小武
While a student at the Beijing Film Academy, Jia would make three short films to hone his skills. The first, a ten-minute short documentary on tourists in Tiananmen Square entitled "One Day in Beijing", was made in 1994 on self-raised funds. Though Jia has referred to his first directorial effort as inconsequential and "naive", he also described the short day and a half shoot as "excitement...difficult to express in words." But it was Jia's second directorial effort, the short film "Xiao Shan Going Home" (1995), that would bring him to the attention of the film world. It was a film that helped establish Jia's style and thematic interests and, in Jia's words, was a film that "truly marks the beginning of my career as a filmmaker." "Xiao Shan" would eventually screen abroad where it won a top prize at the 1997 Hong Kong Independent Short Film &amp; Video Awards. More significantly, the film's success brought Jia in contact with cinematographer Yu Lik-wai and producer Li Kit Ming, two men who along with producer/editor Chow Keung would come to form Jia Zhangke's "core...creative team." With their support, Jia was able to begin work on "Xiao Wu", which would become his first feature film. Before graduating, however, Jia would make one more short film, "Du Du" (1996), a film about a female college student faced with several life-changing decisions. The film, little seen and rarely available, was for Jia an exercise of experimentation and technique, as it was filmed without a script. For Jia, the film was an important learning experience, even if he was "not terribly proud" of the end result.