jeanflop/post_ocr_correction2 huggingface dataset:
BROCADES 58, Rue du Faub. St.-Honoré, PARIS GALERIE GRANOFF PERMANENT EXPOSITIONS OF MODERN PAINTINGS 166 Boulevard Hausmann (Wille.). ROSINE MICHEL ANTIQUARIAN 6, Rue Miromesnil (Pr. Beauvau). ANNOUNCEMENTS. FEATHER AND CRYSTAL FLOWERS FOR INTERIOR DECORATION AND DRESS TRIMMINGS de Paris 8 ANTIQUITIES — BACS — LAMP SHADES 265, Rue St.-Honoré. Téléphone: Gutenberg 12-92 Add. Télégr. : Parjaques. ANNOUNCEMENT REPUTED HOUSE OF HAUTE COUTURE MODELS Charlotte Guim 203 Bvd. Saint-Germain, PARIS. LARGE CHOICE PRICES FROM 500 FRANCS. Téléphone: Ségur 20-60. ANDREA MEYER 19 RUE CAMBON HAUTE COUTURE Great Choice of Charming Collections of DAY GOWNS and EVENING DRESSES, SPORTS COSTUMES and MANTLES READY TO WEAR COUTURE, PRETTY DRESSES & MODELS” RAYNISE 32 Bis, Rue Victor-Masson, Paris TELEPHONE: Trébaine CO-QI CLEARING & DYEING CLEANING & DYEING NEW YORK STEAM PRESSING 8 Rue du 29-Juillet et (Louvre 57-06), Call and Deliver, Three Houses in Paris. GLOVES & STOCKINGS For Smart Clues and Smart Stockings S s LODY of 4, Rue Duphot, 4 is unequalled For those who are invited to aspect this Sioch S ïasaisBaaEEBïctcassKaïBîBSBCüsaslsDassasleïsiss'» ANNOUNCEMENTS. Theatre and Masquerade Costumes for Sale or Hire. PARIS 10e, Fg, St. Denis. Téléphone : Nord 47-62 PHI LATELITE r ..j,, r-.i+.rKïizxTzx : lum RARE LAMPS BOUG'Ï AND SOLD G. MARCHAND V Expert 18, Passage des Princes (Bvd, des Italiens). OSTEOPATHY OSTEOPATHY SITU : FRED E. MOCRE, HONZE: C. P. MOORE HOTEL FRANCE CHOISEUL 239, Bue Saint-Honoré, Paris. MUSICAL INSTRUMENTS FOR EVERYTHING MUSICAL Gall and See GUY HUPFREY AT THE MAISON GRAS 12, Chaussée d'Antin, Paris. ANNOUNCEMENTS. SCHOOLS. AMERICAN HIGH SCHOOL PRIMARY, GRAMMAR and COLLEGE PREPARATORY 3rd Year. Limited Enrollment NEW BUILDING AND EQUIPMENT 5 bis, RUE D’AUTueil. APPLY 2 TO 3 P.M. DAILY EXCEPT FRIDAY AND SUNDAY BOOKS. Ibrentano's The Latest ENGLISH and AMERICAN 37 Avenue de l'Opéra Par 15' zw BOOKS & MAGAZINES In all branches of literature Old and Rare Editions ANTIQUES Works of Art—Ancient Furniture, etc., Jacques BERNARD and Jean DETUCHES 12 Rue Lavoisier, (Bvcl. Montgolfier) PARIS Téléphone: Gutenberg 02-42. ANNOUNCEMENTS. THE PARIS TIMES A Weekly Paper The Paris Times and Telegraph Aimed to Serve the English Speaking World GREEN POPULAR FOR THEATRE WEAR;
SOLD G. MARCHAND V Expert 18, Passage des Princes (Bvd, des Italiens). OSTEOPATHY OSTEOPATHY SITU : FRED E. MOCRE, HONZE: C. P. MOORE HOTEL FRANCE CHOISEUL 239, Bue Saint-Honoré, Paris. MUSICAL INSTRUMENTS FOR EVERYTHING MUSICAL Gall and See GUY HUPFREY AT THE MAISON GRAS 12, Chaussée d'Antin, Paris. ANNOUNCEMENTS. SCHOOLS. AMERICAN HIGH SCHOOL PRIMARY, GRAMMAR and COLLEGE PREPARATORY 3rd Year. Limited Enrollment NEW BUILDING AND EQUIPMENT 5 bis, RUE D’AUTueil. APPLY 2 TO 3 P.M. DAILY EXCEPT FRIDAY AND SUNDAY BOOKS. Ibrentano's The Latest ENGLISH and AMERICAN 37 Avenue de l'Opéra Par 15' zw BOOKS & MAGAZINES In all branches of literature Old and Rare Editions ANTIQUES Works of Art—Ancient Furniture, etc., Jacques BERNARD and Jean DETUCHES 12 Rue Lavoisier, (Bvcl. Montgolfier) PARIS Téléphone: Gutenberg 02-42. ANNOUNCEMENTS. THE PARIS TIMES A Weekly Paper The Paris Times and Telegraph Aimed to Serve the English Speaking World GREEN POPULAR FOR THEATRE WEAR; VELVET ENDORSED IN WRAPS STYLES Chiffon, Georgette, Velvet and Satin Seen in Gowns—Fur Wraps Attain Importance—Many Real Jewels in the Mode. As many of the important Parisian théâtres open with new plays, revues and musical shows, one becomes an opportunist and visits the opening performances to take interest equally in the play and the fashions presented by the audience, as well as those dressed in the “last word” on the stage. It is presumed that those on the stage bring forth some of the greatest successes of the dressmakers in Paris and at the same time present gowns suitable for the type of person who wears them. Many a lesson in good dressing can be learned from the stage. Elégance in the last degree is but one phase of this good dressing. Splendor takes a hand, and this sense, too, it suggests the mode that should come before the footlights as well as the mode behind them. There is no doubt that the success of Itip’s new operetta, “The Seventh Heaven,” will have marked influence upon the vogue for ostrich, for in the special scene of an evening assembly nearly every woman wears ostrich as trimming. There is black with
