Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow (Refiguring American Music)
“[T]he most thorough achievement thus far in a growing body of scholarship and criticism demystifying and dissecting the roots of American music, and by extension the American music industry. . . . Miller goes several steps further than prior bodies of research, tracing back the artificial distinction to a confluence of marketing, scholarship, and music classification decisions, each driven to some degree by the prevailing racial attitudes of the late 19th and early 20th centuries.” - Mark Reynolds,PopMatters