Mannheim school
Although he also wrote a few vocal pieces, his most interesting works are the eight symphonies, the violin sonata and the overture trio for the flute. These instrumental works belong to the transitional period between baroque and classicism. They can neither be associated with the "empfindsamer Stil" – indicated by the fact that they are exclusively written in major keys – nor with the modernism of the Mannheim school. Nevertheless, Sorkočević's music contains traces of both styles. The "Largo" of the Symphony No. 7 shows the kind of expression which is associated with the "Empfindsamkeit" and the first movement of the Symphony No. 1 contains the crescendi for which the Mannheim school was famous. The Sonata in A-major for piano was written in 1754.