Death On The Cheap: The Lost B Movies Of Film Noir
Penzler Pick,September 2000:The past 20 years or so appear to have seen  more books on film noir than any other movie genre. When people speak or write  about film noir, they invariably invokeLaura,Double Indemnity,The Maltese Falcon,The Postman Always Rings Twice,The Third  Man, and a handful of other iconic examples of the popular genre. These are  A movies, however, made with substantial budgets by the major studios and  featuring the headline actors and actresses of the time. The B films, with a few  notable exceptions, have largely been ignored. Arthur Lyons, who really knows  his stuff, figured that the world didn't need to read again about Dashiell  Hammett and James M. Cain, or Humphrey Bogart and Lizabeth Scott. Instead, he  devotes his intelligent pen to helping us rediscover the B films, the second  features that helped keep movie theaters full in the 1940s and 1950s. Made for  budgets that frequently fell short of $100,000, with cheap sets and costumes,  these plot-driven movies had little in the way of special effects and nothing in  the way of super-star actors and actresses. Republic was famous for its low-budget films and serials, as was Monogram, but even the major studios had B  units.Hugely fascinating information impossible to find without devoting an inordinate  amount of your life to research, which is clearly what Lyons must have done,  fills every page of this tome. In addition to an overview and chronological  history of B films noir,Death on the Cheaphas a comprehensive  filmography with title, date, studio, running time, alternate titles, credits,  plot outline, and critique for each film. There is also a chronology of every B  noir film (Lyons credits 1939'sBlind Alleyas the first and reckons 1959  as the end of the genre). Although an unapologetic fan of B noir films, Lyons  has no problem warning potential viewers from the really bad ones, and he  doesn't exactly make his opinions known in a subtle fashion. Take this example,  used to describeHit and Run, a 1957 movie involving twins, produced,  directed, written by and starring Hugo Haas: "Yet another smell-o by Haas....  Haas, of course, had to play the parts of both twins, doubling the pain for the  audience."Lyons, a well-known writer of the superb series of private-eye novels about  Jacob Asch, demonstrates that his writing skills remain equally high whether  he's writing fiction or nonfiction.Death on the Cheapis one of those  rare pleasures, like a box of expensive chocolates that you can dip into any  time and discover a genuine treat.--Otto Penzler