Letting Go?: Sharing Historical Authority in a User-Generated World
“The central premise ofLetting Gois that the museum generation   of the 21st century is defined by shared authority and collaborative   making of meaning with the public.... The essays and conversations inLetting Goare accessible and share important insights, best practices, and   hard-won experiences with readers. Together, they would be of use to   students and scholars, especially those in museum studies, history,   material culture studies, anthropology, and art. Letting Go... fills a need for guides on sharing authority for new and established museum professionals and those who work with museums.”— Museum Anthropology“Opening a capacious window onto today’s core challenge to history museums—situating historical authority—the chapters inLetting Go?range from the scholarly to the eminently practical. … [It] reminds us that no matter its theoretical appeal, public curation still must be examined from the visitor’s perspective. An ambitious collection,Letting Go?will be valuable for scholar/practitioner/student of the museum field as its continues to define, address and advocate for greater public engagement in our digital age.”— Leslie Bedford, Director, Leadership in Museum Education Program, Bank Street College of Education“This wide-ranging collection of perspectives from some of public history’s most innovative practitioners doesn’t so much reject the idea of authority as expand it. Each one shows us how we can develop new expertise for enacting inclusive processes, which not only raise the visibility and social value of what the public may contribute, but simultaneously cultivate the strong community relationships sustaining our institutions into the future. It’s both an essential and energizing set of examples, putting this vital ethos into completely practical terms.”— Daniel Spock, Director, History Center Museum, Minnesota Historical Society“User-generated content -- it’s the cutting-edge idea behind everything from Facebook to Wikipedia. And it’s making a huge impact on museums and other public history venues. In this volume you’ll catch some of the sparks shooting off of this exciting new work. And also discover some of the principals that are emerging: how good boundaries paradoxically make for better creative expression, and why historians’ traditional strengths—context, editing, presentation—are needed even more in this new world.”— Tom Hanchett, Staff Historian, Levine Museum of the New South, Charlotte“Our values direct what we do and how we do it.Letting Go?recognizes power structures in existing models and challenges us to articulate our values, reflect on our work, and sharpen our practice. Are we truly living out our values?Letting Go?provides fresh directions for meaningful, responsive and strategic community-based work.”— Cassie Chinn, Deputy Executive Director, Wing Luke Museum of the Asian Pacific American Experience“Technically, historical authority has always been shared with the public, but the expert public voice has not always been able to break through the practiced illusions of monumental scholarship and hallowed history. The marvelous and inspiring examples inLetting Go?will shape the aspirations of the future history museum as its practice leaders readjust their grip on ideas of authority. It will also guide institutions as they fulfill the next steps after letting go: reaching out, embracing lives, and reflecting, in the presence of the past and each other, on the complex beauties of our culture. This is a book about becoming something together, our most important process as human beings.”—David Carr, author ofOpen Conversations: Public Learning in Libraries and Museums“Authority. What is it and who has it? Or better, Who used to have it and who has it now? Museums generally, but history museums especially, have been wrestling with these questions for two decades. This useful and intelligent offering from Pew, with contributions from 21 artists, educators, and museum practitioners, may help us get closer to some answers. Or even refine the questions, which seem to be along the lines of What is lost and what is gained when we invite the public into the once-sacred realm of interpretation?”— Museum Magazine