Concentrating on two plays and two novels from the period—Victorien Sardou's Madame Sans-Gêne (1893), Maurice Barrès's Les Déracinés (1897), Edmond Rostand's L'Aiglon (1900), and André de Lorde and Gyp's Napoléonette (1913) Datta examines how writers and critics of the Belle Époque exploited the Napoleonic legend for diverse political and cultural ends