Doing Things with Texts: Essays in Criticism and Critical Theory
The author, a literary traditionalist, is under whelmed by fashionable deconstructionists like Jacques Derrida or "Newreaders" Harold Bloom and Stanley Fish. By treating works of art as self-sufficient objects, these critics often fail to grasp the meanings that a poem, story or novel generates as a human document, Abrams charges. In a group of essays and reviews geared to the serious student or scholar, the Cornell professor emeritus pulls the rugs out from under his opponents by analyzing "art-for-the-sake-of-art" criticism from a sociological standpoint, tracing its roots to 18th-century connoisseurship and the codification wd. ok? (not in web 3 or 9)/I think it should be codification/gs of literature. Throughout, Abrams ( The Mirror and the Lamp ) engages in dialogue with Coleridge, Matthew Arnold, Wordsworth, Aristotle, Wittgenstein and Milton.Copyright 1989 Reed Business Information, Inc.--This text refers to theHardcoveredition.