jeanflop/post-ocr-correction huggingface dataset:
Secretary of the American Embassy in Paris, and Mrs. Johnson; Mr. and Mrs. G. H. Abercrombie, Mr. R. Alvarez, Mr. and Mrs. J. F. Butler, Mr. A. Bey, Mr. I. Bullot, Miss H. Baker, Mr. and Mrs. Brown, Miss V. Barton, Mrs. W. Berens, Mrs. W. Chandler, Mrs. H. Clark, Mr. and Mrs. B. Cronyn, Mr. and Mrs. L. W. Chapman, Miss Al. Cunningham, Mr. and Mrs. Cooke, Mrs. J. A. W. Cross, and Miss M. Culver. At the Hotels. Mr. Richard Brunei, of Boston, is at the Hôtel Saint-James et d’Albany, Paris. Mr. Hans Jenny, of Dublin, is at
et d’Albany, Paris. Mr. Hans Jenny, of Dublin, is at the Hôtel Boisy-Lafayette, Paris. Mr. and Mrs. Charles H. Seville and Miss Seville, of Wellington, N.Z., are at the Hôtel Regina, Paris. Mr. E. Heller, of San Francisco, is at the Hôtel Chatham, Paris. The smart hotels, clubs, and homes along the Riviera demand the most perfect evening gowns. The three models in the foreground of the sketch show how much individuality evening dresses can express while keeping within the rules of good taste which govern the mode. At the left in the foreground is a print chiffon masterpiece from
left in the foreground is a print chiffon masterpiece from Louiseboulanger, which seems to leap ahead of the season and materialize spring in its flowered pattern and its petal-like flounces. In the center, a white georgette gown from Molyneux shows a delightful combination of square-ended panels which make the slim figure look positively ethereal. At the right is a masterly gown from Callot, which was ordered recently by a very beautiful Frenchwoman. The skilful draping of the skirt about the figure makes it a perfect gown for the mature woman; the vivid blue of the satin makes white hair so
the vivid blue of the satin makes white hair so beautiful that flappers are driven to the "perruquier" to equip themselves with white wigs. In the background at the extreme left is one of Lelong’s gowns wherein marvellous cutting and a skilful combination of lines create distinction. The satin gown in the background at the extreme right is, in a sense, typical of the conservative evening gowns of the season. AMERICAN COLONY IN PARIS CONSUL-GENERAL TO SPEAK ON FRANCO-AMERICAN TRADE Commercial relations between the United States and France during the past year will be the subject of the talk which
past year will be the subject of the talk which Mr. Alphonse Gaulin, the American Consul-General in Paris, will give next Thursday evening before the American Chamber of Commerce. He will speak after the dinner of the Chamber which is to begin at 8:30 p.m. at the Hôtel Palais d’Orsay. Following the speech, the Chamber will proceed to its annual business meeting. DR. GIBBONS WILL SPEAK AT THE AMERICAN WOMEN’S CLUB At the tea to be held at the American Women’s Club of Paris next Tuesday, the guest of honor will be Dr. Herbert Adam Gibbons, who will speak on
will be Dr. Herbert Adam Gibbons, who will speak on the attitude of the United States Government towards naval armaments. There was a large attendance at the tea dance yesterday afternoon at the Club. It was the first since these dances were suspended for the Christmas holidays. The guests were received by Miss Grâce Hutchinson, under whose auspices the dances are held. The music was provided by the Bernard Orchestra of the Hôtel Lutétia. WOMAN ELOQUENT AT ENGLISH BAR (Paris Times Correspondence) LONDON.—That the first woman barrister to defend in a murder trial in England should be named Venetia is
a murder trial in England should be named Venetia is a happy coincidence. For it was in the city of Shylock that the most famous woman lawyer in literature saved a pound of flesh by subtle sophistry. Portia, however, had to disguise as a man. Despite the conventional wig and the robes which the English Bar imposes on both sexes, Miss Venetia J. A. Stephenson will appear in testimony to the place which women are fast attaining in the legal profession of her country, when she defends the case of William John Holyard, who will be tried soon for the
