ブルーノ・タウト
Herman Finsterlin approached Fritz Lang with an idea for a film. Fritz Lang's film Metropolis demonstrates a visually progressive 'Futurist' society dealing with relevant issues of 1920s Germany in relation to labour and society. Bruno Taut designed an unbuilt theatre for reclining cinema-goers. Bruno Taut also proposed a film as an anthology for the Glass Chain, entitled "Die Galoschen des Glücks"(The Galoshes of Fortune) with a name borrowed from Hans Christian Andersen. On the film, Taut noted, "an expressionism of the most subtle kind will bring surroundings, props and action into harmony with one another". It featured architectural fantasias suited to each member of the Chain. Ultimately unproduced, it reveals the aspiration that the new medium, film, invoked.