Renata Tebaldi
Corena left many recordings of his best roles, notably two recordings of Mozart's Bartolo in "Le nozze di Figaro", under Erich Kleiber and Erich Leinsdorf, Leporello in "Don Giovanni", under Josef Krips and later under Erich Leinsdorf, Mustafa in "L'italiana in Algeri", three recordings of Rossini's Bartolo in "Il barbiere di Siviglia" under Alberto Erede, Erich Leinsdorf, and Silvio Varviso, Dulcamara in "L'elisir d'amore", "Don Pasquale", Fra Melitone in "La forza del destino", with Renata Tebaldi and Mario del Monaco, and a second with Adriana Guerrini, "Gianni Schicchi", Benoit/Alcindoro in La bohème at least three times, etc. He also recorded the role of Rodolfo in "La sonnambula", opposite Joan Sutherland in 1962. More serious roles he recorded include the King of Egypt in two recordings of Aida with Renata Tebaldi, Mathieu in Andrea Chénier, also with Tebaldi, two recordings of the Bonze in Madama Butterfly with both Anna Moffo and Renata Tebaldi, and the Gessler in Rossini's Guglielmo Tell (William Tell) with Giuseppe Taddei and Rosanna Carteri.