isabel to ask Lilian to meet her at her hotel.", "analysis": ""}

Mrs. Touchett was certainly a person of many oddities, of which her behaviour on returning to her husband's house after many months was a noticeable specimen. She had her own way of doing all that she did, and this is the simplest description of a character which, although by no means without liberal motions, rarely succeeded in giving an impression of suavity. Mrs. Touchett might do a great deal of good, but she never pleased. This way of her own, of which she was so fond, was not intrinsically offensive--it was just unmistakeably distinguished from the ways of others. The edges of her conduct were so very clear-cut that for susceptible persons it sometimes had a knife-like effect. That hard fineness came out in her deportment during the first hours of her return from America, under circumstances in which it might have seemed that her first act would have been to exchange greetings with her husband and son. Mrs. Touchett, for reasons which she deemed excellent, always retired on such occasions into impenetrable seclusion, postponing the more sentimental ceremony until she had repaired the disorder of dress with a completeness which had the less reason to be of high importance as neither beauty nor vanity were concerned in it. She was a plain-faced old woman, without graces and without any great elegance, but with an extreme respect for her own motives. She was usually prepared to explain these--when the explanation was asked as a favour; and in such a case they proved totally different from those that had been attributed to her. She was virtually separated from her husband, but she appeared to perceive nothing irregular in the situation. It had become clear, at an early stage of their community, that they should never desire the same thing at the same moment, and this appearance had prompted her to rescue disagreement from the vulgar realm of accident. She did what she could to erect it into a law--a much more edifying aspect of it--by going to live in Florence, where she bought a house and established herself; and by leaving her husband to take care of the English branch of his bank. This arrangement greatly pleased her; it was so felicitously definite. It struck her husband in the same light, in a foggy square in London, where it was at times the most definite fact he discerned; but he would have preferred that such unnatural things should have a greater vagueness. To agree to disagree had cost him an effort; he was ready to agree to almost anything but that, and saw no reason why either assent or dissent should be so terribly consistent. Mrs. Touchett indulged in no regrets nor speculations, and usually came once a year to spend a month with her husband, a period during which she apparently took pains to convince him that she had adopted the right system. She was not fond of the English style of life, and had three or four reasons for it to which she currently alluded; they bore upon minor points of that ancient order, but for Mrs. Touchett they amply justified non-residence. She detested bread-sauce, which, as she said, looked like a poultice and tasted like soap; she objected to the consumption of beer by her maid-servants; and she affirmed that the British laundress (Mrs. Touchett was very particular about the appearance of her linen) was not a mistress of her art. At fixed intervals she paid a visit to her own country; but this last had been longer than any of its predecessors. She had taken up her niece--there was little doubt of that. One wet afternoon, some four months earlier than the occurrence lately narrated, this young lady had been seated alone with a book. To say she was so occupied is to say that her solitude did not press upon her; for her love of knowledge had a fertilising quality and her imagination was strong. There was at this time, however, a want of fresh taste in her situation which the arrival of an unexpected visitor did much to correct. The visitor had not been announced; the girl heard her at last walking about the adjoining room. It was in an old house at Albany, a large, square, double house, with a notice of sale in the windows of one of the lower apartments. There were two entrances, one of which had long been out of use but had never been removed. They were exactly alike--large white doors, with an arched frame and wide side-lights, perched upon little "stoops" of red stone, which descended sidewise to the brick pavement of the street. The two houses together formed a single dwelling, the party-wall having been removed and the rooms placed in communication. These rooms, above-stairs, were extremely numerous, and were painted all over exactly alike, in a yellowish white which had grown sallow with time. On the third floor there was a sort of arched passage, connecting the two sides of the house, which Isabel and her sisters used in their childhood to call the tunnel and which, though it was short and well lighted, always seemed to the girl to be strange and lonely, especially on winter afternoons. She had been in the house, at different periods, as a child; in those days her grandmother lived there. Then there had been an absence of ten years, followed by a return to Albany before her father's death. Her grandmother, old Mrs. Archer, had exercised, chiefly within the limits of the family, a large hospitality in the early period, and the little girls often spent weeks under her roof--weeks of which Isabel had the happiest memory. The manner of life was different from that of her own home--larger, more plentiful, practically more festal; the discipline of the nursery was delightfully vague and the opportunity of listening to the conversation of one's elders (which with Isabel was a highly-valued pleasure) almost unbounded. There was a constant coming and going; her grandmother's sons and daughters and their children appeared to be in the enjoyment of standing invitations to arrive and remain, so that the house offered to a certain extent the appearance of a bustling provincial inn kept by a gentle old landlady who sighed a great deal and never presented a bill. Isabel of course knew nothing about bills; but even as a child she thought her grandmother's home romantic. There was a covered piazza behind it, furnished with a swing which was a source of tremulous interest; and beyond this was a long garden, sloping down to the stable and containing peach-trees of barely credible familiarity. Isabel had stayed with her grandmother at various seasons, but somehow all her visits had a flavour of peaches. On the other side, across the street, was an old house that was called the Dutch House--a peculiar structure dating from the earliest colonial time, composed of bricks that had been painted yellow, crowned with a gable that was pointed out to strangers, defended by a rickety wooden paling and standing sidewise to the street. It was occupied by a primary school for children of both sexes, kept or rather let go, by a demonstrative lady of whom Isabel's chief recollection was that her hair was fastened with strange bedroomy combs at the temples and that she was the widow of some one of consequence. The little girl had been offered the opportunity of laying a foundation of knowledge in this establishment; but having spent a single day in it, she had protested against its laws and had been allowed to stay at home, where, in the September days, when the windows of the Dutch House were open, she used to hear the hum of childish voices repeating the multiplication table--an incident in which the elation of liberty and the pain of exclusion were indistinguishably mingled. The foundation of her knowledge was really laid in the idleness of her grandmother's house, where, as most of the other inmates were not reading people, she had uncontrolled use of a library full of books with frontispieces, which she used to climb upon a chair to take down. When she had found one to her taste--she was guided in the selection chiefly by the frontispiece--she carried it into a mysterious apartment which lay beyond the library and which was called, traditionally, no one knew why, the office. Whose office it had been and at what period it had flourished, she never learned; it was enough for her that it contained an echo and a pleasant musty smell and that it was a chamber of disgrace for old pieces of furniture whose infirmities were not always apparent (so that the disgrace seemed unmerited and rendered them victims of injustice) and with which, in the manner of children, she had established relations almost human, certainly dramatic. There was an old haircloth sofa in especial, to which she had confided a hundred childish sorrows. The place owed much of its mysterious melancholy to the fact that it was properly entered from the second door of the house, the door that had been condemned, and that it was secured by bolts which a particularly slender little girl found it impossible to slide. She knew that this silent, motionless portal opened into the street; if the sidelights had not been filled with green paper she might have looked out upon the little brown stoop and the well-worn brick pavement. But she had no wish to look out, for this would have interfered with her theory that there was a strange, unseen place on the other side--a place which became to the child's imagination, according to its different moods, a region of delight or of terror. It was in the "office" still that Isabel was sitting on that melancholy afternoon of early spring which I have just mentioned. At this time she might have had the whole house to choose from, and the room she had selected was the most depressed of its scenes. She had never opened the bolted door nor removed the green paper (renewed by other hands) from its sidelights; she had never assured herself that the vulgar street lay beyond. A crude, cold rain fell heavily; the spring-time was indeed an appeal--and it seemed a cynical, insincere appeal--to patience. Isabel, however, gave as little heed as possible to cosmic treacheries; she kept her eyes on her book and tried to fix her mind. It had lately occurred to her that her mind was a good deal of a vagabond, and she had spent much ingenuity in training it to a military step and teaching it to advance, to halt, to retreat, to perform even more complicated manoeuvres, at the word of command. Just now she had given it marching orders and it had been trudging over the sandy plains of a history of German Thought. Suddenly she became aware of a step very different from her own intellectual pace; she listened a little and perceived that some one was moving in the library, which communicated with the office. It struck her first as the step of a person from whom she was looking for a visit, then almost immediately announced itself as the tread of a woman and a stranger--her possible visitor being neither. It had an inquisitive, experimental quality which suggested that it would not stop short of the threshold of the office; and in fact the doorway of this apartment was presently occupied by a lady who paused there and looked very hard at our heroine. She was a plain, elderly woman, dressed in a comprehensive waterproof mantle; she had a face with a good deal of rather violent point. "Oh," she began, "is that where you usually sit?" She looked about at the heterogeneous chairs and tables. "Not when I have visitors," said Isabel, getting up to receive the intruder. She directed their course back to the library while the visitor continued to look about her. "You seem to have plenty of other rooms; they're in rather better condition. But everything's immensely worn." "Have you come to look at the house?" Isabel asked. "The servant will show it to you." "Send her away; I don't want to buy it. She has probably gone to look for you and is wandering about upstairs; she didn't seem at all intelligent. You had better tell her it's no matter." And then, since the girl stood there hesitating and wondering, this unexpected critic said to her abruptly: "I suppose you're one of the daughters?" Isabel thought she had very strange manners. "It depends upon whose daughters you mean." "The late Mr. Archer's--and my poor sister's." "Ah," said Isabel slowly, "you must be our crazy Aunt Lydia!" "Is that what your father told you to call me? I'm your Aunt Lydia, but I'm not at all crazy: I haven't a delusion! And which of the daughters are you?" "I'm the youngest of the three, and my name's Isabel." "Yes; the others are Lilian and Edith. And are you the prettiest?" "I haven't the least idea," said the girl. "I think you must be." And in this way the aunt and the niece made friends. The aunt had quarrelled years before with her brother-in-law, after the death of her sister, taking him to task for the manner in which he brought up his three girls. Being a high-tempered man he had requested her to mind her own business, and she had taken him at his word. For many years she held no communication with him and after his death had addressed not a word to his daughters, who had been bred in that disrespectful view of her which we have just seen Isabel betray. Mrs. Touchett's behaviour was, as usual, perfectly deliberate. She intended to go to America to look after her investments (with which her husband, in spite of his great financial position, had nothing to do) and would take advantage of this opportunity to enquire into the condition of her nieces. There was no need of writing, for she should attach no importance to any account of them she should elicit by letter; she believed, always, in seeing for one's self. Isabel found, however, that she knew a good deal about them, and knew about the marriage of the two elder girls; knew that their poor father had left very little money, but that the house in Albany, which had passed into his hands, was to be sold for their benefit; knew, finally, that Edmund Ludlow, Lilian's husband, had taken upon himself to attend to this matter, in consideration of which the young couple, who had come to Albany during Mr. Archer's illness, were remaining there for the present and, as well as Isabel herself, occupying the old place. "How much money do you expect for it?" Mrs. Touchett asked of her companion, who had brought her to sit in the front parlour, which she had inspected without enthusiasm. "I haven't the least idea," said the girl. "That's the second time you have said that to me," her aunt rejoined. "And yet you don't look at all stupid." "I'm not stupid; but I don't know anything about money." "Yes, that's the way you were brought up--as if you were to inherit a million. What have you in point of fact inherited?" "I really can't tell you. You must ask Edmund and Lilian; they'll be back in half an hour." "In Florence we should call it a very bad house," said Mrs. Touchett; "but here, I dare say, it will bring a high price. It ought to make a considerable sum for each of you. In addition to that you must have something else; it's most extraordinary your not knowing. The position's of value, and they'll probably pull it down and make a row of shops. I wonder you don't do that yourself; you might let the shops to great advantage." Isabel stared; the idea of letting shops was new to her. "I hope they won't pull it down," she said; "I'm extremely fond of it." "I don't see what makes you fond of it; your father died here." "Yes; but I don't dislike it for that," the girl rather strangely returned. "I like places in which things have happened--even if they're sad things. A great many people have died here; the place has been full of life." "Is that what you call being full of life?" "I mean full of experience--of people's feelings and sorrows. And not of their sorrows only, for I've been very happy here as a child." "You should go to Florence if you like houses in which things have happened--especially deaths. I live in an old palace in which three people have been murdered; three that were known and I don't know how many more besides." "In an old palace?" Isabel repeated. "Yes, my dear; a very different affair from this. This is very bourgeois." Isabel felt some emotion, for she had always thought highly of her grandmother's house. But the emotion was of a kind which led her to say: "I should like very much to go to Florence." "Well, if you'll be very good, and do everything I tell you I'll take you there," Mrs. Touchett declared. Our young woman's emotion deepened; she flushed a little and smiled at her aunt in silence. "Do everything you tell me? I don't think I can promise that." "No, you don't look like a person of that sort. You're fond of your own way; but it's not for me to blame you." "And yet, to go to Florence," the girl exclaimed in a moment, "I'd promise almost anything!" Edmund and Lilian were slow to return, and Mrs. Touchett had an hour's uninterrupted talk with her niece, who found her a strange and interesting figure: a figure essentially--almost the first she had ever met. She was as eccentric as Isabel had always supposed; and hitherto, whenever the girl had heard people described as eccentric, she had thought of them as offensive or alarming. The term had always suggested to her something grotesque and even sinister. But her aunt made it a matter of high but easy irony, or comedy, and led her to ask herself if the common tone, which was all she had known, had ever been as interesting. No one certainly had on any occasion so held her as this little thin-lipped, bright-eyed, foreign-looking woman, who retrieved an insignificant appearance by a distinguished manner and, sitting there in a well-worn waterproof, talked with striking familiarity of the courts of Europe. There was nothing flighty about Mrs. Touchett, but she recognised no social superiors, and, judging the great ones of the earth in a way that spoke of this, enjoyed the consciousness of making an impression on a candid and susceptible mind. Isabel at first had answered a good many questions, and it was from her answers apparently that Mrs. Touchett derived a high opinion of her intelligence. But after this she had asked a good many, and her aunt's answers, whatever turn they took, struck her as food for deep reflexion. Mrs. Touchett waited for the return of her other niece as long as she thought reasonable, but as at six o'clock Mrs. Ludlow had not come in she prepared to take her departure. "Your sister must be a great gossip. Is she accustomed to staying out so many hours?" "You've been out almost as long as she," Isabel replied; "she can have left the house but a short time before you came in." Mrs. Touchett looked at the girl without resentment; she appeared to enjoy a bold retort and to be disposed to be gracious. "Perhaps she hasn't had so good an excuse as I. Tell her at any rate that she must come and see me this evening at that horrid hotel. She may bring her husband if she likes, but she needn't bring you. I shall see plenty of you later."

Chapter 3

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-3

Mrs. Touchett is a rather eccentric lady, and insists on things just as she likes them. For this reason, she keeps a house in Florence where she resides, while Mr. Touchett stays in England at Gardencourt. Now that we've met our heroine, we get her back-story. Mrs. Touchett "discovered" Isabel at her deceased grandmother's house in Albany, New York, where she spent most of her childhood. The house is next to a school, which a younger Isabel elected not to attend. She read a lot of books on her own instead. We begin to see that Isabel is as independent as her aunt, even as a child. Isabel is sitting in the "office," a kind of quiet, informal room, when Mrs. Touchett unexpectedly arrives. She recognizes her as "crazy Aunt Lydia," whom she'd heard of from her late father. Mrs. Touchett intrigues Isabel, and Isabel interests Mrs. Touchett as well. The two ladies talk for about an hour, waiting for Isabel's sister and brother-in-law, Lilian and Edmund, to return. Mrs. Touchett offers Isabel the chance to go to Florence. Isabel is excited by the idea, but cannot promise to do everything Mrs. Touchett asks her to do. Mrs. Touchett tells Isabel to ask Lilian to meet her at her hotel.

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The Portrait of a Lady.chapter 4

chapter 4

{"name": "Chapter 4", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-4", "summary": "Of the three Archer sisters, Lilian is thought to be the practical one, Edith the beautiful one, and Isabel the \"intellectual\" one. Lilian and Edith are both married: Lilian lives happily in New York with her vociferous husband and children, while beautiful Edith lives somewhat less happily in the \"unfashionable West\" . Lilian and her husband, Edmund, seem like perfectly nice, normal people. Lilian is worried about her exceptional younger sister, who is something of a mystery to them. Mr. Archer, their father, was notorious for not handling money well, often gambling and spending frivolously. Despite all of this, Isabel remembers her father fondly. Isabel thinks her life is wonderful; she has had every privilege and has never wanted for anything. She is almost disappointed because she thinks that hardship would give her life a little spice - at least, that's what the books she reads all suggest. Even if Isabel's life hasn't been full of challenges, it is certainly full of quirky excitement. Mr. Archer raised his three daughters in a haphazard fashion, trundling them around the world and hiring negligent nannies to care for them. Although a lot of men courted Edith, most men overlook Isabel or feel intimidated by her intellectual reputation. However, we are told that she is quite beautiful in her own, unique way. For about a year, Boston-based Caspar Goodwood has been steadfastly wooing Isabel via post. She finds him to be quite an impressive young man, but doesn't really know how she feels about him yet. Caspar travels from New York City to Albany to visit Isabel. She is slow to meet him and, despite the fact that he looks resolved to action, their visit is uneventful. He leaves, somewhat defeated.", "analysis": ""}

Mrs. Ludlow was the eldest of the three sisters, and was usually thought the most sensible; the classification being in general that Lilian was the practical one, Edith the beauty and Isabel the "intellectual" superior. Mrs. Keyes, the second of the group, was the wife of an officer of the United States Engineers, and as our history is not further concerned with her it will suffice that she was indeed very pretty and that she formed the ornament of those various military stations, chiefly in the unfashionable West, to which, to her deep chagrin, her husband was successively relegated. Lilian had married a New York lawyer, a young man with a loud voice and an enthusiasm for his profession; the match was not brilliant, any more than Edith's, but Lilian had occasionally been spoken of as a young woman who might be thankful to marry at all--she was so much plainer than her sisters. She was, however, very happy, and now, as the mother of two peremptory little boys and the mistress of a wedge of brown stone violently driven into Fifty-third Street, seemed to exult in her condition as in a bold escape. She was short and solid, and her claim to figure was questioned, but she was conceded presence, though not majesty; she had moreover, as people said, improved since her marriage, and the two things in life of which she was most distinctly conscious were her husband's force in argument and her sister Isabel's originality. "I've never kept up with Isabel--it would have taken all my time," she had often remarked; in spite of which, however, she held her rather wistfully in sight; watching her as a motherly spaniel might watch a free greyhound. "I want to see her safely married--that's what I want to see," she frequently noted to her husband. "Well, I must say I should have no particular desire to marry her," Edmund Ludlow was accustomed to answer in an extremely audible tone. "I know you say that for argument; you always take the opposite ground. I don't see what you've against her except that she's so original." "Well, I don't like originals; I like translations," Mr. Ludlow had more than once replied. "Isabel's written in a foreign tongue. I can't make her out. She ought to marry an Armenian or a Portuguese." "That's just what I'm afraid she'll do!" cried Lilian, who thought Isabel capable of anything. She listened with great interest to the girl's account of Mrs. Touchett's appearance and in the evening prepared to comply with their aunt's commands. Of what Isabel then said no report has remained, but her sister's words had doubtless prompted a word spoken to her husband as the two were making ready for their visit. "I do hope immensely she'll do something handsome for Isabel; she has evidently taken a great fancy to her." "What is it you wish her to do?" Edmund Ludlow asked. "Make her a big present?" "No indeed; nothing of the sort. But take an interest in her--sympathise with her. She's evidently just the sort of person to appreciate her. She has lived so much in foreign society; she told Isabel all about it. You know you've always thought Isabel rather foreign." "You want her to give her a little foreign sympathy, eh? Don't you think she gets enough at home?" "Well, she ought to go abroad," said Mrs. Ludlow. "She's just the person to go abroad." "And you want the old lady to take her, is that it?" "She has offered to take her--she's dying to have Isabel go. But what I want her to do when she gets her there is to give her all the advantages. I'm sure all we've got to do," said Mrs. Ludlow, "is to give her a chance." "A chance for what?" "A chance to develop." "Oh Moses!" Edmund Ludlow exclaimed. "I hope she isn't going to develop any more!" "If I were not sure you only said that for argument I should feel very badly," his wife replied. "But you know you love her." "Do you know I love you?" the young man said, jocosely, to Isabel a little later, while he brushed his hat. "I'm sure I don't care whether you do or not!" exclaimed the girl; whose voice and smile, however, were less haughty than her words. "Oh, she feels so grand since Mrs. Touchett's visit," said her sister. But Isabel challenged this assertion with a good deal of seriousness. "You must not say that, Lily. I don't feel grand at all." "I'm sure there's no harm," said the conciliatory Lily. "Ah, but there's nothing in Mrs. Touchett's visit to make one feel grand." "Oh," exclaimed Ludlow, "she's grander than ever!" "Whenever I feel grand," said the girl, "it will be for a better reason." Whether she felt grand or no, she at any rate felt different, as if something had happened to her. Left to herself for the evening she sat a while under the lamp, her hands empty, her usual avocations unheeded. Then she rose and moved about the room, and from one room to another, preferring the places where the vague lamplight expired. She was restless and even agitated; at moments she trembled a little. The importance of what had happened was out of proportion to its appearance; there had really been a change in her life. What it would bring with it was as yet extremely indefinite; but Isabel was in a situation that gave a value to any change. She had a desire to leave the past behind her and, as she said to herself, to begin afresh. This desire indeed was not a birth of the present occasion; it was as familiar as the sound of the rain upon the window and it had led to her beginning afresh a great many times. She closed her eyes as she sat in one of the dusky corners of the quiet parlour; but it was not with a desire for dozing forgetfulness. It was on the contrary because she felt too wide-eyed and wished to check the sense of seeing too many things at once. Her imagination was by habit ridiculously active; when the door was not open it jumped out of the window. She was not accustomed indeed to keep it behind bolts; and at important moments, when she would have been thankful to make use of her judgement alone, she paid the penalty of having given undue encouragement to the faculty of seeing without judging. At present, with her sense that the note of change had been struck, came gradually a host of images of the things she was leaving behind her. The years and hours of her life came back to her, and for a long time, in a stillness broken only by the ticking of the big bronze clock, she passed them in review. It had been a very happy life and she had been a very fortunate person--this was the truth that seemed to emerge most vividly. She had had the best of everything, and in a world in which the circumstances of so many people made them unenviable it was an advantage never to have known anything particularly unpleasant. It appeared to Isabel that the unpleasant had been even too absent from her knowledge, for she had gathered from her acquaintance with literature that it was often a source of interest and even of instruction. Her father had kept it away from her--her handsome, much loved father, who always had such an aversion to it. It was a great felicity to have been his daughter; Isabel rose even to pride in her parentage. Since his death she had seemed to see him as turning his braver side to his children and as not having managed to ignore the ugly quite so much in practice as in aspiration. But this only made her tenderness for him greater; it was scarcely even painful to have to suppose him too generous, too good-natured, too indifferent to sordid considerations. Many persons had held that he carried this indifference too far, especially the large number of those to whom he owed money. Of their opinions Isabel was never very definitely informed; but it may interest the reader to know that, while they had recognised in the late Mr. Archer a remarkably handsome head and a very taking manner (indeed, as one of them had said, he was always taking something), they had declared that he was making a very poor use of his life. He had squandered a substantial fortune, he had been deplorably convivial, he was known to have gambled freely. A few very harsh critics went so far as to say that he had not even brought up his daughters. They had had no regular education and no permanent home; they had been at once spoiled and neglected; they had lived with nursemaids and governesses (usually very bad ones) or had been sent to superficial schools, kept by the French, from which, at the end of a month, they had been removed in tears. This view of the matter would have excited Isabel's indignation, for to her own sense her opportunities had been large. Even when her father had left his daughters for three months at Neufchatel with a French bonne who had eloped with a Russian nobleman staying at the same hotel--even in this irregular situation (an incident of the girl's eleventh year) she had been neither frightened nor ashamed, but had thought it a romantic episode in a liberal education. Her father had a large way of looking at life, of which his restlessness and even his occasional incoherency of conduct had been only a proof. He wished his daughters, even as children, to see as much of the world as possible; and it was for this purpose that, before Isabel was fourteen, he had transported them three times across the Atlantic, giving them on each occasion, however, but a few months' view of the subject proposed: a course which had whetted our heroine's curiosity without enabling her to satisfy it. She ought to have been a partisan of her father, for she was the member of his trio who most "made up" to him for the disagreeables he didn't mention. In his last days his general willingness to take leave of a world in which the difficulty of doing as one liked appeared to increase as one grew older had been sensibly modified by the pain of separation from his clever, his superior, his remarkable girl. Later, when the journeys to Europe ceased, he still had shown his children all sorts of indulgence, and if he had been troubled about money-matters nothing ever disturbed their irreflective consciousness of many possessions. Isabel, though she danced very well, had not the recollection of having been in New York a successful member of the choreographic circle; her sister Edith was, as every one said, so very much more fetching. Edith was so striking an example of success that Isabel could have no illusions as to what constituted this advantage, or as to the limits of her own power to frisk and jump and shriek--above all with rightness of effect. Nineteen persons out of twenty (including the younger sister herself) pronounced Edith infinitely the prettier of the two; but the twentieth, besides reversing this judgement, had the entertainment of thinking all the others aesthetic vulgarians. Isabel had in the depths of her nature an even more unquenchable desire to please than Edith; but the depths of this young lady's nature were a very out-of-the-way place, between which and the surface communication was interrupted by a dozen capricious forces. She saw the young men who came in large numbers to see her sister; but as a general thing they were afraid of her; they had a belief that some special preparation was required for talking with her. Her reputation of reading a great deal hung about her like the cloudy envelope of a goddess in an epic; it was supposed to engender difficult questions and to keep the conversation at a low temperature. The poor girl liked to be thought clever, but she hated to be thought bookish; she used to read in secret and, though her memory was excellent, to abstain from showy reference. She had a great desire for knowledge, but she really preferred almost any source of information to the printed page; she had an immense curiosity about life and was constantly staring and wondering. She carried within herself a great fund of life, and her deepest enjoyment was to feel the continuity between the movements of her own soul and the agitations of the world. For this reason she was fond of seeing great crowds and large stretches of country, of reading about revolutions and wars, of looking at historical pictures--a class of efforts as to which she had often committed the conscious solecism of forgiving them much bad painting for the sake of the subject. While the Civil War went on she was still a very young girl; but she passed months of this long period in a state of almost passionate excitement, in which she felt herself at times (to her extreme confusion) stirred almost indiscriminately by the valour of either army. Of course the circumspection of suspicious swains had never gone the length of making her a social proscript; for the number of those whose hearts, as they approached her, beat only just fast enough to remind them they had heads as well, had kept her unacquainted with the supreme disciplines of her sex and age. She had had everything a girl could have: kindness, admiration, bonbons, bouquets, the sense of exclusion from none of the privileges of the world she lived in, abundant opportunity for dancing, plenty of new dresses, the London Spectator, the latest publications, the music of Gounod, the poetry of Browning, the prose of George Eliot. These things now, as memory played over them, resolved themselves into a multitude of scenes and figures. Forgotten things came back to her; many others, which she had lately thought of great moment, dropped out of sight. The result was kaleidoscopic, but the movement of the instrument was checked at last by the servant's coming in with the name of a gentleman. The name of the gentleman was Caspar Goodwood; he was a straight young man from Boston, who had known Miss Archer for the last twelvemonth and who, thinking her the most beautiful young woman of her time, had pronounced the time, according to the rule I have hinted at, a foolish period of history. He sometimes wrote to her and had within a week or two written from New York. She had thought it very possible he would come in--had indeed all the rainy day been vaguely expecting him. Now that she learned he was there, nevertheless, she felt no eagerness to receive him. He was the finest young man she had ever seen, was indeed quite a splendid young man; he inspired her with a sentiment of high, of rare respect. She had never felt equally moved to it by any other person. He was supposed by the world in general to wish to marry her, but this of course was between themselves. It at least may be affirmed that he had travelled from New York to Albany expressly to see her; having learned in the former city, where he was spending a few days and where he had hoped to find her, that she was still at the State capital. Isabel delayed for some minutes to go to him; she moved about the room with a new sense of complications. But at last she presented herself and found him standing near the lamp. He was tall, strong and somewhat stiff; he was also lean and brown. He was not romantically, he was much rather obscurely, handsome; but his physiognomy had an air of requesting your attention, which it rewarded according to the charm you found in blue eyes of remarkable fixedness, the eyes of a complexion other than his own, and a jaw of the somewhat angular mould which is supposed to bespeak resolution. Isabel said to herself that it bespoke resolution to-night; in spite of which, in half an hour, Caspar Goodwood, who had arrived hopeful as well as resolute, took his way back to his lodging with the feeling of a man defeated. He was not, it may be added, a man weakly to accept defeat.

Chapter 4

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-4

Of the three Archer sisters, Lilian is thought to be the practical one, Edith the beautiful one, and Isabel the "intellectual" one. Lilian and Edith are both married: Lilian lives happily in New York with her vociferous husband and children, while beautiful Edith lives somewhat less happily in the "unfashionable West" . Lilian and her husband, Edmund, seem like perfectly nice, normal people. Lilian is worried about her exceptional younger sister, who is something of a mystery to them. Mr. Archer, their father, was notorious for not handling money well, often gambling and spending frivolously. Despite all of this, Isabel remembers her father fondly. Isabel thinks her life is wonderful; she has had every privilege and has never wanted for anything. She is almost disappointed because she thinks that hardship would give her life a little spice - at least, that's what the books she reads all suggest. Even if Isabel's life hasn't been full of challenges, it is certainly full of quirky excitement. Mr. Archer raised his three daughters in a haphazard fashion, trundling them around the world and hiring negligent nannies to care for them. Although a lot of men courted Edith, most men overlook Isabel or feel intimidated by her intellectual reputation. However, we are told that she is quite beautiful in her own, unique way. For about a year, Boston-based Caspar Goodwood has been steadfastly wooing Isabel via post. She finds him to be quite an impressive young man, but doesn't really know how she feels about him yet. Caspar travels from New York City to Albany to visit Isabel. She is slow to meet him and, despite the fact that he looks resolved to action, their visit is uneventful. He leaves, somewhat defeated.

shmoop

all_chapterized_books/2833-chapters/05.txt

finished_summaries/shmoop/The Portrait of a Lady/section_4_part_0.txt

The Portrait of a Lady.chapter 5

chapter 5

{"name": "Chapter 5", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-5", "summary": "Ralph and his mother exchange pleasantries. While they chat, we find out some details on Ralph's past. After attending both Harvard and Oxford , Ralph took a position at his father's bank. At university, he was considered a very promising young man. Growing up, he admired his father more than anyone else. Sadly, Ralph fell ill while working at the bank, and never quite recovered. As a result, he stopped working to take care of his health. We don't know exactly what's wrong with him, but he has weak lungs. Ralph resigns himself to indifference in order to make his life seem less of a disappointment. Isabel's arrival, however, has gotten his blood flowing in a new way. He asks his mother what she means to do with Isabel. Mrs. Touchett plans to invite her to stay at Gardencourt for some weeks, then plans to take Isabel to France to buy clothes, and then to Florence in the autumn. Mrs. Touchett sees something special in Isabel, perhaps something that reminds her of herself. She thinks that Isabel might be a genius in some way. When Ralph asks too many questions about Isabel, Mrs. Touchett insists that he find out himself. Ralph finally straight-out asks Mrs. Touchett the question he's been wondering the whole time: does she plan to marry Isabel off? Mrs. Touchett replies that Isabel can do whatever she'd like. Ralph escorts his mother down to meet with his father. Ralph sits and talks with Isabel for an hour, while his parents chat, and Lord Warburton leaves to go home for dinner. Ralph and Isabel look at the paintings in the house. Ralph is impressed with Isabel's natural taste for art. Gardencourt being a large, old, very historic house, Isabel assumes that there's a family ghost. Ralph confesses that there is one and that he has seen it, but Isabel can't, because she hasn't suffered enough yet. This conversation is half-joking, half-serious. Isabel insists that she is not afraid of ghosts. Ralph hands her a candle to light the path to her room. Ralph returns to the drawing-room alone.", "analysis": ""}

Ralph Touchett was a philosopher, but nevertheless he knocked at his mother's door (at a quarter to seven) with a good deal of eagerness. Even philosophers have their preferences, and it must be admitted that of his progenitors his father ministered most to his sense of the sweetness of filial dependence. His father, as he had often said to himself, was the more motherly; his mother, on the other hand, was paternal, and even, according to the slang of the day, gubernatorial. She was nevertheless very fond of her only child and had always insisted on his spending three months of the year with her. Ralph rendered perfect justice to her affection and knew that in her thoughts and her thoroughly arranged and servanted life his turn always came after the other nearest subjects of her solicitude, the various punctualities of performance of the workers of her will. He found her completely dressed for dinner, but she embraced her boy with her gloved hands and made him sit on the sofa beside her. She enquired scrupulously about her husband's health and about the young man's own, and, receiving no very brilliant account of either, remarked that she was more than ever convinced of her wisdom in not exposing herself to the English climate. In this case she also might have given way. Ralph smiled at the idea of his mother's giving way, but made no point of reminding her that his own infirmity was not the result of the English climate, from which he absented himself for a considerable part of each year. He had been a very small boy when his father, Daniel Tracy Touchett, a native of Rutland, in the State of Vermont, came to England as subordinate partner in a banking-house where some ten years later he gained preponderant control. Daniel Touchett saw before him a life-long residence in his adopted country, of which, from the first, he took a simple, sane and accommodating view. But, as he said to himself, he had no intention of disamericanising, nor had he a desire to teach his only son any such subtle art. It had been for himself so very soluble a problem to live in England assimilated yet unconverted that it seemed to him equally simple his lawful heir should after his death carry on the grey old bank in the white American light. He was at pains to intensify this light, however, by sending the boy home for his education. Ralph spent several terms at an American school and took a degree at an American university, after which, as he struck his father on his return as even redundantly native, he was placed for some three years in residence at Oxford. Oxford swallowed up Harvard, and Ralph became at last English enough. His outward conformity to the manners that surrounded him was none the less the mask of a mind that greatly enjoyed its independence, on which nothing long imposed itself, and which, naturally inclined to adventure and irony, indulged in a boundless liberty of appreciation. He began with being a young man of promise; at Oxford he distinguished himself, to his father's ineffable satisfaction, and the people about him said it was a thousand pities so clever a fellow should be shut out from a career. He might have had a career by returning to his own country (though this point is shrouded in uncertainty) and even if Mr. Touchett had been willing to part with him (which was not the case) it would have gone hard with him to put a watery waste permanently between himself and the old man whom he regarded as his best friend. Ralph was not only fond of his father, he admired him--he enjoyed the opportunity of observing him. Daniel Touchett, to his perception, was a man of genius, and though he himself had no aptitude for the banking mystery he made a point of learning enough of it to measure the great figure his father had played. It was not this, however, he mainly relished; it was the fine ivory surface, polished as by the English air, that the old man had opposed to possibilities of penetration. Daniel Touchett had been neither at Harvard nor at Oxford, and it was his own fault if he had placed in his son's hands the key to modern criticism. Ralph, whose head was full of ideas which his father had never guessed, had a high esteem for the latter's originality. Americans, rightly or wrongly, are commended for the ease with which they adapt themselves to foreign conditions; but Mr. Touchett had made of the very limits of his pliancy half the ground of his general success. He had retained in their freshness most of his marks of primary pressure; his tone, as his son always noted with pleasure, was that of the more luxuriant parts of New England. At the end of his life he had become, on his own ground, as mellow as he was rich; he combined consummate shrewdness with the disposition superficially to fraternise, and his "social position," on which he had never wasted a care, had the firm perfection of an unthumbed fruit. It was perhaps his want of imagination and of what is called the historic consciousness; but to many of the impressions usually made by English life upon the cultivated stranger his sense was completely closed. There were certain differences he had never perceived, certain habits he had never formed, certain obscurities he had never sounded. As regards these latter, on the day he had sounded them his son would have thought less well of him. Ralph, on leaving Oxford, had spent a couple of years in travelling; after which he had found himself perched on a high stool in his father's bank. The responsibility and honour of such positions is not, I believe, measured by the height of the stool, which depends upon other considerations: Ralph, indeed, who had very long legs, was fond of standing, and even of walking about, at his work. To this exercise, however, he was obliged to devote but a limited period, for at the end of some eighteen months he had become aware of his being seriously out of health. He had caught a violent cold, which fixed itself on his lungs and threw them into dire confusion. He had to give up work and apply, to the letter, the sorry injunction to take care of himself. At first he slighted the task; it appeared to him it was not himself in the least he was taking care of, but an uninteresting and uninterested person with whom he had nothing in common. This person, however, improved on acquaintance, and Ralph grew at last to have a certain grudging tolerance, even an undemonstrative respect, for him. Misfortune makes strange bedfellows, and our young man, feeling that he had something at stake in the matter--it usually struck him as his reputation for ordinary wit--devoted to his graceless charge an amount of attention of which note was duly taken and which had at least the effect of keeping the poor fellow alive. One of his lungs began to heal, the other promised to follow its example, and he was assured he might outweather a dozen winters if he would betake himself to those climates in which consumptives chiefly congregate. As he had grown extremely fond of London, he cursed the flatness of exile: but at the same time that he cursed he conformed, and gradually, when he found his sensitive organ grateful even for grim favours, he conferred them with a lighter hand. He wintered abroad, as the phrase is; basked in the sun, stopped at home when the wind blew, went to bed when it rained, and once or twice, when it had snowed overnight, almost never got up again. A secret hoard of indifference--like a thick cake a fond old nurse might have slipped into his first school outfit--came to his aid and helped to reconcile him to sacrifice; since at the best he was too ill for aught but that arduous game. As he said to himself, there was really nothing he had wanted very much to do, so that he had at least not renounced the field of valour. At present, however, the fragrance of forbidden fruit seemed occasionally to float past him and remind him that the finest of pleasures is the rush of action. Living as he now lived was like reading a good book in a poor translation--a meagre entertainment for a young man who felt that he might have been an excellent linguist. He had good winters and poor winters, and while the former lasted he was sometimes the sport of a vision of virtual recovery. But this vision was dispelled some three years before the occurrence of the incidents with which this history opens: he had on that occasion remained later than usual in England and had been overtaken by bad weather before reaching Algiers. He arrived more dead than alive and lay there for several weeks between life and death. His convalescence was a miracle, but the first use he made of it was to assure himself that such miracles happen but once. He said to himself that his hour was in sight and that it behoved him to keep his eyes upon it, yet that it was also open to him to spend the interval as agreeably as might be consistent with such a preoccupation. With the prospect of losing them the simple use of his faculties became an exquisite pleasure; it seemed to him the joys of contemplation had never been sounded. He was far from the time when he had found it hard that he should be obliged to give up the idea of distinguishing himself; an idea none the less importunate for being vague and none the less delightful for having had to struggle in the same breast with bursts of inspiring self-criticism. His friends at present judged him more cheerful, and attributed it to a theory, over which they shook their heads knowingly, that he would recover his health. His serenity was but the array of wild flowers niched in his ruin. It was very probably this sweet-tasting property of the observed thing in itself that was mainly concerned in Ralph's quickly-stirred interest in the advent of a young lady who was evidently not insipid. If he was consideringly disposed, something told him, here was occupation enough for a succession of days. It may be added, in summary fashion, that the imagination of loving--as distinguished from that of being loved--had still a place in his reduced sketch. He had only forbidden himself the riot of expression. However, he shouldn't inspire his cousin with a passion, nor would she be able, even should she try, to help him to one. "And now tell me about the young lady," he said to his mother. "What do you mean to do with her?" Mrs. Touchett was prompt. "I mean to ask your father to invite her to stay three or four weeks at Gardencourt." "You needn't stand on any such ceremony as that," said Ralph. "My father will ask her as a matter of course." "I don't know about that. She's my niece; she's not his." "Good Lord, dear mother; what a sense of property! That's all the more reason for his asking her. But after that--I mean after three months (for its absurd asking the poor girl to remain but for three or four paltry weeks)--what do you mean to do with her?" "I mean to take her to Paris. I mean to get her clothing." "Ah yes, that's of course. But independently of that?" "I shall invite her to spend the autumn with me in Florence." "You don't rise above detail, dear mother," said Ralph. "I should like to know what you mean to do with her in a general way." "My duty!" Mrs. Touchett declared. "I suppose you pity her very much," she added. "No, I don't think I pity her. She doesn't strike me as inviting compassion. I think I envy her. Before being sure, however, give me a hint of where you see your duty." "In showing her four European countries--I shall leave her the choice of two of them--and in giving her the opportunity of perfecting herself in French, which she already knows very well." Ralph frowned a little. "That sounds rather dry--even allowing her the choice of two of the countries." "If it's dry," said his mother with a laugh, "you can leave Isabel alone to water it! She is as good as a summer rain, any day." "Do you mean she's a gifted being?" "I don't know whether she's a gifted being, but she's a clever girl--with a strong will and a high temper. She has no idea of being bored." "I can imagine that," said Ralph; and then he added abruptly: "How do you two get on?" "Do you mean by that that I'm a bore? I don't think she finds me one. Some girls might, I know; but Isabel's too clever for that. I think I greatly amuse her. We get on because I understand her, I know the sort of girl she is. She's very frank, and I'm very frank: we know just what to expect of each other." "Ah, dear mother," Ralph exclaimed, "one always knows what to expect of you! You've never surprised me but once, and that's to-day--in presenting me with a pretty cousin whose existence I had never suspected." "Do you think her so very pretty?" "Very pretty indeed; but I don't insist upon that. It's her general air of being some one in particular that strikes me. Who is this rare creature, and what is she? Where did you find her, and how did you make her acquaintance?" "I found her in an old house at Albany, sitting in a dreary room on a rainy day, reading a heavy book and boring herself to death. She didn't know she was bored, but when I left her no doubt of it she seemed very grateful for the service. You may say I shouldn't have enlightened he--I should have let her alone. There's a good deal in that, but I acted conscientiously; I thought she was meant for something better. It occurred to me that it would be a kindness to take her about and introduce her to the world. She thinks she knows a great deal of it--like most American girls; but like most American girls she's ridiculously mistaken. If you want to know, I thought she would do me credit. I like to be well thought of, and for a woman of my age there's no greater convenience, in some ways, than an attractive niece. You know I had seen nothing of my sister's children for years; I disapproved entirely of the father. But I always meant to do something for them when he should have gone to his reward. I ascertained where they were to be found and, without any preliminaries, went and introduced myself. There are two others of them, both of whom are married; but I saw only the elder, who has, by the way, a very uncivil husband. The wife, whose name is Lily, jumped at the idea of my taking an interest in Isabel; she said it was just what her sister needed--that some one should take an interest in her. She spoke of her as you might speak of some young person of genius--in want of encouragement and patronage. It may be that Isabel's a genius; but in that case I've not yet learned her special line. Mrs. Ludlow was especially keen about my taking her to Europe; they all regard Europe over there as a land of emigration, of rescue, a refuge for their superfluous population. Isabel herself seemed very glad to come, and the thing was easily arranged. There was a little difficulty about the money-question, as she seemed averse to being under pecuniary obligations. But she has a small income and she supposes herself to be travelling at her own expense." Ralph had listened attentively to this judicious report, by which his interest in the subject of it was not impaired. "Ah, if she's a genius," he said, "we must find out her special line. Is it by chance for flirting?" "I don't think so. You may suspect that at first, but you'll be wrong. You won't, I think, in any way, be easily right about her." "Warburton's wrong then!" Ralph rejoicingly exclaimed. "He flatters himself he has made that discovery." His mother shook her head. "Lord Warburton won't understand her. He needn't try." "He's very intelligent," said Ralph; "but it's right he should be puzzled once in a while." "Isabel will enjoy puzzling a lord," Mrs. Touchett remarked. Her son frowned a little. "What does she know about lords?" "Nothing at all: that will puzzle him all the more." Ralph greeted these words with a laugh and looked out of the window. Then, "Are you not going down to see my father?" he asked. "At a quarter to eight," said Mrs. Touchett. Her son looked at his watch. "You've another quarter of an hour then. Tell me some more about Isabel." After which, as Mrs. Touchett declined his invitation, declaring that he must find out for himself, "Well," he pursued, "she'll certainly do you credit. But won't she also give you trouble?" "I hope not; but if she does I shall not shrink from it. I never do that." "She strikes me as very natural," said Ralph. "Natural people are not the most trouble." "No," said Ralph; "you yourself are a proof of that. You're extremely natural, and I'm sure you have never troubled any one. It takes trouble to do that. But tell me this; it just occurs to me. Is Isabel capable of making herself disagreeable?" "Ah," cried his mother, "you ask too many questions! Find that out for yourself." His questions, however, were not exhausted. "All this time," he said, "you've not told me what you intend to do with her." "Do with her? You talk as if she were a yard of calico. I shall do absolutely nothing with her, and she herself will do everything she chooses. She gave me notice of that." "What you meant then, in your telegram, was that her character's independent." "I never know what I mean in my telegrams--especially those I send from America. Clearness is too expensive. Come down to your father." "It's not yet a quarter to eight," said Ralph. "I must allow for his impatience," Mrs. Touchett answered. Ralph knew what to think of his father's impatience; but, making no rejoinder, he offered his mother his arm. This put it in his power, as they descended together, to stop her a moment on the middle landing of the staircase--the broad, low, wide-armed staircase of time-blackened oak which was one of the most striking features of Gardencourt. "You've no plan of marrying her?" he smiled. "Marrying her? I should be sorry to play her such a trick! But apart from that, she's perfectly able to marry herself. She has every facility." "Do you mean to say she has a husband picked out?" "I don't know about a husband, but there's a young man in Boston--!" Ralph went on; he had no desire to hear about the young man in Boston. "As my father says, they're always engaged!" His mother had told him that he must satisfy his curiosity at the source, and it soon became evident he should not want for occasion. He had a good deal of talk with his young kinswoman when the two had been left together in the drawing-room. Lord Warburton, who had ridden over from his own house, some ten miles distant, remounted and took his departure before dinner; and an hour after this meal was ended Mr. and Mrs. Touchett, who appeared to have quite emptied the measure of their forms, withdrew, under the valid pretext of fatigue, to their respective apartments. The young man spent an hour with his cousin; though she had been travelling half the day she appeared in no degree spent. She was really tired; she knew it, and knew she should pay for it on the morrow; but it was her habit at this period to carry exhaustion to the furthest point and confess to it only when dissimulation broke down. A fine hypocrisy was for the present possible; she was interested; she was, as she said to herself, floated. She asked Ralph to show her the pictures; there were a great many in the house, most of them of his own choosing. The best were arranged in an oaken gallery, of charming proportions, which had a sitting-room at either end of it and which in the evening was usually lighted. The light was insufficient to show the pictures to advantage, and the visit might have stood over to the morrow. This suggestion Ralph had ventured to make; but Isabel looked disappointed--smiling still, however--and said: "If you please I should like to see them just a little." She was eager, she knew she was eager and now seemed so; she couldn't help it. "She doesn't take suggestions," Ralph said to himself; but he said it without irritation; her pressure amused and even pleased him. The lamps were on brackets, at intervals, and if the light was imperfect it was genial. It fell upon the vague squares of rich colour and on the faded gilding of heavy frames; it made a sheen on the polished floor of the gallery. Ralph took a candlestick and moved about, pointing out the things he liked; Isabel, inclining to one picture after another, indulged in little exclamations and murmurs. She was evidently a judge; she had a natural taste; he was struck with that. She took a candlestick herself and held it slowly here and there; she lifted it high, and as she did so he found himself pausing in the middle of the place and bending his eyes much less upon the pictures than on her presence. He lost nothing, in truth, by these wandering glances, for she was better worth looking at than most works of art. She was undeniably spare, and ponderably light, and proveably tall; when people had wished to distinguish her from the other two Miss Archers they had always called her the willowy one. Her hair, which was dark even to blackness, had been an object of envy to many women; her light grey eyes, a little too firm perhaps in her graver moments, had an enchanting range of concession. They walked slowly up one side of the gallery and down the other, and then she said: "Well, now I know more than I did when I began!" "You apparently have a great passion for knowledge," her cousin returned. "I think I have; most girls are horridly ignorant." "You strike me as different from most girls." "Ah, some of them would--but the way they're talked to!" murmured Isabel, who preferred not to dilate just yet on herself. Then in a moment, to change the subject, "Please tell me--isn't there a ghost?" she went on. "A ghost?" "A castle-spectre, a thing that appears. We call them ghosts in America." "So we do here, when we see them." "You do see them then? You ought to, in this romantic old house." "It's not a romantic old house," said Ralph. "You'll be disappointed if you count on that. It's a dismally prosaic one; there's no romance here but what you may have brought with you." "I've brought a great deal; but it seems to me I've brought it to the right place." "To keep it out of harm, certainly; nothing will ever happen to it here, between my father and me." Isabel looked at him a moment. "Is there never any one here but your father and you?" "My mother, of course." "Oh, I know your mother; she's not romantic. Haven't you other people?" "Very few." "I'm sorry for that; I like so much to see people." "Oh, we'll invite all the county to amuse you," said Ralph. "Now you're making fun of me," the girl answered rather gravely. "Who was the gentleman on the lawn when I arrived?" "A county neighbour; he doesn't come very often." "I'm sorry for that; I liked him," said Isabel. "Why, it seemed to me that you barely spoke to him," Ralph objected. "Never mind, I like him all the same. I like your father too, immensely." "You can't do better than that. He's the dearest of the dear." "I'm so sorry he is ill," said Isabel. "You must help me to nurse him; you ought to be a good nurse." "I don't think I am; I've been told I'm not; I'm said to have too many theories. But you haven't told me about the ghost," she added. Ralph, however, gave no heed to this observation. "You like my father and you like Lord Warburton. I infer also that you like my mother." "I like your mother very much, because--because--" And Isabel found herself attempting to assign a reason for her affection for Mrs. Touchett. "Ah, we never know why!" said her companion, laughing. "I always know why," the girl answered. "It's because she doesn't expect one to like her. She doesn't care whether one does or not." "So you adore her--out of perversity? Well, I take greatly after my mother," said Ralph. "I don't believe you do at all. You wish people to like you, and you try to make them do it." "Good heavens, how you see through one!" he cried with a dismay that was not altogether jocular. "But I like you all the same," his cousin went on. "The way to clinch the matter will be to show me the ghost." Ralph shook his head sadly. "I might show it to you, but you'd never see it. The privilege isn't given to every one; it's not enviable. It has never been seen by a young, happy, innocent person like you. You must have suffered first, have suffered greatly, have gained some miserable knowledge. In that way your eyes are opened to it. I saw it long ago," said Ralph. "I told you just now I'm very fond of knowledge," Isabel answered. "Yes, of happy knowledge--of pleasant knowledge. But you haven't suffered, and you're not made to suffer. I hope you'll never see the ghost!" She had listened to him attentively, with a smile on her lips, but with a certain gravity in her eyes. Charming as he found her, she had struck him as rather presumptuous--indeed it was a part of her charm; and he wondered what she would say. "I'm not afraid, you know," she said: which seemed quite presumptuous enough. "You're not afraid of suffering?" "Yes, I'm afraid of suffering. But I'm not afraid of ghosts. And I think people suffer too easily," she added. "I don't believe you do," said Ralph, looking at her with his hands in his pockets. "I don't think that's a fault," she answered. "It's not absolutely necessary to suffer; we were not made for that." "You were not, certainly." "I'm not speaking of myself." And she wandered off a little. "No, it isn't a fault," said her cousin. "It's a merit to be strong." "Only, if you don't suffer they call you hard," Isabel remarked. They passed out of the smaller drawing-room, into which they had returned from the gallery, and paused in the hall, at the foot of the staircase. Here Ralph presented his companion with her bedroom candle, which he had taken from a niche. "Never mind what they call you. When you do suffer they call you an idiot. The great point's to be as happy as possible." She looked at him a little; she had taken her candle and placed her foot on the oaken stair. "Well," she said, "that's what I came to Europe for, to be as happy as possible. Good-night." "Good-night! I wish you all success, and shall be very glad to contribute to it!" She turned away, and he watched her as she slowly ascended. Then, with his hands always in his pockets, he went back to the empty drawing-room.

Chapter 5

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-5

Ralph and his mother exchange pleasantries. While they chat, we find out some details on Ralph's past. After attending both Harvard and Oxford , Ralph took a position at his father's bank. At university, he was considered a very promising young man. Growing up, he admired his father more than anyone else. Sadly, Ralph fell ill while working at the bank, and never quite recovered. As a result, he stopped working to take care of his health. We don't know exactly what's wrong with him, but he has weak lungs. Ralph resigns himself to indifference in order to make his life seem less of a disappointment. Isabel's arrival, however, has gotten his blood flowing in a new way. He asks his mother what she means to do with Isabel. Mrs. Touchett plans to invite her to stay at Gardencourt for some weeks, then plans to take Isabel to France to buy clothes, and then to Florence in the autumn. Mrs. Touchett sees something special in Isabel, perhaps something that reminds her of herself. She thinks that Isabel might be a genius in some way. When Ralph asks too many questions about Isabel, Mrs. Touchett insists that he find out himself. Ralph finally straight-out asks Mrs. Touchett the question he's been wondering the whole time: does she plan to marry Isabel off? Mrs. Touchett replies that Isabel can do whatever she'd like. Ralph escorts his mother down to meet with his father. Ralph sits and talks with Isabel for an hour, while his parents chat, and Lord Warburton leaves to go home for dinner. Ralph and Isabel look at the paintings in the house. Ralph is impressed with Isabel's natural taste for art. Gardencourt being a large, old, very historic house, Isabel assumes that there's a family ghost. Ralph confesses that there is one and that he has seen it, but Isabel can't, because she hasn't suffered enough yet. This conversation is half-joking, half-serious. Isabel insists that she is not afraid of ghosts. Ralph hands her a candle to light the path to her room. Ralph returns to the drawing-room alone.

shmoop

all_chapterized_books/2833-chapters/06.txt

finished_summaries/shmoop/The Portrait of a Lady/section_5_part_0.txt

The Portrait of a Lady.chapter 6

chapter 6

{"name": "Chapter 6", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-6", "summary": "Finally, we get a detailed glimpse of young Miss Archer. Isabel thinks quite highly of herself - actually, everyone thinks quite highly of her. She's intelligent, creative, and, most certainly, in the words of Lord Warburton, an interesting woman. Her pride is one of her distinguishing characteristics - though it can come off as arrogance sometimes, she is the first to admit when she's made a mistake. Her greatest desire is to perfect herself. Isabel's best friend is Henrietta Stackpole, another independent, intelligent, and apparently quite interesting young woman. Henrietta is some kind of intrepid girl-reporter, and supports her sister's young children with her earnings. Isabel, like Henrietta, considers independence very important, and thinks that women should be able to live without men. She vaguely wonders about marriage, but has never been in love. Isabel reminds Mr. Touchett a little of the young Mrs. Touchett. Newly planted in English soil, Isabel is very curious to know about the country and its people. She asks Mr. Touchett if England really is how it's depicted in books. Mr. Touchett says that anything he's learned he's learned by observation and participation, not from second-hand sources. The amiable pair discusses the role of the American in England, undefined by social class. Mr. Touchett says that English people are very \"inconsistent,\" which pleases Isabel, since she herself is unpredictable, too.", "analysis": ""}

Isabel Archer was a young person of many theories; her imagination was remarkably active. It had been her fortune to possess a finer mind than most of the persons among whom her lot was cast; to have a larger perception of surrounding facts and to care for knowledge that was tinged with the unfamiliar. It is true that among her contemporaries she passed for a young woman of extraordinary profundity; for these excellent people never withheld their admiration from a reach of intellect of which they themselves were not conscious, and spoke of Isabel as a prodigy of learning, a creature reported to have read the classic authors--in translations. Her paternal aunt, Mrs. Varian, once spread the rumour that Isabel was writing a book--Mrs. Varian having a reverence for books, and averred that the girl would distinguish herself in print. Mrs. Varian thought highly of literature, for which she entertained that esteem that is connected with a sense of privation. Her own large house, remarkable for its assortment of mosaic tables and decorated ceilings, was unfurnished with a library, and in the way of printed volumes contained nothing but half a dozen novels in paper on a shelf in the apartment of one of the Miss Varians. Practically, Mrs. Varian's acquaintance with literature was confined to The New York Interviewer; as she very justly said, after you had read the Interviewer you had lost all faith in culture. Her tendency, with this, was rather to keep the Interviewer out of the way of her daughters; she was determined to bring them up properly, and they read nothing at all. Her impression with regard to Isabel's labours was quite illusory; the girl had never attempted to write a book and had no desire for the laurels of authorship. She had no talent for expression and too little of the consciousness of genius; she only had a general idea that people were right when they treated her as if she were rather superior. Whether or no she were superior, people were right in admiring her if they thought her so; for it seemed to her often that her mind moved more quickly than theirs, and this encouraged an impatience that might easily be confounded with superiority. It may be affirmed without delay that Isabel was probably very liable to the sin of self-esteem; she often surveyed with complacency the field of her own nature; she was in the habit of taking for granted, on scanty evidence, that she was right; she treated herself to occasions of homage. Meanwhile her errors and delusions were frequently such as a biographer interested in preserving the dignity of his subject must shrink from specifying. Her thoughts were a tangle of vague outlines which had never been corrected by the judgement of people speaking with authority. In matters of opinion she had had her own way, and it had led her into a thousand ridiculous zigzags. At moments she discovered she was grotesquely wrong, and then she treated herself to a week of passionate humility. After this she held her head higher than ever again; for it was of no use, she had an unquenchable desire to think well of herself. She had a theory that it was only under this provision life was worth living; that one should be one of the best, should be conscious of a fine organisation (she couldn't help knowing her organisation was fine), should move in a realm of light, of natural wisdom, of happy impulse, of inspiration gracefully chronic. It was almost as unnecessary to cultivate doubt of one's self as to cultivate doubt of one's best friend: one should try to be one's own best friend and to give one's self, in this manner, distinguished company. The girl had a certain nobleness of imagination which rendered her a good many services and played her a great many tricks. She spent half her time in thinking of beauty and bravery and magnanimity; she had a fixed determination to regard the world as a place of brightness, of free expansion, of irresistible action: she held it must be detestable to be afraid or ashamed. She had an infinite hope that she should never do anything wrong. She had resented so strongly, after discovering them, her mere errors of feeling (the discovery always made her tremble as if she had escaped from a trap which might have caught her and smothered her) that the chance of inflicting a sensible injury upon another person, presented only as a contingency, caused her at moments to hold her breath. That always struck her as the worst thing that could happen to her. On the whole, reflectively, she was in no uncertainty about the things that were wrong. She had no love of their look, but when she fixed them hard she recognised them. It was wrong to be mean, to be jealous, to be false, to be cruel; she had seen very little of the evil of the world, but she had seen women who lied and who tried to hurt each other. Seeing such things had quickened her high spirit; it seemed indecent not to scorn them. Of course the danger of a high spirit was the danger of inconsistency--the danger of keeping up the flag after the place has surrendered; a sort of behaviour so crooked as to be almost a dishonour to the flag. But Isabel, who knew little of the sorts of artillery to which young women are exposed, flattered herself that such contradictions would never be noted in her own conduct. Her life should always be in harmony with the most pleasing impression she should produce; she would be what she appeared, and she would appear what she was. Sometimes she went so far as to wish that she might find herself some day in a difficult position, so that she should have the pleasure of being as heroic as the occasion demanded. Altogether, with her meagre knowledge, her inflated ideals, her confidence at once innocent and dogmatic, her temper at once exacting and indulgent, her mixture of curiosity and fastidiousness, of vivacity and indifference, her desire to look very well and to be if possible even better, her determination to see, to try, to know, her combination of the delicate, desultory, flame-like spirit and the eager and personal creature of conditions: she would be an easy victim of scientific criticism if she were not intended to awaken on the reader's part an impulse more tender and more purely expectant. It was one of her theories that Isabel Archer was very fortunate in being independent, and that she ought to make some very enlightened use of that state. She never called it the state of solitude, much less of singleness; she thought such descriptions weak, and, besides, her sister Lily constantly urged her to come and abide. She had a friend whose acquaintance she had made shortly before her father's death, who offered so high an example of useful activity that Isabel always thought of her as a model. Henrietta Stackpole had the advantage of an admired ability; she was thoroughly launched in journalism, and her letters to the Interviewer, from Washington, Newport, the White Mountains and other places, were universally quoted. Isabel pronounced them with confidence "ephemeral," but she esteemed the courage, energy and good-humour of the writer, who, without parents and without property, had adopted three of the children of an infirm and widowed sister and was paying their school-bills out of the proceeds of her literary labour. Henrietta was in the van of progress and had clear-cut views on most subjects; her cherished desire had long been to come to Europe and write a series of letters to the Interviewer from the radical point of view--an enterprise the less difficult as she knew perfectly in advance what her opinions would be and to how many objections most European institutions lay open. When she heard that Isabel was coming she wished to start at once; thinking, naturally, that it would be delightful the two should travel together. She had been obliged, however, to postpone this enterprise. She thought Isabel a glorious creature, and had spoken of her covertly in some of her letters, though she never mentioned the fact to her friend, who would not have taken pleasure in it and was not a regular student of the Interviewer. Henrietta, for Isabel, was chiefly a proof that a woman might suffice to herself and be happy. Her resources were of the obvious kind; but even if one had not the journalistic talent and a genius for guessing, as Henrietta said, what the public was going to want, one was not therefore to conclude that one had no vocation, no beneficent aptitude of any sort, and resign one's self to being frivolous and hollow. Isabel was stoutly determined not to be hollow. If one should wait with the right patience one would find some happy work to one's hand. Of course, among her theories, this young lady was not without a collection of views on the subject of marriage. The first on the list was a conviction of the vulgarity of thinking too much of it. From lapsing into eagerness on this point she earnestly prayed she might be delivered; she held that a woman ought to be able to live to herself, in the absence of exceptional flimsiness, and that it was perfectly possible to be happy without the society of a more or less coarse-minded person of another sex. The girl's prayer was very sufficiently answered; something pure and proud that there was in her--something cold and dry an unappreciated suitor with a taste for analysis might have called it--had hitherto kept her from any great vanity of conjecture on the article of possible husbands. Few of the men she saw seemed worth a ruinous expenditure, and it made her smile to think that one of them should present himself as an incentive to hope and a reward of patience. Deep in her soul--it was the deepest thing there--lay a belief that if a certain light should dawn she could give herself completely; but this image, on the whole, was too formidable to be attractive. Isabel's thoughts hovered about it, but they seldom rested on it long; after a little it ended in alarms. It often seemed to her that she thought too much about herself; you could have made her colour, any day in the year, by calling her a rank egoist. She was always planning out her development, desiring her perfection, observing her progress. Her nature had, in her conceit, a certain garden-like quality, a suggestion of perfume and murmuring boughs, of shady bowers and lengthening vistas, which made her feel that introspection was, after all, an exercise in the open air, and that a visit to the recesses of one's spirit was harmless when one returned from it with a lapful of roses. But she was often reminded that there were other gardens in the world than those of her remarkable soul, and that there were moreover a great many places which were not gardens at all--only dusky pestiferous tracts, planted thick with ugliness and misery. In the current of that repaid curiosity on which she had lately been floating, which had conveyed her to this beautiful old England and might carry her much further still, she often checked herself with the thought of the thousands of people who were less happy than herself--a thought which for the moment made her fine, full consciousness appear a kind of immodesty. What should one do with the misery of the world in a scheme of the agreeable for one's self? It must be confessed that this question never held her long. She was too young, too impatient to live, too unacquainted with pain. She always returned to her theory that a young woman whom after all every one thought clever should begin by getting a general impression of life. This impression was necessary to prevent mistakes, and after it should be secured she might make the unfortunate condition of others a subject of special attention. England was a revelation to her, and she found herself as diverted as a child at a pantomime. In her infantine excursions to Europe she had seen only the Continent, and seen it from the nursery window; Paris, not London, was her father's Mecca, and into many of his interests there his children had naturally not entered. The images of that time moreover had grown faint and remote, and the old-world quality in everything that she now saw had all the charm of strangeness. Her uncle's house seemed a picture made real; no refinement of the agreeable was lost upon Isabel; the rich perfection of Gardencourt at once revealed a world and gratified a need. The large, low rooms, with brown ceilings and dusky corners, the deep embrasures and curious casements, the quiet light on dark, polished panels, the deep greenness outside, that seemed always peeping in, the sense of well-ordered privacy in the centre of a "property"--a place where sounds were felicitously accidental, where the tread was muffed by the earth itself and in the thick mild air all friction dropped out of contact and all shrillness out of talk--these things were much to the taste of our young lady, whose taste played a considerable part in her emotions. She formed a fast friendship with her uncle, and often sat by his chair when he had had it moved out to the lawn. He passed hours in the open air, sitting with folded hands like a placid, homely household god, a god of service, who had done his work and received his wages and was trying to grow used to weeks and months made up only of off-days. Isabel amused him more than she suspected--the effect she produced upon people was often different from what she supposed--and he frequently gave himself the pleasure of making her chatter. It was by this term that he qualified her conversation, which had much of the "point" observable in that of the young ladies of her country, to whom the ear of the world is more directly presented than to their sisters in other lands. Like the mass of American girls Isabel had been encouraged to express herself; her remarks had been attended to; she had been expected to have emotions and opinions. Many of her opinions had doubtless but a slender value, many of her emotions passed away in the utterance; but they had left a trace in giving her the habit of seeming at least to feel and think, and in imparting moreover to her words when she was really moved that prompt vividness which so many people had regarded as a sign of superiority. Mr. Touchett used to think that she reminded him of his wife when his wife was in her teens. It was because she was fresh and natural and quick to understand, to speak--so many characteristics of her niece--that he had fallen in love with Mrs. Touchett. He never expressed this analogy to the girl herself, however; for if Mrs. Touchett had once been like Isabel, Isabel was not at all like Mrs. Touchett. The old man was full of kindness for her; it was a long time, as he said, since they had had any young life in the house; and our rustling, quickly-moving, clear-voiced heroine was as agreeable to his sense as the sound of flowing water. He wanted to do something for her and wished she would ask it of him. She would ask nothing but questions; it is true that of these she asked a quantity. Her uncle had a great fund of answers, though her pressure sometimes came in forms that puzzled him. She questioned him immensely about England, about the British constitution, the English character, the state of politics, the manners and customs of the royal family, the peculiarities of the aristocracy, the way of living and thinking of his neighbours; and in begging to be enlightened on these points she usually enquired whether they corresponded with the descriptions in the books. The old man always looked at her a little with his fine dry smile while he smoothed down the shawl spread across his legs. "The books?" he once said; "well, I don't know much about the books. You must ask Ralph about that. I've always ascertained for myself--got my information in the natural form. I never asked many questions even; I just kept quiet and took notice. Of course I've had very good opportunities--better than what a young lady would naturally have. I'm of an inquisitive disposition, though you mightn't think it if you were to watch me: however much you might watch me I should be watching you more. I've been watching these people for upwards of thirty-five years, and I don't hesitate to say that I've acquired considerable information. It's a very fine country on the whole--finer perhaps than what we give it credit for on the other side. Several improvements I should like to see introduced; but the necessity of them doesn't seem to be generally felt as yet. When the necessity of a thing is generally felt they usually manage to accomplish it; but they seem to feel pretty comfortable about waiting till then. I certainly feel more at home among them than I expected to when I first came over; I suppose it's because I've had a considerable degree of success. When you're successful you naturally feel more at home." "Do you suppose that if I'm successful I shall feel at home?" Isabel asked. "I should think it very probable, and you certainly will be successful. They like American young ladies very much over here; they show them a great deal of kindness. But you mustn't feel too much at home, you know." "Oh, I'm by no means sure it will satisfy me," Isabel judicially emphasised. "I like the place very much, but I'm not sure I shall like the people." "The people are very good people; especially if you like them." "I've no doubt they're good," Isabel rejoined; "but are they pleasant in society? They won't rob me nor beat me; but will they make themselves agreeable to me? That's what I like people to do. I don't hesitate to say so, because I always appreciate it. I don't believe they're very nice to girls; they're not nice to them in the novels." "I don't know about the novels," said Mr. Touchett. "I believe the novels have a great deal but I don't suppose they're very accurate. We once had a lady who wrote novels staying here; she was a friend of Ralph's and he asked her down. She was very positive, quite up to everything; but she was not the sort of person you could depend on for evidence. Too free a fancy--I suppose that was it. She afterwards published a work of fiction in which she was understood to have given a representation--something in the nature of a caricature, as you might say--of my unworthy self. I didn't read it, but Ralph just handed me the book with the principal passages marked. It was understood to be a description of my conversation; American peculiarities, nasal twang, Yankee notions, stars and stripes. Well, it was not at all accurate; she couldn't have listened very attentively. I had no objection to her giving a report of my conversation, if she liked but I didn't like the idea that she hadn't taken the trouble to listen to it. Of course I talk like an American--I can't talk like a Hottentot. However I talk, I've made them understand me pretty well over here. But I don't talk like the old gentleman in that lady's novel. He wasn't an American; we wouldn't have him over there at any price. I just mention that fact to show you that they're not always accurate. Of course, as I've no daughters, and as Mrs. Touchett resides in Florence, I haven't had much chance to notice about the young ladies. It sometimes appears as if the young women in the lower class were not very well treated; but I guess their position is better in the upper and even to some extent in the middle." "Gracious," Isabel exclaimed; "how many classes have they? About fifty, I suppose." "Well, I don't know that I ever counted them. I never took much notice of the classes. That's the advantage of being an American here; you don't belong to any class." "I hope so," said Isabel. "Imagine one's belonging to an English class!" "Well, I guess some of them are pretty comfortable--especially towards the top. But for me there are only two classes: the people I trust and the people I don't. Of those two, my dear Isabel, you belong to the first." "I'm much obliged to you," said the girl quickly. Her way of taking compliments seemed sometimes rather dry; she got rid of them as rapidly as possible. But as regards this she was sometimes misjudged; she was thought insensible to them, whereas in fact she was simply unwilling to show how infinitely they pleased her. To show that was to show too much. "I'm sure the English are very conventional," she added. "They've got everything pretty well fixed," Mr. Touchett admitted. "It's all settled beforehand--they don't leave it to the last moment." "I don't like to have everything settled beforehand," said the girl. "I like more unexpectedness." Her uncle seemed amused at her distinctness of preference. "Well, it's settled beforehand that you'll have great success," he rejoined. "I suppose you'll like that." "I shall not have success if they're too stupidly conventional. I'm not in the least stupidly conventional. I'm just the contrary. That's what they won't like." "No, no, you're all wrong," said the old man. "You can't tell what they'll like. They're very inconsistent; that's their principal interest." "Ah well," said Isabel, standing before her uncle with her hands clasped about the belt of her black dress and looking up and down the lawn--"that will suit me perfectly!"

Chapter 6

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-6

Finally, we get a detailed glimpse of young Miss Archer. Isabel thinks quite highly of herself - actually, everyone thinks quite highly of her. She's intelligent, creative, and, most certainly, in the words of Lord Warburton, an interesting woman. Her pride is one of her distinguishing characteristics - though it can come off as arrogance sometimes, she is the first to admit when she's made a mistake. Her greatest desire is to perfect herself. Isabel's best friend is Henrietta Stackpole, another independent, intelligent, and apparently quite interesting young woman. Henrietta is some kind of intrepid girl-reporter, and supports her sister's young children with her earnings. Isabel, like Henrietta, considers independence very important, and thinks that women should be able to live without men. She vaguely wonders about marriage, but has never been in love. Isabel reminds Mr. Touchett a little of the young Mrs. Touchett. Newly planted in English soil, Isabel is very curious to know about the country and its people. She asks Mr. Touchett if England really is how it's depicted in books. Mr. Touchett says that anything he's learned he's learned by observation and participation, not from second-hand sources. The amiable pair discusses the role of the American in England, undefined by social class. Mr. Touchett says that English people are very "inconsistent," which pleases Isabel, since she herself is unpredictable, too.

shmoop

all_chapterized_books/2833-chapters/07.txt

finished_summaries/shmoop/The Portrait of a Lady/section_6_part_0.txt

The Portrait of a Lady.chapter 7

chapter 7

{"name": "Chapter 7", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-7", "summary": "As interested as Isabel is in English society, she has seen very little of it. Mrs. Touchett has few contacts in the neighborhood, and Mr. Touchett and Ralph are accustomed to keeping to themselves. Lord Warburton is the lone exception. Mrs. Touchett is too funny - she doesn't visit anyone in the neighborhood herself, but she does love it when people visit her and leave their calling cards. Isabel asks her aunt what her national identity is. She claims that her point of view is distinctly American, but Mrs. Touchett's is neither American nor English. Mrs. Touchett responds that her point of view is personal and not assigned to a nation. Isabel sees the sense in this. Isabel aligns herself so much as an American that Ralph jokingly draws a picture of her as Columbia wrapped up in the American flag. Isabel doubts that Ralph really cares about anything, since he jokes so much and criticizes most things. Ralph says that he cares about her alone. It turns out that he's not completely joking about this. Ralph has worried ever since Mr. Touchett's gout has gotten worse. He cannot bear the thought of living without his father, and has been paranoid ever since. Isabel's presence, however, is a bright spot in his life. Ralph has decided, however, that he doesn't have the hots for Isabel. He just thinks she's fascinating and enjoys spending time with her. He compares her arrival to the surprise delivery of a precious Titian painting in the mail. Ralph is Isabel's tour guide, especially since neither of his parents take on the role . They go by horse and boat through the local countryside, with Isabel taking the reins, literally and figuratively, on their adventures. One day, upon their return, they find Lord Warburton chatting with Mrs. Touchett in the garden. Isabel had decided, upon first meeting Lord Warburton, that she liked him. Who wouldn't? He's a generally great guy, as far as all of us can tell. Lord Warburton stays overnight at Gardencourt for a couple of days, clearly lured in by Isabel's company. One night, Ralph, Isabel, Lord Warburton and Mrs. Touchett are in the drawing room. Mrs. Touchett gets up to retire for the night and expects Isabel to follow her. Isabel says she would rather not, since she's having such fun with the guys. Mrs. Touchett puts on a martyr act and says she'll stay up too, if she must. Isabel, confused, doesn't get what her aunt means by all of this. They have a little spat - Mrs. Touchett reminds Isabel that she's not in Albany anymore. Isabel gives in and says she'll go to bed. Mrs. Touchett explains to Isabel that, in England, proper ladies are not supposed to stay up at night alone with men. This is news to Isabel, and she asks that her aunt always tell her of different social standards she might not know about. Mrs. Touchett asks Isabel if she only wants to know about the rules just so she can rebel against them. Isabel coolly says that she would like to choose whether to obey or not.", "analysis": ""}

The two amused themselves, time and again, with talking of the attitude of the British public as if the young lady had been in a position to appeal to it; but in fact the British public remained for the present profoundly indifferent to Miss Isabel Archer, whose fortune had dropped her, as her cousin said, into the dullest house in England. Her gouty uncle received very little company, and Mrs. Touchett, not having cultivated relations with her husband's neighbours, was not warranted in expecting visits from them. She had, however, a peculiar taste; she liked to receive cards. For what is usually called social intercourse she had very little relish; but nothing pleased her more than to find her hall-table whitened with oblong morsels of symbolic pasteboard. She flattered herself that she was a very just woman, and had mastered the sovereign truth that nothing in this world is got for nothing. She had played no social part as mistress of Gardencourt, and it was not to be supposed that, in the surrounding country, a minute account should be kept of her comings and goings. But it is by no means certain that she did not feel it to be wrong that so little notice was taken of them and that her failure (really very gratuitous) to make herself important in the neighbourhood had not much to do with the acrimony of her allusions to her husband's adopted country. Isabel presently found herself in the singular situation of defending the British constitution against her aunt; Mrs. Touchett having formed the habit of sticking pins into this venerable instrument. Isabel always felt an impulse to pull out the pins; not that she imagined they inflicted any damage on the tough old parchment, but because it seemed to her her aunt might make better use of her sharpness. She was very critical herself--it was incidental to her age, her sex and her nationality; but she was very sentimental as well, and there was something in Mrs. Touchett's dryness that set her own moral fountains flowing. "Now what's your point of view?" she asked of her aunt. "When you criticise everything here you should have a point of view. Yours doesn't seem to be American--you thought everything over there so disagreeable. When I criticise I have mine; it's thoroughly American!" "My dear young lady," said Mrs. Touchett, "there are as many points of view in the world as there are people of sense to take them. You may say that doesn't make them very numerous! American? Never in the world; that's shockingly narrow. My point of view, thank God, is personal!" Isabel thought this a better answer than she admitted; it was a tolerable description of her own manner of judging, but it would not have sounded well for her to say so. On the lips of a person less advanced in life and less enlightened by experience than Mrs. Touchett such a declaration would savour of immodesty, even of arrogance. She risked it nevertheless in talking with Ralph, with whom she talked a great deal and with whom her conversation was of a sort that gave a large licence to extravagance. Her cousin used, as the phrase is, to chaff her; he very soon established with her a reputation for treating everything as a joke, and he was not a man to neglect the privileges such a reputation conferred. She accused him of an odious want of seriousness, of laughing at all things, beginning with himself. Such slender faculty of reverence as he possessed centred wholly upon his father; for the rest, he exercised his wit indifferently upon his father's son, this gentleman's weak lungs, his useless life, his fantastic mother, his friends (Lord Warburton in especial), his adopted, and his native country, his charming new-found cousin. "I keep a band of music in my ante-room," he said once to her. "It has orders to play without stopping; it renders me two excellent services. It keeps the sounds of the world from reaching the private apartments, and it makes the world think that dancing's going on within." It was dance-music indeed that you usually heard when you came within ear-shot of Ralph's band; the liveliest waltzes seemed to float upon the air. Isabel often found herself irritated by this perpetual fiddling; she would have liked to pass through the ante-room, as her cousin called it, and enter the private apartments. It mattered little that he had assured her they were a very dismal place; she would have been glad to undertake to sweep them and set them in order. It was but half-hospitality to let her remain outside; to punish him for which Isabel administered innumerable taps with the ferule of her straight young wit. It must be said that her wit was exercised to a large extent in self-defence, for her cousin amused himself with calling her "Columbia" and accusing her of a patriotism so heated that it scorched. He drew a caricature of her in which she was represented as a very pretty young woman dressed, on the lines of the prevailing fashion, in the folds of the national banner. Isabel's chief dread in life at this period of her development was that she should appear narrow-minded; what she feared next afterwards was that she should really be so. But she nevertheless made no scruple of abounding in her cousin's sense and pretending to sigh for the charms of her native land. She would be as American as it pleased him to regard her, and if he chose to laugh at her she would give him plenty of occupation. She defended England against his mother, but when Ralph sang its praises on purpose, as she said, to work her up, she found herself able to differ from him on a variety of points. In fact, the quality of this small ripe country seemed as sweet to her as the taste of an October pear; and her satisfaction was at the root of the good spirits which enabled her to take her cousin's chaff and return it in kind. If her good-humour flagged at moments it was not because she thought herself ill-used, but because she suddenly felt sorry for Ralph. It seemed to her he was talking as a blind and had little heart in what he said. "I don't know what's the matter with you," she observed to him once; "but I suspect you're a great humbug." "That's your privilege," Ralph answered, who had not been used to being so crudely addressed. "I don't know what you care for; I don't think you care for anything. You don't really care for England when you praise it; you don't care for America even when you pretend to abuse it." "I care for nothing but you, dear cousin," said Ralph. "If I could believe even that, I should be very glad." "Ah well, I should hope so!" the young man exclaimed. Isabel might have believed it and not have been far from the truth. He thought a great deal about her; she was constantly present to his mind. At a time when his thoughts had been a good deal of a burden to him her sudden arrival, which promised nothing and was an open-handed gift of fate, had refreshed and quickened them, given them wings and something to fly for. Poor Ralph had been for many weeks steeped in melancholy; his outlook, habitually sombre, lay under the shadow of a deeper cloud. He had grown anxious about his father, whose gout, hitherto confined to his legs, had begun to ascend into regions more vital. The old man had been gravely ill in the spring, and the doctors had whispered to Ralph that another attack would be less easy to deal with. Just now he appeared disburdened of pain, but Ralph could not rid himself of a suspicion that this was a subterfuge of the enemy, who was waiting to take him off his guard. If the manoeuvre should succeed there would be little hope of any great resistance. Ralph had always taken for granted that his father would survive him--that his own name would be the first grimly called. The father and son had been close companions, and the idea of being left alone with the remnant of a tasteless life on his hands was not gratifying to the young man, who had always and tacitly counted upon his elder's help in making the best of a poor business. At the prospect of losing his great motive Ralph lost indeed his one inspiration. If they might die at the same time it would be all very well; but without the encouragement of his father's society he should barely have patience to await his own turn. He had not the incentive of feeling that he was indispensable to his mother; it was a rule with his mother to have no regrets. He bethought himself of course that it had been a small kindness to his father to wish that, of the two, the active rather than the passive party should know the felt wound; he remembered that the old man had always treated his own forecast of an early end as a clever fallacy, which he should be delighted to discredit so far as he might by dying first. But of the two triumphs, that of refuting a sophistical son and that of holding on a while longer to a state of being which, with all abatements, he enjoyed, Ralph deemed it no sin to hope the latter might be vouchsafed to Mr. Touchett. These were nice questions, but Isabel's arrival put a stop to his puzzling over them. It even suggested there might be a compensation for the intolerable ennui of surviving his genial sire. He wondered whether he were harbouring "love" for this spontaneous young woman from Albany; but he judged that on the whole he was not. After he had known her for a week he quite made up his mind to this, and every day he felt a little more sure. Lord Warburton had been right about her; she was a really interesting little figure. Ralph wondered how their neighbour had found it out so soon; and then he said it was only another proof of his friend's high abilities, which he had always greatly admired. If his cousin were to be nothing more than an entertainment to him, Ralph was conscious she was an entertainment of a high order. "A character like that," he said to himself--"a real little passionate force to see at play is the finest thing in nature. It's finer than the finest work of art--than a Greek bas-relief, than a great Titian, than a Gothic cathedral. It's very pleasant to be so well treated where one had least looked for it. I had never been more blue, more bored, than for a week before she came; I had never expected less that anything pleasant would happen. Suddenly I receive a Titian, by the post, to hang on my wall--a Greek bas-relief to stick over my chimney-piece. The key of a beautiful edifice is thrust into my hand, and I'm told to walk in and admire. My poor boy, you've been sadly ungrateful, and now you had better keep very quiet and never grumble again." The sentiment of these reflexions was very just; but it was not exactly true that Ralph Touchett had had a key put into his hand. His cousin was a very brilliant girl, who would take, as he said, a good deal of knowing; but she needed the knowing, and his attitude with regard to her, though it was contemplative and critical, was not judicial. He surveyed the edifice from the outside and admired it greatly; he looked in at the windows and received an impression of proportions equally fair. But he felt that he saw it only by glimpses and that he had not yet stood under the roof. The door was fastened, and though he had keys in his pocket he had a conviction that none of them would fit. She was intelligent and generous; it was a fine free nature; but what was she going to do with herself? This question was irregular, for with most women one had no occasion to ask it. Most women did with themselves nothing at all; they waited, in attitudes more or less gracefully passive, for a man to come that way and furnish them with a destiny. Isabel's originality was that she gave one an impression of having intentions of her own. "Whenever she executes them," said Ralph, "may I be there to see!" It devolved upon him of course to do the honours of the place. Mr. Touchett was confined to his chair, and his wife's position was that of rather a grim visitor; so that in the line of conduct that opened itself to Ralph duty and inclination were harmoniously mixed. He was not a great walker, but he strolled about the grounds with his cousin--a pastime for which the weather remained favourable with a persistency not allowed for in Isabel's somewhat lugubrious prevision of the climate; and in the long afternoons, of which the length was but the measure of her gratified eagerness, they took a boat on the river, the dear little river, as Isabel called it, where the opposite shore seemed still a part of the foreground of the landscape; or drove over the country in a phaeton--a low, capacious, thick-wheeled phaeton formerly much used by Mr. Touchett, but which he had now ceased to enjoy. Isabel enjoyed it largely and, handling the reins in a manner which approved itself to the groom as "knowing," was never weary of driving her uncle's capital horses through winding lanes and byways full of the rural incidents she had confidently expected to find; past cottages thatched and timbered, past ale-houses latticed and sanded, past patches of ancient common and glimpses of empty parks, between hedgerows made thick by midsummer. When they reached home they usually found tea had been served on the lawn and that Mrs. Touchett had not shrunk from the extremity of handing her husband his cup. But the two for the most part sat silent; the old man with his head back and his eyes closed, his wife occupied with her knitting and wearing that appearance of rare profundity with which some ladies consider the movement of their needles. One day, however, a visitor had arrived. The two young persons, after spending an hour on the river, strolled back to the house and perceived Lord Warburton sitting under the trees and engaged in conversation, of which even at a distance the desultory character was appreciable, with Mrs. Touchett. He had driven over from his own place with a portmanteau and had asked, as the father and son often invited him to do, for a dinner and a lodging. Isabel, seeing him for half an hour on the day of her arrival, had discovered in this brief space that she liked him; he had indeed rather sharply registered himself on her fine sense and she had thought of him several times. She had hoped she should see him again--hoped too that she should see a few others. Gardencourt was not dull; the place itself was sovereign, her uncle was more and more a sort of golden grandfather, and Ralph was unlike any cousin she had ever encountered--her idea of cousins having tended to gloom. Then her impressions were still so fresh and so quickly renewed that there was as yet hardly a hint of vacancy in the view. But Isabel had need to remind herself that she was interested in human nature and that her foremost hope in coming abroad had been that she should see a great many people. When Ralph said to her, as he had done several times, "I wonder you find this endurable; you ought to see some of the neighbours and some of our friends, because we have really got a few, though you would never suppose it"--when he offered to invite what he called a "lot of people" and make her acquainted with English society, she encouraged the hospitable impulse and promised in advance to hurl herself into the fray. Little, however, for the present, had come of his offers, and it may be confided to the reader that if the young man delayed to carry them out it was because he found the labour of providing for his companion by no means so severe as to require extraneous help. Isabel had spoken to him very often about "specimens;" it was a word that played a considerable part in her vocabulary; she had given him to understand that she wished to see English society illustrated by eminent cases. "Well now, there's a specimen," he said to her as they walked up from the riverside and he recognised Lord Warburton. "A specimen of what?" asked the girl. "A specimen of an English gentleman." "Do you mean they're all like him?" "Oh no; they're not all like him." "He's a favourable specimen then," said Isabel; "because I'm sure he's nice." "Yes, he's very nice. And he's very fortunate." The fortunate Lord Warburton exchanged a handshake with our heroine and hoped she was very well. "But I needn't ask that," he said, "since you've been handling the oars." "I've been rowing a little," Isabel answered; "but how should you know it?" "Oh, I know he doesn't row; he's too lazy," said his lordship, indicating Ralph Touchett with a laugh. "He has a good excuse for his laziness," Isabel rejoined, lowering her voice a little. "Ah, he has a good excuse for everything!" cried Lord Warburton, still with his sonorous mirth. "My excuse for not rowing is that my cousin rows so well," said Ralph. "She does everything well. She touches nothing that she doesn't adorn!" "It makes one want to be touched, Miss Archer," Lord Warburton declared. "Be touched in the right sense and you'll never look the worse for it," said Isabel, who, if it pleased her to hear it said that her accomplishments were numerous, was happily able to reflect that such complacency was not the indication of a feeble mind, inasmuch as there were several things in which she excelled. Her desire to think well of herself had at least the element of humility that it always needed to be supported by proof. Lord Warburton not only spent the night at Gardencourt, but he was persuaded to remain over the second day; and when the second day was ended he determined to postpone his departure till the morrow. During this period he addressed many of his remarks to Isabel, who accepted this evidence of his esteem with a very good grace. She found herself liking him extremely; the first impression he had made on her had had weight, but at the end of an evening spent in his society she scarce fell short of seeing him--though quite without luridity--as a hero of romance. She retired to rest with a sense of good fortune, with a quickened consciousness of possible felicities. "It's very nice to know two such charming people as those," she said, meaning by "those" her cousin and her cousin's friend. It must be added moreover that an incident had occurred which might have seemed to put her good-humour to the test. Mr. Touchett went to bed at half-past nine o'clock, but his wife remained in the drawing-room with the other members of the party. She prolonged her vigil for something less than an hour, and then, rising, observed to Isabel that it was time they should bid the gentlemen good-night. Isabel had as yet no desire to go to bed; the occasion wore, to her sense, a festive character, and feasts were not in the habit of terminating so early. So, without further thought, she replied, very simply-- "Need I go, dear aunt? I'll come up in half an hour." "It's impossible I should wait for you," Mrs. Touchett answered. "Ah, you needn't wait! Ralph will light my candle," Isabel gaily engaged. "I'll light your candle; do let me light your candle, Miss Archer!" Lord Warburton exclaimed. "Only I beg it shall not be before midnight." Mrs. Touchett fixed her bright little eyes upon him a moment and transferred them coldly to her niece. "You can't stay alone with the gentlemen. You're not--you're not at your blest Albany, my dear." Isabel rose, blushing. "I wish I were," she said. "Oh, I say, mother!" Ralph broke out. "My dear Mrs. Touchett!" Lord Warburton murmured. "I didn't make your country, my lord," Mrs. Touchett said majestically. "I must take it as I find it." "Can't I stay with my own cousin?" Isabel enquired. "I'm not aware that Lord Warburton is your cousin." "Perhaps I had better go to bed!" the visitor suggested. "That will arrange it." Mrs. Touchett gave a little look of despair and sat down again. "Oh, if it's necessary I'll stay up till midnight." Ralph meanwhile handed Isabel her candlestick. He had been watching her; it had seemed to him her temper was involved--an accident that might be interesting. But if he had expected anything of a flare he was disappointed, for the girl simply laughed a little, nodded good-night and withdrew accompanied by her aunt. For himself he was annoyed at his mother, though he thought she was right. Above-stairs the two ladies separated at Mrs. Touchett's door. Isabel had said nothing on her way up. "Of course you're vexed at my interfering with you," said Mrs. Touchett. Isabel considered. "I'm not vexed, but I'm surprised--and a good deal mystified. Wasn't it proper I should remain in the drawing-room?" "Not in the least. Young girls here--in decent houses--don't sit alone with the gentlemen late at night." "You were very right to tell me then," said Isabel. "I don't understand it, but I'm very glad to know it. "I shall always tell you," her aunt answered, "whenever I see you taking what seems to me too much liberty." "Pray do; but I don't say I shall always think your remonstrance just." "Very likely not. You're too fond of your own ways." "Yes, I think I'm very fond of them. But I always want to know the things one shouldn't do." "So as to do them?" asked her aunt. "So as to choose," said Isabel.

Chapter 7

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-7

As interested as Isabel is in English society, she has seen very little of it. Mrs. Touchett has few contacts in the neighborhood, and Mr. Touchett and Ralph are accustomed to keeping to themselves. Lord Warburton is the lone exception. Mrs. Touchett is too funny - she doesn't visit anyone in the neighborhood herself, but she does love it when people visit her and leave their calling cards. Isabel asks her aunt what her national identity is. She claims that her point of view is distinctly American, but Mrs. Touchett's is neither American nor English. Mrs. Touchett responds that her point of view is personal and not assigned to a nation. Isabel sees the sense in this. Isabel aligns herself so much as an American that Ralph jokingly draws a picture of her as Columbia wrapped up in the American flag. Isabel doubts that Ralph really cares about anything, since he jokes so much and criticizes most things. Ralph says that he cares about her alone. It turns out that he's not completely joking about this. Ralph has worried ever since Mr. Touchett's gout has gotten worse. He cannot bear the thought of living without his father, and has been paranoid ever since. Isabel's presence, however, is a bright spot in his life. Ralph has decided, however, that he doesn't have the hots for Isabel. He just thinks she's fascinating and enjoys spending time with her. He compares her arrival to the surprise delivery of a precious Titian painting in the mail. Ralph is Isabel's tour guide, especially since neither of his parents take on the role . They go by horse and boat through the local countryside, with Isabel taking the reins, literally and figuratively, on their adventures. One day, upon their return, they find Lord Warburton chatting with Mrs. Touchett in the garden. Isabel had decided, upon first meeting Lord Warburton, that she liked him. Who wouldn't? He's a generally great guy, as far as all of us can tell. Lord Warburton stays overnight at Gardencourt for a couple of days, clearly lured in by Isabel's company. One night, Ralph, Isabel, Lord Warburton and Mrs. Touchett are in the drawing room. Mrs. Touchett gets up to retire for the night and expects Isabel to follow her. Isabel says she would rather not, since she's having such fun with the guys. Mrs. Touchett puts on a martyr act and says she'll stay up too, if she must. Isabel, confused, doesn't get what her aunt means by all of this. They have a little spat - Mrs. Touchett reminds Isabel that she's not in Albany anymore. Isabel gives in and says she'll go to bed. Mrs. Touchett explains to Isabel that, in England, proper ladies are not supposed to stay up at night alone with men. This is news to Isabel, and she asks that her aunt always tell her of different social standards she might not know about. Mrs. Touchett asks Isabel if she only wants to know about the rules just so she can rebel against them. Isabel coolly says that she would like to choose whether to obey or not.

shmoop

all_chapterized_books/2833-chapters/08.txt

finished_summaries/shmoop/The Portrait of a Lady/section_7_part_0.txt

The Portrait of a Lady.chapter 8

chapter 8

{"name": "Chapter 8", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-8", "summary": "Lord Warburton invites Isabel over to his estate, Lockleigh. Mrs. Touchett and Ralph plan to go, too. Lord Warburton plans to have two of his sisters come and visit Isabel in the meanwhile. Lord Warburton has already given Isabel the run-down on his family: he has two brothers and four sisters, two unmarried and two married. Ralph and Isabel discuss Lord Warburton. To Isabel's surprise, Ralph expresses his pity for Lord Warburton. He thinks Lord Warburton is miserable because, amidst his luxuries, he doesn't know what he should be. Mr. Touchett brings Lord Warburton up when he sits with Isabel in the afternoon. He warns her not to fall in love with him, and she says she would only fall in love with someone he approves of. Mr. Touchett hopes that people like Lord Warburton, whose politics are rather radical, wait until he's dead to start a revolution in England. Isabel is, of course, excited by the idea of a revolution, and hopes that she'll be able to witness it. Mr. Touchett lists all of Lord Warburton's most prestigious social roles and says that, even if there were a revolution, no one would hurt Lord Warburton because everyone's too fond of him. Isabel thinks that it's a pity that Lord Warburton couldn't be a martyr, even if he got the chance. Mr. Touchett decides that he does have reason to pity Lord Warburton after all.", "analysis": ""}

As she was devoted to romantic effects Lord Warburton ventured to express a hope that she would come some day and see his house, a very curious old place. He extracted from Mrs. Touchett a promise that she would bring her niece to Lockleigh, and Ralph signified his willingness to attend the ladies if his father should be able to spare him. Lord Warburton assured our heroine that in the mean time his sisters would come and see her. She knew something about his sisters, having sounded him, during the hours they spent together while he was at Gardencourt, on many points connected with his family. When Isabel was interested she asked a great many questions, and as her companion was a copious talker she urged him on this occasion by no means in vain. He told her he had four sisters and two brothers and had lost both his parents. The brothers and sisters were very good people--"not particularly clever, you know," he said, "but very decent and pleasant;" and he was so good as to hope Miss Archer might know them well. One of the brothers was in the Church, settled in the family living, that of Lockleigh, which was a heavy, sprawling parish, and was an excellent fellow in spite of his thinking differently from himself on every conceivable topic. And then Lord Warburton mentioned some of the opinions held by his brother, which were opinions Isabel had often heard expressed and that she supposed to be entertained by a considerable portion of the human family. Many of them indeed she supposed she had held herself, till he assured her she was quite mistaken, that it was really impossible, that she had doubtless imagined she entertained them, but that she might depend that, if she thought them over a little, she would find there was nothing in them. When she answered that she had already thought several of the questions involved over very attentively he declared that she was only another example of what he had often been struck with--the fact that, of all the people in the world, the Americans were the most grossly superstitious. They were rank Tories and bigots, every one of them; there were no conservatives like American conservatives. Her uncle and her cousin were there to prove it; nothing could be more medieval than many of their views; they had ideas that people in England nowadays were ashamed to confess to; and they had the impudence moreover, said his lordship, laughing, to pretend they knew more about the needs and dangers of this poor dear stupid old England than he who was born in it and owned a considerable slice of it--the more shame to him! From all of which Isabel gathered that Lord Warburton was a nobleman of the newest pattern, a reformer, a radical, a contemner of ancient ways. His other brother, who was in the army in India, was rather wild and pig-headed and had not been of much use as yet but to make debts for Warburton to pay--one of the most precious privileges of an elder brother. "I don't think I shall pay any more," said her friend; "he lives a monstrous deal better than I do, enjoys unheard-of luxuries and thinks himself a much finer gentleman than I. As I'm a consistent radical I go in only for equality; I don't go in for the superiority of the younger brothers." Two of his four sisters, the second and fourth, were married, one of them having done very well, as they said, the other only so-so. The husband of the elder, Lord Haycock, was a very good fellow, but unfortunately a horrid Tory; and his wife, like all good English wives, was worse than her husband. The other had espoused a smallish squire in Norfolk and, though married but the other day, had already five children. This information and much more Lord Warburton imparted to his young American listener, taking pains to make many things clear and to lay bare to her apprehension the peculiarities of English life. Isabel was often amused at his explicitness and at the small allowance he seemed to make either for her own experience or for her imagination. "He thinks I'm a barbarian," she said, "and that I've never seen forks and spoons;" and she used to ask him artless questions for the pleasure of hearing him answer seriously. Then when he had fallen into the trap, "It's a pity you can't see me in my war-paint and feathers," she remarked; "if I had known how kind you are to the poor savages I would have brought over my native costume!" Lord Warburton had travelled through the United States and knew much more about them than Isabel; he was so good as to say that America was the most charming country in the world, but his recollections of it appeared to encourage the idea that Americans in England would need to have a great many things explained to them. "If I had only had you to explain things to me in America!" he said. "I was rather puzzled in your country; in fact I was quite bewildered, and the trouble was that the explanations only puzzled me more. You know I think they often gave me the wrong ones on purpose; they're rather clever about that over there. But when I explain you can trust me; about what I tell you there's no mistake." There was no mistake at least about his being very intelligent and cultivated and knowing almost everything in the world. Although he gave the most interesting and thrilling glimpses Isabel felt he never did it to exhibit himself, and though he had had rare chances and had tumbled in, as she put it, for high prizes, he was as far as possible from making a merit of it. He had enjoyed the best things of life, but they had not spoiled his sense of proportion. His quality was a mixture of the effect of rich experience--oh, so easily come by!--with a modesty at times almost boyish; the sweet and wholesome savour of which--it was as agreeable as something tasted--lost nothing from the addition of a tone of responsible kindness. "I like your specimen English gentleman very much," Isabel said to Ralph after Lord Warburton had gone. "I like him too--I love him well," Ralph returned. "But I pity him more." Isabel looked at him askance. "Why, that seems to me his only fault--that one can't pity him a little. He appears to have everything, to know everything, to be everything." "Oh, he's in a bad way!" Ralph insisted. "I suppose you don't mean in health?" "No, as to that he's detestably sound. What I mean is that he's a man with a great position who's playing all sorts of tricks with it. He doesn't take himself seriously." "Does he regard himself as a joke?" "Much worse; he regards himself as an imposition--as an abuse." "Well, perhaps he is," said Isabel. "Perhaps he is--though on the whole I don't think so. But in that case what's more pitiable than a sentient, self-conscious abuse planted by other hands, deeply rooted but aching with a sense of its injustice? For me, in his place, I could be as solemn as a statue of Buddha. He occupies a position that appeals to my imagination. Great responsibilities, great opportunities, great consideration, great wealth, great power, a natural share in the public affairs of a great country. But he's all in a muddle about himself, his position, his power, and indeed about everything in the world. He's the victim of a critical age; he has ceased to believe in himself and he doesn't know what to believe in. When I attempt to tell him (because if I were he I know very well what I should believe in) he calls me a pampered bigot. I believe he seriously thinks me an awful Philistine; he says I don't understand my time. I understand it certainly better than he, who can neither abolish himself as a nuisance nor maintain himself as an institution." "He doesn't look very wretched," Isabel observed. "Possibly not; though, being a man of a good deal of charming taste, I think he often has uncomfortable hours. But what is it to say of a being of his opportunities that he's not miserable? Besides, I believe he is." "I don't," said Isabel. "Well," her cousin rejoined, "if he isn't he ought to be!" In the afternoon she spent an hour with her uncle on the lawn, where the old man sat, as usual, with his shawl over his legs and his large cup of diluted tea in his hands. In the course of conversation he asked her what she thought of their late visitor. Isabel was prompt. "I think he's charming." "He's a nice person," said Mr. Touchett, "but I don't recommend you to fall in love with him." "I shall not do it then; I shall never fall in love but on your recommendation. Moreover," Isabel added, "my cousin gives me rather a sad account of Lord Warburton." "Oh, indeed? I don't know what there may be to say, but you must remember that Ralph must talk." "He thinks your friend's too subversive--or not subversive enough! I don't quite understand which," said Isabel. The old man shook his head slowly, smiled and put down his cup. "I don't know which either. He goes very far, but it's quite possible he doesn't go far enough. He seems to want to do away with a good many things, but he seems to want to remain himself. I suppose that's natural, but it's rather inconsistent." "Oh, I hope he'll remain himself," said Isabel. "If he were to be done away with his friends would miss him sadly." "Well," said the old man, "I guess he'll stay and amuse his friends. I should certainly miss him very much here at Gardencourt. He always amuses me when he comes over, and I think he amuses himself as well. There's a considerable number like him, round in society; they're very fashionable just now. I don't know what they're trying to do--whether they're trying to get up a revolution. I hope at any rate they'll put it off till after I'm gone. You see they want to disestablish everything; but I'm a pretty big landowner here, and I don't want to be disestablished. I wouldn't have come over if I had thought they were going to behave like that," Mr. Touchett went on with expanding hilarity. "I came over because I thought England was a safe country. I call it a regular fraud if they are going to introduce any considerable changes; there'll be a large number disappointed in that case." "Oh, I do hope they'll make a revolution!" Isabel exclaimed. "I should delight in seeing a revolution." "Let me see," said her uncle, with a humorous intention; "I forget whether you're on the side of the old or on the side of the new. I've heard you take such opposite views." "I'm on the side of both. I guess I'm a little on the side of everything. In a revolution--after it was well begun--I think I should be a high, proud loyalist. One sympathises more with them, and they've a chance to behave so exquisitely. I mean so picturesquely." "I don't know that I understand what you mean by behaving picturesquely, but it seems to me that you do that always, my dear." "Oh, you lovely man, if I could believe that!" the girl interrupted. "I'm afraid, after all, you won't have the pleasure of going gracefully to the guillotine here just now," Mr. Touchett went on. "If you want to see a big outbreak you must pay us a long visit. You see, when you come to the point it wouldn't suit them to be taken at their word." "Of whom are you speaking?" "Well, I mean Lord Warburton and his friends--the radicals of the upper class. Of course I only know the way it strikes me. They talk about the changes, but I don't think they quite realise. You and I, you know, we know what it is to have lived under democratic institutions: I always thought them very comfortable, but I was used to them from the first. And then I ain't a lord; you're a lady, my dear, but I ain't a lord. Now over here I don't think it quite comes home to them. It's a matter of every day and every hour, and I don't think many of them would find it as pleasant as what they've got. Of course if they want to try, it's their own business; but I expect they won't try very hard." "Don't you think they're sincere?" Isabel asked. "Well, they want to FEEL earnest," Mr. Touchett allowed; "but it seems as if they took it out in theories mostly. Their radical views are a kind of amusement; they've got to have some amusement, and they might have coarser tastes than that. You see they're very luxurious, and these progressive ideas are about their biggest luxury. They make them feel moral and yet don't damage their position. They think a great deal of their position; don't let one of them ever persuade you he doesn't, for if you were to proceed on that basis you'd be pulled up very short." Isabel followed her uncle's argument, which he unfolded with his quaint distinctness, most attentively, and though she was unacquainted with the British aristocracy she found it in harmony with her general impressions of human nature. But she felt moved to put in a protest on Lord Warburton's behalf. "I don't believe Lord Warburton's a humbug; I don't care what the others are. I should like to see Lord Warburton put to the test." "Heaven deliver me from my friends!" Mr. Touchett answered. "Lord Warburton's a very amiable young man--a very fine young man. He has a hundred thousand a year. He owns fifty thousand acres of the soil of this little island and ever so many other things besides. He has half a dozen houses to live in. He has a seat in Parliament as I have one at my own dinner-table. He has elegant tastes--cares for literature, for art, for science, for charming young ladies. The most elegant is his taste for the new views. It affords him a great deal of pleasure--more perhaps than anything else, except the young ladies. His old house over there--what does he call it, Lockleigh?--is very attractive; but I don't think it's as pleasant as this. That doesn't matter, however--he has so many others. His views don't hurt any one as far as I can see; they certainly don't hurt himself. And if there were to be a revolution he would come off very easily. They wouldn't touch him, they'd leave him as he is: he's too much liked." "Ah, he couldn't be a martyr even if he wished!" Isabel sighed. "That's a very poor position." "He'll never be a martyr unless you make him one," said the old man. Isabel shook her head; there might have been something laughable in the fact that she did it with a touch of melancholy. "I shall never make any one a martyr." "You'll never be one, I hope." "I hope not. But you don't pity Lord Warburton then as Ralph does?" Her uncle looked at her a while with genial acuteness. "Yes, I do, after all!"

Chapter 8

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-8

Lord Warburton invites Isabel over to his estate, Lockleigh. Mrs. Touchett and Ralph plan to go, too. Lord Warburton plans to have two of his sisters come and visit Isabel in the meanwhile. Lord Warburton has already given Isabel the run-down on his family: he has two brothers and four sisters, two unmarried and two married. Ralph and Isabel discuss Lord Warburton. To Isabel's surprise, Ralph expresses his pity for Lord Warburton. He thinks Lord Warburton is miserable because, amidst his luxuries, he doesn't know what he should be. Mr. Touchett brings Lord Warburton up when he sits with Isabel in the afternoon. He warns her not to fall in love with him, and she says she would only fall in love with someone he approves of. Mr. Touchett hopes that people like Lord Warburton, whose politics are rather radical, wait until he's dead to start a revolution in England. Isabel is, of course, excited by the idea of a revolution, and hopes that she'll be able to witness it. Mr. Touchett lists all of Lord Warburton's most prestigious social roles and says that, even if there were a revolution, no one would hurt Lord Warburton because everyone's too fond of him. Isabel thinks that it's a pity that Lord Warburton couldn't be a martyr, even if he got the chance. Mr. Touchett decides that he does have reason to pity Lord Warburton after all.

shmoop

all_chapterized_books/2833-chapters/09.txt

finished_summaries/shmoop/The Portrait of a Lady/section_8_part_0.txt

The Portrait of a Lady.chapter 9

chapter 9

{"name": "Chapter 9", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-9", "summary": "Lord Warburton's unmarried sisters, the genteel Misses Molyneux, visit Gardencourt. Isabel is taken by them, appreciating their friendliness and lack of morbidity. The two sisters invite Isabel to Lockleigh for lunch. Isabel accepts, complimenting the sisters. Isabel tells Ralph that she'd like to be more like the two sisters, who are more \"quiet and reasonable and satisfied\" . Ralph hopes just the opposite. Isabel, Ralph, and Mrs. Touchett visit Lockleigh a few days later. Isabel talks with the two sisters about Lord Warburton's stance as a radical. Isabel seems dissatisfied with the image the Misses Molyneux paint of Lord Warburton; she wants to hear that Lord Warburton would sacrifice his houses and comforts for the cause. Their brother, the Vicar of Lockleigh, visits for lunch. He's a ruddy, genial former wrestler, and Isabel has a hard time imagining him as a religious official. The whole crew goes for a walk outside, but Lord Warburton walks with Isabel separately. Lord Warburton asks Isabel to visit Lockleigh more often. Isabel says that such arrangements are up to Mrs. Touchett. Lord Warburton thinks this is a coy act - and that Isabel can act for herself. Lord Warburton thinks that Mr. Touchett would not like for him to keep visiting Gardencourt, so it would be better for Isabel to visit him at Lockleigh. Lord Warburton says that Isabel charms him. He says it in a way that makes Isabel a little nervous , so she tells him that she won't return to Lockleigh. Persistent, Lord Warburton says that he will visit her at Gardencourt next week. Lord Warburton accuses Isabel of judging people. Isabel hears bitterness in his tone, and she thinks of the books she's read, which say that English people are the most romantic people. Before they rejoin the group, Lord Warburton says that he will visit Isabel next week. Isabel is surprised at his behavior. She's flattered by it, but also feels nervous.", "analysis": ""}

The two Misses Molyneux, this nobleman's sisters, came presently to call upon her, and Isabel took a fancy to the young ladies, who appeared to her to show a most original stamp. It is true that when she described them to her cousin by that term he declared that no epithet could be less applicable than this to the two Misses Molyneux, since there were fifty thousand young women in England who exactly resembled them. Deprived of this advantage, however, Isabel's visitors retained that of an extreme sweetness and shyness of demeanour, and of having, as she thought, eyes like the balanced basins, the circles of "ornamental water," set, in parterres, among the geraniums. "They're not morbid, at any rate, whatever they are," our heroine said to herself; and she deemed this a great charm, for two or three of the friends of her girlhood had been regrettably open to the charge (they would have been so nice without it), to say nothing of Isabel's having occasionally suspected it as a tendency of her own. The Misses Molyneux were not in their first youth, but they had bright, fresh complexions and something of the smile of childhood. Yes, their eyes, which Isabel admired, were round, quiet and contented, and their figures, also of a generous roundness, were encased in sealskin jackets. Their friendliness was great, so great that they were almost embarrassed to show it; they seemed somewhat afraid of the young lady from the other side of the world and rather looked than spoke their good wishes. But they made it clear to her that they hoped she would come to luncheon at Lockleigh, where they lived with their brother, and then they might see her very, very often. They wondered if she wouldn't come over some day, and sleep: they were expecting some people on the twenty-ninth, so perhaps she would come while the people were there. "I'm afraid it isn't any one very remarkable," said the elder sister; "but I dare say you'll take us as you find us." "I shall find you delightful; I think you're enchanting just as you are," replied Isabel, who often praised profusely. Her visitors flushed, and her cousin told her, after they were gone, that if she said such things to those poor girls they would think she was in some wild, free manner practising on them: he was sure it was the first time they had been called enchanting. "I can't help it," Isabel answered. "I think it's lovely to be so quiet and reasonable and satisfied. I should like to be like that." "Heaven forbid!" cried Ralph with ardour. "I mean to try and imitate them," said Isabel. "I want very much to see them at home." She had this pleasure a few days later, when, with Ralph and his mother, she drove over to Lockleigh. She found the Misses Molyneux sitting in a vast drawing-room (she perceived afterwards it was one of several) in a wilderness of faded chintz; they were dressed on this occasion in black velveteen. Isabel liked them even better at home than she had done at Gardencourt, and was more than ever struck with the fact that they were not morbid. It had seemed to her before that if they had a fault it was a want of play of mind; but she presently saw they were capable of deep emotion. Before luncheon she was alone with them for some time, on one side of the room, while Lord Warburton, at a distance, talked to Mrs. Touchett. "Is it true your brother's such a great radical?" Isabel asked. She knew it was true, but we have seen that her interest in human nature was keen, and she had a desire to draw the Misses Molyneux out. "Oh dear, yes; he's immensely advanced," said Mildred, the younger sister. "At the same time Warburton's very reasonable," Miss Molyneux observed. Isabel watched him a moment at the other side of the room; he was clearly trying hard to make himself agreeable to Mrs. Touchett. Ralph had met the frank advances of one of the dogs before the fire that the temperature of an English August, in the ancient expanses, had not made an impertinence. "Do you suppose your brother's sincere?" Isabel enquired with a smile. "Oh, he must be, you know!" Mildred exclaimed quickly, while the elder sister gazed at our heroine in silence. "Do you think he would stand the test?" "The test?" "I mean for instance having to give up all this." "Having to give up Lockleigh?" said Miss Molyneux, finding her voice. "Yes, and the other places; what are they called?" The two sisters exchanged an almost frightened glance. "Do you mean--do you mean on account of the expense?" the younger one asked. "I dare say he might let one or two of his houses," said the other. "Let them for nothing?" Isabel demanded. "I can't fancy his giving up his property," said Miss Molyneux. "Ah, I'm afraid he is an impostor!" Isabel returned. "Don't you think it's a false position?" Her companions, evidently, had lost themselves. "My brother's position?" Miss Molyneux enquired. "It's thought a very good position," said the younger sister. "It's the first position in this part of the county." "I dare say you think me very irreverent," Isabel took occasion to remark. "I suppose you revere your brother and are rather afraid of him." "Of course one looks up to one's brother," said Miss Molyneux simply. "If you do that he must be very good--because you, evidently, are beautifully good." "He's most kind. It will never be known, the good he does." "His ability is known," Mildred added; "every one thinks it's immense." "Oh, I can see that," said Isabel. "But if I were he I should wish to fight to the death: I mean for the heritage of the past. I should hold it tight." "I think one ought to be liberal," Mildred argued gently. "We've always been so, even from the earliest times." "Ah well," said Isabel, "you've made a great success of it; I don't wonder you like it. I see you're very fond of crewels." When Lord Warburton showed her the house, after luncheon, it seemed to her a matter of course that it should be a noble picture. Within, it had been a good deal modernised--some of its best points had lost their purity; but as they saw it from the gardens, a stout grey pile, of the softest, deepest, most weather-fretted hue, rising from a broad, still moat, it affected the young visitor as a castle in a legend. The day was cool and rather lustreless; the first note of autumn had been struck, and the watery sunshine rested on the walls in blurred and desultory gleams, washing them, as it were, in places tenderly chosen, where the ache of antiquity was keenest. Her host's brother, the Vicar, had come to luncheon, and Isabel had had five minutes' talk with him--time enough to institute a search for a rich ecclesiasticism and give it up as vain. The marks of the Vicar of Lockleigh were a big, athletic figure, a candid, natural countenance, a capacious appetite and a tendency to indiscriminate laughter. Isabel learned afterwards from her cousin that before taking orders he had been a mighty wrestler and that he was still, on occasion--in the privacy of the family circle as it were--quite capable of flooring his man. Isabel liked him--she was in the mood for liking everything; but her imagination was a good deal taxed to think of him as a source of spiritual aid. The whole party, on leaving lunch, went to walk in the grounds; but Lord Warburton exercised some ingenuity in engaging his least familiar guest in a stroll apart from the others. "I wish you to see the place properly, seriously," he said. "You can't do so if your attention is distracted by irrelevant gossip." His own conversation (though he told Isabel a good deal about the house, which had a very curious history) was not purely archaeological; he reverted at intervals to matters more personal--matters personal to the young lady as well as to himself. But at last, after a pause of some duration, returning for a moment to their ostensible theme, "Ah, well," he said, "I'm very glad indeed you like the old barrack. I wish you could see more of it--that you could stay here a while. My sisters have taken an immense fancy to you--if that would be any inducement." "There's no want of inducements," Isabel answered; "but I'm afraid I can't make engagements. I'm quite in my aunt's hands." "Ah, pardon me if I say I don't exactly believe that. I'm pretty sure you can do whatever you want." "I'm sorry if I make that impression on you; I don't think it's a nice impression to make." "It has the merit of permitting me to hope." And Lord Warburton paused a moment. "To hope what?" "That in future I may see you often." "Ah," said Isabel, "to enjoy that pleasure I needn't be so terribly emancipated." "Doubtless not; and yet, at the same time, I don't think your uncle likes me." "You're very much mistaken. I've heard him speak very highly of you." "I'm glad you have talked about me," said Lord Warburton. "But, I nevertheless don't think he'd like me to keep coming to Gardencourt." "I can't answer for my uncle's tastes," the girl rejoined, "though I ought as far as possible to take them into account. But for myself I shall be very glad to see you." "Now that's what I like to hear you say. I'm charmed when you say that." "You're easily charmed, my lord," said Isabel. "No, I'm not easily charmed!" And then he stopped a moment. "But you've charmed me, Miss Archer." These words were uttered with an indefinable sound which startled the girl; it struck her as the prelude to something grave: she had heard the sound before and she recognised it. She had no wish, however, that for the moment such a prelude should have a sequel, and she said as gaily as possible and as quickly as an appreciable degree of agitation would allow her: "I'm afraid there's no prospect of my being able to come here again." "Never?" said Lord Warburton. "I won't say 'never'; I should feel very melodramatic." "May I come and see you then some day next week?" "Most assuredly. What is there to prevent it?" "Nothing tangible. But with you I never feel safe. I've a sort of sense that you're always summing people up." "You don't of necessity lose by that." "It's very kind of you to say so; but, even if I gain, stern justice is not what I most love. Is Mrs. Touchett going to take you abroad?" "I hope so." "Is England not good enough for you?" "That's a very Machiavellian speech; it doesn't deserve an answer. I want to see as many countries as I can." "Then you'll go on judging, I suppose." "Enjoying, I hope, too." "Yes, that's what you enjoy most; I can't make out what you're up to," said Lord Warburton. "You strike me as having mysterious purposes--vast designs." "You're so good as to have a theory about me which I don't at all fill out. Is there anything mysterious in a purpose entertained and executed every year, in the most public manner, by fifty thousand of my fellow-countrymen--the purpose of improving one's mind by foreign travel?" "You can't improve your mind, Miss Archer," her companion declared. "It's already a most formidable instrument. It looks down on us all; it despises us." "Despises you? You're making fun of me," said Isabel seriously. "Well, you think us 'quaint'--that's the same thing. I won't be thought 'quaint,' to begin with; I'm not so in the least. I protest." "That protest is one of the quaintest things I've ever heard," Isabel answered with a smile. Lord Warburton was briefly silent. "You judge only from the outside--you don't care," he said presently. "You only care to amuse yourself." The note she had heard in his voice a moment before reappeared, and mixed with it now was an audible strain of bitterness--a bitterness so abrupt and inconsequent that the girl was afraid she had hurt him. She had often heard that the English are a highly eccentric people, and she had even read in some ingenious author that they are at bottom the most romantic of races. Was Lord Warburton suddenly turning romantic--was he going to make her a scene, in his own house, only the third time they had met? She was reassured quickly enough by her sense of his great good manners, which was not impaired by the fact that he had already touched the furthest limit of good taste in expressing his admiration of a young lady who had confided in his hospitality. She was right in trusting to his good manners, for he presently went on, laughing a little and without a trace of the accent that had discomposed her: "I don't mean of course that you amuse yourself with trifles. You select great materials; the foibles, the afflictions of human nature, the peculiarities of nations!" "As regards that," said Isabel, "I should find in my own nation entertainment for a lifetime. But we've a long drive, and my aunt will soon wish to start." She turned back toward the others and Lord Warburton walked beside her in silence. But before they reached the others, "I shall come and see you next week," he said. She had received an appreciable shock, but as it died away she felt that she couldn't pretend to herself that it was altogether a painful one. Nevertheless she made answer to his declaration, coldly enough, "Just as you please." And her coldness was not the calculation of her effect--a game she played in a much smaller degree than would have seemed probable to many critics. It came from a certain fear.

Chapter 9

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-9

Lord Warburton's unmarried sisters, the genteel Misses Molyneux, visit Gardencourt. Isabel is taken by them, appreciating their friendliness and lack of morbidity. The two sisters invite Isabel to Lockleigh for lunch. Isabel accepts, complimenting the sisters. Isabel tells Ralph that she'd like to be more like the two sisters, who are more "quiet and reasonable and satisfied" . Ralph hopes just the opposite. Isabel, Ralph, and Mrs. Touchett visit Lockleigh a few days later. Isabel talks with the two sisters about Lord Warburton's stance as a radical. Isabel seems dissatisfied with the image the Misses Molyneux paint of Lord Warburton; she wants to hear that Lord Warburton would sacrifice his houses and comforts for the cause. Their brother, the Vicar of Lockleigh, visits for lunch. He's a ruddy, genial former wrestler, and Isabel has a hard time imagining him as a religious official. The whole crew goes for a walk outside, but Lord Warburton walks with Isabel separately. Lord Warburton asks Isabel to visit Lockleigh more often. Isabel says that such arrangements are up to Mrs. Touchett. Lord Warburton thinks this is a coy act - and that Isabel can act for herself. Lord Warburton thinks that Mr. Touchett would not like for him to keep visiting Gardencourt, so it would be better for Isabel to visit him at Lockleigh. Lord Warburton says that Isabel charms him. He says it in a way that makes Isabel a little nervous , so she tells him that she won't return to Lockleigh. Persistent, Lord Warburton says that he will visit her at Gardencourt next week. Lord Warburton accuses Isabel of judging people. Isabel hears bitterness in his tone, and she thinks of the books she's read, which say that English people are the most romantic people. Before they rejoin the group, Lord Warburton says that he will visit Isabel next week. Isabel is surprised at his behavior. She's flattered by it, but also feels nervous.

shmoop

all_chapterized_books/2833-chapters/10.txt

finished_summaries/shmoop/The Portrait of a Lady/section_9_part_0.txt

The Portrait of a Lady.chapter 10

chapter 10

{"name": "Chapter 10", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-10", "summary": "Henrietta Stackpole writes Isabel from London to announce her arrival. Isabel arranges for her to visit Gardencourt. Ralph expresses his doubt in journalists, joking that Henrietta will probably write about their lives at Gardencourt. Isabel insists that she would not. Instead, she teasingly predicts that Ralph will fall in love with Henrietta in three days' time. Henrietta and Ralph get off to an unromantic, but good-humored start. Isabel admiringly claims that Henrietta is courageous and completely independent from men. Henrietta intends to stay for a long while at Gardencourt, writing in the mornings and socializing otherwise. Henrietta shows Isabel the article she's working on, which focuses on life at Gardencourt. Isabel insists that she change her subject, accusing Henrietta as having no sense of privacy. Isabel suggests that Henrietta write about Lord Warburton, who will be visiting soon. Henrietta is intrigued and appalled by Ralph's lack of occupation. Ralph shows Henrietta the Touchett painting collection. Ralph likes the way she keeps it real and doesn't just say the usual superficial things about the paintings. Henrietta accuses Ralph of giving up his American-ness. Ralph says that that's not possible, since your country is born into you. Henrietta accuses Ralph of being above marriage. She claims that marriage is a duty. Ralph accuses Henrietta of not fulfilling that duty also. Ralph teasingly responds that he would be willing to fulfill his duty by marrying her. Henrietta just walks away. They've got this whole sort of 1980s romantic comedy banter down pat. Isabel tells Ralph that Henrietta did not mean to flirt with him. Ralph confesses that Henrietta disturbs him for the very same reasons that Isabel loves her: she embodies the spirit of America.", "analysis": ""}

The day after her visit to Lockleigh she received a note from her friend Miss Stackpole--a note of which the envelope, exhibiting in conjunction the postmark of Liverpool and the neat calligraphy of the quick-fingered Henrietta, caused her some liveliness of emotion. "Here I am, my lovely friend," Miss Stackpole wrote; "I managed to get off at last. I decided only the night before I left New York--the Interviewer having come round to my figure. I put a few things into a bag, like a veteran journalist, and came down to the steamer in a street-car. Where are you and where can we meet? I suppose you're visiting at some castle or other and have already acquired the correct accent. Perhaps even you have married a lord; I almost hope you have, for I want some introductions to the first people and shall count on you for a few. The Interviewer wants some light on the nobility. My first impressions (of the people at large) are not rose-coloured; but I wish to talk them over with you, and you know that, whatever I am, at least I'm not superficial. I've also something very particular to tell you. Do appoint a meeting as quickly as you can; come to London (I should like so much to visit the sights with you) or else let me come to you, wherever you are. I will do so with pleasure; for you know everything interests me and I wish to see as much as possible of the inner life." Isabel judged best not to show this letter to her uncle; but she acquainted him with its purport, and, as she expected, he begged her instantly to assure Miss Stackpole, in his name, that he should be delighted to receive her at Gardencourt. "Though she's a literary lady," he said, "I suppose that, being an American, she won't show me up, as that other one did. She has seen others like me." "She has seen no other so delightful!" Isabel answered; but she was not altogether at ease about Henrietta's reproductive instincts, which belonged to that side of her friend's character which she regarded with least complacency. She wrote to Miss Stackpole, however, that she would be very welcome under Mr. Touchett's roof; and this alert young woman lost no time in announcing her prompt approach. She had gone up to London, and it was from that centre that she took the train for the station nearest to Gardencourt, where Isabel and Ralph were in waiting to receive her. "Shall I love her or shall I hate her?" Ralph asked while they moved along the platform. "Whichever you do will matter very little to her," said Isabel. "She doesn't care a straw what men think of her." "As a man I'm bound to dislike her then. She must be a kind of monster. Is she very ugly?" "No, she's decidedly pretty." "A female interviewer--a reporter in petticoats? I'm very curious to see her," Ralph conceded. "It's very easy to laugh at her but it is not easy to be as brave as she." "I should think not; crimes of violence and attacks on the person require more or less pluck. Do you suppose she'll interview me?" "Never in the world. She'll not think you of enough importance." "You'll see," said Ralph. "She'll send a description of us all, including Bunchie, to her newspaper." "I shall ask her not to," Isabel answered. "You think she's capable of it then?" "Perfectly." "And yet you've made her your bosom-friend?" "I've not made her my bosom-friend; but I like her in spite of her faults." "Ah well," said Ralph, "I'm afraid I shall dislike her in spite of her merits." "You'll probably fall in love with her at the end of three days." "And have my love-letters published in the Interviewer? Never!" cried the young man. The train presently arrived, and Miss Stackpole, promptly descending, proved, as Isabel had promised, quite delicately, even though rather provincially, fair. She was a neat, plump person, of medium stature, with a round face, a small mouth, a delicate complexion, a bunch of light brown ringlets at the back of her head and a peculiarly open, surprised-looking eye. The most striking point in her appearance was the remarkable fixedness of this organ, which rested without impudence or defiance, but as if in conscientious exercise of a natural right, upon every object it happened to encounter. It rested in this manner upon Ralph himself, a little arrested by Miss Stackpole's gracious and comfortable aspect, which hinted that it wouldn't be so easy as he had assumed to disapprove of her. She rustled, she shimmered, in fresh, dove-coloured draperies, and Ralph saw at a glance that she was as crisp and new and comprehensive as a first issue before the folding. From top to toe she had probably no misprint. She spoke in a clear, high voice--a voice not rich but loud; yet after she had taken her place with her companions in Mr. Touchett's carriage she struck him as not all in the large type, the type of horrid "headings," that he had expected. She answered the enquiries made of her by Isabel, however, and in which the young man ventured to join, with copious lucidity; and later, in the library at Gardencourt, when she had made the acquaintance of Mr. Touchett (his wife not having thought it necessary to appear) did more to give the measure of her confidence in her powers. "Well, I should like to know whether you consider yourselves American or English," she broke out. "If once I knew I could talk to you accordingly." "Talk to us anyhow and we shall be thankful," Ralph liberally answered. She fixed her eyes on him, and there was something in their character that reminded him of large polished buttons--buttons that might have fixed the elastic loops of some tense receptacle: he seemed to see the reflection of surrounding objects on the pupil. The expression of a button is not usually deemed human, but there was something in Miss Stackpole's gaze that made him, as a very modest man, feel vaguely embarrassed--less inviolate, more dishonoured, than he liked. This sensation, it must be added, after he had spent a day or two in her company, sensibly diminished, though it never wholly lapsed. "I don't suppose that you're going to undertake to persuade me that you're an American," she said. "To please you I'll be an Englishman, I'll be a Turk!" "Well, if you can change about that way you're very welcome," Miss Stackpole returned. "I'm sure you understand everything and that differences of nationality are no barrier to you," Ralph went on. Miss Stackpole gazed at him still. "Do you mean the foreign languages?" "The languages are nothing. I mean the spirit--the genius." "I'm not sure that I understand you," said the correspondent of the Interviewer; "but I expect I shall before I leave." "He's what's called a cosmopolite," Isabel suggested. "That means he's a little of everything and not much of any. I must say I think patriotism is like charity--it begins at home." "Ah, but where does home begin, Miss Stackpole?" Ralph enquired. "I don't know where it begins, but I know where it ends. It ended a long time before I got here." "Don't you like it over here?" asked Mr. Touchett with his aged, innocent voice. "Well, sir, I haven't quite made up my mind what ground I shall take. I feel a good deal cramped. I felt it on the journey from Liverpool to London." "Perhaps you were in a crowded carriage," Ralph suggested. "Yes, but it was crowded with friends--party of Americans whose acquaintance I had made upon the steamer; a lovely group from Little Rock, Arkansas. In spite of that I felt cramped--I felt something pressing upon me; I couldn't tell what it was. I felt at the very commencement as if I were not going to accord with the atmosphere. But I suppose I shall make my own atmosphere. That's the true way--then you can breathe. Your surroundings seem very attractive." "Ah, we too are a lovely group!" said Ralph. "Wait a little and you'll see." Miss Stackpole showed every disposition to wait and evidently was prepared to make a considerable stay at Gardencourt. She occupied herself in the mornings with literary labour; but in spite of this Isabel spent many hours with her friend, who, once her daily task performed, deprecated, in fact defied, isolation. Isabel speedily found occasion to desire her to desist from celebrating the charms of their common sojourn in print, having discovered, on the second morning of Miss Stackpole's visit, that she was engaged on a letter to the Interviewer, of which the title, in her exquisitely neat and legible hand (exactly that of the copybooks which our heroine remembered at school) was "Americans and Tudors--Glimpses of Gardencourt." Miss Stackpole, with the best conscience in the world, offered to read her letter to Isabel, who immediately put in her protest. "I don't think you ought to do that. I don't think you ought to describe the place." Henrietta gazed at her as usual. "Why, it's just what the people want, and it's a lovely place." "It's too lovely to be put in the newspapers, and it's not what my uncle wants." "Don't you believe that!" cried Henrietta. "They're always delighted afterwards." "My uncle won't be delighted--nor my cousin either. They'll consider it a breach of hospitality." Miss Stackpole showed no sense of confusion; she simply wiped her pen, very neatly, upon an elegant little implement which she kept for the purpose, and put away her manuscript. "Of course if you don't approve I won't do it; but I sacrifice a beautiful subject." "There are plenty of other subjects, there are subjects all round you. We'll take some drives; I'll show you some charming scenery." "Scenery's not my department; I always need a human interest. You know I'm deeply human, Isabel; I always was," Miss Stackpole rejoined. "I was going to bring in your cousin--the alienated American. There's a great demand just now for the alienated American, and your cousin's a beautiful specimen. I should have handled him severely." "He would have died of it!" Isabel exclaimed. "Not of the severity, but of the publicity." "Well, I should have liked to kill him a little. And I should have delighted to do your uncle, who seems to me a much nobler type--the American faithful still. He's a grand old man; I don't see how he can object to my paying him honour." Isabel looked at her companion in much wonderment; it struck her as strange that a nature in which she found so much to esteem should break down so in spots. "My poor Henrietta," she said, "you've no sense of privacy." Henrietta coloured deeply, and for a moment her brilliant eyes were suffused, while Isabel found her more than ever inconsequent. "You do me great injustice," said Miss Stackpole with dignity. "I've never written a word about myself!" "I'm very sure of that; but it seems to me one should be modest for others also!" "Ah, that's very good!" cried Henrietta, seizing her pen again. "Just let me make a note of it and I'll put it in somewhere." she was a thoroughly good-natured woman, and half an hour later she was in as cheerful a mood as should have been looked for in a newspaper-lady in want of matter. "I've promised to do the social side," she said to Isabel; "and how can I do it unless I get ideas? If I can't describe this place don't you know some place I can describe?" Isabel promised she would bethink herself, and the next day, in conversation with her friend, she happened to mention her visit to Lord Warburton's ancient house. "Ah, you must take me there--that's just the place for me!" Miss Stackpole cried. "I must get a glimpse of the nobility." "I can't take you," said Isabel; "but Lord Warburton's coming here, and you'll have a chance to see him and observe him. Only if you intend to repeat his conversation I shall certainly give him warning." "Don't do that," her companion pleaded; "I want him to be natural." "An Englishman's never so natural as when he's holding his tongue," Isabel declared. It was not apparent, at the end of three days, that her cousin had, according to her prophecy, lost his heart to their visitor, though he had spent a good deal of time in her society. They strolled about the park together and sat under the trees, and in the afternoon, when it was delightful to float along the Thames, Miss Stackpole occupied a place in the boat in which hitherto Ralph had had but a single companion. Her presence proved somehow less irreducible to soft particles than Ralph had expected in the natural perturbation of his sense of the perfect solubility of that of his cousin; for the correspondent of the Interviewer prompted mirth in him, and he had long since decided that the crescendo of mirth should be the flower of his declining days. Henrietta, on her side, failed a little to justify Isabel's declaration with regard to her indifference to masculine opinion; for poor Ralph appeared to have presented himself to her as an irritating problem, which it would be almost immoral not to work out. "What does he do for a living?" she asked of Isabel the evening of her arrival. "Does he go round all day with his hands in his pockets?" "He does nothing," smiled Isabel; "he's a gentleman of large leisure." "Well, I call that a shame--when I have to work like a car-conductor," Miss Stackpole replied. "I should like to show him up." "He's in wretched health; he's quite unfit for work," Isabel urged. "Pshaw! don't you believe it. I work when I'm sick," cried her friend. Later, when she stepped into the boat on joining the water-party, she remarked to Ralph that she supposed he hated her and would like to drown her. "Ah no," said Ralph, "I keep my victims for a slower torture. And you'd be such an interesting one!" "Well, you do torture me; I may say that. But I shock all your prejudices; that's one comfort." "My prejudices? I haven't a prejudice to bless myself with. There's intellectual poverty for you." "The more shame to you; I've some delicious ones. Of course I spoil your flirtation, or whatever it is you call it, with your cousin; but I don't care for that, as I render her the service of drawing you out. She'll see how thin you are." "Ah, do draw me out!" Ralph exclaimed. "So few people will take the trouble." Miss Stackpole, in this undertaking, appeared to shrink from no effort; resorting largely, whenever the opportunity offered, to the natural expedient of interrogation. On the following day the weather was bad, and in the afternoon the young man, by way of providing indoor amusement, offered to show her the pictures. Henrietta strolled through the long gallery in his society, while he pointed out its principal ornaments and mentioned the painters and subjects. Miss Stackpole looked at the pictures in perfect silence, committing herself to no opinion, and Ralph was gratified by the fact that she delivered herself of none of the little ready-made ejaculations of delight of which the visitors to Gardencourt were so frequently lavish. This young lady indeed, to do her justice, was but little addicted to the use of conventional terms; there was something earnest and inventive in her tone, which at times, in its strained deliberation, suggested a person of high culture speaking a foreign language. Ralph Touchett subsequently learned that she had at one time officiated as art critic to a journal of the other world; but she appeared, in spite of this fact, to carry in her pocket none of the small change of admiration. Suddenly, just after he had called her attention to a charming Constable, she turned and looked at him as if he himself had been a picture. "Do you always spend your time like this?" she demanded. "I seldom spend it so agreeably." "Well, you know what I mean--without any regular occupation." "Ah," said Ralph, "I'm the idlest man living." Miss Stackpole directed her gaze to the Constable again, and Ralph bespoke her attention for a small Lancret hanging near it, which represented a gentleman in a pink doublet and hose and a ruff, leaning against the pedestal of the statue of a nymph in a garden and playing the guitar to two ladies seated on the grass. "That's my ideal of a regular occupation," he said. Miss Stackpole turned to him again, and, though her eyes had rested upon the picture, he saw she had missed the subject. She was thinking of something much more serious. "I don't see how you can reconcile it to your conscience." "My dear lady, I have no conscience!" "Well, I advise you to cultivate one. You'll need it the next time you go to America." "I shall probably never go again." "Are you ashamed to show yourself?" Ralph meditated with a mild smile. "I suppose that if one has no conscience one has no shame." "Well, you've got plenty of assurance," Henrietta declared. "Do you consider it right to give up your country?" "Ah, one doesn't give up one's country any more than one gives UP one's grandmother. They're both antecedent to choice--elements of one's composition that are not to be eliminated." "I suppose that means that you've tried and been worsted. What do they think of you over here?" "They delight in me." "That's because you truckle to them." "Ah, set it down a little to my natural charm!" Ralph sighed. "I don't know anything about your natural charm. If you've got any charm it's quite unnatural. It's wholly acquired--or at least you've tried hard to acquire it, living over here. I don't say you've succeeded. It's a charm that I don't appreciate, anyway. Make yourself useful in some way, and then we'll talk about it." "Well, now, tell me what I shall do," said Ralph. "Go right home, to begin with." "Yes, I see. And then?" "Take right hold of something." "Well, now, what sort of thing?" "Anything you please, so long as you take hold. Some new idea, some big work." "Is it very difficult to take hold?" Ralph enquired. "Not if you put your heart into it." "Ah, my heart," said Ralph. "If it depends upon my heart--!" "Haven't you got a heart?" "I had one a few days ago, but I've lost it since." "You're not serious," Miss Stackpole remarked; "that's what's the matter with you." But for all this, in a day or two, she again permitted him to fix her attention and on the later occasion assigned a different cause to her mysterious perversity. "I know what's the matter with you, Mr. Touchett," she said. "You think you're too good to get married." "I thought so till I knew you, Miss Stackpole," Ralph answered; "and then I suddenly changed my mind." "Oh pshaw!" Henrietta groaned. "Then it seemed to me," said Ralph, "that I was not good enough." "It would improve you. Besides, it's your duty." "Ah," cried the young man, "one has so many duties! Is that a duty too?" "Of course it is--did you never know that before? It's every one's duty to get married." Ralph meditated a moment; he was disappointed. There was something in Miss Stackpole he had begun to like; it seemed to him that if she was not a charming woman she was at least a very good "sort." She was wanting in distinction, but, as Isabel had said, she was brave: she went into cages, she flourished lashes, like a spangled lion-tamer. He had not supposed her to be capable of vulgar arts, but these last words struck him as a false note. When a marriageable young woman urges matrimony on an unencumbered young man the most obvious explanation of her conduct is not the altruistic impulse. "Ah, well now, there's a good deal to be said about that," Ralph rejoined. "There may be, but that's the principal thing. I must say I think it looks very exclusive, going round all alone, as if you thought no woman was good enough for you. Do you think you're better than any one else in the world? In America it's usual for people to marry." "If it's my duty," Ralph asked, "is it not, by analogy, yours as well?" Miss Stackpole's ocular surfaces unwinkingly caught the sun. "Have you the fond hope of finding a flaw in my reasoning? Of course I've as good a right to marry as any one else." "Well then," said Ralph, "I won't say it vexes me to see you single. It delights me rather." "You're not serious yet. You never will be." "Shall you not believe me to be so on the day I tell you I desire to give up the practice of going round alone?" Miss Stackpole looked at him for a moment in a manner which seemed to announce a reply that might technically be called encouraging. But to his great surprise this expression suddenly resolved itself into an appearance of alarm and even of resentment. "No, not even then," she answered dryly. After which she walked away. "I've not conceived a passion for your friend," Ralph said that evening to Isabel, "though we talked some time this morning about it." "And you said something she didn't like," the girl replied. Ralph stared. "Has she complained of me?" "She told me she thinks there's something very low in the tone of Europeans towards women." "Does she call me a European?" "One of the worst. She told me you had said to her something that an American never would have said. But she didn't repeat it." Ralph treated himself to a luxury of laughter. "She's an extraordinary combination. Did she think I was making love to her?" "No; I believe even Americans do that. But she apparently thought you mistook the intention of something she had said, and put an unkind construction on it." "I thought she was proposing marriage to me and I accepted her. Was that unkind?" Isabel smiled. "It was unkind to me. I don't want you to marry." "My dear cousin, what's one to do among you all?" Ralph demanded. "Miss Stackpole tells me it's my bounden duty, and that it's hers, in general, to see I do mine!" "She has a great sense of duty," said Isabel gravely. "She has indeed, and it's the motive of everything she says. That's what I like her for. She thinks it's unworthy of you to keep so many things to yourself. That's what she wanted to express. If you thought she was trying to--to attract you, you were very wrong." "It's true it was an odd way, but I did think she was trying to attract me. Forgive my depravity." "You're very conceited. She had no interested views, and never supposed you would think she had." "One must be very modest then to talk with such women," Ralph said humbly. "But it's a very strange type. She's too personal--considering that she expects other people not to be. She walks in without knocking at the door." "Yes," Isabel admitted, "she doesn't sufficiently recognise the existence of knockers; and indeed I'm not sure that she doesn't think them rather a pretentious ornament. She thinks one's door should stand ajar. But I persist in liking her." "I persist in thinking her too familiar," Ralph rejoined, naturally somewhat uncomfortable under the sense of having been doubly deceived in Miss Stackpole. "Well," said Isabel, smiling, "I'm afraid it's because she's rather vulgar that I like her." "She would be flattered by your reason!" "If I should tell her I wouldn't express it in that way. I should say it's because there's something of the 'people' in her." "What do you know about the people? and what does she, for that matter?" "She knows a great deal, and I know enough to feel that she's a kind of emanation of the great democracy--of the continent, the country, the nation. I don't say that she sums it all up, that would be too much to ask of her. But she suggests it; she vividly figures it." "You like her then for patriotic reasons. I'm afraid it is on those very grounds I object to her." "Ah," said Isabel with a kind of joyous sigh, "I like so many things! If a thing strikes me with a certain intensity I accept it. I don't want to swagger, but I suppose I'm rather versatile. I like people to be totally different from Henrietta--in the style of Lord Warburton's sisters for instance. So long as I look at the Misses Molyneux they seem to me to answer a kind of ideal. Then Henrietta presents herself, and I'm straightway convinced by her; not so much in respect to herself as in respect to what masses behind her." "Ah, you mean the back view of her," Ralph suggested. "What she says is true," his cousin answered; "you'll never be serious. I like the great country stretching away beyond the rivers and across the prairies, blooming and smiling and spreading till it stops at the green Pacific! A strong, sweet, fresh odour seems to rise from it, and Henrietta--pardon my simile--has something of that odour in her garments." Isabel blushed a little as she concluded this speech, and the blush, together with the momentary ardour she had thrown into it, was so becoming to her that Ralph stood smiling at her for a moment after she had ceased speaking. "I'm not sure the Pacific's so green as that," he said; "but you're a young woman of imagination. Henrietta, however, does smell of the Future--it almost knocks one down!"

