The Shooting Star
Michael Farr believed that the "most remarkable" factor of the book was its introduction of Sir Francis Haddock, highlighting that in his mannerisms and visual depiction, he is "scarcely distinguishable" from Captain Haddock. He also highlighted that the scenes in which Captain Haddock relates the tale of his ancestor carries on the "merging of dreams and reality" that Hergé had "experimented with" in "The Crab with the Golden Claws" and "The Shooting Star". Noting that unlike "The Shooting Star", this two-book story arc contains "scarcely an allusion to occupation and war", he praised the arc's narrative as "perfectly paced, without that feeling of haste" present in some of Hergé's earlier work.