Culmination
For those who recallInspiration, 1999's showcase for the densely layered big-band writing of Sam Rivers, the title of this disc tells the story.Culminationcomprises seven tunes from the same 1998 session that producedInspiration, again produced and mixed by saxophonistSteve Coleman, with the same all-star lineup--including saxistsGreg OsbyandChico Freemanand trombonistsRay Andersonand Joseph Bowie.Culminationalso draws from the same body of arrangements that the visionary Rivers has assembled since the late 1960s.  So why does it sound brighter, less cluttered--more accessible--than its predecessor?  It has to do with the pieces themselves.Inspirationdove further into the pools of complexity that nourish Rivers's imagination; as he explains, each of the CD's seven pieces runs about 50 minutes in performance, which forced him to edit them heavily for recording. But the compositions onCulminationare shorter by design and focus more on concise composition and compact solos. They appear at their intended lengths (ranging from six to thirteen-plus minutes) and tell their stories more cleanly and succinctly--reminding one how well Rivers has always balanced his wonderful abstractions with a straightforward lyricism, exemplified by his best-known composition, "Beatrice." The highlights of this album include the opening track, guaranteed to confuse those who bought the first album (being a barely altered version ofthatdisc's opening track); "Bubbles," withHamiet Bluiett's ebullient baritone taking the lead; and the title piece, the most enjoyable lesson in atonality you'll ever hear.  Rivers, in his late 70s when he recorded these tunes, plays wizardly soprano and hurly-burly tenor solos throughout the disc, which offers an ideal introduction to his musical omniverse.--Neil Tesser