カルミナ・ブラーナ
Orff's style demonstrates a desire for directness of speech and of access. "Carmina Burana" contains little or no development in the classical sense, and polyphony is also conspicuously absent. "Carmina Burana" avoids overt harmonic complexities, a fact which many musicians and critics have pointed out, such as Ann Powers of "The New York Times".