Kingdom of Fear : Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century
Kingdom of Fearis billed as a memoir, but in essence, all of Hunter S. Thompson's books could fit into this category since his life and work have always been tightly bound together by a mythology largely of his own making. (After all, this is the man who, before earning a single dollar as a writer, began meticulously saving a copy of every letter he ever sent.) Still, this is certainly an unconventional memoir, but then what would you expect from the father of gonzo journalism? In these pages Thompson manages to dig deep and reveal a few "loathsome secrets" without offering the kind of personal details he has always avoided. His childhood, for instance, is basically summed up in a sentence: "I look back on my youth with great fondness, but I would not recommend it as a working model to others." He does, however, reflect upon his considerable legacy, including his well-known, and admittedly exaggerated, use of controlled substances ("The brutal reality of politics alone would probably be intolerable without drugs"), as well as offer assessments of his own work, such asFear and Loathing in Las Vegas("It's as good asThe Great Gatsbyand better thanThe Sun Also Rises").In this collection of twisted parables and outlaw adventures, Thompson writes about his early run-ins with agents of authority and the lessons learned; his stint in the Air Force and the beginning of his journalism career; his unsuccessful, though illuminating, bid for Sheriff of Aspen, Colorado in 1970 as the Freak Power candidate; the casualties and unintended consequences thus far in the War on Terror; and numerous examples of present-day injustice and hypocrisy--all with his characteristic mix of brutal frankness laced with humor. He also offers his own take on state of the Union: "The prevailing quality of life in America--byanyaccepted methods of measuring--was inarguably freer and more politicallyopenunder Nixon than it is today in this evil year of Our Lord 2002." Thompson continues to make even the most deadly serious subject matter endlessly entertaining.--Shawn Carkonen