L'Opinion publique
"Most examinations of "A Woman of Paris" select a key scene such as Marie on the train platform or Pierre removing a handkerchief from Marie’s dresser drawer, or the natural and simple approach to performance as the basis of the film’s critical laurels, while overlooking Chaplin’s overall construction of the visual narrative. However, the film’s greatness is not limited to a few isolated scenes. Chaplin’s directorial skill and the film’s power are demonstrated in the careful and direct way that Chaplin tells a simple story. Chaplin achieved his purpose of conveying 'psychology by subtle action' throughout the visual narrative by imbuing the décor with symbolism, by using objects for their metaphoric and metonymic value, and by parallel storytelling and editing."