ヨハネ受難曲
A modern example originating in Communist Hungary demonstrates the congregational character of "St John Passion". In the early 1950s musicians were allowed to play church music only in the frame of liturgy. However, the "St John Passion" is an almost complete Lutheran liturgy, focused on the "Evangelium". Hence, by inserting four missing features, the whole Passion could be performed as if it were part of the liturgy.