Title: Bestias (1984-1987) /
Authors: Lamoyi, Carla,; Medina, Antonio
Date: 2017.
Publisher: Fiebre Ediciones,
Physical description: 111 pages : illustrations (some color) ; 21 cm.
Language: Spanish
LC classification: N
Abstract: Monographic publication on the work during the 1980'sþof the collective "Bestiario", a group of Peruvian architects that during the period of conflict were part of the underground movement "Movimiento Subterraneo", and that mixed punk with the experience of the Indian neighborhoods in the urban periphery of Lima. This issue address issues such as urban planning and the theoretical- practical ephemeral architecture. Fiebre Ediciones is a collective editorial project by Antonio Medina and Carla Lamoyi, for the dissemination of the work of those who don't call themselves artists, but used creative strategies to combat violence and fear, and for which many times, art was just a consequence, not a purpose. All these works are located in Latin America since 1980, a decade in which the emergence of a new wave of represive and authoritarian governments forced the reinvention of forms and traditional means of protest and social organization. Includes a facsimile of the fanzine SubteRok, N° 1 (Lima, 1984) with a journalistic note about the band Luzemia and their participation in the underground rock "Ataca Lima".
Contents: Destruir para volver a construir. Introducción al Bestiario / Fiebre -- Construcción efímera: teorico -practica -- Construcción efímera: encuentro de arte multidisciplinario -- Interacción con la movida subterranea -- La voz es el rock maldito / Oscar Malca -- Intervencion urbana: arquitectura efímera -- Arquitectos con caras sucias / Sissi Acha -- Proyecto teórico-práctico de arquitectura y urbanismo -- Revolución cultural y orgía creativa / Miguel A. López.
Subject headings (LCSH): Architecture--Peru--20th century--History and criticism.; Architecture--Peru--20th century.; Art and state--Peru--20th century.; Bestiario (Group); Rock music--Peru--1981-1990--History and criticism.