Starless and Bible Black
With Muir gone, the remaining members reconvened in January 1974 to produce "Starless and Bible Black", released in March 1974 and earned them a positive "Rolling Stone" review. Though most of the album was recorded live during the band's late 1973 tour, the recordings were carefully edited and overdubbed to sound like a studio record, with "The Great Deceiver", "Lament" and the second half of “The Night Watch” the only tracks recorded entirely in the studio. The album reached No. 28 in the UK and No. 64 in the US. Following the album's release, the band began to divide once more, this time over performance. Musically, Fripp found himself positioned between Bruford and Wetton, who played with such force and increasing volume that Fripp once compared them to "a flying brick wall", and Cross, whose amplified acoustic violin was consistently being drowned out by the rhythm section, leading him to concentrate more on Mellotron and an overdriven electric piano. An increasingly frustrated Cross began to withdraw both musically and personally, with the result being that he was voted out of the group following the band's 1974 tour of Europe and America.