Antonio da Correggio
"Di sotto in sù" (or "sotto in su"), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andrea Mantegna's Camera degli Sposi in Mantua and in frescoes by Melozzo da Forlì. Italian terminology for this technique reflects the latter artist's influence and is called "prospettiva melozziana" ("Melozzo's perspective"). Another notable use is by Antonio da Correggio in the Parma Cathedral, which foreshadows Baroque architecture grandeur.