ポーランド派
Early on in his career, Has gained a reputation as an individualist who avoided political overtones in his art. He produced his most important films throughout the period when the Polish Film School was at its most prominent; however, his work possessed its own stylistic feeling that was independent of the over policial themes that dominated the prevailing Polish School. In practically every film, Has sought to create hermetic environments, in which the problems and storylines of his protagonists were always of secondary importance to the particular world he had created, characterized by an accumulation of random objects that formed unique visual universe.