New Art City
Perl, the art critic for theNew Republic, celebrates the heterogeneous achievements of the New York art world in this elegant, erudite work that sweeps gracefully from the 1940s, when the city was "theplace of dazzling contradictions," to the "jangling urgency" of art in the 1970s. Contending that the personal characteristics of an artist's work are shaped by his relationship to the city, especially to its art scene, Perl finds in postwar New York a "dialectical extravaganza" in which painters and sculptors set about redefining their place in history—aiming not to shatter traditions but to forge new ones. Although giants such as de Kooning and Pollock make significant appearances, this history is equally concerned with "minor characters" who exerted more subtle influences, such as the painter Earl Kerkam, whose approval Pollock dearly valued. Perl's conversational tone is at times so intimate that the effect is more that of a curator offering a private tour of his exhibition than an art historian's lecture. Or, perhaps, a walking tour that takes readers from downtown studios and artists' taverns to the Guggenheim and Museum of Modern Art and back again, with a guide whose perceptive eye always steers us toward an unnoticed treasure.328 illus.(Oct.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.