Pasqualino
Reynolds said, "If I do anything similar to other directors, it's very much like European directors in the sense that in "The End" I crowd the actors with the camera. I do that because he's suffocating, so I used an inordinate number of close-ups, using close-ups the way others would use masters. Wertmüller did it a lot in "Seven Beauties". Mr. Klein had a lot of tight close-ups."