k3ylabs/cosoco-image-dataset huggingface dataset:
Package: fonts-cwtex-kai (1.0-4)
Section: universe/fonts
Description:  TrueType Font from cwTeX - Kai These cwttf TrueType fonts are transformed from cwTeX Traditional Chinese Type 1 fonts, and merge Alexej Kryukov's CM-LGC font and Koanughi Un's Un-Fonts.
Package: fonts-cwtex-ming (1.0-4)
Section: universe/fonts
Description:  TrueType Font from cwTeX - Ming These cwttf TrueType fonts are transformed from cwTeX Traditional Chinese Type 1 fonts, and merge Alexej Kryukov's CM-LGC font and Koanughi Un's Un-Fonts.
Package: fonts-cwtex-yen (1.0-4)
Section: universe/fonts
Description:  TrueType Font from cwTeX - Yen These cwttf TrueType fonts are transformed from cwTeX Traditional Chinese Type 1 fonts, and merge Alexej Kryukov's CM-LGC font and Koanughi Un's Un-Fonts.
Package: fonts-dancingscript (1.2-2)
Section: universe/fonts
Homepage: http://www.impallari.com/dancing/
Description:  lively casual script with bouncing letters and size changes Dancing Script references popular scripts typefaces from the 50's. It relates to Murray Hill (Emil Klumpp. 1956) in its weight distribution, and to Mistral (Roger Excoffon. 1953) in its lively bouncing effect. . Use it when you want a friendly, informal and spontaneous look.
Package: fonts-ddc-uchen (1.0-1.2)
Section: universe/fonts
Homepage: http://www.dzongkha.gov.bt/IT/download/fonts/
Description:  ddc  Dzongkha Development Commission free OpenType Tibetan font This is a free Tibetan OpenType Font, created by Christopher John Fynn for the Dzongkha Development Commission.
Package: fonts-dejavu-core (2.37-2build1)
Section: fonts
Homepage: https://dejavu-fonts.github.io/
Description:  Vera font family derivate with additional characters DejaVu provides an expanded version of the Vera font family aiming for quality and broader Unicode coverage while retaining the original Vera style. DejaVu currently works towards conformance with the Multilingual European Standards (MES-1 and MES-2) for Unicode coverage. The DejaVu fonts provide serif, sans and monospaced variants. . This package only contains the sans, sans-bold, serif, serif-bold, mono and mono-bold variants. For additional variants, see the fonts-dejavu-extra package. . DejaVu fonts are intended for use on low-resolution devices (mainly computer screens) but can be used in printing as well.
Package: fonts-dejavu-extra (2.37-2build1)
Section: fonts
Homepage: https://dejavu-fonts.github.io/
Depends: fonts-dejavu-core
Description:  Vera font family derivate with additional characters (extra variants) DejaVu provides an expanded version of the Vera font family aiming for quality and broader Unicode coverage while retaining the original Vera style. DejaVu currently works towards conformance with the Multilingual European Standards (MES-1 and MES-2) for Unicode coverage. The DejaVu fonts provide serif, sans and monospaced variants. . This package includes additional variants, such as oblique, italic, bold-oblique, bold-italic and the condensed forms. . DejaVu fonts are intended for use on low-resolution devices (mainly computer screens) but can be used in printing as well.
Package: fonts-dejavu (2.37-2build1)
Section: universe/fonts
Homepage: https://dejavu-fonts.github.io/
Depends: fonts-dejavu-core, fonts-dejavu-extra
Description:  metapackage to pull in fonts-dejavu-core and fonts-dejavu-extra DejaVu provides an expanded version of the Vera font family aiming for quality and broader Unicode coverage while retaining the original Vera style. DejaVu currently works towards conformance with the Multilingual European Standards (MES-1 and MES-2) for Unicode coverage. The DejaVu fonts provide serif, sans and monospaced variants. . Use this package if you want all DejaVu variants. . DejaVu fonts are intended for use on low-resolution devices (mainly computer screens) but can be used in printing as well.
