Gw mau tau Catatan dari Musik bising

Attali, Jacques. Noise: The Political Economy of Music, translated by Brian Massumi, foreword by Fredric Jameson, afterword by Susan McClary. Minneapolis: University of Minnesota Press, 1985.

Atton, Chris (2011). "Fan Discourse and the Construction of Noise Music as a Genre". Journal of Popular Music Studies, Volume 23, Issue 3, pages 324–42, September 2011.

Bangs, Lester. Psychotic Reactions and Carburetor Dung: The Work of a Legendary Critic, collected writings,edited by Greil Marcus. Anchor Press, 1988.

Biro, Matthew. The Dada Cyborg: Visions of the New Human in Weimar Berlin. Minneapolis: University of Minnesota Press, 2009.

Cage, John. Silence: Lectures and Writings. Wesleyan University Press, 1961. Reprinted 1973.

Cage, John. "The Future of Music: Credo (1937)". In John Cage, Documentary Monographs in Modern Art, edited by Richard Kostelanetz, Praeger Publishers, 1970

Cahoone, Lawrence. From Modernism to Postmodernism: An Anthology. Cambridge, Mass: Blackwell, 1996.

Cain, Nick  "Noise" in The Wire Primers: A Guide to Modern Music, Rob Young, ed., London: Verso, 2009.

Cascone, Kim. "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music".Computer Music Journal 24, no. 4 (Winter 2002): 12–18.

Cowell, Henry. The Joys of Noise in Audio Culture. Readings in Modern Music, edited by Christoph Cox and Dan Warner, pp. 22–24. New York: Continuum, 2004.  (hardcover)  (pbk)

Ocean Music by De Maria, Walter (1968)]

Gere, Charles. Art, Time and Technology: Histories of the Disappearing Body. Oxford: Berg Publishers, 2005.

Goodman, Steve. 2009. "Contagious Noise: From Digital Glitches to Audio Viruses". In The Spam Book: On Viruses, Porn and Other Anomalies From the Dark Side of Digital Culture, edited by Jussi Parikka and Tony D. Sampson, 125–40.. Cresskill, New Jersey: Hampton Press.

Hecht, Eugene. Optics, 4th edition. Boston: Pearson Education, 2001.

Hegarty, Paul. 2004. "Full with Noise: Theory and Japanese Noise Music". In Life in the Wires, edited by Arthur Kroker and Marilouise Kroker, 86–98. Victoria, Canada: NWPCtheory Books.

Hegarty, Paul. Noise/Music: A History. London: Continuum International Publishing Group, 2007.

Piekut, Benjamin. Experimentalism Otherwise: The New York Avant-Garde and Its Limits. Berkeley: University of California Press, 2012.

Kahn, Douglas. Noise, Water, Meat: A History of Sound in the Arts. Cambridge: MIT Press, 1999.

Kelly, Caleb. Cracked Media: The Sound of Malfunction Cambridge, Ma.: MIT Press, 2009.

Kemp, Mark. 1992. "She Who Laughs Last: Yoko Ono Reconsidered".  Option Magazine (July–August): 74–81.

Krauss, Rosalind E. 1979. The Originality of the Avant Garde and Other Modernist Myths. Cambridge: MIT Press. Reprinted as Sculpture in the Expanded Field. Cambridge: MIT Press, 1986.

LaBelle, Brandon. 2006. Background Noise: Perspectives on Sound Art. New York and London: Continuum International Publishing.

Landy, Leigh (2007),Understanding the Art of Sound Organization, Cambridge, Massachusetts: MIT Press, xiv, 303p.

Lewisohn, Mark. 1988. The Beatles Recording Sessions. New York: Harmony Books.

Lombardi, Daniele. 1981. "Futurism and Musical Notes". Artforum January 1981.

Masters, Marc. 2007. No Wave London: Black Dog Publishing.

Mereweather, Charles (ed.). 2007. Art Anti-Art Non-Art. Los Angeles: Getty Research Institute.

Nechvatal, Joseph. 2012. Immersion Into Noise. Ann Arbor: Open Humanities Press. .

Nechvatal, Joseph. 2000. Towards a Sound Ecstatic Electronica. New York: The Thing Post.thing.net

Pedersen, Steven Mygind. 2007. Notes on Joseph Nechvatal: Viral SymphOny. Alfred, New York: Institute for Electronic Arts, School of Art & Design, Alfred University.

Petrusich, Amanda. "Interview: Lou Reed Pitchfork net. (Accessed 13 September 2009)

Priest, Eldritch. "Music Noise". In his Boring Formless Nonsense: Experimental Music and The Aesthetics of Failure, 128–39. London: Bloomsbury Publishing; New York: Bloomsbury Academic, 2013. ;  (pbk).

Rice, Ron. 1994. A Brief History of Anti-Records and Conceptual Records. Unfiled: Music under New Technology 0402 [i.e., vol. 1, no. 2]: Republished online, Ubuweb Papers (Accessed 4 December 2009).

Ross, Alex. 2007. The Rest Is Noise: Listening to the Twentieth Century. New York: Farrar, Straus and Giroux.

Sangild, Torben. 2002. The Aesthetics of Noise. Copenhagen: Datanom. .  Reprinted at UbuWeb

Sanouillet, Michel, and Elmer Peterson (eds.). 1989. The Writings of Marcel Duchamp. New York: Da Capo Press.

Smith, Owen. 1998. Fluxus: The History of an Attitude. San Diego: San Diego State University Press.

Tunbridge, Laura. 2011. The Song Cycle. Cambridge and New York: Cambridge University Press. .

Watson, Ben. "Noise as Permanent Revolution: or, Why Culture Is a Sow Which Devours Its Own Farrow". In Noise & Capitalism, edited by Anthony and Mattin Iles, 104–20. Kritika Series. Donostia-San Sebastián: Arteleku Audiolab, 2009.

Watson, Steven. 2003. Factory Made: Warhol and the Sixties. New York: Pantheon.

Weiss, Allen S. 1995. Phantasmic Radio. Durham NC:  Duke University Press.

Young, Rob (ed.). 2009. The Wire Primers: A Guide To Modern Music. London: Verso.

Van Nort, Doug. (2006), Noise/music and representation systems, Organised Sound, 11(2), Cambridge University Press, pp 173–178.