Saya mau tau Penghargaan dan nominasi dari Sholay

Daftar film India dengan keuntungan tertinggi

Banerjea, Koushik (2005). "'Fight Club': Aesthetics, Hybridisation and the Construction of Rogue Masculinities in Sholay and Deewar".  Dalam Kaur, Raminder; Sinha, Ajay J. Bollyworld: Popular Indian Cinema Through A Transnational Lens. SAGE. ISBN 978-0-7619-3321-2.

Banerjee, Shampa; Srivastava, Anil (1988). One Hundred Indian Feature Films: An Annotated Filmography. Taylor & Francis. ISBN 978-0-8240-9483-6.

Chopra, Anupama (2000). Sholay – The Making of a Classic. Penguin Books, India. ISBN 0-14-029970-X.

Dissanayake, Wimal (1993). "The concepts of evil and social order in Indian melodrama: an evolving dialectic".  Dalam Dissanayake, Wimal. Melodrama and Asian Cinema. Cambridge University Press. ISBN 978-0-521-41465-4.

Dissanayake, Wimal; Sahai, Malti (1992). Sholay, a cultural reading. Wiley Eastern. ISBN 978-81-224-0394-7.

Dudrah, Rajinder Kumar; Desai, Jigna (2008). The Bollywood Reader. McGraw-Hill. ISBN 978-0-335-22212-4.

Dwyer, Rachel (2005). One Hundred Bollywood Films. BFI. ISBN 978-1-84457-098-0.

Elliott, Emory; Payne, Jasmine; Ploesch, Patricia (2007). Global migration, social change, and cultural transformation. Macmillan. ISBN 978-0-230-60054-6.

Gallagher, Michael (1976). "Indian and Western Cinema: Film Report". Studies: an Irish Quarterly Review. Irish Province of the Society of Jesus. 65 (260). JSTOR 30090035.

Ganti, Tejaswini (2004). Bollywood: a guidebook to popular Hindi cinema. Taylor & Francis. ISBN 978-0-415-28854-5.

Hayward, S (2006). Cinema Studies: The Key Concepts. Routledge. ISBN 0-415-36782-4.

Heide, William Van der (2002). Malaysian cinema, Asian film: border crossings and national cultures. Amsterdam University Press. ISBN 978-90-5356-580-3.

Hogan, Patrick Colm (2008). Understanding Indian Movies: Culture, Cognition, and Cinematic Imagination. University of TEXAS Press. ISBN 978-0-292-77955-6.

Holtzman, Dina (2011). "Between Yaars: The Queering of Dosti in Contemporary Bollywood Films".  Dalam Bhattacharya Mehta, Rini; Pandharipande, Rajeshwari. Bollywood and Globalization: Indian Popular Cinema, Nation, and Diaspora. Anthem Press. ISBN 978-0-85728-782-3.

Jain, Manju (2009). Narratives Of Indian Cinema. Primus Books. ISBN 978-81-908918-4-4.

Jess-Cooke, Carolyn (2009). Film Sequels: Theory and Practice from Hollywood to Bollywood. Edinburgh University Press. ISBN 978-0-7486-2603-8.

Khan, Mohammad Zahir (1981). Dacoity in Chambal Valley. National.

Mishra, Vijay (2002). Bollywood Cinema: Temples of Desire. Routledge. ISBN 978-0-415-93015-4.

Morcom, Anna (2007). Hindi film songs and the cinema. Ashgate Publishing, Ltd. ISBN 978-0-7546-5198-7.

Prasad, M. Madhava (1998). Ideology of the Hindi Film: A Historical Construction. Oxford University Press, Incorporated. ISBN 978-0-19-564218-6.

Rao, Maithili (2003). "1976–1989: Rebels without a Cause".  Dalam Gulzar; Nihalani, Govind; Chatterjee, Saibal. Encyclopaedia of Hindi Cinema. Encyclopædia Britannica, Popular Prakashan. ISBN 978-81-7991-066-5.

Roy, Sharmishta (2003). "Art Direction: Sets, Reality, and Grandeur".  Dalam Gulzar; Nihalani, Govind; Chatterjee, Saibal. Encyclopaedia of Hindi Cinema. Encyclopædia Britannica, Popular Prakashan. ISBN 978-81-7991-066-5.

Sardar, Ziauddin (1998). "Dilip Kumar Made Me Do It".  Dalam Nandy, Ashis. The Secret Politics of Our Desires: Innocence, Culpability and Indian Popular Cinema. Palgrave Macmillan. ISBN 978-1-85649-516-5.

Sparks, Karen Jacobs (2008). Encyclopædia Britannica 2008. Encyclopædia Britannica. ISBN 978-1-59339-425-7.

Statistical Abstract of the United States: 1977 (PDF). US Bureau of the Census. 1977. Diakses tanggal 13 April 2013.

Varma, Pavan K. (2010). "Creativity and Distortion". Becoming Indian. Penguin Books India. ISBN 978-0-670-08346-6.

Zankar, Anil (2003). "Heroes and Villains: Good versus Evil".  Dalam Gulzar; Nihalani, Govind; Chatterjee, Saibal. Encyclopaedia of Hindi Cinema. Encyclopædia Britannica, Popular Prakashan. ISBN 978-81-7991-066-5.