Феодор Стратилат
Simeon turned the new Bulgarian capital Preslav into a magnificent religious and cultural centre, intended more as a display of his realm's heyday and as a royal residence than as a military fortress. With its more than twenty cross-domed churches and numerous monasteries, its impressive royal palace and the Golden (or Round) Church, Preslav was a true imperial capital. The development of Bulgarian art in the period is demonstrated by a ceramic icon of Theodore Stratelates and the Preslav-style illustrated ceramics.