カメラータ
Many of his published madrigals, for four to six voices, give no hint in the score of the extravagance of their original premières. They are full of textural contrast, as befits their dramatic origin. His earlier work shows the influence of the frottola, and often his style mimics Arcadelt's. The madrigals he wrote for the Medici weddings are often in a "note nere", i.e. "black note" style: choppy rhythms, quick note values, sudden textural contrasts; in addition, they were usually designed for instrumental accompaniment, and consequently the soprano and bass lines often stand out. In this they foreshadow the development of monody by the Florentine Camerata later in the century.