フリードリヒ・シェリング
Following Lessing's "Hamburgische Dramaturgie" and "Laokoon" and Hegel's "Aesthetics" (1835–38), many subsequent authors, including Friedrich Hölderlin, Johann von Goethe, Friedrich Wilhelm Joseph Schelling, Thornton Wilder, Arthur Miller, and Tennessee Williams, reflected on the stage language of plays as a distinctive art form.