アクション・ペインティング
Marisol mimicked the imaginary construct of what it means to be a woman, as well as the role of the 'artist'. She accomplished this through combining sensibilities of both Action painting and Pop art. Marisol utilized the spontaneous gesture of expression within Action painting along with the cool and collected artistic intent of Pop art. Marisol's sculptures questioned the authenticity of the constructed self, suggesting it was instead contrived from representational parts. Art was used not as a platform of personal expression, but as an opportunity to expose the self as an imagined creation. By juxtaposing different signifiers of femininity, Marisol explained the way in which 'femininity' is culturally produced. But, by incorporating casts of her own hands and expressional strokes in her work, Marisol combined symbols of the 'artist' identity celebrated throughout art history. This approach destabilized the idea of artistic virtue as a rhetorical construct of masculine logic. Therefore, "Collapsing the distance between the role of woman and that of artist by treating the signs of artistic masculinity as no less contingent, no less the product of representation, than are the signs of femininity." Marisol exposed the merit of an artist as a fictional identity that must be enacted through the repetition of representational parts.