Womens emancipation writing at the fin de siècle Introduction: The New but New with G*d Elena V. Shabliy Womens Labor Activism in the Progressive Era and Marie Van Vorsts Amanda of the Mill as a Social Propaganda Tool Emine Gecgil I have been wronged and I long to right myself at once : Revenge Deceit and Female Power in Louisa May Alcotts Sensational Short Fiction Evangelia Kindinger Whos Afraid of Women Photographers Redefining Gender Gaze and Photography in Amy Levys The Romance of a Shop Mavis Chia Chieh Tseng Rediscovering London in Ella Hepworth Dixons The Story of a Modern Woman Sun Jai Kim The First New Woman in Modern Hebrew Literature: Finalia Adelberg in Love of The Righteous or The Persecuted Families by Sarah Feiga Meinkin Michal Fram Cohen Gendering the Empire: The Discourse on the New Woman and Emergence of Ottoman Feminism 1860 1918 Burcin Cakir Gertrudis Gómez de Avellaneda: A Feminist Life and its Discourse Laureano Corces Harriet Beecher Stowe and Two Fin de Siècle Women Writers Afrin Zeenat Womens Roles in Mass Literacy Production and Sensation in George Gissings New Grub Street Robin M. Mako Citarella. This work investigates womens emancipation writing in the second half of the nineteenth and the early twentieth centuries. Many novelists in various national literatures touched upon the theme of an emancipated woman in the long nineteenth century and at the fin de siècle. Philosophers poets writers and journalists were concerned with this problem and began popularizing wholeheartedly the so called burning questions. The new femininity was represented not only in the Christian context; many other traditions and cultures opened the discussion about the womens lot. This volume analyzes womens voices from different parts of the world Turkey England the U.S. Italy Russia Spain and others. Imagination as it is believed has no borders and is dialogical in its nature