Package: fonts-dejima-mincho (227-16)
Section: universe/fonts
Homepage: https://code.google.com/archive/p/dejima-fonts/downloads
Description:  antique-looking Japanese TrueType Mincho font Dejima Mincho is Japanese TrueType Mincho font. . Its Kanji part is based on "Tsukiji 3gou" and Kana is based on "Tsukiji 4gou", these are known as "Tsukiji-tai" font, in Meiji-era. These old fonts are already under public domain.
Package: fonts-denemo (2.5.0-1build1)
Section: universe/fonts
Homepage: http://www.denemo.org
Description:  music notation symbol fonts for Denemo Denemo is a free (GPL) graphical music notation editor that lets you rapidly enter notation which it typesets using the LilyPond music engraver, creating notation straight from your input that outshines the commercial competition.  You can compose, transcribe, arrange, listen to the music and much more. . This package contains the music notation symbol fonts.
Package: fonts-deva-extra (3.0-5)
Section: fonts
Description:  Free fonts for Devanagari script This package provides free fonts for Devanagari script. This script is used by languages such as Hindi, Kashmiri, Konkani, Marathi, Maithili, Nepali, Sanskrit, and Sindhi languages.
Package: fonts-deva (2:1.3)
Section: fonts
Depends: fonts-deva-extra, fonts-gargi, fonts-lohit-deva, fonts-nakula, fonts-sahadeva, fonts-samyak-deva
Description:  Meta package to install all Devanagari fonts This package allows you to install all available Devanagari fonts in Debian. . This package installs following fonts:   * fonts-deva-extra   * fonts-gargi   * fonts-lohit-deva   * fonts-nakula   * fonts-sahadeva   * fonts-samyak-deva
Package: fonts-dkg-handwriting (0.16-2)
Section: universe/fonts
Homepage: http://cmrg.fifthhorseman.net/wiki/fonts
Description:  font that imitates Daniel Kahn Gillmor's handwriting This is a goofy TrueType font that mimics Daniel Kahn Gillmor's handwriting. It covers charset ISO-8859-1 plus some extra characters, and it includes bold, italic, and bold italic variants.
Package: fonts-dosis (1.7-3)
Section: universe/fonts
Homepage: http://www.impallari.com/dosis/
Description:  very simple, rounded, sans serif font family The Dosis font comes in 7 incremental weights: ExtraLight, Light, Book, Medium, Semibold, Bold & ExtraBold. The lighter weights are minimalist. The bolder weights have more personality. The medium weight is nice and balanced. The overall result is a family that's clean and modern, and can express a wide range of voices & feelings.
Package: fonts-dotgothic16 (1.000-20210120-2)
Section: universe/fonts
Homepage: https://github.com/fontworks-fonts/DotGothic16
Description:  TrueType font based on the old 16x16 Gothic bitmap Dotgothic 16 is based on the old 16x16 Gothic bitmap font that can best recreate the feel of pixel fonts from old video games, cell phones and computer screens on print. With its high readability, this font has become more popular in recent years due to the growing popularity of pixel art. . See https://fontworks.co.jp/fontsearch/dotgothic16std-m/
Package: fonts-droid-fallback (1:6.0.1r16-1.1build1)
Section: fonts
Homepage: https://android.googlesource.com/platform/frameworks/base/
Description:  handheld device font with extensive style and language support (fallback) This package provides DroidSans Fallback variants, Fallback and FallbackFull. . Each contains extensive character set coverage including Western Europe, Eastern/Central Europe, Baltic, Cyrillic, Greek and Turkish support. The Droid Sans regular font also includes support for Arabic, Simplified and Traditional Chinese, Hebrew, Japanese, Korean and Thai. . Droid was designed by Ascender's Steve Matteson and hinted to provide optimal quality for screen text.
