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Abbas, M. Ackbar (1997). Hong Kong: Culture and the Politics of Disappearance. Minneapolis: University of Minnesota Press. ISBN 978-0-8166-2924-4

Appel, Alfred (1974). Nabokov's Dark Cinema. Oxford and New York: Oxford University Press. ISBN 978-0-19-501834-9

Aziz, Jamaluddin Bin (2005). "Future Noir", chap. in "Transgressing Women: Investigating Space and the Body in Contemporary Noir Thrillers". Ph. D. dissertation, Department of English and Creative Writing, Lancaster University (chapter available online ).

Ballinger, Alexander, and Danny Graydon (2007). The Rough Guide to Film Noir. London: Rough Guides. ISBN 978-1-84353-474-7

Bernstein, Matthew (1995). "A Tale of Three Cities: The Banning of Scarlet Street", Cinema Journal 35, no. 1.

Biesen, Sheri Chinen (2005). Blackout: World War II and the Origins of Film Noir. Baltimore: Johns Hopkins University Press. ISBN 978-0-8018-8217-3

Borde, Raymond, and Etienne Chaumeton (2002 [1955]). A Panorama of American Film Noir, 1941–1953, trans. Paul Hammond. San Francisco: City Lights Books. ISBN 978-0-87286-412-2

Bould, Mark (2005). Film Noir: From Berlin to Sin City. London and New York: Wallflower. ISBN 978-1-904764-50-2

Butler, David (2002). Jazz Noir: Listening to Music from Phantom Lady to The Last Seduction. Westport, Conn.: Greenwood. ISBN 978-0-275-97301-8

Cameron, Ian, ed. (1993). The Book of Film Noir. New York: Continuum. ISBN 978-0-8264-0589-0

Christopher, Nicholas (1998 [1997]). Somewhere in the Night: Film Noir and the American City, 1st paperback ed. New York: Owl/Henry Holt. ISBN 978-0-8050-5699-0

Clarens, Carlos (1980). Crime Movies: An Illustrated History. New York: W.W. Norton. ISBN 978-0-393-01262-0

Conard, Mark T. (2007). The Philosophy of Neo-Noir. Lexington: University Press of Kentucky. ISBN 978-0-8131-2422-3

Copjec, Joan, ed. (1993). Shades of Noir. London and New York: Verso. ISBN 978-0-86091-625-3

Creeber, Glen (2007). The Singing Detective. London: BFI Publishing. ISBN 978-1-84457-198-7

Dancyger, Ken, and Jeff Rush (2002). Alternative Scriptwriting: Successfully Breaking the Rules, 3d ed. Boston and Oxford: Focal Press. ISBN 978-0-240-80477-4

Dargis, Manohla (2004). "Philosophizing Sex Dolls amid Film Noir Intrigue", The New York Times, September 17 (available online).

Davis, Blair (2004). "Horror Meets Noir: The Evolution of Cinematic Style, 1931–1958", in Horror Film: Creating and Marketing Fear, ed. Steffen Hantke. Jackson: University Press of Mississippi. ISBN 978-1-57806-692-6

Downs, Jacqueline (2002). "Richard Fleischer", in Contemporary North American Film Directors: A Wallflower Critical Guide, 2d ed., ed. Yoram Allon, Del Cullen, and Hannah Patterson. London and New York: Wallflower. ISBN 978-1-903364-52-9

Durgnat, Raymond (1970). "Paint It Black: The Family Tree of the Film Noir", Cinema 6/7 (collected in Gorman et al., The Big Book of Noir, and Silver and Ursini, Film Noir Reader [1]).

Erickson, Glenn (2004). "Fate Seeks the Loser: Edgar G. Ulmer's Detour", in Silver and Ursini, Film Noir Reader 4, pp. 25–31.

Gorman, Ed, Lee Server, and Martin H. Greenberg, eds. (1998). The Big Book of Noir. New York: Carroll & Graf. ISBN 978-0-7867-0574-0

Greene, Naomi (1999). Landscapes of Loss: The National Past in Postwar French Cinema. Princeton, N.J.: Princeton University Press. ISBN 978-0-691-00475-4

Greenspun, Roger (1973). "Mike Hodges's 'Pulp' Opens; A Private Eye Parody Is Parody of Itself", The New York Times, February 9 (available online).

