Certosa di Pavia
Cairano's concentration on the Caesars is interrupted only briefly by the return of Tamagnino between 1499 and 1500. Tamagnino, likely based on his lauded works at the Certosa di Pavia, receives a commission for six different Caesars and other sculptures. But in an art scene increasingly monopolised by Cairano, who has come a long way from his naive expression of the Apostles, Tamagnino does not garner much attention, and, humiliated by the cold reception, he leaves Brescia, probably never to return.