Package: fonts-dseg (0.46-1)
Section: universe/fonts
Homepage: https://www.keshikan.net/fonts-e.html
Description:  Original 7-segment and 14-segment fonts This is a free font family, which imitate seven and fourteen segment display (7SEG,14SEG). DSEG includes the roman-alphabet and symbol glyphs. More than 50 types are available.
Package: fonts-dustin (20030517-14)
Section: universe/fonts
Description:  various TrueType fonts from dustismo.com This package contains various fonts from dustismo.com licensed under the GPL. . Dustismo and Dustismo Roman are general-purpose Sans Serif and Roman TrueType fonts (with bold, italic and bold-italic variations), and contain all the European Latin characters. . The other fonts are beautiful for special decorations and headlines, but they are limited to subsets of ASCII...
Package: fonts-dzongkha (0.3-9)
Section: universe/fonts
Description:  TrueType fonts for Dzongkha language This package includes fonts that are suitable for the display of the Dzongkha language (national language of Bhutan).
Package: fonts-ebgaramond-extra (0.016+git20210310.42d4f9f2-1)
Section: universe/fonts
Homepage: http://www.georgduffner.at/ebgaramond/
Description:  EB Garamond Initials and TrueType fonts EB Garamond is an open source project to create a revival of Claude Garamont’s famous humanist typeface from the mid-16th century. This package contains TrueType fonts (.ttf), webfonts (.woff), small caps fonts, and fonts for initials (monograms).
Package: fonts-ebgaramond (0.016+git20210310.42d4f9f2-1)
Section: universe/fonts
Homepage: http://www.georgduffner.at/ebgaramond/
Description:  EB Garamond OpenType fonts EB Garamond is an open source project to create a revival of Claude Garamont’s famous humanist typeface from the mid-16th century. This package contains OpenType fonts.
Package: fonts-ecolier-court (1.00-6)
Section: universe/fonts
Description:  cursive roman font with small descenders This package provides a cursive font covering the basic latin range with a ink and dip pen style. This version includes small descenders. Such fonts are widely used in education settings.
Package: fonts-ecolier-lignes-court (1.00-7)
Section: universe/fonts
Homepage: http://perso.orange.fr/jm.douteau/
Description:  cursive roman font (with réglure Seyès and small descenders) This package provides a cursive font covering the basic latin range with a ink and dip pen style. This version includes réglure Seyès and small descenders. Such fonts are widely used in education settings.
Package: fonts-eeyek (1.0-5)
Section: universe/fonts
Homepage: http://tabish.freeshell.org/eeyek/
Description:  Eeyek TrueType font for Meetei Mayek script Eeyek TrueType is font for Meetei Mayek script which was used to write Manipuri till the 18th century. Recent research has resurrected this script, and it is now being given its due place.
Package: fonts-elstob (1.015+ds-2)
Section: universe/fonts
Homepage: https://github.com/psb1558/Elstob-font
Description:  font for medievalists This is the Elstob font (named for the eighteenth-century Anglo-Saxonist Elizabeth Elstob) is based on the Double Pica commissioned by Bishop John Fell in the seventeenth century.
Package: fonts-elusive-icons (2.0.0-4)
Section: universe/fonts
Homepage: http://elusiveicons.com/
Description:  iconic font and CSS framework Elusive Icons is a full suite of 304 pictographic icons for easy scalable vector graphics on websites, created and maintained by Team Redux.
Package: fonts-emojione (2.2.6+16.10.20160804-0ubuntu2)
Section: universe/fonts
Homepage: http://emojione.com
Description:  The Emoji One Truetype Bitmap Font Emoji One is a bitmap font providing graphical color emoji glyphs.
Package: fonts-engadget (1.001-1-5)
Section: universe/fonts
Homepage: https://www.thibault.org/fonts/engadget/
Description:  Modern font from John Stracke This is the font used to create the engadget.com logo, includes all of ASCII and Latin-1.
