血と土
During the Nazi period in Germany, one of the charges put forward against certain works of art was that "Art must not be isolated from blood and soil." Failure to meet this standard resulted in the attachment of the label, "degenerate art", to offending pieces. In art of the Third Reich, both landscape paintings and figures reflected blood-and-soil ideology. Indeed, some Nazi art exhibits were explicitly titled "Blood and Soil". Artists frequently gave otherwise apolitical paintings such titles as "German Land" or "German Oak". Rural themes were heavily favored in painting. Landscape paintings were featured most heavily in the Greater German Art Exhibitions. While drawing on German Romantic traditions, painted landscapes were expected to be firmly based on real landscapes, the German people's , without religious overtones. Peasants were also popular images, promoting a simple life in harmony with nature. This art showed no sign of the mechanization of farm work. The farmer labored by hand, with effort and struggle.