k3ylabs/cosoco-image-dataset huggingface dataset:
Package: fonts-gfs-gazis (1.1-6)
Section: universe/fonts
Homepage: https://www.greekfontsociety.gr/
Description:  ancient Greek font (Byzantine cursive hand style) During the whole of the 18th century the old tradition of using Greek types designed to conform to the Byzantine cursive hand with many ligatures and abbreviations - as it was originated by Aldus Manutius in Venice and consolidated by Claude Garamont (Grecs du Roy) - was still much in practice, although clearly on the wane. GFS Gazis is a typical German example of this practice as it appeared at the end of that era in the 1790's. Its name pays tribute to Anthimos Gazis (1758-1828), one of the most prolific Greek thinkers of the period, who was responsible for writing, translating and editing numerous books, including the editorship of the important Greek periodical Ερμής ο Λόγιος (Litterary Hermes) in Wien.  GFS Gazis has been digitally designed by George D. Matthiopoulos.
Package: fonts-gfs-neohellenic (1.1-7)
Section: universe/fonts
Homepage: https://www.greekfontsociety.gr/
Description:  modern Greek font family with matching Latin Neohellenic is a Greek font family characterized by round, even pen strokes. It consists of several weights (normal, italic, bold, and bold italic) as well as a Latin version. . Former Greek types had harked back to classical models. In 1927, Victor Scholderer chose instead to revive one which had first appeared in a 1492 printing of Macrobius attributed to Joannes Rubeus. In 1993-4 the typeface was digitized by the Greek Font Society, with the addition of a new set of epigraphic symbols.
Package: fonts-gfs-olga (1.1-6)
Section: universe/fonts
Homepage: https://www.greekfontsociety.gr/
Description:  ancient Greek oblique font revival (companion to GFS Didot) In Greece the terms italic and oblique have the same meaning since they are borrowed from the latin typographic practice without any real historical equivalent in Greek history. Until the end of the 19th century Greek typefaces were cut and cast independently, not as members of a typefamily. The mechanisation of typecutting allowed the transformation of upright Greek typefaces to oblique designs. Nonetheless, the typesetting practice of a cursive Greek font to complement an upright one did not survive the 19th century. The experimental font GFS Olga (1995) attempts to revive this lost tradition. The typeface was designed and digitised by George Matthiopoulos, based on the historical Porson Greek type (1803) with the intention to be the companion of the upright GFS Didot font whenever there is a need for an italic alternative.
Package: fonts-gfs-porson (1.1-7)
Section: universe/fonts
Homepage: https://www.greekfontsociety.gr/
Description:  Greek font (Porson revival) In England, during the 1790's, Cambridge University Press decided to procure a new set of Greek types. The university’s great scholar of Classics, Richard Porson was asked to produce a typeface based on his handsome handwriting and Richard Austin was commissioned to cut the types. The type was completed in 1808, after the untimely death of Porson the previous year. Its success was immediate and since then the classical editions in Great Britain and the U.S.A.  use it, almost invariably. In 1913, Monotype released the typeface with some corrections, notably replacing the upright capitals suggested by Porson with inclined ones. In Greece the typeface was used under the name Pelasgika type. GFS Porson is based on the Monotype version, though using upright capitals, as in the original.
Package: fonts-gfs-solomos (1.1-6)
Section: universe/fonts
Homepage: https://www.greekfontsociety.gr/
Description:  ancient Greek oblique font From the middle of the 19th century an italic font with many calligraphic overtones was introduced into Greek printing. Its source is unknown, but it almost certainly was the product of a German or Italian foundry. In the first type specimen printed in Greece by the typecutter K. Miliadis (1850), the font was listed anonymously along others of 11pts and in the Gr. Doumas' undated specimen appeared as «11pt Greek inclined». For most of the second half of the century the type was used extensively as an italic for emphasis in words, sentences or excerpts. In 1889, the folio size Type Specimen of Anestis Konstantinidis' publishing, printing and type founding establishment also included the type as «Greek inclined [9 & 12 pt]». . Nevertheless, the excessively calligraphic style of the characters, combined with the steep and uncomfortable obliqueness of the capitals, was out of favour in the 20th century and the type did not survive the conformity of the mechanical type cutting and casting. The font has been digitally revived, as part of our typographic tradition, by George D.  Matthiopoulos and is part of GFS' type library under the name GFS Solomos, in commemoration of the great Greek poet of the 19th century, Dionisios Solomos.
