Saya mau tau Buku dari Svetlana Alexievich

У войны не женское лицо (U voyny ne zhenskoe litso, War Does Not Have a Woman's Face), Minsk: Mastatskaya litaratura, 1985.

(Inggris) The Unwomanly Face of War, (extracts), from Always a Woman: Stories by Soviet Women Writers, Raduga Publishers, 1987.

(Inggris) War’s Unwomanly Face, Moscow: Progress Publishers, 1988, .

(Inggris) The Unwomanly Face of War: An Oral History of Women in World War II, Random House, 2017,

(Jerman) Der Krieg hat kein weibliches Gesicht. Henschel, Berlin 1987, .

(Jerman) New, expanded edition; übersetzt von Ganna-Maria Braungardt. Hanser Berlin, München 2013, .

(Portugis) A Guerra não Tem Rosto de Mulher. Elsinore, 2016.

(Georgia) ომს არ აქვს ქალის სახე. თბილისი: ინტელექტი, 2017.

Последние свидетели: сто недетских колыбельных (Poslednie svideteli: sto nedetskikh kolybelnykh, The Last Witnesses: A Hundred of Unchildlike Lullabys), Moscow: Molodaya Gvardiya, 1985

(Rusia) Последние свидетели: сто недетских колыбельных. Moscow, Palmira, 2004,

(Inggris) Last Witnesses: An Oral History of the Children of World War II. Random House, 2019 , translated by Richard Pevear and Larissa Volokhonsky.

(Jerman) Die letzten Zeugen. Kinder im Zweiten Weltkrieg. Neues Leben, Berlin 1989; neu: Aufbau, Berlin 2005, . (Originaltitel:  Poslednyje swedeteli). Neubearbeitung und Aktualisierung 2008. Aus dem Russischen von Ganna-Maria Braungardt. Berlin: Hanser-Berlin 2014,

(Portugis) As Últimas Testemunhas: Cem histórias sem infância. Elsinore, 2017.

Цинковые мальчики (Tsinkovye malchiki, Boys in Zinc), Moscow: Molodaya Gvardiya, 1991.

(Inggris, AS) Zinky Boys: Soviet Voices from the Afghanistan War. W W Norton 1992 (), translated by Julia and Robin Whitby.

(Inggris, Britania) Boys in Zinc. Penguin Modern Classics 2016 , translated by Andrew Bromfield.

(Jerman) Zinkjungen. Afghanistan und die Folgen. Fischer, Frankfurt am Main 1992, .

(Jerman) New, expanded edition; Hanser Berlin, München 2014, .*Зачарованные смертью (Zacharovannye smertyu, Enchanted with Death), Moscow: Slovo, 1994.

(Portugis). Rapazes de Zinco: A geração soviética caída na guerra do Afeganistão. Elsinore, 2017.

Зачарованные смертью (Zacharovannye Smertyu, Enchanted with Death) (Belarusian: 1993, Russian: 1994)

(Jerman) Im Banne des Todes. Geschichten russischer Selbstmörder. Fischer, Frankfurt am Main, 1994, ).

(Jerman) Seht mal, wie ihr lebt. Russische Schicksale nach dem Umbruch. Berlin (Aufbau, Berlin 1999, .

Чернобыльская молитва (Chernobylskaya molitva, Chernobyl Prayer), Moscow: Ostozhye, 1997.

(Inggris, US) Voices from Chernobyl: The Oral History of a Nuclear Disaster. Dalkey Archive Press 2005 (), translated by Keith Gessen.

(Inggris, UK) Chernobyl Prayer: A Chronicle of the Future. Penguin Modern Classics 2016 (), translated by Anna Gunin and Arch Tait. New translation of the revised edition published in 2013.

(Jerman) Tschernobyl. Eine Chronik der Zukunft. Aufbau, Berlin 2006, .

(Portugis). Vozes de Chernobyl: Histórias de um desastre nuclear., Elsinore, 2016.

Время секонд хэнд (Vremya sekond khend, Second-hand Time), Moscow: Vremia, 2013.

(Belarus) Час сэканд-хэнд (Канец чырвонага чалавека) / Святлана Алексіевіч. Перакл. з руск. Ц. Чарнякевіч, В. Стралко. — Мн.: Логвінаў, 2014. — 384 с. — (Бібліятэка Саюза беларускіх пісьменнікаў «Кнігарня пісьменніка»; выпуск 46). — .

(Jerman) Secondhand-Zeit. Leben auf den Trümmern des Sozialismus. Hanser Berlin, München 2013, ; als Taschenbuch: Suhrkamp, Berlin 2015, .

(Inggris, US) Secondhand Time: The Last of the Soviets. Random House 2016 (), translated by Bela Shayevich.

(Portugis) O Fim do Homem Soviético. Elsinore, 2017,

(Portugis Brazil) O Fim do Homem Soviético. Companhia das Letras, 2016,

Mothers, prostitutes, and the collapse of the USSR: the representation of women in Svetlana Aleksievich’s Zinky Boys Jeffrey W. Jones

Svetlana Aleksievich’s Voices from Chernobyl: between an oral history and a death lament Anna Karpusheva

The polyphonic performance of testimony in Svetlana Aleksievich’s Voices from Utopia Johanna Lindbladh

A new literary genre. Trauma and the individual perspective in Svetlana Aleksievich’s Chernobyl'skaia molitva Irina Marchesini

Svetlana Aleksievich’s changing narrative of the Soviet–Afghan War in Zinky Boys Holly Myers