Certosa di Pavia
Luini returned to Milan in 1509, receiving a commission for a polyptych from which today only "St. Anthony of Padua" in the Museo Poldi Pezzoli, influenced by Bernardino Zenale's "Cantù Polyptych" remains. In the 1510s he painted frescoes in the Oratory of Santa Maria Nuova in Pilastrello, a "Lamentation of the dead Christ" in Santa Maria della Passione, a "Madonna della Buonanotte" in the Abbey of Chiaravalle, frescoes in San Giorgio di Palazzo (1516) and in the Certosa di Pavia, and others.