Служанка-госпожа
During the Age of Enlightenment, the term was used for one-act Italian operas, as performed in 18th-century France, either in the original language or in French translation (such as "La servante maîtresse", the French version of Pergolesi's "La serva padrona"), but also for original French works of similar style in one or two acts, with or without spoken dialogue. During the course of the century, the intermède gradually disappeared as it was developed and transformed into the opéra comique.