美術
Since the 1970s artists using photography like Cindy Sherman and latterly Thomas Ruff and Thomas Demand have been described as conceptual. Although their work does not generally resemble the lo-fi aesthetic of 1960s conceptual art they may use certain methods in common such as documenting performance (Sherman), typological or serial imagery (Ruff) or the restaging of events (Demand). In fact the indebtedness to these and other approaches from Conceptual Art is so widespread in contemporary Fine-art photography that almost any work might be described as conceptual. The term has perhaps been used most specifically in a negative sense to distinguish some contemporary art photography from documentary photography or Photojournalism. This distinction has been made in the coverage of the Deutsche Börse Photography Prize. Conceptual photography is often used interchangeably with Fine-Art Photography, and there has been some dispute about whether there is a difference between the two. However, the central school of thought is that conceptual photography is a type of fine-art photography. Fine art Photography is inclusive of conceptual photography. While all conceptual photography is fine art, not all fine art is conceptual.