Few singers express emotional depth with such vocal subtlety as Lee Ann Womack.  OnCall Me Crazyshe brings a light touch to material that explores the dark recesses of musical maturity.  Lesser artists, or bigger show-offs, might try to wring every ounce out of pathos from the empty marriage referenced in "Either Way," yet Womack's beyond-caring diffidence strikes the perfect emotional chord.  In similar fashion, her bittersweet evocation of "Solitary Thinkin'" ("and lonesome drinkin'") is barroom blues from a woman who still has plenty of self-respect.  She makes even the power-ballad cliches of the comparatively upbeat "I Found It in You" sound sincere, while the genial duet with George Strait on "Everything But Quits" forges a connection that never seems forced. "If These Walls Could Talk," co-written by Womack, practically begs for George and Tammy comparisons, and her hard-twanging cover of Jim Lauderdale's "The King of Broken Hearts" reinforces her honky-tonk side. So does "I Think I Know," a moving elegy for Keith Whitley, Hank Williams, Johnny Cash and anyone who has ever died from an emptiness that cannot be filled. The production by Tony Brown balances neo-trad with radio friendly, as Womack never sings a false note.  --Don McLeese