オイゲン・ヨッフム
During the Nazi era, Bruckner's Te Deum and Psalm 150 were ignored, because their existence contradicted the Nazi myth that exposure to Richard Wagner's music had freed Bruckner from ties to the church. It was not until after the war that Eugen Jochum brought attention to Bruckner's Te Deum and other sacred music, conducting several concerts and recordings. Herbert von Karajan and Bruno Walter soon followed suit.