William John Holyard, who will be tried soon for the murder of his grandfather, William Holyard, at the Central Criminal Court in London. Miss Stephenson has risen rapidly to her present position as one of the leading women at the Bar. Her sex has attained prominence in this profession only since the World War. Two of the pioneers, Miss Normanton and Miss Béatrice Davy, have been practicing only six years. Another was a Prosecutor. While Miss Stephenson is the first woman to plead the cause of mercy, one of her sex, Miss Enid Rossner, appeared in the opposite part when
sex, Miss Enid Rossner, appeared in the opposite part when she served as counsel for the Crown in a murder case last April. Almost all of the woman barristers, however, have appeared in civil cases. They are especially proficient in divorce suits. And when a woman barrister pleads a case of breach of promise before a jury which contains members of her sex she is irresistible. Miss C. A. Young obtained for her jilted client £77 in damages and the right to keep the engagement ring. The position of legal adviser to women’s organizations is often occupied by famous members
adviser to women’s organizations is often occupied by famous members of the profession. Aristocratic women have not disdained the calling, with Baroness Clifton and the Hon. Ruth Buckley, daughter of Lord Wrenbury, both members of the Bar. And an Oriental woman accelerated the leap of her sisters from the harem to the professions when Miss Beng Hong Lim was called to the Inner Temple at the same time as her brother. “An evening gown is either a great success or a total failure” remarks H. G. Wells in one of his novels. When such a serious sociologist turns from the
his novels. When such a serious sociologist turns from the contemplation of the future of the race to pay attention to feminine fripperies it is worth while giving consideration to his utterance. From a practical feminine point of view one may add that evening gowns must be a great success. That can be only accomplished by personalizing them to suit the wearer. Anyone can wear a straight little two-piece stock and look presentable in the street or in the country, but with décolletage and skirt draperies and floating panels and flounces and trick circular cutting the choice of a model
flounces and trick circular cutting the choice of a model is more difficult. Fortunately, the couturiers have foreseen this. Each of them is working on individual lines, while all of them are showing a great deal of variety in their own collections. The sketch above shows something of the variety which the great creators of Paris offer in evening dresses. Each dress is decidedly different from the others in fabric, in color, in handling and in feeling. It is worth noting, however, that all these gowns are absolutely practical for the woman who travels. In fact, they were designed for
the woman who travels. In fact, they were designed for wear in the South, which implies that they journey in trunks or bags. The new individuality does not require the use of bulky taffeta, brocade or tulle. It is more a matter of proportion, style and coloring than of novel fabrics. In the foreground at the left is a deliciously springlike gown created by Louiseboulenger. The fabric is chiffon, printed with clear pink flowers on a white ground. The flower-like feeling is continued in the doubled drapery which cascades down the back of the skirt and in the slender lines
the back of the skirt and in the slender lines of the bodice which is so simple that it makes the head and shoulders of the wearer of prime importance. The skirt draperies are not too long at the back to be practical. They indicate the elongating line without making it extreme. The gown is ideal for the young woman who is feminine but active. The gown in the center is totally different in feeling. There is a restraint in its lines and in its coloring. Molyneux made it of white georgette, which becomes ethereal in this composition of square-ended
