Life Time
Tony Williams was just 18 years old when he recorded this, his 1964 debut as a leader, but he was already a prodigious drummer who could maintain a rapid-fire flow of subtle accents that prodded a soloist into fresh directions. His effect on a band was electric, and he had rapidly moved to the front ranks of jazz musicians, working withJackie McLean,Eric Dolphy, andMiles Davis. More than a fine drummer, Williams was a musical visionary, and withLife Timehe recorded one of the most forward-looking of the Blue Note albums of the '60s. It shows in the choice of radical sidemen likeSam Rivers, the explosive tenor saxophonist who had been Williams's early mentor in Boston, and bassistGary Peacock, then a regular associate of Albert Ayler, as well as the more innovative members of the Blue Note stable, likeHerbie HancockandBobby Hutcherson. It also shows in Williams's liberating approach to instrumentation, using two basses on some tracks and none on another, and even omitting his own drums from the flamenco-tinged "Barb's Song to the Wizard." The trio of Williams, Rivers, and Peacock create a masterpiece on "Tomorrow Afternoon," with its heady mix of calm and passion, but every track is well-crafted, challenging music.--Stuart Broomer