ルイ・クープラン
Idiomatic instrumental textures became increasingly prominent. In particular, the "style luthé"—the irregular and unpredictable breaking up of chordal progressions, in contrast to the regular patterning of broken chords—referred to since the early 20th century as "style brisé", was established as a consistent texture in French music by Robert Ballard, in his lute books of 1611 and 1614, and by Ennemond Gaultier. This idiomatic lute figuration was later transferred to the harpsichord, for example in the keyboard music of Louis Couperin and Jean-Henri D'Anglebert, and continued to be an important influence on keyboard music throughout the 18th and early 19th centuries (in, for example, the music of Johann Sebastian Bach and Frédéric Chopin).