Chapter 10

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-10

Henrietta Stackpole writes Isabel from London to announce her arrival. Isabel arranges for her to visit Gardencourt. Ralph expresses his doubt in journalists, joking that Henrietta will probably write about their lives at Gardencourt. Isabel insists that she would not. Instead, she teasingly predicts that Ralph will fall in love with Henrietta in three days' time. Henrietta and Ralph get off to an unromantic, but good-humored start. Isabel admiringly claims that Henrietta is courageous and completely independent from men. Henrietta intends to stay for a long while at Gardencourt, writing in the mornings and socializing otherwise. Henrietta shows Isabel the article she's working on, which focuses on life at Gardencourt. Isabel insists that she change her subject, accusing Henrietta as having no sense of privacy. Isabel suggests that Henrietta write about Lord Warburton, who will be visiting soon. Henrietta is intrigued and appalled by Ralph's lack of occupation. Ralph shows Henrietta the Touchett painting collection. Ralph likes the way she keeps it real and doesn't just say the usual superficial things about the paintings. Henrietta accuses Ralph of giving up his American-ness. Ralph says that that's not possible, since your country is born into you. Henrietta accuses Ralph of being above marriage. She claims that marriage is a duty. Ralph accuses Henrietta of not fulfilling that duty also. Ralph teasingly responds that he would be willing to fulfill his duty by marrying her. Henrietta just walks away. They've got this whole sort of 1980s romantic comedy banter down pat. Isabel tells Ralph that Henrietta did not mean to flirt with him. Ralph confesses that Henrietta disturbs him for the very same reasons that Isabel loves her: she embodies the spirit of America.

shmoop

all_chapterized_books/2833-chapters/11.txt

finished_summaries/shmoop/The Portrait of a Lady/section_10_part_0.txt

The Portrait of a Lady.chapter 11

chapter 11

{"name": "Chapter 11", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-11", "summary": "Mrs. Touchett does not like Henrietta, whom she finds loud and presumptuous. Interestingly, one might say the same about a certain older American lady.... Henrietta and Mrs. Touchett get in a quarrel about American hotels - Henrietta says they are the very best and Mrs. Touchett claims they are the absolute worst. Ralph tries to stand up for Henrietta, but she won't have it, since Henrietta Stackpole always fights her own battles. Mrs. Touchett says that having good servants is crucial, and American servants do not compare in quality to the five stellar Italian ones in Florence. Henrietta detests the idea of having five servants, and she has idealistic ideas about American liberty. In private, Henrietta tells Isabel about an encounter she had with Caspar Goodwood. She tells Isabel that Caspar arrived in London with her, with the aim to see Isabel. Isabel is not very excited to see Caspar, although it is unclear what her actual feelings about him are. Henrietta thinks that she's leading the poor guy on. Henrietta sees that Isabel's stay at Gardencourt has changed her. Isabel hopes so, since she wants everything to influence her. Isabel receives a letter from Caspar. The letter expresses his wish to see her, announces his impending arrival in England, and expresses the thought that he only wants to be where she is. When Isabel is finished with the letter, she sees that Lord Warburton is standing right in front of her. Hmm... love triangle, anyone?", "analysis": ""}

He took a resolve after this not to misinterpret her words even when Miss Stackpole appeared to strike the personal note most strongly. He bethought himself that persons, in her view, were simple and homogeneous organisms, and that he, for his own part, was too perverted a representative of the nature of man to have a right to deal with her in strict reciprocity. He carried out his resolve with a great deal of tact, and the young lady found in renewed contact with him no obstacle to the exercise of her genius for unshrinking enquiry, the general application of her confidence. Her situation at Gardencourt therefore, appreciated as we have seen her to be by Isabel and full of appreciation herself of that free play of intelligence which, to her sense, rendered Isabel's character a sister-spirit, and of the easy venerableness of Mr. Touchett, whose noble tone, as she said, met with her full approval--her situation at Gardencourt would have been perfectly comfortable had she not conceived an irresistible mistrust of the little lady for whom she had at first supposed herself obliged to "allow" as mistress of the house. She presently discovered, in truth, that this obligation was of the lightest and that Mrs. Touchett cared very little how Miss Stackpole behaved. Mrs. Touchett had defined her to Isabel as both an adventuress and a bore--adventuresses usually giving one more of a thrill; she had expressed some surprise at her niece's having selected such a friend, yet had immediately added that she knew Isabel's friends were her own affair and that she had never undertaken to like them all or to restrict the girl to those she liked. "If you could see none but the people I like, my dear, you'd have a very small society," Mrs. Touchett frankly admitted; "and I don't think I like any man or woman well enough to recommend them to you. When it comes to recommending it's a serious affair. I don't like Miss Stackpole--everything about her displeases me; she talks so much too loud and looks at one as if one wanted to look at her--which one doesn't. I'm sure she has lived all her life in a boarding-house, and I detest the manners and the liberties of such places. If you ask me if I prefer my own manners, which you doubtless think very bad, I'll tell you that I prefer them immensely. Miss Stackpole knows I detest boarding-house civilisation, and she detests me for detesting it, because she thinks it the highest in the world. She'd like Gardencourt a great deal better if it were a boarding-house. For me, I find it almost too much of one! We shall never get on together therefore, and there's no use trying." Mrs. Touchett was right in guessing that Henrietta disapproved of her, but she had not quite put her finger on the reason. A day or two after Miss Stackpole's arrival she had made some invidious reflexions on American hotels, which excited a vein of counter-argument on the part of the correspondent of the Interviewer, who in the exercise of her profession had acquainted herself, in the western world, with every form of caravansary. Henrietta expressed the opinion that American hotels were the best in the world, and Mrs. Touchett, fresh from a renewed struggle with them, recorded a conviction that they were the worst. Ralph, with his experimental geniality, suggested, by way of healing the breach, that the truth lay between the two extremes and that the establishments in question ought to be described as fair middling. This contribution to the discussion, however, Miss Stackpole rejected with scorn. Middling indeed! If they were not the best in the world they were the worst, but there was nothing middling about an American hotel. "We judge from different points of view, evidently," said Mrs. Touchett. "I like to be treated as an individual; you like to be treated as a 'party.'" "I don't know what you mean," Henrietta replied. "I like to be treated as an American lady." "Poor American ladies!" cried Mrs. Touchett with a laugh. "They're the slaves of slaves." "They're the companions of freemen," Henrietta retorted. "They're the companions of their servants--the Irish chambermaid and the negro waiter. They share their work." "Do you call the domestics in an American household 'slaves'?" Miss Stackpole enquired. "If that's the way you desire to treat them, no wonder you don't like America." "If you've not good servants you're miserable," Mrs. Touchett serenely said. "They're very bad in America, but I've five perfect ones in Florence." "I don't see what you want with five," Henrietta couldn't help observing. "I don't think I should like to see five persons surrounding me in that menial position." "I like them in that position better than in some others," proclaimed Mrs. Touchett with much meaning. "Should you like me better if I were your butler, dear?" her husband asked. "I don't think I should: you wouldn't at all have the tenue." "The companions of freemen--I like that, Miss Stackpole," said Ralph. "It's a beautiful description." "When I said freemen I didn't mean you, sir!" And this was the only reward that Ralph got for his compliment. Miss Stackpole was baffled; she evidently thought there was something treasonable in Mrs. Touchett's appreciation of a class which she privately judged to be a mysterious survival of feudalism. It was perhaps because her mind was oppressed with this image that she suffered some days to elapse before she took occasion to say to Isabel: "My dear friend, I wonder if you're growing faithless." "Faithless? Faithless to you, Henrietta?" "No, that would be a great pain; but it's not that." "Faithless to my country then?" "Ah, that I hope will never be. When I wrote to you from Liverpool I said I had something particular to tell you. You've never asked me what it is. Is it because you've suspected?" "Suspected what? As a rule I don't think I suspect," said Isabel. "I remember now that phrase in your letter, but I confess I had forgotten it. What have you to tell me?" Henrietta looked disappointed, and her steady gaze betrayed it. "You don't ask that right--as if you thought it important. You're changed--you're thinking of other things." "Tell me what you mean, and I'll think of that." "Will you really think of it? That's what I wish to be sure of." "I've not much control of my thoughts, but I'll do my best," said Isabel. Henrietta gazed at her, in silence, for a period which tried Isabel's patience, so that our heroine added at last: "Do you mean that you're going to be married?" "Not till I've seen Europe!" said Miss Stackpole. "What are you laughing at?" she went on. "What I mean is that Mr. Goodwood came out in the steamer with me." "Ah!" Isabel responded. "You say that right. I had a good deal of talk with him; he has come after you." "Did he tell you so?" "No, he told me nothing; that's how I knew it," said Henrietta cleverly. "He said very little about you, but I spoke of you a good deal." Isabel waited. At the mention of Mr. Goodwood's name she had turned a little pale. "I'm very sorry you did that," she observed at last. "It was a pleasure to me, and I liked the way he listened. I could have talked a long time to such a listener; he was so quiet, so intense; he drank it all in." "What did you say about me?" Isabel asked. "I said you were on the whole the finest creature I know." "I'm very sorry for that. He thinks too well of me already; he oughtn't to be encouraged." "He's dying for a little encouragement. I see his face now, and his earnest absorbed look while I talked. I never saw an ugly man look so handsome." "He's very simple-minded," said Isabel. "And he's not so ugly." "There's nothing so simplifying as a grand passion." "It's not a grand passion; I'm very sure it's not that." "You don't say that as if you were sure." Isabel gave rather a cold smile. "I shall say it better to Mr. Goodwood himself." "He'll soon give you a chance," said Henrietta. Isabel offered no answer to this assertion, which her companion made with an air of great confidence. "He'll find you changed," the latter pursued. "You've been affected by your new surroundings." "Very likely. I'm affected by everything." "By everything but Mr. Goodwood!" Miss Stackpole exclaimed with a slightly harsh hilarity. Isabel failed even to smile back and in a moment she said: "Did he ask you to speak to me?" "Not in so many words. But his eyes asked it--and his handshake, when he bade me good-bye." "Thank you for doing so." And Isabel turned away. "Yes, you're changed; you've got new ideas over here," her friend continued. "I hope so," said Isabel; "one should get as many new ideas as possible." "Yes; but they shouldn't interfere with the old ones when the old ones have been the right ones." Isabel turned about again. "If you mean that I had any idea with regard to Mr. Goodwood--!" But she faltered before her friend's implacable glitter. "My dear child, you certainly encouraged him." Isabel made for the moment as if to deny this charge; instead of which, however, she presently answered: "It's very true. I did encourage him." And then she asked if her companion had learned from Mr. Goodwood what he intended to do. It was a concession to her curiosity, for she disliked discussing the subject and found Henrietta wanting in delicacy. "I asked him, and he said he meant to do nothing," Miss Stackpole answered. "But I don't believe that; he's not a man to do nothing. He is a man of high, bold action. Whatever happens to him he'll always do something, and whatever he does will always be right." "I quite believe that." Henrietta might be wanting in delicacy, but it touched the girl, all the same, to hear this declaration. "Ah, you do care for him!" her visitor rang out. "Whatever he does will always be right," Isabel repeated. "When a man's of that infallible mould what does it matter to him what one feels?" "It may not matter to him, but it matters to one's self." "Ah, what it matters to me--that's not what we're discussing," said Isabel with a cold smile. This time her companion was grave. "Well, I don't care; you have changed. You're not the girl you were a few short weeks ago, and Mr. Goodwood will see it. I expect him here any day." "I hope he'll hate me then," said Isabel. "I believe you hope it about as much as I believe him capable of it." To this observation our heroine made no return; she was absorbed in the alarm given her by Henrietta's intimation that Caspar Goodwood would present himself at Gardencourt. She pretended to herself, however, that she thought the event impossible, and, later, she communicated her disbelief to her friend. For the next forty-eight hours, nevertheless, she stood prepared to hear the young man's name announced. The feeling pressed upon her; it made the air sultry, as if there were to be a change of weather; and the weather, socially speaking, had been so agreeable during Isabel's stay at Gardencourt that any change would be for the worse. Her suspense indeed was dissipated the second day. She had walked into the park in company with the sociable Bunchie, and after strolling about for some time, in a manner at once listless and restless, had seated herself on a garden-bench, within sight of the house, beneath a spreading beech, where, in a white dress ornamented with black ribbons, she formed among the flickering shadows a graceful and harmonious image. She entertained herself for some moments with talking to the little terrier, as to whom the proposal of an ownership divided with her cousin had been applied as impartially as possible--as impartially as Bunchie's own somewhat fickle and inconstant sympathies would allow. But she was notified for the first time, on this occasion, of the finite character of Bunchie's intellect; hitherto she had been mainly struck with its extent. It seemed to her at last that she would do well to take a book; formerly, when heavy-hearted, she had been able, with the help of some well-chosen volume, to transfer the seat of consciousness to the organ of pure reason. Of late, it was not to be denied, literature had seemed a fading light, and even after she had reminded herself that her uncle's library was provided with a complete set of those authors which no gentleman's collection should be without, she sat motionless and empty-handed, her eyes bent on the cool green turf of the lawn. Her meditations were presently interrupted by the arrival of a servant who handed her a letter. The letter bore the London postmark and was addressed in a hand she knew--that came into her vision, already so held by him, with the vividness of the writer's voice or his face. This document proved short and may be given entire. MY DEAR MISS ARCHER--I don't know whether you will have heard of my coming to England, but even if you have not it will scarcely be a surprise to you. You will remember that when you gave me my dismissal at Albany, three months ago, I did not accept it. I protested against it. You in fact appeared to accept my protest and to admit that I had the right on my side. I had come to see you with the hope that you would let me bring you over to my conviction; my reasons for entertaining this hope had been of the best. But you disappointed it; I found you changed, and you were able to give me no reason for the change. You admitted that you were unreasonable, and it was the only concession you would make; but it was a very cheap one, because that's not your character. No, you are not, and you never will be, arbitrary or capricious. Therefore it is that I believe you will let me see you again. You told me that I'm not disagreeable to you, and I believe it; for I don't see why that should be. I shall always think of you; I shall never think of any one else. I came to England simply because you are here; I couldn't stay at home after you had gone: I hated the country because you were not in it. If I like this country at present it is only because it holds you. I have been to England before, but have never enjoyed it much. May I not come and see you for half an hour? This at present is the dearest wish of yours faithfully, CASPAR GOODWOOD. Isabel read this missive with such deep attention that she had not perceived an approaching tread on the soft grass. Looking up, however, as she mechanically folded it she saw Lord Warburton standing before her.

Chapter 11

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-11

Mrs. Touchett does not like Henrietta, whom she finds loud and presumptuous. Interestingly, one might say the same about a certain older American lady.... Henrietta and Mrs. Touchett get in a quarrel about American hotels - Henrietta says they are the very best and Mrs. Touchett claims they are the absolute worst. Ralph tries to stand up for Henrietta, but she won't have it, since Henrietta Stackpole always fights her own battles. Mrs. Touchett says that having good servants is crucial, and American servants do not compare in quality to the five stellar Italian ones in Florence. Henrietta detests the idea of having five servants, and she has idealistic ideas about American liberty. In private, Henrietta tells Isabel about an encounter she had with Caspar Goodwood. She tells Isabel that Caspar arrived in London with her, with the aim to see Isabel. Isabel is not very excited to see Caspar, although it is unclear what her actual feelings about him are. Henrietta thinks that she's leading the poor guy on. Henrietta sees that Isabel's stay at Gardencourt has changed her. Isabel hopes so, since she wants everything to influence her. Isabel receives a letter from Caspar. The letter expresses his wish to see her, announces his impending arrival in England, and expresses the thought that he only wants to be where she is. When Isabel is finished with the letter, she sees that Lord Warburton is standing right in front of her. Hmm... love triangle, anyone?

shmoop

all_chapterized_books/2833-chapters/12.txt

finished_summaries/shmoop/The Portrait of a Lady/section_11_part_0.txt

The Portrait of a Lady.chapter 12

chapter 12

{"name": "Chapter 12", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-12", "summary": "Isabel stands, not wanting Lord Warburton to sit with her. They begin taking a stroll. It's clear that Lord Warburton has something specific on his mind. Surprise! Lord Warburton professes his love for Isabel. He asks her to marry him. Isabel reflects on how romantic and perfect the moment would have seemed to her three months ago. Right now, though, she's just not into it. Isabel promises Lord Warburton that she will consider his proposal, and not take too long before giving him an answer. Lord Warburton confesses that he's afraid of Isabel's mind. Isabel admits that she is, too. Forlorn, Lord Warburton tells Isabel that they don't have to live at Lockleigh if she doesn't like the moat - they can go anywhere. Overcome with disappointment, he leaves. Isabel, left alone again, knows that she won't marry Lord Warburton. Reflecting upon her choice, Isabel fears for herself.", "analysis": ""}

She put the letter into her pocket and offered her visitor a smile of welcome, exhibiting no trace of discomposure and half surprised at her coolness. "They told me you were out here," said Lord Warburton; "and as there was no one in the drawing-room and it's really you that I wish to see, I came out with no more ado." Isabel had got up; she felt a wish, for the moment, that he should not sit down beside her. "I was just going indoors." "Please don't do that; it's much jollier here; I've ridden over from Lockleigh; it's a lovely day." His smile was peculiarly friendly and pleasing, and his whole person seemed to emit that radiance of good-feeling and good fare which had formed the charm of the girl's first impression of him. It surrounded him like a zone of fine June weather. "We'll walk about a little then," said Isabel, who could not divest herself of the sense of an intention on the part of her visitor and who wished both to elude the intention and to satisfy her curiosity about it. It had flashed upon her vision once before, and it had given her on that occasion, as we know, a certain alarm. This alarm was composed of several elements, not all of which were disagreeable; she had indeed spent some days in analysing them and had succeeded in separating the pleasant part of the idea of Lord Warburton's "making up" to her from the painful. It may appear to some readers that the young lady was both precipitate and unduly fastidious; but the latter of these facts, if the charge be true, may serve to exonerate her from the discredit of the former. She was not eager to convince herself that a territorial magnate, as she had heard Lord Warburton called, was smitten with her charms; the fact of a declaration from such a source carrying with it really more questions than it would answer. She had received a strong impression of his being a "personage," and she had occupied herself in examining the image so conveyed. At the risk of adding to the evidence of her self-sufficiency it must be said that there had been moments when this possibility of admiration by a personage represented to her an aggression almost to the degree of an affront, quite to the degree of an inconvenience. She had never yet known a personage; there had been no personages, in this sense, in her life; there were probably none such at all in her native land. When she had thought of individual eminence she had thought of it on the basis of character and wit--of what one might like in a gentleman's mind and in his talk. She herself was a character--she couldn't help being aware of that; and hitherto her visions of a completed consciousness had concerned themselves largely with moral images--things as to which the question would be whether they pleased her sublime soul. Lord Warburton loomed up before her, largely and brightly, as a collection of attributes and powers which were not to be measured by this simple rule, but which demanded a different sort of appreciation--an appreciation that the girl, with her habit of judging quickly and freely, felt she lacked patience to bestow. He appeared to demand of her something that no one else, as it were, had presumed to do. What she felt was that a territorial, a political, a social magnate had conceived the design of drawing her into the system in which he rather invidiously lived and moved. A certain instinct, not imperious, but persuasive, told her to resist--murmured to her that virtually she had a system and an orbit of her own. It told her other things besides--things which both contradicted and confirmed each other; that a girl might do much worse than trust herself to such a man and that it would be very interesting to see something of his system from his own point of view; that on the other hand, however, there was evidently a great deal of it which she should regard only as a complication of every hour, and that even in the whole there was something stiff and stupid which would make it a burden. Furthermore there was a young man lately come from America who had no system at all, but who had a character of which it was useless for her to try to persuade herself that the impression on her mind had been light. The letter she carried in her pocket all sufficiently reminded her of the contrary. Smile not, however, I venture to repeat, at this simple young woman from Albany who debated whether she should accept an English peer before he had offered himself and who was disposed to believe that on the whole she could do better. She was a person of great good faith, and if there was a great deal of folly in her wisdom those who judge her severely may have the satisfaction of finding that, later, she became consistently wise only at the cost of an amount of folly which will constitute almost a direct appeal to charity. Lord Warburton seemed quite ready to walk, to sit or to do anything that Isabel should propose, and he gave her this assurance with his usual air of being particularly pleased to exercise a social virtue. But he was, nevertheless, not in command of his emotions, and as he strolled beside her for a moment, in silence, looking at her without letting her know it, there was something embarrassed in his glance and his misdirected laughter. Yes, assuredly--as we have touched on the point, we may return to it for a moment again--the English are the most romantic people in the world and Lord Warburton was about to give an example of it. He was about to take a step which would astonish all his friends and displease a great many of them, and which had superficially nothing to recommend it. The young lady who trod the turf beside him had come from a queer country across the sea which he knew a good deal about; her antecedents, her associations were very vague to his mind except in so far as they were generic, and in this sense they showed as distinct and unimportant. Miss Archer had neither a fortune nor the sort of beauty that justifies a man to the multitude, and he calculated that he had spent about twenty-six hours in her company. He had summed up all this--the perversity of the impulse, which had declined to avail itself of the most liberal opportunities to subside, and the judgement of mankind, as exemplified particularly in the more quickly-judging half of it: he had looked these things well in the face and then had dismissed them from his thoughts. He cared no more for them than for the rosebud in his buttonhole. It is the good fortune of a man who for the greater part of a lifetime has abstained without effort from making himself disagreeable to his friends, that when the need comes for such a course it is not discredited by irritating associations. "I hope you had a pleasant ride," said Isabel, who observed her companion's hesitancy. "It would have been pleasant if for nothing else than that it brought me here." "Are you so fond of Gardencourt?" the girl asked, more and more sure that he meant to make some appeal to her; wishing not to challenge him if he hesitated, and yet to keep all the quietness of her reason if he proceeded. It suddenly came upon her that her situation was one which a few weeks ago she would have deemed deeply romantic: the park of an old English country-house, with the foreground embellished by a "great" (as she supposed) nobleman in the act of making love to a young lady who, on careful inspection, should be found to present remarkable analogies with herself. But if she was now the heroine of the situation she succeeded scarcely the less in looking at it from the outside. "I care nothing for Gardencourt," said her companion. "I care only for you." "You've known me too short a time to have a right to say that, and I can't believe you're serious." These words of Isabel's were not perfectly sincere, for she had no doubt whatever that he himself was. They were simply a tribute to the fact, of which she was perfectly aware, that those he had just uttered would have excited surprise on the part of a vulgar world. And, moreover, if anything beside the sense she had already acquired that Lord Warburton was not a loose thinker had been needed to convince her, the tone in which he replied would quite have served the purpose. "One's right in such a matter is not measured by the time, Miss Archer; it's measured by the feeling itself. If I were to wait three months it would make no difference; I shall not be more sure of what I mean than I am to-day. Of course I've seen you very little, but my impression dates from the very first hour we met. I lost no time, I fell in love with you then. It was at first sight, as the novels say; I know now that's not a fancy-phrase, and I shall think better of novels for evermore. Those two days I spent here settled it; I don't know whether you suspected I was doing so, but I paid-mentally speaking I mean--the greatest possible attention to you. Nothing you said, nothing you did, was lost upon me. When you came to Lockleigh the other day--or rather when you went away--I was perfectly sure. Nevertheless I made up my mind to think it over and to question myself narrowly. I've done so; all these days I've done nothing else. I don't make mistakes about such things; I'm a very judicious animal. I don't go off easily, but when I'm touched, it's for life. It's for life, Miss Archer, it's for life," Lord Warburton repeated in the kindest, tenderest, pleasantest voice Isabel had ever heard, and looking at her with eyes charged with the light of a passion that had sifted itself clear of the baser parts of emotion--the heat, the violence, the unreason--and that burned as steadily as a lamp in a windless place. By tacit consent, as he talked, they had walked more and more slowly, and at last they stopped and he took her hand. "Ah, Lord Warburton, how little you know me!" Isabel said very gently. Gently too she drew her hand away. "Don't taunt me with that; that I don't know you better makes me unhappy enough already; it's all my loss. But that's what I want, and it seems to me I'm taking the best way. If you'll be my wife, then I shall know you, and when I tell you all the good I think of you you'll not be able to say it's from ignorance." "If you know me little I know you even less," said Isabel. "You mean that, unlike yourself, I may not improve on acquaintance? Ah, of course that's very possible. But think, to speak to you as I do, how determined I must be to try and give satisfaction! You do like me rather, don't you?" "I like you very much, Lord Warburton," she answered; and at this moment she liked him immensely. "I thank you for saying that; it shows you don't regard me as a stranger. I really believe I've filled all the other relations of life very creditably, and I don't see why I shouldn't fill this one--in which I offer myself to you--seeing that I care so much more about it. Ask the people who know me well; I've friends who'll speak for me." "I don't need the recommendation of your friends," said Isabel. "Ah now, that's delightful of you. You believe in me yourself." "Completely," Isabel declared. She quite glowed there, inwardly, with the pleasure of feeling she did. The light in her companion's eyes turned into a smile, and he gave a long exhalation of joy. "If you're mistaken, Miss Archer, let me lose all I possess!" She wondered whether he meant this for a reminder that he was rich, and, on the instant, felt sure that he didn't. He was thinking that, as he would have said himself; and indeed he might safely leave it to the memory of any interlocutor, especially of one to whom he was offering his hand. Isabel had prayed that she might not be agitated, and her mind was tranquil enough, even while she listened and asked herself what it was best she should say, to indulge in this incidental criticism. What she should say, had she asked herself? Her foremost wish was to say something if possible not less kind than what he had said to her. His words had carried perfect conviction with them; she felt she did, all so mysteriously, matter to him. "I thank you more than I can say for your offer," she returned at last. "It does me great honour." "Ah, don't say that!" he broke out. "I was afraid you'd say something like that. I don't see what you've to do with that sort of thing. I don't see why you should thank me--it's I who ought to thank you for listening to me: a man you know so little coming down on you with such a thumper! Of course it's a great question; I must tell you that I'd rather ask it than have it to answer myself. But the way you've listened--or at least your having listened at all--gives me some hope." "Don't hope too much," Isabel said. "Oh Miss Archer!" her companion murmured, smiling again, in his seriousness, as if such a warning might perhaps be taken but as the play of high spirits, the exuberance of elation. "Should you be greatly surprised if I were to beg you not to hope at all?" Isabel asked. "Surprised? I don't know what you mean by surprise. It wouldn't be that; it would be a feeling very much worse." Isabel walked on again; she was silent for some minutes. "I'm very sure that, highly as I already think of you, my opinion of you, if I should know you well, would only rise. But I'm by no means sure that you wouldn't be disappointed. And I say that not in the least out of conventional modesty; it's perfectly sincere." "I'm willing to risk it, Miss Archer," her companion replied. "It's a great question, as you say. It's a very difficult question." "I don't expect you of course to answer it outright. Think it over as long as may be necessary. If I can gain by waiting I'll gladly wait a long time. Only remember that in the end my dearest happiness depends on your answer." "I should be very sorry to keep you in suspense," said Isabel. "Oh, don't mind. I'd much rather have a good answer six months hence than a bad one to-day." "But it's very probable that even six months hence I shouldn't be able to give you one that you'd think good." "Why not, since you really like me?" "Ah, you must never doubt that," said Isabel. "Well then, I don't see what more you ask!" "It's not what I ask; it's what I can give. I don't think I should suit you; I really don't think I should." "You needn't worry about that. That's my affair. You needn't be a better royalist than the king." "It's not only that," said Isabel; "but I'm not sure I wish to marry any one." "Very likely you don't. I've no doubt a great many women begin that way," said his lordship, who, be it averred, did not in the least believe in the axiom he thus beguiled his anxiety by uttering. "But they're frequently persuaded." "Ah, that's because they want to be!" And Isabel lightly laughed. Her suitor's countenance fell, and he looked at her for a while in silence. "I'm afraid it's my being an Englishman that makes you hesitate," he said presently. "I know your uncle thinks you ought to marry in your own country." Isabel listened to this assertion with some interest; it had never occurred to her that Mr. Touchett was likely to discuss her matrimonial prospects with Lord Warburton. "Has he told you that?" "I remember his making the remark. He spoke perhaps of Americans generally." "He appears himself to have found it very pleasant to live in England." Isabel spoke in a manner that might have seemed a little perverse, but which expressed both her constant perception of her uncle's outward felicity and her general disposition to elude any obligation to take a restricted view. It gave her companion hope, and he immediately cried with warmth: "Ah, my dear Miss Archer, old England's a very good sort of country, you know! And it will be still better when we've furbished it up a little." "Oh, don't furbish it, Lord Warburton--, leave it alone. I like it this way." "Well then, if you like it, I'm more and more unable to see your objection to what I propose." "I'm afraid I can't make you understand." "You ought at least to try. I've a fair intelligence. Are you afraid--afraid of the climate? We can easily live elsewhere, you know. You can pick out your climate, the whole world over." These words were uttered with a breadth of candour that was like the embrace of strong arms--that was like the fragrance straight in her face, and by his clean, breathing lips, of she knew not what strange gardens, what charged airs. She would have given her little finger at that moment to feel strongly and simply the impulse to answer: "Lord Warburton, it's impossible for me to do better in this wonderful world, I think, than commit myself, very gratefully, to your loyalty." But though she was lost in admiration of her opportunity she managed to move back into the deepest shade of it, even as some wild, caught creature in a vast cage. The "splendid" security so offered her was not the greatest she could conceive. What she finally bethought herself of saying was something very different--something that deferred the need of really facing her crisis. "Don't think me unkind if I ask you to say no more about this to-day." "Certainly, certainly!" her companion cried. "I wouldn't bore you for the world." "You've given me a great deal to think about, and I promise you to do it justice." "That's all I ask of you, of course--and that you'll remember how absolutely my happiness is in your hands." Isabel listened with extreme respect to this admonition, but she said after a minute: "I must tell you that what I shall think about is some way of letting you know that what you ask is impossible--letting you know it without making you miserable." "There's no way to do that, Miss Archer. I won't say that if you refuse me you'll kill me; I shall not die of it. But I shall do worse; I shall live to no purpose." "You'll live to marry a better woman than I." "Don't say that, please," said Lord Warburton very gravely. "That's fair to neither of us." "To marry a worse one then." "If there are better women than you I prefer the bad ones. That's all I can say," he went on with the same earnestness. "There's no accounting for tastes." His gravity made her feel equally grave, and she showed it by again requesting him to drop the subject for the present. "I'll speak to you myself--very soon. Perhaps I shall write to you." "At your convenience, yes," he replied. "Whatever time you take, it must seem to me long, and I suppose I must make the best of that." "I shall not keep you in suspense; I only want to collect my mind a little." He gave a melancholy sigh and stood looking at her a moment, with his hands behind him, giving short nervous shakes to his hunting-crop. "Do you know I'm very much afraid of it--of that remarkable mind of yours?" Our heroine's biographer can scarcely tell why, but the question made her start and brought a conscious blush to her cheek. She returned his look a moment, and then with a note in her voice that might almost have appealed to his compassion, "So am I, my lord!" she oddly exclaimed. His compassion was not stirred, however; all he possessed of the faculty of pity was needed at home. "Ah! be merciful, be merciful," he murmured. "I think you had better go," said Isabel. "I'll write to you." "Very good; but whatever you write I'll come and see you, you know." And then he stood reflecting, his eyes fixed on the observant countenance of Bunchie, who had the air of having understood all that had been said and of pretending to carry off the indiscretion by a simulated fit of curiosity as to the roots of an ancient oak. "There's one thing more," he went on. "You know, if you don't like Lockleigh--if you think it's damp or anything of that sort--you need never go within fifty miles of it. It's not damp, by the way; I've had the house thoroughly examined; it's perfectly safe and right. But if you shouldn't fancy it you needn't dream of living in it. There's no difficulty whatever about that; there are plenty of houses. I thought I'd just mention it; some people don't like a moat, you know. Good-bye." "I adore a moat," said Isabel. "Good-bye." He held out his hand, and she gave him hers a moment--a moment long enough for him to bend his handsome bared head and kiss it. Then, still agitating, in his mastered emotion, his implement of the chase, he walked rapidly away. He was evidently much upset. Isabel herself was upset, but she had not been affected as she would have imagined. What she felt was not a great responsibility, a great difficulty of choice; it appeared to her there had been no choice in the question. She couldn't marry Lord Warburton; the idea failed to support any enlightened prejudice in favour of the free exploration of life that she had hitherto entertained or was now capable of entertaining. She must write this to him, she must convince him, and that duty was comparatively simple. But what disturbed her, in the sense that it struck her with wonderment, was this very fact that it cost her so little to refuse a magnificent "chance." With whatever qualifications one would, Lord Warburton had offered her a great opportunity; the situation might have discomforts, might contain oppressive, might contain narrowing elements, might prove really but a stupefying anodyne; but she did her sex no injustice in believing that nineteen women out of twenty would have accommodated themselves to it without a pang. Why then upon her also should it not irresistibly impose itself? Who was she, what was she, that she should hold herself superior? What view of life, what design upon fate, what conception of happiness, had she that pretended to be larger than these large these fabulous occasions? If she wouldn't do such a thing as that then she must do great things, she must do something greater. Poor Isabel found ground to remind herself from time to time that she must not be too proud, and nothing could be more sincere than her prayer to be delivered from such a danger: the isolation and loneliness of pride had for her mind the horror of a desert place. If it had been pride that interfered with her accepting Lord Warburton such a betise was singularly misplaced; and she was so conscious of liking him that she ventured to assure herself it was the very softness, and the fine intelligence, of sympathy. She liked him too much to marry him, that was the truth; something assured her there was a fallacy somewhere in the glowing logic of the proposition--as he saw it--even though she mightn't put her very finest finger-point on it; and to inflict upon a man who offered so much a wife with a tendency to criticise would be a peculiarly discreditable act. She had promised him she would consider his question, and when, after he had left her, she wandered back to the bench where he had found her and lost herself in meditation, it might have seemed that she was keeping her vow. But this was not the case; she was wondering if she were not a cold, hard, priggish person, and, on her at last getting up and going rather quickly back to the house, felt, as she had said to her friend, really frightened at herself.

Chapter 12

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-12

Isabel stands, not wanting Lord Warburton to sit with her. They begin taking a stroll. It's clear that Lord Warburton has something specific on his mind. Surprise! Lord Warburton professes his love for Isabel. He asks her to marry him. Isabel reflects on how romantic and perfect the moment would have seemed to her three months ago. Right now, though, she's just not into it. Isabel promises Lord Warburton that she will consider his proposal, and not take too long before giving him an answer. Lord Warburton confesses that he's afraid of Isabel's mind. Isabel admits that she is, too. Forlorn, Lord Warburton tells Isabel that they don't have to live at Lockleigh if she doesn't like the moat - they can go anywhere. Overcome with disappointment, he leaves. Isabel, left alone again, knows that she won't marry Lord Warburton. Reflecting upon her choice, Isabel fears for herself.

shmoop

all_chapterized_books/2833-chapters/13.txt

finished_summaries/shmoop/The Portrait of a Lady/section_12_part_0.txt

The Portrait of a Lady.chapter 13

chapter 13

{"name": "Chapter 13", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-13", "summary": "Isabel needs to talk to someone about the proposal, and she decides to confide in Mr. Touchett. Mr. Touchett already knows about the proposal because Lord Warburton wrote him a letter stating his intentions. Mr. Touchett figures Isabel is waiting to see if a better man comes along, but Isabel insists that she is not set on marrying yet. We learn more about Caspar Goodwood: He studied at Harvard College, where he was known as a star gymnast and member of the crew team. The son of a cotton-mill owner, Caspar has a skill for mechanics and patented a new cotton-spinning technique. All in all, he's a successful and enterprising young businessman. Isabel considers the pros of Caspar Goodwood, but she ultimately can't get over the cons: He always dresses in the same way, his jaw is too square, and his posture too stiff. Oh, yeah -- and she doesn't think she's in love with him. Isabel mentally compares Caspar Goodwood with Lord Warburton, appreciates the difference between them, and feels that she cannot commit herself to either of them. She writes Lord Warburton a letter thanking him, but rejecting his proposal. She decides not to write to Caspar Goodwood in order to discourage him. Henrietta Stackpole asks Ralph for help. Henrietta is determined to match Isabel with Caspar Goodwood. She insists that Isabel marry an American man and believes that Caspar is, as they say, the Right One. Henrietta asks Ralph to invite Caspar to Gardencourt. Reluctantly, Ralph does; fortunately, Caspar replies that he is busy. Henrietta suggests that she and Isabel visit London in order to see more of English society. Isabel, always wanting to experience more, agrees. Ralph also decides to join the party.", "analysis": ""}

It was this feeling and not the wish to ask advice--she had no desire whatever for that--that led her to speak to her uncle of what had taken place. She wished to speak to some one; she should feel more natural, more human, and her uncle, for this purpose, presented himself in a more attractive light than either her aunt or her friend Henrietta. Her cousin of course was a possible confidant; but she would have had to do herself violence to air this special secret to Ralph. So the next day, after breakfast, she sought her occasion. Her uncle never left his apartment till the afternoon, but he received his cronies, as he said, in his dressing-room. Isabel had quite taken her place in the class so designated, which, for the rest, included the old man's son, his physician, his personal servant, and even Miss Stackpole. Mrs. Touchett did not figure in the list, and this was an obstacle the less to Isabel's finding her host alone. He sat in a complicated mechanical chair, at the open window of his room, looking westward over the park and the river, with his newspapers and letters piled up beside him, his toilet freshly and minutely made, and his smooth, speculative face composed to benevolent expectation. She approached her point directly. "I think I ought to let you know that Lord Warburton has asked me to marry him. I suppose I ought to tell my aunt; but it seems best to tell you first." The old man expressed no surprise, but thanked her for the confidence she showed him. "Do you mind telling me whether you accepted him?" he then enquired. "I've not answered him definitely yet; I've taken a little time to think of it, because that seems more respectful. But I shall not accept him." Mr. Touchett made no comment upon this; he had the air of thinking that, whatever interest he might take in the matter from the point of view of sociability, he had no active voice in it. "Well, I told you you'd be a success over here. Americans are highly appreciated." "Very highly indeed," said Isabel. "But at the cost of seeming both tasteless and ungrateful, I don't think I can marry Lord Warburton." "Well," her uncle went on, "of course an old man can't judge for a young lady. I'm glad you didn't ask me before you made up your mind. I suppose I ought to tell you," he added slowly, but as if it were not of much consequence, "that I've known all about it these three days." "About Lord Warburton's state of mind?" "About his intentions, as they say here. He wrote me a very pleasant letter, telling me all about them. Should you like to see his letter?" the old man obligingly asked. "Thank you; I don't think I care about that. But I'm glad he wrote to you; it was right that he should, and he would be certain to do what was right." "Ah well, I guess you do like him!" Mr. Touchett declared. "You needn't pretend you don't." "I like him extremely; I'm very free to admit that. But I don't wish to marry any one just now." "You think some one may come along whom you may like better. Well, that's very likely," said Mr. Touchett, who appeared to wish to show his kindness to the girl by easing off her decision, as it were, and finding cheerful reasons for it. "I don't care if I don't meet any one else. I like Lord Warburton quite well enough." she fell into that appearance of a sudden change of point of view with which she sometimes startled and even displeased her interlocutors. Her uncle, however, seemed proof against either of these impressions. "He's a very fine man," he resumed in a tone which might have passed for that of encouragement. "His letter was one of the pleasantest I've received for some weeks. I suppose one of the reasons I liked it was that it was all about you; that is all except the part that was about himself. I suppose he told you all that." "He would have told me everything I wished to ask him," Isabel said. "But you didn't feel curious?" "My curiosity would have been idle--once I had determined to decline his offer." "You didn't find it sufficiently attractive?" Mr. Touchett enquired. She was silent a little. "I suppose it was that," she presently admitted. "But I don't know why." "Fortunately ladies are not obliged to give reasons," said her uncle. "There's a great deal that's attractive about such an idea; but I don't see why the English should want to entice us away from our native land. I know that we try to attract them over there, but that's because our population is insufficient. Here, you know, they're rather crowded. However, I presume there's room for charming young ladies everywhere." "There seems to have been room here for you," said Isabel, whose eyes had been wandering over the large pleasure-spaces of the park. Mr. Touchett gave a shrewd, conscious smile. "There's room everywhere, my dear, if you'll pay for it. I sometimes think I've paid too much for this. Perhaps you also might have to pay too much." "Perhaps I might," the girl replied. That suggestion gave her something more definite to rest on than she had found in her own thoughts, and the fact of this association of her uncle's mild acuteness with her dilemma seemed to prove that she was concerned with the natural and reasonable emotions of life and not altogether a victim to intellectual eagerness and vague ambitions--ambitions reaching beyond Lord Warburton's beautiful appeal, reaching to something indefinable and possibly not commendable. In so far as the indefinable had an influence upon Isabel's behaviour at this juncture, it was not the conception, even unformulated, of a union with Caspar Goodwood; for however she might have resisted conquest at her English suitor's large quiet hands she was at least as far removed from the disposition to let the young man from Boston take positive possession of her. The sentiment in which She sought refuge after reading his letter was a critical view of his having come abroad; for it was part of the influence he had upon her that he seemed to deprive her of the sense of freedom. There was a disagreeably strong push, a kind of hardness of presence, in his way of rising before her. She had been haunted at moments by the image, by the danger, of his disapproval and had wondered--a consideration she had never paid in equal degree to any one else--whether he would like what she did. The difficulty was that more than any man she had ever known, more than poor Lord Warburton (she had begun now to give his lordship the benefit of this epithet), Caspar Goodwood expressed for her an energy--and she had already felt it as a power that was of his very nature. It was in no degree a matter of his "advantages"--it was a matter of the spirit that sat in his clear-burning eyes like some tireless watcher at a window. She might like it or not, but he insisted, ever, with his whole weight and force: even in one's usual contact with him one had to reckon with that. The idea of a diminished liberty was particularly disagreeable to her at present, since she had just given a sort of personal accent to her independence by looking so straight at Lord Warburton's big bribe and yet turning away from it. Sometimes Caspar Goodwood had seemed to range himself on the side of her destiny, to be the stubbornest fact she knew; she said to herself at such moments that she might evade him for a time, but that she must make terms with him at last--terms which would be certain to be favourable to himself. Her impulse had been to avail herself of the things that helped her to resist such an obligation; and this impulse had been much concerned in her eager acceptance of her aunt's invitation, which had come to her at an hour when she expected from day to day to see Mr. Goodwood and when she was glad to have an answer ready for something she was sure he would say to her. When she had told him at Albany, on the evening of Mrs. Touchett's visit, that she couldn't then discuss difficult questions, dazzled as she was by the great immediate opening of her aunt's offer of "Europe," he declared that this was no answer at all; and it was now to obtain a better one that he was following her across the sea. To say to herself that he was a kind of grim fate was well enough for a fanciful young woman who was able to take much for granted in him; but the reader has a right to a nearer and a clearer view. He was the son of a proprietor of well-known cotton-mills in Massachusetts--a gentleman who had accumulated a considerable fortune in the exercise of this industry. Caspar at present managed the works, and with a judgement and a temper which, in spite of keen competition and languid years, had kept their prosperity from dwindling. He had received the better part of his education at Harvard College, where, however, he had gained renown rather as a gymnast and an oarsman than as a gleaner of more dispersed knowledge. Later on he had learned that the finer intelligence too could vault and pull and strain--might even, breaking the record, treat itself to rare exploits. He had thus discovered in himself a sharp eye for the mystery of mechanics, and had invented an improvement in the cotton-spinning process which was now largely used and was known by his name. You might have seen it in the newspapers in connection with this fruitful contrivance; assurance of which he had given to Isabel by showing her in the columns of the New York Interviewer an exhaustive article on the Goodwood patent--an article not prepared by Miss Stackpole, friendly as she had proved herself to his more sentimental interests. There were intricate, bristling things he rejoiced in; he liked to organise, to contend, to administer; he could make people work his will, believe in him, march before him and justify him. This was the art, as they said, of managing men--which rested, in him, further, on a bold though brooding ambition. It struck those who knew him well that he might do greater things than carry on a cotton-factory; there was nothing cottony about Caspar Goodwood, and his friends took for granted that he would somehow and somewhere write himself in bigger letters. But it was as if something large and confused, something dark and ugly, would have to call upon him: he was not after all in harmony with mere smug peace and greed and gain, an order of things of which the vital breath was ubiquitous advertisement. It pleased Isabel to believe that he might have ridden, on a plunging steed, the whirlwind of a great war--a war like the Civil strife that had overdarkened her conscious childhood and his ripening youth. She liked at any rate this idea of his being by character and in fact a mover of men--liked it much better than some other points in his nature and aspect. She cared nothing for his cotton-mill--the Goodwood patent left her imagination absolutely cold. She wished him no ounce less of his manhood, but she sometimes thought he would be rather nicer if he looked, for instance, a little differently. His jaw was too square and set and his figure too straight and stiff: these things suggested a want of easy consonance with the deeper rhythms of life. Then she viewed with reserve a habit he had of dressing always in the same manner; it was not apparently that he wore the same clothes continually, for, on the contrary, his garments had a way of looking rather too new. But they all seemed of the same piece; the figure, the stuff, was so drearily usual. She had reminded herself more than once that this was a frivolous objection to a person of his importance; and then she had amended the rebuke by saying that it would be a frivolous objection only if she were in love with him. She was not in love with him and therefore might criticise his small defects as well as his great--which latter consisted in the collective reproach of his being too serious, or, rather, not of his being so, since one could never be, but certainly of his seeming so. He showed his appetites and designs too simply and artlessly; when one was alone with him he talked too much about the same subject, and when other people were present he talked too little about anything. And yet he was of supremely strong, clean make--which was so much she saw the different fitted parts of him as she had seen, in museums and portraits, the different fitted parts of armoured warriors--in plates of steel handsomely inlaid with gold. It was very strange: where, ever, was any tangible link between her impression and her act? Caspar Goodwood had never corresponded to her idea of a delightful person, and she supposed that this was why he left her so harshly critical. When, however, Lord Warburton, who not only did correspond with it, but gave an extension to the term, appealed to her approval, she found herself still unsatisfied. It was certainly strange. The sense of her incoherence was not a help to answering Mr. Goodwood's letter, and Isabel determined to leave it a while unhonoured. If he had determined to persecute her he must take the consequences; foremost among which was his being left to perceive how little it charmed her that he should come down to Gardencourt. She was already liable to the incursions of one suitor at this place, and though it might be pleasant to be appreciated in opposite quarters there was a kind of grossness in entertaining two such passionate pleaders at once, even in a case where the entertainment should consist of dismissing them. She made no reply to Mr. Goodwood; but at the end of three days she wrote to Lord Warburton, and the letter belongs to our history. DEAR LORD WARBURTON--A great deal of earnest thought has not led me to change my mind about the suggestion you were so kind as to make me the other day. I am not, I am really and truly not, able to regard you in the light of a companion for life; or to think of your home--your various homes--as the settled seat of my existence. These things cannot be reasoned about, and I very earnestly entreat you not to return to the subject we discussed so exhaustively. We see our lives from our own point of view; that is the privilege of the weakest and humblest of us; and I shall never be able to see mine in the manner you proposed. Kindly let this suffice you, and do me the justice to believe that I have given your proposal the deeply respectful consideration it deserves. It is with this very great regard that I remain sincerely yours, ISABEL ARCHER. While the author of this missive was making up her mind to dispatch it Henrietta Stackpole formed a resolve which was accompanied by no demur. She invited Ralph Touchett to take a walk with her in the garden, and when he had assented with that alacrity which seemed constantly to testify to his high expectations, she informed him that she had a favour to ask of him. It may be admitted that at this information the young man flinched; for we know that Miss Stackpole had struck him as apt to push an advantage. The alarm was unreasoned, however; for he was clear about the area of her indiscretion as little as advised of its vertical depth, and he made a very civil profession of the desire to serve her. He was afraid of her and presently told her so. "When you look at me in a certain way my knees knock together, my faculties desert me; I'm filled with trepidation and I ask only for strength to execute your commands. You've an address that I've never encountered in any woman." "Well," Henrietta replied good-humouredly, "if I had not known before that you were trying somehow to abash me I should know it now. Of course I'm easy game--I was brought up with such different customs and ideas. I'm not used to your arbitrary standards, and I've never been spoken to in America as you have spoken to me. If a gentleman conversing with me over there were to speak to me like that I shouldn't know what to make of it. We take everything more naturally over there, and, after all, we're a great deal more simple. I admit that; I'm very simple myself. Of course if you choose to laugh at me for it you're very welcome; but I think on the whole I would rather be myself than you. I'm quite content to be myself; I don't want to change. There are plenty of people that appreciate me just as I am. It's true they're nice fresh free-born Americans!" Henrietta had lately taken up the tone of helpless innocence and large concession. "I want you to assist me a little," she went on. "I don't care in the least whether I amuse you while you do so; or, rather, I'm perfectly willing your amusement should be your reward. I want you to help me about Isabel." "Has she injured you?" Ralph asked. "If she had I shouldn't mind, and I should never tell you. What I'm afraid of is that she'll injure herself." "I think that's very possible," said Ralph. His companion stopped in the garden-walk, fixing on him perhaps the very gaze that unnerved him. "That too would amuse you, I suppose. The way you do say things! I never heard any one so indifferent." "To Isabel? Ah, not that!" "Well, you're not in love with her, I hope." "How can that be, when I'm in love with Another?" "You're in love with yourself, that's the Other!" Miss Stackpole declared. "Much good may it do you! But if you wish to be serious once in your life here's a chance; and if you really care for your cousin here's an opportunity to prove it. I don't expect you to understand her; that's too much to ask. But you needn't do that to grant my favour. I'll supply the necessary intelligence." "I shall enjoy that immensely!" Ralph exclaimed. "I'll be Caliban and you shall be Ariel." "You're not at all like Caliban, because you're sophisticated, and Caliban was not. But I'm not talking about imaginary characters; I'm talking about Isabel. Isabel's intensely real. What I wish to tell you is that I find her fearfully changed." "Since you came, do you mean?" "Since I came and before I came. She's not the same as she once so beautifully was." "As she was in America?" "Yes, in America. I suppose you know she comes from there. She can't help it, but she does." "Do you want to change her back again?" "Of course I do, and I want you to help me." "Ah," said Ralph, "I'm only Caliban; I'm not Prospero." "You were Prospero enough to make her what she has become. You've acted on Isabel Archer since she came here, Mr. Touchett." "I, my dear Miss Stackpole? Never in the world. Isabel Archer has acted on me--yes; she acts on every one. But I've been absolutely passive." "You're too passive then. You had better stir yourself and be careful. Isabel's changing every day; she's drifting away--right out to sea. I've watched her and I can see it. She's not the bright American girl she was. She's taking different views, a different colour, and turning away from her old ideals. I want to save those ideals, Mr. Touchett, and that's where you come in." "Not surely as an ideal?" "Well, I hope not," Henrietta replied promptly. "I've got a fear in my heart that she's going to marry one of these fell Europeans, and I want to prevent it. "Ah, I see," cried Ralph; "and to prevent it you want me to step in and marry her?" "Not quite; that remedy would be as bad as the disease, for you're the typical, the fell European from whom I wish to rescue her. No; I wish you to take an interest in another person--a young man to whom she once gave great encouragement and whom she now doesn't seem to think good enough. He's a thoroughly grand man and a very dear friend of mine, and I wish very much you would invite him to pay a visit here." Ralph was much puzzled by this appeal, and it is perhaps not to the credit of his purity of mind that he failed to look at it at first in the simplest light. It wore, to his eyes, a tortuous air, and his fault was that he was not quite sure that anything in the world could really be as candid as this request of Miss Stackpole's appeared. That a young woman should demand that a gentleman whom she described as her very dear friend should be furnished with an opportunity to make himself agreeable to another young woman, a young woman whose attention had wandered and whose charms were greater--this was an anomaly which for the moment challenged all his ingenuity of interpretation. To read between the lines was easier than to follow the text, and to suppose that Miss Stackpole wished the gentleman invited to Gardencourt on her own account was the sign not so much of a vulgar as of an embarrassed mind. Even from this venial act of vulgarity, however, Ralph was saved, and saved by a force that I can only speak of as inspiration. With no more outward light on the subject than he already possessed he suddenly acquired the conviction that it would be a sovereign injustice to the correspondent of the Interviewer to assign a dishonourable motive to any act of hers. This conviction passed into his mind with extreme rapidity; it was perhaps kindled by the pure radiance of the young lady's imperturbable gaze. He returned this challenge a moment, consciously, resisting an inclination to frown as one frowns in the presence of larger luminaries. "Who's the gentleman you speak of?" "Mr. Caspar Goodwood--of Boston. He has been extremely attentive to Isabel--just as devoted to her as he can live. He has followed her out here and he's at present in London. I don't know his address, but I guess I can obtain it." "I've never heard of him," said Ralph. "Well, I suppose you haven't heard of every one. I don't believe he has ever heard of you; but that's no reason why Isabel shouldn't marry him." Ralph gave a mild ambiguous laugh. "What a rage you have for marrying people! Do you remember how you wanted to marry me the other day?" "I've got over that. You don't know how to take such ideas. Mr. Goodwood does, however; and that's what I like about him. He's a splendid man and a perfect gentleman, and Isabel knows it." "Is she very fond of him?" "If she isn't she ought to be. He's simply wrapped up in her." "And you wish me to ask him here," said Ralph reflectively. "It would be an act of true hospitality." "Caspar Goodwood," Ralph continued--"it's rather a striking name." "I don't care anything about his name. It might be Ezekiel Jenkins, and I should say the same. He's the only man I have ever seen whom I think worthy of Isabel." "You're a very devoted friend," said Ralph. "Of course I am. If you say that to pour scorn on me I don't care." "I don't say it to pour scorn on you; I'm very much struck with it." "You're more satiric than ever, but I advise you not to laugh at Mr. Goodwood." "I assure you I'm very serious; you ought to understand that," said Ralph. In a moment his companion understood it. "I believe you are; now you're too serious." "You're difficult to please." "Oh, you're very serious indeed. You won't invite Mr. Goodwood." "I don't know," said Ralph. "I'm capable of strange things. Tell me a little about Mr. Goodwood. What's he like?" "He's just the opposite of you. He's at the head of a cotton-factory; a very fine one." "Has he pleasant manners?" asked Ralph. "Splendid manners--in the American style." "Would he be an agreeable member of our little circle?" "I don't think he'd care much about our little circle. He'd concentrate on Isabel." "And how would my cousin like that?" "Very possibly not at all. But it will be good for her. It will call back her thoughts." "Call them back--from where?" "From foreign parts and other unnatural places. Three months ago she gave Mr. Goodwood every reason to suppose he was acceptable to her, and it's not worthy of Isabel to go back on a real friend simply because she has changed the scene. I've changed the scene too, and the effect of it has been to make me care more for my old associations than ever. It's my belief that the sooner Isabel changes it back again the better. I know her well enough to know that she would never be truly happy over here, and I wish her to form some strong American tie that will act as a preservative." "Aren't you perhaps a little too much in a hurry?" Ralph enquired. "Don't you think you ought to give her more of a chance in poor old England?" "A chance to ruin her bright young life? One's never too much in a hurry to save a precious human creature from drowning." "As I understand it then," said Ralph, "you wish me to push Mr. Goodwood overboard after her. Do you know," he added, "that I've never heard her mention his name?" Henrietta gave a brilliant smile. "I'm delighted to hear that; it proves how much she thinks of him." Ralph appeared to allow that there was a good deal in this, and he surrendered to thought while his companion watched him askance. "If I should invite Mr. Goodwood," he finally said, "it would be to quarrel with him." "Don't do that; he'd prove the better man." "You certainly are doing your best to make me hate him! I really don't think I can ask him. I should be afraid of being rude to him." "It's just as you please," Henrietta returned. "I had no idea you were in love with her yourself." "Do you really believe that?" the young man asked with lifted eyebrows. "That's the most natural speech I've ever heard you make! Of course I believe it," Miss Stackpole ingeniously said. "Well," Ralph concluded, "to prove to you that you're wrong I'll invite him. It must be of course as a friend of yours." "It will not be as a friend of mine that he'll come; and it will not be to prove to me that I'm wrong that you'll ask him--but to prove it to yourself!" These last words of Miss Stackpole's (on which the two presently separated) contained an amount of truth which Ralph Touchett was obliged to recognise; but it so far took the edge from too sharp a recognition that, in spite of his suspecting it would be rather more indiscreet to keep than to break his promise, he wrote Mr. Goodwood a note of six lines, expressing the pleasure it would give Mr. Touchett the elder that he should join a little party at Gardencourt, of which Miss Stackpole was a valued member. Having sent his letter (to the care of a banker whom Henrietta suggested) he waited in some suspense. He had heard this fresh formidable figure named for the first time; for when his mother had mentioned on her arrival that there was a story about the girl's having an "admirer" at home, the idea had seemed deficient in reality and he had taken no pains to ask questions the answers to which would involve only the vague or the disagreeable. Now, however, the native admiration of which his cousin was the object had become more concrete; it took the form of a young man who had followed her to London, who was interested in a cotton-mill and had manners in the most splendid of the American styles. Ralph had two theories about this intervenes. Either his passion was a sentimental fiction of Miss Stackpole's (there was always a sort of tacit understanding among women, born of the solidarity of the sex, that they should discover or invent lovers for each other), in which case he was not to be feared and would probably not accept the invitation; or else he would accept the invitation and in this event prove himself a creature too irrational to demand further consideration. The latter clause of Ralph's argument might have seemed incoherent; but it embodied his conviction that if Mr. Goodwood were interested in Isabel in the serious manner described by Miss Stackpole he would not care to present himself at Gardencourt on a summons from the latter lady. "On this supposition," said Ralph, "he must regard her as a thorn on the stem of his rose; as an intercessor he must find her wanting in tact." Two days after he had sent his invitation he received a very short note from Caspar Goodwood, thanking him for it, regretting that other engagements made a visit to Gardencourt impossible and presenting many compliments to Miss Stackpole. Ralph handed the note to Henrietta, who, when she had read it, exclaimed: "Well, I never have heard of anything so stiff!" "I'm afraid he doesn't care so much about my cousin as you suppose," Ralph observed. "No, it's not that; it's some subtler motive. His nature's very deep. But I'm determined to fathom it, and I shall write to him to know what he means." His refusal of Ralph's overtures was vaguely disconcerting; from the moment he declined to come to Gardencourt our friend began to think him of importance. He asked himself what it signified to him whether Isabel's admirers should be desperadoes or laggards; they were not rivals of his and were perfectly welcome to act out their genius. Nevertheless he felt much curiosity as to the result of Miss Stackpole's promised enquiry into the causes of Mr. Goodwood's stiffness--a curiosity for the present ungratified, inasmuch as when he asked her three days later if she had written to London she was obliged to confess she had written in vain. Mr. Goodwood had not replied. "I suppose he's thinking it over," she said; "he thinks everything over; he's not really at all impetuous. But I'm accustomed to having my letters answered the same day." She presently proposed to Isabel, at all events, that they should make an excursion to London together. "If I must tell the truth," she observed, "I'm not seeing much at this place, and I shouldn't think you were either. I've not even seen that aristocrat--what's his name?--Lord Washburton. He seems to let you severely alone." "Lord Warburton's coming to-morrow, I happen to know," replied her friend, who had received a note from the master of Lockleigh in answer to her own letter. "You'll have every opportunity of turning him inside out." "Well, he may do for one letter, but what's one letter when you want to write fifty? I've described all the scenery in this vicinity and raved about all the old women and donkeys. You may say what you please, scenery doesn't make a vital letter. I must go back to London and get some impressions of real life. I was there but three days before I came away, and that's hardly time to get in touch." As Isabel, on her journey from New York to Gardencourt, had seen even less of the British capital than this, it appeared a happy suggestion of Henrietta's that the two should go thither on a visit of pleasure. The idea struck Isabel as charming; he was curious of the thick detail of London, which had always loomed large and rich to her. They turned over their schemes together and indulged in visions of romantic hours. They would stay at some picturesque old inn--one of the inns described by Dickens--and drive over the town in those delightful hansoms. Henrietta was a literary woman, and the great advantage of being a literary woman was that you could go everywhere and do everything. They would dine at a coffee-house and go afterwards to the play; they would frequent the Abbey and the British Museum and find out where Doctor Johnson had lived, and Goldsmith and Addison. Isabel grew eager and presently unveiled the bright vision to Ralph, who burst into a fit of laughter which scarce expressed the sympathy she had desired. "It's a delightful plan," he said. "I advise you to go to the Duke's Head in Covent Garden, an easy, informal, old-fashioned place, and I'll have you put down at my club." "Do you mean it's improper?" Isabel asked. "Dear me, isn't anything proper here? With Henrietta surely I may go anywhere; she isn't hampered in that way. She has travelled over the whole American continent and can at least find her way about this minute island." "Ah then," said Ralph, "let me take advantage of her protection to go up to town as well. I may never have a chance to travel so safely!"

Chapter 13

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Isabel needs to talk to someone about the proposal, and she decides to confide in Mr. Touchett. Mr. Touchett already knows about the proposal because Lord Warburton wrote him a letter stating his intentions. Mr. Touchett figures Isabel is waiting to see if a better man comes along, but Isabel insists that she is not set on marrying yet. We learn more about Caspar Goodwood: He studied at Harvard College, where he was known as a star gymnast and member of the crew team. The son of a cotton-mill owner, Caspar has a skill for mechanics and patented a new cotton-spinning technique. All in all, he's a successful and enterprising young businessman. Isabel considers the pros of Caspar Goodwood, but she ultimately can't get over the cons: He always dresses in the same way, his jaw is too square, and his posture too stiff. Oh, yeah -- and she doesn't think she's in love with him. Isabel mentally compares Caspar Goodwood with Lord Warburton, appreciates the difference between them, and feels that she cannot commit herself to either of them. She writes Lord Warburton a letter thanking him, but rejecting his proposal. She decides not to write to Caspar Goodwood in order to discourage him. Henrietta Stackpole asks Ralph for help. Henrietta is determined to match Isabel with Caspar Goodwood. She insists that Isabel marry an American man and believes that Caspar is, as they say, the Right One. Henrietta asks Ralph to invite Caspar to Gardencourt. Reluctantly, Ralph does; fortunately, Caspar replies that he is busy. Henrietta suggests that she and Isabel visit London in order to see more of English society. Isabel, always wanting to experience more, agrees. Ralph also decides to join the party.

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all_chapterized_books/2833-chapters/14.txt

finished_summaries/shmoop/The Portrait of a Lady/section_13_part_0.txt

The Portrait of a Lady.chapter 14

chapter 14

{"name": "Chapter 14", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-14", "summary": "The young party delays the journey to London in order to be at Gardencourt when Lord Warburton visits. Lord Warburton and the older Miss Molyneux come to Gardencourt for lunch. Miss Stackpole meets them for the first time. Henrietta Stackpole asks Lord Warburton a bunch of questions in her bustling way. Lord Warburton indulges her and replies politely, with his usual sense of humor. Lord Warburton invites Isabel to look at the paintings with him, and displays his disappointment upon reading her response to his proposal. He asks her what it is that makes her reject him. Isabel responds in a somewhat odd fashion: She says that she would be trying to avoid her fate by attempting happiness with Lord Warburton. Miss Molyneux reminds Lord Warburton that she is expecting friends for tea at Lockleigh, so they'd better get going. Her brother doesn't immediately respond. Henrietta Stackpole is appalled by Miss Molyneux's passivity. Miss Molyneux, who's puzzled and a little scared by the newspaper woman, ignores Henrietta, but invites Isabel back to Lockleigh. Isabel says that she'll probably never go to Lockleigh again. Henrietta, who doesn't know about the proposal or the rejection of the proposal, invites herself over to Lockleigh, presuming that she, Isabel, and Ralph could make a visit before going to London. Lord Warburton suggests that if Henrietta were to go, it would be without Isabel. Henrietta figures that Isabel has warned Lord Warburton of her journalistic ulterior motive. Lord Warburton asks Isabel how long they'll be gone. Isabel says they'll be back within a couple of days, but then she'll be going to Paris with Mrs. Touchett. Mrs. Touchett tells Isabel that Mr. Touchett told her about the proposal. Mrs. Touchett wonders why Isabel didn't tell her first, since she thinks that she knows the most about Isabel. Isabel isn't sure about that. Mrs. Touchett assumes that Isabel refused Lord Warburton because she has better things to do than get married. Isabel smiles, knowing that Mrs. Touchett and Mr. Touchett both see her refusal differently.", "analysis": ""}

Miss Stackpole would have prepared to start immediately; but Isabel, as we have seen, had been notified that Lord Warburton would come again to Gardencourt, and she believed it her duty to remain there and see him. For four or five days he had made no response to her letter; then he had written, very briefly, to say he would come to luncheon two days later. There was something in these delays and postponements that touched the girl and renewed her sense of his desire to be considerate and patient, not to appear to urge her too grossly; a consideration the more studied that she was so sure he "really liked" her. Isabel told her uncle she had written to him, mentioning also his intention of coming; and the old man, in consequence, left his room earlier than usual and made his appearance at the two o'clock repast. This was by no means an act of vigilance on his part, but the fruit of a benevolent belief that his being of the company might help to cover any conjoined straying away in case Isabel should give their noble visitor another hearing. That personage drove over from Lockleigh and brought the elder of his sisters with him, a measure presumably dictated by reflexions of the same order as Mr. Touchett's. The two visitors were introduced to Miss Stackpole, who, at luncheon, occupied a seat adjoining Lord Warburton's. Isabel, who was nervous and had no relish for the prospect of again arguing the question he had so prematurely opened, could not help admiring his good-humoured self-possession, which quite disguised the symptoms of that preoccupation with her presence it was natural she should suppose him to feel. He neither looked at her nor spoke to her, and the only sign of his emotion was that he avoided meeting her eyes. He had plenty of talk for the others, however, and he appeared to eat his luncheon with discrimination and appetite. Miss Molyneux, who had a smooth, nun-like forehead and wore a large silver cross suspended from her neck, was evidently preoccupied with Henrietta Stackpole, upon whom her eyes constantly rested in a manner suggesting a conflict between deep alienation and yearning wonder. Of the two ladies from Lockleigh she was the one Isabel had liked best; there was such a world of hereditary quiet in her. Isabel was sure moreover that her mild forehead and silver cross referred to some weird Anglican mystery--some delightful reinstitution perhaps of the quaint office of the canoness. She wondered what Miss Molyneux would think of her if she knew Miss Archer had refused her brother; and then she felt sure that Miss Molyneux would never know--that Lord Warburton never told her such things. He was fond of her and kind to her, but on the whole he told her little. Such, at least, was Isabel's theory; when, at table, she was not occupied in conversation she was usually occupied in forming theories about her neighbours. According to Isabel, if Miss Molyneux should ever learn what had passed between Miss Archer and Lord Warburton she would probably be shocked at such a girl's failure to rise; or no, rather (this was our heroine's last position) she would impute to the young American but a due consciousness of inequality. Whatever Isabel might have made of her opportunities, at all events, Henrietta Stackpole was by no means disposed to neglect those in which she now found herself immersed. "Do you know you're the first lord I've ever seen?" she said very promptly to her neighbour. "I suppose you think I'm awfully benighted." "You've escaped seeing some very ugly men," Lord Warburton answered, looking a trifle absently about the table. "Are they very ugly? They try to make us believe in America that they're all handsome and magnificent and that they wear wonderful robes and crowns." "Ah, the robes and crowns are gone out of fashion," said Lord Warburton, "like your tomahawks and revolvers." "I'm sorry for that; I think an aristocracy ought to be splendid," Henrietta declared. "If it's not that, what is it?" "Oh, you know, it isn't much, at the best," her neighbour allowed. "Won't you have a potato?" "I don't care much for these European potatoes. I shouldn't know you from an ordinary American gentleman." "Do talk to me as if I were one," said Lord Warburton. "I don't see how you manage to get on without potatoes; you must find so few things to eat over here." Henrietta was silent a little; there was a chance he was not sincere. "I've had hardly any appetite since I've been here," she went on at last; "so it doesn't much matter. I don't approve of you, you know; I feel as if I ought to tell you that." "Don't approve of me?" "Yes; I don't suppose any one ever said such a thing to you before, did they? I don't approve of lords as an institution. I think the world has got beyond them--far beyond." "Oh, so do I. I don't approve of myself in the least. Sometimes it comes over me--how I should object to myself if I were not myself, don't you know? But that's rather good, by the way--not to be vainglorious." "Why don't you give it up then?" Miss Stackpole enquired. "Give up--a--?" asked Lord Warburton, meeting her harsh inflexion with a very mellow one. "Give up being a lord." "Oh, I'm so little of one! One would really forget all about it if you wretched Americans were not constantly reminding one. However, I do think of giving it up, the little there is left of it, one of these days." "I should like to see you do it!" Henrietta exclaimed rather grimly. "I'll invite you to the ceremony; we'll have a supper and a dance." "Well," said Miss Stackpole, "I like to see all sides. I don't approve of a privileged class, but I like to hear what they have to say for themselves." "Mighty little, as you see!" "I should like to draw you out a little more," Henrietta continued. "But you're always looking away. You're afraid of meeting my eye. I see you want to escape me." "No, I'm only looking for those despised potatoes." "Please explain about that young lady--your sister--then. I don't understand about her. Is she a Lady?" "She's a capital good girl." "I don't like the way you say that--as if you wanted to change the subject. Is her position inferior to yours?" "We neither of us have any position to speak of; but she's better off than I, because she has none of the bother." "Yes, she doesn't look as if she had much bother. I wish I had as little bother as that. You do produce quiet people over here, whatever else you may do." "Ah, you see one takes life easily, on the whole," said Lord Warburton. "And then you know we're very dull. Ah, we can be dull when we try!" "I should advise you to try something else. I shouldn't know what to talk to your sister about; she looks so different. Is that silver cross a badge?" "A badge?" "A sign of rank." Lord Warburton's glance had wandered a good deal, but at this it met the gaze of his neighbour. "Oh yes," he answered in a moment; "the women go in for those things. The silver cross is worn by the eldest daughters of Viscounts." Which was his harmless revenge for having occasionally had his credulity too easily engaged in America. After luncheon he proposed to Isabel to come into the gallery and look at the pictures; and though she knew he had seen the pictures twenty times she complied without criticising this pretext. Her conscience now was very easy; ever since she sent him her letter she had felt particularly light of spirit. He walked slowly to the end of the gallery, staring at its contents and saying nothing; and then he suddenly broke out: "I hoped you wouldn't write to me that way." "It was the only way, Lord Warburton," said the girl. "Do try and believe that." "If I could believe it of course I should let you alone. But we can't believe by willing it; and I confess I don't understand. I could understand your disliking me; that I could understand well. But that you should admit you do--" "What have I admitted?" Isabel interrupted, turning slightly pale. "That you think me a good fellow; isn't that it?" She said nothing, and he went on: "You don't seem to have any reason, and that gives me a sense of injustice." "I have a reason, Lord Warburton." She said it in a tone that made his heart contract. "I should like very much to know it." "I'll tell you some day when there's more to show for it." "Excuse my saying that in the mean time I must doubt of it." "You make me very unhappy," said Isabel. "I'm not sorry for that; it may help you to know how I feel. Will you kindly answer me a question?" Isabel made no audible assent, but he apparently saw in her eyes something that gave him courage to go on. "Do you prefer some one else?" "That's a question I'd rather not answer." "Ah, you do then!" her suitor murmured with bitterness. The bitterness touched her, and she cried out: "You're mistaken! I don't." He sat down on a bench, unceremoniously, doggedly, like a man in trouble; leaning his elbows on his knees and staring at the floor. "I can't even be glad of that," he said at last, throwing himself back against the wall; "for that would be an excuse." She raised her eyebrows in surprise. "An excuse? Must I excuse myself?" He paid, however, no answer to the question. Another idea had come into his head. "Is it my political opinions? Do you think I go too far?" "I can't object to your political opinions, because I don't understand them." "You don't care what I think!" he cried, getting up. "It's all the same to you." Isabel walked to the other side of the gallery and stood there showing him her charming back, her light slim figure, the length of her white neck as she bent her head, and the density of her dark braids. She stopped in front of a small picture as if for the purpose of examining it; and there was something so young and free in her movement that her very pliancy seemed to mock at him. Her eyes, however, saw nothing; they had suddenly been suffused with tears. In a moment he followed her, and by this time she had brushed her tears away; but when she turned round her face was pale and the expression of her eyes strange. "That reason that I wouldn't tell you--I'll tell it you after all. It's that I can't escape my fate." "Your fate?" "I should try to escape it if I were to marry you." "I don't understand. Why should not that be your fate as well as anything else?" "Because it's not," said Isabel femininely. "I know it's not. It's not my fate to give up--I know it can't be." Poor Lord Warburton stared, an interrogative point in either eye. "Do you call marrying me giving up?" "Not in the usual sense. It's getting--getting--getting a great deal. But it's giving up other chances." "Other chances for what?" "I don't mean chances to marry," said Isabel, her colour quickly coming back to her. And then she stopped, looking down with a deep frown, as if it were hopeless to attempt to make her meaning clear. "I don't think it presumptuous in me to suggest that you'll gain more than you'll lose," her companion observed. "I can't escape unhappiness," said Isabel. "In marrying you I shall be trying to." "I don't know whether you'd try to, but you certainly would: that I must in candour admit!" he exclaimed with an anxious laugh. "I mustn't--I can't!" cried the girl. "Well, if you're bent on being miserable I don't see why you should make me so. Whatever charms a life of misery may have for you, it has none for me." "I'm not bent on a life of misery," said Isabel. "I've always been intensely determined to be happy, and I've often believed I should be. I've told people that; you can ask them. But it comes over me every now and then that I can never be happy in any extraordinary way; not by turning away, by separating myself." "By separating yourself from what?" "From life. From the usual chances and dangers, from what most people know and suffer." Lord Warburton broke into a smile that almost denoted hope. "Why, my dear Miss Archer," he began to explain with the most considerate eagerness, "I don't offer you any exoneration from life or from any chances or dangers whatever. I wish I could; depend upon it I would! For what do you take me, pray? Heaven help me, I'm not the Emperor of China! All I offer you is the chance of taking the common lot in a comfortable sort of way. The common lot? Why, I'm devoted to the common lot! Strike an alliance with me, and I promise you that you shall have plenty of it. You shall separate from nothing whatever--not even from your friend Miss Stackpole." "She'd never approve of it," said Isabel, trying to smile and take advantage of this side-issue; despising herself too, not a little, for doing so. "Are we speaking of Miss Stackpole?" his lordship asked impatiently. "I never saw a person judge things on such theoretic grounds." "Now I suppose you're speaking of me," said Isabel with humility; and she turned away again, for she saw Miss Molyneux enter the gallery, accompanied by Henrietta and by Ralph. Lord Warburton's sister addressed him with a certain timidity and reminded him she ought to return home in time for tea, as she was expecting company to partake of it. He made no answer--apparently not having heard her; he was preoccupied, and with good reason. Miss Molyneux--as if he had been Royalty--stood like a lady-in-waiting. "Well, I never, Miss Molyneux!" said Henrietta Stackpole. "If I wanted to go he'd have to go. If I wanted my brother to do a thing he'd have to do it." "Oh, Warburton does everything one wants," Miss Molyneux answered with a quick, shy laugh. "How very many pictures you have!" she went on, turning to Ralph. "They look a good many, because they're all put together," said Ralph. "But it's really a bad way." "Oh, I think it's so nice. I wish we had a gallery at Lockleigh. I'm so very fond of pictures," Miss Molyneux went on, persistently, to Ralph, as if she were afraid Miss Stackpole would address her again. Henrietta appeared at once to fascinate and to frighten her. "Ah yes, pictures are very convenient," said Ralph, who appeared to know better what style of reflexion was acceptable to her. "They're so very pleasant when it rains," the young lady continued. "It has rained of late so very often." "I'm sorry you're going away, Lord Warburton," said Henrietta. "I wanted to get a great deal more out of you." "I'm not going away," Lord Warburton answered. "Your sister says you must. In America the gentlemen obey the ladies." "I'm afraid we have some people to tea," said Miss Molyneux, looking at her brother. "Very good, my dear. We'll go." "I hoped you would resist!" Henrietta exclaimed. "I wanted to see what Miss Molyneux would do." "I never do anything," said this young lady. "I suppose in your position it's sufficient for you to exist!" Miss Stackpole returned. "I should like very much to see you at home." "You must come to Lockleigh again," said Miss Molyneux, very sweetly, to Isabel, ignoring this remark of Isabel's friend. Isabel looked into her quiet eyes a moment, and for that moment seemed to see in their grey depths the reflexion of everything she had rejected in rejecting Lord Warburton--the peace, the kindness, the honour, the possessions, a deep security and a great exclusion. She kissed Miss Molyneux and then she said: "I'm afraid I can never come again." "Never again?" "I'm afraid I'm going away." "Oh, I'm so very sorry," said Miss Molyneux. "I think that's so very wrong of you." Lord Warburton watched this little passage; then he turned away and stared at a picture. Ralph, leaning against the rail before the picture with his hands in his pockets, had for the moment been watching him. "I should like to see you at home," said Henrietta, whom Lord Warburton found beside him. "I should like an hour's talk with you; there are a great many questions I wish to ask you." "I shall be delighted to see you," the proprietor of Lockleigh answered; "but I'm certain not to be able to answer many of your questions. When will you come?" "Whenever Miss Archer will take me. We're thinking of going to London, but we'll go and see you first. I'm determined to get some satisfaction out of you." "If it depends upon Miss Archer I'm afraid you won't get much. She won't come to Lockleigh; she doesn't like the place." "She told me it was lovely!" said Henrietta. Lord Warburton hesitated. "She won't come, all the same. You had better come alone," he added. Henrietta straightened herself, and her large eyes expanded. "Would you make that remark to an English lady?" she enquired with soft asperity. Lord Warburton stared. "Yes, if I liked her enough." "You'd be careful not to like her enough. If Miss Archer won't visit your place again it's because she doesn't want to take me. I know what she thinks of me, and I suppose you think the same--that I oughtn't to bring in individuals." Lord Warburton was at a loss; he had not been made acquainted with Miss Stackpole's professional character and failed to catch her allusion. "Miss Archer has been warning you!" she therefore went on. "Warning me?" "Isn't that why she came off alone with you here--to put you on your guard?" "Oh dear, no," said Lord Warburton brazenly; "our talk had no such solemn character as that." "Well, you've been on your guard--intensely. I suppose it's natural to you; that's just what I wanted to observe. And so, too, Miss Molyneux--she wouldn't commit herself. You have been warned, anyway," Henrietta continued, addressing this young lady; "but for you it wasn't necessary." "I hope not," said Miss Molyneux vaguely. "Miss Stackpole takes notes," Ralph soothingly explained. "She's a great satirist; she sees through us all and she works us up." "Well, I must say I never have had such a collection of bad material!" Henrietta declared, looking from Isabel to Lord Warburton and from this nobleman to his sister and to Ralph. "There's something the matter with you all; you're as dismal as if you had got a bad cable." "You do see through us, Miss Stackpole," said Ralph in a low tone, giving her a little intelligent nod as he led the party out of the gallery. "There's something the matter with us all." Isabel came behind these two; Miss Molyneux, who decidedly liked her immensely, had taken her arm, to walk beside her over the polished floor. Lord Warburton strolled on the other side with his hands behind him and his eyes lowered. For some moments he said nothing; and then, "Is it true you're going to London?" he asked. "I believe it has been arranged." "And when shall you come back?" "In a few days; but probably for a very short time. I'm going to Paris with my aunt." "When, then, shall I see you again?" "Not for a good while," said Isabel. "But some day or other, I hope." "Do you really hope it?" "Very much." He went a few steps in silence; then he stopped and put out his hand. "Good-bye." "Good-bye," said Isabel. Miss Molyneux kissed her again, and she let the two depart. After it, without rejoining Henrietta and Ralph, she retreated to her own room; in which apartment, before dinner, she was found by Mrs. Touchett, who had stopped on her way to the salon. "I may as well tell you," said that lady, "that your uncle has informed me of your relations with Lord Warburton." Isabel considered. "Relations? They're hardly relations. That's the strange part of it: he has seen me but three or four times." "Why did you tell your uncle rather than me?" Mrs. Touchett dispassionately asked. Again the girl hesitated. "Because he knows Lord Warburton better." "Yes, but I know you better." "I'm not sure of that," said Isabel, smiling. "Neither am I, after all; especially when you give me that rather conceited look. One would think you were awfully pleased with yourself and had carried off a prize! I suppose that when you refuse an offer like Lord Warburton's it's because you expect to do something better." "Ah, my uncle didn't say that!" cried Isabel, smiling still.

Chapter 14

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-14

The young party delays the journey to London in order to be at Gardencourt when Lord Warburton visits. Lord Warburton and the older Miss Molyneux come to Gardencourt for lunch. Miss Stackpole meets them for the first time. Henrietta Stackpole asks Lord Warburton a bunch of questions in her bustling way. Lord Warburton indulges her and replies politely, with his usual sense of humor. Lord Warburton invites Isabel to look at the paintings with him, and displays his disappointment upon reading her response to his proposal. He asks her what it is that makes her reject him. Isabel responds in a somewhat odd fashion: She says that she would be trying to avoid her fate by attempting happiness with Lord Warburton. Miss Molyneux reminds Lord Warburton that she is expecting friends for tea at Lockleigh, so they'd better get going. Her brother doesn't immediately respond. Henrietta Stackpole is appalled by Miss Molyneux's passivity. Miss Molyneux, who's puzzled and a little scared by the newspaper woman, ignores Henrietta, but invites Isabel back to Lockleigh. Isabel says that she'll probably never go to Lockleigh again. Henrietta, who doesn't know about the proposal or the rejection of the proposal, invites herself over to Lockleigh, presuming that she, Isabel, and Ralph could make a visit before going to London. Lord Warburton suggests that if Henrietta were to go, it would be without Isabel. Henrietta figures that Isabel has warned Lord Warburton of her journalistic ulterior motive. Lord Warburton asks Isabel how long they'll be gone. Isabel says they'll be back within a couple of days, but then she'll be going to Paris with Mrs. Touchett. Mrs. Touchett tells Isabel that Mr. Touchett told her about the proposal. Mrs. Touchett wonders why Isabel didn't tell her first, since she thinks that she knows the most about Isabel. Isabel isn't sure about that. Mrs. Touchett assumes that Isabel refused Lord Warburton because she has better things to do than get married. Isabel smiles, knowing that Mrs. Touchett and Mr. Touchett both see her refusal differently.

shmoop

all_chapterized_books/2833-chapters/15.txt

finished_summaries/shmoop/The Portrait of a Lady/section_14_part_0.txt

The Portrait of a Lady.chapter 15

chapter 15

{"name": "Chapter 15", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-15", "summary": "Mrs. Touchett would have liked Isabel to accept Lord Warburton's marriage proposal. She thinks that Englishmen have their uses. Ralph accompanies Isabel and Henrietta to London. The ladies stay at Pratt's Hotel, while Ralph stays in one of the Touchett family's other houses at Winchester Square. Henrietta is disappointed by the lack of rich people. She wonders where all the members of the aristocracy are. Ralph devotes a lot of thought to Isabel; she's still a fascinating mystery to him. Isabel delights in their visits to museums and parks. Henrietta seems less enthused, but is not as cynical as one might expect. Ralph introduces the ladies to his friend, Mr. Bantling. Henrietta immediately takes a liking to Mr. Bantling, and becomes excited when he offers an invitation to his sister Lady Pensil's house. Henrietta leaves with Mr. Bantling to have dinner with two female friends. Isabel and Ralph are left alone in Winchester Square. Isabel says that she will eat dinner alone, and Ralph should return to his room to rest. Ralph is confused by her wish to be alone, and asks whether she plans on meeting someone. She claims that she knows no one to meet. Ralph tells Isabel that Lord Warburton has told him about the proposal and her response. He does not wish to argue with her, only to hear her explanation, as a cousin and friend. Isabel, a bit defensive, says that she doesn't think a woman's life should begin by marrying someone. She would like to see Europe first, for one thing. Ralph says that Isabel has a great deal of courage, though Isabel denies such a thought. Ralph helps Isabel find a cab, as she insists that he go back and rest. Ralph laments his handicapped state.", "analysis": ""}

It had been arranged that the two young ladies should proceed to London under Ralph's escort, though Mrs. Touchett looked with little favour on the plan. It was just the sort of plan, she said, that Miss Stackpole would be sure to suggest, and she enquired if the correspondent of the Interviewer was to take the party to stay at her favourite boarding-house. "I don't care where she takes us to stay, so long as there's local colour," said Isabel. "That's what we're going to London for." "I suppose that after a girl has refused an English lord she may do anything," her aunt rejoined. "After that one needn't stand on trifles." "Should you have liked me to marry Lord Warburton?" Isabel enquired. "Of course I should." "I thought you disliked the English so much." "So I do; but it's all the greater reason for making use of them." "Is that your idea of marriage?" And Isabel ventured to add that her aunt appeared to her to have made very little use of Mr. Touchett. "Your uncle's not an English nobleman," said Mrs. Touchett, "though even if he had been I should still probably have taken up my residence in Florence." "Do you think Lord Warburton could make me any better than I am?" the girl asked with some animation. "I don't mean I'm too good to improve. I mean that I don't love Lord Warburton enough to marry him." "You did right to refuse him then," said Mrs. Touchett in her smallest, sparest voice. "Only, the next great offer you get, I hope you'll manage to come up to your standard." "We had better wait till the offer comes before we talk about it. I hope very much I may have no more offers for the present. They upset me completely." "You probably won't be troubled with them if you adopt permanently the Bohemian manner of life. However, I've promised Ralph not to criticise." "I'll do whatever Ralph says is right," Isabel returned. "I've unbounded confidence in Ralph." "His mother's much obliged to you!" this lady dryly laughed. "It seems to me indeed she ought to feel it!" Isabel irrepressibly answered. Ralph had assured her that there would be no violation of decency in their paying a visit--the little party of three--to the sights of the metropolis; but Mrs. Touchett took a different view. Like many ladies of her country who had lived a long time in Europe, she had completely lost her native tact on such points, and in her reaction, not in itself deplorable, against the liberty allowed to young persons beyond the seas, had fallen into gratuitous and exaggerated scruples. Ralph accompanied their visitors to town and established them at a quiet inn in a street that ran at right angles to Piccadilly. His first idea had been to take them to his father's house in Winchester Square, a large, dull mansion which at this period of the year was shrouded in silence and brown holland; but he bethought himself that, the cook being at Gardencourt, there was no one in the house to get them their meals, and Pratt's Hotel accordingly became their resting-place. Ralph, on his side, found quarters in Winchester Square, having a "den" there of which he was very fond and being familiar with deeper fears than that of a cold kitchen. He availed himself largely indeed of the resources of Pratt's Hotel, beginning his day with an early visit to his fellow travellers, who had Mr. Pratt in person, in a large bulging white waistcoat, to remove their dish-covers. Ralph turned up, as he said, after breakfast, and the little party made out a scheme of entertainment for the day. As London wears in the month of September a face blank but for its smears of prior service, the young man, who occasionally took an apologetic tone, was obliged to remind his companion, to Miss Stackpole's high derision, that there wasn't a creature in town. "I suppose you mean the aristocracy are absent," Henrietta answered; "but I don't think you could have a better proof that if they were absent altogether they wouldn't be missed. It seems to me the place is about as full as it can be. There's no one here, of course, but three or four millions of people. What is it you call them--the lower-middle class? They're only the population of London, and that's of no consequence." Ralph declared that for him the aristocracy left no void that Miss Stackpole herself didn't fill, and that a more contented man was nowhere at that moment to be found. In this he spoke the truth, for the stale September days, in the huge half-empty town, had a charm wrapped in them as a coloured gem might be wrapped in a dusty cloth. When he went home at night to the empty house in Winchester Square, after a chain of hours with his comparatively ardent friends, he wandered into the big dusky dining-room, where the candle he took from the hall-table, after letting himself in, constituted the only illumination. The square was still, the house was still; when he raised one of the windows of the dining-room to let in the air he heard the slow creak of the boots of a lone constable. His own step, in the empty place, seemed loud and sonorous; some of the carpets had been raised, and whenever he moved he roused a melancholy echo. He sat down in one of the armchairs; the big dark dining table twinkled here and there in the small candle-light; the pictures on the wall, all of them very brown, looked vague and incoherent. There was a ghostly presence as of dinners long since digested, of table-talk that had lost its actuality. This hint of the supernatural perhaps had something to do with the fact that his imagination took a flight and that he remained in his chair a long time beyond the hour at which he should have been in bed; doing nothing, not even reading the evening paper. I say he did nothing, and I maintain the phrase in the face of the fact that he thought at these moments of Isabel. To think of Isabel could only be for him an idle pursuit, leading to nothing and profiting little to any one. His cousin had not yet seemed to him so charming as during these days spent in sounding, tourist-fashion, the deeps and shallows of the metropolitan element. Isabel was full of premises, conclusions, emotions; if she had come in search of local colour she found it everywhere. She asked more questions than he could answer, and launched brave theories, as to historic cause and social effect, that he was equally unable to accept or to refute. The party went more than once to the British Museum and to that brighter palace of art which reclaims for antique variety so large an area of a monotonous suburb; they spent a morning in the Abbey and went on a penny-steamer to the Tower; they looked at pictures both in public and private collections and sat on various occasions beneath the great trees in Kensington Gardens. Henrietta proved an indestructible sight-seer and a more lenient judge than Ralph had ventured to hope. She had indeed many disappointments, and London at large suffered from her vivid remembrance of the strong points of the American civic idea; but she made the best of its dingy dignities and only heaved an occasional sigh and uttered a desultory "Well!" which led no further and lost itself in retrospect. The truth was that, as she said herself, she was not in her element. "I've not a sympathy with inanimate objects," she remarked to Isabel at the National Gallery; and she continued to suffer from the meagreness of the glimpse that had as yet been vouchsafed to her of the inner life. Landscapes by Turner and Assyrian bulls were a poor substitute for the literary dinner-parties at which she had hoped to meet the genius and renown of Great Britain. "Where are your public men, where are your men and women of intellect?" she enquired of Ralph, standing in the middle of Trafalgar Square as if she had supposed this to be a place where she would naturally meet a few. "That's one of them on the top of the column, you say--Lord Nelson. Was he a lord too? Wasn't he high enough, that they had to stick him a hundred feet in the air? That's the past--I don't care about the past; I want to see some of the leading minds of the present. I won't say of the future, because I don't believe much in your future." Poor Ralph had few leading minds among his acquaintance and rarely enjoyed the pleasure of buttonholing a celebrity; a state of things which appeared to Miss Stackpole to indicate a deplorable want of enterprise. "If I were on the other side I should call," she said, "and tell the gentleman, whoever he might be, that I had heard a great deal about him and had come to see for myself. But I gather from what you say that this is not the custom here. You seem to have plenty of meaningless customs, but none of those that would help along. We are in advance, certainly. I suppose I shall have to give up the social side altogether;" and Henrietta, though she went about with her guidebook and pencil and wrote a letter to the Interviewer about the Tower (in which she described the execution of Lady Jane Grey), had a sad sense of falling below her mission. The incident that had preceded Isabel's departure from Gardencourt left a painful trace in our young woman's mind: when she felt again in her face, as from a recurrent wave, the cold breath of her last suitor's surprise, she could only muffle her head till the air cleared. She could not have done less than what she did; this was certainly true. But her necessity, all the same, had been as graceless as some physical act in a strained attitude, and she felt no desire to take credit for her conduct. Mixed with this imperfect pride, nevertheless, was a feeling of freedom which in itself was sweet and which, as she wandered through the great city with her ill-matched companions, occasionally throbbed into odd demonstrations. When she walked in Kensington Gardens she stopped the children (mainly of the poorer sort) whom she saw playing on the grass; she asked them their names and gave them sixpence and, when they were pretty, kissed them. Ralph noticed these quaint charities; he noticed everything she did. One afternoon, that his companions might pass the time, he invited them to tea in Winchester Square, and he had the house set in order as much as possible for their visit. There was another guest to meet them, an amiable bachelor, an old friend of Ralph's who happened to be in town and for whom prompt commerce with Miss Stackpole appeared to have neither difficulty nor dread. Mr. Bantling, a stout, sleek, smiling man of forty, wonderfully dressed, universally informed and incoherently amused, laughed immoderately at everything Henrietta said, gave her several cups of tea, examined in her society the bric-a-brac, of which Ralph had a considerable collection, and afterwards, when the host proposed they should go out into the square and pretend it was a fete-champetre, walked round the limited enclosure several times with her and, at a dozen turns of their talk, bounded responsive--as with a positive passion for argument--to her remarks upon the inner life. "Oh, I see; I dare say you found it very quiet at Gardencourt. Naturally there's not much going on there when there's such a lot of illness about. Touchett's very bad, you know; the doctors have forbidden his being in England at all, and he has only come back to take care of his father. The old man, I believe, has half a dozen things the matter with him. They call it gout, but to my certain knowledge he has organic disease so developed that you may depend upon it he'll go, some day soon, quite quickly. Of course that sort of thing makes a dreadfully dull house; I wonder they have people when they can do so little for them. Then I believe Mr. Touchett's always squabbling with his wife; she lives away from her husband, you know, in that extraordinary American way of yours. If you want a house where there's always something going on, I recommend you to go down and stay with my sister, Lady Pensil, in Bedfordshire. I'll write to her to-morrow and I'm sure she'll be delighted to ask you. I know just what you want--you want a house where they go in for theatricals and picnics and that sort of thing. My sister's just that sort of woman; she's always getting up something or other and she's always glad to have the sort of people who help her. I'm sure she'll ask you down by return of post: she's tremendously fond of distinguished people and writers. She writes herself, you know; but I haven't read everything she has written. It's usually poetry, and I don't go in much for poetry--unless it's Byron. I suppose you think a great deal of Byron in America," Mr. Bantling continued, expanding in the stimulating air of Miss Stackpole's attention, bringing up his sequences promptly and changing his topic with an easy turn of hand. Yet he none the less gracefully kept in sight of the idea, dazzling to Henrietta, of her going to stay with Lady Pensil in Bedfordshire. "I understand what you want; you want to see some genuine English sport. The Touchetts aren't English at all, you know; they have their own habits, their own language, their own food--some odd religion even, I believe, of their own. The old man thinks it's wicked to hunt, I'm told. You must get down to my sister's in time for the theatricals, and I'm sure she'll be glad to give you a part. I'm sure you act well; I know you're very clever. My sister's forty years old and has seven children, but she's going to play the principal part. Plain as she is she makes up awfully well--I will say for her. Of course you needn't act if you don't want to." In this manner Mr. Bantling delivered himself while they strolled over the grass in Winchester Square, which, although it had been peppered by the London soot, invited the tread to linger. Henrietta thought her blooming, easy-voiced bachelor, with his impressibility to feminine merit and his splendid range of suggestion, a very agreeable man, and she valued the opportunity he offered her. "I don't know but I would go, if your sister should ask me. I think it would be my duty. What do you call her name?" "Pensil. It's an odd name, but it isn't a bad one." "I think one name's as good as another. But what's her rank?". "Oh, she's a baron's wife; a convenient sort of rank. You're fine enough and you're not too fine." "I don't know but what she'd be too fine for me. What do you call the place she lives in--Bedfordshire?" "She lives away in the northern corner of it. It's a tiresome country, but I dare say you won't mind it. I'll try and run down while you're there." All this was very pleasant to Miss Stackpole, and she was sorry to be obliged to separate from Lady Pensil's obliging brother. But it happened that she had met the day before, in Piccadilly, some friends whom she had not seen for a year: the Miss Climbers, two ladies from Wilmington, Delaware, who had been travelling on the Continent and were now preparing to re-embark. Henrietta had had a long interview with them on the Piccadilly pavement, and though the three ladies all talked at once they had not exhausted their store. It had been agreed therefore that Henrietta should come and dine with them in their lodgings in Jermyn Street at six o'clock on the morrow, and she now bethought herself of this engagement. She prepared to start for Jermyn Street, taking leave first of Ralph Touchett and Isabel, who, seated on garden chairs in another part of the enclosure, were occupied--if the term may be used--with an exchange of amenities less pointed than the practical colloquy of Miss Stackpole and Mr. Bantling. When it had been settled between Isabel and her friend that they should be reunited at some reputable hour at Pratt's Hotel, Ralph remarked that the latter must have a cab. She couldn't walk all the way to Jermyn Street. "I suppose you mean it's improper for me to walk alone!" Henrietta exclaimed. "Merciful powers, have I come to this?" "There's not the slightest need of your walking alone," Mr. Bantling gaily interposed. "I should be greatly pleased to go with you." "I simply meant that you'd be late for dinner," Ralph returned. "Those poor ladies may easily believe that we refuse, at the last, to spare you." "You had better have a hansom, Henrietta," said Isabel. "I'll get you a hansom if you'll trust me," Mr. Bantling went on. "We might walk a little till we meet one." "I don't see why I shouldn't trust him, do you?" Henrietta enquired of Isabel. "I don't see what Mr. Bantling could do to you," Isabel obligingly answered; "but, if you like, we'll walk with you till you find your cab." "Never mind; we'll go alone. Come on, Mr. Bantling, and take care you get me a good one." Mr. Bantling promised to do his best, and the two took their departure, leaving the girl and her cousin together in the square, over which a clear September twilight had now begun to gather. It was perfectly still; the wide quadrangle of dusky houses showed lights in none of the windows, where the shutters and blinds were closed; the pavements were a vacant expanse, and, putting aside two small children from a neighbouring slum, who, attracted by symptoms of abnormal animation in the interior, poked their faces between the rusty rails of the enclosure, the most vivid object within sight was the big red pillar-post on the southeast corner. "Henrietta will ask him to get into the cab and go with her to Jermyn Street," Ralph observed. He always spoke of Miss Stackpole as Henrietta. "Very possibly," said his companion. "Or rather, no, she won't," he went on. "But Bantling will ask leave to get in." "Very likely again. I'm glad very they're such good friends." "She has made a conquest. He thinks her a brilliant woman. It may go far," said Ralph. Isabel was briefly silent. "I call Henrietta a very brilliant woman, but I don't think it will go far. They would never really know each other. He has not the least idea what she really is, and she has no just comprehension of Mr. Bantling." "There's no more usual basis of union than a mutual misunderstanding. But it ought not to be so difficult to understand Bob Bantling," Ralph added. "He is a very simple organism." "Yes, but Henrietta's a simpler one still. And, pray, what am I to do?" Isabel asked, looking about her through the fading light, in which the limited landscape-gardening of the square took on a large and effective appearance. "I don't imagine that you'll propose that you and I, for our amusement, shall drive about London in a hansom." "There's no reason we shouldn't stay here--if you don't dislike it. It's very warm; there will be half an hour yet before dark; and if you permit it I'll light a cigarette." "You may do what you please," said Isabel, "if you'll amuse me till seven o'clock. I propose at that hour to go back and partake of a simple and solitary repast--two poached eggs and a muffin--at Pratt's Hotel." "Mayn't I dine with you?" Ralph asked. "No, you'll dine at your club." They had wandered back to their chairs in the centre of the square again, and Ralph had lighted his cigarette. It would have given him extreme pleasure to be present in person at the modest little feast she had sketched; but in default of this he liked even being forbidden. For the moment, however, he liked immensely being alone with her, in the thickening dusk, in the centre of the multitudinous town; it made her seem to depend upon him and to be in his power. This power he could exert but vaguely; the best exercise of it was to accept her decisions submissively which indeed there was already an emotion in doing. "Why won't you let me dine with you?" he demanded after a pause. "Because I don't care for it." "I suppose you're tired of me." "I shall be an hour hence. You see I have the gift of foreknowledge." "Oh, I shall be delightful meanwhile," said Ralph. But he said nothing more, and as she made no rejoinder they sat some time in a stillness which seemed to contradict his promise of entertainment. It seemed to him she was preoccupied, and he wondered what she was thinking about; there were two or three very possible subjects. At last he spoke again. "Is your objection to my society this evening caused by your expectation of another visitor?" She turned her head with a glance of her clear, fair eyes. "Another visitor? What visitor should I have?" He had none to suggest; which made his question seem to himself silly as well as brutal. "You've a great many friends that I don't know. You've a whole past from which I was perversely excluded." "You were reserved for my future. You must remember that my past is over there across the water. There's none of it here in London." "Very good, then, since your future is seated beside you. Capital thing to have your future so handy." And Ralph lighted another cigarette and reflected that Isabel probably meant she had received news that Mr. Caspar Goodwood had crossed to Paris. After he had lighted his cigarette he puffed it a while, and then he resumed. "I promised just now to be very amusing; but you see I don't come up to the mark, and the fact is there's a good deal of temerity in one's undertaking to amuse a person like you. What do you care for my feeble attempts? You've grand ideas--you've a high standard in such matters. I ought at least to bring in a band of music or a company of mountebanks." "One mountebank's enough, and you do very well. Pray go on, and in another ten minutes I shall begin to laugh." "I assure you I'm very serious," said Ralph. "You do really ask a great deal." "I don't know what you mean. I ask nothing." "You accept nothing," said Ralph. She coloured, and now suddenly it seemed to her that she guessed his meaning. But why should he speak to her of such things? He hesitated a little and then he continued: "There's something I should like very much to say to you. It's a question I wish to ask. It seems to me I've a right to ask it, because I've a kind of interest in the answer." "Ask what you will," Isabel replied gently, "and I'll try to satisfy you." "Well then, I hope you won't mind my saying that Warburton has told me of something that has passed between you." Isabel suppressed a start; she sat looking at her open fan. "Very good; I suppose it was natural he should tell you." "I have his leave to let you know he has done so. He has some hope still," said Ralph. "Still?" "He had it a few days ago." "I don't believe he has any now," said the girl. "I'm very sorry for him then; he's such an honest man." "Pray, did he ask you to talk to me?" "No, not that. But he told me because he couldn't help it. We're old friends, and he was greatly disappointed. He sent me a line asking me to come and see him, and I drove over to Lockleigh the day before he and his sister lunched with us. He was very heavy-hearted; he had just got a letter from you." "Did he show you the letter?" asked Isabel with momentary loftiness. "By no means. But he told me it was a neat refusal. I was very sorry for him," Ralph repeated. For some moments Isabel said nothing; then at last, "Do you know how often he had seen me?" she enquired. "Five or six times." "That's to your glory." "It's not for that I say it." "What then do you say it for. Not to prove that poor Warburton's state of mind's superficial, because I'm pretty sure you don't think that." Isabel certainly was unable to say she thought it; but presently she said something else. "If you've not been requested by Lord Warburton to argue with me, then you're doing it disinterestedly--or for the love of argument." "I've no wish to argue with you at all. I only wish to leave you alone. I'm simply greatly interested in your own sentiments." "I'm greatly obliged to you!" cried Isabel with a slightly nervous laugh. "Of course you mean that I'm meddling in what doesn't concern me. But why shouldn't I speak to you of this matter without annoying you or embarrassing myself? What's the use of being your cousin if I can't have a few privileges? What's the use of adoring you without hope of a reward if I can't have a few compensations? What's the use of being ill and disabled and restricted to mere spectatorship at the game of life if I really can't see the show when I've paid so much for my ticket? Tell me this," Ralph went on while she listened to him with quickened attention. "What had you in mind when you refused Lord Warburton?" "What had I in mind?" "What was the logic--the view of your situation--that dictated so remarkable an act?" "I didn't wish to marry him--if that's logic." "No, that's not logic--and I knew that before. It's really nothing, you know. What was it you said to yourself? You certainly said more than that." Isabel reflected a moment, then answered with a question of her own. "Why do you call it a remarkable act? That's what your mother thinks too." "Warburton's such a thorough good sort; as a man, I consider he has hardly a fault. And then he's what they call here no end of a swell. He has immense possessions, and his wife would be thought a superior being. He unites the intrinsic and the extrinsic advantages." Isabel watched her cousin as to see how far he would go. "I refused him because he was too perfect then. I'm not perfect myself, and he's too good for me. Besides, his perfection would irritate me." "That's ingenious rather than candid," said Ralph. "As a fact you think nothing in the world too perfect for you." "Do you think I'm so good?" "No, but you're exacting, all the same, without the excuse of thinking yourself good. Nineteen women out of twenty, however, even of the most exacting sort, would have managed to do with Warburton. Perhaps you don't know how he has been stalked." "I don't wish to know. But it seems to me," said Isabel, "that one day when we talked of him you mentioned odd things in him." Ralph smokingly considered. "I hope that what I said then had no weight with you; for they were not faults, the things I spoke of: they were simply peculiarities of his position. If I had known he wished to marry you I'd never have alluded to them. I think I said that as regards that position he was rather a sceptic. It would have been in your power to make him a believer." "I think not. I don't understand the matter, and I'm not conscious of any mission of that sort. You're evidently disappointed," Isabel added, looking at her cousin with rueful gentleness. "You'd have liked me to make such a marriage." "Not in the least. I'm absolutely without a wish on the subject. I don't pretend to advise you, and I content myself with watching you--with the deepest interest." She gave rather a conscious sigh. "I wish I could be as interesting to myself as I am to you!" "There you're not candid again; you're extremely interesting to yourself. Do you know, however," said Ralph, "that if you've really given Warburton his final answer I'm rather glad it has been what it was. I don't mean I'm glad for you, and still less of course for him. I'm glad for myself." "Are you thinking of proposing to me?" "By no means. From the point of view I speak of that would be fatal; I should kill the goose that supplies me with the material of my inimitable omelettes. I use that animal as the symbol of my insane illusions. What I mean is that I shall have the thrill of seeing what a young lady does who won't marry Lord Warburton." "That's what your mother counts upon too," said Isabel. "Ah, there will be plenty of spectators! We shall hang on the rest of your career. I shall not see all of it, but I shall probably see the most interesting years. Of course if you were to marry our friend you'd still have a career--a very decent, in fact a very brilliant one. But relatively speaking it would be a little prosaic. It would be definitely marked out in advance; it would be wanting in the unexpected. You know I'm extremely fond of the unexpected, and now that you've kept the game in your hands I depend on your giving us some grand example of it." "I don't understand you very well," said Isabel, "but I do so well enough to be able to say that if you look for grand examples of anything from me I shall disappoint you." "You'll do so only by disappointing yourself and that will go hard with you!" To this she made no direct reply; there was an amount of truth in it that would bear consideration. At last she said abruptly: "I don't see what harm there is in my wishing not to tie myself. I don't want to begin life by marrying. There are other things a woman can do." "There's nothing she can do so well. But you're of course so many-sided." "If one's two-sided it's enough," said Isabel. "You're the most charming of polygons!" her companion broke out. At a glance from his companion, however, he became grave, and to prove it went on: "You want to see life--you'll be hanged if you don't, as the young men say." "I don't think I want to see it as the young men want to see it. But I do want to look about me." "You want to drain the cup of experience." "No, I don't wish to touch the cup of experience. It's a poisoned drink! I only want to see for myself." "You want to see, but not to feel," Ralph remarked. "I don't think that if one's a sentient being one can make the distinction. I'm a good deal like Henrietta. The other day when I asked her if she wished to marry she said: 'Not till I've seen Europe!' I too don't wish to marry till I've seen Europe." "You evidently expect a crowned head will be struck with you." "No, that would be worse than marrying Lord Warburton. But it's getting very dark," Isabel continued, "and I must go home." She rose from her place, but Ralph only sat still and looked at her. As he remained there she stopped, and they exchanged a gaze that was full on either side, but especially on Ralph's, of utterances too vague for words. "You've answered my question," he said at last. "You've told me what I wanted. I'm greatly obliged to you." "It seems to me I've told you very little." "You've told me the great thing: that the world interests you and that you want to throw yourself into it." Her silvery eyes shone a moment in the dusk. "I never said that." "I think you meant it. Don't repudiate it. It's so fine!" "I don't know what you're trying to fasten upon me, for I'm not in the least an adventurous spirit. Women are not like men." Ralph slowly rose from his seat and they walked together to the gate of the square. "No," he said; "women rarely boast of their courage. Men do so with a certain frequency." "Men have it to boast of!" "Women have it too. You've a great deal." "Enough to go home in a cab to Pratt's Hotel, but not more." Ralph unlocked the gate, and after they had passed out he fastened it. "We'll find your cab," he said; and as they turned toward a neighbouring street in which this quest might avail he asked her again if he mightn't see her safely to the inn. "By no means," she answered; "you're very tired; you must go home and go to bed." The cab was found, and he helped her into it, standing a moment at the door. "When people forget I'm a poor creature I'm often incommoded," he said. "But it's worse when they remember it!"

Chapter 15

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-15

Mrs. Touchett would have liked Isabel to accept Lord Warburton's marriage proposal. She thinks that Englishmen have their uses. Ralph accompanies Isabel and Henrietta to London. The ladies stay at Pratt's Hotel, while Ralph stays in one of the Touchett family's other houses at Winchester Square. Henrietta is disappointed by the lack of rich people. She wonders where all the members of the aristocracy are. Ralph devotes a lot of thought to Isabel; she's still a fascinating mystery to him. Isabel delights in their visits to museums and parks. Henrietta seems less enthused, but is not as cynical as one might expect. Ralph introduces the ladies to his friend, Mr. Bantling. Henrietta immediately takes a liking to Mr. Bantling, and becomes excited when he offers an invitation to his sister Lady Pensil's house. Henrietta leaves with Mr. Bantling to have dinner with two female friends. Isabel and Ralph are left alone in Winchester Square. Isabel says that she will eat dinner alone, and Ralph should return to his room to rest. Ralph is confused by her wish to be alone, and asks whether she plans on meeting someone. She claims that she knows no one to meet. Ralph tells Isabel that Lord Warburton has told him about the proposal and her response. He does not wish to argue with her, only to hear her explanation, as a cousin and friend. Isabel, a bit defensive, says that she doesn't think a woman's life should begin by marrying someone. She would like to see Europe first, for one thing. Ralph says that Isabel has a great deal of courage, though Isabel denies such a thought. Ralph helps Isabel find a cab, as she insists that he go back and rest. Ralph laments his handicapped state.

shmoop

all_chapterized_books/2833-chapters/16.txt

finished_summaries/shmoop/The Portrait of a Lady/section_15_part_0.txt

The Portrait of a Lady.chapter 16

chapter 16

{"name": "Chapter 16", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-16", "summary": "Isabel is in desperate need of some alone time - a lot has happened in her world recently. Unexpectedly, Caspar Goodwood arrives. Henrietta apparently wrote to him and let him know that Isabel would be alone that evening. Kind of sneaky, sure; but, hey - that's Henrietta. Caspar Goodwood asks Isabel why she never wrote him back. She says that her silence was intentional. Oh, snap. Isabel demands that Caspar stay away from her -- for at least two years. Caspar worries that she will marry someone else. Isabel insists that she doesn't want to get married at all. Isabel tells Caspar that she has turned down an English nobleman, and admits that she sort of thought of Caspar when she did it, which gives Caspar some consolation. Caspar admits that he was invited to Gardencourt by way of Henrietta, which adds yet another tick on the old \"Why, Henrietta, Why?\" list. Caspar said that he declined because it didn't seem like the invitation was coming from Isabel. Isabel thanks him for this propriety. Isabel shudders at the thought of Caspar and Lord Warburton possibly meeting - she would have felt bad for Lord Warburton. Isabel says that she plans to stay in Europe for a while. She says that the world is small, but Caspar claims that it is too big. He feels the distance between the two of them. Isabel declares, once again, that her personal freedom is very important to her. Caspar insists that he wants to marry her in order to liberate her and, supposedly, give her more opportunities. Isabel insists that Caspar keeps his distance from her. Caspar jokes that she's going to do something criminal. Isabel doesn't deny it; she says she would like the freedom to do anything, even something atrocious. Caspar promises to reenter her life after two years. Caspar does not leave until Isabel leaves the room. Isabel retreats and collapses at the foot of her bed.", "analysis": ""}

She had had no hidden motive in wishing him not to take her home; it simply struck her that for some days past she had consumed an inordinate quantity of his time, and the independent spirit of the American girl whom extravagance of aid places in an attitude that she ends by finding "affected" had made her decide that for these few hours she must suffice to herself. She had moreover a great fondness for intervals of solitude, which since her arrival in England had been but meagrely met. It was a luxury she could always command at home and she had wittingly missed it. That evening, however, an incident occurred which--had there been a critic to note it--would have taken all colour from the theory that the wish to be quite by herself had caused her to dispense with her cousin's attendance. Seated toward nine o'clock in the dim illumination of Pratt's Hotel and trying with the aid of two tall candles to lose herself in a volume she had brought from Gardencourt, she succeeded only to the extent of reading other words than those printed on the page--words that Ralph had spoken to her that afternoon. Suddenly the well-muffed knuckle of the waiter was applied to the door, which presently gave way to his exhibition, even as a glorious trophy, of the card of a visitor. When this memento had offered to her fixed sight the name of Mr. Caspar Goodwood she let the man stand before her without signifying her wishes. "Shall I show the gentleman up, ma'am?" he asked with a slightly encouraging inflexion. Isabel hesitated still and while she hesitated glanced at the mirror. "He may come in," she said at last; and waited for him not so much smoothing her hair as girding her spirit. Caspar Goodwood was accordingly the next moment shaking hands with her, but saying nothing till the servant had left the room. "Why didn't you answer my letter?" he then asked in a quick, full, slightly peremptory tone--the tone of a man whose questions were habitually pointed and who was capable of much insistence. She answered by a ready question, "How did you know I was here?" "Miss Stackpole let me know," said Caspar Goodwood. "She told me you would probably be at home alone this evening and would be willing to see me." "Where did she see you--to tell you that?" "She didn't see me; she wrote to me." Isabel was silent; neither had sat down; they stood there with an air of defiance, or at least of contention. "Henrietta never told me she was writing to you," she said at last. "This is not kind of her." "Is it so disagreeable to you to see me?" asked the young man. "I didn't expect it. I don't like such surprises." "But you knew I was in town; it was natural we should meet." "Do you call this meeting? I hoped I shouldn't see you. In so big a place as London it seemed very possible." "It was apparently repugnant to you even to write to me," her visitor went on. Isabel made no reply; the sense of Henrietta Stackpole's treachery, as she momentarily qualified it, was strong within her. "Henrietta's certainly not a model of all the delicacies!" she exclaimed with bitterness. "It was a great liberty to take." "I suppose I'm not a model either--of those virtues or of any others. The fault's mine as much as hers." As Isabel looked at him it seemed to her that his jaw had never been more square. This might have displeased her, but she took a different turn. "No, it's not your fault so much as hers. What you've done was inevitable, I suppose, for you." "It was indeed!" cried Caspar Goodwood with a voluntary laugh. "And now that I've come, at any rate, mayn't I stay?" "You may sit down, certainly." She went back to her chair again, while her visitor took the first place that offered, in the manner of a man accustomed to pay little thought to that sort of furtherance. "I've been hoping every day for an answer to my letter. You might have written me a few lines." "It wasn't the trouble of writing that prevented me; I could as easily have written you four pages as one. But my silence was an intention," Isabel said. "I thought it the best thing." He sat with his eyes fixed on hers while she spoke; then he lowered them and attached them to a spot in the carpet as if he were making a strong effort to say nothing but what he ought. He was a strong man in the wrong, and he was acute enough to see that an uncompromising exhibition of his strength would only throw the falsity of his position into relief. Isabel was not incapable of tasting any advantage of position over a person of this quality, and though little desirous to flaunt it in his face she could enjoy being able to say "You know you oughtn't to have written to me yourself!" and to say it with an air of triumph. Caspar Goodwood raised his eyes to her own again; they seemed to shine through the vizard of a helmet. He had a strong sense of justice and was ready any day in the year--over and above this--to argue the question of his rights. "You said you hoped never to hear from me again; I know that. But I never accepted any such rule as my own. I warned you that you should hear very soon." "I didn't say I hoped NEVER to hear from you," said Isabel. "Not for five years then; for ten years; twenty years. It's the same thing." "Do you find it so? It seems to me there's a great difference. I can imagine that at the end of ten years we might have a very pleasant correspondence. I shall have matured my epistolary style." She looked away while she spoke these words, knowing them of so much less earnest a cast than the countenance of her listener. Her eyes, however, at last came back to him, just as he said very irrelevantly; "Are you enjoying your visit to your uncle?" "Very much indeed." She dropped, but then she broke out. "What good do you expect to get by insisting?" "The good of not losing you." "You've no right to talk of losing what's not yours. And even from your own point of view," Isabel added, "you ought to know when to let one alone." "I disgust you very much," said Caspar Goodwood gloomily; not as if to provoke her to compassion for a man conscious of this blighting fact, but as if to set it well before himself, so that he might endeavour to act with his eyes on it. "Yes, you don't at all delight me, you don't fit in, not in any way, just now, and the worst is that your putting it to the proof in this manner is quite unnecessary." It wasn't certainly as if his nature had been soft, so that pin-pricks would draw blood from it; and from the first of her acquaintance with him, and of her having to defend herself against a certain air that he had of knowing better what was good for her than she knew herself, she had recognised the fact that perfect frankness was her best weapon. To attempt to spare his sensibility or to escape from him edgewise, as one might do from a man who had barred the way less sturdily--this, in dealing with Caspar Goodwood, who would grasp at everything of every sort that one might give him, was wasted agility. It was not that he had not susceptibilities, but his passive surface, as well as his active, was large and hard, and he might always be trusted to dress his wounds, so far as they required it, himself. She came back, even for her measure of possible pangs and aches in him, to her old sense that he was naturally plated and steeled, armed essentially for aggression. "I can't reconcile myself to that," he simply said. There was a dangerous liberality about it; for she felt how open it was to him to make the point that he had not always disgusted her. "I can't reconcile myself to it either, and it's not the state of things that ought to exist between us. If you'd only try to banish me from your mind for a few months we should be on good terms again." "I see. If I should cease to think of you at all for a prescribed time, I should find I could keep it up indefinitely." "Indefinitely is more than I ask. It's more even than I should like." "You know that what you ask is impossible," said the young man, taking his adjective for granted in a manner she found irritating. "Aren't you capable of making a calculated effort?" she demanded. "You're strong for everything else; why shouldn't you be strong for that?" "An effort calculated for what?" And then as she hung fire, "I'm capable of nothing with regard to you," he went on, "but just of being infernally in love with you. If one's strong one loves only the more strongly." "There's a good deal in that;" and indeed our young lady felt the force of it--felt it thrown off, into the vast of truth and poetry, as practically a bait to her imagination. But she promptly came round. "Think of me or not, as you find most possible; only leave me alone." "Until when?" "Well, for a year or two." "Which do you mean? Between one year and two there's all the difference in the world." "Call it two then," said Isabel with a studied effect of eagerness. "And what shall I gain by that?" her friend asked with no sign of wincing. "You'll have obliged me greatly." "And what will be my reward?" "Do you need a reward for an act of generosity?" "Yes, when it involves a great sacrifice." "There's no generosity without some sacrifice. Men don't understand such things. If you make the sacrifice you'll have all my admiration." "I don't care a cent for your admiration--not one straw, with nothing to show for it. When will you marry me? That's the only question." "Never--if you go on making me feel only as I feel at present." "What do I gain then by not trying to make you feel otherwise?" "You'll gain quite as much as by worrying me to death!" Caspar Goodwood bent his eyes again and gazed a while into the crown of his hat. A deep flush overspread his face; she could see her sharpness had at last penetrated. This immediately had a value--classic, romantic, redeeming, what did she know? for her; "the strong man in pain" was one of the categories of the human appeal, little charm as he might exert in the given case. "Why do you make me say such things to you?" she cried in a trembling voice. "I only want to be gentle--to be thoroughly kind. It's not delightful to me to feel people care for me and yet to have to try and reason them out of it. I think others also ought to be considerate; we have each to judge for ourselves. I know you're considerate, as much as you can be; you've good reasons for what you do. But I really don't want to marry, or to talk about it at all now. I shall probably never do it--no, never. I've a perfect right to feel that way, and it's no kindness to a woman to press her so hard, to urge her against her will. If I give you pain I can only say I'm very sorry. It's not my fault; I can't marry you simply to please you. I won't say that I shall always remain your friend, because when women say that, in these situations, it passes, I believe, for a sort of mockery. But try me some day." Caspar Goodwood, during this speech, had kept his eyes fixed upon the name of his hatter, and it was not until some time after she had ceased speaking that he raised them. When he did so the sight of a rosy, lovely eagerness in Isabel's face threw some confusion into his attempt to analyse her words. "I'll go home--I'll go to-morrow--I'll leave you alone," he brought out at last. "Only," he heavily said, "I hate to lose sight of you!" "Never fear. I shall do no harm." "You'll marry some one else, as sure as I sit here," Caspar Goodwood declared. "Do you think that a generous charge?" "Why not? Plenty of men will try to make you." "I told you just now that I don't wish to marry and that I almost certainly never shall." "I know you did, and I like your 'almost certainly'! I put no faith in what you say." "Thank you very much. Do you accuse me of lying to shake you off? You say very delicate things." "Why should I not say that? You've given me no pledge of anything at all." "No, that's all that would be wanting!" "You may perhaps even believe you're safe--from wishing to be. But you're not," the young man went on as if preparing himself for the worst. "Very well then. We'll put it that I'm not safe. Have it as you please." "I don't know, however," said Caspar Goodwood, "that my keeping you in sight would prevent it." "Don't you indeed? I'm after all very much afraid of you. Do you think I'm so very easily pleased?" she asked suddenly, changing her tone. "No--I don't; I shall try to console myself with that. But there are a certain number of very dazzling men in the world, no doubt; and if there were only one it would be enough. The most dazzling of all will make straight for you. You'll be sure to take no one who isn't dazzling." "If you mean by dazzling brilliantly clever," Isabel said--"and I can't imagine what else you mean--I don't need the aid of a clever man to teach me how to live. I can find it out for myself." "Find out how to live alone? I wish that, when you have, you'd teach me!" She looked at him a moment; then with a quick smile, "Oh, you ought to marry!" she said. He might be pardoned if for an instant this exclamation seemed to him to sound the infernal note, and it is not on record that her motive for discharging such a shaft had been of the clearest. He oughtn't to stride about lean and hungry, however--she certainly felt THAT for him. "God forgive you!" he murmured between his teeth as he turned away. Her accent had put her slightly in the wrong, and after a moment she felt the need to right herself. The easiest way to do it was to place him where she had been. "You do me great injustice--you say what you don't know!" she broke out. "I shouldn't be an easy victim--I've proved it." "Oh, to me, perfectly." "I've proved it to others as well." And she paused a moment. "I refused a proposal of marriage last week; what they call--no doubt--a dazzling one." "I'm very glad to hear it," said the young man gravely. "It was a proposal many girls would have accepted; it had everything to recommend it." Isabel had not proposed to herself to tell this story, but, now she had begun, the satisfaction of speaking it out and doing herself justice took possession of her. "I was offered a great position and a great fortune--by a person whom I like extremely." Caspar watched her with intense interest. "Is he an Englishman?" "He's an English nobleman," said Isabel. Her visitor received this announcement at first in silence, but at last said: "I'm glad he's disappointed." "Well then, as you have companions in misfortune, make the best of it." "I don't call him a companion," said Casper grimly. "Why not--since I declined his offer absolutely?" "That doesn't make him my companion. Besides, he's an Englishman." "And pray isn't an Englishman a human being?" Isabel asked. "Oh, those people? They're not of my humanity, and I don't care what becomes of them." "You're very angry," said the girl. "We've discussed this matter quite enough." "Oh yes, I'm very angry. I plead guilty to that!" She turned away from him, walked to the open window and stood a moment looking into the dusky void of the street, where a turbid gaslight alone represented social animation. For some time neither of these young persons spoke; Caspar lingered near the chimney-piece with eyes gloomily attached. She had virtually requested him to go--he knew that; but at the risk of making himself odious he kept his ground. She was far too dear to him to be easily renounced, and he had crossed the sea all to wring from her some scrap of a vow. Presently she left the window and stood again before him. "You do me very little justice--after my telling you what I told you just now. I'm sorry I told you--since it matters so little to you." "Ah," cried the young man, "if you were thinking of ME when you did it!" And then he paused with the fear that she might contradict so happy a thought. "I was thinking of you a little," said Isabel. "A little? I don't understand. If the knowledge of what I feel for you had any weight with you at all, calling it a 'little' is a poor account of it." Isabel shook her head as if to carry off a blunder. "I've refused a most kind, noble gentleman. Make the most of that." "I thank you then," said Caspar Goodwood gravely. "I thank you immensely." "And now you had better go home." "May I not see you again?" he asked. "I think it's better not. You'll be sure to talk of this, and you see it leads to nothing." "I promise you not to say a word that will annoy you." Isabel reflected and then answered: "I return in a day or two to my uncle's, and I can't propose to you to come there. It would be too inconsistent." Caspar Goodwood, on his side, considered. "You must do me justice too. I received an invitation to your uncle's more than a week ago, and I declined it." She betrayed surprise. "From whom was your invitation?" "From Mr. Ralph Touchett, whom I suppose to be your cousin. I declined it because I had not your authorisation to accept it. The suggestion that Mr. Touchett should invite me appeared to have come from Miss Stackpole." "It certainly never did from me. Henrietta really goes very far," Isabel added. "Don't be too hard on her--that touches ME." "No; if you declined you did quite right, and I thank you for it." And she gave a little shudder of dismay at the thought that Lord Warburton and Mr. Goodwood might have met at Gardencourt: it would have been so awkward for Lord Warburton. "When you leave your uncle where do you go?" her companion asked. "I go abroad with my aunt--to Florence and other places." The serenity of this announcement struck a chill to the young man's heart; he seemed to see her whirled away into circles from which he was inexorably excluded. Nevertheless he went on quickly with his questions. "And when shall you come back to America?" "Perhaps not for a long time. I'm very happy here." "Do you mean to give up your country?" "Don't be an infant!" "Well, you'll be out of my sight indeed!" said Caspar Goodwood. "I don't know," she answered rather grandly. "The world--with all these places so arranged and so touching each other--comes to strike one as rather small." "It's a sight too big for ME!" Caspar exclaimed with a simplicity our young lady might have found touching if her face had not been set against concessions. This attitude was part of a system, a theory, that she had lately embraced, and to be thorough she said after a moment: "Don't think me unkind if I say it's just THAT--being out of your sight--that I like. If you were in the same place I should feel you were watching me, and I don't like that--I like my liberty too much. If there's a thing in the world I'm fond of," she went on with a slight recurrence of grandeur, "it's my personal independence." But whatever there might be of the too superior in this speech moved Caspar Goodwood's admiration; there was nothing he winced at in the large air of it. He had never supposed she hadn't wings and the need of beautiful free movements--he wasn't, with his own long arms and strides, afraid of any force in her. Isabel's words, if they had been meant to shock him, failed of the mark and only made him smile with the sense that here was common ground. "Who would wish less to curtail your liberty than I? What can give me greater pleasure than to see you perfectly independent--doing whatever you like? It's to make you independent that I want to marry you." "That's a beautiful sophism," said the girl with a smile more beautiful still. "An unmarried woman--a girl of your age--isn't independent. There are all sorts of things she can't do. She's hampered at every step." "That's as she looks at the question," Isabel answered with much spirit. "I'm not in my first youth--I can do what I choose--I belong quite to the independent class. I've neither father nor mother; I'm poor and of a serious disposition; I'm not pretty. I therefore am not bound to be timid and conventional; indeed I can't afford such luxuries. Besides, I try to judge things for myself; to judge wrong, I think, is more honourable than not to judge at all. I don't wish to be a mere sheep in the flock; I wish to choose my fate and know something of human affairs beyond what other people think it compatible with propriety to tell me." She paused a moment, but not long enough for her companion to reply. He was apparently on the point of doing so when she went on: "Let me say this to you, Mr. Goodwood. You're so kind as to speak of being afraid of my marrying. If you should hear a rumour that I'm on the point of doing so--girls are liable to have such things said about them--remember what I have told you about my love of liberty and venture to doubt it." There was something passionately positive in the tone in which she gave him this advice, and he saw a shining candour in her eyes that helped him to believe her. On the whole he felt reassured, and you might have perceived it by the manner in which he said, quite eagerly: "You want simply to travel for two years? I'm quite willing to wait two years, and you may do what you like in the interval. If that's all you want, pray say so. I don't want you to be conventional; do I strike you as conventional myself? Do you want to improve your mind? Your mind's quite good enough for me; but if it interests you to wander about a while and see different countries I shall be delighted to help you in any way in my power." "You're very generous; that's nothing new to me. The best way to help me will be to put as many hundred miles of sea between us as possible." "One would think you were going to commit some atrocity!" said Caspar Goodwood. "Perhaps I am. I wish to be free even to do that if the fancy takes me." "Well then," he said slowly, "I'll go home." And he put out his hand, trying to look contented and confident. Isabel's confidence in him, however, was greater than any he could feel in her. Not that he thought her capable of committing an atrocity; but, turn it over as he would, there was something ominous in the way she reserved her option. As she took his hand she felt a great respect for him; she knew how much he cared for her and she thought him magnanimous. They stood so for a moment, looking at each other, united by a hand-clasp which was not merely passive on her side. "That's right," she said very kindly, almost tenderly. "You'll lose nothing by being a reasonable man." "But I'll come back, wherever you are, two years hence," he returned with characteristic grimness. We have seen that our young lady was inconsequent, and at this she suddenly changed her note. "Ah, remember, I promise nothing--absolutely nothing!" Then more softly, as if to help him to leave her: "And remember too that I shall not be an easy victim!" "You'll get very sick of your independence." "Perhaps I shall; it's even very probable. When that day comes I shall be very glad to see you." She had laid her hand on the knob of the door that led into her room, and she waited a moment to see whether her visitor would not take his departure. But he appeared unable to move; there was still an immense unwillingness in his attitude and a sore remonstrance in his eyes. "I must leave you now," said Isabel; and she opened the door and passed into the other room. This apartment was dark, but the darkness was tempered by a vague radiance sent up through the window from the court of the hotel, and Isabel could make out the masses of the furniture, the dim shining of the mirror and the looming of the big four-posted bed. She stood still a moment, listening, and at last she heard Caspar Goodwood walk out of the sitting-room and close the door behind him. She stood still a little longer, and then, by an irresistible impulse, dropped on her knees before her bed and hid her face in her arms.

