Woke on a Whaleheartfinds longtime lo-fi pioneer Bill Callahan stepping out under his own name for the first time from behind his nearly 20-year alias known simply as (Smog)--with or without the parentheses depending on the era. This new liberation hardly finds the songwriter indulging in solo album bombast (not surprising, since Smog was essentially a one-man project the whole time). Instead, Bill Callahan keeps his feet firmly on the artsy-pop ground. A haunting circular piano propels "Night" as if on an aerial starlit breeze, and "Diamond Dancer" could be anAshes to Ashes-era David Bowie track, if the Thin White Duke handed vocals over to Lou Reed or the Jazz Butcher. Instrumentation is soothingly unobtrusive, and Callahan's conversational vocals are so relaxed, they occasionally threaten to fade away like a wisp of smoke. Oddly, his most impassioned singing comes on the country-shuffling "The Wheel," which turns a blues call-and-response on its ear, preceding sung lines with the same line spoken-word, as if Callahan is reminding himself of which lyrics come next. Make no mistake though--Bill Callahan knows exactly what he's doing, andWoke on a Whaleheartis a fine and fulfilling listen.--Ben Heege