The New York Times Essential Library: Classical Music: A Critic's Guide to the 100 Most Important Recordings
It's always a tricky task to pick a list with as sweeping a title as this, but Kozinn, a music critic for theNew York Times,has done a sterling job. Not only does he write concisely and informatively about the works in hand, offering an excellent potted history of the composer and his composition, but Kozinn also sets forth sound reasons why he has chosen the recording he has—and in most cases he offers recommended alternatives, too. His list contains most of the expected big guns in classical masterpieces, but with an unusually extended list of contemporary works as well—25% of the pieces he cites were written in the 20th century: Britten and Glass and Reich, of course, but also such lesser-known figures as Milton Babbitt and Gregorio Paniagua. In performance, he has soft spots for the work of Leonard Bernstein and George Szell, but also for Pierre Boulez as a conductor, and is a great admirer of Columbia's composer-as-conductor series featuring Stravinsky and Copland. Best of all—and to keep the arguments flowing—he offers at the end a list of another 100 discs almost as essential—and hints at many more. It's a treasure trove for record collectors—though they should be aware that Kozinn's choices donotinclude opera.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.