Чжао Мэнфу
From today's perspective, Muqi has obtained prominent status among monochrome ink painters who transmitted the tradition of Song Literati paintings to Yuan painting styles. Nevertheless, by the time, Muqi was ignored by the mainstream during the Chinese Song dynasty, and received mainly negative comments in the following Yuan dynasty. Muqi's paintings eminently conveyed the Song "naturalism," which contradicted the trend back to classicism led by Zhao Mengfu later in the Yuan period (1271–1368). Muqi's style was criticized as "sketchy, unsophisticated, and coarse" and "inappropriate to be displayed in monasteries" by Yuan critics like Xia Wenyuan.