Coba jelasin Bacaan selanjutnya dari Margaret Cavendish, Duchess of Newcastle-upon-Tyne dong

Diana G. Barnes, "Epistolary Restoration: Margaret Cavendish's Letters". Epistolary Community in Print, 1580–1664. Surrey: Ashgate, 2013. 137–196

Anna Battigelli, Margaret Cavendish and the Exiles of the Mind. Lexington: University Press of Kentucky, 1998.

Alexandra G. Bennett, "'Yes, and': Margaret Cavendish, the Passions and hermaphrodite Agency." Early Modern Englishwomen Testing Ideas. Ed. Jo Wallwork and Paul Salzman. Surrey: Ashgate, 2011. 75–88

Rebecca D'Monte, "Mirroring Female Power: Separatist Spaces in the Plays of Margaret Cavendish, Duchess of Newcastle". Female Communities 1600–1800: Literary Visions and Cultural Realities. Ed. Rebecca D'Monte and Nicole Pohl. New York: MacMillan, 2000. 93–110

Jane Donawerth, "The Politics of Renaissance Rhetorical Theory by Women". Political Rhetoric, Power, and Renaissance Women. Ed. C. Levin and P. A. Sullivan. Albany: SUNY Press, 1995. 257–272

Margaret J. M. Ezell Writing Women's Literary History. Baltimore: The Johns Hopkins University Press, 1996

Alison Findlay, Gweno Williams and Stephanie J. Hodgson-Wright, "'The Play is ready to be Acted': Women and dramatic production, 1570–1670". Women's Writing 6.1 (1999): 129–148

Amy Greenstadt, "Margaret's Beard". Early Modern Women: An Interdisciplinary Journal 5 (2010): 171–182

Theodora A. Jankowski, "Pure Resistance: Queer(y)ing Virginity in William Shakespeare's Measure for Measure and Margaret Cavendish's The Convent of Pleasure." Shakespeare Studies 26 (1998): 1–30

Katherine R. Kellett, "Performance, Performativity, and Identity in Margaret Cavendish's The Convent of Pleasure". SEL 48.2 (2008): 419–442

Kate Lilley, "Blazing Worlds: Seventeenth-Century Women's Utopian Writing". Women's Texts and Histories 1575–1760. Eds. Clare Brant and Diane Purkiss. London: Routledge, 1992. 102–133

Jeffrey Masten, Textual Intercourse: Collaboration, Authorship and Sexualities in Renaissance Drama. Cambridge: Cambridge University Press, 1997

Vimala Pasupathi, "New Model Armies: Re-contextualizing The Camp in Margaret Cavendish's Bell in Campo". ELH 78 (2011): 657–685

Kamille Stone Stanton, An Amazonian Heroickess': The Military Leadership of Queen Henrietta Maria in Margaret Cavendish's Bell in Campo (1662).' Early Theatre 10.2 (2007): 71–86 Ryan Stark, "Margaret Cavendish and Composition Style." Rhetoric Review 17 (1999): 264–81

Christine Mason Sutherland, "Aspiring to the Rhetorical Tradition: A Study of Margaret Cavendish,"in Listening to Their Voices, ed. M. Wertheimer, 255–71. Columbia, SC: University of South Carolina Press, 1997

Christine Mason Sutherland, "Margaret Cavendish, Duchess of Newcastle". The Dictionary of Literary Biography, Volume 281: British Rhetoricians and Logicians, 1500–1660, Second Series, 36–47. Detroit: Gale, 2003

Sophie Tomlinson, "'My Brain the Stage': Margaret Cavendish and the Fantasy of Female Performance". Women's Texts and Histories 1575–1760. Ed. Clare Brant and Diane Purkiss. London: Routledge, 1992. 134–163

Valerie Traub, The Renaissance of Lesbianism in Early Modern England. Cambridge: Cambridge University Press, 2002

Marion Wynne-Davies, '"Fornication in My Owne Defence': Rape, Theft and Assault Discourses in Margaret Cavendish's The Sociable Companion". Expanding the Canon of Early Modern Women's Writing. Ed. Paul Salzman. Cambridge: Cambridge Scholars Publishing, 2010. 14–48

Biography of Margaret Cavendish, Duchess of Newcastle, with links to online catalogues, on the website of Manuscripts and Special Collections, The University of Nottingham