Nosferatu

***Nosferatu eine Symphonie des Grauens*** (translation: _Nosferatu: A Symphony of Horror_) is a 1922 German silent horror movie by F. W. Murnau. It was based on the _Dracula_ novel by Bram Stoker.

The movie was shot in 1921 and was released in Germany in 1922 and in the US in 1929. It is about a vampire or "Nosferatu" named Count Orlok (starring Max Schreck) who lives in a castle on top of a hill. The movie is in the public domain in America but not in Germany.

The movie was a commercial failure and caused the company Prana Film to be shut down due to copyright infringement. The movie was the only movie by Prana Film.

The movie got a strong cult following. Not only this, the movie has received overwhelmingly positive reviews. On Rotten Tomatoes it got a "Certified Fresh" label: 98% of critics gave the film a positive review with a "fresh" rating, based on 46 reviews.

In 2010, it was ranked twenty-first in _Empire_ magazine's "The 100 Best Films of World Cinema". A remake of the movie was released in 2024.

## Cast

- Max Schreck as Count Orlok
- Gustav von Wangenheim as Jonathan Harker
- Greta Schröder as Ellen Hutter
- Alexander Granach as Knock
- Georg H. Schnell as Harding
- Ruth Landshoff as Ruth
- John Gottowt as Professor Bulwer
- Gustav Botz as Professor Sievers
- Max Nemetz as The Captain of The Empusa
- Wolfgang Heinz as First Mate of The Empusa
- Heinrich Witte as guard in asylum
- Guido Herzfeld as innkeeper
- Karl Etlinger as student with Bulwer
- Hardy von Francois as hospital doctor
- Fanny Schreck as hospital nurse

## Plot

In 1838, Thomas Hutter lives in the fictional German city of Wisborg. His mysterious employer, estate agent Herr Knock, sends Hutter to Transylvania to visit a new client named Count Orlok who plans to buy a house in Wisborg. Hutter entrusts his loving wife Ellen to his good friend Harding and Harding's sister Annie, before embarking on his long journey. Nearing his destination in the Carpathian Mountains, Hutter stops at an inn for dinner. The locals become frightened by the mere mention of Orlok's name and discourage him from traveling to his castle at night, warning of a werewolf on the prowl.

The next morning, Hutter takes a coach to a high mountain pass, but the coachman declines to take him any further than the bridge as nightfall is approaching. A black-swathed coach appears after Hutter crosses the bridge and the coachman gestures for him to climb aboard. Hutter is welcomed at a castle by Count Orlok. When Hutter is eating dinner and accidentally cuts his thumb, Orlok tries to suck the blood out, but his repulsed guest pulls his hand away.

Hutter wakes up to a deserted castle the morning after and notices fresh punctures on his neck which, in a letter he sends by courier on horseback to be delivered to his devoted wife, he attributes to mosquitoes. That night, Orlok signs the documents to purchase the house across from Hutter's own home in Wisborg and notices a photo of Hutter's wife, remarking that she has a "lovely neck."

## Production

_Nosferatu_ is Prana Film's only production. Prana Film was founded 1921 by Enrico Dieckmann and Albin Grau. Grau had the idea to shoot a vampire film; the inspiration arose from Grau's war experience: in the winter of 1916, a Serbian farmer told him that his father was a vampire and one of the Undead.

Diekmann and Grau gave Henrik Galeen a job to screenplay inspired from Bram Stoker's 1897 novel _Dracula_, despite Prana Film not having rights to the film. Galeen was an experienced specialist in Dark romanticism ; he had already worked on _Der Student von Prag_ (_The Student of Prague_) in 1913, and the screenplay for 1920's _Der Golem, wie er in die Welt kam_ (_The Golem: How He Came into the World_). Galeen set the story in a fictional north German harbour town named Wisborg and changed the character names. He added the idea of the vampire bringing the plague to Wisborg via rats on the ship. He left out the Van Helsing vampire hunter character. Galeen's German Expressionism screenplay was poetically rhythmic, without being so dismembered as other books influenced by literary Expressionism, such as those by Carl Mayer. Lotte Eisner described Galeen's screenplay as "**'" ("full of poetry, full of rhythm").

