Enformasyon sanatı

Enformasyon Sanatı ('data sanatı' ya da 'enformatizm' ) elektronik sanatı'ndan yeni gelişen bilgisayar bilimi, bilişim teknolojisi ve ayrıca klasik sanat dalları performans sanatı, görsel sanat, yeni medya sanatı, kavramsal sanat gibi alanları sentezleyen bir sanat dalıdır. Enformasyon Sanatı, genellikle büyük çapta bilgi işleyerek sanatsal içerik üreten bilgisayarlarla etkileşim halindedir.

Tarihçe
Enformatizm'in, Kynaston McShine tarafından 1970 yılında Museum of Modern Art'ta düzenlenen Enformasyon adlı sergi ile başladığı kabul edilir. O dönemde Birleşik Devletler'de yükselen bir eğilim olan kavramsal sanat ile eş zamanlı olarak ortaya çıkmıştır.

Sanatsal Uygulama
Enformasyon sanatı bilgi havuzu fotoğraflar, nüfus sayımı, mikro ödeme, kişisel profil ve ifadeler, video kayıtları, arama motoru sonuçları, dijital resimcilik, şebeke sinyalleri ve düzyazılar tarafından oluşturulur.

Kaynakça
İlgili okumalar
Alan Liu (2004). "The Laws of Cool: Knowledge Work and the Culture of Information", University of Chicago Press
Kenneth R. Allan, "Understanding Information," in Michael Corris (ed.), Conceptual Art, Theory, Myth, and Practice (Cambridge: Cambridge University Press, 2004), 144-68.
Roy Ascott (2003). Telematic Embrace. (Edward A. Shanken, ed.) Berkeley: University of California Press. ISBN 0-520-21803-5
Barreto, Ricardo and Perissinotto, Paula “the_culture_of_immanence”, in Internet Art. Ricardo Barreto e Paula Perissinotto (orgs.). São Paulo, IMESP, 2002. ISBN 85-7060-038-0.
Jack Burnham, (1970) Beyond Modern Sculpture: The Effects of Science and Technology on the Sculpture of this Century (New York: George Braziller Inc.
Bullivant, Lucy (2007). 4dsocial: Interactive Design Environments (Architectural Design). London: John Wiley & Sons. ISBN 978-0-470-31911-6
Bullivant, Lucy (2006). Responsive Environments: architecture, art and design (V&A Contemporary). London:Victoria and Albert Museum. ISBN 1-85177-481-5
Bullivant, Lucy (2005). 4dspace: Interactive Architecture (Architectural Design). London: John Wiley & Sons. ISBN 0-470-09092-8
Oliver Grau, Virtual Art, from Illusion to Immersion , MIT Press/Leonardo Books, 2004, pp. 237–240, ISBN 0-262-57223-0
Paul, Christiane (2003). Digital Art (World of Art series). London: Thames & Hudson. ISBN 0-500-20367-9
Peter Weibel and Shaw, Jeffrey, Future Cinema, MIT Press 2003, pp. 472,572-581, ISBN 0-262-69286-4
Wilson, Steve Information Arts: Intersections of Art, Science and Technology Information Arts: Intersections of Art, Science, and Technology ISBN 0-262-23209-X
Kynaston McShine, "INFORMATION", New York, Museum of Modern Art., 1970, First Edition. ISBN LC 71-100683
Jack Burnham, ‘Systems Esthetics,’ Artforum (September, 1968); reprinted in Donna de Salvo (ed.), Open Systems: Rethinking Art C. 1970 (London: Tate Publishing, 2005)
Edward A. Shanken, ‘Art in the Information Age: Technology and Conceptual Art,’ in Michael Corris (ed.), Conceptual Art: Theory, Myth and Practice (Cambridge: Cambridge University Press, 2004).
Marga Bijvoet, (1997) Art as Inquiry: Toward New Collaborations Between Art & Science, Oxford: Peter Lang
Frank Popper (1993) Art of the Electronic Age, Thames and Hudson Ltd., London, and Harry N. Abrams Inc, New York, ISBN 0-8109-1928-1
Pavilion: Experiments in Art and Technology. Klüver, Billy, J. Martin, B. Rose (eds). New York: E. P. Dutton, 1972
Dick Higgins, ‘Intermedia’ (1966), reprinted in Donna De Salvo (ed.), Open Systems Rethinking Art c. 1970 (London: Tate Publishing, 2005)
Nicolas Bourriaud, Relational Aesthetics (Dijon: Les Presses du Réel, 2002, orig. 1997)
Charlie Gere Digital Culture (Reaktion, 2002) ISBN 978-1-86189-143-3

Dış bağlantılar
Intersections of Art, Technology, Science and Culture- Links
The Danish Artnode Foundation-Links
(FILE) Electronic Language International Festival.
Leonardo/The International Society for the Arts, Sciences and Technology