jeanflop/post_ocr_correction2 huggingface dataset:
had at the church and at the Procure-Générale du Clergé, 3 Rue de Mézières. Hotel keeper sent a driver with Bertin and they arrived at Rouen, where the fugitive had a car in a garage. The garage keeper was disinclined to allow the machine to leave until storage and repair charges had been paid. But Bertin said he would pay if he was sure that the car was in good condition. A mechanic went with him and they drove around Rouen. Then they stopped for a drink; as soon as the mechanic was out, the auto, Bertin sped away. A Patient Burglar. A series of some fifty thefts at Clermont-Ferrand (Puy-de-Dôme) during the past month stirred the police force into unusual activity which resulted yesterday in the arrest of Lucien Ladevie, twenty-six years old. After a brief questioning, he admitted all the thefts and proudly explained his scheme for distracting the attention of the authorities. Ladevie's health appears to be very delicate. Every winter he presents himself at the Clermont Ferrand Hospital, coughs in most alarming manner, and is taken as a charity patient. During the day he would remain peacefully in his bed. But soon after lights went out and all the hospital was asleep, Ladevie would arise, make a quiet exit, leap the wall and proceed about his work as a burglar. When this was ended for the night he would return to the hospital and resume his slumbers. THE BROADWAY E GUILD WAKES UP. New York, February 11. The fattening Theatre Guild, in its nouveau riche manner of ladling out pearls this season, offended many. Apparently the sneers of departing guests stirred the Guild, for it has just produced a play in the manner of the Guild of the good old days, as the fertile seasons of two or three years ago are now called. The Guild’s latest is “The Goat Song,” by the young Austrian, Franz Werfel. It incorporates a magnificent tragedy of human emotions, the story of a moderately wealthy family with a monster son kept in a pig-sty. The monstrous ter escapes and joins
and all the hospital was asleep, Ladevie would arise, make a quiet exit, leap the wall and proceed about his work as a burglar. When this was ended for the night he would return to the hospital and resume his slumbers. THE BROADWAY E GUILD WAKES UP. New York, February 11. The fattening Theatre Guild, in its nouveau riche manner of ladling out pearls this season, offended many. Apparently the sneers of departing guests stirred the Guild, for it has just produced a play in the manner of the Guild of the good old days, as the fertile seasons of two or three years ago are now called. The Guild’s latest is “The Goat Song,” by the young Austrian, Franz Werfel. It incorporates a magnificent tragedy of human emotions, the story of a moderately wealthy family with a monster son kept in a pig-sty. The monstrous ter escapes and joins the uprising of the hoodlums of the neighborhood. Turkish soldiers arrive—it is Serbia, in 1790—and the revolt is quelled. The monster is killed. The parents are happy, for their other son, a fine young man, is about to be wedded to the most beautiful maid in the neighborhood. Then she confesses that she carries the monster’s child under her heart. The reaction of the first-night audience was rather funny. Most of the critics became involved in windy analyses which burned the beauty of the play. One old lady said she thought Herr Werfel a Communist. The dervish song of a revolution and the monster’s ideal perished for many. Analysis of this play is altogether unnecessary. Whether you understand it or not, whether you read into it things which would shock the author, whether you get angry when you don’t understand something—this doesn't matter. You will like “The Goat Song.” Simonson has done his mounting as never before and Ben Ami has done a powerful piece of direction. About Alfred Lunt and his helpmate, Lynn Fontanne, I shall say nothing. For years I have thought them perhaps the most delightful players on the New York stage, so my opinion would not
