ドイツ工作連盟
In 1950, Bo Bardi and fellow Italian immigrant Giancarlo Palanti re-designed the MASP museum space in the Diários Associados building, shifting away from Beaux-Arts-style interiors with paintings backed by curtained walls, towards exhibition design rooted in interwar avant-garde artistic practices such as the work of El Lissitzky, the Deutscher Werkbund, and Franco Albini.