Familiar Spirits: A Memoir of James Merrill and David Jackson
Written with her characteristic grace, novelist Alison Lurie's memoir of her friendship with the poet James Merrill and his companion David Jackson offers more than reminiscences, though these are tender, frank, and perceptive. Lurie also considers the broader subjects of fame's arbitrary nature and its impact on a relationship, as well as the perils and pleasures of dabbling in the occult. When she first became close to the couple in 1954, all three were struggling young writers. But while Merrill soon became a critically respected poet, and novels likeThe War Between the Tatesmade Lurie some money as well as a reputation, Jackson remained unpublished and obscure. He was understandably frustrated, and Lurie suggests that the pair's increasing involvement in sessions on their Ouija board were partly an effort to find an outlet for Jackson's creative energies. These sessions formed the basis for Merrill's long poem "The Changing Light at Sandover" (in Lurie's estimation not the best use of his gifts), and she believes they encouraged the men to become dangerously isolated from the real world. Jackson began to drink more heavily, and his casual affairs grew more irritating to Merrill, who launched a serious relationship with a young actor whose uncritical devotion exacerbated tensions between the longtime lovers. Merrill died of AIDS in 1995; the physically and mentally debilitated Jackson, writes Lurie, "is now a ghost in Key West." Her sensitive recollections bring back the time when they were young, beautiful, and in love, with the world before them. Examining the personal and artistic cost of their decades-long engagement with the spirit world, Lurie asks the always relevant, never resolvable questions, "How much should one risk for art? What chances should one take?"--Wendy Smith--This text refers to an out of print or unavailable edition of this title.