confesses that she carries the monster’s child under her heart. The reaction of the first-night audience was rather funny. Most of the critics became involved in windy analyses which burned the beauty of the play. One old lady said she thought Herr Werfel a Communist. The dervish song of a revolution and the monster’s ideal perished for many. Analysis of this play is altogether unnecessary. Whether you understand it or not, whether you read into it things which would shock the author, whether you get angry when you don’t understand something—this doesn't matter. You will like “The Goat Song.” Simonson has done his mounting as never before and Ben Ami has done a powerful piece of direction. About Alfred Lunt and his helpmate, Lynn Fontanne, I shall say nothing. For years I have thought them perhaps the most delightful players on the New York stage, so my opinion would not be worth much. The New York stage is going to be cultured physically. Mr. Bernarr Macfadden, who discovered that confession is good for the bank account as well as for the soul and that many an honest heart may beat between a split infinitive, is to become a producer. Many have suspected this for a long time, for in recent photographs Mr. Macfadden appeared with all the props of Mr. David Belasco. The advent of Mr. Macfadden to the producing field assures the public of wholesome muscular drama. Bedroom farces there may be, but everyone will get their eight hours sleep and the windows will be open at the top and bottom so as to have plenty of good, fresh air. Al Jolson, like Eddie Cantor, can't keep up with the demand. Although “Big Boy” was good for another year, Mr. Jolson decided that all work and no play would be very bad for Al. So he picked his things and went to Palm Beach to forget about the Rialto. The comedian has shelved all honest toil until next season. And it is rumored that he can afford to do so. “A Weak Woman,” the comedy adapted by Ernest Boyd
have suspected this for a long time, for in recent photographs Mr. Macfadden appeared with all the props of Mr. David Belasco. The advent of Mr. Macfadden to the producing field assures the public of wholesome muscular drama. Bedroom farces there may be, but everyone will get their eight hours sleep and the windows will be open at the top and bottom so as to have plenty of good, fresh air. Al Jolson, like Eddie Cantor, can't keep up with the demand. Although “Big Boy” was good for another year, Mr. Jolson decided that all work and no play would be very bad for Al. So he picked his things and went to Palm Beach to forget about the Rialto. The comedian has shelved all honest toil until next season. And it is rumored that he can afford to do so. “A Weak Woman,” the comedy adapted by Ernest Boyd from the French of Jacques Deval, has arrived at the Ritz Theatre where it is sure to make Mr. Deval a bundle of francs. It is not unfamiliar in design, but it sparkles with a wit which New Yorkers are finding risqué, embarrassing, and therefore pleasant. The Playshop Theatre, Eighth Avenue and Fifty-Second Street, has opened its program of providing a testing ground for American plays by American authors on American themes, and in American language, by presenting Howard Irving Young's four-act detective drama, entitled “Not Herbert.” It was scarcely auspicious that so distinctly a nativist enterprise should have taken its main idea from “The Scarlet Pimpernel,” of Baroness Orczy, who is an Englishwoman married to a Pole. It was also peculiar that the first American author should be of English origin. However, that is not a criticism of the play, which is a highly entertaining crook drama. It becomes the painful duty of this so-called critic to say: “I told you so.” When a play titled “Love 'em and Leave 'em” was announced several weeks ago, it was predicted in this column that the offering would be a sure hit. It is interesting, to me, to note that the
