Last Recital
Nathan Milstein's long career was a triumphant exception to the rule that violinists lose their powers as they age. This recital, recorded at age eighty-two, turned out to be his last before an injury finally curtailed his performing.It can't be said that no signs of aging are evident in the master's playing--tempi tend to be quick, avoiding the necessity of long, sustained bows. At times this does detract from the overall effect: the Introduction of Sarasate's Introduction and Tarantelle is disappointing, lacking sufficient languid repose. On the other hand, Milstein's facility in quick passagework remains unimpaired, making the subsequent fast dance a dazzling romp. The Bach Chaconne likewise gains an impressive cumulative sweep with its flowing tempo. Violinists half Milstein's age should be envious of his accurate intonation. Several tracks at the end are probably encores, ending with his inimitable rendition of a transcription of Liszt's Third Consolation for piano. Milstein's ornamentation and harmony wander far afield from Liszt's original, but the composer would probably have approved all the changes when played with such conviction and passionate sentiment.