Narrative theory : a critical introduction Kent Pucketts Narrative Theory: A Critical Introduction provides an account of a methodology increasingly central to literary studies film studies history psychology and beyond. In addition to introducing readers to some of the fields major figures and their ideas Puckett situates critical and philosophical approaches towards narrative within a longer intellectual history. The book reveals one of narrative theorys founding claims that narratives need to be understood in terms of a formal relation between story and discourse between what they narrate and how they narrate it both as a necessary methodological distinction and as a problem characteristic of modern thought. Puckett thus shows that narrative theory is not only a powerful descriptive system but also a complex and sometimes ironic form of critique. Narrative Theory offers readers an introduction to the fields key figures methods and ideas and it also reveals that field as unexpectedly central to the history of ideas. Machine generated contents note: 1. Introduction: story discourse; 2. Action event conflict: the uses of narrative in Aristotle and Hegel; 2.1. Beginning middle and end: Aristotle and narrative; 2.2. Tragedy comedy and the cunning of reason: Hegel and narrative theory; 3. Lost illusions: narrative in Marx Nietzsche and Freud; 3.1. First as tragedy: Karl Marx narrative and revolution; 3.2. Beyond story and discourse: Friedrich Nietzsche and the limits of narrative; 3.3. Narrative and its discontents: Sigmund Freuds story; 4. Epic novel narrative theory; 4.1. Relations stop nowhere: Henry James and the novels narrative; 4.2. Starry maps: Georg Lukacs and the comparative analysis of narrative genres; 4.3. To kill is not to refute: Mikhail Bakhtin on genre narrative and history; 4.4. Historys scar: Erich Auerbach and narrative thinking; 5. Form structure narrative; 5.1. The hero leaves home: Vladimir Propp and narrative morphology; 5.2. Knights move: Viktor Shklovsky and Russian Formalism; 5.3. Differences without positive terms: Ferdinand de Saussure and the Structuralist turn; 5.4. The elementary structures of story and discourse: Claude Levi Strauss and the narrative analysis of myth; 6. Narratology and narrative theory: Kristeva Barthes and Genette; 6.1. It is what it isnt: Julia Kristeva and Tel Quel; 6.2. Parisian gold: Roland Barthes and narrative pleasure; 6.3. The knowable is at the heart of the mysterious: Genettes narrative poetics