Дочь фараона
Telyakovsky knew that he could not legally end Petipa's employment, as he was still contracted as "premier maître de ballet", so he began a campaign to drive the aging Ballet Master from the theatre. In 1902 Telyakovsky established a committee of influential members of the Imperial Theatres in an effort to take away Petipa's powers with regard to casting, repertory, and the appointment of dancers, though much to Telyakovsky's annoyance the members of the committee appointed Petipa chairman. Soon Telyakovsky began purposely not sending carriages to collect Petipa for particular rehearsals, or not sending him lists of casting for various ballets, and even not informing Petipa of various rehearsals taking place, information which the Ballet Master was legally required to have. Nevertheless, Petipa's advanced age and failing health left him with little energy to contest the director. Petipa was invited in March 1904 to stage "The Pharaoh's Daughter" at the Paris Opéra (the Palais Garnier) by relatives of Jules-Henri Vernoy de Saint-Georges, who wrote the ballet's libretto, but his health prevented him from it.