Package: fonts-gfs-theokritos (1.1-6)
Section: universe/fonts
Homepage: https://www.greekfontsociety.gr/
Description:  decorative Greek font In the late 50's Yannis Kefallinos (1894-1958) designed and published an exquisite book with engraved illustrations of the ancient white funerary pottery in Attica in collaboration with Varlamos, Montesanto, Damianakis. . Its complex and heavily decorative design does point to aesthetic codes which preoccupied his artistic expression and, although impractical for contemporary text setting, it remains an original display face, or it can be used as initials.  The book design workshop of the Fine Arts School of Athens has been recently reorganised, under the direction of professor Leoni Vidali, and with her collaboration George D. Matthiopoulos has redesigned digitaly this historical font which is now available as GFS Theokritos.
Package: fonts-glasstty (0-2)
Section: universe/fonts
Homepage: http://sensi.org/~svo/glasstty/
Description:  VT220 terminal font This font faithfully reproduces the appearance of text on a DEC VT220 terminal, up to scanline gaps. . As a pixel font, it looks good only at sizes that are 20 pixel tall (or 1.5×, 2×, … that) -- on most setups this corresponds to "point" size of 15 (22.5, 30, …).  You might get reasonable results for other sizes only with VRGB/VBGR antialiasing (usu. portrait orientation screens), HiDPI, or bad eyes. . Supported characters include DEC Western, vt100 graphics, and Cyrillic.
Package: fonts-glyphicons-halflings (1.009~3.4.1+dfsg-2)
Section: universe/javascript
Homepage: https://getbootstrap.com/
Description:  icons made for smaller graphic GLYPHICONS is a family of icon fonts created with an emphasis to simplicity and easy orientation. . GLYPHICONS Halflings, a subset optimized for smaller graphics, were freely licensed as part of Bootstrap 2.x and 3.x.
Package: fonts-gnutypewriter (1.0-2)
Section: universe/fonts
Homepage: http://www.komsta.net/software
Description:  Multilingual font imitating a real typewriter This is multilingual font imitating a real typewriter. Full Language Support: Basic Cyrillic, Basic Latin. Partial Language Support: Central European.
Package: fonts-go (0~20170330-1)
Section: universe/fonts
Homepage: https://blog.golang.org/go-fonts
Description:  high-quality WGL4 TrueType fonts for Go project The Go font family includes proportional and fixed width faces in normal, bold, and italic renderings. It is designed for technical uses, particularly programming.
Package: fonts-gotico-antiqua (0+git20190704-4)
Section: universe/fonts
Homepage: https://github.com/anrt-type/GoticoAntiqua
Description:  15th century types between gothic and roman Fifteen fonts and one set of initial letters draw from documents printed between 1459 and 1482. Based on a current research programme at Atelier national de recherche typographique (ANRT), which investigates the period 1459-1482.
Package: fonts-goudybookletter (2010.07.03-6)
Section: universe/fonts
Homepage: https://crudfactory.com/font/show/gb1911
Description:  Old style roman font Based on the roman of Frederic Goudy's Kennerley Old Style (designed and cut in 1911 for a limited edition of "The Door in the Wall and Other Stories" by H G Wells, published by Mitchell Kennerley). The companion italic is a future project. . The letters, though not condensed, may seem to fit together like pieces of a jigsaw puzzle, giving text an unusually solid appearance.
