新批評
The American New Criticism returned to the lyric in the 1950s, advocating a poetry that made conventional use of rhyme, meter and stanzas, and was modestly personal in the lyric tradition. Lyric poets consistent with the New Criticism ethos include Robert Frost and Robert Lowell. In the 1950s long personal epics, such as Allen Ginsberg's "Howl" were a reaction against the well-wrought short lyric of the New Criticism.