Crossing gender boundaries : fashion to create disrupt and transcend Introduction Part 1:Creating Gender.Bifurcated Garments and Divided Skirts: Redrawing the Boundaries of the Sartorial Feminine in Late Victorian Culture Kimberly Wahl ; Hard and Straight : The Creation of Nineteenth Century Masculine Subjectivity through Corsetry Alanna McKnight ;Mirror Epiphany: Transpersons Use of Dress to Create and Sustain Their Affirmed Gender Identities Jory M. Catalpa and Jenifer K. McGuire ;Withering Heights: High Heels and Hegemonic Masculinity Elizabeth Semmelhack Part 2:Disrupting Gender.Cute Men in Contemporary Japan Toby Slade ;The Politicisation of Fashion in Virtual Queer Spaces: A Case Study of Saint Harridan one of the Pioneering Queer Fashion Brands in the Twenty First Century Kelly Reddy Best ;She Was Not A Girly Girl: Athletic Apparel Female Masculinity and the Endorsement of Difference Christina Bush ;Gender More: An Intersectional Perspective on Mens Transgression of the Gender Dress Binary Ben Barry and Andrew Reilly ;In vest ed Meaning: Gender Ambiguity in Costume Collections Katie Baker Jones and Jean L. Parsons Part 3:Transcending Gender.The Politics of the Neutral: Rad Houranis Unisex Vision Rebecca Halliday ;Shirting Identities: Negotiating Gender Identity through the Dress Shirt Valerie Rangel ;Why Dont I Wear Skirts Understanding Dress Behaviour through Historical Contexts Jung Ha Brookshire ;Critical Mascara: On Fabulousness Creativity and the End of Gender madison moore ;Clothes (Un)make the (Wo)man Un gendering Fashion (2015) Hazel Clark and Leena Maija Rossi This volume presents a collection of the most recent knowledge on the relationship between gender and fashion in historical and contemporary contexts. Through fourteen essays divided into three segments how dress creates disrupts and transcends gender the chapters investigate gender issues through the lens of fashion. Crossing Gender Boundaries first examines how clothing has been and continues to be used to create and maintain the binary gender division that has come to permeate Western and westernized cultures. Next it explores how dress can be used to contest and subvert binary gender expectations before a final section that considers the meaning of gender and how dress can transcend it focusing on unisex and genderless clothing. The essays consider how fashion can both constrict and free gender expression explore the ways dress and gender are products of one other and illuminate the construction of gender through social norms. Readers will find that through analysis of the relationship between gender and fashion they gain a better understanding of the world around them