Useless Beauty: Ecclesiastes through the Lens of Contemporary Film
Starred Review. Drawing the title from a line in an Elvis Costello song about "all this useless beauty," Johnston, Fuller Seminary professor of theology and culture, invites us to consider connections between biblical wisdom literature and film. In particular, he compares Ecclesiastes with films such asAmerican Beauty, Magnolia, About SchmidtandSigns. "Useless beauty" refers to the paradox described in Ecclesiastes (and in many of the selected films) of beauty in the midst of a life filled with vanity, futility and absurdity. Although the title promotes Ecclesiastes through the lens of film, it is really a treatment of film through the lens of Ecclesiastes, as Johnston intersperses key biblical passages in italics next to his rendition of film plots and characters showing us the dynamic analogies. Johnston's hope is that this will create a "two-way dialogue" that starts with the film but moves back and forth between the film and scripture. Narrowing in on Ecclesiastes—a book embraced by many different religious traditions—exposes Johnston to a wide audience, one that includes Christians, Jews, Muslims and even New Age hybrids. That's good for everyone, because Johnston's forte is helping us think more deeply about how God is revealed in popular culture, so that our notion of God is expanded even beyond our traditional understandings.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.--This text refers to an out of print or unavailable edition of this title.