Má vlast
After Saint-Saëns came Vincent d'Indy. While d'Indy called his trilogy "Wallenstein" (1873, 1879–81) "three symphonic overtures", the cycle is similar to Smetana's "Má vlast" in overall scope. Henri Duparc's "Lenore" (1875) displayed a Wagnerian warmth in its writing and orchestration. Franck wrote the delicately evocative "Les Éolides", following it with the narrative "Le Chasseur maudit" and the piano-and-orchestral tone poem "Les Djinns", conceived in much the same manner as Liszt's "Totentanz". Ernest Chausson's "Vivane" illustrates the penchant shown by the Franck circle for mythological subjects.