The Singing Neanderthals: The Origins of Music, Language, Mind, and Body
Mithen (The Prehistory of Mind; After the Ice) draws on archaeological record and current research on neurology and genetics to explain how and why humans think, talk and make music the way they do. If it sounds impenetrably academic, it isn't: Mithen acts as a friendly guide to the troves of data on the evolution of man (and myriad sub-mysteries of the mind, music, speech and cognition), translating specialist material into an engrossing narrative casual readers will appreciate. Beginning with a survey of modern theories of the evolution of language, music and thought, Mithen cherry picks ones that lay the groundwork for the book's second (and most substantial) part, which applies those ideas to 4.5 million years of evolutionary history, beginning with the earliest known hominid, Ardipithecus ramidus, and ending with Homo sapiens. Mithen's work here is equally remarkable, but perhaps because this is his area of specialty, the findings are less accessible to the average reader: they hinge largely on subtle differences in the interpretation of archaeological sites and the dating of artifacts. However, Mithen's expertise in the science and history of his subject is combined with a passion for music that makes this book enjoyable and fascinating. Readers from most academic disciplines will find the work of interest, as will general readers comfortable with research-based argument and analysis.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.--This text refers to an out of print or unavailable edition of this title.