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In some aspects, it is more archaic than the other Romance languages. Based on the written documents that are identified as Mozarabic, some examples of these more archaic features are the preservation of the Latin consonant clusters CL, FL, PL, and intervocalic P, T and C (K) as voiceless, as in the Mozarabic words lopa (she-wolf), toto (all) and formica (ant).

The morphology of some words is closer to Latin than other Iberian Romance or Romance languages in general. This Romance variety had a significant impact in the formation of Portuguese, Spanish and especially Andalusian Spanish, which explains why these languages have several words of Andalusi Arabic origin (Mozarabic was, understandably, quite influenced by Arabic and vice versa).

It was spoken by Mozarabs (Christians living as dhimmis), Muladis (the native Iberian population converted to Islam) and some layers of the ruling Arabs and Berbers. The cultural language of Mozarabs continued to be Latin, but as time passed, young Mozarabs studied and even excelled at Arabic. Due to the northwards migration of Mozarabs, we can find Arabic placenames in areas where Islamic rule did not last long. With the deepening of Islamization and the advance of the Reconquista, Mozarabic was substituted either by Arabic or by Northern Romance varieties, depending on the area and century.

Documents in Mozarabic (Old Southern Iberian Romance)

Some texts found in manuscripts of poetry in Muslim Iberian Peninsula (Al-Andalus), although mainly written in Arabic, have however some stanzas in mozarabic (Latino) or in what seems to be Mozarabic. These are important texts because there are few examples of written Mozarabic language.

In Late Latin and Early romance Roger Wright also makes an analysis of these poetry texts known as kharjas:

Muslim Spain has acquired philological interest for a further reason: the kharjas. These are apparently bilingual (Arabic-Romance) or macaronic final stanzas of some verses in the Hispano-Arabic muwashshaha form discovered in some Arabic and Hebrew manuscripts (...). Analyses of these have been hampered in the past by the belief that we know too little about mozárabe Romance to discuss the "Romance" element on a sound basis; but this is not entirely true. (...) The detailed investigations by Galmés de Fuentes (e.g. 1977, 1980) on later documents and toponyms have established the main features of mozárabe phonology, and many features of its morphology (...). The conclusion seems to be that mozárabe Romance is not particularly different from that of other parts of Iberia.