John Saturnall's Feast
“[Norfolk] will magnify this mysterious world for us, and he will, with an extraordinary use of ordinary language, make us see it not as a historical construct but as a place of wonder. . . . Mr. Norfolk's use of child's-eye view and lush, incantatory prose give the narrative a hushed air of magic, as though Frances Hodgson Burnett'sThe Secret Gardenwere being recounted by the hero of Patrick Süskind'sPerfume.”—The Wall Street Journal“An enthralling tale of an orphan kitchen boy turned master of culinary arts, with sumptuous recipes and intoxicatingly gorgeous illustrations.”—Vanity Fair“Norfolk, the author of ornate period novels, here uses his talent for detail to evoke the life of a cook at a seventeenth-century British manor. . . . Norfolk creates a Manichaean struggle between Christian and pagan traditions, but this is ultimately less rewarding than the completeness of the physical world he describes.”—The New Yorker“[John Saturnall’s Feast] focuses with more control on a single protagonist’s odyssey without sacrificing the glittering erudition and gorgeous prose of his previous works. . . . The Feast is a lovely metaphor for an inclusive, joyous vision of life’s physical pleasures, manifestations of the splendors of creation meant to be shared by everyone. . . . Shimmering with wonder, suffused with an intense and infections appreciation for the gifts of bountiful nature,John Saturnall’s Feastis a banquet for the senses and a treat to anyone who relishes masterful storytelling.”—Washington Post“Norfolk delivers a strong tale filled with atmosphere and the odd, telling detail that convinces.”—Huffington Post“While the omission of Zadie Smith from this year’s Man Booker longlist seems to have raised the most eyebrows, the overlooking of Lawrence Norfolk’s first book in 12 years seems to me the more grievous exclusion. . . . The arcane vocabulary of archaic cooking gives an intangible poetry to the novel.”—The Times(London)“Lawrence Norfolk, historical novelist extraordinaire, inhabits the 17th century through its food. From the reign of Charles I through civil war, Cromwell's protectorate and on to the restoration, we are treated to both lavish feasting and battlefield foraging, the politics of the high table and the hearthside use of medicinal herbs. . . . Norfolk's ability to fold history in on itself, and to summon deep time, is as dazzling here as it was in his earlier novels: family genealogy becomes a myth of origins. . . . The material is fascinating. . . . Norfolk's imagination is bigger and more abstract than the individual; he conjures so well the bustling bureaucracy of the 17th-century manor house, its systems of rights and obligations, its geographical and social significance. . . . The food writing is sensuous and exact. . . . You put the book down wanting to make it all.”—The Guardian“A wonderfully arcane novel. . . In the strict new world of Puritan repression, the pleasures of food take on a deliciously illicit flavor.”—Independent“A lavishly detailed account of a fictional 17th-century British chef, set against the background of Great Britain's Civil War. . . . Norfolk lavishes loving attention on the workings of a 17th-century manor-house kitchen. . . . interested in describing the making of food and the politics of the kitchen, delighting in the historical kitchen jargon. . . . The physical book itself is a work of art, full of beautiful illustrations and recipes (or "receipts") in 17th-century style.”—Minneapolis Star Tribune“A brilliant, erudite tale of cookery and witchcraft.”—AS Byatt“Lawrence Norfolk is among the most ambitious and inventive of British writers. . . . Beautifully crafted . . . . The plot has a fairy tale quality. . . . The descriptions of food and cooking are simply wonderful, a delicious mixture of slant rhymes and creamy vowel sounds, peppered with poetic archaisms. . . . Such linguistic playfulness lifts the novel about the usual historical potboiler; I have not read a more purely enjoyable book all year.”—Financial Times“This is a book that rewards attentive reading with both lush detail and crystalline characterizations.”—Book Riot“[A] sweeping tale of love and legend. Beautiful imagery and captivating details bring the story to life, while descriptions of culinary treats make one’s mouth water. [A] unique and sensuous blending of history and myth.”