Gw mau tau Artikel dari Harold Bloom

"On Extended Wings" ; Wallace Stevens' Longer Poems. By Helen Hennessy Vendler, (Review), The New York Times, October 5, 1969.

"Poets' meeting in the heyday of their youth; A Single Summer With Lord Byron", The New York Times, February 15, 1970.

"An angel's spirit in a decaying (and active) body" , The New York Times, November 22, 1970.

"The Use of Poetry" , The New York Times, November 12, 1975.

"Northrop Frye exalting the designs of romance; The Secular Scripture" , The New York Times, April 18, 1976.

"On Solitude in America" , The New York Times, August 4, 1977.

"The Critic/Poet" , The New York Times, February 5, 1978.

"A Fusion of Traditions: The Collected Works of Isaac Rosenberg" , The New York Times, July 22, 1979.

"Straight Forth Out of Self", The New York Times, June 22, 1980.

"The Heavy Burden of the Past; Poets", The New York Times, January 4, 1981.

"The Pictures of the Poet; The Painting and Drawings of William Blake, by Martin Butlin. Vol. I, Text. Vol. II, Plates" (review), The New York Times, January 3, 1982.

"A Novelist's Bible; The Story of the Stories, The Chosen People and Its God. By Dan Jacobson" (review), The New York Times, October 17, 1982.

"Isaac Bashevis Singer's Jeremiad; The Penitent, By Isaac Bashevis Singer" (review), The New York Times, September 25, 1983.

"Domestic Derangements; A Late Divorce, By A. B. Yehoshua Translated by Hillel Halkin" (review), The New York Times, February 19, 1984.

"War Within the Walls; In the Freud Archives, By Janet Malcolm" (review), The New York Times, May 27, 1984.

"His Long Ordeal by Laughter; Zuckerman Bound, A Trilogy and Epilogue. By Philip Roth" (review), The New York Times, May 19, 1985.

"A Comedy of Worldly Salvation; The Good Apprentice, By Iris Murdoch" (review), The New York Times, January 12, 1986.

"Freud, the Greatest Modern Writer" (review), The New York Times, March 23, 1986.

"Passionate Beholder of America in Trouble; Look Homeward, A Life of Thomas Wolfe. By David Herbert Donald" (review), The New York Times, February 8, 1987.

"The Book of the Father; The Messiah of Stockholm, By Cynthia Ozick" (review), The New York Times, March 22, 1987.

"Still Haunted by Covenant"  (review), The New York Times, January 31, 1988.

"New Heyday of Gnostic Heresies" , The New York Times, April 26, 1992.

"A Jew Among the Cossacks; The first English translation of Isaac Babel's journal about his service with the Russian cavalry. 1920 Diary, By Isaac Babel" (review), The New York Times, June 4, 1995.

"Kaddish; By Leon Wieseltier" (review), The New York Times, October 4, 1998.

"View; On First Looking into Gates's Crichton", The New York Times, June 4, 2000.

"What Ho, Malvolio! '; The election, as Shakespeare might have seen it", The New York Times, December 6, 2000.

"Macbush" (play), Vanity Fair, April 2004.

"The Lost Jewish Culture" , The New York Review of Books 54/11 (June 28, 2007) : 44–47 [reviews The Dreams of the Poem: Hebrew Poetry from Muslim and Christian Spain, 950–1492, translated, edited, and with an introduction by Peter Cole

"The Glories of Yiddish"  The New York Review of Books 55/17 (November 6, 2008) [reviews History of the Yiddish Language, by Max Weinreich, edited by Paul Glasser, translated from the Yiddish by Shlomo Noble with the assistance of Joshua A. Fishman]

"Yahweh Meets R. Crumb ", The New York Review of Books, 56/19 (December 3, 2009) [reviews The Book of Genesis, illustrated by R. Crumb]

"Will This Election Be the Mormon Breakthrough?" , The New York Times, November 12, 2011.

"Richard III: Victim or Monster? Asks Harold Bloom" , Newsweek, February 11, 2013.

Introduction to The Invention of Influence by Peter Cole , The Tablet, January 21, 2014.

Burrow, Colin, "The Magic Bloomschtick" (review of Harold Bloom, The American Canon: Literary Genius from Emerson to Pynchon, edited by David Mikics, Library of America, October 2019, 426 pp., ), London Review of Books, vol. 41, no. 22 (21 November 2019), pp. 21–25. "Harold Bloom will be remembered as a great provoker – of thought, of laughter, and of resistance. He didn't permanently reconfigure the literary landscape, but the idiosyncratic path he tracked across it is one few could follow." (Final two sentences of Burrow's review, p. 25.)