white georgette, which becomes ethereal in this composition of square-ended floating panels and curved lines for yoke and décolletage. Worn with a rich jewel such as the diamond necklace shown in the sketch, it makes an ideal costume for the slender aristocrat. Worn with a single flower it will suit the slender, dreamy young girl. The gown at the right in the foreground is designed primarily for the mother of the young girl. It is a Callot model ordered recently by a beautiful Frenchwoman whose hair is white and whose charm is rare. The color, a deep sapphire blue, is
charm is rare. The color, a deep sapphire blue, is calculated to give full value to white hair. The skillful simplicity of the draping idealizes the mature figure, while the slight train is one of those important features which only the older woman can wear to perfection. In the background at the extreme left is a long-distance view of one of Lelong’s evening gowns of crepe satin. The lines of this gown are flattering and unusual. Few couturiers in Paris can do the wonderful things with circular and curved cutting which Lelong does. The long point formed by the empire
which Lelong does. The long point formed by the empire in the skirt, and the manner in which the lines flow on into the rounded folds of the circular panels thus joined into the skirt, are rarely harmonious. Such a gown requires distinction and a delicate figure in the wearer. Far in the background at the right is a dark satin gown which may be regarded as the typical evening silhouette of the present season; it is simple, but it expresses all the points which make evening gowns good at present. By comparing the other gowns in the sketch with
present. By comparing the other gowns in the sketch with it, you will notice their general similarity with its silhouette, but each of them is so individualized that all resemble each other far less than they all resemble this “type” costume. SOME PARISIAN NOVELTIES REVOLT IN PERSIA QUELLED TEHRAN. Sunday.—The revolt of the Bani Turuf tribe in the Khuzistan region of Persia is at an end. Government troops have collected several thousand rifles from tribesmen and have occupied two strongholds. A New “Enveloppe.” The envelope bag is such an institution that it is a delightful surprise to find some new
that it is a delightful surprise to find some new detail in its form. Doucet-Douillet provides this surprise in a group of bright-colored Moroccan-leather envelopes which have a rounded flap instead of the usual square or pointed form. These bags are matched to printed kerchiefs for wear in the South. Peasant Kerchiefs. Peasant furniture, peasant dishes and peasant linen have their vogue in the decoration of interiors. Worth goes further by copying the polka-dotted kerchiefs of the peasants in soft silk for wear with plain-colored sport suits or frocks. He is showing them in several of the entertaining new shades
is showing them in several of the entertaining new shades of red and of blue. Violets. In this chilly season violets are expensive, but they keep well. There is nothing prettier than a small bunch of fresh violets pinned on the grey fur collar of a coat. There is a chromatic sympathy between violets and grey which is particularly appealing. The fair-skinned woman can wear the Parma violets, which are fragrant, but the brunette would do better to choose the dark single violets. The woman with violet eyes should never be without her little bouquet —as long as the season
be without her little bouquet —as long as the season lasts. ARE UNRIVALED Unique in the world, this Show of Beautiful White Goods is the most important commercial event of the year. This product fills linen —and is open —& Parisian Creators Show New Colors New colors which are now being shown in Paris by the makers of silks, ribbons and hat forms include a group of scarlet reds, so clear and bright that they suggest orange without actually being orange; a group of soft yellows, called “butter tones,” and a great variety of soft blues. The navy blues have
