Neo-Bohemia: Art and Commerce in the Postindustrial City
The increasingly intimate but still uneasy relationship between "alternative" cultures and the forces of globalization underlies Vanderbilt professor Lloyd's sparkling ethnographic study of Chicago's hipster enclave Wicker Park. Once the down-at-heel home of Frankie Machine, the junkie protagonist of Nelson Algren's [The Man with the Golden Arm], it's now the sort of neighborhood where one can look at art, linger over a cafe americano, listen to poetry or indie rock, or be cordially abused by record store clerks straight out ofHigh Fidelity, which was filmed there. Good on the big picture, Lloyd's 10 chapters situate the evolving neighborhood within a complex nexus of commercial and social forces that he calls the "aesthetic economy." But as thorough (and commendably dogma- and jargon-free) as Lloyd is on background, it is in the "field" that he shines, bringing abstract concepts to life with a real feel for the "new economy" bars, galleries and high-tech startups, as well as the often happily exploited people who work in them. Trading high wages for the romance of bohemia, the bartenders, baristas and code punchers of Wicker Park are evolving new codes and values often strikingly at odds with suburban ones, and Lloyd's study gives their evolution a wealth of nuanced human detail. This combination of solid research and a good ear gives Lloyd's book an unusual depth; none of his readers is likely to undertip an eyebrow-studded waitserver anytime soon. 15 b&w photos.(Oct.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.--This text refers to an out of print or unavailable edition of this title.