Mockingbird: A Portrait of Harper Lee
Few novels are as beloved and acclaimed asTo Kill a Mockingbirdand even fewer authors have shunned the spotlight as successfully as its author. Although journalist Shields interviewed 600 of Harper Lee's acquaintances and researched the papers of her childhood friend Truman Capote, he is no match for the elusive Lee, who stopped granting interviews in 1965 and wouldn't talk to him. Much of this first full-length biography of Lee is filled with inconsequential anecdotes focusing on the people around her, while the subject remains stubbornly out of focus. Shields enlivens Lee's childhood by pointing out people who were later fictionalized in her novel. The book percolates during her banner year of 1960, when she won the Pulitzer Prize and helped Capote researchIn Cold Blood. Capote's papers yield some of Lee's fascinating first-person insights on the emotionally troubled Clutter family that were tempered in his book. Shields believes Lee abandoned her second novel when her agents and her editor—her surrogate family in publishing—died or left the business, leaving her with no support system. There's a tantalizing anecdote about a true-crime project Lee was researching in the mid-'80s that faded away. Sputtering to a close, the final chapter covers the last 35 years in 24 pages. It's also baffling that this affectionate biography ends with three paragraphs devoted to someone slamming her classic work.(June 6)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.