Hanson, Helen (2008). Hollywood Heroines: Women in Film Noir and the Female Gothic Film. London and New York: I.B. Tauris. ISBN 978-1-84511-561-6

Hayde, Michael J. (2001). My Name's Friday: The Unauthorized But True Story of Dragnet and the Films of Jack Webb. Nashville, Tenn.: Cumberland House. ISBN 978-1-58182-190-1

Hirsch, Foster (1999). Detours and Lost Highways: A Map of Neo-Noir. Pompton Plains, N.J.: Limelight. ISBN 978-0-87910-288-3

Hirsch, Foster (2001 [1981]). The Dark Side of the Screen: Film Noir. New York: Da Capo. ISBN 978-0-306-81039-8

Holden, Stephen (1999). "Hard-Boiled as a Two-Day-Old Egg at a Two-Bit Diner", The New York Times, October 8 (available online).

Holm, D. K. (2005). Film Soleil. Harpenden, UK: Pocket Essentials. ISBN 978-1-904048-50-3

Hunter, Stephen (1982). "Blade Runner", in his Violent Screen: A Critic's 13 Years on the Front Lines of Movie Mayhem (1995), pp. 196–99. Baltimore: Bancroft. ISBN 978-0-9635376-4-5

Irwin, John T. (2006). Unless the Threat of Death is Behind Them: Hard-Boiled Fiction and Film Noir. Baltimore: Johns Hopkins University Press. ISBN 978-0-8018-8435-1

James, Nick (2002). "Back to the Brats", in Contemporary North American Film Directors, 2d ed., ed. Yoram Allon, Del Cullen, and Hannah Patterson, pp. xvi–xx. London: Wallflower. ISBN 978-1-903364-52-9

Jones, Kristin M. (2009). "Dark Cynicism, British Style", Wall Street Journal, August 18 (available online).

Kennedy, Harlan (1982). "Twenty-First Century Nervous Breakdown", Film Comment, July/August.

Kirgo, Julie (1980). "Farewell, My Lovely (1975)", in Silver and Ward, Film Noir: An Encyclopedic Reference, pp. 101–2.

Kolker, Robert (2000). A Cinema of Loneliness, 3d ed. Oxford and New York: Oxford University Press. ISBN 978-0-19-512350-0

Krutnik, Frank, Steve Neale, and Brian Neve (2008). "Un-American" Hollywood: Politics and Film in the Blacklist Era. New Brunswick, N.J.: Rutgers University Press. ISBN 978-0-8135-4198-3

Lynch, David, and Chris Rodley (2005). Lynch on Lynch, rev. ed. New York and London: Faber and Faber. ISBN 978-0-571-22018-2

Lyons, Arthur (2000). Death on the Cheap: The Lost B Movies of Film Noir. New York: Da Capo. ISBN 978-0-306-80996-5

Macek, Carl (1980). "City Streets (1931)",  in Silver and Ward, Film Noir: An Encyclopedic Reference, pp. 59–60.

Macek, Carl, and Alain Silver (1980). "House on 92nd Street (1945)", in Silver and Ward, Film Noir: An Encyclopedic Reference, pp. 134–35.

Mackendrick, Alexander (2006). On Film-making: An Introduction to the Craft of the Director. New York: Macmillan. ISBN 978-0-571-21125-8

Marshman, Donald (1947). "Mister 'See'-Odd-Mack'", Life, August 25.

Martin, Richard (1997). Mean Streets and Raging Bulls: The Legacy of Film Noir in Contemporary American Cinema. Lanham, Md.: Scarecrow Press. ISBN 0-8108-3337-9

Maslin, Janet (1996). "Deadly Plot by a Milquetoast Villain", The New York Times, March 8 (available online).

McGilligan, Patrick (1997). Fritz Lang: The Nature of the Beast. New York and London: Faber and Faber. ISBN 978-0-571-19375-2

Muller, Eddie (1998). Dark City: The Lost World of Film Noir. New York: St. Martin's. ISBN 978-0-312-18076-8

Naremore, James (2008). More Than Night: Film Noir in Its Contexts, 2d ed. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0-520-25402-2

Neale, Steve (2000). Genre and Hollywood. London and New York: Routledge. ISBN 978-0-415-02606-2

Ottoson, Robert (1981). A Reference Guide to the American Film Noir: 1940–1958. Metuchen, N.J., and London: Scarecrow Press. ISBN 978-0-8108-1363-2

Palmer, R. Barton (2004). "The Sociological Turn of Adaptation Studies: The Example of Film Noir", in A Companion To Literature And Film, ed. Robert Stam and Alessandra Raengo, pp. 258–77. Maiden, Mass., Oxford, and Carlton, Australia: Blackwell. ISBN 978-0-631-23053-3

Place, Janey, and Lowell Peterson (1974). "Some Visual Motifs of Film Noir", Film Comment 10, no. 1 (collected in Silver and Ursini, Film Noir Reader [1]).

Porfirio, Robert (1980). "Stranger on the Third Floor (1940)", in Silver and Ward, Film Noir: An Encyclopedic Reference, p. 269.

