Voila
Taking a page from the Marianne Faithfull playbook, Belinda Carlisle exchanges exuberance for sophistication onVoilà. Sung entirely in French, Carlisle's first CD in a decade celebrates the sturdy song form known aschanson. From the legendary Edith Piaf ("La Vie En Rose") to '60s songbird François Hardy ("Ma Jeunesse Fout Le Camp") to playful provocateur Serge Gainsbourg ("Contact"), Carlisle tackles 11 favorites. If Faithfull'sStrange Weather, a torched-up collection of covers, makes perfect sense in retrospect,Voilàalso seems like a natural progression for Carlisle, though some Go-Go's devotees may be startled by the departure. More surprising than her accent, which is actually quite good, are the arrangements, like Gainsbourg's "Bonnie et Clyde" reinvented as echoey electronica or Hardy's "Pourtant Tu M'aimes" as hard-driving pop. Carlisle's versatile collaborators include Brian Eno (keyboards), Natacha Atlas (vocals), and Fianchna O'Braonain (guitar, vocals) from the Hothouse Flowers. Traditionalists may balk at the Irish and Middle Eastern touches, but Carlisle's genuine affection for the material should win over most skeptics. Her distinctive vibrato, particularly on Jacques Brel's heartbreaking "Ne Me Quitte Pas" ("If You Go Away") and Charles Aznavour's flamenco-flavored "Jezebel," has never sounded quite so full and throaty.--Kathleen C. Fennessy