Picturing science producing art Style as inclusion style as exculsion Carlo Ginzburg The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history Irene J. Winter Style type standard : the production of technological resemblance Amy Slaton Miracles of bodily transformation or how St. Francis received the stigmata Arnold Davidson Lost knowledge bodies of ignorance and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis an abortifacient Londa Schiebinger The sex of the machine : mechanomorphic art new women and Francis Picabias neurasthenic cure Caroline A. Jones Deanimations : maps and portraits of life itself Donna Haraway Vision and cognition Krzysztof Pomian Nature by design Lorraine Daston Impressed images : reproducing wonders Katharine Park Iconography between the history of art and the history of science : art science and the case of the urban bee David Freedberg Hieronymus Boschs world picture Joseph Leo Koerner Judgement against objectivity Peter Galison Eclectic subjectivity and the impossibility of female beauty Jan Goldstein Visualization and visibility Joel Snyder The studio the laboratory and the vexations of art Svetlana Alpers How to be iconophilic in art science and religion Bruno Latour On astronomical drawing Simon Schaffer Attention and modernity in the nineteenth century Jonathan Crary