All of Us or None: Social Justice Posters of the San Francisco Bay Area
''This engaging catalogue surveys nearly 300 of the late Michael Rossman's enormous collection of over 24,000 San Francisco Bay Area social justice posters. Though the entire archive of the longtime Free Speech movement activist's prints are housed in the permanent collection of the Oakland Museum of California, Cushing discusses highlights spanning the past 50 years. Screenprints like Lewis Suzuki's 'No More Hiroshimas, No More War' (1963) set the stage for a 'domestic political poster renaissance' that echoed the flowering of a broader protest culture after 1965. With fluid, highly accessible prose, Cushing traces the lineage of images that have now become iconic, such as Frank Cieciorka's often quoted clenched fist, or the Black Panther Party's panther symbol as rendered by Emory Douglas and others. The catalogue also includes posters for countercultural musical and literary events like 1967's Human Be-In, which featured Allen Ginsberg, Timothy Leary, Jerry Ruben, and 'all San Francisco rock groups,' or the many various performances of the San Francisco Mime Troupe. As the more monolithic concerns of the New Left diversified into calls for Women's, Latino, Asian-American, African-American, Disability, LGBT, and Native American rights, so developed a subsequent generation of provocative images. Recent examples, such as Jesus Barraza's 'Banging on the System'--which proclaims solidarity with Wisconsinite workers--show that despite the proliferation of social media and online communication, these tangible artworks 'still have a place in this world,' so long as the 'underlying problems' persist. Illus.'' --Publishers Weekly''The poster--public art at its best--is all about advocacy. It is the voice of the voiceless. The clenched upraised fist, Che Guevara, the peace symbol...political posters simultaneously draw from a common iconography and contribute to it.'' --David Lance Goines, artist, printer, and author ofThe Free Speech Movement: Coming of Age in the 1960s''Lincoln Cushing'sAll of Us or Noneperfectly captures Michael Rossman's legendary social justice poster collection. The scope of Rossman's archive is breathtaking, and Cushing, the leading analyst of political posters of our time, brilliantly uses the artwork to bring social movements to life.'' --Randy Shaw, author ofBeyond the Fields: Cesar Chavez, the UFW and the Struggle for Justice in the Twenty-First Century''The paladin of political posters, Lincoln Cushing, has done us a great service. The 60s poster craze allowed the distribution of underground comix and other social justice publications as they piggybacked the early distribution of counterculture thought. Posters screamed our wants, hopes, and fears from our walls. They were a movement s thought balloons, a visual and moral vaccine against the evils of society.'' --Ron Turner, founder of counterculture publisher Last Gasp''All of Us or Noneis an extremely remarkable and useful book: remarkable because it brings back so many of the memorable images of rebellion political, cultural, and both together from a past now rapidly receding, and useful because in our new era of protest, creative expression in artistic forms is more badly needed than ever. Lincoln Cushing, a distinguished scholar of political art, has given us a small masterpiece.'' --Paul Buhle, publisher of the SDS magazineRadical Americaand author of more than forty books on radical politics and culture''Lincoln Cushing offers us just the inspiration we need as we struggle against injustice and hope for real change this time around.'' --Lucy R. Lippard, writer and activist