context: After the war, Moore continued his education with the scholarship granted to those involved in the war. In 1919 he was the first student to learn sculpture at the Leeds School of Art (now known as the Leeds College of Art), and the school established a statue studio specifically for him. At school, Moore met Barbara Hepworth, who would later be a famous sculptor, and a long-lasting friendship was established between them. Moore was able to access many of the pieces owned by Vice Chancellor Michael Sadler. [7] In 1921, he was awarded a scholarship to study at the Royal College of Art in London. His girlfriend, Hepworth, entered the same college a year earlier. In London, Moore expanded his knowledge of primitive art and statues by studying collections found in both the Victoria and Albert museums and the British Museum. Moore and Hepworth in their early statues followed the standard romantic Victorian style. Their works include shapes, landscapes, and figurative animal models. Moore is tired of classic ideas later. He went to the method of direct sculpture thanks to his previous knowledge of primitive and the influence of sculptors such as Constantin Brancushi, Jacob Epstein and Frank Dobson. In this method, the defects in the material and the traces left by the tools become part of the completed statue. After that method, which Moore began to use, Moore opposed his teachers who did not appreciate this contemporary approach. During a training launched by Dront Wood, Moore was asked to reproduce a prominent marble engraving of the statue of The Virgin and The Child [8] by Dominico Rosselli. He had to make a model of gypsum first and then make it with mechanical marking technology. Instead, Moore sculpted the model directly so that in order to imitate the effects that the marking machine made, he left marks on the surface of the model.
question: Where Did Henry Spencer Learn Sculpture?
answers.text: Leeds School of Art