—Booklist(starred review)“Food, history, and romance add layers of flavor to Norfolk’s lush new novel . . . Artfully told . . . Known for intellectual prose and complex plots, Norfolk this time out attempts to interweave time and senses, reality and myth, rewarding steadfast readers with savory recipes and a bittersweet upstairs downstairs love story.”—Publishers Weekly(boxed review)“[A] Dickensian confection of character and incident that includes love and war . . . Offers much to savor, notably the details of cooking and the central question: how preparing food is different than merely cooking it.”—Kirkus Reviews“A sumptuous, epicurean romp through the English Civil Wars of the seventeenth century . . . It's a lovingly detailed novel about food and love and warfare. Densely researched and brimming with descriptions of the lordly cuisine of the time . . .John Saturnall's Feastis an ambitious undertaking, as it seeks to be both a very British pastoral fantasy as well as a work of historically accurate social realism.”—Bookslut“A lyrical tale of historical havoc set in the English Civil War, with cookery as salvation.”—Marie Claire(UK)"Sumptuous recipes and food descriptions intensify the seductive love story . . . a literary feast."—Library Journal“There's a mythic quality to Lawrence Norfolk's fourth historical novel. . . . it skillfully entangles folklore and foodlore. . . . Throughout the novel, food is shown to be both a source of sustenance and a thing of ritual; recipes are legacies, the threads connecting generations. . . . Norfolk's writing is at its strongest when he's describing the symbolic significance of certain dishes: spiced wine, delicate curls of spun sugar, slivers of almonds, and the flaking flesh of river fish.”—The Observer(UK)“Norfolk knows how to make words roll around the mouth. . . . Fantastical architecture and weird botany are a vivid background to the bloody conflict and swooning romance. Norfolk is an expert on obscure sources as well as sauces. His blend of horrid history and oddly credible fantasy deserves to be consumed by the masses.”—Sunday Telegraph“Mouth-watering and quite beautifully written descriptions. . . . The random violence and lawlessness of the times – England’s own reign of terror – are convincingly drawn and the final chapters become almost unbearably tense.”—Daily Mail“Norfolk’s accessible, literary prose and his eye for the more curious, gritty period details give lingering depth and subtle spice to the traditional meat of his dish. . . .John Saturnall’s Feastfilled me with a rather powerful urge to get out and inhale the rich greens of the English countryside. . . . a sweet and heady rush of reading pleasure.”—The Daily Telegraph“This is a welcome return from one of the deepest historical novelists around.John Saturnall’s Feastis . . . a pleasure piece. Which is probably why it sings. . . . The Civil War is lightly evoked, its confusion and ignominy done well enough that one remembers Norfolk reported from the war in Bosnia. . . . He creates a tantalizing interplay between hunger and imagination.”—London Evening Standard“John Saturnall’s Feastis a rich mix of myth, superstition, romance and treachery, with elements of a fairytale set against the historical background of the English Civil War. . . . [it] is a remarkable achievement in which Norfolk brings to life the kitchens of the past, and captures the horrors of the Battle of Naseby and the religious zealotry of the era. It is a literary feast.”—Sydney Morning Herald“Lawrence Norfolk writes strange, ambitious and curiously entertaining literary fiction. . . . [John Saturnall’s Feast] tickles the senses (see the lovely woodcut illustrations) and the imagination.”—South China Morning Post“On the cusp of an autumn glut, the publication of a novel about a sublime cook in a great house 380 years ago is perfectly timed. At its heart is a love story. . . . The kitchen vocabulary is rich, and Norfolk relishes it. . . . The feast itself is a triumph.”—The Lady“As complex and full-flavored as a fine wine. . . . Norfolk’s prose gives time and place the cachet of uncertainty, poverty, superstition and political rivalry. . . . The characters, adversaries, fanatics, kings and nobles, village folk and servants color the pages ofJohn Saturnall’s Feastwith classic dramas, friendship, romance, jealousies and accomplishments, John generously sharing the bounty of his gifts.”—Curled Up With a Good Book