Cornucopia: New and Selected Poems
Peacock won admiration, and notoriety, in the 1980s for combining traditional rhyming forms, reader-friendly narrative interest and explicit sexual content. Raw Heaven (1984), her second book, introduced her signature devices: in it, she used skillful pentameters (in blank verse, quatrains, sonnets and other rhyming schemes) to examine, seriously and with patience, "lovers saying, let's-take-off-our-clothes," masturbation ("she lets one hand re-pin the labia/ to free the other to wander"), "the smoky smell of menses" and "time's experienced part-/ fit-into-part." Subsequent work expanded her repertoire (rondeaux, terza rima, alphabetical forms) and kept her interest in love, sex and domestic experience on low boil. "Why would an orgasm make someone weep?" one brief poem asks. "Have you ever faked an orgasm?" another inquires. At the same time, the later books widened her range to include a traumatic childhood (1989's Take Heart), a range of long-term friendships, and the vicissitudes of marriage (1995's Original Love). They also opened up Peacock's gift for quips: "Luxury is in the ordinary"; "Ours is the miracle: we're here." This volume offers a generous sampling from those three books for people who missed them the first time; nibbles and bits from her first book, And Live Apart (1980); and new poems that show Peacock trying to expand her technique toward long, halting, self-conscious free-verse sentences, and to more challenging, promising, dreamlike fragments, "a practice of words-in-blood."Copyright 2002 Cahners Business Information, Inc.--This text refers to an out of print or unavailable edition of this title.