Miles Davis, Miles Smiles, and the Invention of Post Bop
"In his thoughtful new book, Miles Davis, Miles Smiles, and the Invention of Post Bop..., Boston University music professor Jeremy Yudkin reconsiders one of Davis's lesser known albums, [Miles Smiles], and argues that it constitutes a new direction for Davis as well as the mark of Davis' creation of the style of post-bop music." —ForeWord"It will make a fine addition to the still small number of solid musical studies of jazz, as begun by scholars like Gunther Schuller, Mark Tucker, and Lewis Porter." —John J. Joyce, Associate Professor of Music, Tulane University"... the author writes convincingly about the actual music, as well as its surrounding circumstances.... this book should be widely welcomed and especially recommended to readers interested in the nuts and bolts of the music." —Brian Priestley, Jazzwise, July 2008"This book combines serious historical research with penetrating analysis of the music and a generous portion of musical examples.... Jeremy Yudkin has made an excellent contribution to jazz literature." —Larry Dwyer, Director of Jazz Studies, University of Notre Dame"Yudkin does a fantastic job of managing the various elements of music and personality in his work, and in so doing, he evaluates the previous work of Davis and the fusion of his later pieces while focusing on the moments in life that drove Davis into the wide open spaces of creative ingenuity. A thorough analysis of the 1966 classic 'Miles Smiles' is complimented by Yudkin’s ability to use schematics and sheet music snapshots in order to analyze the changes and revelations of the new form versus the earlier roads traveled. With stunning clarity, this work introduces the reader to the intricate details that exist beneath the sound coming from speakers." —Metro Spirit"A thoughtful exploration... Highly recommended." —Wisconsin Bookwatch"...one of the best Miles Davis books..." —David Rickert, www.allaboutjazz.com