A Woman of Paris
Until he began making spoken dialogue films with "The Great Dictator", Chaplin never shot from a completed script. Many of his early films began with only a vague premise, for example "Charlie enters a health spa" or "Charlie works in a pawn shop". He then had sets constructed and worked with his stock company to improvise gags and "business" using them, almost always working the ideas out on film. As ideas were accepted and discarded, a narrative structure would emerge, frequently requiring Chaplin to reshoot an already-completed scene that might have otherwise contradicted the story. From "A Woman of Paris" onward Chaplin began the filming process with a prepared plot, but Robinson writes that every film up to "Modern Times" "went through many metamorphoses and permutations before the story took its final form".