Bodas de Caná
The Netherlandish painters were largely forgotten in the 18th century. When Musée du Louvre was converted to an art gallery during the French Revolution, Gerard David's "Marriage at Cana" – then attributed to van Eyck – was the only piece of Netherlandish art on display there. More large panels were added to the collection after the French conquered the Low Countries. These works had a profound effect on German literary critic and philosopher Karl Schlegel, who after a visit in 1803 wrote an analysis of Netherlandish art, sending it to Ludwig Tieck, who had the piece published in 1805.