テオドール・ルソー
From the late 1880s on, Keith painted primarily in a subjective vein in which his emotional and spiritual reactions to the landscape were more important than topographical facts. He painted many woodland views that resembled those of Théodore Rousseau and other Barbizon painters, as well as the American painter George Inness. Inness came to visit the San Francisco Bay Area in 1891. He and Keith painted together, and Keith felt he was learning a lot and regaining an enthusiasm for painting that he had begun to lose. Inness's fame and enthusiasm for Keith's work gave a substantial boost to sales of Keith's paintings.