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Auerbach, Jonathan (2011). Film Noir and American Citizenship. Durham, N.C.: Duke University Press. ISBN 978-0-8223-4993-8

Chopra-Gant, Mike (2005). Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir. London: IB Tauris. ISBN 978-1-85043-838-0

Cochran, David (2000). America Noir: Underground Writers and Filmmakers of the Postwar Era. Washington, D.C.: Smithsonian Institution Press. ISBN 978-1-56098-813-7

Dickos, Andrew (2002). Street with No Name: A History of the Classic American Film Noir. Lexington: University Press of Kentucky. ISBN 978-0-8131-2243-4

Dimendberg, Edward (2004). Film Noir and the Spaces of Modernity. Cambridge, Mass., and London: Harvard University Press. ISBN 978-0-674-01314-8

Dixon, Wheeler Winston (2009). Film Noir and the Cinema of Paranoia. New Brunswick, N.J.: Rutgers University Press. ISBN 978-0-8135-4521-9

Grossman, Julie (2009). Rethinking the Femme Fatale in Film Noir: Ready for Her Close-Up. Basingstoke, UK: Palgrave Macmillan. ISBN 978-0-230-23328-7

Hannsberry, Karen Burroughs (1998). Femme Noir: Bad Girls of Film. Jefferson, N.C.: McFarland. ISBN 978-0-7864-0429-2

Hannsberry, Karen Burroughs (2003). Bad Boys: The Actors of Film Noir. Jefferson, N.C.: McFarland. ISBN 978-0-7864-1484-0

Hare, William (2003). Early Film Noir: Greed, Lust, and Murder Hollywood Style. Jefferson, N.C.: McFarland. ISBN 978-0-7864-1629-5

Hogan, David J. (2013). Film Noir FAQ. Milwaukee, WI: Hal Leonard. ISBN 978-1-55783-855-1

Kaplan, E. Ann, ed. (1998). Women in Film Noir, new ed. London: British Film Institute. ISBN 978-0-85170-666-5

Keaney, Michael F. (2003). Film Noir Guide: 745 Films of the Classic Era, 1940–1959. Jefferson, N.C.: McFarland. ISBN 978-0-7864-1547-2

Mason, Fran (2002). American Gangster Cinema: From Little Caesar to Pulp Fiction. Houndmills, UK: Palgrave. ISBN 978-0-333-67452-9

Mayer, Geoff, and Brian McDonnell (2007). Encyclopedia of Film Noir. Westport, Conn.: Greenwood. ISBN 978-0-313-33306-4

McArthur, Colin (1972). Underworld U.S.A. New York: Viking. ISBN 978-0-670-01953-3

Osteen, Mark. Nightmare Alley: Film Noir and the American Dream (Johns Hopkins University Press; 2013) 336 pages; interprets film noir as a genre that challenges the American mythology of upward mobility and self-reinvention.

Palmer, R. Barton (1994). Hollywood's Dark Cinema: The American Film Noir. New York: Twayne. ISBN 978-0-8057-9335-2

Palmer, R. Barton, ed. (1996). Perspectives on Film Noir. New York: G.K. Hall. ISBN 978-0-8161-1601-0

Pappas, Charles (2005). It's a Bitter Little World: The Smartest, Toughest, Nastiest Quotes from Film Noir. Iola, Wisc.: Writer's Digest Books. ISBN 978-1-58297-387-6

Rabinowitz, Paula (2002). Black & White & Noir: America's Pulp Modernism. New York: Columbia University Press. ISBN 978-0-231-11481-3

Schatz, Thomas (1997). Boom and Bust: American Cinema in the 1940s. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0-684-19151-5

Selby, Spencer (1984). Dark City: The Film Noir. Jefferson, N.C.: McFarland. ISBN 978-0-89950-103-1

Shadoian, Jack (2003). Dreams and Dead Ends: The American Gangster Film, 2d ed. Oxford and New York: Oxford University Press. ISBN 978-0-19-514291-4

Silver, Alain, and James Ursini (1999). The Noir Style. Woodstock, N.Y.: Overlook Press. ISBN 978-0-87951-722-9

Spicer, Andrew (2002). Film Noir. Harlow, UK: Pearson Education. ISBN 978-0-582-43712-8

Starman, Ray (2006). TV Noir: the 20th Century. Troy, N.Y.: The Troy Bookmakers Press. ISBN 978-1-933994-22-2