How to Listen to and Understand Great Music, 3rd Edition (The Great Courses)
How to Listen to and Understand Great Music, 3rd Edition(48 lectures, 45 minutes/lecture)College Level--Prof. Greenberg UC-Berkeley1.	Music as a Mirror2.	Sources-The Ancient World and the Early Church3.	The Middle Ages4.	Introduction to the Renaissance5.	The Renaissance Mass6.	The Madrigal7.	Baroque Era8.	Features of Baroque-era Music9.	National Styles-Italy and Germany10.	Fugue11.	Baroque Opera, Part 112.	Baroque Opera, Part 213.	The Oratorio14.	The Lutheran Church Cantata15.	Passacaglia16.	Ritornello Form and the Baroque Concerto17.	The Enlightenment and an Introduction to the Classical Era18.	The Viennese Classical Style, Homophony, and the Cadence19.	Classical-era Form-Theme and Variations20.	Classical-era Form-Minuet and Trio: Baroque Antecedents21.	Classical-era Form-Minuet and Trio Form22.	Classical-era Form-Rondo Form23.	Classical-era Form-Sonata Form, Part 124.	Classical-era Form-Sonata Form, Part 225.	Classical-era Form-Sonata Form, Part 326.	The Symphony-Music for Every Person27.	The Solo Concerto28.	Classical-era Opera-The Rise of Opera Buffa29.	Classical-era Opera, Part 2-Mozart and the Operatic Ensemble30.	The French Revolution and an Introduction to Beethoven31.	Beethoven's Symphony no. 5 in C Minor, op. 67, Part 132.	Beethoven's Symphony no. 5 in C Minor, op. 67, Part 233.	Introduction to Romanticism34.	Formal Challenges and Solutions in Early Romantic Music35.	The Program Symphony-Berlioz's Symphonie fantastique, Part 136.	The Program Symphony-Berlioz's Symphonie fantastique, Part 237.	19th-Century Italian Opera-Bel Canto Opera38.	Italian Opera-Giuseppe Verdi39.	Century German Opera-Nationalism and Experimentation40.	19th-Century German Opera-Richard Wagner41.	The Concert Overture, Part 142.	The Concert Overture, Part 243.	Romantic-era Nationalism44.	Russian Nationalism45.	Modernism46.	Claude Debussy47.	Igor Stravinsky48. Arnold Schnberg