Chateau De L'Ame / Graal Theatre / Amers
Kaija Saariaho was born in Helsinki in 1952, one of numerous notable musicians to have come out of Finland recently, a distinction she shares with Salonen, one of her earliest and most steadfast supporters. She studied in Finland, Germany, and Paris, where she became acquainted with the composers of "spectral" music, who focus on music as sound and examine its constituent elements in microscopic detail. This influenced her own writing, which she describes as "more timbral than melodic, more focused on color than line."Indeed, the two instrumental works on this disc seem created entirely from sound effects and color effects.Graal Theatreis a substantial violin concerto that exploits all imaginable, and many unimaginable, resources of the instrument and demands superhuman tonal and technical acrobatics of the soloist. Kremer, of course, clears all these hurdles with ease and aplomb; the beauty of his tone comes through at every opportunity. These are almost nonexistent in the cello concerto,Amers, in which the soloist is reduced to running, scratching, and squeaking. The five-song setChateau de L'ameis the most accessible: sung beautifully, it is mainly lyrical, atmospheric, languid, and mournful, with big leaps in the vocal line and much lighter orchestration than in the concertos. The composer confirms that "vocal music written to strong texts seems more emotional," because the words enhance the music and because "the human voice touches us differently than any other instrument." It would have been helpful to know what the songs are about, but unfortunately, the booklet carries no texts, though it includes a long interview with the composer in three languages.--Edith Eisler