Orchestre de la Société des Concerts du Conservatoire
In 1918 Messager conducted recordings in New York, with the Orchestre de la Société des Concerts du Conservatoire, of "Les Chasseresses" and "Cortège de Bacchus" from "Sylvia" by Delibes, Sérénade and Mules from "Impressions d'Italie" by Charpentier, the Bacchanale from "Samson et Dalila" and the Prelude to "Le Déluge", both by Saint-Saëns, and 4½-minute extracts from "Capriccio espagnol" by Rimsky-Korsakov and "Le Rouet d'Omphale" by Saint-Saëns. In Wagstaff's 1991 study of Messager, the list of recordings of the composer's music runs to 40 pages; 24 of his works are represented in the list of recordings up to that date.