Magic realism
Criticism that Latin America is the birthplace and cornerstone of all things magic realist is quite common. Ángel Flores does not deny that magical realism is an international commodity but articulates that it has a Hispanic birthplace, writing that "Magical realism is a continuation of the romantic realist tradition of Spanish language literature and its European counterparts." Flores is not alone on this front; there is argument between those who see magical realism as a Latin American invention and those who see it as the global product of a postmodern world. Guenther concludes, "Conjecture aside, it is in Latin America that [magic realism] was primarily seized by literary criticism and was, through translation and literary appropriation, transformed." Magic realism has taken on an internationalization: dozens of non-Hispanic writers are categorized as such, and many believe that it truly "is" an international commodity.