油絵具
According to Waterfield, "Gibran was confirmed in his aspiration to be a Symbolist painter" after working in Marcel-Béronneau's studio in Paris. Oil paint was Gibran's "preferred medium between 1908 and 1914, but before and after this time he worked primarily with pencil, ink, watercolor and gouache." In a letter to Haskell, Gibran wrote that "among all the English artists Turner is the very greatest." In her diary entry of March 17, 1911, Haskell recorded that Gibran told her he was inspired by J. M. W. Turner's painting "The Slave Ship" (1840) to utilize "raw colors [...] one over another on the canvas [...] instead of killing them first on the palette" in what would become the painting "Rose Sleeves" (1911, Telfair Museums).