The Lady from Shanghai
Furthermore, Welles feared a repetition of the experience of having the film re-edited by someone else (as had happened to him on "The Magnificent Ambersons", "The Stranger", "The Lady from Shanghai", "Macbeth", "Mr. Arkadin" and "Touch of Evil)", so he divided up all the reels of film for "Don Quixote" and deliberately mislabelled many of them, telling Mauro Bonanni, "If someone finds them, they mustn't understand the sequence, because only "I" know that."