Gw mau tau Opera dari Christoph Willibald Gluck. Jelasin dalam bahasa melayu

Artaserse, Milan 26 Disember 1741

Demetrio, Venice 2 Mei 1742

Demofoonte, Milan 6 Januari 1743

Tigrane, Crema 26 September 1743

Sofonisba (atau Siface), Milan 18 Januari 1744

La finta schiava Venice 13 Mei 1744

Ipermestra, Venice 21 November 1744

Poro, Turin 26 Disember 1744

Ippolito, Milan 31 Januari 1745

La caduta de' Giganti Haymarket Theatre, London 7 Januari 1746

Artamene, Haymarket Theatre, London 4 Mac 1746

Le nozze d'Ercole e d'Ebe Pillnitz 29 June 1747

La Semiramide riconosciuta, Aachen 5 Mei 1748

La contesa de' Numi Charlottenburg 9 April 1749

Ezio Prague 26 Disember 1749

La clemenza di Tito, Naples 4 November 1752

Le Cinesi, Vienna, 24 September 1754

La Danza, Vienna, 5 Mei 1755

L'innocenza giustificata, Vienna, 8 Disember 1755

Antigono, Rom, 9 Februari 1756

Il rè pastore, Vienna, 8 Disember 1756

La fausse esclave, Vienna, 8 Januari 1758

L'ile de Merlin, ou Le monde renversé, Vienna, 3 October 1758

La Cythère assiégée, Vienna, awal 1759

Le diable à quatre, ou La double métamorphose 1759

L'arbre enchanté, ou Le tuteur dupé 1759

L'ivrogne corrigé, Vienna, April 1760

Tetide, Vienna, 10 October 1760

Don Juan  (balet), Vienna, 17 October 1761

Le cadi dupé, Vienna, 9 Disember 1761

Orfeo ed Euridice, Vienna 5 October 1762, semakan Paris 2 August 1774, skor

Il trionfo di Clelia, Bologna, 14 Mei 1763

La rencontre imprévue, Vienna, 7 Januari 1764

Il Parnaso Confuso, Vienna, 24 Januari 1765

Telemaco, o sia l'isola di Circe, Vienna, 30 Januari 1765

La Corona (tidak dipersembahkan, cadangan untuk 4 October 1765)

Il Prologo, 1767 (muzik pembukaan oleh Tommaso Traetta)

Alceste, Vienna 26 Disember 1767, semakan Paris 23 April 1776, skor

Le Feste d'Apollo, Parma, 24 August 1769

Paride ed Elena, Vienna 3 November 1770

Iphigénie en Aulide, Paris 19 April 1774, skor

Armide, Paris 23 September 1777, skor

Iphigénie en Tauride, Paris 18 Mei 1779

Echo et Narcisse, Paris 24 September 1779, skor

Bruce Alan Brown, Julian Rushton: Christoph Willibald Ritter von Gluck. GroveOnline: 11 November 2007

Bruce Alan Brown: Gluck and the French Theatre in Vienna. Oxford: Clarendon Press 1991

A. A. Abert: Christoph Willibald Gluck (Munich, 1959)

P. Howard: Gluck and the Birth of Modern Opera (London, 1963)

W. Felix: Christoph Willibald Gluck (Leipzig, 1965)

D. Heartz: ‘From Garrick to Gluck: the Reform of Theatre and Opera in the Mid-Eighteenth Century’, PRMA, xciv (1967–8), 111–27

J. Rushton: ‘The Musician Gluck’, MT, cxxvi (1987), 615–18

J. Kerman: Opera as Drama (New York, 1956, 2/1989)

F. W. Sternfeld: ‘Expression and Revision in Gluck’s Orfeo and Alceste’, Essays Presented to Egon Wellesz (Oxford, 1966), 114–29

P. Howard: ‘“Orfeo” and “Orphée”’, MT, cviii (1967), 892–4

P. Howard: ‘Gluck’s Two Alcestes: a Comparison’, MT, cxv (1974), 642–3

O. F. Saloman: Aspects of Gluckian Operatic Thought and Practice in France (diss., Columbia U., 1970)

J. Rushton: ‘Iphigénie en Tauride: the Operas of Gluck and Piccinni’, ML, liii (1972), 411–30

M. Noiray: Gluck’s Methods of Composition in his French Operas ‘Iphigénie en Aulide’, ‘Orphée’, ‘Iphigénie en Tauride’ (diss., U. of Oxford, 1979

P. Howard: ‘Armide: a Forgotten Masterpiece’, Opera, xxx (1982), 572–6

J. Rushton: ‘“Royal Agamemnon”: the Two Versions of Gluck’s Iphigénie en Aulide’, Music and the French Revolution, ed. M. Boyd (Cambridge, 1992), 15–36