Whose Culture?: The Promise of Museums and the Debate over Antiquities
"In this new collection of essays, Cuno has also assembled a group of broadly like-minded colleagues, both museum curators and academics, all of whom affirm, from a variety of perspectives, why great encyclopaedic collections can, and ought, to exist. . . . [The volume] marks an important advance. After an uncertain, not to say timorous, few decades, the leadership of at least some of our major institutions has found its voice. More than that, it has rediscovered something approaching a set of shared values--and, asWhose Culture?makes clear, it is ready to take on all comers in their defence."--John Adamson,Standpoint Magazine"[Cuno] has emerged as the champion of museums who want to keep their holdings--and not a moment too soon. . . . Cuno speaks the cosmopolitan language of cultural pluralism. The other side, insisting that art remain where it happened to be found, deploys the rhetoric of jealous nationalism in the service of government. Culture matters more than concocted national pride, as curators and museum directors know. At last they're re-asserting their principles, after an embarrassing period of passivity and pusillanimity."--Robert Fulford,The National Post"For the general reader seeking to get up to speed on this critically important debate, this volume is destined to become an indispensable guide. Each contributor makes salient points in favour of their museological argument."--Tom Mullaney,The Art Newspaper"The issues raised will certainly draw controversy and debate, especially in the current environment. Issues of cultural heritage remain targets of ethical, legal, political, and cultural controversies surrounding cultural property. Museum professionals, university scholars, and others deeply interested in cultural heritage will find the work a necessary read."--Choice"In stressing the multiple meanings--aesthetic, textual, political, ritual--that an object may have, these contributors oppose the claim that art divorced from its archaeological setting is a cosa morta ('dead thing')."--Hugh Eakin,New York Review of Books"A welcome challenge to repatriation policies underpinned by identity politics. . . .Whose Culture?is a long-needed intervention in the debate about the role of museums. Cultural institutions have been on the defensive for decades, poorly firefighting accusations of didacticism, elitism, colonisation and looting, with ill-thought through mumbling and evasion. . . . Museums need to defend openly their use and purpose and make a strong case for the invaluable role they play in the preservation, presentation and study of artefacts. Cuno does just that."--Tiffany Jenkins,Spiked Magazine"Far from being an esoteric, jargon-filled look at a debate between archaeologists and collectors of antiquities, these essays, some from conference presentations, some philosophical, and some impassioned, show that the whose-cultural-property debate runs parallel to and intersects other problem areas in the modern world."--N.S. Gill,About.com"[T]his book should give both sides of the antiquities debate much to think (and talk) about."--William H. Krieger,Religious Studies Review