アベンジャーズ/エイジ・オブ・ウルトロン
Cinematographer Ben Davis shot primarily on large-format Arri Alexa 65 cameras, liking how the camera rendered the film's costumes. Davis, who previously served as director of photography for "Guardians of the Galaxy", "Avengers: Age of Ultron", and "Doctor Strange" (2016), noted that there was a "point of departure" in the visuals of "Captain Marvel" coming from its 1990s setting. To achieve the 1990s aesthetic, Davis first attempted to utilize post-production techniques to convey a period look, but found that it just softened the image. He then tried using vintage Cooke Panchro and Canon K-35 lenses, but they were not compatible with the large format of the Arri Alexa camera system. Davis ultimately enlisted Dan Sasaki of Panavision to make new lenses for the period scenes that could work with the cameras. Davis initially intended not to use these lenses for scenes set in space, to differentiate them, but found himself using the lenses for some close-ups set in space because he liked the way they looked.