Painting in Sixteenth-Century Venice: Titian, Veronese, Tintoretto
"It is a tribute to the lasting value of David Rosand's work that Cambridge University Press has published a revised edition of his Painting in Cinquecento Venice that is little from the original. With updates to the bibliography and endnotes, additional color plates, and an addendum to the preface, this book continues to be an important model and resource for students, teachers, and scholars of Venetian Renaissance art. In a rich and thorough account the revised edition of David Rosand's Painting in Sixteenth-Century Venice further demonstrates the connectedness of formal, aesthetic, and technical concerns, historical and cultural contextual information, and efforts of reception and interpretation." Mary-Ann Winkelmes, Speculum