ペレス・プラード
Because his music was aimed at an audience that lived primarily outside Cuba, Pérez Prado used a large number of international influences, especially North-American, in his arrangements. This is evident in his arrangements of songs such as "Mambo Rock", "Patricia" and "Tequila", where he uses a triple meter U.S. "swing" rhythm fused with elements from Cuban rumba and son. Pérez Prado gained hits such as "Mambo No. 5" and "Mambo No. 8" in 1950. The mambo boom peaked in the US in early 1950s, when Pérez Prado hit the American charts at number one with a cha-cha-chá version of "Cherry Pink (and Apple Blossom White)". Pérez Prado's repertoire included numerous international pieces such as "Cerezo Rosa", "María Bonita", "Tea For Two", "La Bikina", "Cuando Calienta El Sol", "Malagueña" and "En Un Pueblito Español", among many others.