篠田正浩
Directors may use deep focus in only some scenes or even just some shots. Other auteurs choose to use it consistently throughout the movie, either as a stylistic choice or because they believe it represents reality better. Filmmakers such as Akira Kurosawa, Stanley Kubrick, Kenji Mizoguchi, Orson Welles, Masahiro Shinoda, Akio Jissoji, Terry Gilliam, Jean Renoir, Jacques Tati, James Wong Howe, and Gregg Toland all used deep focus as part of their signature style.