On his first recording for harmonia mundi, conductor Pablo Heras-Casado, whose conducting career encompasses the great symphonic and operatic repertoire, historically informed performance and cutting-edge contemporary scores, offers a fresh look at the symphonies of Franz Schubert. Leading the period-instrument Freiburger Barockorchester, Heras-Casado pairs the light hearted Symphony No.3 of 1815, which ends with a Rossinian tarantella, with the darker Symphony No.4, written one year later and looking more towards Beethoven. Echoing the fourth symphony's subtitle, it is indeed tragic that this symphony, like all his others, was never played in public in the composer's lifetime.