ドナト・ブラマンテ
This intensive study bore immediate fruit, inspiring a series of increasingly bold attempts to match the scale, ambition and sheer achievement of the ancient works. The most dramatic demonstration of this new attitude towards the antique - which aimed not just for imitation and emulation but for rivalry - occurred in the work of Donato Bramante (circa 1444–1514), an architect who first trained as a painter in Milan.