Zora Neale Hurston

**Zora Neale Hurston** (January 7, 1891–January 28, 1960) was an American folklorist, socio-cultural anthropologist, and author focused on African American culture during the time of the Harlem Renaissance, best known for the 1937 novel _Their Eyes Were Watching God_.

## Background

Zora Neale Hurston was born in Alabama to her parents who were freedmen or people who used to be enslaved. When she was still a child, her family moved to Eatonville, Florida which was the first all-black town with its own local laws in the United States. After her mother died, Hurston worked to grow her education and later ended up in New York City during the Harlem Renaissance. This was an influential period in Hurston's life as she saw African Americans have more pride in their identity. The result of the Harlem Renaissance was a rise in the number of African Americans who could read and write, which made it easier for them to express themselves using art.

## Education

Zora Neale Hurston left New York City in 1921 to attend Howard University where she continued to explore African American culture and co-founded the school's newspaper _The Hilltop_. In 1925, Hurston earned a scholarship to Barnard College where she studied anthropology with Franz Boas. Hurston then continued to learn at Columbia University where she got a graduate degree in anthropology.

## Influences and Experiences

As mentioned above, Zora Neale Hurston studied anthropology  under Franz Boas, who was known for his work in cultural relativism. This is the idea that each culture has their own beliefs and practices so they cannot be compared to one another. It was when she was working with Boas that Hurston began her field work in New York City during the Harlem Renaissance.

Hurston was encouraged by Boas to study the spread of African cultural practices and ideas. This is what led to her studies on African American folklore in the American south.  Some of these trips to the South were funded by Charlotte Mason who was an American philanthropist who supported African Americans during the Harlem Renaissance.

Hurston was also influenced by Fannie Hurst, who she worked for as an amanuensis, or an artistic writing assistant. During this time, Hurston aided her with the writing of manuscripts and gathered information about regular people.

## Contribution to Anthropology

Like her influences, Zora Neale Hurston sought to capture and preserve cultures as they were in real life. Hurston wrote about many cultures including Haiti and Jamaica, but most of her writings were about African American culture. Hurston wanted to preserve the perspective, narrative, and dialect of African American populations while fighting stereotypes through her writings. Hurston's work as a socio-cultural anthropologist is so valued because she herself was an African American woman, and she used plays, books, and collections of folktales.

## Critiques

Zora Neale Hurston's unique writing style she used to preserve rural African American dialects set her apart from other anthropologists, but not everyone thought that was a good thing. Hurston's main critics were other African Americans who saw her portrayal of rural African Americans as a setback and they felt that she made African Americans sound uneducated.

## Accomplishments

As mentioned, early in her academic career, Zora Neale Hurston was the co-founder of _The Hilltop,_ which is currently the oldest African American collegiate newspaper in the United States. After getting her Master's degree, Hurston went on to become a drama teacher at North Carolina Collee for Negros, now known as North Carolina Central University. Hurston had published multiple fictional writings, plays, and books during her career. She was also an employee at the library of congress.

## Selected Bibliography

- _Color Struck_ (1925) in _Opportunity Magazine_
- _Sweat_ (1926)
- _How It Feels to Be Colored Me_ (1928)
- _Hoodoo in America_ (1931) in _The Journal of American Folklore_
- _The Gilded Six-Bits_ (1933)
- _Jonah's Gourd Vine_ (1934)
- _Mules and Men_ (1935)
- _Tell My Horse_ (1937)
- _Their Eyes Were Watching God_ (1937)
- _Moses, Man of the Mountain_ (1939)
- _Dust Tracks on a Road_ (1942)
- _Seraph on the Suwanee_ (1948)
- _I Love Myself When I Am Laughing...and Then Again When I Am Looking Mean and Impressive: A Zora Neale Hurston Reader_ (edited by Alice Walker; introduction by Mary Helen Washington) (1979)
- _Sanctified Church_ (1981)
- _Spunk: Selected Stories_ (1985)
- _Mule Bone: A Comedy of Negro Life_ (play, with Langston Hughes; edited with introductions by George Houston Bass and Henry Louis Gates, Jr., and the complete story of the Mule bone controversy.) (1991)
- _The Complete Stories_ (introduction by Henry Louis Gates, Jr. and Sieglinde Lemke) (1995)
- _Every Tongue Got to Confess_ (2001)
- _Barracoon_ (2019)

## Infobox (writer)

- **name**: Zora Neale Hurston
- **image**: Hurston-Zora-Neale-LOC.jpg
- **birth place**: Notasulga, Alabama, United States
- **death place**: Fort Pierce, Florida, United States
- **occupation**: Folklorist, anthropologist, novelist, short story writer
- **notableworks**: _Their Eyes Were Watching God_ _To Tell My Horse_ _Jonah' Gourd Vine_