Exit Stage Left
Throughout their existence, the Canadian power-prog trio has steadfastly released a lengthy live collection every fifth album. Released in 1981,Exitis Rush's second (and best) such release, and it captures the band at the very top of its artistic (and commercial) curve--before keyboard and synthesizer work became central to its sound as opposed to providing mere accents. When they embarked on this tour, Rush had just releasedMoving Pictures, which continued their move away from longer suites and featured more streamlined song craft.Exit, however, offers a perfect blend of winding, fusion-leaning, virtuoso instrumentals ("YYZ," "La Villa Strangiato"), extended sci-fi epics ("Jacob's Ladder," "Xanadu"), sentimental ballads ("Closer to the Heart" in unison with the whole crowd, "The Trees"), and tauter songs ("Free Will," "Tom Sawyer," "Spirit of Radio") that represent the best of all worlds. Musically, they generated a huge amount of sound for three men (especially Geddy Lee's mammoth bass lines and Neil Peart's octopus-like percussion); lyrically, Peart's fantasia may be pseudo-poetry, but itispoetic, and it may be adolescent wisdom, but itiswise.--Marc Greilsamer