Gw mau tau Hasil Karya dari Jean Baudrillard. Jelasin dalam bahasa jawa

Review of Understanding Media (L'Homme et la Société, Nr. 5, 1967) [RUM]

Le Système des objets (Paris: Gallimard, 1968); hal. 255-83 dipunterjemahaken minangka The System of Objects déning Jacques Mourrain, dalam Mark Poster, ed., Jean Baudrillard: Selected Writings (Stanford: 1988) hal.10-29.

La Société de consommation: ses mythes, ses structures (Paris: Gallimard, 1970); hal. 17-26 dipunterjemahaken minangka Consumer Society, ing Poster, 29-57 [CS]; hal. 174-85 dipunterjemahaken déning Paul Foss minangka Pop—An Art of Consumption," Paul Taylor, ed., Post-Pop Art (Cambridge: MIT, 1989) 33-44 [PAC]

For A Critique of the Political Economy of the Sign (St. Louis: Telos, 1972, 1981) Pent. Charles Levin. [CPES]

The Mirror of Production (St Louis: Telos, 1973,1975) pent. Mark Poster..

L'Echange symbolique et la mort (Paris: Gallimard, 1976); hal. 19-29 dipunterjemahaken dados Symbolic Exchange and Death, ing Poster, 119-149.

When Bataille Attacked the Metaphysical Principle of Economy, pent. David James Miller, Canadian Journal of Political and Social Theory 11:3 (1976, 1987) 57-62.

The Beaubourg-Effect: Implosion and Deterrence, October 20 (Spring 1982) 3-13; pent. Rosalind Krauss and Annette Michelson; aslinipun terbit taun 1977.

Forget Foucault (NY: Semiotext(e), 1977,1987). [FF]

In the Shadow of Silent Majorities or, The End of the Social and Other Essays (NY: Semiotext(e), 1978, 1983) pent. Paul Foss, John Johnston, lan Paul Patton. [SSM].

De la séduction (Paris: Éditions Galilée, 1979); hal. 75-92, 107-15, 241-3 dipunterjemahaken dados On Seduction, Poster, 149-65.

Simulations (NY: Semiotext(e), 1981, 1983) pente. Paul Foss, Paul Patton, dan Philip Beitchman. [SIM]

Beyond the Unconscious: The Symbolic, Discourse 3 (1981) 60-87; pent. Lee Hildreth.

Fatality or Reverse Imminence: Beyond the Uncertainty Principle, Social Research 49:2 (Summer 1982) 272-293; pent. Pamela Park.

Fatal Strategies (London: Pluto, 1983, 1990) pent. Philip Beitchman and W. G. J. Niesluchowski; ed. Jim Fleming. [FS]

Please Follow Me with Sophie Calle (Seattle: Bay Press, 1983, 1988).

What Are You Doing After the Orgy?, Artforum (October 1983) 42-6.

The Ecstasy of Communication, pent. John Johnston dalam Hal Foster, ed., The Anti-Aesthetic: Essays on Postmodern Culture (Port Townsend, WA: Bay Press, 1983) 126-134. [EC].

Intellectuals Commitment and Political Power, Wawancara kaliyan Maria Shevtsova, Thesis Eleven 10/11 (1984/85) 166-73.

L'an 2000 ne passera pas, Traverses 33/34 (1985) 8-16; pent. Nai-Fei Ding and Kuan-Hsing Chen dados The Year 2000 Has Already Happened dalam Arthur and Marilouise Kroker, eds., Body Invaders: Panic Sex In America (NY: St. Martin's, 1987) 35-44.

America (NY: Verso, 1986, 1988) pent. Chris Turner.

L'autre par lui-même (Paris: Éditions Galilée, 1987); pent. Bernard dan Caroline Schutze menjadi The Ecstasy of Communication (NY: Semiotext(e), 1988).

Beyond the Vanishing Point of Art," dipunterjemahaken Paul Foss ing Paul Taylor, ed., Post-Pop Art (Cambridge: MIT, 1987, 1989)

Forget Baudrillard, Interview dengan Sylvere Lotringer, dalam Forget Foucoult (1987).

Cool Memories (NY:Verso, 1987, 1990) pent. Chris Turner.

The Evil Demon of Images (Annandale, Australia: Power Institute Publications, 1987).

Modernity, pent. Miller, CJPST 11:3 (1987) 63-72.

Softly, Softly, pent. Malcolm Imrie, New Statesman 113:2919 (6 March 1987) 44.

A Perverse Logic and Drugs as Exorcism, Unesco Courier (July 1987) 7-9.

Hunting Nazis and Losing Reality, New Statesman 115:2969 (19 Feb 1988) 16-17.

The Anorexic Ruins, pent. David Antal, ing Dietmar Kampar dan Christof Wulf, eds., Looking Back on the End of the World (NY: Semiotext(e), 1989) 29-48.

L’Illusion de la fin (Galilee:Paris, 1992),

Vivisecting the 90s, wawancara kaliyan Caroline Bayard dan Graham Knight (Research in Semiotic Inquiry/Recherches semiotiques, Volume 16, No. 1-2, Spring 1996). [VV]

La conjuration des imbeciles (Liberation, May 7, 1997).

À l'ombre du millénaire ou Le suspens de l'an 2000. L'ombre du zèbre. (Paris: Sens & Tonka, 1998).