Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Modern Woman
Starred Review. Wasson, who wrote on the career of writer-director Blake Edwards inA Splurch in the Kisser, tightens his focus for a closeup of Edwards's memorableBreakfast at Tiffany's, which received five Oscar nominations (with two wins). Interviewing Edwards and others, he skillfully interweaves key events during the making of this cinema classic. He begins (and ends) with Truman Capote, whose novel was initially regarded as unadaptable by the producers, since they hadn't the faintest idea how the hell they were going to take a novel with no second act, a nameless gay protagonist, a motiveless drama, and an unhappy ending and turn it into a Hollywood movie. The flow of Wasson's words carries the reader from pre-production to on-set feuds and conflicts, while also noting Hepburn's impact on fashion (Givenchy's little black dress), Hollywood glamour, sexual politics, and the new morality. Always stingy with praise, Capote dismissed the finished film as a mawkish valentine to New York City, but one feels he would have been entranced by Wasson's prismatic approach as he walks a perilous path between the analytic interpretation and the imaginative one. The result deserves Capote's nonfiction novel label. Recapturing an era, this evocative factual re-creation reads like carefully crafted fiction.(June)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.