Chapter 16

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-16

Isabel is in desperate need of some alone time - a lot has happened in her world recently. Unexpectedly, Caspar Goodwood arrives. Henrietta apparently wrote to him and let him know that Isabel would be alone that evening. Kind of sneaky, sure; but, hey - that's Henrietta. Caspar Goodwood asks Isabel why she never wrote him back. She says that her silence was intentional. Oh, snap. Isabel demands that Caspar stay away from her -- for at least two years. Caspar worries that she will marry someone else. Isabel insists that she doesn't want to get married at all. Isabel tells Caspar that she has turned down an English nobleman, and admits that she sort of thought of Caspar when she did it, which gives Caspar some consolation. Caspar admits that he was invited to Gardencourt by way of Henrietta, which adds yet another tick on the old "Why, Henrietta, Why?" list. Caspar said that he declined because it didn't seem like the invitation was coming from Isabel. Isabel thanks him for this propriety. Isabel shudders at the thought of Caspar and Lord Warburton possibly meeting - she would have felt bad for Lord Warburton. Isabel says that she plans to stay in Europe for a while. She says that the world is small, but Caspar claims that it is too big. He feels the distance between the two of them. Isabel declares, once again, that her personal freedom is very important to her. Caspar insists that he wants to marry her in order to liberate her and, supposedly, give her more opportunities. Isabel insists that Caspar keeps his distance from her. Caspar jokes that she's going to do something criminal. Isabel doesn't deny it; she says she would like the freedom to do anything, even something atrocious. Caspar promises to reenter her life after two years. Caspar does not leave until Isabel leaves the room. Isabel retreats and collapses at the foot of her bed.

shmoop

all_chapterized_books/2833-chapters/17.txt

finished_summaries/shmoop/The Portrait of a Lady/section_16_part_0.txt

The Portrait of a Lady.chapter 17

chapter 17

{"name": "Chapter 17", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-17", "summary": "Isabel trembles in the aftermath of turning down Bachelor #2. Although she is shaken, Isabel is also proud that she has demonstrated the thing she has wanted all along: freedom. She feels as though she has proved something to herself and to Caspar. Henrietta returns, and Isabel is understandably short with her. She says that she cannot trust her old friend anymore. Henrietta is distraught to find out that Isabel has rejected Mr. Goodwood again. She really just doesn't want Isabel to marry a European. Henrietta asks Isabel where she's going in life, and Isabel says that she's happy not knowing. Isabel wants both Henrietta and Caspar Goodwood to leave her alone; in response, Henrietta warns her not to isolate herself too much. Henrietta decides to stay in London in order to get word from Mr. Bantling and Lady Pensil. She delights in the thought of rubbing elbows with royalty and writing a critically-acclaimed article about it. Ralph arrives with the news that Mr. Touchett's health has declined. Ralph goes to fetch a renowned doctor, Sir Matthew Hope. Isabel insists on going with Ralph, and checks out of the hotel. Henrietta gives her regrets to Ralph, with the assumption that this will be her last time seeing Mr. Touchett. Not one to ruin her plans, she's still going to visit Lady Pensil. Henrietta tells Ralph that Caspar Goodwood came to see Isabel last night. Ralph is saddened by the thought that Isabel would have lied to him about expecting a visitor. Henrietta tells Ralph that Isabel rejected Caspar again, and Ralph is relieved that Isabel didn't deceive him. Henrietta decides to talk with Caspar and encourage him not to give up on Isabel.", "analysis": ""}

She was not praying; she was trembling--trembling all over. Vibration was easy to her, was in fact too constant with her, and she found herself now humming like a smitten harp. She only asked, however, to put on the cover, to case herself again in brown holland, but she wished to resist her excitement, and the attitude of devotion, which she kept for some time, seemed to help her to be still. She intensely rejoiced that Caspar Goodwood was gone; there was something in having thus got rid of him that was like the payment, for a stamped receipt, of some debt too long on her mind. As she felt the glad relief she bowed her head a little lower; the sense was there, throbbing in her heart; it was part of her emotion, but it was a thing to be ashamed of--it was profane and out of place. It was not for some ten minutes that she rose from her knees, and even when she came back to the sitting-room her tremor had not quite subsided. It had had, verily, two causes: part of it was to be accounted for by her long discussion with Mr. Goodwood, but it might be feared that the rest was simply the enjoyment she found in the exercise of her power. She sat down in the same chair again and took up her book, but without going through the form of opening the volume. She leaned back, with that low, soft, aspiring murmur with which she often uttered her response to accidents of which the brighter side was not superficially obvious, and yielded to the satisfaction of having refused two ardent suitors in a fortnight. That love of liberty of which she had given Caspar Goodwood so bold a sketch was as yet almost exclusively theoretic; she had not been able to indulge it on a large scale. But it appeared to her she had done something; she had tasted of the delight, if not of battle, at least of victory; she had done what was truest to her plan. In the glow of this consciousness the image of Mr. Goodwood taking his sad walk homeward through the dingy town presented itself with a certain reproachful force; so that, as at the same moment the door of the room was opened, she rose with an apprehension that he had come back. But it was only Henrietta Stackpole returning from her dinner. Miss Stackpole immediately saw that our young lady had been "through" something, and indeed the discovery demanded no great penetration. She went straight up to her friend, who received her without a greeting. Isabel's elation in having sent Caspar Goodwood back to America presupposed her being in a manner glad he had come to see her; but at the same time she perfectly remembered Henrietta had had no right to set a trap for her. "Has he been here, dear?" the latter yearningly asked. Isabel turned away and for some moments answered nothing. "You acted very wrongly," she declared at last. "I acted for the best. I only hope you acted as well." "You're not the judge. I can't trust you," said Isabel. This declaration was unflattering, but Henrietta was much too unselfish to heed the charge it conveyed; she cared only for what it intimated with regard to her friend. "Isabel Archer," she observed with equal abruptness and solemnity, "if you marry one of these people I'll never speak to you again!" "Before making so terrible a threat you had better wait till I'm asked," Isabel replied. Never having said a word to Miss Stackpole about Lord Warburton's overtures, she had now no impulse whatever to justify herself to Henrietta by telling her that she had refused that nobleman. "Oh, you'll be asked quick enough, once you get off on the Continent. Annie Climber was asked three times in Italy--poor plain little Annie." "Well, if Annie Climber wasn't captured why should I be?" "I don't believe Annie was pressed; but you'll be." "That's a flattering conviction," said Isabel without alarm. "I don't flatter you, Isabel, I tell you the truth!" cried her friend. "I hope you don't mean to tell me that you didn't give Mr. Goodwood some hope." "I don't see why I should tell you anything; as I said to you just now, I can't trust you. But since you're so much interested in Mr. Goodwood I won't conceal from you that he returns immediately to America." "You don't mean to say you've sent him off?" Henrietta almost shrieked. "I asked him to leave me alone; and I ask you the same, Henrietta." Miss Stackpole glittered for an instant with dismay, and then passed to the mirror over the chimney-piece and took off her bonnet. "I hope you've enjoyed your dinner," Isabel went on. But her companion was not to be diverted by frivolous propositions. "Do you know where you're going, Isabel Archer?" "Just now I'm going to bed," said Isabel with persistent frivolity. "Do you know where you're drifting?" Henrietta pursued, holding out her bonnet delicately. "No, I haven't the least idea, and I find it very pleasant not to know. A swift carriage, of a dark night, rattling with four horses over roads that one can't see--that's my idea of happiness." "Mr. Goodwood certainly didn't teach you to say such things as that--like the heroine of an immoral novel," said Miss Stackpole. "You're drifting to some great mistake." Isabel was irritated by her friend's interference, yet she still tried to think what truth this declaration could represent. She could think of nothing that diverted her from saying: "You must be very fond of me, Henrietta, to be willing to be so aggressive." "I love you intensely, Isabel," said Miss Stackpole with feeling. "Well, if you love me intensely let me as intensely alone. I asked that of Mr. Goodwood, and I must also ask it of you." "Take care you're not let alone too much." "That's what Mr. Goodwood said to me. I told him I must take the risks." "You're a creature of risks--you make me shudder!" cried Henrietta. "When does Mr. Goodwood return to America?" "I don't know--he didn't tell me." "Perhaps you didn't enquire," said Henrietta with the note of righteous irony. "I gave him too little satisfaction to have the right to ask questions of him." This assertion seemed to Miss Stackpole for a moment to bid defiance to comment; but at last she exclaimed: "Well, Isabel, if I didn't know you I might think you were heartless!" "Take care," said Isabel; "you're spoiling me." "I'm afraid I've done that already. I hope, at least," Miss Stackpole added, "that he may cross with Annie Climber!" Isabel learned from her the next morning that she had determined not to return to Gardencourt (where old Mr. Touchett had promised her a renewed welcome), but to await in London the arrival of the invitation that Mr. Bantling had promised her from his sister Lady Pensil. Miss Stackpole related very freely her conversation with Ralph Touchett's sociable friend and declared to Isabel that she really believed she had now got hold of something that would lead to something. On the receipt of Lady Pensil's letter--Mr. Bantling had virtually guaranteed the arrival of this document--she would immediately depart for Bedfordshire, and if Isabel cared to look out for her impressions in the Interviewer she would certainly find them. Henrietta was evidently going to see something of the inner life this time. "Do you know where you're drifting, Henrietta Stackpole?" Isabel asked, imitating the tone in which her friend had spoken the night before. "I'm drifting to a big position--that of the Queen of American Journalism. If my next letter isn't copied all over the West I'll swallow my penwiper!" She had arranged with her friend Miss Annie Climber, the young lady of the continental offers, that they should go together to make those purchases which were to constitute Miss Climber's farewell to a hemisphere in which she at least had been appreciated; and she presently repaired to Jermyn Street to pick up her companion. Shortly after her departure Ralph Touchett was announced, and as soon as he came in Isabel saw he had something on his mind. He very soon took his cousin into his confidence. He had received from his mother a telegram to the effect that his father had had a sharp attack of his old malady, that she was much alarmed and that she begged he would instantly return to Gardencourt. On this occasion at least Mrs. Touchett's devotion to the electric wire was not open to criticism. "I've judged it best to see the great doctor, Sir Matthew Hope, first," Ralph said; "by great good luck he's in town. He's to see me at half-past twelve, and I shall make sure of his coming down to Gardencourt--which he will do the more readily as he has already seen my father several times, both there and in London. There's an express at two-forty-five, which I shall take; and you'll come back with me or remain here a few days longer, exactly as you prefer." "I shall certainly go with you," Isabel returned. "I don't suppose I can be of any use to my uncle, but if he's ill I shall like to be near him." "I think you're fond of him," said Ralph with a certain shy pleasure in his face. "You appreciate him, which all the world hasn't done. The quality's too fine." "I quite adore him," Isabel after a moment said. "That's very well. After his son he's your greatest admirer." She welcomed this assurance, but she gave secretly a small sigh of relief at the thought that Mr. Touchett was one of those admirers who couldn't propose to marry her. This, however, was not what she spoke; she went on to inform Ralph that there were other reasons for her not remaining in London. She was tired of it and wished to leave it; and then Henrietta was going away--going to stay in Bedfordshire. "In Bedfordshire?" "With Lady Pensil, the sister of Mr. Bantling, who has answered for an invitation." Ralph was feeling anxious, but at this he broke into a laugh. Suddenly, none the less, his gravity returned. "Bantling's a man of courage. But if the invitation should get lost on the way?" "I thought the British post-office was impeccable." "The good Homer sometimes nods," said Ralph. "However," he went on more brightly, "the good Bantling never does, and, whatever happens, he'll take care of Henrietta." Ralph went to keep his appointment with Sir Matthew Hope, and Isabel made her arrangements for quitting Pratt's Hotel. Her uncle's danger touched her nearly, and while she stood before her open trunk, looking about her vaguely for what she should put into it, the tears suddenly rose to her eyes. It was perhaps for this reason that when Ralph came back at two o'clock to take her to the station she was not yet ready. He found Miss Stackpole, however, in the sitting-room, where she had just risen from her luncheon, and this lady immediately expressed her regret at his father's illness. "He's a grand old man," she said; "he's faithful to the last. If it's really to be the last--pardon my alluding to it, but you must often have thought of the possibility--I'm sorry that I shall not be at Gardencourt." "You'll amuse yourself much more in Bedfordshire." "I shall be sorry to amuse myself at such a time," said Henrietta with much propriety. But she immediately added: "I should like so to commemorate the closing scene." "My father may live a long time," said Ralph simply. Then, adverting to topics more cheerful, he interrogated Miss Stackpole as to her own future. Now that Ralph was in trouble she addressed him in a tone of larger allowance and told him that she was much indebted to him for having made her acquainted with Mr. Bantling. "He has told me just the things I want to know," she said; "all the society items and all about the royal family. I can't make out that what he tells me about the royal family is much to their credit; but he says that's only my peculiar way of looking at it. Well, all I want is that he should give me the facts; I can put them together quick enough, once I've got them." And she added that Mr. Bantling had been so good as to promise to come and take her out that afternoon. "To take you where?" Ralph ventured to enquire. "To Buckingham Palace. He's going to show me over it, so that I may get some idea how they live." "Ah," said Ralph, "we leave you in good hands. The first thing we shall hear is that you're invited to Windsor Castle." "If they ask me, I shall certainly go. Once I get started I'm not afraid. But for all that," Henrietta added in a moment, "I'm not satisfied; I'm not at peace about Isabel." "What is her last misdemeanour?" "Well, I've told you before, and I suppose there's no harm in my going on. I always finish a subject that I take up. Mr. Goodwood was here last night." Ralph opened his eyes; he even blushed a little--his blush being the sign of an emotion somewhat acute. He remembered that Isabel, in separating from him in Winchester Square, had repudiated his suggestion that her motive in doing so was the expectation of a visitor at Pratt's Hotel, and it was a new pang to him to have to suspect her of duplicity. On the other hand, he quickly said to himself, what concern was it of his that she should have made an appointment with a lover? Had it not been thought graceful in every age that young ladies should make a mystery of such appointments? Ralph gave Miss Stackpole a diplomatic answer. "I should have thought that, with the views you expressed to me the other day, this would satisfy you perfectly." "That he should come to see her? That was very well, as far as it went. It was a little plot of mine; I let him know that we were in London, and when it had been arranged that I should spend the evening out I sent him a word--the word we just utter to the 'wise.' I hoped he would find her alone; I won't pretend I didn't hope that you'd be out of the way. He came to see her, but he might as well have stayed away." "Isabel was cruel?"--and Ralph's face lighted with the relief of his cousin's not having shown duplicity. "I don't exactly know what passed between them. But she gave him no satisfaction--she sent him back to America." "Poor Mr. Goodwood!" Ralph sighed. "Her only idea seems to be to get rid of him," Henrietta went on. "Poor Mr. Goodwood!" Ralph repeated. The exclamation, it must be confessed, was automatic; it failed exactly to express his thoughts, which were taking another line. "You don't say that as if you felt it. I don't believe you care." "Ah," said Ralph, "you must remember that I don't know this interesting young man--that I've never seen him." "Well, I shall see him, and I shall tell him not to give up. If I didn't believe Isabel would come round," Miss Stackpole added--"well, I'd give up myself. I mean I'd give HER up!"

Chapter 17

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-17

Isabel trembles in the aftermath of turning down Bachelor #2. Although she is shaken, Isabel is also proud that she has demonstrated the thing she has wanted all along: freedom. She feels as though she has proved something to herself and to Caspar. Henrietta returns, and Isabel is understandably short with her. She says that she cannot trust her old friend anymore. Henrietta is distraught to find out that Isabel has rejected Mr. Goodwood again. She really just doesn't want Isabel to marry a European. Henrietta asks Isabel where she's going in life, and Isabel says that she's happy not knowing. Isabel wants both Henrietta and Caspar Goodwood to leave her alone; in response, Henrietta warns her not to isolate herself too much. Henrietta decides to stay in London in order to get word from Mr. Bantling and Lady Pensil. She delights in the thought of rubbing elbows with royalty and writing a critically-acclaimed article about it. Ralph arrives with the news that Mr. Touchett's health has declined. Ralph goes to fetch a renowned doctor, Sir Matthew Hope. Isabel insists on going with Ralph, and checks out of the hotel. Henrietta gives her regrets to Ralph, with the assumption that this will be her last time seeing Mr. Touchett. Not one to ruin her plans, she's still going to visit Lady Pensil. Henrietta tells Ralph that Caspar Goodwood came to see Isabel last night. Ralph is saddened by the thought that Isabel would have lied to him about expecting a visitor. Henrietta tells Ralph that Isabel rejected Caspar again, and Ralph is relieved that Isabel didn't deceive him. Henrietta decides to talk with Caspar and encourage him not to give up on Isabel.

shmoop

all_chapterized_books/2833-chapters/18.txt

finished_summaries/shmoop/The Portrait of a Lady/section_17_part_0.txt

The Portrait of a Lady.chapter 18

chapter 18

{"name": "Chapter 18", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-18", "summary": "Ralph and Isabel return to Gardencourt. Isabel, concerned about her uncle, seeks out her aunt. Isabel hears music playing and assumes it is Ralph playing the piano. To her surprise, she finds a lovely stranger playing Schubert on the piano. The stranger is Madame Merle, Mrs. Touchett's good friend. She is American, but rather elusive about her origins. She originally met Mrs. Touchett in Florence. Isabel asks Ralph about Madame Merle. Ralph says that she is complete in her perfection, and admits that he used to be in love with her. We're not sure just how serious he is, as usual. Although Mr. Touchett's health seemed to get better after Dr. Hope's arrival, it once again takes a turn for the worse. Mr. Touchett seems prepared to die, despite Ralph's pleas for him to think optimistically. Mr. Touchett insists that he and Ralph have a private talk. Mr. Touchett wants to make sure that Ralph will take care of himself and his mother after he dies. Mr. Touchett wants Ralph to marry Isabel, and hopes for a good life for his son, despite Ralph's own poor health. Ralph admits that he thinks very fondly of Isabel, but is not in love with her. Ralph instead asks his father to split his inheritance money in two and give one half to Isabel. The sum would be 60,000 pounds . Ralph wishes to give Isabel freedom from worrying about money. He knows she has a big imagination and wants to enable her to do whatever she'd like, without depending on a man. Mr. Touchett worries that this would give her too much freedom, and that gold diggers would pursue her. Ralph says he's not too worried about that happening. Mr. Touchett consents to Ralph's wishes, asking for his solicitor, Mr. Hilary, to be brought to Gardencourt the next day.", "analysis": ""}

It had occurred to Ralph that, in the conditions, Isabel's parting with her friend might be of a slightly embarrassed nature, and he went down to the door of the hotel in advance of his cousin, who, after a slight delay, followed with the traces of an unaccepted remonstrance, as he thought, in her eyes. The two made the journey to Gardencourt in almost unbroken silence, and the servant who met them at the station had no better news to give them of Mr. Touchett--a fact which caused Ralph to congratulate himself afresh on Sir Matthew Hope's having promised to come down in the five o'clock train and spend the night. Mrs. Touchett, he learned, on reaching home, had been constantly with the old man and was with him at that moment; and this fact made Ralph say to himself that, after all, what his mother wanted was just easy occasion. The finer natures were those that shone at the larger times. Isabel went to her own room, noting throughout the house that perceptible hush which precedes a crisis. At the end of an hour, however, she came downstairs in search of her aunt, whom she wished to ask about Mr. Touchett. She went into the library, but Mrs. Touchett was not there, and as the weather, which had been damp and chill, was now altogether spoiled, it was not probable she had gone for her usual walk in the grounds. Isabel was on the point of ringing to send a question to her room, when this purpose quickly yielded to an unexpected sound--the sound of low music proceeding apparently from the saloon. She knew her aunt never touched the piano, and the musician was therefore probably Ralph, who played for his own amusement. That he should have resorted to this recreation at the present time indicated apparently that his anxiety about his father had been relieved; so that the girl took her way, almost with restored cheer, toward the source of the harmony. The drawing-room at Gardencourt was an apartment of great distances, and, as the piano was placed at the end of it furthest removed from the door at which she entered, her arrival was not noticed by the person seated before the instrument. This person was neither Ralph nor his mother; it was a lady whom Isabel immediately saw to be a stranger to herself, though her back was presented to the door. This back--an ample and well-dressed one--Isabel viewed for some moments with surprise. The lady was of course a visitor who had arrived during her absence and who had not been mentioned by either of the servants--one of them her aunt's maid--of whom she had had speech since her return. Isabel had already learned, however, with what treasures of reserve the function of receiving orders may be accompanied, and she was particularly conscious of having been treated with dryness by her aunt's maid, through whose hands she had slipped perhaps a little too mistrustfully and with an effect of plumage but the more lustrous. The advent of a guest was in itself far from disconcerting; she had not yet divested herself of a young faith that each new acquaintance would exert some momentous influence on her life. By the time she had made these reflexions she became aware that the lady at the piano played remarkably well. She was playing something of Schubert's--Isabel knew not what, but recognised Schubert--and she touched the piano with a discretion of her own. It showed skill, it showed feeling; Isabel sat down noiselessly on the nearest chair and waited till the end of the piece. When it was finished she felt a strong desire to thank the player, and rose from her seat to do so, while at the same time the stranger turned quickly round, as if but just aware of her presence. "That's very beautiful, and your playing makes it more beautiful still," said Isabel with all the young radiance with which she usually uttered a truthful rapture. "You don't think I disturbed Mr. Touchett then?" the musician answered as sweetly as this compliment deserved. "The house is so large and his room so far away that I thought I might venture, especially as I played just--just du bout des doigts." "She's a Frenchwoman," Isabel said to herself; "she says that as if she were French." And this supposition made the visitor more interesting to our speculative heroine. "I hope my uncle's doing well," Isabel added. "I should think that to hear such lovely music as that would really make him feel better." The lady smiled and discriminated. "I'm afraid there are moments in life when even Schubert has nothing to say to us. We must admit, however, that they are our worst." "I'm not in that state now then," said Isabel. "On the contrary I should be so glad if you would play something more." "If it will give you pleasure--delighted." And this obliging person took her place again and struck a few chords, while Isabel sat down nearer the instrument. Suddenly the new-comer stopped with her hands on the keys, half-turning and looking over her shoulder. She was forty years old and not pretty, though her expression charmed. "Pardon me," she said; "but are you the niece--the young American?" "I'm my aunt's niece," Isabel replied with simplicity. The lady at the piano sat still a moment longer, casting her air of interest over her shoulder. "That's very well; we're compatriots." And then she began to play. "Ah then she's not French," Isabel murmured; and as the opposite supposition had made her romantic it might have seemed that this revelation would have marked a drop. But such was not the fact; rarer even than to be French seemed it to be American on such interesting terms. The lady played in the same manner as before, softly and solemnly, and while she played the shadows deepened in the room. The autumn twilight gathered in, and from her place Isabel could see the rain, which had now begun in earnest, washing the cold-looking lawn and the wind shaking the great trees. At last, when the music had ceased, her companion got up and, coming nearer with a smile, before Isabel had time to thank her again, said: "I'm very glad you've come back; I've heard a great deal about you." Isabel thought her a very attractive person, but nevertheless spoke with a certain abruptness in reply to this speech. "From whom have you heard about me?" The stranger hesitated a single moment and then, "From your uncle," she answered. "I've been here three days, and the first day he let me come and pay him a visit in his room. Then he talked constantly of you." "As you didn't know me that must rather have bored you." "It made me want to know you. All the more that since then--your aunt being so much with Mr. Touchett--I've been quite alone and have got rather tired of my own society. I've not chosen a good moment for my visit." A servant had come in with lamps and was presently followed by another bearing the tea-tray. On the appearance of this repast Mrs. Touchett had apparently been notified, for she now arrived and addressed herself to the tea-pot. Her greeting to her niece did not differ materially from her manner of raising the lid of this receptacle in order to glance at the contents: in neither act was it becoming to make a show of avidity. Questioned about her husband she was unable to say he was better; but the local doctor was with him, and much light was expected from this gentleman's consultation with Sir Matthew Hope. "I suppose you two ladies have made acquaintance," she pursued. "If you haven't I recommend you to do so; for so long as we continue--Ralph and I--to cluster about Mr. Touchett's bed you're not likely to have much society but each other." "I know nothing about you but that you're a great musician," Isabel said to the visitor. "There's a good deal more than that to know," Mrs. Touchett affirmed in her little dry tone. "A very little of it, I am sure, will content Miss Archer!" the lady exclaimed with a light laugh. "I'm an old friend of your aunt's. I've lived much in Florence. I'm Madame Merle." She made this last announcement as if she were referring to a person of tolerably distinct identity. For Isabel, however, it represented little; she could only continue to feel that Madame Merle had as charming a manner as any she had ever encountered. "She's not a foreigner in spite of her name," said Mrs. Touchett. "She was born--I always forget where you were born." "It's hardly worth while then I should tell you." "On the contrary," said Mrs. Touchett, who rarely missed a logical point; "if I remembered your telling me would be quite superfluous." Madame Merle glanced at Isabel with a sort of world-wide smile, a thing that over-reached frontiers. "I was born under the shadow of the national banner." "She's too fond of mystery," said Mrs. Touchett; "that's her great fault." "Ah," exclaimed Madame Merle, "I've great faults, but I don't think that's one of then; it certainly isn't the greatest. I came into the world in the Brooklyn navy-yard. My father was a high officer in the United States Navy, and had a post--a post of responsibility--in that establishment at the time. I suppose I ought to love the sea, but I hate it. That's why I don't return to America. I love the land; the great thing is to love something." Isabel, as a dispassionate witness, had not been struck with the force of Mrs. Touchett's characterisation of her visitor, who had an expressive, communicative, responsive face, by no means of the sort which, to Isabel's mind, suggested a secretive disposition. It was a face that told of an amplitude of nature and of quick and free motions and, though it had no regular beauty, was in the highest degree engaging and attaching. Madame Merle was a tall, fair, smooth woman; everything in her person was round and replete, though without those accumulations which suggest heaviness. Her features were thick but in perfect proportion and harmony, and her complexion had a healthy clearness. Her grey eyes were small but full of light and incapable of stupidity--incapable, according to some people, even of tears; she had a liberal, full-rimmed mouth which when she smiled drew itself upward to the left side in a manner that most people thought very odd, some very affected and a few very graceful. Isabel inclined to range herself in the last category. Madame Merle had thick, fair hair, arranged somehow "classically" and as if she were a Bust, Isabel judged--a Juno or a Niobe; and large white hands, of a perfect shape, a shape so perfect that their possessor, preferring to leave them unadorned, wore no jewelled rings. Isabel had taken her at first, as we have seen, for a Frenchwoman; but extended observation might have ranked her as a German--a German of high degree, perhaps an Austrian, a baroness, a countess, a princess. It would never have been supposed she had come into the world in Brooklyn--though one could doubtless not have carried through any argument that the air of distinction marking her in so eminent a degree was inconsistent with such a birth. It was true that the national banner had floated immediately over her cradle, and the breezy freedom of the stars and stripes might have shed an influence upon the attitude she there took towards life. And yet she had evidently nothing of the fluttered, flapping quality of a morsel of bunting in the wind; her manner expressed the repose and confidence which come from a large experience. Experience, however, had not quenched her youth; it had simply made her sympathetic and supple. She was in a word a woman of strong impulses kept in admirable order. This commended itself to Isabel as an ideal combination. The girl made these reflexions while the three ladies sat at their tea, but that ceremony was interrupted before long by the arrival of the great doctor from London, who had been immediately ushered into the drawing-room. Mrs. Touchett took him off to the library for a private talk; and then Madame Merle and Isabel parted, to meet again at dinner. The idea of seeing more of this interesting woman did much to mitigate Isabel's sense of the sadness now settling on Gardencourt. When she came into the drawing-room before dinner she found the place empty; but in the course of a moment Ralph arrived. His anxiety about his father had been lightened; Sir Matthew Hope's view of his condition was less depressed than his own had been. The doctor recommended that the nurse alone should remain with the old man for the next three or four hours; so that Ralph, his mother and the great physician himself were free to dine at table. Mrs. Touchett and Sir Matthew appeared; Madame Merle was the last. Before she came Isabel spoke of her to Ralph, who was standing before the fireplace. "Pray who is this Madame Merle?" "The cleverest woman I know, not excepting yourself," said Ralph. "I thought she seemed very pleasant." "I was sure you'd think her very pleasant." "Is that why you invited her?" "I didn't invite her, and when we came back from London I didn't know she was here. No one invited her. She's a friend of my mother's, and just after you and I went to town my mother got a note from her. She had arrived in England (she usually lives abroad, though she has first and last spent a good deal of time here), and asked leave to come down for a few days. She's a woman who can make such proposals with perfect confidence; she's so welcome wherever she goes. And with my mother there could be no question of hesitating; she's the one person in the world whom my mother very much admires. If she were not herself (which she after all much prefers), she would like to be Madame Merle. It would indeed be a great change." "Well, she's very charming," said Isabel. "And she plays beautifully." "She does everything beautifully. She's complete." Isabel looked at her cousin a moment. "You don't like her." "On the contrary, I was once in love with her." "And she didn't care for you, and that's why you don't like her." "How can we have discussed such things? Monsieur Merle was then living." "Is he dead now?" "So she says." "Don't you believe her?" "Yes, because the statement agrees with the probabilities. The husband of Madame Merle would be likely to pass away." Isabel gazed at her cousin again. "I don't know what you mean. You mean something--that you don't mean. What was Monsieur Merle?" "The husband of Madame." "You're very odious. Has she any children?" "Not the least little child--fortunately." "Fortunately?" "I mean fortunately for the child. She'd be sure to spoil it." Isabel was apparently on the point of assuring her cousin for the third time that he was odious; but the discussion was interrupted by the arrival of the lady who was the topic of it. She came rustling in quickly, apologising for being late, fastening a bracelet, dressed in dark blue satin, which exposed a white bosom that was ineffectually covered by a curious silver necklace. Ralph offered her his arm with the exaggerated alertness of a man who was no longer a lover. Even if this had still been his condition, however, Ralph had other things to think about. The great doctor spent the night at Gardencourt and, returning to London on the morrow, after another consultation with Mr. Touchett's own medical adviser, concurred in Ralph's desire that he should see the patient again on the day following. On the day following Sir Matthew Hope reappeared at Gardencourt, and now took a less encouraging view of the old man, who had grown worse in the twenty-four hours. His feebleness was extreme, and to his son, who constantly sat by his bedside, it often seemed that his end must be at hand. The local doctor, a very sagacious man, in whom Ralph had secretly more confidence than in his distinguished colleague, was constantly in attendance, and Sir Matthew Hope came back several times. Mr. Touchett was much of the time unconscious; he slept a great deal; he rarely spoke. Isabel had a great desire to be useful to him and was allowed to watch with him at hours when his other attendants (of whom Mrs. Touchett was not the least regular) went to take rest. He never seemed to know her, and she always said to herself "Suppose he should die while I'm sitting here;" an idea which excited her and kept her awake. Once he opened his eyes for a while and fixed them upon her intelligently, but when she went to him, hoping he would recognise her, he closed them and relapsed into stupor. The day after this, however, he revived for a longer time; but on this occasion Ralph only was with him. The old man began to talk, much to his son's satisfaction, who assured him that they should presently have him sitting up. "No, my boy," said Mr. Touchett, "not unless you bury me in a sitting posture, as some of the ancients--was it the ancients?--used to do." "Ah, daddy, don't talk about that," Ralph murmured. "You mustn't deny that you're getting better." "There will be no need of my denying it if you don't say it," the old man answered. "Why should we prevaricate just at the last? We never prevaricated before. I've got to die some time, and it's better to die when one's sick than when one's well. I'm very sick--as sick as I shall ever be. I hope you don't want to prove that I shall ever be worse than this? That would be too bad. You don't? Well then." Having made this excellent point he became quiet; but the next time that Ralph was with him he again addressed himself to conversation. The nurse had gone to her supper and Ralph was alone in charge, having just relieved Mrs. Touchett, who had been on guard since dinner. The room was lighted only by the flickering fire, which of late had become necessary, and Ralph's tall shadow was projected over wall and ceiling with an outline constantly varying but always grotesque. "Who's that with me--is it my son?" the old man asked. "Yes, it's your son, daddy." "And is there no one else?" "No one else." Mr. Touchett said nothing for a while; and then, "I want to talk a little," he went on. "Won't it tire you?" Ralph demurred. "It won't matter if it does. I shall have a long rest. I want to talk about YOU." Ralph had drawn nearer to the bed; he sat leaning forward with his hand on his father's. "You had better select a brighter topic." "You were always bright; I used to be proud of your brightness. I should like so much to think you'd do something." "If you leave us," said Ralph, "I shall do nothing but miss you." "That's just what I don't want; it's what I want to talk about. You must get a new interest." "I don't want a new interest, daddy. I have more old ones than I know what to do with." The old man lay there looking at his son; his face was the face of the dying, but his eyes were the eyes of Daniel Touchett. He seemed to be reckoning over Ralph's interests. "Of course you have your mother," he said at last. "You'll take care of her." "My mother will always take care of herself," Ralph returned. "Well," said his father, "perhaps as she grows older she'll need a little help." "I shall not see that. She'll outlive me." "Very likely she will; but that's no reason--!" Mr. Touchett let his phrase die away in a helpless but not quite querulous sigh and remained silent again. "Don't trouble yourself about us," said his son, "My mother and I get on very well together, you know." "You get on by always being apart; that's not natural." "If you leave us we shall probably see more of each other." "Well," the old man observed with wandering irrelevance, "it can't be said that my death will make much difference in your mother's life." "It will probably make more than you think." "Well, she'll have more money," said Mr. Touchett. "I've left her a good wife's portion, just as if she had been a good wife." "She has been one, daddy, according to her own theory. She has never troubled you." "Ah, some troubles are pleasant," Mr. Touchett murmured. "Those you've given me for instance. But your mother has been less--less--what shall I call it? less out of the way since I've been ill. I presume she knows I've noticed it." "I shall certainly tell her so; I'm so glad you mention it." "It won't make any difference to her; she doesn't do it to please me. She does it to please--to please--" And he lay a while trying to think why she did it. "She does it because it suits her. But that's not what I want to talk about," he added. "It's about you. You'll be very well off." "Yes," said Ralph, "I know that. But I hope you've not forgotten the talk we had a year ago--when I told you exactly what money I should need and begged you to make some good use of the rest." "Yes, yes, I remember. I made a new will--in a few days. I suppose it was the first time such a thing had happened--a young man trying to get a will made against him." "It is not against me," said Ralph. "It would be against me to have a large property to take care of. It's impossible for a man in my state of health to spend much money, and enough is as good as a feast." "Well, you'll have enough--and something over. There will be more than enough for one--there will be enough for two." "That's too much," said Ralph. "Ah, don't say that. The best thing you can do; when I'm gone, will be to marry." Ralph had foreseen what his father was coming to, and this suggestion was by no means fresh. It had long been Mr. Touchett's most ingenious way of taking the cheerful view of his son's possible duration. Ralph had usually treated it facetiously; but present circumstances proscribed the facetious. He simply fell back in his chair and returned his father's appealing gaze. "If I, with a wife who hasn't been very fond of me, have had a very happy life," said the old man, carrying his ingenuity further still, "what a life mightn't you have if you should marry a person different from Mrs. Touchett. There are more different from her than there are like her." Ralph still said nothing; and after a pause his father resumed softly: "What do you think of your cousin?" At this Ralph started, meeting the question with a strained smile. "Do I understand you to propose that I should marry Isabel?" "Well, that's what it comes to in the end. Don't you like Isabel?" "Yes, very much." And Ralph got up from his chair and wandered over to the fire. He stood before it an instant and then he stooped and stirred it mechanically. "I like Isabel very much," he repeated. "Well," said his father, "I know she likes you. She has told me how much she likes you." "Did she remark that she would like to marry me?" "No, but she can't have anything against you. And she's the most charming young lady I've ever seen. And she would be good to you. I have thought a great deal about it." "So have I," said Ralph, coming back to the bedside again. "I don't mind telling you that." "You ARE in love with her then? I should think you would be. It's as if she came over on purpose." "No, I'm not in love with her; but I should be if--if certain things were different." "Ah, things are always different from what they might be," said the old man. "If you wait for them to change you'll never do anything. I don't know whether you know," he went on; "but I suppose there's no harm in my alluding to it at such an hour as this: there was some one wanted to marry Isabel the other day, and she wouldn't have him." "I know she refused Warburton: he told me himself." "Well, that proves there's a chance for somebody else." "Somebody else took his chance the other day in London--and got nothing by it." "Was it you?" Mr. Touchett eagerly asked. "No, it was an older friend; a poor gentleman who came over from America to see about it." "Well, I'm sorry for him, whoever he was. But it only proves what I say--that the way's open to you." "If it is, dear father, it's all the greater pity that I'm unable to tread it. I haven't many convictions; but I have three or four that I hold strongly. One is that people, on the whole, had better not marry their cousins. Another is that people in an advanced stage of pulmonary disorder had better not marry at all." The old man raised his weak hand and moved it to and fro before his face. "What do you mean by that? You look at things in a way that would make everything wrong. What sort of a cousin is a cousin that you had never seen for more than twenty years of her life? We're all each other's cousins, and if we stopped at that the human race would die out. It's just the same with your bad lung. You're a great deal better than you used to be. All you want is to lead a natural life. It is a great deal more natural to marry a pretty young lady that you're in love with than it is to remain single on false principles." "I'm not in love with Isabel," said Ralph. "You said just now that you would be if you didn't think it wrong. I want to prove to you that it isn't wrong." "It will only tire you, dear daddy," said Ralph, who marvelled at his father's tenacity and at his finding strength to insist. "Then where shall we all be?" "Where shall you be if I don't provide for you? You won't have anything to do with the bank, and you won't have me to take care of. You say you've so many interests; but I can't make them out." Ralph leaned back in his chair with folded arms; his eyes were fixed for some time in meditation. At last, with the air of a man fairly mustering courage, "I take a great interest in my cousin," he said, "but not the sort of interest you desire. I shall not live many years; but I hope I shall live long enough to see what she does with herself. She's entirely independent of me; I can exercise very little influence upon her life. But I should like to do something for her." "What should you like to do?" "I should like to put a little wind in her sails." "What do you mean by that?" "I should like to put it into her power to do some of the things she wants. She wants to see the world for instance. I should like to put money in her purse." "Ah, I'm glad you've thought of that," said the old man. "But I've thought of it too. I've left her a legacy--five thousand pounds." "That's capital; it's very kind of you. But I should like to do a little more." Something of that veiled acuteness with which it had been on Daniel Touchett's part the habit of a lifetime to listen to a financial proposition still lingered in the face in which the invalid had not obliterated the man of business. "I shall be happy to consider it," he said softly. "Isabel's poor then. My mother tells me that she has but a few hundred dollars a year. I should like to make her rich." "What do you mean by rich?" "I call people rich when they're able to meet the requirements of their imagination. Isabel has a great deal of imagination." "So have you, my son," said Mr. Touchett, listening very attentively but a little confusedly. "You tell me I shall have money enough for two. What I want is that you should kindly relieve me of my superfluity and make it over to Isabel. Divide my inheritance into two equal halves and give her the second." "To do what she likes with?" "Absolutely what she likes." "And without an equivalent?" "What equivalent could there be?" "The one I've already mentioned." "Her marrying--some one or other? It's just to do away with anything of that sort that I make my suggestion. If she has an easy income she'll never have to marry for a support. That's what I want cannily to prevent. She wishes to be free, and your bequest will make her free." "Well, you seem to have thought it out," said Mr. Touchett. "But I don't see why you appeal to me. The money will be yours, and you can easily give it to her yourself." Ralph openly stared. "Ah, dear father, I can't offer Isabel money!" The old man gave a groan. "Don't tell me you're not in love with her! Do you want me to have the credit of it?" "Entirely. I should like it simply to be a clause in your will, without the slightest reference to me." "Do you want me to make a new will then?" "A few words will do it; you can attend to it the next time you feel a little lively." "You must telegraph to Mr. Hilary then. I'll do nothing without my solicitor." "You shall see Mr. Hilary to-morrow." "He'll think we've quarrelled, you and I," said the old man. "Very probably; I shall like him to think it," said Ralph, smiling; "and, to carry out the idea, I give you notice that I shall be very sharp, quite horrid and strange, with you." The humour of this appeared to touch his father, who lay a little while taking it in. "I'll do anything you like," Mr. Touchett said at last; "but I'm not sure it's right. You say you want to put wind in her sails; but aren't you afraid of putting too much?" "I should like to see her going before the breeze!" Ralph answered. "You speak as if it were for your mere amusement." "So it is, a good deal." "Well, I don't think I understand," said Mr. Touchett with a sigh. "Young men are very different from what I was. When I cared for a girl--when I was young--I wanted to do more than look at her." "You've scruples that I shouldn't have had, and you've ideas that I shouldn't have had either. You say Isabel wants to be free, and that her being rich will keep her from marrying for money. Do you think that she's a girl to do that?" "By no means. But she has less money than she has ever had before. Her father then gave her everything, because he used to spend his capital. She has nothing but the crumbs of that feast to live on, and she doesn't really know how meagre they are--she has yet to learn it. My mother has told me all about it. Isabel will learn it when she's really thrown upon the world, and it would be very painful to me to think of her coming to the consciousness of a lot of wants she should be unable to satisfy." "I've left her five thousand pounds. She can satisfy a good many wants with that." "She can indeed. But she would probably spend it in two or three years." "You think she'd be extravagant then?" "Most certainly," said Ralph, smiling serenely. Poor Mr. Touchett's acuteness was rapidly giving place to pure confusion. "It would merely be a question of time then, her spending the larger sum?" "No--though at first I think she'd plunge into that pretty freely: she'd probably make over a part of it to each of her sisters. But after that she'd come to her senses, remember she has still a lifetime before her, and live within her means." "Well, you HAVE worked it out," said the old man helplessly. "You do take an interest in her, certainly." "You can't consistently say I go too far. You wished me to go further." "Well, I don't know," Mr. Touchett answered. "I don't think I enter into your spirit. It seems to me immoral." "Immoral, dear daddy?" "Well, I don't know that it's right to make everything so easy for a person." "It surely depends upon the person. When the person's good, your making things easy is all to the credit of virtue. To facilitate the execution of good impulses, what can be a nobler act?" This was a little difficult to follow, and Mr. Touchett considered it for a while. At last he said: "Isabel's a sweet young thing; but do you think she's so good as that?" "She's as good as her best opportunities," Ralph returned. "Well," Mr. Touchett declared, "she ought to get a great many opportunities for sixty thousand pounds." "I've no doubt she will." "Of course I'll do what you want," said the old man. "I only want to understand it a little." "Well, dear daddy, don't you understand it now?" his son caressingly asked. "If you don't we won't take any more trouble about it. We'll leave it alone." Mr. Touchett lay a long time still. Ralph supposed he had given up the attempt to follow. But at last, quite lucidly, he began again. "Tell me this first. Doesn't it occur to you that a young lady with sixty thousand pounds may fall a victim to the fortune-hunters?" "She'll hardly fall a victim to more than one." "Well, one's too many." "Decidedly. That's a risk, and it has entered into my calculation. I think it's appreciable, but I think it's small, and I'm prepared to take it." Poor Mr. Touchett's acuteness had passed into perplexity, and his perplexity now passed into admiration. "Well, you have gone into it!" he repeated. "But I don't see what good you're to get of it." Ralph leaned over his father's pillows and gently smoothed them; he was aware their talk had been unduly prolonged. "I shall get just the good I said a few moments ago I wished to put into Isabel's reach--that of having met the requirements of my imagination. But it's scandalous, the way I've taken advantage of you!"

Chapter 18

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-18

Ralph and Isabel return to Gardencourt. Isabel, concerned about her uncle, seeks out her aunt. Isabel hears music playing and assumes it is Ralph playing the piano. To her surprise, she finds a lovely stranger playing Schubert on the piano. The stranger is Madame Merle, Mrs. Touchett's good friend. She is American, but rather elusive about her origins. She originally met Mrs. Touchett in Florence. Isabel asks Ralph about Madame Merle. Ralph says that she is complete in her perfection, and admits that he used to be in love with her. We're not sure just how serious he is, as usual. Although Mr. Touchett's health seemed to get better after Dr. Hope's arrival, it once again takes a turn for the worse. Mr. Touchett seems prepared to die, despite Ralph's pleas for him to think optimistically. Mr. Touchett insists that he and Ralph have a private talk. Mr. Touchett wants to make sure that Ralph will take care of himself and his mother after he dies. Mr. Touchett wants Ralph to marry Isabel, and hopes for a good life for his son, despite Ralph's own poor health. Ralph admits that he thinks very fondly of Isabel, but is not in love with her. Ralph instead asks his father to split his inheritance money in two and give one half to Isabel. The sum would be 60,000 pounds . Ralph wishes to give Isabel freedom from worrying about money. He knows she has a big imagination and wants to enable her to do whatever she'd like, without depending on a man. Mr. Touchett worries that this would give her too much freedom, and that gold diggers would pursue her. Ralph says he's not too worried about that happening. Mr. Touchett consents to Ralph's wishes, asking for his solicitor, Mr. Hilary, to be brought to Gardencourt the next day.

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The Portrait of a Lady.chapter 19

chapter 19

{"name": "Chapter 19", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-19", "summary": "Madame Merle and Isabel, as the two guests in the house, spend a lot of time together. Isabel looks up to Madame Merle in almost every way. She is talented, smart, sensitive, and almost impossibly modest. Isabel and Madame Merle go out to stroll in the park, despite the bad weather. Ralph's illness prevents him from joining them, so they get a lot of intimate time together. Isabel reflects on how much she'd like to be like Madame Merle. Madame Merle is a talented writer, painter, musician, and embroiderer. Madame Merle admits that she has not always been happy. Madame Merle says that she will let Isabel in on a secret story one day. Mrs. Touchett says that Serena Merle is incapable of doing wrong. Isabel tells Madame Merle this, and the lady in question says that this is completely based on Mrs. Touchett's standards of wrong. Madame Merle mostly asks Isabel about her life. She enjoys listening to Isabel's thoughts, and finds the girl altogether delightful. Madame Merle comments on Ralph's idleness, and says it's a good thing his illness excuses him. She says she knows a man who lives in Italy who's even more indolent and delightful than Ralph: Gilbert Osmond. Madame Merle predicts Mr. Touchett's imminent death. She speaks of Ralph in a less than delicate way. Madame Merle demonstrates bitterness at not having Isabel's youth, but Isabel claims that Madame Merle has achieved success. Madame Merle puts a great deal of importance on the exterior and possession of things, such as the outward appearance of a house or what someone wears. Isabel disagrees, saying that her clothes should say nothing about her. The narrator tells us that Isabel has not specifically discussed Lord Warburton or Caspar Goodwood with Madame Merle, although she did tell her that men have proposed to her. Madame Merle leaves to stay with other friends who long anticipate her. Mrs. Touchett apologizes to Isabel for inviting her to Gardencourt at such a somber time. Isabel won't hear it, because she's happy to have known her uncle. Henrietta Stackpole writes to say that she never received word from Lady Pensil, and that she will wait in Paris for Isabel to arrive. She's still traveling with Mr. Bantling. Ralph claims that he can read Henrietta like the back of his hand. Isabel sits in the library, watching the doctor outside the window. Ralph enters and announces Mr. Touchett's death an hour past.", "analysis": ""}

As Mrs. Touchett had foretold, Isabel and Madame Merle were thrown much together during the illness of their host, so that if they had not become intimate it would have been almost a breach of good manners. Their manners were of the best, but in addition to this they happened to please each other. It is perhaps too much to say that they swore an eternal friendship, but tacitly at least they called the future to witness. Isabel did so with a perfectly good conscience, though she would have hesitated to admit she was intimate with her new friend in the high sense she privately attached to this term. She often wondered indeed if she ever had been, or ever could be, intimate with any one. She had an ideal of friendship as well as of several other sentiments, which it failed to seem to her in this case--it had not seemed to her in other cases--that the actual completely expressed. But she often reminded herself that there were essential reasons why one's ideal could never become concrete. It was a thing to believe in, not to see--a matter of faith, not of experience. Experience, however, might supply us with very creditable imitations of it, and the part of wisdom was to make the best of these. Certainly, on the whole, Isabel had never encountered a more agreeable and interesting figure than Madame Merle; she had never met a person having less of that fault which is the principal obstacle to friendship--the air of reproducing the more tiresome, the stale, the too-familiar parts of one's own character. The gates of the girl's confidence were opened wider than they had ever been; she said things to this amiable auditress that she had not yet said to any one. Sometimes she took alarm at her candour: it was as if she had given to a comparative stranger the key to her cabinet of jewels. These spiritual gems were the only ones of any magnitude that Isabel possessed, but there was all the greater reason for their being carefully guarded. Afterwards, however, she always remembered that one should never regret a generous error and that if Madame Merle had not the merits she attributed to her, so much the worse for Madame Merle. There was no doubt she had great merits--she was charming, sympathetic, intelligent, cultivated. More than this (for it had not been Isabel's ill-fortune to go through life without meeting in her own sex several persons of whom no less could fairly be said), she was rare, superior and preeminent. There are many amiable people in the world, and Madame Merle was far from being vulgarly good-natured and restlessly witty. She knew how to think--an accomplishment rare in women; and she had thought to very good purpose. Of course, too, she knew how to feel; Isabel couldn't have spent a week with her without being sure of that. This was indeed Madame Merle's great talent, her most perfect gift. Life had told upon her; she had felt it strongly, and it was part of the satisfaction to be taken in her society that when the girl talked of what she was pleased to call serious matters this lady understood her so easily and quickly. Emotion, it is true, had become with her rather historic; she made no secret of the fact that the fount of passion, thanks to having been rather violently tapped at one period, didn't flow quite so freely as of yore. She proposed moreover, as well as expected, to cease feeling; she freely admitted that of old she had been a little mad, and now she pretended to be perfectly sane. "I judge more than I used to," she said to Isabel, "but it seems to me one has earned the right. One can't judge till one's forty; before that we're too eager, too hard, too cruel, and in addition much too ignorant. I'm sorry for you; it will be a long time before you're forty. But every gain's a loss of some kind; I often think that after forty one can't really feel. The freshness, the quickness have certainly gone. You'll keep them longer than most people; it will be a great satisfaction to me to see you some years hence. I want to see what life makes of you. One thing's certain--it can't spoil you. It may pull you about horribly, but I defy it to break you up." Isabel received this assurance as a young soldier, still panting from a slight skirmish in which he has come off with honour, might receive a pat on the shoulder from his colonel. Like such a recognition of merit it seemed to come with authority. How could the lightest word do less on the part of a person who was prepared to say, of almost everything Isabel told her, "Oh, I've been in that, my dear; it passes, like everything else." On many of her interlocutors Madame Merle might have produced an irritating effect; it was disconcertingly difficult to surprise her. But Isabel, though by no means incapable of desiring to be effective, had not at present this impulse. She was too sincere, too interested in her judicious companion. And then moreover Madame Merle never said such things in the tone of triumph or of boastfulness; they dropped from her like cold confessions. A period of bad weather had settled upon Gardencourt; the days grew shorter and there was an end to the pretty tea-parties on the lawn. But our young woman had long indoor conversations with her fellow visitor, and in spite of the rain the two ladies often sallied forth for a walk, equipped with the defensive apparatus which the English climate and the English genius have between them brought to such perfection. Madame Merle liked almost everything, including the English rain. "There's always a little of it and never too much at once," she said; "and it never wets you and it always smells good." She declared that in England the pleasures of smell were great--that in this inimitable island there was a certain mixture of fog and beer and soot which, however odd it might sound, was the national aroma, and was most agreeable to the nostril; and she used to lift the sleeve of her British overcoat and bury her nose in it, inhaling the clear, fine scent of the wool. Poor Ralph Touchett, as soon as the autumn had begun to define itself, became almost a prisoner; in bad weather he was unable to step out of the house, and he used sometimes to stand at one of the windows with his hands in his pockets and, from a countenance half-rueful, half-critical, watch Isabel and Madame Merle as they walked down the avenue under a pair of umbrellas. The roads about Gardencourt were so firm, even in the worst weather, that the two ladies always came back with a healthy glow in their cheeks, looking at the soles of their neat, stout boots and declaring that their walk had done them inexpressible good. Before luncheon, always, Madame Merle was engaged; Isabel admired and envied her rigid possession of her morning. Our heroine had always passed for a person of resources and had taken a certain pride in being one; but she wandered, as by the wrong side of the wall of a private garden, round the enclosed talents, accomplishments, aptitudes of Madame Merle. She found herself desiring to emulate them, and in twenty such ways this lady presented herself as a model. "I should like awfully to be so!" Isabel secretly exclaimed, more than once, as one after another of her friend's fine aspects caught the light, and before long she knew that she had learned a lesson from a high authority. It took no great time indeed for her to feel herself, as the phrase is, under an influence. "What's the harm," she wondered, "so long as it's a good one? The more one's under a good influence the better. The only thing is to see our steps as we take them--to understand them as we go. That, no doubt, I shall always do. I needn't be afraid of becoming too pliable; isn't it my fault that I'm not pliable enough?" It is said that imitation is the sincerest flattery; and if Isabel was sometimes moved to gape at her friend aspiringly and despairingly it was not so much because she desired herself to shine as because she wished to hold up the lamp for Madame Merle. She liked her extremely, but was even more dazzled than attracted. She sometimes asked herself what Henrietta Stackpole would say to her thinking so much of this perverted product of their common soil, and had a conviction that it would be severely judged. Henrietta would not at all subscribe to Madame Merle; for reasons she could not have defined this truth came home to the girl. On the other hand she was equally sure that, should the occasion offer, her new friend would strike off some happy view of her old: Madame Merle was too humorous, too observant, not to do justice to Henrietta, and on becoming acquainted with her would probably give the measure of a tact which Miss Stackpole couldn't hope to emulate. She appeared to have in her experience a touchstone for everything, and somewhere in the capacious pocket of her genial memory she would find the key to Henrietta's value. "That's the great thing," Isabel solemnly pondered; "that's the supreme good fortune: to be in a better position for appreciating people than they are for appreciating you." And she added that such, when one considered it, was simply the essence of the aristocratic situation. In this light, if in none other, one should aim at the aristocratic situation. I may not count over all the links in the chain which led Isabel to think of Madame Merle's situation as aristocratic--a view of it never expressed in any reference made to it by that lady herself. She had known great things and great people, but she had never played a great part. She was one of the small ones of the earth; she had not been born to honours; she knew the world too well to nourish fatuous illusions on the article of her own place in it. She had encountered many of the fortunate few and was perfectly aware of those points at which their fortune differed from hers. But if by her informed measure she was no figure for a high scene, she had yet to Isabel's imagination a sort of greatness. To be so cultivated and civilised, so wise and so easy, and still make so light of it--that was really to be a great lady, especially when one so carried and presented one's self. It was as if somehow she had all society under contribution, and all the arts and graces it practised--or was the effect rather that of charming uses found for her, even from a distance, subtle service rendered by her to a clamorous world wherever she might be? After breakfast she wrote a succession of letters, as those arriving for her appeared innumerable: her correspondence was a source of surprise to Isabel when they sometimes walked together to the village post-office to deposit Madame Merle's offering to the mail. She knew more people, as she told Isabel, than she knew what to do with, and something was always turning up to be written about. Of painting she was devotedly fond, and made no more of brushing in a sketch than of pulling off her gloves. At Gardencourt she was perpetually taking advantage of an hour's sunshine to go out with a camp-stool and a box of water-colours. That she was a brave musician we have already perceived, and it was evidence of the fact that when she seated herself at the piano, as she always did in the evening, her listeners resigned themselves without a murmur to losing the grace of her talk. Isabel, since she had known her, felt ashamed of her own facility, which she now looked upon as basely inferior; and indeed, though she had been thought rather a prodigy at home, the loss to society when, in taking her place upon the music-stool, she turned her back to the room, was usually deemed greater than the gain. When Madame Merle was neither writing, nor painting, nor touching the piano, she was usually employed upon wonderful tasks of rich embroidery, cushions, curtains, decorations for the chimneypiece; an art in which her bold, free invention was as noted as the agility of her needle. She was never idle, for when engaged in none of the ways I have mentioned she was either reading (she appeared to Isabel to read "everything important"), or walking out, or playing patience with the cards, or talking with her fellow inmates. And with all this she had always the social quality, was never rudely absent and yet never too seated. She laid down her pastimes as easily as she took them up; she worked and talked at the same time, and appeared to impute scant worth to anything she did. She gave away her sketches and tapestries; she rose from the piano or remained there, according to the convenience of her auditors, which she always unerringly divined. She was in short the most comfortable, profitable, amenable person to live with. If for Isabel she had a fault it was that she was not natural; by which the girl meant, not that she was either affected or pretentious, since from these vulgar vices no woman could have been more exempt, but that her nature had been too much overlaid by custom and her angles too much rubbed away. She had become too flexible, too useful, was too ripe and too final. She was in a word too perfectly the social animal that man and woman are supposed to have been intended to be; and she had rid herself of every remnant of that tonic wildness which we may assume to have belonged even to the most amiable persons in the ages before country-house life was the fashion. Isabel found it difficult to think of her in any detachment or privacy, she existed only in her relations, direct or indirect, with her fellow mortals. One might wonder what commerce she could possibly hold with her own spirit. One always ended, however, by feeling that a charming surface doesn't necessarily prove one superficial; this was an illusion in which, in one's youth, one had but just escaped being nourished. Madame Merle was not superficial--not she. She was deep, and her nature spoke none the less in her behaviour because it spoke a conventional tongue. "What's language at all but a convention?" said Isabel. "She has the good taste not to pretend, like some people I've met, to express herself by original signs." "I'm afraid you've suffered much," she once found occasion to say to her friend in response to some allusion that had appeared to reach far. "What makes you think that?" Madame Merle asked with the amused smile of a person seated at a game of guesses. "I hope I haven't too much the droop of the misunderstood." "No; but you sometimes say things that I think people who have always been happy wouldn't have found out." "I haven't always been happy," said Madame Merle, smiling still, but with a mock gravity, as if she were telling a child a secret. "Such a wonderful thing!" But Isabel rose to the irony. "A great many people give me the impression of never having for a moment felt anything." "It's very true; there are many more iron pots certainly than porcelain. But you may depend on it that every one bears some mark; even the hardest iron pots have a little bruise, a little hole somewhere. I flatter myself that I'm rather stout, but if I must tell you the truth I've been shockingly chipped and cracked. I do very well for service yet, because I've been cleverly mended; and I try to remain in the cupboard--the quiet, dusky cupboard where there's an odour of stale spices--as much as I can. But when I've to come out and into a strong light--then, my dear, I'm a horror!" I know not whether it was on this occasion or on some other that the conversation had taken the turn I have just indicated she said to Isabel that she would some day a tale unfold. Isabel assured her she should delight to listen to one, and reminded her more than once of this engagement. Madame Merle, however, begged repeatedly for a respite, and at last frankly told her young companion that they must wait till they knew each other better. This would be sure to happen, a long friendship so visibly lay before them. Isabel assented, but at the same time enquired if she mightn't be trusted--if she appeared capable of a betrayal of confidence. "It's not that I'm afraid of your repeating what I say," her fellow visitor answered; "I'm afraid, on the contrary, of your taking it too much to yourself. You'd judge me too harshly; you're of the cruel age." She preferred for the present to talk to Isabel of Isabel, and exhibited the greatest interest in our heroine's history, sentiments, opinions, prospects. She made her chatter and listened to her chatter with infinite good nature. This flattered and quickened the girl, who was struck with all the distinguished people her friend had known and with her having lived, as Mrs. Touchett said, in the best company in Europe. Isabel thought the better of herself for enjoying the favour of a person who had so large a field of comparison; and it was perhaps partly to gratify the sense of profiting by comparison that she often appealed to these stores of reminiscence. Madame Merle had been a dweller in many lands and had social ties in a dozen different countries. "I don't pretend to be educated," she would say, "but I think I know my Europe;" and she spoke one day of going to Sweden to stay with an old friend, and another of proceeding to Malta to follow up a new acquaintance. With England, where she had often dwelt, she was thoroughly familiar, and for Isabel's benefit threw a great deal of light upon the customs of the country and the character of the people, who "after all," as she was fond of saying, were the most convenient in the world to live with. "You mustn't think it strange her remaining here at such a time as this, when Mr. Touchett's passing away," that gentleman's wife remarked to her niece. "She is incapable of a mistake; she's the most tactful woman I know. It's a favour to me that she stays; she's putting off a lot of visits at great houses," said Mrs. Touchett, who never forgot that when she herself was in England her social value sank two or three degrees in the scale. "She has her pick of places; she's not in want of a shelter. But I've asked her to put in this time because I wish you to know her. I think it will be a good thing for you. Serena Merle hasn't a fault." "If I didn't already like her very much that description might alarm me," Isabel returned. "She's never the least little bit 'off.' I've brought you out here and I wish to do the best for you. Your sister Lily told me she hoped I would give you plenty of opportunities. I give you one in putting you in relation with Madame Merle. She's one of the most brilliant women in Europe." "I like her better than I like your description of her," Isabel persisted in saying. "Do you flatter yourself that you'll ever feel her open to criticism? I hope you'll let me know when you do." "That will be cruel--to you," said Isabel. "You needn't mind me. You won't discover a fault in her." "Perhaps not. But I dare say I shan't miss it." "She knows absolutely everything on earth there is to know," said Mrs. Touchett. Isabel after this observed to their companion that she hoped she knew Mrs. Touchett considered she hadn't a speck on her perfection. On which "I'm obliged to you," Madame Merle replied, "but I'm afraid your aunt imagines, or at least alludes to, no aberrations that the clock-face doesn't register." "So that you mean you've a wild side that's unknown to her?" "Ah no, I fear my darkest sides are my tamest. I mean that having no faults, for your aunt, means that one's never late for dinner--that is for her dinner. I was not late, by the way, the other day, when you came back from London; the clock was just at eight when I came into the drawing-room: it was the rest of you that were before the time. It means that one answers a letter the day one gets it and that when one comes to stay with her one doesn't bring too much luggage and is careful not to be taken ill. For Mrs. Touchett those things constitute virtue; it's a blessing to be able to reduce it to its elements." Madame Merle's own conversation, it will be perceived, was enriched with bold, free touches of criticism, which, even when they had a restrictive effect, never struck Isabel as ill-natured. It couldn't occur to the girl for instance that Mrs. Touchett's accomplished guest was abusing her; and this for very good reasons. In the first place Isabel rose eagerly to the sense of her shades; in the second Madame Merle implied that there was a great deal more to say; and it was clear in the third that for a person to speak to one without ceremony of one's near relations was an agreeable sign of that person's intimacy with one's self. These signs of deep communion multiplied as the days elapsed, and there was none of which Isabel was more sensible than of her companion's preference for making Miss Archer herself a topic. Though she referred frequently to the incidents of her own career she never lingered upon them; she was as little of a gross egotist as she was of a flat gossip. "I'm old and stale and faded," she said more than once; "I'm of no more interest than last week's newspaper. You're young and fresh and of to-day; you've the great thing--you've actuality. I once had it--we all have it for an hour. You, however, will have it for longer. Let us talk about you then; you can say nothing I shall not care to hear. It's a sign that I'm growing old--that I like to talk with younger people. I think it's a very pretty compensation. If we can't have youth within us we can have it outside, and I really think we see it and feel it better that way. Of course we must be in sympathy with it--that I shall always be. I don't know that I shall ever be ill-natured with old people--I hope not; there are certainly some old people I adore. But I shall never be anything but abject with the young; they touch me and appeal to me too much. I give you carte blanche then; you can even be impertinent if you like; I shall let it pass and horribly spoil you. I speak as if I were a hundred years old, you say? Well, I am, if you please; I was born before the French Revolution. Ah, my dear, je viens de loin; I belong to the old, old world. But it's not of that I want to talk; I want to talk about the new. You must tell me more about America; you never tell me enough. Here I've been since I was brought here as a helpless child, and it's ridiculous, or rather it's scandalous, how little I know about that splendid, dreadful, funny country--surely the greatest and drollest of them all. There are a great many of us like that in these parts, and I must say I think we're a wretched set of people. You should live in your own land; whatever it may be you have your natural place there. If we're not good Americans we're certainly poor Europeans; we've no natural place here. We're mere parasites, crawling over the surface; we haven't our feet in the soil. At least one can know it and not have illusions. A woman perhaps can get on; a woman, it seems to me, has no natural place anywhere; wherever she finds herself she has to remain on the surface and, more or less, to crawl. You protest, my dear? you're horrified? you declare you'll never crawl? It's very true that I don't see you crawling; you stand more upright than a good many poor creatures. Very good; on the whole, I don't think you'll crawl. But the men, the Americans; je vous demande un peu, what do they make of it over here? I don't envy them trying to arrange themselves. Look at poor Ralph Touchett: what sort of a figure do you call that? Fortunately he has a consumption; I say fortunately, because it gives him something to do. His consumption's his carriere it's a kind of position. You can say: 'Oh, Mr. Touchett, he takes care of his lungs, he knows a great deal about climates.' But without that who would he be, what would he represent? 'Mr. Ralph Touchett: an American who lives in Europe.' That signifies absolutely nothing--it's impossible anything should signify less. 'He's very cultivated,' they say: 'he has a very pretty collection of old snuff-boxes.' The collection is all that's wanted to make it pitiful. I'm tired of the sound of the word; I think it's grotesque. With the poor old father it's different; he has his identity, and it's rather a massive one. He represents a great financial house, and that, in our day, is as good as anything else. For an American, at any rate, that will do very well. But I persist in thinking your cousin very lucky to have a chronic malady so long as he doesn't die of it. It's much better than the snuffboxes. If he weren't ill, you say, he'd do something?--he'd take his father's place in the house. My poor child, I doubt it; I don't think he's at all fond of the house. However, you know him better than I, though I used to know him rather well, and he may have the benefit of the doubt. The worst case, I think, is a friend of mine, a countryman of ours, who lives in Italy (where he also was brought before he knew better), and who is one of the most delightful men I know. Some day you must know him. I'll bring you together and then you'll see what I mean. He's Gilbert Osmond--he lives in Italy; that's all one can say about him or make of him. He's exceedingly clever, a man made to be distinguished; but, as I tell you, you exhaust the description when you say he's Mr. Osmond who lives tout betement in Italy. No career, no name, no position, no fortune, no past, no future, no anything. Oh yes, he paints, if you please--paints in water-colours; like me, only better than I. His painting's pretty bad; on the whole I'm rather glad of that. Fortunately he's very indolent, so indolent that it amounts to a sort of position. He can say, 'Oh, I do nothing; I'm too deadly lazy. You can do nothing to-day unless you get up at five o'clock in the morning.' In that way he becomes a sort of exception; you feel he might do something if he'd only rise early. He never speaks of his painting to people at large; he's too clever for that. But he has a little girl--a dear little girl; he does speak of her. He's devoted to her, and if it were a career to be an excellent father he'd be very distinguished. But I'm afraid that's no better than the snuff-boxes; perhaps not even so good. Tell me what they do in America," pursued Madame Merle, who, it must be observed parenthetically, did not deliver herself all at once of these reflexions, which are presented in a cluster for the convenience of the reader. She talked of Florence, where Mr. Osmond lived and where Mrs. Touchett occupied a medieval palace; she talked of Rome, where she herself had a little pied-a-terre with some rather good old damask. She talked of places, of people and even, as the phrase is, of "subjects"; and from time to time she talked of their kind old host and of the prospect of his recovery. From the first she had thought this prospect small, and Isabel had been struck with the positive, discriminating, competent way in which she took the measure of his remainder of life. One evening she announced definitely that he wouldn't live. "Sir Matthew Hope told me so as plainly as was proper," she said; "standing there, near the fire, before dinner. He makes himself very agreeable, the great doctor. I don't mean his saying that has anything to do with it. But he says such things with great tact. I had told him I felt ill at my ease, staying here at such a time; it seemed to me so indiscreet--it wasn't as if I could nurse. 'You must remain, you must remain,' he answered; 'your office will come later.' Wasn't that a very delicate way of saying both that poor Mr. Touchett would go and that I might be of some use as a consoler? In fact, however, I shall not be of the slightest use. Your aunt will console herself; she, and she alone, knows just how much consolation she'll require. It would be a very delicate matter for another person to undertake to administer the dose. With your cousin it will be different; he'll miss his father immensely. But I should never presume to condole with Mr. Ralph; we're not on those terms." Madame Merle had alluded more than once to some undefined incongruity in her relations with Ralph Touchett; so Isabel took this occasion of asking her if they were not good friends. "Perfectly, but he doesn't like me." "What have you done to him?" "Nothing whatever. But one has no need of a reason for that." "For not liking you? I think one has need of a very good reason." "You're very kind. Be sure you have one ready for the day you begin." "Begin to dislike you? I shall never begin." "I hope not; because if you do you'll never end. That's the way with your cousin; he doesn't get over it. It's an antipathy of nature--if I can call it that when it's all on his side. I've nothing whatever against him and don't bear him the least little grudge for not doing me justice. Justice is all I want. However, one feels that he's a gentleman and would never say anything underhand about one. Cartes sur table," Madame Merle subjoined in a moment, "I'm not afraid of him." "I hope not indeed," said Isabel, who added something about his being the kindest creature living. She remembered, however, that on her first asking him about Madame Merle he had answered her in a manner which this lady might have thought injurious without being explicit. There was something between them, Isabel said to herself, but she said nothing more than this. If it were something of importance it should inspire respect; if it were not it was not worth her curiosity. With all her love of knowledge she had a natural shrinking from raising curtains and looking into unlighted corners. The love of knowledge coexisted in her mind with the finest capacity for ignorance. But Madame Merle sometimes said things that startled her, made her raise her clear eyebrows at the time and think of the words afterwards. "I'd give a great deal to be your age again," she broke out once with a bitterness which, though diluted in her customary amplitude of ease, was imperfectly disguised by it. "If I could only begin again--if I could have my life before me!" "Your life's before you yet," Isabel answered gently, for she was vaguely awe-struck. "No; the best part's gone, and gone for nothing." "Surely not for nothing," said Isabel. "Why not--what have I got? Neither husband, nor child, nor fortune, nor position, nor the traces of a beauty that I never had." "You have many friends, dear lady." "I'm not so sure!" cried Madame Merle. "Ah, you're wrong. You have memories, graces, talents--" But Madame Merle interrupted her. "What have my talents brought me? Nothing but the need of using them still, to get through the hours, the years, to cheat myself with some pretence of movement, of unconsciousness. As for my graces and memories the less said about them the better. You'll be my friend till you find a better use for your friendship." "It will be for you to see that I don't then," said Isabel. "Yes; I would make an effort to keep you." And her companion looked at her gravely. "When I say I should like to be your age I mean with your qualities--frank, generous, sincere like you. In that case I should have made something better of my life." "What should you have liked to do that you've not done?" Madame Merle took a sheet of music--she was seated at the piano and had abruptly wheeled about on the stool when she first spoke--and mechanically turned the leaves. "I'm very ambitious!" she at last replied. "And your ambitions have not been satisfied? They must have been great." "They WERE great. I should make myself ridiculous by talking of them." Isabel wondered what they could have been--whether Madame Merle had aspired to wear a crown. "I don't know what your idea of success may be, but you seem to me to have been successful. To me indeed you're a vivid image of success." Madame Merle tossed away the music with a smile. "What's YOUR idea of success?" "You evidently think it must be a very tame one. It's to see some dream of one's youth come true." "Ah," Madame Merle exclaimed, "that I've never seen! But my dreams were so great--so preposterous. Heaven forgive me, I'm dreaming now!" And she turned back to the piano and began grandly to play. On the morrow she said to Isabel that her definition of success had been very pretty, yet frightfully sad. Measured in that way, who had ever succeeded? The dreams of one's youth, why they were enchanting, they were divine! Who had ever seen such things come to pass? "I myself--a few of them," Isabel ventured to answer. "Already? They must have been dreams of yesterday." "I began to dream very young," Isabel smiled. "Ah, if you mean the aspirations of your childhood--that of having a pink sash and a doll that could close her eyes." "No, I don't mean that." "Or a young man with a fine moustache going down on his knees to you." "No, nor that either," Isabel declared with still more emphasis. Madame Merle appeared to note this eagerness. "I suspect that's what you do mean. We've all had the young man with the moustache. He's the inevitable young man; he doesn't count." Isabel was silent a little but then spoke with extreme and characteristic inconsequence. "Why shouldn't he count? There are young men and young men." "And yours was a paragon--is that what you mean?" asked her friend with a laugh. "If you've had the identical young man you dreamed of, then that was success, and I congratulate you with all my heart. Only in that case why didn't you fly with him to his castle in the Apennines?" "He has no castle in the Apennines." "What has he? An ugly brick house in Fortieth Street? Don't tell me that; I refuse to recognise that as an ideal." "I don't care anything about his house," said Isabel. "That's very crude of you. When you've lived as long as I you'll see that every human being has his shell and that you must take the shell into account. By the shell I mean the whole envelope of circumstances. There's no such thing as an isolated man or woman; we're each of us made up of some cluster of appurtenances. What shall we call our 'self'? Where does it begin? where does it end? It overflows into everything that belongs to us--and then it flows back again. I know a large part of myself is in the clothes I choose to wear. I've a great respect for THINGS! One's self--for other people--is one's expression of one's self; and one's house, one's furniture, one's garments, the books one reads, the company one keeps--these things are all expressive." This was very metaphysical; not more so, however, than several observations Madame Merle had already made. Isabel was fond of metaphysics, but was unable to accompany her friend into this bold analysis of the human personality. "I don't agree with you. I think just the other way. I don't know whether I succeed in expressing myself, but I know that nothing else expresses me. Nothing that belongs to me is any measure of me; everything's on the contrary a limit, a barrier, and a perfectly arbitrary one. Certainly the clothes which, as you say, I choose to wear, don't express me; and heaven forbid they should!" "You dress very well," Madame Merle lightly interposed. "Possibly; but I don't care to be judged by that. My clothes may express the dressmaker, but they don't express me. To begin with it's not my own choice that I wear them; they're imposed upon me by society." "Should you prefer to go without them?" Madame Merle enquired in a tone which virtually terminated the discussion. I am bound to confess, though it may cast some discredit on the sketch I have given of the youthful loyalty practised by our heroine toward this accomplished woman, that Isabel had said nothing whatever to her about Lord Warburton and had been equally reticent on the subject of Caspar Goodwood. She had not, however, concealed the fact that she had had opportunities of marrying and had even let her friend know of how advantageous a kind they had been. Lord Warburton had left Lockleigh and was gone to Scotland, taking his sisters with him; and though he had written to Ralph more than once to ask about Mr. Touchett's health the girl was not liable to the embarrassment of such enquiries as, had he still been in the neighbourhood, he would probably have felt bound to make in person. He had excellent ways, but she felt sure that if he had come to Gardencourt he would have seen Madame Merle, and that if he had seen her he would have liked her and betrayed to her that he was in love with her young friend. It so happened that during this lady's previous visits to Gardencourt--each of them much shorter than the present--he had either not been at Lockleigh or had not called at Mr. Touchett's. Therefore, though she knew him by name as the great man of that county, she had no cause to suspect him as a suitor of Mrs. Touchett's freshly-imported niece. "You've plenty of time," she had said to Isabel in return for the mutilated confidences which our young woman made her and which didn't pretend to be perfect, though we have seen that at moments the girl had compunctions at having said so much. "I'm glad you've done nothing yet--that you have it still to do. It's a very good thing for a girl to have refused a few good offers--so long of course as they are not the best she's likely to have. Pardon me if my tone seems horribly corrupt; one must take the worldly view sometimes. Only don't keep on refusing for the sake of refusing. It's a pleasant exercise of power; but accepting's after all an exercise of power as well. There's always the danger of refusing once too often. It was not the one I fell into--I didn't refuse often enough. You're an exquisite creature, and I should like to see you married to a prime minister. But speaking strictly, you know, you're not what is technically called a parti. You're extremely good-looking and extremely clever; in yourself you're quite exceptional. You appear to have the vaguest ideas about your earthly possessions; but from what I can make out you're not embarrassed with an income. I wish you had a little money." "I wish I had!" said Isabel, simply, apparently forgetting for the moment that her poverty had been a venial fault for two gallant gentlemen. In spite of Sir Matthew Hope's benevolent recommendation Madame Merle did not remain to the end, as the issue of poor Mr. Touchett's malady had now come frankly to be designated. She was under pledges to other people which had at last to be redeemed, and she left Gardencourt with the understanding that she should in any event see Mrs. Touchett there again, or else in town, before quitting England. Her parting with Isabel was even more like the beginning of a friendship than their meeting had been. "I'm going to six places in succession, but I shall see no one I like so well as you. They'll all be old friends, however; one doesn't make new friends at my age. I've made a great exception for you. You must remember that and must think as well of me as possible. You must reward me by believing in me." By way of answer Isabel kissed her, and, though some women kiss with facility, there are kisses and kisses, and this embrace was satisfactory to Madame Merle. Our young lady, after this, was much alone; she saw her aunt and cousin only at meals, and discovered that of the hours during which Mrs. Touchett was invisible only a minor portion was now devoted to nursing her husband. She spent the rest in her own apartments, to which access was not allowed even to her niece, apparently occupied there with mysterious and inscrutable exercises. At table she was grave and silent; but her solemnity was not an attitude--Isabel could see it was a conviction. She wondered if her aunt repented of having taken her own way so much; but there was no visible evidence of this--no tears, no sighs, no exaggeration of a zeal always to its own sense adequate. Mrs. Touchett seemed simply to feel the need of thinking things over and summing them up; she had a little moral account-book--with columns unerringly ruled and a sharp steel clasp--which she kept with exemplary neatness. Uttered reflection had with her ever, at any rate, a practical ring. "If I had foreseen this I'd not have proposed your coming abroad now," she said to Isabel after Madame Merle had left the house. "I'd have waited and sent for you next year." "So that perhaps I should never have known my uncle? It's a great happiness to me to have come now." "That's very well. But it was not that you might know your uncle that I brought you to Europe." A perfectly veracious speech; but, as Isabel thought, not as perfectly timed. She had leisure to think of this and other matters. She took a solitary walk every day and spent vague hours in turning over books in the library. Among the subjects that engaged her attention were the adventures of her friend Miss Stackpole, with whom she was in regular correspondence. Isabel liked her friend's private epistolary style better than her public; that is she felt her public letters would have been excellent if they had not been printed. Henrietta's career, however, was not so successful as might have been wished even in the interest of her private felicity; that view of the inner life of Great Britain which she was so eager to take appeared to dance before her like an ignis fatuus. The invitation from Lady Pensil, for mysterious reasons, had never arrived; and poor Mr. Bantling himself, with all his friendly ingenuity, had been unable to explain so grave a dereliction on the part of a missive that had obviously been sent. He had evidently taken Henrietta's affairs much to heart, and believed that he owed her a set-off to this illusory visit to Bedfordshire. "He says he should think I would go to the Continent," Henrietta wrote; "and as he thinks of going there himself I suppose his advice is sincere. He wants to know why I don't take a view of French life; and it's a fact that I want very much to see the new Republic. Mr. Bantling doesn't care much about the Republic, but he thinks of going over to Paris anyway. I must say he's quite as attentive as I could wish, and at least I shall have seen one polite Englishman. I keep telling Mr. Bantling that he ought to have been an American, and you should see how that pleases him. Whenever I say so he always breaks out with the same exclamation--'Ah, but really, come now!" A few days later she wrote that she had decided to go to Paris at the end of the week and that Mr. Bantling had promised to see her off--perhaps even would go as far as Dover with her. She would wait in Paris till Isabel should arrive, Henrietta added; speaking quite as if Isabel were to start on her continental journey alone and making no allusion to Mrs. Touchett. Bearing in mind his interest in their late companion, our heroine communicated several passages from this correspondence to Ralph, who followed with an emotion akin to suspense the career of the representative of the Interviewer. "It seems to me she's doing very well," he said, "going over to Paris with an ex-Lancer! If she wants something to write about she has only to describe that episode." "It's not conventional, certainly," Isabel answered; "but if you mean that--as far as Henrietta is concerned--it's not perfectly innocent, you're very much mistaken. You'll never understand Henrietta." "Pardon me, I understand her perfectly. I didn't at all at first, but now I've the point of view. I'm afraid, however, that Bantling hasn't; he may have some surprises. Oh, I understand Henrietta as well as if I had made her!" Isabel was by no means sure of this, but she abstained from expressing further doubt, for she was disposed in these days to extend a great charity to her cousin. One afternoon less than a week after Madame Merle's departure she was seated in the library with a volume to which her attention was not fastened. She had placed herself in a deep window-bench, from which she looked out into the dull, damp park; and as the library stood at right angles to the entrance-front of the house she could see the doctor's brougham, which had been waiting for the last two hours before the door. She was struck with his remaining so long, but at last she saw him appear in the portico, stand a moment slowly drawing on his gloves and looking at the knees of his horse, and then get into the vehicle and roll away. Isabel kept her place for half an hour; there was a great stillness in the house. It was so great that when she at last heard a soft, slow step on the deep carpet of the room she was almost startled by the sound. She turned quickly away from the window and saw Ralph Touchett standing there with his hands still in his pockets, but with a face absolutely void of its usual latent smile. She got up and her movement and glance were a question. "It's all over," said Ralph. "Do you mean that my uncle...?" And Isabel stopped. "My dear father died an hour ago." "Ah, my poor Ralph!" she gently wailed, putting out her two hands to him.

Chapter 19

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-19

Madame Merle and Isabel, as the two guests in the house, spend a lot of time together. Isabel looks up to Madame Merle in almost every way. She is talented, smart, sensitive, and almost impossibly modest. Isabel and Madame Merle go out to stroll in the park, despite the bad weather. Ralph's illness prevents him from joining them, so they get a lot of intimate time together. Isabel reflects on how much she'd like to be like Madame Merle. Madame Merle is a talented writer, painter, musician, and embroiderer. Madame Merle admits that she has not always been happy. Madame Merle says that she will let Isabel in on a secret story one day. Mrs. Touchett says that Serena Merle is incapable of doing wrong. Isabel tells Madame Merle this, and the lady in question says that this is completely based on Mrs. Touchett's standards of wrong. Madame Merle mostly asks Isabel about her life. She enjoys listening to Isabel's thoughts, and finds the girl altogether delightful. Madame Merle comments on Ralph's idleness, and says it's a good thing his illness excuses him. She says she knows a man who lives in Italy who's even more indolent and delightful than Ralph: Gilbert Osmond. Madame Merle predicts Mr. Touchett's imminent death. She speaks of Ralph in a less than delicate way. Madame Merle demonstrates bitterness at not having Isabel's youth, but Isabel claims that Madame Merle has achieved success. Madame Merle puts a great deal of importance on the exterior and possession of things, such as the outward appearance of a house or what someone wears. Isabel disagrees, saying that her clothes should say nothing about her. The narrator tells us that Isabel has not specifically discussed Lord Warburton or Caspar Goodwood with Madame Merle, although she did tell her that men have proposed to her. Madame Merle leaves to stay with other friends who long anticipate her. Mrs. Touchett apologizes to Isabel for inviting her to Gardencourt at such a somber time. Isabel won't hear it, because she's happy to have known her uncle. Henrietta Stackpole writes to say that she never received word from Lady Pensil, and that she will wait in Paris for Isabel to arrive. She's still traveling with Mr. Bantling. Ralph claims that he can read Henrietta like the back of his hand. Isabel sits in the library, watching the doctor outside the window. Ralph enters and announces Mr. Touchett's death an hour past.

shmoop

all_chapterized_books/2833-chapters/20.txt

finished_summaries/shmoop/The Portrait of a Lady/section_19_part_0.txt

The Portrait of a Lady.chapter 20

chapter 20

{"name": "Chapter 20", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-20", "summary": "Some weeks later, Madame Merle goes to Winchester Square, only to find that its house is up for sale. The narrator lets us in on some unkind thoughts Madame Merle has about Mrs. Touchett. We begin to wonder what Madame Merle thinks of everyone else behind their backs. Mrs. Touchett leaves the auction of her husband's estate to someone else, and goes to Paris with Isabel. Ralph has gone to the Riviera to look after his health. Mr. Touchett left him a fortune, naturally, and also the ownership of Gardencourt. Mrs. Touchett tells Madame Merle that Mr. Touchett left Isabel a gigantic sum . Madame Merle is instantly impressed by Isabel's hand in this, and assumes cynically that she had something to do with it. Mrs. Touchett insists that Isabel dress the part of a wealthy lady, and generally learn how to be a woman of means. Mrs. Touchett and Isabel stay in Paris for the winter. Mrs. Touchett introduces Isabel to some of her acquaintances there. Isabel meets Mrs. Touchett's friends, Mr. and Mrs. Luce. She also encounters Edward Rosier, who was a family friend of Isabel's when they were small children - she even had a little crush on him years ago. Henrietta disapproves of the fortune that Isabel inherited. She worries that Isabel will live in a world removed from reality. Henrietta says that Isabel needs to learn how to \"displease\" others and be okay with it. Meanwhile, much to Isabel's surprise and amusement, Henrietta and Mr. Bantling remain traveling buddies.", "analysis": ""}

Some fortnight after this Madame Merle drove up in a hansom cab to the house in Winchester Square. As she descended from her vehicle she observed, suspended between the dining-room windows, a large, neat, wooden tablet, on whose fresh black ground were inscribed in white paint the words--"This noble freehold mansion to be sold"; with the name of the agent to whom application should be made. "They certainly lose no time," said the visitor as, after sounding the big brass knocker, she waited to be admitted; "it's a practical country!" And within the house, as she ascended to the drawing-room, she perceived numerous signs of abdication; pictures removed from the walls and placed upon sofas, windows undraped and floors laid bare. Mrs. Touchett presently received her and intimated in a few words that condolences might be taken for granted. "I know what you're going to say--he was a very good man. But I know it better than any one, because I gave him more chance to show it. In that I think I was a good wife." Mrs. Touchett added that at the end her husband apparently recognised this fact. "He has treated me most liberally," she said; "I won't say more liberally than I expected, because I didn't expect. You know that as a general thing I don't expect. But he chose, I presume, to recognise the fact that though I lived much abroad and mingled--you may say freely--in foreign life, I never exhibited the smallest preference for any one else." "For any one but yourself," Madame Merle mentally observed; but the reflexion was perfectly inaudible. "I never sacrificed my husband to another," Mrs. Touchett continued with her stout curtness. "Oh no," thought Madame Merle; "you never did anything for another!" There was a certain cynicism in these mute comments which demands an explanation; the more so as they are not in accord either with the view--somewhat superficial perhaps--that we have hitherto enjoyed of Madame Merle's character or with the literal facts of Mrs. Touchett's history; the more so, too, as Madame Merle had a well-founded conviction that her friend's last remark was not in the least to be construed as a side-thrust at herself. The truth is that the moment she had crossed the threshold she received an impression that Mr. Touchett's death had had subtle consequences and that these consequences had been profitable to a little circle of persons among whom she was not numbered. Of course it was an event which would naturally have consequences; her imagination had more than once rested upon this fact during her stay at Gardencourt. But it had been one thing to foresee such a matter mentally and another to stand among its massive records. The idea of a distribution of property--she would almost have said of spoils--just now pressed upon her senses and irritated her with a sense of exclusion. I am far from wishing to picture her as one of the hungry mouths or envious hearts of the general herd, but we have already learned of her having desires that had never been satisfied. If she had been questioned, she would of course have admitted--with a fine proud smile--that she had not the faintest claim to a share in Mr. Touchett's relics. "There was never anything in the world between us," she would have said. "There was never that, poor man!"--with a fillip of her thumb and her third finger. I hasten to add, moreover, that if she couldn't at the present moment keep from quite perversely yearning she was careful not to betray herself. She had after all as much sympathy for Mrs. Touchett's gains as for her losses. "He has left me this house," the newly-made widow said; "but of course I shall not live in it; I've a much better one in Florence. The will was opened only three days since, but I've already offered the house for sale. I've also a share in the bank; but I don't yet understand if I'm obliged to leave it there. If not I shall certainly take it out. Ralph, of course, has Gardencourt; but I'm not sure that he'll have means to keep up the place. He's naturally left very well off, but his father has given away an immense deal of money; there are bequests to a string of third cousins in Vermont. Ralph, however, is very fond of Gardencourt and would be quite capable of living there--in summer--with a maid-of-all-work and a gardener's boy. There's one remarkable clause in my husband's will," Mrs. Touchett added. "He has left my niece a fortune." "A fortune!" Madame Merle softly repeated. "Isabel steps into something like seventy thousand pounds." Madame Merle's hands were clasped in her lap; at this she raised them, still clasped, and held them a moment against her bosom while her eyes, a little dilated, fixed themselves on those of her friend. "Ah," she cried, "the clever creature!" Mrs. Touchett gave her a quick look. "What do you mean by that?" For an instant Madame Merle's colour rose and she dropped her eyes. "It certainly is clever to achieve such results--without an effort!" "There assuredly was no effort. Don't call it an achievement." Madame Merle was seldom guilty of the awkwardness of retracting what she had said; her wisdom was shown rather in maintaining it and placing it in a favourable light. "My dear friend, Isabel would certainly not have had seventy thousand pounds left her if she had not been the most charming girl in the world. Her charm includes great cleverness." "She never dreamed, I'm sure, of my husband's doing anything for her; and I never dreamed of it either, for he never spoke to me of his intention," Mrs. Touchett said. "She had no claim upon him whatever; it was no great recommendation to him that she was my niece. Whatever she achieved she achieved unconsciously." "Ah," rejoined Madame Merle, "those are the greatest strokes!" Mrs. Touchett reserved her opinion. "The girl's fortunate; I don't deny that. But for the present she's simply stupefied." "Do you mean that she doesn't know what to do with the money?" "That, I think, she has hardly considered. She doesn't know what to think about the matter at all. It has been as if a big gun were suddenly fired off behind her; she's feeling herself to see if she be hurt. It's but three days since she received a visit from the principal executor, who came in person, very gallantly, to notify her. He told me afterwards that when he had made his little speech she suddenly burst into tears. The money's to remain in the affairs of the bank, and she's to draw the interest." Madame Merle shook her head with a wise and now quite benignant smile. "How very delicious! After she has done that two or three times she'll get used to it." Then after a silence, "What does your son think of it?" she abruptly asked. "He left England before the will was read--used up by his fatigue and anxiety and hurrying off to the south. He's on his way to the Riviera and I've not yet heard from him. But it's not likely he'll ever object to anything done by his father." "Didn't you say his own share had been cut down?" "Only at his wish. I know that he urged his father to do something for the people in America. He's not in the least addicted to looking after number one." "It depends upon whom he regards as number one!" said Madame Merle. And she remained thoughtful a moment, her eyes bent on the floor. "Am I not to see your happy niece?" she asked at last as she raised them. "You may see her; but you'll not be struck with her being happy. She has looked as solemn, these three days, as a Cimabue Madonna!" And Mrs. Touchett rang for a servant. Isabel came in shortly after the footman had been sent to call her; and Madame Merle thought, as she appeared, that Mrs. Touchett's comparison had its force. The girl was pale and grave--an effect not mitigated by her deeper mourning; but the smile of her brightest moments came into her face as she saw Madame Merle, who went forward, laid her hand on our heroine's shoulder and, after looking at her a moment, kissed her as if she were returning the kiss she had received from her at Gardencourt. This was the only allusion the visitor, in her great good taste, made for the present to her young friend's inheritance. Mrs. Touchett had no purpose of awaiting in London the sale of her house. After selecting from among its furniture the objects she wished to transport to her other abode, she left the rest of its contents to be disposed of by the auctioneer and took her departure for the Continent. She was of course accompanied on this journey by her niece, who now had plenty of leisure to measure and weigh and otherwise handle the windfall on which Madame Merle had covertly congratulated her. Isabel thought very often of the fact of her accession of means, looking at it in a dozen different lights; but we shall not now attempt to follow her train of thought or to explain exactly why her new consciousness was at first oppressive. This failure to rise to immediate joy was indeed but brief; the girl presently made up her mind that to be rich was a virtue because it was to be able to do, and that to do could only be sweet. It was the graceful contrary of the stupid side of weakness--especially the feminine variety. To be weak was, for a delicate young person, rather graceful, but, after all, as Isabel said to herself, there was a larger grace than that. Just now, it is true, there was not much to do--once she had sent off a cheque to Lily and another to poor Edith; but she was thankful for the quiet months which her mourning robes and her aunt's fresh widowhood compelled them to spend together. The acquisition of power made her serious; she scrutinised her power with a kind of tender ferocity, but was not eager to exercise it. She began to do so during a stay of some weeks which she eventually made with her aunt in Paris, though in ways that will inevitably present themselves as trivial. They were the ways most naturally imposed in a city in which the shops are the admiration of the world, and that were prescribed unreservedly by the guidance of Mrs. Touchett, who took a rigidly practical view of the transformation of her niece from a poor girl to a rich one. "Now that you're a young woman of fortune you must know how to play the part--I mean to play it well," she said to Isabel once for all; and she added that the girl's first duty was to have everything handsome. "You don't know how to take care of your things, but you must learn," she went on; this was Isabel's second duty. Isabel submitted, but for the present her imagination was not kindled; she longed for opportunities, but these were not the opportunities she meant. Mrs. Touchett rarely changed her plans, and, having intended before her husband's death to spend a part of the winter in Paris, saw no reason to deprive herself--still less to deprive her companion--of this advantage. Though they would live in great retirement she might still present her niece, informally, to the little circle of her fellow countrymen dwelling upon the skirts of the Champs Elysees. With many of these amiable colonists Mrs. Touchett was intimate; she shared their expatriation, their convictions, their pastimes, their ennui. Isabel saw them arrive with a good deal of assiduity at her aunt's hotel, and pronounced on them with a trenchancy doubtless to be accounted for by the temporary exaltation of her sense of human duty. She made up her mind that their lives were, though luxurious, inane, and incurred some disfavour by expressing this view on bright Sunday afternoons, when the American absentees were engaged in calling on each other. Though her listeners passed for people kept exemplarily genial by their cooks and dressmakers, two or three of them thought her cleverness, which was generally admitted, inferior to that of the new theatrical pieces. "You all live here this way, but what does it lead to?" she was pleased to ask. "It doesn't seem to lead to anything, and I should think you'd get very tired of it." Mrs. Touchett thought the question worthy of Henrietta Stackpole. The two ladies had found Henrietta in Paris, and Isabel constantly saw her; so that Mrs. Touchett had some reason for saying to herself that if her niece were not clever enough to originate almost anything, she might be suspected of having borrowed that style of remark from her journalistic friend. The first occasion on which Isabel had spoken was that of a visit paid by the two ladies to Mrs. Luce, an old friend of Mrs. Touchett's and the only person in Paris she now went to see. Mrs. Luce had been living in Paris since the days of Louis Philippe; she used to say jocosely that she was one of the generation of 1830--a joke of which the point was not always taken. When it failed Mrs. Luce used to explain--"Oh yes, I'm one of the romantics;" her French had never become quite perfect. She was always at home on Sunday afternoons and surrounded by sympathetic compatriots, usually the same. In fact she was at home at all times, and reproduced with wondrous truth in her well-cushioned little corner of the brilliant city, the domestic tone of her native Baltimore. This reduced Mr. Luce, her worthy husband, a tall, lean, grizzled, well-brushed gentleman who wore a gold eye-glass and carried his hat a little too much on the back of his head, to mere platonic praise of the "distractions" of Paris--they were his great word--since you would never have guessed from what cares he escaped to them. One of them was that he went every day to the American banker's, where he found a post-office that was almost as sociable and colloquial an institution as in an American country town. He passed an hour (in fine weather) in a chair in the Champs Elysees, and he dined uncommonly well at his own table, seated above a waxed floor which it was Mrs. Luce's happiness to believe had a finer polish than any other in the French capital. Occasionally he dined with a friend or two at the Cafe Anglais, where his talent for ordering a dinner was a source of felicity to his companions and an object of admiration even to the headwaiter of the establishment. These were his only known pastimes, but they had beguiled his hours for upwards of half a century, and they doubtless justified his frequent declaration that there was no place like Paris. In no other place, on these terms, could Mr. Luce flatter himself that he was enjoying life. There was nothing like Paris, but it must be confessed that Mr. Luce thought less highly of this scene of his dissipations than in earlier days. In the list of his resources his political reflections should not be omitted, for they were doubtless the animating principle of many hours that superficially seemed vacant. Like many of his fellow colonists Mr. Luce was a high--or rather a deep--conservative, and gave no countenance to the government lately established in France. He had no faith in its duration and would assure you from year to year that its end was close at hand. "They want to be kept down, sir, to be kept down; nothing but the strong hand--the iron heel--will do for them," he would frequently say of the French people; and his ideal of a fine showy clever rule was that of the superseded Empire. "Paris is much less attractive than in the days of the Emperor; HE knew how to make a city pleasant," Mr. Luce had often remarked to Mrs. Touchett, who was quite of his own way of thinking and wished to know what one had crossed that odious Atlantic for but to get away from republics. "Why, madam, sitting in the Champs Elysees, opposite to the Palace of Industry, I've seen the court-carriages from the Tuileries pass up and down as many as seven times a day. I remember one occasion when they went as high as nine. What do you see now? It's no use talking, the style's all gone. Napoleon knew what the French people want, and there'll be a dark cloud over Paris, our Paris, till they get the Empire back again." Among Mrs. Luce's visitors on Sunday afternoons was a young man with whom Isabel had had a good deal of conversation and whom she found full of valuable knowledge. Mr. Edward Rosier--Ned Rosier as he was called--was native to New York and had been brought up in Paris, living there under the eye of his father who, as it happened, had been an early and intimate friend of the late Mr. Archer. Edward Rosier remembered Isabel as a little girl; it had been his father who came to the rescue of the small Archers at the inn at Neufchatel (he was travelling that way with the boy and had stopped at the hotel by chance), after their bonne had gone off with the Russian prince and when Mr. Archer's whereabouts remained for some days a mystery. Isabel remembered perfectly the neat little male child whose hair smelt of a delicious cosmetic and who had a bonne all his own, warranted to lose sight of him under no provocation. Isabel took a walk with the pair beside the lake and thought little Edward as pretty as an angel--a comparison by no means conventional in her mind, for she had a very definite conception of a type of features which she supposed to be angelic and which her new friend perfectly illustrated. A small pink face surmounted by a blue velvet bonnet and set off by a stiff embroidered collar had become the countenance of her childish dreams; and she had firmly believed for some time afterwards that the heavenly hosts conversed among themselves in a queer little dialect of French-English, expressing the properest sentiments, as when Edward told her that he was "defended" by his bonne to go near the edge of the lake, and that one must always obey to one's bonne. Ned Rosier's English had improved; at least it exhibited in a less degree the French variation. His father was dead and his bonne dismissed, but the young man still conformed to the spirit of their teaching--he never went to the edge of the lake. There was still something agreeable to the nostrils about him and something not offensive to nobler organs. He was a very gentle and gracious youth, with what are called cultivated tastes--an acquaintance with old china, with good wine, with the bindings of books, with the Almanach de Gotha, with the best shops, the best hotels, the hours of railway-trains. He could order a dinner almost as well as Mr. Luce, and it was probable that as his experience accumulated he would be a worthy successor to that gentleman, whose rather grim politics he also advocated in a soft and innocent voice. He had some charming rooms in Paris, decorated with old Spanish altar-lace, the envy of his female friends, who declared that his chimney-piece was better draped than the high shoulders of many a duchess. He usually, however, spent a part of every winter at Pau, and had once passed a couple of months in the United States. He took a great interest in Isabel and remembered perfectly the walk at Neufchatel, when she would persist in going so near the edge. He seemed to recognise this same tendency in the subversive enquiry that I quoted a moment ago, and set himself to answer our heroine's question with greater urbanity than it perhaps deserved. "What does it lead to, Miss Archer? Why Paris leads everywhere. You can't go anywhere unless you come here first. Every one that comes to Europe has got to pass through. You don't mean it in that sense so much? You mean what good it does you? Well, how can you penetrate futurity? How can you tell what lies ahead? If it's a pleasant road I don't care where it leads. I like the road, Miss Archer; I like the dear old asphalte. You can't get tired of it--you can't if you try. You think you would, but you wouldn't; there's always something new and fresh. Take the Hotel Drouot, now; they sometimes have three and four sales a week. Where can you get such things as you can here? In spite of all they say I maintain they're cheaper too, if you know the right places. I know plenty of places, but I keep them to myself. I'll tell you, if you like, as a particular favour; only you mustn't tell any one else. Don't you go anywhere without asking me first; I want you to promise me that. As a general thing avoid the Boulevards; there's very little to be done on the Boulevards. Speaking conscientiously--sans blague--I don't believe any one knows Paris better than I. You and Mrs. Touchett must come and breakfast with me some day, and I'll show you my things; je ne vous dis que ca! There has been a great deal of talk about London of late; it's the fashion to cry up London. But there's nothing in it--you can't do anything in London. No Louis Quinze--nothing of the First Empire; nothing but their eternal Queen Anne. It's good for one's bed-room, Queen Anne--for one's washing-room; but it isn't proper for a salon. Do I spend my life at the auctioneer's?" Mr. Rosier pursued in answer to another question of Isabel's. "Oh no; I haven't the means. I wish I had. You think I'm a mere trifler; I can tell by the expression of your face--you've got a wonderfully expressive face. I hope you don't mind my saying that; I mean it as a kind of warning. You think I ought to do something, and so do I, so long as you leave it vague. But when you come to the point you see you have to stop. I can't go home and be a shopkeeper. You think I'm very well fitted? Ah, Miss Archer, you overrate me. I can buy very well, but I can't sell; you should see when I sometimes try to get rid of my things. It takes much more ability to make other people buy than to buy yourself. When I think how clever they must be, the people who make ME buy! Ah no; I couldn't be a shopkeeper. I can't be a doctor; it's a repulsive business. I can't be a clergyman; I haven't got convictions. And then I can't pronounce the names right in the Bible. They're very difficult, in the Old Testament particularly. I can't be a lawyer; I don't understand--how do you call it?--the American procedure. Is there anything else? There's nothing for a gentleman in America. I should like to be a diplomatist; but American diplomacy--that's not for gentlemen either. I'm sure if you had seen the last min--" Henrietta Stackpole, who was often with her friend when Mr. Rosier, coming to pay his compliments late in the afternoon, expressed himself after the fashion I have sketched, usually interrupted the young man at this point and read him a lecture on the duties of the American citizen. She thought him most unnatural; he was worse than poor Ralph Touchett. Henrietta, however, was at this time more than ever addicted to fine criticism, for her conscience had been freshly alarmed as regards Isabel. She had not congratulated this young lady on her augmentations and begged to be excused from doing so. "If Mr. Touchett had consulted me about leaving you the money," she frankly asserted, "I'd have said to him 'Never!" "I see," Isabel had answered. "You think it will prove a curse in disguise. Perhaps it will." "Leave it to some one you care less for--that's what I should have said." "To yourself for instance?" Isabel suggested jocosely. And then, "Do you really believe it will ruin me?" she asked in quite another tone. "I hope it won't ruin you; but it will certainly confirm your dangerous tendencies." "Do you mean the love of luxury--of extravagance?" "No, no," said Henrietta; "I mean your exposure on the moral side. I approve of luxury; I think we ought to be as elegant as possible. Look at the luxury of our western cities; I've seen nothing over here to compare with it. I hope you'll never become grossly sensual; but I'm not afraid of that. The peril for you is that you live too much in the world of your own dreams. You're not enough in contact with reality--with the toiling, striving, suffering, I may even say sinning, world that surrounds you. You're too fastidious; you've too many graceful illusions. Your newly-acquired thousands will shut you up more and more to the society of a few selfish and heartless people who will be interested in keeping them up." Isabel's eyes expanded as she gazed at this lurid scene. "What are my illusions?" she asked. "I try so hard not to have any." "Well," said Henrietta, "you think you can lead a romantic life, that you can live by pleasing yourself and pleasing others. You'll find you're mistaken. Whatever life you lead you must put your soul in it--to make any sort of success of it; and from the moment you do that it ceases to be romance, I assure you: it becomes grim reality! And you can't always please yourself; you must sometimes please other people. That, I admit, you're very ready to do; but there's another thing that's still more important--you must often displease others. You must always be ready for that--you must never shrink from it. That doesn't suit you at all--you're too fond of admiration, you like to be thought well of. You think we can escape disagreeable duties by taking romantic views--that's your great illusion, my dear. But we can't. You must be prepared on many occasions in life to please no one at all--not even yourself." Isabel shook her head sadly; she looked troubled and frightened. "This, for you, Henrietta," she said, "must be one of those occasions!" It was certainly true that Miss Stackpole, during her visit to Paris, which had been professionally more remunerative than her English sojourn, had not been living in the world of dreams. Mr. Bantling, who had now returned to England, was her companion for the first four weeks of her stay; and about Mr. Bantling there was nothing dreamy. Isabel learned from her friend that the two had led a life of great personal intimacy and that this had been a peculiar advantage to Henrietta, owing to the gentleman's remarkable knowledge of Paris. He had explained everything, shown her everything, been her constant guide and interpreter. They had breakfasted together, dined together, gone to the theatre together, supped together, really in a manner quite lived together. He was a true friend, Henrietta more than once assured our heroine; and she had never supposed that she could like any Englishman so well. Isabel could not have told you why, but she found something that ministered to mirth in the alliance the correspondent of the Interviewer had struck with Lady Pensil's brother; her amusement moreover subsisted in face of the fact that she thought it a credit to each of them. Isabel couldn't rid herself of a suspicion that they were playing somehow at cross-purposes--that the simplicity of each had been entrapped. But this simplicity was on either side none the less honourable. It was as graceful on Henrietta's part to believe that Mr. Bantling took an interest in the diffusion of lively journalism and in consolidating the position of lady-correspondents as it was on the part of his companion to suppose that the cause of the Interviewer--a periodical of which he never formed a very definite conception--was, if subtly analysed (a task to which Mr. Bantling felt himself quite equal), but the cause of Miss Stackpole's need of demonstrative affection. Each of these groping celibates supplied at any rate a want of which the other was impatiently conscious. Mr. Bantling, who was of rather a slow and a discursive habit, relished a prompt, keen, positive woman, who charmed him by the influence of a shining, challenging eye and a kind of bandbox freshness, and who kindled a perception of raciness in a mind to which the usual fare of life seemed unsalted. Henrietta, on the other hand, enjoyed the society of a gentleman who appeared somehow, in his way, made, by expensive, roundabout, almost "quaint" processes, for her use, and whose leisured state, though generally indefensible, was a decided boon to a breathless mate, and who was furnished with an easy, traditional, though by no means exhaustive, answer to almost any social or practical question that could come up. She often found Mr. Bantling's answers very convenient, and in the press of catching the American post would largely and showily address them to publicity. It was to be feared that she was indeed drifting toward those abysses of sophistication as to which Isabel, wishing for a good-humoured retort, had warned her. There might be danger in store for Isabel; but it was scarcely to be hoped that Miss Stackpole, on her side, would find permanent rest in any adoption of the views of a class pledged to all the old abuses. Isabel continued to warn her good-humouredly; Lady Pensil's obliging brother was sometimes, on our heroine's lips, an object of irreverent and facetious allusion. Nothing, however, could exceed Henrietta's amiability on this point; she used to abound in the sense of Isabel's irony and to enumerate with elation the hours she had spent with this perfect man of the world--a term that had ceased to make with her, as previously, for opprobrium. Then, a few moments later, she would forget that they had been talking jocosely and would mention with impulsive earnestness some expedition she had enjoyed in his company. She would say: "Oh, I know all about Versailles; I went there with Mr. Bantling. I was bound to see it thoroughly--I warned him when we went out there that I was thorough: so we spent three days at the hotel and wandered all over the place. It was lovely weather--a kind of Indian summer, only not so good. We just lived in that park. Oh yes; you can't tell me anything about Versailles." Henrietta appeared to have made arrangements to meet her gallant friend during the spring in Italy.

Chapter 20

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-20

Some weeks later, Madame Merle goes to Winchester Square, only to find that its house is up for sale. The narrator lets us in on some unkind thoughts Madame Merle has about Mrs. Touchett. We begin to wonder what Madame Merle thinks of everyone else behind their backs. Mrs. Touchett leaves the auction of her husband's estate to someone else, and goes to Paris with Isabel. Ralph has gone to the Riviera to look after his health. Mr. Touchett left him a fortune, naturally, and also the ownership of Gardencourt. Mrs. Touchett tells Madame Merle that Mr. Touchett left Isabel a gigantic sum . Madame Merle is instantly impressed by Isabel's hand in this, and assumes cynically that she had something to do with it. Mrs. Touchett insists that Isabel dress the part of a wealthy lady, and generally learn how to be a woman of means. Mrs. Touchett and Isabel stay in Paris for the winter. Mrs. Touchett introduces Isabel to some of her acquaintances there. Isabel meets Mrs. Touchett's friends, Mr. and Mrs. Luce. She also encounters Edward Rosier, who was a family friend of Isabel's when they were small children - she even had a little crush on him years ago. Henrietta disapproves of the fortune that Isabel inherited. She worries that Isabel will live in a world removed from reality. Henrietta says that Isabel needs to learn how to "displease" others and be okay with it. Meanwhile, much to Isabel's surprise and amusement, Henrietta and Mr. Bantling remain traveling buddies.

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all_chapterized_books/2833-chapters/21.txt

finished_summaries/shmoop/The Portrait of a Lady/section_20_part_0.txt

The Portrait of a Lady.chapter 21

chapter 21

{"name": "Chapter 21", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-21", "summary": "Mrs. Touchett goes to San Remo, Italy to visit Ralph. Isabel decides to go with her, figuring it's better to travel with a relation, even with her newfound financial independence. Isabel is no longer as impressed with Mrs. Touchett as she was when her aunt first visited her in New York. Isabel asks Ralph whether he knew about the inheritance that Mr. Touchett left for her. Isabel does not seem to know what to do with herself, now that she is wealthy. Ralph recommends that Isabel think less and just enjoy her life with the new means she has received. Isabel agrees with Ralph's advice, figuring that there's no reason why she must always strive to be right. Isabel confesses that she's afraid of the freedom a large amount of money can bring. Ralph says that it is only a problem for the weak, and Isabel is most certainly not weak. After talking with Ralph, Isabel feels better and more comfortable with her new wealthy persona. In the back of Isabel's mind, Caspar Goodwood and Lord Warburton still linger. She feels sure that Lord Warburton has forgotten about her.", "analysis": ""}

Mrs. Touchett, before arriving in Paris, had fixed the day for her departure and by the middle of February had begun to travel southward. She interrupted her journey to pay a visit to her son, who at San Remo, on the Italian shore of the Mediterranean, had been spending a dull, bright winter beneath a slow-moving white umbrella. Isabel went with her aunt as a matter of course, though Mrs. Touchett, with homely, customary logic, had laid before her a pair of alternatives. "Now, of course, you're completely your own mistress and are as free as the bird on the bough. I don't mean you were not so before, but you're at present on a different footing--property erects a kind of barrier. You can do a great many things if you're rich which would be severely criticised if you were poor. You can go and come, you can travel alone, you can have your own establishment: I mean of course if you'll take a companion--some decayed gentlewoman, with a darned cashmere and dyed hair, who paints on velvet. You don't think you'd like that? Of course you can do as you please; I only want you to understand how much you're at liberty. You might take Miss Stackpole as your dame de compagnie; she'd keep people off very well. I think, however, that it's a great deal better you should remain with me, in spite of there being no obligation. It's better for several reasons, quite apart from your liking it. I shouldn't think you'd like it, but I recommend you to make the sacrifice. Of course whatever novelty there may have been at first in my society has quite passed away, and you see me as I am--a dull, obstinate, narrow-minded old woman." "I don't think you're at all dull," Isabel had replied to this. "But you do think I'm obstinate and narrow-minded? I told you so!" said Mrs. Touchett with much elation at being justified. Isabel remained for the present with her aunt, because, in spite of eccentric impulses, she had a great regard for what was usually deemed decent, and a young gentlewoman without visible relations had always struck her as a flower without foliage. It was true that Mrs. Touchett's conversation had never again appeared so brilliant as that first afternoon in Albany, when she sat in her damp waterproof and sketched the opportunities that Europe would offer to a young person of taste. This, however, was in a great measure the girl's own fault; she had got a glimpse of her aunt's experience, and her imagination constantly anticipated the judgements and emotions of a woman who had very little of the same faculty. Apart from this, Mrs. Touchett had a great merit; she was as honest as a pair of compasses. There was a comfort in her stiffness and firmness; you knew exactly where to find her and were never liable to chance encounters and concussions. On her own ground she was perfectly present, but was never over-inquisitive as regards the territory of her neighbour. Isabel came at last to have a kind of undemonstrable pity for her; there seemed something so dreary in the condition of a person whose nature had, as it were, so little surface--offered so limited a face to the accretions of human contact. Nothing tender, nothing sympathetic, had ever had a chance to fasten upon it--no wind-sown blossom, no familiar softening moss. Her offered, her passive extent, in other words, was about that of a knife-edge. Isabel had reason to believe none the less that as she advanced in life she made more of those concessions to the sense of something obscurely distinct from convenience--more of them than she independently exacted. She was learning to sacrifice consistency to considerations of that inferior order for which the excuse must be found in the particular case. It was not to the credit of her absolute rectitude that she should have gone the longest way round to Florence in order to spend a few weeks with her invalid son; since in former years it had been one of her most definite convictions that when Ralph wished to see her he was at liberty to remember that Palazzo Crescentini contained a large apartment known as the quarter of the signorino. "I want to ask you something," Isabel said to this young man the day after her arrival at San Remo--"something I've thought more than once of asking you by letter, but that I've hesitated on the whole to write about. Face to face, nevertheless, my question seems easy enough. Did you know your father intended to leave me so much money?" Ralph stretched his legs a little further than usual and gazed a little more fixedly at the Mediterranean. "What does it matter, my dear Isabel, whether I knew? My father was very obstinate." "So," said the girl, "you did know." "Yes; he told me. We even talked it over a little." "What did he do it for?" asked Isabel abruptly. "Why, as a kind of compliment." "A compliment on what?" "On your so beautifully existing." "He liked me too much," she presently declared. "That's a way we all have." "If I believed that I should be very unhappy. Fortunately I don't believe it. I want to be treated with justice; I want nothing but that." "Very good. But you must remember that justice to a lovely being is after all a florid sort of sentiment." "I'm not a lovely being. How can you say that, at the very moment when I'm asking such odious questions? I must seem to you delicate!" "You seem to me troubled," said Ralph. "I am troubled." "About what?" For a moment she answered nothing; then she broke out: "Do you think it good for me suddenly to be made so rich? Henrietta doesn't." "Oh, hang Henrietta!" said Ralph coarsely, "If you ask me I'm delighted at it." "Is that why your father did it--for your amusement?" "I differ with Miss Stackpole," Ralph went on more gravely. "I think it very good for you to have means." Isabel looked at him with serious eyes. "I wonder whether you know what's good for me--or whether you care." "If I know depend upon it I care. Shall I tell you what it is? Not to torment yourself." "Not to torment you, I suppose you mean." "You can't do that; I'm proof. Take things more easily. Don't ask yourself so much whether this or that is good for you. Don't question your conscience so much--it will get out of tune like a strummed piano. Keep it for great occasions. Don't try so much to form your character--it's like trying to pull open a tight, tender young rose. Live as you like best, and your character will take care of itself. Most things are good for you; the exceptions are very rare, and a comfortable income's not one of them." Ralph paused, smiling; Isabel had listened quickly. "You've too much power of thought--above all too much conscience," Ralph added. "It's out of all reason, the number of things you think wrong. Put back your watch. Diet your fever. Spread your wings; rise above the ground. It's never wrong to do that." She had listened eagerly, as I say; and it was her nature to understand quickly. "I wonder if you appreciate what you say. If you do, you take a great responsibility." "You frighten me a little, but I think I'm right," said Ralph, persisting in cheer. "All the same what you say is very true," Isabel pursued. "You could say nothing more true. I'm absorbed in myself--I look at life too much as a doctor's prescription. Why indeed should we perpetually be thinking whether things are good for us, as if we were patients lying in a hospital? Why should I be so afraid of not doing right? As if it mattered to the world whether I do right or wrong!" "You're a capital person to advise," said Ralph; "you take the wind out of my sails!" She looked at him as if she had not heard him--though she was following out the train of reflexion which he himself had kindled. "I try to care more about the world than about myself--but I always come back to myself. It's because I'm afraid." She stopped; her voice had trembled a little. "Yes, I'm afraid; I can't tell you. A large fortune means freedom, and I'm afraid of that. It's such a fine thing, and one should make such a good use of it. If one shouldn't one would be ashamed. And one must keep thinking; it's a constant effort. I'm not sure it's not a greater happiness to be powerless." "For weak people I've no doubt it's a greater happiness. For weak people the effort not to be contemptible must be great." "And how do you know I'm not weak?" Isabel asked. "Ah," Ralph answered with a flush that the girl noticed, "if you are I'm awfully sold!" The charm of the Mediterranean coast only deepened for our heroine on acquaintance, for it was the threshold of Italy, the gate of admirations. Italy, as yet imperfectly seen and felt, stretched before her as a land of promise, a land in which a love of the beautiful might be comforted by endless knowledge. Whenever she strolled upon the shore with her cousin--and she was the companion of his daily walk--she looked across the sea, with longing eyes, to where she knew that Genoa lay. She was glad to pause, however, on the edge of this larger adventure; there was such a thrill even in the preliminary hovering. It affected her moreover as a peaceful interlude, as a hush of the drum and fife in a career which she had little warrant as yet for regarding as agitated, but which nevertheless she was constantly picturing to herself by the light of her hopes, her fears, her fancies, her ambitions, her predilections, and which reflected these subjective accidents in a manner sufficiently dramatic. Madame Merle had predicted to Mrs. Touchett that after their young friend had put her hand into her pocket half a dozen times she would be reconciled to the idea that it had been filled by a munificent uncle; and the event justified, as it had so often justified before, that lady's perspicacity. Ralph Touchett had praised his cousin for being morally inflammable, that is for being quick to take a hint that was meant as good advice. His advice had perhaps helped the matter; she had at any rate before leaving San Remo grown used to feeling rich. The consciousness in question found a proper place in rather a dense little group of ideas that she had about herself, and often it was by no means the least agreeable. It took perpetually for granted a thousand good intentions. She lost herself in a maze of visions; the fine things to be done by a rich, independent, generous girl who took a large human view of occasions and obligations were sublime in the mass. Her fortune therefore became to her mind a part of her better self; it gave her importance, gave her even, to her own imagination, a certain ideal beauty. What it did for her in the imagination of others is another affair, and on this point we must also touch in time. The visions I have just spoken of were mixed with other debates. Isabel liked better to think of the future than of the past; but at times, as she listened to the murmur of the Mediterranean waves, her glance took a backward flight. It rested upon two figures which, in spite of increasing distance, were still sufficiently salient; they were recognisable without difficulty as those of Caspar Goodwood and Lord Warburton. It was strange how quickly these images of energy had fallen into the background of our young lady's life. It was in her disposition at all times to lose faith in the reality of absent things; she could summon back her faith, in case of need, with an effort, but the effort was often painful even when the reality had been pleasant. The past was apt to look dead and its revival rather to show the livid light of a judgement-day. The girl moreover was not prone to take for granted that she herself lived in the mind of others--she had not the fatuity to believe she left indelible traces. She was capable of being wounded by the discovery that she had been forgotten; but of all liberties the one she herself found sweetest was the liberty to forget. She had not given her last shilling, sentimentally speaking, either to Caspar Goodwood or to Lord Warburton, and yet couldn't but feel them appreciably in debt to her. She had of course reminded herself that she was to hear from Mr. Goodwood again; but this was not to be for another year and a half, and in that time a great many things might happen. She had indeed failed to say to herself that her American suitor might find some other girl more comfortable to woo; because, though it was certain many other girls would prove so, she had not the smallest belief that this merit would attract him. But she reflected that she herself might know the humiliation of change, might really, for that matter, come to the end of the things that were not Caspar (even though there appeared so many of them), and find rest in those very elements of his presence which struck her now as impediments to the finer respiration. It was conceivable that these impediments should some day prove a sort of blessing in disguise--a clear and quiet harbour enclosed by a brave granite breakwater. But that day could only come in its order, and she couldn't wait for it with folded hands. That Lord Warburton should continue to cherish her image seemed to her more than a noble humility or an enlightened pride ought to wish to reckon with. She had so definitely undertaken to preserve no record of what had passed between them that a corresponding effort on his own part would be eminently just. This was not, as it may seem, merely a theory tinged with sarcasm. Isabel candidly believed that his lordship would, in the usual phrase, get over his disappointment. He had been deeply affected--this she believed, and she was still capable of deriving pleasure from the belief; but it was absurd that a man both so intelligent and so honourably dealt with should cultivate a scar out of proportion to any wound. Englishmen liked moreover to be comfortable, said Isabel, and there could be little comfort for Lord Warburton, in the long run, in brooding over a self-sufficient American girl who had been but a casual acquaintance. She flattered herself that, should she hear from one day to another that he had married some young woman of his own country who had done more to deserve him, she should receive the news without a pang even of surprise. It would have proved that he believed she was firm--which was what she wished to seem to him. That alone was grateful to her pride.

