Heart of a Woman
There's no doubting the power and passion of Etta James's voice. That alone is enough for her to give Aretha Franklin a run for her money, and onHeart of a Womanshe gives that voice free rein. Something of a companion to 1998'sLife, Love & the Blues,Heart of a Womantakes what feels like a deliberately feminine approach, from the selection of the material to its arrangement. If there's a weakness to the result, it's that James's voice often overpowers the music, leaving the mood-setting piano and gentle guitar in the dust. The strongest moments occur when the music rises to match James's singing, as with the sax solo on "My Old Flame," the smoky piano on "I Got It Bad and That Ain't Good," and the overall building of intensity toward the end of "You Go to My Head." Another highlight is a reworked version of James's classic "At Last." --Genevieve Williams