Amen by Paula Cole (1999)
Paula Cole's third release is a lesson in sticking to what you know. A trained jazz vocalist, Cole uses this studied vocal styling with great affect. Never overusing her vibrato, she breathes a unique and emotional character into each song with a well-placed whisper, unexpectedly powerful crescendo, or a desperate, aching wail. One moment she portrays a freestyling beat-poet rapper ("Rhythm of Life"), the next a tragically downtrodden blues mamma ("La Tonya"). She also knows how to produce a song. On "Free," sitar uncoils behind a scrim of dark ethereal notions. The title track has bright acoustic-guitar melodies dancing on shimmering synths that resonate like the rim of a crystal water glass caressed by a wet fingertip. Throughout, she builds a foundation of sprawling, blooming musicality adapted from her preceptorPeter Gabriel. But lyrically, Cole slips into her bad habit of harping on the obvious. On "Amen" a DJ's scratch flips a switch in the middle of the song where Cole begins spouting a list of notorious characters in need of repentance, citing Saddam Hussein, Jack Kevorkian, O.J. Simpson, and all Reagan-era republicans. Exhibiting aJewel-esque naiveté on "Be Somebody," she advises, "In the face of totality, show the other cheek." The lyrics are trite, but after a few listens, they're a minor distraction from the mighty-fine body of music contained in this release. Amen to that.--Beth Massa