Chapter 21

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-21

Mrs. Touchett goes to San Remo, Italy to visit Ralph. Isabel decides to go with her, figuring it's better to travel with a relation, even with her newfound financial independence. Isabel is no longer as impressed with Mrs. Touchett as she was when her aunt first visited her in New York. Isabel asks Ralph whether he knew about the inheritance that Mr. Touchett left for her. Isabel does not seem to know what to do with herself, now that she is wealthy. Ralph recommends that Isabel think less and just enjoy her life with the new means she has received. Isabel agrees with Ralph's advice, figuring that there's no reason why she must always strive to be right. Isabel confesses that she's afraid of the freedom a large amount of money can bring. Ralph says that it is only a problem for the weak, and Isabel is most certainly not weak. After talking with Ralph, Isabel feels better and more comfortable with her new wealthy persona. In the back of Isabel's mind, Caspar Goodwood and Lord Warburton still linger. She feels sure that Lord Warburton has forgotten about her.

shmoop

all_chapterized_books/2833-chapters/22.txt

finished_summaries/shmoop/The Portrait of a Lady/section_21_part_0.txt

The Portrait of a Lady.chapter 22

chapter 22

{"name": "Chapter 22", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-22", "summary": "The narrator introduces us to a new scene near Florence, now six months after Mr. Touchett's death. The narrator describes the facade of this house as an impenetrable mask, not a face. Two nuns, Gilbert Osmond, and his fifteen-year-old daughter Pansy are sitting in Mr. Osmond's house. Pansy has just returned from a convent school, and the nuns are sad to see her go. Apparently, she was a model pupil. Gilbert Osmond has been showing them his painting. Pansy has not seen her father in a while. He is surprised by her growth and her beauty. Pansy and Gilbert Osmond are multi-lingual and pan-European - they speak French, Italian, and English. Gilbert Osmond asks Pansy to collect flowers for the nuns outside. Pansy happily obeys, which seems to be her general modus operandi. Gilbert Osmond hasn't decided whether Pansy will return to the convent or not. The understanding is that she is made for the world, not for the nunnery. Pansy comes back with bouquets of white and red flowers. Osmond is about to show the nuns out when he sees someone entering the grounds: a familiar character, Madame Merle. Pansy is happy to see Madame Merle. She remembers how Madame Merle visited her while she was in the convent. Madame Merle asks Osmond why he did not visit her in Florence. Osmond walks the nuns out, and Madame Merle asks that Pansy stay with her instead of seeing her surrogate mothers off. Pansy obeys. Madame Merle compliments Pansy on being obedient and for wearing gloves. She promises to buy Pansy a dozen multicolored pairs of gloves. Pansy says that she is fond of pretty things, but, sensibly, not too fond. Madame Merle and Osmond talk as though Pansy was not in the room. Osmond finally asks her to go outside to pick flowers for Madame Merle. Madame Merle tells Osmond that she wants to introduce him to Isabel Archer. She wants Osmond to visit her at Mrs. Touchett's in Florence, where he will be able to meet Isabel. Osmond seems unmoved to do any such thing. He is lazy, and content with his life as it is. It's been a while since Osmond has made any new friends. He doesn't get out much. Madame Merle convinces Osmond that Isabel is better than even Madame Merle, since she is clever, beautiful, and rich. Madame Merle wants Osmond to marry Isabel. Osmond says that Madame Merle is looking well, so she must have a good idea - that's when she looks her best. It slowly becomes clear that Madame Merle wants Osmond to meet Isabel purely for Osmond's benefit. She does not seem to have Isabel's best intentions in mind. Madame Merle accuses Osmond of being heartless, which he denies. Osmond brags about his painting, but Madame Merle is unimpressed. She concedes that he has good taste, though. Osmond can tolerate Mrs. Touchett, though he doesn't like Ralph. Madame Merle thinks that Pansy should not go back to the convent. Osmond still is not convinced. Pansy still has not returned with the flowers, and Madame Merle laments the fact that Pansy does not like her much.", "analysis": ""}

On one of the first days of May, some six months after old Mr. Touchett's death, a small group that might have been described by a painter as composing well was gathered in one of the many rooms of an ancient villa crowning an olive-muffled hill outside of the Roman gate of Florence. The villa was a long, rather blank-looking structure, with the far-projecting roof which Tuscany loves and which, on the hills that encircle Florence, when considered from a distance, makes so harmonious a rectangle with the straight, dark, definite cypresses that usually rise in groups of three or four beside it. The house had a front upon a little grassy, empty, rural piazza which occupied a part of the hill-top; and this front, pierced with a few windows in irregular relations and furnished with a stone bench lengthily adjusted to the base of the structure and useful as a lounging-place to one or two persons wearing more or less of that air of undervalued merit which in Italy, for some reason or other, always gracefully invests any one who confidently assumes a perfectly passive attitude--this antique, solid, weather-worn, yet imposing front had a somewhat incommunicative character. It was the mask, not the face of the house. It had heavy lids, but no eyes; the house in reality looked another way--looked off behind, into splendid openness and the range of the afternoon light. In that quarter the villa overhung the slope of its hill and the long valley of the Arno, hazy with Italian colour. It had a narrow garden, in the manner of a terrace, productive chiefly of tangles of wild roses and other old stone benches, mossy and sun-warmed. The parapet of the terrace was just the height to lean upon, and beneath it the ground declined into the vagueness of olive-crops and vineyards. It is not, however, with the outside of the place that we are concerned; on this bright morning of ripened spring its tenants had reason to prefer the shady side of the wall. The windows of the ground-floor, as you saw them from the piazza, were, in their noble proportions, extremely architectural; but their function seemed less to offer communication with the world than to defy the world to look in. They were massively cross-barred, and placed at such a height that curiosity, even on tiptoe, expired before it reached them. In an apartment lighted by a row of three of these jealous apertures--one of the several distinct apartments into which the villa was divided and which were mainly occupied by foreigners of random race long resident in Florence--a gentleman was seated in company with a young girl and two good sisters from a religious house. The room was, however, less sombre than our indications may have represented, for it had a wide, high door, which now stood open into the tangled garden behind; and the tall iron lattices admitted on occasion more than enough of the Italian sunshine. It was moreover a seat of ease, indeed of luxury, telling of arrangements subtly studied and refinements frankly proclaimed, and containing a variety of those faded hangings of damask and tapestry, those chests and cabinets of carved and time-polished oak, those angular specimens of pictorial art in frames as pedantically primitive, those perverse-looking relics of medieval brass and pottery, of which Italy has long been the not quite exhausted storehouse. These things kept terms with articles of modern furniture in which large allowance had been made for a lounging generation; it was to be noticed that all the chairs were deep and well padded and that much space was occupied by a writing-table of which the ingenious perfection bore the stamp of London and the nineteenth century. There were books in profusion and magazines and newspapers, and a few small, odd, elaborate pictures, chiefly in water-colour. One of these productions stood on a drawing-room easel before which, at the moment we begin to be concerned with her, the young girl I have mentioned had placed herself. She was looking at the picture in silence. Silence--absolute silence--had not fallen upon her companions; but their talk had an appearance of embarrassed continuity. The two good sisters had not settled themselves in their respective chairs; their attitude expressed a final reserve and their faces showed the glaze of prudence. They were plain, ample, mild-featured women, with a kind of business-like modesty to which the impersonal aspect of their stiffened linen and of the serge that draped them as if nailed on frames gave an advantage. One of them, a person of a certain age, in spectacles, with a fresh complexion and a full cheek, had a more discriminating manner than her colleague, as well as the responsibility of their errand, which apparently related to the young girl. This object of interest wore her hat--an ornament of extreme simplicity and not at variance with her plain muslin gown, too short for her years, though it must already have been "let out." The gentleman who might have been supposed to be entertaining the two nuns was perhaps conscious of the difficulties of his function, it being in its way as arduous to converse with the very meek as with the very mighty. At the same time he was clearly much occupied with their quiet charge, and while she turned her back to him his eyes rested gravely on her slim, small figure. He was a man of forty, with a high but well-shaped head, on which the hair, still dense, but prematurely grizzled, had been cropped close. He had a fine, narrow, extremely modelled and composed face, of which the only fault was just this effect of its running a trifle too much to points; an appearance to which the shape of the beard contributed not a little. This beard, cut in the manner of the portraits of the sixteenth century and surmounted by a fair moustache, of which the ends had a romantic upward flourish, gave its wearer a foreign, traditionary look and suggested that he was a gentleman who studied style. His conscious, curious eyes, however, eyes at once vague and penetrating, intelligent and hard, expressive of the observer as well as of the dreamer, would have assured you that he studied it only within well-chosen limits, and that in so far as he sought it he found it. You would have been much at a loss to determine his original clime and country; he had none of the superficial signs that usually render the answer to this question an insipidly easy one. If he had English blood in his veins it had probably received some French or Italian commixture; but he suggested, fine gold coin as he was, no stamp nor emblem of the common mintage that provides for general circulation; he was the elegant complicated medal struck off for a special occasion. He had a light, lean, rather languid-looking figure, and was apparently neither tall nor short. He was dressed as a man dresses who takes little other trouble about it than to have no vulgar things. "Well, my dear, what do you think of it?" he asked of the young girl. He used the Italian tongue, and used it with perfect ease; but this would not have convinced you he was Italian. The child turned her head earnestly to one side and the other. "It's very pretty, papa. Did you make it yourself?" "Certainly I made it. Don't you think I'm clever?" "Yes, papa, very clever; I also have learned to make pictures." And she turned round and showed a small, fair face painted with a fixed and intensely sweet smile. "You should have brought me a specimen of your powers." "I've brought a great many; they're in my trunk." "She draws very--very carefully," the elder of the nuns remarked, speaking in French. "I'm glad to hear it. Is it you who have instructed her?" "Happily no," said the good sister, blushing a little. "Ce n'est pas ma partie. I teach nothing; I leave that to those who are wiser. We've an excellent drawing-master, Mr.--Mr.--what is his name?" she asked of her companion. Her companion looked about at the carpet. "It's a German name," she said in Italian, as if it needed to be translated. "Yes," the other went on, "he's a German, and we've had him many years." The young girl, who was not heeding the conversation, had wandered away to the open door of the large room and stood looking into the garden. "And you, my sister, are French," said the gentleman. "Yes, sir," the visitor gently replied. "I speak to the pupils in my own tongue. I know no other. But we have sisters of other countries--English, German, Irish. They all speak their proper language." The gentleman gave a smile. "Has my daughter been under the care of one of the Irish ladies?" And then, as he saw that his visitors suspected a joke, though failing to understand it, "You're very complete," he instantly added. "Oh, yes, we're complete. We've everything, and everything's of the best." "We have gymnastics," the Italian sister ventured to remark. "But not dangerous." "I hope not. Is that YOUR branch?" A question which provoked much candid hilarity on the part of the two ladies; on the subsidence of which their entertainer, glancing at his daughter, remarked that she had grown. "Yes, but I think she has finished. She'll remain--not big," said the French sister. "I'm not sorry. I prefer women like books--very good and not too long. But I know," the gentleman said, "no particular reason why my child should be short." The nun gave a temperate shrug, as if to intimate that such things might be beyond our knowledge. "She's in very good health; that's the best thing." "Yes, she looks sound." And the young girl's father watched her a moment. "What do you see in the garden?" he asked in French. "I see many flowers," she replied in a sweet, small voice and with an accent as good as his own. "Yes, but not many good ones. However, such as they are, go out and gather some for ces dames." The child turned to him with her smile heightened by pleasure. "May I, truly?" "Ah, when I tell you," said her father. The girl glanced at the elder of the nuns. "May I, truly, ma mere?" "Obey monsieur your father, my child," said the sister, blushing again. The child, satisfied with this authorisation, descended from the threshold and was presently lost to sight. "You don't spoil them," said her father gaily. "For everything they must ask leave. That's our system. Leave is freely granted, but they must ask it." "Oh, I don't quarrel with your system; I've no doubt it's excellent. I sent you my daughter to see what you'd make of her. I had faith." "One must have faith," the sister blandly rejoined, gazing through her spectacles. "Well, has my faith been rewarded? What have you made of her?" The sister dropped her eyes a moment. "A good Christian, monsieur." Her host dropped his eyes as well; but it was probable that the movement had in each case a different spring. "Yes, and what else?" He watched the lady from the convent, probably thinking she would say that a good Christian was everything; but for all her simplicity she was not so crude as that. "A charming young lady--a real little woman--a daughter in whom you will have nothing but contentment." "She seems to me very gentille," said the father. "She's really pretty." "She's perfect. She has no faults." "She never had any as a child, and I'm glad you have given her none." "We love her too much," said the spectacled sister with dignity. "And as for faults, how can we give what we have not? Le couvent n'est pas comme le monde, monsieur. She's our daughter, as you may say. We've had her since she was so small." "Of all those we shall lose this year she's the one we shall miss most," the younger woman murmured deferentially. "Ah, yes, we shall talk long of her," said the other. "We shall hold her up to the new ones." And at this the good sister appeared to find her spectacles dim; while her companion, after fumbling a moment, presently drew forth a pocket-handkerchief of durable texture. "It's not certain you'll lose her; nothing's settled yet," their host rejoined quickly; not as if to anticipate their tears, but in the tone of a man saying what was most agreeable to himself. "We should be very happy to believe that. Fifteen is very young to leave us." "Oh," exclaimed the gentleman with more vivacity than he had yet used, "it is not I who wish to take her away. I wish you could keep her always!" "Ah, monsieur," said the elder sister, smiling and getting up, "good as she is, she's made for the world. Le monde y gagnera." "If all the good people were hidden away in convents how would the world get on?" her companion softly enquired, rising also. This was a question of a wider bearing than the good woman apparently supposed; and the lady in spectacles took a harmonising view by saying comfortably: "Fortunately there are good people everywhere." "If you're going there will be two less here," her host remarked gallantly. For this extravagant sally his simple visitors had no answer, and they simply looked at each other in decent deprecation; but their confusion was speedily covered by the return of the young girl with two large bunches of roses--one of them all white, the other red. "I give you your choice, mamman Catherine," said the child. "It's only the colour that's different, mamman Justine; there are just as many roses in one bunch as in the other." The two sisters turned to each other, smiling and hesitating, with "Which will you take?" and "No, it's for you to choose." "I'll take the red, thank you," said Catherine in the spectacles. "I'm so red myself. They'll comfort us on our way back to Rome." "Ah, they won't last," cried the young girl. "I wish I could give you something that would last!" "You've given us a good memory of yourself, my daughter. That will last!" "I wish nuns could wear pretty things. I would give you my blue beads," the child went on. "And do you go back to Rome to-night?" her father enquired. "Yes, we take the train again. We've so much to do la-bas." "Are you not tired?" "We are never tired." "Ah, my sister, sometimes," murmured the junior votaress. "Not to-day, at any rate. We have rested too well here. Que Dieu vous garde, ma fine." Their host, while they exchanged kisses with his daughter, went forward to open the door through which they were to pass; but as he did so he gave a slight exclamation, and stood looking beyond. The door opened into a vaulted ante-chamber, as high as a chapel and paved with red tiles; and into this antechamber a lady had just been admitted by a servant, a lad in shabby livery, who was now ushering her toward the apartment in which our friends were grouped. The gentleman at the door, after dropping his exclamation, remained silent; in silence too the lady advanced. He gave her no further audible greeting and offered her no hand, but stood aside to let her pass into the saloon. At the threshold she hesitated. "Is there any one?" she asked. "Some one you may see." She went in and found herself confronted with the two nuns and their pupil, who was coming forward, between them, with a hand in the arm of each. At the sight of the new visitor they all paused, and the lady, who had also stopped, stood looking at them. The young girl gave a little soft cry: "Ah, Madame Merle!" The visitor had been slightly startled, but her manner the next instant was none the less gracious. "Yes, it's Madame Merle, come to welcome you home." And she held out two hands to the girl, who immediately came up to her, presenting her forehead to be kissed. Madame Merle saluted this portion of her charming little person and then stood smiling at the two nuns. They acknowledged her smile with a decent obeisance, but permitted themselves no direct scrutiny of this imposing, brilliant woman, who seemed to bring in with her something of the radiance of the outer world. "These ladies have brought my daughter home, and now they return to the convent," the gentleman explained. "Ah, you go back to Rome? I've lately come from there. It's very lovely now," said Madame Merle. The good sisters, standing with their hands folded into their sleeves, accepted this statement uncritically; and the master of the house asked his new visitor how long it was since she had left Rome. "She came to see me at the convent," said the young girl before the lady addressed had time to reply. "I've been more than once, Pansy," Madame Merle declared. "Am I not your great friend in Rome?" "I remember the last time best," said Pansy, "because you told me I should come away." "Did you tell her that?" the child's father asked. "I hardly remember. I told her what I thought would please her. I've been in Florence a week. I hoped you would come to see me." "I should have done so if I had known you were there. One doesn't know such things by inspiration--though I suppose one ought. You had better sit down." These two speeches were made in a particular tone of voice--a tone half-lowered and carefully quiet, but as from habit rather than from any definite need. Madame Merle looked about her, choosing her seat. "You're going to the door with these women? Let me of course not interrupt the ceremony. Je vous salue, mesdames," she added, in French, to the nuns, as if to dismiss them. "This lady's a great friend of ours; you will have seen her at the convent," said their entertainer. "We've much faith in her judgement, and she'll help me to decide whether my daughter shall return to you at the end of the holidays." "I hope you'll decide in our favour, madame," the sister in spectacles ventured to remark. "That's Mr. Osmond's pleasantry; I decide nothing," said Madame Merle, but also as in pleasantry. "I believe you've a very good school, but Miss Osmond's friends must remember that she's very naturally meant for the world." "That's what I've told monsieur," sister Catherine answered. "It's precisely to fit her for the world," she murmured, glancing at Pansy, who stood, at a little distance, attentive to Madame Merle's elegant apparel. "Do you hear that, Pansy? You're very naturally meant for the world," said Pansy's father. The child fixed him an instant with her pure young eyes. "Am I not meant for you, papa?" Papa gave a quick, light laugh. "That doesn't prevent it! I'm of the world, Pansy." "Kindly permit us to retire," said sister Catherine. "Be good and wise and happy in any case, my daughter." "I shall certainly come back and see you," Pansy returned, recommencing her embraces, which were presently interrupted by Madame Merle. "Stay with me, dear child," she said, "while your father takes the good ladies to the door." Pansy stared, disappointed, yet not protesting. She was evidently impregnated with the idea of submission, which was due to any one who took the tone of authority; and she was a passive spectator of the operation of her fate. "May I not see mamman Catherine get into the carriage?" she nevertheless asked very gently. "It would please me better if you'd remain with me," said Madame Merle, while Mr. Osmond and his companions, who had bowed low again to the other visitor, passed into the ante-chamber. "Oh yes, I'll stay," Pansy answered; and she stood near Madame Merle, surrendering her little hand, which this lady took. She stared out of the window; her eyes had filled with tears. "I'm glad they've taught you to obey," said Madame Merle. "That's what good little girls should do." "Oh yes, I obey very well," cried Pansy with soft eagerness, almost with boastfulness, as if she had been speaking of her piano-playing. And then she gave a faint, just audible sigh. Madame Merle, holding her hand, drew it across her own fine palm and looked at it. The gaze was critical, but it found nothing to deprecate; the child's small hand was delicate and fair. "I hope they always see that you wear gloves," she said in a moment. "Little girls usually dislike them." "I used to dislike them, but I like them now," the child made answer. "Very good, I'll make you a present of a dozen." "I thank you very much. What colours will they be?" Pansy demanded with interest. Madame Merle meditated. "Useful colours." "But very pretty?" "Are you very fond of pretty things?" "Yes; but--but not too fond," said Pansy with a trace of asceticism. "Well, they won't be too pretty," Madame Merle returned with a laugh. She took the child's other hand and drew her nearer; after which, looking at her a moment, "Shall you miss mother Catherine?" she went on. "Yes--when I think of her." "Try then not to think of her. Perhaps some day," added Madame Merle, "you'll have another mother." "I don't think that's necessary," Pansy said, repeating her little soft conciliatory sigh. "I had more than thirty mothers at the convent." Her father's step sounded again in the antechamber, and Madame Merle got up, releasing the child. Mr. Osmond came in and closed the door; then, without looking at Madame Merle, he pushed one or two chairs back into their places. His visitor waited a moment for him to speak, watching him as he moved about. Then at last she said: "I hoped you'd have come to Rome. I thought it possible you'd have wished yourself to fetch Pansy away." "That was a natural supposition; but I'm afraid it's not the first time I've acted in defiance of your calculations." "Yes," said Madame Merle, "I think you very perverse." Mr. Osmond busied himself for a moment in the room--there was plenty of space in it to move about--in the fashion of a man mechanically seeking pretexts for not giving an attention which may be embarrassing. Presently, however, he had exhausted his pretexts; there was nothing left for him--unless he took up a book--but to stand with his hands behind him looking at Pansy. "Why didn't you come and see the last of mamman Catherine?" he asked of her abruptly in French. Pansy hesitated a moment, glancing at Madame Merle. "I asked her to stay with me," said this lady, who had seated herself again in another place. "Ah, that was better," Osmond conceded. With which he dropped into a chair and sat looking at Madame Merle; bent forward a little, his elbows on the edge of the arms and his hands interlocked. "She's going to give me some gloves," said Pansy. "You needn't tell that to every one, my dear," Madame Merle observed. "You're very kind to her," said Osmond. "She's supposed to have everything she needs." "I should think she had had enough of the nuns." "If we're going to discuss that matter she had better go out of the room." "Let her stay," said Madame Merle. "We'll talk of something else." "If you like I won't listen," Pansy suggested with an appearance of candour which imposed conviction. "You may listen, charming child, because you won't understand," her father replied. The child sat down, deferentially, near the open door, within sight of the garden, into which she directed her innocent, wistful eyes; and Mr. Osmond went on irrelevantly, addressing himself to his other companion. "You're looking particularly well." "I think I always look the same," said Madame Merle. "You always ARE the same. You don't vary. You're a wonderful woman." "Yes, I think I am." "You sometimes change your mind, however. You told me on your return from England that you wouldn't leave Rome again for the present." "I'm pleased that you remember so well what I say. That was my intention. But I've come to Florence to meet some friends who have lately arrived and as to whose movements I was at that time uncertain." "That reason's characteristic. You're always doing something for your friends." Madame Merle smiled straight at her host. "It's less characteristic than your comment upon it which is perfectly insincere. I don't, however, make a crime of that," she added, "because if you don't believe what you say there's no reason why you should. I don't ruin myself for my friends; I don't deserve your praise. I care greatly for myself." "Exactly; but yourself includes so many other selves--so much of every one else and of everything. I never knew a person whose life touched so many other lives." "What do you call one's life?" asked Madame Merle. "One's appearance, one's movements, one's engagements, one's society?" "I call YOUR life your ambitions," said Osmond. Madame Merle looked a moment at Pansy. "I wonder if she understands that," she murmured. "You see she can't stay with us!" And Pansy's father gave rather a joyless smile. "Go into the garden, mignonne, and pluck a flower or two for Madame Merle," he went on in French. "That's just what I wanted to do," Pansy exclaimed, rising with promptness and noiselessly departing. Her father followed her to the open door, stood a moment watching her, and then came back, but remained standing, or rather strolling to and fro, as if to cultivate a sense of freedom which in another attitude might be wanting. "My ambitions are principally for you," said Madame Merle, looking up at him with a certain courage. "That comes back to what I say. I'm part of your life--I and a thousand others. You're not selfish--I can't admit that. If you were selfish, what should I be? What epithet would properly describe me?" "You're indolent. For me that's your worst fault." "I'm afraid it's really my best." "You don't care," said Madame Merle gravely. "No; I don't think I care much. What sort of a fault do you call that? My indolence, at any rate, was one of the reasons I didn't go to Rome. But it was only one of them." "It's not of importance--to me at least--that you didn't go; though I should have been glad to see you. I'm glad you're not in Rome now--which you might be, would probably be, if you had gone there a month ago. There's something I should like you to do at present in Florence." "Please remember my indolence," said Osmond. "I do remember it; but I beg you to forget it. In that way you'll have both the virtue and the reward. This is not a great labour, and it may prove a real interest. How long is it since you made a new acquaintance?" "I don't think I've made any since I made yours." "It's time then you should make another. There's a friend of mine I want you to know." Mr. Osmond, in his walk, had gone back to the open door again and was looking at his daughter as she moved about in the intense sunshine. "What good will it do me?" he asked with a sort of genial crudity. Madame Merle waited. "It will amuse you." There was nothing crude in this rejoinder; it had been thoroughly well considered. "If you say that, you know, I believe it," said Osmond, coming toward her. "There are some points in which my confidence in you is complete. I'm perfectly aware, for instance, that you know good society from bad." "Society is all bad." "Pardon me. That isn't--the knowledge I impute to you--a common sort of wisdom. You've gained it in the right way--experimentally; you've compared an immense number of more or less impossible people with each other." "Well, I invite you to profit by my knowledge." "To profit? Are you very sure that I shall?" "It's what I hope. It will depend on yourself. If I could only induce you to make an effort!" "Ah, there you are! I knew something tiresome was coming. What in the world--that's likely to turn up here--is worth an effort?" Madame Merle flushed as with a wounded intention. "Don't be foolish, Osmond. No one knows better than you what IS worth an effort. Haven't I seen you in old days?" "I recognise some things. But they're none of them probable in this poor life." "It's the effort that makes them probable," said Madame Merle. "There's something in that. Who then is your friend?" "The person I came to Florence to see. She's a niece of Mrs. Touchett, whom you'll not have forgotten." "A niece? The word niece suggests youth and ignorance. I see what you're coming to." "Yes, she's young--twenty-three years old. She's a great friend of mine. I met her for the first time in England, several months ago, and we struck up a grand alliance. I like her immensely, and I do what I don't do every day--I admire her. You'll do the same." "Not if I can help it." "Precisely. But you won't be able to help it." "Is she beautiful, clever, rich, splendid, universally intelligent and unprecedentedly virtuous? It's only on those conditions that I care to make her acquaintance. You know I asked you some time ago never to speak to me of a creature who shouldn't correspond to that description. I know plenty of dingy people; I don't want to know any more." "Miss Archer isn't dingy; she's as bright as the morning. She corresponds to your description; it's for that I wish you to know her. She fills all your requirements." "More or less, of course." "No; quite literally. She's beautiful, accomplished, generous and, for an American, well-born. She's also very clever and very amiable, and she has a handsome fortune." Mr. Osmond listened to this in silence, appearing to turn it over in his mind with his eyes on his informant. "What do you want to do with her?" he asked at last. "What you see. Put her in your way." "Isn't she meant for something better than that?" "I don't pretend to know what people are meant for," said Madame Merle. "I only know what I can do with them." "I'm sorry for Miss Archer!" Osmond declared. Madame Merle got up. "If that's a beginning of interest in her I take note of it." The two stood there face to face; she settled her mantilla, looking down at it as she did so. "You're looking very well," Osmond repeated still less relevantly than before. "You have some idea. You're never so well as when you've got an idea; they're always becoming to you." In the manner and tone of these two persons, on first meeting at any juncture, and especially when they met in the presence of others, was something indirect and circumspect, as if they had approached each other obliquely and addressed each other by implication. The effect of each appeared to be to intensify to an appreciable degree the self-consciousness of the other. Madame Merle of course carried off any embarrassment better than her friend; but even Madame Merle had not on this occasion the form she would have liked to have--the perfect self-possession she would have wished to wear for her host. The point to be made is, however, that at a certain moment the element between them, whatever it was, always levelled itself and left them more closely face to face than either ever was with any one else. This was what had happened now. They stood there knowing each other well and each on the whole willing to accept the satisfaction of knowing as a compensation for the inconvenience--whatever it might be--of being known. "I wish very much you were not so heartless," Madame Merle quietly said. "It has always been against you, and it will be against you now." "I'm not so heartless as you think. Every now and then something touches me--as for instance your saying just now that your ambitions are for me. I don't understand it; I don't see how or why they should be. But it touches me, all the same." "You'll probably understand it even less as time goes on. There are some things you'll never understand. There's no particular need you should." "You, after all, are the most remarkable of women," said Osmond. "You have more in you than almost any one. I don't see why you think Mrs. Touchett's niece should matter very much to me, when--when--" But he paused a moment. "When I myself have mattered so little?" "That of course is not what I meant to say. When I've known and appreciated such a woman as you." "Isabel Archer's better than I," said Madame Merle. Her companion gave a laugh. "How little you must think of her to say that!" "Do you suppose I'm capable of jealousy? Please answer me that." "With regard to me? No; on the whole I don't." "Come and see me then, two days hence. I'm staying at Mrs. Touchett's--Palazzo Crescentini--and the girl will be there." "Why didn't you ask me that at first simply, without speaking of the girl?" said Osmond. "You could have had her there at any rate." Madame Merle looked at him in the manner of a woman whom no question he could ever put would find unprepared. "Do you wish to know why? Because I've spoken of you to her." Osmond frowned and turned away. "I'd rather not know that." Then in a moment he pointed out the easel supporting the little water-colour drawing. "Have you seen what's there--my last?" Madame Merle drew near and considered. "Is it the Venetian Alps--one of your last year's sketches?" "Yes--but how you guess everything!" She looked a moment longer, then turned away. "You know I don't care for your drawings." "I know it, yet I'm always surprised at it. They're really so much better than most people's." "That may very well be. But as the only thing you do--well, it's so little. I should have liked you to do so many other things: those were my ambitions." "Yes; you've told me many times--things that were impossible." "Things that were impossible," said Madame Merle. And then in quite a different tone: "In itself your little picture's very good." She looked about the room--at the old cabinets, pictures, tapestries, surfaces of faded silk. "Your rooms at least are perfect. I'm struck with that afresh whenever I come back; I know none better anywhere. You understand this sort of thing as nobody anywhere does. You've such adorable taste." "I'm sick of my adorable taste," said Gilbert Osmond. "You must nevertheless let Miss Archer come and see it. I've told her about it." "I don't object to showing my things--when people are not idiots." "You do it delightfully. As cicerone of your museum you appear to particular advantage." Mr. Osmond, in return for this compliment, simply looked at once colder and more attentive. "Did you say she was rich?" "She has seventy thousand pounds." "En ecus bien comptes?" "There's no doubt whatever about her fortune. I've seen it, as I may say." "Satisfactory woman!--I mean you. And if I go to see her shall I see the mother?" "The mother? She has none--nor father either." "The aunt then--whom did you say?--Mrs. Touchett. I can easily keep her out of the way." "I don't object to her," said Osmond; "I rather like Mrs. Touchett. She has a sort of old-fashioned character that's passing away--a vivid identity. But that long jackanapes the son--is he about the place?" "He's there, but he won't trouble you." "He's a good deal of a donkey." "I think you're mistaken. He's a very clever man. But he's not fond of being about when I'm there, because he doesn't like me." "What could he be more asinine than that? Did you say she has looks?" Osmond went on. "Yes; but I won't say it again, lest you should be disappointed in them. Come and make a beginning; that's all I ask of you." "A beginning of what?" Madame Merle was silent a little. "I want you of course to marry her." "The beginning of the end? Well, I'll see for myself. Have you told her that?" "For what do you take me? She's not so coarse a piece of machinery--nor am I." "Really," said Osmond after some meditation, "I don't understand your ambitions." "I think you'll understand this one after you've seen Miss Archer. Suspend your judgement." Madame Merle, as she spoke, had drawn near the open door of the garden, where she stood a moment looking out. "Pansy has really grown pretty," she presently added. "So it seemed to me." "But she has had enough of the convent." "I don't know," said Osmond. "I like what they've made of her. It's very charming." "That's not the convent. It's the child's nature." "It's the combination, I think. She's as pure as a pearl." "Why doesn't she come back with my flowers then?" Madame Merle asked. "She's not in a hurry." "We'll go and get them." "She doesn't like me," the visitor murmured as she raised her parasol and they passed into the garden.

Chapter 22

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-22

The narrator introduces us to a new scene near Florence, now six months after Mr. Touchett's death. The narrator describes the facade of this house as an impenetrable mask, not a face. Two nuns, Gilbert Osmond, and his fifteen-year-old daughter Pansy are sitting in Mr. Osmond's house. Pansy has just returned from a convent school, and the nuns are sad to see her go. Apparently, she was a model pupil. Gilbert Osmond has been showing them his painting. Pansy has not seen her father in a while. He is surprised by her growth and her beauty. Pansy and Gilbert Osmond are multi-lingual and pan-European - they speak French, Italian, and English. Gilbert Osmond asks Pansy to collect flowers for the nuns outside. Pansy happily obeys, which seems to be her general modus operandi. Gilbert Osmond hasn't decided whether Pansy will return to the convent or not. The understanding is that she is made for the world, not for the nunnery. Pansy comes back with bouquets of white and red flowers. Osmond is about to show the nuns out when he sees someone entering the grounds: a familiar character, Madame Merle. Pansy is happy to see Madame Merle. She remembers how Madame Merle visited her while she was in the convent. Madame Merle asks Osmond why he did not visit her in Florence. Osmond walks the nuns out, and Madame Merle asks that Pansy stay with her instead of seeing her surrogate mothers off. Pansy obeys. Madame Merle compliments Pansy on being obedient and for wearing gloves. She promises to buy Pansy a dozen multicolored pairs of gloves. Pansy says that she is fond of pretty things, but, sensibly, not too fond. Madame Merle and Osmond talk as though Pansy was not in the room. Osmond finally asks her to go outside to pick flowers for Madame Merle. Madame Merle tells Osmond that she wants to introduce him to Isabel Archer. She wants Osmond to visit her at Mrs. Touchett's in Florence, where he will be able to meet Isabel. Osmond seems unmoved to do any such thing. He is lazy, and content with his life as it is. It's been a while since Osmond has made any new friends. He doesn't get out much. Madame Merle convinces Osmond that Isabel is better than even Madame Merle, since she is clever, beautiful, and rich. Madame Merle wants Osmond to marry Isabel. Osmond says that Madame Merle is looking well, so she must have a good idea - that's when she looks her best. It slowly becomes clear that Madame Merle wants Osmond to meet Isabel purely for Osmond's benefit. She does not seem to have Isabel's best intentions in mind. Madame Merle accuses Osmond of being heartless, which he denies. Osmond brags about his painting, but Madame Merle is unimpressed. She concedes that he has good taste, though. Osmond can tolerate Mrs. Touchett, though he doesn't like Ralph. Madame Merle thinks that Pansy should not go back to the convent. Osmond still is not convinced. Pansy still has not returned with the flowers, and Madame Merle laments the fact that Pansy does not like her much.

shmoop

all_chapterized_books/2833-chapters/23.txt

finished_summaries/shmoop/The Portrait of a Lady/section_22_part_0.txt

The Portrait of a Lady.chapter 23

chapter 23

{"name": "Chapter 23", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-23", "summary": "Madame Merle returns to Palazzo Crescentini, Mrs. Touchett's home in Florence. Madame Merle recommends Osmond to Isabel once more, telling her of his impressive traits. She ominously tells Isabel that she should interact with more men, so that she gets \"used\" to them - that is to say, so she learns which ones to despise. Uh... huh. Okay, Madame Merle. Ralph takes Isabel out on the town; she's delighted with Florence. Madame Merle has been there many times before , and can converse with them about the city, although she does not go out with them. Isabel loves Mrs. Touchett's house, and thinks that it is so rich with history and tradition that it's like living in the past. Gilbert Osmond pays a visit to Madame Merle and Isabel. Madame Merle and Osmond talk for most of the time and Isabel, for once, is mostly silent. Osmond invites Madame Merle and Isabel to his house next week. He suggests that he would like Isabel to meet Pansy. Isabel accepts the invitation. After Osmond leaves, Madame Merle commends Isabel for behaving just as she should have. Condescend much? Isabel is duly annoyed by this comment, and Madame Merle sweet-talks her back into a good mood. Isabel asks Ralph about Osmond, and Ralph confesses that he doesn't know much. He suspects that there's something shady about Osmond's sister. Ralph recommends that Isabel follows her own instincts, and doesn't listen to people's opinions about others. Ralph says that, as long as Isabel is with Madame Merle, she's in good hands. Isabel detects the usual trace of sarcasm when Ralph talks about Madame Merle, and asks him about it. Ralph says that Madame Merle is too perfect and too modest for how perfect she is. Right on the dot, Ralph. However, despite his misgivings about Madame Merle's creepy so-called perfection, he figures that Isabel can benefit from being friends with the older woman. We'll see about that....", "analysis": ""}

Madame Merle, who had come to Florence on Mrs. Touchett's arrival at the invitation of this lady--Mrs. Touchett offering her for a month the hospitality of Palazzo Crescentini--the judicious Madame Merle spoke to Isabel afresh about Gilbert Osmond and expressed the hope she might know him; making, however, no such point of the matter as we have seen her do in recommending the girl herself to Mr. Osmond's attention. The reason of this was perhaps that Isabel offered no resistance whatever to Madame Merle's proposal. In Italy, as in England, the lady had a multitude of friends, both among the natives of the country and its heterogeneous visitors. She had mentioned to Isabel most of the people the girl would find it well to "meet"--of course, she said, Isabel could know whomever in the wide world she would--and had placed Mr. Osmond near the top of the list. He was an old friend of her own; she had known him these dozen years; he was one of the cleverest and most agreeable men--well, in Europe simply. He was altogether above the respectable average; quite another affair. He wasn't a professional charmer--far from it, and the effect he produced depended a good deal on the state of his nerves and his spirits. When not in the right mood he could fall as low as any one, saved only by his looking at such hours rather like a demoralised prince in exile. But if he cared or was interested or rightly challenged--just exactly rightly it had to be--then one felt his cleverness and his distinction. Those qualities didn't depend, in him, as in so many people, on his not committing or exposing himself. He had his perversities--which indeed Isabel would find to be the case with all the men really worth knowing--and didn't cause his light to shine equally for all persons. Madame Merle, however, thought she could undertake that for Isabel he would be brilliant. He was easily bored, too easily, and dull people always put him out; but a quick and cultivated girl like Isabel would give him a stimulus which was too absent from his life. At any rate he was a person not to miss. One shouldn't attempt to live in Italy without making a friend of Gilbert Osmond, who knew more about the country than any one except two or three German professors. And if they had more knowledge than he it was he who had most perception and taste--being artistic through and through. Isabel remembered that her friend had spoken of him during their plunge, at Gardencourt, into the deeps of talk, and wondered a little what was the nature of the tie binding these superior spirits. She felt that Madame Merle's ties always somehow had histories, and such an impression was part of the interest created by this inordinate woman. As regards her relations with Mr. Osmond, however, she hinted at nothing but a long-established calm friendship. Isabel said she should be happy to know a person who had enjoyed so high a confidence for so many years. "You ought to see a great many men," Madame Merle remarked; "you ought to see as many as possible, so as to get used to them." "Used to them?" Isabel repeated with that solemn stare which sometimes seemed to proclaim her deficient in the sense of comedy. "Why, I'm not afraid of them--I'm as used to them as the cook to the butcher-boys." "Used to them, I mean, so as to despise them. That's what one comes to with most of them. You'll pick out, for your society, the few whom you don't despise." This was a note of cynicism that Madame Merle didn't often allow herself to sound; but Isabel was not alarmed, for she had never supposed that as one saw more of the world the sentiment of respect became the most active of one's emotions. It was excited, none the less, by the beautiful city of Florence, which pleased her not less than Madame Merle had promised; and if her unassisted perception had not been able to gauge its charms she had clever companions as priests to the mystery. She was--in no want indeed of esthetic illumination, for Ralph found it a joy that renewed his own early passion to act as cicerone to his eager young kinswoman. Madame Merle remained at home; she had seen the treasures of Florence again and again and had always something else to do. But she talked of all things with remarkable vividness of memory--she recalled the right-hand corner of the large Perugino and the position of the hands of the Saint Elizabeth in the picture next to it. She had her opinions as to the character of many famous works of art, differing often from Ralph with great sharpness and defending her interpretations with as much ingenuity as good-humour. Isabel listened to the discussions taking place between the two with a sense that she might derive much benefit from them and that they were among the advantages she couldn't have enjoyed for instance in Albany. In the clear May mornings before the formal breakfast--this repast at Mrs. Touchett's was served at twelve o'clock--she wandered with her cousin through the narrow and sombre Florentine streets, resting a while in the thicker dusk of some historic church or the vaulted chambers of some dispeopled convent. She went to the galleries and palaces; she looked at the pictures and statues that had hitherto been great names to her, and exchanged for a knowledge which was sometimes a limitation a presentiment which proved usually to have been a blank. She performed all those acts of mental prostration in which, on a first visit to Italy, youth and enthusiasm so freely indulge; she felt her heart beat in the presence of immortal genius and knew the sweetness of rising tears in eyes to which faded fresco and darkened marble grew dim. But the return, every day, was even pleasanter than the going forth; the return into the wide, monumental court of the great house in which Mrs. Touchett, many years before, had established herself, and into the high, cool rooms where the carven rafters and pompous frescoes of the sixteenth century looked down on the familiar commodities of the age of advertisement. Mrs. Touchett inhabited an historic building in a narrow street whose very name recalled the strife of medieval factions; and found compensation for the darkness of her frontage in the modicity of her rent and the brightness of a garden where nature itself looked as archaic as the rugged architecture of the palace and which cleared and scented the rooms in regular use. To live in such a place was, for Isabel, to hold to her ear all day a shell of the sea of the past. This vague eternal rumour kept her imagination awake. Gilbert Osmond came to see Madame Merle, who presented him to the young lady lurking at the other side of the room. Isabel took on this occasion little part in the talk; she scarcely even smiled when the others turned to her invitingly; she sat there as if she had been at the play and had paid even a large sum for her place. Mrs. Touchett was not present, and these two had it, for the effect of brilliancy, all their own way. They talked of the Florentine, the Roman, the cosmopolite world, and might have been distinguished performers figuring for a charity. It all had the rich readiness that would have come from rehearsal. Madame Merle appealed to her as if she had been on the stage, but she could ignore any learnt cue without spoiling the scene--though of course she thus put dreadfully in the wrong the friend who had told Mr. Osmond she could be depended on. This was no matter for once; even if more had been involved she could have made no attempt to shine. There was something in the visitor that checked her and held her in suspense--made it more important she should get an impression of him than that she should produce one herself. Besides, she had little skill in producing an impression which she knew to be expected: nothing could be happier, in general, than to seem dazzling, but she had a perverse unwillingness to glitter by arrangement. Mr. Osmond, to do him justice, had a well-bred air of expecting nothing, a quiet ease that covered everything, even the first show of his own wit. This was the more grateful as his face, his head, was sensitive; he was not handsome, but he was fine, as fine as one of the drawings in the long gallery above the bridge of the Uffizi. And his very voice was fine--the more strangely that, with its clearness, it yet somehow wasn't sweet. This had had really to do with making her abstain from interference. His utterance was the vibration of glass, and if she had put out her finger she might have changed the pitch and spoiled the concert. Yet before he went she had to speak. "Madame Merle," he said, "consents to come up to my hill-top some day next week and drink tea in my garden. It would give me much pleasure if you would come with her. It's thought rather pretty--there's what they call a general view. My daughter too would be so glad--or rather, for she's too young to have strong emotions, I should be so glad--so very glad." And Mr. Osmond paused with a slight air of embarrassment, leaving his sentence unfinished. "I should be so happy if you could know my daughter," he went on a moment afterwards. Isabel replied that she should be delighted to see Miss Osmond and that if Madame Merle would show her the way to the hill-top she should be very grateful. Upon this assurance the visitor took his leave; after which Isabel fully expected her friend would scold her for having been so stupid. But to her surprise that lady, who indeed never fell into the mere matter-of-course, said to her in a few moments, "You were charming, my dear; you were just as one would have wished you. You're never disappointing." A rebuke might possibly have been irritating, though it is much more probable that Isabel would have taken it in good part; but, strange to say, the words that Madame Merle actually used caused her the first feeling of displeasure she had known this ally to excite. "That's more than I intended," she answered coldly. "I'm under no obligation that I know of to charm Mr. Osmond." Madame Merle perceptibly flushed, but we know it was not her habit to retract. "My dear child, I didn't speak for him, poor man; I spoke for yourself. It's not of course a question as to his liking you; it matters little whether he likes you or not! But I thought you liked HIM." "I did," said Isabel honestly. "But I don't see what that matters either." "Everything that concerns you matters to me," Madame Merle returned with her weary nobleness; "especially when at the same time another old friend's concerned." Whatever Isabel's obligations may have been to Mr. Osmond, it must be admitted that she found them sufficient to lead her to put to Ralph sundry questions about him. She thought Ralph's judgements distorted by his trials, but she flattered herself she had learned to make allowance for that. "Do I know him?" said her cousin. "Oh, yes, I 'know' him; not well, but on the whole enough. I've never cultivated his society, and he apparently has never found mine indispensable to his happiness. Who is he, what is he? He's a vague, unexplained American who has been living these thirty years, or less, in Italy. Why do I call him unexplained? Only as a cover for my ignorance; I don't know his antecedents, his family, his origin. For all I do know he may be a prince in disguise; he rather looks like one, by the way--like a prince who has abdicated in a fit of fastidiousness and has been in a state of disgust ever since. He used to live in Rome; but of late years he has taken up his abode here; I remember hearing him say that Rome has grown vulgar. He has a great dread of vulgarity; that's his special line; he hasn't any other that I know of. He lives on his income, which I suspect of not being vulgarly large. He's a poor but honest gentleman that's what he calls himself. He married young and lost his wife, and I believe he has a daughter. He also has a sister, who's married to some small Count or other, of these parts; I remember meeting her of old. She's nicer than he, I should think, but rather impossible. I remember there used to be some stories about her. I don't think I recommend you to know her. But why don't you ask Madame Merle about these people? She knows them all much better than I." "I ask you because I want your opinion as well as hers," said Isabel. "A fig for my opinion! If you fall in love with Mr. Osmond what will you care for that?" "Not much, probably. But meanwhile it has a certain importance. The more information one has about one's dangers the better." "I don't agree to that--it may make them dangers. We know too much about people in these days; we hear too much. Our ears, our minds, our mouths, are stuffed with personalities. Don't mind anything any one tells you about any one else. Judge everyone and everything for yourself." "That's what I try to do," said Isabel "but when you do that people call you conceited." "You're not to mind them--that's precisely my argument; not to mind what they say about yourself any more than what they say about your friend or your enemy." Isabel considered. "I think you're right; but there are some things I can't help minding: for instance when my friend's attacked or when I myself am praised." "Of course you're always at liberty to judge the critic. Judge people as critics, however," Ralph added, "and you'll condemn them all!" "I shall see Mr. Osmond for myself," said Isabel. "I've promised to pay him a visit." "To pay him a visit?" "To go and see his view, his pictures, his daughter--I don't know exactly what. Madame Merle's to take me; she tells me a great many ladies call on him." "Ah, with Madame Merle you may go anywhere, de confiance," said Ralph. "She knows none but the best people." Isabel said no more about Mr. Osmond, but she presently remarked to her cousin that she was not satisfied with his tone about Madame Merle. "It seems to me you insinuate things about her. I don't know what you mean, but if you've any grounds for disliking her I think you should either mention them frankly or else say nothing at all." Ralph, however, resented this charge with more apparent earnestness than he commonly used. "I speak of Madame Merle exactly as I speak to her: with an even exaggerated respect." "Exaggerated, precisely. That's what I complain of." "I do so because Madame Merle's merits are exaggerated." "By whom, pray? By me? If so I do her a poor service." "No, no; by herself." "Ah, I protest!" Isabel earnestly cried. "If ever there was a woman who made small claims--!" "You put your finger on it," Ralph interrupted. "Her modesty's exaggerated. She has no business with small claims--she has a perfect right to make large ones." "Her merits are large then. You contradict yourself." "Her merits are immense," said Ralph. "She's indescribably blameless; a pathless desert of virtue; the only woman I know who never gives one a chance." "A chance for what?" "Well, say to call her a fool! She's the only woman I know who has but that one little fault." Isabel turned away with impatience. "I don't understand you; you're too paradoxical for my plain mind." "Let me explain. When I say she exaggerates I don't mean it in the vulgar sense--that she boasts, overstates, gives too fine an account of herself. I mean literally that she pushes the search for perfection too far--that her merits are in themselves overstrained. She's too good, too kind, too clever, too learned, too accomplished, too everything. She's too complete, in a word. I confess to you that she acts on my nerves and that I feel about her a good deal as that intensely human Athenian felt about Aristides the Just." Isabel looked hard at her cousin; but the mocking spirit, if it lurked in his words, failed on this occasion to peep from his face. "Do you wish Madame Merle to be banished?" "By no means. She's much too good company. I delight in Madame Merle," said Ralph Touchett simply. "You're very odious, sir!" Isabel exclaimed. And then she asked him if he knew anything that was not to the honour of her brilliant friend. "Nothing whatever. Don't you see that's just what I mean? On the character of every one else you may find some little black speck; if I were to take half an hour to it, some day, I've no doubt I should be able to find one on yours. For my own, of course, I'm spotted like a leopard. But on Madame Merle's nothing, nothing, nothing!" "That's just what I think!" said Isabel with a toss of her head. "That is why I like her so much." "She's a capital person for you to know. Since you wish to see the world you couldn't have a better guide." "I suppose you mean by that that she's worldly?" "Worldly? No," said Ralph, "she's the great round world itself!" It had certainly not, as Isabel for the moment took it into her head to believe, been a refinement of malice in him to say that he delighted in Madame Merle. Ralph Touchett took his refreshment wherever he could find it, and he would not have forgiven himself if he had been left wholly unbeguiled by such a mistress of the social art. There are deep-lying sympathies and antipathies, and it may have been that, in spite of the administered justice she enjoyed at his hands, her absence from his mother's house would not have made life barren to him. But Ralph Touchett had learned more or less inscrutably to attend, and there could have been nothing so "sustained" to attend to as the general performance of Madame Merle. He tasted her in sips, he let her stand, with an opportuneness she herself could not have surpassed. There were moments when he felt almost sorry for her; and these, oddly enough, were the moments when his kindness was least demonstrative. He was sure she had been yearningly ambitious and that what she had visibly accomplished was far below her secret measure. She had got herself into perfect training, but had won none of the prizes. She was always plain Madame Merle, the widow of a Swiss negociant, with a small income and a large acquaintance, who stayed with people a great deal and was almost as universally "liked" as some new volume of smooth twaddle. The contrast between this position and any one of some half-dozen others that he supposed to have at various moments engaged her hope had an element of the tragical. His mother thought he got on beautifully with their genial guest; to Mrs. Touchett's sense two persons who dealt so largely in too-ingenious theories of conduct--that is of their own--would have much in common. He had given due consideration to Isabel's intimacy with her eminent friend, having long since made up his mind that he could not, without opposition, keep his cousin to himself; and he made the best of it, as he had done of worse things. He believed it would take care of itself; it wouldn't last forever. Neither of these two superior persons knew the other as well as she supposed, and when each had made an important discovery or two there would be, if not a rupture, at least a relaxation. Meanwhile he was quite willing to admit that the conversation of the elder lady was an advantage to the younger, who had a great deal to learn and would doubtless learn it better from Madame Merle than from some other instructors of the young. It was not probable that Isabel would be injured.

Chapter 23

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-23

Madame Merle returns to Palazzo Crescentini, Mrs. Touchett's home in Florence. Madame Merle recommends Osmond to Isabel once more, telling her of his impressive traits. She ominously tells Isabel that she should interact with more men, so that she gets "used" to them - that is to say, so she learns which ones to despise. Uh... huh. Okay, Madame Merle. Ralph takes Isabel out on the town; she's delighted with Florence. Madame Merle has been there many times before , and can converse with them about the city, although she does not go out with them. Isabel loves Mrs. Touchett's house, and thinks that it is so rich with history and tradition that it's like living in the past. Gilbert Osmond pays a visit to Madame Merle and Isabel. Madame Merle and Osmond talk for most of the time and Isabel, for once, is mostly silent. Osmond invites Madame Merle and Isabel to his house next week. He suggests that he would like Isabel to meet Pansy. Isabel accepts the invitation. After Osmond leaves, Madame Merle commends Isabel for behaving just as she should have. Condescend much? Isabel is duly annoyed by this comment, and Madame Merle sweet-talks her back into a good mood. Isabel asks Ralph about Osmond, and Ralph confesses that he doesn't know much. He suspects that there's something shady about Osmond's sister. Ralph recommends that Isabel follows her own instincts, and doesn't listen to people's opinions about others. Ralph says that, as long as Isabel is with Madame Merle, she's in good hands. Isabel detects the usual trace of sarcasm when Ralph talks about Madame Merle, and asks him about it. Ralph says that Madame Merle is too perfect and too modest for how perfect she is. Right on the dot, Ralph. However, despite his misgivings about Madame Merle's creepy so-called perfection, he figures that Isabel can benefit from being friends with the older woman. We'll see about that....

shmoop

all_chapterized_books/2833-chapters/24.txt

finished_summaries/shmoop/The Portrait of a Lady/section_23_part_0.txt

The Portrait of a Lady.chapter 24

chapter 24

{"name": "Chapter 24", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-24", "summary": "It is springtime in Italy, and Isabel comes to visit Casa Osmond. Isabel meets Pansy and Osmond's sister, Countess Gemini. Countess Gemini, a bird-like creature, is a real hoot . The Countess passive-aggressively states that she never visits her brother, because he never invites her, but that she came mainly to meet Isabel. Countess Gemini declares that ignorance is bliss, so she doesn't like to know things. She also says that she doesn't like to analyze things; she simply thinks what she thinks. Osmond is especially attentive to Isabel. Madame Merle leads Countess Gemini outdoors to walk around, leaving Isabel alone with Osmond and his daughter. Isabel figures they'll go outside, too, but Osmond makes no motion to do so. Osmond asks Isabel of her opinion of his sister. He implies that Countess Gemini is not the best wife, because she does not speak the language of marriage -- um, whatever that means. Osmond shows Isabel his extensive collection of art. Isabel reflects on the types of people she knows, and decides that Osmond is a new type of person in her life. As we know, Isabel is always intrigued by novelty. They join Madame Merle and Countess Gemini for tea outside, enjoying the beautiful view. Osmond says that the one plan he made was to be easily satisfied. He claims that he was not naturally indifferent, but trained himself to be so. When Isabel asks him why he would resign himself to any small fate, Osmond says that he had little going for him: He wasn't talented or rich. Osmond says that he will now do whatever is best for Pansy, and Isabel agrees. Osmond, playing the loving-father-act, declares that Pansy is his greatest joy.", "analysis": ""}

It would certainly have been hard to see what injury could arise to her from the visit she presently paid to Mr. Osmond's hill-top. Nothing could have been more charming than this occasion--a soft afternoon in the full maturity of the Tuscan spring. The companions drove out of the Roman Gate, beneath the enormous blank superstructure which crowns the fine clear arch of that portal and makes it nakedly impressive, and wound between high-walled lanes into which the wealth of blossoming orchards over-drooped and flung a fragrance, until they reached the small superurban piazza, of crooked shape, where the long brown wall of the villa occupied in part by Mr. Osmond formed a principal, or at least a very imposing, object. Isabel went with her friend through a wide, high court, where a clear shadow rested below and a pair of light-arched galleries, facing each other above, caught the upper sunshine upon their slim columns and the flowering plants in which they were dressed. There was something grave and strong in the place; it looked somehow as if, once you were in, you would need an act of energy to get out. For Isabel, however, there was of course as yet no thought of getting out, but only of advancing. Mr. Osmond met her in the cold ante-chamber--it was cold even in the month of May--and ushered her, with her conductress, into the apartment to which we have already been introduced. Madame Merle was in front, and while Isabel lingered a little, talking with him, she went forward familiarly and greeted two persons who were seated in the saloon. One of these was little Pansy, on whom she bestowed a kiss; the other was a lady whom Mr. Osmond indicated to Isabel as his sister, the Countess Gemini. "And that's my little girl," he said, "who has just come out of her convent." Pansy had on a scant white dress, and her fair hair was neatly arranged in a net; she wore her small shoes tied sandal-fashion about her ankles. She made Isabel a little conventual curtsey and then came to be kissed. The Countess Gemini simply nodded without getting up: Isabel could see she was a woman of high fashion. She was thin and dark and not at all pretty, having features that suggested some tropical bird--a long beak-like nose, small, quickly-moving eyes and a mouth and chin that receded extremely. Her expression, however, thanks to various intensities of emphasis and wonder, of horror and joy, was not inhuman, and, as regards her appearance, it was plain she understood herself and made the most of her points. Her attire, voluminous and delicate, bristling with elegance, had the look of shimmering plumage, and her attitudes were as light and sudden as those of a creature who perched upon twigs. She had a great deal of manner; Isabel, who had never known any one with so much manner, immediately classed her as the most affected of women. She remembered that Ralph had not recommended her as an acquaintance; but she was ready to acknowledge that to a casual view the Countess Gemini revealed no depths. Her demonstrations suggested the violent waving of some flag of general truce--white silk with fluttering streamers. "You'll believe I'm glad to see you when I tell you it's only because I knew you were to be here that I came myself. I don't come and see my brother--I make him come and see me. This hill of his is impossible--I don't see what possesses him. Really, Osmond, you'll be the ruin of my horses some day, and if it hurts them you'll have to give me another pair. I heard them wheezing to-day; I assure you I did. It's very disagreeable to hear one's horses wheezing when one's sitting in the carriage; it sounds too as if they weren't what they should be. But I've always had good horses; whatever else I may have lacked I've always managed that. My husband doesn't know much, but I think he knows a horse. In general Italians don't, but my husband goes in, according to his poor light, for everything English. My horses are English--so it's all the greater pity they should be ruined. I must tell you," she went on, directly addressing Isabel, "that Osmond doesn't often invite me; I don't think he likes to have me. It was quite my own idea, coming to-day. I like to see new people, and I'm sure you're very new. But don't sit there; that chair's not what it looks. There are some very good seats here, but there are also some horrors." These remarks were delivered with a series of little jerks and pecks, of roulades of shrillness, and in an accent that was as some fond recall of good English, or rather of good American, in adversity. "I don't like to have you, my dear?" said her brother. "I'm sure you're invaluable." "I don't see any horrors anywhere," Isabel returned, looking about her. "Everything seems to me beautiful and precious." "I've a few good things," Mr. Osmond allowed; "indeed I've nothing very bad. But I've not what I should have liked." He stood there a little awkwardly, smiling and glancing about; his manner was an odd mixture of the detached and the involved. He seemed to hint that nothing but the right "values" was of any consequence. Isabel made a rapid induction: perfect simplicity was not the badge of his family. Even the little girl from the convent, who, in her prim white dress, with her small submissive face and her hands locked before her, stood there as if she were about to partake of her first communion, even Mr. Osmond's diminutive daughter had a kind of finish that was not entirely artless. "You'd have liked a few things from the Uffizi and the Pitti--that's what you'd have liked," said Madame Merle. "Poor Osmond, with his old curtains and crucifixes!" the Countess Gemini exclaimed: she appeared to call her brother only by his family-name. Her ejaculation had no particular object; she smiled at Isabel as she made it and looked at her from head to foot. Her brother had not heard her; he seemed to be thinking what he could say to Isabel. "Won't you have some tea?--you must be very tired," he at last bethought himself of remarking. "No indeed, I'm not tired; what have I done to tire me?" Isabel felt a certain need of being very direct, of pretending to nothing; there was something in the air, in her general impression of things--she could hardly have said what it was--that deprived her of all disposition to put herself forward. The place, the occasion, the combination of people, signified more than lay on the surface; she would try to understand--she would not simply utter graceful platitudes. Poor Isabel was doubtless not aware that many women would have uttered graceful platitudes to cover the working of their observation. It must be confessed that her pride was a trifle alarmed. A man she had heard spoken of in terms that excited interest and who was evidently capable of distinguishing himself, had invited her, a young lady not lavish of her favours, to come to his house. Now that she had done so the burden of the entertainment rested naturally on his wit. Isabel was not rendered less observant, and for the moment, we judge, she was not rendered more indulgent, by perceiving that Mr. Osmond carried his burden less complacently than might have been expected. "What a fool I was to have let myself so needlessly in--!" she could fancy his exclaiming to himself. "You'll be tired when you go home, if he shows you all his bibelots and gives you a lecture on each," said the Countess Gemini. "I'm not afraid of that; but if I'm tired I shall at least have learned something." "Very little, I suspect. But my sister's dreadfully afraid of learning anything," said Mr. Osmond. "Oh, I confess to that; I don't want to know anything more--I know too much already. The more you know the more unhappy you are." "You should not undervalue knowledge before Pansy, who has not finished her education," Madame Merle interposed with a smile. "Pansy will never know any harm," said the child's father. "Pansy's a little convent-flower." "Oh, the convents, the convents!" cried the Countess with a flutter of her ruffles. "Speak to me of the convents! You may learn anything there; I'm a convent-flower myself. I don't pretend to be good, but the nuns do. Don't you see what I mean?" she went on, appealing to Isabel. Isabel was not sure she saw, and she answered that she was very bad at following arguments. The Countess then declared that she herself detested arguments, but that this was her brother's taste--he would always discuss. "For me," she said, "one should like a thing or one shouldn't; one can't like everything, of course. But one shouldn't attempt to reason it out--you never know where it may lead you. There are some very good feelings that may have bad reasons, don't you know? And then there are very bad feelings, sometimes, that have good reasons. Don't you see what I mean? I don't care anything about reasons, but I know what I like." "Ah, that's the great thing," said Isabel, smiling and suspecting that her acquaintance with this lightly flitting personage would not lead to intellectual repose. If the Countess objected to argument Isabel at this moment had as little taste for it, and she put out her hand to Pansy with a pleasant sense that such a gesture committed her to nothing that would admit of a divergence of views. Gilbert Osmond apparently took a rather hopeless view of his sister's tone; he turned the conversation to another topic. He presently sat down on the other side of his daughter, who had shyly brushed Isabel's fingers with her own; but he ended by drawing her out of her chair and making her stand between his knees, leaning against him while he passed his arm round her slimness. The child fixed her eyes on Isabel with a still, disinterested gaze which seemed void of an intention, yet conscious of an attraction. Mr. Osmond talked of many things; Madame Merle had said he could be agreeable when he chose, and to-day, after a little, he appeared not only to have chosen but to have determined. Madame Merle and the Countess Gemini sat a little apart, conversing in the effortless manner of persons who knew each other well enough to take their ease; but every now and then Isabel heard the Countess, at something said by her companion, plunge into the latter's lucidity as a poodle splashes after a thrown stick. It was as if Madame Merle were seeing how far she would go. Mr. Osmond talked of Florence, of Italy, of the pleasure of living in that country and of the abatements to the pleasure. There were both satisfactions and drawbacks; the drawbacks were numerous; strangers were too apt to see such a world as all romantic. It met the case soothingly for the human, for the social failure--by which he meant the people who couldn't "realise," as they said, on their sensibility: they could keep it about them there, in their poverty, without ridicule, as you might keep an heirloom or an inconvenient entailed place that brought you in nothing. Thus there were advantages in living in the country which contained the greatest sum of beauty. Certain impressions you could get only there. Others, favourable to life, you never got, and you got some that were very bad. But from time to time you got one of a quality that made up for everything. Italy, all the same, had spoiled a great many people; he was even fatuous enough to believe at times that he himself might have been a better man if he had spent less of his life there. It made one idle and dilettantish and second-rate; it had no discipline for the character, didn't cultivate in you, otherwise expressed, the successful social and other "cheek" that flourished in Paris and London. "We're sweetly provincial," said Mr. Osmond, "and I'm perfectly aware that I myself am as rusty as a key that has no lock to fit it. It polishes me up a little to talk with you--not that I venture to pretend I can turn that very complicated lock I suspect your intellect of being! But you'll be going away before I've seen you three times, and I shall perhaps never see you after that. That's what it is to live in a country that people come to. When they're disagreeable here it's bad enough; when they're agreeable it's still worse. As soon as you like them they're off again! I've been deceived too often; I've ceased to form attachments, to permit myself to feel attractions. You mean to stay--to settle? That would be really comfortable. Ah yes, your aunt's a sort of guarantee; I believe she may be depended on. Oh, she's an old Florentine; I mean literally an old one; not a modern outsider. She's a contemporary of the Medici; she must have been present at the burning of Savonarola, and I'm not sure she didn't throw a handful of chips into the flame. Her face is very much like some faces in the early pictures; little, dry, definite faces that must have had a good deal of expression, but almost always the same one. Indeed I can show you her portrait in a fresco of Ghirlandaio's. I hope you don't object to my speaking that way of your aunt, eh? I've an idea you don't. Perhaps you think that's even worse. I assure you there's no want of respect in it, to either of you. You know I'm a particular admirer of Mrs. Touchett." While Isabel's host exerted himself to entertain her in this somewhat confidential fashion she looked occasionally at Madame Merle, who met her eyes with an inattentive smile in which, on this occasion, there was no infelicitous intimation that our heroine appeared to advantage. Madame Merle eventually proposed to the Countess Gemini that they should go into the garden, and the Countess, rising and shaking out her feathers, began to rustle toward the door. "Poor Miss Archer!" she exclaimed, surveying the other group with expressive compassion. "She has been brought quite into the family." "Miss Archer can certainly have nothing but sympathy for a family to which you belong," Mr. Osmond answered, with a laugh which, though it had something of a mocking ring, had also a finer patience. "I don't know what you mean by that! I'm sure she'll see no harm in me but what you tell her. I'm better than he says, Miss Archer," the Countess went on. "I'm only rather an idiot and a bore. Is that all he has said? Ah then, you keep him in good-humour. Has he opened on one of his favourite subjects? I give you notice that there are two or three that he treats a fond. In that case you had better take off your bonnet." "I don't think I know what Mr. Osmond's favourite subjects are," said Isabel, who had risen to her feet. The Countess assumed for an instant an attitude of intense meditation, pressing one of her hands, with the finger-tips gathered together, to her forehead. "I'll tell you in a moment. One's Machiavelli; the other's Vittoria Colonna; the next is Metastasio." "Ah, with me," said Madame Merle, passing her arm into the Countess Gemini's as if to guide her course to the garden, "Mr. Osmond's never so historical." "Oh you," the Countess answered as they moved away, "you yourself are Machiavelli--you yourself are Vittoria Colonna!" "We shall hear next that poor Madame Merle is Metastasio!" Gilbert Osmond resignedly sighed. Isabel had got up on the assumption that they too were to go into the garden; but her host stood there with no apparent inclination to leave the room, his hands in the pockets of his jacket and his daughter, who had now locked her arm into one of his own, clinging to him and looking up while her eyes moved from his own face to Isabel's. Isabel waited, with a certain unuttered contentedness, to have her movements directed; she liked Mr. Osmond's talk, his company: she had what always gave her a very private thrill, the consciousness of a new relation. Through the open doors of the great room she saw Madame Merle and the Countess stroll across the fine grass of the garden; then she turned, and her eyes wandered over the things scattered about her. The understanding had been that Mr. Osmond should show her his treasures; his pictures and cabinets all looked like treasures. Isabel after a moment went toward one of the pictures to see it better; but just as she had done so he said to her abruptly: "Miss Archer, what do you think of my sister?" She faced him with some surprise. "Ah, don't ask me that--I've seen your sister too little." "Yes, you've seen her very little; but you must have observed that there is not a great deal of her to see. What do you think of our family tone?" he went on with his cool smile. "I should like to know how it strikes a fresh, unprejudiced mind. I know what you're going to say--you've had almost no observation of it. Of course this is only a glimpse. But just take notice, in future, if you have a chance. I sometimes think we've got into a rather bad way, living off here among things and people not our own, without responsibilities or attachments, with nothing to hold us together or keep us up; marrying foreigners, forming artificial tastes, playing tricks with our natural mission. Let me add, though, that I say that much more for myself than for my sister. She's a very honest lady--more so than she seems. She's rather unhappy, and as she's not of a serious turn she doesn't tend to show it tragically: she shows it comically instead. She has got a horrid husband, though I'm not sure she makes the best of him. Of course, however, a horrid husband's an awkward thing. Madame Merle gives her excellent advice, but it's a good deal like giving a child a dictionary to learn a language with. He can look out the words, but he can't put them together. My sister needs a grammar, but unfortunately she's not grammatical. Pardon my troubling you with these details; my sister was very right in saying you've been taken into the family. Let me take down that picture; you want more light." He took down the picture, carried it toward the window, related some curious facts about it. She looked at the other works of art, and he gave her such further information as might appear most acceptable to a young lady making a call on a summer afternoon. His pictures, his medallions and tapestries were interesting; but after a while Isabel felt the owner much more so, and independently of them, thickly as they seemed to overhang him. He resembled no one she had ever seen; most of the people she knew might be divided into groups of half a dozen specimens. There were one or two exceptions to this; she could think for instance of no group that would contain her aunt Lydia. There were other people who were, relatively speaking, original--original, as one might say, by courtesy such as Mr. Goodwood, as her cousin Ralph, as Henrietta Stackpole, as Lord Warburton, as Madame Merle. But in essentials, when one came to look at them, these individuals belonged to types already present to her mind. Her mind contained no class offering a natural place to Mr. Osmond--he was a specimen apart. It was not that she recognised all these truths at the hour, but they were falling into order before her. For the moment she only said to herself that this "new relation" would perhaps prove her very most distinguished. Madame Merle had had that note of rarity, but what quite other power it immediately gained when sounded by a man! It was not so much what he said and did, but rather what he withheld, that marked him for her as by one of those signs of the highly curious that he was showing her on the underside of old plates and in the corner of sixteenth-century drawings: he indulged in no striking deflections from common usage, he was an original without being an eccentric. She had never met a person of so fine a grain. The peculiarity was physical, to begin with, and it extended to impalpabilities. His dense, delicate hair, his overdrawn, retouched features, his clear complexion, ripe without being coarse, the very evenness of the growth of his beard, and that light, smooth slenderness of structure which made the movement of a single one of his fingers produce the effect of an expressive gesture--these personal points struck our sensitive young woman as signs of quality, of intensity, somehow as promises of interest. He was certainly fastidious and critical; he was probably irritable. His sensibility had governed him--possibly governed him too much; it had made him impatient of vulgar troubles and had led him to live by himself, in a sorted, sifted, arranged world, thinking about art and beauty and history. He had consulted his taste in everything--his taste alone perhaps, as a sick man consciously incurable consults at last only his lawyer: that was what made him so different from every one else. Ralph had something of this same quality, this appearance of thinking that life was a matter of connoisseurship; but in Ralph it was an anomaly, a kind of humorous excrescence, whereas in Mr. Osmond it was the keynote, and everything was in harmony with it. She was certainly far from understanding him completely; his meaning was not at all times obvious. It was hard to see what he meant for instance by speaking of his provincial side--which was exactly the side she would have taken him most to lack. Was it a harmless paradox, intended to puzzle her? or was it the last refinement of high culture? She trusted she should learn in time; it would be very interesting to learn. If it was provincial to have that harmony, what then was the finish of the capital? And she could put this question in spite of so feeling her host a shy personage; since such shyness as his--the shyness of ticklish nerves and fine perceptions--was perfectly consistent with the best breeding. Indeed it was almost a proof of standards and touchstones other than the vulgar: he must be so sure the vulgar would be first on the ground. He wasn't a man of easy assurance, who chatted and gossiped with the fluency of a superficial nature; he was critical of himself as well as of others, and, exacting a good deal of others, to think them agreeable, probably took a rather ironical view of what he himself offered: a proof into the bargain that he was not grossly conceited. If he had not been shy he wouldn't have effected that gradual, subtle, successful conversion of it to which she owed both what pleased her in him and what mystified her. If he had suddenly asked her what she thought of the Countess Gemini, that was doubtless a proof that he was interested in her; it could scarcely be as a help to knowledge of his own sister. That he should be so interested showed an enquiring mind; but it was a little singular he should sacrifice his fraternal feeling to his curiosity. This was the most eccentric thing he had done. There were two other rooms, beyond the one in which she had been received, equally full of romantic objects, and in these apartments Isabel spent a quarter of an hour. Everything was in the last degree curious and precious, and Mr. Osmond continued to be the kindest of ciceroni as he led her from one fine piece to another and still held his little girl by the hand. His kindness almost surprised our young friend, who wondered why he should take so much trouble for her; and she was oppressed at last with the accumulation of beauty and knowledge to which she found herself introduced. There was enough for the present; she had ceased to attend to what he said; she listened to him with attentive eyes, but was not thinking of what he told her. He probably thought her quicker, cleverer in every way, more prepared, than she was. Madame Merle would have pleasantly exaggerated; which was a pity, because in the end he would be sure to find out, and then perhaps even her real intelligence wouldn't reconcile him to his mistake. A part of Isabel's fatigue came from the effort to appear as intelligent as she believed Madame Merle had described her, and from the fear (very unusual with her) of exposing--not her ignorance; for that she cared comparatively little--but her possible grossness of perception. It would have annoyed her to express a liking for something he, in his superior enlightenment, would think she oughtn't to like; or to pass by something at which the truly initiated mind would arrest itself. She had no wish to fall into that grotesqueness--in which she had seen women (and it was a warning) serenely, yet ignobly, flounder. She was very careful therefore as to what she said, as to what she noticed or failed to notice; more careful than she had ever been before. They came back into the first of the rooms, where the tea had been served; but as the two other ladies were still on the terrace, and as Isabel had not yet been made acquainted with the view, the paramount distinction of the place, Mr. Osmond directed her steps into the garden without more delay. Madame Merle and the Countess had had chairs brought out, and as the afternoon was lovely the Countess proposed they should take their tea in the open air. Pansy therefore was sent to bid the servant bring out the preparations. The sun had got low, the golden light took a deeper tone, and on the mountains and the plain that stretched beneath them the masses of purple shadow glowed as richly as the places that were still exposed. The scene had an extraordinary charm. The air was almost solemnly still, and the large expanse of the landscape, with its garden-like culture and nobleness of outline, its teeming valley and delicately-fretted hills, its peculiarly human-looking touches of habitation, lay there in splendid harmony and classic grace. "You seem so well pleased that I think you can be trusted to come back," Osmond said as he led his companion to one of the angles of the terrace. "I shall certainly come back," she returned, "in spite of what you say about its being bad to live in Italy. What was that you said about one's natural mission? I wonder if I should forsake my natural mission if I were to settle in Florence." "A woman's natural mission is to be where she's most appreciated." "The point's to find out where that is." "Very true--she often wastes a great deal of time in the enquiry. People ought to make it very plain to her." "Such a matter would have to be made very plain to me," smiled Isabel. "I'm glad, at any rate, to hear you talk of settling. Madame Merle had given me an idea that you were of a rather roving disposition. I thought she spoke of your having some plan of going round the world." "I'm rather ashamed of my plans; I make a new one every day." "I don't see why you should be ashamed; it's the greatest of pleasures." "It seems frivolous, I think," said Isabel. "One ought to choose something very deliberately, and be faithful to that." "By that rule then, I've not been frivolous." "Have you never made plans?" "Yes, I made one years ago, and I'm acting on it to-day." "It must have been a very pleasant one," Isabel permitted herself to observe. "It was very simple. It was to be as quiet as possible." "As quiet?" the girl repeated. "Not to worry--not to strive nor struggle. To resign myself. To be content with little." He spoke these sentences slowly, with short pauses between, and his intelligent regard was fixed on his visitor's with the conscious air of a man who has brought himself to confess something. "Do you call that simple?" she asked with mild irony. "Yes, because it's negative." "Has your life been negative?" "Call it affirmative if you like. Only it has affirmed my indifference. Mind you, not my natural indifference--I HAD none. But my studied, my wilful renunciation." She scarcely understood him; it seemed a question whether he were joking or not. Why should a man who struck her as having a great fund of reserve suddenly bring himself to be so confidential? This was his affair, however, and his confidences were interesting. "I don't see why you should have renounced," she said in a moment. "Because I could do nothing. I had no prospects, I was poor, and I was not a man of genius. I had no talents even; I took my measure early in life. I was simply the most fastidious young gentleman living. There were two or three people in the world I envied--the Emperor of Russia, for instance, and the Sultan of Turkey! There were even moments when I envied the Pope of Rome--for the consideration he enjoys. I should have been delighted to be considered to that extent; but since that couldn't be I didn't care for anything less, and I made up my mind not to go in for honours. The leanest gentleman can always consider himself, and fortunately I was, though lean, a gentleman. I could do nothing in Italy--I couldn't even be an Italian patriot. To do that I should have had to get out of the country; and I was too fond of it to leave it, to say nothing of my being too well satisfied with it, on the whole, as it then was, to wish it altered. So I've passed a great many years here on that quiet plan I spoke of. I've not been at all unhappy. I don't mean to say I've cared for nothing; but the things I've cared for have been definite--limited. The events of my life have been absolutely unperceived by any one save myself; getting an old silver crucifix at a bargain (I've never bought anything dear, of course), or discovering, as I once did, a sketch by Correggio on a panel daubed over by some inspired idiot." This would have been rather a dry account of Mr. Osmond's career if Isabel had fully believed it; but her imagination supplied the human element which she was sure had not been wanting. His life had been mingled with other lives more than he admitted; naturally she couldn't expect him to enter into this. For the present she abstained from provoking further revelations; to intimate that he had not told her everything would be more familiar and less considerate than she now desired to be--would in fact be uproariously vulgar. He had certainly told her quite enough. It was her present inclination, however, to express a measured sympathy for the success with which he had preserved his independence. "That's a very pleasant life," she said, "to renounce everything but Correggio!" "Oh, I've made in my way a good thing of it. Don't imagine I'm whining about it. It's one's own fault if one isn't happy." This was large; she kept down to something smaller. "Have you lived here always?" "No, not always. I lived a long time at Naples, and many years in Rome. But I've been here a good while. Perhaps I shall have to change, however; to do something else. I've no longer myself to think of. My daughter's growing up and may very possibly not care so much for the Correggios and crucifixes as I. I shall have to do what's best for Pansy." "Yes, do that," said Isabel. "She's such a dear little girl." "Ah," cried Gilbert Osmond beautifully, "she's a little saint of heaven! She is my great happiness!"

Chapter 24

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It is springtime in Italy, and Isabel comes to visit Casa Osmond. Isabel meets Pansy and Osmond's sister, Countess Gemini. Countess Gemini, a bird-like creature, is a real hoot . The Countess passive-aggressively states that she never visits her brother, because he never invites her, but that she came mainly to meet Isabel. Countess Gemini declares that ignorance is bliss, so she doesn't like to know things. She also says that she doesn't like to analyze things; she simply thinks what she thinks. Osmond is especially attentive to Isabel. Madame Merle leads Countess Gemini outdoors to walk around, leaving Isabel alone with Osmond and his daughter. Isabel figures they'll go outside, too, but Osmond makes no motion to do so. Osmond asks Isabel of her opinion of his sister. He implies that Countess Gemini is not the best wife, because she does not speak the language of marriage -- um, whatever that means. Osmond shows Isabel his extensive collection of art. Isabel reflects on the types of people she knows, and decides that Osmond is a new type of person in her life. As we know, Isabel is always intrigued by novelty. They join Madame Merle and Countess Gemini for tea outside, enjoying the beautiful view. Osmond says that the one plan he made was to be easily satisfied. He claims that he was not naturally indifferent, but trained himself to be so. When Isabel asks him why he would resign himself to any small fate, Osmond says that he had little going for him: He wasn't talented or rich. Osmond says that he will now do whatever is best for Pansy, and Isabel agrees. Osmond, playing the loving-father-act, declares that Pansy is his greatest joy.

shmoop

all_chapterized_books/2833-chapters/25.txt

finished_summaries/shmoop/The Portrait of a Lady/section_24_part_0.txt

The Portrait of a Lady.chapter 25

chapter 25

{"name": "Chapter 25", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-25", "summary": "Left to their own devices, Countess Gemini and Madame Merle let their claws out. Unfortunately, the Countess' claws are much duller and less effective than Madame Merle's. Countess Gemini sees that Madame Merle is trying to set up Osmond and Isabel, and she doesn't like the looks of it. Countess Gemini thinks that Madame Merle is doing Isabel a great disservice by pushing her in Osmond's direction, and feebly implies that she will try to warn Isabel of the trap that's laid out for her. Madame Merle thinks that Isabel has fallen in love with Osmond already. Pansy, in her child-like way, supervises as a servant set up a table and chairs outside. Countess Gemini asks Pansy to wear a prettier dress the next time she shows up. Countess Gemini asks Pansy what she thinks of Isabel. Pansy says that Isabel is a charming woman. Pansy delights in their trust in her to make tea for the group. Madame Merle says that it doesn't matter what Pansy thinks of Isabel, because she'll soon be old enough to be looking for a husband herself. Madame Merle predicts that she and Countess Gemini will both have a hand in selecting Pansy's husband. Countess Gemini claims that she will not have a part in that. Countess Gemini passionately believes that her brother will make a terrible husband. She reveals an essential truth about Osmond - that there is nothing special in him, yet he's full of himself. Madame Merle calmly says that it won't be easy for Osmond to successfully court Isabel, but he can try. Madame Merle says that Osmond always has to have the best . To Countess Gemini's chagrin, she learns that Isabel is worth seventy thousand pounds. She thinks it a pity that such a fine person should be sacrificed simply for her money, and worries about what her brother will do to the girl.", "analysis": ""}

While this sufficiently intimate colloquy (prolonged for some time after we cease to follow it) went forward Madame Merle and her companion, breaking a silence of some duration, had begun to exchange remarks. They were sitting in an attitude of unexpressed expectancy; an attitude especially marked on the part of the Countess Gemini, who, being of a more nervous temperament than her friend, practised with less success the art of disguising impatience. What these ladies were waiting for would not have been apparent and was perhaps not very definite to their own minds. Madame Merle waited for Osmond to release their young friend from her tete-a-tete, and the Countess waited because Madame Merle did. The Countess, moreover, by waiting, found the time ripe for one of her pretty perversities. She might have desired for some minutes to place it. Her brother wandered with Isabel to the end of the garden, to which point her eyes followed them. "My dear," she then observed to her companion, "you'll excuse me if I don't congratulate you!" "Very willingly, for I don't in the least know why you should." "Haven't you a little plan that you think rather well of?" And the Countess nodded at the sequestered couple. Madame Merle's eyes took the same direction; then she looked serenely at her neighbour. "You know I never understand you very well," she smiled. "No one can understand better than you when you wish. I see that just now you DON'T wish." "You say things to me that no one else does," said Madame Merle gravely, yet without bitterness. "You mean things you don't like? Doesn't Osmond sometimes say such things?" "What your brother says has a point." "Yes, a poisoned one sometimes. If you mean that I'm not so clever as he you mustn't think I shall suffer from your sense of our difference. But it will be much better that you should understand me." "Why so?" asked Madame Merle. "To what will it conduce?" "If I don't approve of your plan you ought to know it in order to appreciate the danger of my interfering with it." Madame Merle looked as if she were ready to admit that there might be something in this; but in a moment she said quietly: "You think me more calculating than I am." "It's not your calculating I think ill of; it's your calculating wrong. You've done so in this case." "You must have made extensive calculations yourself to discover that." "No, I've not had time. I've seen the girl but this once," said the Countess, "and the conviction has suddenly come to me. I like her very much." "So do I," Madame Merle mentioned. "You've a strange way of showing it." "Surely I've given her the advantage of making your acquaintance." "That indeed," piped the Countess, "is perhaps the best thing that could happen to her!" Madame Merle said nothing for some time. The Countess's manner was odious, was really low; but it was an old story, and with her eyes upon the violet slope of Monte Morello she gave herself up to reflection. "My dear lady," she finally resumed, "I advise you not to agitate yourself. The matter you allude to concerns three persons much stronger of purpose than yourself." "Three persons? You and Osmond of course. But is Miss Archer also very strong of purpose?" "Quite as much so as we." "Ah then," said the Countess radiantly, "if I convince her it's her interest to resist you she'll do so successfully!" "Resist us? Why do you express yourself so coarsely? She's not exposed to compulsion or deception." "I'm not sure of that. You're capable of anything, you and Osmond. I don't mean Osmond by himself, and I don't mean you by yourself. But together you're dangerous--like some chemical combination." "You had better leave us alone then," smiled Madame Merle. "I don't mean to touch you--but I shall talk to that girl." "My poor Amy," Madame Merle murmured, "I don't see what has got into your head." "I take an interest in her--that's what has got into my head. I like her." Madame Merle hesitated a moment. "I don't think she likes you." The Countess's bright little eyes expanded and her face was set in a grimace. "Ah, you ARE dangerous--even by yourself!" "If you want her to like you don't abuse your brother to her," said Madame Merle. "I don't suppose you pretend she has fallen in love with him in two interviews." Madame Merle looked a moment at Isabel and at the master of the house. He was leaning against the parapet, facing her, his arms folded; and she at present was evidently not lost in the mere impersonal view, persistently as she gazed at it. As Madame Merle watched her she lowered her eyes; she was listening, possibly with a certain embarrassment, while she pressed the point of her parasol into the path. Madame Merle rose from her chair. "Yes, I think so!" she pronounced. The shabby footboy, summoned by Pansy--he might, tarnished as to livery and quaint as to type, have issued from some stray sketch of old-time manners, been "put in" by the brush of a Longhi or a Goya--had come out with a small table and placed it on the grass, and then had gone back and fetched the tea-tray; after which he had again disappeared, to return with a couple of chairs. Pansy had watched these proceedings with the deepest interest, standing with her small hands folded together upon the front of her scanty frock; but she had not presumed to offer assistance. When the tea-table had been arranged, however, she gently approached her aunt. "Do you think papa would object to my making the tea?" The Countess looked at her with a deliberately critical gaze and without answering her question. "My poor niece," she said, "is that your best frock?" "Ah no," Pansy answered, "it's just a little toilette for common occasions." "Do you call it a common occasion when I come to see you?--to say nothing of Madame Merle and the pretty lady yonder." Pansy reflected a moment, turning gravely from one of the persons mentioned to the other. Then her face broke into its perfect smile. "I have a pretty dress, but even that one's very simple. Why should I expose it beside your beautiful things?" "Because it's the prettiest you have; for me you must always wear the prettiest. Please put it on the next time. It seems to me they don't dress you so well as they might." The child sparingly stroked down her antiquated skirt. "It's a good little dress to make tea--don't you think? Don't you believe papa would allow me?" "Impossible for me to say, my child," said the Countess. "For me, your father's ideas are unfathomable. Madame Merle understands them better. Ask HER." Madame Merle smiled with her usual grace. "It's a weighty question--let me think. It seems to me it would please your father to see a careful little daughter making his tea. It's the proper duty of the daughter of the house--when she grows up." "So it seems to me, Madame Merle!" Pansy cried. "You shall see how well I'll make it. A spoonful for each." And she began to busy herself at the table. "Two spoonfuls for me," said the Countess, who, with Madame Merle, remained for some moments watching her. "Listen to me, Pansy," the Countess resumed at last. "I should like to know what you think of your visitor." "Ah, she's not mine--she's papa's," Pansy objected. "Miss Archer came to see you as well," said Madame Merle. "I'm very happy to hear that. She has been very polite to me." "Do you like her then?" the Countess asked. "She's charming--charming," Pansy repeated in her little neat conversational tone. "She pleases me thoroughly." "And how do you think she pleases your father?" "Ah really, Countess!" murmured Madame Merle dissuasively. "Go and call them to tea," she went on to the child. "You'll see if they don't like it!" Pansy declared; and departed to summon the others, who had still lingered at the end of the terrace. "If Miss Archer's to become her mother it's surely interesting to know if the child likes her," said the Countess. "If your brother marries again it won't be for Pansy's sake," Madame Merle replied. "She'll soon be sixteen, and after that she'll begin to need a husband rather than a stepmother." "And will you provide the husband as well?" "I shall certainly take an interest in her marrying fortunately. I imagine you'll do the same." "Indeed I shan't!" cried the Countess. "Why should I, of all women, set such a price on a husband?" "You didn't marry fortunately; that's what I'm speaking of. When I say a husband I mean a good one." "There are no good ones. Osmond won't be a good one." Madame Merle closed her eyes a moment. "You're irritated just now; I don't know why," she presently said. "I don't think you'll really object either to your brother's or to your niece's marrying, when the time comes for them to do so; and as regards Pansy I'm confident that we shall some day have the pleasure of looking for a husband for her together. Your large acquaintance will be a great help." "Yes, I'm irritated," the Countess answered. "You often irritate me. Your own coolness is fabulous. You're a strange woman." "It's much better that we should always act together," Madame Merle went on. "Do you mean that as a threat?" asked the Countess rising. Madame Merle shook her head as for quiet amusement. "No indeed, you've not my coolness!" Isabel and Mr. Osmond were now slowly coming toward them and Isabel had taken Pansy by the hand. "Do you pretend to believe he'd make her happy?" the Countess demanded. "If he should marry Miss Archer I suppose he'd behave like a gentleman." The Countess jerked herself into a succession of attitudes. "Do you mean as most gentlemen behave? That would be much to be thankful for! Of course Osmond's a gentleman; his own sister needn't be reminded of that. But does he think he can marry any girl he happens to pick out? Osmond's a gentleman, of course; but I must say I've NEVER, no, no, never, seen any one of Osmond's pretensions! What they're all founded on is more than I can say. I'm his own sister; I might be supposed to know. Who is he, if you please? What has he ever done? If there had been anything particularly grand in his origin--if he were made of some superior clay--I presume I should have got some inkling of it. If there had been any great honours or splendours in the family I should certainly have made the most of them: they would have been quite in my line. But there's nothing, nothing, nothing. One's parents were charming people of course; but so were yours, I've no doubt. Every one's a charming person nowadays. Even I'm a charming person; don't laugh, it has literally been said. As for Osmond, he has always appeared to believe that he's descended from the gods." "You may say what you please," said Madame Merle, who had listened to this quick outbreak none the less attentively, we may believe, because her eye wandered away from the speaker and her hands busied themselves with adjusting the knots of ribbon on her dress. "You Osmonds are a fine race--your blood must flow from some very pure source. Your brother, like an intelligent man, has had the conviction of it if he has not had the proofs. You're modest about it, but you yourself are extremely distinguished. What do you say about your niece? The child's a little princess. Nevertheless," Madame Merle added, "it won't be an easy matter for Osmond to marry Miss Archer. Yet he can try." "I hope she'll refuse him. It will take him down a little." "We mustn't forget that he is one of the cleverest of men." "I've heard you say that before, but I haven't yet discovered what he has done." "What he has done? He has done nothing that has had to be undone. And he has known how to wait." "To wait for Miss Archer's money? How much of it is there?" "That's not what I mean," said Madame Merle. "Miss Archer has seventy thousand pounds." "Well, it's a pity she's so charming," the Countess declared. "To be sacrificed, any girl would do. She needn't be superior." "If she weren't superior your brother would never look at her. He must have the best." "Yes," returned the Countess as they went forward a little to meet the others, "he's very hard to satisfy. That makes me tremble for her happiness!"

Chapter 25

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Left to their own devices, Countess Gemini and Madame Merle let their claws out. Unfortunately, the Countess' claws are much duller and less effective than Madame Merle's. Countess Gemini sees that Madame Merle is trying to set up Osmond and Isabel, and she doesn't like the looks of it. Countess Gemini thinks that Madame Merle is doing Isabel a great disservice by pushing her in Osmond's direction, and feebly implies that she will try to warn Isabel of the trap that's laid out for her. Madame Merle thinks that Isabel has fallen in love with Osmond already. Pansy, in her child-like way, supervises as a servant set up a table and chairs outside. Countess Gemini asks Pansy to wear a prettier dress the next time she shows up. Countess Gemini asks Pansy what she thinks of Isabel. Pansy says that Isabel is a charming woman. Pansy delights in their trust in her to make tea for the group. Madame Merle says that it doesn't matter what Pansy thinks of Isabel, because she'll soon be old enough to be looking for a husband herself. Madame Merle predicts that she and Countess Gemini will both have a hand in selecting Pansy's husband. Countess Gemini claims that she will not have a part in that. Countess Gemini passionately believes that her brother will make a terrible husband. She reveals an essential truth about Osmond - that there is nothing special in him, yet he's full of himself. Madame Merle calmly says that it won't be easy for Osmond to successfully court Isabel, but he can try. Madame Merle says that Osmond always has to have the best . To Countess Gemini's chagrin, she learns that Isabel is worth seventy thousand pounds. She thinks it a pity that such a fine person should be sacrificed simply for her money, and worries about what her brother will do to the girl.

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all_chapterized_books/2833-chapters/26.txt

finished_summaries/shmoop/The Portrait of a Lady/section_25_part_0.txt

The Portrait of a Lady.chapter 26

chapter 26

{"name": "Chapter 26", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-26", "summary": "Osmond goes to see Isabel at Palazzo Crescentini five times in a period of two weeks, which is quite unusual for him - in normal, non-wooing life, he only visits Mrs. Touchett twice a year at best, usually only when Madame Merle is around. Mrs. Touchett and Ralph discuss Osmond's intentions with Isabel. Ralph is still happily convinced that Isabel will have lots of suitors in her life, and she will not accept any of them. Mrs. Touchett hopes Isabel has the good sense not to fall for Osmond, who is very clearly socially inferior to Lord Warburton. Mrs. Touchett figures that if Isabel does want to marry Osmond, then no one could do anything about it, not even Ralph. Mrs. Touchett asks Madame Merle whether Osmond is courting Isabel. Madame Merle feigns innocence, and acts as though it's a foolish idea. What a snake. Madame Merle convinces Mrs. Touchett not to talk to Osmond or Isabel about it. Madame Merle volunteers to talk to Osmond. Mrs. Touchett seems appalled at the idea of Isabel being a step-mother, but Madame Merle seems to think Isabel would be a fine step-mother to Pansy. Osmond continues to visit, and even brings Pansy once, who enchants Isabel with her doll-like perfection. Countess Gemini tries to visit Mrs. Touchett's house, but she already has a bad reputation and Mrs. Touchett keeps her away. Madame Merle describes Countess Gemini to Isabel as an extravagant woman. She gives Isabel some family history on the Osmonds, including the fact that they were raised by their batty, pretentious, Europhile mother. Henrietta Stackpole arrives and Madame Merle decides, with some effort, to like her. In so doing, she renders Henrietta defenseless, and therefore harmless. Mr. Bantling will take Henrietta to Rome, and Ralph volunteers to go with Isabel. Osmond expresses his wish to go with them to Rome. Isabel encourages the idea. Osmond meets with Madame Merle at Countess Gemini's. He tells her about his imminent trip to Rome. Madame Merle volunteers to look after Pansy. Osmond concedes that Isabel is everything Madame Merle has talked her up to be. He says that she is \"not disagreeable\" , but that she has too many ideas, most of them bad, in his view. We're worried - what would Isabel be without her ideas?", "analysis": ""}

Gilbert Osmond came to see Isabel again; that is he came to Palazzo Crescentini. He had other friends there as well, and to Mrs. Touchett and Madame Merle he was always impartially civil; but the former of these ladies noted the fact that in the course of a fortnight he called five times, and compared it with another fact that she found no difficulty in remembering. Two visits a year had hitherto constituted his regular tribute to Mrs. Touchett's worth, and she had never observed him select for such visits those moments, of almost periodical recurrence, when Madame Merle was under her roof. It was not for Madame Merle that he came; these two were old friends and he never put himself out for her. He was not fond of Ralph--Ralph had told her so--and it was not supposable that Mr. Osmond had suddenly taken a fancy to her son. Ralph was imperturbable--Ralph had a kind of loose-fitting urbanity that wrapped him about like an ill-made overcoat, but of which he never divested himself; he thought Mr. Osmond very good company and was willing at any time to look at him in the light of hospitality. But he didn't flatter himself that the desire to repair a past injustice was the motive of their visitor's calls; he read the situation more clearly. Isabel was the attraction, and in all conscience a sufficient one. Osmond was a critic, a student of the exquisite, and it was natural he should be curious of so rare an apparition. So when his mother observed to him that it was plain what Mr. Osmond was thinking of, Ralph replied that he was quite of her opinion. Mrs. Touchett had from far back found a place on her scant list for this gentleman, though wondering dimly by what art and what process--so negative and so wise as they were--he had everywhere effectively imposed himself. As he had never been an importunate visitor he had had no chance to be offensive, and he was recommended to her by his appearance of being as well able to do without her as she was to do without him--a quality that always, oddly enough, affected her as providing ground for a relation with her. It gave her no satisfaction, however, to think that he had taken it into his head to marry her niece. Such an alliance, on Isabel's part, would have an air of almost morbid perversity. Mrs. Touchett easily remembered that the girl had refused an English peer; and that a young lady with whom Lord Warburton had not successfully wrestled should content herself with an obscure American dilettante, a middle-aged widower with an uncanny child and an ambiguous income, this answered to nothing in Mrs. Touchett's conception of success. She took, it will be observed, not the sentimental, but the political, view of matrimony--a view which has always had much to recommend it. "I trust she won't have the folly to listen to him," she said to her son; to which Ralph replied that Isabel's listening was one thing and Isabel's answering quite another. He knew she had listened to several parties, as his father would have said, but had made them listen in return; and he found much entertainment in the idea that in these few months of his knowing her he should observe a fresh suitor at her gate. She had wanted to see life, and fortune was serving her to her taste; a succession of fine gentlemen going down on their knees to her would do as well as anything else. Ralph looked forward to a fourth, a fifth, a tenth besieger; he had no conviction she would stop at a third. She would keep the gate ajar and open a parley; she would certainly not allow number three to come in. He expressed this view, somewhat after this fashion, to his mother, who looked at him as if he had been dancing a jig. He had such a fanciful, pictorial way of saying things that he might as well address her in the deaf-mute's alphabet. "I don't think I know what you mean," she said; "you use too many figures of speech; I could never understand allegories. The two words in the language I most respect are Yes and No. If Isabel wants to marry Mr. Osmond she'll do so in spite of all your comparisons. Let her alone to find a fine one herself for anything she undertakes. I know very little about the young man in America; I don't think she spends much of her time in thinking of him, and I suspect he has got tired of waiting for her. There's nothing in life to prevent her marrying Mr. Osmond if she only looks at him in a certain way. That's all very well; no one approves more than I of one's pleasing one's self. But she takes her pleasure in such odd things; she's capable of marrying Mr. Osmond for the beauty of his opinions or for his autograph of Michael Angelo. She wants to be disinterested: as if she were the only person who's in danger of not being so! Will HE be so disinterested when he has the spending of her money? That was her idea before your father's death, and it has acquired new charms for her since. She ought to marry some one of whose disinterestedness she shall herself be sure; and there would be no such proof of that as his having a fortune of his own." "My dear mother, I'm not afraid," Ralph answered. "She's making fools of us all. She'll please herself, of course; but she'll do so by studying human nature at close quarters and yet retaining her liberty. She has started on an exploring expedition, and I don't think she'll change her course, at the outset, at a signal from Gilbert Osmond. She may have slackened speed for an hour, but before we know it she'll be steaming away again. Excuse another metaphor." Mrs. Touchett excused it perhaps, but was not so much reassured as to withhold from Madame Merle the expression of her fears. "You who know everything," she said, "you must know this: whether that curious creature's really making love to my niece." "Gilbert Osmond?" Madame Merle widened her clear eyes and, with a full intelligence, "Heaven help us," she exclaimed, "that's an idea!" "Hadn't it occurred to you?" "You make me feel an idiot, but I confess it hadn't. I wonder," she added, "if it has occurred to Isabel." "Oh, I shall now ask her," said Mrs. Touchett. Madame Merle reflected. "Don't put it into her head. The thing would be to ask Mr. Osmond." "I can't do that," said Mrs. Touchett. "I won't have him enquire of me--as he perfectly may with that air of his, given Isabel's situation--what business it is of mine." "I'll ask him myself," Madame Merle bravely declared. "But what business--for HIM--is it of yours?" "It's being none whatever is just why I can afford to speak. It's so much less my business than any one's else that he can put me off with anything he chooses. But it will be by the way he does this that I shall know." "Pray let me hear then," said Mrs. Touchett, "of the fruits of your penetration. If I can't speak to him, however, at least I can speak to Isabel." Her companion sounded at this the note of warning. "Don't be too quick with her. Don't inflame her imagination." "I never did anything in life to any one's imagination. But I'm always sure of her doing something--well, not of MY kind." "No, you wouldn't like this," Madame Merle observed without the point of interrogation. "Why in the world should I, pray? Mr. Osmond has nothing the least solid to offer." Again Madame Merle was silent while her thoughtful smile drew up her mouth even more charmingly than usual toward the left corner. "Let us distinguish. Gilbert Osmond's certainly not the first comer. He's a man who in favourable conditions might very well make a great impression. He has made a great impression, to my knowledge, more than once." "Don't tell me about his probably quite cold-blooded love-affairs; they're nothing to me!" Mrs. Touchett cried. "What you say's precisely why I wish he would cease his visits. He has nothing in the world that I know of but a dozen or two of early masters and a more or less pert little daughter." "The early masters are now worth a good deal of money," said Madame Merle, "and the daughter's a very young and very innocent and very harmless person." "In other words she's an insipid little chit. Is that what you mean? Having no fortune she can't hope to marry as they marry here; so that Isabel will have to furnish her either with a maintenance or with a dowry." "Isabel probably wouldn't object to being kind to her. I think she likes the poor child." "Another reason then for Mr. Osmond's stopping at home! Otherwise, a week hence, we shall have my niece arriving at the conviction that her mission in life's to prove that a stepmother may sacrifice herself--and that, to prove it, she must first become one." "She would make a charming stepmother," smiled Madame Merle; "but I quite agree with you that she had better not decide upon her mission too hastily. Changing the form of one's mission's almost as difficult as changing the shape of one's nose: there they are, each, in the middle of one's face and one's character--one has to begin too far back. But I'll investigate and report to you." All this went on quite over Isabel's head; she had no suspicions that her relations with Mr. Osmond were being discussed. Madame Merle had said nothing to put her on her guard; she alluded no more pointedly to him than to the other gentlemen of Florence, native and foreign, who now arrived in considerable numbers to pay their respects to Miss Archer's aunt. Isabel thought him interesting--she came back to that; she liked so to think of him. She had carried away an image from her visit to his hill-top which her subsequent knowledge of him did nothing to efface and which put on for her a particular harmony with other supposed and divined things, histories within histories: the image of a quiet, clever, sensitive, distinguished man, strolling on a moss-grown terrace above the sweet Val d'Arno and holding by the hand a little girl whose bell-like clearness gave a new grace to childhood. The picture had no flourishes, but she liked its lowness of tone and the atmosphere of summer twilight that pervaded it. It spoke of the kind of personal issue that touched her most nearly; of the choice between objects, subjects, contacts--what might she call them?--of a thin and those of a rich association; of a lonely, studious life in a lovely land; of an old sorrow that sometimes ached to-day; of a feeling of pride that was perhaps exaggerated, but that had an element of nobleness; of a care for beauty and perfection so natural and so cultivated together that the career appeared to stretch beneath it in the disposed vistas and with the ranges of steps and terraces and fountains of a formal Italian garden--allowing only for arid places freshened by the natural dews of a quaint half-anxious, half-helpless fatherhood. At Palazzo Crescentini Mr. Osmond's manner remained the same; diffident at first--oh self-conscious beyond doubt! and full of the effort (visible only to a sympathetic eye) to overcome this disadvantage; an effort which usually resulted in a great deal of easy, lively, very positive, rather aggressive, always suggestive talk. Mr. Osmond's talk was not injured by the indication of an eagerness to shine; Isabel found no difficulty in believing that a person was sincere who had so many of the signs of strong conviction--as for instance an explicit and graceful appreciation of anything that might be said on his own side of the question, said perhaps by Miss Archer in especial. What continued to please this young woman was that while he talked so for amusement he didn't talk, as she had heard people, for "effect." He uttered his ideas as if, odd as they often appeared, he were used to them and had lived with them; old polished knobs and heads and handles, of precious substance, that could be fitted if necessary to new walking-sticks--not switches plucked in destitution from the common tree and then too elegantly waved about. One day he brought his small daughter with him, and she rejoiced to renew acquaintance with the child, who, as she presented her forehead to be kissed by every member of the circle, reminded her vividly of an ingenue in a French play. Isabel had never seen a little person of this pattern; American girls were very different--different too were the maidens of England. Pansy was so formed and finished for her tiny place in the world, and yet in imagination, as one could see, so innocent and infantine. She sat on the sofa by Isabel; she wore a small grenadine mantle and a pair of the useful gloves that Madame Merle had given her--little grey gloves with a single button. She was like a sheet of blank paper--the ideal jeune fille of foreign fiction. Isabel hoped that so fair and smooth a page would be covered with an edifying text. The Countess Gemini also came to call upon her, but the Countess was quite another affair. She was by no means a blank sheet; she had been written over in a variety of hands, and Mrs. Touchett, who felt by no means honoured by her visit, pronounced that a number of unmistakeable blots were to be seen upon her surface. The Countess gave rise indeed to some discussion between the mistress of the house and the visitor from Rome, in which Madame Merle (who was not such a fool as to irritate people by always agreeing with them) availed herself felicitously enough of that large licence of dissent which her hostess permitted as freely as she practised it. Mrs. Touchett had declared it a piece of audacity that this highly compromised character should have presented herself at such a time of day at the door of a house in which she was esteemed so little as she must long have known herself to be at Palazzo Crescentini. Isabel had been made acquainted with the estimate prevailing under that roof: it represented Mr. Osmond's sister as a lady who had so mismanaged her improprieties that they had ceased to hang together at all--which was at the least what one asked of such matters--and had become the mere floating fragments of a wrecked renown, incommoding social circulation. She had been married by her mother--a more administrative person, with an appreciation of foreign titles which the daughter, to do her justice, had probably by this time thrown off--to an Italian nobleman who had perhaps given her some excuse for attempting to quench the consciousness of outrage. The Countess, however, had consoled herself outrageously, and the list of her excuses had now lost itself in the labyrinth of her adventures. Mrs. Touchett had never consented to receive her, though the Countess had made overtures of old. Florence was not an austere city; but, as Mrs. Touchett said, she had to draw the line somewhere. Madame Merle defended the luckless lady with a great deal of zeal and wit. She couldn't see why Mrs. Touchett should make a scapegoat of a woman who had really done no harm, who had only done good in the wrong way. One must certainly draw the line, but while one was about it one should draw it straight: it was a very crooked chalk-mark that would exclude the Countess Gemini. In that case Mrs. Touchett had better shut up her house; this perhaps would be the best course so long as she remained in Florence. One must be fair and not make arbitrary differences: the Countess had doubtless been imprudent, she had not been so clever as other women. She was a good creature, not clever at all; but since when had that been a ground of exclusion from the best society? For ever so long now one had heard nothing about her, and there could be no better proof of her having renounced the error of her ways than her desire to become a member of Mrs. Touchett's circle. Isabel could contribute nothing to this interesting dispute, not even a patient attention; she contented herself with having given a friendly welcome to the unfortunate lady, who, whatever her defects, had at least the merit of being Mr. Osmond's sister. As she liked the brother Isabel thought it proper to try and like the sister: in spite of the growing complexity of things she was still capable of these primitive sequences. She had not received the happiest impression of the Countess on meeting her at the villa, but was thankful for an opportunity to repair the accident. Had not Mr. Osmond remarked that she was a respectable person? To have proceeded from Gilbert Osmond this was a crude proposition, but Madame Merle bestowed upon it a certain improving polish. She told Isabel more about the poor Countess than Mr. Osmond had done, and related the history of her marriage and its consequences. The Count was a member of an ancient Tuscan family, but of such small estate that he had been glad to accept Amy Osmond, in spite of the questionable beauty which had yet not hampered her career, with the modest dowry her mother was able to offer--a sum about equivalent to that which had already formed her brother's share of their patrimony. Count Gemini since then, however, had inherited money, and now they were well enough off, as Italians went, though Amy was horribly extravagant. The Count was a low-lived brute; he had given his wife every pretext. She had no children; she had lost three within a year of their birth. Her mother, who had bristled with pretensions to elegant learning and published descriptive poems and corresponded on Italian subjects with the English weekly journals, her mother had died three years after the Countess's marriage, the father, lost in the grey American dawn of the situation, but reputed originally rich and wild, having died much earlier. One could see this in Gilbert Osmond, Madame Merle held--see that he had been brought up by a woman; though, to do him justice, one would suppose it had been by a more sensible woman than the American Corinne, as Mrs. Osmond had liked to be called. She had brought her children to Italy after her husband's death, and Mrs. Touchett remembered her during the year that followed her arrival. She thought her a horrible snob; but this was an irregularity of judgement on Mrs. Touchett's part, for she, like Mrs. Osmond, approved of political marriages. The Countess was very good company and not really the featherhead she seemed; all one had to do with her was to observe the simple condition of not believing a word she said. Madame Merle had always made the best of her for her brother's sake; he appreciated any kindness shown to Amy, because (if it had to be confessed for him) he rather felt she let down their common name. Naturally he couldn't like her style, her shrillness, her egotism, her violations of taste and above all of truth: she acted badly on his nerves, she was not HIS sort of woman. What was his sort of woman? Oh, the very opposite of the Countess, a woman to whom the truth should be habitually sacred. Isabel was unable to estimate the number of times her visitor had, in half an hour, profaned it: the Countess indeed had given her an impression of rather silly sincerity. She had talked almost exclusively about herself; how much she should like to know Miss Archer; how thankful she should be for a real friend; how base the people in Florence were; how tired she was of the place; how much she should like to live somewhere else--in Paris, in London, in Washington; how impossible it was to get anything nice to wear in Italy except a little old lace; how dear the world was growing everywhere; what a life of suffering and privation she had led. Madame Merle listened with interest to Isabel's account of this passage, but she had not needed it to feel exempt from anxiety. On the whole she was not afraid of the Countess, and she could afford to do what was altogether best--not to appear so. Isabel had meanwhile another visitor, whom it was not, even behind her back, so easy a matter to patronise. Henrietta Stackpole, who had left Paris after Mrs. Touchett's departure for San Remo and had worked her way down, as she said, through the cities of North Italy, reached the banks of the Arno about the middle of May. Madame Merle surveyed her with a single glance, took her in from head to foot, and after a pang of despair determined to endure her. She determined indeed to delight in her. She mightn't be inhaled as a rose, but she might be grasped as a nettle. Madame Merle genially squeezed her into insignificance, and Isabel felt that in foreseeing this liberality she had done justice to her friend's intelligence. Henrietta's arrival had been announced by Mr. Bantling, who, coming down from Nice while she was at Venice, and expecting to find her in Florence, which she had not yet reached, called at Palazzo Crescentini to express his disappointment. Henrietta's own advent occurred two days later and produced in Mr. Bantling an emotion amply accounted for by the fact that he had not seen her since the termination of the episode at Versailles. The humorous view of his situation was generally taken, but it was uttered only by Ralph Touchett, who, in the privacy of his own apartment, when Bantling smoked a cigar there, indulged in goodness knew what strong comedy on the subject of the all-judging one and her British backer. This gentleman took the joke in perfectly good part and candidly confessed that he regarded the affair as a positive intellectual adventure. He liked Miss Stackpole extremely; he thought she had a wonderful head on her shoulders, and found great comfort in the society of a woman who was not perpetually thinking about what would be said and how what she did, how what they did--and they had done things!--would look. Miss Stackpole never cared how anything looked, and, if she didn't care, pray why should he? But his curiosity had been roused; he wanted awfully to see if she ever WOULD care. He was prepared to go as far as she--he didn't see why he should break down first. Henrietta showed no signs of breaking down. Her prospects had brightened on her leaving England, and she was now in the full enjoyment of her copious resources. She had indeed been obliged to sacrifice her hopes with regard to the inner life; the social question, on the Continent, bristled with difficulties even more numerous than those she had encountered in England. But on the Continent there was the outer life, which was palpable and visible at every turn, and more easily convertible to literary uses than the customs of those opaque islanders. Out of doors in foreign lands, as she ingeniously remarked, one seemed to see the right side of the tapestry; out of doors in England one seemed to see the wrong side, which gave one no notion of the figure. The admission costs her historian a pang, but Henrietta, despairing of more occult things, was now paying much attention to the outer life. She had been studying it for two months at Venice, from which city she sent to the Interviewer a conscientious account of the gondolas, the Piazza, the Bridge of Sighs, the pigeons and the young boatman who chanted Tasso. The Interviewer was perhaps disappointed, but Henrietta was at least seeing Europe. Her present purpose was to get down to Rome before the malaria should come on--she apparently supposed that it began on a fixed day; and with this design she was to spend at present but few days in Florence. Mr. Bantling was to go with her to Rome, and she pointed out to Isabel that as he had been there before, as he was a military man and as he had had a classical education--he had been bred at Eton, where they study nothing but Latin and Whyte-Melville, said Miss Stackpole--he would be a most useful companion in the city of the Caesars. At this juncture Ralph had the happy idea of proposing to Isabel that she also, under his own escort, should make a pilgrimage to Rome. She expected to pass a portion of the next winter there--that was very well; but meantime there was no harm in surveying the field. There were ten days left of the beautiful month of May--the most precious month of all to the true Rome-lover. Isabel would become a Rome-lover; that was a foregone conclusion. She was provided with a trusty companion of her own sex, whose society, thanks to the fact of other calls on this lady's attention, would probably not be oppressive. Madame Merle would remain with Mrs. Touchett; she had left Rome for the summer and wouldn't care to return. She professed herself delighted to be left at peace in Florence; she had locked up her apartment and sent her cook home to Palestrina. She urged Isabel, however, to assent to Ralph's proposal, and assured her that a good introduction to Rome was not a thing to be despised. Isabel in truth needed no urging, and the party of four arranged its little journey. Mrs. Touchett, on this occasion, had resigned herself to the absence of a duenna; we have seen that she now inclined to the belief that her niece should stand alone. One of Isabel's preparations consisted of her seeing Gilbert Osmond before she started and mentioning her intention to him. "I should like to be in Rome with you," he commented. "I should like to see you on that wonderful ground." She scarcely faltered. "You might come then." "But you'll have a lot of people with you." "Ah," Isabel admitted, "of course I shall not be alone." For a moment he said nothing more. "You'll like it," he went on at last. "They've spoiled it, but you'll rave about it." "Ought I to dislike it because, poor old dear--the Niobe of Nations, you know--it has been spoiled?" she asked. "No, I think not. It has been spoiled so often," he smiled. "If I were to go, what should I do with my little girl?" "Can't you leave her at the villa?" "I don't know that I like that--though there's a very good old woman who looks after her. I can't afford a governess." "Bring her with you then," said Isabel promptly. Mr. Osmond looked grave. "She has been in Rome all winter, at her convent; and she's too young to make journeys of pleasure." "You don't like bringing her forward?" Isabel enquired. "No, I think young girls should be kept out of the world." "I was brought up on a different system." "You? Oh, with you it succeeded, because you--you were exceptional." "I don't see why," said Isabel, who, however, was not sure there was not some truth in the speech. Mr. Osmond didn't explain; he simply went on: "If I thought it would make her resemble you to join a social group in Rome I'd take her there to-morrow." "Don't make her resemble me," said Isabel. "Keep her like herself." "I might send her to my sister," Mr. Osmond observed. He had almost the air of asking advice; he seemed to like to talk over his domestic matters with Miss Archer. "Yes," she concurred; "I think that wouldn't do much towards making her resemble me!" After she had left Florence Gilbert Osmond met Madame Merle at the Countess Gemini's. There were other people present; the Countess's drawing-room was usually well filled, and the talk had been general, but after a while Osmond left his place and came and sat on an ottoman half-behind, half-beside Madame Merle's chair. "She wants me to go to Rome with her," he remarked in a low voice. "To go with her?" "To be there while she's there. She proposed it. "I suppose you mean that you proposed it and she assented." "Of course I gave her a chance. But she's encouraging--she's very encouraging." "I rejoice to hear it--but don't cry victory too soon. Of course you'll go to Rome." "Ah," said Osmond, "it makes one work, this idea of yours!" "Don't pretend you don't enjoy it--you're very ungrateful. You've not been so well occupied these many years." "The way you take it's beautiful," said Osmond. "I ought to be grateful for that." "Not too much so, however," Madame Merle answered. She talked with her usual smile, leaning back in her chair and looking round the room. "You've made a very good impression, and I've seen for myself that you've received one. You've not come to Mrs. Touchett's seven times to oblige me." "The girl's not disagreeable," Osmond quietly conceded. Madame Merle dropped her eye on him a moment, during which her lips closed with a certain firmness. "Is that all you can find to say about that fine creature?" "All? Isn't it enough? Of how many people have you heard me say more?" She made no answer to this, but still presented her talkative grace to the room. "You're unfathomable," she murmured at last. "I'm frightened at the abyss into which I shall have cast her." He took it almost gaily. "You can't draw back--you've gone too far." "Very good; but you must do the rest yourself." "I shall do it," said Gilbert Osmond. Madame Merle remained silent and he changed his place again; but when she rose to go he also took leave. Mrs. Touchett's victoria was awaiting her guest in the court, and after he had helped his friend into it he stood there detaining her. "You're very indiscreet," she said rather wearily; "you shouldn't have moved when I did." He had taken off his hat; he passed his hand over his forehead. "I always forget; I'm out of the habit." "You're quite unfathomable," she repeated, glancing up at the windows of the house, a modern structure in the new part of the town. He paid no heed to this remark, but spoke in his own sense. "She's really very charming. I've scarcely known any one more graceful." "It does me good to hear you say that. The better you like her the better for me." "I like her very much. She's all you described her, and into the bargain capable, I feel, of great devotion. She has only one fault." "What's that?" "Too many ideas." "I warned you she was clever." "Fortunately they're very bad ones," said Osmond. "Why is that fortunate?" "Dame, if they must be sacrificed!" Madame Merle leaned back, looking straight before her; then she spoke to the coachman. But her friend again detained her. "If I go to Rome what shall I do with Pansy?" "I'll go and see her," said Madame Merle.

Chapter 26

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Osmond goes to see Isabel at Palazzo Crescentini five times in a period of two weeks, which is quite unusual for him - in normal, non-wooing life, he only visits Mrs. Touchett twice a year at best, usually only when Madame Merle is around. Mrs. Touchett and Ralph discuss Osmond's intentions with Isabel. Ralph is still happily convinced that Isabel will have lots of suitors in her life, and she will not accept any of them. Mrs. Touchett hopes Isabel has the good sense not to fall for Osmond, who is very clearly socially inferior to Lord Warburton. Mrs. Touchett figures that if Isabel does want to marry Osmond, then no one could do anything about it, not even Ralph. Mrs. Touchett asks Madame Merle whether Osmond is courting Isabel. Madame Merle feigns innocence, and acts as though it's a foolish idea. What a snake. Madame Merle convinces Mrs. Touchett not to talk to Osmond or Isabel about it. Madame Merle volunteers to talk to Osmond. Mrs. Touchett seems appalled at the idea of Isabel being a step-mother, but Madame Merle seems to think Isabel would be a fine step-mother to Pansy. Osmond continues to visit, and even brings Pansy once, who enchants Isabel with her doll-like perfection. Countess Gemini tries to visit Mrs. Touchett's house, but she already has a bad reputation and Mrs. Touchett keeps her away. Madame Merle describes Countess Gemini to Isabel as an extravagant woman. She gives Isabel some family history on the Osmonds, including the fact that they were raised by their batty, pretentious, Europhile mother. Henrietta Stackpole arrives and Madame Merle decides, with some effort, to like her. In so doing, she renders Henrietta defenseless, and therefore harmless. Mr. Bantling will take Henrietta to Rome, and Ralph volunteers to go with Isabel. Osmond expresses his wish to go with them to Rome. Isabel encourages the idea. Osmond meets with Madame Merle at Countess Gemini's. He tells her about his imminent trip to Rome. Madame Merle volunteers to look after Pansy. Osmond concedes that Isabel is everything Madame Merle has talked her up to be. He says that she is "not disagreeable" , but that she has too many ideas, most of them bad, in his view. We're worried - what would Isabel be without her ideas?

shmoop

all_chapterized_books/2833-chapters/27.txt

finished_summaries/shmoop/The Portrait of a Lady/section_26_part_0.txt

The Portrait of a Lady.chapter 27

chapter 27

{"name": "Chapter 27", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-27", "summary": "Isabel, Ralph, Henrietta, and Mr. Bantling go to Rome, which delights Isabel. She loves the city's rich sense of history. Henrietta is not that impressed with Rome, thinking that every Roman characteristic is inferior to similar ones in America. This is typical hilarious Henrietta - in fact, everything newer is modeled on the old, not vice versa. Ralph goes to look at an excavation site, and Isabel is glad to be alone for a little bit. However, she's not alone for long - shockingly , Lord Warburton shows up. They're both surprised. So are we - where the heck did he come from? They chat somewhat uncomfortably, catching up on recent happenings. Lord Warburton confesses that he has written Isabel several letters, but hasn't sent any of them. Lord Warburton declares that he still loves Isabel, despite his efforts to move on and love someone else. Isabel quietly delights in this news, since, as she says, \"there is no better man than he\" , but she's still glad that she turned him down. Lord Warburton will be staying in Rome for a couple more weeks, just as Isabel will. Lord Warburton promises that he will control his feelings for her, although it is obviously tough for him. Ralph, Henrietta, and Mr. Bantling return and are surprised to find Lord Warburton with Isabel. Henrietta is shocked that Mr. Bantling and Lord Warburton already know each other. She seems to think that she knows everything about her travel companion. Ralph and Mr. Bantling go out the next day. Lord Warburton visits the two ladies in the hotel. He seems to want to prove that he and Isabel can be friends. Isabel still believes that Lord Warburton is the best kind of man, superior in every way... and, yet, she still has no romantic feelings for him. On Sunday, the group goes to Saint Peter's church, where they meet again with Lord Warburton. Once more, Henrietta ridiculously compares the architecture with American standards. Isabel is with Lord Warburton when she becomes aware of Gilbert Osmond standing behind her . Osmond makes it clear that he is there only to see Isabel. Lord Warburton sees the two of them talking. Isabel introduces Osmond and Lord Warburton to each other. Can you say \"awkward?\" Lord Warburton asks Ralph about Osmond. Ralph says that they must not try to prevent Isabel and Osmond's union, if they want any hope of keeping them apart. Ralph thinks that Isabel will go against their wishes in order to prove her freedom. Ralph tells Lord Warburton that neither of them can give Isabel what she wants, implying that, despite all his insistence to the contrary, he is in fact in love with his cousin.", "analysis": ""}

I may not attempt to report in its fulness our young woman's response to the deep appeal of Rome, to analyse her feelings as she trod the pavement of the Forum or to number her pulsations as she crossed the threshold of Saint Peter's. It is enough to say that her impression was such as might have been expected of a person of her freshness and her eagerness. She had always been fond of history, and here was history in the stones of the street and the atoms of the sunshine. She had an imagination that kindled at the mention of great deeds, and wherever she turned some great deed had been acted. These things strongly moved her, but moved her all inwardly. It seemed to her companions that she talked less than usual, and Ralph Touchett, when he appeared to be looking listlessly and awkwardly over her head, was really dropping on her an intensity of observation. By her own measure she was very happy; she would even have been willing to take these hours for the happiest she was ever to know. The sense of the terrible human past was heavy to her, but that of something altogether contemporary would suddenly give it wings that it could wave in the blue. Her consciousness was so mixed that she scarcely knew where the different parts of it would lead her, and she went about in a repressed ecstasy of contemplation, seeing often in the things she looked at a great deal more than was there, and yet not seeing many of the items enumerated in her Murray. Rome, as Ralph said, confessed to the psychological moment. The herd of reechoing tourists had departed and most of the solemn places had relapsed into solemnity. The sky was a blaze of blue, and the plash of the fountains in their mossy niches had lost its chill and doubled its music. On the corners of the warm, bright streets one stumbled on bundles of flowers. Our friends had gone one afternoon--it was the third of their stay--to look at the latest excavations in the Forum, these labours having been for some time previous largely extended. They had descended from the modern street to the level of the Sacred Way, along which they wandered with a reverence of step which was not the same on the part of each. Henrietta Stackpole was struck with the fact that ancient Rome had been paved a good deal like New York, and even found an analogy between the deep chariot-ruts traceable in the antique street and the overjangled iron grooves which express the intensity of American life. The sun had begun to sink, the air was a golden haze, and the long shadows of broken column and vague pedestal leaned across the field of ruin. Henrietta wandered away with Mr. Bantling, whom it was apparently delightful to her to hear speak of Julius Caesar as a "cheeky old boy," and Ralph addressed such elucidations as he was prepared to offer to the attentive ear of our heroine. One of the humble archeologists who hover about the place had put himself at the disposal of the two, and repeated his lesson with a fluency which the decline of the season had done nothing to impair. A process of digging was on view in a remote corner of the Forum, and he presently remarked that if it should please the signori to go and watch it a little they might see something of interest. The proposal commended itself more to Ralph than to Isabel, weary with much wandering; so that she admonished her companion to satisfy his curiosity while she patiently awaited his return. The hour and the place were much to her taste--she should enjoy being briefly alone. Ralph accordingly went off with the cicerone while Isabel sat down on a prostrate column near the foundations of the Capitol. She wanted a short solitude, but she was not long to enjoy it. Keen as was her interest in the rugged relics of the Roman past that lay scattered about her and in which the corrosion of centuries had still left so much of individual life, her thoughts, after resting a while on these things, had wandered, by a concatenation of stages it might require some subtlety to trace, to regions and objects charged with a more active appeal. From the Roman past to Isabel Archer's future was a long stride, but her imagination had taken it in a single flight and now hovered in slow circles over the nearer and richer field. She was so absorbed in her thoughts, as she bent her eyes upon a row of cracked but not dislocated slabs covering the ground at her feet, that she had not heard the sound of approaching footsteps before a shadow was thrown across the line of her vision. She looked up and saw a gentleman--a gentleman who was not Ralph come back to say that the excavations were a bore. This personage was startled as she was startled; he stood there baring his head to her perceptibly pale surprise. "Lord Warburton!" Isabel exclaimed as she rose. "I had no idea it was you. I turned that corner and came upon you." She looked about her to explain. "I'm alone, but my companions have just left me. My cousin's gone to look at the work over there." "Ah yes; I see." And Lord Warburton's eyes wandered vaguely in the direction she had indicated. He stood firmly before her now; he had recovered his balance and seemed to wish to show it, though very kindly. "Don't let me disturb you," he went on, looking at her dejected pillar. "I'm afraid you're tired." "Yes, I'm rather tired." She hesitated a moment, but sat down again. "Don't let me interrupt you," she added. "Oh dear, I'm quite alone, I've nothing on earth to do. I had no idea you were in Rome. I've just come from the East. I'm only passing through." "You've been making a long journey," said Isabel, who had learned from Ralph that Lord Warburton was absent from England. "Yes, I came abroad for six months--soon after I saw you last. I've been in Turkey and Asia Minor; I came the other day from Athens." He managed not to be awkward, but he wasn't easy, and after a longer look at the girl he came down to nature. "Do you wish me to leave you, or will you let me stay a little?" She took it all humanely. "I don't wish you to leave me, Lord Warburton; I'm very glad to see you." "Thank you for saying that. May I sit down?" The fluted shaft on which she had taken her seat would have afforded a resting-place to several persons, and there was plenty of room even for a highly-developed Englishman. This fine specimen of that great class seated himself near our young lady, and in the course of five minutes he had asked her several questions, taken rather at random and to which, as he put some of them twice over, he apparently somewhat missed catching the answer; had given her too some information about himself which was not wasted upon her calmer feminine sense. He repeated more than once that he had not expected to meet her, and it was evident that the encounter touched him in a way that would have made preparation advisable. He began abruptly to pass from the impunity of things to their solemnity, and from their being delightful to their being impossible. He was splendidly sunburnt; even his multitudinous beard had been burnished by the fire of Asia. He was dressed in the loose-fitting, heterogeneous garments in which the English traveller in foreign lands is wont to consult his comfort and affirm his nationality; and with his pleasant steady eyes, his bronzed complexion, fresh beneath its seasoning, his manly figure, his minimising manner and his general air of being a gentleman and an explorer, he was such a representative of the British race as need not in any clime have been disavowed by those who have a kindness for it. Isabel noted these things and was glad she had always liked him. He had kept, evidently in spite of shocks, every one of his merits--properties these partaking of the essence of great decent houses, as one might put it; resembling their innermost fixtures and ornaments, not subject to vulgar shifting and removable only by some whole break-up. They talked of the matters naturally in order; her uncle's death, Ralph's state of health, the way she had passed her winter, her visit to Rome, her return to Florence, her plans for the summer, the hotel she was staying at; and then of Lord Warburton's own adventures, movements, intentions, impressions and present domicile. At last there was a silence, and it said so much more than either had said that it scarce needed his final words. "I've written to you several times." "Written to me? I've never had your letters." "I never sent them. I burned them up." "Ah," laughed Isabel, "it was better that you should do that than I!" "I thought you wouldn't care for them," he went on with a simplicity that touched her. "It seemed to me that after all I had no right to trouble you with letters." "I should have been very glad to have news of you. You know how I hoped that--that--" But she stopped; there would be such a flatness in the utterance of her thought. "I know what you're going to say. You hoped we should always remain good friends." This formula, as Lord Warburton uttered it, was certainly flat enough; but then he was interested in making it appear so. She found herself reduced simply to "Please don't talk of all that"; a speech which hardly struck her as improvement on the other. "It's a small consolation to allow me!" her companion exclaimed with force. "I can't pretend to console you," said the girl, who, all still as she sat there, threw herself back with a sort of inward triumph on the answer that had satisfied him so little six months before. He was pleasant, he was powerful, he was gallant; there was no better man than he. But her answer remained. "It's very well you don't try to console me; it wouldn't be in your power," she heard him say through the medium of her strange elation. "I hoped we should meet again, because I had no fear you would attempt to make me feel I had wronged you. But when you do that--the pain's greater than the pleasure." And she got up with a small conscious majesty, looking for her companions. "I don't want to make you feel that; of course I can't say that. I only just want you to know one or two things--in fairness to myself, as it were. I won't return to the subject again. I felt very strongly what I expressed to you last year; I couldn't think of anything else. I tried to forget--energetically, systematically. I tried to take an interest in somebody else. I tell you this because I want you to know I did my duty. I didn't succeed. It was for the same purpose I went abroad--as far away as possible. They say travelling distracts the mind, but it didn't distract mine. I've thought of you perpetually, ever since I last saw you. I'm exactly the same. I love you just as much, and everything I said to you then is just as true. This instant at which I speak to you shows me again exactly how, to my great misfortune, you just insuperably charm me. There--I can't say less. I don't mean, however, to insist; it's only for a moment. I may add that when I came upon you a few minutes since, without the smallest idea of seeing you, I was, upon my honour, in the very act of wishing I knew where you were." He had recovered his self-control, and while he spoke it became complete. He might have been addressing a small committee--making all quietly and clearly a statement of importance; aided by an occasional look at a paper of notes concealed in his hat, which he had not again put on. And the committee, assuredly, would have felt the point proved. "I've often thought of you, Lord Warburton," Isabel answered. "You may be sure I shall always do that." And she added in a tone of which she tried to keep up the kindness and keep down the meaning: "There's no harm in that on either side." They walked along together, and she was prompt to ask about his sisters and request him to let them know she had done so. He made for the moment no further reference to their great question, but dipped again into shallower and safer waters. But he wished to know when she was to leave Rome, and on her mentioning the limit of her stay declared he was glad it was still so distant. "Why do you say that if you yourself are only passing through?" she enquired with some anxiety. "Ah, when I said I was passing through I didn't mean that one would treat Rome as if it were Clapham Junction. To pass through Rome is to stop a week or two." "Say frankly that you mean to stay as long as I do!" His flushed smile, for a little, seemed to sound her. "You won't like that. You're afraid you'll see too much of me." "It doesn't matter what I like. I certainly can't expect you to leave this delightful place on my account. But I confess I'm afraid of you." "Afraid I'll begin again? I promise to be very careful." They had gradually stopped and they stood a moment face to face. "Poor Lord Warburton!" she said with a compassion intended to be good for both of them. "Poor Lord Warburton indeed! But I'll be careful." "You may be unhappy, but you shall not make ME so. That I can't allow." "If I believed I could make you unhappy I think I should try it." At this she walked in advance and he also proceeded. "I'll never say a word to displease you." "Very good. If you do, our friendship's at an end." "Perhaps some day--after a while--you'll give me leave." "Give you leave to make me unhappy?" He hesitated. "To tell you again--" But he checked himself. "I'll keep it down. I'll keep it down always." Ralph Touchett had been joined in his visit to the excavation by Miss Stackpole and her attendant, and these three now emerged from among the mounds of earth and stone collected round the aperture and came into sight of Isabel and her companion. Poor Ralph hailed his friend with joy qualified by wonder, and Henrietta exclaimed in a high voice "Gracious, there's that lord!" Ralph and his English neighbour greeted with the austerity with which, after long separations, English neighbours greet, and Miss Stackpole rested her large intellectual gaze upon the sunburnt traveller. But she soon established her relation to the crisis. "I don't suppose you remember me, sir." "Indeed I do remember you," said Lord Warburton. "I asked you to come and see me, and you never came." "I don't go everywhere I'm asked," Miss Stackpole answered coldly. "Ah well, I won't ask you again," laughed the master of Lockleigh. "If you do I'll go; so be sure!" Lord Warburton, for all his hilarity, seemed sure enough. Mr. Bantling had stood by without claiming a recognition, but he now took occasion to nod to his lordship, who answered him with a friendly "Oh, you here, Bantling?" and a hand-shake. "Well," said Henrietta, "I didn't know you knew him!" "I guess you don't know every one I know," Mr. Bantling rejoined facetiously. "I thought that when an Englishman knew a lord he always told you." "Ah, I'm afraid Bantling was ashamed of me," Lord Warburton laughed again. Isabel took pleasure in that note; she gave a small sigh of relief as they kept their course homeward. The next day was Sunday; she spent her morning over two long letters--one to her sister Lily, the other to Madame Merle; but in neither of these epistles did she mention the fact that a rejected suitor had threatened her with another appeal. Of a Sunday afternoon all good Romans (and the best Romans are often the northern barbarians) follow the custom of going to vespers at Saint Peter's; and it had been agreed among our friends that they would drive together to the great church. After lunch, an hour before the carriage came, Lord Warburton presented himself at the Hotel de Paris and paid a visit to the two ladies, Ralph Touchett and Mr. Bantling having gone out together. The visitor seemed to have wished to give Isabel a proof of his intention to keep the promise made her the evening before; he was both discreet and frank--not even dumbly importunate or remotely intense. He thus left her to judge what a mere good friend he could be. He talked about his travels, about Persia, about Turkey, and when Miss Stackpole asked him whether it would "pay" for her to visit those countries assured her they offered a great field to female enterprise. Isabel did him justice, but she wondered what his purpose was and what he expected to gain even by proving the superior strain of his sincerity. If he expected to melt her by showing what a good fellow he was, he might spare himself the trouble. She knew the superior strain of everything about him, and nothing he could now do was required to light the view. Moreover his being in Rome at all affected her as a complication of the wrong sort--she liked so complications of the right. Nevertheless, when, on bringing his call to a close, he said he too should be at Saint Peter's and should look out for her and her friends, she was obliged to reply that he must follow his convenience. In the church, as she strolled over its tesselated acres, he was the first person she encountered. She had not been one of the superior tourists who are "disappointed" in Saint Peter's and find it smaller than its fame; the first time she passed beneath the huge leathern curtain that strains and bangs at the entrance, the first time she found herself beneath the far-arching dome and saw the light drizzle down through the air thickened with incense and with the reflections of marble and gilt, of mosaic and bronze, her conception of greatness rose and dizzily rose. After this it never lacked space to soar. She gazed and wondered like a child or a peasant, she paid her silent tribute to the seated sublime. Lord Warburton walked beside her and talked of Saint Sophia of Constantinople; she feared for instance that he would end by calling attention to his exemplary conduct. The service had not yet begun, but at Saint Peter's there is much to observe, and as there is something almost profane in the vastness of the place, which seems meant as much for physical as for spiritual exercise, the different figures and groups, the mingled worshippers and spectators, may follow their various intentions without conflict or scandal. In that splendid immensity individual indiscretion carries but a short distance. Isabel and her companions, however, were guilty of none; for though Henrietta was obliged in candour to declare that Michael Angelo's dome suffered by comparison with that of the Capitol at Washington, she addressed her protest chiefly to Mr. Bantling's ear and reserved it in its more accentuated form for the columns of the Interviewer. Isabel made the circuit of the church with his lordship, and as they drew near the choir on the left of the entrance the voices of the Pope's singers were borne to them over the heads of the large number of persons clustered outside the doors. They paused a while on the skirts of this crowd, composed in equal measure of Roman cockneys and inquisitive strangers, and while they stood there the sacred concert went forward. Ralph, with Henrietta and Mr. Bantling, was apparently within, where Isabel, looking beyond the dense group in front of her, saw the afternoon light, silvered by clouds of incense that seemed to mingle with the splendid chant, slope through the embossed recesses of high windows. After a while the singing stopped and then Lord Warburton seemed disposed to move off with her. Isabel could only accompany him; whereupon she found herself confronted with Gilbert Osmond, who appeared to have been standing at a short distance behind her. He now approached with all the forms--he appeared to have multiplied them on this occasion to suit the place. "So you decided to come?" she said as she put out her hand. "Yes, I came last night and called this afternoon at your hotel. They told me you had come here, and I looked about for you." "The others are inside," she decided to say. "I didn't come for the others," he promptly returned. She looked away; Lord Warburton was watching them; perhaps he had heard this. Suddenly she remembered it to be just what he had said to her the morning he came to Gardencourt to ask her to marry him. Mr. Osmond's words had brought the colour to her cheek, and this reminiscence had not the effect of dispelling it. She repaired any betrayal by mentioning to each companion the name of the other, and fortunately at this moment Mr. Bantling emerged from the choir, cleaving the crowd with British valour and followed by Miss Stackpole and Ralph Touchett. I say fortunately, but this is perhaps a superficial view of the matter; since on perceiving the gentleman from Florence Ralph Touchett appeared to take the case as not committing him to joy. He didn't hang back, however, from civility, and presently observed to Isabel, with due benevolence, that she would soon have all her friends about her. Miss Stackpole had met Mr. Osmond in Florence, but she had already found occasion to say to Isabel that she liked him no better than her other admirers--than Mr. Touchett and Lord Warburton, and even than little Mr. Rosier in Paris. "I don't know what it's in you," she had been pleased to remark, "but for a nice girl you do attract the most unnatural people. Mr. Goodwood's the only one I've any respect for, and he's just the one you don't appreciate." "What's your opinion of Saint Peter's?" Mr. Osmond was meanwhile enquiring of our young lady. "It's very large and very bright," she contented herself with replying. "It's too large; it makes one feel like an atom." "Isn't that the right way to feel in the greatest of human temples?" she asked with rather a liking for her phrase. "I suppose it's the right way to feel everywhere, when one IS nobody. But I like it in a church as little as anywhere else." "You ought indeed to be a Pope!" Isabel exclaimed, remembering something he had referred to in Florence. "Ah, I should have enjoyed that!" said Gilbert Osmond. Lord Warburton meanwhile had joined Ralph Touchett, and the two strolled away together. "Who's the fellow speaking to Miss Archer?" his lordship demanded. "His name's Gilbert Osmond--he lives in Florence," Ralph said. "What is he besides?" "Nothing at all. Oh yes, he's an American; but one forgets that--he's so little of one." "Has he known Miss Archer long?" "Three or four weeks." "Does she like him?" "She's trying to find out." "And will she?" "Find out--?" Ralph asked. "Will she like him?" "Do you mean will she accept him?" "Yes," said Lord Warburton after an instant; "I suppose that's what I horribly mean." "Perhaps not if one does nothing to prevent it," Ralph replied. His lordship stared a moment, but apprehended. "Then we must be perfectly quiet?" "As quiet as the grave. And only on the chance!" Ralph added. "The chance she may?" "The chance she may not?" Lord Warburton took this at first in silence, but he spoke again. "Is he awfully clever?" "Awfully," said Ralph. His companion thought. "And what else?" "What more do you want?" Ralph groaned. "Do you mean what more does SHE?" Ralph took him by the arm to turn him: they had to rejoin the others. "She wants nothing that WE can give her." "Ah well, if she won't have You--!" said his lordship handsomely as they went.

Chapter 27

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-27

Isabel, Ralph, Henrietta, and Mr. Bantling go to Rome, which delights Isabel. She loves the city's rich sense of history. Henrietta is not that impressed with Rome, thinking that every Roman characteristic is inferior to similar ones in America. This is typical hilarious Henrietta - in fact, everything newer is modeled on the old, not vice versa. Ralph goes to look at an excavation site, and Isabel is glad to be alone for a little bit. However, she's not alone for long - shockingly , Lord Warburton shows up. They're both surprised. So are we - where the heck did he come from? They chat somewhat uncomfortably, catching up on recent happenings. Lord Warburton confesses that he has written Isabel several letters, but hasn't sent any of them. Lord Warburton declares that he still loves Isabel, despite his efforts to move on and love someone else. Isabel quietly delights in this news, since, as she says, "there is no better man than he" , but she's still glad that she turned him down. Lord Warburton will be staying in Rome for a couple more weeks, just as Isabel will. Lord Warburton promises that he will control his feelings for her, although it is obviously tough for him. Ralph, Henrietta, and Mr. Bantling return and are surprised to find Lord Warburton with Isabel. Henrietta is shocked that Mr. Bantling and Lord Warburton already know each other. She seems to think that she knows everything about her travel companion. Ralph and Mr. Bantling go out the next day. Lord Warburton visits the two ladies in the hotel. He seems to want to prove that he and Isabel can be friends. Isabel still believes that Lord Warburton is the best kind of man, superior in every way... and, yet, she still has no romantic feelings for him. On Sunday, the group goes to Saint Peter's church, where they meet again with Lord Warburton. Once more, Henrietta ridiculously compares the architecture with American standards. Isabel is with Lord Warburton when she becomes aware of Gilbert Osmond standing behind her . Osmond makes it clear that he is there only to see Isabel. Lord Warburton sees the two of them talking. Isabel introduces Osmond and Lord Warburton to each other. Can you say "awkward?" Lord Warburton asks Ralph about Osmond. Ralph says that they must not try to prevent Isabel and Osmond's union, if they want any hope of keeping them apart. Ralph thinks that Isabel will go against their wishes in order to prove her freedom. Ralph tells Lord Warburton that neither of them can give Isabel what she wants, implying that, despite all his insistence to the contrary, he is in fact in love with his cousin.

shmoop

all_chapterized_books/2833-chapters/28.txt

finished_summaries/shmoop/The Portrait of a Lady/section_27_part_0.txt

The Portrait of a Lady.chapter 28

volume 2, chapter 28

{"name": "Volume 2, Chapter 28", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/volume-2-chapter-28", "summary": "Lord Warburton goes to visits his friends the next night. When he learns that they're at the theatre, he follows them there. An act has just ended, and Lord Warburton finds Isabel alone with Osmond in a secluded opera box. Lord Warburton runs into Ralph, who's feeling lonely since Henrietta's paired off with Mr. Bantling, and Isabel obviously doesn't need him. Lord Warburton goes to hang out with Isabel and Osmond while Ralph takes a walk. Lord Warburton notices how charming and radiant Isabel is under \"operatic conditions\" , and is puzzled as to why she should use her feminine charms on him. Lord Warburton stays in the corner of the box, watching Isabel. He eventually gets up to leave before the opera is over. Osmond asks Isabel about Lord Warburton, and she reveals the fact that Warburton is a man of high status. Isabel says that she thinks well of Lord Warburton. Osmond says that he could be envious of Lord Warburton. Isabel jokes with Osmond: yesterday he wanted to be the Pope, and today he wants to be Lord Warburton. Two days later, Isabel runs into Lord Warburton again at an art gallery. She is there with her friends, including Osmond, admiring the statue of the Dying Gladiator. Lord Warburton tells Isabel that he is not only leaving the museum, but leaving Rome as well. Isabel has a moment of wanting to stop him, but then wishes him a good journey. Lord Warburton says that he cannot stick to his promise of concealing his interest in her, and so he is leaving Rome. Isabel says that the next time she will see Lord Warburton will be after he's married. Warburton corrects her, saying that that will never happen, and that she will marry first. Isabel is alone after Lord Warburton leaves, accompanied by art. Osmond creeps up behind her, and is glad to find her alone. Osmond accuses Isabel of being cruel to Lord Warburton, and Isabel says that she bends over backward to be kind. Osmond rejoices in Isabel's behavior toward Lord Warburton, because he knows that Warburton is a man superior to himself. If Isabel is strong enough to turn down Lord Warburton, then Osmond figures that she is the woman for him. He wants to add her to his collection of beautiful and precious things. We've said it once, and we'll say it again - Osmond is so creepy. Ugh.", "analysis": ""}

On the morrow, in the evening, Lord Warburton went again to see his friends at their hotel, and at this establishment he learned that they had gone to the opera. He drove to the opera with the idea of paying them a visit in their box after the easy Italian fashion; and when he had obtained his admittance--it was one of the secondary theatres--looked about the large, bare, ill-lighted house. An act had just terminated and he was at liberty to pursue his quest. After scanning two or three tiers of boxes he perceived in one of the largest of these receptacles a lady whom he easily recognised. Miss Archer was seated facing the stage and partly screened by the curtain of the box; and beside her, leaning back in his chair, was Mr. Gilbert Osmond. They appeared to have the place to themselves, and Warburton supposed their companions had taken advantage of the recess to enjoy the relative coolness of the lobby. He stood a while with his eyes on the interesting pair; he asked himself if he should go up and interrupt the harmony. At last he judged that Isabel had seen him, and this accident determined him. There should be no marked holding off. He took his way to the upper regions and on the staircase met Ralph Touchett slowly descending, his hat at the inclination of ennui and his hands where they usually were. "I saw you below a moment since and was going down to you. I feel lonely and want company," was Ralph's greeting. "You've some that's very good which you've yet deserted." "Do you mean my cousin? Oh, she has a visitor and doesn't want me. Then Miss Stackpole and Bantling have gone out to a cafe to eat an ice--Miss Stackpole delights in an ice. I didn't think they wanted me either. The opera's very bad; the women look like laundresses and sing like peacocks. I feel very low." "You had better go home," Lord Warburton said without affectation. "And leave my young lady in this sad place? Ah no, I must watch over her." "She seems to have plenty of friends." "Yes, that's why I must watch," said Ralph with the same large mock-melancholy. "If she doesn't want you it's probable she doesn't want me." "No, you're different. Go to the box and stay there while I walk about." Lord Warburton went to the box, where Isabel's welcome was as to a friend so honourably old that he vaguely asked himself what queer temporal province she was annexing. He exchanged greetings with Mr. Osmond, to whom he had been introduced the day before and who, after he came in, sat blandly apart and silent, as if repudiating competence in the subjects of allusion now probable. It struck her second visitor that Miss Archer had, in operatic conditions, a radiance, even a slight exaltation; as she was, however, at all times a keenly-glancing, quickly-moving, completely animated young woman, he may have been mistaken on this point. Her talk with him moreover pointed to presence of mind; it expressed a kindness so ingenious and deliberate as to indicate that she was in undisturbed possession of her faculties. Poor Lord Warburton had moments of bewilderment. She had discouraged him, formally, as much as a woman could; what business had she then with such arts and such felicities, above all with such tones of reparation--preparation? Her voice had tricks of sweetness, but why play them on HIM? The others came back; the bare, familiar, trivial opera began again. The box was large, and there was room for him to remain if he would sit a little behind and in the dark. He did so for half an hour, while Mr. Osmond remained in front, leaning forward, his elbows on his knees, just behind Isabel. Lord Warburton heard nothing, and from his gloomy corner saw nothing but the clear profile of this young lady defined against the dim illumination of the house. When there was another interval no one moved. Mr. Osmond talked to Isabel, and Lord Warburton kept his corner. He did so but for a short time, however; after which he got up and bade good-night to the ladies. Isabel said nothing to detain him, but it didn't prevent his being puzzled again. Why should she mark so one of his values--quite the wrong one--when she would have nothing to do with another, which was quite the right? He was angry with himself for being puzzled, and then angry for being angry. Verdi's music did little to comfort him, and he left the theatre and walked homeward, without knowing his way, through the tortuous, tragic streets of Rome, where heavier sorrows than his had been carried under the stars. "What's the character of that gentleman?" Osmond asked of Isabel after he had retired. "Irreproachable--don't you see it?" "He owns about half England; that's his character," Henrietta remarked. "That's what they call a free country!" "Ah, he's a great proprietor? Happy man!" said Gilbert Osmond. "Do you call that happiness--the ownership of wretched human beings?" cried Miss Stackpole. "He owns his tenants and has thousands of them. It's pleasant to own something, but inanimate objects are enough for me. I don't insist on flesh and blood and minds and consciences." "It seems to me you own a human being or two," Mr. Bantling suggested jocosely. "I wonder if Warburton orders his tenants about as you do me." "Lord Warburton's a great radical," Isabel said. "He has very advanced opinions." "He has very advanced stone walls. His park's enclosed by a gigantic iron fence, some thirty miles round," Henrietta announced for the information of Mr. Osmond. "I should like him to converse with a few of our Boston radicals." "Don't they approve of iron fences?" asked Mr. Bantling. "Only to shut up wicked conservatives. I always feel as if I were talking to YOU over something with a neat top-finish of broken glass." "Do you know him well, this unreformed reformer?" Osmond went on, questioning Isabel. "Well enough for all the use I have for him." "And how much of a use is that?" "Well, I like to like him." "'Liking to like'--why, it makes a passion!" said Osmond. "No"--she considered--"keep that for liking to DISlike." "Do you wish to provoke me then," Osmond laughed, "to a passion for HIM?" She said nothing for a moment, but then met the light question with a disproportionate gravity. "No, Mr. Osmond; I don't think I should ever dare to provoke you. Lord Warburton, at any rate," she more easily added, "is a very nice man." "Of great ability?" her friend enquired. "Of excellent ability, and as good as he looks." "As good as he's good-looking do you mean? He's very good-looking. How detestably fortunate!--to be a great English magnate, to be clever and handsome into the bargain, and, by way of finishing off, to enjoy your high favour! That's a man I could envy." Isabel considered him with interest. "You seem to me to be always envying some one. Yesterday it was the Pope; to-day it's poor Lord Warburton." "My envy's not dangerous; it wouldn't hurt a mouse. I don't want to destroy the people--I only want to BE them. You see it would destroy only myself." "You'd like to be the Pope?" said Isabel. "I should love it--but I should have gone in for it earlier. But why"--Osmond reverted--"do you speak of your friend as poor?" "Women--when they are very, very good sometimes pity men after they've hurt them; that's their great way of showing kindness," said Ralph, joining in the conversation for the first time and with a cynicism so transparently ingenious as to be virtually innocent. "Pray, have I hurt Lord Warburton?" Isabel asked, raising her eyebrows as if the idea were perfectly fresh. "It serves him right if you have," said Henrietta while the curtain rose for the ballet. Isabel saw no more of her attributive victim for the next twenty-four hours, but on the second day after the visit to the opera she encountered him in the gallery of the Capitol, where he stood before the lion of the collection, the statue of the Dying Gladiator. She had come in with her companions, among whom, on this occasion again, Gilbert Osmond had his place, and the party, having ascended the staircase, entered the first and finest of the rooms. Lord Warburton addressed her alertly enough, but said in a moment that he was leaving the gallery. "And I'm leaving Rome," he added. "I must bid you goodbye." Isabel, inconsequently enough, was now sorry to hear it. This was perhaps because she had ceased to be afraid of his renewing his suit; she was thinking of something else. She was on the point of naming her regret, but she checked herself and simply wished him a happy journey; which made him look at her rather unlightedly. "I'm afraid you'll think me very 'volatile.' I told you the other day I wanted so much to stop." "Oh no; you could easily change your mind." "That's what I have done." "Bon voyage then." "You're in a great hurry to get rid of me," said his lordship quite dismally. "Not in the least. But I hate partings." "You don't care what I do," he went on pitifully. Isabel looked at him a moment. "Ah," she said, "you're not keeping your promise!" He coloured like a boy of fifteen. "If I'm not, then it's because I can't; and that's why I'm going." "Good-bye then." "Good-bye." He lingered still, however. "When shall I see you again?" Isabel hesitated, but soon, as if she had had a happy inspiration: "Some day after you're married." "That will never be. It will be after you are." "That will do as well," she smiled. "Yes, quite as well. Good-bye." They shook hands, and he left her alone in the glorious room, among the shining antique marbles. She sat down in the centre of the circle of these presences, regarding them vaguely, resting her eyes on their beautiful blank faces; listening, as it were, to their eternal silence. It is impossible, in Rome at least, to look long at a great company of Greek sculptures without feeling the effect of their noble quietude; which, as with a high door closed for the ceremony, slowly drops on the spirit the large white mantle of peace. I say in Rome especially, because the Roman air is an exquisite medium for such impressions. The golden sunshine mingles with them, the deep stillness of the past, so vivid yet, though it is nothing but a void full of names, seems to throw a solemn spell upon them. The blinds were partly closed in the windows of the Capitol, and a clear, warm shadow rested on the figures and made them more mildly human. Isabel sat there a long time, under the charm of their motionless grace, wondering to what, of their experience, their absent eyes were open, and how, to our ears, their alien lips would sound. The dark red walls of the room threw them into relief; the polished marble floor reflected their beauty. She had seen them all before, but her enjoyment repeated itself, and it was all the greater because she was glad again, for the time, to be alone. At last, however, her attention lapsed, drawn off by a deeper tide of life. An occasional tourist came in, stopped and stared a moment at the Dying Gladiator, and then passed out of the other door, creaking over the smooth pavement. At the end of half an hour Gilbert Osmond reappeared, apparently in advance of his companions. He strolled toward her slowly, with his hands behind him and his usual enquiring, yet not quite appealing smile. "I'm surprised to find you alone, I thought you had company. "So I have--the best." And she glanced at the Antinous and the Faun. "Do you call them better company than an English peer?" "Ah, my English peer left me some time ago." She got up, speaking with intention a little dryly. Mr. Osmond noted her dryness, which contributed for him to the interest of his question. "I'm afraid that what I heard the other evening is true: you're rather cruel to that nobleman." Isabel looked a moment at the vanquished Gladiator. "It's not true. I'm scrupulously kind." "That's exactly what I mean!" Gilbert Osmond returned, and with such happy hilarity that his joke needs to be explained. We know that he was fond of originals, of rarities, of the superior and the exquisite; and now that he had seen Lord Warburton, whom he thought a very fine example of his race and order, he perceived a new attraction in the idea of taking to himself a young lady who had qualified herself to figure in his collection of choice objects by declining so noble a hand. Gilbert Osmond had a high appreciation of this particular patriciate; not so much for its distinction, which he thought easily surpassable, as for its solid actuality. He had never forgiven his star for not appointing him to an English dukedom, and he could measure the unexpectedness of such conduct as Isabel's. It would be proper that the woman he might marry should have done something of that sort.

