The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession
Amazon Exclusive: A Q&A with David GrannWe had the opportunity to chat with David Grann about his bestselling debut,The Lost City of Z, and his second book of nonfiction,The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession. Read on to find out what David thinks about the "infinitely strange" business of writing nonfiction.Amazon.com:Have you stayed in touch with any of the individuals you wrote about inThe Devil and Sherlock   Holmes?David Grann:In the course of researching the book, I got to know an array of astonishing characters. They   include a marine biologist named Steve O’Shea who was trying to be the first person to ever to capture a giant squid and   grow it in captivity; sandhogs digging an intricate maze of tunnels hundreds of feet beneath the streets of New York City;   a Polish detective investigating whether an author planted clues to an actual murder in his postmodern novel; a fireman who   suffered amnesia on 9/11 and is trying to piece together what happened to him on that tragic day; a baseball icon; cold   killers; an imposter; and a school teacher, Elizabeth Gilbert, who attempted to prove that a man about to be executed for a   deadly fire was really innocent. One of the strange things about reporting is that you spend a lot of time with someone and   then resume your separate lives. But I occasionally hear from several of the characters in the stories. Gilbert, who had   been paralyzed from the neck down in a car accident, recently called to tell me that after more than five years of   rehabilitation she had begun to take steps with the aid of a walker. "I made it eighty yards," she said. "Almost a football   field."Amazon.com:Given the opportunity, are there any stories you would like to revisit in the future?David Grann:Most of the pieces hopefully capture the essence of a story and don’t need elaboration. But as I   learned from the strange and unexpected twists in these true tales, there is always a possibility that something new and   startling may occur that would draw me back in.Amazon.com:As a journalist, how does the experience of writing essays differ from writing a longer work likeThe Lost City of Z?David Grann:It’s very different. With a book, you can follow many different characters and paths. With essays,   you have to keep the lens tightly focused. I really believe that some stories need to be told in longer narrative form, and   others, like the dozen inThe Devil and Sherlock Holmes, work ideally as shorter pieces.Amazon.com:Much of your writing revolves around individuals with unusually strong obsessions. The people you   write about have focused their lives on everything from searching for giant squid to disbanding the most powerful gang in   the U.S. prison system.  Are there any characteristics that these individuals share?David Grann:Yes, as you mention, many of the characters are compelled by an obsession, even if the object of   their obsession is very different. The other thing that many of them share is a curiosity and a hunger to explain, like   Sherlock Holmes, the world around them--whether it be the unexplored sea, an underground empire, a secret prison gang, or a   mysterious murder.Amazon.com:Many of these stories are rooted in ambiguous circumstances. Did your initial impressions change   during the course of researching these people and events?David Grann:Definitely. When I began investigating these stories, I knew almost nothing about them. Many   originated from little more than a tantalizing hint: a tip from a friend, a reference buried in a news brief. And so I hope   that I take the reader on the same kind of journey that I experienced--a journey that often leads to conclusions that I   never imagined.Amazon.com:Many of the stories inThe Devil and Sherlock Holmeshave a "stranger-than-fiction" quality to   them. Have you ever considered trying your hand at fiction, or is the real world strange enough for you?David Grann:When I first started out as a writer, I had aspirations of becoming a novelist, but I could never   invent compelling enough characters or plots. What’s wonderful about nonfiction is I get to meet these incredible   characters--stick up men, sandhogs, prison escape artists, imposters, squid hunters, mobsters, FBI agents--and they allow   me to spend time with them and document their private thoughts. If these dozen stories in the collection taught me   anything, it is that life, to borrow a phrase from Sherlock Holmes, "is infinitely stranger than anything which the mind of   man could invent."(Photo © Matt Richman)