Screening the Gothic Filmmakers have long been drawn to the Gothic with its eerie settings and promise of horror lurking beneath the surface. Moreover the Gothic allows filmmakers to hold a mirror up to their own age and reveal societys deepest fears. Franco Zeffirellis Jane Eyre Francis Ford Coppolas Bram Stokers Dracula and Kenneth Branaghs Hamlet are just a few examples of film adaptations of literary Gothic texts. In this ground breaking study Lisa Hopkins explores how the Gothic has been deployed in these and other contemporary films and comes to some surprising conclusions. For instance in a brilliant chapter on films geared to children Hopkins finds that horror resides not in the trolls wizards and goblins that abound in Harry Potter but in the heart of the family. Screening the Gothic offers a radical new way of understanding the relationship between film and the Gothic as it surveys a wide range of films many of which have received scant critical attention. Its central claim is that paradoxically those texts whose affiliations with the Gothic were the clearest became the least Gothic when filmed. Thus Hopkins surprises readers by revealing Gothic elements in films such as Sense and Sensibility and Mansfield Park as well as exploring more obviously Gothic films like The Mummy and The Fellowship of the Ring. Written in an accessible and engaging manner Screening the Gothic will be of interest to film lovers as well as students and scholars Frontmatter Contents Acknowledgments Introduction. The gothic Towards a Definition Chapter One. Gothic revenants: A Tale of Three Hamlets Chapter Two. Putting the gothic in: Clarissa Sense and Sensibility Mansfield Park and TheTime Machine Chapter Three. Taking the gothic out: ’Tis Pity She’s a Whore Mary Shelley’s Frankenstein TheWoman in White and Lady Audley’s Secret Chapter Four. Fragmenting the gothic: Jane Eyre and Dracula Chapter Five. Gothic and the family: The Mummy Returns Harry Potter and the Philosopher’s Stone andThe Lord of the Rings: The Fellowship of the Ring Conclusion Notes Works cited Index