Бог ей судья
"Leave Her to Heaven" is often described as the first film noir to be shot in color, although film scholars and critics have characterized the film as a thriller, a melodrama (Walker), a psychological melodrama (Turim), a women's film (Morris), or a romantic drama (Bourget). Scholar Emanuel Levy notes that the film embodies both "conventions of the noir and psychological melodrama," blurring the distinction and resulting in a unique, one-of-a-kind work.