ニュー・ジャーマン・シネマ
New Yorker Films considered itself the primary force in introducing the United States to New German Cinema, the politically embattled Latin American cinema, and the postcolonial African cinema. It discovered the early breakthrough works of such now-celebrated filmmakers as Agnieszka Holland, Juzo Itami, Errol Morris, Wayne Wang, and Zhang Yimou. Later it explored new frontiers in Iranian, Asian, and Eastern European cinema.