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The style can be discerned in many operas, although with newly composed music, including Gluck's "Orfeo ed Euridice" (1762), Haydn's "Orlando paladino" (1782), and Mozart's "Die Entführung aus dem Serail" (1782), "Der Schauspieldirektor" (1786), and "Don Giovanni" (1788), as well as later works, such as Rossini's "Il barbiere di Siviglia" (1816), Gilbert and Sullivan's "Trial by Jury" (1875), Verdi's "Falstaff" (1893), Ravel's "L'heure espagnole" (1911) and Stravinsky's "The Rake's Progress" (1951).