徳川家治
A consistent high level of quality marks ukiyo-e of the late 18th-century, but the works of Utamaro and Sharaku often overshadow those other masters of the era. One of Kiyonaga's followers, Eishi (1756–1829), abandoned his position as painter for shōgun Tokugawa Ieharu to take up ukiyo-e design. He brought a refined sense to his portraits of graceful, slender courtesans, and left behind a number of noted students. With a fine line, Eishōsai Chōki (fl. 1786–1808) designed portraits of delicate courtesans. The Utagawa school came to dominate ukiyo-e output in the late Edo period.