Оплакивание Христа
In contrast, the "Cestello Annunciation" (1489–90, Uffizi) forms a natural grouping with other late paintings, especially two of the Lamentation of Christ that share its sombre background colouring, and the rather exaggerated expressiveness of the bending poses of the figures. It does have an unusually detailed landscape, still in dark colours, seen through the window, which seems to draw on north European models, perhaps from prints.