the play and the fashions presented by the audience, as well as those dressed in the “last word” on the stage. It is presumed that those on the stage bring forth some of the greatest successes of the dressmakers in Paris and at the same time present gowns suitable for the type of person who wears them. Many a lesson in good dressing can be learned from the stage. Elégance in the last degree is but one phase of this good dressing. Splendor takes a hand, and this sense, too, it suggests the mode that should come before the footlights as well as the mode behind them. There is no doubt that the success of Itip’s new operetta, “The Seventh Heaven,” will have marked influence upon the vogue for ostrich, for in the special scene of an evening assembly nearly every woman wears ostrich as trimming. There is black with green ostrich, French blue on a velvet frock in the same color, orange tones and red and pink shades—all of which prove how beautiful ostrich can be for evening wear. In this train play, Mlle. Maud Loty wears an attractive peach-pink chiffon frock with rich-toned moiré ribbon as trimming. The programme tells you that Mlle. Loty is dressed by Calot. In "A Vol d'oiseau," the new revue featuring the Dolly Sisters, we find many beautiful models from Patou. In one of the amusing scenes we see Mlle. Gaby Benda wearing the Patou frock which is illustrated here, a frock popular on the stage, you see, as well as in the audience. Fashionable Colors. Nearly every première brings out quantities and quantities of green in light tones, which range from a very pale one to a medium shade; this means, too, dégradé shadings as well as the solid tones. Green appears in velvet, especially silk velvet and that sheer chiffon quality; in chiffon, in satin, georgette, and sometimes in moiré and in taffeta. This color seems to increase as the week goes by, and in consequence it stands out as one of the most popular in gowns for the theatre. There
programme tells you that Mlle. Loty is dressed by Calot. In "A Vol d'oiseau," the new revue featuring the Dolly Sisters, we find many beautiful models from Patou. In one of the amusing scenes we see Mlle. Gaby Benda wearing the Patou frock which is illustrated here, a frock popular on the stage, you see, as well as in the audience. Fashionable Colors. Nearly every première brings out quantities and quantities of green in light tones, which range from a very pale one to a medium shade; this means, too, dégradé shadings as well as the solid tones. Green appears in velvet, especially silk velvet and that sheer chiffon quality; in chiffon, in satin, georgette, and sometimes in moiré and in taffeta. This color seems to increase as the week goes by, and in consequence it stands out as one of the most popular in gowns for the theatre. There is seldom a row in the orchestra or a box that does not have its quota of green. Blues are seen, too, even in dark tones, but blue is less popular, no doubt because only a few shades are effective at night. White is seen in quantities; it is worn by all ages. Cerise is one of the popular colors, while girls still in their teens wear pink in many tones. Black started to be popular among all ages, but of late it seems relegated more to the older woman and she, too, wears quite a lot of steel-grey. Various Silhouettes. In gowns at the theatre the silhouette -Menging in its numerous interpretations. Some women choose one for its regal theme. Others seem to prefer the more girlish type. This, of course, means that one is rather fitted in the bodice in princess line, with somewhat flowing skirt and the other is bloused with fluffy skirt. There is the betwixt and between type of gown—the brolére, for example,— and then the fringed gown, which gives a brolére note in the arrangement of the fringe on the bodice. But on the whole, the fringed gown is seen less than most of
