James Bond Ultimate Edition - Vol. 2 (A View to a Kill / Thunderball / Die Another Day / The Spy Who Loved Me / Licence to Kill)
A View to a Kill: Roger Moore's last outing as James Bond is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, the film is largely interesting for Christopher Walken's quirky performance as a sort-of supervillain who wants to take out California's Silicon Valley. Grace Jones has a spookily interesting presence as a lethal associate of Walken's (and who, in the best Bond tradition, has sex with 007 before trying to kill him later), and Patrick Macnee (Steed!) has a warm if brief bit. Even directed by John Glen, who brought some crackle to the Moore years in the Bond franchise, this is a very slight effort. --Tom KeoghThunderball: James Bond's fourth adventure takes him to the Bahamas, where a NATO warplane with a nuclear payload has disappeared into the sea. Bond (Sean Connery) travels from a tiny health spa (where he tangles with a mechanized masseuse run amuck) to the casinos of Nassau and soon picks up the trail of SPECTRE's number-two man, Emilio Largo (Adolfo Celi), and his beautiful mistress, Domino (Claudine Auger), whom Bond soon seduces to his side. Equipped with more gadgets than ever, courtesy of the resourceful "Q" (Desmond Llewelyn), agent 007 escapes an ambush with a personal-size jet pack and takes to the water as he searches for the undersea plane, battles Largo's pet sharks, and finally leads the battle against Largo's scuba-equipped henchmen in a spectacular underwater climax. This thrilling Bond entry became Connery's most successful outing in the series and was remade in 1983 asNever Say Never Again, with Connery returning to the role after a 12-year hiatus. Tom Jones belts out the bold theme song to another classic Maurice Binder title sequence.  --Sean AxmakerDie Another Day: The 20th James Bond adventure,Die Another Daysucceeds on three important fronts: it avoids comparison to Austin Powers by keeping its cheesy humor in check, allows Halle Berry to be sexy and worthy of a spinoff franchise, and keeps pace with the technical wizardry that modern action films demand. Pierce Brosnan's got style and staying power as James Bond, now bearing little resemblance to Ian Fleming's original British super-spy, but able to hold his own at the box office. He's paired with American agent Jinx (Berry) in chasing a genetically altered North Korean villain (Rick Yune) armed with a satellite capable of destroying just about anything. John Cleese and Judi Dench reprise their recurring roles (as "Q" and "M," respectively); they're accompanied by weapons-laden sports cars, a hokey cameo by Madonna (who sings the techno-pulsed theme song), and enough double-entendres to keep Bond-philes adequately shaken and stirred. With clever nods to 007's cinematic legacy,Die Another Daymakes you welcome the familiar end-credits promise: James Bond will return. --Jeff ShannonThe Spy Who Loved Me: The best of the James Bond adventures starring Roger Moore as tuxedoed Agent 007, this globe-trotting thriller introduced the steel-toothed Jaws (played by seven-foot-two-inch-tall actor Richard Kiel) as one of the most memorable and indestructible Bond villains. Jaws is so tenacious, in fact, that Moore looks genuinely frightened, and that adds to the abundant fun. This time Bond teams up with yet another lovely Russian agent (Barbara Bach) to track a pair of nuclear submarines that the nefarious Stromberg (Curt Jürgens) plans to use in his plot to start World War III. Featuring lavish sets designed by the great Ken Adam (Dr. Strangelove),The Spy Who Loved Meis a galaxy away from the suave Sean Connery exploits of the 1960s, but the film works perfectly as grandiose entertainment. From cavernous undersea lairs to the vast horizons of Egypt, this Bond thriller keeps its tongue firmly in cheek with a plot tailor-made for daredevil escapism. --Jeff ShannonLicense to Kill: Timothy Dalton's second and last shot at playing James Bond isn't nearly as much fun as his debut, two years earlier, in the 1987The Living Daylights. This time Bond gets mad after a close friend (David Hedison) from the intelligence sector is assassinated on his wedding day, and 007 goes undercover to link the murder to an international drug cartel. Robert Davi makes an interesting adversary, but as with most of the Bond films in the '70s, '80s, and '90s--and especially since the end of the cold war--one has to wonder why we should still care about these lesser villains and their unimaginative crimes. Still, Dalton did manage in his short time with the character to make 007 his own, which neither Roger Moore did nor Pierce Brosnan did. --Tom KeoghBeyondJames Bond Ultimate Collection - Vol. 2James Bond Ultimate Collection - Vol. 1James Bond Ultimate Edition - Vol. 3James Bond Ultimate Edition - Vol. 4Stills fromJames Bond Ultimate Collection - Vol. 2(click for larger image)