徐冰
There is no Western historical relationship that goes along with this movement due to the integral nature of calligraphic history, along with the vital allegorical, metaphorical, and poetic combination of words and images in the history of Chinese art. Wu Shanzhuan, along with other Chinese artists such as Xu Bing and Gu Wenda, hold ideas where images and words are undertaken into one holistic concept. The anti-art development, therefore, is a response to the outside forces of the social and artistic environment. The project was initiated by Huang Yongping, and further developed by Wu Shanzhuan, Gu Wenda, Xu Bing, and others. All of these artists also embraced the traditional philosophy of Chad Buddhism, “which encourages an ironic sensibility and a refusal to privilege any one doctrine over another in the search for truth”.