ヴィットーリオ・アメデーオ2世
Fluid forms, weightless details and airy prospects of Juvarra's architecture anticipated the art of Rococo. Although his practice ranged well beyond Turin, Juvarra's most impressive designs were created for Victor Amadeus II of Sardinia. The visual impact of his Basilica of Superga (1717) derives from its soaring roofline and masterful placement on a hill above Turin. Rustic ambience encouraged a freer articulation of architectural form at the royal hunting lodge of the Palazzina di Stupinigi (1729). Juvarra finished his short but eventful career in Madrid, where he worked on the royal palaces at La Granja and Aranjuez.