Bromite is an ion. Its chemical formula is BrO. It is made by reacting bromous acid with a base. They easily disproportionate to bromates and bromides.
Perbromate
Perbromate is an ion. Its chemical formula is BrO. It contains bromine in its +7 oxidation state. It is a strong oxidizing agent. It is very unstable and turns into bromate and oxygen easily. It was first made by decay of a radioactive selenate. Later it was gotten by electrolysis of a bromate. It can also be made by oxidation of bromate with fluorine or xenon difluoride.
Bromate
Bromate is an ion. Its chemical formula is BrO. It contains bromine in its +5 oxidation state. It is more common than hypobromites, perbromates, and bromites. Sodium bromate is an example. Bromates are strong oxidizing agents.
Bromates are made by reacting bromides with ozone. They can also be made by electrolysis of a hot bromide solution. Chlorine dioxide can react with bromide when in sunlight to make bromate. Bromates can be made by reacting potassium hydroxide with bromine. This makes bromide and bromate. Bromates can be made by reacting bromic acid with a base.
It might be a carcinogen. It is made when bromide is in water and reacted with ozone or chlorine. Sometimes water with too much bromate has to be gotten rid of.
Pablo Ruiz (singer)
Pablo Maximiliano Miguel Coronel Vidoz, also known as Pablito Ruiz and Pablo Ruiz, born on 4 May 1975 in Buenos Aires, Argentina, is an Argentine singer, actor and dancer. His musical career began at age 10.
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Constructivism
Constructivism was an artistic and architectural movement that originated in Russia from 1913 by Vladimir Tatlin onward which rejected the idea of "art for art's sake" in favour of art for social purposes. It heavily influenced graphic and industrial designers.
Constructivism as an active force lasted until around 1934, having a great deal of effect on the art of the Weimar Republic and elsewhere, before being replaced by Socialist Realism. Its motifs have sporadically recurred in other art movements since.
Köhler's Medizinal-Pflanzen
Köhler's Medizinal-Pflanzen is the German title of “the medicinal plants of Kohler” - the atlas of medicinal plants with the illustrations and the brief explanations, one of the most known reference books on the medicinal plants of the end of the 19th Century.
Complete title of atlas in the German language - “Köhler's Medizinal-Pflanzen naturgetreuen Abbildungen mit kurz erläuterndem Texte. Atlas zur pharmacopoea germanica, austriaca, belgica, danica, helvetica, hungarica, rossica, suecica, Neerlandica, British pharmacopoeia, zum Codex medicamentarius, sowie zur Pharmacopoeia of the United States of America”.
The three-volume publication was published by the publishing house Franz Kohler (Ger. Franz Eugen Köhler) “Gera-Untermhaus” at Gero in 1887.
In three volumes of atlas containing a four hundred colored botanical illustrations of medicinal plants. Together with the images of plants, the atlas includes detailed botanical descriptions and information about the medical effectiveness of these plants (Herbalism). High-quality chromolithographies accurately transfer to the component of plants and reflect the characteristic features of the corresponding forms. It is considered that this book - better meets the botanical illustrations of medicinal plants.
The publisher of reference book Franz Koehler was not the author or the illustrator of this work. Artist- illustrators - Müeller C.F. Schmidt, lithograph - K. Gunther. The first two volumes of publication were prepared with the participation of German botanist Gustav Pabst.
The fourth volume, initially outlined for the release, never was published. Later in the USA was published the analogous book, they sometimes identify it with the fourth volume.
Suprematism
Suprematism is an abstract art movement started in Russia, 1915/1916. It focussed on basic geometric forms such as the square and circle. It is an example of geometric abstraction.
Suprematism was founded by Kazimir Malevich. In his book "The Non-Objective World", published abroad as a Bauhaus Book in 1927, Malevich described the inspiration which brought about the powerful image of the black square on a white ground:
He created a suprematist 'grammar' based on fundamental geometric forms; in particular, the square and the circle. In 1915, Malevich exhibited his early experiments in suprematist painting. The centerpiece of his show was the "Black Square", placed in what is called the "red/beautiful corner" in Russian Orthodox tradition, the place of the main icon in a house. "Black Square" was painted in 1915 and was a breakthrough in his career and in art in general. Malevich also painted "White on White" which marked a breakthrough from polychrome to monochrome suprematism.
Some of the titles to paintings in 1915 express the concept of a non-euclidean geometry which imagined forms in movement, or through time; titles such as: "Two dimensional painted masses in the state of movement."
The "Supremus" group met from 1915 onwards to discuss the philosophy of suprematism and its development into other areas of life. There was some crossover with constructivism, with suprematists such as Lyuba Popova and especially El Lissitzky working on propaganda and industrial design.
Lissitzky spread suprematist ideas abroad in the early 1920s.
Nikolai Suetin used suprematist motifs on works at the St. Petersburg Lomonosov Porcelain Factory where Malevich and Chashnik were also employed, and Malevich designed a suprematist teapot. The suprematists also made architectural models in the 1920s which offered a different conception of socialist buildings to those developed in constructivist architecture.
Malevich's architectural projects were known after 1922 "Arkhitektoniki". Designs emphasized the right angle, with similarities to De Stijl and Le Corbusier, and were justified with an ideological connection to communist governance and equality for all. Another part of the formalism was low regard for triangles which were dismissed as ancient, pagan, or Christian.
This development in artistic expression came about when Russia was in a revolutionary state, ideas were in ferment, and the old order was being swept away. As the new order became established, and Stalinism took hold from 1924 on, the state began limiting the freedom of artists. From the late 1920s the Russian avant-garde experienced direct and harsh criticism from the authorities and in 1934 the doctrine of socialist realism became official policy, and prohibited abstraction and different artistic expression.
Computer rage
Computer rage is a heightened physiological response with associated feelings of anger and frustration resulting from using a computer or other complex electronic device.
It may result in the physical assault of the computer or similar item, possibly leading to the device incurring more damage than it had before.
Computer rage may manifest itself in verbal abuse and occasionally physical violence towards the object, in some cases violent actions towards the hardware itself, usually either thumping the keyboard, shaking the monitor or banging the mouse on the table/desk. In online interactions, enraged persons may flame and abuse other users, shouting at them through headsets, sending rude messages, or rage quit (exiting a game prematurely out of anger).
Computer rage may be caused by distress due to a hardware or software problem which the enraged person is unable to correct. Persons may bang or kick the computer in an attempt to get it to function normally, though this action carries the distinct risk of destroying the computer's hard disk drive via a head crash. Another common occurrence of computer rage is whilst playing computer games, mainly first-person shooters and mmorpgs. Computer rage is normally induced when a gamer either fails an objective or is killed repeatedly.