Schnitzen
The sculptures featured at the museum (mainly in the secluded garden) were some of her favourites. Her workshop also includes a queue of uncut stones that one visitor has described as "still waiting for their moment in the shadow of her workshop". In 1950 she acquired two huge blocks of Galway limestone which she carved into her Festival of Britain commission, the Contrapuntal Forms. A set of photographs in the museum shows the progress of this project. Wood carving was done in an upstairs room, and the bronze statues she started casting in 1956 had their origins in the plaster prototypes she worked on in the upper of the two outside studios.