ラ・メール
"La mer" has influenced a number of composers throughout the 20th century. Luciano Berio quoted "La mer" in the 3rd movement of his 1968 "Sinfonia"; John Williams used simplified versions of motifs from "La mer" in the score he wrote for "Jaws" (1975); and in 2002 the Norwegian composer Biosphere loosely based his ambient album "Shenzhou" around looped samples of "La mer".