Borrowed forms : the music and ethics of transnational fiction A pioneering interdisciplinary study of how transnational novelists and critics use music as a critical device to structure narrative and to model ethical relations From Mikhail Bakhit to Maryse Condé : the problems of literary polyphony Edward Said and Assia Djebar : Counterpoint and the practice of comparative literature Glenn Gould and the birth of the author : variation and performance in Nancy Hustons Les variations Goldberg Opera and the limits of representation in J.M. Coetzees Disgrace