冨田勲
It was recorded by Pedro Aznar on his eponymous album (1982), in which he made use of synthesizers instead of acoustic instruments. Some unusual interpretations include another electronic versions by William Orbit in "Pieces in a Modern Style" (2000), Isao Tomita (1979) and the all-female synthesizer quartet Hello, Wendy! (2014). Edgar Meyer recorded a version for double bass and piano on his CD "Work in Progress" (1990), a solo bass guitar version by Jimmy Earl (1995), Ali Aiman's minimalist/electronic adaptation in his Overture EP (2014) and Hayley Westenra's vocal adaptation "Never Say Goodbye", which appears in her album "Pure" (2004).