Avenue and Fifty-Second Street, has opened its program of providing a testing ground for American plays by American authors on American themes, and in American language, by presenting Howard Irving Young's four-act detective drama, entitled “Not Herbert.” It was scarcely auspicious that so distinctly a nativist enterprise should have taken its main idea from “The Scarlet Pimpernel,” of Baroness Orczy, who is an Englishwoman married to a Pole. It was also peculiar that the first American author should be of English origin. However, that is not a criticism of the play, which is a highly entertaining crook drama. It becomes the painful duty of this so-called critic to say: “I told you so.” When a play titled “Love 'em and Leave 'em” was announced several weeks ago, it was predicted in this column that the offering would be a sure hit. It is interesting, to me, to note that the Harris Theatre, where this comedy of American argot is flourishing, is sold out for the next four months. Such unexpected partners as George Abbott and John V. A. Weaver are responsible for the comedy, a shrewd, homely play written entirely in the vernacular. The offices of E. Ray Goetz announce that the arrival of Sacha Guitry and Yvonne Printemps with "Mozart" has been delayed. Mark Hegelian. EVENTS OF TODAY AND TOMORROW American Club animal George Washington Day dinner, Hôtel du Palais d'Orsay, 7:30 p.m. Lima Park: Exposition of photography and cinematography. Salle des Agriculteurs: Joe Grassine and Madeleine de Valmalète, pianists, 9 p.m. ITALY ITALY ITALY RAPALLO (Italian Riviera), near Genoa. ROME (Ludovisi Quarter). EXCELSIOR HOTEL NEW CASINO HOTEL PALACE HOTEL First Class 230 Beds and Baths — Ideal Winter Resort, Via Veneto. — Bathing Season — Tennis — Concerts — Dancing. LUXURY & COMFORT A. DELLA CASA. Summer Season— Fiuggi— Palazzo Della Fonle— Open all the Year Round. Grand Hotel. FOR THE SPORTSMEN Critérium Trials, covered courts of Tennis Club de Paris, 91 Boulevard Exelmans. Basketball, 79 Rue Denfert-Rochereau: men, 5 p.m.; girls, 9 p.m. ART EXHIBITIONS Salon d’Hiver: Grand Palais. Bibliothèque Nationale, Rue de Richelieu: Exhibition of manuscripts,
that the arrival of Sacha Guitry and Yvonne Printemps with "Mozart" has been delayed. Mark Hegelian. EVENTS OF TODAY AND TOMORROW American Club animal George Washington Day dinner, Hôtel du Palais d'Orsay, 7:30 p.m. Lima Park: Exposition of photography and cinematography. Salle des Agriculteurs: Joe Grassine and Madeleine de Valmalète, pianists, 9 p.m. ITALY ITALY ITALY RAPALLO (Italian Riviera), near Genoa. ROME (Ludovisi Quarter). EXCELSIOR HOTEL NEW CASINO HOTEL PALACE HOTEL First Class 230 Beds and Baths — Ideal Winter Resort, Via Veneto. — Bathing Season — Tennis — Concerts — Dancing. LUXURY & COMFORT A. DELLA CASA. Summer Season— Fiuggi— Palazzo Della Fonle— Open all the Year Round. Grand Hotel. FOR THE SPORTSMEN Critérium Trials, covered courts of Tennis Club de Paris, 91 Boulevard Exelmans. Basketball, 79 Rue Denfert-Rochereau: men, 5 p.m.; girls, 9 p.m. ART EXHIBITIONS Salon d’Hiver: Grand Palais. Bibliothèque Nationale, Rue de Richelieu: Exhibition of manuscripts, medals, objects of art and other treasures of the Middle Ages. Ends Mardi 7. Galerie d’Art Contemporain, 135 Boulevard Raspail: Exhibition of modern paintings including Works of Cherennie, Gardello, Charbonnier, Derain, Medgyes, Utrillo, Vlaminck. Grand Palais: Rétrospective exhibition of Works of Société des Artistes Indépendants. Entrance Avenue Alexandre III. Ends Mardi 21. Galeries Durand-Rue), 37 Avenue Friedland: Exhibition of paintings by Martin and George Baer. Ends Feb. 20. Galerie Joseph Billiet, 24 Rue de la Ville-Louis: Exhibition of Works of Roland Chavenon. Ends Mardi 6. EVENTS TOMORROW Miss Florence Heywood lectures on “The Genius of Rodin.” Rodin Museum. 77 Rue de Varenne, 10:30 a.m. Bridge party American Women’s Club, 3 p.m. Yassar Alumnæ dinner, American University Women’s Club, Rue de Chevreuse. M. Firmin Roz, speaker. Salle Gaveau: Société Philharmonique concert, 9 p.m. Racing at Longchamp. POSTAL RATES IN FRANCE France and Colonies — Letters to 20gr 30 centimes; from 20gr. to 50gr., 50 centimes; from 50gr. to 100gr., 75 centimes above that weight 20 centimes per 100 gr. or fraction thereof. Registered letters, 75 centimes in addition. Foreign Countries — Letters to 20gr. Inclusive, 1 fr. 25c.; every additional 20gr., or fraction thereof, 75 centimes. All post cards, 75 centimes.