Package: fonts-gubbi (1.3-5build1)
Section: fonts
Homepage: https://github.com/aravindavk/Gubbi
Description:  Gubbi free font for Kannada script This package provides a font for Kannada script (kn) which is primarily used in the Indian state of Karnataka. . This language is fork of old Kedage font with lots of improvements and is now actively maintained by the upstream.
Package: fonts-gujr-extra (1.0.1-1)
Section: fonts
Description:  Free fonts for Gujarati script This package provides free fonts for Gujarati script which is primarily used in the Indian state of Gujarat. . It includes following fonts:  * Aakar  * Padmaa  * Rekha
Package: fonts-gujr (2:1.4)
Section: fonts
Depends: fonts-gujr-extra, fonts-kalapi, fonts-lohit-gujr, fonts-samyak-gujr, fonts-yrsa-rasa
Description:  Meta package to install all Gujarati fonts This package allows you to install all available Gujarati fonts in Debian. . This package installs following fonts:   * fonts-gujr-extra   * fonts-kalapi   * fonts-lohit-gujr   * fonts-samyak-gujr   * fonts-yrsa-rasa
Package: fonts-guru-extra (2.0-5)
Section: fonts
Description:  Free fonts for Punjabi language Fonts for the Punjabi language which is spoken in the Punjab region of India and Pakistan. Fonts in this package use the Gurmukhi script. In Pakistan, Punjabi is written using Arabic script. The Devanagari script is also sometimes used in India. . Currently only font in this package is, Saab.
Package: fonts-guru (2:1.3)
Section: fonts
Depends: fonts-guru-extra, fonts-lohit-guru
Description:  Meta package to install all Punjabi fonts This package allows you to install all available Punjabi fonts in Debian. . This package installs following fonts.   * fonts-lohit-guru   * fonts-guru-extra
Package: fonts-hack-otf (3.003-3)
Section: universe/fonts
Homepage: https://sourcefoundry.org/hack/
Depends: fonts-hack
Description:  Hack OpenType fonts (transitional package for fonts-hack) This package used to contain the OTF variant of the Hack font, which has been discontinued upstream. It now pulls in the TTF variant instead. . This package is a dummy transitional package. It can be safely removed.
Package: fonts-hack-ttf (3.003-3)
Section: universe/fonts
Homepage: https://sourcefoundry.org/hack/
Depends: fonts-hack
Description:  Hack TrueType fonts (transitional package for fonts-hack) This package used to contain the TTF variants of the Hack font, which are now part of the consolidated fonts-hack package. . This package is a dummy transitional package. It can be safely removed.
Package: fonts-hack-web (3.003-3)
Section: universe/fonts
Homepage: https://sourcefoundry.org/hack/
Depends: fonts-hack
Description:  Hack web fonts (transitional package for fonts-hack) This package used to contain the web variants of the Hack font, which are now part of the consolidated fonts-hack package. . This package is a dummy transitional package. It can be safely removed.
Package: fonts-hack (3.003-3)
Section: universe/fonts
Homepage: https://sourcefoundry.org/hack/
Description:  Typeface designed for source code No frills. No gimmicks. Hack is hand groomed and optically balanced to be a workhorse face for code. . It has deep roots in the libre, open source typeface community and expands upon the contributions of the Bitstream Vera & DejaVu projects. The face has been re-designed with a larger glyph set, modifications of the original glyph shapes (including distinct point styles and semi-bold punctuation weight in the regular set to make analphabetic characters less transparent), and meticulous attention to metrics (including numerous spacing adjustments to improve the rhythm of the face and the legibility of code at small text sizes). The large x-height + wide aperture + low contrast design combined with PostScript hinting/hint replacement programs and a TrueType instruction set make it highly legible at commonly used source code text sizes with a sweet spot that runs in the 8px - 12px range on modern desktop and laptop monitors. . This package contains the TrueType fonts and the Webfont (WOFF/WOFF2) versions.
