The Girl You Left Behind
Moyes (Me before You, 2012) writes with such clarity that one can almost see the eponymous 100-year-old painting at the center of her wonderful new novel. Also crystal clear are the emotions that protagonist Liv Halston attaches to the portrait. Gifted to Liv by her late husband, David, in celebration of their wedding, The Girl You Left Behind becomes a personal icon, embodying all that was good about their brief marriage. What is less clear is the painting’s provenance and who has the right to assert ownership. Will Liv’s notion of ownership unravel when the artist’s heirs sue to reclaim what they call ill-gotten goods, seemingly misappropriated by German soldiers during WWI? Did the artist’s wife—the subject of the portrait—give or sell it? Can anyone establish a clear trail of legitimate ownership? Does emotional attachment to a work of art have cash value? Can love ever trump greed? At its heart, such questions, thrumming in the background, add depth to what is an uncommonly good love story. --Donna Chavez