寵愛
Marissen's most controversial work began as an essay published in The New York Times on Easter Sunday, April 8, 2007, entitled “Unsettling History of That Joyous ‘Hallelujah’", which is the basis for his recently published monograph entitled, "Tainted Glory in Handel's Messiah: The Unsettling History of the World's Most Beloved Choral Work" (Yale University Press, 2014). The first half of the book outlines his thesis that Handel and his librettist showed an unattractive and morally questionable anti-Judaism that manifested itself in "triumphalism," a caustic celebration of the defeat of the Jews at the hands of the Romans (in AD 70, with the siege of Jerusalem and the destruction of the Second Temple). The second half of the book contains an annotated libretto of "The Messiah," illuminating the many often obscure passages that rely on an extensive understanding of typology as a technique for understanding Christianity and the New Testament.