ベルント・アロイス・ツィンマーマン
By the late 1920s, though many composers continued to write in a vaguely expressionist manner, it was being supplanted by the more impersonal style of the German Neue Sachlichkeit and neoclassicism. Because expressionism, like any movement that had been stigmatized by the Nazis, gained a sympathetic reconsideration following World War II, expressionist music resurfaced in works by composers such as Hans Werner Henze, Pierre Boulez, Peter Maxwell Davies, Wolfgang Rihm, and Bernd Alois Zimmermann.