Kampfbund für deutsche Kultur
Competing Nazi entities separately claimed control of all musicians and publications of musical material, each hoping to eventually become the administration of all culture, including music, in Nazi Germany. Alfred Rosenberg, who saw himself as the Party's chief ideologue, played a key role in the early days before Hitler came to power, spawning many sub-organizations such as the Party's Militant League for German Culture (). This organization had departments for music, cinema, visual arts, and radio. In hopes of strengthening "suppressed" Aryan artists and eliminating "degenerate" artists, such as Jewish and jazz artists, Rosenberg's institutions published many inflammatory brochures warning citizens of non-German nationalist music. His institution funded Aryan musicians and even went as far as to disrupt concerts, threaten Jewish performers and intimidate audiences. These practices were the beginning of the overarching political intervention of concert halls and orchestras of the 19th century.