港の女
"Variety" wrote, "She catches the feel of the title character well, even to braving completely deglamorizing makeup, costuming and photography to fit her physical appearance to that of the bawdy, shady lady that was Sadie Thompson". "The Village Voice" wrote, "Although its Hays Code sanitizing is mitigated somewhat by the glorious extravagances of 1950s cinema (it's a Technicolor, 3-D star vehicle with musical numbers), Miss Sadie Thompson (1953) is a scoured version of "Rain" (1932)." Bosley Crowther of "The New York Times" wrote, "The character of Sadie is drained of considerable point by the prudence of the producers. And Miss Hayworth is left with a role in which she is able to inject very little, outside her own particular brand of appeal".