The work was purchased for the museum, personally by the president William Thompson Walters (1819–1894) in 1878, and exhibited in the permanent collection, attracting numerous visitors even outside the United States. It is identified with the catalog number 37182.
A young woman wearing a typical Venetian shawl, she listens to her cobbler, who exposes the desperate condition of her boot. Antonio Rotta interpreted this messy interior with characteristic details of the Venice of the time.
The work "The case without hope", tells the time when things were repaired, because there was not enough money to buy new ones. Especially the shoes. Wrapped in her colored shawl, the girl is listening to the cobbler's sentence, which decrees that it is impossible to repair that boot once again. For this the painting was initially called "Without escape". In the sad gaze, in the tilted head, in the firmly intertwined hands, one feels the full weight of poverty.
Rotta He often painted tender, empathetic scenes, including children or the elderly in Venetian settings, becoming the greatest visual narrator of Venice in history.
The Devoted Child (Antonio Rotta)
The Retarded Child (also known as Il bambino devoto) is a 19th-century painted in oil by Antonio Rotta, in 1870, din Venice, Italy, exhibited at the Milwaukee Art Museum.
The painting is exhibited at Milwaukee Art Museum. of Milwaukee, in Wisconsin (United States).
A young girl wearing a Venetian shawl listens as the shoemaker reports upon the hopeless condition of her boot. The artist has shown the cluttered interior with characteristic detail.
The little girl found in Venice (Rotta)
The little girl found in Venice (also known as La bambina ritrovata a Venezia) is a 19th-century painted in oil by Antonio Rotta, in 1870, in Venice, Italy, exhibited at the Civici Musei di Storia ed Arte in Trieste, Italy.
Representations of interior scenes about Venice life are rare, and this is one of the most historical images of everyday life. The scene portrays the hall of a Venetian palace, as can be deduced from the view in the area of ​​Piazza San Marco, the Doge's Palace (in Italian: Palazzo Ducale), also known as the Doge's Palace, a symbol of the city of Venice and the Belfry of São Marcos, in addition to the open window. It is not easy to interpret the theme of the painting, wrapped in the story of a mystery of the Republic of Venice: perhaps the lady, who turns a stunned and grateful look at the sky at the same time, recognizes in the child of the clothes dispensed a girl dear to her, whose physiognomy is mentioned in the picture on the console to the right of the painting. On the same island there is a large Chinese pink porcelain vase of the family, to connote the richness and refinement of the furniture and the testimony of the importance of the commercial relations between the Republic of Venice and China at the time. The Chinese porcelain vase, is a piece of furniture that signals the widespread passion that collectors showed in those years for chinoiserie and for Chinese art and culture. Rotta is interested in the representation of true everyday life, finding in it a deep introspection of the human soul. It is still life according to the realism that impresses the first moment when the innocence of children dies along with the knowledge of life.
Rotta is interested in the representation of true everyday life, finding in it a deep introspection of the human soul. It is still life according to the realism that impresses the first moment when the innocence of children dies along with the knowledge of life. It is not easy to interpret the subject of the painting: perhaps the lady, who at the same time looks astonished and grateful to the sky, recognizes in the girl in disheveled clothes a beloved girl, whose physiognomy is suggested in the frame of the console to the right of the screen. painting. On the same console, there is a large Chinese porcelain vase of the famille rose type, to connote the richness and refinement of the furniture.
A rich and rich girl who is lost in the world and for the first time has a feeling of dismay. The paintings of works that offer scenes of life in rich environments are rare and precious, because Rotta was the intense singer of the popular soul, of the humble people, of the places and of the poor and everyday domestic atmospheres of Venice that he knew in his intimacy essence.
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The death of the chick (Rotta)
The Death of the Chick (also known as La morte del pulcino) is a 19th-century painted in oil by Antonio Rotta, in 1870, din Venice, Italy, exhibited at the Museum of Modern and Contemporary Art of Trento and Rovereto. Signed lower left: "A. Rotta".
The painting was finished in 1878, and is exhibited at the Museum of modern and contemporary art of Trento and Rovereto in Trento, as one of the most interesting representative works of genre painting.
Rotta has always been interested in the representation of true daily life. It shows the first moment in which the innocence of children dies. They see death of a chick.
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