Antonio da Correggio
The biblical scene of Mary Magdalene's recognizing Jesus Christ after his resurrection became the subject of a long, widespread and continuous iconographic tradition in Christian art from Late Antiquity until today. Pablo Picasso, for example, used the c. 1525 painting "Noli me tangere" by Antonio da Correggio, stored in the Museo del Prado, as an iconographic source for his 1903 painting "La Vie" (Cleveland Museum of Art) from the so-called Blue Period.