The Glister
Amazon Best of the Month, March 2009: George Lister's secretive chemical plant fueled Innertown's economy for decades, but since its closure, its legacies are poverty, clusters of rare cancers, and a local wilderness populated with rumors of an unnatural selection of misshapen wildlife. When Mark Wilkinson--the first of several teen-aged boys to disappear every 12-18 in the coming years--is found hanged in the "poison woods" over a bizarre shrine of boughs, glass, and tinsel, the town constable chooses to cover up the atrocity (to the pleasure of Innertown's corrupt string-pullers), leaving the town's long-abandoned youth to take responsibility themselves.The Glisteris a strange and affecting book, working as both simmering horror and a Dennis Lehane-style thriller: thinkThe Blair Witch ProjectmeetsMystic RivermeetsIt. Burnside's deliberate prose strikes a pitch-perfect balance between the insidious banalities of industrial society and the unacknowledged horrors lurking in the varicose network of cracks in its crumbling foundations, the spaces where institutionalized cowardice and naïve accountability meet to settle the fates of a damaged society's innocents. It's a story that will stay with you long after its last harrowing pages. --Jon ForoAmazon Exclusive: Jim Crace ReviewsThe GlisterJim Crace is the author of nine novels, includingBeing Dead, which was shortlisted for the Whitbread Prize and won the prestigious National Book Critics Circle Award for Fiction in 2000. In 1997,Quarantinewas named the Whitbread Novel of the Year and was shortlisted for the Booker Prize. Crace has also received the Whitbread First Novel Award, the E.M. Foster Award, and the Guardian Award. Here he reviews John Burnside’sThe Glisterfor Amazon:I lent my copy of John Burnside’sThe Glisterto a friend the moment I finished it.  I wanted her to share the novel’s troubled beauty and its bleak but tender outlook on the urban predicament, the state of the nation, the human condition--well, pretty much everything.  “It’s a triple murder mystery,” I explained.  “Teenage boys are being wiped out.  So is the landscape where they live.”  In my view,The Glisterwas not only a thrilling and engaging read but an unusually multi-layered and nuanced work of startling transcendence and importance.  No one could think otherwise.  Everyone should try it.She said she was puzzled by the last scene, yet only a few weeks later she was recommendingThe Glisterto her reading group and naming it her Novel of the Year.  “So, you read it again?”  I asked.  But no, she hadn’t needed to encounter it a second time.  As soon as she had finished its final page, a little baffled by its meaning, the story had started haunting her.  It brewed in her subconscious as all great fiction does until, level by level, the book’s unnerving ambiguities began to clarify themselves, she was getting it.  “It’s a sleeper,” she said, mixing her metaphors.  “It creeps up on you.”My experience ofThe Glisterhas been much the same.  It is a novel with an afterlife.  It continues to steep in my imagination one year after reading it and to imprint its indelible images on to my comprehension of the modern world.  I now cannot help but recognize Burnside’s devastated, weed-choked Innertown in almost every industrial city that I visit on both sides of the Atlantic.  And I better understand the dangerous boredom of those adolescent gangs on street corners throughout the world, their brutal, plucky hopelessness.  But most importantly the novel has taught me that if we want to find an optimistic narrative to help us cope with our failing cities, their increasingly toxic landscapes and their splintered families, we have to hunt for it, as Burnside has, in the darkest corners and in the most menacing of company and not deceive ourselves with bright, narcotic fairytales.Quite what the glister of the title is, I cannot say for sure.  The novel doesn’t want to tell me exactly.  It wants me to be teased.  But I’m still brewing on the question, I’m still haunted by the book.  There is no greater praise than that.--Jim Crace(Photo © Lorentz Gullachsen)--This text refers to an out of print or unavailable edition of this title.