ミッシェル・ポルナレフ
Cultural historian Larry Portis describes the arrival of Dutronc on the French music scene, along with that of Michel Polnareff at around the same time, as representing "the first French rock music that can be considered a musically competent and non-imitative incorporation of African-American and African-American-British influences". For Portis, Dutronc marks a break with the literary tradition of French "chanson" in his creative use of the sounds, rather than just the syntax, of the language.