The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le nozze di Figaro, Don Giovanni, and Così fan tutte (Clarendon Paperbacks)
"The most illuminating exploration of the territory to appear in English since Edward Dent's historic study of 1913."--Observer"Steptoe's clarification of the enigmatic interplay and the consequent cross-fertilization between composer and librettist is indeed a major advance in our knowledge and appreciation of Mozart's remarkable achievement."--Notes"Steptoe has drawn a clear picture of Mozart's surroundings, both personal and musical, before and during the composition of his three most popular operas.  He enlivens his discourse by drawing on contemporary accounts and on later studies. His knowledge of 18th-century Viennese opera allows him to make comparisons that clarify Mozart's contribution....Strongly recommended for both undergraduate and graduate students."--Choice"Steptoe's clarification of the enigmatic interplay and the consequent cross-fertilization between composer and librettist is indeed a major advance in our knowledge and appreciation of Mozart's remarkable achievement."--Notes"His discussion of Mozart and Enlightenment Vienna represents a particularly needed contribution to the field."--Opera Quarterly