岡倉天心
A new inspiration entered her life in 1897 when her husband received a teaching position in Japan as an English professor at the Keio Gijuku University. Lilla Perry met Okakura Kakuzō, one of the Imperial Art School co-founders. For three years Perry resided in Japan and took full advantage of its unique artistic community. In October 1898 Perry exhibited her work in Tokyo, with the assistance of Kakuzo, and became an honorary member of the Nippon Bijutsu-In Art Association. Perry's involvement with the Asian art world greatly influenced her work and made it possible for her to develop a unique style that brought together western and eastern aesthetic traditions. Her "Meditation", "Child in a Kimono" and "Young Girl with an Orange" vibrantly illustrates the distinct changes that occurred in Perry's work during her stay in Japan. Unlike her earlier works, both compositions draw on uniquely eastern subject matter and show a strong influence of the clean lines from Japanese prints. The result of this blending of east and west is striking with Impressionist portraits flowing seamlessly with the well-organized, balanced compositions that the eastern art world was known for at this time. Mount Fuji became the subject of 35 or more paintings and she made a total of more than 80 paintings while in Japan.