ホメーロス風讃歌
From 2003, most of his music appeared under the name "Bhishma Xenotechnites", including not only his settings for voice(s)and instruments (in Greek) of Homeric Hymns and other Greek and Latin lyrics but also such obviously anti-Western works as "Ein kleines Wagner Notizbuch" (2005), a collage of emasculated Wagner quotations for the same ensemble as his 1965 octet "Quaderno Rossiniano", and "H5N1" (2006) for extremely high-pitched instruments or whistlers and antique cymbals.