Package: fonts-hanazono (20170904-2.1)
Section: universe/fonts
Homepage: http://fonts.jp/hanazono/
Description:  Japanese TrueType mincho font by KAGE system and FontForge This font is Japanese KANJI free font. The KAGE system and FontForge are used for the generation of this font. Collected glyph uses all the data registered in glyphwiki.
Package: fonts-havana (1.0-3)
Section: universe/fonts
Homepage: https://kroje.org/en/fonts/havana/
Description:  Old communism style script font from Poland This font is inspired by Warsaw neon signs from before 1989. Just like the lettering of that period, the “Havava” design is detail oriented, coherent and sophisticated. Some letters are directly drawn from specific signs – letters “K” and “m” from “Kosmetyki” or letter “t” from “Mister” sign. The font’s name itself refers to a former cafe “Havana” in Warsaw.
Package: fonts-hermit (1.2.0+ds-5)
Section: universe/fonts
Homepage: https://github.com/Swordfish90/cool-retro-term
Description:  Monospace Hermit Font for programming This is a monospace font designed to be clear, pragmatic and very readable. Its creation has been focused on programming. Every glyph was carefully planned and calculated, according to defined principles and rules. For this reason, Hermit is coherent and regular.
Package: fonts-horai-umefont (670-5)
Section: universe/fonts
Homepage: https://ja.osdn.net/projects/ume-font/wiki/FrontPage
Description:  Japanese TrueType font, Ume-font Umefont is Japanese TrueType font, it consists of below fonts  * Ume Gothic (Original, O5, C4, C5, S4, S5)  * Ume P Gothic (Original, O5, C4, C5, S4, S5)  * Ume UI Gothic (Original, O5)  * Ume Mincho (Original, S3)  * Ume P Mincho (Original, S3)  * Ume Hy Gothis
Package: fonts-hosny-amiri (0.113-1)
Section: fonts
Homepage: https://www.amirifont.org
Description:  Arabic Naskh style typographically oriented font Amiri is a classical Arabic typeface in Naskh style for typesetting books and other running text. . Its design is a revival of the beautiful typeface pioneered in early 20th century by Bulaq Press in Cairo, also known as Amiria Press, after which the font is named. . Amiri font covers the full Unicode 6.0 Arabic and Arabic Supplement blocks, as well as the compatibility Arabic Presentation Forms-A and B blocks.
Package: fonts-hosny-thabit (0.02-2.1)
Section: universe/fonts
Homepage: http://www.arabeyes.org/project.php?proj=Khotot
Description:  fixed width OpenType Arabic fonts Thabit (from Arabic ثابت; fixed) is a fixed width OpenType font family that is supports Arabic script. It is developed by Arabeyes.org as part of Khotot project. . Currently supported languages:  * Arabic (basic Arabic, no Quranic support yet)  * Pashto  * Farsi
Package: fonts-humor-sans (1.0-4)
Section: universe/fonts
Homepage: https://antiyawn.com/uploads/humorsans.html
Description:  Font that looks like handwritten text This truetype font has the typeface that looks like the one used in the popular online comic, xkcd (http://xkcd.com).
Package: fonts-ibm-plex (6.0.0-1)
Section: multiverse/fonts
Homepage: https://www.ibm.com/plex/
Description:  extensive typeface family designed by IBM IBM Plex is an extensive font family developed by IBM. It comes in four subfamilies (Sans, Sans Condensed, Mono and Serif) and 8 weights (Thin, Extralight, Light, Regular, Text, Medium, Semibold, Bold), with true italics to complement them. A variable-weight counterpart of IBM Plex Sans is also available. . The four basic subfamilies support most of the languages using the Latin alphabet (including Vietnamese), the Cyrillic writing system and monotonic Greek. Hebrew (including cantillation marks), Thai (both looped and loopless), Devanagari and Arabic are supported as separate typefaces. . There is also support for common mathematical and currency symbols as well as ligatures and stylistic alternates. . This package contains the TrueType (CFF) flavored OpenType fonts and the WOFF/WOFF2 web fonts.
