油彩
In conversation with curator Margot Norton of the Whitney Museum, Molzan states, " I limit myself to traditional painting materials because I want to show that it isn’t the materials that have changed over the centuries, but the thinking about the materials and the philosophy behind their application. Oil paint and linen and the wooden support are all inherited materials that date back to the Renaissance and continue through modernism and all the other styles of painting that are radically different from one another but use the same stuff. I love that I can paint-splatter a canvas and make it look like hard plastic by using more or less the same materials Rousseau used to depict the forest of Fontainebleau in the nineteenth century."