ゴジラの逆襲
The decision by Cozzi to specifically add real footage of death and destruction from war-time film reels was intentional. He wanted to give such an old feature an "up-to-date and more violent look". While editing the film, Cozzi was aware that certain stock footage didn't match the Godzilla footage, but he chose to proceed anyway, feeling that the "effect would have been stronger than the defects". Additional footage was recycled from "The Train" and "The Day the Earth Caught Fire". As tributes, Cozzi added brief clips from "The Beast from 20,000 Fathoms" and "Godzilla Raids Again", taken from his personal 16mm prints. He coined the term "Spectrorama 70" for advertising purposes, referring to the film's colorization and for a feeling of 70mm. Cozzi stated that it "helped to give a 'bigger' look to my "Godzilla" theatrical re-release advertising materials".