Odds & Sods
By the mid-'70s, even The Who's leftovers had more interest than most rock best-of albums--"Glow Girl" is a concise blueprint of 1969's "Tommy"; "Naked Eye" and "Pure and Easy" were victims of the doomedLifehouseproject; "I'm the Face" was the band's mod-obsessed first single; and even "Little Billy," an antismoking advertisement, still rocks hard. John Entwistle's faux country "Now I'm a Farmer" was contemptible, but the closing anthem "Long Live Rock" redeemed such missteps. The 1998 CD reissue added studio versions of "Young Man Blues" and "Summertime Blues," among many others, and resequenced the tracks.--Steve Knopper