by all ages. Cerise is one of the popular colors, while girls still in their teens wear pink in many tones. Black started to be popular among all ages, but of late it seems relegated more to the older woman and she, too, wears quite a lot of steel-grey. Various Silhouettes. In gowns at the theatre the silhouette -Menging in its numerous interpretations. Some women choose one for its regal theme. Others seem to prefer the more girlish type. This, of course, means that one is rather fitted in the bodice in princess line, with somewhat flowing skirt and the other is bloused with fluffy skirt. There is the betwixt and between type of gown—the brolére, for example,— and then the fringed gown, which gives a brolére note in the arrangement of the fringe on the bodice. But on the whole, the fringed gown is seen less than most of the others. Sequins appear in bodices sometimes, and rhinestones come as the trimming of either skirt or bodice, but seldom both, which brings us to the point that one or the other, in the gown, remains plain unless the skirt may have an appliqué pattern of self-material. Embroidery of various sorts is important; of course, beading is seen on many of the gowns in any of the silhouettes. Wraps for the Theatre. Fur leads all types of wraps for the theatre. Both capes and coats are seen in winter ermine, sometimes in solid white, as in coat with a Queen Anne collar, while in a cape with deep arm-holes a cap sleeve was introduced in effect by means of a long row of black ermine tails. White hair trims the white rabbit cape and fox sometimes collars one in ermine. Sable and mink wraps are very popular and there is quite a lot of light grey squirrel. Velvet ranks high in wraps which are not all in fur. They are usually in tones with the frock, if in a pale shade such as delicate pink; again, they are in darker or brighter tones than the frock. Emerald-green is popular. Azure-blue
sorts is important; of course, beading is seen on many of the gowns in any of the silhouettes. Wraps for the Theatre. Fur leads all types of wraps for the theatre. Both capes and coats are seen in winter ermine, sometimes in solid white, as in coat with a Queen Anne collar, while in a cape with deep arm-holes a cap sleeve was introduced in effect by means of a long row of black ermine tails. White hair trims the white rabbit cape and fox sometimes collars one in ermine. Sable and mink wraps are very popular and there is quite a lot of light grey squirrel. Velvet ranks high in wraps which are not all in fur. They are usually in tones with the frock, if in a pale shade such as delicate pink; again, they are in darker or brighter tones than the frock. Emerald-green is popular. Azure-blue is frequent and in coats there are numbers in Bordeaux-red, such as one seen at the Opéra-Comique the other evening, trimmed with white fur, with a close collar. Many black velvet capes lined with white fur which is used are to be seen also. Lame capes and brocaded patterns hold their own; they have either ostrich or fur collars. Among the accessories observed in the theatre strass bags are popular and also strass-trimmed shoes. Strass flowers appear in great abundance. To make things still more magnificent, large diamond pins appear on gowns, especially those which are not beaded in the bodice. Head-bands are seen now and again, while beautiful ostrich fans flutter in cadence with the music. USE OF TWO COLORS IN PATOU COSTUMES The very inspiration which knows how to limit in a Patou collection is infectious; it is carried to one who wears the ensembles, the coats and dresses which have been created with such marked ingenuity. Look upon the new models—chiefly of sports character for wear in the Southern times. Two tones and two colors are notable—two grays, two greens, two blues and the like. Nearly always the coat is in the dark shade and the skirt
