The PowerBook
While many other novels are still nursing hangovers from the 20th  century,The PowerBookhas risen early to greet the challenge of the new  millennium. Set in cyberspace, Jeanette Winterson's seventh novel (or eighth, if  you count her disownedBoating for Beginners) travels with ease, casting  the net of its love story over Paris, Capri, and London. Its interactive  narrator, Ali, is a "language costumier" who will swathe your imagination in the  clothes of transformation: all you have to do is decide whom you want to be.  Ali--known also as Alix--is a virtual narrator in a networked world of  e-writing. You are the reader, invited to inhabit the story--any story--you wish  to be told. As in all the best video games, you can choose your location, your  character, even the clothes you want to wear. Beware: you can enter and play,  but you cannot determine the outcome.Ali/x is a digital Orlando for the modern age, moving across time and through  transmutations of identity, weaving her stories with "long lines of laptop DNA"  and shaping herself to the reader's desire. She wants to make love as simple as  a song, but even in cyberspace there is no love without pain. Ali/x offers a  stranger on the other side of the screen the opportunity of freedom for one  night. She falls in love with her beautiful stranger, and finds herself  reinvented by her own story.The PowerBookis rich with historical allegory and literary allusion.  Winterson's dialogue crackles with humor, snappy dialogue, and good jokes,  several of which are at her own expense. This is a world of disguise, boundary  crossing, and emotional diversions that change the navigation of the plot of  life. Strangely sprouting tulips are erected in place of the phallus. Husbands  and wives are uncoupled. Lovers disappear in the night to escape from  themselves. On the hard drive ofThe PowerBookare stored a variety of  stories that the reader can download and open at will, complete stories that  loop through the central narrative. The tale of Mallory's third expedition, the  disinterring of the Roman Governor of London in Spitalfields Church, or the  contemplation of "great and ruinous lovers" are capsules of narrative  compression. In Winterson's compacted meaning, language becomes a character in  its own right--it is one of the heroes of the novel."What I am seeking to do in my work is to make a form that answers to  21st-century needs," Winterson has written.The PowerBookdoes just that.  Her prose has found a metaphor for its linguistic forms of creation that feels  almost invented for her, "a web of coordinates that will change the world."  There will be a virtual rush of Internet-themed books in the networked  naughties. WithThe PowerBookWinterson has triumphantly gotten there  first.--Rachel Holmes