Pierrot Lunaire
Especially important examples of the form are found in the output of the Second Viennese School. Anton Webern's Opus 1 is a Passacaglia for Orchestra, Arnold Schoenberg included a passacaglia movement, "Nacht", in "Pierrot Lunaire", and Alban Berg, like Britten, used a passacaglia operatically, in act 1, scene 4 of "Wozzeck".