Volume 2, Chapter 28

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/volume-2-chapter-28

Lord Warburton goes to visits his friends the next night. When he learns that they're at the theatre, he follows them there. An act has just ended, and Lord Warburton finds Isabel alone with Osmond in a secluded opera box. Lord Warburton runs into Ralph, who's feeling lonely since Henrietta's paired off with Mr. Bantling, and Isabel obviously doesn't need him. Lord Warburton goes to hang out with Isabel and Osmond while Ralph takes a walk. Lord Warburton notices how charming and radiant Isabel is under "operatic conditions" , and is puzzled as to why she should use her feminine charms on him. Lord Warburton stays in the corner of the box, watching Isabel. He eventually gets up to leave before the opera is over. Osmond asks Isabel about Lord Warburton, and she reveals the fact that Warburton is a man of high status. Isabel says that she thinks well of Lord Warburton. Osmond says that he could be envious of Lord Warburton. Isabel jokes with Osmond: yesterday he wanted to be the Pope, and today he wants to be Lord Warburton. Two days later, Isabel runs into Lord Warburton again at an art gallery. She is there with her friends, including Osmond, admiring the statue of the Dying Gladiator. Lord Warburton tells Isabel that he is not only leaving the museum, but leaving Rome as well. Isabel has a moment of wanting to stop him, but then wishes him a good journey. Lord Warburton says that he cannot stick to his promise of concealing his interest in her, and so he is leaving Rome. Isabel says that the next time she will see Lord Warburton will be after he's married. Warburton corrects her, saying that that will never happen, and that she will marry first. Isabel is alone after Lord Warburton leaves, accompanied by art. Osmond creeps up behind her, and is glad to find her alone. Osmond accuses Isabel of being cruel to Lord Warburton, and Isabel says that she bends over backward to be kind. Osmond rejoices in Isabel's behavior toward Lord Warburton, because he knows that Warburton is a man superior to himself. If Isabel is strong enough to turn down Lord Warburton, then Osmond figures that she is the woman for him. He wants to add her to his collection of beautiful and precious things. We've said it once, and we'll say it again - Osmond is so creepy. Ugh.

shmoop

all_chapterized_books/2833-chapters/29.txt

finished_summaries/shmoop/The Portrait of a Lady/section_28_part_0.txt

The Portrait of a Lady.chapter 29

chapter 29

{"name": "Chapter 29", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-29", "summary": "Osmond has been strangely pleasant the whole time while he's in Isabel's company. He is so pleased to be around Isabel that he writes a sonnet called \"Rome Revisited,\" and shares it with her. Osmond has always wanted someone like Isabel to bring out the best in him, and show it to the world - apparently, his selfishness just knows no bounds. Mrs. Touchett sends a telegram asking Isabel to return to Florence and go to Bellaggio with her, but only if Isabel is willing to leave Rome. Isabel replies that she would very much like to go with her aunt. When Osmond finds out, he lets Isabel know that they probably won't see each other again for months. While Henrietta is making friends with Americans in the hotel and Ralph is making arrangements for the trip to Florence, Isabel sits alone in the colorfully decorated room. Osmond calls on her. Isabel assumes that he must think her ridiculous for wanting to travel the world. Osmond denies such thoughts, saying that it's right for her to use her means to travel. Osmond says he'll be waiting for her when she's done traveling and tired. The implication is that she'll be vulnerable then - and he'll be ready to strike. Isabel is glad to go. She figures that, if this happy time with Osmond is the last time she'll spend with him, it's best to part well. Osmond professes his love for Isabel. This is familiar territory... or, at least, it should be. However, something's different this time. Isabel feels something in her switch, and tears spring to her eyes. Could this be love? Osmond confesses that he has little to offer Isabel, but figures there's no harm in letting her know of his love. Isabel tells him the same thing she told Lord Warburton: that she barely knows him. Osmond says that that could easily be changed. Isabel calls his bluff, saying that he is not easy to figure out at all. Isabel asks him to go. Osmond tells Isabel that no matter what she does, he will still love her. Before Osmond leaves, he asks Isabel to promise to visit Pansy before she leaves Florence. Isabel agrees. Isabel sits alone with her thoughts until the others return. The narrator writes that Isabel's imagination has shifted, and that there is some new, mysterious obstacle in its way.", "analysis": ""}

Ralph Touchett, in talk with his excellent friend, had rather markedly qualified, as we know, his recognition of Gilbert Osmond's personal merits; but he might really have felt himself illiberal in the light of that gentleman's conduct during the rest of the visit to Rome. Osmond spent a portion of each day with Isabel and her companions, and ended by affecting them as the easiest of men to live with. Who wouldn't have seen that he could command, as it were, both tact and gaiety?--which perhaps was exactly why Ralph had made his old-time look of superficial sociability a reproach to him. Even Isabel's invidious kinsman was obliged to admit that he was just now a delightful associate. His good humour was imperturbable, his knowledge of the right fact, his production of the right word, as convenient as the friendly flicker of a match for your cigarette. Clearly he was amused--as amused as a man could be who was so little ever surprised, and that made him almost applausive. It was not that his spirits were visibly high--he would never, in the concert of pleasure, touch the big drum by so much as a knuckle: he had a mortal dislike to the high, ragged note, to what he called random ravings. He thought Miss Archer sometimes of too precipitate a readiness. It was pity she had that fault, because if she had not had it she would really have had none; she would have been as smooth to his general need of her as handled ivory to the palm. If he was not personally loud, however, he was deep, and during these closing days of the Roman May he knew a complacency that matched with slow irregular walks under the pines of the Villa Borghese, among the small sweet meadow-flowers and the mossy marbles. He was pleased with everything; he had never before been pleased with so many things at once. Old impressions, old enjoyments, renewed themselves; one evening, going home to his room at the inn, he wrote down a little sonnet to which he prefixed the title of "Rome Revisited." A day or two later he showed this piece of correct and ingenious verse to Isabel, explaining to her that it was an Italian fashion to commemorate the occasions of life by a tribute to the muse. He took his pleasures in general singly; he was too often--he would have admitted that--too sorely aware of something wrong, something ugly; the fertilising dew of a conceivable felicity too seldom descended on his spirit. But at present he was happy--happier than he had perhaps ever been in his life, and the feeling had a large foundation. This was simply the sense of success--the most agreeable emotion of the human heart. Osmond had never had too much of it; in this respect he had the irritation of satiety, as he knew perfectly well and often reminded himself. "Ah no, I've not been spoiled; certainly I've not been spoiled," he used inwardly to repeat. "If I do succeed before I die I shall thoroughly have earned it." He was too apt to reason as if "earning" this boon consisted above all of covertly aching for it and might be confined to that exercise. Absolutely void of it, also, his career had not been; he might indeed have suggested to a spectator here and there that he was resting on vague laurels. But his triumphs were, some of them, now too old; others had been too easy. The present one had been less arduous than might have been expected, but had been easy--that is had been rapid--only because he had made an altogether exceptional effort, a greater effort than he had believed it in him to make. The desire to have something or other to show for his "parts"--to show somehow or other--had been the dream of his youth; but as the years went on the conditions attached to any marked proof of rarity had affected him more and more as gross and detestable; like the swallowing of mugs of beer to advertise what one could "stand." If an anonymous drawing on a museum wall had been conscious and watchful it might have known this peculiar pleasure of being at last and all of a sudden identified--as from the hand of a great master--by the so high and so unnoticed fact of style. His "style" was what the girl had discovered with a little help; and now, beside herself enjoying it, she should publish it to the world without his having any of the trouble. She should do the thing FOR him, and he would not have waited in vain. Shortly before the time fixed in advance for her departure this young lady received from Mrs. Touchett a telegram running as follows: "Leave Florence 4th June for Bellaggio, and take you if you have not other views. But can't wait if you dawdle in Rome." The dawdling in Rome was very pleasant, but Isabel had different views, and she let her aunt know she would immediately join her. She told Gilbert Osmond that she had done so, and he replied that, spending many of his summers as well as his winters in Italy, he himself would loiter a little longer in the cool shadow of Saint Peter's. He would not return to Florence for ten days more, and in that time she would have started for Bellaggio. It might be months in this case before he should see her again. This exchange took place in the large decorated sitting-room occupied by our friends at the hotel; it was late in the evening, and Ralph Touchett was to take his cousin back to Florence on the morrow. Osmond had found the girl alone; Miss Stackpole had contracted a friendship with a delightful American family on the fourth floor and had mounted the interminable staircase to pay them a visit. Henrietta contracted friendships, in travelling, with great freedom, and had formed in railway-carriages several that were among her most valued ties. Ralph was making arrangements for the morrow's journey, and Isabel sat alone in a wilderness of yellow upholstery. The chairs and sofas were orange; the walls and windows were draped in purple and gilt. The mirrors, the pictures had great flamboyant frames; the ceiling was deeply vaulted and painted over with naked muses and cherubs. For Osmond the place was ugly to distress; the false colours, the sham splendour were like vulgar, bragging, lying talk. Isabel had taken in hand a volume of Ampere, presented, on their arrival in Rome, by Ralph; but though she held it in her lap with her finger vaguely kept in the place she was not impatient to pursue her study. A lamp covered with a drooping veil of pink tissue-paper burned on the table beside her and diffused a strange pale rosiness over the scene. "You say you'll come back; but who knows?" Gilbert Osmond said. "I think you're much more likely to start on your voyage round the world. You're under no obligation to come back; you can do exactly what you choose; you can roam through space." "Well, Italy's a part of space," Isabel answered. "I can take it on the way." "On the way round the world? No, don't do that. Don't put us in a parenthesis--give us a chapter to ourselves. I don't want to see you on your travels. I'd rather see you when they're over. I should like to see you when you're tired and satiated," Osmond added in a moment. "I shall prefer you in that state." Isabel, with her eyes bent, fingered the pages of M. Ampere. "You turn things into ridicule without seeming to do it, though not, I think, without intending it. You've no respect for my travels--you think them ridiculous." "Where do you find that?" She went on in the same tone, fretting the edge of her book with the paper-knife. "You see my ignorance, my blunders, the way I wander about as if the world belonged to me, simply because--because it has been put into my power to do so. You don't think a woman ought to do that. You think it bold and ungraceful." "I think it beautiful," said Osmond. "You know my opinions--I've treated you to enough of them. Don't you remember my telling you that one ought to make one's life a work of art? You looked rather shocked at first; but then I told you that it was exactly what you seemed to me to be trying to do with your own." She looked up from her book. "What you despise most in the world is bad, is stupid art." "Possibly. But yours seem to me very clear and very good." "If I were to go to Japan next winter you would laugh at me," she went on. Osmond gave a smile--a keen one, but not a laugh, for the tone of their conversation was not jocose. Isabel had in fact her solemnity; he had seen it before. "You have one!" "That's exactly what I say. You think such an idea absurd." "I would give my little finger to go to Japan; it's one of the countries I want most to see. Can't you believe that, with my taste for old lacquer?" "I haven't a taste for old lacquer to excuse me," said Isabel. "You've a better excuse--the means of going. You're quite wrong in your theory that I laugh at you. I don't know what has put it into your head." "It wouldn't be remarkable if you did think it ridiculous that I should have the means to travel when you've not; for you know everything and I know nothing." "The more reason why you should travel and learn," smiled Osmond. "Besides," he added as if it were a point to be made, "I don't know everything." Isabel was not struck with the oddity of his saying this gravely; she was thinking that the pleasantest incident of her life--so it pleased her to qualify these too few days in Rome, which she might musingly have likened to the figure of some small princess of one of the ages of dress overmuffled in a mantle of state and dragging a train that it took pages or historians to hold up--that this felicity was coming to an end. That most of the interest of the time had been owing to Mr. Osmond was a reflexion she was not just now at pains to make; she had already done the point abundant justice. But she said to herself that if there were a danger they should never meet again, perhaps after all it would be as well. Happy things don't repeat themselves, and her adventure wore already the changed, the seaward face of some romantic island from which, after feasting on purple grapes, she was putting off while the breeze rose. She might come back to Italy and find him different--this strange man who pleased her just as he was; and it would be better not to come than run the risk of that. But if she was not to come the greater the pity that the chapter was closed; she felt for a moment a pang that touched the source of tears. The sensation kept her silent, and Gilbert Osmond was silent too; he was looking at her. "Go everywhere," he said at last, in a low, kind voice; "do everything; get everything out of life. Be happy,--be triumphant." "What do you mean by being triumphant?" "Well, doing what you like." "To triumph, then, it seems to me, is to fail! Doing all the vain things one likes is often very tiresome." "Exactly," said Osmond with his quiet quickness. "As I intimated just now, you'll be tired some day." He paused a moment and then he went on: "I don't know whether I had better not wait till then for something I want to say to you." "Ah, I can't advise you without knowing what it is. But I'm horrid when I'm tired," Isabel added with due inconsequence. "I don't believe that. You're angry, sometimes--that I can believe, though I've never seen it. But I'm sure you're never 'cross.'" "Not even when I lose my temper?" "You don't lose it--you find it, and that must be beautiful." Osmond spoke with a noble earnestness. "They must be great moments to see." "If I could only find it now!" Isabel nervously cried. "I'm not afraid; I should fold my arms and admire you. I'm speaking very seriously." He leaned forward, a hand on each knee; for some moments he bent his eyes on the floor. "What I wish to say to you," he went on at last, looking up, "is that I find I'm in love with you." She instantly rose. "Ah, keep that till I am tired!" "Tired of hearing it from others?" He sat there raising his eyes to her. "No, you may heed it now or never, as you please. But after all I must say it now." She had turned away, but in the movement she had stopped herself and dropped her gaze upon him. The two remained a while in this situation, exchanging a long look--the large, conscious look of the critical hours of life. Then he got up and came near her, deeply respectful, as if he were afraid he had been too familiar. "I'm absolutely in love with you." He had repeated the announcement in a tone of almost impersonal discretion, like a man who expected very little from it but who spoke for his own needed relief. The tears came into her eyes: this time they obeyed the sharpness of the pang that suggested to her somehow the slipping of a fine bolt--backward, forward, she couldn't have said which. The words he had uttered made him, as he stood there, beautiful and generous, invested him as with the golden air of early autumn; but, morally speaking, she retreated before them--facing him still--as she had retreated in the other cases before a like encounter. "Oh don't say that, please," she answered with an intensity that expressed the dread of having, in this case too, to choose and decide. What made her dread great was precisely the force which, as it would seem, ought to have banished all dread--the sense of something within herself, deep down, that she supposed to be inspired and trustful passion. It was there like a large sum stored in a bank--which there was a terror in having to begin to spend. If she touched it, it would all come out. "I haven't the idea that it will matter much to you," said Osmond. "I've too little to offer you. What I have--it's enough for me; but it's not enough for you. I've neither fortune, nor fame, nor extrinsic advantages of any kind. So I offer nothing. I only tell you because I think it can't offend you, and some day or other it may give you pleasure. It gives me pleasure, I assure you," he went on, standing there before her, considerately inclined to her, turning his hat, which he had taken up, slowly round with a movement which had all the decent tremor of awkwardness and none of its oddity, and presenting to her his firm, refined, slightly ravaged face. "It gives me no pain, because it's perfectly simple. For me you'll always be the most important woman in the world." Isabel looked at herself in this character--looked intently, thinking she filled it with a certain grace. But what she said was not an expression of any such complacency. "You don't offend me; but you ought to remember that, without being offended, one may be incommoded, troubled." "Incommoded," she heard herself saying that, and it struck her as a ridiculous word. But it was what stupidly came to her. "I remember perfectly. Of course you're surprised and startled. But if it's nothing but that, it will pass away. And it will perhaps leave something that I may not be ashamed of." "I don't know what it may leave. You see at all events that I'm not overwhelmed," said Isabel with rather a pale smile. "I'm not too troubled to think. And I think that I'm glad I leave Rome to-morrow." "Of course I don't agree with you there." "I don't at all KNOW you," she added abruptly; and then she coloured as she heard herself saying what she had said almost a year before to Lord Warburton. "If you were not going away you'd know me better." "I shall do that some other time." "I hope so. I'm very easy to know." "No, no," she emphatically answered--"there you're not sincere. You're not easy to know; no one could be less so." "Well," he laughed, "I said that because I know myself. It may be a boast, but I do." "Very likely; but you're very wise." "So are you, Miss Archer!" Osmond exclaimed. "I don't feel so just now. Still, I'm wise enough to think you had better go. Good-night." "God bless you!" said Gilbert Osmond, taking the hand which she failed to surrender. After which he added: "If we meet again you'll find me as you leave me. If we don't I shall be so all the same." "Thank you very much. Good-bye." There was something quietly firm about Isabel's visitor; he might go of his own movement, but wouldn't be dismissed. "There's one thing more. I haven't asked anything of you--not even a thought in the future; you must do me that justice. But there's a little service I should like to ask. I shall not return home for several days; Rome's delightful, and it's a good place for a man in my state of mind. Oh, I know you're sorry to leave it; but you're right to do what your aunt wishes." "She doesn't even wish it!" Isabel broke out strangely. Osmond was apparently on the point of saying something that would match these words, but he changed his mind and rejoined simply: "Ah well, it's proper you should go with her, very proper. Do everything that's proper; I go in for that. Excuse my being so patronising. You say you don't know me, but when you do you'll discover what a worship I have for propriety." "You're not conventional?" Isabel gravely asked. "I like the way you utter that word! No, I'm not conventional: I'm convention itself. You don't understand that?" And he paused a moment, smiling. "I should like to explain it." Then with a sudden, quick, bright naturalness, "Do come back again," he pleaded. "There are so many things we might talk about." She stood there with lowered eyes. "What service did you speak of just now?" "Go and see my little daughter before you leave Florence. She's alone at the villa; I decided not to send her to my sister, who hasn't at all my ideas. Tell her she must love her poor father very much," said Gilbert Osmond gently. "It will be a great pleasure to me to go," Isabel answered. "I'll tell her what you say. Once more good-bye." On this he took a rapid, respectful leave. When he had gone she stood a moment looking about her and seated herself slowly and with an air of deliberation. She sat there till her companions came back, with folded hands, gazing at the ugly carpet. Her agitation--for it had not diminished--was very still, very deep. What had happened was something that for a week past her imagination had been going forward to meet; but here, when it came, she stopped--that sublime principle somehow broke down. The working of this young lady's spirit was strange, and I can only give it to you as I see it, not hoping to make it seem altogether natural. Her imagination, as I say, now hung back: there was a last vague space it couldn't cross--a dusky, uncertain tract which looked ambiguous and even slightly treacherous, like a moorland seen in the winter twilight. But she was to cross it yet.

Chapter 29

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-29

Osmond has been strangely pleasant the whole time while he's in Isabel's company. He is so pleased to be around Isabel that he writes a sonnet called "Rome Revisited," and shares it with her. Osmond has always wanted someone like Isabel to bring out the best in him, and show it to the world - apparently, his selfishness just knows no bounds. Mrs. Touchett sends a telegram asking Isabel to return to Florence and go to Bellaggio with her, but only if Isabel is willing to leave Rome. Isabel replies that she would very much like to go with her aunt. When Osmond finds out, he lets Isabel know that they probably won't see each other again for months. While Henrietta is making friends with Americans in the hotel and Ralph is making arrangements for the trip to Florence, Isabel sits alone in the colorfully decorated room. Osmond calls on her. Isabel assumes that he must think her ridiculous for wanting to travel the world. Osmond denies such thoughts, saying that it's right for her to use her means to travel. Osmond says he'll be waiting for her when she's done traveling and tired. The implication is that she'll be vulnerable then - and he'll be ready to strike. Isabel is glad to go. She figures that, if this happy time with Osmond is the last time she'll spend with him, it's best to part well. Osmond professes his love for Isabel. This is familiar territory... or, at least, it should be. However, something's different this time. Isabel feels something in her switch, and tears spring to her eyes. Could this be love? Osmond confesses that he has little to offer Isabel, but figures there's no harm in letting her know of his love. Isabel tells him the same thing she told Lord Warburton: that she barely knows him. Osmond says that that could easily be changed. Isabel calls his bluff, saying that he is not easy to figure out at all. Isabel asks him to go. Osmond tells Isabel that no matter what she does, he will still love her. Before Osmond leaves, he asks Isabel to promise to visit Pansy before she leaves Florence. Isabel agrees. Isabel sits alone with her thoughts until the others return. The narrator writes that Isabel's imagination has shifted, and that there is some new, mysterious obstacle in its way.

shmoop

all_chapterized_books/2833-chapters/30.txt

finished_summaries/shmoop/The Portrait of a Lady/section_29_part_0.txt

The Portrait of a Lady.chapter 30

chapter 30

{"name": "Chapter 30", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-30", "summary": "Isabel leaves Rome with Ralph to return to Florence. Henrietta stays in Rome to go on to Naples with the amiable and ever-game Mr. Bantling. In the couple of days before June 4th , Isabel decides to pay a visit to Pansy. Madame Merle has been at Mrs. Touchett's in Florence all the while. Isabel tells Madame Merle that she promised Osmond to visit Pansy. Madame Merle says that she'd been planning on visiting Pansy as well. Isabel would rather visit Pansy alone, but suggests that the two ladies can go together. Madame Merle bows out, and says that they can just visit Pansy separately. When Isabel suggests that she'll go alone, Madame Merle thinks it's scandalous that a beautiful young woman should make a trip to Osmond's house alone. Imagine what society will think. Isabel insists that she doesn't care what others think because her visit is perfectly innocent, and, besides, she made a promise. We all know Isabel - as she stated in the beginning of the novel, she always wants to choose whether or not to obey society.... Isabel doesn't like the way that Madame Merle says something about others not finding out about her visit. She is somewhat troubled by her friend. Isabel goes to Osmond's house to find Pansy practicing piano. Isabel contemplates how well Pansy was brought up, and also how sheltered she has managed to remain. Pansy is a simple creature - simple to a fault. She and Isabel talk about her father, and how much she wants to please him. She would like to go back to the convent, and is afraid of getting married soon. Pansy says that she lives to please her father, whom she calls a sad man. She says that she will always obey him. Isabel is really tempted to ask Pansy stuff about her father, but she figures this would be taking advantage of the innocent child . After only an hour's visit, Isabel turns to leave. Pansy asks her to return, saying that she will always expect her.", "analysis": ""}

She returned on the morrow to Florence, under her cousin's escort, and Ralph Touchett, though usually restive under railway discipline, thought very well of the successive hours passed in the train that hurried his companion away from the city now distinguished by Gilbert Osmond's preference--hours that were to form the first stage in a larger scheme of travel. Miss Stackpole had remained behind; she was planning a little trip to Naples, to be carried out with Mr. Bantling's aid. Isabel was to have three days in Florence before the 4th of June, the date of Mrs. Touchett's departure, and she determined to devote the last of these to her promise to call on Pansy Osmond. Her plan, however, seemed for a moment likely to modify itself in deference to an idea of Madame Merle's. This lady was still at Casa Touchett; but she too was on the point of leaving Florence, her next station being an ancient castle in the mountains of Tuscany, the residence of a noble family of that country, whose acquaintance (she had known them, as she said, "forever") seemed to Isabel, in the light of certain photographs of their immense crenellated dwelling which her friend was able to show her, a precious privilege. She mentioned to this fortunate woman that Mr. Osmond had asked her to take a look at his daughter, but didn't mention that he had also made her a declaration of love. "Ah, comme cela se trouve!" Madame Merle exclaimed. "I myself have been thinking it would be a kindness to pay the child a little visit before I go off." "We can go together then," Isabel reasonably said: "reasonably" because the proposal was not uttered in the spirit of enthusiasm. She had prefigured her small pilgrimage as made in solitude; she should like it better so. She was nevertheless prepared to sacrifice this mystic sentiment to her great consideration for her friend. That personage finely meditated. "After all, why should we both go; having, each of us, so much to do during these last hours?" "Very good; I can easily go alone." "I don't know about your going alone--to the house of a handsome bachelor. He has been married--but so long ago!" Isabel stared. "When Mr. Osmond's away what does it matter?" "They don't know he's away, you see." "They? Whom do you mean?" "Every one. But perhaps it doesn't signify." "If you were going why shouldn't I?" Isabel asked. "Because I'm an old frump and you're a beautiful young woman." "Granting all that, you've not promised." "How much you think of your promises!" said the elder woman in mild mockery. "I think a great deal of my promises. Does that surprise you?" "You're right," Madame Merle audibly reflected. "I really think you wish to be kind to the child." "I wish very much to be kind to her." "Go and see her then; no one will be the wiser. And tell her I'd have come if you hadn't. Or rather," Madame Merle added, "DON'T tell her. She won't care." As Isabel drove, in the publicity of an open vehicle, along the winding way which led to Mr. Osmond's hill-top, she wondered what her friend had meant by no one's being the wiser. Once in a while, at large intervals, this lady, whose voyaging discretion, as a general thing, was rather of the open sea than of the risky channel, dropped a remark of ambiguous quality, struck a note that sounded false. What cared Isabel Archer for the vulgar judgements of obscure people? and did Madame Merle suppose that she was capable of doing a thing at all if it had to be sneakingly done? Of course not: she must have meant something else--something which in the press of the hours that preceded her departure she had not had time to explain. Isabel would return to this some day; there were sorts of things as to which she liked to be clear. She heard Pansy strumming at the piano in another place as she herself was ushered into Mr. Osmond's drawing-room; the little girl was "practising," and Isabel was pleased to think she performed this duty with rigour. She immediately came in, smoothing down her frock, and did the honours of her father's house with a wide-eyed earnestness of courtesy. Isabel sat there half an hour, and Pansy rose to the occasion as the small, winged fairy in the pantomime soars by the aid of the dissimulated wire--not chattering, but conversing, and showing the same respectful interest in Isabel's affairs that Isabel was so good as to take in hers. Isabel wondered at her; she had never had so directly presented to her nose the white flower of cultivated sweetness. How well the child had been taught, said our admiring young woman; how prettily she had been directed and fashioned; and yet how simple, how natural, how innocent she had been kept! Isabel was fond, ever, of the question of character and quality, of sounding, as who should say, the deep personal mystery, and it had pleased her, up to this time, to be in doubt as to whether this tender slip were not really all-knowing. Was the extremity of her candour but the perfection of self-consciousness? Was it put on to please her father's visitor, or was it the direct expression of an unspotted nature? The hour that Isabel spent in Mr. Osmond's beautiful empty, dusky rooms--the windows had been half-darkened, to keep out the heat, and here and there, through an easy crevice, the splendid summer day peeped in, lighting a gleam of faded colour or tarnished gilt in the rich gloom--her interview with the daughter of the house, I say, effectually settled this question. Pansy was really a blank page, a pure white surface, successfully kept so; she had neither art, nor guile, nor temper, nor talent--only two or three small exquisite instincts: for knowing a friend, for avoiding a mistake, for taking care of an old toy or a new frock. Yet to be so tender was to be touching withal, and she could be felt as an easy victim of fate. She would have no will, no power to resist, no sense of her own importance; she would easily be mystified, easily crushed: her force would be all in knowing when and where to cling. She moved about the place with her visitor, who had asked leave to walk through the other rooms again, where Pansy gave her judgement on several works of art. She spoke of her prospects, her occupations, her father's intentions; she was not egotistical, but felt the propriety of supplying the information so distinguished a guest would naturally expect. "Please tell me," she said, "did papa, in Rome, go to see Madame Catherine? He told me he would if he had time. Perhaps he had not time. Papa likes a great deal of time. He wished to speak about my education; it isn't finished yet, you know. I don't know what they can do with me more; but it appears it's far from finished. Papa told me one day he thought he would finish it himself; for the last year or two, at the convent, the masters that teach the tall girls are so very dear. Papa's not rich, and I should be very sorry if he were to pay much money for me, because I don't think I'm worth it. I don't learn quickly enough, and I have no memory. For what I'm told, yes--especially when it's pleasant; but not for what I learn in a book. There was a young girl who was my best friend, and they took her away from the convent, when she was fourteen, to make--how do you say it in English?--to make a dot. You don't say it in English? I hope it isn't wrong; I only mean they wished to keep the money to marry her. I don't know whether it is for that that papa wishes to keep the money--to marry me. It costs so much to marry!" Pansy went on with a sigh; "I think papa might make that economy. At any rate I'm too young to think about it yet, and I don't care for any gentleman; I mean for any but him. If he were not my papa I should like to marry him; I would rather be his daughter than the wife of--of some strange person. I miss him very much, but not so much as you might think, for I've been so much away from him. Papa has always been principally for holidays. I miss Madame Catherine almost more; but you must not tell him that. You shall not see him again? I'm very sorry, and he'll be sorry too. Of everyone who comes here I like you the best. That's not a great compliment, for there are not many people. It was very kind of you to come to-day--so far from your house; for I'm really as yet only a child. Oh, yes, I've only the occupations of a child. When did YOU give them up, the occupations of a child? I should like to know how old you are, but I don't know whether it's right to ask. At the convent they told us that we must never ask the age. I don't like to do anything that's not expected; it looks as if one had not been properly taught. I myself--I should never like to be taken by surprise. Papa left directions for everything. I go to bed very early. When the sun goes off that side I go into the garden. Papa left strict orders that I was not to get scorched. I always enjoy the view; the mountains are so graceful. In Rome, from the convent, we saw nothing but roofs and bell-towers. I practise three hours. I don't play very well. You play yourself? I wish very much you'd play something for me; papa has the idea that I should hear good music. Madame Merle has played for me several times; that's what I like best about Madame Merle; she has great facility. I shall never have facility. And I've no voice--just a small sound like the squeak of a slate-pencil making flourishes." Isabel gratified this respectful wish, drew off her gloves and sat down to the piano, while Pansy, standing beside her, watched her white hands move quickly over the keys. When she stopped she kissed the child good-bye, held her close, looked at her long. "Be very good," she said; "give pleasure to your father." "I think that's what I live for," Pansy answered. "He has not much pleasure; he's rather a sad man." Isabel listened to this assertion with an interest which she felt it almost a torment to be obliged to conceal. It was her pride that obliged her, and a certain sense of decency; there were still other things in her head which she felt a strong impulse, instantly checked, to say to Pansy about her father; there were things it would have given her pleasure to hear the child, to make the child, say. But she no sooner became conscious of these things than her imagination was hushed with horror at the idea of taking advantage of the little girl--it was of this she would have accused herself--and of exhaling into that air where he might still have a subtle sense for it any breath of her charmed state. She had come--she had come; but she had stayed only an hour. She rose quickly from the music-stool; even then, however, she lingered a moment, still holding her small companion, drawing the child's sweet slimness closer and looking down at her almost in envy. She was obliged to confess it to herself--she would have taken a passionate pleasure in talking of Gilbert Osmond to this innocent, diminutive creature who was so near him. But she said no other word; she only kissed Pansy once again. They went together through the vestibule, to the door that opened on the court; and there her young hostess stopped, looking rather wistfully beyond. "I may go no further. I've promised papa not to pass this door." "You're right to obey him; he'll never ask you anything unreasonable." "I shall always obey him. But when will you come again?" "Not for a long time, I'm afraid." "As soon as you can, I hope. I'm only a little girl," said Pansy, "but I shall always expect you." And the small figure stood in the high, dark doorway, watching Isabel cross the clear, grey court and disappear into the brightness beyond the big portone, which gave a wider dazzle as it opened.

Chapter 30

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-30

Isabel leaves Rome with Ralph to return to Florence. Henrietta stays in Rome to go on to Naples with the amiable and ever-game Mr. Bantling. In the couple of days before June 4th , Isabel decides to pay a visit to Pansy. Madame Merle has been at Mrs. Touchett's in Florence all the while. Isabel tells Madame Merle that she promised Osmond to visit Pansy. Madame Merle says that she'd been planning on visiting Pansy as well. Isabel would rather visit Pansy alone, but suggests that the two ladies can go together. Madame Merle bows out, and says that they can just visit Pansy separately. When Isabel suggests that she'll go alone, Madame Merle thinks it's scandalous that a beautiful young woman should make a trip to Osmond's house alone. Imagine what society will think. Isabel insists that she doesn't care what others think because her visit is perfectly innocent, and, besides, she made a promise. We all know Isabel - as she stated in the beginning of the novel, she always wants to choose whether or not to obey society.... Isabel doesn't like the way that Madame Merle says something about others not finding out about her visit. She is somewhat troubled by her friend. Isabel goes to Osmond's house to find Pansy practicing piano. Isabel contemplates how well Pansy was brought up, and also how sheltered she has managed to remain. Pansy is a simple creature - simple to a fault. She and Isabel talk about her father, and how much she wants to please him. She would like to go back to the convent, and is afraid of getting married soon. Pansy says that she lives to please her father, whom she calls a sad man. She says that she will always obey him. Isabel is really tempted to ask Pansy stuff about her father, but she figures this would be taking advantage of the innocent child . After only an hour's visit, Isabel turns to leave. Pansy asks her to return, saying that she will always expect her.

shmoop

all_chapterized_books/2833-chapters/31.txt

finished_summaries/shmoop/The Portrait of a Lady/section_30_part_0.txt

The Portrait of a Lady.chapter 31

chapter 31

{"name": "Chapter 31", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-31", "summary": "Time flies - a year has passed since we last saw Isabel. The narrator fills us in on some of Isabel's activities and adventures. Isabel's sister, Lily, and her children came to visit Isabel in Paris and London. Lily thinks Isabel has changed, but not in the way that she had expected. Lily's husband, Edmund, comes to England to bring his family back to America. Isabel is oddly glad to see them go. Isabel gallivants off to Greece, Turkey, and Egypt with Madame Merle for three months - of course, Isabel foots the bill. Madame Merle? Make that Madame Mooch. Isabel has gotten to know Madame Merle even better. She is still fond of her, though she sees that there is something still hidden in the older woman's nature. We learn a little more about Madame Merle's history, as Isabel has learned a little more. Madame Merle's late husband took advantage of her youth and inexperience . Isabel is impressed that Madame Merle still retains a zest for life. Isabel thinks that she and Madame Merle have different kinds of moral standards. She sees that they are different. Isabel stays at Madame Merle's in Rome. Osmond visits her often, though we read nothing specific about his visits. Isabel writes to Mrs. Touchett to let her know that she plans to return; Madame Merle will stay in Rome. Isabel arrives at Palazzo Crescentini, her aunt's house, and Ralph is expected to join them any day now. They have not seen each other for a year, and she can't wait for their reunion.", "analysis": ""}

Isabel came back to Florence, but only after several months; an interval sufficiently replete with incident. It is not, however, during this interval that we are closely concerned with her; our attention is engaged again on a certain day in the late spring-time, shortly after her return to Palazzo Crescentini and a year from the date of the incidents just narrated. She was alone on this occasion, in one of the smaller of the numerous rooms devoted by Mrs. Touchett to social uses, and there was that in her expression and attitude which would have suggested that she was expecting a visitor. The tall window was open, and though its green shutters were partly drawn the bright air of the garden had come in through a broad interstice and filled the room with warmth and perfume. Our young woman stood near it for some time, her hands clasped behind her; she gazed abroad with the vagueness of unrest. Too troubled for attention she moved in a vain circle. Yet it could not be in her thought to catch a glimpse of her visitor before he should pass into the house, since the entrance to the palace was not through the garden, in which stillness and privacy always reigned. She wished rather to forestall his arrival by a process of conjecture, and to judge by the expression of her face this attempt gave her plenty to do. Grave she found herself, and positively more weighted, as by the experience of the lapse of the year she had spent in seeing the world. She had ranged, she would have said, through space and surveyed much of mankind, and was therefore now, in her own eyes, a very different person from the frivolous young woman from Albany who had begun to take the measure of Europe on the lawn at Gardencourt a couple of years before. She flattered herself she had harvested wisdom and learned a great deal more of life than this light-minded creature had even suspected. If her thoughts just now had inclined themselves to retrospect, instead of fluttering their wings nervously about the present, they would have evoked a multitude of interesting pictures. These pictures would have been both landscapes and figure-pieces; the latter, however, would have been the more numerous. With several of the images that might have been projected on such a field we are already acquainted. There would be for instance the conciliatory Lily, our heroine's sister and Edmund Ludlow's wife, who had come out from New York to spend five months with her relative. She had left her husband behind her, but had brought her children, to whom Isabel now played with equal munificence and tenderness the part of maiden-aunt. Mr. Ludlow, toward the last, had been able to snatch a few weeks from his forensic triumphs and, crossing the ocean with extreme rapidity, had spent a month with the two ladies in Paris before taking his wife home. The little Ludlows had not yet, even from the American point of view, reached the proper tourist-age; so that while her sister was with her Isabel had confined her movements to a narrow circle. Lily and the babies had joined her in Switzerland in the month of July, and they had spent a summer of fine weather in an Alpine valley where the flowers were thick in the meadows and the shade of great chestnuts made a resting-place for such upward wanderings as might be undertaken by ladies and children on warm afternoons. They had afterwards reached the French capital, which was worshipped, and with costly ceremonies, by Lily, but thought of as noisily vacant by Isabel, who in these days made use of her memory of Rome as she might have done, in a hot and crowded room, of a phial of something pungent hidden in her handkerchief. Mrs. Ludlow sacrificed, as I say, to Paris, yet had doubts and wonderments not allayed at that altar; and after her husband had joined her found further chagrin in his failure to throw himself into these speculations. They all had Isabel for subject; but Edmund Ludlow, as he had always done before, declined to be surprised, or distressed, or mystified, or elated, at anything his sister-in-law might have done or have failed to do. Mrs. Ludlow's mental motions were sufficiently various. At one moment she thought it would be so natural for that young woman to come home and take a house in New York--the Rossiters', for instance, which had an elegant conservatory and was just round the corner from her own; at another she couldn't conceal her surprise at the girl's not marrying some member of one of the great aristocracies. On the whole, as I have said, she had fallen from high communion with the probabilities. She had taken more satisfaction in Isabel's accession of fortune than if the money had been left to herself; it had seemed to her to offer just the proper setting for her sister's slightly meagre, but scarce the less eminent figure. Isabel had developed less, however, than Lily had thought likely--development, to Lily's understanding, being somehow mysteriously connected with morning-calls and evening-parties. Intellectually, doubtless, she had made immense strides; but she appeared to have achieved few of those social conquests of which Mrs. Ludlow had expected to admire the trophies. Lily's conception of such achievements was extremely vague; but this was exactly what she had expected of Isabel--to give it form and body. Isabel could have done as well as she had done in New York; and Mrs. Ludlow appealed to her husband to know whether there was any privilege she enjoyed in Europe which the society of that city might not offer her. We know ourselves that Isabel had made conquests--whether inferior or not to those she might have effected in her native land it would be a delicate matter to decide; and it is not altogether with a feeling of complacency that I again mention that she had not rendered these honourable victories public. She had not told her sister the history of Lord Warburton, nor had she given her a hint of Mr. Osmond's state of mind; and she had had no better reason for her silence than that she didn't wish to speak. It was more romantic to say nothing, and, drinking deep, in secret, of romance, she was as little disposed to ask poor Lily's advice as she would have been to close that rare volume forever. But Lily knew nothing of these discriminations, and could only pronounce her sister's career a strange anti-climax--an impression confirmed by the fact that Isabel's silence about Mr. Osmond, for instance, was in direct proportion to the frequency with which he occupied her thoughts. As this happened very often it sometimes appeared to Mrs. Ludlow that she had lost her courage. So uncanny a result of so exhilarating an incident as inheriting a fortune was of course perplexing to the cheerful Lily; it added to her general sense that Isabel was not at all like other people. Our young lady's courage, however, might have been taken as reaching its height after her relations had gone home. She could imagine braver things than spending the winter in Paris--Paris had sides by which it so resembled New York, Paris was like smart, neat prose--and her close correspondence with Madame Merle did much to stimulate such flights. She had never had a keener sense of freedom, of the absolute boldness and wantonness of liberty, than when she turned away from the platform at the Euston Station on one of the last days of November, after the departure of the train that was to convey poor Lily, her husband and her children to their ship at Liverpool. It had been good for her to regale; she was very conscious of that; she was very observant, as we know, of what was good for her, and her effort was constantly to find something that was good enough. To profit by the present advantage till the latest moment she had made the journey from Paris with the unenvied travellers. She would have accompanied them to Liverpool as well, only Edmund Ludlow had asked her, as a favour, not to do so; it made Lily so fidgety and she asked such impossible questions. Isabel watched the train move away; she kissed her hand to the elder of her small nephews, a demonstrative child who leaned dangerously far out of the window of the carriage and made separation an occasion of violent hilarity, and then she walked back into the foggy London street. The world lay before her--she could do whatever she chose. There was a deep thrill in it all, but for the present her choice was tolerably discreet; she chose simply to walk back from Euston Square to her hotel. The early dusk of a November afternoon had already closed in; the street-lamps, in the thick, brown air, looked weak and red; our heroine was unattended and Euston Square was a long way from Piccadilly. But Isabel performed the journey with a positive enjoyment of its dangers and lost her way almost on purpose, in order to get more sensations, so that she was disappointed when an obliging policeman easily set her right again. She was so fond of the spectacle of human life that she enjoyed even the aspect of gathering dusk in the London streets--the moving crowds, the hurrying cabs, the lighted shops, the flaring stalls, the dark, shining dampness of everything. That evening, at her hotel, she wrote to Madame Merle that she should start in a day or two for Rome. She made her way down to Rome without touching at Florence--having gone first to Venice and then proceeded southward by Ancona. She accomplished this journey without other assistance than that of her servant, for her natural protectors were not now on the ground. Ralph Touchett was spending the winter at Corfu, and Miss Stackpole, in the September previous, had been recalled to America by a telegram from the Interviewer. This journal offered its brilliant correspondent a fresher field for her genius than the mouldering cities of Europe, and Henrietta was cheered on her way by a promise from Mr. Bantling that he would soon come over to see her. Isabel wrote to Mrs. Touchett to apologise for not presenting herself just yet in Florence, and her aunt replied characteristically enough. Apologies, Mrs. Touchett intimated, were of no more use to her than bubbles, and she herself never dealt in such articles. One either did the thing or one didn't, and what one "would" have done belonged to the sphere of the irrelevant, like the idea of a future life or of the origin of things. Her letter was frank, but (a rare case with Mrs. Touchett) not so frank as it pretended. She easily forgave her niece for not stopping at Florence, because she took it for a sign that Gilbert Osmond was less in question there than formerly. She watched of course to see if he would now find a pretext for going to Rome, and derived some comfort from learning that he had not been guilty of an absence. Isabel, on her side, had not been a fortnight in Rome before she proposed to Madame Merle that they should make a little pilgrimage to the East. Madame Merle remarked that her friend was restless, but she added that she herself had always been consumed with the desire to visit Athens and Constantinople. The two ladies accordingly embarked on this expedition, and spent three months in Greece, in Turkey, in Egypt. Isabel found much to interest her in these countries, though Madame Merle continued to remark that even among the most classic sites, the scenes most calculated to suggest repose and reflexion, a certain incoherence prevailed in her. Isabel travelled rapidly and recklessly; she was like a thirsty person draining cup after cup. Madame Merle meanwhile, as lady-in-waiting to a princess circulating incognita, panted a little in her rear. It was on Isabel's invitation she had come, and she imparted all due dignity to the girl's uncountenanced state. She played her part with the tact that might have been expected of her, effacing herself and accepting the position of a companion whose expenses were profusely paid. The situation, however, had no hardships, and people who met this reserved though striking pair on their travels would not have been able to tell you which was patroness and which client. To say that Madame Merle improved on acquaintance states meagrely the impression she made on her friend, who had found her from the first so ample and so easy. At the end of an intimacy of three months Isabel felt she knew her better; her character had revealed itself, and the admirable woman had also at last redeemed her promise of relating her history from her own point of view--a consummation the more desirable as Isabel had already heard it related from the point of view of others. This history was so sad a one (in so far as it concerned the late M. Merle, a positive adventurer, she might say, though originally so plausible, who had taken advantage, years before, of her youth and of an inexperience in which doubtless those who knew her only now would find it difficult to believe); it abounded so in startling and lamentable incidents that her companion wondered a person so eprouvee could have kept so much of her freshness, her interest in life. Into this freshness of Madame Merle's she obtained a considerable insight; she seemed to see it as professional, as slightly mechanical, carried about in its case like the fiddle of the virtuoso, or blanketed and bridled like the "favourite" of the jockey. She liked her as much as ever, but there was a corner of the curtain that never was lifted; it was as if she had remained after all something of a public performer, condemned to emerge only in character and in costume. She had once said that she came from a distance, that she belonged to the "old, old" world, and Isabel never lost the impression that she was the product of a different moral or social clime from her own, that she had grown up under other stars. She believed then that at bottom she had a different morality. Of course the morality of civilised persons has always much in common; but our young woman had a sense in her of values gone wrong or, as they said at the shops, marked down. She considered, with the presumption of youth, that a morality differing from her own must be inferior to it; and this conviction was an aid to detecting an occasional flash of cruelty, an occasional lapse from candour, in the conversation of a person who had raised delicate kindness to an art and whose pride was too high for the narrow ways of deception. Her conception of human motives might, in certain lights, have been acquired at the court of some kingdom in decadence, and there were several in her list of which our heroine had not even heard. She had not heard of everything, that was very plain; and there were evidently things in the world of which it was not advantageous to hear. She had once or twice had a positive scare; since it so affected her to have to exclaim, of her friend, "Heaven forgive her, she doesn't understand me!" Absurd as it may seem this discovery operated as a shock, left her with a vague dismay in which there was even an element of foreboding. The dismay of course subsided, in the light of some sudden proof of Madame Merle's remarkable intelligence; but it stood for a high-water-mark in the ebb and flow of confidence. Madame Merle had once declared her belief that when a friendship ceases to grow it immediately begins to decline--there being no point of equilibrium between liking more and liking less. A stationary affection, in other words, was impossible--it must move one way or the other. However that might be, the girl had in these days a thousand uses for her sense of the romantic, which was more active than it had ever been. I do not allude to the impulse it received as she gazed at the Pyramids in the course of an excursion from Cairo, or as she stood among the broken columns of the Acropolis and fixed her eyes upon the point designated to her as the Strait of Salamis; deep and memorable as these emotions had remained. She came back by the last of March from Egypt and Greece and made another stay in Rome. A few days after her arrival Gilbert Osmond descended from Florence and remained three weeks, during which the fact of her being with his old friend Madame Merle, in whose house she had gone to lodge, made it virtually inevitable that he should see her every day. When the last of April came she wrote to Mrs. Touchett that she should now rejoice to accept an invitation given long before, and went to pay a visit at Palazzo Crescentini, Madame Merle on this occasion remaining in Rome. She found her aunt alone; her cousin was still at Corfu. Ralph, however, was expected in Florence from day to day, and Isabel, who had not seen him for upwards of a year, was prepared to give him the most affectionate welcome.

Chapter 31

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-31

Time flies - a year has passed since we last saw Isabel. The narrator fills us in on some of Isabel's activities and adventures. Isabel's sister, Lily, and her children came to visit Isabel in Paris and London. Lily thinks Isabel has changed, but not in the way that she had expected. Lily's husband, Edmund, comes to England to bring his family back to America. Isabel is oddly glad to see them go. Isabel gallivants off to Greece, Turkey, and Egypt with Madame Merle for three months - of course, Isabel foots the bill. Madame Merle? Make that Madame Mooch. Isabel has gotten to know Madame Merle even better. She is still fond of her, though she sees that there is something still hidden in the older woman's nature. We learn a little more about Madame Merle's history, as Isabel has learned a little more. Madame Merle's late husband took advantage of her youth and inexperience . Isabel is impressed that Madame Merle still retains a zest for life. Isabel thinks that she and Madame Merle have different kinds of moral standards. She sees that they are different. Isabel stays at Madame Merle's in Rome. Osmond visits her often, though we read nothing specific about his visits. Isabel writes to Mrs. Touchett to let her know that she plans to return; Madame Merle will stay in Rome. Isabel arrives at Palazzo Crescentini, her aunt's house, and Ralph is expected to join them any day now. They have not seen each other for a year, and she can't wait for their reunion.

shmoop

all_chapterized_books/2833-chapters/32.txt

finished_summaries/shmoop/The Portrait of a Lady/section_31_part_0.txt

The Portrait of a Lady.chapter 32

chapter 32

{"name": "Chapter 32", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-32", "summary": "The narrator returns to the present, where Isabel sits awaiting a guest. She is not looking forward to the encounter, although we don't yet know who she's expecting. Caspar Goodwood bursts in on the scene. He wants to know about her engagement - whoa, whoa, whoa! He's not the only curious and mortified one here. What engagement? Caspar says that he'd rather Isabel be dead to him, than know that she's married to someone else. Isabel calls him selfish, but he's beyond caring about that. Apparently, Caspar left the States to come and see Isabel as soon as he received word of her situation. He made it to Florence in only seventeen days, which is pretty darn amazing - we're talking pre-plane era here, people. Isabel isn't sure what he hopes to gain from this meeting. Isabel has not told anyone about her engagement to Gilbert Osmond , except Caspar Goodwood and Madame Merle. Isabel says she isn't getting married for her friends, so she hasn't felt obliged to tell all of them. Isabel says that Osmond is not a man of distinction, so Caspar would not gain anything by learning more about him. She seems to delight in this fact. Isabel wishes that Caspar had waited to visit after her marriage. Caspar says that of course he could not have done that, since she would be different by then. Caspar says that he only wanted to hear the sound of her voice, even if it's not speaking good news. Isabel is upset that Caspar isn't arguing more with her. She wants the opportunity to defend her decision. Caspar reminds Isabel of what she told him years ago: if he heard about her engagement, he should not believe it. And, yet, it's true -- she's engaged. Caspar leaves in a rage, announcing his departure from Florence the next day. Isabel says that she's glad he's leaving, and breaks out in sobs five minutes after his departure - this seems to be the usual effect he has on her. Whew! That was one intense chapter. We have to go take a breather - meet you back here in five.", "analysis": ""}

It was not of him, nevertheless, that she was thinking while she stood at the window near which we found her a while ago, and it was not of any of the matters I have rapidly sketched. She was not turned to the past, but to the immediate, impending hour. She had reason to expect a scene, and she was not fond of scenes. She was not asking herself what she should say to her visitor; this question had already been answered. What he would say to her--that was the interesting issue. It could be nothing in the least soothing--she had warrant for this, and the conviction doubtless showed in the cloud on her brow. For the rest, however, all clearness reigned in her; she had put away her mourning and she walked in no small shimmering splendour. She only, felt older--ever so much, and as if she were "worth more" for it, like some curious piece in an antiquary's collection. She was not at any rate left indefinitely to her apprehensions, for a servant at last stood before her with a card on his tray. "Let the gentleman come in," she said, and continued to gaze out of the window after the footman had retired. It was only when she had heard the door close behind the person who presently entered that she looked round. Caspar Goodwood stood there--stood and received a moment, from head to foot, the bright, dry gaze with which she rather withheld than offered a greeting. Whether his sense of maturity had kept pace with Isabel's we shall perhaps presently ascertain; let me say meanwhile that to her critical glance he showed nothing of the injury of time. Straight, strong and hard, there was nothing in his appearance that spoke positively either of youth or of age; if he had neither innocence nor weakness, so he had no practical philosophy. His jaw showed the same voluntary cast as in earlier days; but a crisis like the present had in it of course something grim. He had the air of a man who had travelled hard; he said nothing at first, as if he had been out of breath. This gave Isabel time to make a reflexion: "Poor fellow, what great things he's capable of, and what a pity he should waste so dreadfully his splendid force! What a pity too that one can't satisfy everybody!" It gave her time to do more to say at the end of a minute: "I can't tell you how I hoped you wouldn't come!" "I've no doubt of that." And he looked about him for a seat. Not only had he come, but he meant to settle. "You must be very tired," said Isabel, seating herself, and generously, as she thought, to give him his opportunity. "No, I'm not at all tired. Did you ever know me to be tired?" "Never; I wish I had! When did you arrive?" "Last night, very late; in a kind of snail-train they call the express. These Italian trains go at about the rate of an American funeral." "That's in keeping--you must have felt as if you were coming to bury me!" And she forced a smile of encouragement to an easy view of their situation. She had reasoned the matter well out, making it perfectly clear that she broke no faith and falsified no contract; but for all this she was afraid of her visitor. She was ashamed of her fear; but she was devoutly thankful there was nothing else to be ashamed of. He looked at her with his stiff insistence, an insistence in which there was such a want of tact; especially when the dull dark beam in his eye rested on her as a physical weight. "No, I didn't feel that; I couldn't think of you as dead. I wish I could!" he candidly declared. "I thank you immensely." "I'd rather think of you as dead than as married to another man." "That's very selfish of you!" she returned with the ardour of a real conviction. "If you're not happy yourself others have yet a right to be." "Very likely it's selfish; but I don't in the least mind your saying so. I don't mind anything you can say now--I don't feel it. The cruellest things you could think of would be mere pin-pricks. After what you've done I shall never feel anything--I mean anything but that. That I shall feel all my life." Mr. Goodwood made these detached assertions with dry deliberateness, in his hard, slow American tone, which flung no atmospheric colour over propositions intrinsically crude. The tone made Isabel angry rather than touched her; but her anger perhaps was fortunate, inasmuch as it gave her a further reason for controlling herself. It was under the pressure of this control that she became, after a little, irrelevant. "When did you leave New York?" He threw up his head as if calculating. "Seventeen days ago." "You must have travelled fast in spite of your slow trains." "I came as fast as I could. I'd have come five days ago if I had been able." "It wouldn't have made any difference, Mr. Goodwood," she coldly smiled. "Not to you--no. But to me." "You gain nothing that I see." "That's for me to judge!" "Of course. To me it seems that you only torment yourself." And then, to change the subject, she asked him if he had seen Henrietta Stackpole. He looked as if he had not come from Boston to Florence to talk of Henrietta Stackpole; but he answered, distinctly enough, that this young lady had been with him just before he left America. "She came to see you?" Isabel then demanded. "Yes, she was in Boston, and she called at my office. It was the day I had got your letter." "Did you tell her?" Isabel asked with a certain anxiety. "Oh no," said Caspar Goodwood simply; "I didn't want to do that. She'll hear it quick enough; she hears everything." "I shall write to her, and then she'll write to me and scold me," Isabel declared, trying to smile again. Caspar, however, remained sternly grave. "I guess she'll come right out," he said. "On purpose to scold me?" "I don't know. She seemed to think she had not seen Europe thoroughly." "I'm glad you tell me that," Isabel said. "I must prepare for her." Mr. Goodwood fixed his eyes for a moment on the floor; then at last, raising them, "Does she know Mr. Osmond?" he enquired. "A little. And she doesn't like him. But of course I don't marry to please Henrietta," she added. It would have been better for poor Caspar if she had tried a little more to gratify Miss Stackpole; but he didn't say so; he only asked, presently, when her marriage would take place. To which she made answer that she didn't know yet. "I can only say it will be soon. I've told no one but yourself and one other person--an old friend of Mr. Osmond's." "Is it a marriage your friends won't like?" he demanded. "I really haven't an idea. As I say, I don't marry for my friends." He went on, making no exclamation, no comment, only asking questions, doing it quite without delicacy. "Who and what then is Mr. Gilbert Osmond?" "Who and what? Nobody and nothing but a very good and very honourable man. He's not in business," said Isabel. "He's not rich; he's not known for anything in particular." She disliked Mr. Goodwood's questions, but she said to herself that she owed it to him to satisfy him as far as possible. The satisfaction poor Caspar exhibited was, however, small; he sat very upright, gazing at her. "Where does he come from? Where does he belong?" She had never been so little pleased with the way he said "belawng." "He comes from nowhere. He has spent most of his life in Italy." "You said in your letter he was American. Hasn't he a native place?" "Yes, but he has forgotten it. He left it as a small boy." "Has he never gone back?" "Why should he go back?" Isabel asked, flushing all defensively. "He has no profession." "He might have gone back for his pleasure. Doesn't he like the United States?" "He doesn't know them. Then he's very quiet and very simple--he contents himself with Italy." "With Italy and with you," said Mr. Goodwood with gloomy plainness and no appearance of trying to make an epigram. "What has he ever done?" he added abruptly. "That I should marry him? Nothing at all," Isabel replied while her patience helped itself by turning a little to hardness. "If he had done great things would you forgive me any better? Give me up, Mr. Goodwood; I'm marrying a perfect nonentity. Don't try to take an interest in him. You can't." "I can't appreciate him; that's what you mean. And you don't mean in the least that he's a perfect nonentity. You think he's grand, you think he's great, though no one else thinks so." Isabel's colour deepened; she felt this really acute of her companion, and it was certainly a proof of the aid that passion might render perceptions she had never taken for fine. "Why do you always come back to what others think? I can't discuss Mr. Osmond with you." "Of course not," said Caspar reasonably. And he sat there with his air of stiff helplessness, as if not only this were true, but there were nothing else that they might discuss. "You see how little you gain," she accordingly broke out--"how little comfort or satisfaction I can give you." "I didn't expect you to give me much." "I don't understand then why you came." "I came because I wanted to see you once more--even just as you are." "I appreciate that; but if you had waited a while, sooner or later we should have been sure to meet, and our meeting would have been pleasanter for each of us than this." "Waited till after you're married? That's just what I didn't want to do. You'll be different then." "Not very. I shall still be a great friend of yours. You'll see." "That will make it all the worse," said Mr. Goodwood grimly. "Ah, you're unaccommodating! I can't promise to dislike you in order to help you to resign yourself." "I shouldn't care if you did!" Isabel got up with a movement of repressed impatience and walked to the window, where she remained a moment looking out. When she turned round her visitor was still motionless in his place. She came toward him again and stopped, resting her hand on the back of the chair she had just quitted. "Do you mean you came simply to look at me? That's better for you perhaps than for me." "I wished to hear the sound of your voice," he said. "You've heard it, and you see it says nothing very sweet." "It gives me pleasure, all the same." And with this he got up. She had felt pain and displeasure on receiving early that day the news he was in Florence and by her leave would come within an hour to see her. She had been vexed and distressed, though she had sent back word by his messenger that he might come when he would. She had not been better pleased when she saw him; his being there at all was so full of heavy implications. It implied things she could never assent to--rights, reproaches, remonstrance, rebuke, the expectation of making her change her purpose. These things, however, if implied, had not been expressed; and now our young lady, strangely enough, began to resent her visitor's remarkable self-control. There was a dumb misery about him that irritated her; there was a manly staying of his hand that made her heart beat faster. She felt her agitation rising, and she said to herself that she was angry in the way a woman is angry when she has been in the wrong. She was not in the wrong; she had fortunately not that bitterness to swallow; but, all the same, she wished he would denounce her a little. She had wished his visit would be short; it had no purpose, no propriety; yet now that he seemed to be turning away she felt a sudden horror of his leaving her without uttering a word that would give her an opportunity to defend herself more than she had done in writing to him a month before, in a few carefully chosen words, to announce her engagement. If she were not in the wrong, however, why should she desire to defend herself? It was an excess of generosity on Isabel's part to desire that Mr. Goodwood should be angry. And if he had not meanwhile held himself hard it might have made him so to hear the tone in which she suddenly exclaimed, as if she were accusing him of having accused her: "I've not deceived you! I was perfectly free!" "Yes, I know that," said Caspar. "I gave you full warning that I'd do as I chose." "You said you'd probably never marry, and you said it with such a manner that I pretty well believed it." She considered this an instant. "No one can be more surprised than myself at my present intention." "You told me that if I heard you were engaged I was not to believe it," Caspar went on. "I heard it twenty days ago from yourself, but I remembered what you had said. I thought there might be some mistake, and that's partly why I came." "If you wish me to repeat it by word of mouth, that's soon done. There's no mistake whatever." "I saw that as soon as I came into the room." "What good would it do you that I shouldn't marry?" she asked with a certain fierceness. "I should like it better than this." "You're very selfish, as I said before." "I know that. I'm selfish as iron." "Even iron sometimes melts! If you'll be reasonable I'll see you again." "Don't you call me reasonable now?" "I don't know what to say to you," she answered with sudden humility. "I shan't trouble you for a long time," the young man went on. He made a step towards the door, but he stopped. "Another reason why I came was that I wanted to hear what you would say in explanation of your having changed your mind." Her humbleness as suddenly deserted her. "In explanation? Do you think I'm bound to explain?" He gave her one of his long dumb looks. "You were very positive. I did believe it." "So did I. Do you think I could explain if I would?" "No, I suppose not. Well," he added, "I've done what I wished. I've seen you." "How little you make of these terrible journeys," she felt the poverty of her presently replying. "If you're afraid I'm knocked up--in any such way as that--you may be at your ease about it." He turned away, this time in earnest, and no hand-shake, no sign of parting, was exchanged between them. At the door he stopped with his hand on the knob. "I shall leave Florence to-morrow," he said without a quaver. "I'm delighted to hear it!" she answered passionately. Five minutes after he had gone out she burst into tears.

Chapter 32

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-32

The narrator returns to the present, where Isabel sits awaiting a guest. She is not looking forward to the encounter, although we don't yet know who she's expecting. Caspar Goodwood bursts in on the scene. He wants to know about her engagement - whoa, whoa, whoa! He's not the only curious and mortified one here. What engagement? Caspar says that he'd rather Isabel be dead to him, than know that she's married to someone else. Isabel calls him selfish, but he's beyond caring about that. Apparently, Caspar left the States to come and see Isabel as soon as he received word of her situation. He made it to Florence in only seventeen days, which is pretty darn amazing - we're talking pre-plane era here, people. Isabel isn't sure what he hopes to gain from this meeting. Isabel has not told anyone about her engagement to Gilbert Osmond , except Caspar Goodwood and Madame Merle. Isabel says she isn't getting married for her friends, so she hasn't felt obliged to tell all of them. Isabel says that Osmond is not a man of distinction, so Caspar would not gain anything by learning more about him. She seems to delight in this fact. Isabel wishes that Caspar had waited to visit after her marriage. Caspar says that of course he could not have done that, since she would be different by then. Caspar says that he only wanted to hear the sound of her voice, even if it's not speaking good news. Isabel is upset that Caspar isn't arguing more with her. She wants the opportunity to defend her decision. Caspar reminds Isabel of what she told him years ago: if he heard about her engagement, he should not believe it. And, yet, it's true -- she's engaged. Caspar leaves in a rage, announcing his departure from Florence the next day. Isabel says that she's glad he's leaving, and breaks out in sobs five minutes after his departure - this seems to be the usual effect he has on her. Whew! That was one intense chapter. We have to go take a breather - meet you back here in five.

shmoop

all_chapterized_books/2833-chapters/33.txt

finished_summaries/shmoop/The Portrait of a Lady/section_32_part_0.txt

The Portrait of a Lady.chapter 33

chapter 33

{"name": "Chapter 33", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-33", "summary": "Isabel goes to breakfast and prepares to tell Mrs. Touchett the shocking news. Mrs. Touchett, not one to be shocked, already knows - apparently, with her innate meddling radar, she could just feel it in the air. She disapproves, and blames Madame Merle for betraying her. Isabel doesn't see what Madame Merle has to do with anything . Mrs. Touchett complains that there is no reason to marry Osmond; he has neither name nor fortune. Isabel rather snootily responds that she doesn't need to explain herself, and, even if she wanted to, she wouldn't know how. Yeah, that sounds like love to us. Mrs. Touchett asks Isabel whether Ralph would have changed her mind. Isabel says that Ralph would disagree with anyone she chose to marry. Isabel tells Mrs. Touchett about Caspar visiting and leaving within one day. Two days later, Ralph arrives. Isabel waits for Mrs. Touchett to tell him, and for Ralph to bring up the engagement with her, but he does not. Ralph is hurt and saddened - the person he found the most intriguing has let him down. Ralph hopes to dissuade Isabel from going through with her engagement. Osmond has been meeting up with Isabel outside of Palazzo Crescentini every day. They walk in a quiet park together.", "analysis": ""}

Her fit of weeping, however, was soon smothered, and the signs of it had vanished when, an hour later, she broke the news to her aunt. I use this expression because she had been sure Mrs. Touchett would not be pleased; Isabel had only waited to tell her till she had seen Mr. Goodwood. She had an odd impression that it would not be honourable to make the fact public before she should have heard what Mr. Goodwood would say about it. He had said rather less than she expected, and she now had a somewhat angry sense of having lost time. But she would lose no more; she waited till Mrs. Touchett came into the drawing-room before the mid-day breakfast, and then she began. "Aunt Lydia, I've something to tell you." Mrs. Touchett gave a little jump and looked at her almost fiercely. "You needn't tell me; I know what it is." "I don't know how you know." "The same way that I know when the window's open--by feeling a draught. You're going to marry that man." "What man do you mean?" Isabel enquired with great dignity. "Madame Merle's friend--Mr. Osmond." "I don't know why you call him Madame Merle's friend. Is that the principal thing he's known by?" "If he's not her friend he ought to be--after what she has done for him!" cried Mrs. Touchett. "I shouldn't have expected it of her; I'm disappointed." "If you mean that Madame Merle has had anything to do with my engagement you're greatly mistaken," Isabel declared with a sort of ardent coldness. "You mean that your attractions were sufficient, without the gentleman's having had to be lashed up? You're quite right. They're immense, your attractions, and he would never have presumed to think of you if she hadn't put him up to it. He has a very good opinion of himself, but he was not a man to take trouble. Madame Merle took the trouble for him." "He has taken a great deal for himself!" cried Isabel with a voluntary laugh. Mrs. Touchett gave a sharp nod. "I think he must, after all, to have made you like him so much." "I thought he even pleased YOU." "He did, at one time; and that's why I'm angry with him." "Be angry with me, not with him," said the girl. "Oh, I'm always angry with you; that's no satisfaction! Was it for this that you refused Lord Warburton?" "Please don't go back to that. Why shouldn't I like Mr. Osmond, since others have done so?" "Others, at their wildest moments, never wanted to marry him. There's nothing OF him," Mrs. Touchett explained. "Then he can't hurt me," said Isabel. "Do you think you're going to be happy? No one's happy, in such doings, you should know." "I shall set the fashion then. What does one marry for?" "What YOU will marry for, heaven only knows. People usually marry as they go into partnership--to set up a house. But in your partnership you'll bring everything." "Is it that Mr. Osmond isn't rich? Is that what you're talking about?" Isabel asked. "He has no money; he has no name; he has no importance. I value such things and I have the courage to say it; I think they're very precious. Many other people think the same, and they show it. But they give some other reason." Isabel hesitated a little. "I think I value everything that's valuable. I care very much for money, and that's why I wish Mr. Osmond to have a little." "Give it to him then; but marry some one else." "His name's good enough for me," the girl went on. "It's a very pretty name. Have I such a fine one myself?" "All the more reason you should improve on it. There are only a dozen American names. Do you marry him out of charity?" "It was my duty to tell you, Aunt Lydia, but I don't think it's my duty to explain to you. Even if it were I shouldn't be able. So please don't remonstrate; in talking about it you have me at a disadvantage. I can't talk about it." "I don't remonstrate, I simply answer you: I must give some sign of intelligence. I saw it coming, and I said nothing. I never meddle." "You never do, and I'm greatly obliged to you. You've been very considerate." "It was not considerate--it was convenient," said Mrs. Touchett. "But I shall talk to Madame Merle." "I don't see why you keep bringing her in. She has been a very good friend to me." "Possibly; but she has been a poor one to me." "What has she done to you?" "She has deceived me. She had as good as promised me to prevent your engagement." "She couldn't have prevented it." "She can do anything; that's what I've always liked her for. I knew she could play any part; but I understood that she played them one by one. I didn't understand that she would play two at the same time." "I don't know what part she may have played to you," Isabel said; "that's between yourselves. To me she has been honest and kind and devoted." "Devoted, of course; she wished you to marry her candidate. She told me she was watching you only in order to interpose." "She said that to please you," the girl answered; conscious, however, of the inadequacy of the explanation. "To please me by deceiving me? She knows me better. Am I pleased to-day?" "I don't think you're ever much pleased," Isabel was obliged to reply. "If Madame Merle knew you would learn the truth what had she to gain by insincerity?" "She gained time, as you see. While I waited for her to interfere you were marching away, and she was really beating the drum." "That's very well. But by your own admission you saw I was marching, and even if she had given the alarm you wouldn't have tried to stop me." "No, but some one else would." "Whom do you mean?" Isabel asked, looking very hard at her aunt. Mrs. Touchett's little bright eyes, active as they usually were, sustained her gaze rather than returned it. "Would you have listened to Ralph?" "Not if he had abused Mr. Osmond." "Ralph doesn't abuse people; you know that perfectly. He cares very much for you." "I know he does," said Isabel; "and I shall feel the value of it now, for he knows that whatever I do I do with reason." "He never believed you would do this. I told him you were capable of it, and he argued the other way." "He did it for the sake of argument," the girl smiled. "You don't accuse him of having deceived you; why should you accuse Madame Merle?" "He never pretended he'd prevent it." "I'm glad of that!" cried Isabel gaily. "I wish very much," she presently added, "that when he comes you'd tell him first of my engagement." "Of course I'll mention it," said Mrs. Touchett. "I shall say nothing more to you about it, but I give you notice I shall talk to others." "That's as you please. I only meant that it's rather better the announcement should come from you than from me." "I quite agree with you; it's much more proper!" And on this the aunt and the niece went to breakfast, where Mrs. Touchett, as good as her word, made no allusion to Gilbert Osmond. After an interval of silence, however, she asked her companion from whom she had received a visit an hour before. "From an old friend--an American gentleman," Isabel said with a colour in her cheek. "An American gentleman of course. It's only an American gentleman who calls at ten o'clock in the morning." "It was half-past ten; he was in a great hurry; he goes away this evening." "Couldn't he have come yesterday, at the usual time?" "He only arrived last night." "He spends but twenty-four hours in Florence?" Mrs. Touchett cried. "He's an American gentleman truly." "He is indeed," said Isabel, thinking with perverse admiration of what Caspar Goodwood had done for her. Two days afterward Ralph arrived; but though Isabel was sure that Mrs. Touchett had lost no time in imparting to him the great fact, he showed at first no open knowledge of it. Their prompted talk was naturally of his health; Isabel had many questions to ask about Corfu. She had been shocked by his appearance when he came into the room; she had forgotten how ill he looked. In spite of Corfu he looked very ill to-day, and she wondered if he were really worse or if she were simply disaccustomed to living with an invalid. Poor Ralph made no nearer approach to conventional beauty as he advanced in life, and the now apparently complete loss of his health had done little to mitigate the natural oddity of his person. Blighted and battered, but still responsive and still ironic, his face was like a lighted lantern patched with paper and unsteadily held; his thin whisker languished upon a lean cheek; the exorbitant curve of his nose defined itself more sharply. Lean he was altogether, lean and long and loose-jointed; an accidental cohesion of relaxed angles. His brown velvet jacket had become perennial; his hands had fixed themselves in his pockets; he shambled and stumbled and shuffled in a manner that denoted great physical helplessness. It was perhaps this whimsical gait that helped to mark his character more than ever as that of the humorous invalid--the invalid for whom even his own disabilities are part of the general joke. They might well indeed with Ralph have been the chief cause of the want of seriousness marking his view of a world in which the reason for his own continued presence was past finding out. Isabel had grown fond of his ugliness; his awkwardness had become dear to her. They had been sweetened by association; they struck her as the very terms on which it had been given him to be charming. He was so charming that her sense of his being ill had hitherto had a sort of comfort in it; the state of his health had seemed not a limitation, but a kind of intellectual advantage; it absolved him from all professional and official emotions and left him the luxury of being exclusively personal. The personality so resulting was delightful; he had remained proof against the staleness of disease; he had had to consent to be deplorably ill, yet had somehow escaped being formally sick. Such had been the girl's impression of her cousin; and when she had pitied him it was only on reflection. As she reflected a good deal she had allowed him a certain amount of compassion; but she always had a dread of wasting that essence--a precious article, worth more to the giver than to any one else. Now, however, it took no great sensibility to feel that poor Ralph's tenure of life was less elastic than it should be. He was a bright, free, generous spirit, he had all the illumination of wisdom and none of its pedantry, and yet he was distressfully dying. Isabel noted afresh that life was certainly hard for some people, and she felt a delicate glow of shame as she thought how easy it now promised to become for herself. She was prepared to learn that Ralph was not pleased with her engagement; but she was not prepared, in spite of her affection for him, to let this fact spoil the situation. She was not even prepared, or so she thought, to resent his want of sympathy; for it would be his privilege--it would be indeed his natural line--to find fault with any step she might take toward marriage. One's cousin always pretended to hate one's husband; that was traditional, classical; it was a part of one's cousin's always pretending to adore one. Ralph was nothing if not critical; and though she would certainly, other things being equal, have been as glad to marry to please him as to please any one, it would be absurd to regard as important that her choice should square with his views. What were his views after all? He had pretended to believe she had better have married Lord Warburton; but this was only because she had refused that excellent man. If she had accepted him Ralph would certainly have taken another tone; he always took the opposite. You could criticise any marriage; it was the essence of a marriage to be open to criticism. How well she herself, should she only give her mind to it, might criticise this union of her own! She had other employment, however, and Ralph was welcome to relieve her of the care. Isabel was prepared to be most patient and most indulgent. He must have seen that, and this made it the more odd he should say nothing. After three days had elapsed without his speaking our young woman wearied of waiting; dislike it as he would, he might at least go through the form. We, who know more about poor Ralph than his cousin, may easily believe that during the hours that followed his arrival at Palazzo Crescentini he had privately gone through many forms. His mother had literally greeted him with the great news, which had been even more sensibly chilling than Mrs. Touchett's maternal kiss. Ralph was shocked and humiliated; his calculations had been false and the person in the world in whom he was most interested was lost. He drifted about the house like a rudderless vessel in a rocky stream, or sat in the garden of the palace on a great cane chair, his long legs extended, his head thrown back and his hat pulled over his eyes. He felt cold about the heart; he had never liked anything less. What could he do, what could he say? If the girl were irreclaimable could he pretend to like it? To attempt to reclaim her was permissible only if the attempt should succeed. To try to persuade her of anything sordid or sinister in the man to whose deep art she had succumbed would be decently discreet only in the event of her being persuaded. Otherwise he should simply have damned himself. It cost him an equal effort to speak his thought and to dissemble; he could neither assent with sincerity nor protest with hope. Meanwhile he knew--or rather he supposed--that the affianced pair were daily renewing their mutual vows. Osmond at this moment showed himself little at Palazzo Crescentini; but Isabel met him every day elsewhere, as she was free to do after their engagement had been made public. She had taken a carriage by the month, so as not to be indebted to her aunt for the means of pursuing a course of which Mrs. Touchett disapproved, and she drove in the morning to the Cascine. This suburban wilderness, during the early hours, was void of all intruders, and our young lady, joined by her lover in its quietest part, strolled with him a while through the grey Italian shade and listened to the nightingales.

Chapter 33

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-33

Isabel goes to breakfast and prepares to tell Mrs. Touchett the shocking news. Mrs. Touchett, not one to be shocked, already knows - apparently, with her innate meddling radar, she could just feel it in the air. She disapproves, and blames Madame Merle for betraying her. Isabel doesn't see what Madame Merle has to do with anything . Mrs. Touchett complains that there is no reason to marry Osmond; he has neither name nor fortune. Isabel rather snootily responds that she doesn't need to explain herself, and, even if she wanted to, she wouldn't know how. Yeah, that sounds like love to us. Mrs. Touchett asks Isabel whether Ralph would have changed her mind. Isabel says that Ralph would disagree with anyone she chose to marry. Isabel tells Mrs. Touchett about Caspar visiting and leaving within one day. Two days later, Ralph arrives. Isabel waits for Mrs. Touchett to tell him, and for Ralph to bring up the engagement with her, but he does not. Ralph is hurt and saddened - the person he found the most intriguing has let him down. Ralph hopes to dissuade Isabel from going through with her engagement. Osmond has been meeting up with Isabel outside of Palazzo Crescentini every day. They walk in a quiet park together.

shmoop

all_chapterized_books/2833-chapters/34.txt

finished_summaries/shmoop/The Portrait of a Lady/section_33_part_0.txt

The Portrait of a Lady.chapter 34

chapter 34

{"name": "Chapter 34", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-34", "summary": "It's a beautiful afternoon, and Isabel sees Ralph sitting outside. Ralph apologizes for not having congratulated Isabel on her engagement. Ralph says that he's surprised that Isabel's allowed herself to be caught in a cage. Isabel says that she's done with exploring the world. She wants to create her own space now, and settle down. Ralph wishes that she had waited a little longer, so that more light could be shed on the decision. Ralph longs to convince Isabel that she's jumping the gun, but she won't hear of it. Her cousin sees Isabel as someone who was soaring at the top of her game, and doesn't see why she would settle for Osmond. Ralph confesses that he does not trust Osmond. Ralph says that Osmond is the personification of taste , and that the other man thinks too much of himself. Ralph says that he only is saying these things because he loves Isabel. As we know all too well by now, this is not the thing to say to Isabel if you want her to listen. Predictably, she is annoyed by this, figuring that he's yet another suitor. However, Ralph's love is different - he genuinely wants the best for her, since his love is hopeless and he doesn't expect to gain anything from it. Isabel says that she likes Osmond because he is the opposite of Lord Warburton. He has none of the privileges or things going for him, but he knows everything. Ralph is shocked with how Isabel has changed. She totally believes in her charming theories about Osmond, but she's so, so, so wrong. Ralph is saddened to think that Isabel is using the money he won for her in utterly the wrong fashion. He only wanted her to be free, and she has chosen to be tied down. Ralph says that Isabel is in trouble, because she's in the wrong. This rubs Isabel the wrong way, and she tells Ralph that she won't ever come to him with her troubles. Isabel goes into the house for breakfast, while Ralph moves to the sun-lit garden.", "analysis": ""}

One morning, on her return from her drive, some half-hour before luncheon, she quitted her vehicle in the court of the palace and, instead of ascending the great staircase, crossed the court, passed beneath another archway and entered the garden. A sweeter spot at this moment could not have been imagined. The stillness of noontide hung over it, and the warm shade, enclosed and still, made bowers like spacious caves. Ralph was sitting there in the clear gloom, at the base of a statue of Terpsichore--a dancing nymph with taper fingers and inflated draperies in the manner of Bernini; the extreme relaxation of his attitude suggested at first to Isabel that he was asleep. Her light footstep on the grass had not roused him, and before turning away she stood for a moment looking at him. During this instant he opened his eyes; upon which she sat down on a rustic chair that matched with his own. Though in her irritation she had accused him of indifference she was not blind to the fact that he had visibly had something to brood over. But she had explained his air of absence partly by the languor of his increased weakness, partly by worries connected with the property inherited from his father--the fruit of eccentric arrangements of which Mrs. Touchett disapproved and which, as she had told Isabel, now encountered opposition from the other partners in the bank. He ought to have gone to England, his mother said, instead of coming to Florence; he had not been there for months, and took no more interest in the bank than in the state of Patagonia. "I'm sorry I waked you," Isabel said; "you look too tired." "I feel too tired. But I was not asleep. I was thinking of you." "Are you tired of that?" "Very much so. It leads to nothing. The road's long and I never arrive." "What do you wish to arrive at?" she put to him, closing her parasol. "At the point of expressing to myself properly what I think of your engagement." "Don't think too much of it," she lightly returned. "Do you mean that it's none of my business?" "Beyond a certain point, yes." "That's the point I want to fix. I had an idea you may have found me wanting in good manners. I've never congratulated you." "Of course I've noticed that. I wondered why you were silent." "There have been a good many reasons. I'll tell you now," Ralph said. He pulled off his hat and laid it on the ground; then he sat looking at her. He leaned back under the protection of Bernini, his head against his marble pedestal, his arms dropped on either side of him, his hands laid upon the rests of his wide chair. He looked awkward, uncomfortable; he hesitated long. Isabel said nothing; when people were embarrassed she was usually sorry for them, but she was determined not to help Ralph to utter a word that should not be to the honour of her high decision. "I think I've hardly got over my surprise," he went on at last. "You were the last person I expected to see caught." "I don't know why you call it caught." "Because you're going to be put into a cage." "If I like my cage, that needn't trouble you," she answered. "That's what I wonder at; that's what I've been thinking of." "If you've been thinking you may imagine how I've thought! I'm satisfied that I'm doing well." "You must have changed immensely. A year ago you valued your liberty beyond everything. You wanted only to see life." "I've seen it," said Isabel. "It doesn't look to me now, I admit, such an inviting expanse." "I don't pretend it is; only I had an idea that you took a genial view of it and wanted to survey the whole field." "I've seen that one can't do anything so general. One must choose a corner and cultivate that." "That's what I think. And one must choose as good a corner as possible. I had no idea, all winter, while I read your delightful letters, that you were choosing. You said nothing about it, and your silence put me off my guard." "It was not a matter I was likely to write to you about. Besides, I knew nothing of the future. It has all come lately. If you had been on your guard, however," Isabel asked, "what would you have done?" "I should have said 'Wait a little longer.'" "Wait for what?" "Well, for a little more light," said Ralph with rather an absurd smile, while his hands found their way into his pockets. "Where should my light have come from? From you?" "I might have struck a spark or two." Isabel had drawn off her gloves; she smoothed them out as they lay upon her knee. The mildness of this movement was accidental, for her expression was not conciliatory. "You're beating about the bush, Ralph. You wish to say you don't like Mr. Osmond, and yet you're afraid." "Willing to wound and yet afraid to strike? I'm willing to wound HIM, yes--but not to wound you. I'm afraid of you, not of him. If you marry him it won't be a fortunate way for me to have spoken." "IF I marry him! Have you had any expectation of dissuading me?" "Of course that seems to you too fatuous." "No," said Isabel after a little; "it seems to me too touching." "That's the same thing. It makes me so ridiculous that you pity me." She stroked out her long gloves again. "I know you've a great affection for me. I can't get rid of that." "For heaven's sake don't try. Keep that well in sight. It will convince you how intensely I want you to do well." "And how little you trust me!" There was a moment's silence; the warm noontide seemed to listen. "I trust you, but I don't trust him," said Ralph. She raised her eyes and gave him a wide, deep look. "You've said it now, and I'm glad you've made it so clear. But you'll suffer by it." "Not if you're just." "I'm very just," said Isabel. "What better proof of it can there be than that I'm not angry with you? I don't know what's the matter with me, but I'm not. I was when you began, but it has passed away. Perhaps I ought to be angry, but Mr. Osmond wouldn't think so. He wants me to know everything; that's what I like him for. You've nothing to gain, I know that. I've never been so nice to you, as a girl, that you should have much reason for wishing me to remain one. You give very good advice; you've often done so. No, I'm very quiet; I've always believed in your wisdom," she went on, boasting of her quietness, yet speaking with a kind of contained exaltation. It was her passionate desire to be just; it touched Ralph to the heart, affected him like a caress from a creature he had injured. He wished to interrupt, to reassure her; for a moment he was absurdly inconsistent; he would have retracted what he had said. But she gave him no chance; she went on, having caught a glimpse, as she thought, of the heroic line and desiring to advance in that direction. "I see you've some special idea; I should like very much to hear it. I'm sure it's disinterested; I feel that. It seems a strange thing to argue about, and of course I ought to tell you definitely that if you expect to dissuade me you may give it up. You'll not move me an inch; it's too late. As you say, I'm caught. Certainly it won't be pleasant for you to remember this, but your pain will be in your own thoughts. I shall never reproach you." "I don't think you ever will," said Ralph. "It's not in the least the sort of marriage I thought you'd make." "What sort of marriage was that, pray?" "Well, I can hardly say. I hadn't exactly a positive view of it, but I had a negative. I didn't think you'd decide for--well, for that type." "What's the matter with Mr. Osmond's type, if it be one? His being so independent, so individual, is what I most see in him," the girl declared. "What do you know against him? You know him scarcely at all." "Yes," Ralph said, "I know him very little, and I confess I haven't facts and items to prove him a villain. But all the same I can't help feeling that you're running a grave risk." "Marriage is always a grave risk, and his risk's as grave as mine." "That's his affair! If he's afraid, let him back out. I wish to God he would." Isabel reclined in her chair, folding her arms and gazing a while at her cousin. "I don't think I understand you," she said at last coldly. "I don't know what you're talking about." "I believed you'd marry a man of more importance." Cold, I say, her tone had been, but at this a colour like a flame leaped into her face. "Of more importance to whom? It seems to me enough that one's husband should be of importance to one's self!" Ralph blushed as well; his attitude embarrassed him. Physically speaking he proceeded to change it; he straightened himself, then leaned forward, resting a hand on each knee. He fixed his eyes on the ground; he had an air of the most respectful deliberation. "I'll tell you in a moment what I mean," he presently said. He felt agitated, intensely eager; now that he had opened the discussion he wished to discharge his mind. But he wished also to be superlatively gentle. Isabel waited a little--then she went on with majesty. "In everything that makes one care for people Mr. Osmond is pre-eminent. There may be nobler natures, but I've never had the pleasure of meeting one. Mr. Osmond's is the finest I know; he's good enough for me, and interesting enough, and clever enough. I'm far more struck with what he has and what he represents than with what he may lack." "I had treated myself to a charming vision of your future," Ralph observed without answering this; "I had amused myself with planning out a high destiny for you. There was to be nothing of this sort in it. You were not to come down so easily or so soon." "Come down, you say?" "Well, that renders my sense of what has happened to you. You seemed to me to be soaring far up in the blue--to be, sailing in the bright light, over the heads of men. Suddenly some one tosses up a faded rosebud--a missile that should never have reached you--and straight you drop to the ground. It hurts me," said Ralph audaciously, "hurts me as if I had fallen myself!" The look of pain and bewilderment deepened in his companion's face. "I don't understand you in the least," she repeated. "You say you amused yourself with a project for my career--I don't understand that. Don't amuse yourself too much, or I shall think you're doing it at my expense." Ralph shook his head. "I'm not afraid of your not believing that I've had great ideas for you." "What do you mean by my soaring and sailing?" she pursued. "I've never moved on a higher plane than I'm moving on now. There's nothing higher for a girl than to marry a--a person she likes," said poor Isabel, wandering into the didactic. "It's your liking the person we speak of that I venture to criticise, my dear cousin. I should have said that the man for you would have been a more active, larger, freer sort of nature." Ralph hesitated, then added: "I can't get over the sense that Osmond is somehow--well, small." He had uttered the last word with no great assurance; he was afraid she would flash out again. But to his surprise she was quiet; she had the air of considering. "Small?" She made it sound immense. "I think he's narrow, selfish. He takes himself so seriously!" "He has a great respect for himself; I don't blame him for that," said Isabel. "It makes one more sure to respect others." Ralph for a moment felt almost reassured by her reasonable tone. "Yes, but everything is relative; one ought to feel one's relation to things--to others. I don't think Mr. Osmond does that." "I've chiefly to do with his relation to me. In that he's excellent." "He's the incarnation of taste," Ralph went on, thinking hard how he could best express Gilbert Osmond's sinister attributes without putting himself in the wrong by seeming to describe him coarsely. He wished to describe him impersonally, scientifically. "He judges and measures, approves and condemns, altogether by that." "It's a happy thing then that his taste should be exquisite." "It's exquisite, indeed, since it has led him to select you as his bride. But have you ever seen such a taste--a really exquisite one--ruffled?" "I hope it may never be my fortune to fail to gratify my husband's." At these words a sudden passion leaped to Ralph's lips. "Ah, that's wilful, that's unworthy of you! You were not meant to be measured in that way--you were meant for something better than to keep guard over the sensibilities of a sterile dilettante!" Isabel rose quickly and he did the same, so that they stood for a moment looking at each other as if he had flung down a defiance or an insult. But "You go too far," she simply breathed. "I've said what I had on my mind--and I've said it because I love you!" Isabel turned pale: was he too on that tiresome list? She had a sudden wish to strike him off. "Ah then, you're not disinterested!" "I love you, but I love without hope," said Ralph quickly, forcing a smile and feeling that in that last declaration he had expressed more than he intended. Isabel moved away and stood looking into the sunny stillness of the garden; but after a little she turned back to him. "I'm afraid your talk then is the wildness of despair! I don't understand it--but it doesn't matter. I'm not arguing with you; it's impossible I should; I've only tried to listen to you. I'm much obliged to you for attempting to explain," she said gently, as if the anger with which she had just sprung up had already subsided. "It's very good of you to try to warn me, if you're really alarmed; but I won't promise to think of what you've said: I shall forget it as soon as possible. Try and forget it yourself; you've done your duty, and no man can do more. I can't explain to you what I feel, what I believe, and I wouldn't if I could." She paused a moment and then went on with an inconsequence that Ralph observed even in the midst of his eagerness to discover some symptom of concession. "I can't enter into your idea of Mr. Osmond; I can't do it justice, because I see him in quite another way. He's not important--no, he's not important; he's a man to whom importance is supremely indifferent. If that's what you mean when you call him 'small,' then he's as small as you please. I call that large--it's the largest thing I know. I won't pretend to argue with you about a person I'm going to marry," Isabel repeated. "I'm not in the least concerned to defend Mr. Osmond; he's not so weak as to need my defence. I should think it would seem strange even to yourself that I should talk of him so quietly and coldly, as if he were any one else. I wouldn't talk of him at all to any one but you; and you, after what you've said--I may just answer you once for all. Pray, would you wish me to make a mercenary marriage--what they call a marriage of ambition? I've only one ambition--to be free to follow out a good feeling. I had others once, but they've passed away. Do you complain of Mr. Osmond because he's not rich? That's just what I like him for. I've fortunately money enough; I've never felt so thankful for it as to-day. There have been moments when I should like to go and kneel down by your father's grave: he did perhaps a better thing than he knew when he put it into my power to marry a poor man--a man who has borne his poverty with such dignity, with such indifference. Mr. Osmond has never scrambled nor struggled--he has cared for no worldly prize. If that's to be narrow, if that's to be selfish, then it's very well. I'm not frightened by such words, I'm not even displeased; I'm only sorry that you should make a mistake. Others might have done so, but I'm surprised that you should. You might know a gentleman when you see one--you might know a fine mind. Mr. Osmond makes no mistakes! He knows everything, he understands everything, he has the kindest, gentlest, highest spirit. You've got hold of some false idea. It's a pity, but I can't help it; it regards you more than me." Isabel paused a moment, looking at her cousin with an eye illumined by a sentiment which contradicted the careful calmness of her manner--a mingled sentiment, to which the angry pain excited by his words and the wounded pride of having needed to justify a choice of which she felt only the nobleness and purity, equally contributed. Though she paused Ralph said nothing; he saw she had more to say. She was grand, but she was highly solicitous; she was indifferent, but she was all in a passion. "What sort of a person should you have liked me to marry?" she asked suddenly. "You talk about one's soaring and sailing, but if one marries at all one touches the earth. One has human feelings and needs, one has a heart in one's bosom, and one must marry a particular individual. Your mother has never forgiven me for not having come to a better understanding with Lord Warburton, and she's horrified at my contenting myself with a person who has none of his great advantages--no property, no title, no honours, no houses, nor lands, nor position, nor reputation, nor brilliant belongings of any sort. It's the total absence of all these things that pleases me. Mr. Osmond's simply a very lonely, a very cultivated and a very honest man--he's not a prodigious proprietor." Ralph had listened with great attention, as if everything she said merited deep consideration; but in truth he was only half thinking of the things she said, he was for the rest simply accommodating himself to the weight of his total impression--the impression of her ardent good faith. She was wrong, but she believed; she was deluded, but she was dismally consistent. It was wonderfully characteristic of her that, having invented a fine theory, about Gilbert Osmond, she loved him not for what he really possessed, but for his very poverties dressed out as honours. Ralph remembered what he had said to his father about wishing to put it into her power to meet the requirements of her imagination. He had done so, and the girl had taken full advantage of the luxury. Poor Ralph felt sick; he felt ashamed. Isabel had uttered her last words with a low solemnity of conviction which virtually terminated the discussion, and she closed it formally by turning away and walking back to the house. Ralph walked beside her, and they passed into the court together and reached the big staircase. Here he stopped and Isabel paused, turning on him a face of elation--absolutely and perversely of gratitude. His opposition had made her own conception of her conduct clearer to her. "Shall you not come up to breakfast?" she asked. "No; I want no breakfast; I'm not hungry." "You ought to eat," said the girl; "you live on air." "I do, very much, and I shall go back into the garden and take another mouthful. I came thus far simply to say this. I told you last year that if you were to get into trouble I should feel terribly sold. That's how I feel to-day." "Do you think I'm in trouble?" "One's in trouble when one's in error." "Very well," said Isabel; "I shall never complain of my trouble to you!" And she moved up the staircase. Ralph, standing there with his hands in his pockets, followed her with his eyes; then the lurking chill of the high-walled court struck him and made him shiver, so that he returned to the garden to breakfast on the Florentine sunshine.

Chapter 34

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-34

It's a beautiful afternoon, and Isabel sees Ralph sitting outside. Ralph apologizes for not having congratulated Isabel on her engagement. Ralph says that he's surprised that Isabel's allowed herself to be caught in a cage. Isabel says that she's done with exploring the world. She wants to create her own space now, and settle down. Ralph wishes that she had waited a little longer, so that more light could be shed on the decision. Ralph longs to convince Isabel that she's jumping the gun, but she won't hear of it. Her cousin sees Isabel as someone who was soaring at the top of her game, and doesn't see why she would settle for Osmond. Ralph confesses that he does not trust Osmond. Ralph says that Osmond is the personification of taste , and that the other man thinks too much of himself. Ralph says that he only is saying these things because he loves Isabel. As we know all too well by now, this is not the thing to say to Isabel if you want her to listen. Predictably, she is annoyed by this, figuring that he's yet another suitor. However, Ralph's love is different - he genuinely wants the best for her, since his love is hopeless and he doesn't expect to gain anything from it. Isabel says that she likes Osmond because he is the opposite of Lord Warburton. He has none of the privileges or things going for him, but he knows everything. Ralph is shocked with how Isabel has changed. She totally believes in her charming theories about Osmond, but she's so, so, so wrong. Ralph is saddened to think that Isabel is using the money he won for her in utterly the wrong fashion. He only wanted her to be free, and she has chosen to be tied down. Ralph says that Isabel is in trouble, because she's in the wrong. This rubs Isabel the wrong way, and she tells Ralph that she won't ever come to him with her troubles. Isabel goes into the house for breakfast, while Ralph moves to the sun-lit garden.

shmoop

all_chapterized_books/2833-chapters/35.txt

finished_summaries/shmoop/The Portrait of a Lady/section_34_part_0.txt

The Portrait of a Lady.chapter 35

chapter 35

{"name": "Chapter 35", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-35", "summary": "Isabel doesn't tell Osmond that her family and friends think so poorly of him. She doesn't care what everyone else thinks, and is glad that she is marrying someone only to please herself. Her love for Osmond has somehow separated her from everyone else she cares about. Osmond thinks that Madame Merle has given him \"a present of incalculable value\" . Osmond wants someone who can reflect him, and he thinks Isabel is just the woman to do so. Osmond tells Isabel that he figures her relations don't approve of him because of the class difference. He has no money, and, therefore, that must be why they don't like him. Osmond boasts that he's never tried to earn a cent, and so she shouldn't worry that he's marrying her for the money. Hmm, we're not sure we entirely buy this logic. Osmond and Isabel plan to stay in Italy, since that is where their entire relationship has taken place. Pansy walks with them sometimes in the park, the Cascine. Pansy is a year older, but doesn't act like it. Osmond still holds his sixteen-year-old daughter by the hand. Osmond waits to tell Pansy about the engagement. He expects that she knows nothing about it, since he's intentionally raised her to be more-or-less stupid. Well-behaved, proper, cute, and stupid. After Osmond tells his daughter the good news, Pansy congratulates Isabel in what she considers a beautiful way. Pansy says that she is glad about the engagement for her father's sake. She will be glad to have Isabel for a model, as well. Isabel pays a call at Countess Gemini's house. Countess Gemini admits that she did not approve of the engagement at first, but that, selfishly, she knows that it will be a good acquisition for her family. Countess Gemini offers to tell Isabel all about her husband, and asks Pansy to leave the room. Isabel insists that she stay, saying that she only wants to hear what Pansy would be allowed to hear. We wonder what Countess Gemini really wants to tell Isabel - whatever it is, it's too spicy for Pansy's tender ears.", "analysis": ""}

Isabel, when she strolled in the Cascine with her lover, felt no impulse to tell him how little he was approved at Palazzo Crescentini. The discreet opposition offered to her marriage by her aunt and her cousin made on the whole no great impression upon her; the moral of it was simply that they disliked Gilbert Osmond. This dislike was not alarming to Isabel; she scarcely even regretted it; for it served mainly to throw into higher relief the fact, in every way so honourable, that she married to please herself. One did other things to please other people; one did this for a more personal satisfaction; and Isabel's satisfaction was confirmed by her lover's admirable good conduct. Gilbert Osmond was in love, and he had never deserved less than during these still, bright days, each of them numbered, which preceded the fulfilment of his hopes, the harsh criticism passed upon him by Ralph Touchett. The chief impression produced on Isabel's spirit by this criticism was that the passion of love separated its victim terribly from every one but the loved object. She felt herself disjoined from every one she had ever known before--from her two sisters, who wrote to express a dutiful hope that she would be happy, and a surprise, somewhat more vague, at her not having chosen a consort who was the hero of a richer accumulation of anecdote; from Henrietta, who, she was sure, would come out, too late, on purpose to remonstrate; from Lord Warburton, who would certainly console himself, and from Caspar Goodwood, who perhaps would not; from her aunt, who had cold, shallow ideas about marriage, for which she was not sorry to display her contempt; and from Ralph, whose talk about having great views for her was surely but a whimsical cover for a personal disappointment. Ralph apparently wished her not to marry at all--that was what it really meant--because he was amused with the spectacle of her adventures as a single woman. His disappointment made him say angry things about the man she had preferred even to him: Isabel flattered herself that she believed Ralph had been angry. It was the more easy for her to believe this because, as I say, she had now little free or unemployed emotion for minor needs, and accepted as an incident, in fact quite as an ornament, of her lot the idea that to prefer Gilbert Osmond as she preferred him was perforce to break all other ties. She tasted of the sweets of this preference, and they made her conscious, almost with awe, of the invidious and remorseless tide of the charmed and possessed condition, great as was the traditional honour and imputed virtue of being in love. It was the tragic part of happiness; one's right was always made of the wrong of some one else. The elation of success, which surely now flamed high in Osmond, emitted meanwhile very little smoke for so brilliant a blaze. Contentment, on his part, took no vulgar form; excitement, in the most self-conscious of men, was a kind of ecstasy of self-control. This disposition, however, made him an admirable lover; it gave him a constant view of the smitten and dedicated state. He never forgot himself, as I say; and so he never forgot to be graceful and tender, to wear the appearance--which presented indeed no difficulty--of stirred senses and deep intentions. He was immensely pleased with his young lady; Madame Merle had made him a present of incalculable value. What could be a finer thing to live with than a high spirit attuned to softness? For would not the softness be all for one's self, and the strenuousness for society, which admired the air of superiority? What could be a happier gift in a companion than a quick, fanciful mind which saved one repetitions and reflected one's thought on a polished, elegant surface? Osmond hated to see his thought reproduced literally--that made it look stale and stupid; he preferred it to be freshened in the reproduction even as "words" by music. His egotism had never taken the crude form of desiring a dull wife; this lady's intelligence was to be a silver plate, not an earthen one--a plate that he might heap up with ripe fruits, to which it would give a decorative value, so that talk might become for him a sort of served dessert. He found the silver quality in this perfection in Isabel; he could tap her imagination with his knuckle and make it ring. He knew perfectly, though he had not been told, that their union enjoyed little favour with the girl's relations; but he had always treated her so completely as an independent person that it hardly seemed necessary to express regret for the attitude of her family. Nevertheless, one morning, he made an abrupt allusion to it. "It's the difference in our fortune they don't like," he said. "They think I'm in love with your money." "Are you speaking of my aunt--of my cousin?" Isabel asked. "How do you know what they think?" "You've not told me they're pleased, and when I wrote to Mrs. Touchett the other day she never answered my note. If they had been delighted I should have had some sign of it, and the fact of my being poor and you rich is the most obvious explanation of their reserve. But of course when a poor man marries a rich girl he must be prepared for imputations. I don't mind them; I only care for one thing--for your not having the shadow of a doubt. I don't care what people of whom I ask nothing think--I'm not even capable perhaps of wanting to know. I've never so concerned myself, God forgive me, and why should I begin to-day, when I have taken to myself a compensation for everything? I won't pretend I'm sorry you're rich; I'm delighted. I delight in everything that's yours--whether it be money or virtue. Money's a horrid thing to follow, but a charming thing to meet. It seems to me, however, that I've sufficiently proved the limits of my itch for it: I never in my life tried to earn a penny, and I ought to be less subject to suspicion than most of the people one sees grubbing and grabbing. I suppose it's their business to suspect--that of your family; it's proper on the whole they should. They'll like me better some day; so will you, for that matter. Meanwhile my business is not to make myself bad blood, but simply to be thankful for life and love." "It has made me better, loving you," he said on another occasion; "it has made me wiser and easier and--I won't pretend to deny--brighter and nicer and even stronger. I used to want a great many things before and to be angry I didn't have them. Theoretically I was satisfied, as I once told you. I flattered myself I had limited my wants. But I was subject to irritation; I used to have morbid, sterile, hateful fits of hunger, of desire. Now I'm really satisfied, because I can't think of anything better. It's just as when one has been trying to spell out a book in the twilight and suddenly the lamp comes in. I had been putting out my eyes over the book of life and finding nothing to reward me for my pains; but now that I can read it properly I see it's a delightful story. My dear girl, I can't tell you how life seems to stretch there before us--what a long summer afternoon awaits us. It's the latter half of an Italian day--with a golden haze, and the shadows just lengthening, and that divine delicacy in the light, the air, the landscape, which I have loved all my life and which you love to-day. Upon my honour, I don't see why we shouldn't get on. We've got what we like--to say nothing of having each other. We've the faculty of admiration and several capital convictions. We're not stupid, we're not mean, we're not under bonds to any kind of ignorance or dreariness. You're remarkably fresh, and I'm remarkably well-seasoned. We've my poor child to amuse us; we'll try and make up some little life for her. It's all soft and mellow--it has the Italian colouring." They made a good many plans, but they left themselves also a good deal of latitude; it was a matter of course, however, that they should live for the present in Italy. It was in Italy that they had met, Italy had been a party to their first impressions of each other, and Italy should be a party to their happiness. Osmond had the attachment of old acquaintance and Isabel the stimulus of new, which seemed to assure her a future at a high level of consciousness of the beautiful. The desire for unlimited expansion had been succeeded in her soul by the sense that life was vacant without some private duty that might gather one's energies to a point. She had told Ralph she had "seen life" in a year or two and that she was already tired, not of the act of living, but of that of observing. What had become of all her ardours, her aspirations, her theories, her high estimate of her independence and her incipient conviction that she should never marry? These things had been absorbed in a more primitive need--a need the answer to which brushed away numberless questions, yet gratified infinite desires. It simplified the situation at a stroke, it came down from above like the light of the stars, and it needed no explanation. There was explanation enough in the fact that he was her lover, her own, and that she should be able to be of use to him. She could surrender to him with a kind of humility, she could marry him with a kind of pride; she was not only taking, she was giving. He brought Pansy with him two or three times to the Cascine--Pansy who was very little taller than a year before, and not much older. That she would always be a child was the conviction expressed by her father, who held her by the hand when she was in her sixteenth year and told her to go and play while he sat down a little with the pretty lady. Pansy wore a short dress and a long coat; her hat always seemed too big for her. She found pleasure in walking off, with quick, short steps, to the end of the alley, and then in walking back with a smile that seemed an appeal for approbation. Isabel approved in abundance, and the abundance had the personal touch that the child's affectionate nature craved. She watched her indications as if for herself also much depended on them--Pansy already so represented part of the service she could render, part of the responsibility she could face. Her father took so the childish view of her that he had not yet explained to her the new relation in which he stood to the elegant Miss Archer. "She doesn't know," he said to Isabel; "she doesn't guess; she thinks it perfectly natural that you and I should come and walk here together simply as good friends. There seems to me something enchantingly innocent in that; it's the way I like her to be. No, I'm not a failure, as I used to think; I've succeeded in two things. I'm to marry the woman I adore, and I've brought up my child, as I wished, in the old way." He was very fond, in all things, of the "old way"; that had struck Isabel as one of his fine, quiet, sincere notes. "It occurs to me that you'll not know whether you've succeeded until you've told her," she said. "You must see how she takes your news, She may be horrified--she may be jealous." "I'm not afraid of that; she's too fond of you on her own account. I should like to leave her in the dark a little longer--to see if it will come into her head that if we're not engaged we ought to be." Isabel was impressed by Osmond's artistic, the plastic view, as it somehow appeared, of Pansy's innocence--her own appreciation of it being more anxiously moral. She was perhaps not the less pleased when he told her a few days later that he had communicated the fact to his daughter, who had made such a pretty little speech--"Oh, then I shall have a beautiful sister!" She was neither surprised nor alarmed; she had not cried, as he expected. "Perhaps she had guessed it," said Isabel. "Don't say that; I should be disgusted if I believed that. I thought it would be just a little shock; but the way she took it proves that her good manners are paramount. That's also what I wished. You shall see for yourself; to-morrow she shall make you her congratulations in person." The meeting, on the morrow, took place at the Countess Gemini's, whither Pansy had been conducted by her father, who knew that Isabel was to come in the afternoon to return a visit made her by the Countess on learning that they were to become sisters-in-law. Calling at Casa Touchett the visitor had not found Isabel at home; but after our young woman had been ushered into the Countess's drawing-room Pansy arrived to say that her aunt would presently appear. Pansy was spending the day with that lady, who thought her of an age to begin to learn how to carry herself in company. It was Isabel's view that the little girl might have given lessons in deportment to her relative, and nothing could have justified this conviction more than the manner in which Pansy acquitted herself while they waited together for the Countess. Her father's decision, the year before, had finally been to send her back to the convent to receive the last graces, and Madame Catherine had evidently carried out her theory that Pansy was to be fitted for the great world. "Papa has told me that you've kindly consented to marry him," said this excellent woman's pupil. "It's very delightful; I think you'll suit very well." "You think I shall suit YOU?" "You'll suit me beautifully; but what I mean is that you and papa will suit each other. You're both so quiet and so serious. You're not so quiet as he--or even as Madame Merle; but you're more quiet than many others. He should not for instance have a wife like my aunt. She's always in motion, in agitation--to-day especially; you'll see when she comes in. They told us at the convent it was wrong to judge our elders, but I suppose there's no harm if we judge them favourably. You'll be a delightful companion for papa." "For you too, I hope," Isabel said. "I speak first of him on purpose. I've told you already what I myself think of you; I liked you from the first. I admire you so much that I think it will be a good fortune to have you always before me. You'll be my model; I shall try to imitate you though I'm afraid it will be very feeble. I'm very glad for papa--he needed something more than me. Without you I don't see how he could have got it. You'll be my stepmother, but we mustn't use that word. They're always said to be cruel; but I don't think you'll ever so much as pinch or even push me. I'm not afraid at all." "My good little Pansy," said Isabel gently, "I shall be ever so kind to you." A vague, inconsequent vision of her coming in some odd way to need it had intervened with the effect of a chill. "Very well then, I've nothing to fear," the child returned with her note of prepared promptitude. What teaching she had had, it seemed to suggest--or what penalties for non-performance she dreaded! Her description of her aunt had not been incorrect; the Countess Gemini was further than ever from having folded her wings. She entered the room with a flutter through the air and kissed Isabel first on the forehead and then on each cheek as if according to some ancient prescribed rite. She drew the visitor to a sofa and, looking at her with a variety of turns of the head, began to talk very much as if, seated brush in hand before an easel, she were applying a series of considered touches to a composition of figures already sketched in. "If you expect me to congratulate you I must beg you to excuse me. I don't suppose you care if I do or not; I believe you're supposed not to care--through being so clever--for all sorts of ordinary things. But I care myself if I tell fibs; I never tell them unless there's something rather good to be gained. I don't see what's to be gained with you--especially as you wouldn't believe me. I don't make professions any more than I make paper flowers or flouncey lampshades--I don't know how. My lampshades would be sure to take fire, my roses and my fibs to be larger than life. I'm very glad for my own sake that you're to marry Osmond; but I won't pretend I'm glad for yours. You're very brilliant--you know that's the way you're always spoken of; you're an heiress and very good-looking and original, not banal; so it's a good thing to have you in the family. Our family's very good, you know; Osmond will have told you that; and my mother was rather distinguished--she was called the American Corinne. But we're dreadfully fallen, I think, and perhaps you'll pick us up. I've great confidence in you; there are ever so many things I want to talk to you about. I never congratulate any girl on marrying; I think they ought to make it somehow not quite so awful a steel trap. I suppose Pansy oughtn't to hear all this; but that's what she has come to me for--to acquire the tone of society. There's no harm in her knowing what horrors she may be in for. When first I got an idea that my brother had designs on you I thought of writing to you, to recommend you, in the strongest terms, not to listen to him. Then I thought it would be disloyal, and I hate anything of that kind. Besides, as I say, I was enchanted for myself; and after all I'm very selfish. By the way, you won't respect me, not one little mite, and we shall never be intimate. I should like it, but you won't. Some day, all the same, we shall be better friends than you will believe at first. My husband will come and see you, though, as you probably know, he's on no sort of terms with Osmond. He's very fond of going to see pretty women, but I'm not afraid of you. In the first place I don't care what he does. In the second, you won't care a straw for him; he won't be a bit, at any time, your affair, and, stupid as he is, he'll see you're not his. Some day, if you can stand it, I'll tell you all about him. Do you think my niece ought to go out of the room? Pansy, go and practise a little in my boudoir." "Let her stay, please," said Isabel. "I would rather hear nothing that Pansy may not!"

Chapter 35

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-35

Isabel doesn't tell Osmond that her family and friends think so poorly of him. She doesn't care what everyone else thinks, and is glad that she is marrying someone only to please herself. Her love for Osmond has somehow separated her from everyone else she cares about. Osmond thinks that Madame Merle has given him "a present of incalculable value" . Osmond wants someone who can reflect him, and he thinks Isabel is just the woman to do so. Osmond tells Isabel that he figures her relations don't approve of him because of the class difference. He has no money, and, therefore, that must be why they don't like him. Osmond boasts that he's never tried to earn a cent, and so she shouldn't worry that he's marrying her for the money. Hmm, we're not sure we entirely buy this logic. Osmond and Isabel plan to stay in Italy, since that is where their entire relationship has taken place. Pansy walks with them sometimes in the park, the Cascine. Pansy is a year older, but doesn't act like it. Osmond still holds his sixteen-year-old daughter by the hand. Osmond waits to tell Pansy about the engagement. He expects that she knows nothing about it, since he's intentionally raised her to be more-or-less stupid. Well-behaved, proper, cute, and stupid. After Osmond tells his daughter the good news, Pansy congratulates Isabel in what she considers a beautiful way. Pansy says that she is glad about the engagement for her father's sake. She will be glad to have Isabel for a model, as well. Isabel pays a call at Countess Gemini's house. Countess Gemini admits that she did not approve of the engagement at first, but that, selfishly, she knows that it will be a good acquisition for her family. Countess Gemini offers to tell Isabel all about her husband, and asks Pansy to leave the room. Isabel insists that she stay, saying that she only wants to hear what Pansy would be allowed to hear. We wonder what Countess Gemini really wants to tell Isabel - whatever it is, it's too spicy for Pansy's tender ears.

shmoop

all_chapterized_books/2833-chapters/36.txt

finished_summaries/shmoop/The Portrait of a Lady/section_35_part_0.txt

The Portrait of a Lady.chapter 36

chapter 36

{"name": "Chapter 36", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-36", "summary": "It is the autumn of 1876, some three years later. Edward Rosier calls upon Madame Merle in Rome to ask her for a favor. Rosier is in love with Pansy, and asks for Madame Merle's influence in recommending him to Mr. and Mrs. Osmond. Rosier loves Pansy for her perfection. He is a collector of art as well, but we don't get the same creepy voyeur feeling from him that we get from Osmond. Mr. Rosier admires Madame Merle's own collection of beautiful objects. For some reason, the guileless Rosier thinks that Madame Merle likes him. She makes him doubt it, since she puts on a charming exterior for everyone. Madame Merle jokes that she will help him in exchange for some of his elegant pieces from the era of Louis Quatorze. Rosier, who isn't exactly quick on the uptake, figures that she might be serious, but he's undaunted - he would give her all of his art collection in order to marry Pansy. Madame Merle agrees to help Rosier, although she insists that he not ask Isabel for help at all. Rosier thinks that this weird, and wonders if he has come to the right person for help. Rosier says that he makes forty thousand francs a year, and it's okay if Pansy has no dowry to give. Madame Merle suggests that Isabel, now known exclusively as Mrs. Osmond, has a good deal of money, but that she may keep it for her own children, if she has them. Apparently, Isabel did have a son a couple of years ago, but he died as an infant. Madame Merle admits that she knows Pansy loves Rosier. Rosier leaves, thinking about how splendid Isabel is. Rosier visits the Palazzo Roccanera, the beautiful but menacing fortress-like castle that Isabel, Osmond, and Pansy live in. Ned thinks of how dungeon-like the place looks. Isabel had told him that they picked it for its \"local colour,\" but he romantically thinks that it resembles a prison, in which young girls were kept from their true loves. Isabel had also told Ned that all of the fine art pieces in the house were selected by Osmond, and that she had no say in it whatsoever. Osmond had bought most of the pieces before he met Isabel; to Rosier, this means that an art collector can be successful even without a lot of money.", "analysis": ""}

One afternoon of the autumn of 1876, toward dusk, a young man of pleasing appearance rang at the door of a small apartment on the third floor of an old Roman house. On its being opened he enquired for Madame Merle; whereupon the servant, a neat, plain woman, with a French face and a lady's maid's manner, ushered him into a diminutive drawing-room and requested the favour of his name. "Mr. Edward Rosier," said the young man, who sat down to wait till his hostess should appear. The reader will perhaps not have forgotten that Mr. Rosier was an ornament of the American circle in Paris, but it may also be remembered that he sometimes vanished from its horizon. He had spent a portion of several winters at Pau, and as he was a gentleman of constituted habits he might have continued for years to pay his annual visit to this charming resort. In the summer of 1876, however, an incident befell him which changed the current not only of his thoughts, but of his customary sequences. He passed a month in the Upper Engadine and encountered at Saint Moritz a charming young girl. To this little person he began to pay, on the spot, particular attention: she struck him as exactly the household angel he had long been looking for. He was never precipitate, he was nothing if not discreet, so he forbore for the present to declare his passion; but it seemed to him when they parted--the young lady to go down into Italy and her admirer to proceed to Geneva, where he was under bonds to join other friends--that he should be romantically wretched if he were not to see her again. The simplest way to do so was to go in the autumn to Rome, where Miss Osmond was domiciled with her family. Mr. Rosier started on his pilgrimage to the Italian capital and reached it on the first of November. It was a pleasant thing to do, but for the young man there was a strain of the heroic in the enterprise. He might expose himself, unseasoned, to the poison of the Roman air, which in November lay, notoriously, much in wait. Fortune, however, favours the brave; and this adventurer, who took three grains of quinine a day, had at the end of a month no cause to deplore his temerity. He had made to a certain extent good use of his time; he had devoted it in vain to finding a flaw in Pansy Osmond's composition. She was admirably finished; she had had the last touch; she was really a consummate piece. He thought of her in amorous meditation a good deal as he might have thought of a Dresden-china shepherdess. Miss Osmond, indeed, in the bloom of her juvenility, had a hint of the rococo which Rosier, whose taste was predominantly for that manner, could not fail to appreciate. That he esteemed the productions of comparatively frivolous periods would have been apparent from the attention he bestowed upon Madame Merle's drawing-room, which, although furnished with specimens of every style, was especially rich in articles of the last two centuries. He had immediately put a glass into one eye and looked round; and then "By Jove, she has some jolly good things!" he had yearningly murmured. The room was small and densely filled with furniture; it gave an impression of faded silk and little statuettes which might totter if one moved. Rosier got up and wandered about with his careful tread, bending over the tables charged with knick-knacks and the cushions embossed with princely arms. When Madame Merle came in she found him standing before the fireplace with his nose very close to the great lace flounce attached to the damask cover of the mantel. He had lifted it delicately, as if he were smelling it. "It's old Venetian," she said; "it's rather good." "It's too good for this; you ought to wear it." "They tell me you have some better in Paris, in the same situation." "Ah, but I can't wear mine," smiled the visitor. "I don't see why you shouldn't! I've better lace than that to wear." His eyes wandered, lingeringly, round the room again. "You've some very good things." "Yes, but I hate them." "Do you want to get rid of them?" the young man quickly asked. "No, it's good to have something to hate: one works it off!" "I love my things," said Mr. Rosier as he sat there flushed with all his recognitions. "But it's not about them, nor about yours, that I came to talk to you." He paused a moment and then, with greater softness: "I care more for Miss Osmond than for all the bibelots in Europe!" Madame Merle opened wide eyes. "Did you come to tell me that?" "I came to ask your advice." She looked at him with a friendly frown, stroking her chin with her large white hand. "A man in love, you know, doesn't ask advice." "Why not, if he's in a difficult position? That's often the case with a man in love. I've been in love before, and I know. But never so much as this time--really never so much. I should like particularly to know what you think of my prospects. I'm afraid that for Mr. Osmond I'm not--well, a real collector's piece." "Do you wish me to intercede?" Madame Merle asked with her fine arms folded and her handsome mouth drawn up to the left. "If you could say a good word for me I should be greatly obliged. There will be no use in my troubling Miss Osmond unless I have good reason to believe her father will consent." "You're very considerate; that's in your favour. But you assume in rather an off-hand way that I think you a prize." "You've been very kind to me," said the young man. "That's why I came." "I'm always kind to people who have good Louis Quatorze. It's very rare now, and there's no telling what one may get by it." With which the left-hand corner of Madame Merle's mouth gave expression to the joke. But he looked, in spite of it, literally apprehensive and consistently strenuous. "Ah, I thought you liked me for myself!" "I like you very much; but, if you please, we won't analyse. Pardon me if I seem patronising, but I think you a perfect little gentleman. I must tell you, however, that I've not the marrying of Pansy Osmond." "I didn't suppose that. But you've seemed to me intimate with her family, and I thought you might have influence." Madame Merle considered. "Whom do you call her family?" "Why, her father; and--how do you say it in English?--her belle-mere." "Mr. Osmond's her father, certainly; but his wife can scarcely be termed a member of her family. Mrs. Osmond has nothing to do with marrying her." "I'm sorry for that," said Rosier with an amiable sigh of good faith. "I think Mrs. Osmond would favour me." "Very likely--if her husband doesn't." He raised his eyebrows. "Does she take the opposite line from him?" "In everything. They think quite differently." "Well," said Rosier, "I'm sorry for that; but it's none of my business. She's very fond of Pansy." "Yes, she's very fond of Pansy." "And Pansy has a great affection for her. She has told me how she loves her as if she were her own mother." "You must, after all, have had some very intimate talk with the poor child," said Madame Merle. "Have you declared your sentiments?" "Never!" cried Rosier, lifting his neatly-gloved hand. "Never till I've assured myself of those of the parents." "You always wait for that? You've excellent principles; you observe the proprieties." "I think you're laughing at me," the young man murmured, dropping back in his chair and feeling his small moustache. "I didn't expect that of you, Madame Merle." She shook her head calmly, like a person who saw things as she saw them. "You don't do me justice. I think your conduct in excellent taste and the best you could adopt. Yes, that's what I think." "I wouldn't agitate her--only to agitate her; I love her too much for that," said Ned Rosier. "I'm glad, after all, that you've told me," Madame Merle went on. "Leave it to me a little; I think I can help you." "I said you were the person to come to!" her visitor cried with prompt elation. "You were very clever," Madame Merle returned more dryly. "When I say I can help you I mean once assuming your cause to be good. Let us think a little if it is." "I'm awfully decent, you know," said Rosier earnestly. "I won't say I've no faults, but I'll say I've no vices." "All that's negative, and it always depends, also, on what people call vices. What's the positive side? What's the virtuous? What have you got besides your Spanish lace and your Dresden teacups?" "I've a comfortable little fortune--about forty thousand francs a year. With the talent I have for arranging, we can live beautifully on such an income." "Beautifully, no. Sufficiently, yes. Even that depends on where you live." "Well, in Paris. I would undertake it in Paris." Madame Merle's mouth rose to the left. "It wouldn't be famous; you'd have to make use of the teacups, and they'd get broken." "We don't want to be famous. If Miss Osmond should have everything pretty it would be enough. When one's as pretty as she one can afford--well, quite cheap faience. She ought never to wear anything but muslin--without the sprig," said Rosier reflectively. "Wouldn't you even allow her the sprig? She'd be much obliged to you at any rate for that theory." "It's the correct one, I assure you; and I'm sure she'd enter into it. She understands all that; that's why I love her." "She's a very good little girl, and most tidy--also extremely graceful. But her father, to the best of my belief, can give her nothing." Rosier scarce demurred. "I don't in the least desire that he should. But I may remark, all the same, that he lives like a rich man." "The money's his wife's; she brought him a large fortune." "Mrs. Osmond then is very fond of her stepdaughter; she may do something." "For a love-sick swain you have your eyes about you!" Madame Merle exclaimed with a laugh. "I esteem a dot very much. I can do without it, but I esteem it." "Mrs. Osmond," Madame Merle went on, "will probably prefer to keep her money for her own children." "Her own children? Surely she has none." "She may have yet. She had a poor little boy, who died two years ago, six months after his birth. Others therefore may come." "I hope they will, if it will make her happy. She's a splendid woman." Madame Merle failed to burst into speech. "Ah, about her there's much to be said. Splendid as you like! We've not exactly made out that you're a parti. The absence of vices is hardly a source of income. "Pardon me, I think it may be," said Rosier quite lucidly. "You'll be a touching couple, living on your innocence!" "I think you underrate me." "You're not so innocent as that? Seriously," said Madame Merle, "of course forty thousand francs a year and a nice character are a combination to be considered. I don't say it's to be jumped at, but there might be a worse offer. Mr. Osmond, however, will probably incline to believe he can do better." "HE can do so perhaps; but what can his daughter do? She can't do better than marry the man she loves. For she does, you know," Rosier added eagerly. "She does--I know it." "Ah," cried the young man, "I said you were the person to come to." "But I don't know how you know it, if you haven't asked her," Madame Merle went on. "In such a case there's no need of asking and telling; as you say, we're an innocent couple. How did YOU know it?" "I who am not innocent? By being very crafty. Leave it to me; I'll find out for you." Rosier got up and stood smoothing his hat. "You say that rather coldly. Don't simply find out how it is, but try to make it as it should be." "I'll do my best. I'll try to make the most of your advantages." "Thank you so very much. Meanwhile then I'll say a word to Mrs. Osmond." "Gardez-vous-en bien!" And Madame Merle was on her feet. "Don't set her going, or you'll spoil everything." Rosier gazed into his hat; he wondered whether his hostess HAD been after all the right person to come to. "I don't think I understand you. I'm an old friend of Mrs. Osmond, and I think she would like me to succeed." "Be an old friend as much as you like; the more old friends she has the better, for she doesn't get on very well with some of her new. But don't for the present try to make her take up the cudgels for you. Her husband may have other views, and, as a person who wishes her well, I advise you not to multiply points of difference between them." Poor Rosier's face assumed an expression of alarm; a suit for the hand of Pansy Osmond was even a more complicated business than his taste for proper transitions had allowed. But the extreme good sense which he concealed under a surface suggesting that of a careful owner's "best set" came to his assistance. "I don't see that I'm bound to consider Mr. Osmond so very much!" he exclaimed. "No, but you should consider HER. You say you're an old friend. Would you make her suffer?" "Not for the world." "Then be very careful, and let the matter alone till I've taken a few soundings." "Let the matter alone, dear Madame Merle? Remember that I'm in love." "Oh, you won't burn up! Why did you come to me, if you're not to heed what I say?" "You're very kind; I'll be very good," the young man promised. "But I'm afraid Mr. Osmond's pretty hard," he added in his mild voice as he went to the door. Madame Merle gave a short laugh. "It has been said before. But his wife isn't easy either." "Ah, she's a splendid woman!" Ned Rosier repeated, for departure. He resolved that his conduct should be worthy of an aspirant who was already a model of discretion; but he saw nothing in any pledge he had given Madame Merle that made it improper he should keep himself in spirits by an occasional visit to Miss Osmond's home. He reflected constantly on what his adviser had said to him, and turned over in his mind the impression of her rather circumspect tone. He had gone to her de confiance, as they put it in Paris; but it was possible he had been precipitate. He found difficulty in thinking of himself as rash--he had incurred this reproach so rarely; but it certainly was true that he had known Madame Merle only for the last month, and that his thinking her a delightful woman was not, when one came to look into it, a reason for assuming that she would be eager to push Pansy Osmond into his arms, gracefully arranged as these members might be to receive her. She had indeed shown him benevolence, and she was a person of consideration among the girl's people, where she had a rather striking appearance (Rosier had more than once wondered how she managed it) of being intimate without being familiar. But possibly he had exaggerated these advantages. There was no particular reason why she should take trouble for him; a charming woman was charming to every one, and Rosier felt rather a fool when he thought of his having appealed to her on the ground that she had distinguished him. Very likely--though she had appeared to say it in joke--she was really only thinking of his bibelots. Had it come into her head that he might offer her two or three of the gems of his collection? If she would only help him to marry Miss Osmond he would present her with his whole museum. He could hardly say so to her outright; it would seem too gross a bribe. But he should like her to believe it. It was with these thoughts that he went again to Mrs. Osmond's, Mrs. Osmond having an "evening"--she had taken the Thursday of each week--when his presence could be accounted for on general principles of civility. The object of Mr. Rosier's well-regulated affection dwelt in a high house in the very heart of Rome; a dark and massive structure overlooking a sunny piazzetta in the neighbourhood of the Farnese Palace. In a palace, too, little Pansy lived--a palace by Roman measure, but a dungeon to poor Rosier's apprehensive mind. It seemed to him of evil omen that the young lady he wished to marry, and whose fastidious father he doubted of his ability to conciliate, should be immured in a kind of domestic fortress, a pile which bore a stern old Roman name, which smelt of historic deeds, of crime and craft and violence, which was mentioned in "Murray" and visited by tourists who looked, on a vague survey, disappointed and depressed, and which had frescoes by Caravaggio in the piano nobile and a row of mutilated statues and dusty urns in the wide, nobly-arched loggia overhanging the damp court where a fountain gushed out of a mossy niche. In a less preoccupied frame of mind he could have done justice to the Palazzo Roccanera; he could have entered into the sentiment of Mrs. Osmond, who had once told him that on settling themselves in Rome she and her husband had chosen this habitation for the love of local colour. It had local colour enough, and though he knew less about architecture than about Limoges enamels he could see that the proportions of the windows and even the details of the cornice had quite the grand air. But Rosier was haunted by the conviction that at picturesque periods young girls had been shut up there to keep them from their true loves, and then, under the threat of being thrown into convents, had been forced into unholy marriages. There was one point, however, to which he always did justice when once he found himself in Mrs. Osmond's warm, rich-looking reception-rooms, which were on the second floor. He acknowledged that these people were very strong in "good things." It was a taste of Osmond's own--not at all of hers; this she had told him the first time he came to the house, when, after asking himself for a quarter of an hour whether they had even better "French" than he in Paris, he was obliged on the spot to admit that they had, very much, and vanquished his envy, as a gentleman should, to the point of expressing to his hostess his pure admiration of her treasures. He learned from Mrs. Osmond that her husband had made a large collection before their marriage and that, though he had annexed a number of fine pieces within the last three years, he had achieved his greatest finds at a time when he had not the advantage of her advice. Rosier interpreted this information according to principles of his own. For "advice" read "cash," he said to himself; and the fact that Gilbert Osmond had landed his highest prizes during his impecunious season confirmed his most cherished doctrine--the doctrine that a collector may freely be poor if he be only patient. In general, when Rosier presented himself on a Thursday evening, his first recognition was for the walls of the saloon; there were three or four objects his eyes really yearned for. But after his talk with Madame Merle he felt the extreme seriousness of his position; and now, when he came in, he looked about for the daughter of the house with such eagerness as might be permitted a gentleman whose smile, as he crossed a threshold, always took everything comfortable for granted.