their own; they have either ostrich or fur collars. Among the accessories observed in the theatre strass bags are popular and also strass-trimmed shoes. Strass flowers appear in great abundance. To make things still more magnificent, large diamond pins appear on gowns, especially those which are not beaded in the bodice. Head-bands are seen now and again, while beautiful ostrich fans flutter in cadence with the music. USE OF TWO COLORS IN PATOU COSTUMES The very inspiration which knows how to limit in a Patou collection is infectious; it is carried to one who wears the ensembles, the coats and dresses which have been created with such marked ingenuity. Look upon the new models—chiefly of sports character for wear in the Southern times. Two tones and two colors are notable—two grays, two greens, two blues and the like. Nearly always the coat is in the dark shade and the skirt matches it, while the lining of the coat is matched by the jumper, which may be trimmed with the darker hue. A simple little one-piece frock sometimes accompanies the coat and it is often in the light color entirely. Scarlet, Patou’s red, bright blue, mahogany, brown, and pink tones are to be seen in the new models, although I notice much grey in various shades—soft, subtle and becoming. Mauve appears here and there in a very pale tint, accompanied by purple, which may be used as the lining in the jumper. On the whole, jumpers are striped—sometimes two locked together—again but one color—again more than two; they rise to various heights from only around the bottom of the snug hip-line up to the shoulders to give a yoke effect... and if course all the positions between the two extremes. Shoulder tucks, to give an easy line, are seen in numbers of the coats and the jumpers. The square line is characteristic in most of the fronts of bodices. Skirts are pleated in ever so many different ways, so that a woman can choose a Patou model that will be to her precise liking in this detail. The collection is praiseworthy
to be seen in the new models, although I notice much grey in various shades—soft, subtle and becoming. Mauve appears here and there in a very pale tint, accompanied by purple, which may be used as the lining in the jumper. On the whole, jumpers are striped—sometimes two locked together—again but one color—again more than two; they rise to various heights from only around the bottom of the snug hip-line up to the shoulders to give a yoke effect... and if course all the positions between the two extremes. Shoulder tucks, to give an easy line, are seen in numbers of the coats and the jumpers. The square line is characteristic in most of the fronts of bodices. Skirts are pleated in ever so many different ways, so that a woman can choose a Patou model that will be to her precise liking in this detail. The collection is praiseworthy in every sense of the word. IA MAISON MODERNE 'Americanized' your home. Genuine home labor-saving devices, La Maison Moderne. 48, Rue Sainte-Anne, Paris. —( Announcement .) PARIS HATS The milliners of Paris are developing new ideas in hats every day. Among these come several innovations seen at Evelyne Varon’s. One idea which she is promoting is the inset motifs made of the quills of feathers, studded in the tone of the hat, as exemplified by black in black felt. She also traces the interesting lines in another model by rows of French knots made in fine silk straw in tone with the felt hat. For the Riviera, one of her models is in the new forget-me-not blue taffeta, made in a series of narrow folds, with each one edged by fine blue straw in a tone a little deeper than the taffeta. BROWN FASHIONABLE IN UMBRELLA MODE A sudden downpour of rain, even a slight shower, sends many a woman into an umbrella sheath, where she chooses at leisure the most correct kind for the season. The “Tom Pouce,” as the French call it, is by far the most popular still. At Wilson’s one finds numbers and numbers of these
