Structurally Sound
The double meaning of the word "sound" in this title references both the phenomenon of sound and, particularly, Booker Ervin's durability. When Ervin convened this quintet in December 1966, he'd had a string of critically acclaimed (and extraordinarily creative) albums on Prestige (case in point:The Space Book). But real success, even by jazz standards, didn't propel Ervin to the heights where he belonged. His tenor saxophone, deeply entwined with the Texas tradition, had breadth that hit with the force ofColtraneand a tonal control that allowed him to aerate his playing beautifully. Here he does just this on both quick-paced tunes, such as trumpeter Charles Tolliver's "Franess," and on the band's evocative take onOliver Nelson's "Stolen Moments." A youngJohn Hickslays down the piano in colorfully bright hues, and Tolliver and Ervin are off. They play riveting hard bop that should be part of any jazz collection. After all, Ervin was one ofMingus's faves, and we know what discerning tastes Charles had.--Andrew Bartlett