A Cure For Gravity: A Musical Pilgrimage
Something more than a journeyman and less than a superstar,Joe Jacksonhas a reputation for being a reclusive and prickly character. But he refuses the low road withA Cure for Gravity, a resolutely non-lurid autobiography of a man who considers music to be a noble calling. It matters not that the author was once lumped in with England's insurgent first-generation punks and new-wavers; here Jackson insistently focuses on his development as a composer, player, and performer, approximately in that order. Born to modest means in a setting where a sickly, creative youngster such as Jackson was regarded with suspicion, if not contempt, the young Brit was trained in the classics and developed his keyboard skills, playing everything from cabaret to progressive rock before finally setting off on his own as a sharp-tongued, ska-influenced Angry Young Man. A more sophisticated musician than his rag-tag running mates (he's recently released an ambitious fusion of pop, jazz, and classical elements dubbedSymphony No. 1), Jackson revels in the intricacies of his craft--as much or more than he does in telling his own up-from-the-gutter tale. Old new-wavers who remember the author from his 1978Look Sharp!debut and devotees of his more stylish early '80s recordings may be caught off guard by the short shrift Jackson gives his actual recording career; indeed, he shrugs off a couple decades in the final pages of the book. But the articulate, idiosyncratic author is clearly more interested in addressing what makes a musician than what happens once a musician has it made.--Steven Stolder--This text refers to an out of print or unavailable edition of this title.