ヴァーツラフ・ターリヒ
Janáček's friend and collaborator Václav Talich, former chief-conductor of the Czech Philharmonic, sometimes adjusted Janáček's scores, mainly for their instrumentation and dynamics; some critics sharply attacked him for doing so. Talich re-orchestrated "Taras Bulba" and the Suite from "Cunning Little Vixen" justifying the latter with the claim that "it was not possible to perform it in the Prague National Theatre unless it was entirely re-orchestrated". Talich's rearrangement rather emasculated the specific sounds and contrasts of Janáček's original, but was the standard version for many years. Charles Mackerras started to research Janáček's music in the 1960s, and gradually restored the composer's distinctive scoring. The critical edition of Janáček's scores is published by the Czech "Editio Janáček".