L'Age d'Or
The name "Minotaure" is attributed to Georges Bataille and André Masson, suggested "during a meeting with [Roger] Vitrac, [Robert] Desnos, and E. Tériade, who were in favor of calling the review "L'Age d'Or"." The theme of the Minotaur and/or the labyrinth, had already appeared in the work of several artist and writers including Georges Bataille, André Breton, Max Ernst, André Masson, as well as a number of drawings that Pablo Picasso had made on Greek mythology subjects. In the age of Freud, the metaphor of the Minotaur and the labyrinth had been popular in several circles of intellectuals in the 1920s and 1930s; the labyrinth being analogous to the mind, the Minotaur representing mysterious irrational impulses hidden within, and Theseus - the conscious mind, entering the labyrinth and slaying the Minotaur, emerging victorious, - with a greater self-knowledge; a paradigm for psychoanalyst and the surrealist theater as well.