アサヒカメラ
After getting back to Japan, he began to work as a professional photographer in Kobe and helped propel Japanese avant-garde photography. He was associated with the Ashiya Camera Club () and educated some his juniors. He released some works in such magazines as "Asahi Camera" and "Nihon Shashin Nenkan" (). Furthermore, he produced one of the first examples of commercial montage photography in 1930.