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Ringe uses the Golden ratio, but also works with proportions from other culture's ideals of beauty, such as those from ancient Sanskrit texts. These net-like formations sometimes reach beyond the border of the painting, appearing to be without beginning or end. The structures are reminiscent of those occurring in the formation of crystals and other structures in nature. His works manifest – as in nature – from preliminary fundamentals and phenomenon which occur in the act of painting: "His approach [...] consciously draws an equivalence between the formal development of a painting and the growth of a leaf or a crystal; in each, complexity is achieved through the interaction of preset and random elements."