Latin American music
In an environment little prone to local musical creation, and almost hostile to it, Soriano leads a permanent and tenacious fight to make known Latin American music. Thus, in conversations held in Rio de Janeiro with Hector Villa Lobos, Camargo Guarnieri, Radamés Gnatali and the critics Jorge Andrade Murici and Enrico Nogueira France, the idea comes up to do Latin American music festivals, the first of which was held in Caracas in 1954, and then in 1957.