Live From Austin Texas
With the aging of Kris Kristofferson into a venerable icon, it's been easier to appreciate his voice as weathered, whereas the younger troubadour more often heard his vocal style dismissed as wooden. No matter--as confirmed by this 1981 taping forAustin City Limits, Kristofferson's artistry has long owed more to the emotional range, depth, and conviction of his material than to his vocal range. And whatever he lacks in the latter is offset by the harmonies and instrumental support from a crack band including Stephen Bruton on guitar and mandolin, "Funky" Donnie Fritts on keyboards, and the great Billy Swan as utility man. Among the revelations are a surprisingly hard-rocking "Me and Bobby McGee," a rollicking arrangement of "The Pilgrim," and a tender "For the Good Times." Of the later and lesser-known fare, both "Darby's Castle" and "Casey's Last Ride" show Kristofferson shifting from confessional intimacy into more of a narrative mode reminiscent of John Prine, while "Magdalene" and the hymn-like closer, "Why Me," extend his thematic artistry into spiritual inquiry. As is typical with theAustinseries, a responsive audience coaxes a particularly spirited performance, with the artist gushing more than once that there's no place he'd rather be.--Don McLeese