Dieckmann and Gray won the director Friedrich Wilhelm Murnau, who made movies until 1919, but had made his first seven productions a reputation as a talented filmmaker. Gray, who had studied at the Art Academy in Dresden, took over as artistic director and designed sets and costumes. For the soundtrack of the musical director of the Prana-Film Hans Erdmann was responsible. The unknown stage actor Max Schreck from Munich, was committed for the title role. Other roles took on expressionist theater of Max Reinhardt trained actors like Greta Schröder, Gustav von Wangenheim, and Alexander Granach, a former classmate at Murnau Reinhardt's acting school at the Deutsches Theater.

Filming began in July 1921. Exterior shots were filmed in Wismar. A take from Marienkirche's tower over Wismar marketplace with the Wasserkunst Wismar served as the establishing shot for the Wisborg scene. Other locations were the Wassertor, the Heiligen-Geist-Kirche yard and the harbour. In Lübeck, the abandoned Salzspeicher served as Nosferatu's new Wisborg house, the one of the churchyard from Aegidienkirche served as Hutters and down the Depenau _coffin bearers_ beared coffins. Many walks of Lübeck took place in the hunt of _Knock_ who ordered Hutter in the _Yard of Füchting_ to meet the earl. Further exterior shots followed in Lauenburg, Rostock and on Sylt. The film team travelled to the Carpathian Mountains, where Orava Castle served as backdrop for Orlok's half-ruined castle. Nearby locations also served: Hutter's stay at Dolný Kubín; the river journey with the coffins filmed on the Váh River; and the panoramas of the High Tatras mountain range. The team filmed interior shots at the JOFA studio in Berlin's Johannisthal locality. and further exteriors in the Tegel forest.  Parts of the film set in Transylvania were also shot in Slovakia.

For cost reasons, cameraman Fritz Arno Wagner only had one camera available, and therefore there was only one original negative. The director followed Galeen's screenplay carefully, following handwritten instructions on camera positioning, lighting, and related matters. Nevertheless, Murnau completely rewrote 12 pages of the script, as Galeen's text was missing from the director's working script. This concerned the last scene of the film, in which Ellen sacrifices herself and the vampire dies in the first rays of the Sun. Murnau prepared carefully; there were sketches that were to correspond exactly to each filmed scene, and he used a metronome to control the pace of the acting.

Since the camera was mostly static and immobile to Nosferatu, Murnau used movement and differentiation within the rigid cadre in order to energize the scene. As Orloks ship slowly moves from right to left through the movie screen, Murnau used this so Eisner's "powerful effect[s] of the impression of transverse motion." would stress education. This served the same purpose subjectifications of the camera view, such as when the vampire filmed on the ship from the frog perspective or stand looking out of windows, parts of the frame and shoots into view . The highlight of the subjectivated gaze are the scenes in which the vampire character - directly facing the camera - turns to the audience and thus the fourth wall is broken: "The vampire seems by its immensity, the dimensions of the screen to blow up and the viewers to directly threaten "

## Release

Shortly before the premiere, an advertisement campaign was placed in issue 21 of the magazine _Bühne und Film_, with a summary, scene and work photographs, production reports and essays including a treatment on vampirism by Albin Grau. Nosferatu's preview premiered on 4 March 1922 in the _Marmorsaal_ of the Berlin Zoological Garden. This was planned as a large society evening called **' (Festival of Nosferatu), and guests were asked to arrive dressed in Biedermeier costume. The cinema premiere itself took place on 15 March 1922 at Berlin's .

This was Prana Film's only movie because the movie was a financial failure as a limited release. The UFA refused to take the film in the program of their large movie theaters, and so Nosferatu was only shown in a few small theaters. This was also because Bram Stoker had an estate, acting for his widow, Florence Stoker, sueing for copyright infringement and winning. The court ordered all existing prints of _Nosferatu_ burned, but one purported copy of the film had already been distributed around the world. These prints were duplicated over the years.

## Reception

Despite the movie's failure and Prana Film's bankruptcy in 1922, the film received critically positive reviews. Rotten Tomatoes says that 98% of critical reviews were positive (53 out of a total 55 reviews) with an average rating of 3.9/5, stating, "One of the silent era's most influential masterpieces, Nosferatu's eerie, gothic feel -- and a chilling performance from Max Schreck as the vampire -- set the template for the horror films that followed."

