荒木経惟
De Veyra described Antonio's art as a face- and gestures-leaning figurative narrative or quasi-narrative art that avoids both the "folk happiness" and the "expressionism" of past and recent Philippine figurative art. Then de Veyra tagged Antonio's body of works as of a "blue funk erotica" or "trance erotica" embracing the melancholic or otherwise the vexed expression. He touted this kind of painting as the subtle sort of fetish erotica that relies on the drama of melancholia, instead of on pure eroticism, as the secret springboard for the production of erotic imagining. Trance painting is deemed by de Veyra to have been culled from the art of Blue Period Picasso and Diego Velázquez, as much as from Raphael, Degas, Chagall, Giorgio de Chirico, Nobuyoshi Araki, and the "defamiliarization" technique of the Russian Formalists.