ニュー・ジャーマン・シネマ
The socially critical films of the New German Cinema strove to delineate themselves from what had gone before and the works of auteur film-makers such as Kluge and Fassbinder are examples of this, although Fassbinder in his use of stars from German cinema history also sought a reconciliation between the new cinema and the old. In addition, a distinction is sometimes drawn between the avantgarde "Young German Cinema" of the 1960s and the more accessible "New German Cinema" of the 1970s. For their influences the new generation of film-makers looked to Italian neorealism, the French "Nouvelle Vague" and the British New Wave but combined this eclectically with references to the well-established genres of Hollywood cinema. The New German Cinema dealt with contemporary German social problems in a direct way; the Nazi past, the plight of the "Gastarbeiter" ("guest workers"), and modern social developments, were all subjects prominent in New German Cinema films.