土佐派
Nanban art developed after the first Portuguese ships arrived in Kyushu in 1543. While Christian icons and other objects were produced, or folding screens are particularly notable, with over 90 pairs surviving to this day. These vibrant paintings depicted foreigners of all colors arriving in Japanese ports and walking in the streets of Japanese inland towns (see figure 1). Another popular subject within Nanban art was the depiction of foreign warriors. Artists of the Kanō school were joined by those of the Tosa school in combining foreign subject matter with Japanese styles of painting. Canons of western art of the period, such as linear perspective and alternative materials and techniques, appear to have had little lasting influence in Japan. Given the persecution and prohibition of Christianity from the end of the sixteenth century and the Tokugawa policy of sakoku, which largely closed Japan to foreign contact from the 1630s, Nanban art declined.