From film adaptation to post celluloid adaptation : rethinking the transition of popular narratives and characters across old and new media Introduction Towards the intertextual dialogism approach Towards post celluloid adaptation From the pre diction of crime to the pre vision of screenless media : Spielbergs adaptation of Philip K. Dicks The minority report Adapting the literature of the double : manifestations of cinematic forms in Fight club and Enduring love Bullet time blood spraying time and the adaptation of the graphic novel From shadows to excess : new media Hollywood and the digitizing of gothic monsters in Van Helsing Puppet Kong vs. synthetic Kong : Peter Jacksons King Kong as post celluloid adaptation Conclusion