Câmpia Română
With support from Odobescu, who was attempting to build a record of historical locations and folklore, Henric Trenk documented places of interest, as well as genre scenes in the Wallachian Plain—fairs, inns, lodgings, as well as more exotic portrayals of Roma people and the distinctively-dressed Romanian postilions. While admired for their exactitude (unprecedented in Romanian art), these works have drawn criticism for their impersonality.