Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville
Using the products of popular culture between 1820 and 1855 more comprehensively than do other Renaissance scholars, Reynolds tries to fix our "classic" texts (e.g., Moby Dick ) as culminating transfigurations of, rather than anomalous reactions against, the voluminous literature of their day. He focuses especially on the various reform literatures, new religious evangelical style, and flood of popular fiction, arguing that our major writers were able to absorb the style, themes, and genres of these sub-literary materials without sacrificing aesthetic control. Though he tends to overstate specific influences and embraces too mechanical a model for the creative process, his argument and impressive display of materials make for a significant contribution to American studies. Earl Rovit, City Coll., CUNYCopyright 1988 Reed Business Information, Inc.--This text refers to an out of print or unavailable edition of this title.