Tijuana Bibles : Art and Wit in America's Forbidden Funnies, 1930s-1950s
When Robert Crumb, S. Clay Wilson, Gilbert Shelton, and other Bay Area misfits first started producing "underground" comics in the '60s, they were considered to be highly innovative in their use of frank sexual themes. However, some 10 to 15 years before they commenced their explicit, often offensive cartoons, another genre of pornographic graphics was dying out, the so-called "Tijuana Bibles" (or sometimes "Cuban Bibles," "French Bibles," etc.). Simon & Schuster has released a collection of these antique obscenities that often featured famous political, show business, or cartoon figures having more fun than mainstream censors would have allowed. The introduction, by comic book apologist andNew Yorkercomics editor Art Spiegelman, is an amusing and sarcastic look at the history of this lost medium, with some interesting reflections on the genre, noting that "Though there are bound to be those who will loudly declaim that theTijuana Biblesdemean women, I think it important to note that they demeaneveryone... it's what cartoons do best." While the reprinted comic strips are often amusing in being laughingly bad, the historical essays and asides by editor Bob Adelman provide fascinating historical context. A sociology of mid-century sexual mores and the love/hate relationship that Americans have with their celebrities is evinced by the combination of reprint and commentary.--This text refers to an out of print or unavailable edition of this title.