Accidents of Providence
Stacia Brown onAccidents of ProvidenceAccidents of Providencehad its beginnings in a Thanksgiving dinner argument. I had accepted an invitation to a turkey potluck at a friend’s house, and one of the guests, a psychologist, learned that I liked historical fiction. Immediately she urged me to quit the habit. She swore that any fictional attempt to depict a working-class seventeenth-century woman was doomed to failure because women of that era did not have inner lives, did not have time to contemplate their world, did not have the luxury to be complicated. They were too busy being chattel, this psychologist said, too busy eking out a bare-bones living.  I disagreed, but she won the argument. Frustration turned to determination, and soon I found myself starting work on a story about ordinary tradeswomen possessed of extraordinary courage who lived and worked in London during the civil wars.About halfway through my second or third draft of the novel I realized I could not imagine the interior world of Rachel Lockyer, my main character, without also exploring the exterior landscape of women’s friendships.Accidents of Providenceis a love story, but it is also, or even primarily, a story about relationships between women. What are the ethics of female friendship? Of motherhood? Are we called to hold our closest friends morally accountable? Or should we simply stand by each other’s side when things fall apart? What happens when our best friends fail us?As an exploration of women’s friendships,Accidents of Providencealso grapples with the telling and the keeping of secrets. Today we live in such a tell-all, confessional society that we have almost forgotten what it feels like to stay silent, to ponder something difficult or personal in private.Accidents of Providencetries to explore what is both gained and lost when a woman chooses to remain silent, chooses not to speak, at the critical moment.