Kamu bisa jelasin ke aku soal Royal Gold Cup?

Royal Gold Cup atau Saint Agnes Cup adalah sebuah emas padat yang melapisi cangkir yang dihias dengan enamel dan mutiara. Benda tersebut dibuat untuk keluarga kerajaan Prancis pada akhir abad ke-14, dan kemudian diberikan kepada beberapa penguasa Inggris setelah disimpan selama hampir 300 tahun di Spanyol. Benda tersebut berada di British Museum sejak 1892, dimana benda tersebut biasanya disimpan di Ruang 40, dan umumnya dianggap merupakan contoh terbaik yang masih ada dari plakat Prancis akhir abad pertengahan.

"British Museum Investigation". Investigation of the 'rouge clair' glass on the Royal Gold Cup. British Museum. Accessed June 16, 2010

Buettner, Brigitte. Past Presents: New Year's Gifts at the Valois Courts, Ca. 1400. The Art Bulletin, Volume 83, Issue 4, 2001. 598

Campbell, Marian (1987); in Jonathan Alexander and Paul Binski (eds). Age of Chivalry, Art in Plantagenet England, 1200–1400. London: Royal Academy/Weidenfeld & Nicolson, 1987

Campbell, Marian (2001); in Blair, John and Ramsay, Nigel (eds). English Medieval Industries: Craftsmen, Techniques, Products, Continuum International Publishing Group, 2001,

Caxton, William (translation of Jacobus de Voragine). Golden Legend, online version of Temple Classics edition, 1275/1483, with modernized spelling.

Cherry, John. The Holy Thorn Reliquary. The British Museum Press, 2010,

Cowling, Jane. A Fifteenth-century Saint Play in Winchester. In Medieval and Renaissance Drama in England, Volume 13. Fairleigh Dickinson University Press, 2001.

Croft, Pauline. England and the Peace with Spain, 1604: Pauline Croft Analyses the Causes and Traces the Consequences of a Momentous Treaty. History Review, Issue 49, 2004

Dalton, Ormonde M. The Royal Gold Cup in the British Museum. London: British Museum, 1924

Henderson, George. Gothic. Penguin, 1967.

Hoving, Thomas. Greatest Works of Western Civilization. Artisan, 1997.

Lane, Barbara G. The Altar and the Altarpiece, Sacramental Themes in Early Netherlandish Painting. Harper & Row, 1984.

Legner, Anton (ed). Die Parler und der Schöne Stil, 1350-1400, Catalogue of an exhibition in the Schnütgen Museum, Köln, 1978. 3 vols.

Lightbown, Ronald W. Secular Goldsmiths' Work in Medieval France: A History. Reports of the Research Committee of the Society of Antiquaries of London. Volume XXXVI, 1978. 75–82

"Maryon (1971)": Maryon, Herbert. Metalwork and enamelling: a practical treatise on gold and silversmiths' work and their allied crafts. Courier Dover Publications, 1971.

Nash, Susie. Northern Renaissance Art, Oxford History of Art, Oxford University Press, 2008,

Needham, Paul, Twelve Centuries of Bookbindings 400–1600, 1979, Pierpoint Morgan Library/Oxford University Press

Osborne, Harold (ed). The Oxford Companion to the Decorative Arts. Oxford: Oxford University Press, 1975.

Snyder, James. Northern Renaissance Art. Harry N. Abrams, 1985.

Stratford, Jenny. The Bedford Inventories, Society of Antiquaries of London, 1993,

Stratford, Neil, in Baron, Françoise; Avril, François; Chapu, Phillipe; Gaborit-Chopin, Danielle; Perrot, Françoise. Les fastes du gothique: le siècle de Charles V. Paris, Galeries nationales du Grand Palais, Réunion des musées nationaux, 1981 (in French) – Catalogue of an exhibition including the cup (as the Coupe de Sainte Agnes)

Steane, John. The Archaeology of the Medieval English Monarchy. Routledge, 1999.

Ungerer, Gustav. Juan Pantoja De la Cruz and the Circulation of Gifts between the English and Spanish Courts in 1604/5. Shakespeare Studies, 1998

Ward, Gerald W. R. (ed). The Grove encyclopedia of materials and techniques in art. Oxford University Press US, 2008.

Wilson, David M. The British Museum; A History. The British Museum Press, 2002.