Package: fonts-entypo (3.0.0-3)
Section: universe/ruby
Homepage: https://github.com/lwe/entypo-rails
Description:  icon fonts of dingbat style by Daniel Bruce Entypo is an icon font designed by Daniel Bruce http://www.entypo.com. It follows dingbat style. . This package contains ttf, eot, woff and svg format fonts. It is part of entypo-rails ruby gem.
Package: fonts-essays1743 (2.100-4)
Section: universe/fonts
Homepage: https://www.thibault.org/fonts/essays/
Description:  Essays 1743 TrueType font This font is based on the typeface used in a 1743 English translation of Montaigne's Essays. It contains normal, bold, italic and bold italic versions of 817 characters: all of ASCII, Latin-1, and Latin Extended A; some of Latin Extended B (basically, the ones that are more or less based on Roman letters); and a variety of other characters, such as oddball punctuation, numerals, etc.
Package: fonts-eurofurence (4.0-2)
Section: universe/fonts
Homepage: http://eurofurence.net/eurofurence.html
Depends: fonts-monofur
Description:  family of geometric rounded sans serif fonts Eurofurence is a family of fonts designed 1995-2000 by Tobias Köhler, originally for a convention these fonts are namesake of. . Provided variants are:  * eurofurence (regular, bold, italic, bold italic) — meant for    signs, badges or text headings.  * eurofurence classic (regular, bold, italic, bold italic, light, light    italic) — Futura-like, appropriate for body text.  * unifur (regular only) — ascender/descender-less, titles and logos only. A monospaced variant, “monofur”, is provided as a separate package.
Package: fonts-evertype-conakry (0.002+source-5)
Section: universe/fonts
Homepage: https://www.evertype.com/fonts/nko/
Description:  smart Graphite font for N'Ko The Conakry font is a smart font using a Graphite description for the N'Ko script used by Mande Language communities from West Africa.
Package: fonts-f500 (1.0-10build1)
Section: universe/fonts
Description:  Wipeout 3 Font This is the font similar to the one used in the Sony PlayStation video game "Wip3out".
Package: fonts-fantasma (1.1+repack1-1)
Section: universe/fonts
Homepage: https://github.com/froyotam/Fantasma
Description:  font with a bit roundly-shaped and spiky/edgy-ended letters This is a proportional, sans serif font with a bit roundly-shaped and spiky/edgy-ended letters that can be used for headlines or graphics.
Package: fonts-fantasque-sans (1.7.2~alpha.3~dfsg-2)
Section: universe/fonts
Homepage: https://github.com/belluzj/fantasque-sans
Description:  monospaced font variant for programmers This package provides a programming font designed with functionality in mind, and with some wibbly-wobbly handwriting like fuzziness that makes it unassumingly cool. . This package provides truetype fonts along with woff and svg variants as webfonts along CSS required to use them.
Package: fonts-fanwood (1.1-7)
Section: universe/fonts
Homepage: https://crudfactory.com/font/show/fanwood
Description:  font similar to the Fairfield font This is an old style serif typeface. Its design is rooted in the forms of Venetian Old Face types.
Package: fonts-farsiweb (0.4.dfsg-13build1)
Section: fonts
Description:  free TrueType fonts for Persian language The package provides a standard set of Unicode Persian (Farsi) fonts, including Titr, Nazli, Nazli Bold, and Homa.
Package: fonts-femkeklaver (1.0-3)
Section: universe/x11
Homepage: http://www.1001fonts.com/femkeklaver-font.html
Description:  simple handwriting font FemkeKlaver is a simple handwriting font with strong repeated tracing. Its style resembles that used in illustrated diaries, with round cursive small letters and outlined block capital letters.
Package: fonts-ferrite-core (2.0-1)
Section: universe/fonts
Homepage: https://github.com/froyotam/ferrite-core
Description:  geometric shaped font lending it a futurist look This display font is built with geometric shapes lending it a futurist look. It is a great choice for headlines, graphic design and more.
