The Girl in Alfred Hitchock's Shower (Berkley True Crime)
Graysmith (Zodiac) mixes film history, true crime, and autobiography with disappointing results in this scattered exploration of the woman behind one of cinema's most memorable scenes. Though his goal is ostensibly to track down Marli Renfro—Janet Leigh's body double in Alfred Hitchcock's 1960 filmPsycho—who some believed was raped and murdered in the 1980s, Graysmith takes too long getting there. Detailing the intricatePsychoshoot, which was painstakingly designed by Hitchcock in order to both shock the audience and pass the rigorous censor test, Graysmith introduces readers to Renfro, a gorgeous redhead who came to the film via modeling, some of it nude. Interspersed with Renfro's experiences as an actress,Playboymodel, and dancer is an account of the life and crimes of Henry Sonny Busch Jr., a Norman Bates–look-alike in L.A. who strangled three women and had a penchant forPsycho. Graysmith, comparing his own growing obsession with Renfro to the plot of the 1944 filmLaura(where the detective also falls for a dead woman after seeing her photograph), is determined to discover what really happened to her. As sloppy as Hitchcock's shower scene was precise, Graysmith's jumbled account never finds its footing, despite the fascinating subject matter.(Feb.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.--This text refers to an out of print or unavailable edition of this title.