Chapter 36

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-36

It is the autumn of 1876, some three years later. Edward Rosier calls upon Madame Merle in Rome to ask her for a favor. Rosier is in love with Pansy, and asks for Madame Merle's influence in recommending him to Mr. and Mrs. Osmond. Rosier loves Pansy for her perfection. He is a collector of art as well, but we don't get the same creepy voyeur feeling from him that we get from Osmond. Mr. Rosier admires Madame Merle's own collection of beautiful objects. For some reason, the guileless Rosier thinks that Madame Merle likes him. She makes him doubt it, since she puts on a charming exterior for everyone. Madame Merle jokes that she will help him in exchange for some of his elegant pieces from the era of Louis Quatorze. Rosier, who isn't exactly quick on the uptake, figures that she might be serious, but he's undaunted - he would give her all of his art collection in order to marry Pansy. Madame Merle agrees to help Rosier, although she insists that he not ask Isabel for help at all. Rosier thinks that this weird, and wonders if he has come to the right person for help. Rosier says that he makes forty thousand francs a year, and it's okay if Pansy has no dowry to give. Madame Merle suggests that Isabel, now known exclusively as Mrs. Osmond, has a good deal of money, but that she may keep it for her own children, if she has them. Apparently, Isabel did have a son a couple of years ago, but he died as an infant. Madame Merle admits that she knows Pansy loves Rosier. Rosier leaves, thinking about how splendid Isabel is. Rosier visits the Palazzo Roccanera, the beautiful but menacing fortress-like castle that Isabel, Osmond, and Pansy live in. Ned thinks of how dungeon-like the place looks. Isabel had told him that they picked it for its "local colour," but he romantically thinks that it resembles a prison, in which young girls were kept from their true loves. Isabel had also told Ned that all of the fine art pieces in the house were selected by Osmond, and that she had no say in it whatsoever. Osmond had bought most of the pieces before he met Isabel; to Rosier, this means that an art collector can be successful even without a lot of money.

shmoop

all_chapterized_books/2833-chapters/37.txt

finished_summaries/shmoop/The Portrait of a Lady/section_36_part_0.txt

The Portrait of a Lady.chapter 37

chapter 37

{"name": "Chapter 37", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-37", "summary": "Rosier goes to greet Osmond, who is standing by the fireplace. Osmond is insufferably rude to him, and suggests crudely that he has nothing in his collection that he wants to match - including Pansy. Rosier implies to Isabel that he is interested in Pansy. He wonders if he has gone against his promise to Madame Merle about not saying a word to Isabel. Rosier goes near Pansy. Once people have left the room, the two talk alone. He tells Pansy that he likes her, and asks if she likes him in return. Pansy, who's adorably shy, admits that she does. Madame Merle arrives in the other room. Everyone in attendance can sense it, because she carries a quietness about her that spreads. Madame Merle talks with Osmond. She has already told him about Rosier's intentions toward Pansy. Osmond clearly does not approve of him, and tells Madame Merle to make it clear that Rosier should forget about Pansy. Madame Merle plans to be less abrupt with Rosier, figuring that he could be of use later. Pansy and Rosier enter the room; it's obvious that something has happened between them. These kids are about as guileful as newborn puppies. Madame Merle can instantly tell that Rosier has spoken with Pansy. Rosier tells Madame Merle that he told Pansy. Madame Merle tells him to meet her at 5:15 the next day. Rosier appeals to Isabel, but Isabel tells him that Osmond cares too much for money to let him marry Pansy. Rosier, frustrated with how things are going for him, makes an uncharacteristically rude comment, saying that it is obvious that Osmond cares a lot for money . Isabel is offended and walks off. Rosier approaches her again and apologizes. Isabel says that she cannot help him.", "analysis": ""}

Pansy was not in the first of the rooms, a large apartment with a concave ceiling and walls covered with old red damask; it was here Mrs. Osmond usually sat--though she was not in her most customary place to-night--and that a circle of more especial intimates gathered about the fire. The room was flushed with subdued, diffused brightness; it contained the larger things and--almost always--an odour of flowers. Pansy on this occasion was presumably in the next of the series, the resort of younger visitors, where tea was served. Osmond stood before the chimney, leaning back with his hands behind him; he had one foot up and was warming the sole. Half a dozen persons, scattered near him, were talking together; but he was not in the conversation; his eyes had an expression, frequent with them, that seemed to represent them as engaged with objects more worth their while than the appearances actually thrust upon them. Rosier, coming in unannounced, failed to attract his attention; but the young man, who was very punctilious, though he was even exceptionally conscious that it was the wife, not the husband, he had come to see, went up to shake hands with him. Osmond put out his left hand, without changing his attitude. "How d'ye do? My wife's somewhere about." "Never fear; I shall find her," said Rosier cheerfully. Osmond, however, took him in; he had never in his life felt himself so efficiently looked at. "Madame Merle has told him, and he doesn't like it," he privately reasoned. He had hoped Madame Merle would be there, but she was not in sight; perhaps she was in one of the other rooms or would come later. He had never especially delighted in Gilbert Osmond, having a fancy he gave himself airs. But Rosier was not quickly resentful, and where politeness was concerned had ever a strong need of being quite in the right. He looked round him and smiled, all without help, and then in a moment, "I saw a jolly good piece of Capo di Monte to-day," he said. Osmond answered nothing at first; but presently, while he warmed his boot-sole, "I don't care a fig for Capo di Monte!" he returned. "I hope you're not losing your interest?" "In old pots and plates? Yes, I'm losing my interest." Rosier for an instant forgot the delicacy of his position. "You're not thinking of parting with a--a piece or two?" "No, I'm not thinking of parting with anything at all, Mr. Rosier," said Osmond, with his eyes still on the eyes of his visitor. "Ah, you want to keep, but not to add," Rosier remarked brightly. "Exactly. I've nothing I wish to match." Poor Rosier was aware he had blushed; he was distressed at his want of assurance. "Ah, well, I have!" was all he could murmur; and he knew his murmur was partly lost as he turned away. He took his course to the adjoining room and met Mrs. Osmond coming out of the deep doorway. She was dressed in black velvet; she looked high and splendid, as he had said, and yet oh so radiantly gentle! We know what Mr. Rosier thought of her and the terms in which, to Madame Merle, he had expressed his admiration. Like his appreciation of her dear little stepdaughter it was based partly on his eye for decorative character, his instinct for authenticity; but also on a sense for uncatalogued values, for that secret of a "lustre" beyond any recorded losing or rediscovering, which his devotion to brittle wares had still not disqualified him to recognise. Mrs. Osmond, at present, might well have gratified such tastes. The years had touched her only to enrich her; the flower of her youth had not faded, it only hung more quietly on its stem. She had lost something of that quick eagerness to which her husband had privately taken exception--she had more the air of being able to wait. Now, at all events, framed in the gilded doorway, she struck our young man as the picture of a gracious lady. "You see I'm very regular," he said. "But who should be if I'm not?" "Yes, I've known you longer than any one here. But we mustn't indulge in tender reminiscences. I want to introduce you to a young lady." "Ah, please, what young lady?" Rosier was immensely obliging; but this was not what he had come for. "She sits there by the fire in pink and has no one to speak to." Rosier hesitated a moment. "Can't Mr. Osmond speak to her? He's within six feet of her." Mrs. Osmond also hesitated. "She's not very lively, and he doesn't like dull people." "But she's good enough for me? Ah now, that's hard!" "I only mean that you've ideas for two. And then you're so obliging." "No, he's not--to me." And Mrs. Osmond vaguely smiled. "That's a sign he should be doubly so to other women. "So I tell him," she said, still smiling. "You see I want some tea," Rosier went on, looking wistfully beyond. "That's perfect. Go and give some to my young lady." "Very good; but after that I'll abandon her to her fate. The simple truth is I'm dying to have a little talk with Miss Osmond." "Ah," said Isabel, turning away, "I can't help you there!" Five minutes later, while he handed a tea-cup to the damsel in pink, whom he had conducted into the other room, he wondered whether, in making to Mrs. Osmond the profession I have just quoted, he had broken the spirit of his promise to Madame Merle. Such a question was capable of occupying this young man's mind for a considerable time. At last, however, he became--comparatively speaking--reckless; he cared little what promises he might break. The fate to which he had threatened to abandon the damsel in pink proved to be none so terrible; for Pansy Osmond, who had given him the tea for his companion--Pansy was as fond as ever of making tea--presently came and talked to her. Into this mild colloquy Edward Rosier entered little; he sat by moodily, watching his small sweetheart. If we look at her now through his eyes we shall at first not see much to remind us of the obedient little girl who, at Florence, three years before, was sent to walk short distances in the Cascine while her father and Miss Archer talked together of matters sacred to elder people. But after a moment we shall perceive that if at nineteen Pansy has become a young lady she doesn't really fill out the part; that if she has grown very pretty she lacks in a deplorable degree the quality known and esteemed in the appearance of females as style; and that if she is dressed with great freshness she wears her smart attire with an undisguised appearance of saving it--very much as if it were lent her for the occasion. Edward Rosier, it would seem, would have been just the man to note these defects; and in point of fact there was not a quality of this young lady, of any sort, that he had not noted. Only he called her qualities by names of his own--some of which indeed were happy enough. "No, she's unique--she's absolutely unique," he used to say to himself; and you may be sure that not for an instant would he have admitted to you that she was wanting in style. Style? Why, she had the style of a little princess; if you couldn't see it you had no eye. It was not modern, it was not conscious, it would produce no impression in Broadway; the small, serious damsel, in her stiff little dress, only looked like an Infanta of Velasquez. This was enough for Edward Rosier, who thought her delightfully old-fashioned. Her anxious eyes, her charming lips, her slip of a figure, were as touching as a childish prayer. He had now an acute desire to know just to what point she liked him--a desire which made him fidget as he sat in his chair. It made him feel hot, so that he had to pat his forehead with his handkerchief; he had never been so uncomfortable. She was such a perfect jeune fille, and one couldn't make of a jeune fille the enquiry requisite for throwing light on such a point. A jeune fille was what Rosier had always dreamed of--a jeune fille who should yet not be French, for he had felt that this nationality would complicate the question. He was sure Pansy had never looked at a newspaper and that, in the way of novels, if she had read Sir Walter Scott it was the very most. An American jeune fille--what could be better than that? She would be frank and gay, and yet would not have walked alone, nor have received letters from men, nor have been taken to the theatre to see the comedy of manners. Rosier could not deny that, as the matter stood, it would be a breach of hospitality to appeal directly to this unsophisticated creature; but he was now in imminent danger of asking himself if hospitality were the most sacred thing in the world. Was not the sentiment that he entertained for Miss Osmond of infinitely greater importance? Of greater importance to him--yes; but not probably to the master of the house. There was one comfort; even if this gentleman had been placed on his guard by Madame Merle he would not have extended the warning to Pansy; it would not have been part of his policy to let her know that a prepossessing young man was in love with her. But he WAS in love with her, the prepossessing young man; and all these restrictions of circumstance had ended by irritating him. What had Gilbert Osmond meant by giving him two fingers of his left hand? If Osmond was rude, surely he himself might be bold. He felt extremely bold after the dull girl in so vain a disguise of rose-colour had responded to the call of her mother, who came in to say, with a significant simper at Rosier, that she must carry her off to other triumphs. The mother and daughter departed together, and now it depended only upon him that he should be virtually alone with Pansy. He had never been alone with her before; he had never been alone with a jeune fille. It was a great moment; poor Rosier began to pat his forehead again. There was another room beyond the one in which they stood--a small room that had been thrown open and lighted, but that, the company not being numerous, had remained empty all the evening. It was empty yet; it was upholstered in pale yellow; there were several lamps; through the open door it looked the very temple of authorised love. Rosier gazed a moment through this aperture; he was afraid that Pansy would run away, and felt almost capable of stretching out a hand to detain her. But she lingered where the other maiden had left them, making no motion to join a knot of visitors on the far side of the room. For a little it occurred to him that she was frightened--too frightened perhaps to move; but a second glance assured him she was not, and he then reflected that she was too innocent indeed for that. After a supreme hesitation he asked her if he might go and look at the yellow room, which seemed so attractive yet so virginal. He had been there already with Osmond, to inspect the furniture, which was of the First French Empire, and especially to admire the clock (which he didn't really admire), an immense classic structure of that period. He therefore felt that he had now begun to manoeuvre. "Certainly, you may go," said Pansy; "and if you like I'll show you." She was not in the least frightened. "That's just what I hoped you'd say; you're so very kind," Rosier murmured. They went in together; Rosier really thought the room very ugly, and it seemed cold. The same idea appeared to have struck Pansy. "It's not for winter evenings; it's more for summer," she said. "It's papa's taste; he has so much." He had a good deal, Rosier thought; but some of it was very bad. He looked about him; he hardly knew what to say in such a situation. "Doesn't Mrs. Osmond care how her rooms are done? Has she no taste?" he asked. "Oh yes, a great deal; but it's more for literature," said Pansy--"and for conversation. But papa cares also for those things. I think he knows everything." Rosier was silent a little. "There's one thing I'm sure he knows!" he broke out presently. "He knows that when I come here it's, with all respect to him, with all respect to Mrs. Osmond, who's so charming--it's really," said the young man, "to see you!" "To see me?" And Pansy raised her vaguely troubled eyes. "To see you; that's what I come for," Rosier repeated, feeling the intoxication of a rupture with authority. Pansy stood looking at him, simply, intently, openly; a blush was not needed to make her face more modest. "I thought it was for that." "And it was not disagreeable to you?" "I couldn't tell; I didn't know. You never told me," said Pansy. "I was afraid of offending you." "You don't offend me," the young girl murmured, smiling as if an angel had kissed her. "You like me then, Pansy?" Rosier asked very gently, feeling very happy. "Yes--I like you." They had walked to the chimney-piece where the big cold Empire clock was perched; they were well within the room and beyond observation from without. The tone in which she had said these four words seemed to him the very breath of nature, and his only answer could be to take her hand and hold it a moment. Then he raised it to his lips. She submitted, still with her pure, trusting smile, in which there was something ineffably passive. She liked him--she had liked him all the while; now anything might happen! She was ready--she had been ready always, waiting for him to speak. If he had not spoken she would have waited for ever; but when the word came she dropped like the peach from the shaken tree. Rosier felt that if he should draw her toward him and hold her to his heart she would submit without a murmur, would rest there without a question. It was true that this would be a rash experiment in a yellow Empire salottino. She had known it was for her he came, and yet like what a perfect little lady she had carried it off! "You're very dear to me," he murmured, trying to believe that there was after all such a thing as hospitality. She looked a moment at her hand, where he had kissed it. "Did you say papa knows?" "You told me just now he knows everything." "I think you must make sure," said Pansy. "Ah, my dear, when once I'm sure of YOU!" Rosier murmured in her ear; whereupon she turned back to the other rooms with a little air of consistency which seemed to imply that their appeal should be immediate. The other rooms meanwhile had become conscious of the arrival of Madame Merle, who, wherever she went, produced an impression when she entered. How she did it the most attentive spectator could not have told you, for she neither spoke loud, nor laughed profusely, nor moved rapidly, nor dressed with splendour, nor appealed in any appreciable manner to the audience. Large, fair, smiling, serene, there was something in her very tranquillity that diffused itself, and when people looked round it was because of a sudden quiet. On this occasion she had done the quietest thing she could do; after embracing Mrs. Osmond, which was more striking, she had sat down on a small sofa to commune with the master of the house. There was a brief exchange of commonplaces between these two--they always paid, in public, a certain formal tribute to the commonplace--and then Madame Merle, whose eyes had been wandering, asked if little Mr. Rosier had come this evening. "He came nearly an hour ago--but he has disappeared," Osmond said. "And where's Pansy?" "In the other room. There are several people there." "He's probably among them," said Madame Merle. "Do you wish to see him?" Osmond asked in a provokingly pointless tone. Madame Merle looked at him a moment; she knew each of his tones to the eighth of a note. "Yes, I should like to say to him that I've told you what he wants, and that it interests you but feebly." "Don't tell him that. He'll try to interest me more--which is exactly what I don't want. Tell him I hate his proposal." "But you don't hate it." "It doesn't signify; I don't love it. I let him see that, myself, this evening; I was rude to him on purpose. That sort of thing's a great bore. There's no hurry." "I'll tell him that you'll take time and think it over." "No, don't do that. He'll hang on." "If I discourage him he'll do the same." "Yes, but in the one case he'll try to talk and explain--which would be exceedingly tiresome. In the other he'll probably hold his tongue and go in for some deeper game. That will leave me quiet. I hate talking with a donkey." "Is that what you call poor Mr. Rosier?" "Oh, he's a nuisance--with his eternal majolica." Madame Merle dropped her eyes; she had a faint smile. "He's a gentleman, he has a charming temper; and, after all, an income of forty thousand francs!" "It's misery--'genteel' misery," Osmond broke in. "It's not what I've dreamed of for Pansy." "Very good then. He has promised me not to speak to her." "Do you believe him?" Osmond asked absentmindedly. "Perfectly. Pansy has thought a great deal about him; but I don't suppose you consider that that matters." "I don't consider it matters at all; but neither do I believe she has thought of him." "That opinion's more convenient," said Madame Merle quietly. "Has she told you she's in love with him?" "For what do you take her? And for what do you take me?" Madame Merle added in a moment. Osmond had raised his foot and was resting his slim ankle on the other knee; he clasped his ankle in his hand familiarly--his long, fine forefinger and thumb could make a ring for it--and gazed a while before him. "This kind of thing doesn't find me unprepared. It's what I educated her for. It was all for this--that when such a case should come up she should do what I prefer." "I'm not afraid that she'll not do it." "Well then, where's the hitch?" "I don't see any. But, all the same, I recommend you not to get rid of Mr. Rosier. Keep him on hand; he may be useful." "I can't keep him. Keep him yourself." "Very good; I'll put him into a corner and allow him so much a day." Madame Merle had, for the most part, while they talked, been glancing about her; it was her habit in this situation, just as it was her habit to interpose a good many blank-looking pauses. A long drop followed the last words I have quoted; and before it had ended she saw Pansy come out of the adjoining room, followed by Edward Rosier. The girl advanced a few steps and then stopped and stood looking at Madame Merle and at her father. "He has spoken to her," Madame Merle went on to Osmond. Her companion never turned his head. "So much for your belief in his promises. He ought to be horsewhipped." "He intends to confess, poor little man!" Osmond got up; he had now taken a sharp look at his daughter. "It doesn't matter," he murmured, turning away. Pansy after a moment came up to Madame Merle with her little manner of unfamiliar politeness. This lady's reception of her was not more intimate; she simply, as she rose from the sofa, gave her a friendly smile. "You're very late," the young creature gently said. "My dear child, I'm never later than I intend to be." Madame Merle had not got up to be gracious to Pansy; she moved toward Edward Rosier. He came to meet her and, very quickly, as if to get it off his mind, "I've spoken to her!" he whispered. "I know it, Mr. Rosier." "Did she tell you?" "Yes, she told me. Behave properly for the rest of the evening, and come and see me to-morrow at a quarter past five." She was severe, and in the manner in which she turned her back to him there was a degree of contempt which caused him to mutter a decent imprecation. He had no intention of speaking to Osmond; it was neither the time nor the place. But he instinctively wandered toward Isabel, who sat talking with an old lady. He sat down on the other side of her; the old lady was Italian, and Rosier took for granted she understood no English. "You said just now you wouldn't help me," he began to Mrs. Osmond. "Perhaps you'll feel differently when you know--when you know--!" Isabel met his hesitation. "When I know what?" "That she's all right." "What do you mean by that?" "Well, that we've come to an understanding." "She's all wrong," said Isabel. "It won't do." Poor Rosier gazed at her half-pleadingly, half-angrily; a sudden flush testified to his sense of injury. "I've never been treated so," he said. "What is there against me, after all? That's not the way I'm usually considered. I could have married twenty times." "It's a pity you didn't. I don't mean twenty times, but once, comfortably," Isabel added, smiling kindly. "You're not rich enough for Pansy." "She doesn't care a straw for one's money." "No, but her father does." "Ah yes, he has proved that!" cried the young man. Isabel got up, turning away from him, leaving her old lady without ceremony; and he occupied himself for the next ten minutes in pretending to look at Gilbert Osmond's collection of miniatures, which were neatly arranged on a series of small velvet screens. But he looked without seeing; his cheek burned; he was too full of his sense of injury. It was certain that he had never been treated that way before; he was not used to being thought not good enough. He knew how good he was, and if such a fallacy had not been so pernicious he could have laughed at it. He searched again for Pansy, but she had disappeared, and his main desire was now to get out of the house. Before doing so he spoke once more to Isabel; it was not agreeable to him to reflect that he had just said a rude thing to her--the only point that would now justify a low view of him. "I referred to Mr. Osmond as I shouldn't have done, a while ago," he began. "But you must remember my situation." "I don't remember what you said," she answered coldly. "Ah, you're offended, and now you'll never help me." She was silent an instant, and then with a change of tone: "It's not that I won't; I simply can't!" Her manner was almost passionate. "If you COULD, just a little, I'd never again speak of your husband save as an angel." "The inducement's great," said Isabel gravely--inscrutably, as he afterwards, to himself, called it; and she gave him, straight in the eyes, a look which was also inscrutable. It made him remember somehow that he had known her as a child; and yet it was keener than he liked, and he took himself off.

Chapter 37

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-37

Rosier goes to greet Osmond, who is standing by the fireplace. Osmond is insufferably rude to him, and suggests crudely that he has nothing in his collection that he wants to match - including Pansy. Rosier implies to Isabel that he is interested in Pansy. He wonders if he has gone against his promise to Madame Merle about not saying a word to Isabel. Rosier goes near Pansy. Once people have left the room, the two talk alone. He tells Pansy that he likes her, and asks if she likes him in return. Pansy, who's adorably shy, admits that she does. Madame Merle arrives in the other room. Everyone in attendance can sense it, because she carries a quietness about her that spreads. Madame Merle talks with Osmond. She has already told him about Rosier's intentions toward Pansy. Osmond clearly does not approve of him, and tells Madame Merle to make it clear that Rosier should forget about Pansy. Madame Merle plans to be less abrupt with Rosier, figuring that he could be of use later. Pansy and Rosier enter the room; it's obvious that something has happened between them. These kids are about as guileful as newborn puppies. Madame Merle can instantly tell that Rosier has spoken with Pansy. Rosier tells Madame Merle that he told Pansy. Madame Merle tells him to meet her at 5:15 the next day. Rosier appeals to Isabel, but Isabel tells him that Osmond cares too much for money to let him marry Pansy. Rosier, frustrated with how things are going for him, makes an uncharacteristically rude comment, saying that it is obvious that Osmond cares a lot for money . Isabel is offended and walks off. Rosier approaches her again and apologizes. Isabel says that she cannot help him.

shmoop

all_chapterized_books/2833-chapters/38.txt

finished_summaries/shmoop/The Portrait of a Lady/section_37_part_0.txt

The Portrait of a Lady.chapter 38

chapter 38

{"name": "Chapter 38", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-38", "summary": "Madame Merle again convinces Rosier to be patient, and to only call on Pansy on Thursday evenings, when the Osmonds have a sort of open house for all of their acquaintances. On such a Thursday, Rosier goes to the Osmonds' and greets Gilbert Osmond again. Once more, Osmond is a perfectly rude you-know-what. Osmond finds out that Rosier has been taking advice from Madame Merle, and warns him that she does not always know Osmond's mind. Rosier tries to convince Osmond that his daughter loves him as much as he loves her, but Osmond doesn't care. He coldly states that Pansy will feel whatever Osmond wants her to feel. Rosier talks with Isabel next. Isabel pretends not to care about his pursuit of Pansy. Osmond presents Isabel with a visiting friend: the ubiquitous Lord Warburton. Osmond stays long enough to have some superficial conversation with his wife and her old friend. Then, he leaves the two of them alone. Rosier, left to his own puppy-like devices, goes on to find Pansy. Lord Warburton tells Isabel that he accompanied Ralph to Rome , and that they will be around for a while. He also tells Isabel that Ralph's health is much worse, and he hopes she'll come to visit him soon. Isabel is prepared to leave immediately, but Lord Warburton tells her that the next morning will be fine. Lately, Ralph's health has been declining rapidly. He had been staying alone at Gardencourt, but it wasn't good for him. Mrs. Touchett is in America, and, as is her way, won't let anything ruin her trip, not even her son's illness. Isabel has read that Lord Warburton is something of a political big-shot. She has read in the papers about his radical stance. Isabel is relieved that Lord Warburton does not make any mention of their unsuccessful romantic past. Lord Warburton asks if Isabel is happy, and, after some stalling, she replies that she is very happy. Isabel suggests that she is more accommodating now, and that she will accept other people's ideas and proposals. Isabel offers to introduce Lord Warburton to people, but he says that the only person who captures his fancy is a certain small, dainty maiden: Pansy. Lord Warburton comments that marriage has not changed Isabel as much as he had thought. Isabel voices her surprise at the fact that Lord Warburton has yet to marry. He says that he still hopes to. Pansy has been talking with Rosier all the while, and asks who Lord Warburton is. Rosier knows nothing other than his rank as a lord. Pansy says that she will not disobey her father's wishes; however, she loves Rosier as much as she loves her father. Rosier worries that her father will change Pansy's mind, but Pansy claims that will never happen. She will ask Isabel for help. She seems to have great faith in the powers of her step-mother. Ned worries that Isabel won't do anything because she is afraid of Osmond. Pansy states that Isabel is not afraid of anything.... We hope that she's right. Pansy curtseys to Lord Warburton from across the room.", "analysis": ""}

He went to see Madame Merle on the morrow, and to his surprise she let him off rather easily. But she made him promise that he would stop there till something should have been decided. Mr. Osmond had had higher expectations; it was very true that as he had no intention of giving his daughter a portion such expectations were open to criticism or even, if one would, to ridicule. But she would advise Mr. Rosier not to take that tone; if he would possess his soul in patience he might arrive at his felicity. Mr. Osmond was not favourable to his suit, but it wouldn't be a miracle if he should gradually come round. Pansy would never defy her father, he might depend on that; so nothing was to be gained by precipitation. Mr. Osmond needed to accustom his mind to an offer of a sort that he had not hitherto entertained, and this result must come of itself--it was useless to try to force it. Rosier remarked that his own situation would be in the meanwhile the most uncomfortable in the world, and Madame Merle assured him that she felt for him. But, as she justly declared, one couldn't have everything one wanted; she had learned that lesson for herself. There would be no use in his writing to Gilbert Osmond, who had charged her to tell him as much. He wished the matter dropped for a few weeks and would himself write when he should have anything to communicate that it might please Mr. Rosier to hear. "He doesn't like your having spoken to Pansy, Ah, he doesn't like it at all," said Madame Merle. "I'm perfectly willing to give him a chance to tell me so!" "If you do that he'll tell you more than you care to hear. Go to the house, for the next month, as little as possible, and leave the rest to me." "As little as possible? Who's to measure the possibility?" "Let me measure it. Go on Thursday evenings with the rest of the world, but don't go at all at odd times, and don't fret about Pansy. I'll see that she understands everything. She's a calm little nature; she'll take it quietly." Edward Rosier fretted about Pansy a good deal, but he did as he was advised, and awaited another Thursday evening before returning to Palazzo Roccanera. There had been a party at dinner, so that though he went early the company was already tolerably numerous. Osmond, as usual, was in the first room, near the fire, staring straight at the door, so that, not to be distinctly uncivil, Rosier had to go and speak to him. "I'm glad that you can take a hint," Pansy's father said, slightly closing his keen, conscious eyes. "I take no hints. But I took a message, as I supposed it to be." "You took it? Where did you take it?" It seemed to poor Rosier he was being insulted, and he waited a moment, asking himself how much a true lover ought to submit to. "Madame Merle gave me, as I understood it, a message from you--to the effect that you declined to give me the opportunity I desire, the opportunity to explain my wishes to you." And he flattered himself he spoke rather sternly. "I don't see what Madame Merle has to do with it. Why did you apply to Madame Merle?" "I asked her for an opinion--for nothing more. I did so because she had seemed to me to know you very well." "She doesn't know me so well as she thinks," said Osmond. "I'm sorry for that, because she has given me some little ground for hope." Osmond stared into the fire a moment. "I set a great price on my daughter." "You can't set a higher one than I do. Don't I prove it by wishing to marry her?" "I wish to marry her very well," Osmond went on with a dry impertinence which, in another mood, poor Rosier would have admired. "Of course I pretend she'd marry well in marrying me. She couldn't marry a man who loves her more--or whom, I may venture to add, she loves more." "I'm not bound to accept your theories as to whom my daughter loves"--and Osmond looked up with a quick, cold smile. "I'm not theorising. Your daughter has spoken." "Not to me," Osmond continued, now bending forward a little and dropping his eyes to his boot-toes. "I have her promise, sir!" cried Rosier with the sharpness of exasperation. As their voices had been pitched very low before, such a note attracted some attention from the company. Osmond waited till this little movement had subsided; then he said, all undisturbed: "I think she has no recollection of having given it." They had been standing with their faces to the fire, and after he had uttered these last words the master of the house turned round again to the room. Before Rosier had time to reply he perceived that a gentleman--a stranger--had just come in, unannounced, according to the Roman custom, and was about to present himself to his host. The latter smiled blandly, but somewhat blankly; the visitor had a handsome face and a large, fair beard, and was evidently an Englishman. "You apparently don't recognise me," he said with a smile that expressed more than Osmond's. "Ah yes, now I do. I expected so little to see you." Rosier departed and went in direct pursuit of Pansy. He sought her, as usual, in the neighbouring room, but he again encountered Mrs. Osmond in his path. He gave his hostess no greeting--he was too righteously indignant, but said to her crudely: "Your husband's awfully cold-blooded." She gave the same mystical smile he had noticed before. "You can't expect every one to be as hot as yourself." "I don't pretend to be cold, but I'm cool. What has he been doing to his daughter?" "I've no idea." "Don't you take any interest?" Rosier demanded with his sense that she too was irritating. For a moment she answered nothing; then, "No!" she said abruptly and with a quickened light in her eyes which directly contradicted the word. "Pardon me if I don't believe that. Where's Miss Osmond?" "In the corner, making tea. Please leave her there." Rosier instantly discovered his friend, who had been hidden by intervening groups. He watched her, but her own attention was entirely given to her occupation. "What on earth has he done to her?" he asked again imploringly. "He declares to me she has given me up." "She has not given you up," Isabel said in a low tone and without looking at him. "Ah, thank you for that! Now I'll leave her alone as long as you think proper!" He had hardly spoken when he saw her change colour, and became aware that Osmond was coming toward her accompanied by the gentleman who had just entered. He judged the latter, in spite of the advantage of good looks and evident social experience, a little embarrassed. "Isabel," said her husband, "I bring you an old friend." Mrs. Osmond's face, though it wore a smile, was, like her old friend's, not perfectly confident. "I'm very happy to see Lord Warburton," she said. Rosier turned away and, now that his talk with her had been interrupted, felt absolved from the little pledge he had just taken. He had a quick impression that Mrs. Osmond wouldn't notice what he did. Isabel in fact, to do him justice, for some time quite ceased to observe him. She had been startled; she hardly knew if she felt a pleasure or a pain. Lord Warburton, however, now that he was face to face with her, was plainly quite sure of his own sense of the matter; though his grey eyes had still their fine original property of keeping recognition and attestation strictly sincere. He was "heavier" than of yore and looked older; he stood there very solidly and sensibly. "I suppose you didn't expect to see me," he said; "I've but just arrived. Literally, I only got here this evening. You see I've lost no time in coming to pay you my respects. I knew you were at home on Thursdays." "You see the fame of your Thursdays has spread to England," Osmond remarked to his wife. "It's very kind of Lord Warburton to come so soon; we're greatly flattered," Isabel said. "Ah well, it's better than stopping in one of those horrible inns," Osmond went on. "The hotel seems very good; I think it's the same at which I saw you four years since. You know it was here in Rome that we first met; it's a long time ago. Do you remember where I bade you good-bye?" his lordship asked of his hostess. "It was in the Capitol, in the first room." "I remember that myself," said Osmond. "I was there at the time." "Yes, I remember you there. I was very sorry to leave Rome--so sorry that, somehow or other, it became almost a dismal memory, and I've never cared to come back till to-day. But I knew you were living here," her old friend went on to Isabel, "and I assure you I've often thought of you. It must be a charming place to live in," he added with a look, round him, at her established home, in which she might have caught the dim ghost of his old ruefulness. "We should have been glad to see you at any time," Osmond observed with propriety. "Thank you very much. I haven't been out of England since then. Till a month ago I really supposed my travels over." "I've heard of you from time to time," said Isabel, who had already, with her rare capacity for such inward feats, taken the measure of what meeting him again meant for her. "I hope you've heard no harm. My life has been a remarkably complete blank." "Like the good reigns in history," Osmond suggested. He appeared to think his duties as a host now terminated--he had performed them so conscientiously. Nothing could have been more adequate, more nicely measured, than his courtesy to his wife's old friend. It was punctilious, it was explicit, it was everything but natural--a deficiency which Lord Warburton, who, himself, had on the whole a good deal of nature, may be supposed to have perceived. "I'll leave you and Mrs. Osmond together," he added. "You have reminiscences into which I don't enter." "I'm afraid you lose a good deal!" Lord Warburton called after him, as he moved away, in a tone which perhaps betrayed overmuch an appreciation of his generosity. Then the visitor turned on Isabel the deeper, the deepest, consciousness of his look, which gradually became more serious. "I'm really very glad to see you." "It's very pleasant. You're very kind." "Do you know that you're changed--a little?" She just hesitated. "Yes--a good deal." "I don't mean for the worse, of course; and yet how can I say for the better?" "I think I shall have no scruple in saying that to YOU," she bravely returned. "Ah well, for me--it's a long time. It would be a pity there shouldn't be something to show for it." They sat down and she asked him about his sisters, with other enquiries of a somewhat perfunctory kind. He answered her questions as if they interested him, and in a few moments she saw--or believed she saw--that he would press with less of his whole weight than of yore. Time had breathed upon his heart and, without chilling it, given it a relieved sense of having taken the air. Isabel felt her usual esteem for Time rise at a bound. Her friend's manner was certainly that of a contented man, one who would rather like people, or like her at least, to know him for such. "There's something I must tell you without more delay," he resumed. "I've brought Ralph Touchett with me." "Brought him with you?" Isabel's surprise was great. "He's at the hotel; he was too tired to come out and has gone to bed." "I'll go to see him," she immediately said. "That's exactly what I hoped you'd do. I had an idea you hadn't seen much of him since your marriage, that in fact your relations were a--a little more formal. That's why I hesitated--like an awkward Briton." "I'm as fond of Ralph as ever," Isabel answered. "But why has he come to Rome?" The declaration was very gentle, the question a little sharp. "Because he's very far gone, Mrs. Osmond." "Rome then is no place for him. I heard from him that he had determined to give up his custom of wintering abroad and to remain in England, indoors, in what he called an artificial climate." "Poor fellow, he doesn't succeed with the artificial! I went to see him three weeks ago, at Gardencourt, and found him thoroughly ill. He has been getting worse every year, and now he has no strength left. He smokes no more cigarettes! He had got up an artificial climate indeed; the house was as hot as Calcutta. Nevertheless he had suddenly taken it into his head to start for Sicily. I didn't believe in it--neither did the doctors, nor any of his friends. His mother, as I suppose you know, is in America, so there was no one to prevent him. He stuck to his idea that it would be the saving of him to spend the winter at Catania. He said he could take servants and furniture, could make himself comfortable, but in point of fact he hasn't brought anything. I wanted him at least to go by sea, to save fatigue; but he said he hated the sea and wished to stop at Rome. After that, though I thought it all rubbish, I made up my mind to come with him. I'm acting as--what do you call it in America?--as a kind of moderator. Poor Ralph's very moderate now. We left England a fortnight ago, and he has been very bad on the way. He can't keep warm, and the further south we come the more he feels the cold. He has got rather a good man, but I'm afraid he's beyond human help. I wanted him to take with him some clever fellow--I mean some sharp young doctor; but he wouldn't hear of it. If you don't mind my saying so, I think it was a most extraordinary time for Mrs. Touchett to decide on going to America." Isabel had listened eagerly; her face was full of pain and wonder. "My aunt does that at fixed periods and lets nothing turn her aside. When the date comes round she starts; I think she'd have started if Ralph had been dying." "I sometimes think he IS dying," Lord Warburton said. Isabel sprang up. "I'll go to him then now." He checked her; he was a little disconcerted at the quick effect of his words. "I don't mean I thought so to-night. On the contrary, to-day, in the train, he seemed particularly well; the idea of our reaching Rome--he's very fond of Rome, you know--gave him strength. An hour ago, when I bade him goodnight, he told me he was very tired, but very happy. Go to him in the morning; that's all I mean. I didn't tell him I was coming here; I didn't decide to till after we had separated. Then I remembered he had told me you had an evening, and that it was this very Thursday. It occurred to me to come in and tell you he's here, and let you know you had perhaps better not wait for him to call. I think he said he hadn't written to you." There was no need of Isabel's declaring that she would act upon Lord Warburton's information; she looked, as she sat there, like a winged creature held back. "Let alone that I wanted to see you for myself," her visitor gallantly added. "I don't understand Ralph's plan; it seems to me very wild," she said. "I was glad to think of him between those thick walls at Gardencourt." "He was completely alone there; the thick walls were his only company." "You went to see him; you've been extremely kind." "Oh dear, I had nothing to do," said Lord Warburton. "We hear, on the contrary, that you're doing great things. Every one speaks of you as a great statesman, and I'm perpetually seeing your name in the Times, which, by the way, doesn't appear to hold it in reverence. You're apparently as wild a radical as ever." "I don't feel nearly so wild; you know the world has come round to me. Touchett and I have kept up a sort of parliamentary debate all the way from London. I tell him he's the last of the Tories, and he calls me the King of the Goths--says I have, down to the details of my personal appearance, every sign of the brute. So you see there's life in him yet." Isabel had many questions to ask about Ralph, but she abstained from asking them all. She would see for herself on the morrow. She perceived that after a little Lord Warburton would tire of that subject--he had a conception of other possible topics. She was more and more able to say to herself that he had recovered, and, what is more to the point, she was able to say it without bitterness. He had been for her, of old, such an image of urgency, of insistence, of something to be resisted and reasoned with, that his reappearance at first menaced her with a new trouble. But she was now reassured; she could see he only wished to live with her on good terms, that she was to understand he had forgiven her and was incapable of the bad taste of making pointed allusions. This was not a form of revenge, of course; she had no suspicion of his wishing to punish her by an exhibition of disillusionment; she did him the justice to believe it had simply occurred to him that she would now take a good-natured interest in knowing he was resigned. It was the resignation of a healthy, manly nature, in which sentimental wounds could never fester. British politics had cured him; she had known they would. She gave an envious thought to the happier lot of men, who are always free to plunge into the healing waters of action. Lord Warburton of course spoke of the past, but he spoke of it without implications; he even went so far as to allude to their former meeting in Rome as a very jolly time. And he told her he had been immensely interested in hearing of her marriage and that it was a great pleasure for him to make Mr. Osmond's acquaintance--since he could hardly be said to have made it on the other occasion. He had not written to her at the time of that passage in her history, but he didn't apologise to her for this. The only thing he implied was that they were old friends, intimate friends. It was very much as an intimate friend that he said to her, suddenly, after a short pause which he had occupied in smiling, as he looked about him, like a person amused, at a provincial entertainment, by some innocent game of guesses-- "Well now, I suppose you're very happy and all that sort of thing?" Isabel answered with a quick laugh; the tone of his remark struck her almost as the accent of comedy. "Do you suppose if I were not I'd tell you?" "Well, I don't know. I don't see why not." "I do then. Fortunately, however, I'm very happy." "You've got an awfully good house." "Yes, it's very pleasant. But that's not my merit--it's my husband's." "You mean he has arranged it?" "Yes, it was nothing when we came." "He must be very clever." "He has a genius for upholstery," said Isabel. "There's a great rage for that sort of thing now. But you must have a taste of your own." "I enjoy things when they're done, but I've no ideas. I can never propose anything." "Do you mean you accept what others propose?" "Very willingly, for the most part." "That's a good thing to know. I shall propose to you something." "It will be very kind. I must say, however, that I've in a few small ways a certain initiative. I should like for instance to introduce you to some of these people." "Oh, please don't; I prefer sitting here. Unless it be to that young lady in the blue dress. She has a charming face." "The one talking to the rosy young man? That's my husband's daughter." "Lucky man, your husband. What a dear little maid!" "You must make her acquaintance." "In a moment--with pleasure. I like looking at her from here." He ceased to look at her, however, very soon; his eyes constantly reverted to Mrs. Osmond. "Do you know I was wrong just now in saying you had changed?" he presently went on. "You seem to me, after all, very much the same." "And yet I find it a great change to be married," said Isabel with mild gaiety. "It affects most people more than it has affected you. You see I haven't gone in for that." "It rather surprises me." "You ought to understand it, Mrs. Osmond. But I do want to marry," he added more simply. "It ought to be very easy," Isabel said, rising--after which she reflected, with a pang perhaps too visible, that she was hardly the person to say this. It was perhaps because Lord Warburton divined the pang that he generously forbore to call her attention to her not having contributed then to the facility. Edward Rosier had meanwhile seated himself on an ottoman beside Pansy's tea-table. He pretended at first to talk to her about trifles, and she asked him who was the new gentleman conversing with her stepmother. "He's an English lord," said Rosier. "I don't know more." "I wonder if he'll have some tea. The English are so fond of tea." "Never mind that; I've something particular to say to you." "Don't speak so loud every one will hear," said Pansy. "They won't hear if you continue to look that way: as if your only thought in life was the wish the kettle would boil." "It has just been filled; the servants never know!"--and she sighed with the weight of her responsibility. "Do you know what your father said to me just now? That you didn't mean what you said a week ago." "I don't mean everything I say. How can a young girl do that? But I mean what I say to you." "He told me you had forgotten me." "Ah no, I don't forget," said Pansy, showing her pretty teeth in a fixed smile. "Then everything's just the very same?" "Ah no, not the very same. Papa has been terribly severe." "What has he done to you?" "He asked me what you had done to me, and I told him everything. Then he forbade me to marry you." "You needn't mind that." "Oh yes, I must indeed. I can't disobey papa." "Not for one who loves you as I do, and whom you pretend to love?" She raised the lid of the tea-pot, gazing into this vessel for a moment; then she dropped six words into its aromatic depths. "I love you just as much." "What good will that do me?" "Ah," said Pansy, raising her sweet, vague eyes, "I don't know that." "You disappoint me," groaned poor Rosier. She was silent a little; she handed a tea-cup to a servant. "Please don't talk any more." "Is this to be all my satisfaction?" "Papa said I was not to talk with you." "Do you sacrifice me like that? Ah, it's too much!" "I wish you'd wait a little," said the girl in a voice just distinct enough to betray a quaver. "Of course I'll wait if you'll give me hope. But you take my life away." "I'll not give you up--oh no!" Pansy went on. "He'll try and make you marry some one else." "I'll never do that." "What then are we to wait for?" She hesitated again. "I'll speak to Mrs. Osmond and she'll help us." It was in this manner that she for the most part designated her stepmother. "She won't help us much. She's afraid." "Afraid of what?" "Of your father, I suppose." Pansy shook her little head. "She's not afraid of any one. We must have patience." "Ah, that's an awful word," Rosier groaned; he was deeply disconcerted. Oblivious of the customs of good society, he dropped his head into his hands and, supporting it with a melancholy grace, sat staring at the carpet. Presently he became aware of a good deal of movement about him and, as he looked up, saw Pansy making a curtsey--it was still her little curtsey of the convent--to the English lord whom Mrs. Osmond had introduced.

Chapter 38

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-38

Madame Merle again convinces Rosier to be patient, and to only call on Pansy on Thursday evenings, when the Osmonds have a sort of open house for all of their acquaintances. On such a Thursday, Rosier goes to the Osmonds' and greets Gilbert Osmond again. Once more, Osmond is a perfectly rude you-know-what. Osmond finds out that Rosier has been taking advice from Madame Merle, and warns him that she does not always know Osmond's mind. Rosier tries to convince Osmond that his daughter loves him as much as he loves her, but Osmond doesn't care. He coldly states that Pansy will feel whatever Osmond wants her to feel. Rosier talks with Isabel next. Isabel pretends not to care about his pursuit of Pansy. Osmond presents Isabel with a visiting friend: the ubiquitous Lord Warburton. Osmond stays long enough to have some superficial conversation with his wife and her old friend. Then, he leaves the two of them alone. Rosier, left to his own puppy-like devices, goes on to find Pansy. Lord Warburton tells Isabel that he accompanied Ralph to Rome , and that they will be around for a while. He also tells Isabel that Ralph's health is much worse, and he hopes she'll come to visit him soon. Isabel is prepared to leave immediately, but Lord Warburton tells her that the next morning will be fine. Lately, Ralph's health has been declining rapidly. He had been staying alone at Gardencourt, but it wasn't good for him. Mrs. Touchett is in America, and, as is her way, won't let anything ruin her trip, not even her son's illness. Isabel has read that Lord Warburton is something of a political big-shot. She has read in the papers about his radical stance. Isabel is relieved that Lord Warburton does not make any mention of their unsuccessful romantic past. Lord Warburton asks if Isabel is happy, and, after some stalling, she replies that she is very happy. Isabel suggests that she is more accommodating now, and that she will accept other people's ideas and proposals. Isabel offers to introduce Lord Warburton to people, but he says that the only person who captures his fancy is a certain small, dainty maiden: Pansy. Lord Warburton comments that marriage has not changed Isabel as much as he had thought. Isabel voices her surprise at the fact that Lord Warburton has yet to marry. He says that he still hopes to. Pansy has been talking with Rosier all the while, and asks who Lord Warburton is. Rosier knows nothing other than his rank as a lord. Pansy says that she will not disobey her father's wishes; however, she loves Rosier as much as she loves her father. Rosier worries that her father will change Pansy's mind, but Pansy claims that will never happen. She will ask Isabel for help. She seems to have great faith in the powers of her step-mother. Ned worries that Isabel won't do anything because she is afraid of Osmond. Pansy states that Isabel is not afraid of anything.... We hope that she's right. Pansy curtseys to Lord Warburton from across the room.

shmoop

all_chapterized_books/2833-chapters/39.txt

finished_summaries/shmoop/The Portrait of a Lady/section_38_part_0.txt

The Portrait of a Lady.chapter 39

chapter 39

{"name": "Chapter 39", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-39", "summary": "Ralph and Isabel have not been in regular contact ever since their argument over Isabel's engagement. Isabel figured that she wouldn't be Ralph's friend in the same way, once she became Osmond's wife. Ralph attended Isabel and Gilbert Osmond's wedding in Florence. The couple decided to marry quickly, so they could take their time to go back to America. Only Mrs. Touchett, Ralph, Pansy, and Countess Gemini were there to witness the wedding. Madame Merle and Henrietta had been invited to Isabel and Osmond's wedding, but neither could make it. Henrietta disapproved of Isabel's marriage to Osmond - she's not a fan of the collector. Isabel's husband is a huge obstacle in their friendship, and they're not as close as they once were. Without Ralph or Henrietta, we wonder who Isabel is close to. Henrietta and Mr. Bantling have gone to Spain, where Henrietta has published well-received articles. Osmond doesn't understand why Isabel is Henrietta's friend. Isabel is saddened and surprised that Osmond doesn't have the sense of humor to appreciate Henrietta. Ralph stayed in San Remo for most of the year after Isabel's marriage, and then returned to Gardencourt with his mother. Two years after Isabel's marriage, Ralph goes to Rome to visit her. Mrs. Touchett has not kept up with Isabel's affairs. Mrs. Touchett and Madame Merle's friendship has also been strained ever since the marriage. Ralph wants to see Isabel, and regrets that he went about his disapproval in the wrong way. He had confronted her when he should have supported her; at least, that way, he would still be a part of her life. Ralph is saddened to see how Isabel has changed under Osmond's influence. Ralph has his own thoughts about Osmond's character; he thinks that Osmond plays weird games with people and the world. Years ago, when Ralph had stayed at the Osmonds' in Rome, he eventually left after Osmond got fussy with Isabel for having her cousin overstay his welcome. Isabel wonders what has kept Ralph alive all this time. Ralph knows that it is the hope and curiosity to see what Isabel's future holds. Back in the present time of the novel, Isabel goes to see Ralph. There are numerous visits that follow the first one, and sometimes Osmond sends a carriage for Ralph to visit them in the Palazzo Roccanera. Ralph decides not to go on to Sicily, which had been his original plan. He wants to stay in Rome. Lord Warburton questions his decision, saying that it would be warmer and better for his health in Sicily. Ralph and Lord Warburton both decide to stay in Rome, both knowing that this is in their minds because of Isabel. Lord Warburton says he will no longer \"make love\" to Isabel . Ralph can tell that Lord Warburton plans to propose to Pansy. Ralph asks Lord Warburton whether this is because of Pansy, or because of her stepmother. Ralph has overstepped his bounds - but he's not wrong.", "analysis": ""}

It will probably not surprise the reflective reader that Ralph Touchett should have seen less of his cousin since her marriage than he had done before that event--an event of which he took such a view as could hardly prove a confirmation of intimacy. He had uttered his thought, as we know, and after this had held his peace, Isabel not having invited him to resume a discussion which marked an era in their relations. That discussion had made a difference--the difference he feared rather than the one he hoped. It had not chilled the girl's zeal in carrying out her engagement, but it had come dangerously near to spoiling a friendship. No reference was ever again made between them to Ralph's opinion of Gilbert Osmond, and by surrounding this topic with a sacred silence they managed to preserve a semblance of reciprocal frankness. But there was a difference, as Ralph often said to himself--there was a difference. She had not forgiven him, she never would forgive him: that was all he had gained. She thought she had forgiven him; she believed she didn't care; and as she was both very generous and very proud these convictions represented a certain reality. But whether or no the event should justify him he would virtually have done her a wrong, and the wrong was of the sort that women remember best. As Osmond's wife she could never again be his friend. If in this character she should enjoy the felicity she expected, she would have nothing but contempt for the man who had attempted, in advance, to undermine a blessing so dear; and if on the other hand his warning should be justified the vow she had taken that he should never know it would lay upon her spirit such a burden as to make her hate him. So dismal had been, during the year that followed his cousin's marriage, Ralph's prevision of the future; and if his meditations appear morbid we must remember he was not in the bloom of health. He consoled himself as he might by behaving (as he deemed) beautifully, and was present at the ceremony by which Isabel was united to Mr. Osmond, and which was performed in Florence in the month of June. He learned from his mother that Isabel at first had thought of celebrating her nuptials in her native land, but that as simplicity was what she chiefly desired to secure she had finally decided, in spite of Osmond's professed willingness to make a journey of any length, that this characteristic would be best embodied in their being married by the nearest clergyman in the shortest time. The thing was done therefore at the little American chapel, on a very hot day, in the presence only of Mrs. Touchett and her son, of Pansy Osmond and the Countess Gemini. That severity in the proceedings of which I just spoke was in part the result of the absence of two persons who might have been looked for on the occasion and who would have lent it a certain richness. Madame Merle had been invited, but Madame Merle, who was unable to leave Rome, had written a gracious letter of excuses. Henrietta Stackpole had not been invited, as her departure from America, announced to Isabel by Mr. Goodwood, was in fact frustrated by the duties of her profession; but she had sent a letter, less gracious than Madame Merle's, intimating that, had she been able to cross the Atlantic, she would have been present not only as a witness but as a critic. Her return to Europe had taken place somewhat later, and she had effected a meeting with Isabel in the autumn, in Paris, when she had indulged--perhaps a trifle too freely--her critical genius. Poor Osmond, who was chiefly the subject of it, had protested so sharply that Henrietta was obliged to declare to Isabel that she had taken a step which put a barrier between them. "It isn't in the least that you've married--it is that you have married HIM," she had deemed it her duty to remark; agreeing, it will be seen, much more with Ralph Touchett than she suspected, though she had few of his hesitations and compunctions. Henrietta's second visit to Europe, however, was not apparently to have been made in vain; for just at the moment when Osmond had declared to Isabel that he really must object to that newspaper-woman, and Isabel had answered that it seemed to her he took Henrietta too hard, the good Mr. Bantling had appeared upon the scene and proposed that they should take a run down to Spain. Henrietta's letters from Spain had proved the most acceptable she had yet published, and there had been one in especial, dated from the Alhambra and entitled 'Moors and Moonlight,' which generally passed for her masterpiece. Isabel had been secretly disappointed at her husband's not seeing his way simply to take the poor girl for funny. She even wondered if his sense of fun, or of the funny--which would be his sense of humour, wouldn't it?--were by chance defective. Of course she herself looked at the matter as a person whose present happiness had nothing to grudge to Henrietta's violated conscience. Osmond had thought their alliance a kind of monstrosity; he couldn't imagine what they had in common. For him, Mr. Bantling's fellow tourist was simply the most vulgar of women, and he had also pronounced her the most abandoned. Against this latter clause of the verdict Isabel had appealed with an ardour that had made him wonder afresh at the oddity of some of his wife's tastes. Isabel could explain it only by saying that she liked to know people who were as different as possible from herself. "Why then don't you make the acquaintance of your washerwoman?" Osmond had enquired; to which Isabel had answered that she was afraid her washerwoman wouldn't care for her. Now Henrietta cared so much. Ralph had seen nothing of her for the greater part of the two years that had followed her marriage; the winter that formed the beginning of her residence in Rome he had spent again at San Remo, where he had been joined in the spring by his mother, who afterwards had gone with him to England, to see what they were doing at the bank--an operation she couldn't induce him to perform. Ralph had taken a lease of his house at San Remo, a small villa which he had occupied still another winter; but late in the month of April of this second year he had come down to Rome. It was the first time since her marriage that he had stood face to face with Isabel; his desire to see her again was then of the keenest. She had written to him from time to time, but her letters told him nothing he wanted to know. He had asked his mother what she was making of her life, and his mother had simply answered that she supposed she was making the best of it. Mrs. Touchett had not the imagination that communes with the unseen, and she now pretended to no intimacy with her niece, whom she rarely encountered. This young woman appeared to be living in a sufficiently honourable way, but Mrs. Touchett still remained of the opinion that her marriage had been a shabby affair. It had given her no pleasure to think of Isabel's establishment, which she was sure was a very lame business. From time to time, in Florence, she rubbed against the Countess Gemini, doing her best always to minimise the contact; and the Countess reminded her of Osmond, who made her think of Isabel. The Countess was less talked of in these days; but Mrs. Touchett augured no good of that: it only proved how she had been talked of before. There was a more direct suggestion of Isabel in the person of Madame Merle; but Madame Merle's relations with Mrs. Touchett had undergone a perceptible change. Isabel's aunt had told her, without circumlocution, that she had played too ingenious a part; and Madame Merle, who never quarrelled with any one, who appeared to think no one worth it, and who had performed the miracle of living, more or less, for several years with Mrs. Touchett and showing no symptom of irritation--Madame Merle now took a very high tone and declared that this was an accusation from which she couldn't stoop to defend herself. She added, however (without stooping), that her behaviour had been only too simple, that she had believed only what she saw, that she saw Isabel was not eager to marry and Osmond not eager to please (his repeated visits had been nothing; he was boring himself to death on his hill-top and he came merely for amusement). Isabel had kept her sentiments to herself, and her journey to Greece and Egypt had effectually thrown dust in her companion's eyes. Madame Merle accepted the event--she was unprepared to think of it as a scandal; but that she had played any part in it, double or single, was an imputation against which she proudly protested. It was doubtless in consequence of Mrs. Touchett's attitude, and of the injury it offered to habits consecrated by many charming seasons, that Madame Merle had, after this, chosen to pass many months in England, where her credit was quite unimpaired. Mrs. Touchett had done her a wrong; there are some things that can't be forgiven. But Madame Merle suffered in silence; there was always something exquisite in her dignity. Ralph, as I say, had wished to see for himself; but while engaged in this pursuit he had yet felt afresh what a fool he had been to put the girl on her guard. He had played the wrong card, and now he had lost the game. He should see nothing, he should learn nothing; for him she would always wear a mask. His true line would have been to profess delight in her union, so that later, when, as Ralph phrased it, the bottom should fall out of it, she might have the pleasure of saying to him that he had been a goose. He would gladly have consented to pass for a goose in order to know Isabel's real situation. At present, however, she neither taunted him with his fallacies nor pretended that her own confidence was justified; if she wore a mask it completely covered her face. There was something fixed and mechanical in the serenity painted on it; this was not an expression, Ralph said--it was a representation, it was even an advertisement. She had lost her child; that was a sorrow, but it was a sorrow she scarcely spoke of; there was more to say about it than she could say to Ralph. It belonged to the past, moreover; it had occurred six months before and she had already laid aside the tokens of mourning. She appeared to be leading the life of the world; Ralph heard her spoken of as having a "charming position." He observed that she produced the impression of being peculiarly enviable, that it was supposed, among many people, to be a privilege even to know her. Her house was not open to every one, and she had an evening in the week to which people were not invited as a matter of course. She lived with a certain magnificence, but you needed to be a member of her circle to perceive it; for there was nothing to gape at, nothing to criticise, nothing even to admire, in the daily proceedings of Mr. and Mrs. Osmond. Ralph, in all this, recognised the hand of the master; for he knew that Isabel had no faculty for producing studied impressions. She struck him as having a great love of movement, of gaiety, of late hours, of long rides, of fatigue; an eagerness to be entertained, to be interested, even to be bored, to make acquaintances, to see people who were talked about, to explore the neighbourhood of Rome, to enter into relation with certain of the mustiest relics of its old society. In all this there was much less discrimination than in that desire for comprehensiveness of development on which he had been used to exercise his wit. There was a kind of violence in some of her impulses, of crudity in some of her experiments, which took him by surprise: it seemed to him that she even spoke faster, moved faster, breathed faster, than before her marriage. Certainly she had fallen into exaggerations--she who used to care so much for the pure truth; and whereas of old she had a great delight in good-humoured argument, in intellectual play (she never looked so charming as when in the genial heat of discussion she received a crushing blow full in the face and brushed it away as a feather), she appeared now to think there was nothing worth people's either differing about or agreeing upon. Of old she had been curious, and now she was indifferent, and yet in spite of her indifference her activity was greater than ever. Slender still, but lovelier than before, she had gained no great maturity of aspect; yet there was an amplitude and a brilliancy in her personal arrangements that gave a touch of insolence to her beauty. Poor human-hearted Isabel, what perversity had bitten her? Her light step drew a mass of drapery behind it; her intelligent head sustained a majesty of ornament. The free, keen girl had become quite another person; what he saw was the fine lady who was supposed to represent something. What did Isabel represent? Ralph asked himself; and he could only answer by saying that she represented Gilbert Osmond. "Good heavens, what a function!" he then woefully exclaimed. He was lost in wonder at the mystery of things. He recognised Osmond, as I say; he recognised him at every turn. He saw how he kept all things within limits; how he adjusted, regulated, animated their manner of life. Osmond was in his element; at last he had material to work with. He always had an eye to effect, and his effects were deeply calculated. They were produced by no vulgar means, but the motive was as vulgar as the art was great. To surround his interior with a sort of invidious sanctity, to tantalise society with a sense of exclusion, to make people believe his house was different from every other, to impart to the face that he presented to the world a cold originality--this was the ingenious effort of the personage to whom Isabel had attributed a superior morality. "He works with superior material," Ralph said to himself; "it's rich abundance compared with his former resources." Ralph was a clever man; but Ralph had never--to his own sense--been so clever as when he observed, in petto, that under the guise of caring only for intrinsic values Osmond lived exclusively for the world. Far from being its master as he pretended to be, he was its very humble servant, and the degree of its attention was his only measure of success. He lived with his eye on it from morning till night, and the world was so stupid it never suspected the trick. Everything he did was pose--pose so subtly considered that if one were not on the lookout one mistook it for impulse. Ralph had never met a man who lived so much in the land of consideration. His tastes, his studies, his accomplishments, his collections, were all for a purpose. His life on his hill-top at Florence had been the conscious attitude of years. His solitude, his ennui, his love for his daughter, his good manners, his bad manners, were so many features of a mental image constantly present to him as a model of impertinence and mystification. His ambition was not to please the world, but to please himself by exciting the world's curiosity and then declining to satisfy it. It had made him feel great, ever, to play the world a trick. The thing he had done in his life most directly to please himself was his marrying Miss Archer; though in this case indeed the gullible world was in a manner embodied in poor Isabel, who had been mystified to the top of her bent. Ralph of course found a fitness in being consistent; he had embraced a creed, and as he had suffered for it he could not in honour forsake it. I give this little sketch of its articles for what they may at the time have been worth. It was certain that he was very skilful in fitting the facts to his theory--even the fact that during the month he spent in Rome at this period the husband of the woman he loved appeared to regard him not in the least as an enemy. For Gilbert Osmond Ralph had not now that importance. It was not that he had the importance of a friend; it was rather that he had none at all. He was Isabel's cousin and he was rather unpleasantly ill--it was on this basis that Osmond treated with him. He made the proper enquiries, asked about his health, about Mrs. Touchett, about his opinion of winter climates, whether he were comfortable at his hotel. He addressed him, on the few occasions of their meeting, not a word that was not necessary; but his manner had always the urbanity proper to conscious success in the presence of conscious failure. For all this, Ralph had had, toward the end, a sharp inward vision of Osmond's making it of small ease to his wife that she should continue to receive Mr. Touchett. He was not jealous--he had not that excuse; no one could be jealous of Ralph. But he made Isabel pay for her old-time kindness, of which so much was still left; and as Ralph had no idea of her paying too much, so when his suspicion had become sharp, he had taken himself off. In doing so he had deprived Isabel of a very interesting occupation: she had been constantly wondering what fine principle was keeping him alive. She had decided that it was his love of conversation; his conversation had been better than ever. He had given up walking; he was no longer a humorous stroller. He sat all day in a chair--almost any chair would serve, and was so dependent on what you would do for him that, had not his talk been highly contemplative, you might have thought he was blind. The reader already knows more about him than Isabel was ever to know, and the reader may therefore be given the key to the mystery. What kept Ralph alive was simply the fact that he had not yet seen enough of the person in the world in whom he was most interested: he was not yet satisfied. There was more to come; he couldn't make up his mind to lose that. He wanted to see what she would make of her husband--or what her husband would make of her. This was only the first act of the drama, and he was determined to sit out the performance. His determination had held good; it had kept him going some eighteen months more, till the time of his return to Rome with Lord Warburton. It had given him indeed such an air of intending to live indefinitely that Mrs. Touchett, though more accessible to confusions of thought in the matter of this strange, unremunerative--and unremunerated--son of hers than she had ever been before, had, as we have learned, not scrupled to embark for a distant land. If Ralph had been kept alive by suspense it was with a good deal of the same emotion--the excitement of wondering in what state she should find him--that Isabel mounted to his apartment the day after Lord Warburton had notified her of his arrival in Rome. She spent an hour with him; it was the first of several visits. Gilbert Osmond called on him punctually, and on their sending their carriage for him Ralph came more than once to Palazzo Roccanera. A fortnight elapsed, at the end of which Ralph announced to Lord Warburton that he thought after all he wouldn't go to Sicily. The two men had been dining together after a day spent by the latter in ranging about the Campagna. They had left the table, and Warburton, before the chimney, was lighting a cigar, which he instantly removed from his lips. "Won't go to Sicily? Where then will you go?" "Well, I guess I won't go anywhere," said Ralph, from the sofa, all shamelessly. "Do you mean you'll return to England?" "Oh dear no; I'll stay in Rome." "Rome won't do for you. Rome's not warm enough." "It will have to do. I'll make it do. See how well I've been." Lord Warburton looked at him a while, puffing a cigar and as if trying to see it. "You've been better than you were on the journey, certainly. I wonder how you lived through that. But I don't understand your condition. I recommend you to try Sicily." "I can't try," said poor Ralph. "I've done trying. I can't move further. I can't face that journey. Fancy me between Scylla and Charybdis! I don't want to die on the Sicilian plains--to be snatched away, like Proserpine in the same locality, to the Plutonian shades." "What the deuce then did you come for?" his lordship enquired. "Because the idea took me. I see it won't do. It really doesn't matter where I am now. I've exhausted all remedies, I've swallowed all climates. As I'm here I'll stay. I haven't a single cousin in Sicily--much less a married one." "Your cousin's certainly an inducement. But what does the doctor say?" "I haven't asked him, and I don't care a fig. If I die here Mrs. Osmond will bury me. But I shall not die here." "I hope not." Lord Warburton continued to smoke reflectively. "Well, I must say," he resumed, "for myself I'm very glad you don't insist on Sicily. I had a horror of that journey." "Ah, but for you it needn't have mattered. I had no idea of dragging you in my train." "I certainly didn't mean to let you go alone." "My dear Warburton, I never expected you to come further than this," Ralph cried. "I should have gone with you and seen you settled," said Lord Warburton. "You're a very good Christian. You're a very kind man." "Then I should have come back here." "And then you'd have gone to England." "No, no; I should have stayed." "Well," said Ralph, "if that's what we are both up to, I don't see where Sicily comes in!" His companion was silent; he sat staring at the fire. At last, looking up, "I say, tell me this," he broke out; "did you really mean to go to Sicily when we started?" "Ah, vous m'en demandez trop! Let me put a question first. Did you come with me quite--platonically?" "I don't know what you mean by that. I wanted to come abroad." "I suspect we've each been playing our little game." "Speak for yourself. I made no secret whatever of my desiring to be here a while." "Yes, I remember you said you wished to see the Minister of Foreign Affairs." "I've seen him three times. He's very amusing." "I think you've forgotten what you came for," said Ralph. "Perhaps I have," his companion answered rather gravely. These two were gentlemen of a race which is not distinguished by the absence of reserve, and they had travelled together from London to Rome without an allusion to matters that were uppermost in the mind of each. There was an old subject they had once discussed, but it had lost its recognised place in their attention, and even after their arrival in Rome, where many things led back to it, they had kept the same half-diffident, half-confident silence. "I recommend you to get the doctor's consent, all the same," Lord Warburton went on, abruptly, after an interval. "The doctor's consent will spoil it. I never have it when I can help it." "What then does Mrs. Osmond think?" Ralph's friend demanded. "I've not told her. She'll probably say that Rome's too cold and even offer to go with me to Catania. She's capable of that." "In your place I should like it." "Her husband won't like it." "Ah well, I can fancy that; though it seems to me you're not bound to mind his likings. They're his affair." "I don't want to make any more trouble between them," said Ralph. "Is there so much already?" "There's complete preparation for it. Her going off with me would make the explosion. Osmond isn't fond of his wife's cousin." "Then of course he'd make a row. But won't he make a row if you stop here?" "That's what I want to see. He made one the last time I was in Rome, and then I thought it my duty to disappear. Now I think it's my duty to stop and defend her." "My dear Touchett, your defensive powers--!" Lord Warburton began with a smile. But he saw something in his companion's face that checked him. "Your duty, in these premises, seems to me rather a nice question," he observed instead. Ralph for a short time answered nothing. "It's true that my defensive powers are small," he returned at last; "but as my aggressive ones are still smaller Osmond may after all not think me worth his gunpowder. At any rate," he added, "there are things I'm curious to see." "You're sacrificing your health to your curiosity then?" "I'm not much interested in my health, and I'm deeply interested in Mrs. Osmond." "So am I. But not as I once was," Lord Warburton added quickly. This was one of the allusions he had not hitherto found occasion to make. "Does she strike you as very happy?" Ralph enquired, emboldened by this confidence. "Well, I don't know; I've hardly thought. She told me the other night she was happy." "Ah, she told YOU, of course," Ralph exclaimed, smiling. "I don't know that. It seems to me I was rather the sort of person she might have complained to." "Complained? She'll never complain. She has done it--what she HAS done--and she knows it. She'll complain to you least of all. She's very careful." "She needn't be. I don't mean to make love to her again." "I'm delighted to hear it. There can be no doubt at least of YOUR duty." "Ah no," said Lord Warburton gravely; "none!" "Permit me to ask," Ralph went on, "whether it's to bring out the fact that you don't mean to make love to her that you're so very civil to the little girl?" Lord Warburton gave a slight start; he got up and stood before the fire, looking at it hard. "Does that strike you as very ridiculous?" "Ridiculous? Not in the least, if you really like her." "I think her a delightful little person. I don't know when a girl of that age has pleased me more." "She's a charming creature. Ah, she at least is genuine." "Of course there's the difference in our ages--more than twenty years." "My dear Warburton," said Ralph, "are you serious?" "Perfectly serious--as far as I've got." "I'm very glad. And, heaven help us," cried Ralph, "how cheered-up old Osmond will be!" His companion frowned. "I say, don't spoil it. I shouldn't propose for his daughter to please HIM." "He'll have the perversity to be pleased all the same." "He's not so fond of me as that," said his lordship. "As that? My dear Warburton, the drawback of your position is that people needn't be fond of you at all to wish to be connected with you. Now, with me in such a case, I should have the happy confidence that they loved me." Lord Warburton seemed scarcely in the mood for doing justice to general axioms--he was thinking of a special case. "Do you judge she'll be pleased?" "The girl herself? Delighted, surely." "No, no; I mean Mrs. Osmond." Ralph looked at him a moment. "My dear fellow, what has she to do with it?" "Whatever she chooses. She's very fond of Pansy." "Very true--very true." And Ralph slowly got up. "It's an interesting question--how far her fondness for Pansy will carry her." He stood there a moment with his hands in his pockets and rather a clouded brow. "I hope, you know, that you're very--very sure. The deuce!" he broke off. "I don't know how to say it." "Yes, you do; you know how to say everything." "Well, it's awkward. I hope you're sure that among Miss Osmond's merits her being--a--so near her stepmother isn't a leading one?" "Good heavens, Touchett!" cried Lord Warburton angrily, "for what do you take me?"

Chapter 39

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-39

Ralph and Isabel have not been in regular contact ever since their argument over Isabel's engagement. Isabel figured that she wouldn't be Ralph's friend in the same way, once she became Osmond's wife. Ralph attended Isabel and Gilbert Osmond's wedding in Florence. The couple decided to marry quickly, so they could take their time to go back to America. Only Mrs. Touchett, Ralph, Pansy, and Countess Gemini were there to witness the wedding. Madame Merle and Henrietta had been invited to Isabel and Osmond's wedding, but neither could make it. Henrietta disapproved of Isabel's marriage to Osmond - she's not a fan of the collector. Isabel's husband is a huge obstacle in their friendship, and they're not as close as they once were. Without Ralph or Henrietta, we wonder who Isabel is close to. Henrietta and Mr. Bantling have gone to Spain, where Henrietta has published well-received articles. Osmond doesn't understand why Isabel is Henrietta's friend. Isabel is saddened and surprised that Osmond doesn't have the sense of humor to appreciate Henrietta. Ralph stayed in San Remo for most of the year after Isabel's marriage, and then returned to Gardencourt with his mother. Two years after Isabel's marriage, Ralph goes to Rome to visit her. Mrs. Touchett has not kept up with Isabel's affairs. Mrs. Touchett and Madame Merle's friendship has also been strained ever since the marriage. Ralph wants to see Isabel, and regrets that he went about his disapproval in the wrong way. He had confronted her when he should have supported her; at least, that way, he would still be a part of her life. Ralph is saddened to see how Isabel has changed under Osmond's influence. Ralph has his own thoughts about Osmond's character; he thinks that Osmond plays weird games with people and the world. Years ago, when Ralph had stayed at the Osmonds' in Rome, he eventually left after Osmond got fussy with Isabel for having her cousin overstay his welcome. Isabel wonders what has kept Ralph alive all this time. Ralph knows that it is the hope and curiosity to see what Isabel's future holds. Back in the present time of the novel, Isabel goes to see Ralph. There are numerous visits that follow the first one, and sometimes Osmond sends a carriage for Ralph to visit them in the Palazzo Roccanera. Ralph decides not to go on to Sicily, which had been his original plan. He wants to stay in Rome. Lord Warburton questions his decision, saying that it would be warmer and better for his health in Sicily. Ralph and Lord Warburton both decide to stay in Rome, both knowing that this is in their minds because of Isabel. Lord Warburton says he will no longer "make love" to Isabel . Ralph can tell that Lord Warburton plans to propose to Pansy. Ralph asks Lord Warburton whether this is because of Pansy, or because of her stepmother. Ralph has overstepped his bounds - but he's not wrong.

shmoop

all_chapterized_books/2833-chapters/40.txt

finished_summaries/shmoop/The Portrait of a Lady/section_39_part_0.txt

The Portrait of a Lady.chapter 40

chapter 40

{"name": "Chapter 40", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-40", "summary": "Madame Merle hasn't been around Rome much; she's made herself scarce. Madame Merle comes to visit in the winter. The dynamic between Madame Merle and Isabel has shifted. Isabel is now more aware of Ralph's complaint about Madame Merle, which was that she exaggerates too much. For the past three years, Isabel has pondered Mrs. Touchett's accusation of Madame Merle's part in her marriage to Osmond. Isabel was surprised to find that Osmond is not that fond of Madame Merle, despite the lady's devotion to him. Isabel almost blames Madame Merle for getting her in her present situation, but she reminds herself that she must live with the consequences of her own actions. Isabel has been spending a lot of time with Pansy. She is aware of how dependent, \"pure and weak\" Pansy is. One day, after one of Isabel and Pansy's walks together, they return and find Madame Merle and Osmond together. Something about the eerie way they're just looking at each other disturbs Isabel. Madame Merle claims to want Isabel's help with Rosier. She also sneaks in a mention of Lord Warburton's interest in Pansy. Madame Merle also mentions that Isabel could use her influence over Lord Warburton to benefit Pansy. Isabel is surprised to find that Madame Merle knows of Lord Warburton's proposal to her. Mrs. Touchett had told her. Madame Merle and Isabel both agree that Lord Warburton would be a smarter match for Pansy than Rosier. Madame Merle says she will be happy to end the discussion with him. Madame Merle gives Isabel an unexpectedly warm embrace for agreeing to help Pansy with Lord Warburton.", "analysis": ""}

Isabel had not seen much of Madame Merle since her marriage, this lady having indulged in frequent absences from Rome. At one time she had spent six months in England; at another she had passed a portion of a winter in Paris. She had made numerous visits to distant friends and gave countenance to the idea that for the future she should be a less inveterate Roman than in the past. As she had been inveterate in the past only in the sense of constantly having an apartment in one of the sunniest niches of the Pincian--an apartment which often stood empty--this suggested a prospect of almost constant absence; a danger which Isabel at one period had been much inclined to deplore. Familiarity had modified in some degree her first impression of Madame Merle, but it had not essentially altered it; there was still much wonder of admiration in it. That personage was armed at all points; it was a pleasure to see a character so completely equipped for the social battle. She carried her flag discreetly, but her weapons were polished steel, and she used them with a skill which struck Isabel as more and more that of a veteran. She was never weary, never overcome with disgust; she never appeared to need rest or consolation. She had her own ideas; she had of old exposed a great many of them to Isabel, who knew also that under an appearance of extreme self-control her highly-cultivated friend concealed a rich sensibility. But her will was mistress of her life; there was something gallant in the way she kept going. It was as if she had learned the secret of it--as if the art of life were some clever trick she had guessed. Isabel, as she herself grew older, became acquainted with revulsions, with disgusts; there were days when the world looked black and she asked herself with some sharpness what it was that she was pretending to live for. Her old habit had been to live by enthusiasm, to fall in love with suddenly-perceived possibilities, with the idea of some new adventure. As a younger person she had been used to proceed from one little exaltation to the other: there were scarcely any dull places between. But Madame Merle had suppressed enthusiasm; she fell in love now-a-days with nothing; she lived entirely by reason and by wisdom. There were hours when Isabel would have given anything for lessons in this art; if her brilliant friend had been near she would have made an appeal to her. She had become aware more than before of the advantage of being like that--of having made one's self a firm surface, a sort of corselet of silver. But, as I say, it was not till the winter during which we lately renewed acquaintance with our heroine that the personage in question made again a continuous stay in Rome. Isabel now saw more of her than she had done since her marriage; but by this time Isabel's needs and inclinations had considerably changed. It was not at present to Madame Merle that she would have applied for instruction; she had lost the desire to know this lady's clever trick. If she had troubles she must keep them to herself, and if life was difficult it would not make it easier to confess herself beaten. Madame Merle was doubtless of great use to herself and an ornament to any circle; but was she--would she be--of use to others in periods of refined embarrassment? The best way to profit by her friend--this indeed Isabel had always thought--was to imitate her, to be as firm and bright as she. She recognised no embarrassments, and Isabel, considering this fact, determined for the fiftieth time to brush aside her own. It seemed to her too, on the renewal of an intercourse which had virtually been interrupted, that her old ally was different, was almost detached--pushing to the extreme a certain rather artificial fear of being indiscreet. Ralph Touchett, we know, had been of the opinion that she was prone to exaggeration, to forcing the note--was apt, in the vulgar phrase, to overdo it. Isabel had never admitted this charge--had never indeed quite understood it; Madame Merle's conduct, to her perception, always bore the stamp of good taste, was always "quiet." But in this matter of not wishing to intrude upon the inner life of the Osmond family it at last occurred to our young woman that she overdid a little. That of course was not the best taste; that was rather violent. She remembered too much that Isabel was married; that she had now other interests; that though she, Madame Merle, had known Gilbert Osmond and his little Pansy very well, better almost than any one, she was not after all of the inner circle. She was on her guard; she never spoke of their affairs till she was asked, even pressed--as when her opinion was wanted; she had a dread of seeming to meddle. Madame Merle was as candid as we know, and one day she candidly expressed this dread to Isabel. "I MUST be on my guard," she said; "I might so easily, without suspecting it, offend you. You would be right to be offended, even if my intention should have been of the purest. I must not forget that I knew your husband long before you did; I must not let that betray me. If you were a silly woman you might be jealous. You're not a silly woman; I know that perfectly. But neither am I; therefore I'm determined not to get into trouble. A little harm's very soon done; a mistake's made before one knows it. Of course if I had wished to make love to your husband I had ten years to do it in, and nothing to prevent; so it isn't likely I shall begin to-day, when I'm so much less attractive than I was. But if I were to annoy you by seeming to take a place that doesn't belong to me, you wouldn't make that reflection; you'd simply say I was forgetting certain differences. I'm determined not to forget them. Certainly a good friend isn't always thinking of that; one doesn't suspect one's friends of injustice. I don't suspect you, my dear, in the least; but I suspect human nature. Don't think I make myself uncomfortable; I'm not always watching myself. I think I sufficiently prove it in talking to you as I do now. All I wish to say is, however, that if you were to be jealous--that's the form it would take--I should be sure to think it was a little my fault. It certainly wouldn't be your husband's." Isabel had had three years to think over Mrs. Touchett's theory that Madame Merle had made Gilbert Osmond's marriage. We know how she had at first received it. Madame Merle might have made Gilbert Osmond's marriage, but she certainly had not made Isabel Archer's. That was the work of--Isabel scarcely knew what: of nature, providence, fortune, of the eternal mystery of things. It was true her aunt's complaint had been not so much of Madame Merle's activity as of her duplicity: she had brought about the strange event and then she had denied her guilt. Such guilt would not have been great, to Isabel's mind; she couldn't make a crime of Madame Merle's having been the producing cause of the most important friendship she had ever formed. This had occurred to her just before her marriage, after her little discussion with her aunt and at a time when she was still capable of that large inward reference, the tone almost of the philosophic historian, to her scant young annals. If Madame Merle had desired her change of state she could only say it had been a very happy thought. With her, moreover, she had been perfectly straightforward; she had never concealed her high opinion of Gilbert Osmond. After their union Isabel discovered that her husband took a less convenient view of the matter; he seldom consented to finger, in talk, this roundest and smoothest bead of their social rosary. "Don't you like Madame Merle?" Isabel had once said to him. "She thinks a great deal of you." "I'll tell you once for all," Osmond had answered. "I liked her once better than I do to-day. I'm tired of her, and I'm rather ashamed of it. She's so almost unnaturally good! I'm glad she's not in Italy; it makes for relaxation--for a sort of moral detente. Don't talk of her too much; it seems to bring her back. She'll come back in plenty of time." Madame Merle, in fact, had come back before it was too late--too late, I mean, to recover whatever advantage she might have lost. But meantime, if, as I have said, she was sensibly different, Isabel's feelings were also not quite the same. Her consciousness of the situation was as acute as of old, but it was much less satisfying. A dissatisfied mind, whatever else it may miss, is rarely in want of reasons; they bloom as thick as buttercups in June. The fact of Madame Merle's having had a hand in Gilbert Osmond's marriage ceased to be one of her titles to consideration; it might have been written, after all, that there was not so much to thank her for. As time went on there was less and less, and Isabel once said to herself that perhaps without her these things would not have been. That reflection indeed was instantly stifled; she knew an immediate horror at having made it. "Whatever happens to me let me not be unjust," she said; "let me bear my burdens myself and not shift them upon others!" This disposition was tested, eventually, by that ingenious apology for her present conduct which Madame Merle saw fit to make and of which I have given a sketch; for there was something irritating--there was almost an air of mockery--in her neat discriminations and clear convictions. In Isabel's mind to-day there was nothing clear; there was a confusion of regrets, a complication of fears. She felt helpless as she turned away from her friend, who had just made the statements I have quoted: Madame Merle knew so little what she was thinking of! She was herself moreover so unable to explain. Jealous of her--jealous of her with Gilbert? The idea just then suggested no near reality. She almost wished jealousy had been possible; it would have made in a manner for refreshment. Wasn't it in a manner one of the symptoms of happiness? Madame Merle, however, was wise, so wise that she might have been pretending to know Isabel better than Isabel knew herself. This young woman had always been fertile in resolutions--any of them of an elevated character; but at no period had they flourished (in the privacy of her heart) more richly than to-day. It is true that they all had a family likeness; they might have been summed up in the determination that if she was to be unhappy it should not be by a fault of her own. Her poor winged spirit had always had a great desire to do its best, and it had not as yet been seriously discouraged. It wished, therefore, to hold fast to justice--not to pay itself by petty revenges. To associate Madame Merle with its disappointment would be a petty revenge--especially as the pleasure to be derived from that would be perfectly insincere. It might feed her sense of bitterness, but it would not loosen her bonds. It was impossible to pretend that she had not acted with her eyes open; if ever a girl was a free agent she had been. A girl in love was doubtless not a free agent; but the sole source of her mistake had been within herself. There had been no plot, no snare; she had looked and considered and chosen. When a woman had made such a mistake, there was only one way to repair it--just immensely (oh, with the highest grandeur!) to accept it. One folly was enough, especially when it was to last for ever; a second one would not much set it off. In this vow of reticence there was a certain nobleness which kept Isabel going; but Madame Merle had been right, for all that, in taking her precautions. One day about a month after Ralph Touchett's arrival in Rome Isabel came back from a walk with Pansy. It was not only a part of her general determination to be just that she was at present very thankful for Pansy--it was also a part of her tenderness for things that were pure and weak. Pansy was dear to her, and there was nothing else in her life that had the rightness of the young creature's attachment or the sweetness of her own clearness about it. It was like a soft presence--like a small hand in her own; on Pansy's part it was more than an affection--it was a kind of ardent coercive faith. On her own side her sense of the girl's dependence was more than a pleasure; it operated as a definite reason when motives threatened to fail her. She had said to herself that we must take our duty where we find it, and that we must look for it as much as possible. Pansy's sympathy was a direct admonition; it seemed to say that here was an opportunity, not eminent perhaps, but unmistakeable. Yet an opportunity for what Isabel could hardly have said; in general, to be more for the child than the child was able to be for herself. Isabel could have smiled, in these days, to remember that her little companion had once been ambiguous, for she now perceived that Pansy's ambiguities were simply her own grossness of vision. She had been unable to believe any one could care so much--so extraordinarily much--to please. But since then she had seen this delicate faculty in operation, and now she knew what to think of it. It was the whole creature--it was a sort of genius. Pansy had no pride to interfere with it, and though she was constantly extending her conquests she took no credit for them. The two were constantly together; Mrs. Osmond was rarely seen without her stepdaughter. Isabel liked her company; it had the effect of one's carrying a nosegay composed all of the same flower. And then not to neglect Pansy, not under any provocation to neglect her--this she had made an article of religion. The young girl had every appearance of being happier in Isabel's society than in that of any one save her father,--whom she admired with an intensity justified by the fact that, as paternity was an exquisite pleasure to Gilbert Osmond, he had always been luxuriously mild. Isabel knew how Pansy liked to be with her and how she studied the means of pleasing her. She had decided that the best way of pleasing her was negative, and consisted in not giving her trouble--a conviction which certainly could have had no reference to trouble already existing. She was therefore ingeniously passive and almost imaginatively docile; she was careful even to moderate the eagerness with which she assented to Isabel's propositions and which might have implied that she could have thought otherwise. She never interrupted, never asked social questions, and though she delighted in approbation, to the point of turning pale when it came to her, never held out her hand for it. She only looked toward it wistfully--an attitude which, as she grew older, made her eyes the prettiest in the world. When during the second winter at Palazzo Roccanera she began to go to parties, to dances, she always, at a reasonable hour, lest Mrs. Osmond should be tired, was the first to propose departure. Isabel appreciated the sacrifice of the late dances, for she knew her little companion had a passionate pleasure in this exercise, taking her steps to the music like a conscientious fairy. Society, moreover, had no drawbacks for her; she liked even the tiresome parts--the heat of ball-rooms, the dulness of dinners, the crush at the door, the awkward waiting for the carriage. During the day, in this vehicle, beside her stepmother, she sat in a small fixed, appreciative posture, bending forward and faintly smiling, as if she had been taken to drive for the first time. On the day I speak of they had been driven out of one of the gates of the city and at the end of half an hour had left the carriage to await them by the roadside while they walked away over the short grass of the Campagna, which even in the winter months is sprinkled with delicate flowers. This was almost a daily habit with Isabel, who was fond of a walk and had a swift length of step, though not so swift a one as on her first coming to Europe. It was not the form of exercise that Pansy loved best, but she liked it, because she liked everything; and she moved with a shorter undulation beside her father's wife, who afterwards, on their return to Rome, paid a tribute to her preferences by making the circuit of the Pincian or the Villa Borghese. She had gathered a handful of flowers in a sunny hollow, far from the walls of Rome, and on reaching Palazzo Roccanera she went straight to her room, to put them into water. Isabel passed into the drawing-room, the one she herself usually occupied, the second in order from the large ante-chamber which was entered from the staircase and in which even Gilbert Osmond's rich devices had not been able to correct a look of rather grand nudity. Just beyond the threshold of the drawing-room she stopped short, the reason for her doing so being that she had received an impression. The impression had, in strictness, nothing unprecedented; but she felt it as something new, and the soundlessness of her step gave her time to take in the scene before she interrupted it. Madame Merle was there in her bonnet, and Gilbert Osmond was talking to her; for a minute they were unaware she had come in. Isabel had often seen that before, certainly; but what she had not seen, or at least had not noticed, was that their colloquy had for the moment converted itself into a sort of familiar silence, from which she instantly perceived that her entrance would startle them. Madame Merle was standing on the rug, a little way from the fire; Osmond was in a deep chair, leaning back and looking at her. Her head was erect, as usual, but her eyes were bent on his. What struck Isabel first was that he was sitting while Madame Merle stood; there was an anomaly in this that arrested her. Then she perceived that they had arrived at a desultory pause in their exchange of ideas and were musing, face to face, with the freedom of old friends who sometimes exchange ideas without uttering them. There was nothing to shock in this; they were old friends in fact. But the thing made an image, lasting only a moment, like a sudden flicker of light. Their relative positions, their absorbed mutual gaze, struck her as something detected. But it was all over by the time she had fairly seen it. Madame Merle had seen her and had welcomed her without moving; her husband, on the other hand, had instantly jumped up. He presently murmured something about wanting a walk and, after having asked their visitor to excuse him, left the room. "I came to see you, thinking you would have come in; and as you hadn't I waited for you," Madame Merle said. "Didn't he ask you to sit down?" Isabel asked with a smile. Madame Merle looked about her. "Ah, it's very true; I was going away." "You must stay now." "Certainly. I came for a reason; I've something on my mind." "I've told you that before," Isabel said--"that it takes something extraordinary to bring you to this house." "And you know what I've told YOU; that whether I come or whether I stay away, I've always the same motive--the affection I bear you." "Yes, you've told me that." "You look just now as if you didn't believe it," said Madame Merle. "Ah," Isabel answered, "the profundity of your motives, that's the last thing I doubt!" "You doubt sooner of the sincerity of my words." Isabel shook her head gravely. "I know you've always been kind to me." "As often as you would let me. You don't always take it; then one has to let you alone. It's not to do you a kindness, however, that I've come to-day; it's quite another affair. I've come to get rid of a trouble of my own--to make it over to you. I've been talking to your husband about it." "I'm surprised at that; he doesn't like troubles." "Especially other people's; I know very well. But neither do you, I suppose. At any rate, whether you do or not, you must help me. It's about poor Mr. Rosier." "Ah," said Isabel reflectively, "it's his trouble then, not yours." "He has succeeded in saddling me with it. He comes to see me ten times a week, to talk about Pansy." "Yes, he wants to marry her. I know all about it." Madame Merle hesitated. "I gathered from your husband that perhaps you didn't." "How should he know what I know? He has never spoken to me of the matter." "It's probably because he doesn't know how to speak of it." "It's nevertheless the sort of question in which he's rarely at fault." "Yes, because as a general thing he knows perfectly well what to think. To-day he doesn't." "Haven't you been telling him?" Isabel asked. Madame Merle gave a bright, voluntary smile. "Do you know you're a little dry?" "Yes; I can't help it. Mr. Rosier has also talked to me." "In that there's some reason. You're so near the child." "Ah," said Isabel, "for all the comfort I've given him! If you think me dry, I wonder what HE thinks." "I believe he thinks you can do more than you have done." "I can do nothing." "You can do more at least than I. I don't know what mysterious connection he may have discovered between me and Pansy; but he came to me from the first, as if I held his fortune in my hand. Now he keeps coming back, to spur me up, to know what hope there is, to pour out his feelings." "He's very much in love," said Isabel. "Very much--for him." "Very much for Pansy, you might say as well." Madame Merle dropped her eyes a moment. "Don't you think she's attractive?" "The dearest little person possible--but very limited." "She ought to be all the easier for Mr. Rosier to love. Mr. Rosier's not unlimited." "No," said Isabel, "he has about the extent of one's pocket-handkerchief--the small ones with lace borders." Her humour had lately turned a good deal to sarcasm, but in a moment she was ashamed of exercising it on so innocent an object as Pansy's suitor. "He's very kind, very honest," she presently added; "and he's not such a fool as he seems." "He assures me that she delights in him," said Madame Merle. "I don't know; I've not asked her." "You've never sounded her a little?" "It's not my place; it's her father's." "Ah, you're too literal!" said Madame Merle. "I must judge for myself." Madame Merle gave her smile again. "It isn't easy to help you." "To help me?" said Isabel very seriously. "What do you mean?" "It's easy to displease you. Don't you see how wise I am to be careful? I notify you, at any rate, as I notified Osmond, that I wash my hands of the love-affairs of Miss Pansy and Mr. Edward Rosier. Je n'y peux rien, moi! I can't talk to Pansy about him. Especially," added Madame Merle, "as I don't think him a paragon of husbands." Isabel reflected a little; after which, with a smile, "You don't wash your hands then!" she said. After which again she added in another tone: "You can't--you're too much interested." Madame Merle slowly rose; she had given Isabel a look as rapid as the intimation that had gleamed before our heroine a few moments before. Only this time the latter saw nothing. "Ask him the next time, and you'll see." "I can't ask him; he has ceased to come to the house. Gilbert has let him know that he's not welcome." "Ah yes," said Madame Merle, "I forgot that--though it's the burden of his lamentation. He says Osmond has insulted him. All the same," she went on, "Osmond doesn't dislike him so much as he thinks." She had got up as if to close the conversation, but she lingered, looking about her, and had evidently more to say. Isabel perceived this and even saw the point she had in view; but Isabel also had her own reasons for not opening the way. "That must have pleased him, if you've told him," she answered, smiling. "Certainly I've told him; as far as that goes I've encouraged him. I've preached patience, have said that his case isn't desperate if he'll only hold his tongue and be quiet. Unfortunately he has taken it into his head to be jealous." "Jealous?" "Jealous of Lord Warburton, who, he says, is always here." Isabel, who was tired, had remained sitting; but at this she also rose. "Ah!" she exclaimed simply, moving slowly to the fireplace. Madame Merle observed her as she passed and while she stood a moment before the mantel-glass and pushed into its place a wandering tress of hair. "Poor Mr. Rosier keeps saying there's nothing impossible in Lord Warburton's falling in love with Pansy," Madame Merle went on. Isabel was silent a little; she turned away from the glass. "It's true--there's nothing impossible," she returned at last, gravely and more gently. "So I've had to admit to Mr. Rosier. So, too, your husband thinks." "That I don't know." "Ask him and you'll see." "I shall not ask him," said Isabel. "Pardon me; I forgot you had pointed that out. Of course," Madame Merle added, "you've had infinitely more observation of Lord Warburton's behaviour than I." "I see no reason why I shouldn't tell you that he likes my stepdaughter very much." Madame Merle gave one of her quick looks again. "Likes her, you mean--as Mr. Rosier means?" "I don't know how Mr. Rosier means; but Lord Warburton has let me know that he's charmed with Pansy." "And you've never told Osmond?" This observation was immediate, precipitate; it almost burst from Madame Merle's lips. Isabel's eyes rested on her. "I suppose he'll know in time; Lord Warburton has a tongue and knows how to express himself." Madame Merle instantly became conscious that she had spoken more quickly than usual, and the reflection brought the colour to her cheek. She gave the treacherous impulse time to subside and then said as if she had been thinking it over a little: "That would be better than marrying poor Mr. Rosier." "Much better, I think." "It would be very delightful; it would be a great marriage. It's really very kind of him." "Very kind of him?" "To drop his eyes on a simple little girl." "I don't see that." "It's very good of you. But after all, Pansy Osmond--" "After all, Pansy Osmond's the most attractive person he has ever known!" Isabel exclaimed. Madame Merle stared, and indeed she was justly bewildered. "Ah, a moment ago I thought you seemed rather to disparage her." "I said she was limited. And so she is. And so's Lord Warburton." "So are we all, if you come to that. If it's no more than Pansy deserves, all the better. But if she fixes her affections on Mr. Rosier I won't admit that she deserves it. That will be too perverse." "Mr. Rosier's a nuisance!" Isabel cried abruptly. "I quite agree with you, and I'm delighted to know that I'm not expected to feed his flame. For the future, when he calls on me, my door shall be closed to him." And gathering her mantle together Madame Merle prepared to depart. She was checked, however, on her progress to the door, by an inconsequent request from Isabel. "All the same, you know, be kind to him." She lifted her shoulders and eyebrows and stood looking at her friend. "I don't understand your contradictions! Decidedly I shan't be kind to him, for it will be a false kindness. I want to see her married to Lord Warburton." "You had better wait till he asks her." "If what you say's true, he'll ask her. Especially," said Madame Merle in a moment, "if you make him." "If I make him?" "It's quite in your power. You've great influence with him." Isabel frowned a little. "Where did you learn that?" "Mrs. Touchett told me. Not you--never!" said Madame Merle, smiling. "I certainly never told you anything of the sort." "You MIGHT have done so--so far as opportunity went--when we were by way of being confidential with each other. But you really told me very little; I've often thought so since." Isabel had thought so too, and sometimes with a certain satisfaction. But she didn't admit it now--perhaps because she wished not to appear to exult in it. "You seem to have had an excellent informant in my aunt," she simply returned. "She let me know you had declined an offer of marriage from Lord Warburton, because she was greatly vexed and was full of the subject. Of course I think you've done better in doing as you did. But if you wouldn't marry Lord Warburton yourself, make him the reparation of helping him to marry some one else." Isabel listened to this with a face that persisted in not reflecting the bright expressiveness of Madame Merle's. But in a moment she said, reasonably and gently enough: "I should be very glad indeed if, as regards Pansy, it could be arranged." Upon which her companion, who seemed to regard this as a speech of good omen, embraced her more tenderly than might have been expected and triumphantly withdrew.

Chapter 40

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-40

Madame Merle hasn't been around Rome much; she's made herself scarce. Madame Merle comes to visit in the winter. The dynamic between Madame Merle and Isabel has shifted. Isabel is now more aware of Ralph's complaint about Madame Merle, which was that she exaggerates too much. For the past three years, Isabel has pondered Mrs. Touchett's accusation of Madame Merle's part in her marriage to Osmond. Isabel was surprised to find that Osmond is not that fond of Madame Merle, despite the lady's devotion to him. Isabel almost blames Madame Merle for getting her in her present situation, but she reminds herself that she must live with the consequences of her own actions. Isabel has been spending a lot of time with Pansy. She is aware of how dependent, "pure and weak" Pansy is. One day, after one of Isabel and Pansy's walks together, they return and find Madame Merle and Osmond together. Something about the eerie way they're just looking at each other disturbs Isabel. Madame Merle claims to want Isabel's help with Rosier. She also sneaks in a mention of Lord Warburton's interest in Pansy. Madame Merle also mentions that Isabel could use her influence over Lord Warburton to benefit Pansy. Isabel is surprised to find that Madame Merle knows of Lord Warburton's proposal to her. Mrs. Touchett had told her. Madame Merle and Isabel both agree that Lord Warburton would be a smarter match for Pansy than Rosier. Madame Merle says she will be happy to end the discussion with him. Madame Merle gives Isabel an unexpectedly warm embrace for agreeing to help Pansy with Lord Warburton.

shmoop

all_chapterized_books/2833-chapters/41.txt

finished_summaries/shmoop/The Portrait of a Lady/section_40_part_0.txt

The Portrait of a Lady.chapter 41

chapter 41

{"name": "Chapter 41", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-41", "summary": "Lord Warburton calls on the Osmond household often to visit with Isabel and Pansy. Isabel is open to the idea of Pansy marrying the lord, but thinks of what a shame it is that Rosier will be hurt. She wants to please Osmond. We're disturbed by her abused-wife mentality.... Isabel considers leaving Lord Warburton and Pansy alone, but decides to stay in the same room. Osmond comes into the room after Pansy's left. He asks if Lord Warburton has gone. Osmond, for whatever reason, is certain that Isabel will side with Pansy marrying Rosier. The couple obviously has an antagonistic relationship. Osmond commands that Isabel to use her pull with Lord Warburton to get him to propose to Pansy.", "analysis": ""}

Osmond touched on this matter that evening for the first time; coming very late into the drawing-room, where she was sitting alone. They had spent the evening at home, and Pansy had gone to bed; he himself had been sitting since dinner in a small apartment in which he had arranged his books and which he called his study. At ten o'clock Lord Warburton had come in, as he always did when he knew from Isabel that she was to be at home; he was going somewhere else and he sat for half an hour. Isabel, after asking him for news of Ralph, said very little to him, on purpose; she wished him to talk with her stepdaughter. She pretended to read; she even went after a little to the piano; she asked herself if she mightn't leave the room. She had come little by little to think well of the idea of Pansy's becoming the wife of the master of beautiful Lockleigh, though at first it had not presented itself in a manner to excite her enthusiasm. Madame Merle, that afternoon, had applied the match to an accumulation of inflammable material. When Isabel was unhappy she always looked about her--partly from impulse and partly by theory--for some form of positive exertion. She could never rid herself of the sense that unhappiness was a state of disease--of suffering as opposed to doing. To "do"--it hardly mattered what--would therefore be an escape, perhaps in some degree a remedy. Besides, she wished to convince herself that she had done everything possible to content her husband; she was determined not to be haunted by visions of his wife's limpness under appeal. It would please him greatly to see Pansy married to an English nobleman, and justly please him, since this nobleman was so sound a character. It seemed to Isabel that if she could make it her duty to bring about such an event she should play the part of a good wife. She wanted to be that; she wanted to be able to believe sincerely, and with proof of it, that she had been that. Then such an undertaking had other recommendations. It would occupy her, and she desired occupation. It would even amuse her, and if she could really amuse herself she perhaps might be saved. Lastly, it would be a service to Lord Warburton, who evidently pleased himself greatly with the charming girl. It was a little "weird" he should--being what he was; but there was no accounting for such impressions. Pansy might captivate any one--any one at least but Lord Warburton. Isabel would have thought her too small, too slight, perhaps even too artificial for that. There was always a little of the doll about her, and that was not what he had been looking for. Still, who could say what men ever were looking for? They looked for what they found; they knew what pleased them only when they saw it. No theory was valid in such matters, and nothing was more unaccountable or more natural than anything else. If he had cared for HER it might seem odd he should care for Pansy, who was so different; but he had not cared for her so much as he had supposed. Or if he had, he had completely got over it, and it was natural that, as that affair had failed, he should think something of quite another sort might succeed. Enthusiasm, as I say, had not come at first to Isabel, but it came to-day and made her feel almost happy. It was astonishing what happiness she could still find in the idea of procuring a pleasure for her husband. It was a pity, however, that Edward Rosier had crossed their path! At this reflection the light that had suddenly gleamed upon that path lost something of its brightness. Isabel was unfortunately as sure that Pansy thought Mr. Rosier the nicest of all the young men--as sure as if she had held an interview with her on the subject. It was very tiresome she should be so sure, when she had carefully abstained from informing herself; almost as tiresome as that poor Mr. Rosier should have taken it into his own head. He was certainly very inferior to Lord Warburton. It was not the difference in fortune so much as the difference in the men; the young American was really so light a weight. He was much more of the type of the useless fine gentleman than the English nobleman. It was true that there was no particular reason why Pansy should marry a statesman; still, if a statesman admired her, that was his affair, and she would make a perfect little pearl of a peeress. It may seem to the reader that Mrs. Osmond had grown of a sudden strangely cynical, for she ended by saying to herself that this difficulty could probably be arranged. An impediment that was embodied in poor Rosier could not anyhow present itself as a dangerous one; there were always means of levelling secondary obstacles. Isabel was perfectly aware that she had not taken the measure of Pansy's tenacity, which might prove to be inconveniently great; but she inclined to see her as rather letting go, under suggestion, than as clutching under deprecation--since she had certainly the faculty of assent developed in a very much higher degree than that of protest. She would cling, yes, she would cling; but it really mattered to her very little what she clung to. Lord Warburton would do as well as Mr. Rosier--especially as she seemed quite to like him; she had expressed this sentiment to Isabel without a single reservation; she had said she thought his conversation most interesting--he had told her all about India. His manner to Pansy had been of the rightest and easiest--Isabel noticed that for herself, as she also observed that he talked to her not in the least in a patronising way, reminding himself of her youth and simplicity, but quite as if she understood his subjects with that sufficiency with which she followed those of the fashionable operas. This went far enough for attention to the music and the barytone. He was careful only to be kind--he was as kind as he had been to another fluttered young chit at Gardencourt. A girl might well be touched by that; she remembered how she herself had been touched, and said to herself that if she had been as simple as Pansy the impression would have been deeper still. She had not been simple when she refused him; that operation had been as complicated as, later, her acceptance of Osmond had been. Pansy, however, in spite of HER simplicity, really did understand, and was glad that Lord Warburton should talk to her, not about her partners and bouquets, but about the state of Italy, the condition of the peasantry, the famous grist-tax, the pellagra, his impressions of Roman society. She looked at him, as she drew her needle through her tapestry, with sweet submissive eyes, and when she lowered them she gave little quiet oblique glances at his person, his hands, his feet, his clothes, as if she were considering him. Even his person, Isabel might have reminded her, was better than Mr. Rosier's. But Isabel contented herself at such moments with wondering where this gentleman was; he came no more at all to Palazzo Roccanera. It was surprising, as I say, the hold it had taken of her--the idea of assisting her husband to be pleased. It was surprising for a variety of reasons which I shall presently touch upon. On the evening I speak of, while Lord Warburton sat there, she had been on the point of taking the great step of going out of the room and leaving her companions alone. I say the great step, because it was in this light that Gilbert Osmond would have regarded it, and Isabel was trying as much as possible to take her husband's view. She succeeded after a fashion, but she fell short of the point I mention. After all she couldn't rise to it; something held her and made this impossible. It was not exactly that it would be base or insidious; for women as a general thing practise such manoeuvres with a perfectly good conscience, and Isabel was instinctively much more true than false to the common genius of her sex. There was a vague doubt that interposed--a sense that she was not quite sure. So she remained in the drawing-room, and after a while Lord Warburton went off to his party, of which he promised to give Pansy a full account on the morrow. After he had gone she wondered if she had prevented something which would have happened if she had absented herself for a quarter of an hour; and then she pronounced--always mentally--that when their distinguished visitor should wish her to go away he would easily find means to let her know it. Pansy said nothing whatever about him after he had gone, and Isabel studiously said nothing, as she had taken a vow of reserve until after he should have declared himself. He was a little longer in coming to this than might seem to accord with the description he had given Isabel of his feelings. Pansy went to bed, and Isabel had to admit that she could not now guess what her stepdaughter was thinking of. Her transparent little companion was for the moment not to be seen through. She remained alone, looking at the fire, until, at the end of half an hour, her husband came in. He moved about a while in silence and then sat down; he looked at the fire like herself. But she now had transferred her eyes from the flickering flame in the chimney to Osmond's face, and she watched him while he kept his silence. Covert observation had become a habit with her; an instinct, of which it is not an exaggeration to say that it was allied to that of self-defence, had made it habitual. She wished as much as possible to know his thoughts, to know what he would say, beforehand, so that she might prepare her answer. Preparing answers had not been her strong point of old; she had rarely in this respect got further than thinking afterwards of clever things she might have said. But she had learned caution--learned it in a measure from her husband's very countenance. It was the same face she had looked into with eyes equally earnest perhaps, but less penetrating, on the terrace of a Florentine villa; except that Osmond had grown slightly stouter since his marriage. He still, however, might strike one as very distinguished. "Has Lord Warburton been here?" he presently asked. "Yes, he stayed half an hour." "Did he see Pansy?" "Yes; he sat on the sofa beside her." "Did he talk with her much?" "He talked almost only to her." "It seems to me he's attentive. Isn't that what you call it?" "I don't call it anything," said Isabel; "I've waited for you to give it a name." "That's a consideration you don't always show," Osmond answered after a moment. "I've determined, this time, to try and act as you'd like. I've so often failed of that." Osmond turned his head slowly, looking at her. "Are you trying to quarrel with me?" "No, I'm trying to live at peace." "Nothing's more easy; you know I don't quarrel myself." "What do you call it when you try to make me angry?" Isabel asked. "I don't try; if I've done so it has been the most natural thing in the world. Moreover I'm not in the least trying now." Isabel smiled. "It doesn't matter. I've determined never to be angry again." "That's an excellent resolve. Your temper isn't good." "No--it's not good." She pushed away the book she had been reading and took up the band of tapestry Pansy had left on the table. "That's partly why I've not spoken to you about this business of my daughter's," Osmond said, designating Pansy in the manner that was most frequent with him. "I was afraid I should encounter opposition--that you too would have views on the subject. I've sent little Rosier about his business." "You were afraid I'd plead for Mr. Rosier? Haven't you noticed that I've never spoken to you of him?" "I've never given you a chance. We've so little conversation in these days. I know he was an old friend of yours." "Yes; he's an old friend of mine." Isabel cared little more for him than for the tapestry that she held in her hand; but it was true that he was an old friend and that with her husband she felt a desire not to extenuate such ties. He had a way of expressing contempt for them which fortified her loyalty to them, even when, as in the present case, they were in themselves insignificant. She sometimes felt a sort of passion of tenderness for memories which had no other merit than that they belonged to her unmarried life. "But as regards Pansy," she added in a moment, "I've given him no encouragement." "That's fortunate," Osmond observed. "Fortunate for me, I suppose you mean. For him it matters little." "There's no use talking of him," Osmond said. "As I tell you, I've turned him out." "Yes; but a lover outside's always a lover. He's sometimes even more of one. Mr. Rosier still has hope." "He's welcome to the comfort of it! My daughter has only to sit perfectly quiet to become Lady Warburton." "Should you like that?" Isabel asked with a simplicity which was not so affected as it may appear. She was resolved to assume nothing, for Osmond had a way of unexpectedly turning her assumptions against her. The intensity with which he would like his daughter to become Lady Warburton had been the very basis of her own recent reflections. But that was for herself; she would recognise nothing until Osmond should have put it into words; she would not take for granted with him that he thought Lord Warburton a prize worth an amount of effort that was unusual among the Osmonds. It was Gilbert's constant intimation that for him nothing in life was a prize; that he treated as from equal to equal with the most distinguished people in the world, and that his daughter had only to look about her to pick out a prince. It cost him therefore a lapse from consistency to say explicitly that he yearned for Lord Warburton and that if this nobleman should escape his equivalent might not be found; with which moreover it was another of his customary implications that he was never inconsistent. He would have liked his wife to glide over the point. But strangely enough, now that she was face to face with him and although an hour before she had almost invented a scheme for pleasing him, Isabel was not accommodating, would not glide. And yet she knew exactly the effect on his mind of her question: it would operate as an humiliation. Never mind; he was terribly capable of humiliating her--all the more so that he was also capable of waiting for great opportunities and of showing sometimes an almost unaccountable indifference to small ones. Isabel perhaps took a small opportunity because she would not have availed herself of a great one. Osmond at present acquitted himself very honourably. "I should like it extremely; it would be a great marriage. And then Lord Warburton has another advantage: he's an old friend of yours. It would be pleasant for him to come into the family. It's very odd Pansy's admirers should all be your old friends." "It's natural that they should come to see me. In coming to see me they see Pansy. Seeing her it's natural they should fall in love with her." "So I think. But you're not bound to do so." "If she should marry Lord Warburton I should be very glad," Isabel went on frankly. "He's an excellent man. You say, however, that she has only to sit perfectly still. Perhaps she won't sit perfectly still. If she loses Mr. Rosier she may jump up!" Osmond appeared to give no heed to this; he sat gazing at the fire. "Pansy would like to be a great lady," he remarked in a moment with a certain tenderness of tone. "She wishes above all to please," he added. "To please Mr. Rosier, perhaps." "No, to please me." "Me too a little, I think," said Isabel. "Yes, she has a great opinion of you. But she'll do what I like." "If you're sure of that, it's very well," she went on. "Meantime," said Osmond, "I should like our distinguished visitor to speak." "He has spoken--to me. He has told me it would be a great pleasure to him to believe she could care for him." Osmond turned his head quickly, but at first he said nothing. Then, "Why didn't you tell me that?" he asked sharply. "There was no opportunity. You know how we live. I've taken the first chance that has offered." "Did you speak to him of Rosier?" "Oh yes, a little." "That was hardly necessary." "I thought it best he should know, so that, so that--" And Isabel paused. "So that what?" "So that he might act accordingly." "So that he might back out, do you mean?" "No, so that he might advance while there's yet time." "That's not the effect it seems to have had." "You should have patience," said Isabel. "You know Englishmen are shy." "This one's not. He was not when he made love to YOU." She had been afraid Osmond would speak of that; it was disagreeable to her. "I beg your pardon; he was extremely so," she returned. He answered nothing for some time; he took up a book and fingered the pages while she sat silent and occupied herself with Pansy's tapestry. "You must have a great deal of influence with him," Osmond went on at last. "The moment you really wish it you can bring him to the point." This was more offensive still; but she felt the great naturalness of his saying it, and it was after all extremely like what she had said to herself. "Why should I have influence?" she asked. "What have I ever done to put him under an obligation to me?" "You refused to marry him," said Osmond with his eyes on his book. "I must not presume too much on that," she replied. He threw down the book presently and got up, standing before the fire with his hands behind him. "Well, I hold that it lies in your hands. I shall leave it there. With a little good-will you may manage it. Think that over and remember how much I count on you." He waited a little, to give her time to answer; but she answered nothing, and he presently strolled out of the room.

Chapter 41

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Lord Warburton calls on the Osmond household often to visit with Isabel and Pansy. Isabel is open to the idea of Pansy marrying the lord, but thinks of what a shame it is that Rosier will be hurt. She wants to please Osmond. We're disturbed by her abused-wife mentality.... Isabel considers leaving Lord Warburton and Pansy alone, but decides to stay in the same room. Osmond comes into the room after Pansy's left. He asks if Lord Warburton has gone. Osmond, for whatever reason, is certain that Isabel will side with Pansy marrying Rosier. The couple obviously has an antagonistic relationship. Osmond commands that Isabel to use her pull with Lord Warburton to get him to propose to Pansy.

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all_chapterized_books/2833-chapters/42.txt

finished_summaries/shmoop/The Portrait of a Lady/section_41_part_0.txt

The Portrait of a Lady.chapter 42

chapter 42

{"name": "Chapter 42", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-42", "summary": "Isabel is doing a lot of thinking. We learn about her thoughts on her marriage to Osmond and Lord Warburton's pursuit of Pansy. Isabel wonders if she gave a false image of herself to Osmond when they first got involved. Isabel feels certain that Osmond hates her, because she doesn't have a sense of \"tradition.\" Well, of course not - isn't her originality the very thing that people love about her? Not only does he hate her opinions and beliefs, he also takes offense to the whole manner with which she conducts her life. We discover the grim truth behind their relationship: Osmond has gradually gained total control of Isabel, who was once so proud and independent. Isabel and Osmond have barely been speaking to one another. Isabel knows that Osmond is upset and jealous about Ralph's stay in Rome. Isabel has not told Ralph how miserable her life is. She thinks that it is better for him to think that he was wrong all along, although, in fact, he was all too right. Isabel stays up until four in the morning thinking things over. She can't shake off the alarming image of Madame Merle and Osmond in cahoots.", "analysis": ""}

She had answered nothing because his words had put the situation before her and she was absorbed in looking at it. There was something in them that suddenly made vibrations deep, so that she had been afraid to trust herself to speak. After he had gone she leaned back in her chair and closed her eyes; and for a long time, far into the night and still further, she sat in the still drawing-room, given up to her meditation. A servant came in to attend to the fire, and she bade him bring fresh candles and then go to bed. Osmond had told her to think of what he had said; and she did so indeed, and of many other things. The suggestion from another that she had a definite influence on Lord Warburton--this had given her the start that accompanies unexpected recognition. Was it true that there was something still between them that might be a handle to make him declare himself to Pansy--a susceptibility, on his part, to approval, a desire to do what would please her? Isabel had hitherto not asked herself the question, because she had not been forced; but now that it was directly presented to her she saw the answer, and the answer frightened her. Yes, there was something--something on Lord Warburton's part. When he had first come to Rome she believed the link that united them to be completely snapped; but little by little she had been reminded that it had yet a palpable existence. It was as thin as a hair, but there were moments when she seemed to hear it vibrate. For herself nothing was changed; what she once thought of him she always thought; it was needless this feeling should change; it seemed to her in fact a better feeling than ever. But he? had he still the idea that she might be more to him than other women? Had he the wish to profit by the memory of the few moments of intimacy through which they had once passed? Isabel knew she had read some of the signs of such a disposition. But what were his hopes, his pretensions, and in what strange way were they mingled with his evidently very sincere appreciation of poor Pansy? Was he in love with Gilbert Osmond's wife, and if so what comfort did he expect to derive from it? If he was in love with Pansy he was not in love with her stepmother, and if he was in love with her stepmother he was not in love with Pansy. Was she to cultivate the advantage she possessed in order to make him commit himself to Pansy, knowing he would do so for her sake and not for the small creature's own--was this the service her husband had asked of her? This at any rate was the duty with which she found herself confronted--from the moment she admitted to herself that her old friend had still an uneradicated predilection for her society. It was not an agreeable task; it was in fact a repulsive one. She asked herself with dismay whether Lord Warburton were pretending to be in love with Pansy in order to cultivate another satisfaction and what might be called other chances. Of this refinement of duplicity she presently acquitted him; she preferred to believe him in perfect good faith. But if his admiration for Pansy were a delusion this was scarcely better than its being an affectation. Isabel wandered among these ugly possibilities until she had completely lost her way; some of them, as she suddenly encountered them, seemed ugly enough. Then she broke out of the labyrinth, rubbing her eyes, and declared that her imagination surely did her little honour and that her husband's did him even less. Lord Warburton was as disinterested as he need be, and she was no more to him than she need wish. She would rest upon this till the contrary should be proved; proved more effectually than by a cynical intimation of Osmond's. Such a resolution, however, brought her this evening but little peace, for her soul was haunted with terrors which crowded to the foreground of thought as quickly as a place was made for them. What had suddenly set them into livelier motion she hardly knew, unless it were the strange impression she had received in the afternoon of her husband's being in more direct communication with Madame Merle than she suspected. That impression came back to her from time to time, and now she wondered it had never come before. Besides this, her short interview with Osmond half an hour ago was a striking example of his faculty for making everything wither that he touched, spoiling everything for her that he looked at. It was very well to undertake to give him a proof of loyalty; the real fact was that the knowledge of his expecting a thing raised a presumption against it. It was as if he had had the evil eye; as if his presence were a blight and his favour a misfortune. Was the fault in himself, or only in the deep mistrust she had conceived for him? This mistrust was now the clearest result of their short married life; a gulf had opened between them over which they looked at each other with eyes that were on either side a declaration of the deception suffered. It was a strange opposition, of the like of which she had never dreamed--an opposition in which the vital principle of the one was a thing of contempt to the other. It was not her fault--she had practised no deception; she had only admired and believed. She had taken all the first steps in the purest confidence, and then she had suddenly found the infinite vista of a multiplied life to be a dark, narrow alley with a dead wall at the end. Instead of leading to the high places of happiness, from which the world would seem to lie below one, so that one could look down with a sense of exaltation and advantage, and judge and choose and pity, it led rather downward and earthward, into realms of restriction and depression where the sound of other lives, easier and freer, was heard as from above, and where it served to deepen the feeling of failure. It was her deep distrust of her husband--this was what darkened the world. That is a sentiment easily indicated, but not so easily explained, and so composite in its character that much time and still more suffering had been needed to bring it to its actual perfection. Suffering, with Isabel, was an active condition; it was not a chill, a stupor, a despair; it was a passion of thought, of speculation, of response to every pressure. She flattered herself that she had kept her failing faith to herself, however,--that no one suspected it but Osmond. Oh, he knew it, and there were times when she thought he enjoyed it. It had come gradually--it was not till the first year of their life together, so admirably intimate at first, had closed that she had taken the alarm. Then the shadows had begun to gather; it was as if Osmond deliberately, almost malignantly, had put the lights out one by one. The dusk at first was vague and thin, and she could still see her way in it. But it steadily deepened, and if now and again it had occasionally lifted there were certain corners of her prospect that were impenetrably black. These shadows were not an emanation from her own mind: she was very sure of that; she had done her best to be just and temperate, to see only the truth. They were a part, they were a kind of creation and consequence, of her husband's very presence. They were not his misdeeds, his turpitudes; she accused him of nothing--that is but of one thing, which was NOT a crime. She knew of no wrong he had done; he was not violent, he was not cruel: she simply believed he hated her. That was all she accused him of, and the miserable part of it was precisely that it was not a crime, for against a crime she might have found redress. He had discovered that she was so different, that she was not what he had believed she would prove to be. He had thought at first he could change her, and she had done her best to be what he would like. But she was, after all, herself--she couldn't help that; and now there was no use pretending, wearing a mask or a dress, for he knew her and had made up his mind. She was not afraid of him; she had no apprehension he would hurt her; for the ill-will he bore her was not of that sort. He would if possible never give her a pretext, never put himself in the wrong. Isabel, scanning the future with dry, fixed eyes, saw that he would have the better of her there. She would give him many pretexts, she would often put herself in the wrong. There were times when she almost pitied him; for if she had not deceived him in intention she understood how completely she must have done so in fact. She had effaced herself when he first knew her; she had made herself small, pretending there was less of her than there really was. It was because she had been under the extraordinary charm that he, on his side, had taken pains to put forth. He was not changed; he had not disguised himself, during the year of his courtship, any more than she. But she had seen only half his nature then, as one saw the disk of the moon when it was partly masked by the shadow of the earth. She saw the full moon now--she saw the whole man. She had kept still, as it were, so that he should have a free field, and yet in spite of this she had mistaken a part for the whole. Ah, she had been immensely under the charm! It had not passed away; it was there still: she still knew perfectly what it was that made Osmond delightful when he chose to be. He had wished to be when he made love to her, and as she had wished to be charmed it was not wonderful he had succeeded. He had succeeded because he had been sincere; it never occurred to her now to deny him that. He admired her--he had told her why: because she was the most imaginative woman he had known. It might very well have been true; for during those months she had imagined a world of things that had no substance. She had had a more wondrous vision of him, fed through charmed senses and oh such a stirred fancy!--she had not read him right. A certain combination of features had touched her, and in them she had seen the most striking of figures. That he was poor and lonely and yet that somehow he was noble--that was what had interested her and seemed to give her her opportunity. There had been an indefinable beauty about him--in his situation, in his mind, in his face. She had felt at the same time that he was helpless and ineffectual, but the feeling had taken the form of a tenderness which was the very flower of respect. He was like a sceptical voyager strolling on the beach while he waited for the tide, looking seaward yet not putting to sea. It was in all this she had found her occasion. She would launch his boat for him; she would be his providence; it would be a good thing to love him. And she had loved him, she had so anxiously and yet so ardently given herself--a good deal for what she found in him, but a good deal also for what she brought him and what might enrich the gift. As she looked back at the passion of those full weeks she perceived in it a kind of maternal strain--the happiness of a woman who felt that she was a contributor, that she came with charged hands. But for her money, as she saw to-day, she would never have done it. And then her mind wandered off to poor Mr. Touchett, sleeping under English turf, the beneficent author of infinite woe! For this was the fantastic fact. At bottom her money had been a burden, had been on her mind, which was filled with the desire to transfer the weight of it to some other conscience, to some more prepared receptacle. What would lighten her own conscience more effectually than to make it over to the man with the best taste in the world? Unless she should have given it to a hospital there would have been nothing better she could do with it; and there was no charitable institution in which she had been as much interested as in Gilbert Osmond. He would use her fortune in a way that would make her think better of it and rub off a certain grossness attaching to the good luck of an unexpected inheritance. There had been nothing very delicate in inheriting seventy thousand pounds; the delicacy had been all in Mr. Touchett's leaving them to her. But to marry Gilbert Osmond and bring him such a portion--in that there would be delicacy for her as well. There would be less for him--that was true; but that was his affair, and if he loved her he wouldn't object to her being rich. Had he not had the courage to say he was glad she was rich? Isabel's cheek burned when she asked herself if she had really married on a factitious theory, in order to do something finely appreciable with her money. But she was able to answer quickly enough that this was only half the story. It was because a certain ardour took possession of her--a sense of the earnestness of his affection and a delight in his personal qualities. He was better than any one else. This supreme conviction had filled her life for months, and enough of it still remained to prove to her that she could not have done otherwise. The finest--in the sense of being the subtlest--manly organism she had ever known had become her property, and the recognition of her having but to put out her hands and take it had been originally a sort of act of devotion. She had not been mistaken about the beauty of his mind; she knew that organ perfectly now. She had lived with it, she had lived IN it almost--it appeared to have become her habitation. If she had been captured it had taken a firm hand to seize her; that reflection perhaps had some worth. A mind more ingenious, more pliant, more cultivated, more trained to admirable exercises, she had not encountered; and it was this exquisite instrument she had now to reckon with. She lost herself in infinite dismay when she thought of the magnitude of HIS deception. It was a wonder, perhaps, in view of this, that he didn't hate her more. She remembered perfectly the first sign he had given of it--it had been like the bell that was to ring up the curtain upon the real drama of their life. He said to her one day that she had too many ideas and that she must get rid of them. He had told her that already, before their marriage; but then she had not noticed it: it had come back to her only afterwards. This time she might well have noticed it, because he had really meant it. The words had been nothing superficially; but when in the light of deepening experience she had looked into them they had then appeared portentous. He had really meant it--he would have liked her to have nothing of her own but her pretty appearance. She had known she had too many ideas; she had more even than he had supposed, many more than she had expressed to him when he had asked her to marry him. Yes, she HAD been hypocritical; she had liked him so much. She had too many ideas for herself; but that was just what one married for, to share them with some one else. One couldn't pluck them up by the roots, though of course one might suppress them, be careful not to utter them. It had not been this, however, his objecting to her opinions; this had been nothing. She had no opinions--none that she would not have been eager to sacrifice in the satisfaction of feeling herself loved for it. What he had meant had been the whole thing--her character, the way she felt, the way she judged. This was what she had kept in reserve; this was what he had not known until he had found himself--with the door closed behind, as it were--set down face to face with it. She had a certain way of looking at life which he took as a personal offence. Heaven knew that now at least it was a very humble, accommodating way! The strange thing was that she should not have suspected from the first that his own had been so different. She had thought it so large, so enlightened, so perfectly that of an honest man and a gentleman. Hadn't he assured her that he had no superstitions, no dull limitations, no prejudices that had lost their freshness? Hadn't he all the appearance of a man living in the open air of the world, indifferent to small considerations, caring only for truth and knowledge and believing that two intelligent people ought to look for them together and, whether they found them or not, find at least some happiness in the search? He had told her he loved the conventional; but there was a sense in which this seemed a noble declaration. In that sense, that of the love of harmony and order and decency and of all the stately offices of life, she went with him freely, and his warning had contained nothing ominous. But when, as the months had elapsed, she had followed him further and he had led her into the mansion of his own habitation, then, THEN she had seen where she really was. She could live it over again, the incredulous terror with which she had taken the measure of her dwelling. Between those four walls she had lived ever since; they were to surround her for the rest of her life. It was the house of darkness, the house of dumbness, the house of suffocation. Osmond's beautiful mind gave it neither light nor air; Osmond's beautiful mind indeed seemed to peep down from a small high window and mock at her. Of course it had not been physical suffering; for physical suffering there might have been a remedy. She could come and go; she had her liberty; her husband was perfectly polite. He took himself so seriously; it was something appalling. Under all his culture, his cleverness, his amenity, under his good-nature, his facility, his knowledge of life, his egotism lay hidden like a serpent in a bank of flowers. She had taken him seriously, but she had not taken him so seriously as that. How could she--especially when she had known him better? She was to think of him as he thought of himself--as the first gentleman in Europe. So it was that she had thought of him at first, and that indeed was the reason she had married him. But when she began to see what it implied she drew back; there was more in the bond than she had meant to put her name to. It implied a sovereign contempt for every one but some three or four very exalted people whom he envied, and for everything in the world but half a dozen ideas of his own. That was very well; she would have gone with him even there a long distance; for he pointed out to her so much of the baseness and shabbiness of life, opened her eyes so wide to the stupidity, the depravity, the ignorance of mankind, that she had been properly impressed with the infinite vulgarity of things and of the virtue of keeping one's self unspotted by it. But this base, if noble world, it appeared, was after all what one was to live for; one was to keep it forever in one's eye, in order not to enlighten or convert or redeem it, but to extract from it some recognition of one's own superiority. On the one hand it was despicable, but on the other it afforded a standard. Osmond had talked to Isabel about his renunciation, his indifference, the ease with which he dispensed with the usual aids to success; and all this had seemed to her admirable. She had thought it a grand indifference, an exquisite independence. But indifference was really the last of his qualities; she had never seen any one who thought so much of others. For herself, avowedly, the world had always interested her and the study of her fellow creatures been her constant passion. She would have been willing, however, to renounce all her curiosities and sympathies for the sake of a personal life, if the person concerned had only been able to make her believe it was a gain! This at least was her present conviction; and the thing certainly would have been easier than to care for society as Osmond cared for it. He was unable to live without it, and she saw that he had never really done so; he had looked at it out of his window even when he appeared to be most detached from it. He had his ideal, just as she had tried to have hers; only it was strange that people should seek for justice in such different quarters. His ideal was a conception of high prosperity and propriety, of the aristocratic life, which she now saw that he deemed himself always, in essence at least, to have led. He had never lapsed from it for an hour; he would never have recovered from the shame of doing so. That again was very well; here too she would have agreed; but they attached such different ideas, such different associations and desires, to the same formulas. Her notion of the aristocratic life was simply the union of great knowledge with great liberty; the knowledge would give one a sense of duty and the liberty a sense of enjoyment. But for Osmond it was altogether a thing of forms, a conscious, calculated attitude. He was fond of the old, the consecrated, the transmitted; so was she, but she pretended to do what she chose with it. He had an immense esteem for tradition; he had told her once that the best thing in the world was to have it, but that if one was so unfortunate as not to have it one must immediately proceed to make it. She knew that he meant by this that she hadn't it, but that he was better off; though from what source he had derived his traditions she never learned. He had a very large collection of them, however; that was very certain, and after a little she began to see. The great thing was to act in accordance with them; the great thing not only for him but for her. Isabel had an undefined conviction that to serve for another person than their proprietor traditions must be of a thoroughly superior kind; but she nevertheless assented to this intimation that she too must march to the stately music that floated down from unknown periods in her husband's past; she who of old had been so free of step, so desultory, so devious, so much the reverse of processional. There were certain things they must do, a certain posture they must take, certain people they must know and not know. When she saw this rigid system close about her, draped though it was in pictured tapestries, that sense of darkness and suffocation of which I have spoken took possession of her; she seemed shut up with an odour of mould and decay. She had resisted of course; at first very humorously, ironically, tenderly; then, as the situation grew more serious, eagerly, passionately, pleadingly. She had pleaded the cause of freedom, of doing as they chose, of not caring for the aspect and denomination of their life--the cause of other instincts and longings, of quite another ideal. Then it was that her husband's personality, touched as it never had been, stepped forth and stood erect. The things she had said were answered only by his scorn, and she could see he was ineffably ashamed of her. What did he think of her--that she was base, vulgar, ignoble? He at least knew now that she had no traditions! It had not been in his prevision of things that she should reveal such flatness; her sentiments were worthy of a radical newspaper or a Unitarian preacher. The real offence, as she ultimately perceived, was her having a mind of her own at all. Her mind was to be his--attached to his own like a small garden-plot to a deer-park. He would rake the soil gently and water the flowers; he would weed the beds and gather an occasional nosegay. It would be a pretty piece of property for a proprietor already far-reaching. He didn't wish her to be stupid. On the contrary, it was because she was clever that she had pleased him. But he expected her intelligence to operate altogether in his favour, and so far from desiring her mind to be a blank he had flattered himself that it would be richly receptive. He had expected his wife to feel with him and for him, to enter into his opinions, his ambitions, his preferences; and Isabel was obliged to confess that this was no great insolence on the part of a man so accomplished and a husband originally at least so tender. But there were certain things she could never take in. To begin with, they were hideously unclean. She was not a daughter of the Puritans, but for all that she believed in such a thing as chastity and even as decency. It would appear that Osmond was far from doing anything of the sort; some of his traditions made her push back her skirts. Did all women have lovers? Did they all lie and even the best have their price? Were there only three or four that didn't deceive their husbands? When Isabel heard such things she felt a greater scorn for them than for the gossip of a village parlour--a scorn that kept its freshness in a very tainted air. There was the taint of her sister-in-law: did her husband judge only by the Countess Gemini? This lady very often lied, and she had practised deceptions that were not simply verbal. It was enough to find these facts assumed among Osmond's traditions--it was enough without giving them such a general extension. It was her scorn of his assumptions, it was this that made him draw himself up. He had plenty of contempt, and it was proper his wife should be as well furnished; but that she should turn the hot light of her disdain upon his own conception of things--this was a danger he had not allowed for. He believed he should have regulated her emotions before she came to it; and Isabel could easily imagine how his ears had scorched on his discovering he had been too confident. When one had a wife who gave one that sensation there was nothing left but to hate her. She was morally certain now that this feeling of hatred, which at first had been a refuge and a refreshment, had become the occupation and comfort of his life. The feeling was deep, because it was sincere; he had had the revelation that she could after all dispense with him. If to herself the idea was startling, if it presented itself at first as a kind of infidelity, a capacity for pollution, what infinite effect might it not be expected to have had upon HIM? It was very simple; he despised her; she had no traditions and the moral horizon of a Unitarian minister. Poor Isabel, who had never been able to understand Unitarianism! This was the certitude she had been living with now for a time that she had ceased to measure. What was coming--what was before them? That was her constant question. What would he do--what ought SHE to do? When a man hated his wife what did it lead to? She didn't hate him, that she was sure of, for every little while she felt a passionate wish to give him a pleasant surprise. Very often, however, she felt afraid, and it used to come over her, as I have intimated, that she had deceived him at the very first. They were strangely married, at all events, and it was a horrible life. Until that morning he had scarcely spoken to her for a week; his manner was as dry as a burned-out fire. She knew there was a special reason; he was displeased at Ralph Touchett's staying on in Rome. He thought she saw too much of her cousin--he had told her a week before it was indecent she should go to him at his hotel. He would have said more than this if Ralph's invalid state had not appeared to make it brutal to denounce him; but having had to contain himself had only deepened his disgust. Isabel read all this as she would have read the hour on the clock-face; she was as perfectly aware that the sight of her interest in her cousin stirred her husband's rage as if Osmond had locked her into her room--which she was sure was what he wanted to do. It was her honest belief that on the whole she was not defiant, but she certainly couldn't pretend to be indifferent to Ralph. She believed he was dying at last and that she should never see him again, and this gave her a tenderness for him that she had never known before. Nothing was a pleasure to her now; how could anything be a pleasure to a woman who knew that she had thrown away her life? There was an everlasting weight on her heart--there was a livid light on everything. But Ralph's little visit was a lamp in the darkness; for the hour that she sat with him her ache for herself became somehow her ache for HIM. She felt to-day as if he had been her brother. She had never had a brother, but if she had and she were in trouble and he were dying, he would be dear to her as Ralph was. Ah yes, if Gilbert was jealous of her there was perhaps some reason; it didn't make Gilbert look better to sit for half an hour with Ralph. It was not that they talked of him--it was not that she complained. His name was never uttered between them. It was simply that Ralph was generous and that her husband was not. There was something in Ralph's talk, in his smile, in the mere fact of his being in Rome, that made the blasted circle round which she walked more spacious. He made her feel the good of the world; he made her feel what might have been. He was after all as intelligent as Osmond--quite apart from his being better. And thus it seemed to her an act of devotion to conceal her misery from him. She concealed it elaborately; she was perpetually, in their talk, hanging out curtains and before her again--it lived before her again,--it had never had time to die--that morning in the garden at Florence when he had warned her against Osmond. She had only to close her eyes to see the place, to hear his voice, to feel the warm, sweet air. How could he have known? What a mystery, what a wonder of wisdom! As intelligent as Gilbert? He was much more intelligent--to arrive at such a judgement as that. Gilbert had never been so deep, so just. She had told him then that from her at least he should never know if he was right; and this was what she was taking care of now. It gave her plenty to do; there was passion, exaltation, religion in it. Women find their religion sometimes in strange exercises, and Isabel at present, in playing a part before her cousin, had an idea that she was doing him a kindness. It would have been a kindness perhaps if he had been for a single instant a dupe. As it was, the kindness consisted mainly in trying to make him believe that he had once wounded her greatly and that the event had put him to shame, but that, as she was very generous and he was so ill, she bore him no grudge and even considerately forbore to flaunt her happiness in his face. Ralph smiled to himself, as he lay on his sofa, at this extraordinary form of consideration; but he forgave her for having forgiven him. She didn't wish him to have the pain of knowing she was unhappy: that was the great thing, and it didn't matter that such knowledge would rather have righted him. For herself, she lingered in the soundless saloon long after the fire had gone out. There was no danger of her feeling the cold; she was in a fever. She heard the small hours strike, and then the great ones, but her vigil took no heed of time. Her mind, assailed by visions, was in a state of extraordinary activity, and her visions might as well come to her there, where she sat up to meet them, as on her pillow, to make a mockery of rest. As I have said, she believed she was not defiant, and what could be a better proof of it than that she should linger there half the night, trying to persuade herself that there was no reason why Pansy shouldn't be married as you would put a letter in the post-office? When the clock struck four she got up; she was going to bed at last, for the lamp had long since gone out and the candles burned down to their sockets. But even then she stopped again in the middle of the room and stood there gazing at a remembered vision--that of her husband and Madame Merle unconsciously and familiarly associated.

