A History of Opera
“A history of opera is not lightly undertaken in this Age of Information, particularly when it attempts to survey the entire 400-year period.” Abbate and Parker are up to the task and have more than succeeded in this thoughtful, wide-ranging look at this art form. The opening chapter sets the stage with an overview of a number of operatic issues, including words and music, the question of reality onstage, and popularity and conventions in staging. Succeeding chapters discuss opera’s origins, major composers, and styles at length. This is not a dry recitation of musical facts but a collection of interesting, well-reasoned discussions supported by abundant references to contemporary writings, critical studies, biographies, and other sources. Opera fans who wish to go beyond program notes will appreciate the care and scholarship that went into this rich and elegant history. --Carolyn Mulac