Mardi 21. Galeries Durand-Rue), 37 Avenue Friedland: Exhibition of paintings by Martin and George Baer. Ends Feb. 20. Galerie Joseph Billiet, 24 Rue de la Ville-Louis: Exhibition of Works of Roland Chavenon. Ends Mardi 6. EVENTS TOMORROW Miss Florence Heywood lectures on “The Genius of Rodin.” Rodin Museum. 77 Rue de Varenne, 10:30 a.m. Bridge party American Women’s Club, 3 p.m. Yassar Alumnæ dinner, American University Women’s Club, Rue de Chevreuse. M. Firmin Roz, speaker. Salle Gaveau: Société Philharmonique concert, 9 p.m. Racing at Longchamp. POSTAL RATES IN FRANCE France and Colonies — Letters to 20gr 30 centimes; from 20gr. to 50gr., 50 centimes; from 50gr. to 100gr., 75 centimes above that weight 20 centimes per 100 gr. or fraction thereof. Registered letters, 75 centimes in addition. Foreign Countries — Letters to 20gr. Inclusive, 1 fr. 25c.; every additional 20gr., or fraction thereof, 75 centimes. All post cards, 75 centimes. Registration, 1 fr. 25c. In addition. Special Delivery Letters Paris and Suburbs — Correspondance by pneumatic tube: Up to 7gr., 1 fr.; from 7gr. to 10gr., 1 fr. 50c.; from 10gr. to 30gr., 2 fr 50c. RADIO PROGRAMMES Eiffel Tower (2,650m.): 6 p.m., daily talks; 7:30 p.m., concert (2,740m.). Radio-Paris (1,750m.): 8:15 p.m., news bulletin; 9 p.m., concert. Ecole des Postes (458m.): 8:15 p.m., talk on spring sowing; 8:30 p.m., the history of automobilism; the logic of physical culture; 9 p.m., concert. “Petit Parisien” (315m.): 8:30 p.m., relay of Radio-Paris programme. Toulouse (515m.): 7:15 p.m., concert. London (2 L. O. 365m.): 6 p.m., concert; 7 p.m., time, weather, news; 7:25 p.m., Rachmaninov items; 8 p.m., dance music; 9:30 p.m., weather, news; 10:30 p.m., Chopin recital. Barcelona (325m.): 6 p.m., concert. WORTH IS NOW SHOWING HIS SPRING COLLECTION DAILY, FROM 3 O’CLOCK, AT HIS RECENTLY OPENED BRANCH AT CANNES SUR LA CROISETTE MAISON CHANEL 31 Rue Cambon Bd, de la Croisette PARIS CANNES SPECIAL MODELS FOR THE RIVIERA The GRAND HOTEL MONTE-CARLO Offers to travelers that comfort which only first class Hotels can give. Its hand-tiled modern bathrooms, beautifully appointed lounge, lovely Sun and Flower Gardens, quiet bridge rooms, symphonic orchestra,
(1,750m.): 8:15 p.m., news bulletin; 9 p.m., concert. Ecole des Postes (458m.): 8:15 p.m., talk on spring sowing; 8:30 p.m., the history of automobilism; the logic of physical culture; 9 p.m., concert. “Petit Parisien” (315m.): 8:30 p.m., relay of Radio-Paris programme. Toulouse (515m.): 7:15 p.m., concert. London (2 L. O. 365m.): 6 p.m., concert; 7 p.m., time, weather, news; 7:25 p.m., Rachmaninov items; 8 p.m., dance music; 9:30 p.m., weather, news; 10:30 p.m., Chopin recital. Barcelona (325m.): 6 p.m., concert. WORTH IS NOW SHOWING HIS SPRING COLLECTION DAILY, FROM 3 O’CLOCK, AT HIS RECENTLY OPENED BRANCH AT CANNES SUR LA CROISETTE MAISON CHANEL 31 Rue Cambon Bd, de la Croisette PARIS CANNES SPECIAL MODELS FOR THE RIVIERA The GRAND HOTEL MONTE-CARLO Offers to travelers that comfort which only first class Hotels can give. Its hand-tiled modern bathrooms, beautifully appointed lounge, lovely Sun and Flower Gardens, quiet bridge rooms, symphonic orchestra, excellent cellars and cuisine, and its faultless service are only a few of the reasons why it is one of