Дерсу Узала
On "Dersu Uzala"—an acclaimed Soviet film about an early 20th-century Nanai hunter in the Siberian wilderness—scholar Joan Mellen expresses the minority view when she writes: "Kurosawa finds an ideology… in a pantheistic belief in the magnificence of nature and in an embarrassingly archaic, Rousseauesque adulation of the 'natural man'… But the contrast between the person [Dersu] at one with his surroundings and the world of industrialization, which Kurosawa depicts only in the abstract, is largely theoretical, rendering the work a sentimental journey."