Aníbal Troilo
The 1940s brought forward a new generation of musicians—Aníbal Troilo, Osvaldo Pugliese, Miguel Caló, Alfredo de Ángelis, Ricardo Tanturi, Ángel D'Agostino, etc.—and a new characteristic style. Fresedo sought to adapt to these new times, but somehow, this attempt merely detracted from the strength of the "fresediano" style that had so successfully combined so as successful rhythm and elegance. From this time forward, his orchestrations become slower and he chooses mellifluous singers who even, in some cases, give a certain boleristic air to their versions of his tangos.