元稹
Yuan Zhen pioneered psychological exploration and possibilities of plot development. His tale mixed narration, poetry and letters from one character to another to demonstrate emotion rather than describe it, making it in one sense an epistolary novel. The work was also innovative because its characters, in the terms suggested by E.M. Forster, are “round” rather than “flat,” that is, unlike the characters in the earlier "zhiguai" or "zhiren" tales, are not built around a single idea or quality, but have the power to surprise readers. Recent critic Gu Mingdong suggests that with this tale, Chinese fiction “came of age,” and the story provided themes for later plays, stories, and novels.