Those Who Love Me Can Take the Train
Patrice Chereau, the acclaimed French director of opera and theater, follows his grand period dramaQueen Margotwith this gorgeous but jagged portrait of dysfunctional adults and broken relationships in contemporary Paris. A group of old acquaintances whose friendships have become strained over the years reunite for the funeral of their mentor. Chereau drops us in the midst of things from the opening moments, leaving us to sort out the layered editing and rich soundtrack while catching up with a story that keeps leaping forward. The widescreen film is shot with a handheld camera, and the jittery, nervous energy and abrupt editing wind up the already tense atmosphere. But even as Chereau eases up from the uncomfortably in-your-face intimacy of the claustrophobic opening scenes on the train, emotions ooze like open wounds and unresolved conflicts bubble over. Former French idol Jean-Louis Trintignant, who has aged into an awesomely understated performer and a fascinating screen presence, leads a cast of edgy young actors, includingQueen Margotstars Vincent Perez (as a depressed transsexual) and Pascal Greggory (as the group's tentative spokesman). It's a sharp, intelligent, restless film that recalls such recent French dramas asLate August, Early SeptemberandMy Sex Life (or How I Got into an Argument). It doesn't offer any clear story or easy resolution, just a messy but potent portrait of the crossed lives of adults still looking for themselves.--Sean Axmaker