Ray, Robert B. (1985). A Certain Tendency of the Hollywood Cinema, 1930–1980. Princeton, N.J.: Princeton University Press. ISBN 978-0-691-10174-3

Richardson, Carl (1992). Autopsy: An Element of Realism in Film Noir. Metuchen, N.J., and London: Scarecrow Press. ISBN 978-0-8108-2496-6

Sanders, Steven M. (2006). "Film Noir and the Meaning of Life", in The Philosophy of Film Noir, ed. Mark T. Conard, pp. 91–106. Lexington: University Press of Kentucky. ISBN 978-0-8131-9181-2

Sarris, Andrew (1996 [1968]). The American Cinema: Directors and Directions, 1929–1968. Cambridge, Mass.: Da Capo. ISBN 978-0-306-80728-2

Schatz, Thomas (1981). Hollywood Genres: Formulas, Filmmaking, and the Studio System. New York: Random House. ISBN 978-0-07-553623-9

Schatz, Thomas (1998 [1996]). The Genius of the System: Hollywood Filmmaking in the Studio Era, new ed. London: Faber and Faber. ISBN 978-0-571-19596-1

Schrader, Paul (1972). "Notes on Film Noir", Film Comment 8, no. 1 (collected in Silver and Ursini, Film Noir Reader [1]).

Server, Lee (2002). Robert Mitchum: "Baby I Don't Care". New York: Macmillan. ISBN 978-0-312-28543-2

Server, Lee (2006). Ava Gardner: "Love Is Nothing". New York: Macmillan. ISBN 978-0-312-31209-1

Silver, Alain (1996 [1975]). "Kiss Me Deadly: Evidence of a Style", rev. ver., in Silver and Ursini, Film Noir Reader [1], pp. 209–35 (available online ).

Silver, Alain (1996). "Introduction", in Silver and Ursini, Film Noir Reader [1], pp. 3–15 (available online ).

Silver, Alain, and James Ursini (and Robert Porfirio—vol. 3), eds. (2004 [1996–2004]). Film Noir Reader, vols. 1–4. Pompton Plains, N.J.: Limelight.

Silver, Alain, and Elizabeth Ward (1992). Film Noir: An Encyclopedic Reference to the American Style, 3d ed. Woodstock, N.Y.: Overlook Press. ISBN 978-0-87951-479-2 (See also: Silver, Ursini, Ward, and Porfirio [2010]. Film Noir: The Encyclopedia, 4th rev., exp. ed. Overlook. ISBN 978-1-59020-144-2)

Slocum, J. David (2001). Violence and American Cinema. London and New York: Routledge. ISBN 978-0-415-92810-6

Spicer, Andrew (2007). European Film Noir. Manchester, UK: Manchester University Press. ISBN 978-0-7190-6791-4

Telotte, J. P. (1989). Voices in the Dark: The Narrative Patterns of Film Noir. Urbana and Chicago: University of Illinois Press. ISBN 978-0-252-06056-4

Thomson, David (1998). A Biographical Dictionary of Film, 3d ed. New York: Knopf. ISBN 978-0-679-75564-7

Turan, Kenneth (2008). "UCLA's Pre-Code Series", Los Angeles Times, January 27 (available online).

Tuska, Jon (1984). Dark Cinema: American Film Noir in Cultural Perspective. Westport, Conn., and London: Greenwood. ISBN 978-0-313-23045-5

Tyree, J. M., and Ben Walters (2007). The Big Lebowski. London: BFI Publishing. ISBN 978-1-84457-173-4

Ursini, James (1995). "Angst at Sixty Fields per Second", in Silver and Ursini, Film Noir Reader [1], pp. 275–87.

"Variety staff" (anon.) (1940). "Stranger on the Third Floor" [review], Variety (excerpted online).

"Variety staff" (anon.) (1955). "Kiss Me Deadly" [review], Variety (excerpted online).

Vernet, Marc (1993). "Film Noir on the Edge of Doom", in Copjec, Shades of Noir, pp. 1–31.

Wager, Jans B. (2005). Dames in the Driver's Seat: Rereading Film Noir. Austin: University of Texas Press. ISBN 978-0-292-70966-9

Walker, Michael (1992). "Robert Siodmak", in Cameron, The Book of Film Noir, pp. 110–51.

White, Dennis L. (1980). "Beast of the City (1932)", in Silver and Ward, Film Noir: An Encyclopedic Reference, pp. 16–17.

Widdicombe, Toby (2001). A Reader's Guide to Raymond Chandler. Westport, Conn.: Greenwood. ISBN 978-0-313-30767-6

Williams, Linda Ruth (2005). The Erotic Thriller in Contemporary Cinema. Bloomington: Indiana University Press. ISBN 978-0-253-34713-8