朗基努斯
The more extroverted marble representation of "Saint Andrew" (1629–33) was begun a few months after his completion of the Santa Bibiana. It is one of the four larger-than-life statues which frame the baldacchino in the transept of St. Peter's Basilica; each statues is associated with the basilica's primary holy relics (the other three statues in St. Peter are Bernini's "Saint Longinus", Mochi's "Saint Veronica", and Bolgi's "St Helena"). It is useful to contrast the tone of "Andrew" with that of "Longinus": in "Andrew" the draperies fall vertically or droop, while "Longinus"' clothes inflate in improbably starched ebullience. Andrew leans over the saltire cross of his martyrdom, while Longinus theatrically flings arms outward expostulating divine influence. Both statues accentuate the diagonals, but Duquesnoy's is more restrained than either Bernini's or Mochi's contribution.