The spirit of Lilith Fair renews itself in the music of Austin's Abra Moore, who flashed breakout potential with 1997'sStrangest Places(which earned her a Grammy nomination) but who all but disappeared over the decade since. Here, she reunites with producer/multi-instrumentalist Mitch Watkins, who provides atmospheric arrangements behind the wispy-voiced romanticism of Moore's vocals.  Like the idealized, poeticized boy of the opening "Into the Sunset" (an update of the Icarus myth), her vocal airiness occasionally threatens to float away.  Fortunately, the support of accompanists including vocalist Will Sexton, percussionist Pat Mastelotto, and trumpeter Ephraim Owens, along with guitarist-keyboardist Watkins, provides counterweight ballast. On the title cut, Moore's horn-like vocals blend so well with Owens's flugelhorn that it can be hard to distinguish between them.--Don McLeese