idea which she is promoting is the inset motifs made of the quills of feathers, studded in the tone of the hat, as exemplified by black in black felt. She also traces the interesting lines in another model by rows of French knots made in fine silk straw in tone with the felt hat. For the Riviera, one of her models is in the new forget-me-not blue taffeta, made in a series of narrow folds, with each one edged by fine blue straw in a tone a little deeper than the taffeta. BROWN FASHIONABLE IN UMBRELLA MODE A sudden downpour of rain, even a slight shower, sends many a woman into an umbrella sheath, where she chooses at leisure the most correct kind for the season. The “Tom Pouce,” as the French call it, is by far the most popular still. At Wilson’s one finds numbers and numbers of these smart umbrellas with a variety of interesting handles, while the smartest covers are nigger-brown with colored stripes with blue as the second preference. Of course, there are some women who will always prefer a crook-handle umbrella. There are very smart, too. One of the most interesting phases in the Wilson umbrella is the eight-rib model, which is round and gains its cup-like shape thanks to the eight ribs instead of ten. The second type of umbrella, known as the Japanese shape, has sixteen ribs in its frame. Umbrella handles are often selected to match the bag or the shoes or even the trimming on a hat. There are a number of different colors in stained lizard and in snakeskin. Both real and imitation tortoise shell and amber form attractive handles. Shark’s skin, which many people often mistake for shagreen, as well as shagreen itself, are both used for the smart shapes. Crocodile joins the reptilian family and carved wood handles of all kinds of heads take the fancy of some women. Rhinoceros is unusual; if one seeks something unlike all others this may be the preference. Metal mounting is no longer smart, except for a tiny band used to mount
umbrella is the eight-rib model, which is round and gains its cup-like shape thanks to the eight ribs instead of ten. The second type of umbrella, known as the Japanese shape, has sixteen ribs in its frame. Umbrella handles are often selected to match the bag or the shoes or even the trimming on a hat. There are a number of different colors in stained lizard and in snakeskin. Both real and imitation tortoise shell and amber form attractive handles. Shark’s skin, which many people often mistake for shagreen, as well as shagreen itself, are both used for the smart shapes. Crocodile joins the reptilian family and carved wood handles of all kinds of heads take the fancy of some women. Rhinoceros is unusual; if one seeks something unlike all others this may be the preference. Metal mounting is no longer smart, except for a tiny band used to mount the silk “dragonue” or silk cord used to hang the umbrella over the arm. Gaby Benda in “A Vol d’Oeuf” at the Theatre Edouard VII wears this gown, “La Reine Légère,” from Patou. It is made in black and white silk velvet embroidered with rhinestones. GIRLS AND DOLLS DRESSED TO MATCH One of the most fascinating ideas in our little girls is that they are dressed like their dolls, or the other way round, if you will. There was a time, long ago, when the rag bag served as a source of fun to choose scraps from mother’s Sunday best to make dolly a gown “like mother wore” or even that of grandmother. But now even the shops show most attractive dolls with coat and hat exactly like the one displayed beside it for the small miss. Bright red woolen is the basis of these ensembles. CHILDREN’S STYLES A pale blue coat trimmed with grey fur choker-collar and cuffs appeared on a small girl who wore a black satin hat and grey leggings. Ermine muffs and choker-scarves are displayed for the small miss. Black tails are used as the trimming on both scarf and muff. Some twenty schoolboys marched, seriously,
