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The most original monument of Siberian Baroque is the Feast of the Cross church in Irkutsk (1747–1758); "the best example of Siberian Baroque, with its originality in cultural-semantic and ethno-stylistic stratifications". Its Buddhist decors aroused interest under scientists and researchers already in the pre-revolutionary Russia. The unique monument was compared with the pompous stone round churches of Solikamsk and Solvychegodsk. Igor Grabar saw in that church a late provincial resume of the Moscow "uzorochya", with its striving for "painting". He wrote that "its naive combination echoes Moscow and Ukraine, which is fancifully weaved into a densely inwrought tapestry, with a peculiar odour of the neighbouring East".