Grits Ain't Groceries
Showtime at Los Angeles's Summit Club in 1972. Milton's intensity level hits summits where only the most emotionally involved testifier can breathe the air, and his B. B. King-style guitar jabs the listener like a recently sharpened darning needle, especially during Otis Rush's "I Can't Quit You Baby." Milton's band slouches only during the anticlimatic show closer, "Walking the Back Streets and Crying."-- © Frank John Hadley 1993--From Grove Press Guide to Blues on CD