MATCH One of the most fascinating ideas in our little girls is that they are dressed like their dolls, or the other way round, if you will. There was a time, long ago, when the rag bag served as a source of fun to choose scraps from mother’s Sunday best to make dolly a gown “like mother wore” or even that of grandmother. But now even the shops show most attractive dolls with coat and hat exactly like the one displayed beside it for the small miss. Bright red woolen is the basis of these ensembles. CHILDREN’S STYLES A pale blue coat trimmed with grey fur choker-collar and cuffs appeared on a small girl who wore a black satin hat and grey leggings. Ermine muffs and choker-scarves are displayed for the small miss. Black tails are used as the trimming on both scarf and muff. Some twenty schoolboys marched, seriously, in double rows and each smart boy wore a different color and a different type of suit. Grey, several shades of blue and browns and tans were included in the accepted colors. Melon-pink linen embroidered and piped in white is used for the very small girl. The cap sleeves, which vanish completely under the arm, look more as if they were butterfly’s wings. The rule that the small girls in the family dress precisely alike is sometimes broken by a change seen in an accessory, such as in the case of two small sisters noticed in the Parc Monceau. Both had yellow coats, while one wore a yellow hat and the other a large brown one. Silk crocheted jacket, cap and bootees are shown in white for the baby. White mink trims them. The most dainty touch is in the delicate buttonhole on the wee jacket, made of tiny silk flowers with the idea repeated on the cap. BUYERS IN PARIS RODITI & SONS Miss Boyau Mr. Davis Mrs. de Curieury Miss Mouton Mr. Meunier All articles: Curtains, Furniture All novelties: Porcelain, glasses Novelties, bronzes ALLIED PURCHASING Co. Mr. Wiley Mr. Mayer Mr. Saquin Miss Lindon Miss Rhodes Mr. Wiley
vanish completely under the arm, look more as if they were butterfly’s wings. The rule that the small girls in the family dress precisely alike is sometimes broken by a change seen in an accessory, such as in the case of two small sisters noticed in the Parc Monceau. Both had yellow coats, while one wore a yellow hat and the other a large brown one. Silk crocheted jacket, cap and bootees are shown in white for the baby. White mink trims them. The most dainty touch is in the delicate buttonhole on the wee jacket, made of tiny silk flowers with the idea repeated on the cap. BUYERS IN PARIS RODITI & SONS Miss Boyau Mr. Davis Mrs. de Curieury Miss Mouton Mr. Meunier All articles: Curtains, Furniture All novelties: Porcelain, glasses Novelties, bronzes ALLIED PURCHASING Co. Mr. Wiley Mr. Mayer Mr. Saquin Miss Lindon Miss Rhodes Mr. Wiley Frederick Locser & Co. Kaurnfmann’s Raphael Weill & Co. Herbert Anderson Lord & Taylor Silks Upholstery, Curtains, Suits and coats for men Linen-fabric. Lord & Taylor Trimmings, laces, flowers Silks B. ALTMANN Co. H. Thompson Mr. A. Ross Miss E. S. Hough Miss Mary Hennessey Silks Lace-curtains, upholstery Woolens, novelties Lingerie ASSOCIATED MERCHANDISING CORPORATION, Mr. Bacon Silks Mr. Smith Shoes Miss Beckett Hats dresses, novelties Mr. Cavanaugh Draperies Mr. Cavanaugh Carpets. Miss Kratich Layettes. Misses Fleming Layettes, lingerie B. Altman & Co. Butler's Abraham & Strauss Filene’s Sons The Dayton Co. L. S. Ayres & Co. The Dayton Co. Pierrette Made in “Un Bon Garçon” wears this Lanvin gown in white crepe de Chine hemmed with white cock-feathers; with silver side bow and blue taffeta shoulder puff. NOTES OF DETAILS IN ACCEPTED MODE Two-tiered and three-tiered skirts are very popular, whether the tiers are quite flat or whether they are definitely forged by generous pleatings. Pleated skirts are always seen about the tea-dance salons. Apron skirts are worn in great numbers. Smocking over the hips gives skirt fullness in many frocks. Other types are gathered very full; they are sometimes edged with deep bands of fur, such as the one