The richest, most powerful family in Florence were the Medici. They had an academy where some of the most famous philosophers, poets, and artists met to share their ideas. The Medici family were important patrons of the arts. In 1489, Lorenzo de' Medici, the head of the family, asked Ghirlandaio to send his two best pupils to the academy. Michelangelo was one of the students chosen and he attended the academy from 1490 to 1492. He heard the teaching and discussion of Marsilio Ficino, Pico della Mirandola and Angelo Poliziano. The philosophy that they taught was called Humanism. It was based on the philosophy of the ancient Greek Plato. Michelangelo’s ideas and his art were influenced by these teachings.
Michelangelo and another young sculptor called Pietro Torrigiano studied sculpture under Bertoldo di Giovanni. Michelangelo had an argument with Torrigiano, who punched him on the nose so that it was badly broken and spoilt his appearance for the rest of his life. Michelangelo sculpted some reliefs (flat panels with raised figures on them). One was ‘’the Battle of the Centaurs’’ which was made for Lorenzo de Medici.
In 1492, Michelangelo’s patron, Lorenzo de' Medici died. This brought about a big change in Michelangelo’s life. He went back to live at his father’s house. Michelangelo asked the prior at the Church of Santo Spirito to allow him to study the anatomy of the bodies of people who had died at the church’s hospital. In 1493, as a “thank-you” gift to the prior, Michelangelo carved a large wooden Crucifix which still hangs in the church. In January 1494, there were very heavy snowfalls. Lorenzo de’ Medici’s son, Piero de Medici commissioned Michelangelo to make a snow statue. So Michelangelo began to work for the Medici again.
In 1494, a new leader rose up in Florence. He was a Dominican friar called Savonarola. His strong preaching caused people to burn their books, throw away their jewellery and chase the rich families out of the city. The Medici had to go. For Michelangelo, it was a good time to travel. He stayed for a while in Venice, then moved to Bologna. In Bologna he soon got work sculpting three figures for the big marble Shrine of Saint Dominic. When things calmed down in Florence, Michelangelo returned and worked for another member of the Medici family, Lorenzo di Pierfrancesco de' Medici.
Michelangelo made a marble statue of Cupid asleep. Lorenzo di Pierfrancesco told Michelangelo that it looked just like a real Ancient Roman statue and said that if he made it dirty and knocked a few chips off, someone would pay a lot of money for it. Lorenzo sold it to a Cardinal who discovered that it was a fraud. He thought that Michelangelo’s work was so good that he told the pope about it. The pope then invited Michelangelo to go to Rome and work for him.
Michelangelo arrived in Rome 25 June 1496 at the age of 21. He lived near the Church of Santa Maria di Loreto on the Gianicolo hill.
In 1496 he got an important “commission” (he was given a paid job) from Cardinal Raffaele Riario. The Cardinal wanted Michelangelo to make a marble statue, larger than life-size, of Bacchus, the Ancient Roman God of wine. Michelangelo worked hard at the statue. He carved Bacchus as a young man who was quite drunk and looked as if he was staggering as he raised his cup to make a toast. The cardinal did not like the drunken Bacchus and would not pay for it. A banker called Jacopo Galli bought it for his garden.
Michelangelo’s next important commission was from the French Ambassador who asked him to make a statue of the Virgin Mary mourning over the dead body of her son Jesus. This type of artwork, either a painting or a statue, is called by the Italian name “Pieta” (say: “Pe-ay-ta”). Michelangelo’s Pieta is the most famous Pieta that has ever been made. It is now in Saint Peter's Basilica and is visited by thousands of people every day. Giorgio Vasari wrote: "It is a miracle that a shapeless block of stone could have been carved away to make something so perfect that even nature could hardly have made it better, using real human flesh."
In 1499 Michelangelo returned to Florence. The priest Savonarola had made so many people angry that he had been put to death in 1498. Life in Florence started to return to normal. Many years earlier the Guild of Woolworkers had commissioned some artists to make statues of the heroes of the city. A sculptor called Agostino di Duccio had started carving a huge statue of David, the hero of the Bible story of David and Goliath. For 40 years the Guild of Woolworkers owned the huge block of marble, with the statue hardly begun. In 1501 they commissioned the young Michelangelo to carve it. It took him three years to complete.
Once again Michelangelo made a statue that became world-famous. The statue shows a young man, naked in the way that statues of ancient gods were made, just pausing for a moment and looking with fierce eyes at the huge soldier Goliath that he is about to kill. The statue is 5.17 meter (17 ft) tall. It was placed in the piazza (public square) outside the Palazzo Vecchio where the town council met. After many years, the statue was put into an art gallery, the Accademia. A copy now stands in the piazza. People still go great distances to see the statue that he made.
In 1505 Michelangelo was invited to Rome by the newly elected Pope Julius II. Pope Julius was an old man. He wanted Michelangelo to design a grand tomb. It was to stand inside a church and have many carved figures which were to include several slaves to hold up part of the tomb and Old Testament prophets to sit in niches (openings in the walls). Michelangelo started work. He made a magnificent statue of Moses which is now in the Church of San Pietro in Vincoli (St. Peter in Chains) in Rome. Many people go to look at this statue. The slaves were only partly carved. Four of them are now in the Accademia in Florence. The rest of the great plan was unfinished.
The main reason that Pope Julius' tomb was not finished was that the Pope had an idea for another artwork. The Sistine Chapel near St. Peter's Basilica had its walls painted by some famous artists from Florence. The Pope decided that Michelangelo should paint the ceiling. Michelangelo did not want to. He said that he was not a painter. But the Pope bullied Michelangelo until he agreed to do it. He told the Pope that he would do it "for God" and that he would only do it if the Pope let him paint it "in his own way".
The chapel was long and wide. Its curved ceiling was held up by twelve fan-shaped pieces of wall called "pendentives". Pope Julius told Michelangelo to paint one of the twelve apostles of Jesus on each pendentive. Michelangelo started to do this. Then he got a different idea and scraped off the work that he had done. Instead of apostles, he painted twelve prophets. Seven of them were men from the Old Testament but the other five were women and did not come from the Bible. They were five prophets from the Classical world. Like the prophets in the Bible, they had all told people about the birth of Jesus.
On the middle of the ceiling, instead of painting a starry sky, Michelangelo painted scenes from the Bible telling the story of Creation and the downfall of humanity. The most famous scene is the picture of God creating Adam. The ceiling was so famous that many artists tried to copy the way that Michelangelo had arranged and painted the figures.
In 1513 Pope Julius II died. The next pope was Pope Leo X, a member of the Medici family. He gave Michelangelo several jobs in Florence, including designing the Medici Chapel to hold the tombs of his family members. Although not all the tombs were built, Michelangelo finished seven large statues including a "Madonna and Child". His pupils later completed the chapel.