Standing in the Shadows of Motown
The phenomenal story of Motown has been told many times--so many in fact, that the notion of an untold part of its legacy seems far-fetched. But as the documentary filmStanding in the Shadows of Motowndemonstrates, there was more to the success of the Detroit-based label than singing babes in gowns and founder Berry Gordy's business acumen. There was also the self-named Funk Brothers: the session players putting the unforgettable guitar sounds into "You Keep Me Hangin' On" and the creeping bass line behind "I Heard It Through the Grapevine." These guys were a crucial piece of the puzzle but have remained largely anonymous. While theStandingdocumentary tells the Funk Brothers' story via interviews, stock footage, and still photos, the accompanying soundtrack takes liberties, pairing the surviving musicians with contemporary pop, R&B;, and funk artists. Together, they faithfully recast Motown hits. What could have been a disaster--would you want to muck with "Ain't No Mountain High Enough"?--works beautifully, thanks both to the Brothers' chops and the thoughtful artist selection. While enlisting a soul brother likeBen Harperwas a no-brainer, the inclusion ofJoan Osbornewas especially astute. After all, Osborne's deep connection to R&B; is why her production of the Holmes Brothers'Speaking in Tonguesdisc was genius, and she acquits herself beautifully on "(Love Is Like A) Heat Wave" and "What Becomes of the Brokenhearted." Similarly, bass bossMeshell NdegeocellogivesChaka Khancompetition in the gospel diva department.Bootsy Collins,Gerald Levert, andMontell Jordanalso contribute. Motown purists may balk at this concept, but they'd have to agree these readings are smart, respectful, and very, very soulful.--Kim Hughes