translate English to French: I also added many short delays, in the 5 to 50 milliseconds range to these instruments in order to imitate the “timbral density” of the orchestral and voice parts.
One example: Attack: 100 (milliseconds) Release: 12 Ratio: 20:1 Threshold: -30 dB. These types of settings produce an articulation similar to a musical articulation of sfp (Fast loud attack and quick decay to soft).