a great variety of soft blues. The navy blues have already been accepted in the mode, but the new blues are lighter, including Saxé blue, Nattier blue, and some curious greenish blues rather like the colors in the sand. All the weavers of fabrics also commend greens, both in moss shades and in the yellowish tones. While these are not absolutely new they are growing in importance. A number of the leading couturiers and milliners have ordered these greens for their new models. With these brilliant colors are used more neutral tones which have already established their importance. The natural
neutral tones which have already established their importance. The natural shades, soft beige tones with more than a hint of purple in them, some yellow-beiges, navy blue and the soft reddish browns often called “beaver” or “wood” colors, also are important. They form the “background” colors for the new shades. “Whenever blue is used we also have red in fashion,” remarks one wholesaler, commenting on the colors in his line. “You see that these clear scarlet reds are very nice with the more sober blues. Also, these reds are good for summer because they look fresh. And they tone in
for summer because they look fresh. And they tone in with the new yellows, which are also good with the blues, and with the natural tones.” Grey is another important neutral color, in the eyes of the fabric and supply houses. Its ultimate success still is not decided, although a number of the influential couturiers have been ordering it. Women have been shy of grey for a number of years, but, though the mode from the sun may not conciliate the grays and the sunburn complexions. It is a fact that at F. SORBIER, 11, Rue Lafayette, PARIS, fashionable milliner,
that at F. SORBIER, 11, Rue Lafayette, PARIS, fashionable milliner, you will find the most beautiful hats in all Paris. See his charming models for town, for gala occasions and for the Riviera. F. SORBIER DE TRÈS MARQUE REA. U.S. PAT.-OFF. SHOES 34 Bd des Italiens 19 & 21 Bd des Castelles Hilton AND SERVICE GUARANTEED up to date American Styles HIGH-CLASS LEATHER COATS DRESSES AND COATS MODELS SPORTS AND LUXE Suppliers to Maisons de Couture 17, Rue de la Rochefoucauld, PARIS (6e.). Tel. Trudaine: 16-23. On The Riviera A Sumptuous Palace Open all the Year Round. HOTELS under the
Sumptuous Palace Open all the Year Round. HOTELS under the PARIS LYONS MADRID MADRID SEVILLE SAN SEBASTIAN SANTANDER BRUSSELS BRUSSELS DINANT SAME DIRECTION Claridge’s Hôtel Palace Palace Hôtel Hôtel de Paris Alfonso XIII Continental Palace Hôtel Real Hôtel Astoria Palace Hôtel Château d’Ardenne Hats for Spring Show Novelty The milliners of Paris are leading a double life at present. They are selling hats to women making a late departure for the Riviera, and they are creating new hats for the Northern spring—and selling them to the buyers who are here to look forward to the Easter trade through the fashion
to look forward to the Easter trade through the fashion telescope of Paris. In general, the newer hats are more conservative in line than those of the winter. The pronounced point showing part of the forehead appears to be disappearing in favor of the gentle curve which shows less of it. Crowns remain rounded, but few milliners make them so definitely hemispherical as they have been. The draped turban is shown in some new versions of viscose tricot, but there is more of Italian straw than any other material. However, the Italian straws have taken a new character—very different from
the Italian straws have taken a new character—very different from the old Milan or Leghorn hats. Many of them are almost transparent; all are extremely light and thin. Somé few our's split-wood weaves make unusual forms. Combinations of felt and straw are shown by a number of the leading milliners. Some models match the felt to the straw, tone on tone; others show a sharp contrast of the felt with the straw. Combinations of black felt with natural colored straws are among the most striking. Flowers have reappeared as trimmings. Usually they are quite small and not many of them
