The technical image : a history of styles in scientific imagery Foreword Peter Miller Introduction: the image: a cultural technology: a research program for a critical analysis of images Horst Bredekamp Birgit Schneider Vera Dünkel Methods. Discourses about pictures: considerations on the particular challenges : natural scientific pictures pose for the theory of the picture Gabriele Werner Comparing images. A history of styles of technical imagery: between description and interpretation: a conversation with Horst Bredekamp Iconological analysis. Beyond the icons of knowledge: artistic styles and the art history of scientific imagery Matthias Bruhn Case studies. Interacting with images: toward a history of the digital image: the case of graphical user interfaces Margarete Pratschke Digital images. Pictorial tradition and difference: on acquiring visual knowledge in science using the example of scanning tunneling microscopy Jochen Hennig Chains of representations. Thinking with models: on the genesis of James Watsons molecular biology of the gene Reinhard Wendler Arranging images as tableaux. Technological image series: the project technik im bild at the Deutsches Museum Munich Heike Weber Observation techniques. In the eye of the beholder: Emanuel Goldbers apparatuses at the international photographic exhibition Dresden 1909 Franziska Brons Objectivity and evidence. X ray vision and shadow image: on the specificity of early radiographs and their interpretations around 1900 Vera Dünkel Rendering visible visualizing NEW: Visuality Visualization Imaging. Instrument aided vision and the imagination: the migration of worms and dragons in early microscopy Stefan Ditzen Image noise. Programmed images: systems of notation in seventeenth and eighteenth century weaving Birgit Schneider Diagrammatics. Eearly modern images of musical automata: on Athanasius Kirchers Trompe LOreille contemplations in the Quirinal gardens in Rome Angela Mayer Deutsch Popularizing science. Drawing and the contemplation of nature: natural history around 1600: the case of Aldrovandis images Angela Fischel