The Writing Life: Writers On How They Think And Work
Arana instituted the "Writing Life" column at the Washington Post Book World in 1993 shortly after assuming the editorial reins, and she collates here articles from several top names she's enlisted as contributors over the past decade. Her lavish introductions sometimes run nearly as long as the essays; after the buildup she provides Stanley Elkin, though, his vacuous rambling is a severe disappointment. There are other notable clunkers: James Michener recalls banal advice he has given aspiring writers, while Joanna Trollope's essay, though excellently written, says little more than that creative writing courses might be able to teach writing, but they can't teach creativity. But the best contributions make slogging through the worst worthwhile. Some of the better stories are already well known: Ray Bradbury's account of how he came to write the screenplay for Moby-Dick, for example, or Donald E. Westlake's story of the creation of the pseudonym Richard Stark for his hard-boiled novels. But there are new treasures to discover as well. Jane Smiley discusses why she disavows her most famous novel, A Thousand Acres: "I am no longer attracted to the dire mechanism of tragedy," while Julian Barnes turns in a droll account of his experience as literary executor for close friend Dodie Smith. Though some of the authors do pass on practical wisdom to would-be writers, this collection is ideally suited for those who want to enjoy the "literary life" vicariously.Copyright 2003 Reed Business Information, Inc.