Lu Shan
Despite his influence on the course of Northern Chinese painting, few works produced by Jing Hao have survived to the present day, and those that have are in poor condition. The piece most frequently held as a template of his style is "Mount Lu", an ink painting on silk scroll which gives a rather fantastical rendering of one of Jiangxi's natural landmarks. The work is a tight, vertical composition, employing Jing's newly developed "cun fa" technique to compress the landscape into layers of jutting rock-pillars between chasms of mist. The enclosed space of the composition enhances the monumental characteristics of the mountain, which fills some 90% of the scroll. Humans and buildings, though drawn with remarkable realism in a manner that contrasts sharply against the atmospheric landscape surrounding, are reduced to an almost unnoticeable scale, clustered at the foot of the mountain at the very bottom of the scroll, further conveying the intimidating grandeur of the natural world over the transient activities of man. Scholars have noted, however, that the mist in "Mount Lu" plays only a minimal role compared with that seen in some of Jing's other works, being employed much more conservatively than is common for the artist—a fact which has led to some speculation among art historians that this particular work may represent a “reminiscence” during a later period in the artist's life.