狩野派
In sharp contrast to the previous Muromachi period, the Azuchi Momoyama period was characterized by a grandiose polychrome style, with extensive use of gold and silver foil, and by works on a very large scale. Kanō school painters were patronized by Oda Nobunaga, Toyotomi Hideyoshi, Tokugawa Ieyasu, and their followers. Kanō Eitoku developed a formula for the creation of monumental landscapes on the sliding doors enclosing a room. These huge screens and wall paintings were commissioned to decorate the castles and palaces of the military nobility. This status continued into the subsequent Edo period, as the Tokugawa bakufu continued to promote the works of the Kanō school as the officially sanctioned art for the "shōgun", "daimyōs", and Imperial court. The rise of the Kanō school saw a beginning of a move away from buddhist themes, as Kano school patrons commissioned paintings of a more secular nature to decorate their palaces.