Cannonball Adderley: Live In '63 is a wonderful opportunity for those of you familiar with the better known names in jazz to begin to broaden your horizons to include this multi-talented musician. Be amazed at his virtuosity and wonder at the breadth of his understanding of music. Yet, perhaps, most of all, wonder why you may not have heard him play before, because he's just too good to have been missed for so long. --Blog Critics Magazine, Written by Richard Marcus, Sept. 3, 2008Jazz Icons is doing for jazz what the Criterion Collection has done for classic and important films. --Jazz Times MagazineThe sound quality is first rate, and the performances are extraordinary. --Newsweek MagazineWhat is the greatest hard bop jazz standard? Some might argue for Bobby Timmons' "Moanin'" as performed by the composer and Art Blakey and the Jazz Messengers. Others may hold out for Joe Zawinul's "Mercy, Mercy, Mercy" or Richard Carpenter's "Walkin'" as perfomed by Miles Davis. Still others are attached to Horace Silver's "The Preacher" while yet another group is equally adamant in its devotion to "The Sidewinder" by Lee Morgan. Well, I place my vote for "Work Song," on which composer-cornetist Nat Adderley incorporates all of the elements of funk, church, soul, gospel, and grease that one could possibly cram into a single hard-bop composition. What a pleasure to see the Cannonball Adderley Sextet in Switzerland and Germany performing the standard at the top of their game in 1963. --AllAboutJazz.com, C. Michael Bailey, October 2008