Rhythms of Rapture: Sacred Musics of Haitian Vodou
When someone is struck with a truly great notion, like this record's concept, you feel grateful, and at the same time you wonder why no one thought of it before. This disc is clearly made from a near-sacred mission to redeem Haiti and its vodou culture. During slavery days, Jacob Boukman, who was shipped from Jamaica to Haiti, created vodou out of the elements common to the slaves' various tribal origins. Vodou's potpourri of spirit, rhythm, and melody is, indeed, every bit as rapturous as its ideal of human community. Lolo Beabrun, lead singer of Boukman Eksperyans (who turn in two tracks here) has said that so many vodou rhythms are played in tiny villages secreted in Haiti's mountainous interior that they are unknown to outsiders, and they are indistinguishable from their African origins.Rapturecovers this infinite world of Haitian-African rhythm, ranging from the determinedly rootsy to those who take vodou drumming as a base and cut loose, making free with elements of jazz, rock, reggae, and Latin music. Fans will recognize names like Boukman and Rara Machine, but they are by no means the only standouts. "Simbi Dlo," by Frisner Augustin and La Troupe, is just one of many luminous tracks by lesser-known artists in a collection that is clearly guided by spirit. An added reason to buy this CD: a portion of the profits goes to Haitian grassroots community projects.--Elena Oumano