ルネ・クレマン
Decaë's liking for natural light, his ability to work at speed as well as his excellent photographic sensibility led to him working with René Clément on several features beginning with "Plein soleil" (1960). It was Decaë "...who liberated the camera, from its fixed tripod. He made the New Wave possible, backing up Melville, Malle, Chabrol and Truffaut." (Marie, 2003 p 89)