A Youth in Babylon: Confessions of a Trash-Film King
As one might expect, "trash" filmmaker Friedman's memoir, written with freelancer DeNevi, has about as much subtlety as a Las Vegas bump-and-grind. In this entertaining, self-indulgent confession, he chronicles his entry into show biz as a press agent for "educational" sex-hygiene reels, to his later work as creator/promotor of smuttier, more gruesome celluloid fare including Boin-n-g! and Blood Feast . Adventures with exploitation-movie producers such as Herschell Lewis and Kroger Babb are recounted, as are promotion schemes; we're told about the investments and brainstorms behind low-budget productions and see the huckster's talent for turning censorship boycotts into publicity hype. Though Friedman is often condescending and macho, he proves himself here to be resourceful; and his enchantment with the carney tradition is infectious, making even the book's unrelenting, ring-masteresque alliterations ("circulating salesmen of cinema sleaze") bearable. "America's Most Notorious Carpetbagger of Cinemadom" gleefully proves H. L. Mencken's axiom: "Nobody ever went broke underestimating the taste of the American public." Photos not seen by PW . 40,000 first printing; $40,000 ad/promo.Copyright 1990 Reed Business Information, Inc.--This text refers to an out of print or unavailable edition of this title.