Unsere Mütter, unsere Väter
"The New Yorker" reviewer David Denby wrote that ""Generation War" has the strengths and the weaknesses of middlebrow art: it may be clunky, but it's never dull, and, once you start watching, you can't stop," and "the old accepted notion that the barbarians were confined to the S.S. and the Gestapo has been cast aside. The series acknowledges what scholars have established in recent years: that the Wehrmacht played a major role in committing atrocities in the occupied countries." But "while destroying one myth, the filmmakers have built up another. The movie says that young men and women were seduced and then savagely betrayed—brutalized by what the Nazis and the war itself put them through. Their complicity, in this account, is forced, never chosen. Aimed at today's Germans, who would like, perhaps, to come to a final reckoning with the war period, "Generation War" is an appeal for forgiveness. But the movie sells dubious innocence in the hope of eliciting reconciliation."