Cotton
In his remarkable debut collection, Cotton, Derrick Harriell has created a mural in poems. The characters that inhabit this vivid tableau step into an active third dimension and allow us to witness the vicissitudes of their daily struggles, triumphs large and small, private desires. The community here is anchored by a specific mid-Western, African-American family which, in spite of both external and internal challenges, maintains its unity, however precarious at times. Death, passion, humor, mother wit, history, place, these are the colors that Harriell mixes and applies with such artistry that readers may not be so sure if they are watching a particular world or if that world is watching them. Harriell is among America's most exciting new voices in poetry. --Maurice Kilwein Guevara, Author of PoemaAll African Americans have a historic relationship with cotton. The southern United States was once the world s major supplier of cotton, King Cotton. It fueled the 19th Century s need for increasing the slave trade. The migrations of the freedmen could never put distance to that fact. Derrick Harriell s poems are the doors in the neighborhoods where they settled. The people of the streets, the houses, and the bars live in these poems. The personal family history of blues and redemptions are woven in the fabric, too. Both, noble and wicked traditions are revealed in a rich credible vernacular, a musical voice, like a storyteller sitting in your kitchen or on the barstool beside you testifying to the significant particulars, situations of poetic truths, the edgy full dimensions deep within the culture. Cotton is a stirring debut, and Derrick Harriell is a blues poet. --Gary Copeland Lilley, Author of The Subsequent Blues