All Hopped Up and Ready to Go: Music from the Streets of New York 1927-77
From the Brill Building to CBGB, from Washington Square Park to the Apollo Theater, New York has been the birthplace and center of an astonishing variety of musical trends. In his richly detailed study of 50 years of the city's most important music history, music journalist Fletcher vividly recreates the birth and evolution of jazz, folk, pop, punk and hip-hop as the strains of these musical styles emerged from the urban cacophony of New York. Drawing on interviews and archives of well-known stories, Fletcher nimbly explores the ways that various musical styles benefit from and grow out of their contact with their surrounding cultures. For example, the music scene of the Lower East Side was a direct product of the area's thriving movements in poetry, filmmaking, avant-garde music and experimental theater. Fletcher chronicles the beginnings of the folk movement in the sing-alongs in Washington Square Park and the opening of the Folklore Center on MacDougal Street in 1957, where musicians could hold hootenannies. Fletcher observes the folk scene on the wane as John Sebastian leaves Jim Kweskin's Jug Band and teams with Canadian Zal Yanovsky, formerly of the Mugwumps (which became the Mamas and the Papas), to form the rock band the Lovin' Spoonful, and provides one of the best brief histories of CBGB. Fletcher's terrific music history captures the teeming life of New York's thriving music scene.(Oct.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.