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Orson Welles biographer Charles Higham wrote that, when Lawrence was assigned to "The Lady from Shanghai" (1947), she reported to studio boss Harry Cohn that "the footage was a jumbled mess". She also informed Cohn that Welles "had not shot a single close-up"; Welles reluctantly obeyed orders to add some. Following poorly received previews, the studio instructed Lawrence to make drastic cuts, over an hour of footage, shortening the film to 87 minutes.