Jookin': The Rise of Social Dance Formations in African-American Culture
Whites have steadily borrowed from African-American dance. We glean just how rich the black dance tradition is from this vibrant, engaging social history, which hops from the decks of slave ships to honky-tonks, membership clubs and cabarets. Rutgers sociologist Hazzard-Gordon takes us inside Reconstruction-era jook houses where food, gambling, drink and fellowship were offered, and where dances like the shimmy, Charleston, snake hips, funky butt, twist and slow drag crystallized into cultural forms. She deciphers dance as a medium through which blacks have articulated group experience, whether in resisting slavery or in preserving a sense of identity in urban ghettos. Illustrated.Copyright 1990 Reed Business Information, Inc.--This text refers to an out of print or unavailable edition of this title.