Other People's Property: A Shadow History of Hip-Hop in White America
Suburban white kids' increasingly ubiquitous fascination with hip-hop culture is the subject of this thoughtful and often insightful work of long-form journalism. Tanz, a young white man himself and an editor atFortune Small Business, is an apt chronicler of the racial and cultural obstacles that stand between the producers and consumers of rap. He has an obvious passion for the music at hand, and he demonstrates his connoisseurship through brilliant evocations of the power of the band N.W.A. and the often painful history of white rappers. Tanz is most successful when he lets himself get tangled up in the complicated tendons of mass culture: his chapter about hip-hop marketing and commercialization displays a keen understanding of the advertising forces at work without ever devolving into simplistic damnation. Other aspects of the book are less satisfying, most notably the framing devices for each chapter in which Tanz chooses seemingly arbitrary instances of white appropriations of hip-hop culture—such as a hipster dance party in Williamsburg—to illustrate larger points. Nevertheless, Tanz solidly displays his strong grasp of the broad cultural significance of the rise of hip-hop.(Feb.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.