Usually they are quite small and not many of them are used on a single hat, but the fact that they are there at all is decidedly significant. Most frequently they are placed on one side of brims which are long at the sides, but short in front and at the back. Sometimes a little bunch of flowers is placed at each side of the poke bonnet forms—very pretty and romantic in effect. Scarves and printed silks also are used as trimmings. The silk is often applied directly on the hat frame. The scarves are often wrapped around the crown,
hat frame. The scarves are often wrapped around the crown, or are applied and allowed to fall over a shoder, or go down the back or under the chin. Hat scarf ensembles continue in the best houses. BRIGHTEST AGENTS MONTGOMERY 12, Rue de l'Hotel-des-Postes, NICE Tel.: 21-05 and 37-86. General agent for the SE of France for UNITED STATES LINES AND LLOYD SABAUDO Regular service Nice, Monte Carlo, Cannes CANNES 8, Sq. Mérimée Tel. 11-96. BUYERS IN PARIS ALLIED PURCHASING CO (FRANCE INC.), 0, Cité Paradis, PARIS. Mr. Wylie Modes, Henry Morgan. BON WITT TELLER & CO., 17 à 19
Henry Morgan. BON WITT TELLER & CO., 17 à 19 Rue d’Antin, PARIS. Miss Simon Modes Bornwit Teller & Co., A.Y. I FRANCIS THYNNE, Co., 13-15. Rue Talbot, Paris Miss Carroll Hats Cque Stewart & Co. SAMUEL BUCKLEY & CO., 7, Rue Ambroise-Thomas, PARIS. Mr. Clark Millinery McCreery & Co., Pittsburgh, Pa. Misses Redmond Infants’ wear The Store Brooklyn ASSOCIATED MERCHANDISING CO., 6, Cité Paradis, PARIS. Gloves Modes Layettes L. Bamberger & co. J. L. Hudson Co. Altman & Co., Ltd. Mr. Goodhue Mr. Bixby Miss Jacobs Mr. Krenning Miss Ludwig ALTMAN & CO., Ltd., 191 Rue Réaumur, PARIS. Miss
Ludwig ALTMAN & CO., Ltd., 191 Rue Réaumur, PARIS. Miss M. Lecuyer Model dresses Mr. H. Michael Miss Julia O'Connor Millinery Miss E. Angermeier Children's wear Mr. M. Schott Women’s shoes CIMBEL BROTHERS, 17, Boulevard Poissonnière, PARIS. Miss Matthews Handkerchieves Gimbel Brothers, New York Mr. Bohn Bags Misses McFarland Modes Mrs. Garrettson Gimbel Bros., Philadelphia. Miss Pazour Bags, jewelry Gimbel Bros., Milwaukee. Miss Dovers Lingerie Saks, 5th Avenue, New York, Miss Jacques Layettes Mr. Van Meter Dresses Miss Hartman Scarves Mr. Morgan Gloves Saks, 3-rd Street, New York. Mr. Corcoran Dresses Halo Bros., San Francisco. EVENTS OF TODAY AND TOMORROW
Dresses Halo Bros., San Francisco. EVENTS OF TODAY AND TOMORROW American Women's Club: Tea concert, M. Luccioni, Corsican tenor, and M. Serge Sarkissov, pianist. United States Students’ and Artists’ Club, 1, Rue de Chevreuse: concert, Mr. Bernard Friedman, baritone, Mlle. Genia Nemiro, accompanist, 9 p.m. Students’ Atelier Reunion, 139, Boulevard du Montparnasse; concert, Miss Barbara Wait, contralto, Signorina Elsa Janni, pianist, 8:30 p.m. EVENTS TOMORROW Meeting of the American Lodge of Paris F. and A.M. at the Temple, 5, Rue de Puteaux, 8:30 p.m. ART EXHIBITIONS Cercle Japonais, 7 Quai du Louvre: Fourth annual exhibition of Japanese art. Pavillon de
du Louvre: Fourth annual exhibition of Japanese art. Pavillon de Marsan, Rue de l'Evêché: Exhibition of original European work. Gallery Jeanne Bucher, 3 Rue du Cherche-Midi: Exhibition of Works by G. Papazov. Dumas Gallery, 40, Rue de la Cachette: Modern paintings and sculpture. Kala Granoff Gallery, 19, Quai de Conti. Work by Bouchot, Chagall, Dufresne, and Fryzes. A. Barreiro Gallery, 30, Rue de Seine: Works by M. Wolmark, until January. Jean-Charpentier Gallery, 78, Faubourg Saint-Honoré: Works by Louis Morett, Boris Mestchersky, Ezio Casilletti, and Marcel Prud’homme, until January 17. RADIO PROGRAMMES ÉCOLE DES POSTES (15m.): 8:30 p.m., concert; ÉIFFEL (10m.):