Roger Ebert called it "more effective for being" a "silent" film. He concluded,
- "There is no repartee in nightmares. Human speech dissipates the shadows and makes a room seem normal. Those things that live only at night do not need to talk, for their victims are asleep, waiting."

Ulrich Gregor and Enno Patalas evaluate _Nosferatu_ as a quantum leap in Murnau's cinematic work for being "visible for the first time in any setting." Thomas Elsaesser says the appeal of the film from the conflict between technical perfection and its mainly psychological acting subject: "Murnau's poetry, the result was a detached, almost clinical application of technical mastery German photography and camera work in an emotionally charged, with deep-seated fears and feelings related topics". The dream-like, the subconscious appealing presentation give the film a "shadow only decipherable, hidden logic", they keep the film "still strong appeal character," says Thomas Koebner. Also Kreimeier Klaus picks up on this film _Nosferatu_ effect and certify an "authenticity of the dream - and the fictional (the means based on conventions) character of what we call reality."

William K. Everson judges, the film suffered "under the extrovert and plenty of covered play by Alexander Granach [...] and virtually all other members of the cast out fear."  Also, Lotte H. Eisner criticized the cumbersome play, the actors performances were "not significant", which they impute to the fact that Murnau not experienced at this time in the lead actor had been enough.

## In other media

Aaron Copland's 1922 ballet _Grohg_ (unpublished and unpremiered until 1992) used _Nosferatu_ as the physical model for the lead character and roughly follows the storyline.

Hugh Cornwell of the Stranglers and Robert Williams recorded an album _Nosferatu_ as a "soundtrack" to the film, dedicated to the memory of Max Schreck; it was released in 1979. The front cover was a still picture from the film.

Werner Herzog's 1979 homage to Nosferatu, _Nosferatu the Vampyre_ starred Klaus Kinski as Count Dracula, not Orlok.  A sequel to Herzog's film called _Vampire in Venice_ starred Kinski, this time as Nosferatu, and Christopher Plummer as Paris Catalano.

The 1979 television movie _Salem's Lot_ modeled the appearance of Mr. Barlow on that of Count Orlok.  In 1998, Wayne Keeley released _Nosferatu: The First Vampire_, in which the original film was remastered to a soundtrack by Type O Negative and hosted by David Carradine.

The 2000 Hollywood movie _Shadow of the Vampire_ told a secret history of the making of _Nosferatu_, imagining that actor Max Schreck (played by Willem Dafoe) was actually a genuine vampire and that director F. W. Murnau (John Malkovich) was complicit in hiring the creature for the purpose of realism.

Similarly, the short film 'La duodécima hora'  by Rodrigo Plaza and film critic Juanma Ruiz, suggested a hidden plot orchestrated by Nosferatu director and producer, F. W. Murnau and Albin Grau, to hide an elixir of the eternal life. Shot as a mockumentary, the film starred horror icon Paul Naschy and Nosferatu film restorer Luciano Berriatúa.

Viper Comics's 2010 graphic novel _Nosferatu_ by Christopher Howard Wolf retold the original 1922 film's storyline with a modern setting and cast.

The Cartoon Network Adult Swim series Mary Shelley's Frankenhole, a parody of classic horror movies and characters, features Nosferatu as a recurring character.

## References

- <cite id="Eisner80"></cite>
- <cite id="Eisner67"></cite>
- <cite id="Grafe"></cite>
- <cite id="Prin"></cite>
- <cite id="cs"></cite> - details of versions, intertitles and restoration
- <cite id="filmhistoriker.de"></cite> (1921-1922 reports and reviews)

## Other websites

- _Nosferatu: History and Home Video Guide_ series detailing the film's history, different versions and every release of the restorations worldwide

- _Nosferatu (1922) _ at DBCult Film Institute

## Infobox (movie)

- **image**: Nosferatu (1922).webm
- **director**: F. W. Murnau
- **producer**: Enrico Dieckmann
Albin Grau
- **screenplay**: Henrik Galeen
- **starring**: Max Schreck
Gustav von Wangenheim
Greta Schröder
Alexander Granach
Ruth
 Landshoff
Wolfgang Heinz
- **music**: Hans Erdmann
- **cinematography**: Fritz Arno Wagner
Günther Krampf
- **distributor**: Film Arts Guild
- **released**:

- **runtime**: 94 minutes
- **country**: Germany
- **language**: German