Rossini: Il Barbiere di Siviglia
This is a nicely entertainingBarber, with just the right  sense of fun running through it to avoid slapstick and still bring a  sophisticated smile to one's lips. Teresa Berganza is so right, so  unexaggerated, so pyrotechnically capable yet filled with good taste, that it's  impossible to find fault with her Rosina. Luigi Alva's Count is classy and  honey-toned up to the top of the staff, where the voice simply stops  blooming; he's also not as good as one might wish with Rossini's difficult  fast music. Hermann Prey's Figaro is similarly impaired--the coloratura is  just not pristine--but his style, attitude, and intelligence are pure gold; he's  vastly entertaining. The other low-voiced men are ideal Rossinians. Abbado  holds the whole thing together--this is a very satisfying performance.Robert Levine