ロベルト・カンピン
However records indicate that Lochner's talent was recognised from an early age. He may have been of Netherlandish origin or worked there for a master, possibly Robert Campin. Lochner's work seems influenced by Jan van Eyck and Rogier van der Weyden; elements of their styles can be detected in the structure and colourisation of Lochner's mature works, especially in his "Last Judgement", although neither is thought to be the master with whom he studied.