Мишон
The ruins at Mỹ Sơn are not all of the same style and do not all belong to the same period of Cham history. Scholars have coded the ruins to reflect the diversity of periods and styles. The earliest identifiable style has been dubbed the Mỹ Sơn E1 Style. It is named after a particular structure, which scholars refer to as Mỹ Sơn E1. Works of this style reflect foreign influence from a variety of sources, primarily from the Khmer of pre-Angkorian Cambodia, but also from the art of Dvaravati, the Javanese art of Indonesia, and of southern India.