Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
"This ambitious book offers nothing less than a new theory of form for the music of the Classical period....In its combination of scholarship, musicality and sheer common sense, Caplan'sClassical Formis a major achievement by any standards....it should be read by anybody who teaches, studies or writes about this music."--Music and Letters"His book is an important and impressive statement that no theorist or musicologist can afford to ignore."--Music Theory Spectrum"A compilation of intriguing examples illustrating classical design and function, an up-to-date bibliographical guide, and a source of fresh insight into the accomplishments of the classical masters.  Caplin's approach, buttressed by methodological rigor and theoretical detail, makes a persuasive case for the revival of Formenlehre as a pedagogical tool and analytical discipline."--Music Theory Online"Caplin draws his Beethoven examples from all genres...the fortepiano sonatas are particularly well-represented."--The Beethoven Journal