Don't Smoke in Bed
Holly Cole brings her own dimension to the tradition of cabaret, a strong voice that's still capable of nuance, an ear for quirky repertoire, and a light touch that keeps some of these performances floating just at the edge of irony. Her delivery of more traditional fare shines onCole Porter's witty "Get Out of Town" andKurt Weill's torchy "Je Ne T'aime Pas," while she brings clarity, power, and anthemic passion to the surprising treatment ofJohnny Nash's "I Can See Clearly Now." Some of her inspirations are less successful, such as aiming for jazz depth on the lightweight pop of "Que Sera Sera," but Cole is never less than interesting. She's generally well supported in this intimate art by pianist Aaron Davis and bassist Davd Piltch, while there's sparing and effective use of strings. There are fine guest spots by tenor saxophonistJoe Henderson, on "Everyday Will Be Like a Holiday," andDavid Lindley, whose steel guitar contributes to the strange country music of "Don't Let the Teardrops Rust Your Shining Heart."--Adam Rains