PROGRAMMES ÉCOLE DES POSTES (15m.): 8:30 p.m., concert; ÉIFFEL (10m.): 8:15 p.m., concert. RADIO-PARIS (70m.): 7:45 p.m., circus; 8:15 p.m., concert. PETIT PARISIEN (340.9m.): 9 and 10 p.m., concerts. LONDON (301m.): 7:55 p.m., religious service; 9:45 p.m., concert. THE EVENING PAPER OF PARIS THE PARIS TIMES.—No. 1674. THE MORNING PAPER OF THE CONTINENT opéra. Monday, Turandot. Rayon de Lune; Tuesday, closed; Wednesday, La Tour de Feu, Rayon de Lune; Thursday, closed; Friday, Le Chevalier à la Rose; Saturday, La Valkyrie; Sunday, Otello. Matinées: Sunday, Rigoleto, La Tragédie de Salomé. OPERA COMIQUE. Monday, Madame Butterfly; Tuesday and Thursday, Andrea, tyran de
COMIQUE. Monday, Madame Butterfly; Tuesday and Thursday, Andrea, tyran de Padoue; Wednesday, La Vie de Bohême, Paillasse; Thursday, Ariane et Barbe-bleue; Friday, Les Noces de Figaro; Sunday, Carmen. Matinées: Thursday, Rituel à la Houppe; Sunday, Le Barbier de Séville, L'invitation à la Valse. comédie-française. Monday, Le Bourgeois Gentilhomme; Tuesday and Thursday, Le Legs, Le Gendre de M. Poirier; Wednesday, Friday and Sunday, Moloch; Saturday, Les Affaires sont les Affaires. Matinées: Thursday, Les Femmes savantes, Le Legs; Sunday, Phèdre, Le Médecin malgré lui. ODEON. Monday, Les Femmes savantes, Le Médecin malgré lui; Tuesday, Amours; Wednesday, L'Ariéienne; Thursday, Cholard et Compagnie; Friday,
lui; Tuesday, Amours; Wednesday, L'Ariéienne; Thursday, Cholard et Compagnie; Friday, Le Père Lebonnard; Saturday, Les Bouffons; Sunday, Le Maître de son Cœur. Matinées: Thursday, Horace, Les Plaideurs; Saturday, Amours; Sunday, L'Oiseau bleu. caite-lyrique Monday and Friday, Paganini; Tuesday, Thursday and Saturday, La Fille de Mme Angot; Wednesday and Sunday, Chanson d’Amour. Matinées: Thursday, Chanson d’Amour; Sunday, Paganini. théâtre-lyrique Monday, Le Pré aux clercs; Tuesday, Si j’étais roi; Wednesday, Véronique; Thursday, Le Comte de Luxembourg; Friday, Les Sultaneuses; Saturday, Mignon; Sunday, La Favorite. Matinées: Thursday, Le Petit Duc; Saturday, Rêve de Valse; Sunday, Les Mousquetaires au Couvent. THEATRE NATIONAL POPULAIRE (Théâtre
Valse; Sunday, Les Mousquetaires au Couvent. THEATRE NATIONAL POPULAIRE (Théâtre des Champs-Élysées). Saturday, Faust. Matinées: Thursday, Les Femmes savantes; Sunday, Le Duel. OPERA. "Marouf. OPERA COMIQUE "Manon. COMÉDIE française. 8:30, La Marche nuptiale. concert 8:30, Le Père Lebonnard, La Rose de Jéricho. caite-lyrique S. 30, Le Fille de Mme Angol. RFERT-ier Closed. APOLLO. Closed. AMBIGU. S. 15, Un Monsieur qui se regrette ANTOINE. 8.45. Whisky. ARTS 8.30, Sainte Jeanne. ATELIER 8.30, Votponc. ATHENÉE 8.45. Romance. AVENUE. 8.50. Départs. ba-ta-CLAN. Pêcheurs de Perles. BERIZA (Potiche). Bériza Company BOUFFES-PARISIENNES Déshabillez-VOUS. capucines. 8.45, Paris chez lui. CAUMARTIN. Popaul. CHAUVE-SOURIS (Apollo). 9.00, Baliey Company.
Paris chez lui. CAUMARTIN. Popaul. CHAUVE-SOURIS (Apollo). 9.00, Baliey Company. CHATELET. Charlots Limbertong. CLUNY. 9. En Bordée (Rivers Cadet). COMÉDIE DES CHAMPS-ELYSÉES Siegfried COMÉDIE. On ne peut pas lui résister. caquignon. 8.45, Échec de la Reine, Heure des Mufles. DEJAZET. J'aurai Luiv.. paradis. 8.45. L’Hôtelier de la Vertu EDOUARD VII Le Désir. féminin, Faiconnet, Pizani, Paulette Pax. folies-dramatiques. Les comédies Associées CAITÉ-ROCHECHOUART Son Trésor LA GRIMACE (Th. Grenelle). La Ville sans Amour GRAND GUIGNOL 8 45, Asile de Nuit. GRENELLE (la Grimace) La Ville sans Amour GYMNASE. 9. Double. mademoiselle. 8.45. Broadway. MARIGNY Un coup de Roulis mathurins. 9, Le
8.45. Broadway. MARIGNY Un coup de Roulis mathurins. 9, Le Mariage de Mlle. Beulemans. MICHODIÈRE 8.45. Sur mon beau Navire. Michel. 8.50. Je t’attendais. MOGADOR 8 30. Rose Marie (musical). NOUVEAUTÉS. 8 30. Eusèbe. ŒUVRE. Le Cercle. PALAIS-ROYAL. L'Âge d'Or PORTUGAL MARTIN. 8. 40, Le Retour de Jérusalem. potiche (Comédies Associées). 9, L’Amant. RENAISSANCE 9. Ces Dames du 13. SARAH BERNHARDT 8, L’Aiglon. scala 8.30, L'Affaire de Montretont studio des champs élysées Cœur à gauche. T F e r: r S 8.45, M. le Directeur. THÉÂTRE DES CHAMPS-ÉLYSÉES. 9. Pirelli THEÂTRE DE PARIS Course à l’Étoile trianon livre 8.30, Les