Никколо Пизано
The pulpit was sculpted between 1255-1260 by Nicola Pisano, father of Giovanni Pisano, the artist who produced the pulpit in the Duomo. The scenes on the pulpit, and especially the classical form of the naked Hercules, show at best Nicola Pisano's abilities as the most important precursor of Italian renaissance sculpture by reinstating antique representations. Therefore, surveys of the Italian Renaissance usually begin with the year 1260, the year that Nicola Pisano dated this pulpit.