translate English to French: The visual images, according to Rancière, share the same logic of the parallel historical narratives, the “modes of discourse, forms of life, conceptions of thoughts, figures of the community,” as well as the ability to act as “historical agents.” [29] The logic of ethos, the constituting force that determines the recognizable, the visible and the invisible, of speech and noise, Rancière suggested, could be explained by the Kantian theory of the system of a priori. [30] We intuitively distinguish whether the images are acceptable or unacceptable, desirable or resentful, holy or defiling, according to the normative forms of knowledge and the unspoken habitus we share with the community.
Ou à la question que pose Lacan : « ce regard, d’où vient-il ?