Music in the Galant Style
"A path-breaking work in musical analysis.  Professor Gjerdingen opens the doors into the compositional studios of the 18th century, showing us how characteristic idioms within the galant style that formed a lingua franca among musicians across Europe can be modeled-and easily replicated--by a small number of recurring voice-leading 'schema.'   Richly illustrated with diverse musical examples and eye-catching graphics, this  remarkable and original study will prove invaluable  to all analysts and historians of 18th century music."-Thomas Christensen, Professor of Music, University of Chicago"Gjerdingen's study promises to reframe nearly all the work that scholars have lavished on compositional practice in the eighteenth century by answering a question that no one seems to have asked before now - how were eighteenth-century composers (Italian-born and Italian-trained composers above all) able to produce such massive quantities of music in such a broad spectrum of genres, and to do so with both facility and taste?"--Thomas Bauman, Professor of Musicology, Northwestern University"After reading this text, I came away believing that I had learned much that was new, that I had significantly refined my hearing of galant style, and that I had developed a greater appreciation of music that is generally unfamiliar but deserving of greater performance.  One can hardly ask more from any book!"-- William E. Caplin, Professor of Music Theory, McGill University"A path-breaking work in musical analysis.  Professor Gjerdingen opens the doors into the compositional studios of the 18th century, showing us how characteristic idioms within the galant style that formed a lingua franca among musicians across Europe can be modeled-and easily replicated--by a small number of recurring voice-leading 'schema.'   Richly illustrated with diverse musical examples and eye-catching graphics, this  remarkable and original study will prove invaluable  to all analysts and historians of 18th century music."-Thomas Christensen, Professor of Music, University of Chicago"Gjerdingen's study promises to reframe nearly all the work that scholars have lavished on compositional practice in the eighteenth century by answering a question that no one seems to have asked before now - how were eighteenth-century composers (Italian-born and Italian-trained composers above all) able to produce such massive quantities of music in such a broad spectrum of genres, and to do so with both facility and taste?"--Thomas Bauman, Professor of Musicology, Northwestern University"After reading this text, I came away believing that I had learned much that was new, that I had significantly refined my hearing of galant style, and that I had developed a greater appreciation of music that is generally unfamiliar but deserving of greater performance.  One can hardly ask more from any book!"-- William E. Caplin, Professor of Music Theory, McGill University"Music in the galant stylemust count, both in 18th-century music studies and in music theory, as one of the most significant publications of recent decades."--Early Music