Package: fonts-firacode (6.2-1)
Section: universe/fonts
Homepage: https://github.com/tonsky/FiraCode
Description:  Monospaced font with programming ligatures Fira Code is an extension of the Fira Mono font containing a set of ligatures for common programming multi-character combinations. This is just a font rendering feature: underlying code remains ASCII-compatible. This helps to read and understand code faster. For some frequent sequences like .. or //, the ligatures allow one to correct spacing. . This font is expected to work in most text editors but won't work in most (especially VTE-based) terminal emulators. A detailed list is available on https://github.com/tonsky/FiraCode#terminal-support
Package: fonts-font-awesome (5.0.10+really4.7.0~dfsg-4.1)
Section: fonts
Homepage: http://fontawesome.io/
Description:  iconic font designed for use with Twitter Bootstrap This font contains about 249 various icon glyphs. Glyphs are designed as scalable vector graphics hence display very well at any screen size. This font was basically designed to be used with the Twitter bootstrap  library but can be used in other places also. . This package also provides Sass and LESS files to use webfonts from this package. . Please note that this package provides Font Awesome 4 (not Font Awesome 5 or Font Awesome 6 which are different fonts with different licensing).
Package: fonts-fork-awesome (1.1.5+ds1-2)
Section: universe/fonts
Homepage: https://forkawesome.github.io
Description:  fork of the iconic font and CSS toolkit Fork Awesome is a full suite of 718 pictographic icons for easy scalable vector graphics on websites, originally created by Dave Gandy and now maintained by a community.
Package: fonts-freefarsi (1.0.0~beta1-8)
Section: universe/fonts
Homepage: http://fpf.sourceforge.net
Description:  FreeFarsi TrueType Persian fonts FPF project aims to provide a free TrueType Persian font covering its part of ISO 10464/Unicode UCS (Universal Characters Set).
Package: fonts-freefont-otf (20120503-10build1)
Section: universe/fonts
Homepage: http://savannah.gnu.org/projects/freefont/
Description:  Freefont Serif, Sans and Mono OpenType fonts Freefont is a set of free high-quality OpenType fonts covering the UCS character set. These fonts are similar to the widely known Helvetica, Times and Courier fonts.
Package: fonts-freefont-ttf (20120503-10build1)
Section: fonts
Homepage: http://savannah.gnu.org/projects/freefont/
Description:  Freefont Serif, Sans and Mono Truetype fonts Freefont is a set of free high-quality TrueType fonts covering the UCS character set. These fonts are similar to the widely known Helvetica, Times and Courier fonts.
Package: fonts-gamaliel (0.1-2)
Section: universe/fonts
Homepage: http://luc.devroye.org/fonts-54555.html
Description:  black letter face The type is based on the gothic letters used by the Barcelonese printer Joan Rosembach in 1496.
Package: fonts-gargi (2.0-5)
Section: fonts
Description:  OpenType Devanagari font This package provides Gargi font for Devanagari script which is used as script for multiple languages such as Hindi, Kashmiri, Konkani, Maithili, Marathi normally spoken in various states in Indian subcontinent.
Package: fonts-gemunu-libre (1.100+ds-2)
Section: universe/fonts
Homepage: http://mooniak.com/gemunu-libre-font/tests/
Description:  new interpretation to FM Gamunu font This is the Unicode compliant version of the popular Sinhala typeface ‘FM Gemunu’ by Pushpananda Ekanayake. With its squarish, but smooth design, Gemunu Libre has a distinctive personality among all the other Sinhala typefaces that are currently in use.
Package: fonts-georgewilliams (20031023-3)
Section: universe/fonts
Description:  Free unicode TrueType fonts by George Williams A set of Free unicode True Type fonts made by George Williams. The package consists the following fonts:  Caslon  Caliban  Cupola
Package: fonts-gfs-artemisia (1.1-6)
Section: universe/fonts
Homepage: https://greekfontsociety.gr/
Description:  Greek font (Times Greek-like) The type family GFS Artemisia was designed by the painter-engraver Takis Katsoulidis and reflects his style and typographic acumen. It is largely his effort to offer, from a different perspective, a type face which, like Times Greek, would be applicable to a wide spectrum of uses and equally agreeable and legible. The typeface has been digitised by George D. Matthiopoulos.
