Kiss the Sky
In a classic instance of a film's reach exceeding its grasp,Kiss the  Skyhas the outline of greatness about it. The final result, though, is  something less: a deeply flawed but genuinely interesting work. Nothing wrong with that.More ambitious and less clichéd thanAmerican Beauty,Kiss the  Skystars William L. Petersen and Gary Cole as long-time friends  evaluating how they arrived in middle age feeling dispirited and empty.  Desperate to reconnect with their lost vitality, they pursue the obvious by  zipping off to a tropical island to chase the local girls. Instead, they both end up falling for the same woman (Sheryl Lee), who in turn loves both of  them. Opting for the unorthodox, the trio becomes a threesome with little  internal jealousy, deep feelings shared all around, and an unspoken  conviction that they have stumbled together into a sacred chapter in their  lives.If that scenario sounds merely provocative or mundane, the faith that  screenwriter Eric Lerner demonstrates in his characters' quasi-religious  certainty inspires a different reading. Not that Lerner and veteran  television director Roger Young don't blow it on a few counts: the  superfluous presence of Terence Stamp as a Zen monk, and a dead-end subplot about building a sanctuary for other soul pilgrims. But there's enough moral  authenticity and adult experience between the lines to make this a compelling experience.--Tom Keogh