Package: fonts-inconsolata (001.010-6build1)
Section: universe/fonts
Homepage: https://www.levien.com/type/myfonts/inconsolata.html
Description:  monospace font for pretty code listings and for the terminal Inconsolata is a monospace font, designed for code listings and the like, in print. There are a great many "programmer fonts," designed primarily for use on the screen, but in most cases do not have the attention to detail for high resolution rendering. . The Fontforge .sfd and the Spiro .plate extended sources are available on the upstream website and in the source package. A Type1 version of the font is also available. . This is work in progress. It is released under the SIL Open Font License. Completion of this font is being generously sponsored by the TeX Users Group Development Fund. If you like this font and want to see more sponsored and released freely, please consider donating to TUG's Libre Font Fund.
Package: fonts-indic (2:1.4)
Section: metapackages
Depends: fonts-beng, fonts-deva, fonts-gujr, fonts-guru, fonts-knda, fonts-mlym, fonts-orya, fonts-pagul, fonts-taml, fonts-telu
Description:  Meta package to install all Indian language fonts This metapackage merely depends on the various free Indian language font packages available in Debian. Use this if you want fonts for every Indian language. . The following metapackages will be pulled down as dependency which will in turn pull down real font packages.   * fonts-beng   * fonts-deva   * fonts-gujr   * fonts-guru   * fonts-knda   * fonts-mlym   * fonts-orya   * fonts-pagul   * fonts-taml   * fonts-telu
Package: fonts-inter-variable (3.19+ds-2)
Section: universe/fonts
Homepage: https://rsms.me/inter/
Description:  Inter font family (VF) This is a typeface specially designed for user interfaces with focus on high legibility of small-to-medium sized text on computer screens. . The family features a tall x-height to aid in readability of mixed-case and lower-case text. Several OpenType features are provided as well, like contextual alternates that adjusts punctuation depending on the shape of surrounding glyphs, slashed zero for when you need to disambiguate "0" from "o", tabular numbers, etc. . This is the VF variant of the font.
Package: fonts-inter (3.19+ds-2)
Section: universe/fonts
Homepage: https://rsms.me/inter/
Description:  Inter font family This is a typeface specially designed for user interfaces with focus on high legibility of small-to-medium sized text on computer screens. . The family features a tall x-height to aid in readability of mixed-case and lower-case text. Several OpenType features are provided as well, like contextual alternates that adjusts punctuation depending on the shape of surrounding glyphs, slashed zero for when you need to disambiguate "0" from "o", tabular numbers, etc.
Package: fonts-ipaexfont-gothic (00401-3ubuntu1)
Section: universe/fonts
Homepage: https://ipafont.ipa.go.jp/
Description:  Japanese OpenType font, IPAex Gothic Font IPAex Fonts are JIS X 0213:2004 compliant OpenType fonts based on TrueType outlines provided by Information-technology Promotion Agency, Japan (IPA) from 2010.  These are suitable for both display and printing. . These new fonts are developed from IPA Fonts to provide the best balance for the Japanese documentation mixed with Western characters by following Japanese printing tradition.  Japanese characters (Kanji, Kana and punctuation marks) are full width mono-space pitch, and Western characters are proportional pitch. . This package provides IPAex Gothic Font in the Gothic (san-serif) style.
Package: fonts-ipaexfont-mincho (00401-3ubuntu1)
Section: universe/fonts
Homepage: https://ipafont.ipa.go.jp/
Description:  Japanese OpenType font, IPAex Mincho Font IPAex Fonts are JIS X 0213:2004 compliant OpenType fonts based on TrueType outlines provided by Information-technology Promotion Agency, Japan (IPA) from 2010.  These are suitable for both display and printing. . These new fonts are developed from IPA Fonts to provide the best balance for the Japanese documentation mixed with Western characters by following Japanese printing tradition.  Japanese characters (Kanji, Kana and punctuation marks) are full width mono-space pitch, and Western characters are proportional pitch. . This package provides IPAex Mincho Font in the Mincho (serif) style.