Package: fonts-gfs-baskerville (1.1-6)
Section: universe/fonts
Homepage: http://www.greekfontsociety.gr/
Description:  ancient Greek font revival John Baskerville (1706-1775) got involved in typography late in his career but his contribution was significant. He was a successful entrepreneur and possessed an inquiring mind which he applied to produce many aesthetic and technical innovations in printing. He invented a new ink formula, a new type of smooth paper and made various improvements in the printing press. He was also involved in type design which resulted in a latin typeface which was used for the edition of Virgil, in 1757.  The quality of the type was admired throughout of Europe and America and was revived with great success in the early 20th century. Baskerville was also involved in the design of a Greek typeface which he used in an edition of the New Testament for Oxford University, in 1763. He adopted the practice of avoiding the excessive number of ligatures which Alexander Wilson had started a few years earlier but his Greek types were rather narrow in proportion and did not win the sympathy of the philologists and other scholars of his time. They did influence, however, the Greek types of Giambattista Bodoni. and through him Didot's Greek in Paris.  The typeface has been digitally revived as GFS Baskerville Classic by Sophia Kalaitzidou and George D. Matthiopoulos and is now available as part of GFS' type library.
Package: fonts-gfs-bodoni-classic (1.1-6)
Section: universe/fonts
Homepage: https://www.greekfontsociety.gr/
Description:  smart greek typeface revival Giambattista Bodoni was the most prolific Italian typecutter of the 18th century. He was among the first European typecutters to move away from the byzantine cursive tradition with the numerous ligatures which was the norm until then. His Greek types influenced many subsequent designers, yet they fell in disuse by the middle of the 19th century.  GFS presented Bodoni's original Greek typeface in the commemorative edition of Pindar's Olympian Odes (2004), in digital version by George D. Matthiopoulos, and is now available for the general public. In the OpenType features, under ligatures, one may alternately use diphthongs with the accents placed in between the characters, as Giambattista Bodoni did when setting greek texts.
Package: fonts-gfs-complutum (1.1-7)
Section: universe/fonts
Homepage: https://www.greekfontsociety.gr/
Description:  ancient Greek font revival from the University of Alcalá, Spain Greek Font Society incorporated Brocar's famous and distinctive type in the commemorative edition of Pindar's Odes for the Athens Olympics (2004) and the type with a new set of capitals, revived digitaly by George D. Matthiopoulos, is now available for general use.
Package: fonts-gfs-didot-classic (1.1-6)
Section: universe/fonts
Homepage: https://www.greekfontsociety.gr/
Description:  greek font family (Classic Didot revival) Under the influence of the neoclassical ideals of the late 18th century, the famous French typecutter Firmin Didot in Paris designed a new Greek typeface (1805) which was immediately used in the publishing programme of Adamantios Korai, the prominent intellectual figure of the Greek diaspora and leading scholar of the Greek Enlightenment. The typeface eventually arrived in Greece, with the field press which came with Didot’s grandson Ambroise Firmin Didot, during the Greek Revolution in 1821. . Since then the typeface has enjoyed an unrivaled success as the type of choice for almost every kind of publication until the last decades of the 20th century. Didot's original type design, as it is documented in publications during the first decades of the 19th century, was digitized and revived by George D. Matthiopoulos in 2006 for a project of the Department of Literature in the School of Philosophy at the University of Thessaloniki, and is now available for general use.
Package: fonts-gfs-didot (1.1-7)
Section: universe/fonts
Homepage: https://www.greekfontsociety.gr/
Description:  greek font family (Didot revival) Didot's type was the base for a new font, GFS Didot (1994) which was designed by Takis Katsoulidis, and digitised by George Matthiopoulos. The typeface is accompanied by a matching latin alphabet based on Hermann Zapf's Palatino.