The Oxford Book of Irish Short Stories
The short story, unlike the novel, is rooted in an oral tradition. Perhaps this explains its popularity and prominence in Ireland, where people have always delighted in the spoken word. From the magical folk tales and fairy stories, seven of which are given here, to classics like Joyce's "The Dead" and O'Connor's "Guests of the Nation," Trevor admirably suggests the variety as well as the continuity of this tradition. Seumus O'Keely's poignantly comic "The Weaver's Grave," about two elderly men's personal battle to remember the last free space in an ancient burial ground, is a turning point, mixing a modern sensibility with antique form. The modern story, which often portrays the brutality, repression, and disappointment characteristic of Irish life, is keenly represented by Mary Lavin's "Sarah." Trevor has chosen well. Bitter Harvest , which supplements Montague's The Book of Irish Verse (Macmillan, 1974; Peter Smith, 1984. reprint), a collection of verse from earliest times to the Irish Renaissance, is not quite as successful. The contemporary poets represented here write against the backdrop of political turmoil, but the verse, less thematically homogeneous than Montague would make us think, reels more from Yeats's powerful influence than from explosives. Included are so many poets who have just started their careers that one might wait on this collection to see if all the fruits of Ireland's "bitter harvest" are really worth saving.- Donald P. Kaczvinsky, Pennsylvania State Univ., University ParkCopyright 1989 Reed Business Information, Inc.--This text refers to theHardcoveredition.