Citizenship Papers
Berry says that these recent essays mostly say again what he has said before. His faithful readers may think he hasn't, however, said any of itbetterbefore. So it always seems with Berry, one of English's finest stylists, as perspicuous as T. H. Huxley at his best and as perspicacious as John Ruskin at his. Like Huxley, Berry cares about how life persists; like Ruskin, about how economics and politics impinge upon life. Naturally, then, his constant subject is the fostering of life, especially human life--in a word, agriculture. As Huxley in "On a Piece of Chalk" (1865) shows how a little natural chalk implicates vast evolutionary processes, Berry in "Let the Farm Judge" shows how one facet of agriculture--sound sheep raising--implicates all of it. Like Ruskin, Berry descries more deeply than others the dangers major crises reveal; if Ruskin's "Storm Cloud of the Nineteenth Century" (1884) is the most penetrating critique of industrialism in his day (the storm cloud was air pollution), Berry's pieces on 9/11 and official reaction to it constitute the most powerful response to today's global industrialism. In those essays and throughout, Berry sees America persisting, as it has for a century, to choose industrialism over agrarianism. He hopefully counsels reversing that choice and, so doing, again embracing life and community.Ray OlsonCopyright © American Library Association. All rights reserved--This text refers to an out of print or unavailable edition of this title.