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By the late nineteenth century it was clear that for large-run printing of body text the future was hot metal typesetting, which cast fresh new type for each printing job, and in the case of the Linotype machine cast each line in rigid blocks. In 1897 James Figgins commented "the Lino is ruining us entirely". The styles of Figgins' work also became less popular around the beginning of the twentieth century, with new Art Nouveau-influenced display type designs and greater interest in the styles of earlier centuries.