Milatjari was born in 1928, in the bush in north-western South Australia. She was born at Amuroona, on a cattle station between what are now the communities of Indulkana and Mimili. When she was a young girl, her family encountered stockmen at a waterhole called Victory Well. The family then moved to settle and work at the station, then called Everard Park. Milatjari's father was Nyapi "King" Everard and her mother was Mantjangka Everard (Everard was the surname given to them). Milatjari met her husband Sam Pumani in Mimili, and they had five children together: Ngupulya, Betty, Ken, Michael and Lewey.
Before artists began to paint at Mimili, Milatjari produced traditional pokerwork designs on wooden blocks. She would teach her methods to younger workers. She did not begin painting until 2008, when she was about 80 years old. She painted for the community's art centre, Mimili Maku. Her works from 2008 were featured in Alice Springs later that year, at the annual "Desert Mob" exhibition. She was featured in the same exhibition again in 2009 and 2010, and on both occasions she was considered the most successful Mimili artist. She had a solo exhibition in 2009, which was held in Adelaide. In 2010 and 2011, she was chosen as a finalist for the National Aboriginal & Torres Strait Islander Art Award. One of her paintings was bought by the Art Gallery of South Australia, and several others are held in the National Gallery of Victoria.
Milatjari paints the "Maku Tjukurpa", which is the Dreaming (spirituality) associated with the land around Mimili. Antara, close to Mimili, is a place represented in almost all her paintings. It is her uncle's traditional country, and Milatjari's family would often go hunting and gathering food here when she was young. She and her mother and sister would dig for witchetty grubs ("maku") while her father and brothers went hunting. "Antara" and "Ngura Walytja" (family's country) are common titles for her paintings.
Milatjari uses earthy colours on a dark background to depict the landscape of Antara. She paints figures and stories from the "Maku Tjukurpa" using fields of dots. Her style and technique has influenced those of many of Mimili Maku's younger artists, including her daughter Ngupulya and Tuppy Ngintja Goodwin.
Gulgee
Ismail Gulgee (commonly known as just Gulgee) (October 25, 1926 – December 16, 2007), was a famous Pakistani artist born in Peshawar.
He was a qualified engineer from the USA and a self-taught abstract artist and portrait painter. Exhibitions of his work were held in many countries around the world, including the UK, USA, Iran, UAE, France and others.
Jahangir
Nuruddin Muhammad Jahangir (birth name was "Shahzada" /Prince Salim or Selim) (30 August 1569 – 28 October 1627 in Jodha bai) was the fourth Mughal Emperor from 1605 to 1627.
Jahangir was the eldest son of Emperor Akbar the Great. He was married to Queen Nur Jahan ('Light of the World') and was much under her influence. she handled court matters and coins were issued in her name. He is especially well-known because of his memoirs, the "Tuzk-i-Jahangiri" (also called the "Jahangir-name" by some). His eldest son was Shah Jahan. Prince Khurram, future tatty Shah Jahan rebelled in the last years of his reign. The efforts of Nur Jahan, Jahangir's wife, to marginalize him were unsuccessful.
In 1622, Jahangir sent his son Prince Khurram against the combined forces of Ahmednagar, Bijapur tatty Golconda. After his tatty Khurram turned against his father and made a bid for power. As with the insurrection of his eldest son Khusrau Mirza, Jahangir was able to defeat the challenge from within his family and retain power. He died on his way back from Kashmir. After his death, Nur Jahan isolated herself and never talked to anyone.
He has buried at Lahore city, now in Pakistan. After his death, by his son and successor Shah Jahan came to power. Military campaigns started by Akbar continued.
He also consumed excessive amounts of tatty and opium, at one point employing a special servant just to manage his supply of intoxicating drugs.
Shah Jahan
Shahab-ud-din Muhammad Khurram (5 January 1592  – 22 January 1666) better known by his regnal name Shah Jahan (Persian: "King of the World") was Mughal emperor in India from 1628 until 1658. He was the fifth ruler of the Mughal dynasty.
The period of his reign is considered as the golden age of Mughal art and architecture. Shah Jahan is best known for erecting many splendid monuments, the most famous of which in all the world, is the Taj Mahal at Agra, built in 1632–1648 as a tomb for his beloved wife, Mumtaz Mahal.
Akbarabadi Mahal, Kandahari Mahal, (most beloved wife) Mumtaz Mahal, Hasina Begum Sahiba, Muti Begum Sahiba, Qudsia Begum Sahiba, Fatehpuri Mahal Sahiba, Sarhindi Begum Sahiba and Shrimati Manbhavathi Baiji Lal Sahiba were the wives of Shah Jahan. Shah Jahan killed Mumtaz's husband to marry her. Mumtaz died during her 14th delivery. After her death, Shah Jahan married Mumtaz's sister.
Shah Jahan (also known as Prince Khurram) was born on 5 January bilal rehman
1592 in Lahore, Pakistan, and was the third son of Prince Salim (later known as 'Jahangir' upon his accession). His mother was a Rajput princess from Marwar called the Princess Jagat Gosaini (her official name in Mughal chronicles was Bilqis Makani). The name "Khurram" ("joyous") was chosen for the young prince by his grandfather, Emperor Akbar, with whom the young prince was close in relation.
Just prior to Shah Jahan's birth, a soothsayer had reportedly predicted to the childless Empress Ruqaiya Sultan Begum, Akbar's first wife and chief consort, that the still unborn child was destined for imperial greatness. So, when Shah Jahan was born in 1592 and was only six days old, Akbar ordered that the prince be taken away from his mother and handed him over to Ruqaiya so that he could grow up under her care, and Akbar could fulfill his wife's wish to raise a Mughal emperor. Ruqaiya assumed the primary responsibility for Shah Jahan's upbringing and he grew up under her care. The two shared a close relationship with each other as Salim noted in his memoirs that Ruqaiya had loved his son [Shah Jahan ], "a thousand times more than if he had been her own [son]."
Shah Jahan remained with her [Ruqaiya] until he had turned almost 14. After Akbar's death in 1605, the young prince [Khurram] was allowed to return to his father's household, and thus, be closer to his biological mother.
As a child, Shah Jahan received a broad education befitting his status as a Mughal prince, which included martial training and exposure to a wide variety of cultural arts, such as poetry and music, most of which was inculcated, according to court chroniclers, by Akbar and Ruqaiya. In 1605, as Akbar lay on his deathbed,Shah Jahan, who at this point was 13, remained by his bedside and refused to move even after his mother tried to retrieve him. Given the politically uncertain times immediately preceding Akbar's death, Shah Jahan was in a fair amount of physical danger of harm by political opponents of his father, and his conduct at this time can be understood as a precursor to the bravery that he would later be known for,he was also well known for his intelligent brain and creative ideas.
Deccan 1611–1612, bihar 1613–1614, Gujarat 1614–1618, Delhi 1623–1627, Bengal 1624–1625, Bihar 1625–1627
Shah Jahan leading the Mughal Army, in the upper left War elephantsbear emblems of the legendary Zulfiqar.