ウラディーミル・スターソフ
Mussorgsky refers to Marfa as a contralto in a letter to Vladimir Stasov on 16 January 1876. Varsonofyev's part is written in the bass clef in his act 2 appearance, as expected for a bass or baritone; but it is written in the treble clef (presumably meant to sound an octave lower) in his act 4 appearance, as expected for a tenor.