the World's foremost Hotels. Open all year round. Rooms 200 THE 4 MTYIN 0 » Jv / ■ PORTERy, binsnf^: ' «N» «NTIWE« 1 7 CID 0 G BRITISH MOTOR HIRE COMPANY - PREMIER ENGLISH COMPANY ON THE CONTINENT COSTUMES & ROBES GARAGE: 27 Rue Honoré Sauvan AUTHORITY ON THE RIVIERA PASHIONS 10 ACCARANI 1 C E 2 PLACE GIMBALDI Monte-Carlo Av. Spélugues Tel 6-iQ, BRIGHTON AGENCY 32 , Rue Hôtel-des-Postes. — Tel. 21-05, 37 66 Cannes General agent for the S.E. of France for UNITED STATES LINES 5 Sq. Merrimée AND LLOYD SABAUDO Regular service Nice, Monte-Carlo & Cannes ANGLO-AMERICAN OPTICIANS Only Address, 1 Rue Masséna -NICE THE LATEST AMERICAN EYEGLASSES & SPECTACLES RUE MELCHIOR-DE-VOGUE (OU. Ba v.ütar Hugo ) SO years', from ,'.v. de la Victoire. INSURANCES OF ALL KINDS AMERICANS & BRITISH VISITORS are advised to treat All BRANCHES OF INSURANCE BUSINESS through the local agency of “THE ROYAL EXCHANGE” 3 Rue Melchior de Vogue, NICE Inquiry Bureau at TOUR Service at all times. THERESE Till May 25th 1925 at the Congress Hôtel, CHICAGO Formerly with SIMONSON,
HIRE COMPANY - PREMIER ENGLISH COMPANY ON THE CONTINENT COSTUMES & ROBES GARAGE: 27 Rue Honoré Sauvan AUTHORITY ON THE RIVIERA PASHIONS 10 ACCARANI 1 C E 2 PLACE GIMBALDI Monte-Carlo Av. Spélugues Tel 6-iQ, BRIGHTON AGENCY 32 , Rue Hôtel-des-Postes. — Tel. 21-05, 37 66 Cannes General agent for the S.E. of France for UNITED STATES LINES 5 Sq. Merrimée AND LLOYD SABAUDO Regular service Nice, Monte-Carlo & Cannes ANGLO-AMERICAN OPTICIANS Only Address, 1 Rue Masséna -NICE THE LATEST AMERICAN EYEGLASSES & SPECTACLES RUE MELCHIOR-DE-VOGUE (OU. Ba v.ütar Hugo ) SO years', from ,'.v. de la Victoire. INSURANCES OF ALL KINDS AMERICANS & BRITISH VISITORS are advised to treat All BRANCHES OF INSURANCE BUSINESS through the local agency of “THE ROYAL EXCHANGE” 3 Rue Melchior de Vogue, NICE Inquiry Bureau at TOUR Service at all times. THERESE Till May 25th 1925 at the Congress Hôtel, CHICAGO Formerly with SIMONSON, NEW YORK Marcel Waves, Transformations, Parks, Manicure, Pedicure Season Tickets at Special Rates 3, Rue Melchior-de-Vogue, NICE MONDIAL CINEMA PRESENTS EXCLUSIVE AND FIRST RUN PROGRAMME Avenue Maréchal-Pétain, NICE IDEAL CINEMA PRESENTS "Une Femme a Osé" The feminine "Monte là-dessus." The great success of the season of Paris Z with S DOROTHY DEVORE IN "L'ORDRE de la POMPADOUR" A Great Historical and Sensational Film. 11 Rue du Maréchal-Joffre, NICE. CENTRAL AUTO SCHOOL 26 Boulevard Gambetta, NICE Telephone: 57-25 DRIVING CLASSES ON SYSTEMS THEORY LICENSED CAR FOR HIRE WITH OR WITHOUT DRIVERS AMERICAN PELICAN BAND OPEN ALL NIGHT RESTAURANT ALY AMERICAN BAR OPEN ALL NIGHT ORCHESTRA ATTRACTIONS S Rue Saint-Michel, NICE. Tel.: 48.24. etic Parait le soir en semaine et le Dimanche matin, édité par THE EUROPEAN PUBLISHING CO. Société Anonyme au Capital de 1,000,000fr. Rédaction, Publicité et Administration: 83 Rue Jean-Jacques-Rousseau, Paris (14e) Central 40-31 ; Central 40-06; Inter-Spécial 364, Adresse télégraphique: Parisimes, Paris. Chèques postaux: No. 231,59. Registre du Commerce: 215,284 B. TARIF DES ABONNEMENTS. Le PARIS TIMES est vendu 50 centimes dans toute la France. Les abonnés sont servis par cyclistes à Paris; par la poste en banlieue et en province. France, Etranger. Un mois .... 50fr. .... 40fr.
