アサヒカメラ
From the mid-1920s, and often under one pseudonym or another, Shiotani's photographs frequently appeared in four Japanese photography magazines: "Asahi Camera", "Geijutsu Shashin Kenkyū", "Camera" and '. All four were new, championing the new trends in art photography whose major proponents were Tetsusuke Akiyama () of the and Kōrō Kometani () of the , both with "a style reminiscent of academic painting"; Shinzō Fukuhara of the Japan Photographic Society, with "light and its harmony" (influenced by Impressionism); and Hakuyō Fuchikami of the Japan Photographic Art Association), with avant-garde techniques drawn from painting – four photographers who were also among the judges of the magazines' contests. Shiotani became a leading figure in photography in the San'in region, and known nationwide: although Tottori had the lowest population of any of Japan's 47 prefectures, it was influential; in 1927 it had the fifth largest number of members of photography organizations, behind only Tokyo, Osaka, Hyōgo (including Kobe) and Kyoto.