美術監督
The Wisteria Lane set, which is located on the Colonial Street backlot set at Universal Studios, underwent changes for the time jump. Production designer P. Erik Carlson explained, "[former production designer Thomas A. Walsh] had already created a fairly Utopian world, and we wanted to exaggerate and enhance it a little bit more, mostly through the use of color. We didn't want it to feel ridiculously futuristic or viewers would be jarred by the contrast." Bree's garage was remodeled into a testing kitchen as result of the character's catering business. Additionally, all houses were repainted with bolder colors, with the exception of Gabrielle's home, in order to reflect the Solis' financial situation.