Chapter 42

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-42

Isabel is doing a lot of thinking. We learn about her thoughts on her marriage to Osmond and Lord Warburton's pursuit of Pansy. Isabel wonders if she gave a false image of herself to Osmond when they first got involved. Isabel feels certain that Osmond hates her, because she doesn't have a sense of "tradition." Well, of course not - isn't her originality the very thing that people love about her? Not only does he hate her opinions and beliefs, he also takes offense to the whole manner with which she conducts her life. We discover the grim truth behind their relationship: Osmond has gradually gained total control of Isabel, who was once so proud and independent. Isabel and Osmond have barely been speaking to one another. Isabel knows that Osmond is upset and jealous about Ralph's stay in Rome. Isabel has not told Ralph how miserable her life is. She thinks that it is better for him to think that he was wrong all along, although, in fact, he was all too right. Isabel stays up until four in the morning thinking things over. She can't shake off the alarming image of Madame Merle and Osmond in cahoots.

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The Portrait of a Lady.chapter 43

chapter 43

{"name": "Chapter 43", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-43", "summary": "Isabel accompanies Pansy to a fancy ball, where they once again encounter both Rosier and Lord Warburton. Isabel can tell that Rosier really does love Pansy, and that staying away from her tortures him. Osmond has ordered Pansy not to dance with him, and, of course, Pansy obeys. Isabel kindly allows Rosier to take a single flower from Pansy's bouquet . Isabel can tell that Pansy has noticed the missing flower in her bouquet. Lord Warburton asks Isabel to dance, but Isabel insists that it's better for him to dance with Pansy. Lord Warburton agrees to dance the quadrille with Pansy. Lord Warburton says that Pansy has benefited from having Isabel as a model. He suggests that he himself tends to gravitate toward Isabel. Icky. Isabel asks Lord Warburton about his intentions toward Pansy. Lord Warburton says he has written a letter to Osmond that he has yet to send . Isabel fixes Pansy's dress, which keeps getting torn on the spurs of the young men she dances with. Lord Warburton leads Isabel to a private corner. Lord Warburton asks about Rosier, never having been introduced to him. He clearly sympathizes with the young man, although Isabel calls him his rival. Isabel lets it slip that Pansy does care for Rosier, and Lord Warburton is surprised to hear that Pansy would do something without her father's approval. Lord Warburton has clearly grown somewhat world-weary in the past few years. When asked if he's really in love with Pansy, he simply replies that he's forty-two - presumably too old now to truly fall in love. Isabel leaves the room and tells Rosier that she is willing to help him. Isabel reminds Lord Warburton to send his letter to Osmond. They all prepare to go home from the ball.", "analysis": ""}

Three nights after this she took Pansy to a great party, to which Osmond, who never went to dances, did not accompany them. Pansy was as ready for a dance as ever; she was not of a generalising turn and had not extended to other pleasures the interdict she had seen placed on those of love. If she was biding her time or hoping to circumvent her father she must have had a prevision of success. Isabel thought this unlikely; it was much more likely that Pansy had simply determined to be a good girl. She had never had such a chance, and she had a proper esteem for chances. She carried herself no less attentively than usual and kept no less anxious an eye upon her vaporous skirts; she held her bouquet very tight and counted over the flowers for the twentieth time. She made Isabel feel old; it seemed so long since she had been in a flutter about a ball. Pansy, who was greatly admired, was never in want of partners, and very soon after their arrival she gave Isabel, who was not dancing, her bouquet to hold. Isabel had rendered her this service for some minutes when she became aware of the near presence of Edward Rosier. He stood before her; he had lost his affable smile and wore a look of almost military resolution. The change in his appearance would have made Isabel smile if she had not felt his case to be at bottom a hard one: he had always smelt so much more of heliotrope than of gunpowder. He looked at her a moment somewhat fiercely, as if to notify her he was dangerous, and then dropped his eyes on her bouquet. After he had inspected it his glance softened and he said quickly: "It's all pansies; it must be hers!" Isabel smiled kindly. "Yes, it's hers; she gave it to me to hold." "May I hold it a little, Mrs. Osmond?" the poor young man asked. "No, I can't trust you; I'm afraid you wouldn't give it back." "I'm not sure that I should; I should leave the house with it instantly. But may I not at least have a single flower?" Isabel hesitated a moment, and then, smiling still, held out the bouquet. "Choose one yourself. It's frightful what I'm doing for you." "Ah, if you do no more than this, Mrs. Osmond!" Rosier exclaimed with his glass in one eye, carefully choosing his flower. "Don't put it into your button-hole," she said. "Don't for the world!" "I should like her to see it. She has refused to dance with me, but I wish to show her that I believe in her still." "It's very well to show it to her, but it's out of place to show it to others. Her father has told her not to dance with you." "And is that all YOU can do for me? I expected more from you, Mrs. Osmond," said the young man in a tone of fine general reference. "You know our acquaintance goes back very far--quite into the days of our innocent childhood." "Don't make me out too old," Isabel patiently answered. "You come back to that very often, and I've never denied it. But I must tell you that, old friends as we are, if you had done me the honour to ask me to marry you I should have refused you on the spot." "Ah, you don't esteem me then. Say at once that you think me a mere Parisian trifler!" "I esteem you very much, but I'm not in love with you. What I mean by that, of course, is that I'm not in love with you for Pansy." "Very good; I see. You pity me--that's all." And Edward Rosier looked all round, inconsequently, with his single glass. It was a revelation to him that people shouldn't be more pleased; but he was at least too proud to show that the deficiency struck him as general. Isabel for a moment said nothing. His manner and appearance had not the dignity of the deepest tragedy; his little glass, among other things, was against that. But she suddenly felt touched; her own unhappiness, after all, had something in common with his, and it came over her, more than before, that here, in recognisable, if not in romantic form, was the most affecting thing in the world--young love struggling with adversity. "Would you really be very kind to her?" she finally asked in a low tone. He dropped his eyes devoutly and raised the little flower that he held in his fingers to his lips. Then he looked at her. "You pity me; but don't you pity HER a little?" "I don't know; I'm not sure. She'll always enjoy life." "It will depend on what you call life!" Mr. Rosier effectively said. "She won't enjoy being tortured." "There'll be nothing of that." "I'm glad to hear it. She knows what she's about. You'll see." "I think she does, and she'll never disobey her father. But she's coming back to me," Isabel added, "and I must beg you to go away." Rosier lingered a moment till Pansy came in sight on the arm of her cavalier; he stood just long enough to look her in the face. Then he walked away, holding up his head; and the manner in which he achieved this sacrifice to expediency convinced Isabel he was very much in love. Pansy, who seldom got disarranged in dancing, looking perfectly fresh and cool after this exercise, waited a moment and then took back her bouquet. Isabel watched her and saw she was counting the flowers; whereupon she said to herself that decidedly there were deeper forces at play than she had recognised. Pansy had seen Rosier turn away, but she said nothing to Isabel about him; she talked only of her partner, after he had made his bow and retired; of the music, the floor, the rare misfortune of having already torn her dress. Isabel was sure, however, she had discovered her lover to have abstracted a flower; though this knowledge was not needed to account for the dutiful grace with which she responded to the appeal of her next partner. That perfect amenity under acute constraint was part of a larger system. She was again led forth by a flushed young man, this time carrying her bouquet; and she had not been absent many minutes when Isabel saw Lord Warburton advancing through the crowd. He presently drew near and bade her good-evening; she had not seen him since the day before. He looked about him, and then "Where's the little maid?" he asked. It was in this manner that he had formed the harmless habit of alluding to Miss Osmond. "She's dancing," said Isabel. "You'll see her somewhere." He looked among the dancers and at last caught Pansy's eye. "She sees me, but she won't notice me," he then remarked. "Are you not dancing?" "As you see, I'm a wall-flower." "Won't you dance with me?" "Thank you; I'd rather you should dance with the little maid." "One needn't prevent the other--especially as she's engaged." "She's not engaged for everything, and you can reserve yourself. She dances very hard, and you'll be the fresher." "She dances beautifully," said Lord Warburton, following her with his eyes. "Ah, at last," he added, "she has given me a smile." He stood there with his handsome, easy, important physiognomy; and as Isabel observed him it came over her, as it had done before, that it was strange a man of his mettle should take an interest in a little maid. It struck her as a great incongruity; neither Pansy's small fascinations, nor his own kindness, his good-nature, not even his need for amusement, which was extreme and constant, were sufficient to account for it. "I should like to dance with you," he went on in a moment, turning back to Isabel; "but I think I like even better to talk with you." "Yes, it's better, and it's more worthy of your dignity. Great statesmen oughtn't to waltz." "Don't be cruel. Why did you recommend me then to dance with Miss Osmond?" "Ah, that's different. If you danced with her it would look simply like a piece of kindness--as if you were doing it for her amusement. If you dance with me you'll look as if you were doing it for your own." "And pray haven't I a right to amuse myself?" "No, not with the affairs of the British Empire on your hands." "The British Empire be hanged! You're always laughing at it." "Amuse yourself with talking to me," said Isabel. "I'm not sure it's really a recreation. You're too pointed; I've always to be defending myself. And you strike me as more than usually dangerous to-night. Will you absolutely not dance?" "I can't leave my place. Pansy must find me here." He was silent a little. "You're wonderfully good to her," he said suddenly. Isabel stared a little and smiled. "Can you imagine one's not being?" "No indeed. I know how one is charmed with her. But you must have done a great deal for her." "I've taken her out with me," said Isabel, smiling still. "And I've seen that she has proper clothes." "Your society must have been a great benefit to her. You've talked to her, advised her, helped her to develop." "Ah yes, if she isn't the rose she has lived near it." She laughed, and her companion did as much; but there was a certain visible preoccupation in his face which interfered with complete hilarity. "We all try to live as near it as we can," he said after a moment's hesitation. Isabel turned away; Pansy was about to be restored to her, and she welcomed the diversion. We know how much she liked Lord Warburton; she thought him pleasanter even than the sum of his merits warranted; there was something in his friendship that appeared a kind of resource in case of indefinite need; it was like having a large balance at the bank. She felt happier when he was in the room; there was something reassuring in his approach; the sound of his voice reminded her of the beneficence of nature. Yet for all that it didn't suit her that he should be too near her, that he should take too much of her good-will for granted. She was afraid of that; she averted herself from it; she wished he wouldn't. She felt that if he should come too near, as it were, it might be in her to flash out and bid him keep his distance. Pansy came back to Isabel with another rent in her skirt, which was the inevitable consequence of the first and which she displayed to Isabel with serious eyes. There were too many gentlemen in uniform; they wore those dreadful spurs, which were fatal to the dresses of little maids. It hereupon became apparent that the resources of women are innumerable. Isabel devoted herself to Pansy's desecrated drapery; she fumbled for a pin and repaired the injury; she smiled and listened to her account of her adventures. Her attention, her sympathy were immediate and active; and they were in direct proportion to a sentiment with which they were in no way connected--a lively conjecture as to whether Lord Warburton might be trying to make love to her. It was not simply his words just then; it was others as well; it was the reference and the continuity. This was what she thought about while she pinned up Pansy's dress. If it were so, as she feared, he was of course unwitting; he himself had not taken account of his intention. But this made it none the more auspicious, made the situation none less impossible. The sooner he should get back into right relations with things the better. He immediately began to talk to Pansy--on whom it was certainly mystifying to see that he dropped a smile of chastened devotion. Pansy replied, as usual, with a little air of conscientious aspiration; he had to bend toward her a good deal in conversation, and her eyes, as usual, wandered up and down his robust person as if he had offered it to her for exhibition. She always seemed a little frightened; yet her fright was not of the painful character that suggests dislike; on the contrary, she looked as if she knew that he knew she liked him. Isabel left them together a little and wandered toward a friend whom she saw near and with whom she talked till the music of the following dance began, for which she knew Pansy to be also engaged. The girl joined her presently, with a little fluttered flush, and Isabel, who scrupulously took Osmond's view of his daughter's complete dependence, consigned her, as a precious and momentary loan, to her appointed partner. About all this matter she had her own imaginations, her own reserves; there were moments when Pansy's extreme adhesiveness made each of them, to her sense, look foolish. But Osmond had given her a sort of tableau of her position as his daughter's duenna, which consisted of gracious alternations of concession and contraction; and there were directions of his which she liked to think she obeyed to the letter. Perhaps, as regards some of them, it was because her doing so appeared to reduce them to the absurd. After Pansy had been led away, she found Lord Warburton drawing near her again. She rested her eyes on him steadily; she wished she could sound his thoughts. But he had no appearance of confusion. "She has promised to dance with me later," he said. "I'm glad of that. I suppose you've engaged her for the cotillion." At this he looked a little awkward. "No, I didn't ask her for that. It's a quadrille." "Ah, you're not clever!" said Isabel almost angrily. "I told her to keep the cotillion in case you should ask for it." "Poor little maid, fancy that!" And Lord Warburton laughed frankly. "Of course I will if you like." "If I like? Oh, if you dance with her only because I like it--!" "I'm afraid I bore her. She seems to have a lot of young fellows on her book." Isabel dropped her eyes, reflecting rapidly; Lord Warburton stood there looking at her and she felt his eyes on her face. She felt much inclined to ask him to remove them. She didn't do so, however; she only said to him, after a minute, with her own raised: "Please let me understand." "Understand what?" "You told me ten days ago that you'd like to marry my stepdaughter. You've not forgotten it!" "Forgotten it? I wrote to Mr. Osmond about it this morning." "Ah," said Isabel, "he didn't mention to me that he had heard from you." Lord Warburton stammered a little. "I--I didn't send my letter." "Perhaps you forgot THAT." "No, I wasn't satisfied with it. It's an awkward sort of letter to write, you know. But I shall send it to-night." "At three o'clock in the morning?" "I mean later, in the course of the day." "Very good. You still wish then to marry her?" "Very much indeed." "Aren't you afraid that you'll bore her?" And as her companion stared at this enquiry Isabel added: "If she can't dance with you for half an hour how will she be able to dance with you for life?" "Ah," said Lord Warburton readily, "I'll let her dance with other people! About the cotillion, the fact is I thought that you--that you--" "That I would do it with you? I told you I'd do nothing." "Exactly; so that while it's going on I might find some quiet corner where we may sit down and talk." "Oh," said Isabel gravely, "you're much too considerate of me." When the cotillion came Pansy was found to have engaged herself, thinking, in perfect humility, that Lord Warburton had no intentions. Isabel recommended him to seek another partner, but he assured her that he would dance with no one but herself. As, however, she had, in spite of the remonstrances of her hostess, declined other invitations on the ground that she was not dancing at all, it was not possible for her to make an exception in Lord Warburton's favour. "After all I don't care to dance," he said; "it's a barbarous amusement: I'd much rather talk." And he intimated that he had discovered exactly the corner he had been looking for--a quiet nook in one of the smaller rooms, where the music would come to them faintly and not interfere with conversation. Isabel had decided to let him carry out his idea; she wished to be satisfied. She wandered away from the ball-room with him, though she knew her husband desired she should not lose sight of his daughter. It was with his daughter's pretendant, however; that would make it right for Osmond. On her way out of the ball-room she came upon Edward Rosier, who was standing in a doorway, with folded arms, looking at the dance in the attitude of a young man without illusions. She stopped a moment and asked him if he were not dancing. "Certainly not, if I can't dance with HER!" he answered. "You had better go away then," said Isabel with the manner of good counsel. "I shall not go till she does!" And he let Lord Warburton pass without giving him a look. This nobleman, however, had noticed the melancholy youth, and he asked Isabel who her dismal friend was, remarking that he had seen him somewhere before. "It's the young man I've told you about, who's in love with Pansy." "Ah yes, I remember. He looks rather bad." "He has reason. My husband won't listen to him." "What's the matter with him?" Lord Warburton enquired. "He seems very harmless." "He hasn't money enough, and he isn't very clever." Lord Warburton listened with interest; he seemed struck with this account of Edward Rosier. "Dear me; he looked a well-set-up young fellow." "So he is, but my husband's very particular." "Oh, I see." And Lord Warburton paused a moment. "How much money has he got?" he then ventured to ask. "Some forty thousand francs a year." "Sixteen hundred pounds? Ah, but that's very good, you know." "So I think. My husband, however, has larger ideas." "Yes; I've noticed that your husband has very large ideas. Is he really an idiot, the young man?" "An idiot? Not in the least; he's charming. When he was twelve years old I myself was in love with him." "He doesn't look much more than twelve to-day," Lord Warburton rejoined vaguely, looking about him. Then with more point, "Don't you think we might sit here?" he asked. "Wherever you please." The room was a sort of boudoir, pervaded by a subdued, rose-coloured light; a lady and gentleman moved out of it as our friends came in. "It's very kind of you to take such an interest in Mr. Rosier," Isabel said. "He seems to me rather ill-treated. He had a face a yard long. I wondered what ailed him." "You're a just man," said Isabel. "You've a kind thought even for a rival." Lord Warburton suddenly turned with a stare. "A rival! Do you call him my rival?" "Surely--if you both wish to marry the same person." "Yes--but since he has no chance!" "I like you, however that may be, for putting your self in his place. It shows imagination." "You like me for it?" And Lord Warburton looked at her with an uncertain eye. "I think you mean you're laughing at me for it." "Yes, I'm laughing at you a little. But I like you as somebody to laugh at." "Ah well, then, let me enter into his situation a little more. What do you suppose one could do for him?" "Since I have been praising your imagination I'll leave you to imagine that yourself," Isabel said. "Pansy too would like you for that." "Miss Osmond? Ah, she, I flatter myself, likes me already." "Very much, I think." He waited a little; he was still questioning her face. "Well then, I don't understand you. You don't mean that she cares for him?" A quick blush sprang to his brow. "You told me she would have no wish apart from her father's, and as I've gathered that he would favour me--!" He paused a little and then suggested "Don't you see?" through his blush. "Yes, I told you she has an immense wish to please her father, and that it would probably take her very far." "That seems to me a very proper feeling," said Lord Warburton. "Certainly; it's a very proper feeling." Isabel remained silent for some moments; the room continued empty; the sound of the music reached them with its richness softened by the interposing apartments. Then at last she said: "But it hardly strikes me as the sort of feeling to which a man would wish to be indebted for a wife." "I don't know; if the wife's a good one and he thinks she does well!" "Yes, of course you must think that." "I do; I can't help it. You call that very British, of course." "No, I don't. I think Pansy would do wonderfully well to marry you, and I don't know who should know it better than you. But you're not in love." "Ah, yes I am, Mrs. Osmond!" Isabel shook her head. "You like to think you are while you sit here with me. But that's not how you strike me." "I'm not like the young man in the doorway. I admit that. But what makes it so unnatural? Could any one in the world be more loveable than Miss Osmond?" "No one, possibly. But love has nothing to do with good reasons." "I don't agree with you. I'm delighted to have good reasons." "Of course you are. If you were really in love you wouldn't care a straw for them." "Ah, really in love--really in love!" Lord Warburton exclaimed, folding his arms, leaning back his head and stretching himself a little. "You must remember that I'm forty-two years old. I won't pretend I'm as I once was." "Well, if you're sure," said Isabel, "it's all right." He answered nothing; he sat there, with his head back, looking before him. Abruptly, however, he changed his position; he turned quickly to his friend. "Why are you so unwilling, so sceptical?" She met his eyes, and for a moment they looked straight at each other. If she wished to be satisfied she saw something that satisfied her; she saw in his expression the gleam of an idea that she was uneasy on her own account--that she was perhaps even in fear. It showed a suspicion, not a hope, but such as it was it told her what she wanted to know. Not for an instant should he suspect her of detecting in his proposal of marrying her step-daughter an implication of increased nearness to herself, or of thinking it, on such a betrayal, ominous. In that brief, extremely personal gaze, however, deeper meanings passed between them than they were conscious of at the moment. "My dear Lord Warburton," she said, smiling, "you may do, so far as I'm concerned, whatever comes into your head." And with this she got up and wandered into the adjoining room, where, within her companion's view, she was immediately addressed by a pair of gentlemen, high personages in the Roman world, who met her as if they had been looking for her. While she talked with them she found herself regretting she had moved; it looked a little like running away--all the more as Lord Warburton didn't follow her. She was glad of this, however, and at any rate she was satisfied. She was so well satisfied that when, in passing back into the ball-room, she found Edward Rosier still planted in the doorway, she stopped and spoke to him again. "You did right not to go away. I've some comfort for you." "I need it," the young man softly wailed, "when I see you so awfully thick with him!" "Don't speak of him; I'll do what I can for you. I'm afraid it won't be much, but what I can I'll do." He looked at her with gloomy obliqueness. "What has suddenly brought you round?" "The sense that you are an inconvenience in doorways!" she answered, smiling as she passed him. Half an hour later she took leave, with Pansy, and at the foot of the staircase the two ladies, with many other departing guests, waited a while for their carriage. Just as it approached Lord Warburton came out of the house and assisted them to reach their vehicle. He stood a moment at the door, asking Pansy if she had amused herself; and she, having answered him, fell back with a little air of fatigue. Then Isabel, at the window, detaining him by a movement of her finger, murmured gently: "Don't forget to send your letter to her father!"

Chapter 43

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-43

Isabel accompanies Pansy to a fancy ball, where they once again encounter both Rosier and Lord Warburton. Isabel can tell that Rosier really does love Pansy, and that staying away from her tortures him. Osmond has ordered Pansy not to dance with him, and, of course, Pansy obeys. Isabel kindly allows Rosier to take a single flower from Pansy's bouquet . Isabel can tell that Pansy has noticed the missing flower in her bouquet. Lord Warburton asks Isabel to dance, but Isabel insists that it's better for him to dance with Pansy. Lord Warburton agrees to dance the quadrille with Pansy. Lord Warburton says that Pansy has benefited from having Isabel as a model. He suggests that he himself tends to gravitate toward Isabel. Icky. Isabel asks Lord Warburton about his intentions toward Pansy. Lord Warburton says he has written a letter to Osmond that he has yet to send . Isabel fixes Pansy's dress, which keeps getting torn on the spurs of the young men she dances with. Lord Warburton leads Isabel to a private corner. Lord Warburton asks about Rosier, never having been introduced to him. He clearly sympathizes with the young man, although Isabel calls him his rival. Isabel lets it slip that Pansy does care for Rosier, and Lord Warburton is surprised to hear that Pansy would do something without her father's approval. Lord Warburton has clearly grown somewhat world-weary in the past few years. When asked if he's really in love with Pansy, he simply replies that he's forty-two - presumably too old now to truly fall in love. Isabel leaves the room and tells Rosier that she is willing to help him. Isabel reminds Lord Warburton to send his letter to Osmond. They all prepare to go home from the ball.

shmoop

all_chapterized_books/2833-chapters/44.txt

finished_summaries/shmoop/The Portrait of a Lady/section_43_part_0.txt

The Portrait of a Lady.chapter 44

chapter 44

{"name": "Chapter 44", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-44", "summary": "Countess Gemini has been invited to stay at the Osmonds' for a couple of weeks. The Countess is fond of Isabel, although she and her brother have a mutual dislike for one another. She hopes to find that Osmond has met his match in Isabel. Henrietta visits Countess Gemini, asking whether she knows of Isabel's situation. The outlandish Countess is quite taken with the newspaper woman, and hopes that they can travel to Rome together - she desperately wants her name to appear in the papers. Henrietta's too busy to wait for Countess Gemini's departure, however, and wants see her friend as soon as possible. She plans to leave the next day. Henrietta sends a message to Caspar Goodwood in Florence, and then goes to the Uffizi Museum to look at her favorite painting. Henrietta runs into Caspar at the Uffizi, and they decide to leave for Rome together the next day. Caspar is somewhat hesitant, because he has mixed feelings for Henrietta, but he agrees to travel with her.", "analysis": ""}

The Countess Gemini was often extremely bored--bored, in her own phrase, to extinction. She had not been extinguished, however, and she struggled bravely enough with her destiny, which had been to marry an unaccommodating Florentine who insisted upon living in his native town, where he enjoyed such consideration as might attach to a gentleman whose talent for losing at cards had not the merit of being incidental to an obliging disposition. The Count Gemini was not liked even by those who won from him; and he bore a name which, having a measurable value in Florence, was, like the local coin of the old Italian states, without currency in other parts of the peninsula. In Rome he was simply a very dull Florentine, and it is not remarkable that he should not have cared to pay frequent visits to a place where, to carry it off, his dulness needed more explanation than was convenient. The Countess lived with her eyes upon Rome, and it was the constant grievance of her life that she had not an habitation there. She was ashamed to say how seldom she had been allowed to visit that city; it scarcely made the matter better that there were other members of the Florentine nobility who never had been there at all. She went whenever she could; that was all she could say. Or rather not all, but all she said she could say. In fact she had much more to say about it, and had often set forth the reasons why she hated Florence and wished to end her days in the shadow of Saint Peter's. They are reasons, however, that do not closely concern us, and were usually summed up in the declaration that Rome, in short, was the Eternal City and that Florence was simply a pretty little place like any other. The Countess apparently needed to connect the idea of eternity with her amusements. She was convinced that society was infinitely more interesting in Rome, where you met celebrities all winter at evening parties. At Florence there were no celebrities; none at least that one had heard of. Since her brother's marriage her impatience had greatly increased; she was so sure his wife had a more brilliant life than herself. She was not so intellectual as Isabel, but she was intellectual enough to do justice to Rome--not to the ruins and the catacombs, not even perhaps to the monuments and museums, the church ceremonies and the scenery; but certainly to all the rest. She heard a great deal about her sister-in-law and knew perfectly that Isabel was having a beautiful time. She had indeed seen it for herself on the only occasion on which she had enjoyed the hospitality of Palazzo Roccanera. She had spent a week there during the first winter of her brother's marriage, but she had not been encouraged to renew this satisfaction. Osmond didn't want her--that she was perfectly aware of; but she would have gone all the same, for after all she didn't care two straws about Osmond. It was her husband who wouldn't let her, and the money question was always a trouble. Isabel had been very nice; the Countess, who had liked her sister-in-law from the first, had not been blinded by envy to Isabel's personal merits. She had always observed that she got on better with clever women than with silly ones like herself; the silly ones could never understand her wisdom, whereas the clever ones--the really clever ones--always understood her silliness. It appeared to her that, different as they were in appearance and general style, Isabel and she had somewhere a patch of common ground that they would set their feet upon at last. It was not very large, but it was firm, and they should both know it when once they had really touched it. And then she lived, with Mrs. Osmond, under the influence of a pleasant surprise; she was constantly expecting that Isabel would "look down" on her, and she as constantly saw this operation postponed. She asked herself when it would begin, like fire-works, or Lent, or the opera season; not that she cared much, but she wondered what kept it in abeyance. Her sister-in-law regarded her with none but level glances and expressed for the poor Countess as little contempt as admiration. In reality Isabel would as soon have thought of despising her as of passing a moral judgement on a grasshopper. She was not indifferent to her husband's sister, however; she was rather a little afraid of her. She wondered at her; she thought her very extraordinary. The Countess seemed to her to have no soul; she was like a bright rare shell, with a polished surface and a remarkably pink lip, in which something would rattle when you shook it. This rattle was apparently the Countess's spiritual principle, a little loose nut that tumbled about inside of her. She was too odd for disdain, too anomalous for comparisons. Isabel would have invited her again (there was no question of inviting the Count); but Osmond, after his marriage, had not scrupled to say frankly that Amy was a fool of the worst species--a fool whose folly had the irrepressibility of genius. He said at another time that she had no heart; and he added in a moment that she had given it all away--in small pieces, like a frosted wedding-cake. The fact of not having been asked was of course another obstacle to the Countess's going again to Rome; but at the period with which this history has now to deal she was in receipt of an invitation to spend several weeks at Palazzo Roccanera. The proposal had come from Osmond himself, who wrote to his sister that she must be prepared to be very quiet. Whether or no she found in this phrase all the meaning he had put into it I am unable to say; but she accepted the invitation on any terms. She was curious, moreover; for one of the impressions of her former visit had been that her brother had found his match. Before the marriage she had been sorry for Isabel, so sorry as to have had serious thoughts--if any of the Countess's thoughts were serious--of putting her on her guard. But she had let that pass, and after a little she was reassured. Osmond was as lofty as ever, but his wife would not be an easy victim. The Countess was not very exact at measurements, but it seemed to her that if Isabel should draw herself up she would be the taller spirit of the two. What she wanted to learn now was whether Isabel had drawn herself up; it would give her immense pleasure to see Osmond overtopped. Several days before she was to start for Rome a servant brought her the card of a visitor--a card with the simple superscription "Henrietta C. Stackpole." The Countess pressed her finger-tips to her forehead; she didn't remember to have known any such Henrietta as that. The servant then remarked that the lady had requested him to say that if the Countess should not recognise her name she would know her well enough on seeing her. By the time she appeared before her visitor she had in fact reminded herself that there was once a literary lady at Mrs. Touchett's; the only woman of letters she had ever encountered--that is the only modern one, since she was the daughter of a defunct poetess. She recognised Miss Stackpole immediately, the more so that Miss Stackpole seemed perfectly unchanged; and the Countess, who was thoroughly good-natured, thought it rather fine to be called on by a person of that sort of distinction. She wondered if Miss Stackpole had come on account of her mother--whether she had heard of the American Corinne. Her mother was not at all like Isabel's friend; the Countess could see at a glance that this lady was much more contemporary; and she received an impression of the improvements that were taking place--chiefly in distant countries--in the character (the professional character) of literary ladies. Her mother had been used to wear a Roman scarf thrown over a pair of shoulders timorously bared of their tight black velvet (oh the old clothes!) and a gold laurel-wreath set upon a multitude of glossy ringlets. She had spoken softly and vaguely, with the accent of her "Creole" ancestors, as she always confessed; she sighed a great deal and was not at all enterprising. But Henrietta, the Countess could see, was always closely buttoned and compactly braided; there was something brisk and business-like in her appearance; her manner was almost conscientiously familiar. It was as impossible to imagine her ever vaguely sighing as to imagine a letter posted without its address. The Countess could not but feel that the correspondent of the Interviewer was much more in the movement than the American Corinne. She explained that she had called on the Countess because she was the only person she knew in Florence, and that when she visited a foreign city she liked to see something more than superficial travellers. She knew Mrs. Touchett, but Mrs. Touchett was in America, and even if she had been in Florence Henrietta would not have put herself out for her, since Mrs. Touchett was not one of her admirations. "Do you mean by that that I am?" the Countess graciously asked. "Well, I like you better than I do her," said Miss Stackpole. "I seem to remember that when I saw you before you were very interesting. I don't know whether it was an accident or whether it's your usual style. At any rate I was a good deal struck with what you said. I made use of it afterwards in print." "Dear me!" cried the Countess, staring and half-alarmed; "I had no idea I ever said anything remarkable! I wish I had known it at the time." "It was about the position of woman in this city," Miss Stackpole remarked. "You threw a good deal of light upon it." "The position of woman's very uncomfortable. Is that what you mean? And you wrote it down and published it?" the Countess went on. "Ah, do let me see it!" "I'll write to them to send you the paper if you like," Henrietta said. "I didn't mention your name; I only said a lady of high rank. And then I quoted your views." The Countess threw herself hastily backward, tossing up her clasped hands. "Do you know I'm rather sorry you didn't mention my name? I should have rather liked to see my name in the papers. I forget what my views were; I have so many! But I'm not ashamed of them. I'm not at all like my brother--I suppose you know my brother? He thinks it a kind of scandal to be put in the papers; if you were to quote him he'd never forgive you." "He needn't be afraid; I shall never refer to him," said Miss Stackpole with bland dryness. "That's another reason," she added, "why I wanted to come to see you. You know Mr. Osmond married my dearest friend." "Ah, yes; you were a friend of Isabel's. I was trying to think what I knew about you." "I'm quite willing to be known by that," Henrietta declared. "But that isn't what your brother likes to know me by. He has tried to break up my relations with Isabel." "Don't permit it," said the Countess. "That's what I want to talk about. I'm going to Rome." "So am I!" the Countess cried. "We'll go together." "With great pleasure. And when I write about my journey I'll mention you by name as my companion." The Countess sprang from her chair and came and sat on the sofa beside her visitor. "Ah, you must send me the paper! My husband won't like it, but he need never see it. Besides, he doesn't know how to read." Henrietta's large eyes became immense. "Doesn't know how to read? May I put that into my letter?" "Into your letter?" "In the Interviewer. That's my paper." "Oh yes, if you like; with his name. Are you going to stay with Isabel?" Henrietta held up her head, gazing a little in silence at her hostess. "She has not asked me. I wrote to her I was coming, and she answered that she would engage a room for me at a pension. She gave no reason." The Countess listened with extreme interest. "The reason's Osmond," she pregnantly remarked. "Isabel ought to make a stand," said Miss Stackpole. "I'm afraid she has changed a great deal. I told her she would." "I'm sorry to hear it; I hoped she would have her own way. Why doesn't my brother like you?" the Countess ingenuously added. "I don't know and I don't care. He's perfectly welcome not to like me; I don't want every one to like me; I should think less of myself if some people did. A journalist can't hope to do much good unless he gets a good deal hated; that's the way he knows how his work goes on. And it's just the same for a lady. But I didn't expect it of Isabel." "Do you mean that she hates you?" the Countess enquired. "I don't know; I want to see. That's what I'm going to Rome for." "Dear me, what a tiresome errand!" the Countess exclaimed. "She doesn't write to me in the same way; it's easy to see there's a difference. If you know anything," Miss Stackpole went on, "I should like to hear it beforehand, so as to decide on the line I shall take." The Countess thrust out her under lip and gave a gradual shrug. "I know very little; I see and hear very little of Osmond. He doesn't like me any better than he appears to like you." "Yet you're not a lady correspondent," said Henrietta pensively. "Oh, he has plenty of reasons. Nevertheless they've invited me--I'm to stay in the house!" And the Countess smiled almost fiercely; her exultation, for the moment, took little account of Miss Stackpole's disappointment. This lady, however, regarded it very placidly. "I shouldn't have gone if she HAD asked me. That is I think I shouldn't; and I'm glad I hadn't to make up my mind. It would have been a very difficult question. I shouldn't have liked to turn away from her, and yet I shouldn't have been happy under her roof. A pension will suit me very well. But that's not all." "Rome's very good just now," said the Countess; "there are all sorts of brilliant people. Did you ever hear of Lord Warburton?" "Hear of him? I know him very well. Do you consider him very brilliant?" Henrietta enquired. "I don't know him, but I'm told he's extremely grand seigneur. He's making love to Isabel." "Making love to her?" "So I'm told; I don't know the details," said the Countess lightly. "But Isabel's pretty safe." Henrietta gazed earnestly at her companion; for a moment she said nothing. "When do you go to Rome?" she enquired abruptly. "Not for a week, I'm afraid." "I shall go to-morrow," Henrietta said. "I think I had better not wait." "Dear me, I'm sorry; I'm having some dresses made. I'm told Isabel receives immensely. But I shall see you there; I shall call on you at your pension." Henrietta sat still--she was lost in thought; and suddenly the Countess cried: "Ah, but if you don't go with me you can't describe our journey!" Miss Stackpole seemed unmoved by this consideration; she was thinking of something else and presently expressed it. "I'm not sure that I understand you about Lord Warburton." "Understand me? I mean he's very nice, that's all." "Do you consider it nice to make love to married women?" Henrietta enquired with unprecedented distinctness. The Countess stared, and then with a little violent laugh: "It's certain all the nice men do it. Get married and you'll see!" she added. "That idea would be enough to prevent me," said Miss Stackpole. "I should want my own husband; I shouldn't want any one else's. Do you mean that Isabel's guilty--guilty--?" And she paused a little, choosing her expression. "Do I mean she's guilty? Oh dear no, not yet, I hope. I only mean that Osmond's very tiresome and that Lord Warburton, as I hear, is a great deal at the house. I'm afraid you're scandalised." "No, I'm just anxious," Henrietta said. "Ah, you're not very complimentary to Isabel! You should have more confidence. I'll tell you," the Countess added quickly: "if it will be a comfort to you I engage to draw him off." Miss Stackpole answered at first only with the deeper solemnity of her gaze. "You don't understand me," she said after a while. "I haven't the idea you seem to suppose. I'm not afraid for Isabel--in that way. I'm only afraid she's unhappy--that's what I want to get at." The Countess gave a dozen turns of the head; she looked impatient and sarcastic. "That may very well be; for my part I should like to know whether Osmond is." Miss Stackpole had begun a little to bore her. "If she's really changed that must be at the bottom of it," Henrietta went on. "You'll see; she'll tell you," said the Countess. "Ah, she may NOT tell me--that's what I'm afraid of!" "Well, if Osmond isn't amusing himself--in his own old way--I flatter myself I shall discover it," the Countess rejoined. "I don't care for that," said Henrietta. "I do immensely! If Isabel's unhappy I'm very sorry for her, but I can't help it. I might tell her something that would make her worse, but I can't tell her anything that would console her. What did she go and marry him for? If she had listened to me she'd have got rid of him. I'll forgive her, however, if I find she has made things hot for him! If she has simply allowed him to trample upon her I don't know that I shall even pity her. But I don't think that's very likely. I count upon finding that if she's miserable she has at least made HIM so." Henrietta got up; these seemed to her, naturally, very dreadful expectations. She honestly believed she had no desire to see Mr. Osmond unhappy; and indeed he could not be for her the subject of a flight of fancy. She was on the whole rather disappointed in the Countess, whose mind moved in a narrower circle than she had imagined, though with a capacity for coarseness even there. "It will be better if they love each other," she said for edification. "They can't. He can't love any one." "I presumed that was the case. But it only aggravates my fear for Isabel. I shall positively start to-morrow." "Isabel certainly has devotees," said the Countess, smiling very vividly. "I declare I don't pity her." "It may be I can't assist her," Miss Stackpole pursued, as if it were well not to have illusions. "You can have wanted to, at any rate; that's something. I believe that's what you came from America for," the Countess suddenly added. "Yes, I wanted to look after her," Henrietta said serenely. Her hostess stood there smiling at her with small bright eyes and an eager-looking nose; with cheeks into each of which a flush had come. "Ah, that's very pretty c'est bien gentil! Isn't it what they call friendship?" "I don't know what they call it. I thought I had better come." "She's very happy--she's very fortunate," the Countess went on. "She has others besides." And then she broke out passionately. "She's more fortunate than I! I'm as unhappy as she--I've a very bad husband; he's a great deal worse than Osmond. And I've no friends. I thought I had, but they're gone. No one, man or woman, would do for me what you've done for her." Henrietta was touched; there was nature in this bitter effusion. She gazed at her companion a moment, and then: "Look here, Countess, I'll do anything for you that you like. I'll wait over and travel with you." "Never mind," the Countess answered with a quick change of tone: "only describe me in the newspaper!" Henrietta, before leaving her, however, was obliged to make her understand that she could give no fictitious representation of her journey to Rome. Miss Stackpole was a strictly veracious reporter. On quitting her she took the way to the Lung' Arno, the sunny quay beside the yellow river where the bright-faced inns familiar to tourists stand all in a row. She had learned her way before this through the streets of Florence (she was very quick in such matters), and was therefore able to turn with great decision of step out of the little square which forms the approach to the bridge of the Holy Trinity. She proceeded to the left, toward the Ponte Vecchio, and stopped in front of one of the hotels which overlook that delightful structure. Here she drew forth a small pocket-book, took from it a card and a pencil and, after meditating a moment, wrote a few words. It is our privilege to look over her shoulder, and if we exercise it we may read the brief query: "Could I see you this evening for a few moments on a very important matter?" Henrietta added that she should start on the morrow for Rome. Armed with this little document she approached the porter, who now had taken up his station in the doorway, and asked if Mr. Goodwood were at home. The porter replied, as porters always reply, that he had gone out about twenty minutes before; whereupon Henrietta presented her card and begged it might be handed him on his return. She left the inn and pursued her course along the quay to the severe portico of the Uffizi, through which she presently reached the entrance of the famous gallery of paintings. Making her way in, she ascended the high staircase which leads to the upper chambers. The long corridor, glazed on one side and decorated with antique busts, which gives admission to these apartments, presented an empty vista in which the bright winter light twinkled upon the marble floor. The gallery is very cold and during the midwinter weeks but scantily visited. Miss Stackpole may appear more ardent in her quest of artistic beauty than she has hitherto struck us as being, but she had after all her preferences and admirations. One of the latter was the little Correggio of the Tribune--the Virgin kneeling down before the sacred infant, who lies in a litter of straw, and clapping her hands to him while he delightedly laughs and crows. Henrietta had a special devotion to this intimate scene--she thought it the most beautiful picture in the world. On her way, at present, from New York to Rome, she was spending but three days in Florence, and yet reminded herself that they must not elapse without her paying another visit to her favourite work of art. She had a great sense of beauty in all ways, and it involved a good many intellectual obligations. She was about to turn into the Tribune when a gentleman came out of it; whereupon she gave a little exclamation and stood before Caspar Goodwood. "I've just been at your hotel," she said. "I left a card for you." "I'm very much honoured," Caspar Goodwood answered as if he really meant it. "It was not to honour you I did it; I've called on you before and I know you don't like it. It was to talk to you a little about something." He looked for a moment at the buckle in her hat. "I shall be very glad to hear what you wish to say." "You don't like to talk with me," said Henrietta. "But I don't care for that; I don't talk for your amusement. I wrote a word to ask you to come and see me; but since I've met you here this will do as well." "I was just going away," Goodwood stated; "but of course I'll stop." He was civil, but not enthusiastic. Henrietta, however, never looked for great professions, and she was so much in earnest that she was thankful he would listen to her on any terms. She asked him first, none the less, if he had seen all the pictures. "All I want to. I've been here an hour." "I wonder if you've seen my Correggio," said Henrietta. "I came up on purpose to have a look at it." She went into the Tribune and he slowly accompanied her. "I suppose I've seen it, but I didn't know it was yours. I don't remember pictures--especially that sort." She had pointed out her favourite work, and he asked her if it was about Correggio she wished to talk with him. "No," said Henrietta, "it's about something less harmonious!" They had the small, brilliant room, a splendid cabinet of treasures, to themselves; there was only a custode hovering about the Medicean Venus. "I want you to do me a favour," Miss Stackpole went on. Caspar Goodwood frowned a little, but he expressed no embarrassment at the sense of not looking eager. His face was that of a much older man than our earlier friend. "I'm sure it's something I shan't like," he said rather loudly. "No, I don't think you'll like it. If you did it would be no favour." "Well, let's hear it," he went on in the tone of a man quite conscious of his patience. "You may say there's no particular reason why you should do me a favour. Indeed I only know of one: the fact that if you'd let me I'd gladly do you one." Her soft, exact tone, in which there was no attempt at effect, had an extreme sincerity; and her companion, though he presented rather a hard surface, couldn't help being touched by it. When he was touched he rarely showed it, however, by the usual signs; he neither blushed, nor looked away, nor looked conscious. He only fixed his attention more directly; he seemed to consider with added firmness. Henrietta continued therefore disinterestedly, without the sense of an advantage. "I may say now, indeed--it seems a good time--that if I've ever annoyed you (and I think sometimes I have) it's because I knew I was willing to suffer annoyance for you. I've troubled you--doubtless. But I'd TAKE trouble for you." Goodwood hesitated. "You're taking trouble now." "Yes, I am--some. I want you to consider whether it's better on the whole that you should go to Rome." "I thought you were going to say that!" he answered rather artlessly. "You HAVE considered it then?" "Of course I have, very carefully. I've looked all round it. Otherwise I shouldn't have come so far as this. That's what I stayed in Paris two months for. I was thinking it over." "I'm afraid you decided as you liked. You decided it was best because you were so much attracted." "Best for whom, do you mean?" Goodwood demanded. "Well, for yourself first. For Mrs. Osmond next." "Oh, it won't do HER any good! I don't flatter myself that." "Won't it do her some harm?--that's the question." "I don't see what it will matter to her. I'm nothing to Mrs. Osmond. But if you want to know, I do want to see her myself." "Yes, and that's why you go." "Of course it is. Could there be a better reason?" "How will it help you?--that's what I want to know," said Miss Stackpole. "That's just what I can't tell you. It's just what I was thinking about in Paris." "It will make you more discontented." "Why do you say 'more' so?" Goodwood asked rather sternly. "How do you know I'm discontented?" "Well," said Henrietta, hesitating a little, "you seem never to have cared for another." "How do you know what I care for?" he cried with a big blush. "Just now I care to go to Rome." Henrietta looked at him in silence, with a sad yet luminous expression. "Well," she observed at last, "I only wanted to tell you what I think; I had it on my mind. Of course you think it's none of my business. But nothing is any one's business, on that principle." "It's very kind of you; I'm greatly obliged to you for your interest," said Caspar Goodwood. "I shall go to Rome and I shan't hurt Mrs. Osmond." "You won't hurt her, perhaps. But will you help her?--that's the real issue." "Is she in need of help?" he asked slowly, with a penetrating look. "Most women always are," said Henrietta, with conscientious evasiveness and generalising less hopefully than usual. "If you go to Rome," she added, "I hope you'll be a true friend--not a selfish one!" And she turned off and began to look at the pictures. Caspar Goodwood let her go and stood watching her while she wandered round the room; but after a moment he rejoined her. "You've heard something about her here," he then resumed. "I should like to know what you've heard." Henrietta had never prevaricated in her life, and, though on this occasion there might have been a fitness in doing so, she decided, after thinking some minutes, to make no superficial exception. "Yes, I've heard," she answered; "but as I don't want you to go to Rome I won't tell you." "Just as you please. I shall see for myself," he said. Then inconsistently, for him, "You've heard she's unhappy!" he added. "Oh, you won't see that!" Henrietta exclaimed. "I hope not. When do you start?" "To-morrow, by the evening train. And you?" Goodwood hung back; he had no desire to make his journey to Rome in Miss Stackpole's company. His indifference to this advantage was not of the same character as Gilbert Osmond's, but it had at this moment an equal distinctness. It was rather a tribute to Miss Stackpole's virtues than a reference to her faults. He thought her very remarkable, very brilliant, and he had, in theory, no objection to the class to which she belonged. Lady correspondents appeared to him a part of the natural scheme of things in a progressive country, and though he never read their letters he supposed that they ministered somehow to social prosperity. But it was this very eminence of their position that made him wish Miss Stackpole didn't take so much for granted. She took for granted that he was always ready for some allusion to Mrs. Osmond; she had done so when they met in Paris, six weeks after his arrival in Europe, and she had repeated the assumption with every successive opportunity. He had no wish whatever to allude to Mrs. Osmond; he was NOT always thinking of her; he was perfectly sure of that. He was the most reserved, the least colloquial of men, and this enquiring authoress was constantly flashing her lantern into the quiet darkness of his soul. He wished she didn't care so much; he even wished, though it might seem rather brutal of him, that she would leave him alone. In spite of this, however, he just now made other reflections--which show how widely different, in effect, his ill-humour was from Gilbert Osmond's. He desired to go immediately to Rome; he would have liked to go alone, in the night-train. He hated the European railway-carriages, in which one sat for hours in a vise, knee to knee and nose to nose with a foreigner to whom one presently found one's self objecting with all the added vehemence of one's wish to have the window open; and if they were worse at night even than by day, at least at night one could sleep and dream of an American saloon-car. But he couldn't take a night-train when Miss Stackpole was starting in the morning; it struck him that this would be an insult to an unprotected woman. Nor could he wait until after she had gone unless he should wait longer than he had patience for. It wouldn't do to start the next day. She worried him; she oppressed him; the idea of spending the day in a European railway-carriage with her offered a complication of irritations. Still, she was a lady travelling alone; it was his duty to put himself out for her. There could be no two questions about that; it was a perfectly clear necessity. He looked extremely grave for some moments and then said, wholly without the flourish of gallantry but in a tone of extreme distinctness, "Of course if you're going to-morrow I'll go too, as I may be of assistance to you." "Well, Mr. Goodwood, I should hope so!" Henrietta returned imperturbably.

Chapter 44

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-44

Countess Gemini has been invited to stay at the Osmonds' for a couple of weeks. The Countess is fond of Isabel, although she and her brother have a mutual dislike for one another. She hopes to find that Osmond has met his match in Isabel. Henrietta visits Countess Gemini, asking whether she knows of Isabel's situation. The outlandish Countess is quite taken with the newspaper woman, and hopes that they can travel to Rome together - she desperately wants her name to appear in the papers. Henrietta's too busy to wait for Countess Gemini's departure, however, and wants see her friend as soon as possible. She plans to leave the next day. Henrietta sends a message to Caspar Goodwood in Florence, and then goes to the Uffizi Museum to look at her favorite painting. Henrietta runs into Caspar at the Uffizi, and they decide to leave for Rome together the next day. Caspar is somewhat hesitant, because he has mixed feelings for Henrietta, but he agrees to travel with her.

shmoop

all_chapterized_books/2833-chapters/45.txt

finished_summaries/shmoop/The Portrait of a Lady/section_44_part_0.txt

The Portrait of a Lady.chapter 45

chapter 45

{"name": "Chapter 45", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-45", "summary": "Isabel goes to visit Ralph, knowing full well that Osmond doesn't approve of it. Isabel asks Ralph about Lord Warburton, and Ralph admits that he is very much in love... but with Isabel, not Pansy. Isabel laments that Ralph is not helping her, which is the one instance in which she suggests that she actually needs help. Ralph comments on her sad situation. Ralph confesses that he hopes Lord Warburton doesn't go for Pansy, since that would make his and Isabel's relationship exceedingly uncomfortable, to put it mildly. Ralph really wants to hear Isabel come clean about how horrible her life has been as Mrs. Osmond, but she still hides her misery. Ralph wants to see Isabel respond to something, so he goes as far as to say that Isabel might be jealous of Pansy. Outraged, Isabel leaves. Isabel talks with Pansy that night, in order to hear Pansy's thoughts from her own mouth. Finally, we see that Pansy has her own thoughts and feelings - and that some of them are quite perceptive. Pansy confesses that she loves Rosier and will remain loyal to him. She would rather be alone than married to anyone else. Isabel is persistent in carrying out Osmond's wishes, emphasizing to Pansy that she must not disobey her father. Pansy claims that Lord Warburton does not care for her, so there is nothing to worry about regarding him. Isabel suggests that Pansy should tell her father about her lack of interest in Lord Warburton, but Pansy says that she'd rather not, since she'd rather not be with anyone, if not Rosier.", "analysis": ""}

I have already had reason to say that Isabel knew her husband to be displeased by the continuance of Ralph's visit to Rome. That knowledge was very present to her as she went to her cousin's hotel the day after she had invited Lord Warburton to give a tangible proof of his sincerity; and at this moment, as at others, she had a sufficient perception of the sources of Osmond's opposition. He wished her to have no freedom of mind, and he knew perfectly well that Ralph was an apostle of freedom. It was just because he was this, Isabel said to herself, that it was a refreshment to go and see him. It will be perceived that she partook of this refreshment in spite of her husband's aversion to it, that is partook of it, as she flattered herself, discreetly. She had not as yet undertaken to act in direct opposition to his wishes; he was her appointed and inscribed master; she gazed at moments with a sort of incredulous blankness at this fact. It weighed upon her imagination, however; constantly present to her mind were all the traditionary decencies and sanctities of marriage. The idea of violating them filled her with shame as well as with dread, for on giving herself away she had lost sight of this contingency in the perfect belief that her husband's intentions were as generous as her own. She seemed to see, none the less, the rapid approach of the day when she should have to take back something she had solemnly bestown. Such a ceremony would be odious and monstrous; she tried to shut her eyes to it meanwhile. Osmond would do nothing to help it by beginning first; he would put that burden upon her to the end. He had not yet formally forbidden her to call upon Ralph; but she felt sure that unless Ralph should very soon depart this prohibition would come. How could poor Ralph depart? The weather as yet made it impossible. She could perfectly understand her husband's wish for the event; she didn't, to be just, see how he COULD like her to be with her cousin. Ralph never said a word against him, but Osmond's sore, mute protest was none the less founded. If he should positively interpose, if he should put forth his authority, she would have to decide, and that wouldn't be easy. The prospect made her heart beat and her cheeks burn, as I say, in advance; there were moments when, in her wish to avoid an open rupture, she found herself wishing Ralph would start even at a risk. And it was of no use that, when catching herself in this state of mind, she called herself a feeble spirit, a coward. It was not that she loved Ralph less, but that almost anything seemed preferable to repudiating the most serious act--the single sacred act--of her life. That appeared to make the whole future hideous. To break with Osmond once would be to break for ever; any open acknowledgement of irreconcilable needs would be an admission that their whole attempt had proved a failure. For them there could be no condonement, no compromise, no easy forgetfulness, no formal readjustment. They had attempted only one thing, but that one thing was to have been exquisite. Once they missed it nothing else would do; there was no conceivable substitute for that success. For the moment, Isabel went to the Hotel de Paris as often as she thought well; the measure of propriety was in the canon of taste, and there couldn't have been a better proof that morality was, so to speak, a matter of earnest appreciation. Isabel's application of that measure had been particularly free to-day, for in addition to the general truth that she couldn't leave Ralph to die alone she had something important to ask of him. This indeed was Gilbert's business as well as her own. She came very soon to what she wished to speak of. "I want you to answer me a question. It's about Lord Warburton." "I think I guess your question," Ralph answered from his arm-chair, out of which his thin legs protruded at greater length than ever. "Very possibly you guess it. Please then answer it." "Oh, I don't say I can do that." "You're intimate with him," she said; "you've a great deal of observation of him." "Very true. But think how he must dissimulate!" "Why should he dissimulate? That's not his nature." "Ah, you must remember that the circumstances are peculiar," said Ralph with an air of private amusement. "To a certain extent--yes. But is he really in love?" "Very much, I think. I can make that out." "Ah!" said Isabel with a certain dryness. Ralph looked at her as if his mild hilarity had been touched with mystification. "You say that as if you were disappointed." Isabel got up, slowly smoothing her gloves and eyeing them thoughtfully. "It's after all no business of mine." "You're very philosophic," said her cousin. And then in a moment: "May I enquire what you're talking about?" Isabel stared. "I thought you knew. Lord Warburton tells me he wants, of all things in the world, to marry Pansy. I've told you that before, without eliciting a comment from you. You might risk one this morning, I think. Is it your belief that he really cares for her?" "Ah, for Pansy, no!" cried Ralph very positively. "But you said just now he did." Ralph waited a moment. "That he cared for you, Mrs. Osmond." Isabel shook her head gravely. "That's nonsense, you know." "Of course it is. But the nonsense is Warburton's, not mine." "That would be very tiresome." She spoke, as she flattered herself, with much subtlety. "I ought to tell you indeed," Ralph went on, "that to me he has denied it." "It's very good of you to talk about it together! Has he also told you that he's in love with Pansy?" "He has spoken very well of her--very properly. He has let me know, of course, that he thinks she would do very well at Lockleigh." "Does he really think it?" "Ah, what Warburton really thinks--!" said Ralph. Isabel fell to smoothing her gloves again; they were long, loose gloves on which she could freely expend herself. Soon, however, she looked up, and then, "Ah, Ralph, you give me no help!" she cried abruptly and passionately. It was the first time she had alluded to the need for help, and the words shook her cousin with their violence. He gave a long murmur of relief, of pity, of tenderness; it seemed to him that at last the gulf between them had been bridged. It was this that made him exclaim in a moment: "How unhappy you must be!" He had no sooner spoken than she recovered her self-possession, and the first use she made of it was to pretend she had not heard him. "When I talk of your helping me I talk great nonsense," she said with a quick smile. "The idea of my troubling you with my domestic embarrassments! The matter's very simple; Lord Warburton must get on by himself. I can't undertake to see him through." "He ought to succeed easily," said Ralph. Isabel debated. "Yes--but he has not always succeeded." "Very true. You know, however, how that always surprised me. Is Miss Osmond capable of giving us a surprise?" "It will come from him, rather. I seem to see that after all he'll let the matter drop." "He'll do nothing dishonourable," said Ralph. "I'm very sure of that. Nothing can be more honourable than for him to leave the poor child alone. She cares for another person, and it's cruel to attempt to bribe her by magnificent offers to give him up." "Cruel to the other person perhaps--the one she cares for. But Warburton isn't obliged to mind that." "No, cruel to her," said Isabel. "She would be very unhappy if she were to allow herself to be persuaded to desert poor Mr. Rosier. That idea seems to amuse you; of course you're not in love with him. He has the merit--for Pansy--of being in love with Pansy. She can see at a glance that Lord Warburton isn't." "He'd be very good to her," said Ralph. "He has been good to her already. Fortunately, however, he has not said a word to disturb her. He could come and bid her good-bye to-morrow with perfect propriety." "How would your husband like that?" "Not at all; and he may be right in not liking it. Only he must obtain satisfaction himself." "Has he commissioned you to obtain it?" Ralph ventured to ask. "It was natural that as an old friend of Lord Warburton's--an older friend, that is, than Gilbert--I should take an interest in his intentions." "Take an interest in his renouncing them, you mean?" Isabel hesitated, frowning a little. "Let me understand. Are you pleading his cause?" "Not in the least. I'm very glad he shouldn't become your stepdaughter's husband. It makes such a very queer relation to you!" said Ralph, smiling. "But I'm rather nervous lest your husband should think you haven't pushed him enough." Isabel found herself able to smile as well as he. "He knows me well enough not to have expected me to push. He himself has no intention of pushing, I presume. I'm not afraid I shall not be able to justify myself!" she said lightly. Her mask had dropped for an instant, but she had put it on again, to Ralph's infinite disappointment. He had caught a glimpse of her natural face and he wished immensely to look into it. He had an almost savage desire to hear her complain of her husband--hear her say that she should be held accountable for Lord Warburton's defection. Ralph was certain that this was her situation; he knew by instinct, in advance, the form that in such an event Osmond's displeasure would take. It could only take the meanest and cruellest. He would have liked to warn Isabel of it--to let her see at least how he judged for her and how he knew. It little mattered that Isabel would know much better; it was for his own satisfaction more than for hers that he longed to show her he was not deceived. He tried and tried again to make her betray Osmond; he felt cold-blooded, cruel, dishonourable almost, in doing so. But it scarcely mattered, for he only failed. What had she come for then, and why did she seem almost to offer him a chance to violate their tacit convention? Why did she ask him his advice if she gave him no liberty to answer her? How could they talk of her domestic embarrassments, as it pleased her humorously to designate them, if the principal factor was not to be mentioned? These contradictions were themselves but an indication of her trouble, and her cry for help, just before, was the only thing he was bound to consider. "You'll be decidedly at variance, all the same," he said in a moment. And as she answered nothing, looking as if she scarce understood, "You'll find yourselves thinking very differently," he continued. "That may easily happen, among the most united couples!" She took up her parasol; he saw she was nervous, afraid of what he might say. "It's a matter we can hardly quarrel about, however," she added; "for almost all the interest is on his side. That's very natural. Pansy's after all his daughter--not mine." And she put out her hand to wish him goodbye. Ralph took an inward resolution that she shouldn't leave him without his letting her know that he knew everything: it seemed too great an opportunity to lose. "Do you know what his interest will make him say?" he asked as he took her hand. She shook her head, rather dryly--not discouragingly--and he went on. "It will make him say that your want of zeal is owing to jealousy." He stopped a moment; her face made him afraid. "To jealousy?" "To jealousy of his daughter." She blushed red and threw back her head. "You're not kind," she said in a voice that he had never heard on her lips. "Be frank with me and you'll see," he answered. But she made no reply; she only pulled her hand out of his own, which he tried still to hold, and rapidly withdrew from the room. She made up her mind to speak to Pansy, and she took an occasion on the same day, going to the girl's room before dinner. Pansy was already dressed; she was always in advance of the time: it seemed to illustrate her pretty patience and the graceful stillness with which she could sit and wait. At present she was seated, in her fresh array, before the bed-room fire; she had blown out her candles on the completion of her toilet, in accordance with the economical habits in which she had been brought up and which she was now more careful than ever to observe; so that the room was lighted only by a couple of logs. The rooms in Palazzo Roccanera were as spacious as they were numerous, and Pansy's virginal bower was an immense chamber with a dark, heavily-timbered ceiling. Its diminutive mistress, in the midst of it, appeared but a speck of humanity, and as she got up, with quick deference, to welcome Isabel, the latter was more than ever struck with her shy sincerity. Isabel had a difficult task--the only thing was to perform it as simply as possible. She felt bitter and angry, but she warned herself against betraying this heat. She was afraid even of looking too grave, or at least too stern; she was afraid of causing alarm. But Pansy seemed to have guessed she had come more or less as a confessor; for after she had moved the chair in which she had been sitting a little nearer to the fire and Isabel had taken her place in it, she kneeled down on a cushion in front of her, looking up and resting her clasped hands on her stepmother's knees. What Isabel wished to do was to hear from her own lips that her mind was not occupied with Lord Warburton; but if she desired the assurance she felt herself by no means at liberty to provoke it. The girl's father would have qualified this as rank treachery; and indeed Isabel knew that if Pansy should display the smallest germ of a disposition to encourage Lord Warburton her own duty was to hold her tongue. It was difficult to interrogate without appearing to suggest; Pansy's supreme simplicity, an innocence even more complete than Isabel had yet judged it, gave to the most tentative enquiry something of the effect of an admonition. As she knelt there in the vague firelight, with her pretty dress dimly shining, her hands folded half in appeal and half in submission, her soft eyes, raised and fixed, full of the seriousness of the situation, she looked to Isabel like a childish martyr decked out for sacrifice and scarcely presuming even to hope to avert it. When Isabel said to her that she had never yet spoken to her of what might have been going on in relation to her getting married, but that her silence had not been indifference or ignorance, had only been the desire to leave her at liberty, Pansy bent forward, raised her face nearer and nearer, and with a little murmur which evidently expressed a deep longing, answered that she had greatly wished her to speak and that she begged her to advise her now. "It's difficult for me to advise you," Isabel returned. "I don't know how I can undertake that. That's for your father; you must get his advice and, above all, you must act on it." At this Pansy dropped her eyes; for a moment she said nothing. "I think I should like your advice better than papa's," she presently remarked. "That's not as it should be," said Isabel coldly. "I love you very much, but your father loves you better." "It isn't because you love me--it's because you're a lady," Pansy answered with the air of saying something very reasonable. "A lady can advise a young girl better than a man." "I advise you then to pay the greatest respect to your father's wishes." "Ah yes," said the child eagerly, "I must do that." "But if I speak to you now about your getting married it's not for your own sake, it's for mine," Isabel went on. "If I try to learn from you what you expect, what you desire, it's only that I may act accordingly." Pansy stared, and then very quickly, "Will you do everything I want?" she asked. "Before I say yes I must know what such things are." Pansy presently told her that the only thing she wanted in life was to marry Mr. Rosier. He had asked her and she had told him she would do so if her papa would allow it. Now her papa wouldn't allow it. "Very well then, it's impossible," Isabel pronounced. "Yes, it's impossible," said Pansy without a sigh and with the same extreme attention in her clear little face. "You must think of something else then," Isabel went on; but Pansy, sighing at this, told her that she had attempted that feat without the least success. "You think of those who think of you," she said with a faint smile. "I know Mr. Rosier thinks of me." "He ought not to," said Isabel loftily. "Your father has expressly requested he shouldn't." "He can't help it, because he knows I think of HIM." "You shouldn't think of him. There's some excuse for him, perhaps; but there's none for you." "I wish you would try to find one," the girl exclaimed as if she were praying to the Madonna. "I should be very sorry to attempt it," said the Madonna with unusual frigidity. "If you knew some one else was thinking of you, would you think of him?" "No one can think of me as Mr. Rosier does; no one has the right." "Ah, but I don't admit Mr. Rosier's right!" Isabel hypocritically cried. Pansy only gazed at her, evidently much puzzled; and Isabel, taking advantage of it, began to represent to her the wretched consequences of disobeying her father. At this Pansy stopped her with the assurance that she would never disobey him, would never marry without his consent. And she announced, in the serenest, simplest tone, that, though she might never marry Mr. Rosier, she would never cease to think of him. She appeared to have accepted the idea of eternal singleness; but Isabel of course was free to reflect that she had no conception of its meaning. She was perfectly sincere; she was prepared to give up her lover. This might seem an important step toward taking another, but for Pansy, evidently, it failed to lead in that direction. She felt no bitterness toward her father; there was no bitterness in her heart; there was only the sweetness of fidelity to Edward Rosier, and a strange, exquisite intimation that she could prove it better by remaining single than even by marrying him. "Your father would like you to make a better marriage," said Isabel. "Mr. Rosier's fortune is not at all large." "How do you mean better--if that would be good enough? And I have myself so little money; why should I look for a fortune?" "Your having so little is a reason for looking for more." With which Isabel was grateful for the dimness of the room; she felt as if her face were hideously insincere. It was what she was doing for Osmond; it was what one had to do for Osmond! Pansy's solemn eyes, fixed on her own, almost embarrassed her; she was ashamed to think she had made so light of the girl's preference. "What should you like me to do?" her companion softly demanded. The question was a terrible one, and Isabel took refuge in timorous vagueness. "To remember all the pleasure it's in your power to give your father." "To marry some one else, you mean--if he should ask me?" For a moment Isabel's answer caused itself to be waited for; then she heard herself utter it in the stillness that Pansy's attention seemed to make. "Yes--to marry some one else." The child's eyes grew more penetrating; Isabel believed she was doubting her sincerity, and the impression took force from her slowly getting up from her cushion. She stood there a moment with her small hands unclasped and then quavered out: "Well, I hope no one will ask me!" "There has been a question of that. Some one else would have been ready to ask you." "I don't think he can have been ready," said Pansy. "It would appear so if he had been sure he'd succeed." "If he had been sure? Then he wasn't ready!" Isabel thought this rather sharp; she also got up and stood a moment looking into the fire. "Lord Warburton has shown you great attention," she resumed; "of course you know it's of him I speak." She found herself, against her expectation, almost placed in the position of justifying herself; which led her to introduce this nobleman more crudely than she had intended. "He has been very kind to me, and I like him very much. But if you mean that he'll propose for me I think you're mistaken." "Perhaps I am. But your father would like it extremely." Pansy shook her head with a little wise smile. "Lord Warburton won't propose simply to please papa." "Your father would like you to encourage him," Isabel went on mechanically. "How can I encourage him?" "I don't know. Your father must tell you that." Pansy said nothing for a moment; she only continued to smile as if she were in possession of a bright assurance. "There's no danger--no danger!" she declared at last. There was a conviction in the way she said this, and a felicity in her believing it, which conduced to Isabel's awkwardness. She felt accused of dishonesty, and the idea was disgusting. To repair her self-respect she was on the point of saying that Lord Warburton had let her know that there was a danger. But she didn't; she only said--in her embarrassment rather wide of the mark--that he surely had been most kind, most friendly. "Yes, he has been very kind," Pansy answered. "That's what I like him for." "Why then is the difficulty so great?" "I've always felt sure of his knowing that I don't want--what did you say I should do?--to encourage him. He knows I don't want to marry, and he wants me to know that he therefore won't trouble me. That's the meaning of his kindness. It's as if he said to me: 'I like you very much, but if it doesn't please you I'll never say it again.' I think that's very kind, very noble," Pansy went on with deepening positiveness. "That is all we've said to each other. And he doesn't care for me either. Ah no, there's no danger." Isabel was touched with wonder at the depths of perception of which this submissive little person was capable; she felt afraid of Pansy's wisdom--began almost to retreat before it. "You must tell your father that," she remarked reservedly. "I think I'd rather not," Pansy unreservedly answered. "You oughtn't to let him have false hopes." "Perhaps not; but it will be good for me that he should. So long as he believes that Lord Warburton intends anything of the kind you say, papa won't propose any one else. And that will be an advantage for me," said the child very lucidly. There was something brilliant in her lucidity, and it made her companion draw a long breath. It relieved this friend of a heavy responsibility. Pansy had a sufficient illumination of her own, and Isabel felt that she herself just now had no light to spare from her small stock. Nevertheless it still clung to her that she must be loyal to Osmond, that she was on her honour in dealing with his daughter. Under the influence of this sentiment she threw out another suggestion before she retired--a suggestion with which it seemed to her that she should have done her utmost. "Your father takes for granted at least that you would like to marry a nobleman." Pansy stood in the open doorway; she had drawn back the curtain for Isabel to pass. "I think Mr. Rosier looks like one!" she remarked very gravely.

Chapter 45

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-45

Isabel goes to visit Ralph, knowing full well that Osmond doesn't approve of it. Isabel asks Ralph about Lord Warburton, and Ralph admits that he is very much in love... but with Isabel, not Pansy. Isabel laments that Ralph is not helping her, which is the one instance in which she suggests that she actually needs help. Ralph comments on her sad situation. Ralph confesses that he hopes Lord Warburton doesn't go for Pansy, since that would make his and Isabel's relationship exceedingly uncomfortable, to put it mildly. Ralph really wants to hear Isabel come clean about how horrible her life has been as Mrs. Osmond, but she still hides her misery. Ralph wants to see Isabel respond to something, so he goes as far as to say that Isabel might be jealous of Pansy. Outraged, Isabel leaves. Isabel talks with Pansy that night, in order to hear Pansy's thoughts from her own mouth. Finally, we see that Pansy has her own thoughts and feelings - and that some of them are quite perceptive. Pansy confesses that she loves Rosier and will remain loyal to him. She would rather be alone than married to anyone else. Isabel is persistent in carrying out Osmond's wishes, emphasizing to Pansy that she must not disobey her father. Pansy claims that Lord Warburton does not care for her, so there is nothing to worry about regarding him. Isabel suggests that Pansy should tell her father about her lack of interest in Lord Warburton, but Pansy says that she'd rather not, since she'd rather not be with anyone, if not Rosier.

shmoop

all_chapterized_books/2833-chapters/46.txt

finished_summaries/shmoop/The Portrait of a Lady/section_45_part_0.txt

The Portrait of a Lady.chapter 46

chapter 46

{"name": "Chapter 46", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-46", "summary": "Lord Warburton has not called or written, and Osmond, ever the pessimist, holds Isabel responsible. Osmond assumes that Isabel has a hand in Warburton's sudden absence, and demands that she correct it. At this fortuitous moment, Lord Warburton arrives at the Osmonds' and announces his departure for England. He invites the Osmonds to visit him and stay at Lockleigh. Osmond and Isabel both realize that Lord Warburton is no longer pursuing Pansy. Osmond leaves the two friends alone. Lord Warburton expresses his wish for Isabel to visit him in England. Pansy comes to bid adieu to Lord Warburton, and she is close to tears. As it turns out, her tears are more of relief than anything else. Pansy seems glad to be rid of Lord Warburton's questionably genuine affections. Osmond accuses Isabel of having played a game against him. He thinks that Isabel has worked specifically to turn Lord Warburton away from Pansy. Isabel appears, in her white cloak, like the angel of disdain, looking down sadly upon Osmond's petty accusations. Isabel suggests that Osmond should do the courtship work himself next time. Osmond says that there is still hope that they might still take Lord Warburton up on his offer to visit England. He also grimly notes that this affair has proved that Pansy can aim high in the marriage game.", "analysis": ""}

Lord Warburton was not seen in Mrs. Osmond's drawing-room for several days, and Isabel couldn't fail to observe that her husband said nothing to her about having received a letter from him. She couldn't fail to observe, either, that Osmond was in a state of expectancy and that, though it was not agreeable to him to betray it, he thought their distinguished friend kept him waiting quite too long. At the end of four days he alluded to his absence. "What has become of Warburton? What does he mean by treating one like a tradesman with a bill?" "I know nothing about him," Isabel said. "I saw him last Friday at the German ball. He told me then that he meant to write to you." "He has never written to me." "So I supposed, from your not having told me." "He's an odd fish," said Osmond comprehensively. And on Isabel's making no rejoinder he went on to enquire whether it took his lordship five days to indite a letter. "Does he form his words with such difficulty?" "I don't know," Isabel was reduced to replying. "I've never had a letter from him." "Never had a letter? I had an idea that you were at one time in intimate correspondence." She answered that this had not been the case, and let the conversation drop. On the morrow, however, coming into the drawing-room late in the afternoon, her husband took it up again. "When Lord Warburton told you of his intention of writing what did you say to him?" he asked. She just faltered. "I think I told him not to forget it. "Did you believe there was a danger of that?" "As you say, he's an odd fish." "Apparently he has forgotten it," said Osmond. "Be so good as to remind him." "Should you like me to write to him?" she demanded. "I've no objection whatever." "You expect too much of me." "Ah yes, I expect a great deal of you." "I'm afraid I shall disappoint you," said Isabel. "My expectations have survived a good deal of disappointment." "Of course I know that. Think how I must have disappointed myself! If you really wish hands laid on Lord Warburton you must lay them yourself." For a couple of minutes Osmond answered nothing; then he said: "That won't be easy, with you working against me." Isabel started; she felt herself beginning to tremble. He had a way of looking at her through half-closed eyelids, as if he were thinking of her but scarcely saw her, which seemed to her to have a wonderfully cruel intention. It appeared to recognise her as a disagreeable necessity of thought, but to ignore her for the time as a presence. That effect had never been so marked as now. "I think you accuse me of something very base," she returned. "I accuse you of not being trustworthy. If he doesn't after all come forward it will be because you've kept him off. I don't know that it's base: it is the kind of thing a woman always thinks she may do. I've no doubt you've the finest ideas about it." "I told you I would do what I could," she went on. "Yes, that gained you time." It came over her, after he had said this, that she had once thought him beautiful. "How much you must want to make sure of him!" she exclaimed in a moment. She had no sooner spoken than she perceived the full reach of her words, of which she had not been conscious in uttering them. They made a comparison between Osmond and herself, recalled the fact that she had once held this coveted treasure in her hand and felt herself rich enough to let it fall. A momentary exultation took possession of her--a horrible delight in having wounded him; for his face instantly told her that none of the force of her exclamation was lost. He expressed nothing otherwise, however; he only said quickly: "Yes, I want it immensely." At this moment a servant came in to usher a visitor, and he was followed the next by Lord Warburton, who received a visible check on seeing Osmond. He looked rapidly from the master of the house to the mistress; a movement that seemed to denote a reluctance to interrupt or even a perception of ominous conditions. Then he advanced, with his English address, in which a vague shyness seemed to offer itself as an element of good-breeding; in which the only defect was a difficulty in achieving transitions. Osmond was embarrassed; he found nothing to say; but Isabel remarked, promptly enough, that they had been in the act of talking about their visitor. Upon this her husband added that they hadn't known what was become of him--they had been afraid he had gone away. "No," he explained, smiling and looking at Osmond; "I'm only on the point of going." And then he mentioned that he found himself suddenly recalled to England: he should start on the morrow or the day after. "I'm awfully sorry to leave poor Touchett!" he ended by exclaiming. For a moment neither of his companions spoke; Osmond only leaned back in his chair, listening. Isabel didn't look at him; she could only fancy how he looked. Her eyes were on their visitor's face, where they were the more free to rest that those of his lordship carefully avoided them. Yet Isabel was sure that had she met his glance she would have found it expressive. "You had better take poor Touchett with you," she heard her husband say, lightly enough, in a moment. "He had better wait for warmer weather," Lord Warburton answered. "I shouldn't advise him to travel just now." He sat there a quarter of an hour, talking as if he might not soon see them again--unless indeed they should come to England, a course he strongly recommended. Why shouldn't they come to England in the autumn?--that struck him as a very happy thought. It would give him such pleasure to do what he could for them--to have them come and spend a month with him. Osmond, by his own admission, had been to England but once; which was an absurd state of things for a man of his leisure and intelligence. It was just the country for him--he would be sure to get on well there. Then Lord Warburton asked Isabel if she remembered what a good time she had had there and if she didn't want to try it again. Didn't she want to see Gardencourt once more? Gardencourt was really very good. Touchett didn't take proper care of it, but it was the sort of place you could hardly spoil by letting it alone. Why didn't they come and pay Touchett a visit? He surely must have asked them. Hadn't asked them? What an ill-mannered wretch!--and Lord Warburton promised to give the master of Gardencourt a piece of his mind. Of course it was a mere accident; he would be delighted to have them. Spending a month with Touchett and a month with himself, and seeing all the rest of the people they must know there, they really wouldn't find it half bad. Lord Warburton added that it would amuse Miss Osmond as well, who had told him that she had never been to England and whom he had assured it was a country she deserved to see. Of course she didn't need to go to England to be admired--that was her fate everywhere; but she would be an immense success there, she certainly would, if that was any inducement. He asked if she were not at home: couldn't he say good-bye? Not that he liked good-byes--he always funked them. When he left England the other day he hadn't said good-bye to a two-legged creature. He had had half a mind to leave Rome without troubling Mrs. Osmond for a final interview. What could be more dreary than final interviews? One never said the things one wanted--one remembered them all an hour afterwards. On the other hand one usually said a lot of things one shouldn't, simply from a sense that one had to say something. Such a sense was upsetting; it muddled one's wits. He had it at present, and that was the effect it produced on him. If Mrs. Osmond didn't think he spoke as he ought she must set it down to agitation; it was no light thing to part with Mrs. Osmond. He was really very sorry to be going. He had thought of writing to her instead of calling--but he would write to her at any rate, to tell her a lot of things that would be sure to occur to him as soon as he had left the house. They must think seriously about coming to Lockleigh. If there was anything awkward in the conditions of his visit or in the announcement of his departure it failed to come to the surface. Lord Warburton talked about his agitation; but he showed it in no other manner, and Isabel saw that since he had determined on a retreat he was capable of executing it gallantly. She was very glad for him; she liked him quite well enough to wish him to appear to carry a thing off. He would do that on any occasion--not from impudence but simply from the habit of success; and Isabel felt it out of her husband's power to frustrate this faculty. A complex operation, as she sat there, went on in her mind. On one side she listened to their visitor; said what was proper to him; read, more or less, between the lines of what he said himself; and wondered how he would have spoken if he had found her alone. On the other she had a perfect consciousness of Osmond's emotion. She felt almost sorry for him; he was condemned to the sharp pain of loss without the relief of cursing. He had had a great hope, and now, as he saw it vanish into smoke, he was obliged to sit and smile and twirl his thumbs. Not that he troubled himself to smile very brightly; he treated their friend on the whole to as vacant a countenance as so clever a man could very well wear. It was indeed a part of Osmond's cleverness that he could look consummately uncompromised. His present appearance, however, was not a confession of disappointment; it was simply a part of Osmond's habitual system, which was to be inexpressive exactly in proportion as he was really intent. He had been intent on this prize from the first; but he had never allowed his eagerness to irradiate his refined face. He had treated his possible son-in-law as he treated every one--with an air of being interested in him only for his own advantage, not for any profit to a person already so generally, so perfectly provided as Gilbert Osmond. He would give no sign now of an inward rage which was the result of a vanished prospect of gain--not the faintest nor subtlest. Isabel could be sure of that, if it was any satisfaction to her. Strangely, very strangely, it was a satisfaction; she wished Lord Warburton to triumph before her husband, and at the same time she wished her husband to be very superior before Lord Warburton. Osmond, in his way, was admirable; he had, like their visitor, the advantage of an acquired habit. It was not that of succeeding, but it was something almost as good--that of not attempting. As he leaned back in his place, listening but vaguely to the other's friendly offers and suppressed explanations--as if it were only proper to assume that they were addressed essentially to his wife--he had at least (since so little else was left him) the comfort of thinking how well he personally had kept out of it, and how the air of indifference, which he was now able to wear, had the added beauty of consistency. It was something to be able to look as if the leave-taker's movements had no relation to his own mind. The latter did well, certainly; but Osmond's performance was in its very nature more finished. Lord Warburton's position was after all an easy one; there was no reason in the world why he shouldn't leave Rome. He had had beneficent inclinations, but they had stopped short of fruition; he had never committed himself, and his honour was safe. Osmond appeared to take but a moderate interest in the proposal that they should go and stay with him and in his allusion to the success Pansy might extract from their visit. He murmured a recognition, but left Isabel to say that it was a matter requiring grave consideration. Isabel, even while she made this remark, could see the great vista which had suddenly opened out in her husband's mind, with Pansy's little figure marching up the middle of it. Lord Warburton had asked leave to bid good-bye to Pansy, but neither Isabel nor Osmond had made any motion to send for her. He had the air of giving out that his visit must be short; he sat on a small chair, as if it were only for a moment, keeping his hat in his hand. But he stayed and stayed; Isabel wondered what he was waiting for. She believed it was not to see Pansy; she had an impression that on the whole he would rather not see Pansy. It was of course to see herself alone--he had something to say to her. Isabel had no great wish to hear it, for she was afraid it would be an explanation, and she could perfectly dispense with explanations. Osmond, however, presently got up, like a man of good taste to whom it had occurred that so inveterate a visitor might wish to say just the last word of all to the ladies. "I've a letter to write before dinner," he said; "you must excuse me. I'll see if my daughter's disengaged, and if she is she shall know you're here. Of course when you come to Rome you'll always look us up. Mrs. Osmond will talk to you about the English expedition: she decides all those things." The nod with which, instead of a hand-shake, he wound up this little speech was perhaps rather a meagre form of salutation; but on the whole it was all the occasion demanded. Isabel reflected that after he left the room Lord Warburton would have no pretext for saying, "Your husband's very angry"; which would have been extremely disagreeable to her. Nevertheless, if he had done so, she would have said: "Oh, don't be anxious. He doesn't hate you: it's me that he hates!" It was only when they had been left alone together that her friend showed a certain vague awkwardness--sitting down in another chair, handling two or three of the objects that were near him. "I hope he'll make Miss Osmond come," he presently remarked. "I want very much to see her." "I'm glad it's the last time," said Isabel. "So am I. She doesn't care for me." "No, she doesn't care for you." "I don't wonder at it," he returned. Then he added with inconsequence: "You'll come to England, won't you?" "I think we had better not." "Ah, you owe me a visit. Don't you remember that you were to have come to Lockleigh once, and you never did?" "Everything's changed since then," said Isabel. "Not changed for the worse, surely--as far as we're concerned. To see you under my roof"--and he hung fire but an instant--"would be a great satisfaction." She had feared an explanation; but that was the only one that occurred. They talked a little of Ralph, and in another moment Pansy came in, already dressed for dinner and with a little red spot in either cheek. She shook hands with Lord Warburton and stood looking up into his face with a fixed smile--a smile that Isabel knew, though his lordship probably never suspected it, to be near akin to a burst of tears. "I'm going away," he said. "I want to bid you good-bye." "Good-bye, Lord Warburton." Her voice perceptibly trembled. "And I want to tell you how much I wish you may be very happy." "Thank you, Lord Warburton," Pansy answered. He lingered a moment and gave a glance at Isabel. "You ought to be very happy--you've got a guardian angel." "I'm sure I shall be happy," said Pansy in the tone of a person whose certainties were always cheerful. "Such a conviction as that will take you a great way. But if it should ever fail you, remember--remember--" And her interlocutor stammered a little. "Think of me sometimes, you know!" he said with a vague laugh. Then he shook hands with Isabel in silence, and presently he was gone. When he had left the room she expected an effusion of tears from her stepdaughter; but Pansy in fact treated her to something very different. "I think you ARE my guardian angel!" she exclaimed very sweetly. Isabel shook her head. "I'm not an angel of any kind. I'm at the most your good friend." "You're a very good friend then--to have asked papa to be gentle with me." "I've asked your father nothing," said Isabel, wondering. "He told me just now to come to the drawing-room, and then he gave me a very kind kiss." "Ah," said Isabel, "that was quite his own idea!" She recognised the idea perfectly; it was very characteristic, and she was to see a great deal more of it. Even with Pansy he couldn't put himself the least in the wrong. They were dining out that day, and after their dinner they went to another entertainment; so that it was not till late in the evening that Isabel saw him alone. When Pansy kissed him before going to bed he returned her embrace with even more than his usual munificence, and Isabel wondered if he meant it as a hint that his daughter had been injured by the machinations of her stepmother. It was a partial expression, at any rate, of what he continued to expect of his wife. She was about to follow Pansy, but he remarked that he wished she would remain; he had something to say to her. Then he walked about the drawing-room a little, while she stood waiting in her cloak. "I don't understand what you wish to do," he said in a moment. "I should like to know--so that I may know how to act." "Just now I wish to go to bed. I'm very tired." "Sit down and rest; I shall not keep you long. Not there--take a comfortable place." And he arranged a multitude of cushions that were scattered in picturesque disorder upon a vast divan. This was not, however, where she seated herself; she dropped into the nearest chair. The fire had gone out; the lights in the great room were few. She drew her cloak about her; she felt mortally cold. "I think you're trying to humiliate me," Osmond went on. "It's a most absurd undertaking." "I haven't the least idea what you mean," she returned. "You've played a very deep game; you've managed it beautifully." "What is it that I've managed?" "You've not quite settled it, however; we shall see him again." And he stopped in front of her, with his hands in his pockets, looking down at her thoughtfully, in his usual way, which seemed meant to let her know that she was not an object, but only a rather disagreeable incident, of thought. "If you mean that Lord Warburton's under an obligation to come back you're wrong," Isabel said. "He's under none whatever." "That's just what I complain of. But when I say he'll come back I don't mean he'll come from a sense of duty." "There's nothing else to make him. I think he has quite exhausted Rome." "Ah no, that's a shallow judgement. Rome's inexhaustible." And Osmond began to walk about again. "However, about that perhaps there's no hurry," he added. "It's rather a good idea of his that we should go to England. If it were not for the fear of finding your cousin there I think I should try to persuade you." "It may be that you'll not find my cousin," said Isabel. "I should like to be sure of it. However, I shall be as sure as possible. At the same time I should like to see his house, that you told me so much about at one time: what do you call it?--Gardencourt. It must be a charming thing. And then, you know, I've a devotion to the memory of your uncle: you made me take a great fancy to him. I should like to see where he lived and died. That indeed is a detail. Your friend was right. Pansy ought to see England." "I've no doubt she would enjoy it," said Isabel. "But that's a long time hence; next autumn's far off," Osmond continued; "and meantime there are things that more nearly interest us. Do you think me so very proud?" he suddenly asked. "I think you very strange." "You don't understand me." "No, not even when you insult me." "I don't insult you; I'm incapable of it. I merely speak of certain facts, and if the allusion's an injury to you the fault's not mine. It's surely a fact that you have kept all this matter quite in your own hands." "Are you going back to Lord Warburton?" Isabel asked. "I'm very tired of his name." "You shall hear it again before we've done with it." She had spoken of his insulting her, but it suddenly seemed to her that this ceased to be a pain. He was going down--down; the vision of such a fall made her almost giddy: that was the only pain. He was too strange, too different; he didn't touch her. Still, the working of his morbid passion was extraordinary, and she felt a rising curiosity to know in what light he saw himself justified. "I might say to you that I judge you've nothing to say to me that's worth hearing," she returned in a moment. "But I should perhaps be wrong. There's a thing that would be worth my hearing--to know in the plainest words of what it is you accuse me." "Of having prevented Pansy's marriage to Warburton. Are those words plain enough?" "On the contrary, I took a great interest in it. I told you so; and when you told me that you counted on me--that I think was what you said--I accepted the obligation. I was a fool to do so, but I did it." "You pretended to do it, and you even pretended reluctance to make me more willing to trust you. Then you began to use your ingenuity to get him out of the way." "I think I see what you mean," said Isabel. "Where's the letter you told me he had written me?" her husband demanded. "I haven't the least idea; I haven't asked him." "You stopped it on the way," said Osmond. Isabel slowly got up; standing there in her white cloak, which covered her to her feet, she might have represented the angel of disdain, first cousin to that of pity. "Oh, Gilbert, for a man who was so fine--!" she exclaimed in a long murmur. "I was never so fine as you. You've done everything you wanted. You've got him out of the way without appearing to do so, and you've placed me in the position in which you wished to see me--that of a man who has tried to marry his daughter to a lord, but has grotesquely failed." "Pansy doesn't care for him. She's very glad he's gone," Isabel said. "That has nothing to do with the matter." "And he doesn't care for Pansy." "That won't do; you told me he did. I don't know why you wanted this particular satisfaction," Osmond continued; "you might have taken some other. It doesn't seem to me that I've been presumptuous--that I have taken too much for granted. I've been very modest about it, very quiet. The idea didn't originate with me. He began to show that he liked her before I ever thought of it. I left it all to you." "Yes, you were very glad to leave it to me. After this you must attend to such things yourself." He looked at her a moment; then he turned away. "I thought you were very fond of my daughter." "I've never been more so than to-day." "Your affection is attended with immense limitations. However, that perhaps is natural." "Is this all you wished to say to me?" Isabel asked, taking a candle that stood on one of the tables. "Are you satisfied? Am I sufficiently disappointed?" "I don't think that on the whole you're disappointed. You've had another opportunity to try to stupefy me." "It's not that. It's proved that Pansy can aim high." "Poor little Pansy!" said Isabel as she turned away with her candle.

Chapter 46

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-46

Lord Warburton has not called or written, and Osmond, ever the pessimist, holds Isabel responsible. Osmond assumes that Isabel has a hand in Warburton's sudden absence, and demands that she correct it. At this fortuitous moment, Lord Warburton arrives at the Osmonds' and announces his departure for England. He invites the Osmonds to visit him and stay at Lockleigh. Osmond and Isabel both realize that Lord Warburton is no longer pursuing Pansy. Osmond leaves the two friends alone. Lord Warburton expresses his wish for Isabel to visit him in England. Pansy comes to bid adieu to Lord Warburton, and she is close to tears. As it turns out, her tears are more of relief than anything else. Pansy seems glad to be rid of Lord Warburton's questionably genuine affections. Osmond accuses Isabel of having played a game against him. He thinks that Isabel has worked specifically to turn Lord Warburton away from Pansy. Isabel appears, in her white cloak, like the angel of disdain, looking down sadly upon Osmond's petty accusations. Isabel suggests that Osmond should do the courtship work himself next time. Osmond says that there is still hope that they might still take Lord Warburton up on his offer to visit England. He also grimly notes that this affair has proved that Pansy can aim high in the marriage game.

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all_chapterized_books/2833-chapters/47.txt

finished_summaries/shmoop/The Portrait of a Lady/section_46_part_0.txt

The Portrait of a Lady.chapter 47

chapter 47

{"name": "Chapter 47", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-47", "summary": "Madame Merle has gone to Naples. Henrietta visits Isabel and tells her that Caspar is in town. He has yet to contact Isabel. Isabel worries about seeing Caspar again, since she feels like he had invested all of his happiness in her. Henrietta is a welcome addition to Isabel's life - she can actually talk honestly with her old friend. Isabel finally confesses that she is unhappy. Isabel claims that she cannot leave Osmond because it would damage her pride. She made the choice to marry him so deliberately and publicly, it would be embarrassing to confess its failure. Osmond despises Henrietta, of course. In fact, Osmond tells Isabel that he does not approve of her friends in general. Good old Mr. Bantling has visited Henrietta in America, and apparently took a liking to the country. Caspar Goodwood visits Isabel in Palazzo Roccanera at six o'clock that night. He also comes to Isabel's Thursday parties. Osmond takes a liking to Caspar, oddly enough. He admires the young American. Isabel asks Caspar to visit Ralph in his hotel room. He goes, only to find that Henrietta is there. Henrietta and Ralph have become good friends. Ralph has always thought well of Henrietta, though it was not always reciprocated, and, in his hour of need, she turns out to be a great friend and companion. Isabel hopes that Caspar will also turn into a good companion for her cousin, and plans to send him north with Ralph when he returns to England. The Countess Gemini, Rosier, and Madame Merle all arrive in Rome.", "analysis": ""}

It was from Henrietta Stackpole that she learned how Caspar Goodwood had come to Rome; an event that took place three days after Lord Warburton's departure. This latter fact had been preceded by an incident of some importance to Isabel--the temporary absence, once again, of Madame Merle, who had gone to Naples to stay with a friend, the happy possessor of a villa at Posilippo. Madame Merle had ceased to minister to Isabel's happiness, who found herself wondering whether the most discreet of women might not also by chance be the most dangerous. Sometimes, at night, she had strange visions; she seemed to see her husband and her friend--his friend--in dim, indistinguishable combination. It seemed to her that she had not done with her; this lady had something in reserve. Isabel's imagination applied itself actively to this elusive point, but every now and then it was checked by a nameless dread, so that when the charming woman was away from Rome she had almost a consciousness of respite. She had already learned from Miss Stackpole that Caspar Goodwood was in Europe, Henrietta having written to make it known to her immediately after meeting him in Paris. He himself never wrote to Isabel, and though he was in Europe she thought it very possible he might not desire to see her. Their last interview, before her marriage, had had quite the character of a complete rupture; if she remembered rightly he had said he wished to take his last look at her. Since then he had been the most discordant survival of her earlier time--the only one in fact with which a permanent pain was associated. He had left her that morning with a sense of the most superfluous of shocks: it was like a collision between vessels in broad daylight. There had been no mist, no hidden current to excuse it, and she herself had only wished to steer wide. He had bumped against her prow, however, while her hand was on the tiller, and--to complete the metaphor--had given the lighter vessel a strain which still occasionally betrayed itself in a faint creaking. It had been horrid to see him, because he represented the only serious harm that (to her belief) she had ever done in the world: he was the only person with an unsatisfied claim on her. She had made him unhappy, she couldn't help it; and his unhappiness was a grim reality. She had cried with rage, after he had left her, at--she hardly knew what: she tried to think it had been at his want of consideration. He had come to her with his unhappiness when her own bliss was so perfect; he had done his best to darken the brightness of those pure rays. He had not been violent, and yet there had been a violence in the impression. There had been a violence at any rate in something somewhere; perhaps it was only in her own fit of weeping and in that after-sense of the same which had lasted three or four days. The effect of his final appeal had in short faded away, and all the first year of her marriage he had dropped out of her books. He was a thankless subject of reference; it was disagreeable to have to think of a person who was sore and sombre about you and whom you could yet do nothing to relieve. It would have been different if she had been able to doubt, even a little, of his unreconciled state, as she doubted of Lord Warburton's; unfortunately it was beyond question, and this aggressive, uncompromising look of it was just what made it unattractive. She could never say to herself that here was a sufferer who had compensations, as she was able to say in the case of her English suitor. She had no faith in Mr. Goodwood's compensations and no esteem for them. A cotton factory was not a compensation for anything--least of all for having failed to marry Isabel Archer. And yet, beyond that, she hardly knew what he had--save of course his intrinsic qualities. Oh, he was intrinsic enough; she never thought of his even looking for artificial aids. If he extended his business--that, to the best of her belief, was the only form exertion could take with him--it would be because it was an enterprising thing, or good for the business; not in the least because he might hope it would overlay the past. This gave his figure a kind of bareness and bleakness which made the accident of meeting it in memory or in apprehension a peculiar concussion; it was deficient in the social drapery commonly muffling, in an overcivilized age, the sharpness of human contacts. His perfect silence, moreover, the fact that she never heard from him and very seldom heard any mention of him, deepened this impression of his loneliness. She asked Lily for news of him, from time to time; but Lily knew nothing of Boston--her imagination was all bounded on the east by Madison Avenue. As time went on Isabel had thought of him oftener, and with fewer restrictions; she had had more than once the idea of writing to him. She had never told her husband about him--never let Osmond know of his visits to her in Florence; a reserve not dictated in the early period by a want of confidence in Osmond, but simply by the consideration that the young man's disappointment was not her secret but his own. It would be wrong of her, she had believed, to convey it to another, and Mr. Goodwood's affairs could have, after all, little interest for Gilbert. When it had come to the point she had never written to him; it seemed to her that, considering his grievance, the least she could do was to let him alone. Nevertheless she would have been glad to be in some way nearer to him. It was not that it ever occurred to her that she might have married him; even after the consequences of her actual union had grown vivid to her that particular reflection, though she indulged in so many, had not had the assurance to present itself. But on finding herself in trouble he had become a member of that circle of things with which she wished to set herself right. I have mentioned how passionately she needed to feel that her unhappiness should not have come to her through her own fault. She had no near prospect of dying, and yet she wished to make her peace with the world--to put her spiritual affairs in order. It came back to her from time to time that there was an account still to be settled with Caspar, and she saw herself disposed or able to settle it to-day on terms easier for him than ever before. Still, when she learned he was coming to Rome she felt all afraid; it would be more disagreeable for him than for any one else to make out--since he WOULD make it out, as over a falsified balance-sheet or something of that sort--the intimate disarray of her affairs. Deep in her breast she believed that he had invested his all in her happiness, while the others had invested only a part. He was one more person from whom she should have to conceal her stress. She was reassured, however, after he arrived in Rome, for he spent several days without coming to see her. Henrietta Stackpole, it may well be imagined, was more punctual, and Isabel was largely favoured with the society of her friend. She threw herself into it, for now that she had made such a point of keeping her conscience clear, that was one way of proving she had not been superficial--the more so as the years, in their flight, had rather enriched than blighted those peculiarities which had been humorously criticised by persons less interested than Isabel, and which were still marked enough to give loyalty a spice of heroism. Henrietta was as keen and quick and fresh as ever, and as neat and bright and fair. Her remarkably open eyes, lighted like great glazed railway-stations, had put up no shutters; her attire had lost none of its crispness, her opinions none of their national reference. She was by no means quite unchanged, however it struck Isabel she had grown vague. Of old she had never been vague; though undertaking many enquiries at once, she had managed to be entire and pointed about each. She had a reason for everything she did; she fairly bristled with motives. Formerly, when she came to Europe it was because she wished to see it, but now, having already seen it, she had no such excuse. She didn't for a moment pretend that the desire to examine decaying civilisations had anything to do with her present enterprise; her journey was rather an expression of her independence of the old world than of a sense of further obligations to it. "It's nothing to come to Europe," she said to Isabel; "it doesn't seem to me one needs so many reasons for that. It is something to stay at home; this is much more important." It was not therefore with a sense of doing anything very important that she treated herself to another pilgrimage to Rome; she had seen the place before and carefully inspected it; her present act was simply a sign of familiarity, of her knowing all about it, of her having as good a right as any one else to be there. This was all very well, and Henrietta was restless; she had a perfect right to be restless too, if one came to that. But she had after all a better reason for coming to Rome than that she cared for it so little. Her friend easily recognised it, and with it the worth of the other's fidelity. She had crossed the stormy ocean in midwinter because she had guessed that Isabel was sad. Henrietta guessed a great deal, but she had never guessed so happily as that. Isabel's satisfactions just now were few, but even if they had been more numerous there would still have been something of individual joy in her sense of being justified in having always thought highly of Henrietta. She had made large concessions with regard to her, and had yet insisted that, with all abatements, she was very valuable. It was not her own triumph, however, that she found good; it was simply the relief of confessing to this confidant, the first person to whom she had owned it, that she was not in the least at her ease. Henrietta had herself approached this point with the smallest possible delay, and had accused her to her face of being wretched. She was a woman, she was a sister; she was not Ralph, nor Lord Warburton, nor Caspar Goodwood, and Isabel could speak. "Yes, I'm wretched," she said very mildly. She hated to hear herself say it; she tried to say it as judicially as possible. "What does he do to you?" Henrietta asked, frowning as if she were enquiring into the operations of a quack doctor. "He does nothing. But he doesn't like me." "He's very hard to please!" cried Miss Stackpole. "Why don't you leave him?" "I can't change that way," Isabel said. "Why not, I should like to know? You won't confess that you've made a mistake. You're too proud." "I don't know whether I'm too proud. But I can't publish my mistake. I don't think that's decent. I'd much rather die." "You won't think so always," said Henrietta. "I don't know what great unhappiness might bring me to; but it seems to me I shall always be ashamed. One must accept one's deeds. I married him before all the world; I was perfectly free; it was impossible to do anything more deliberate. One can't change that way," Isabel repeated. "You HAVE changed, in spite of the impossibility. I hope you don't mean to say you like him." Isabel debated. "No, I don't like him. I can tell you, because I'm weary of my secret. But that's enough; I can't announce it on the housetops." Henrietta gave a laugh. "Don't you think you're rather too considerate?" "It's not of him that I'm considerate--it's of myself!" Isabel answered. It was not surprising Gilbert Osmond should not have taken comfort in Miss Stackpole; his instinct had naturally set him in opposition to a young lady capable of advising his wife to withdraw from the conjugal roof. When she arrived in Rome he had said to Isabel that he hoped she would leave her friend the interviewer alone; and Isabel had answered that he at least had nothing to fear from her. She said to Henrietta that as Osmond didn't like her she couldn't invite her to dine, but they could easily see each other in other ways. Isabel received Miss Stackpole freely in her own sitting-room, and took her repeatedly to drive, face to face with Pansy, who, bending a little forward, on the opposite seat of the carriage, gazed at the celebrated authoress with a respectful attention which Henrietta occasionally found irritating. She complained to Isabel that Miss Osmond had a little look as if she should remember everything one said. "I don't want to be remembered that way," Miss Stackpole declared; "I consider that my conversation refers only to the moment, like the morning papers. Your stepdaughter, as she sits there, looks as if she kept all the back numbers and would bring them out some day against me." She could not teach herself to think favourably of Pansy, whose absence of initiative, of conversation, of personal claims, seemed to her, in a girl of twenty, unnatural and even uncanny. Isabel presently saw that Osmond would have liked her to urge a little the cause of her friend, insist a little upon his receiving her, so that he might appear to suffer for good manners' sake. Her immediate acceptance of his objections put him too much in the wrong--it being in effect one of the disadvantages of expressing contempt that you cannot enjoy at the same time the credit of expressing sympathy. Osmond held to his credit, and yet he held to his objections--all of which were elements difficult to reconcile. The right thing would have been that Miss Stackpole should come to dine at Palazzo Roccanera once or twice, so that (in spite of his superficial civility, always so great) she might judge for herself how little pleasure it gave him. From the moment, however, that both the ladies were so unaccommodating, there was nothing for Osmond but to wish the lady from New York would take herself off. It was surprising how little satisfaction he got from his wife's friends; he took occasion to call Isabel's attention to it. "You're certainly not fortunate in your intimates; I wish you might make a new collection," he said to her one morning in reference to nothing visible at the moment, but in a tone of ripe reflection which deprived the remark of all brutal abruptness. "It's as if you had taken the trouble to pick out the people in the world that I have least in common with. Your cousin I have always thought a conceited ass--besides his being the most ill-favoured animal I know. Then it's insufferably tiresome that one can't tell him so; one must spare him on account of his health. His health seems to me the best part of him; it gives him privileges enjoyed by no one else. If he's so desperately ill there's only one way to prove it; but he seems to have no mind for that. I can't say much more for the great Warburton. When one really thinks of it, the cool insolence of that performance was something rare! He comes and looks at one's daughter as if she were a suite of apartments; he tries the door-handles and looks out of the windows, raps on the walls and almost thinks he'll take the place. Will you be so good as to draw up a lease? Then, on the whole, he decides that the rooms are too small; he doesn't think he could live on a third floor; he must look out for a piano nobile. And he goes away after having got a month's lodging in the poor little apartment for nothing. Miss Stackpole, however, is your most wonderful invention. She strikes me as a kind of monster. One hasn't a nerve in one's body that she doesn't set quivering. You know I never have admitted that she's a woman. Do you know what she reminds me of? Of a new steel pen--the most odious thing in nature. She talks as a steel pen writes; aren't her letters, by the way, on ruled paper? She thinks and moves and walks and looks exactly as she talks. You may say that she doesn't hurt me, inasmuch as I don't see her. I don't see her, but I hear her; I hear her all day long. Her voice is in my ears; I can't get rid of it. I know exactly what she says, and every inflexion of the tone in which she says it. She says charming things about me, and they give you great comfort. I don't like at all to think she talks about me--I feel as I should feel if I knew the footman were wearing my hat." Henrietta talked about Gilbert Osmond, as his wife assured him, rather less than he suspected. She had plenty of other subjects, in two of which the reader may be supposed to be especially interested. She let her friend know that Caspar Goodwood had discovered for himself that she was unhappy, though indeed her ingenuity was unable to suggest what comfort he hoped to give her by coming to Rome and yet not calling on her. They met him twice in the street, but he had no appearance of seeing them; they were driving, and he had a habit of looking straight in front of him, as if he proposed to take in but one object at a time. Isabel could have fancied she had seen him the day before; it must have been with just that face and step that he had walked out of Mrs. Touchett's door at the close of their last interview. He was dressed just as he had been dressed on that day, Isabel remembered the colour of his cravat; and yet in spite of this familiar look there was a strangeness in his figure too, something that made her feel it afresh to be rather terrible he should have come to Rome. He looked bigger and more overtopping than of old, and in those days he certainly reached high enough. She noticed that the people whom he passed looked back after him; but he went straight forward, lifting above them a face like a February sky. Miss Stackpole's other topic was very different; she gave Isabel the latest news about Mr. Bantling. He had been out in the United States the year before, and she was happy to say she had been able to show him considerable attention. She didn't know how much he had enjoyed it, but she would undertake to say it had done him good; he wasn't the same man when he left as he had been when he came. It had opened his eyes and shown him that England wasn't everything. He had been very much liked in most places, and thought extremely simple--more simple than the English were commonly supposed to be. There were people who had thought him affected; she didn't know whether they meant that his simplicity was an affectation. Some of his questions were too discouraging; he thought all the chambermaids were farmers' daughters--or all the farmers' daughters were chambermaids--she couldn't exactly remember which. He hadn't seemed able to grasp the great school system; it had been really too much for him. On the whole he had behaved as if there were too much of everything--as if he could only take in a small part. The part he had chosen was the hotel system and the river navigation. He had seemed really fascinated with the hotels; he had a photograph of every one he had visited. But the river steamers were his principal interest; he wanted to do nothing but sail on the big boats. They had travelled together from New York to Milwaukee, stopping at the most interesting cities on the route; and whenever they started afresh he had wanted to know if they could go by the steamer. He seemed to have no idea of geography--had an impression that Baltimore was a Western city and was perpetually expecting to arrive at the Mississippi. He appeared never to have heard of any river in America but the Mississippi and was unprepared to recognise the existence of the Hudson, though obliged to confess at last that it was fully equal to the Rhine. They had spent some pleasant hours in the palace-cars; he was always ordering ice-cream from the coloured man. He could never get used to that idea--that you could get ice-cream in the cars. Of course you couldn't, nor fans, nor candy, nor anything in the English cars! He found the heat quite overwhelming, and she had told him she indeed expected it was the biggest he had ever experienced. He was now in England, hunting--"hunting round" Henrietta called it. These amusements were those of the American red men; we had left that behind long ago, the pleasures of the chase. It seemed to be generally believed in England that we wore tomahawks and feathers; but such a costume was more in keeping with English habits. Mr. Bantling would not have time to join her in Italy, but when she should go to Paris again he expected to come over. He wanted very much to see Versailles again; he was very fond of the ancient regime. They didn't agree about that, but that was what she liked Versailles for, that you could see the ancient regime had been swept away. There were no dukes and marquises there now; she remembered on the contrary one day when there were five American families, walking all round. Mr. Bantling was very anxious that she should take up the subject of England again, and he thought she might get on better with it now; England had changed a good deal within two or three years. He was determined that if she went there he should go to see his sister, Lady Pensil, and that this time the invitation should come to her straight. The mystery about that other one had never been explained. Caspar Goodwood came at last to Palazzo Roccanera; he had written Isabel a note beforehand, to ask leave. This was promptly granted; she would be at home at six o'clock that afternoon. She spent the day wondering what he was coming for--what good he expected to get of it. He had presented himself hitherto as a person destitute of the faculty of compromise, who would take what he had asked for or take nothing. Isabel's hospitality, however, raised no questions, and she found no great difficulty in appearing happy enough to deceive him. It was her conviction at least that she deceived him, made him say to himself that he had been misinformed. But she also saw, so she believed, that he was not disappointed, as some other men, she was sure, would have been; he had not come to Rome to look for an opportunity. She never found out what he had come for; he offered her no explanation; there could be none but the very simple one that he wanted to see her. In other words he had come for his amusement. Isabel followed up this induction with a good deal of eagerness, and was delighted to have found a formula that would lay the ghost of this gentleman's ancient grievance. If he had come to Rome for his amusement this was exactly what she wanted; for if he cared for amusement he had got over his heartache. If he had got over his heartache everything was as it should be and her responsibilities were at an end. It was true that he took his recreation a little stiffly, but he had never been loose and easy and she had every reason to believe he was satisfied with what he saw. Henrietta was not in his confidence, though he was in hers, and Isabel consequently received no side-light upon his state of mind. He was open to little conversation on general topics; it came back to her that she had said of him once, years before, "Mr. Goodwood speaks a good deal, but he doesn't talk." He spoke a good deal now, but he talked perhaps as little as ever; considering, that is, how much there was in Rome to talk about. His arrival was not calculated to simplify her relations with her husband, for if Mr. Osmond didn't like her friends Mr. Goodwood had no claim upon his attention save as having been one of the first of them. There was nothing for her to say of him but that he was the very oldest; this rather meagre synthesis exhausted the facts. She had been obliged to introduce him to Gilbert; it was impossible she should not ask him to dinner, to her Thursday evenings, of which she had grown very weary, but to which her husband still held for the sake not so much of inviting people as of not inviting them. To the Thursdays Mr. Goodwood came regularly, solemnly, rather early; he appeared to regard them with a good deal of gravity. Isabel every now and then had a moment of anger; there was something so literal about him; she thought he might know that she didn't know what to do with him. But she couldn't call him stupid; he was not that in the least; he was only extraordinarily honest. To be as honest as that made a man very different from most people; one had to be almost equally honest with HIM. She made this latter reflection at the very time she was flattering herself she had persuaded him that she was the most light-hearted of women. He never threw any doubt on this point, never asked her any personal questions. He got on much better with Osmond than had seemed probable. Osmond had a great dislike to being counted on; in such a case he had an irresistible need of disappointing you. It was in virtue of this principle that he gave himself the entertainment of taking a fancy to a perpendicular Bostonian whom he had been depended upon to treat with coldness. He asked Isabel if Mr. Goodwood also had wanted to marry her, and expressed surprise at her not having accepted him. It would have been an excellent thing, like living under some tall belfry which would strike all the hours and make a queer vibration in the upper air. He declared he liked to talk with the great Goodwood; it wasn't easy at first, you had to climb up an interminable steep staircase up to the top of the tower; but when you got there you had a big view and felt a little fresh breeze. Osmond, as we know, had delightful qualities, and he gave Caspar Goodwood the benefit of them all. Isabel could see that Mr. Goodwood thought better of her husband than he had ever wished to; he had given her the impression that morning in Florence of being inaccessible to a good impression. Gilbert asked him repeatedly to dinner, and Mr. Goodwood smoked a cigar with him afterwards and even desired to be shown his collections. Gilbert said to Isabel that he was very original; he was as strong and of as good a style as an English portmanteau,--he had plenty of straps and buckles which would never wear out, and a capital patent lock. Caspar Goodwood took to riding on the Campagna and devoted much time to this exercise; it was therefore mainly in the evening that Isabel saw him. She bethought herself of saying to him one day that if he were willing he could render her a service. And then she added smiling: "I don't know, however, what right I have to ask a service of you." "You're the person in the world who has most right," he answered. "I've given you assurances that I've never given any one else." The service was that he should go and see her cousin Ralph, who was ill at the Hotel de Paris, alone, and be as kind to him as possible. Mr. Goodwood had never seen him, but he would know who the poor fellow was; if she was not mistaken Ralph had once invited him to Gardencourt. Caspar remembered the invitation perfectly, and, though he was not supposed to be a man of imagination, had enough to put himself in the place of a poor gentleman who lay dying at a Roman inn. He called at the Hotel de Paris and, on being shown into the presence of the master of Gardencourt, found Miss Stackpole sitting beside his sofa. A singular change had in fact occurred in this lady's relations with Ralph Touchett. She had not been asked by Isabel to go and see him, but on hearing that he was too ill to come out had immediately gone of her own motion. After this she had paid him a daily visit--always under the conviction that they were great enemies. "Oh yes, we're intimate enemies," Ralph used to say; and he accused her freely--as freely as the humour of it would allow--of coming to worry him to death. In reality they became excellent friends, Henrietta much wondering that she should never have liked him before. Ralph liked her exactly as much as he had always done; he had never doubted for a moment that she was an excellent fellow. They talked about everything and always differed; about everything, that is, but Isabel--a topic as to which Ralph always had a thin forefinger on his lips. Mr. Bantling on the other hand proved a great resource; Ralph was capable of discussing Mr. Bantling with Henrietta for hours. Discussion was stimulated of course by their inevitable difference of view--Ralph having amused himself with taking the ground that the genial ex-guardsman was a regular Machiavelli. Caspar Goodwood could contribute nothing to such a debate; but after he had been left alone with his host he found there were various other matters they could take up. It must be admitted that the lady who had just gone out was not one of these; Caspar granted all Miss Stackpole's merits in advance, but had no further remark to make about her. Neither, after the first allusions, did the two men expatiate upon Mrs. Osmond--a theme in which Goodwood perceived as many dangers as Ralph. He felt very sorry for that unclassable personage; he couldn't bear to see a pleasant man, so pleasant for all his queerness, so beyond anything to be done. There was always something to be done, for Goodwood, and he did it in this case by repeating several times his visit to the Hotel de Paris. It seemed to Isabel that she had been very clever; she had artfully disposed of the superfluous Caspar. She had given him an occupation; she had converted him into a caretaker of Ralph. She had a plan of making him travel northward with her cousin as soon as the first mild weather should allow it. Lord Warburton had brought Ralph to Rome and Mr. Goodwood should take him away. There seemed a happy symmetry in this, and she was now intensely eager that Ralph should depart. She had a constant fear he would die there before her eyes and a horror of the occurrence of this event at an inn, by her door, which he had so rarely entered. Ralph must sink to his last rest in his own dear house, in one of those deep, dim chambers of Gardencourt where the dark ivy would cluster round the edges of the glimmering window. There seemed to Isabel in these days something sacred in Gardencourt; no chapter of the past was more perfectly irrecoverable. When she thought of the months she had spent there the tears rose to her eyes. She flattered herself, as I say, upon her ingenuity, but she had need of all she could muster; for several events occurred which seemed to confront and defy her. The Countess Gemini arrived from Florence--arrived with her trunks, her dresses, her chatter, her falsehoods, her frivolity, the strange, the unholy legend of the number of her lovers. Edward Rosier, who had been away somewhere,--no one, not even Pansy, knew where,--reappeared in Rome and began to write her long letters, which she never answered. Madame Merle returned from Naples and said to her with a strange smile: "What on earth did you do with Lord Warburton?" As if it were any business of hers!

Chapter 47

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-47

Madame Merle has gone to Naples. Henrietta visits Isabel and tells her that Caspar is in town. He has yet to contact Isabel. Isabel worries about seeing Caspar again, since she feels like he had invested all of his happiness in her. Henrietta is a welcome addition to Isabel's life - she can actually talk honestly with her old friend. Isabel finally confesses that she is unhappy. Isabel claims that she cannot leave Osmond because it would damage her pride. She made the choice to marry him so deliberately and publicly, it would be embarrassing to confess its failure. Osmond despises Henrietta, of course. In fact, Osmond tells Isabel that he does not approve of her friends in general. Good old Mr. Bantling has visited Henrietta in America, and apparently took a liking to the country. Caspar Goodwood visits Isabel in Palazzo Roccanera at six o'clock that night. He also comes to Isabel's Thursday parties. Osmond takes a liking to Caspar, oddly enough. He admires the young American. Isabel asks Caspar to visit Ralph in his hotel room. He goes, only to find that Henrietta is there. Henrietta and Ralph have become good friends. Ralph has always thought well of Henrietta, though it was not always reciprocated, and, in his hour of need, she turns out to be a great friend and companion. Isabel hopes that Caspar will also turn into a good companion for her cousin, and plans to send him north with Ralph when he returns to England. The Countess Gemini, Rosier, and Madame Merle all arrive in Rome.

shmoop

all_chapterized_books/2833-chapters/48.txt

finished_summaries/shmoop/The Portrait of a Lady/section_47_part_0.txt

The Portrait of a Lady.chapter 48

chapter 48

{"name": "Chapter 48", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-48", "summary": "It's the end of February, and Ralph decides to return to Gardencourt. Henrietta makes up her mind that she will take care of Ralph on his return trip. Caspar has already told Isabel that he will go as well. Caspar complains to Ralph that Isabel just wants him to get away from Rome. He's not wrong. Caspar is upset by the fact that he cannot get to the bottom of Isabel's situation. He wants to see if she's actually happy, but can't figure her out. Henrietta tells Countess Gemini that she was wrong about Lord Warburton flirting with Isabel; he was, in fact, going after Pansy. Isabel says that she no longer makes promises, since her vow in marriage has turned out so badly. Henrietta urges Isabel to leave Osmond before her character is changed irrevocably. Isabel visits Ralph before he, Henrietta, and Caspar depart for England. Isabel is sorry that she cannot accompany Ralph home. Isabel tells him that he is her best friend. Ralph confesses that he was trying to stay alive for her, but now he sees that he's more or less useless in her affairs. Caspar Goodwood visits the Osmonds', and Osmond brags to him about how wonderfully he and Isabel get along. He irritatingly keeps referring to her as \"my wife,\" as though her own identity is erased. Caspar, of course, has no idea why Osmond is telling him this; it seems wholly inappropriate and insensitive - but, are we surprised? After all, that's Osmond. Osmond tells Caspar that he should get married, so that he'd be so busy that he could get out of things, like accompanying Ralph to England. He seems to think of marriage as some great occupation. Caspar waits for others to leave before requesting to talk with Isabel alone. She presents him a kind of creepy, mechanically polite Stepford Wives act. We wonder what has really happened to Isabel over these last few years. Caspar asks Isabel what she's made of her life; he wants to hear it from her mouth, so that he can have some idea of how she really is. Caspar professes his love for Isabel unabashedly. He says that he's only accompanying Ralph because she asked him to. Caspar asks Isabel whether or not he can pity her. She has been very resistant in admitting any unhappiness to him thus far, but she implies that he may pity her.", "analysis": ""}

One day, toward the end of February, Ralph Touchett made up his mind to return to England. He had his own reasons for this decision, which he was not bound to communicate; but Henrietta Stackpole, to whom he mentioned his intention, flattered herself that she guessed them. She forbore to express them, however; she only said, after a moment, as she sat by his sofa: "I suppose you know you can't go alone?" "I've no idea of doing that," Ralph answered. "I shall have people with me." "What do you mean by 'people'? Servants whom you pay?" "Ah," said Ralph jocosely, "after all, they're human beings." "Are there any women among them?" Miss Stackpole desired to know. "You speak as if I had a dozen! No, I confess I haven't a soubrette in my employment." "Well," said Henrietta calmly, "you can't go to England that way. You must have a woman's care." "I've had so much of yours for the past fortnight that it will last me a good while." "You've not had enough of it yet. I guess I'll go with you," said Henrietta. "Go with me?" Ralph slowly raised himself from his sofa. "Yes, I know you don't like me, but I'll go with you all the same. It would be better for your health to lie down again." Ralph looked at her a little; then he slowly relapsed. "I like you very much," he said in a moment. Miss Stackpole gave one of her infrequent laughs. "You needn't think that by saying that you can buy me off. I'll go with you, and what is more I'll take care of you." "You're a very good woman," said Ralph. "Wait till I get you safely home before you say that. It won't be easy. But you had better go, all the same." Before she left him, Ralph said to her: "Do you really mean to take care of me?" "Well, I mean to try." "I notify you then that I submit. Oh, I submit!" And it was perhaps a sign of submission that a few minutes after she had left him alone he burst into a loud fit of laughter. It seemed to him so inconsequent, such a conclusive proof of his having abdicated all functions and renounced all exercise, that he should start on a journey across Europe under the supervision of Miss Stackpole. And the great oddity was that the prospect pleased him; he was gratefully, luxuriously passive. He felt even impatient to start; and indeed he had an immense longing to see his own house again. The end of everything was at hand; it seemed to him he could stretch out his arm and touch the goal. But he wanted to die at home; it was the only wish he had left--to extend himself in the large quiet room where he had last seen his father lie, and close his eyes upon the summer dawn. That same day Caspar Goodwood came to see him, and he informed his visitor that Miss Stackpole had taken him up and was to conduct him back to England. "Ah then," said Caspar, "I'm afraid I shall be a fifth wheel to the coach. Mrs. Osmond has made me promise to go with you." "Good heavens--it's the golden age! You're all too kind." "The kindness on my part is to her; it's hardly to you." "Granting that, SHE'S kind," smiled Ralph. "To get people to go with you? Yes, that's a sort of kindness," Goodwood answered without lending himself to the joke. "For myself, however," he added, "I'll go so far as to say that I would much rather travel with you and Miss Stackpole than with Miss Stackpole alone." "And you'd rather stay here than do either," said Ralph. "There's really no need of your coming. Henrietta's extraordinarily efficient." "I'm sure of that. But I've promised Mrs. Osmond." "You can easily get her to let you off." "She wouldn't let me off for the world. She wants me to look after you, but that isn't the principal thing. The principal thing is that she wants me to leave Rome." "Ah, you see too much in it," Ralph suggested. "I bore her," Goodwood went on; "she has nothing to say to me, so she invented that." "Oh then, if it's a convenience to her I certainly will take you with me. Though I don't see why it should be a convenience," Ralph added in a moment. "Well," said Caspar Goodwood simply, "she thinks I'm watching her." "Watching her?" "Trying to make out if she's happy." "That's easy to make out," said Ralph. "She's the most visibly happy woman I know." "Exactly so; I'm satisfied," Goodwood answered dryly. For all his dryness, however, he had more to say. "I've been watching her; I was an old friend and it seemed to me I had the right. She pretends to be happy; that was what she undertook to be; and I thought I should like to see for myself what it amounts to. I've seen," he continued with a harsh ring in his voice, "and I don't want to see any more. I'm now quite ready to go." "Do you know it strikes me as about time you should?" Ralph rejoined. And this was the only conversation these gentlemen had about Isabel Osmond. Henrietta made her preparations for departure, and among them she found it proper to say a few words to the Countess Gemini, who returned at Miss Stackpole's pension the visit which this lady had paid her in Florence. "You were very wrong about Lord Warburton," she remarked to the Countess. "I think it right you should know that." "About his making love to Isabel? My poor lady, he was at her house three times a day. He has left traces of his passage!" the Countess cried. "He wished to marry your niece; that's why he came to the house." The Countess stared, and then with an inconsiderate laugh: "Is that the story that Isabel tells? It isn't bad, as such things go. If he wishes to marry my niece, pray why doesn't he do it? Perhaps he has gone to buy the wedding-ring and will come back with it next month, after I'm gone." "No, he'll not come back. Miss Osmond doesn't wish to marry him." "She's very accommodating! I knew she was fond of Isabel, but I didn't know she carried it so far." "I don't understand you," said Henrietta coldly, and reflecting that the Countess was unpleasantly perverse. "I really must stick to my point--that Isabel never encouraged the attentions of Lord Warburton." "My dear friend, what do you and I know about it? All we know is that my brother's capable of everything." "I don't know what your brother's capable of," said Henrietta with dignity. "It's not her encouraging Warburton that I complain of; it's her sending him away. I want particularly to see him. Do you suppose she thought I would make him faithless?" the Countess continued with audacious insistence. "However, she's only keeping him, one can feel that. The house is full of him there; he's quite in the air. Oh yes, he has left traces; I'm sure I shall see him yet." "Well," said Henrietta after a little, with one of those inspirations which had made the fortune of her letters to the Interviewer, "perhaps he'll be more successful with you than with Isabel!" When she told her friend of the offer she had made Ralph Isabel replied that she could have done nothing that would have pleased her more. It had always been her faith that at bottom Ralph and this young woman were made to understand each other. "I don't care whether he understands me or not," Henrietta declared. "The great thing is that he shouldn't die in the cars." "He won't do that," Isabel said, shaking her head with an extension of faith. "He won't if I can help it. I see you want us all to go. I don't know what you want to do." "I want to be alone," said Isabel. "You won't be that so long as you've so much company at home." "Ah, they're part of the comedy. You others are spectators." "Do you call it a comedy, Isabel Archer?" Henrietta rather grimly asked. "The tragedy then if you like. You're all looking at me; it makes me uncomfortable." Henrietta engaged in this act for a while. "You're like the stricken deer, seeking the innermost shade. Oh, you do give me such a sense of helplessness!" she broke out. "I'm not at all helpless. There are many things I mean to do." "It's not you I'm speaking of; it's myself. It's too much, having come on purpose, to leave you just as I find you." "You don't do that; you leave me much refreshed," Isabel said. "Very mild refreshment--sour lemonade! I want you to promise me something." "I can't do that. I shall never make another promise. I made such a solemn one four years ago, and I've succeeded so ill in keeping it." "You've had no encouragement. In this case I should give you the greatest. Leave your husband before the worst comes; that's what I want you to promise." "The worst? What do you call the worst?" "Before your character gets spoiled." "Do you mean my disposition? It won't get spoiled," Isabel answered, smiling. "I'm taking very good care of it. I'm extremely struck," she added, turning away, "with the off-hand way in which you speak of a woman's leaving her husband. It's easy to see you've never had one!" "Well," said Henrietta as if she were beginning an argument, "nothing is more common in our Western cities, and it's to them, after all, that we must look in the future." Her argument, however, does not concern this history, which has too many other threads to unwind. She announced to Ralph Touchett that she was ready to leave Rome by any train he might designate, and Ralph immediately pulled himself together for departure. Isabel went to see him at the last, and he made the same remark that Henrietta had made. It struck him that Isabel was uncommonly glad to get rid of them all. For all answer to this she gently laid her hand on his, and said in a low tone, with a quick smile: "My dear Ralph--!" It was answer enough, and he was quite contented. But he went on in the same way, jocosely, ingenuously: "I've seen less of you than I might, but it's better than nothing. And then I've heard a great deal about you." "I don't know from whom, leading the life you've done." "From the voices of the air! Oh, from no one else; I never let other people speak of you. They always say you're 'charming,' and that's so flat." "I might have seen more of you certainly," Isabel said. "But when one's married one has so much occupation." "Fortunately I'm not married. When you come to see me in England I shall be able to entertain you with all the freedom of a bachelor." He continued to talk as if they should certainly meet again, and succeeded in making the assumption appear almost just. He made no allusion to his term being near, to the probability that he should not outlast the summer. If he preferred it so, Isabel was willing enough; the reality was sufficiently distinct without their erecting finger-posts in conversation. That had been well enough for the earlier time, though about this, as about his other affairs, Ralph had never been egotistic. Isabel spoke of his journey, of the stages into which he should divide it, of the precautions he should take. "Henrietta's my greatest precaution," he went on. "The conscience of that woman's sublime." "Certainly she'll be very conscientious." "Will be? She has been! It's only because she thinks it's her duty that she goes with me. There's a conception of duty for you." "Yes, it's a generous one," said Isabel, "and it makes me deeply ashamed. I ought to go with you, you know." "Your husband wouldn't like that." "No, he wouldn't like it. But I might go, all the same." "I'm startled by the boldness of your imagination. Fancy my being a cause of disagreement between a lady and her husband!" "That's why I don't go," said Isabel simply--yet not very lucidly. Ralph understood well enough, however. "I should think so, with all those occupations you speak of." "It isn't that. I'm afraid," said Isabel. After a pause she repeated, as if to make herself, rather than him, hear the words: "I'm afraid." Ralph could hardly tell what her tone meant; it was so strangely deliberate--apparently so void of emotion. Did she wish to do public penance for a fault of which she had not been convicted? or were her words simply an attempt at enlightened self-analysis? However this might be, Ralph could not resist so easy an opportunity. "Afraid of your husband?" "Afraid of myself!" she said, getting up. She stood there a moment and then added: "If I were afraid of my husband that would be simply my duty. That's what women are expected to be." "Ah yes," laughed Ralph; "but to make up for it there's always some man awfully afraid of some woman!" She gave no heed to this pleasantry, but suddenly took a different turn. "With Henrietta at the head of your little band," she exclaimed abruptly, "there will be nothing left for Mr. Goodwood!" "Ah, my dear Isabel," Ralph answered, "he's used to that. There is nothing left for Mr. Goodwood." She coloured and then observed, quickly, that she must leave him. They stood together a moment; both her hands were in both of his. "You've been my best friend," she said. "It was for you that I wanted--that I wanted to live. But I'm of no use to you." Then it came over her more poignantly that she should not see him again. She could not accept that; she could not part with him that way. "If you should send for me I'd come," she said at last. "Your husband won't consent to that." "Oh yes, I can arrange it." "I shall keep that for my last pleasure!" said Ralph. In answer to which she simply kissed him. It was a Thursday, and that evening Caspar Goodwood came to Palazzo Roccanera. He was among the first to arrive, and he spent some time in conversation with Gilbert Osmond, who almost always was present when his wife received. They sat down together, and Osmond, talkative, communicative, expansive, seemed possessed with a kind of intellectual gaiety. He leaned back with his legs crossed, lounging and chatting, while Goodwood, more restless, but not at all lively, shifted his position, played with his hat, made the little sofa creak beneath him. Osmond's face wore a sharp, aggressive smile; he was as a man whose perceptions have been quickened by good news. He remarked to Goodwood that he was sorry they were to lose him; he himself should particularly miss him. He saw so few intelligent men--they were surprisingly scarce in Rome. He must be sure to come back; there was something very refreshing, to an inveterate Italian like himself, in talking with a genuine outsider. "I'm very fond of Rome, you know," Osmond said; "but there's nothing I like better than to meet people who haven't that superstition. The modern world's after all very fine. Now you're thoroughly modern and yet are not at all common. So many of the moderns we see are such very poor stuff. If they're the children of the future we're willing to die young. Of course the ancients too are often very tiresome. My wife and I like everything that's really new--not the mere pretence of it. There's nothing new, unfortunately, in ignorance and stupidity. We see plenty of that in forms that offer themselves as a revelation of progress, of light. A revelation of vulgarity! There's a certain kind of vulgarity which I believe is really new; I don't think there ever was anything like it before. Indeed I don't find vulgarity, at all, before the present century. You see a faint menace of it here and there in the last, but to-day the air has grown so dense that delicate things are literally not recognised. Now, we've liked you--!" With which he hesitated a moment, laying his hand gently on Goodwood's knee and smiling with a mixture of assurance and embarrassment. "I'm going to say something extremely offensive and patronising, but you must let me have the satisfaction of it. We've liked you because--because you've reconciled us a little to the future. If there are to be a certain number of people like you--a la bonne heure! I'm talking for my wife as well as for myself, you see. She speaks for me, my wife; why shouldn't I speak for her? We're as united, you know, as the candlestick and the snuffers. Am I assuming too much when I say that I think I've understood from you that your occupations have been--a--commercial? There's a danger in that, you know; but it's the way you have escaped that strikes us. Excuse me if my little compliment seems in execrable taste; fortunately my wife doesn't hear me. What I mean is that you might have been--a--what I was mentioning just now. The whole American world was in a conspiracy to make you so. But you resisted, you've something about you that saved you. And yet you're so modern, so modern; the most modern man we know! We shall always be delighted to see you again." I have said that Osmond was in good humour, and these remarks will give ample evidence of the fact. They were infinitely more personal than he usually cared to be, and if Caspar Goodwood had attended to them more closely he might have thought that the defence of delicacy was in rather odd hands. We may believe, however, that Osmond knew very well what he was about, and that if he chose to use the tone of patronage with a grossness not in his habits he had an excellent reason for the escapade. Goodwood had only a vague sense that he was laying it on somehow; he scarcely knew where the mixture was applied. Indeed he scarcely knew what Osmond was talking about; he wanted to be alone with Isabel, and that idea spoke louder to him than her husband's perfectly-pitched voice. He watched her talking with other people and wondered when she would be at liberty and whether he might ask her to go into one of the other rooms. His humour was not, like Osmond's, of the best; there was an element of dull rage in his consciousness of things. Up to this time he had not disliked Osmond personally; he had only thought him very well-informed and obliging and more than he had supposed like the person whom Isabel Archer would naturally marry. His host had won in the open field a great advantage over him, and Goodwood had too strong a sense of fair play to have been moved to underrate him on that account. He had not tried positively to think well of him; this was a flight of sentimental benevolence of which, even in the days when he came nearest to reconciling himself to what had happened, Goodwood was quite incapable. He accepted him as rather a brilliant personage of the amateurish kind, afflicted with a redundancy of leisure which it amused him to work off in little refinements of conversation. But he only half trusted him; he could never make out why the deuce Osmond should lavish refinements of any sort upon HIM. It made him suspect that he found some private entertainment in it, and it ministered to a general impression that his triumphant rival had in his composition a streak of perversity. He knew indeed that Osmond could have no reason to wish him evil; he had nothing to fear from him. He had carried off a supreme advantage and could afford to be kind to a man who had lost everything. It was true that Goodwood had at times grimly wished he were dead and would have liked to kill him; but Osmond had no means of knowing this, for practice had made the younger man perfect in the art of appearing inaccessible to-day to any violent emotion. He cultivated this art in order to deceive himself, but it was others that he deceived first. He cultivated it, moreover, with very limited success; of which there could be no better proof than the deep, dumb irritation that reigned in his soul when he heard Osmond speak of his wife's feelings as if he were commissioned to answer for them. That was all he had had an ear for in what his host said to him this evening; he had been conscious that Osmond made more of a point even than usual of referring to the conjugal harmony prevailing at Palazzo Roccanera. He had been more careful than ever to speak as if he and his wife had all things in sweet community and it were as natural to each of them to say "we" as to say "I". In all this there was an air of intention that had puzzled and angered our poor Bostonian, who could only reflect for his comfort that Mrs. Osmond's relations with her husband were none of his business. He had no proof whatever that her husband misrepresented her, and if he judged her by the surface of things was bound to believe that she liked her life. She had never given him the faintest sign of discontent. Miss Stackpole had told him that she had lost her illusions, but writing for the papers had made Miss Stackpole sensational. She was too fond of early news. Moreover, since her arrival in Rome she had been much on her guard; she had pretty well ceased to flash her lantern at him. This indeed, it may be said for her, would have been quite against her conscience. She had now seen the reality of Isabel's situation, and it had inspired her with a just reserve. Whatever could be done to improve it the most useful form of assistance would not be to inflame her former lovers with a sense of her wrongs. Miss Stackpole continued to take a deep interest in the state of Mr. Goodwood's feelings, but she showed it at present only by sending him choice extracts, humorous and other, from the American journals, of which she received several by every post and which she always perused with a pair of scissors in her hand. The articles she cut out she placed in an envelope addressed to Mr. Goodwood, which she left with her own hand at his hotel. He never asked her a question about Isabel: hadn't he come five thousand miles to see for himself? He was thus not in the least authorised to think Mrs. Osmond unhappy; but the very absence of authorisation operated as an irritant, ministered to the harsh-ness with which, in spite of his theory that he had ceased to care, he now recognised that, so far as she was concerned, the future had nothing more for him. He had not even the satisfaction of knowing the truth; apparently he could not even be trusted to respect her if she WERE unhappy. He was hopeless, helpless, useless. To this last character she had called his attention by her ingenious plan for making him leave Rome. He had no objection whatever to doing what he could for her cousin, but it made him grind his teeth to think that of all the services she might have asked of him this was the one she had been eager to select. There had been no danger of her choosing one that would have kept him in Rome. To-night what he was chiefly thinking of was that he was to leave her to-morrow and that he had gained nothing by coming but the knowledge that he was as little wanted as ever. About herself he had gained no knowledge; she was imperturbable, inscrutable, impenetrable. He felt the old bitterness, which he had tried so hard to swallow, rise again in his throat, and he knew there are disappointments that last as long as life. Osmond went on talking; Goodwood was vaguely aware that he was touching again upon his perfect intimacy with his wife. It seemed to him for a moment that the man had a kind of demonic imagination; it was impossible that without malice he should have selected so unusual a topic. But what did it matter, after all, whether he were demonic or not, and whether she loved him or hated him? She might hate him to the death without one's gaining a straw one's self. "You travel, by the by, with Ralph Touchett," Osmond said. "I suppose that means you'll move slowly?" "I don't know. I shall do just as he likes." "You're very accommodating. We're immensely obliged to you; you must really let me say it. My wife has probably expressed to you what we feel. Touchett has been on our minds all winter; it has looked more than once as if he would never leave Rome. He ought never to have come; it's worse than an imprudence for people in that state to travel; it's a kind of indelicacy. I wouldn't for the world be under such an obligation to Touchett as he has been to--to my wife and me. Other people inevitably have to look after him, and every one isn't so generous as you." "I've nothing else to do," Caspar said dryly. Osmond looked at him a moment askance. "You ought to marry, and then you'd have plenty to do! It's true that in that case you wouldn't be quite so available for deeds of mercy." "Do you find that as a married man you're so much occupied?" the young man mechanically asked. "Ah, you see, being married's in itself an occupation. It isn't always active; it's often passive; but that takes even more attention. Then my wife and I do so many things together. We read, we study, we make music, we walk, we drive--we talk even, as when we first knew each other. I delight, to this hour, in my wife's conversation. If you're ever bored take my advice and get married. Your wife indeed may bore you, in that case; but you'll never bore yourself. You'll always have something to say to yourself--always have a subject of reflection." "I'm not bored," said Goodwood. "I've plenty to think about and to say to myself." "More than to say to others!" Osmond exclaimed with a light laugh. "Where shall you go next? I mean after you've consigned Touchett to his natural caretakers--I believe his mother's at last coming back to look after him. That little lady's superb; she neglects her duties with a finish--! Perhaps you'll spend the summer in England?" "I don't know. I've no plans." "Happy man! That's a little bleak, but it's very free." "Oh yes, I'm very free." "Free to come back to Rome I hope," said Osmond as he saw a group of new visitors enter the room. "Remember that when you do come we count on you!" Goodwood had meant to go away early, but the evening elapsed without his having a chance to speak to Isabel otherwise than as one of several associated interlocutors. There was something perverse in the inveteracy with which she avoided him; his unquenchable rancour discovered an intention where there was certainly no appearance of one. There was absolutely no appearance of one. She met his eyes with her clear hospitable smile, which seemed almost to ask that he would come and help her to entertain some of her visitors. To such suggestions, however, he opposed but a stiff impatience. He wandered about and waited; he talked to the few people he knew, who found him for the first time rather self-contradictory. This was indeed rare with Caspar Goodwood, though he often contradicted others. There was often music at Palazzo Roccanera, and it was usually very good. Under cover of the music he managed to contain himself; but toward the end, when he saw the people beginning to go, he drew near to Isabel and asked her in a low tone if he might not speak to her in one of the other rooms, which he had just assured himself was empty. She smiled as if she wished to oblige him but found her self absolutely prevented. "I'm afraid it's impossible. People are saying good-night, and I must be where they can see me." "I shall wait till they are all gone then." She hesitated a moment. "Ah, that will be delightful!" she exclaimed. And he waited, though it took a long time yet. There were several people, at the end, who seemed tethered to the carpet. The Countess Gemini, who was never herself till midnight, as she said, displayed no consciousness that the entertainment was over; she had still a little circle of gentlemen in front of the fire, who every now and then broke into a united laugh. Osmond had disappeared--he never bade good-bye to people; and as the Countess was extending her range, according to her custom at this period of the evening, Isabel had sent Pansy to bed. Isabel sat a little apart; she too appeared to wish her sister-in-law would sound a lower note and let the last loiterers depart in peace. "May I not say a word to you now?" Goodwood presently asked her. She got up immediately, smiling. "Certainly, we'll go somewhere else if you like." They went together, leaving the Countess with her little circle, and for a moment after they had crossed the threshold neither of them spoke. Isabel would not sit down; she stood in the middle of the room slowly fanning herself; she had for him the same familiar grace. She seemed to wait for him to speak. Now that he was alone with her all the passion he had never stifled surged into his senses; it hummed in his eyes and made things swim round him. The bright, empty room grew dim and blurred, and through the heaving veil he felt her hover before him with gleaming eyes and parted lips. If he had seen more distinctly he would have perceived her smile was fixed and a trifle forced--that she was frightened at what she saw in his own face. "I suppose you wish to bid me goodbye?" she said. "Yes--but I don't like it. I don't want to leave Rome," he answered with almost plaintive honesty. "I can well imagine. It's wonderfully good of you. I can't tell you how kind I think you." For a moment more he said nothing. "With a few words like that you make me go." "You must come back some day," she brightly returned. "Some day? You mean as long a time hence as possible." "Oh no; I don't mean all that." "What do you mean? I don't understand! But I said I'd go, and I'll go," Goodwood added. "Come back whenever you like," said Isabel with attempted lightness. "I don't care a straw for your cousin!" Caspar broke out. "Is that what you wished to tell me?" "No, no; I didn't want to tell you anything; I wanted to ask you--" he paused a moment, and then--"what have you really made of your life?" he said, in a low, quick tone. He paused again, as if for an answer; but she said nothing, and he went on: "I can't understand, I can't penetrate you! What am I to believe--what do you want me to think?" Still she said nothing; she only stood looking at him, now quite without pretending to ease. "I'm told you're unhappy, and if you are I should like to know it. That would be something for me. But you yourself say you're happy, and you're somehow so still, so smooth, so hard. You're completely changed. You conceal everything; I haven't really come near you." "You come very near," Isabel said gently, but in a tone of warning. "And yet I don't touch you! I want to know the truth. Have you done well?" "You ask a great deal." "Yes--I've always asked a great deal. Of course you won't tell me. I shall never know if you can help it. And then it's none of my business." He had spoken with a visible effort to control himself, to give a considerate form to an inconsiderate state of mind. But the sense that it was his last chance, that he loved her and had lost her, that she would think him a fool whatever he should say, suddenly gave him a lash and added a deep vibration to his low voice. "You're perfectly inscrutable, and that's what makes me think you've something to hide. I tell you I don't care a straw for your cousin, but I don't mean that I don't like him. I mean that it isn't because I like him that I go away with him. I'd go if he were an idiot and you should have asked me. If you should ask me I'd go to Siberia tomorrow. Why do you want me to leave the place? You must have some reason for that; if you were as contented as you pretend you are you wouldn't care. I'd rather know the truth about you, even if it's damnable, than have come here for nothing. That isn't what I came for. I thought I shouldn't care. I came because I wanted to assure myself that I needn't think of you any more. I haven't thought of anything else, and you're quite right to wish me to go away. But if I must go, there's no harm in my letting myself out for a single moment, is there? If you're really hurt--if HE hurts you--nothing I say will hurt you. When I tell you I love you it's simply what I came for. I thought it was for something else; but it was for that. I shouldn't say it if I didn't believe I should never see you again. It's the last time--let me pluck a single flower! I've no right to say that, I know; and you've no right to listen. But you don't listen; you never listen, you're always thinking of something else. After this I must go, of course; so I shall at least have a reason. Your asking me is no reason, not a real one. I can't judge by your husband," he went on irrelevantly, almost incoherently; "I don't understand him; he tells me you adore each other. Why does he tell me that? What business is it of mine? When I say that to you, you look strange. But you always look strange. Yes, you've something to hide. It's none of my business--very true. But I love you," said Caspar Goodwood. As he said, she looked strange. She turned her eyes to the door by which they had entered and raised her fan as if in warning. "You've behaved so well; don't spoil it," she uttered softly. "No one hears me. It's wonderful what you tried to put me off with. I love you as I've never loved you." "I know it. I knew it as soon as you consented to go." "You can't help it--of course not. You would if you could, but you can't, unfortunately. Unfortunately for me, I mean. I ask nothing--nothing, that is, I shouldn't. But I do ask one sole satisfaction:--that you tell me--that you tell me--!" "That I tell you what?" "Whether I may pity you." "Should you like that?" Isabel asked, trying to smile again. "To pity you? Most assuredly! That at least would be doing something. I'd give my life to it." She raised her fan to her face, which it covered all except her eyes. They rested a moment on his. "Don't give your life to it; but give a thought to it every now and then." And with that she went back to the Countess Gemini.

