The Republic of Rock: Music and Citizenship in the Sixties Counterculture
"The Republic of Rockoffers valuable insights into the culture of rock music in San Francisco and Saigon during the 1960s .Kramer's book provides an informed and informative retrospective on a decade when sonic expectations for humanity soared, only to be brought back to earth by other musical depictions of ghetto lives, police harassment, mindless capitalism, drug abuse, and military madness." --B. Lee Cooper,Rock Music Studies"Kramer probes deeply into the countercultural archives of art posters, underground newspapers, music, press releases, and interviews to establish how the rock music scene in San Francisco presented both a challenge to traditional values, while simultaneously embracing a hip capitalism which commercialized the counterculture.  Kramer argues that the acid rock scene in San Francisco became a community in which music was a primary avenue through which to address issues of citizenship in what eventually was known as Woodstock nation." --Ron Briley,History News Network"Groundbreaking Draws on a wide range of sources in exploring the role of music, drugs, and the counterculture in San Francisco and South Vietnam from the late 1960s into the early 1970s." --CHOICE"Given my particular interests in history and music, I cracked openThe Republic of Rock: Music and Citizenship in the Sixties Counterculturethinking that I would be more reminded than enlightened. I was pleasantly surprised to have been incorrect in my expectations." --Blake Maddux,Dig Boston"From happenings to alternative rock radio stations to music festivals Michael Kramer traces the close relationship of what he calls 'hip capitalism' and the emergence of niche marketing to utopian ideas of an open-ended public sphere with unblocked, unmediated sharing between all citizens.  His book shows just how inseparable economic, political, and metaphysical ideas grew during the 1960s.  He cinches his argument by turning to Vietnam. His chapter on the embrace of rock and soul music by the U.S. military is extraordinarily elegant.  By looking into the rock groups that young Vietnamese formed, the book explores why aspects of U.S. culture has had such powerful international influence, even when U.S. political, economic, or military power was failing.  The story told in this book shows the power of artists and audiences coming together." --Richard Candida Smith, University of California, Berkeley"InRepublic of Rock, Michael Kramer skillfully examines rock music as an energizing 'circuit' connecting disparate communities of San Francisco hippies, Vietnam grunts, and South Vietnamese urbanites in a transnational 'sonic space' that fostered civic participation on young people's terms. Deeply researched and with a strong theoretical foundation, Republic of Rock helps readers to think expansively about music's power to define social relationships, in the United State and South Vietnam, in the Vietnam War and on the home front. Kramer's smart, witty prose and interdisciplinary approach to sixties counterculture, American military history, and global citizenship make this book suitable for classroom use but also a great read for rock fans of any generation." --Meredith H. Lair, author ofArmed with Abundance: Consumerism and Soldiering in the Vietnam War