Brother Jack
The organ combos of the late '50s fused diverse influences into joyous, exciting music, the last genuinely populist jazz form. Brother Jack McDuff had strong ties to gospel music, having played in his father's church, and his concentrated keyboard approach, initially influenced byOscar Peterson, could generate the energy of a big band. This CD combines two of McDuff's early LPs. The first session was McDuff's debut as a leader,Brother Jack, recorded in 1960 with McDuff's regular coworkers in Willis Jackson's hard-pumping band, including guitarist Bill Jennings, bassist Wendell Marshall, and drummer Alvin Johnson. It's music that swings effortlessly, with McDuff's organ bubbling effervescently in a synthesis of swing, jump blues, gospel, and atmospheric lounge fare, while the neglected Jennings is an aggressive, articulate soloist. The second session--Goodnight, It's Time to Go--was recorded the next year when McDuff had begun to work regularly with his own band. It has sharper edges and a potent lineup that includes tenor saxophonist Harold Vick and a brilliant youngGrant Greenon guitar. The result is a classic of the soul-funk genre, including an extended version ofBenny Goodman's "A Smooth One." There's been a sustained revival of interest in the organ combos of the '60s, fuelled by groups likeMedeski Martin & Wood, and this CD demonstrates why it will continue to grow.--Stuart Broomer