La judía
Over the next few years, Véron brought on Auber's "Gustave III" (1833, libretto by Scribe, later adapted for Verdi's "Un ballo in maschera)", and Fromental Halévy's "La Juive" (1835, libretto also by Scribe), and commissioned Meyerbeer's next opera "Les Huguenots" (1836, libretto by Scribe and Deschamps), whose success was to prove the most enduring of all grand operas during the 19th century.