The Making of Citizen Kane, Revised edition
Ever since Pauline Kael wrote her controversial essay "Raising Kane" (available in print in her omnibus collectionFor Keeps), film fans and scholars have debated the "authorship" ofCitizen Kane. Most audiences and critics agree that it is one of the greatest American movies, but Kael claimed that the genius behindKanewas not writer-director-producer-actor Orson Welles, but coscenarist Herman Mankiewicz. Others attribute the film's power to the influence and contributions of John Houseman or the incredible innovations of cinematographer Gregg Toland. In this superbly researched book, Robert Carringer proves conclusively thatKaneis not the product of any individual artist, but the collective work of a brilliant team working under Welles's supervision. Without Mankiewicz, Toland, and the talented designers and technicians who worked on the film,Kanecould never have become what it is. As Carringer covers each step of the film's production, from conception to final release, he leads readers through the enormously complex process of making a great movie. He also provides an introductory chapter about an unfilmed project Welles worked on beforeKane, an adaptation of Joseph Conrad'sHeart of Darkness. In his concluding chapter onThe Magnificent Ambersons, Welles's follow-up toKane, Carringer argues that the latter film suffered precisely because its collaborators failed to achieve the artistic harmony that had madeKaneso successful.--Raphael Shargel--This text refers to an out of print or unavailable edition of this title.