Playing Bach's works for lute is always an interesting proposition. Invariably re-arranged from other instruments (one piece here was originally for cello, the other two for violin), they are notated in such a way that they would have been unplayable on a typical 18th-century instrument; therefore, Bach must have (or may have) presumed they would be transposed. At any rate, Paul O'Dette's new recording of some of the works (called "Volume I") is a ravishing document – elegant, lovely, both easy on the ear and food for thought. These are not pieces of 18th-century wallpaper. The Fugue in the Sonata in G minor, originally for violin, has to be played more slowly, but we gain clarity, with each note articulated, and it is  played with golden tone. It's like the workings of a superb Swiss watch. The Dance movements that make up the Partita in (originally) E major are simply charming and actually seem like dances –- the Lute makes them seem more "popular." The recording is both warm and crystal-clear. Highly recommended.--Robert Levinei