ニュー・ジャーマン・シネマ
On the occasion of the 2009 New York premiere of "The Korean Wedding Chest", with Ottinger to be in attendance, "The New York Times" characterized the director as, "[d]uring the 1980s heyday of the New German Cinema, having constituted a one-woman avant-garde opposition to the sulky male melodramas of Wenders, Fassbinder and Herzog, her films being long, discursive and wildly inventive."