Beauty
Revisionist fairy tales with a message are definitely a '90s thing, and Wilson's lightweight but strained debut is a retelling of the classic story of Beauty and the Beast. The latter is Leland Crompton, a rich recluse who lives on a remote estate in New Hampshire's White Mountains, writing mysteries under the nom de plume of Harris Bellefleur and hiding his grotesquely deformed face. Yet family tradition dictates that his portrait must be painted, and Alix Miller, aka Beauty, is the latest of her family of artists to accept the commission. Of course, Alix, who narrates, has an unworthy boyfriend-oblivious and selfish photojournalist Mark. And, of course, she is ready for true love. Wilson spins her tale with some skill, but her stilted dialogue is clunky with platitudes ("You know that the friends of adversity are friends forever"). Leland is an appealing character, however. With his generosity and his gracefulness as he skates, he demonstrates that real beauty is active, found in movement and deed, not in the static medium of a portrait. His self-effacing humor is refreshing: When posing for Alix, he quips, "As you can see, I have no bad side." In opting for a weeper of an ending, however, Wilson pushes her love story over the brink into the kind of bathos that only romance addicts will embrace. Major ad/promo; first serial to Good Housekeeping.Copyright 1996 Reed Business Information, Inc.--This text refers to an out of print or unavailable edition of this title.