Gegen den Strich
Huysmans' work was known for his idiosyncratic use of the French language, extensive vocabulary, detailed and sensuous descriptions, and biting, satirical wit. It also displays an encyclopaedic erudition, ranging from the catalogue of decadent Latin authors in "À rebours" to the discussion of the iconography of Christian architecture in "La cathédrale". Huysmans expresses a disgust with modern life and a deep pessimism. This had led him first to the philosophy of Arthur Schopenhauer. Later he returned to the Catholic Church, as noted in his Durtal novels.