The Terrible Twos
"A Christmas Carol, Dr. Strangelove, The Manchurian Candidate, and Robert Coover's The Public Burning--all hover as influences over this latest production by Ishmael Reed, the novelist and poet who has been called the best black writer in America today. Reed's mastery of crosscutting techniques and his extravagant inventiveness keep the madness on the boil and help disguise this novel's essential commitment to savage social criticism. . . . In its (many) finer moments, this is matchless comic invective. Ishmael Reed is a one-of-a-kind writer."  --Bruce Allen,Saturday Review, 6/82"Reed follows modern masters as diverse as James Joyce and Alain Robbe-Grillet. . . . His own penchant for satire and battle has earned him some devoted followers. . . . Reed weaves Rastafarianism and a reverse of the Todd Clifton dummy sequence from Invisible Man together with Dickens' A Christmas Carol in The Terrible Twos."  --Stanley Crouch,The Nation5/22/82"Reed has been revising the authorized edition of American history in all his novels, to give the ghosts a chance to talk, and in The Terrible Twos he achieves a kind of jive transcendence. . . . Reed is as close as we are likely to get to a Garcia Marquez, elaborating his own mythology even as he trashes ours. . . . The Terrible Twos tells many jokes before it kills , almost as if it had been written with barbed wire."  --John Leonard,New York Times, 6/17/82