Der zerrissene Vorhang
Alfred Hitchcock described his work with Montgomery Clift in "I Confess" as difficult "because you know, he was a method actor". He recalled similar problems with Paul Newman in "Torn Curtain". Lillian Gish quipped: "It's ridiculous. How would you portray death if you had to experience it first?" Charles Laughton, who worked closely for a time with Bertolt Brecht, argued that "Method actors give you a photograph", while "real actors give you an oil painting."