Мориц Оранский
Over the next thirty years or so a number of Netherlandish artists painted the subject, usually in small cabinet paintings, often on copper, although "The Wedding of Peleus and Thetis" by Cornelis Cornelisz. van Haarlem was enormous at over four metres wide, a commission in 1593 from the Stadtholder Maurice, Prince of Orange for his palace, and Jacob Jordaens' "The Golden Apple of Discord" (1633, from an oil sketch by Rubens) is also a monumental treatment. Painters who returned to the subject several times include in particular Hendrick van Balen, who was known above all for these subjects, and also Joachim Wtewael, Cornelis van Haarlem, Cornelis van Poelenburch, and Abraham Bloemaert.