The American Friend
A thriller that's nearly devoid of thrills? That's not a complaint--it's what makesThe American Friendone of the most stylish (and, at the time, most expensive) films to emerge from the New German Cinema of the 1970s. Loosely adapting Patricia Highsmith's mystery novelRipley's Game, director Wim Wenders shifted priority from plotting to character, emphasizing a richly colorful and atmospheric approach to locations in Hamburg, where a picture-framer (Bruno Ganz) is lured into an assassination scheme involving a mysterious Frenchman (Gerard Blain) and the titular American friend, Tom Ripley (played by Dennis Hopper, a far cry from Matt Damon's portrayal of the same character inThe Talented Mr. Ripley). The plotting is vague to the point of irrelevance; Wenders prefers to maintain theauraof mystery, as opposed to generating any conventional suspense, and expresses his affection for American movies by casting favorite directors Nicholas Ray and Samuel Fuller in pivotal supporting roles. The result is an intoxicating example of cinematic cross-pollination.--Jeff Shannon