The Lost Prince
A marvelous reinvention of the costume epic,The Lost Princeis Stephen Poliakoff's absorbing study of the turbulent years leading up to and during World War I, seen through the percipient eyes of a scarcely remembered royal child. Extensively researched, impeccably cast, beautifully filmed, written and directed by Poliakoff himself with masterly economy and restraint, this is a timely reminder that original, intelligent drama can work as prime-time entertainment while appealing on multiple levels; and there isn't an escaped soap star in sight. Johnnie, the prince kept hidden away by his parents Queen Mary and George V for fear that his epileptic fits and idiosyncratic ways might draw unwelcome attention, is not presented as a tragic figure. His view of the great events that shatter his family and change the world forever is direct and uncluttered. Poliakoff celebrates his apartness--and that of all children who are different--as a force for good, without judging the standards, protocols, and contemporary medical theories that kept him on the periphery of society. The series makes the most of its well-chosen locations, and from Johnnie's garden at Sandringham to the assassination of the Russian imperial family, it maintains a hypnotic and elegiac quality The acting is first-rate, too. Gina McKee is profoundly moving as Johnnie's devoted nurse Lalla, and Miranda Richardson's Mary is an extraordinary performance, the controlled facade of single-minded focus occasionally fracturing to reveal a flash of humanity. This production is exquisite in every respect.--Piers Ford