Coronation of the Virgin
Other designs involved naturally flowing compositions of flowers and vines with fantastic animals. Such a textile is depicted as the background curtain in Giotto's "Coronation of the Virgin" (circa 1330), the earliest such depiction of a Tartar cloth. Chinese types of floral designs were also adopted, as visible in the mantles of Christ and Mary in "Coronation of the Virgin" by Paolo Veneziano (circa 1350).