Package: fonts-ipaexfont (00401-3ubuntu1)
Section: universe/fonts
Homepage: https://ipafont.ipa.go.jp/
Depends: fonts-ipaexfont-gothic, fonts-ipaexfont-mincho
Description:  Japanese OpenType font, all IPAex Fonts IPAex Fonts are JIS X 0213:2004 compliant OpenType fonts based on TrueType outlines provided by Information-technology Promotion Agency, Japan (IPA) from 2010.  The older JIS X 0213:2000 font gliphs are also supported via IVS (Ideographic Variation Sequence).  These are suitable for both display and printing. . These new fonts are developed from IPA Fonts to provide the best balance for the Japanese documentation mixed with Western characters by following Japanese printing tradition.  Japanese characters (Kanji, Kana and punctuation marks) are full width mono-space pitch, and Western characters are proportional pitch. . This metapackage depends on fonts-ipaexfont-{mincho,gothic} packages to provide IPAex Mincho and IPAex Gothic Fonts.
Package: fonts-ipafont-gothic (00303-21ubuntu1)
Section: universe/fonts
Homepage: https://ipafont.ipa.go.jp/
Description:  Japanese OpenType font set, IPA Gothic and IPA P Gothic Fonts IPA Fonts are JIS X 0213:2004 compliant OpenType fonts based on TrueType outlines provided by Information-technology Promotion Agency, Japan (IPA) from 2003.  These are suitable for both display and printing. . This package provides Gothic (san-serif) style fonts.  IPA Gothic Font is the equal-width font.  IPA P Gothic Font is the propotional font. . In the equal-width font, the fullwidth characters (most CJK characters) occupy exactly twice as much width of the halfwidth characters (normal alphabets and numbers).
Package: fonts-ipafont-mincho (00303-21ubuntu1)
Section: universe/fonts
Homepage: https://ipafont.ipa.go.jp/
Description:  Japanese OpenType font set, IPA Mincho and IPA P Mincho Fonts IPA Fonts are JIS X 0213:2004 compliant OpenType fonts based on TrueType outlines provided by Information-technology Promotion Agency, Japan (IPA) from 2003.  These are suitable for both display and printing. . This package provides Mincho (serif) style fonts.  IPA Mincho Font is the equal-width font.  IPA P Mincho Font is the propotional font. . In the equal-width font, the fullwidth characters (most CJK characters) occupy exactly twice as much width of the halfwidth characters (normal alphabets and numbers).
Package: fonts-ipafont-nonfree-jisx0208 (1:00103-7)
Section: multiverse/fonts
Homepage: https://www.ipa.go.jp/
Description:  Japanese TrueType font, IPAfont (JISX0208) IPAfont is Japanese TrueType font set that provided by Information-technology Promotion Agency, Japan (IPA does NOT mean International Phonetic Alphabet). . It consists of  * IPA Gothic  * IPA P Gothic  * IPA UI Gothic  * IPA Mincho  * IPA P Mincho . It based on JISX0208 specifications. fonts-ipafont package is based on new JISX0214, has different glyphs on some same characters. So this package contains glyphs that have compatibility with old specifications, such as MS Gothic or Mincho fonts or so. That is important thing for business documents.
Package: fonts-ipafont-nonfree-uigothic (00203-26)
Section: multiverse/fonts
Homepage: https://www.ipa.go.jp/
Description:  Japanese TrueType font, IPAfont UI Gothic IPAfont is Japanese TrueType font set that provided by Information-technology Promotion Agency, Japan (IPA does NOT mean International Phonetic Alphabet). . This package contain UI Gothic, suitable for display GUI menu.