End of Century
End of the Centuryis the musical documentation of a form looking for rebirth. Having burned itself out in four short years by 1979 (that's a short century!), punk rock cast about for a spark to reignite the flames. The Clash found it in political rage and musical wanderings; the Ramones found it by infusing their already well-honed pop sensibilities with a huge dose of pathos. Who'd have thought these boys--the same ones who cried "Gimme Gimme Shock Treatment" and who wanted to "Beat on the Brat (with a Baseball Bat)"--had it in them?The concept looks great on paper. Combine the famed "Wall of Sound" producer Phil Spector with the three-chord, three-minute, speed-laced ditties of the Ramones--and it sounds even better on vinyl. The Ramones never needed any help sounding massive, but Spector's production brings out subtleties hidden within, making Johnny's lone Mosrite guitar blaze like a bomb squadron, coaxing some evocative and emotional singing from Joey, even (gasp!) shading some of the songs with strings--punk-rock sacrilege in those days. The Ramones live up to the task by writing some of their best--and most overlooked--songs to date. "Rock & Roll High School" and "Do You Remember Rock & Roll Radio?" are exhilarating (and somewhat nostalgic) bids for commercial recognition. Even the covers here--"Baby, I Love You" and "Chinese Rocks"--transcend the original source and become solid members of the Ramones' community of songs. Though they've been accused of rewriting the same album over and over,End of the Centuryproves the Ramones were much smarter, more adventurous, and more innovative than we'd ever expected.--Tod Nelson