ジョン・レンボーン
From late 1970 to early 1977 Draheim lived in [[England]], where her talents as a fiddler soon became so well recognized that [[Austria]]n music journalist Richard Schuberth counted her among the "crème de la crème of the English folk-rock scene". She brought with her a background of US genres of folk music which blended well with the [[United Kingdom|British]] folk-rock scene. In one case at least, her influence on the British music scene rebounded to have an effect on the US music scene: American guitarist and author of several instructional manuals [[Duck Baker]] wrote that he had learned the "Peacock Rag" from John Renbourn "who would have gotten it from Sue Draheim". Draheim had begun her association with John Renbourn in 1971, and joined the John Renbourn Group, cutting the album "[[Faro Annie]]" with [[John Renbourn]], [[Keshav Sathe]], and [[Jacqui McShee]] in 1972. Impressed by Draheim's old West [[County Clare#Music|Clare]] style which she'd learned from [[Joe Cooley]], [[John Renbourn]] observed: "I found out more about Irish music from Sue than I could ever have imagined." That same year she also performed on "[[Henry the Human Fly]]", an album by songwriter and guitarist [[Richard Thompson (musician)|Richard Thompson]]. 1972 was a busy year for her as she and John Renbourn worked together with [[Wizz Jones]] to produce Wizz's album "[[Right Now (Wizz Jones album)|Right Now]]", in addition to recording albums with [[Scotland|Scottish]] folksinger [[Marc Ellington]].