Fictional Worlds: Traditions in Narrative and the Age of Visual Culture, Vols. I-IV (Storytelling on Screen)
Five stars! Well-engineered and easy to follow “Fictional Worlds” was created with moviemakers in mind. It would easily fit into most film curricula and would be useful resources for classic literature and fiction writing courses. This book’s true value lies in its universal appeal: there is truly something of interest to anyone. Intriguingly, Alexander argues that our methods of storytelling are connected to the very heart of human society and culture. As our species navigates its way into a globally integrated era our stories will continue to grow and evolve with us.- Red City Literary ReviewThis sober, thoughtful resource speaks to the writers of all backgrounds, while exploring symbolic storytelling, the hero's journey, the elements of a finely crafted tragedy, film noir as a breakout new genre, or the talent of comedy that creates amazing mirth from the foibles of ordinary people. "Drama, tragedy, and the dystopian fictional worlds allow us to examine possible paths that humankind should not take, creating a narrative encyclopedia of missteps, or an extended list of Commandments: the demonstration of the logical consequences of doing what 'Thou Shalt Not.'"- Midwest Book Review"Fictional Worlds" offered a wholly original approach to studies of narrative and is noteworthy as well for its cross-cultural, cross-historical, and interdisciplinary scope, along with its rich range of examples and its clear accessible style. - Ellen E. Berry, Professor of English and Critical and Cultural Studies, Director, Institute for the Study of Culture and Society, BGST, author of "Postcommunism and the Body Politic"; co-author of "Transcultural Experiments"