DOROTHY DEVORE IN "L'ORDRE de la POMPADOUR" A Great Historical and Sensational Film. 11 Rue du Maréchal-Joffre, NICE. CENTRAL AUTO SCHOOL 26 Boulevard Gambetta, NICE Telephone: 57-25 DRIVING CLASSES ON SYSTEMS THEORY LICENSED CAR FOR HIRE WITH OR WITHOUT DRIVERS AMERICAN PELICAN BAND OPEN ALL NIGHT RESTAURANT ALY AMERICAN BAR OPEN ALL NIGHT ORCHESTRA ATTRACTIONS S Rue Saint-Michel, NICE. Tel.: 48.24. etic Parait le soir en semaine et le Dimanche matin, édité par THE EUROPEAN PUBLISHING CO. Société Anonyme au Capital de 1,000,000fr. Rédaction, Publicité et Administration: 83 Rue Jean-Jacques-Rousseau, Paris (14e) Central 40-31 ; Central 40-06; Inter-Spécial 364, Adresse télégraphique: Parisimes, Paris. Chèques postaux: No. 231,59. Registre du Commerce: 215,284 B. TARIF DES ABONNEMENTS. Le PARIS TIMES est vendu 50 centimes dans toute la France. Les abonnés sont servis par cyclistes à Paris; par la poste en banlieue et en province. France, Etranger. Un mois .... 50fr. .... 40fr. TROIS MOIS .... 75fr. .... 60fr. UN MOIS ...... 30fr. ..... 50fr. Le Journal suivra les abonnés dans tous leurs déplacements, sans aucuns frais supplémentaires. La Vie à Paris La Commission des finances du Sénat a achevé de voler le projet de loi que le gouvernement lui a soumis. Mais on dit que ce n’est là qu’une sorte de politesse faite par la commission et que l’Assemblée ne la suivra pas dans cette approbation : beaucoup de sénateurs répugnent à discuter les articles qui n’ont pas été votés par la Chambre. Il se peut cependant que la peur de partager l’impopularité qui, on en peut convenir, se manifeste envers les députés dans le pays tout entier, pousse les sénateurs à voter le projet en montrant quelques modifications bien entendu. Il s’agit d’échapper à la faillite et le cours des changements constitue un salutaire avertissement. Quoi qu’il en soit, la commission a voté trois milliards trois cents quatre-vingt-cinq millions de taxes nouvelles qui, ajoutées aux seize cents millions de taxes déjà votées par la Chambre, rétabliront l’équilibre, si la Chambre toutefois veut bien modifier son attitude et comprendre qu’il est impossible de combler le déficit si l’on se refuse à voter
on dit que ce n’est là qu’une sorte de politesse faite par la commission et que l’Assemblée ne la suivra pas dans cette approbation : beaucoup de sénateurs répugnent à discuter les articles qui n’ont pas été votés par la Chambre. Il se peut cependant que la peur de partager l’impopularité qui, on en peut convenir, se manifeste envers les députés dans le pays tout entier, pousse les sénateurs à voter le projet en montrant quelques modifications bien entendu. Il s’agit d’échapper à la faillite et le cours des changements constitue un salutaire avertissement. Quoi qu’il en soit, la commission a voté trois milliards trois cents quatre-vingt-cinq millions de taxes nouvelles qui, ajoutées aux seize cents millions de taxes déjà votées par la Chambre, rétabliront l’équilibre, si la Chambre toutefois veut bien modifier son attitude et comprendre qu’il est impossible de combler le déficit si l’on se refuse à voter les impôts. C’était hier le premier jour du carême, un dimanche quasi printanier où déjà des effluves passaient dans l’air. Comme de coutume, la foule est venue nombreuse, entendre les prédicateurs dans les églises parisiennes. A Notre-Dame, où parle le Père Sanson, et bien sûr que fut monté en chaire l'illustre orateur, le parvis était noir de monde et la nef remplie à ne pouvoir y trouver place. Le Père Sanson a pris pour thème : « l’égoïsme au service de l’erreur et il a montré que notre époque « contient bien moins d’athées que d’idolâtres », en quoi d’ailleurs elle est semblable à tous les temps, car l’homme, toujours, a eu besoin de « la vieille chanson » pour bercer sa misère. L’érection d’une statue du cardinal Armand dans la cathédrale de Paris ne semblait pas devoir soulever la moindre difficulté. Le vénéré prélat était aimé de tous, sans distinction d’opinion, et, en outre, le choix de remplacement — la chapelle de la cathédrale, à Notre-Dame, ne pouvait être meilleur. Mais on avait compté sans le sculpteur qui fit une statue colossale, si bien que l'architecte des monuments historiques s’opposa à ce qu’on la plaçât dans la chapelle. La