Sandy's Circus: A Story About Alexander Calder
Starred Review. Grade 2–4—What child—or adult—is not intrigued by a mobile: moving, swaying, changing in light and space as it intrigues and delights. Calder's name is nearly synonymous with these creations, and Stone and Kulikov spin out a fast-moving tale that is in keeping with their high-energy subject. From childhood, Sandy produced an array of objects for friends and family from found materials. As an adult, when hired to draw pictures of the Ringling Bros. and Barnum & Bailey Circus, he took the project one step further, bringing the circus to life with bits of wire, cork, buttons, yarns, and string. Eventually, his creations filled five suitcases, and the performances included chariot races; bucking broncos; and high-wire acts that flipped, leaped, and danced in the air. Audiences loved it. Stone depicts Calder as a man utterly involved in his work, and Kulikov strengthens the premise using two differing styles of illustration—often on the same page. He portrays Calder in a Gulliver-like mode: stepping between New York and Paris in giant strides, forming his wire characters with hands that dominate an entire spread, and sprawling happily across the floor as part of the circus performance. These depictions, in full robust colors, often show Calder in childlike poses, interacting with the wire animals, oblivious to an artist muse who floats above him. In contrast, gray-shaded drawings with bold black lines sometimes crowd into the page, seemingly portraying the working "stuff" of Calder's bursting imagination: a jumbled mixture of tools and ideas that formed his extraordinary artistic creations.—Barbara Elleman, Eric Carle Museum of Picture Book Art, Amherst, MACopyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.