多纳图斯
Regular comedies (i.e. comedies in five acts modeled on Plautus or Terence and the precepts of Aelius Donatus) were less frequent on the stage than tragedies and tragicomedies around the start of the 17th century; the comedic element of the early stage was dominated by farce, satirical monologues and by the "commedia dell'arte". Jean Rotrou and Pierre Corneille would return to regular comedy shortly before 1630. Corneille's tragedies were strangely un-tragic (his first version of "Le Cid" was even listed as a tragicomedy), as they had happy endings. In his theoretical works on theater, Corneille redefined both comedy and tragedy around the following suppositions: