油彩
They were aided greatly in this by innovations in oil paint itself. Since the Renaissance, painters had to grind pigment, add oil and thus create their own paints; these time-consuming paints also quickly dried out, making studio painting a necessity for large works, and limiting painters to mix one or two colors at a time and fill in an entire area using just that one color before it dried out. in 1841, a little-known American painter named John G. Rand invented a simple improvement without which the Impressionist movement could not have occurred: the small, flexible tin tube with removable cap in which oil paints could be stored. Oil paints kept in such tubes stayed moist and usable -- and quite portable. For the first time since the Renaissance, painters were not trapped by the time frame of how quickly oil paint dried.