The Apostles (Elgar)

***The Apostles***, op. 49, is an oratorio for soloists, chorus and orchestra composed by Edward Elgar. It was first performed on October 14, 1903.

## History of its composition

Elgar had been thinking for many years about writing a musical work about Jesus's Twelve Apostles.  He was already 42 when his orchestral work _Enigma Variations_ was first performed in 1899.  He was then asked by the Birmingham Triennial Music Festival to compose a big work for the following year.  At first he thought of writing _The Apostles_, but then he realized he would need more than a year to write it, so he composed an oratorio called _The Dream of Gerontius_.  When it was first performed it was not a success.  This was because the orchestra and choir had only had two weeks to learn it and also because the conductor did not like Elgar's music anyway.  Then it was performed in Düsseldorf in Germany and shortly afterwards in Westminster Cathedral, London.  Both these performances were greeted with lots of applause.  Elgar was given a doctorate (title of Dr) by the University of Cambridge and he was becoming famous.  He started to work on _The Apostles_, and it was performed in Birmingham in 1903.

Originally Elgar wanted to write three oratorios which would belong together.  _The Apostles_ is the first one, the second one became _The Kingdom_ but the third one, which would have been about the Last Judgement, was never written.

## The words and music

The oratorio is about the disciples of Jesus and the way they react to the amazing things that Jesus does.  There are six soloists: the narrator (who tells the story)-  he has a tenor voice and also does the part of St John, St Peter (bass), Jesus (bass) and Judas (bass) and the two female singers: the soprano who is both the Blessed Virgin and the angel Gabriel, and the mezzo-soprano who is Mary Magdalene.

Sometimes _The Apostles_ is criticized for not being a carefully thought out dramatic story.  Elgar was more interested in what makes people behave in the way they do.  He was particularly interested in the two sinners Mary Magdalene and Judas Iscariot.

The orchestra is very big.  The music includes the call of the shofar.  Often this is played on a brass instrument.  There is a double choir and a small choir (semichorus).

## The parts of the oratorio

The work is in two parts and seven sections, each played without a break. Elgar chose the words himself.  He spent a lot of time looking at different translations of the Bible and combining sentences from several of the versions.

1. (Part 1) "The Calling of the Apostles". The music begins just before dawn; the sun rises, and one by one the Apostles are chosen.
1. "By the Wayside". This shows Jesus's teaching, and includes the Beatitudes.
1. "By the Sea of Galilee". This is all about Mary Magdalene.  After a stormy night she is converted (changes her behaviour to live a good life).
1. (Part 2) "The Betrayal". This is all about Judas.  Elgar shows Judas as a person who was trying to make a situation in which Jesus would have to perform a miracle to prove that he was the Son of God.   In the end Judas despairs.
1. "Golgotha". This is a short interlude, as is the following section.
1. "At the Sepulchre". The story of the Resurrection is briefly told by the narrator and a chorus of angels.
1. "The Ascension". Elgar is not so interested in the actual miracle.  The music is really about the Apostles who are going to start the Christian Church on Earth.

## Evaluation

Unlike _The Dream of Gerontius_ which people did not like the first time they heard it, _The Apostles_ was an immediate success with audience and critics.  People were getting used to the kind of big oratorio that Elgar was writing.  However, today _The Dream of Gerontius_ is the most popular of Elgar's oratorios. _The Apostles_ is a strange mixture of words from different parts of the bible, but it has some very beautiful music.  Elgar often wrote the music first and then added the words afterwards.

Elgar uses leitmotifs in this work: melodies that are associated with particular people or ideas.  He got this idea from Wagner.  Some of the leitmotifs heard in _The Apostles_ can also be heard in _The Kingdom_.