In general, anarcho-capitalism is not considered anarchism. However, like anarchists, anarcho-capitalists say they are against the whole idea of hierarchy.  Anarcho-capitalists do not define hierarchy as something that exists when one person is simply "seen" as being more important than another person.  Anarcho-capitalist believe hierarchy exists only when a person is given the authority to use force against a nonviolent person or that person's legitimate property.  Only when "no one" is allowed to use force against nonviolent people or their legitimate property are people truly equal.  They think that only then is hierarchy no more.
Anarchists are against capitalism as they think it uses force. Anarcho-capitalists support capitalism and say everything in it is consensual.
Anarchists oppose anarcho-capitalism because they do not believe any private property is legitimate.  These anarchists would say that all property is founded on the theft of the commons (unowned land and stuff).  Many anarchists don't even think that anarcho-capitalism counts as a real form of anarchism, as this critique of property goes back to some of the earliest people calling themselves anarchists.
Anarcho-capitalists, like other libertarians and classical liberals, only believe property is legitimate when it has been gotten in the right sort of way.  If you steal (take something from someone without their permission), or hire someone to steal on your behalf, or ask the government to steal on your behalf, the property you get is not really yours.  The "real" owner is still the person or people it belonged to before it was stolen.  Anarcho-capitalists say that governments do not legitimately own anything, since governments get all of their wealth through force, including taxation and counterfeiting. Because anarcho-capitalists support private property, they believe that a person can own a building or land without actually using it. They believe that these things can be protected by private security guards.
In the eyes of anarcho-capitalists, property can only be legitimately gotten in one of three ways.  The first way is through John Locke's "homestead principle," which means that something owned by no one "becomes" your legitimate property when you "mix your labour" with the thing.  In other words, if you come across an unowned field, and you start farming it, then the land you farm becomes your property, along with all of the crops you grow.  If someone else comes along and steals all of the crops you worked on growing, that person has committed a form of force called "theft."  The second and third ways to legitimately get property is through voluntary trade or gift.
If someone has gotten something in an illegitimate way, it is not theft to take the thing back, as long as you harm no innocent person in the process.
Some anarcho-capitalists are also anarcho-pacifists, but most anarcho-capitalists are not. Anarcho-pacifists, like Robert LeFevre, believe one may never use any force at all, not even in self-defence. Most anarcho-capitalists, however, believe it is okay to use defensive force as long as it is "only" directed against those who have used non-defensive force, and as long as it is proportional to the non-defensive force.  In other words, one may not legitimately shoot a person for stealing a stick of gum, because shooting someone is a lot more forceful than stealing the gum.
Walther von der Vogelweide
Walther von der Vogelweide (born about 1170; died possibly in Würzburg around 1230) was a famous German poet and composer. He was the greatest of the German Minnesinger. These were people who wrote and sang songs about courtly love. Walther himself may have added “von der Vogelweide” to his name (it means “of the bird meadow”).
The German courtly love songs that had been written at the time were all very similar, but Walther gave these songs new life and made them very beautiful. Unfortunately we do not know any of his music, because he did not write it down. But he wrote his poems down. They are very original, sometimes humorous, sometimes serious, often just gently suggesting ideas carefully.
We do not know where Walther was born, but he wrote in a document that he had learned to sing and write poetry in Austria. The dialect he spoke shows that he must have come from Bavaria or Austria. He spent some time at the court of Duke Leopold V of Babenberg in Vienna. This was about 1190. He took part in public singing contests and had long discussions with other people about love and the way it should be written about in poetry.
In about 1198, he left Vienna and spent many years travelling around, visiting courts in Europe, entertaining dukes and princes, and singing his songs. He always wrote the words himself, he never used other poets’ words. That would have made him a simple “Spielmann”, but Walther was of noble birth (he had the title “Herr”). He often spent several weeks or months in a castle where he entertained people, and where he probably also fell in love with one of the ladies. He wrote about these love-affairs in his poetry.
Walther also wrote verses called “Sprüche" ("sayings"). These were about the history of the time. They were a kind of political propaganda and were used in political debates. Walther supported Emperor Otto IV in his arguments against the pope, persuading the emperor to go on the crusade which the pope had forbidden. We do not know whether Walther went with him on the crusade.
By this time Walther had became very famous, not just as a poet and musician but as a kind of political adviser. Walther was the first poet to write national and patriotic poetry. He also wrote a type of love poem which was new in German literature. "Unter der Linde" is the most famous of these. Here are the first two verses:
Striptease
Striptease is an entertainment, by females usually, before an audience. It is often included in the theatre form called burlesque. With music and dance, the stripper gradually removes her clothing. It is a very ancient dance form, and occurs in many societies.
Stripping is done in a teasing manner, but without being obscene (for example, by delaying to take an item off). While hiding certain parts of the body with hands or pieces of clothing, stripper dances around. Sometimes, plays are arranged, the strippers are disguised as Arabic dancers, Salome, Lolita or other well-known people. The spectator sometimes identifies with the stripper. Erotic dreams and exhibitionist fantasies may be projected into the striptease.
The Sumerians had a myth of the goddess Inanna descending into the Underworld. At each of the seven gates, she removed an article of clothing or a piece of jewelry. As long as she remained in hell, the earth was barren. When she returned, fecundity abounded.
Salome's dance for King Herod is referred to in the New Testament ( and ). However, the first mention of her removing seven veils is in Oscar Wilde's play of "Salome" in 1893. Some have claimed as the origin of modern striptease. After Wilde's play and Richard Strauss's opera "Salome", first performed in 1905 the erotic 'dance of the seven veils', became a standard routine in opera, vaudeville, film and burlesque. A famous early practitioner was Maud Allan who in 1907 gave a private performance of the dance to Edward VII.
In ancient Greece, the lawgiver Solon established several classes of prostitutes in the late 6th century BC. Among these were the "auletrides": female dancers, acrobats, and musicians, noted for dancing naked in an alluring fashion in front of audiences of men. In ancient Rome, dance featuring stripping was part of the Floralia, an April festival.