Chapter 48

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-48

It's the end of February, and Ralph decides to return to Gardencourt. Henrietta makes up her mind that she will take care of Ralph on his return trip. Caspar has already told Isabel that he will go as well. Caspar complains to Ralph that Isabel just wants him to get away from Rome. He's not wrong. Caspar is upset by the fact that he cannot get to the bottom of Isabel's situation. He wants to see if she's actually happy, but can't figure her out. Henrietta tells Countess Gemini that she was wrong about Lord Warburton flirting with Isabel; he was, in fact, going after Pansy. Isabel says that she no longer makes promises, since her vow in marriage has turned out so badly. Henrietta urges Isabel to leave Osmond before her character is changed irrevocably. Isabel visits Ralph before he, Henrietta, and Caspar depart for England. Isabel is sorry that she cannot accompany Ralph home. Isabel tells him that he is her best friend. Ralph confesses that he was trying to stay alive for her, but now he sees that he's more or less useless in her affairs. Caspar Goodwood visits the Osmonds', and Osmond brags to him about how wonderfully he and Isabel get along. He irritatingly keeps referring to her as "my wife," as though her own identity is erased. Caspar, of course, has no idea why Osmond is telling him this; it seems wholly inappropriate and insensitive - but, are we surprised? After all, that's Osmond. Osmond tells Caspar that he should get married, so that he'd be so busy that he could get out of things, like accompanying Ralph to England. He seems to think of marriage as some great occupation. Caspar waits for others to leave before requesting to talk with Isabel alone. She presents him a kind of creepy, mechanically polite Stepford Wives act. We wonder what has really happened to Isabel over these last few years. Caspar asks Isabel what she's made of her life; he wants to hear it from her mouth, so that he can have some idea of how she really is. Caspar professes his love for Isabel unabashedly. He says that he's only accompanying Ralph because she asked him to. Caspar asks Isabel whether or not he can pity her. She has been very resistant in admitting any unhappiness to him thus far, but she implies that he may pity her.

shmoop

all_chapterized_books/2833-chapters/49.txt

finished_summaries/shmoop/The Portrait of a Lady/section_48_part_0.txt

The Portrait of a Lady.chapter 49

chapter 49

{"name": "Chapter 49", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-49", "summary": "The sly Madame Merle comes to visit Isabel. Madame Merle asks Isabel about Lord Warburton's whereabouts. She is clearly disappointed and surprised that things had not been better arranged for Pansy. Isabel feels suspicious toward Madame Merle now, ever since she caught her and Osmond in intimate conversation. That image of the two of them never left her. Madame Merle asks Isabel whether she had a role in Lord Warburton changing his mind. Isabel asks Madame Merle straight-up what she's got to do with Osmond, and what she's got to do with Isabel herself. Madame Merle gives a monstrous and horrifying response: \"Everything!\" . Isabel is mortified to realize that Mrs. Touchett was right when she said that Madame Merle had arranged her marriage. Isabel goes for a ride to see Rome and the remains of the great civilization. She is shattered by the realization that Madame Merle deceived her. Isabel wonders if Madame Merle is wicked. She realizes that Osmond married her for her money. Madame Merle talks with Osmond in private again. In an outburst, Madame Merle accuses Osmond of breaking down her soul. She blames him for making him so cruel as to have deceived Isabel. Madame Merle says she wants to take credit for the good things that happen in Osmond's life. Osmond plays with a cracked cup, an obvious metaphor for Madame Merle herself. Madame Merle goes to look at it afterwards, and ponders the flaws of her own soul. She wonders if she has been evil for no gain.", "analysis": ""}

Madame Merle had not made her appearance at Palazzo Roccanera on the evening of that Thursday of which I have narrated some of the incidents, and Isabel, though she observed her absence, was not surprised by it. Things had passed between them which added no stimulus to sociability, and to appreciate which we must glance a little backward. It has been mentioned that Madame Merle returned from Naples shortly after Lord Warburton had left Rome, and that on her first meeting with Isabel (whom, to do her justice, she came immediately to see) her first utterance had been an enquiry as to the whereabouts of this nobleman, for whom she appeared to hold her dear friend accountable. "Please don't talk of him," said Isabel for answer; "we've heard so much of him of late." Madame Merle bent her head on one side a little, protestingly, and smiled at the left corner of her mouth. "You've heard, yes. But you must remember that I've not, in Naples. I hoped to find him here and to be able to congratulate Pansy." "You may congratulate Pansy still; but not on marrying Lord Warburton." "How you say that! Don't you know I had set my heart on it?" Madame Merle asked with a great deal of spirit, but still with the intonation of good-humour. Isabel was discomposed, but she was determined to be good-humoured too. "You shouldn't have gone to Naples then. You should have stayed here to watch the affair." "I had too much confidence in you. But do you think it's too late?" "You had better ask Pansy," said Isabel. "I shall ask her what you've said to her." These words seemed to justify the impulse of self-defence aroused on Isabel's part by her perceiving that her visitor's attitude was a critical one. Madame Merle, as we know, had been very discreet hitherto; she had never criticised; she had been markedly afraid of intermeddling. But apparently she had only reserved herself for this occasion, since she now had a dangerous quickness in her eye and an air of irritation which even her admirable ease was not able to transmute. She had suffered a disappointment which excited Isabel's surprise--our heroine having no knowledge of her zealous interest in Pansy's marriage; and she betrayed it in a manner which quickened Mrs. Osmond's alarm. More clearly than ever before Isabel heard a cold, mocking voice proceed from she knew not where, in the dim void that surrounded her, and declare that this bright, strong, definite, worldly woman, this incarnation of the practical, the personal, the immediate, was a powerful agent in her destiny. She was nearer to her than Isabel had yet discovered, and her nearness was not the charming accident she had so long supposed. The sense of accident indeed had died within her that day when she happened to be struck with the manner in which the wonderful lady and her own husband sat together in private. No definite suspicion had as yet taken its place; but it was enough to make her view this friend with a different eye, to have been led to reflect that there was more intention in her past behaviour than she had allowed for at the time. Ah yes, there had been intention, there had been intention, Isabel said to herself; and she seemed to wake from a long pernicious dream. What was it that brought home to her that Madame Merle's intention had not been good? Nothing but the mistrust which had lately taken body and which married itself now to the fruitful wonder produced by her visitor's challenge on behalf of poor Pansy. There was something in this challenge which had at the very outset excited an answering defiance; a nameless vitality which she could see to have been absent from her friend's professions of delicacy and caution. Madame Merle had been unwilling to interfere, certainly, but only so long as there was nothing to interfere with. It will perhaps seem to the reader that Isabel went fast in casting doubt, on mere suspicion, on a sincerity proved by several years of good offices. She moved quickly indeed, and with reason, for a strange truth was filtering into her soul. Madame Merle's interest was identical with Osmond's: that was enough. "I think Pansy will tell you nothing that will make you more angry," she said in answer to her companion's last remark. "I'm not in the least angry. I've only a great desire to retrieve the situation. Do you consider that Warburton has left us for ever?" "I can't tell you; I don't understand you. It's all over; please let it rest. Osmond has talked to me a great deal about it, and I've nothing more to say or to hear. I've no doubt," Isabel added, "that he'll be very happy to discuss the subject with you." "I know what he thinks; he came to see me last evening." "As soon as you had arrived? Then you know all about it and you needn't apply to me for information." "It isn't information I want. At bottom it's sympathy. I had set my heart on that marriage; the idea did what so few things do--it satisfied the imagination." "Your imagination, yes. But not that of the persons concerned." "You mean by that of course that I'm not concerned. Of course not directly. But when one's such an old friend one can't help having something at stake. You forget how long I've known Pansy. You mean, of course," Madame Merle added, "that YOU are one of the persons concerned." "No; that's the last thing I mean. I'm very weary of it all." Madame Merle hesitated a little. "Ah yes, your work's done." "Take care what you say," said Isabel very gravely. "Oh, I take care; never perhaps more than when it appears least. Your husband judges you severely." Isabel made for a moment no answer to this; she felt choked with bitterness. It was not the insolence of Madame Merle's informing her that Osmond had been taking her into his confidence as against his wife that struck her most; for she was not quick to believe that this was meant for insolence. Madame Merle was very rarely insolent, and only when it was exactly right. It was not right now, or at least it was not right yet. What touched Isabel like a drop of corrosive acid upon an open wound was the knowledge that Osmond dishonoured her in his words as well as in his thoughts. "Should you like to know how I judge HIM?" she asked at last. "No, because you'd never tell me. And it would be painful for me to know." There was a pause, and for the first time since she had known her Isabel thought Madame Merle disagreeable. She wished she would leave her. "Remember how attractive Pansy is, and don't despair," she said abruptly, with a desire that this should close their interview. But Madame Merle's expansive presence underwent no contraction. She only gathered her mantle about her and, with the movement, scattered upon the air a faint, agreeable fragrance. "I don't despair; I feel encouraged. And I didn't come to scold you; I came if possible to learn the truth. I know you'll tell it if I ask you. It's an immense blessing with you that one can count upon that. No, you won't believe what a comfort I take in it." "What truth do you speak of?" Isabel asked, wondering. "Just this: whether Lord Warburton changed his mind quite of his own movement or because you recommended it. To please himself I mean, or to please you. Think of the confidence I must still have in you, in spite of having lost a little of it," Madame Merle continued with a smile, "to ask such a question as that!" She sat looking at her friend, to judge the effect of her words, and then went on: "Now don't be heroic, don't be unreasonable, don't take offence. It seems to me I do you an honour in speaking so. I don't know another woman to whom I would do it. I haven't the least idea that any other woman would tell me the truth. And don't you see how well it is that your husband should know it? It's true that he doesn't appear to have had any tact whatever in trying to extract it; he has indulged in gratuitous suppositions. But that doesn't alter the fact that it would make a difference in his view of his daughter's prospects to know distinctly what really occurred. If Lord Warburton simply got tired of the poor child, that's one thing, and it's a pity. If he gave her up to please you it's another. That's a pity too, but in a different way. Then, in the latter case, you'd perhaps resign yourself to not being pleased--to simply seeing your step-daughter married. Let him off--let us have him!" Madame Merle had proceeded very deliberately, watching her companion and apparently thinking she could proceed safely. As she went on Isabel grew pale; she clasped her hands more tightly in her lap. It was not that her visitor had at last thought it the right time to be insolent; for this was not what was most apparent. It was a worse horror than that. "Who are you--what are you?" Isabel murmured. "What have you to do with my husband?" It was strange that for the moment she drew as near to him as if she had loved him. "Ah then, you take it heroically! I'm very sorry. Don't think, however, that I shall do so." "What have you to do with me?" Isabel went on. Madame Merle slowly got up, stroking her muff, but not removing her eyes from Isabel's face. "Everything!" she answered. Isabel sat there looking up at her, without rising; her face was almost a prayer to be enlightened. But the light of this woman's eyes seemed only a darkness. "Oh misery!" she murmured at last; and she fell back, covering her face with her hands. It had come over her like a high-surging wave that Mrs. Touchett was right. Madame Merle had married her. Before she uncovered her face again that lady had left the room. Isabel took a drive alone that afternoon; she wished to be far away, under the sky, where she could descend from her carriage and tread upon the daisies. She had long before this taken old Rome into her confidence, for in a world of ruins the ruin of her happiness seemed a less unnatural catastrophe. She rested her weariness upon things that had crumbled for centuries and yet still were upright; she dropped her secret sadness into the silence of lonely places, where its very modern quality detached itself and grew objective, so that as she sat in a sun-warmed angle on a winter's day, or stood in a mouldy church to which no one came, she could almost smile at it and think of its smallness. Small it was, in the large Roman record, and her haunting sense of the continuity of the human lot easily carried her from the less to the greater. She had become deeply, tenderly acquainted with Rome; it interfused and moderated her passion. But she had grown to think of it chiefly as the place where people had suffered. This was what came to her in the starved churches, where the marble columns, transferred from pagan ruins, seemed to offer her a companionship in endurance and the musty incense to be a compound of long-unanswered prayers. There was no gentler nor less consistent heretic than Isabel; the firmest of worshippers, gazing at dark altar-pictures or clustered candles, could not have felt more intimately the suggestiveness of these objects nor have been more liable at such moments to a spiritual visitation. Pansy, as we know, was almost always her companion, and of late the Countess Gemini, balancing a pink parasol, had lent brilliancy to their equipage; but she still occasionally found herself alone when it suited her mood and where it suited the place. On such occasions she had several resorts; the most accessible of which perhaps was a seat on the low parapet which edges the wide grassy space before the high, cold front of Saint John Lateran, whence you look across the Campagna at the far-trailing outline of the Alban Mount and at that mighty plain, between, which is still so full of all that has passed from it. After the departure of her cousin and his companions she roamed more than usual; she carried her sombre spirit from one familiar shrine to the other. Even when Pansy and the Countess were with her she felt the touch of a vanished world. The carriage, leaving the walls of Rome behind, rolled through narrow lanes where the wild honeysuckle had begun to tangle itself in the hedges, or waited for her in quiet places where the fields lay near, while she strolled further and further over the flower-freckled turf, or sat on a stone that had once had a use and gazed through the veil of her personal sadness at the splendid sadness of the scene--at the dense, warm light, the far gradations and soft confusions of colour, the motionless shepherds in lonely attitudes, the hills where the cloud-shadows had the lightness of a blush. On the afternoon I began with speaking of, she had taken a resolution not to think of Madame Merle; but the resolution proved vain, and this lady's image hovered constantly before her. She asked herself, with an almost childlike horror of the supposition, whether to this intimate friend of several years the great historical epithet of wicked were to be applied. She knew the idea only by the Bible and other literary works; to the best of her belief she had had no personal acquaintance with wickedness. She had desired a large acquaintance with human life, and in spite of her having flattered herself that she cultivated it with some success this elementary privilege had been denied her. Perhaps it was not wicked--in the historic sense--to be even deeply false; for that was what Madame Merle had been--deeply, deeply, deeply. Isabel's Aunt Lydia had made this discovery long before, and had mentioned it to her niece; but Isabel had flattered herself at this time that she had a much richer view of things, especially of the spontaneity of her own career and the nobleness of her own interpretations, than poor stiffly-reasoning Mrs. Touchett. Madame Merle had done what she wanted; she had brought about the union of her two friends; a reflection which could not fail to make it a matter of wonder that she should so much have desired such an event. There were people who had the match-making passion, like the votaries of art for art; but Madame Merle, great artist as she was, was scarcely one of these. She thought too ill of marriage, too ill even of life; she had desired that particular marriage but had not desired others. She had therefore had a conception of gain, and Isabel asked herself where she had found her profit. It took her naturally a long time to discover, and even then her discovery was imperfect. It came back to her that Madame Merle, though she had seemed to like her from their first meeting at Gardencourt, had been doubly affectionate after Mr. Touchett's death and after learning that her young friend had been subject to the good old man's charity. She had found her profit not in the gross device of borrowing money, but in the more refined idea of introducing one of her intimates to the young woman's fresh and ingenuous fortune. She had naturally chosen her closest intimate, and it was already vivid enough to Isabel that Gilbert occupied this position. She found herself confronted in this manner with the conviction that the man in the world whom she had supposed to be the least sordid had married her, like a vulgar adventurer, for her money. Strange to say, it had never before occurred to her; if she had thought a good deal of harm of Osmond she had not done him this particular injury. This was the worst she could think of, and she had been saying to herself that the worst was still to come. A man might marry a woman for her money perfectly well; the thing was often done. But at least he should let her know. She wondered whether, since he had wanted her money, her money would now satisfy him. Would he take her money and let her go. Ah, if Mr. Touchett's great charity would but help her to-day it would be blessed indeed! It was not slow to occur to her that if Madame Merle had wished to do Gilbert a service his recognition to her of the boon must have lost its warmth. What must be his feelings to-day in regard to his too zealous benefactress, and what expression must they have found on the part of such a master of irony? It is a singular, but a characteristic, fact that before Isabel returned from her silent drive she had broken its silence by the soft exclamation: "Poor, poor Madame Merle!" Her compassion would perhaps have been justified if on this same afternoon she had been concealed behind one of the valuable curtains of time-softened damask which dressed the interesting little salon of the lady to whom it referred; the carefully-arranged apartment to which we once paid a visit in company with the discreet Mr. Rosier. In that apartment, towards six o'clock, Gilbert Osmond was seated, and his hostess stood before him as Isabel had seen her stand on an occasion commemorated in this history with an emphasis appropriate not so much to its apparent as to its real importance. "I don't believe you're unhappy; I believe you like it," said Madame Merle. "Did I say I was unhappy?" Osmond asked with a face grave enough to suggest that he might have been. "No, but you don't say the contrary, as you ought in common gratitude." "Don't talk about gratitude," he returned dryly. "And don't aggravate me," he added in a moment. Madame Merle slowly seated herself, with her arms folded and her white hands arranged as a support to one of them and an ornament, as it were, to the other. She looked exquisitely calm but impressively sad. "On your side, don't try to frighten me. I wonder if you guess some of my thoughts." "I trouble about them no more than I can help. I've quite enough of my own." "That's because they're so delightful." Osmond rested his head against the back of his chair and looked at his companion with a cynical directness which seemed also partly an expression of fatigue. "You do aggravate me," he remarked in a moment. "I'm very tired." "Eh moi donc!" cried Madame Merle. "With you it's because you fatigue yourself. With me it's not my own fault." "When I fatigue myself it's for you. I've given you an interest. That's a great gift." "Do you call it an interest?" Osmond enquired with detachment. "Certainly, since it helps you to pass your time." "The time has never seemed longer to me than this winter." "You've never looked better; you've never been so agreeable, so brilliant." "Damn my brilliancy!" he thoughtfully murmured. "How little, after all, you know me!" "If I don't know you I know nothing," smiled Madame Merle. "You've the feeling of complete success." "No, I shall not have that till I've made you stop judging me." "I did that long ago. I speak from old knowledge. But you express yourself more too." Osmond just hung fire. "I wish you'd express yourself less!" "You wish to condemn me to silence? Remember that I've never been a chatterbox. At any rate there are three or four things I should like to say to you first. Your wife doesn't know what to do with herself," she went on with a change of tone. "Pardon me; she knows perfectly. She has a line sharply drawn. She means to carry out her ideas." "Her ideas to-day must be remarkable." "Certainly they are. She has more of them than ever." "She was unable to show me any this morning," said Madame Merle. "She seemed in a very simple, almost in a stupid, state of mind. She was completely bewildered." "You had better say at once that she was pathetic." "Ah no, I don't want to encourage you too much." He still had his head against the cushion behind him; the ankle of one foot rested on the other knee. So he sat for a while. "I should like to know what's the matter with you," he said at last. "The matter--the matter--!" And here Madame Merle stopped. Then she went on with a sudden outbreak of passion, a burst of summer thunder in a clear sky: "The matter is that I would give my right hand to be able to weep, and that I can't!" "What good would it do you to weep?" "It would make me feel as I felt before I knew you." "If I've dried your tears, that's something. But I've seen you shed them." "Oh, I believe you'll make me cry still. I mean make me howl like a wolf. I've a great hope, I've a great need, of that. I was vile this morning; I was horrid," she said. "If Isabel was in the stupid state of mind you mention she probably didn't perceive it," Osmond answered. "It was precisely my deviltry that stupefied her. I couldn't help it; I was full of something bad. Perhaps it was something good; I don't know. You've not only dried up my tears; you've dried up my soul." "It's not I then that am responsible for my wife's condition," Osmond said. "It's pleasant to think that I shall get the benefit of your influence upon her. Don't you know the soul is an immortal principle? How can it suffer alteration?" "I don't believe at all that it's an immortal principle. I believe it can perfectly be destroyed. That's what has happened to mine, which was a very good one to start with; and it's you I have to thank for it. You're VERY bad," she added with gravity in her emphasis. "Is this the way we're to end?" Osmond asked with the same studied coldness. "I don't know how we're to end. I wish I did--How do bad people end?--especially as to their COMMON crimes. You have made me as bad as yourself." "I don't understand you. You seem to me quite good enough," said Osmond, his conscious indifference giving an extreme effect to the words. Madame Merle's self-possession tended on the contrary to diminish, and she was nearer losing it than on any occasion on which we have had the pleasure of meeting her. The glow of her eye turners sombre; her smile betrayed a painful effort. "Good enough for anything that I've done with myself? I suppose that's what you mean." "Good enough to be always charming!" Osmond exclaimed, smiling too. "Oh God!" his companion murmured; and, sitting there in her ripe freshness, she had recourse to the same gesture she had provoked on Isabel's part in the morning: she bent her face and covered it with her hands. "Are you going to weep after all?" Osmond asked; and on her remaining motionless he went on: "Have I ever complained to you?" She dropped her hands quickly. "No, you've taken your revenge otherwise--you have taken it on HER." Osmond threw back his head further; he looked a while at the ceiling and might have been supposed to be appealing, in an informal way, to the heavenly powers. "Oh, the imagination of women! It's always vulgar, at bottom. You talk of revenge like a third-rate novelist." "Of course you haven't complained. You've enjoyed your triumph too much." "I'm rather curious to know what you call my triumph." "You've made your wife afraid of you." Osmond changed his position; he leaned forward, resting his elbows on his knees and looking a while at a beautiful old Persian rug, at his feet. He had an air of refusing to accept any one's valuation of anything, even of time, and of preferring to abide by his own; a peculiarity which made him at moments an irritating person to converse with. "Isabel's not afraid of me, and it's not what I wish," he said at last. "To what do you want to provoke me when you say such things as that?" "I've thought over all the harm you can do me," Madame Merle answered. "Your wife was afraid of me this morning, but in me it was really you she feared." "You may have said things that were in very bad taste; I'm not responsible for that. I didn't see the use of your going to see her at all: you're capable of acting without her. I've not made you afraid of me that I can see," he went on; "how then should I have made her? You're at least as brave. I can't think where you've picked up such rubbish; one might suppose you knew me by this time." He got up as he spoke and walked to the chimney, where he stood a moment bending his eye, as if he had seen them for the first time, on the delicate specimens of rare porcelain with which it was covered. He took up a small cup and held it in his hand; then, still holding it and leaning his arm on the mantel, he pursued: "You always see too much in everything; you overdo it; you lose sight of the real. I'm much simpler than you think." "I think you're very simple." And Madame Merle kept her eye on her cup. "I've come to that with time. I judged you, as I say, of old; but it's only since your marriage that I've understood you. I've seen better what you have been to your wife than I ever saw what you were for me. Please be very careful of that precious object." "It already has a wee bit of a tiny crack," said Osmond dryly as he put it down. "If you didn't understand me before I married it was cruelly rash of you to put me into such a box. However, I took a fancy to my box myself; I thought it would be a comfortable fit. I asked very little; I only asked that she should like me." "That she should like you so much!" "So much, of course; in such a case one asks the maximum. That she should adore me, if you will. Oh yes, I wanted that." "I never adored you," said Madame Merle. "Ah, but you pretended to!" "It's true that you never accused me of being a comfortable fit," Madame Merle went on. "My wife has declined--declined to do anything of the sort," said Osmond. "If you're determined to make a tragedy of that, the tragedy's hardly for her." "The tragedy's for me!" Madame Merle exclaimed, rising with a long low sigh but having a glance at the same time for the contents of her mantel-shelf. "It appears that I'm to be severely taught the disadvantages of a false position." "You express yourself like a sentence in a copybook. We must look for our comfort where we can find it. If my wife doesn't like me, at least my child does. I shall look for compensations in Pansy. Fortunately I haven't a fault to find with her." "Ah," she said softly, "if I had a child--!" Osmond waited, and then, with a little formal air, "The children of others may be a great interest!" he announced. "You're more like a copy-book than I. There's something after all that holds us together." "Is it the idea of the harm I may do you?" Osmond asked. "No; it's the idea of the good I may do for you. It's that," Madame Merle pursued, "that made me so jealous of Isabel. I want it to be MY work," she added, with her face, which had grown hard and bitter, relaxing to its habit of smoothness. Her friend took up his hat and his umbrella, and after giving the former article two or three strokes with his coat-cuff, "On the whole, I think," he said, "you had better leave it to me." After he had left her she went, the first thing, and lifted from the mantel-shelf the attenuated coffee-cup in which he had mentioned the existence of a crack; but she looked at it rather abstractedly. "Have I been so vile all for nothing?" she vaguely wailed.

Chapter 49

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-49

The sly Madame Merle comes to visit Isabel. Madame Merle asks Isabel about Lord Warburton's whereabouts. She is clearly disappointed and surprised that things had not been better arranged for Pansy. Isabel feels suspicious toward Madame Merle now, ever since she caught her and Osmond in intimate conversation. That image of the two of them never left her. Madame Merle asks Isabel whether she had a role in Lord Warburton changing his mind. Isabel asks Madame Merle straight-up what she's got to do with Osmond, and what she's got to do with Isabel herself. Madame Merle gives a monstrous and horrifying response: "Everything!" . Isabel is mortified to realize that Mrs. Touchett was right when she said that Madame Merle had arranged her marriage. Isabel goes for a ride to see Rome and the remains of the great civilization. She is shattered by the realization that Madame Merle deceived her. Isabel wonders if Madame Merle is wicked. She realizes that Osmond married her for her money. Madame Merle talks with Osmond in private again. In an outburst, Madame Merle accuses Osmond of breaking down her soul. She blames him for making him so cruel as to have deceived Isabel. Madame Merle says she wants to take credit for the good things that happen in Osmond's life. Osmond plays with a cracked cup, an obvious metaphor for Madame Merle herself. Madame Merle goes to look at it afterwards, and ponders the flaws of her own soul. She wonders if she has been evil for no gain.

shmoop

all_chapterized_books/2833-chapters/50.txt

finished_summaries/shmoop/The Portrait of a Lady/section_49_part_0.txt

The Portrait of a Lady.chapter 50

chapter 50

{"name": "Chapter 50", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-50", "summary": "Isabel sometimes goes with the Countess Gemini to tour Rome. This way, Isabel has a chance of listening to Countess Gemini ramble about something other than social gossip. Pansy joins them on this particular trip to the Coliseum. Isabel sees Rosier there, who tells her that he has sold all of his art collection , and that he has earned fifty thousand dollars for them. He expects that Osmond will find him rich enough. Isabel responds that, now, Osmond will find him an idiot for selling his precious collection. She says that Osmond hopes to marry Pansy off to a nobleman. Isabel sees the Countess Gemini and Pansy return, so she quickly ends the conversation with Rosier. Pansy sees Rosier, but doesn't make eye contact; she's as obedient as ever. This doesn't bode well for poor Rosier. Seeing this, Isabel pities her old friend - she's glad that he at least kept his enamels for comfort. The Countess stays behind to talk with Rosier, and Pansy and Isabel go on without her. Pansy later goes to Isabel's room to tell her that Osmond's returning her to the convent. Isabel was not consulted. Osmond tells Isabel that it's best for Pansy to be sequestered away, so she can think things through. He is worried that Pansy has been soiled by her contact with the world - she's no longer the perfect collector's item that she was before. Isabel is saddened to see how Osmond is willing to do anything, including ruining his daughter's prospects of happiness, in order to show his power. Countess Gemini seems to think that Osmond has sent Pansy away so that she wouldn't be jealous: Countess Gemini has taken a liking to Rosier. Osmond responds casually and menacingly that if he felt that his sister was interfering, he would just have her sent away.", "analysis": ""}

As the Countess Gemini was not acquainted with the ancient monuments Isabel occasionally offered to introduce her to these interesting relics and to give their afternoon drive an antiquarian aim. The Countess, who professed to think her sister-in-law a prodigy of learning, never made an objection, and gazed at masses of Roman brickwork as patiently as if they had been mounds of modern drapery. She had not the historic sense, though she had in some directions the anecdotic, and as regards herself the apologetic, but she was so delighted to be in Rome that she only desired to float with the current. She would gladly have passed an hour every day in the damp darkness of the Baths of Titus if it had been a condition of her remaining at Palazzo Roccanera. Isabel, however, was not a severe cicerone; she used to visit the ruins chiefly because they offered an excuse for talking about other matters than the love affairs of the ladies of Florence, as to which her companion was never weary of offering information. It must be added that during these visits the Countess forbade herself every form of active research; her preference was to sit in the carriage and exclaim that everything was most interesting. It was in this manner that she had hitherto examined the Coliseum, to the infinite regret of her niece, who--with all the respect that she owed her--could not see why she should not descend from the vehicle and enter the building. Pansy had so little chance to ramble that her view of the case was not wholly disinterested; it may be divined that she had a secret hope that, once inside, her parents' guest might be induced to climb to the upper tiers. There came a day when the Countess announced her willingness to undertake this feat--a mild afternoon in March when the windy month expressed itself in occasional puffs of spring. The three ladies went into the Coliseum together, but Isabel left her companions to wander over the place. She had often ascended to those desolate ledges from which the Roman crowd used to bellow applause and where now the wild flowers (when they are allowed) bloom in the deep crevices; and to-day she felt weary and disposed to sit in the despoiled arena. It made an intermission too, for the Countess often asked more from one's attention than she gave in return; and Isabel believed that when she was alone with her niece she let the dust gather for a moment on the ancient scandals of the Arnide. She so remained below therefore, while Pansy guided her undiscriminating aunt to the steep brick staircase at the foot of which the custodian unlocks the tall wooden gate. The great enclosure was half in shadow; the western sun brought out the pale red tone of the great blocks of travertine--the latent colour that is the only living element in the immense ruin. Here and there wandered a peasant or a tourist, looking up at the far sky-line where, in the clear stillness, a multitude of swallows kept circling and plunging. Isabel presently became aware that one of the other visitors, planted in the middle of the arena, had turned his attention to her own person and was looking at her with a certain little poise of the head which she had some weeks before perceived to be characteristic of baffled but indestructible purpose. Such an attitude, to-day, could belong only to Mr. Edward Rosier; and this gentleman proved in fact to have been considering the question of speaking to her. When he had assured himself that she was unaccompanied he drew near, remarking that though she would not answer his letters she would perhaps not wholly close her ears to his spoken eloquence. She replied that her stepdaughter was close at hand and that she could only give him five minutes; whereupon he took out his watch and sat down upon a broken block. "It's very soon told," said Edward Rosier. "I've sold all my bibelots!" Isabel gave instinctively an exclamation of horror; it was as if he had told her he had had all his teeth drawn. "I've sold them by auction at the Hotel Drouot," he went on. "The sale took place three days ago, and they've telegraphed me the result. It's magnificent." "I'm glad to hear it; but I wish you had kept your pretty things." "I have the money instead--fifty thousand dollars. Will Mr. Osmond think me rich enough now?" "Is it for that you did it?" Isabel asked gently. "For what else in the world could it be? That's the only thing I think of. I went to Paris and made my arrangements. I couldn't stop for the sale; I couldn't have seen them going off; I think it would have killed me. But I put them into good hands, and they brought high prices. I should tell you I have kept my enamels. Now I have the money in my pocket, and he can't say I'm poor!" the young man exclaimed defiantly. "He'll say now that you're not wise," said Isabel, as if Gilbert Osmond had never said this before. Rosier gave her a sharp look. "Do you mean that without my bibelots I'm nothing? Do you mean they were the best thing about me? That's what they told me in Paris; oh they were very frank about it. But they hadn't seen HER!" "My dear friend, you deserve to succeed," said Isabel very kindly. "You say that so sadly that it's the same as if you said I shouldn't." And he questioned her eyes with the clear trepidation of his own. He had the air of a man who knows he has been the talk of Paris for a week and is full half a head taller in consequence, but who also has a painful suspicion that in spite of this increase of stature one or two persons still have the perversity to think him diminutive. "I know what happened here while I was away," he went on; "What does Mr. Osmond expect after she has refused Lord Warburton?" Isabel debated. "That she'll marry another nobleman." "What other nobleman?" "One that he'll pick out." Rosier slowly got up, putting his watch into his waistcoat-pocket. "You're laughing at some one, but this time I don't think it's at me." "I didn't mean to laugh," said Isabel. "I laugh very seldom. Now you had better go away." "I feel very safe!" Rosier declared without moving. This might be; but it evidently made him feel more so to make the announcement in rather a loud voice, balancing himself a little complacently on his toes and looking all round the Coliseum as if it were filled with an audience. Suddenly Isabel saw him change colour; there was more of an audience than he had suspected. She turned and perceived that her two companions had returned from their excursion. "You must really go away," she said quickly. "Ah, my dear lady, pity me!" Edward Rosier murmured in a voice strangely at variance with the announcement I have just quoted. And then he added eagerly, like a man who in the midst of his misery is seized by a happy thought: "Is that lady the Countess Gemini? I've a great desire to be presented to her." Isabel looked at him a moment. "She has no influence with her brother." "Ah, what a monster you make him out!" And Rosier faced the Countess, who advanced, in front of Pansy, with an animation partly due perhaps to the fact that she perceived her sister-in-law to be engaged in conversation with a very pretty young man. "I'm glad you've kept your enamels!" Isabel called as she left him. She went straight to Pansy, who, on seeing Edward Rosier, had stopped short, with lowered eyes. "We'll go back to the carriage," she said gently. "Yes, it's getting late," Pansy returned more gently still. And she went on without a murmur, without faltering or glancing back. Isabel, however, allowing herself this last liberty, saw that a meeting had immediately taken place between the Countess and Mr. Rosier. He had removed his hat and was bowing and smiling; he had evidently introduced himself, while the Countess's expressive back displayed to Isabel's eye a gracious inclination. These facts, none the less, were presently lost to sight, for Isabel and Pansy took their places again in the carriage. Pansy, who faced her stepmother, at first kept her eyes fixed on her lap; then she raised them and rested them on Isabel's. There shone out of each of them a little melancholy ray--a spark of timid passion which touched Isabel to the heart. At the same time a wave of envy passed over her soul, as she compared the tremulous longing, the definite ideal of the child with her own dry despair. "Poor little Pansy!" she affectionately said. "Oh never mind!" Pansy answered in the tone of eager apology. And then there was a silence; the Countess was a long time coming. "Did you show your aunt everything, and did she enjoy it?" Isabel asked at last. "Yes, I showed her everything. I think she was very much pleased." "And you're not tired, I hope." "Oh no, thank you, I'm not tired." The Countess still remained behind, so that Isabel requested the footman to go into the Coliseum and tell her they were waiting. He presently returned with the announcement that the Signora Contessa begged them not to wait--she would come home in a cab! About a week after this lady's quick sympathies had enlisted themselves with Mr. Rosier, Isabel, going rather late to dress for dinner, found Pansy sitting in her room. The girl seemed to have been awaiting her; she got up from her low chair. "Pardon my taking the liberty," she said in a small voice. "It will be the last--for some time." Her voice was strange, and her eyes, widely opened, had an excited, frightened look. "You're not going away!" Isabel exclaimed. "I'm going to the convent." "To the convent?" Pansy drew nearer, till she was near enough to put her arms round Isabel and rest her head on her shoulder. She stood this way a moment, perfectly still; but her companion could feel her tremble. The quiver of her little body expressed everything she was unable to say. Isabel nevertheless pressed her. "Why are you going to the convent?" "Because papa thinks it best. He says a young girl's better, every now and then, for making a little retreat. He says the world, always the world, is very bad for a young girl. This is just a chance for a little seclusion--a little reflexion." Pansy spoke in short detached sentences, as if she could scarce trust herself; and then she added with a triumph of self-control: "I think papa's right; I've been so much in the world this winter." Her announcement had a strange effect on Isabel; it seemed to carry a larger meaning than the girl herself knew. "When was this decided?" she asked. "I've heard nothing of it." "Papa told me half an hour ago; he thought it better it shouldn't be too much talked about in advance. Madame Catherine's to come for me at a quarter past seven, and I'm only to take two frocks. It's only for a few weeks; I'm sure it will be very good. I shall find all those ladies who used to be so kind to me, and I shall see the little girls who are being educated. I'm very fond of little girls," said Pansy with an effect of diminutive grandeur. "And I'm also very fond of Mother Catherine. I shall be very quiet and think a great deal." Isabel listened to her, holding her breath; she was almost awe-struck. "Think of ME sometimes." "Ah, come and see me soon!" cried Pansy; and the cry was very different from the heroic remarks of which she had just delivered herself. Isabel could say nothing more; she understood nothing; she only felt how little she yet knew her husband. Her answer to his daughter was a long, tender kiss. Half an hour later she learned from her maid that Madame Catherine had arrived in a cab and had departed again with the signorina. On going to the drawing-room before dinner she found the Countess Gemini alone, and this lady characterised the incident by exclaiming, with a wonderful toss of the head, "En voila, ma chere, une pose!" But if it was an affectation she was at a loss to see what her husband affected. She could only dimly perceive that he had more traditions than she supposed. It had become her habit to be so careful as to what she said to him that, strange as it may appear, she hesitated, for several minutes after he had come in, to allude to his daughter's sudden departure: she spoke of it only after they were seated at table. But she had forbidden herself ever to ask Osmond a question. All she could do was to make a declaration, and there was one that came very naturally. "I shall miss Pansy very much." He looked a while, with his head inclined a little, at the basket of flowers in the middle of the table. "Ah yes," he said at last, "I had thought of that. You must go and see her, you know; but not too often. I dare say you wonder why I sent her to the good sisters; but I doubt if I can make you understand. It doesn't matter; don't trouble yourself about it. That's why I had not spoken of it. I didn't believe you would enter into it. But I've always had the idea; I've always thought it a part of the education of one's daughter. One's daughter should be fresh and fair; she should be innocent and gentle. With the manners of the present time she is liable to become so dusty and crumpled. Pansy's a little dusty, a little dishevelled; she has knocked about too much. This bustling, pushing rabble that calls itself society--one should take her out of it occasionally. Convents are very quiet, very convenient, very salutary. I like to think of her there, in the old garden, under the arcade, among those tranquil virtuous women. Many of them are gentlewomen born; several of them are noble. She will have her books and her drawing, she will have her piano. I've made the most liberal arrangements. There is to be nothing ascetic; there's just to be a certain little sense of sequestration. She'll have time to think, and there's something I want her to think about." Osmond spoke deliberately, reasonably, still with his head on one side, as if he were looking at the basket of flowers. His tone, however, was that of a man not so much offering an explanation as putting a thing into words--almost into pictures--to see, himself, how it would look. He considered a while the picture he had evoked and seemed greatly pleased with it. And then he went on: "The Catholics are very wise after all. The convent is a great institution; we can't do without it; it corresponds to an essential need in families, in society. It's a school of good manners; it's a school of repose. Oh, I don't want to detach my daughter from the world," he added; "I don't want to make her fix her thoughts on any other. This one's very well, as SHE should take it, and she may think of it as much as she likes. Only she must think of it in the right way." Isabel gave an extreme attention to this little sketch; she found it indeed intensely interesting. It seemed to show her how far her husband's desire to be effective was capable of going--to the point of playing theoretic tricks on the delicate organism of his daughter. She could not understand his purpose, no--not wholly; but she understood it better than he supposed or desired, inasmuch as she was convinced that the whole proceeding was an elaborate mystification, addressed to herself and destined to act upon her imagination. He had wanted to do something sudden and arbitrary, something unexpected and refined; to mark the difference between his sympathies and her own, and show that if he regarded his daughter as a precious work of art it was natural he should be more and more careful about the finishing touches. If he wished to be effective he had succeeded; the incident struck a chill into Isabel's heart. Pansy had known the convent in her childhood and had found a happy home there; she was fond of the good sisters, who were very fond of her, and there was therefore for the moment no definite hardship in her lot. But all the same the girl had taken fright; the impression her father desired to make would evidently be sharp enough. The old Protestant tradition had never faded from Isabel's imagination, and as her thoughts attached themselves to this striking example of her husband's genius--she sat looking, like him, at the basket of flowers--poor little Pansy became the heroine of a tragedy. Osmond wished it to be known that he shrank from nothing, and his wife found it hard to pretend to eat her dinner. There was a certain relief presently, in hearing the high, strained voice of her sister-in-law. The Countess too, apparently, had been thinking the thing out, but had arrived at a different conclusion from Isabel. "It's very absurd, my dear Osmond," she said, "to invent so many pretty reasons for poor Pansy's banishment. Why don't you say at once that you want to get her out of my way? Haven't you discovered that I think very well of Mr. Rosier? I do indeed; he seems to me simpaticissimo. He has made me believe in true love; I never did before! Of course you've made up your mind that with those convictions I'm dreadful company for Pansy." Osmond took a sip of a glass of wine; he looked perfectly good-humoured. "My dear Amy," he answered, smiling as if he were uttering a piece of gallantry, "I don't know anything about your convictions, but if I suspected that they interfere with mine it would be much simpler to banish YOU."

Chapter 50

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-50

Isabel sometimes goes with the Countess Gemini to tour Rome. This way, Isabel has a chance of listening to Countess Gemini ramble about something other than social gossip. Pansy joins them on this particular trip to the Coliseum. Isabel sees Rosier there, who tells her that he has sold all of his art collection , and that he has earned fifty thousand dollars for them. He expects that Osmond will find him rich enough. Isabel responds that, now, Osmond will find him an idiot for selling his precious collection. She says that Osmond hopes to marry Pansy off to a nobleman. Isabel sees the Countess Gemini and Pansy return, so she quickly ends the conversation with Rosier. Pansy sees Rosier, but doesn't make eye contact; she's as obedient as ever. This doesn't bode well for poor Rosier. Seeing this, Isabel pities her old friend - she's glad that he at least kept his enamels for comfort. The Countess stays behind to talk with Rosier, and Pansy and Isabel go on without her. Pansy later goes to Isabel's room to tell her that Osmond's returning her to the convent. Isabel was not consulted. Osmond tells Isabel that it's best for Pansy to be sequestered away, so she can think things through. He is worried that Pansy has been soiled by her contact with the world - she's no longer the perfect collector's item that she was before. Isabel is saddened to see how Osmond is willing to do anything, including ruining his daughter's prospects of happiness, in order to show his power. Countess Gemini seems to think that Osmond has sent Pansy away so that she wouldn't be jealous: Countess Gemini has taken a liking to Rosier. Osmond responds casually and menacingly that if he felt that his sister was interfering, he would just have her sent away.

shmoop

all_chapterized_books/2833-chapters/51.txt

finished_summaries/shmoop/The Portrait of a Lady/section_50_part_0.txt

The Portrait of a Lady.chapter 51

chapter 51

{"name": "Chapter 51", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-51", "summary": "Mrs. Touchett telegrams Isabel, notifying her of Ralph's imminent death. She asks Isabel to come to Gardencourt. Isabel goes to Osmond to let him know that she's going. Osmond forbids her to go. Osmond tells her that it would be an indecent thing to go against his wishes, as they are still a married couple, like it or not. Isabel wonders if he would expect her to come back if she leaves. Countess Gemini hears of Ralph's condition, and her first thought is that Isabel will not give any more parties when she is mourning . Of course, Countess Gemini has been waiting for Isabel to set Osmond off, so she is excited that going to England might be it. Lest you think she's totally heartless, don't worry - she's also somewhat sympathetic to her sister-in-law. After pondering her options, Countess Gemini decides to play her trump card: she tells Isabel the grim truth about her brother. Countess Gemini tells Isabel that Pansy was not the child of Osmond's first wife. And Isabel has a good idea who Pansy's birth mother is: Madame Merle! Countess Gemini tells Isabel that Osmond and Madame Merle were romantically involved for six or seven years. Isabel, torn between revulsion and pity, actually feels bad for Madame Merle, who's had to see another woman care for her daughter. Countess Gemini claims that Madame Merle arranged Isabel's marriage to Osmond so that Pansy would be financially supported, and could marry well. Osmond and Madame Merle never married because she never had enough money for him. Countess Gemini says that Madame Merle has done a lot for Osmond, but Osmond has done nothing for her. Isabel, shocked and appalled, can only say that she must see Ralph.", "analysis": ""}

The Countess was not banished, but she felt the insecurity of her tenure of her brother's hospitality. A week after this incident Isabel received a telegram from England, dated from Gardencourt and bearing the stamp of Mrs. Touchett's authorship. "Ralph cannot last many days," it ran, "and if convenient would like to see you. Wishes me to say that you must come only if you've not other duties. Say, for myself, that you used to talk a good deal about your duty and to wonder what it was; shall be curious to see whether you've found it out. Ralph is really dying, and there's no other company." Isabel was prepared for this news, having received from Henrietta Stackpole a detailed account of her journey to England with her appreciative patient. Ralph had arrived more dead than alive, but she had managed to convey him to Gardencourt, where he had taken to his bed, which, as Miss Stackpole wrote, he evidently would never leave again. She added that she had really had two patients on her hands instead of one, inasmuch as Mr. Goodwood, who had been of no earthly use, was quite as ailing, in a different way, as Mr. Touchett. Afterwards she wrote that she had been obliged to surrender the field to Mrs. Touchett, who had just returned from America and had promptly given her to understand that she didn't wish any interviewing at Gardencourt. Isabel had written to her aunt shortly after Ralph came to Rome, letting her know of his critical condition and suggesting that she should lose no time in returning to Europe. Mrs. Touchett had telegraphed an acknowledgement of this admonition, and the only further news Isabel received from her was the second telegram I have just quoted. Isabel stood a moment looking at the latter missive; then, thrusting it into her pocket, she went straight to the door of her husband's study. Here she again paused an instant, after which she opened the door and went in. Osmond was seated at the table near the window with a folio volume before him, propped against a pile of books. This volume was open at a page of small coloured plates, and Isabel presently saw that he had been copying from it the drawing of an antique coin. A box of water-colours and fine brushes lay before him, and he had already transferred to a sheet of immaculate paper the delicate, finely-tinted disk. His back was turned toward the door, but he recognised his wife without looking round. "Excuse me for disturbing you," she said. "When I come to your room I always knock," he answered, going on with his work. "I forgot; I had something else to think of. My cousin's dying." "Ah, I don't believe that," said Osmond, looking at his drawing through a magnifying glass. "He was dying when we married; he'll outlive us all." Isabel gave herself no time, no thought, to appreciate the careful cynicism of this declaration; she simply went on quickly, full of her own intention "My aunt has telegraphed for me; I must go to Gardencourt." "Why must you go to Gardencourt?" Osmond asked in the tone of impartial curiosity. "To see Ralph before he dies." To this, for some time, he made no rejoinder; he continued to give his chief attention to his work, which was of a sort that would brook no negligence. "I don't see the need of it," he said at last. "He came to see you here. I didn't like that; I thought his being in Rome a great mistake. But I tolerated it because it was to be the last time you should see him. Now you tell me it's not to have been the last. Ah, you're not grateful!" "What am I to be grateful for?" Gilbert Osmond laid down his little implements, blew a speck of dust from his drawing, slowly got up, and for the first time looked at his wife. "For my not having interfered while he was here." "Oh yes, I am. I remember perfectly how distinctly you let me know you didn't like it. I was very glad when he went away." "Leave him alone then. Don't run after him." Isabel turned her eyes away from him; they rested upon his little drawing. "I must go to England," she said, with a full consciousness that her tone might strike an irritable man of taste as stupidly obstinate. "I shall not like it if you do," Osmond remarked. "Why should I mind that? You won't like it if I don't. You like nothing I do or don't do. You pretend to think I lie." Osmond turned slightly pale; he gave a cold smile. "That's why you must go then? Not to see your cousin, but to take a revenge on me." "I know nothing about revenge." "I do," said Osmond. "Don't give me an occasion." "You're only too eager to take one. You wish immensely that I would commit some folly." "I should be gratified in that case if you disobeyed me." "If I disobeyed you?" said Isabel in a low tone which had the effect of mildness. "Let it be clear. If you leave Rome to-day it will be a piece of the most deliberate, the most calculated, opposition." "How can you call it calculated? I received my aunt's telegram but three minutes ago." "You calculate rapidly; it's a great accomplishment. I don't see why we should prolong our discussion; you know my wish." And he stood there as if he expected to see her withdraw. But she never moved; she couldn't move, strange as it may seem; she still wished to justify herself; he had the power, in an extraordinary degree, of making her feel this need. There was something in her imagination he could always appeal to against her judgement. "You've no reason for such a wish," said Isabel, "and I've every reason for going. I can't tell you how unjust you seem to me. But I think you know. It's your own opposition that's calculated. It's malignant." She had never uttered her worst thought to her husband before, and the sensation of hearing it was evidently new to Osmond. But he showed no surprise, and his coolness was apparently a proof that he had believed his wife would in fact be unable to resist for ever his ingenious endeavour to draw her out. "It's all the more intense then," he answered. And he added almost as if he were giving her a friendly counsel: "This is a very important matter." She recognised that; she was fully conscious of the weight of the occasion; she knew that between them they had arrived at a crisis. Its gravity made her careful; she said nothing, and he went on. "You say I've no reason? I have the very best. I dislike, from the bottom of my soul, what you intend to do. It's dishonourable; it's indelicate; it's indecent. Your cousin is nothing whatever to me, and I'm under no obligation to make concessions to him. I've already made the very handsomest. Your relations with him, while he was here, kept me on pins and needles; but I let that pass, because from week to week I expected him to go. I've never liked him and he has never liked me. That's why you like him--because he hates me," said Osmond with a quick, barely audible tremor in his voice. "I've an ideal of what my wife should do and should not do. She should not travel across Europe alone, in defiance of my deepest desire, to sit at the bedside of other men. Your cousin's nothing to you; he's nothing to us. You smile most expressively when I talk about US, but I assure you that WE, WE, Mrs. Osmond, is all I know. I take our marriage seriously; you appear to have found a way of not doing so. I'm not aware that we're divorced or separated; for me we're indissolubly united. You are nearer to me than any human creature, and I'm nearer to you. It may be a disagreeable proximity; it's one, at any rate, of our own deliberate making. You don't like to be reminded of that, I know; but I'm perfectly willing, because--because--" And he paused a moment, looking as if he had something to say which would be very much to the point. "Because I think we should accept the consequences of our actions, and what I value most in life is the honour of a thing!" He spoke gravely and almost gently; the accent of sarcasm had dropped out of his tone. It had a gravity which checked his wife's quick emotion; the resolution with which she had entered the room found itself caught in a mesh of fine threads. His last words were not a command, they constituted a kind of appeal; and, though she felt that any expression of respect on his part could only be a refinement of egotism, they represented something transcendent and absolute, like the sign of the cross or the flag of one's country. He spoke in the name of something sacred and precious--the observance of a magnificent form. They were as perfectly apart in feeling as two disillusioned lovers had ever been; but they had never yet separated in act. Isabel had not changed; her old passion for justice still abode within her; and now, in the very thick of her sense of her husband's blasphemous sophistry, it began to throb to a tune which for a moment promised him the victory. It came over her that in his wish to preserve appearances he was after all sincere, and that this, as far as it went, was a merit. Ten minutes before she had felt all the joy of irreflective action--a joy to which she had so long been a stranger; but action had been suddenly changed to slow renunciation, transformed by the blight of Osmond's touch. If she must renounce, however, she would let him know she was a victim rather than a dupe. "I know you're a master of the art of mockery," she said. "How can you speak of an indissoluble union--how can you speak of your being contented? Where's our union when you accuse me of falsity? Where's your contentment when you have nothing but hideous suspicion in your heart?" "It is in our living decently together, in spite of such drawbacks." "We don't live decently together!" cried Isabel. "Indeed we don't if you go to England." "That's very little; that's nothing. I might do much more." He raised his eyebrows and even his shoulders a little: he had lived long enough in Italy to catch this trick. "Ah, if you've come to threaten me I prefer my drawing." And he walked back to his table, where he took up the sheet of paper on which he had been working and stood studying it. "I suppose that if I go you'll not expect me to come back," said Isabel. He turned quickly round, and she could see this movement at least was not designed. He looked at her a little, and then, "Are you out of your mind?" he enquired. "How can it be anything but a rupture?" she went on; "especially if all you say is true?" She was unable to see how it could be anything but a rupture; she sincerely wished to know what else it might be. He sat down before his table. "I really can't argue with you on the hypothesis of your defying me," he said. And he took up one of his little brushes again. She lingered but a moment longer; long enough to embrace with her eye his whole deliberately indifferent yet most expressive figure; after which she quickly left the room. Her faculties, her energy, her passion, were all dispersed again; she felt as if a cold, dark mist had suddenly encompassed her. Osmond possessed in a supreme degree the art of eliciting any weakness. On her way back to her room she found the Countess Gemini standing in the open doorway of a little parlour in which a small collection of heterogeneous books had been arranged. The Countess had an open volume in her hand; she appeared to have been glancing down a page which failed to strike her as interesting. At the sound of Isabel's step she raised her head. "Ah my dear," she said, "you, who are so literary, do tell me some amusing book to read! Everything here's of a dreariness--! Do you think this would do me any good?" Isabel glanced at the title of the volume she held out, but without reading or understanding it. "I'm afraid I can't advise you. I've had bad news. My cousin, Ralph Touchett, is dying." The Countess threw down her book. "Ah, he was so simpatico. I'm awfully sorry for you." "You would be sorrier still if you knew." "What is there to know? You look very badly," the Countess added. "You must have been with Osmond." Half an hour before Isabel would have listened very coldly to an intimation that she should ever feel a desire for the sympathy of her sister-in-law, and there can be no better proof of her present embarrassment than the fact that she almost clutched at this lady's fluttering attention. "I've been with Osmond," she said, while the Countess's bright eyes glittered at her. "I'm sure then he has been odious!" the Countess cried. "Did he say he was glad poor Mr. Touchett's dying?" "He said it's impossible I should go to England." The Countess's mind, when her interests were concerned, was agile; she already foresaw the extinction of any further brightness in her visit to Rome. Ralph Touchett would die, Isabel would go into mourning, and then there would be no more dinner-parties. Such a prospect produced for a moment in her countenance an expressive grimace; but this rapid, picturesque play of feature was her only tribute to disappointment. After all, she reflected, the game was almost played out; she had already overstayed her invitation. And then she cared enough for Isabel's trouble to forget her own, and she saw that Isabel's trouble was deep. It seemed deeper than the mere death of a cousin, and the Countess had no hesitation in connecting her exasperating brother with the expression of her sister-in-law's eyes. Her heart beat with an almost joyous expectation, for if she had wished to see Osmond overtopped the conditions looked favourable now. Of course if Isabel should go to England she herself would immediately leave Palazzo Roccanera; nothing would induce her to remain there with Osmond. Nevertheless she felt an immense desire to hear that Isabel would go to England. "Nothing's impossible for you, my dear," she said caressingly. "Why else are you rich and clever and good?" "Why indeed? I feel stupidly weak." "Why does Osmond say it's impossible?" the Countess asked in a tone which sufficiently declared that she couldn't imagine. From the moment she thus began to question her, however, Isabel drew back; she disengaged her hand, which the Countess had affectionately taken. But she answered this enquiry with frank bitterness. "Because we're so happy together that we can't separate even for a fortnight." "Ah," cried the Countess while Isabel turned away, "when I want to make a journey my husband simply tells me I can have no money!" Isabel went to her room, where she walked up and down for an hour. It may appear to some readers that she gave herself much trouble, and it is certain that for a woman of a high spirit she had allowed herself easily to be arrested. It seemed to her that only now she fully measured the great undertaking of matrimony. Marriage meant that in such a case as this, when one had to choose, one chose as a matter of course for one's husband. "I'm afraid--yes, I'm afraid," she said to herself more than once, stopping short in her walk. But what she was afraid of was not her husband--his displeasure, his hatred, his revenge; it was not even her own later judgement of her conduct a consideration which had often held her in check; it was simply the violence there would be in going when Osmond wished her to remain. A gulf of difference had opened between them, but nevertheless it was his desire that she should stay, it was a horror to him that she should go. She knew the nervous fineness with which he could feel an objection. What he thought of her she knew, what he was capable of saying to her she had felt; yet they were married, for all that, and marriage meant that a woman should cleave to the man with whom, uttering tremendous vows, she had stood at the altar. She sank down on her sofa at last and buried her head in a pile of cushions. When she raised her head again the Countess Gemini hovered before her. She had come in all unperceived; she had a strange smile on her thin lips and her whole face had grown in an hour a shining intimation. She lived assuredly, it might be said, at the window of her spirit, but now she was leaning far out. "I knocked," she began, "but you didn't answer me. So I ventured in. I've been looking at you for the past five minutes. You're very unhappy." "Yes; but I don't think you can comfort me." "Will you give me leave to try?" And the Countess sat down on the sofa beside her. She continued to smile, and there was something communicative and exultant in her expression. She appeared to have a deal to say, and it occurred to Isabel for the first time that her sister-in-law might say something really human. She made play with her glittering eyes, in which there was an unpleasant fascination. "After all," she soon resumed, "I must tell you, to begin with, that I don't understand your state of mind. You seem to have so many scruples, so many reasons, so many ties. When I discovered, ten years ago, that my husband's dearest wish was to make me miserable--of late he has simply let me alone--ah, it was a wonderful simplification! My poor Isabel, you're not simple enough." "No, I'm not simple enough," said Isabel. "There's something I want you to know," the Countess declared--"because I think you ought to know it. Perhaps you do; perhaps you've guessed it. But if you have, all I can say is that I understand still less why you shouldn't do as you like." "What do you wish me to know?" Isabel felt a foreboding that made her heart beat faster. The Countess was about to justify herself, and this alone was portentous. But she was nevertheless disposed to play a little with her subject. "In your place I should have guessed it ages ago. Have you never really suspected?" "I've guessed nothing. What should I have suspected? I don't know what you mean." "That's because you've such a beastly pure mind. I never saw a woman with such a pure mind!" cried the Countess. Isabel slowly got up. "You're going to tell me something horrible." "You can call it by whatever name you will!" And the Countess rose also, while her gathered perversity grew vivid and dreadful. She stood a moment in a sort of glare of intention and, as seemed to Isabel even then, of ugliness; after which she said: "My first sister-in-law had no children." Isabel stared back at her; the announcement was an anticlimax. "Your first sister-in-law?" "I suppose you know at least, if one may mention it, that Osmond has been married before! I've never spoken to you of his wife; I thought it mightn't be decent or respectful. But others, less particular, must have done so. The poor little woman lived hardly three years and died childless. It wasn't till after her death that Pansy arrived." Isabel's brow had contracted to a frown; her lips were parted in pale, vague wonder. She was trying to follow; there seemed so much more to follow than she could see. "Pansy's not my husband's child then?" "Your husband's--in perfection! But no one else's husband's. Some one else's wife's. Ah, my good Isabel," cried the Countess, "with you one must dot one's i's!" "I don't understand. Whose wife's?" Isabel asked. "The wife of a horrid little Swiss who died--how long?--a dozen, more than fifteen, years ago. He never recognised Miss Pansy, nor, knowing what he was about, would have anything to say to her; and there was no reason why he should. Osmond did, and that was better; though he had to fit on afterwards the whole rigmarole of his own wife's having died in childbirth, and of his having, in grief and horror, banished the little girl from his sight for as long as possible before taking her home from nurse. His wife had really died, you know, of quite another matter and in quite another place: in the Piedmontese mountains, where they had gone, one August, because her health appeared to require the air, but where she was suddenly taken worse--fatally ill. The story passed, sufficiently; it was covered by the appearances so long as nobody heeded, as nobody cared to look into it. But of course I knew--without researches," the Countess lucidly proceeded; "as also, you'll understand, without a word said between us--I mean between Osmond and me. Don't you see him looking at me, in silence, that way, to settle it?--that is to settle ME if I should say anything. I said nothing, right or left--never a word to a creature, if you can believe that of me: on my honour, my dear, I speak of the thing to you now, after all this time, as I've never, never spoken. It was to be enough for me, from the first, that the child was my niece--from the moment she was my brother's daughter. As for her veritable mother--!" But with this Pansy's wonderful aunt dropped--as, involuntarily, from the impression of her sister-in-law's face, out of which more eyes might have seemed to look at her than she had ever had to meet. She had spoken no name, yet Isabel could but check, on her own lips, an echo of the unspoken. She sank to her seat again, hanging her head. "Why have you told me this?" she asked in a voice the Countess hardly recognised. "Because I've been so bored with your not knowing. I've been bored, frankly, my dear, with not having told you; as if, stupidly, all this time I couldn't have managed! Ca me depasse, if you don't mind my saying so, the things, all round you, that you've appeared to succeed in not knowing. It's a sort of assistance--aid to innocent ignorance--that I've always been a bad hand at rendering; and in this connexion, that of keeping quiet for my brother, my virtue has at any rate finally found itself exhausted. It's not a black lie, moreover, you know," the Countess inimitably added. "The facts are exactly what I tell you." "I had no idea," said Isabel presently; and looked up at her in a manner that doubtless matched the apparent witlessness of this confession. "So I believed--though it was hard to believe. Had it never occurred to you that he was for six or seven years her lover?" "I don't know. Things HAVE occurred to me, and perhaps that was what they all meant." "She has been wonderfully clever, she has been magnificent, about Pansy!" the Countess, before all this view of it, cried. "Oh, no idea, for me," Isabel went on, "ever DEFINITELY took that form." She appeared to be making out to herself what had been and what hadn't. "And as it is--I don't understand." She spoke as one troubled and puzzled, yet the poor Countess seemed to have seen her revelation fall below its possibilities of effect. She had expected to kindle some responsive blaze, but had barely extracted a spark. Isabel showed as scarce more impressed than she might have been, as a young woman of approved imagination, with some fine sinister passage of public history. "Don't you recognise how the child could never pass for HER husband's?--that is with M. Merle himself," her companion resumed. "They had been separated too long for that, and he had gone to some far country--I think to South America. If she had ever had children--which I'm not sure of--she had lost them. The conditions happened to make it workable, under stress (I mean at so awkward a pinch), that Osmond should acknowledge the little girl. His wife was dead--very true; but she had not been dead too long to put a certain accommodation of dates out of the question--from the moment, I mean, that suspicion wasn't started; which was what they had to take care of. What was more natural than that poor Mrs. Osmond, at a distance and for a world not troubling about trifles, should have left behind her, poverina, the pledge of her brief happiness that had cost her her life? With the aid of a change of residence--Osmond had been living with her at Naples at the time of their stay in the Alps, and he in due course left it for ever--the whole history was successfully set going. My poor sister-in-law, in her grave, couldn't help herself, and the real mother, to save HER skin, renounced all visible property in the child." "Ah, poor, poor woman!" cried Isabel, who herewith burst into tears. It was a long time since she had shed any; she had suffered a high reaction from weeping. But now they flowed with an abundance in which the Countess Gemini found only another discomfiture. "It's very kind of you to pity her!" she discordantly laughed. "Yes indeed, you have a way of your own--!" "He must have been false to his wife--and so very soon!" said Isabel with a sudden check. "That's all that's wanting--that you should take up her cause!" the Countess went on. "I quite agree with you, however, that it was much too soon." "But to me, to me--?" And Isabel hesitated as if she had not heard; as if her question--though it was sufficiently there in her eyes--were all for herself. "To you he has been faithful? Well, it depends, my dear, on what you call faithful. When he married you he was no longer the lover of another woman--SUCH a lover as he had been, cara mia, between their risks and their precautions, while the thing lasted! That state of affairs had passed away; the lady had repented, or at all events, for reasons of her own, drawn back: she had always had, too, a worship of appearances so intense that even Osmond himself had got bored with it. You may therefore imagine what it was--when he couldn't patch it on conveniently to ANY of those he goes in for! But the whole past was between them." "Yes," Isabel mechanically echoed, "the whole past is between them." "Ah, this later past is nothing. But for six or seven years, as I say, they had kept it up." She was silent a little. "Why then did she want him to marry me?" "Ah my dear, that's her superiority! Because you had money; and because she believed you would be good to Pansy." "Poor woman--and Pansy who doesn't like her!" cried Isabel. "That's the reason she wanted some one whom Pansy would like. She knows it; she knows everything." "Will she know that you've told me this?" "That will depend upon whether you tell her. She's prepared for it, and do you know what she counts upon for her defence? On your believing that I lie. Perhaps you do; don't make yourself uncomfortable to hide it. Only, as it happens this time, I don't. I've told plenty of little idiotic fibs, but they've never hurt any one but myself." Isabel sat staring at her companion's story as at a bale of fantastic wares some strolling gypsy might have unpacked on the carpet at her feet. "Why did Osmond never marry her?" she finally asked. "Because she had no money." The Countess had an answer for everything, and if she lied she lied well. "No one knows, no one has ever known, what she lives on, or how she has got all those beautiful things. I don't believe Osmond himself knows. Besides, she wouldn't have married him." "How can she have loved him then?" "She doesn't love him in that way. She did at first, and then, I suppose, she would have married him; but at that time her husband was living. By the time M. Merle had rejoined--I won't say his ancestors, because he never had any--her relations with Osmond had changed, and she had grown more ambitious. Besides, she has never had, about him," the Countess went on, leaving Isabel to wince for it so tragically afterwards--"she HAD never had, what you might call any illusions of INTELLIGENCE. She hoped she might marry a great man; that has always been her idea. She has waited and watched and plotted and prayed; but she has never succeeded. I don't call Madame Merle a success, you know. I don't know what she may accomplish yet, but at present she has very little to show. The only tangible result she has ever achieved--except, of course, getting to know every one and staying with them free of expense--has been her bringing you and Osmond together. Oh, she did that, my dear; you needn't look as if you doubted it. I've watched them for years; I know everything--everything. I'm thought a great scatterbrain, but I've had enough application of mind to follow up those two. She hates me, and her way of showing it is to pretend to be for ever defending me. When people say I've had fifteen lovers she looks horrified and declares that quite half of them were never proved. She has been afraid of me for years, and she has taken great comfort in the vile, false things people have said about me. She has been afraid I'd expose her, and she threatened me one day when Osmond began to pay his court to you. It was at his house in Florence; do you remember that afternoon when she brought you there and we had tea in the garden? She let me know then that if I should tell tales two could play at that game. She pretends there's a good deal more to tell about me than about her. It would be an interesting comparison! I don't care a fig what she may say, simply because I know YOU don't care a fig. You can't trouble your head about me less than you do already. So she may take her revenge as she chooses; I don't think she'll frighten you very much. Her great idea has been to be tremendously irreproachable--a kind of full-blown lily--the incarnation of propriety. She has always worshipped that god. There should be no scandal about Caesar's wife, you know; and, as I say, she has always hoped to marry Caesar. That was one reason she wouldn't marry Osmond; the fear that on seeing her with Pansy people would put things together--would even see a resemblance. She has had a terror lest the mother should betray herself. She has been awfully careful; the mother has never done so." "Yes, yes, the mother has done so," said Isabel, who had listened to all this with a face more and more wan. "She betrayed herself to me the other day, though I didn't recognise her. There appeared to have been a chance of Pansy's making a great marriage, and in her disappointment at its not coming off she almost dropped the mask." "Ah, that's where she'd dish herself!" cried the Countess. "She has failed so dreadfully that she's determined her daughter shall make it up." Isabel started at the words "her daughter," which her guest threw off so familiarly. "It seems very wonderful," she murmured; and in this bewildering impression she had almost lost her sense of being personally touched by the story. "Now don't go and turn against the poor innocent child!" the Countess went on. "She's very nice, in spite of her deplorable origin. I myself have liked Pansy; not, naturally, because she was hers, but because she had become yours." "Yes, she has become mine. And how the poor woman must have suffered at seeing me--!" Isabel exclaimed while she flushed at the thought. "I don't believe she has suffered; on the contrary, she has enjoyed. Osmond's marriage has given his daughter a great little lift. Before that she lived in a hole. And do you know what the mother thought? That you might take such a fancy to the child that you'd do something for her. Osmond of course could never give her a portion. Osmond was really extremely poor; but of course you know all about that. Ah, my dear," cried the Countess, "why did you ever inherit money?" She stopped a moment as if she saw something singular in Isabel's face. "Don't tell me now that you'll give her a dot. You're capable of that, but I would refuse to believe it. Don't try to be too good. Be a little easy and natural and nasty; feel a little wicked, for the comfort of it, once in your life!" "It's very strange. I suppose I ought to know, but I'm sorry," Isabel said. "I'm much obliged to you." "Yes, you seem to be!" cried the Countess with a mocking laugh. "Perhaps you are--perhaps you're not. You don't take it as I should have thought." "How should I take it?" Isabel asked. "Well, I should say as a woman who has been made use of." Isabel made no answer to this; she only listened, and the Countess went on. "They've always been bound to each other; they remained so even after she broke off--or HE did. But he has always been more for her than she has been for him. When their little carnival was over they made a bargain that each should give the other complete liberty, but that each should also do everything possible to help the other on. You may ask me how I know such a thing as that. I know it by the way they've behaved. Now see how much better women are than men! She has found a wife for Osmond, but Osmond has never lifted a little finger for HER. She has worked for him, plotted for him, suffered for him; she has even more than once found money for him; and the end of it is that he's tired of her. She's an old habit; there are moments when he needs her, but on the whole he wouldn't miss her if she were removed. And, what's more, today she knows it. So you needn't be jealous!" the Countess added humorously. Isabel rose from her sofa again; she felt bruised and scant of breath; her head was humming with new knowledge. "I'm much obliged to you," she repeated. And then she added abruptly, in quite a different tone: "How do you know all this?" This enquiry appeared to ruffle the Countess more than Isabel's expression of gratitude pleased her. She gave her companion a bold stare, with which, "Let us assume that I've invented it!" she cried. She too, however, suddenly changed her tone and, laying her hand on Isabel's arm, said with the penetration of her sharp bright smile: "Now will you give up your journey?" Isabel started a little; she turned away. But she felt weak and in a moment had to lay her arm upon the mantel-shelf for support. She stood a minute so, and then upon her arm she dropped her dizzy head, with closed eyes and pale lips. "I've done wrong to speak--I've made you ill!" the Countess cried. "Ah, I must see Ralph!" Isabel wailed; not in resentment, not in the quick passion her companion had looked for; but in a tone of far-reaching, infinite sadness.

Chapter 51

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-51

Mrs. Touchett telegrams Isabel, notifying her of Ralph's imminent death. She asks Isabel to come to Gardencourt. Isabel goes to Osmond to let him know that she's going. Osmond forbids her to go. Osmond tells her that it would be an indecent thing to go against his wishes, as they are still a married couple, like it or not. Isabel wonders if he would expect her to come back if she leaves. Countess Gemini hears of Ralph's condition, and her first thought is that Isabel will not give any more parties when she is mourning . Of course, Countess Gemini has been waiting for Isabel to set Osmond off, so she is excited that going to England might be it. Lest you think she's totally heartless, don't worry - she's also somewhat sympathetic to her sister-in-law. After pondering her options, Countess Gemini decides to play her trump card: she tells Isabel the grim truth about her brother. Countess Gemini tells Isabel that Pansy was not the child of Osmond's first wife. And Isabel has a good idea who Pansy's birth mother is: Madame Merle! Countess Gemini tells Isabel that Osmond and Madame Merle were romantically involved for six or seven years. Isabel, torn between revulsion and pity, actually feels bad for Madame Merle, who's had to see another woman care for her daughter. Countess Gemini claims that Madame Merle arranged Isabel's marriage to Osmond so that Pansy would be financially supported, and could marry well. Osmond and Madame Merle never married because she never had enough money for him. Countess Gemini says that Madame Merle has done a lot for Osmond, but Osmond has done nothing for her. Isabel, shocked and appalled, can only say that she must see Ralph.

shmoop

all_chapterized_books/2833-chapters/52.txt

finished_summaries/shmoop/The Portrait of a Lady/section_51_part_0.txt

The Portrait of a Lady.chapter 52

chapter 52

{"name": "Chapter 52", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-52", "summary": "Isabel decides to visit Pansy before going to see Ralph. She runs into Madame Merle at the convent. Madame Merle suddenly knows that Isabel has changed: she knows her secret. Isabel tells Madame Merle that she is going to Gardencourt to see Ralph after leaving the convent. Isabel tells Pansy that she is leaving for England, and doesn't know when she will return. Pansy is devastated - she knows that her only ally may be leaving forever. She longs to escape from the convent. In a moment of passion, Isabel asks Pansy to come away to England with her, but Pansy can't go against her father's wishes, even if she wants to. Pansy says that she had done a lot of thinking, and that she is more willing than ever to obey her father. Isabel can tell that she has given up on Edward Rosier. Pansy, again showing insight we didn't know she had, says that she does not like Madame Merle. Isabel tells her that she must never repeat that thought. Isabel promises to return and visit Pansy. Madame Merle waits for Isabel, and springs upon her as she leaves. Madame Merle tells Isabel that Ralph was the one who gave her the inheritance money. Isabel retorts that it is Madame Merle she has to thank for her misery, not whoever gave her the money. Madame Merle concedes that Isabel is unhappy, but claims that she is far less happy. Isabel doesn't deny it; she only says she wishes never to see Madame Merle again. Resigned, Madame Merle decides that she will go to America - the implication is that her new journey will be some kind of penance for her past sins.", "analysis": ""}

There was a train for Turin and Paris that evening; and after the Countess had left her Isabel had a rapid and decisive conference with her maid, who was discreet, devoted and active. After this she thought (except of her journey) only of one thing. She must go and see Pansy; from her she couldn't turn away. She had not seen her yet, as Osmond had given her to understand that it was too soon to begin. She drove at five o'clock to a high floor in a narrow street in the quarter of the Piazza Navona, and was admitted by the portress of the convent, a genial and obsequious person. Isabel had been at this institution before; she had come with Pansy to see the sisters. She knew they were good women, and she saw that the large rooms were clean and cheerful and that the well-used garden had sun for winter and shade for spring. But she disliked the place, which affronted and almost frightened her; not for the world would she have spent a night there. It produced to-day more than before the impression of a well-appointed prison; for it was not possible to pretend Pansy was free to leave it. This innocent creature had been presented to her in a new and violent light, but the secondary effect of the revelation was to make her reach out a hand. The portress left her to wait in the parlour of the convent while she went to make it known that there was a visitor for the dear young lady. The parlour was a vast, cold apartment, with new-looking furniture; a large clean stove of white porcelain, unlighted, a collection of wax flowers under glass, and a series of engravings from religious pictures on the walls. On the other occasion Isabel had thought it less like Rome than like Philadelphia, but to-day she made no reflexions; the apartment only seemed to her very empty and very soundless. The portress returned at the end of some five minutes, ushering in another person. Isabel got up, expecting to see one of the ladies of the sisterhood, but to her extreme surprise found herself confronted with Madame Merle. The effect was strange, for Madame Merle was already so present to her vision that her appearance in the flesh was like suddenly, and rather awfully, seeing a painted picture move. Isabel had been thinking all day of her falsity, her audacity, her ability, her probable suffering; and these dark things seemed to flash with a sudden light as she entered the room. Her being there at all had the character of ugly evidence, of handwritings, of profaned relics, of grim things produced in court. It made Isabel feel faint; if it had been necessary to speak on the spot she would have been quite unable. But no such necessity was distinct to her; it seemed to her indeed that she had absolutely nothing to say to Madame Merle. In one's relations with this lady, however, there were never any absolute necessities; she had a manner which carried off not only her own deficiencies but those of other people. But she was different from usual; she came in slowly, behind the portress, and Isabel instantly perceived that she was not likely to depend upon her habitual resources. For her too the occasion was exceptional, and she had undertaken to treat it by the light of the moment. This gave her a peculiar gravity; she pretended not even to smile, and though Isabel saw that she was more than ever playing a part it seemed to her that on the whole the wonderful woman had never been so natural. She looked at her young friend from head to foot, but not harshly nor defiantly; with a cold gentleness rather, and an absence of any air of allusion to their last meeting. It was as if she had wished to mark a distinction. She had been irritated then, she was reconciled now. "You can leave us alone," she said to the portress; "in five minutes this lady will ring for you." And then she turned to Isabel, who, after noting what has just been mentioned, had ceased to notice and had let her eyes wander as far as the limits of the room would allow. She wished never to look at Madame Merle again. "You're surprised to find me here, and I'm afraid you're not pleased," this lady went on. "You don't see why I should have come; it's as if I had anticipated you. I confess I've been rather indiscreet--I ought to have asked your permission." There was none of the oblique movement of irony in this; it was said simply and mildly; but Isabel, far afloat on a sea of wonder and pain, could not have told herself with what intention it was uttered. "But I've not been sitting long," Madame Merle continued; "that is I've not been long with Pansy. I came to see her because it occurred to me this afternoon that she must be rather lonely and perhaps even a little miserable. It may be good for a small girl; I know so little about small girls; I can't tell. At any rate it's a little dismal. Therefore I came--on the chance. I knew of course that you'd come, and her father as well; still, I had not been told other visitors were forbidden. The good woman--what's her name? Madame Catherine--made no objection whatever. I stayed twenty minutes with Pansy; she has a charming little room, not in the least conventual, with a piano and flowers. She has arranged it delightfully; she has so much taste. Of course it's all none of my business, but I feel happier since I've seen her. She may even have a maid if she likes; but of course she has no occasion to dress. She wears a little black frock; she looks so charming. I went afterwards to see Mother Catherine, who has a very good room too; I assure you I don't find the poor sisters at all monastic. Mother Catherine has a most coquettish little toilet-table, with something that looked uncommonly like a bottle of eau-de-Cologne. She speaks delightfully of Pansy; says it's a great happiness for them to have her. She's a little saint of heaven and a model to the oldest of them. Just as I was leaving Madame Catherine the portress came to say to her that there was a lady for the signorina. Of course I knew it must be you, and I asked her to let me go and receive you in her place. She demurred greatly--I must tell you that--and said it was her duty to notify the Mother Superior; it was of such high importance that you should be treated with respect. I requested her to let the Mother Superior alone and asked her how she supposed I would treat you!" So Madame Merle went on, with much of the brilliancy of a woman who had long been a mistress of the art of conversation. But there were phases and gradations in her speech, not one of which was lost upon Isabel's ear, though her eyes were absent from her companion's face. She had not proceeded far before Isabel noted a sudden break in her voice, a lapse in her continuity, which was in itself a complete drama. This subtle modulation marked a momentous discovery--the perception of an entirely new attitude on the part of her listener. Madame Merle had guessed in the space of an instant that everything was at end between them, and in the space of another instant she had guessed the reason why. The person who stood there was not the same one she had seen hitherto, but was a very different person--a person who knew her secret. This discovery was tremendous, and from the moment she made it the most accomplished of women faltered and lost her courage. But only for that moment. Then the conscious stream of her perfect manner gathered itself again and flowed on as smoothly as might be to the end. But it was only because she had the end in view that she was able to proceed. She had been touched with a point that made her quiver, and she needed all the alertness of her will to repress her agitation. Her only safety was in her not betraying herself. She resisted this, but the startled quality of her voice refused to improve--she couldn't help it--while she heard herself say she hardly knew what. The tide of her confidence ebbed, and she was able only just to glide into port, faintly grazing the bottom. Isabel saw it all as distinctly as if it had been reflected in a large clear glass. It might have been a great moment for her, for it might have been a moment of triumph. That Madame Merle had lost her pluck and saw before her the phantom of exposure--this in itself was a revenge, this in itself was almost the promise of a brighter day. And for a moment during which she stood apparently looking out of the window, with her back half-turned, Isabel enjoyed that knowledge. On the other side of the window lay the garden of the convent; but this is not what she saw; she saw nothing of the budding plants and the glowing afternoon. She saw, in the crude light of that revelation which had already become a part of experience and to which the very frailty of the vessel in which it had been offered her only gave an intrinsic price, the dry staring fact that she had been an applied handled hung-up tool, as senseless and convenient as mere shaped wood and iron. All the bitterness of this knowledge surged into her soul again; it was as if she felt on her lips the taste of dishonour. There was a moment during which, if she had turned and spoken, she would have said something that would hiss like a lash. But she closed her eyes, and then the hideous vision dropped. What remained was the cleverest woman in the world standing there within a few feet of her and knowing as little what to think as the meanest. Isabel's only revenge was to be silent still--to leave Madame Merle in this unprecedented situation. She left her there for a period that must have seemed long to this lady, who at last seated herself with a movement which was in itself a confession of helplessness. Then Isabel turned slow eyes, looking down at her. Madame Merle was very pale; her own eyes covered Isabel's face. She might see what she would, but her danger was over. Isabel would never accuse her, never reproach her; perhaps because she never would give her the opportunity to defend herself. "I'm come to bid Pansy good-bye," our young woman said at last. "I go to England to-night." "Go to England to-night!" Madame Merle repeated sitting there and looking up at her. "I'm going to Gardencourt. Ralph Touchett's dying." "Ah, you'll feel that." Madame Merle recovered herself; she had a chance to express sympathy. "Do you go alone?" "Yes; without my husband." Madame Merle gave a low vague murmur; a sort of recognition of the general sadness of things. "Mr. Touchett never liked me, but I'm sorry he's dying. Shall you see his mother?" "Yes; she has returned from America." "She used to be very kind to me; but she has changed. Others too have changed," said Madame Merle with a quiet noble pathos. She paused a moment, then added: "And you'll see dear old Gardencourt again!" "I shall not enjoy it much," Isabel answered. "Naturally--in your grief. But it's on the whole, of all the houses I know, and I know many, the one I should have liked best to live in. I don't venture to send a message to the people," Madame Merle added; "but I should like to give my love to the place." Isabel turned away. "I had better go to Pansy. I've not much time." While she looked about her for the proper egress, the door opened and admitted one of the ladies of the house, who advanced with a discreet smile, gently rubbing, under her long loose sleeves, a pair of plump white hands. Isabel recognised Madame Catherine, whose acquaintance she had already made, and begged that she would immediately let her see Miss Osmond. Madame Catherine looked doubly discreet, but smiled very blandly and said: "It will be good for her to see you. I'll take you to her myself." Then she directed her pleased guarded vision to Madame Merle. "Will you let me remain a little?" this lady asked. "It's so good to be here." "You may remain always if you like!" And the good sister gave a knowing laugh. She led Isabel out of the room, through several corridors, and up a long staircase. All these departments were solid and bare, light and clean; so, thought Isabel, are the great penal establishments. Madame Catherine gently pushed open the door of Pansy's room and ushered in the visitor; then stood smiling with folded hands while the two others met and embraced. "She's glad to see you," she repeated; "it will do her good." And she placed the best chair carefully for Isabel. But she made no movement to seat herself; she seemed ready to retire. "How does this dear child look?" she asked of Isabel, lingering a moment. "She looks pale," Isabel answered. "That's the pleasure of seeing you. She's very happy. Elle eclaire la maison," said the good sister. Pansy wore, as Madame Merle had said, a little black dress; it was perhaps this that made her look pale. "They're very good to me--they think of everything!" she exclaimed with all her customary eagerness to accommodate. "We think of you always--you're a precious charge," Madame Catherine remarked in the tone of a woman with whom benevolence was a habit and whose conception of duty was the acceptance of every care. It fell with a leaden weight on Isabel's ears; it seemed to represent the surrender of a personality, the authority of the Church. When Madame Catherine had left them together Pansy kneeled down and hid her head in her stepmother's lap. So she remained some moments, while Isabel gently stroked her hair. Then she got up, averting her face and looking about the room. "Don't you think I've arranged it well? I've everything I have at home." "It's very pretty; you're very comfortable." Isabel scarcely knew what she could say to her. On the one hand she couldn't let her think she had come to pity her, and on the other it would be a dull mockery to pretend to rejoice with her. So she simply added after a moment: "I've come to bid you good-bye. I'm going to England." Pansy's white little face turned red. "To England! Not to come back?" "I don't know when I shall come back." "Ah, I'm sorry," Pansy breathed with faintness. She spoke as if she had no right to criticise; but her tone expressed a depth of disappointment. "My cousin, Mr. Touchett, is very ill; he'll probably die. I wish to see him," Isabel said. "Ah yes; you told me he would die. Of course you must go. And will papa go?" "No; I shall go alone." For a moment the girl said nothing. Isabel had often wondered what she thought of the apparent relations of her father with his wife; but never by a glance, by an intimation, had she let it be seen that she deemed them deficient in an air of intimacy. She made her reflexions, Isabel was sure; and she must have had a conviction that there were husbands and wives who were more intimate than that. But Pansy was not indiscreet even in thought; she would as little have ventured to judge her gentle stepmother as to criticise her magnificent father. Her heart may have stood almost as still as it would have done had she seen two of the saints in the great picture in the convent chapel turn their painted heads and shake them at each other. But as in this latter case she would (for very solemnity's sake) never have mentioned the awful phenomenon, so she put away all knowledge of the secrets of larger lives than her own. "You'll be very far away," she presently went on. "Yes; I shall be far away. But it will scarcely matter," Isabel explained; "since so long as you're here I can't be called near you." "Yes, but you can come and see me; though you've not come very often." "I've not come because your father forbade it. To-day I bring nothing with me. I can't amuse you." "I'm not to be amused. That's not what papa wishes." "Then it hardly matters whether I'm in Rome or in England." "You're not happy, Mrs. Osmond," said Pansy. "Not very. But it doesn't matter." "That's what I say to myself. What does it matter? But I should like to come out." "I wish indeed you might." "Don't leave me here," Pansy went on gently. Isabel said nothing for a minute; her heart beat fast. "Will you come away with me now?" she asked. Pansy looked at her pleadingly. "Did papa tell you to bring me?" "No; it's my own proposal." "I think I had better wait then. Did papa send me no message?" "I don't think he knew I was coming." "He thinks I've not had enough," said Pansy. "But I have. The ladies are very kind to me and the little girls come to see me. There are some very little ones--such charming children. Then my room--you can see for yourself. All that's very delightful. But I've had enough. Papa wished me to think a little--and I've thought a great deal." "What have you thought?" "Well, that I must never displease papa." "You knew that before." "Yes; but I know it better. I'll do anything--I'll do anything," said Pansy. Then, as she heard her own words, a deep, pure blush came into her face. Isabel read the meaning of it; she saw the poor girl had been vanquished. It was well that Mr. Edward Rosier had kept his enamels! Isabel looked into her eyes and saw there mainly a prayer to be treated easily. She laid her hand on Pansy's as if to let her know that her look conveyed no diminution of esteem; for the collapse of the girl's momentary resistance (mute and modest thought it had been) seemed only her tribute to the truth of things. She didn't presume to judge others, but she had judged herself; she had seen the reality. She had no vocation for struggling with combinations; in the solemnity of sequestration there was something that overwhelmed her. She bowed her pretty head to authority and only asked of authority to be merciful. Yes; it was very well that Edward Rosier had reserved a few articles! Isabel got up; her time was rapidly shortening. "Good-bye then. I leave Rome to-night." Pansy took hold of her dress; there was a sudden change in the child's face. "You look strange, you frighten me." "Oh, I'm very harmless," said Isabel. "Perhaps you won't come back?" "Perhaps not. I can't tell." "Ah, Mrs. Osmond, you won't leave me!" Isabel now saw she had guessed everything. "My dear child, what can I do for you?" she asked. "I don't know--but I'm happier when I think of you." "You can always think of me." "Not when you're so far. I'm a little afraid," said Pansy. "What are you afraid of?" "Of papa--a little. And of Madame Merle. She has just been to see me." "You must not say that," Isabel observed. "Oh, I'll do everything they want. Only if you're here I shall do it more easily." Isabel considered. "I won't desert you," she said at last. "Good-bye, my child." Then they held each other a moment in a silent embrace, like two sisters; and afterwards Pansy walked along the corridor with her visitor to the top of the staircase. "Madame Merle has been here," she remarked as they went; and as Isabel answered nothing she added abruptly: "I don't like Madame Merle!" Isabel hesitated, then stopped. "You must never say that--that you don't like Madame Merle." Pansy looked at her in wonder; but wonder with Pansy had never been a reason for non-compliance. "I never will again," she said with exquisite gentleness. At the top of the staircase they had to separate, as it appeared to be part of the mild but very definite discipline under which Pansy lived that she should not go down. Isabel descended, and when she reached the bottom the girl was standing above. "You'll come back?" she called out in a voice that Isabel remembered afterwards. "Yes--I'll come back." Madame Catherine met Mrs. Osmond below and conducted her to the door of the parlour, outside of which the two stood talking a minute. "I won't go in," said the good sister. "Madame Merle's waiting for you." At this announcement Isabel stiffened; she was on the point of asking if there were no other egress from the convent. But a moment's reflexion assured her that she would do well not to betray to the worthy nun her desire to avoid Pansy's other friend. Her companion grasped her arm very gently and, fixing her a moment with wise, benevolent eyes, said in French and almost familiarly: "Eh bien, chere Madame, qu'en pensez-vous?" "About my step-daughter? Oh, it would take long to tell you." "We think it's enough," Madame Catherine distinctly observed. And she pushed open the door of the parlour. Madame Merle was sitting just as Isabel had left her, like a woman so absorbed in thought that she had not moved a little finger. As Madame Catherine closed the door she got up, and Isabel saw that she had been thinking to some purpose. She had recovered her balance; she was in full possession of her resources. "I found I wished to wait for you," she said urbanely. "But it's not to talk about Pansy." Isabel wondered what it could be to talk about, and in spite of Madame Merle's declaration she answered after a moment: "Madame Catherine says it's enough." "Yes; it also seems to me enough. I wanted to ask you another word about poor Mr. Touchett," Madame Merle added. "Have you reason to believe that he's really at his last?" "I've no information but a telegram. Unfortunately it only confirms a probability." "I'm going to ask you a strange question," said Madame Merle. "Are you very fond of your cousin?" And she gave a smile as strange as her utterance. "Yes, I'm very fond of him. But I don't understand you." She just hung fire. "It's rather hard to explain. Something has occurred to me which may not have occurred to you, and I give you the benefit of my idea. Your cousin did you once a great service. Have you never guessed it?" "He has done me many services." "Yes; but one was much above the rest. He made you a rich woman." "HE made me--?" Madame Merle appearing to see herself successful, she went on more triumphantly: "He imparted to you that extra lustre which was required to make you a brilliant match. At bottom it's him you've to thank." She stopped; there was something in Isabel's eyes. "I don't understand you. It was my uncle's money." "Yes; it was your uncle's money, but it was your cousin's idea. He brought his father over to it. Ah, my dear, the sum was large!" Isabel stood staring; she seemed to-day to live in a world illumined by lurid flashes. "I don't know why you say such things. I don't know what you know." "I know nothing but what I've guessed. But I've guessed that." Isabel went to the door and, when she had opened it, stood a moment with her hand on the latch. Then she said--it was her only revenge: "I believed it was you I had to thank!" Madame Merle dropped her eyes; she stood there in a kind of proud penance. "You're very unhappy, I know. But I'm more so." "Yes; I can believe that. I think I should like never to see you again." Madame Merle raised her eyes. "I shall go to America," she quietly remarked while Isabel passed out.

Chapter 52

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-52

Isabel decides to visit Pansy before going to see Ralph. She runs into Madame Merle at the convent. Madame Merle suddenly knows that Isabel has changed: she knows her secret. Isabel tells Madame Merle that she is going to Gardencourt to see Ralph after leaving the convent. Isabel tells Pansy that she is leaving for England, and doesn't know when she will return. Pansy is devastated - she knows that her only ally may be leaving forever. She longs to escape from the convent. In a moment of passion, Isabel asks Pansy to come away to England with her, but Pansy can't go against her father's wishes, even if she wants to. Pansy says that she had done a lot of thinking, and that she is more willing than ever to obey her father. Isabel can tell that she has given up on Edward Rosier. Pansy, again showing insight we didn't know she had, says that she does not like Madame Merle. Isabel tells her that she must never repeat that thought. Isabel promises to return and visit Pansy. Madame Merle waits for Isabel, and springs upon her as she leaves. Madame Merle tells Isabel that Ralph was the one who gave her the inheritance money. Isabel retorts that it is Madame Merle she has to thank for her misery, not whoever gave her the money. Madame Merle concedes that Isabel is unhappy, but claims that she is far less happy. Isabel doesn't deny it; she only says she wishes never to see Madame Merle again. Resigned, Madame Merle decides that she will go to America - the implication is that her new journey will be some kind of penance for her past sins.

shmoop

all_chapterized_books/2833-chapters/53.txt

finished_summaries/shmoop/The Portrait of a Lady/section_52_part_0.txt

The Portrait of a Lady.chapter 53

chapter 53

{"name": "Chapter 53", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-53", "summary": "Henrietta greets Isabel at the train station in England. On the train ride, Isabel couldn't think clearly. She actually envies Ralph's death - she would rather die than live her life as it is. Lady Pensil will come to visit Henrietta, though she never did invite Henrietta to visit her. On that note, Henrietta has some breaking news - she tells Isabel that she is engaged to Mr. Bantling, and that she plans to move to England with him. Isabel is amused, although her underlying melancholy reminds her that Henrietta's marriage represents a kind of breakdown in their shared belief in female independence. Still, the marriage is a pretty funny idea. Mr. Bantling joins them, and Isabel congratulates him.", "analysis": ""}

It was not with surprise, it was with a feeling which in other circumstances would have had much of the effect of joy, that as Isabel descended from the Paris Mail at Charing Cross she stepped into the arms, as it were--or at any rate into the hands--of Henrietta Stackpole. She had telegraphed to her friend from Turin, and though she had not definitely said to herself that Henrietta would meet her, she had felt her telegram would produce some helpful result. On her long journey from Rome her mind had been given up to vagueness; she was unable to question the future. She performed this journey with sightless eyes and took little pleasure in the countries she traversed, decked out though they were in the richest freshness of spring. Her thoughts followed their course through other countries--strange-looking, dimly-lighted, pathless lands, in which there was no change of seasons, but only, as it seemed, a perpetual dreariness of winter. She had plenty to think about; but it was neither reflexion nor conscious purpose that filled her mind. Disconnected visions passed through it, and sudden dull gleams of memory, of expectation. The past and the future came and went at their will, but she saw them only in fitful images, which rose and fell by a logic of their own. It was extraordinary the things she remembered. Now that she was in the secret, now that she knew something that so much concerned her and the eclipse of which had made life resemble an attempt to play whist with an imperfect pack of cards, the truth of things, their mutual relations, their meaning, and for the most part their horror, rose before her with a kind of architectural vastness. She remembered a thousand trifles; they started to life with the spontaneity of a shiver. She had thought them trifles at the time; now she saw that they had been weighted with lead. Yet even now they were trifles after all, for of what use was it to her to understand them? Nothing seemed of use to her to-day. All purpose, all intention, was suspended; all desire too save the single desire to reach her much-embracing refuge. Gardencourt had been her starting-point, and to those muffled chambers it was at least a temporary solution to return. She had gone forth in her strength; she would come back in her weakness, and if the place had been a rest to her before, it would be a sanctuary now. She envied Ralph his dying, for if one were thinking of rest that was the most perfect of all. To cease utterly, to give it all up and not know anything more--this idea was as sweet as the vision of a cool bath in a marble tank, in a darkened chamber, in a hot land. She had moments indeed in her journey from Rome which were almost as good as being dead. She sat in her corner, so motionless, so passive, simply with the sense of being carried, so detached from hope and regret, that she recalled to herself one of those Etruscan figures couched upon the receptacle of their ashes. There was nothing to regret now--that was all over. Not only the time of her folly, but the time of her repentance was far. The only thing to regret was that Madame Merle had been so--well, so unimaginable. Just here her intelligence dropped, from literal inability to say what it was that Madame Merle had been. Whatever it was it was for Madame Merle herself to regret it; and doubtless she would do so in America, where she had announced she was going. It concerned Isabel no more; she only had an impression that she should never again see Madame Merle. This impression carried her into the future, of which from time to time she had a mutilated glimpse. She saw herself, in the distant years, still in the attitude of a woman who had her life to live, and these intimations contradicted the spirit of the present hour. It might be desirable to get quite away, really away, further away than little grey-green England, but this privilege was evidently to be denied her. Deep in her soul--deeper than any appetite for renunciation--was the sense that life would be her business for a long time to come. And at moments there was something inspiring, almost enlivening, in the conviction. It was a proof of strength--it was a proof she should some day be happy again. It couldn't be she was to live only to suffer; she was still young, after all, and a great many things might happen to her yet. To live only to suffer--only to feel the injury of life repeated and enlarged--it seemed to her she was too valuable, too capable, for that. Then she wondered if it were vain and stupid to think so well of herself. When had it even been a guarantee to be valuable? Wasn't all history full of the destruction of precious things? Wasn't it much more probable that if one were fine one would suffer? It involved then perhaps an admission that one had a certain grossness; but Isabel recognised, as it passed before her eyes, the quick vague shadow of a long future. She should never escape; she should last to the end. Then the middle years wrapped her about again and the grey curtain of her indifference closed her in. Henrietta kissed her, as Henrietta usually kissed, as if she were afraid she should be caught doing it; and then Isabel stood there in the crowd, looking about her, looking for her servant. She asked nothing; she wished to wait. She had a sudden perception that she should be helped. She rejoiced Henrietta had come; there was something terrible in an arrival in London. The dusky, smoky, far-arching vault of the station, the strange, livid light, the dense, dark, pushing crowd, filled her with a nervous fear and made her put her arm into her friend's. She remembered she had once liked these things; they seemed part of a mighty spectacle in which there was something that touched her. She remembered how she walked away from Euston, in the winter dusk, in the crowded streets, five years before. She could not have done that to-day, and the incident came before her as the deed of another person. "It's too beautiful that you should have come," said Henrietta, looking at her as if she thought Isabel might be prepared to challenge the proposition. "If you hadn't--if you hadn't; well, I don't know," remarked Miss Stackpole, hinting ominously at her powers of disapproval. Isabel looked about without seeing her maid. Her eyes rested on another figure, however, which she felt she had seen before; and in a moment she recognised the genial countenance of Mr. Bantling. He stood a little apart, and it was not in the power of the multitude that pressed about him to make him yield an inch of the ground he had taken--that of abstracting himself discreetly while the two ladies performed their embraces. "There's Mr. Bantling," said Isabel, gently, irrelevantly, scarcely caring much now whether she should find her maid or not. "Oh yes, he goes everywhere with me. Come here, Mr. Bantling!" Henrietta exclaimed. Whereupon the gallant bachelor advanced with a smile--a smile tempered, however, by the gravity of the occasion. "Isn't it lovely she has come?" Henrietta asked. "He knows all about it," she added; "we had quite a discussion. He said you wouldn't, I said you would." "I thought you always agreed," Isabel smiled in return. She felt she could smile now; she had seen in an instant, in Mr. Bantling's brave eyes, that he had good news for her. They seemed to say he wished her to remember he was an old friend of her cousin--that he understood, that it was all right. Isabel gave him her hand; she thought of him, extravagantly, as a beautiful blameless knight. "Oh, I always agree," said Mr. Bantling. "But she doesn't, you know." "Didn't I tell you that a maid was a nuisance?" Henrietta enquired. "Your young lady has probably remained at Calais." "I don't care," said Isabel, looking at Mr. Bantling, whom she had never found so interesting. "Stay with her while I go and see," Henrietta commanded, leaving the two for a moment together. They stood there at first in silence, and then Mr. Bantling asked Isabel how it had been on the Channel. "Very fine. No, I believe it was very rough," she said, to her companion's obvious surprise. After which she added: "You've been to Gardencourt, I know." "Now how do you know that?" "I can't tell you--except that you look like a person who has been to Gardencourt." "Do you think I look awfully sad? It's awfully sad there, you know." "I don't believe you ever look awfully sad. You look awfully kind," said Isabel with a breadth that cost her no effort. It seemed to her she should never again feel a superficial embarrassment. Poor Mr. Bantling, however, was still in this inferior stage. He blushed a good deal and laughed, he assured her that he was often very blue, and that when he was blue he was awfully fierce. "You can ask Miss Stackpole, you know. I was at Gardencourt two days ago." "Did you see my cousin?" "Only for a little. But he had been seeing people; Warburton had been there the day before. Ralph was just the same as usual, except that he was in bed and that he looks tremendously ill and that he can't speak," Mr. Bantling pursued. "He was awfully jolly and funny all the same. He was just as clever as ever. It's awfully wretched." Even in the crowded, noisy station this simple picture was vivid. "Was that late in the day?" "Yes; I went on purpose. We thought you'd like to know." "I'm greatly obliged to you. Can I go down tonight?" "Ah, I don't think SHE'LL let you go," said Mr. Bantling. "She wants you to stop with her. I made Touchett's man promise to telegraph me to-day, and I found the telegram an hour ago at my club. 'Quiet and easy,' that's what it says, and it's dated two o'clock. So you see you can wait till to-morrow. You must be awfully tired." "Yes, I'm awfully tired. And I thank you again." "Oh," said Mr. Bantling, "We were certain you would like the last news." On which Isabel vaguely noted that he and Henrietta seemed after all to agree. Miss Stackpole came back with Isabel's maid, whom she had caught in the act of proving her utility. This excellent person, instead of losing herself in the crowd, had simply attended to her mistress's luggage, so that the latter was now at liberty to leave the station. "You know you're not to think of going to the country to-night," Henrietta remarked to her. "It doesn't matter whether there's a train or not. You're to come straight to me in Wimpole Street. There isn't a corner to be had in London, but I've got you one all the same. It isn't a Roman palace, but it will do for a night." "I'll do whatever you wish," Isabel said. "You'll come and answer a few questions; that's what I wish." "She doesn't say anything about dinner, does she, Mrs. Osmond?" Mr. Bantling enquired jocosely. Henrietta fixed him a moment with her speculative gaze. "I see you're in a great hurry to get your own. You'll be at the Paddington Station to-morrow morning at ten." "Don't come for my sake, Mr. Bantling," said Isabel. "He'll come for mine," Henrietta declared as she ushered her friend into a cab. And later, in a large dusky parlour in Wimpole Street--to do her justice there had been dinner enough--she asked those questions to which she had alluded at the station. "Did your husband make you a scene about your coming?" That was Miss Stackpole's first enquiry. "No; I can't say he made a scene." "He didn't object then?" "Yes, he objected very much. But it was not what you'd call a scene." "What was it then?" "It was a very quiet conversation." Henrietta for a moment regarded her guest. "It must have been hellish," she then remarked. And Isabel didn't deny that it had been hellish. But she confined herself to answering Henrietta's questions, which was easy, as they were tolerably definite. For the present she offered her no new information. "Well," said Miss Stackpole at last, "I've only one criticism to make. I don't see why you promised little Miss Osmond to go back." "I'm not sure I myself see now," Isabel replied. "But I did then." "If you've forgotten your reason perhaps you won't return." Isabel waited a moment. "Perhaps I shall find another." "You'll certainly never find a good one." "In default of a better my having promised will do," Isabel suggested. "Yes; that's why I hate it." "Don't speak of it now. I've a little time. Coming away was a complication, but what will going back be?" "You must remember, after all, that he won't make you a scene!" said Henrietta with much intention. "He will, though," Isabel answered gravely. "It won't be the scene of a moment; it will be a scene of the rest of my life." For some minutes the two women sat and considered this remainder, and then Miss Stackpole, to change the subject, as Isabel had requested, announced abruptly: "I've been to stay with Lady Pensil!" "Ah, the invitation came at last!" "Yes; it took five years. But this time she wanted to see me." "Naturally enough." "It was more natural than I think you know," said Henrietta, who fixed her eyes on a distant point. And then she added, turning suddenly: "Isabel Archer, I beg your pardon. You don't know why? Because I criticised you, and yet I've gone further than you. Mr. Osmond, at least, was born on the other side!" It was a moment before Isabel grasped her meaning; this sense was so modestly, or at least so ingeniously, veiled. Isabel's mind was not possessed at present with the comicality of things; but she greeted with a quick laugh the image that her companion had raised. She immediately recovered herself, however, and with the right excess of intensity, "Henrietta Stackpole," she asked, "are you going to give up your country?" "Yes, my poor Isabel, I am. I won't pretend to deny it; I look the fact in the face. I'm going to marry Mr. Bantling and locate right here in London." "It seems very strange," said Isabel, smiling now. "Well yes, I suppose it does. I've come to it little by little. I think I know what I'm doing; but I don't know as I can explain." "One can't explain one's marriage," Isabel answered. "And yours doesn't need to be explained. Mr. Bantling isn't a riddle." "No, he isn't a bad pun--or even a high flight of American humour. He has a beautiful nature," Henrietta went on. "I've studied him for many years and I see right through him. He's as clear as the style of a good prospectus. He's not intellectual, but he appreciates intellect. On the other hand he doesn't exaggerate its claims. I sometimes think we do in the United States." "Ah," said Isabel, "you're changed indeed! It's the first time I've ever heard you say anything against your native land." "I only say that we're too infatuated with mere brain-power; that, after all, isn't a vulgar fault. But I AM changed; a woman has to change a good deal to marry." "I hope you'll be very happy. You will at last--over here--see something of the inner life." Henrietta gave a little significant sigh. "That's the key to the mystery, I believe. I couldn't endure to be kept off. Now I've as good a right as any one!" she added with artless elation. Isabel was duly diverted, but there was a certain melancholy in her view. Henrietta, after all, had confessed herself human and feminine, Henrietta whom she had hitherto regarded as a light keen flame, a disembodied voice. It was a disappointment to find she had personal susceptibilities, that she was subject to common passions, and that her intimacy with Mr. Bantling had not been completely original. There was a want of originality in her marrying him--there was even a kind of stupidity; and for a moment, to Isabel's sense, the dreariness of the world took on a deeper tinge. A little later indeed she reflected that Mr. Bantling himself at least was original. But she didn't see how Henrietta could give up her country. She herself had relaxed her hold of it, but it had never been her country as it had been Henrietta's. She presently asked her if she had enjoyed her visit to Lady Pensil. "Oh yes," said Henrietta, "she didn't know what to make of me." "And was that very enjoyable?" "Very much so, because she's supposed to be a master mind. She thinks she knows everything; but she doesn't understand a woman of my modern type. It would be so much easier for her if I were only a little better or a little worse. She's so puzzled; I believe she thinks it's my duty to go and do something immoral. She thinks it's immoral that I should marry her brother; but, after all, that isn't immoral enough. And she'll never understand my mixture--never!" "She's not so intelligent as her brother then," said Isabel. "He appears to have understood." "Oh no, he hasn't!" cried Miss Stackpole with decision. "I really believe that's what he wants to marry me for--just to find out the mystery and the proportions of it. That's a fixed idea--a kind of fascination." "It's very good in you to humour it." "Oh well," said Henrietta, "I've something to find out too!" And Isabel saw that she had not renounced an allegiance, but planned an attack. She was at last about to grapple in earnest with England. Isabel also perceived, however, on the morrow, at the Paddington Station, where she found herself, at ten o'clock, in the company both of Miss Stackpole and Mr. Bantling, that the gentleman bore his perplexities lightly. If he had not found out everything he had found out at least the great point--that Miss Stackpole would not be wanting in initiative. It was evident that in the selection of a wife he had been on his guard against this deficiency. "Henrietta has told me, and I'm very glad," Isabel said as she gave him her hand. "I dare say you think it awfully odd," Mr. Bantling replied, resting on his neat umbrella. "Yes, I think it awfully odd." "You can't think it so awfully odd as I do. But I've always rather liked striking out a line," said Mr. Bantling serenely.

Chapter 53

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-53

Henrietta greets Isabel at the train station in England. On the train ride, Isabel couldn't think clearly. She actually envies Ralph's death - she would rather die than live her life as it is. Lady Pensil will come to visit Henrietta, though she never did invite Henrietta to visit her. On that note, Henrietta has some breaking news - she tells Isabel that she is engaged to Mr. Bantling, and that she plans to move to England with him. Isabel is amused, although her underlying melancholy reminds her that Henrietta's marriage represents a kind of breakdown in their shared belief in female independence. Still, the marriage is a pretty funny idea. Mr. Bantling joins them, and Isabel congratulates him.

shmoop

all_chapterized_books/2833-chapters/54.txt

finished_summaries/shmoop/The Portrait of a Lady/section_53_part_0.txt

The Portrait of a Lady.chapter 54

chapter 54

{"name": "Chapter 54", "url": "https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-54", "summary": "Isabel arrives at Gardencourt, which is quiet and solemn. Mrs. Touchett finally greets Isabel after waiting for the nurse to come back and tend to Ralph. Isabel wonders what life would have been like if Mrs. Touchett had never met her in New York; perhaps she would have married Caspar Goodwood. Mrs. Touchett tells Isabel that Lord Warburton visited Ralph the day before. She also tells Isabel that Lord Warburton is engaged to another member of the aristocracy. Mrs. Touchett asks Isabel three questions: whether she regrets turning down Lord Warburton , whether she still likes Madame Merle , and what did Madame Merle do to offend her? . Isabel goes to see Ralph. Ralph says that being with Isabel and near death has brought on a new sense of life in him. He compares her to the angel of death, the most beautiful angel of all. Ralph worries what Isabel has risked in coming to visit him; Isabel apologizes for ever treating him poorly, especially since he gave her the gift of the inheritance. Ralph, however, regrets giving the money to her, and feels responsible for her unhappiness. Ralph still has hope for Isabel's life -- that she's still young and can grow younger. Ralph reminds Isabel that, although she has been hated by Osmond, she also has been loved and adored by others. Isabel, overcome with grief and love, calls Ralph her brother and embraces him.", "analysis": ""}

Isabel's arrival at Gardencourt on this second occasion was even quieter than it had been on the first. Ralph Touchett kept but a small household, and to the new servants Mrs. Osmond was a stranger; so that instead of being conducted to her own apartment she was coldly shown into the drawing-room and left to wait while her name was carried up to her aunt. She waited a long time; Mrs. Touchett appeared in no hurry to come to her. She grew impatient at last; she grew nervous and scared--as scared as if the objects about her had begun to show for conscious things, watching her trouble with grotesque grimaces. The day was dark and cold; the dusk was thick in the corners of the wide brown rooms. The house was perfectly still--with a stillness that Isabel remembered; it had filled all the place for days before the death of her uncle. She left the drawing-room and wandered about--strolled into the library and along the gallery of pictures, where, in the deep silence, her footstep made an echo. Nothing was changed; she recognised everything she had seen years before; it might have been only yesterday she had stood there. She envied the security of valuable "pieces" which change by no hair's breadth, only grow in value, while their owners lose inch by inch youth, happiness, beauty; and she became aware that she was walking about as her aunt had done on the day she had come to see her in Albany. She was changed enough since then--that had been the beginning. It suddenly struck her that if her Aunt Lydia had not come that day in just that way and found her alone, everything might have been different. She might have had another life and she might have been a woman more blest. She stopped in the gallery in front of a small picture--a charming and precious Bonington--upon which her eyes rested a long time. But she was not looking at the picture; she was wondering whether if her aunt had not come that day in Albany she would have married Caspar Goodwood. Mrs. Touchett appeared at last, just after Isabel had returned to the big uninhabited drawing-room. She looked a good deal older, but her eye was as bright as ever and her head as erect; her thin lips seemed a repository of latent meanings. She wore a little grey dress of the most undecorated fashion, and Isabel wondered, as she had wondered the first time, if her remarkable kinswoman resembled more a queen-regent or the matron of a gaol. Her lips felt very thin indeed on Isabel's hot cheek. "I've kept you waiting because I've been sitting with Ralph," Mrs. Touchett said. "The nurse had gone to luncheon and I had taken her place. He has a man who's supposed to look after him, but the man's good for nothing; he's always looking out of the window--as if there were anything to see! I didn't wish to move, because Ralph seemed to be sleeping and I was afraid the sound would disturb him. I waited till the nurse came back. I remembered you knew the house." "I find I know it better even than I thought; I've been walking everywhere," Isabel answered. And then she asked if Ralph slept much. "He lies with his eyes closed; he doesn't move. But I'm not sure that it's always sleep." "Will he see me? Can he speak to me?" Mrs. Touchett declined the office of saying. "You can try him," was the limit of her extravagance. And then she offered to conduct Isabel to her room. "I thought they had taken you there; but it's not my house, it's Ralph's; and I don't know what they do. They must at least have taken your luggage; I don't suppose you've brought much. Not that I care, however. I believe they've given you the same room you had before; when Ralph heard you were coming he said you must have that one." "Did he say anything else?" "Ah, my dear, he doesn't chatter as he used!" cried Mrs. Touchett as she preceded her niece up the staircase. It was the same room, and something told Isabel it had not been slept in since she occupied it. Her luggage was there and was not voluminous; Mrs. Touchett sat down a moment with her eyes upon it. "Is there really no hope?" our young woman asked as she stood before her. "None whatever. There never has been. It has not been a successful life." "No--it has only been a beautiful one." Isabel found herself already contradicting her aunt; she was irritated by her dryness. "I don't know what you mean by that; there's no beauty without health. That is a very odd dress to travel in." Isabel glanced at her garment. "I left Rome at an hour's notice; I took the first that came." "Your sisters, in America, wished to know how you dress. That seemed to be their principal interest. I wasn't able to tell them--but they seemed to have the right idea: that you never wear anything less than black brocade." "They think I'm more brilliant than I am; I'm afraid to tell them the truth," said Isabel. "Lily wrote me you had dined with her." "She invited me four times, and I went once. After the second time she should have let me alone. The dinner was very good; it must have been expensive. Her husband has a very bad manner. Did I enjoy my visit to America? Why should I have enjoyed it? I didn't go for my pleasure." These were interesting items, but Mrs. Touchett soon left her niece, whom she was to meet in half an hour at the midday meal. For this repast the two ladies faced each other at an abbreviated table in the melancholy dining-room. Here, after a little, Isabel saw her aunt not to be so dry as she appeared, and her old pity for the poor woman's inexpressiveness, her want of regret, of disappointment, came back to her. Unmistakeably she would have found it a blessing to-day to be able to feel a defeat, a mistake, even a shame or two. She wondered if she were not even missing those enrichments of consciousness and privately trying--reaching out for some aftertaste of life, dregs of the banquet; the testimony of pain or the cold recreation of remorse. On the other hand perhaps she was afraid; if she should begin to know remorse at all it might take her too far. Isabel could perceive, however, how it had come over her dimly that she had failed of something, that she saw herself in the future as an old woman without memories. Her little sharp face looked tragical. She told her niece that Ralph had as yet not moved, but that he probably would be able to see her before dinner. And then in a moment she added that he had seen Lord Warburton the day before; an announcement which startled Isabel a little, as it seemed an intimation that this personage was in the neighbourhood and that an accident might bring them together. Such an accident would not be happy; she had not come to England to struggle again with Lord Warburton. She none the less presently said to her aunt that he had been very kind to Ralph; she had seen something of that in Rome. "He has something else to think of now," Mrs. Touchett returned. And she paused with a gaze like a gimlet. Isabel saw she meant something, and instantly guessed what she meant. But her reply concealed her guess; her heart beat faster and she wished to gain a moment. "Ah yes--the House of Lords and all that." "He's not thinking of the Lords; he's thinking of the ladies. At least he's thinking of one of them; he told Ralph he's engaged to be married." "Ah, to be married!" Isabel mildly exclaimed. "Unless he breaks it off. He seemed to think Ralph would like to know. Poor Ralph can't go to the wedding, though I believe it's to take place very soon. "And who's the young lady?" "A member of the aristocracy; Lady Flora, Lady Felicia--something of that sort." "I'm very glad," Isabel said. "It must be a sudden decision." "Sudden enough, I believe; a courtship of three weeks. It has only just been made public." "I'm very glad," Isabel repeated with a larger emphasis. She knew her aunt was watching her--looking for the signs of some imputed soreness, and the desire to prevent her companion from seeing anything of this kind enabled her to speak in the tone of quick satisfaction, the tone almost of relief. Mrs. Touchett of course followed the tradition that ladies, even married ones, regard the marriage of their old lovers as an offence to themselves. Isabel's first care therefore was to show that however that might be in general she was not offended now. But meanwhile, as I say, her heart beat faster; and if she sat for some moments thoughtful--she presently forgot Mrs. Touchett's observation--it was not because she had lost an admirer. Her imagination had traversed half Europe; it halted, panting, and even trembling a little, in the city of Rome. She figured herself announcing to her husband that Lord Warburton was to lead a bride to the altar, and she was of course not aware how extremely wan she must have looked while she made this intellectual effort. But at last she collected herself and said to her aunt: "He was sure to do it some time or other." Mrs. Touchett was silent; then she gave a sharp little shake of the head. "Ah, my dear, you're beyond me!" she cried suddenly. They went on with their luncheon in silence; Isabel felt as if she had heard of Lord Warburton's death. She had known him only as a suitor, and now that was all over. He was dead for poor Pansy; by Pansy he might have lived. A servant had been hovering about; at last Mrs. Touchett requested him to leave them alone. She had finished her meal; she sat with her hands folded on the edge of the table. "I should like to ask you three questions," she observed when the servant had gone. "Three are a great many." "I can't do with less; I've been thinking. They're all very good ones." "That's what I'm afraid of. The best questions are the worst," Isabel answered. Mrs. Touchett had pushed back her chair, and as her niece left the table and walked, rather consciously, to one of the deep windows, she felt herself followed by her eyes. "Have you ever been sorry you didn't marry Lord Warburton?" Mrs. Touchett enquired. Isabel shook her head slowly, but not heavily. "No, dear aunt." "Good. I ought to tell you that I propose to believe what you say." "Your believing me's an immense temptation," she declared, smiling still. "A temptation to lie? I don't recommend you to do that, for when I'm misinformed I'm as dangerous as a poisoned rat. I don't mean to crow over you." "It's my husband who doesn't get on with me," said Isabel. "I could have told him he wouldn't. I don't call that crowing over YOU," Mrs. Touchett added. "Do you still like Serena Merle?" she went on. "Not as I once did. But it doesn't matter, for she's going to America." "To America? She must have done something very bad." "Yes--very bad." "May I ask what it is?" "She made a convenience of me." "Ah," cried Mrs. Touchett, "so she did of me! She does of every one." "She'll make a convenience of America," said Isabel, smiling again and glad that her aunt's questions were over. It was not till the evening that she was able to see Ralph. He had been dozing all day; at least he had been lying unconscious. The doctor was there, but after a while went away--the local doctor, who had attended his father and whom Ralph liked. He came three or four times a day; he was deeply interested in his patient. Ralph had had Sir Matthew Hope, but he had got tired of this celebrated man, to whom he had asked his mother to send word he was now dead and was therefore without further need of medical advice. Mrs. Touchett had simply written to Sir Matthew that her son disliked him. On the day of Isabel's arrival Ralph gave no sign, as I have related, for many hours; but toward evening he raised himself and said he knew that she had come. How he knew was not apparent, inasmuch as for fear of exciting him no one had offered the information. Isabel came in and sat by his bed in the dim light; there was only a shaded candle in a corner of the room. She told the nurse she might go--she herself would sit with him for the rest of the evening. He had opened his eyes and recognised her, and had moved his hand, which lay helpless beside him, so that she might take it. But he was unable to speak; he closed his eyes again and remained perfectly still, only keeping her hand in his own. She sat with him a long time--till the nurse came back; but he gave no further sign. He might have passed away while she looked at him; he was already the figure and pattern of death. She had thought him far gone in Rome, and this was worse; there was but one change possible now. There was a strange tranquillity in his face; it was as still as the lid of a box. With this he was a mere lattice of bones; when he opened his eyes to greet her it was as if she were looking into immeasurable space. It was not till midnight that the nurse came back; but the hours, to Isabel, had not seemed long; it was exactly what she had come for. If she had come simply to wait she found ample occasion, for he lay three days in a kind of grateful silence. He recognised her and at moments seemed to wish to speak; but he found no voice. Then he closed his eyes again, as if he too were waiting for something--for something that certainly would come. He was so absolutely quiet that it seemed to her what was coming had already arrived; and yet she never lost the sense that they were still together. But they were not always together; there were other hours that she passed in wandering through the empty house and listening for a voice that was not poor Ralph's. She had a constant fear; she thought it possible her husband would write to her. But he remained silent, and she only got a letter from Florence and from the Countess Gemini. Ralph, however, spoke at last--on the evening of the third day. "I feel better to-night," he murmured, abruptly, in the soundless dimness of her vigil; "I think I can say something." She sank upon her knees beside his pillow; took his thin hand in her own; begged him not to make an effort--not to tire himself. His face was of necessity serious--it was incapable of the muscular play of a smile; but its owner apparently had not lost a perception of incongruities. "What does it matter if I'm tired when I've all eternity to rest? There's no harm in making an effort when it's the very last of all. Don't people always feel better just before the end? I've often heard of that; it's what I was waiting for. Ever since you've been here I thought it would come. I tried two or three times; I was afraid you'd get tired of sitting there." He spoke slowly, with painful breaks and long pauses; his voice seemed to come from a distance. When he ceased he lay with his face turned to Isabel and his large unwinking eyes open into her own. "It was very good of you to come," he went on. "I thought you would; but I wasn't sure." "I was not sure either till I came," said Isabel. "You've been like an angel beside my bed. You know they talk about the angel of death. It's the most beautiful of all. You've been like that; as if you were waiting for me." "I was not waiting for your death; I was waiting for--for this. This is not death, dear Ralph." "Not for you--no. There's nothing makes us feel so much alive as to see others die. That's the sensation of life--the sense that we remain. I've had it--even I. But now I'm of no use but to give it to others. With me it's all over." And then he paused. Isabel bowed her head further, till it rested on the two hands that were clasped upon his own. She couldn't see him now; but his far-away voice was close to her ear. "Isabel," he went on suddenly, "I wish it were over for you." She answered nothing; she had burst into sobs; she remained so, with her buried face. He lay silent, listening to her sobs; at last he gave a long groan. "Ah, what is it you have done for me?" "What is it you did for me?" she cried, her now extreme agitation half smothered by her attitude. She had lost all her shame, all wish to hide things. Now he must know; she wished him to know, for it brought them supremely together, and he was beyond the reach of pain. "You did something once--you know it. O Ralph, you've been everything! What have I done for you--what can I do to-day? I would die if you could live. But I don't wish you to live; I would die myself, not to lose you." Her voice was as broken as his own and full of tears and anguish. "You won't lose me--you'll keep me. Keep me in your heart; I shall be nearer to you than I've ever been. Dear Isabel, life is better; for in life there's love. Death is good--but there's no love." "I never thanked you--I never spoke--I never was what I should be!" Isabel went on. She felt a passionate need to cry out and accuse herself, to let her sorrow possess her. All her troubles, for the moment, became single and melted together into this present pain. "What must you have thought of me? Yet how could I know? I never knew, and I only know to-day because there are people less stupid than I." "Don't mind people," said Ralph. "I think I'm glad to leave people." She raised her head and her clasped hands; she seemed for a moment to pray to him. "Is it true--is it true?" she asked. "True that you've been stupid? Oh no," said Ralph with a sensible intention of wit. "That you made me rich--that all I have is yours?" He turned away his head, and for some time said nothing. Then at last: "Ah, don't speak of that--that was not happy." Slowly he moved his face toward her again, and they once more saw each other. "But for that--but for that--!" And he paused. "I believe I ruined you," he wailed. She was full of the sense that he was beyond the reach of pain; he seemed already so little of this world. But even if she had not had it she would still have spoken, for nothing mattered now but the only knowledge that was not pure anguish--the knowledge that they were looking at the truth together. "He married me for the money," she said. She wished to say everything; she was afraid he might die before she had done so. He gazed at her a little, and for the first time his fixed eyes lowered their lids. But he raised them in a moment, and then, "He was greatly in love with you," he answered. "Yes, he was in love with me. But he wouldn't have married me if I had been poor. I don't hurt you in saying that. How can I? I only want you to understand. I always tried to keep you from understanding; but that's all over." "I always understood," said Ralph. "I thought you did, and I didn't like it. But now I like it." "You don't hurt me--you make me very happy." And as Ralph said this there was an extraordinary gladness in his voice. She bent her head again, and pressed her lips to the back of his hand. "I always understood," he continued, "though it was so strange--so pitiful. You wanted to look at life for yourself--but you were not allowed; you were punished for your wish. You were ground in the very mill of the conventional!" "Oh yes, I've been punished," Isabel sobbed. He listened to her a little, and then continued: "Was he very bad about your coming?" "He made it very hard for me. But I don't care." "It is all over then between you?" "Oh no; I don't think anything's over." "Are you going back to him?" Ralph gasped. "I don't know--I can't tell. I shall stay here as long as I may. I don't want to think--I needn't think. I don't care for anything but you, and that's enough for the present. It will last a little yet. Here on my knees, with you dying in my arms, I'm happier than I have been for a long time. And I want you to be happy--not to think of anything sad; only to feel that I'm near you and I love you. Why should there be pain--? In such hours as this what have we to do with pain? That's not the deepest thing; there's something deeper." Ralph evidently found from moment to moment greater difficulty in speaking; he had to wait longer to collect himself. At first he appeared to make no response to these last words; he let a long time elapse. Then he murmured simply: "You must stay here." "I should like to stay--as long as seems right." "As seems right--as seems right?" He repeated her words. "Yes, you think a great deal about that." "Of course one must. You're very tired," said Isabel. "I'm very tired. You said just now that pain's not the deepest thing. No--no. But it's very deep. If I could stay--" "For me you'll always be here," she softly interrupted. It was easy to interrupt him. But he went on, after a moment: "It passes, after all; it's passing now. But love remains. I don't know why we should suffer so much. Perhaps I shall find out. There are many things in life. You're very young." "I feel very old," said Isabel. "You'll grow young again. That's how I see you. I don't believe--I don't believe--" But he stopped again; his strength failed him. She begged him to be quiet now. "We needn't speak to understand each other," she said. "I don't believe that such a generous mistake as yours can hurt you for more than a little." "Oh Ralph, I'm very happy now," she cried through her tears. "And remember this," he continued, "that if you've been hated you've also been loved. Ah but, Isabel--ADORED!" he just audibly and lingeringly breathed. "Oh my brother!" she cried with a movement of still deeper prostration.

Chapter 54

https://web.archive.org/web/20210508161644/https://www.shmoop.com/study-guides/literature/portrait-of-a-lady/summary/chapter-54

Isabel arrives at Gardencourt, which is quiet and solemn. Mrs. Touchett finally greets Isabel after waiting for the nurse to come back and tend to Ralph. Isabel wonders what life would have been like if Mrs. Touchett had never met her in New York; perhaps she would have married Caspar Goodwood. Mrs. Touchett tells Isabel that Lord Warburton visited Ralph the day before. She also tells Isabel that Lord Warburton is engaged to another member of the aristocracy. Mrs. Touchett asks Isabel three questions: whether she regrets turning down Lord Warburton , whether she still likes Madame Merle , and what did Madame Merle do to offend her? . Isabel goes to see Ralph. Ralph says that being with Isabel and near death has brought on a new sense of life in him. He compares her to the angel of death, the most beautiful angel of all. Ralph worries what Isabel has risked in coming to visit him; Isabel apologizes for ever treating him poorly, especially since he gave her the gift of the inheritance. Ralph, however, regrets giving the money to her, and feels responsible for her unhappiness. Ralph still has hope for Isabel's life -- that she's still young and can grow younger. Ralph reminds Isabel that, although she has been hated by Osmond, she also has been loved and adored by others. Isabel, overcome with grief and love, calls Ralph her brother and embraces him.