Scorpio
The prime minister of Eritrea is assassinated by political opponents, setting off a chain of events with global repercussions in the intelligence community.  Burt Lancaster plays Cross, a CIA operative who dates back to the agency's earliest days as the OSS.  Scorpio (Alain Delon) is a protégé of Cross, and one of Cross's best friends in a netherworld where everyone's allegiances, personal and political, are in question.  Higher-ups within the intelligence agency decide that Cross knows too much and is better off eliminated; at first, Scorpio refuses the job until the CIA frames him on a phony narcotics bust and coerces him into the assignment.  The two men play a game of global cat-and-mouse as Cross consorts with his Russian counterparts--fellow aging dinosaurs in a young man's game. Cross's links with the Russians go back to the days of the Spanish Civil War and the time when Cross was given the ironic label of "premature anti-Fascist" by the House Unamerican Activities Committee.  The incredibly convoluted plot is rife with double-crosses and reverse double-crosses, in an environment in which nothing is quite as it seems and no one is to be trusted.  Director Michael Winner infuses enough energy and excitement into the film's many action segments to makeScorpioworthy of comparison to John Frankenheimer's best political thrillers. Winner also throws in several curveballs, such as the zither music during a meeting in a Vienna café (shades ofThe Third Man) and the preposterous device of disguising Lancaster as an African American priest.  Though not quite a classic,Scorpiois still an underrated espionage thriller that was well attuned to the political cynicism of the time. Best line: "I want Cross, and I want him burned!"--Jerry Renshaw